WEBVTT

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<v Speaker 1>Hello, Hi, it's the old to do list you found

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<v Speaker 1>tucked in a book, haunting and taunting you like a creep.

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<v Speaker 1>Let's talk creepiness. Is this a study? This is a study?

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<v Speaker 1>Shirt iss. Did it have a name? No, it didn't.

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<v Speaker 1>It's too niche to listen. We very very rarely hear

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<v Speaker 1>at ologies have to coin an ology. Usually there's something

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<v Speaker 1>in the literature. But in this case I had to

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<v Speaker 1>do it, and it took me a while, and then

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<v Speaker 1>I figured it out. So surpo means to creep in Latin,

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<v Speaker 1>like a serpent, and this expert kind of blazed a shadowy,

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<v Speaker 1>overgrown trail to study what makes something creepy? Why are

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<v Speaker 1>some dolls creepy? Why does AI creep you out? How

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<v Speaker 1>do you know if you are creepy? When isn't a

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<v Speaker 1>version to creepiness unfair? And when is it warranted? And

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<v Speaker 1>where does this come from in our lineage? So we're

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<v Speaker 1>going to get to that in just a second. But first,

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<v Speaker 1>thank you to the patrons at patreon dot com slash

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<v Speaker 1>ologies who contribute as little as a dollar a month

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<v Speaker 1>to support the show, and they leave their questions even

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<v Speaker 1>in audio before we record. Thank you to everyone out

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<v Speaker 1>there where Ologies Merch from ologiesmerch dot com. Also thank

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<v Speaker 1>you for lifting our spirits out of the muck with

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<v Speaker 1>your sweet reviews which I read every week, such as

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<v Speaker 1>this just left one from it's Rosa reading, who wrote pottery.

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<v Speaker 1>Have I ever cared before?

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<v Speaker 2>No?

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<v Speaker 1>Was I riveted to your latest episode? Yes. Rosa also

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<v Speaker 1>said in the review that it was so nice to

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<v Speaker 1>meet you recently in Reno, where I had given a

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<v Speaker 1>talk and agreed it's always wonderful to hang out with

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<v Speaker 1>oligites before or after a keynote or show or during.

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<v Speaker 1>Also fun surprise, if you're in New York, mark the

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<v Speaker 1>calendar for Monday November seventeenth. I'm doing my first ever

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<v Speaker 1>live show there piloting it, so please save the date

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<v Speaker 1>Monday November seventeenth in New York. Patrons will get all

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<v Speaker 1>the details and the ticket link first, just in case

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<v Speaker 1>you're signed up at Patreon dot com. Slash Ologies also

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<v Speaker 1>thank you to sponsors of the show for making it

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<v Speaker 1>possible for us to donate to a cause of theologists

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<v Speaker 1>choosing every week get value.

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<v Speaker 3>You can't argue with Ottesco with their amazing club card crisis.

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<v Speaker 3>Serve up something special with our finest meal deal for

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<v Speaker 3>online Tesco. Every Little Helps available at most stores, prices

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<v Speaker 3>very in express.

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<v Speaker 2>You're on the bus an hour from home, in bumper

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<v Speaker 2>to bumper traffic, creeping forward a few inches at a time,

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<v Speaker 2>someone's kids are screaming, and suddenly your back is too. Luckily,

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<v Speaker 2>Panadal extra film coated tablets are boosted by caffeine and

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<v Speaker 2>they get to work in as little as ten minutes

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<v Speaker 2>for powerful relief. That's more than just paracetamol. That's one

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<v Speaker 2>for Pana doll speed based on absorption data contains paracetamol.

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<v Speaker 2>Always read the label or leaflet.

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<v Speaker 1>Okay, let's get into it. This guest is a professor

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<v Speaker 1>emeritis of psychology and Knox College in Illinois, and studied

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<v Speaker 1>psychology at King's College, got a PhD in experimental psychology

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<v Speaker 1>from the University of Maine. They focus on human social

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<v Speaker 1>behavior from an evolutionary perspective, why do we feel what

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<v Speaker 1>we feel? And Yes, for this episode, we'll talk about

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<v Speaker 1>their work in creepiness. So let's dive into that as

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<v Speaker 1>we kick off a month of Spootober episodes just to

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<v Speaker 1>delight and keep active the hairs on the back of

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<v Speaker 1>your neck. But it's fun. Okay, let's learn what's creepy

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<v Speaker 1>and why with Professor experimental Psychologist Ick Authority and thus

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<v Speaker 1>let's just say serpopsychologist doctor Frank McAndrew. When I got

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<v Speaker 1>the note back that you had said yes to this,

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<v Speaker 1>I remember I was on the freeway. I was like, oh,

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<v Speaker 1>my husband was driving.

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<v Speaker 4>I was like, we got the creepy guy. Well, it

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<v Speaker 4>is what it is, right.

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<v Speaker 1>I'm sorry to call you the creepy guy, because you're

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<v Speaker 1>exactly not that, because you study creepiness.

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<v Speaker 4>Well, let me stop you right there, because there's an

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<v Speaker 4>old saying in psychology that research is me search, which means,

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<v Speaker 4>of course that psychologists study things that are issues in

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<v Speaker 4>their own life. So don't jump to any conclusions.

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<v Speaker 1>I understand that one of the first papers on creepiness

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<v Speaker 1>from you was this in twenty sixteen that it.

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<v Speaker 4>Came t sixteen, right?

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<v Speaker 1>What led up to that? Were you doing me search

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<v Speaker 1>about creepiness and could find nothing in the academic record?

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<v Speaker 4>Well, I was doing research, not necessarily mesearch. I don't

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<v Speaker 4>know what prompted it exactly. I started noticing how often

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<v Speaker 4>I was hearing the term. You know, people would say, Oh,

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<v Speaker 4>I'm not this guy, just creep me out, or you know,

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<v Speaker 4>I was in this place that was really creepy, and

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<v Speaker 4>I was hearing it over and over and again, and

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<v Speaker 4>so I started asking people, well, when you say that,

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<v Speaker 4>what do you mean. Is it the same thing as

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<v Speaker 4>being afraid? Is it a same as being disgusted? And

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<v Speaker 4>they always said no, it's something completely different. And so

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<v Speaker 4>I got curious, Well, what is this thing we call creepiness?

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<v Speaker 4>And being a good academic, I went to the literature

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<v Speaker 4>and I was just blown away. There was not a

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<v Speaker 4>single study, not even one ever done on creepiness. So

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<v Speaker 4>I saw the chance to do something kind of fun

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<v Speaker 4>and new. And I was working with a student who

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<v Speaker 4>was looking for a research project, Sarah Kenke, who was

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<v Speaker 4>the co author on the first paper.

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<v Speaker 1>And Sarah Keanke, Frank tells me, worked as a model

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<v Speaker 1>as well, this gorgeous woman in higher education who also

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<v Speaker 1>happened to be born without a complete arm, and she

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<v Speaker 1>was an athlete and represented the state of Illinois in

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<v Speaker 1>the Beijing Paralympics. And she would tell Frank that she

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<v Speaker 1>had discovered that, in addition to just guys hitting her up,

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<v Speaker 1>there's this whole world of men out there that are

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<v Speaker 1>apparently attracted to disabled women. But Frank tells me, naturally,

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<v Speaker 1>she was very interested in the topic of creepiness, and

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<v Speaker 1>Sarah co authored his first paper on creepiness, the twenty

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<v Speaker 1>sixteen Study on the Nature of Creepiness, which was published

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<v Speaker 1>in New Ideas and Psychology. And also just a reminder

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<v Speaker 1>of why science benefits from inclusivity. Science is only as

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<v Speaker 1>strong as the questions it answers, and who is asking

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<v Speaker 1>the questions really matters. And for more on that, we

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<v Speaker 1>have an episode on disability sociology with the wonderful doctor

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<v Speaker 1>Gwen Chambers. But yeah, let's dive into the nuts and

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<v Speaker 1>bolts of what that study revealed. Well, what is creepy.

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<v Speaker 1>There's things that are scary and there's things that are creepy.

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<v Speaker 1>Not all scary things are creepy. Not all creepy things

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<v Speaker 1>are scary. Imagine there's some sort of Venn diagram here,

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<v Speaker 1>what's the difference that makes your shoulders kind of like

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<v Speaker 1>go up and protect your neck.

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<v Speaker 4>I think of creepiness is sort of a precursor to scariness.

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<v Speaker 4>Creepiness is all about uncertainty. There's something that's not right.

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<v Speaker 4>You're not sure if it's something bad or dangerous that

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<v Speaker 4>you need to worry about, but you're kind of wallowing

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<v Speaker 4>in discomfort and you're like hyper vigilant. And this can

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<v Speaker 4>be you're dealing with a person or a place. So

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<v Speaker 4>maybe you're interacting with a guy who's sending you a

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<v Speaker 4>weird vibe. There's you know, his nonverbal behaviors are off,

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<v Speaker 4>he's steering the conversation and weird directions, and you're very uncomfortable. Now,

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<v Speaker 4>this could just be an awkward person, right, who's not

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<v Speaker 4>very socially skilled, and it'd be kind of rude to

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<v Speaker 4>like start screaming and running away from him if that's

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<v Speaker 4>the case. But on the other hand, if there is

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<v Speaker 4>something to worry about from this person, you need to

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<v Speaker 4>know that and you need to be ready to deal

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<v Speaker 4>with it, and the creepiness, the being creeped out feeling,

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<v Speaker 4>is what you're experiencing when you're trying to figure this out.

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<v Speaker 4>You're lasered in on what's going on here. You're trying

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<v Speaker 4>to make your mind up is this somebody I need

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<v Speaker 4>to worry about or not? And the same thing happens

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<v Speaker 4>with places. You can be walking around in a place

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<v Speaker 4>you know it's dark and there's a lot of shrubbery

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<v Speaker 4>and you can't see very far into the distance, and

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<v Speaker 4>you don't know that there's anything there that's going to

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<v Speaker 4>harm you. Sure, but you're not sure. Yeah, and so

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<v Speaker 4>again you're hyper vigilant trying to figure out if there's

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<v Speaker 4>something to be afraid of. So creepiness is all about ambiguity,

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<v Speaker 4>the uncertainty. Once you figured out there is something to

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<v Speaker 4>be afraid of and you know what it is, that's

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<v Speaker 4>where the scary thing comes in.

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<v Speaker 1>Got it. So it's like crosses that line and that

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<v Speaker 1>must be evolutionarily wired to just usure you feel someone's

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<v Speaker 1>eyes on you, or there's a puma that snapped a

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<v Speaker 1>twig or something.

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<v Speaker 4>Right, Yeah, we're programmed to think of worst case scenarios.

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<v Speaker 4>So imagine your caveman ancestor walking through the woods and

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<v Speaker 4>it's getting dark and they hear some things rustling in

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<v Speaker 4>the bushes. Okay, it could be a predator, It could

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<v Speaker 4>be an enemy waiting to get you, or it could

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<v Speaker 4>just be a small animal or the wind or something

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<v Speaker 4>like that. Oh, I see, Okay, what kind of mistake

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<v Speaker 4>do you want to make here?

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<v Speaker 1>All right?

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<v Speaker 4>If you decide it's probably just the wind or a

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<v Speaker 4>rabbit and it's not, those genes get removed from the population.

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<v Speaker 1>Pretty quickly because your chill ass has died.

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<v Speaker 4>On the other hand, if you overreact and you're scared

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<v Speaker 4>and you're really looking at this and you're getting ready

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<v Speaker 4>to run, and then you find out it is just

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<v Speaker 4>a rabbit, well what's the cost of that. It's pretty small, right,

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<v Speaker 4>And so people were selectively bred, so to speak, to

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<v Speaker 4>be cowards in situations like this. To think about the

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<v Speaker 4>worst case scenario. When you were talking about the precursor thing,

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<v Speaker 4>I like to think of creepiness, horror, and fe as

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<v Speaker 4>sort of links in a chain that go in a

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<v Speaker 4>certain order. Good horror movies are the ones that walk

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<v Speaker 4>us through all three of those. So think of the

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<v Speaker 4>beginning of the good horror movie where you know it's

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<v Speaker 4>normal life at the beginning, and then suddenly the characters

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<v Speaker 4>in the movie are noticeding something isn't quite right. They're

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<v Speaker 4>a little confused, a little apprehensive. That's the getting creeped

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<v Speaker 4>out part. They move into the horror stage, when they

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<v Speaker 4>start to realize, Okay, there really is a problem here,

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<v Speaker 4>there is something to worry about, but at that stage

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<v Speaker 4>they may not know exactly what it is or how

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<v Speaker 4>to deal with it. And then the fear stage is

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<v Speaker 4>when aha, I know exactly what the problem here is

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<v Speaker 4>and I know what I should be trying to do

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<v Speaker 4>to deal with it now. Bad horror movies sometimes skip steps,

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<v Speaker 4>like the guy comes running out with the chainsaw right

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<v Speaker 4>at the beginning, right, and there's no kind of foreplay building.

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<v Speaker 1>Up to it, I was going to say.

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<v Speaker 4>And then some movies kind of flop because they spend

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<v Speaker 4>too much time in one stage as opposed to the other.

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<v Speaker 4>So you spend too much time being creeped out, but

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<v Speaker 4>nothing really happens, and then it gets kind of boring.

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<v Speaker 1>So anyway, do you like horror movies or do you

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<v Speaker 1>just see through them too much?

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<v Speaker 5>Uh?

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<v Speaker 4>No, I like them, but I don't get to see

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<v Speaker 4>them very much because my wife hates them, and so

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<v Speaker 4>we go to the movies that she's willing to see,

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<v Speaker 4>which are not horror movies.

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<v Speaker 1>I am a lot like your wife where I do

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<v Speaker 1>not like to be scared in general. Did you have

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<v Speaker 1>to exclude people with anxiety disorders from your research because

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<v Speaker 1>they would be too far on the bell curve? No.

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<v Speaker 4>One of the studies we did actually was interested in personality,

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<v Speaker 4>like what predicts getting creeped out? And keep in mind,

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<v Speaker 4>I'm not the one doing the scaring people stuff. I

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<v Speaker 4>have some colleagues in Denmark in something called the Recreational

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<v Speaker 4>Fear Lab where they're doing some really amazing stuff with

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<v Speaker 4>virtual reality. They have people, you know, living in this

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<v Speaker 4>virtual world where basically they're getting feedback from the person's

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<v Speaker 4>biological reactions the things that are scaring them the most,

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<v Speaker 4>and that steers the virtual reality even more and more

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<v Speaker 4>in the direction of things that will scare them. They

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<v Speaker 4>also work with commercial haunted houses where people volunteer to

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<v Speaker 4>have their heart rate monitored and fill out questionnaires and

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<v Speaker 4>all that. So they're doing some really.

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<v Speaker 1>Cool stuff, such as studies titled Scared Together, heart Rate

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<v Speaker 1>Synchrony and Social closeness in a high intensity horror setting,

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<v Speaker 1>recreational fear across childhood, across sectional study of scary activities

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<v Speaker 1>that children enjoy, and of course the twenty twenty four paper,

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<v Speaker 1>First they scream, then they laugh, the Cognitive Intersections of Humor,

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<v Speaker 1>which notes that fear is energizing and stressful and it

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<v Speaker 1>activates our sympathetic nervous system and floods our bloodstream with

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<v Speaker 1>adrenaline and cortisol. Now humorous amusement, on the other hand,

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<v Speaker 1>it says, is palliative, involving soothing anddogenous opioids. So how

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<v Speaker 1>did these scientists study it? It's a good question by

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<v Speaker 1>examining horror comedy movies like Abbott and Costello Meet Frankenstein,

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<v Speaker 1>and looking at online scare prank videos and the relative

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<v Speaker 1>terror of the childhood game Peekaboo, where your caregiver is

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<v Speaker 1>suddenly disappeared from planet Earth and then boom, they're back.

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<v Speaker 4>But frank I basically ask people how creeped out they

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<v Speaker 4>are by pictures that they're looking at or hypothetical things

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<v Speaker 4>that they're imagining.

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<v Speaker 1>Where are you getting these pictures? Do you have a

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<v Speaker 1>Pinterest board of just the creepiest people like, how do

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<v Speaker 1>you select what you're going to show to people?

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<v Speaker 4>Well, actually I had several students working with me, and

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<v Speaker 4>so it was their job to scour the Internet for

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<v Speaker 4>pictures of creepy people, creepy places, and creepy things. And

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<v Speaker 4>we got one hundred and some of these together, and

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<v Speaker 4>then we had a smaller group of people rate them

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<v Speaker 4>on a variety things creepiness, how confusing are they, how

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<v Speaker 4>scary are they, and so on down the line. And

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<v Speaker 4>so from that we pulled out the ones that got

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<v Speaker 4>the highest scores on creepiness.

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<v Speaker 1>What kind of pictures were they that made the cut?

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<v Speaker 4>Well, the creepy places tended to be dark nighttime. One

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<v Speaker 4>was like this big underwater hole that a person was

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<v Speaker 4>kind of perched at the edge of. Creepy people were

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<v Speaker 4>people who were like these spooky little girl identical twins

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<v Speaker 4>that were in a black and white photo, a baker

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<v Speaker 4>who makes pies with human faces on them where they're

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<v Speaker 4>bleeding and all of that.

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<v Speaker 1>How much of what we're creeped out by is innate

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<v Speaker 1>and how much is cultural? Like if you had seen

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<v Speaker 1>the shining, two little girls standing in a hallway means

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<v Speaker 1>that there's going to be blood gushing out of an

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<v Speaker 1>elevator in a second. And how much is just like

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<v Speaker 1>whenever you see a face that's a pie that has

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<v Speaker 1>boys and berry coming out of the eyeballs, then like

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<v Speaker 1>it's no go. What is innate and what is cultural?

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<v Speaker 1>Do you think? Well?

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<v Speaker 4>I think anything that is potentially dangerous or threatening to

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<v Speaker 4>us is going to be a universal thing that's going

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<v Speaker 4>to be innate. So fears of dark alleyways late at

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<v Speaker 4>night and things like that. I mean, if there was

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<v Speaker 4>a place where it was very normal to see two

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<v Speaker 4>strange looking identical little girls standing in the hallway, they

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<v Speaker 4>would not think anything of that. It's all in what

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<v Speaker 4>you're used to. So I'm going to lean in the

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<v Speaker 4>direction of saying it's mostly an aid. It's wired into us.

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<v Speaker 1>Yeah, And you know, going back a little bit to

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<v Speaker 1>your co author on that first paper, Sarah, I believe

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<v Speaker 1>and this notion of predators like our cave people ancestors

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<v Speaker 1>in the forest, it seems like sexual predators men in particular,

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<v Speaker 1>seem to give us the creeps much more than people

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<v Speaker 1>who present as non male or who are femme. Is

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<v Speaker 1>that this actual threat of just not knowing what might

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<v Speaker 1>happen or is it a link to aggression? What makes

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<v Speaker 1>certain people are certain genders creepier to us?

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<v Speaker 4>Well, one thing we found very strongly males are creepier

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<v Speaker 4>than females. And this is true whether you're a male

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<v Speaker 4>or a female yourself. You're more easily creeped out by

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<v Speaker 4>men than by women. And I think there are a

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<v Speaker 4>number of reasons for that, but I think the big

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<v Speaker 4>one is simply males are more threatening and dangerous in

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<v Speaker 4>a physical sense than females are. Whether your male or

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<v Speaker 4>female yourself, you're more likely to have something bad happen

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<v Speaker 4>to you at the hands of a man than a woman.

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<v Speaker 4>Women often reported that, yes, I think creepy people are

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<v Speaker 4>likely to have a sexual interest in me. Yes, there's

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<v Speaker 4>something about their sexual tastes that's part of their creepiness.

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<v Speaker 4>So I think this is one of the things that

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<v Speaker 4>are on women's minds a lot more than they are

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<v Speaker 4>and men for good reason.

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<v Speaker 1>So I've been ropped by two guys in broad daylight

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<v Speaker 1>with kitchen knives, but now I've never been assaulted by

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<v Speaker 1>a clown. But it does feel knock on wood, you're

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<v Speaker 1>still done.

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<v Speaker 4>Yeah right, I mean it's not over yet.

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<v Speaker 1>It's not over yet I don't know what I'm doing wrong,

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<v Speaker 1>but I've never felt threatened by clowns. But at the

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<v Speaker 1>same time, when you start with the adjective creepy, the

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<v Speaker 1>noun that follows I feel like it is most often clowns.

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<v Speaker 1>Where did that come from? Is it because they are

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<v Speaker 1>in disguise and around children? Like? What's the seed in there?

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<v Speaker 4>All right, you're getting me started on clowns. So okay, Well,

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<v Speaker 4>first of all, I had no interest in clowns. I

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<v Speaker 4>it was not something I was studying. But one of

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<v Speaker 4>the things they did in my first study was to

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<v Speaker 4>rate the creepiness of different occupations, and the one that

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<v Speaker 4>finished number one was clowns. And that's pretty munch all

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<v Speaker 4>I had to say about it. I said, Okay, I

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<v Speaker 4>heard the ratings. There were four that kind of stood

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<v Speaker 4>out as the creepiest on our list. Clowns were number one,

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<v Speaker 4>but taxidermists were right up there. Oh, funeral directors and

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<v Speaker 4>sex shop operators.

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<v Speaker 1>Really, yes, I wonder if that's changed in recent years

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<v Speaker 1>or not. Again, this is Frank and Sarah's twenty sixteen

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<v Speaker 1>study on the nature of creepiness, which explains that occupations

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<v Speaker 1>that signal a fascination with threatening stimuli like death or quote.

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<v Speaker 1>Non normative sex may attract individuals who would be comfortable

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<v Speaker 1>in such a work environment. Hence, it says some occupations

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<v Speaker 1>may be perceived as creepier than other occupations, and their

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<v Speaker 1>research revealed that only four occupations were judged to be

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<v Speaker 1>significantly higher than neutral on the creepiness rating scale, and

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<v Speaker 1>ranked number four on the list was funeral directors and

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<v Speaker 1>number three was sex shop owners.

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<v Speaker 4>But anyway, clowns and taxidermists were number one and two. Anyway,

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<v Speaker 4>I was asked to write an article because I don't

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<v Speaker 4>know if you remember the creepy clowns scare in twenty sixteen.

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<v Speaker 1>I do, I do. I had forgotten. I had forgotten.

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<v Speaker 6>At Emerald Commons apartments off White Horse Road say they're

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<v Speaker 6>on edge after kids reported seeing a man dressed in

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<v Speaker 6>a clown costume wandering through the woods near these dumpsters

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<v Speaker 6>Monday night.

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<v Speaker 4>There were clowns allegedly lurking in the woods, luring children in,

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<v Speaker 4>attacking people with knives. There were all these stories about

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<v Speaker 4>creepy clown sightings. People were looking out their door at

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<v Speaker 4>night and there's one under the street light in front

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<v Speaker 4>of their house. This was very much in the news,

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<v Speaker 4>and it was around Halloween. Now, I'm not the one

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<v Speaker 4>who is saying clowns are creepy, right, I'm just saying,

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<v Speaker 4>given that people think they are, why would that be Well,

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<v Speaker 4>I became sort of the poster boy for clowns for

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<v Speaker 4>ruining their occupatients for their career. Yes, I was the

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<v Speaker 4>one that was visibly saying things and in the news

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<v Speaker 4>about clowns being creepy. There was this ringleader clown on

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<v Speaker 4>the way Coast who started stalking me on social media

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<v Speaker 4>and doing everything he could to destroy my reputation. He

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<v Speaker 4>was leaving angry voicemails on my phone. He even contacted

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<v Speaker 4>the president of the dean of my college to have me,

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<v Speaker 4>if not fired, at least disciplined. Now, this was all

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<v Speaker 4>in an attempt, by the way, to show me that

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<v Speaker 4>clowns are not creepy. Right now, Yeah, my wife and

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<v Speaker 4>I were terrified that this little car was going to

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<v Speaker 4>pull up in front of our house sometime with the

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<v Speaker 4>clowns piling out. But oh no, I had to go

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<v Speaker 4>inhead and have a meeting with the dean in the

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<v Speaker 4>college about this clown business and anyway, so I digress here,

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<v Speaker 4>getting back to why they're creepy. Well, first of all,

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<v Speaker 4>they've never been good, right, If you go all the

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<v Speaker 4>way back in history, clowns were always pranksters. If you

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<v Speaker 4>go to the circus and they pull somebody out of

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<v Speaker 4>the audience, you know that nothing good is going to happen, right.

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<v Speaker 4>And it's again it's about unpredictability. You don't know what

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<v Speaker 4>they're going to do, right, And a lot of the

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<v Speaker 4>things that we use to decide if somebody is creepy

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<v Speaker 4>is do they seem to be playing by the rules

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<v Speaker 4>or not. When you're interacting with somebody, we have a

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<v Speaker 4>script that we follow, right, you know how you're supposed

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<v Speaker 4>to behave when you meet somebody, and what's okay to

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<v Speaker 4>say and what isn't and how you're supposed to act.

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<v Speaker 4>Clowns break all those rules that they have, the funny clothing,

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<v Speaker 4>they have, the makeup, so you can't even tell who

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<v Speaker 4>they are, and you can't really tell what they're feeling, right,

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<v Speaker 4>So you can't read them the way you read other people.

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<v Speaker 4>If I'm having a conversation with you, I'm looking at

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<v Speaker 4>your face to see if you're paying attention, if you're

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<v Speaker 4>smiling or frowning. The clown has this smile painted on

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<v Speaker 4>his face, but I'm guessing he's not really happy, and

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<v Speaker 4>so we're on our guard against him. All this stuff

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<v Speaker 4>that we talked about earlier about having your creep detectors

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<v Speaker 4>active to figure out if there's something to worry about

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<v Speaker 4>the clown sets that up off big time. Everything about

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<v Speaker 4>the clown triggers that. So they've always been something that

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<v Speaker 4>puts us on our guard, especially when you encounter them

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<v Speaker 4>in places that you don't expect to. Okay, if you

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<v Speaker 4>go to the circus, all right, you paid your money,

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00:22:16.279 --> 00:22:18.160
<v Speaker 4>you know they're going to be clowns there. You're ready

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00:22:18.160 --> 00:22:21.559
<v Speaker 4>to enjoy the act and laugh. But you know when

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00:22:21.599 --> 00:22:24.759
<v Speaker 4>you run into one in a restaurant or you know,

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00:22:24.839 --> 00:22:26.640
<v Speaker 4>at a kid's birthday party.

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<v Speaker 1>Working garage, yeah.

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<v Speaker 4>Your front yard at night, you know, it's like, okay,

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00:22:33.200 --> 00:22:37.279
<v Speaker 4>now I'm creeped out. So they're okay when they are

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00:22:37.319 --> 00:22:39.799
<v Speaker 4>where they're supposed to be, but when they step out

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<v Speaker 4>of that they become even more threatening.

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<v Speaker 1>Also, just a side note, some of the sightings in

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<v Speaker 1>the twenty sixteen Clown Hysteria were from an indie short

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<v Speaker 1>film marketing campaign that went more viral than probably anybody anticipated.

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<v Speaker 1>And honestly, there is an ology for clowns which is exciting.

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<v Speaker 1>It's colorology, cool cool rology. Either way, I'll save the

415
00:23:01.839 --> 00:23:05.839
<v Speaker 1>pronunciation of that and the in depth research for a

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<v Speaker 1>full episode. Clowns deserve their own episode. We'll go into

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<v Speaker 1>the makeup and the French schools and the Italian operas

418
00:23:11.359 --> 00:23:14.160
<v Speaker 1>and clowning on all the continents modern clowning and stuff.

419
00:23:14.440 --> 00:23:16.519
<v Speaker 1>But I will give you the tidbit in this episode

420
00:23:16.519 --> 00:23:20.039
<v Speaker 1>that the originator of the so called hobo clown, which

421
00:23:20.079 --> 00:23:23.359
<v Speaker 1>is named Weary Willy, with the white makeup and the

422
00:23:23.519 --> 00:23:27.599
<v Speaker 1>saggy jowls and the kind of downturned sad mouth that

423
00:23:27.799 --> 00:23:33.079
<v Speaker 1>like thick Grace double, he emerged during the depression, when

424
00:23:33.720 --> 00:23:37.640
<v Speaker 1>seeing your economic struggles reflected in entertainment was no doubt

425
00:23:37.640 --> 00:23:40.759
<v Speaker 1>a comfort to people who are spending what little money

426
00:23:40.759 --> 00:23:43.319
<v Speaker 1>they had on a trip to the circus. And Weary

427
00:23:43.359 --> 00:23:46.519
<v Speaker 1>Willy was played by Emmett Kelly and just a fun fact,

428
00:23:46.599 --> 00:23:49.599
<v Speaker 1>Emmitt Kelly was It's not fun at all. He was

429
00:23:49.640 --> 00:23:53.119
<v Speaker 1>performing at the nineteen forty four Hartford Circus when this

430
00:23:53.279 --> 00:23:56.920
<v Speaker 1>fire erupted. It killed over one hundred and sixty five people.

431
00:23:57.319 --> 00:24:00.839
<v Speaker 1>It was a disaster, and Kelly or Willy growing I'm

432
00:24:00.839 --> 00:24:04.519
<v Speaker 1>sure even more weary, held up the flaming tent flaps

433
00:24:04.519 --> 00:24:09.000
<v Speaker 1>to help dozens of people escape the flames. And I

434
00:24:09.079 --> 00:24:12.839
<v Speaker 1>was like, why did this huge tent immolate? So suddenly

435
00:24:13.160 --> 00:24:17.119
<v Speaker 1>it's because to keep the canvas watertight. Back then they

436
00:24:17.160 --> 00:24:21.279
<v Speaker 1>coated it in a mixture of gasoline and paraffin wax.

437
00:24:22.000 --> 00:24:26.640
<v Speaker 1>They made a candle that was a huge dome and

438
00:24:26.759 --> 00:24:30.240
<v Speaker 1>put hundreds of people in it. Also, authorities thought that

439
00:24:30.319 --> 00:24:33.720
<v Speaker 1>it was just a flicked cigarette that led to the tragedy,

440
00:24:33.759 --> 00:24:37.200
<v Speaker 1>but they later discovered that an arsonist was traveling with

441
00:24:37.279 --> 00:24:39.720
<v Speaker 1>the circus because he hit a few more shows. So

442
00:24:39.799 --> 00:24:42.160
<v Speaker 1>while you may look at a down trodden clown in

443
00:24:42.759 --> 00:24:45.880
<v Speaker 1>tattered clothes and in need of a shave, you may

444
00:24:45.880 --> 00:24:48.359
<v Speaker 1>be creeped out, you may be weary of his willy,

445
00:24:48.559 --> 00:24:51.759
<v Speaker 1>but he turned out to be an actual life saver. Yeah,

446
00:24:51.839 --> 00:24:54.759
<v Speaker 1>he stopped talking to his own son, Emmett Kelly Junior

447
00:24:54.799 --> 00:24:58.240
<v Speaker 1>for years when the younger followed in his old man's gigantic,

448
00:24:58.240 --> 00:25:01.680
<v Speaker 1>floppy footsteps and ripped off the weird Willy character. But hey,

449
00:25:01.839 --> 00:25:04.839
<v Speaker 1>it turns out that the regular looking arsonist was the

450
00:25:04.880 --> 00:25:08.440
<v Speaker 1>one to fear all along. So perhaps clowns enjoyed some

451
00:25:08.559 --> 00:25:12.200
<v Speaker 1>great pr from the Depression until about nineteen eighty.

452
00:25:12.480 --> 00:25:15.599
<v Speaker 4>And I think this all started with the John Wayne

453
00:25:15.599 --> 00:25:19.160
<v Speaker 4>Gacy thing, the guy who dressed like a clown. He

454
00:25:19.240 --> 00:25:21.519
<v Speaker 4>worked kid's birthday parties as a clown, used to paint

455
00:25:21.559 --> 00:25:24.359
<v Speaker 4>pictures of clowns. And then they found out, you know,

456
00:25:24.359 --> 00:25:26.480
<v Speaker 4>you have thirty three bodies buried in the crawl space

457
00:25:26.480 --> 00:25:29.960
<v Speaker 4>of his house. And so right away you said, when

458
00:25:29.960 --> 00:25:32.079
<v Speaker 4>you hear the word creepy, the noun that pops into

459
00:25:32.119 --> 00:25:35.839
<v Speaker 4>your head first is clowns. That kind of kicked it off.

460
00:25:36.000 --> 00:25:38.839
<v Speaker 4>And then all the horror movies started, right the Killer

461
00:25:38.839 --> 00:25:43.160
<v Speaker 4>Clowns from Outer Space, Stephen King's it, you know, penny Wise.

462
00:25:43.720 --> 00:25:47.680
<v Speaker 4>So now it's very much in the public imagination, So

463
00:25:47.799 --> 00:25:50.359
<v Speaker 4>that connection is there, I think for good.

464
00:25:50.559 --> 00:25:53.960
<v Speaker 1>I always think too of the hobo clown sort of trope,

465
00:25:54.200 --> 00:25:58.920
<v Speaker 1>where it's a clown, but it is also almost working

466
00:25:58.960 --> 00:26:02.880
<v Speaker 1>on our fears of others, or fears biases that we

467
00:26:03.000 --> 00:26:09.440
<v Speaker 1>might have about socioeconomic status or sort of lifestyles that

468
00:26:09.480 --> 00:26:13.559
<v Speaker 1>we consider good or bad. Is there any sort of

469
00:26:13.640 --> 00:26:18.920
<v Speaker 1>biases with someone being creepy who is just downtrodden and

470
00:26:18.960 --> 00:26:24.759
<v Speaker 1>we're afraid or we're more cautious around them. I just

471
00:26:24.759 --> 00:26:27.559
<v Speaker 1>feel like the hobo clown is like people afraid of

472
00:26:27.720 --> 00:26:31.640
<v Speaker 1>poverty and someone who might suddenly tickle them, you know.

473
00:26:31.960 --> 00:26:36.920
<v Speaker 4>Yeah, yeah, I haven't really thought about this before. But again,

474
00:26:36.960 --> 00:26:40.200
<v Speaker 4>if you're interacting with a person who's in a very

475
00:26:40.200 --> 00:26:44.119
<v Speaker 4>different circumstance than you are, that immediately makes them less

476
00:26:44.200 --> 00:26:47.319
<v Speaker 4>understandable to you. If you're interacting with somebody who looks

477
00:26:47.359 --> 00:26:48.960
<v Speaker 4>like you and comes from the same place that you

478
00:26:49.039 --> 00:26:53.839
<v Speaker 4>come from, you both understand the same rules and therefore

479
00:26:53.960 --> 00:26:56.079
<v Speaker 4>you know what to expect with this person.

480
00:26:56.440 --> 00:26:58.400
<v Speaker 1>It will be interesting to see in a hundred years

481
00:26:59.480 --> 00:27:03.839
<v Speaker 1>if the clowns shake the stigma, there is going to

482
00:27:03.920 --> 00:27:06.920
<v Speaker 1>be like, can you believe people were afraid of clowns

483
00:27:07.039 --> 00:27:10.400
<v Speaker 1>and now it's one of the most respected positions. I

484
00:27:10.440 --> 00:27:13.519
<v Speaker 1>don't think so. And I know someone who was collecting

485
00:27:13.640 --> 00:27:17.079
<v Speaker 1>like thrift store clown paintings for a gallery wall, and

486
00:27:17.160 --> 00:27:19.720
<v Speaker 1>I just can't imagine waking up to that or having

487
00:27:19.720 --> 00:27:22.000
<v Speaker 1>to walk down the dark hallway to the bathroom at

488
00:27:22.079 --> 00:27:25.359
<v Speaker 1>night in a gallery of creepy clowns. But can I

489
00:27:25.359 --> 00:27:27.519
<v Speaker 1>ask you some questions from listeners who know that you

490
00:27:27.559 --> 00:27:32.039
<v Speaker 1>are coming on sure, yes, okay, and patrons hooms are

491
00:27:32.079 --> 00:27:34.200
<v Speaker 1>not creepy. We will get to your questions in a moment,

492
00:27:34.200 --> 00:27:36.680
<v Speaker 1>but first, let's donate to a cause of theologists choosing

493
00:27:36.680 --> 00:27:40.240
<v Speaker 1>in this week Frank shows. The Peoria, Illinois PBS station

494
00:27:40.720 --> 00:27:44.279
<v Speaker 1>WTVP love that so find out more about them at

495
00:27:44.839 --> 00:27:48.720
<v Speaker 1>WTVP dot org. And that donation was made possible by

496
00:27:48.759 --> 00:27:49.680
<v Speaker 1>sponsors of the show.

497
00:27:50.240 --> 00:27:52.839
<v Speaker 7>We've been freezing prices for two years in the Virgin

498
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500
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501
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502
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503
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504
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505
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506
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507
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508
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515
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516
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517
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518
00:28:50.480 --> 00:28:53.200
<v Speaker 2>You're on the bus an hour from home in bumper

519
00:28:53.240 --> 00:28:56.519
<v Speaker 2>to bumper traffic, creeping forward a few inches at a time,

520
00:28:57.160 --> 00:28:59.960
<v Speaker 2>someone's kids are screaming, and suddenly you're back.

521
00:29:00.000 --> 00:29:00.519
<v Speaker 8>Thank two.

522
00:29:02.000 --> 00:29:06.119
<v Speaker 2>Luckily, Panadal extra film coated tablets are boosted by caffeine

523
00:29:06.160 --> 00:29:08.000
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524
00:29:08.160 --> 00:29:12.400
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525
00:29:12.480 --> 00:29:16.759
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526
00:29:16.839 --> 00:29:18.640
<v Speaker 2>Always read the label or leaflett.

527
00:29:21.000 --> 00:29:24.640
<v Speaker 1>Okay, madears, Let's skulk into the Patreon mail bag to

528
00:29:24.640 --> 00:29:27.759
<v Speaker 1>answer some questions like this good one from so many

529
00:29:27.839 --> 00:29:31.640
<v Speaker 1>questions Magpie Laughs and Michael Paul about confirmation bias, and

530
00:29:31.680 --> 00:29:35.079
<v Speaker 1>Gordon has asked, is there a correlation between feeling creeped

531
00:29:35.119 --> 00:29:40.480
<v Speaker 1>out and a belief in scientifically unsubstantiated phenomena such as

532
00:29:40.559 --> 00:29:45.480
<v Speaker 1>ghosts or spirits? And in patron Holly's own words, so

533
00:29:45.640 --> 00:29:49.039
<v Speaker 1>Holli Joe from Bothel, Washington said, I'm a first time

534
00:29:49.119 --> 00:29:54.799
<v Speaker 1>question asker and I'm super curious. How is creepiness connected

535
00:29:54.839 --> 00:29:58.440
<v Speaker 1>to intuition and other psychic abilities that people might have

536
00:29:58.799 --> 00:30:07.599
<v Speaker 1>in order to perceived danger? Thanks, So, intuition, creepiness, psychic abilities,

537
00:30:07.880 --> 00:30:08.519
<v Speaker 1>what's up with that?

538
00:30:09.319 --> 00:30:14.799
<v Speaker 4>Certainly, if you believe in paranormal things, that opens up

539
00:30:14.839 --> 00:30:20.200
<v Speaker 4>the whole realm of things you can be afraid of. Yeah,

540
00:30:20.240 --> 00:30:22.759
<v Speaker 4>and therefore you can be more creeped out by them. So,

541
00:30:23.640 --> 00:30:26.359
<v Speaker 4>if you are going into a house that is thought

542
00:30:26.400 --> 00:30:29.519
<v Speaker 4>to be haunted, and you know that and you believe

543
00:30:29.559 --> 00:30:41.480
<v Speaker 4>in ghosts, when you start hearing creaking sounds or flapping

544
00:30:41.559 --> 00:30:48.640
<v Speaker 4>sounds or thumping sounds right away, you're considering the possibility

545
00:30:48.640 --> 00:30:51.279
<v Speaker 4>that there's a ghost or some other scary thing there.

546
00:30:51.720 --> 00:30:55.000
<v Speaker 4>If you absolutely don't believe in this stuff, you're not

547
00:30:55.359 --> 00:30:57.920
<v Speaker 4>is creeped out because you just assumed it's the wind

548
00:30:58.079 --> 00:31:00.480
<v Speaker 4>or you know, something like that going on.

549
00:31:00.799 --> 00:31:03.839
<v Speaker 1>Now, if you think you have psychic abilities, you might

550
00:31:03.920 --> 00:31:08.680
<v Speaker 1>be priming your brain for some creepiness. Frank explains, like

551
00:31:08.720 --> 00:31:12.319
<v Speaker 1>your internal soundtrack is just an ongoing theorem.

552
00:31:12.359 --> 00:31:15.960
<v Speaker 4>In on the one hand, they believe in this whole

553
00:31:16.039 --> 00:31:21.880
<v Speaker 4>world of unseeable things that may be threatening, which means

554
00:31:21.960 --> 00:31:25.279
<v Speaker 4>they would be on their guard more often and more

555
00:31:25.279 --> 00:31:30.640
<v Speaker 4>creeped out. On the other hand, if they are smugly

556
00:31:30.680 --> 00:31:36.519
<v Speaker 4>confident of their intuition, what that means is they aren't

557
00:31:36.640 --> 00:31:39.720
<v Speaker 4>uncertain about things as much as other people are. They

558
00:31:39.720 --> 00:31:43.119
<v Speaker 4>feel like they know the answer and therefore won't feel

559
00:31:43.119 --> 00:31:46.359
<v Speaker 4>as creeped out. So it could go either way. I

560
00:31:46.359 --> 00:31:48.319
<v Speaker 4>guess I think what we need to do is find

561
00:31:48.640 --> 00:31:51.599
<v Speaker 4>one hundred people who believe they have psychic abilities and

562
00:31:51.640 --> 00:31:53.119
<v Speaker 4>they do the experiment.

563
00:31:53.240 --> 00:31:56.799
<v Speaker 1>Yeah, just a side note. Frank also wrote the October

564
00:31:56.839 --> 00:32:00.160
<v Speaker 1>twenty twenty one article why some people see ghosts and

565
00:32:00.200 --> 00:32:04.279
<v Speaker 1>others don't, which referenced polls by the Pew Research Center

566
00:32:04.680 --> 00:32:07.759
<v Speaker 1>finding that eighteen percent of Americans say they've been in

567
00:32:07.799 --> 00:32:10.640
<v Speaker 1>the presence of a ghost. Eighteen percent. You're sitting at

568
00:32:10.640 --> 00:32:13.240
<v Speaker 1>a dinner with five people about one of them is like, yeah,

569
00:32:13.279 --> 00:32:14.039
<v Speaker 1>I've seen a ghost.

570
00:32:14.240 --> 00:32:17.519
<v Speaker 4>I think if you've already seen one, I don't know

571
00:32:17.559 --> 00:32:20.279
<v Speaker 4>that that necessarily means you're going to see another one.

572
00:32:20.799 --> 00:32:22.640
<v Speaker 4>But the same thing that made you see the first

573
00:32:22.640 --> 00:32:25.240
<v Speaker 4>one will also help you see the second one.

574
00:32:25.319 --> 00:32:25.480
<v Speaker 9>Right.

575
00:32:26.400 --> 00:32:28.960
<v Speaker 1>This question comes from patron Kate, who wrote, okay, but

576
00:32:29.000 --> 00:32:32.000
<v Speaker 1>the people need to know does theologists believe in ghosts?

577
00:32:32.640 --> 00:32:35.839
<v Speaker 1>And then five question marks, all of them warranted. Have

578
00:32:35.920 --> 00:32:39.160
<v Speaker 1>you ever seen a ghost? I have not, has anyone

579
00:32:39.200 --> 00:32:43.799
<v Speaker 1>you know ever? Soworn said Frank for real, I saw

580
00:32:43.799 --> 00:32:45.519
<v Speaker 1>a ghost. It was at the edge of my bed.

581
00:32:45.720 --> 00:32:50.720
<v Speaker 1>It was a Civil War soldier holding a hatchet. Like

582
00:32:51.079 --> 00:32:51.799
<v Speaker 1>you ever get that.

583
00:32:52.319 --> 00:32:52.960
<v Speaker 4>All the time?

584
00:32:53.279 --> 00:32:53.400
<v Speaker 2>Yea?

585
00:32:53.839 --> 00:32:57.240
<v Speaker 4>And it isn't even usually that vivid where they see

586
00:32:57.279 --> 00:33:01.720
<v Speaker 4>this ghost at their bed. It's most often an encounter

587
00:33:01.880 --> 00:33:06.119
<v Speaker 4>with a long less relative, you know, a parent or

588
00:33:06.160 --> 00:33:09.440
<v Speaker 4>a child who's died, or they swear that they've seen them,

589
00:33:09.480 --> 00:33:12.319
<v Speaker 4>that they've interacted with them, and they are very sincere

590
00:33:12.440 --> 00:33:15.519
<v Speaker 4>and they absolutely believe this. So yes, I do have

591
00:33:15.559 --> 00:33:16.319
<v Speaker 4>that experience.

592
00:33:17.200 --> 00:33:19.440
<v Speaker 1>Has it led you at all to think maybe there

593
00:33:19.559 --> 00:33:22.160
<v Speaker 1>is something else out there? Or has it just sort

594
00:33:22.200 --> 00:33:26.839
<v Speaker 1>of doubled down on me. We are just wired for survival,

595
00:33:27.279 --> 00:33:29.279
<v Speaker 1>or we just see things we want to see, like

596
00:33:29.319 --> 00:33:32.319
<v Speaker 1>an encounter with someone that we miss.

597
00:33:33.039 --> 00:33:35.799
<v Speaker 4>Yet more the second, I'm kind of a kill Joe.

598
00:33:36.599 --> 00:33:38.960
<v Speaker 1>No, you're a scientist, you've got the data.

599
00:33:39.000 --> 00:33:43.519
<v Speaker 4>Well. Yeah. People who are firm believers in this become

600
00:33:43.720 --> 00:33:47.920
<v Speaker 4>very upset, very quickly, because what you're telling them is

601
00:33:47.960 --> 00:33:51.839
<v Speaker 4>that you don't believe that. I believe they're experiencing what

602
00:33:51.880 --> 00:33:55.599
<v Speaker 4>they're experiencing. My interpretation of the cause behind it is

603
00:33:55.599 --> 00:33:58.400
<v Speaker 4>a little different. So I don't think they're lying, but

604
00:33:58.759 --> 00:34:01.839
<v Speaker 4>they think that they're telling me what they believed they

605
00:34:01.920 --> 00:34:03.519
<v Speaker 4>saw should be all I need.

606
00:34:03.880 --> 00:34:07.279
<v Speaker 1>Mm hmm, you need a little more than that. I do, Yes,

607
00:34:08.679 --> 00:34:12.239
<v Speaker 1>And if Jelly tat first time Questionsker says, being creeped

608
00:34:12.280 --> 00:34:14.760
<v Speaker 1>out is a really unpleasant sensation. No one wants to

609
00:34:14.760 --> 00:34:16.920
<v Speaker 1>walk down a dark straight at night and get that

610
00:34:16.960 --> 00:34:19.159
<v Speaker 1>feeling of creepiness. So why do so many of us

611
00:34:19.199 --> 00:34:22.119
<v Speaker 1>seek it out for entertainment? They say, I'm thinking everything

612
00:34:22.119 --> 00:34:26.280
<v Speaker 1>from old school ghost stories to creepy pasta on the internet.

613
00:34:26.679 --> 00:34:27.840
<v Speaker 1>Have you heard of creepy pasta?

614
00:34:28.440 --> 00:34:29.519
<v Speaker 4>I don't think I have no.

615
00:34:30.000 --> 00:34:33.280
<v Speaker 1>Okay, let's take a step backwards into the shadowy bushes

616
00:34:33.320 --> 00:34:36.480
<v Speaker 1>of the Internet. Skimpy toilet whrizzlers, let me six seven

617
00:34:36.559 --> 00:34:40.000
<v Speaker 1>use some Ohio definitions. So copy pasta is a genre

618
00:34:40.079 --> 00:34:42.719
<v Speaker 1>of meme. It involves like the cut and paste of

619
00:34:42.800 --> 00:34:48.159
<v Speaker 1>paragraphs of text that are sometimes lousy with emojis, usually

620
00:34:48.280 --> 00:34:53.519
<v Speaker 1>are a little saucy or offensive or just unexpectedly daft,

621
00:34:53.719 --> 00:34:57.360
<v Speaker 1>and these paragraphs look like if a tender mistake you

622
00:34:57.440 --> 00:35:01.360
<v Speaker 1>should have blocked found a stash of krat and text

623
00:35:01.440 --> 00:35:04.519
<v Speaker 1>to do a long paragraph with thoughts they should have

624
00:35:04.599 --> 00:35:07.599
<v Speaker 1>kept inside their head, and or a lot of peach

625
00:35:07.840 --> 00:35:11.639
<v Speaker 1>and squirt and winki tongue out emojis. So the copy

626
00:35:11.679 --> 00:35:15.280
<v Speaker 1>pasta genre's kind of creative genius, I guess is that

627
00:35:15.320 --> 00:35:18.880
<v Speaker 1>it could be real if someone were unhinged enough, but

628
00:35:18.960 --> 00:35:21.719
<v Speaker 1>usually it's kind of a trolling joke. So creepy pasta

629
00:35:21.960 --> 00:35:25.320
<v Speaker 1>is a derivative of that, and it's copy pasted and

630
00:35:25.360 --> 00:35:28.000
<v Speaker 1>shared widely, but it's mostly kind of takes the form

631
00:35:28.039 --> 00:35:33.519
<v Speaker 1>of spooky stories like fan art, or ghouls like Slenderman,

632
00:35:33.840 --> 00:35:38.400
<v Speaker 1>or characters like Jeff the Killer, or these increasingly unnerving

633
00:35:38.639 --> 00:35:42.719
<v Speaker 1>diary entries from a doomed spolunker named Ted they're kind

634
00:35:42.719 --> 00:35:45.679
<v Speaker 1>of spine shivering because they may contain this kernel of

635
00:35:45.800 --> 00:35:49.920
<v Speaker 1>urban legend or creepy folklore. And yes, in case you're

636
00:35:49.960 --> 00:35:53.199
<v Speaker 1>like the caves, we do have a speleology episode about caves.

637
00:35:53.239 --> 00:35:56.360
<v Speaker 1>Ten out of ten would not enjoy caving. To be honest,

638
00:35:56.719 --> 00:35:58.400
<v Speaker 1>why do we love creeping ourselves out?

639
00:35:58.880 --> 00:36:03.159
<v Speaker 4>It is kind of perverse, right. We spend money to

640
00:36:03.199 --> 00:36:07.039
<v Speaker 4>go to scary movies or haunted houses to be in

641
00:36:07.079 --> 00:36:09.480
<v Speaker 4>the presence of things we would avoid, like the plague

642
00:36:09.760 --> 00:36:12.119
<v Speaker 4>in day to day life. And because it is such

643
00:36:12.119 --> 00:36:15.000
<v Speaker 4>a universal thing, it's part of human nature. And there

644
00:36:15.039 --> 00:36:17.880
<v Speaker 4>are a lot of hypotheses about why we do this,

645
00:36:18.440 --> 00:36:21.000
<v Speaker 4>but one of the ones that I find most compelling

646
00:36:21.119 --> 00:36:25.239
<v Speaker 4>is it's a very adaptive trait. If you are in

647
00:36:25.280 --> 00:36:28.079
<v Speaker 4>a movie theater or a commercial, haunted house, or wherever

648
00:36:28.119 --> 00:36:32.559
<v Speaker 4>it is, you're voluntarily being scared. Deep down, you know

649
00:36:32.679 --> 00:36:35.880
<v Speaker 4>you're safe, right, You know that this is all make believe,

650
00:36:36.719 --> 00:36:41.000
<v Speaker 4>but it's realistic enough that you have a chance to

651
00:36:41.920 --> 00:36:48.039
<v Speaker 4>mentally rehearse living through something like this, and so you're

652
00:36:48.159 --> 00:36:51.559
<v Speaker 4>learning from the experiences of the people in the movie

653
00:36:51.800 --> 00:36:55.119
<v Speaker 4>or whatever it is the ghost story you're reading. Here

654
00:36:55.119 --> 00:36:57.840
<v Speaker 4>are some things that worked. I might keep that in mind.

655
00:36:58.320 --> 00:37:00.280
<v Speaker 4>Here are some things you don't want to do. I'm

656
00:37:00.280 --> 00:37:01.519
<v Speaker 4>going to keep that in mind. And we did the

657
00:37:01.519 --> 00:37:06.119
<v Speaker 4>same thing with like Jaws. When you're exposing yourself voluntarily

658
00:37:06.159 --> 00:37:09.280
<v Speaker 4>to scary things, you're learning something about yourself, right, You're

659
00:37:09.360 --> 00:37:12.800
<v Speaker 4>learning here's what I can handle, Here's what I can't handle.

660
00:37:13.159 --> 00:37:16.320
<v Speaker 1>I don't trust myself in those situations. I don't think

661
00:37:16.320 --> 00:37:18.280
<v Speaker 1>I would make a good decision under pressure like that.

662
00:37:18.360 --> 00:37:21.559
<v Speaker 1>I think I would freeze. But I do know people

663
00:37:21.599 --> 00:37:24.360
<v Speaker 1>who listen to too much true crime and then they

664
00:37:24.360 --> 00:37:27.599
<v Speaker 1>have this intense paranoia where it goes from I'm feeling

665
00:37:27.639 --> 00:37:31.880
<v Speaker 1>prepared to I'm always under threat. It seems like in

666
00:37:31.920 --> 00:37:35.320
<v Speaker 1>the quest to learn more and rehearse more, you can

667
00:37:35.440 --> 00:37:38.159
<v Speaker 1>end up going a little too far. Yeah so Frank

668
00:37:38.239 --> 00:37:40.920
<v Speaker 1>sites At twenty twenty two, Steady titled Caught in a

669
00:37:41.000 --> 00:37:45.400
<v Speaker 1>Dangerous World Problematic news consumption and its relationship to mental

670
00:37:45.480 --> 00:37:50.519
<v Speaker 1>and physical ill being, which very unsurprisingly reveals, with a

671
00:37:50.559 --> 00:37:54.000
<v Speaker 1>sad predictable dirge of a drum.

672
00:37:53.760 --> 00:37:58.000
<v Speaker 4>Roll, people who spend a lot of time watching the

673
00:37:58.079 --> 00:38:01.440
<v Speaker 4>news about murders and violent crime and sort of that

674
00:38:01.480 --> 00:38:07.119
<v Speaker 4>thing dramatically overestimate the likelihood of that occurring. Right, When

675
00:38:07.119 --> 00:38:09.960
<v Speaker 4>you ask people to estimate how likely something is to happen,

676
00:38:11.000 --> 00:38:13.440
<v Speaker 4>they their estimate is very much based on how quickly

677
00:38:13.519 --> 00:38:17.920
<v Speaker 4>they can think of an example. So if you ask somebody, Okay,

678
00:38:17.920 --> 00:38:19.599
<v Speaker 4>how likely is it you're going to get attacked by

679
00:38:19.599 --> 00:38:23.119
<v Speaker 4>a shark if you go swimming in the ocean, or

680
00:38:23.159 --> 00:38:24.960
<v Speaker 4>how likely is it that you will die in a

681
00:38:25.000 --> 00:38:29.840
<v Speaker 4>plane crash, they dramatically overestimate the probabilities because they can

682
00:38:29.920 --> 00:38:32.280
<v Speaker 4>very easily think of an example. Right, they saw story

683
00:38:32.360 --> 00:38:34.400
<v Speaker 4>just last week where a plane crashed, where they saw

684
00:38:34.480 --> 00:38:36.719
<v Speaker 4>story just last week where somebody got killed by a shark,

685
00:38:36.960 --> 00:38:40.199
<v Speaker 4>and so it's right there. If you ask somebody, how

686
00:38:40.320 --> 00:38:42.159
<v Speaker 4>likely is it you're going to slip in the shower

687
00:38:43.000 --> 00:38:46.119
<v Speaker 4>and fall and kill yourself, they look at you and say, no,

688
00:38:46.400 --> 00:38:49.719
<v Speaker 4>that's never going to happen. But in fact, that happens

689
00:38:49.800 --> 00:38:53.440
<v Speaker 4>every day somewhere, happens all the time, but it doesn't

690
00:38:53.480 --> 00:38:56.880
<v Speaker 4>make national news, right, New jerseyman falls in shower and yeah,

691
00:38:57.000 --> 00:38:59.599
<v Speaker 4>you know you don't. You don't hear that. So they

692
00:38:59.719 --> 00:39:02.239
<v Speaker 4>under estimate the probability of that because they can't think

693
00:39:02.239 --> 00:39:04.199
<v Speaker 4>of an example of it happening.

694
00:39:04.639 --> 00:39:08.239
<v Speaker 1>So one study a systematic program to reduce the incidents

695
00:39:08.239 --> 00:39:11.880
<v Speaker 1>and severity of bathtub and shower area injuries, found that

696
00:39:12.000 --> 00:39:15.239
<v Speaker 1>over one hundred thousand bathtub and shower falls occur every

697
00:39:15.320 --> 00:39:17.840
<v Speaker 1>year just in America. But it's bound to be more

698
00:39:17.920 --> 00:39:22.159
<v Speaker 1>because that paper was a typewritten blurry copy published in

699
00:39:22.280 --> 00:39:25.599
<v Speaker 1>nineteen seventy five, and I only can go from older pictures,

700
00:39:25.599 --> 00:39:28.199
<v Speaker 1>but I don't know if they showered as much. But

701
00:39:28.320 --> 00:39:32.400
<v Speaker 1>a relatively more recent paper from twenty eleven titled Incidents

702
00:39:32.400 --> 00:39:35.800
<v Speaker 1>of symptoms and Accidents during baths and Showers among Japanese

703
00:39:35.800 --> 00:39:39.320
<v Speaker 1>general public found that in the forty to seventy four

704
00:39:39.360 --> 00:39:43.079
<v Speaker 1>year old age group, over eight hundred thousand combined shower

705
00:39:43.239 --> 00:39:46.559
<v Speaker 1>and bathtub falls. But you're about seven times more likely

706
00:39:46.599 --> 00:39:48.920
<v Speaker 1>to have an accident falling in the bathtub than the shower.

707
00:39:48.960 --> 00:39:53.079
<v Speaker 1>So grab bars, rubber mats, go slow, try not to

708
00:39:53.119 --> 00:39:56.199
<v Speaker 1>have a wet floor. Also, this study noted that people

709
00:39:56.239 --> 00:39:59.440
<v Speaker 1>bathe every day usually, so don't freak out because if

710
00:39:59.480 --> 00:40:02.880
<v Speaker 1>you're hearing this, let's say you're twenty five, you've probably

711
00:40:02.960 --> 00:40:06.599
<v Speaker 1>bathed like eight thousand times already and you haven't died

712
00:40:06.679 --> 00:40:09.639
<v Speaker 1>even once, So what will kill you? Then? If not

713
00:40:10.000 --> 00:40:14.480
<v Speaker 1>bathtubs or a disease. Let's ask The study unintentional injury

714
00:40:14.519 --> 00:40:16.880
<v Speaker 1>details in the US for ages one to forty four

715
00:40:16.920 --> 00:40:20.000
<v Speaker 1>from nineteen eighty one to twenty twenty three, which says

716
00:40:20.199 --> 00:40:22.960
<v Speaker 1>that unintentional injuries are the leading cause of death for

717
00:40:23.039 --> 00:40:26.000
<v Speaker 1>Americans aged one to forty four years old. So if

718
00:40:26.039 --> 00:40:28.719
<v Speaker 1>you're not an infant and you have a job, your

719
00:40:28.800 --> 00:40:33.239
<v Speaker 1>riskiest job is logging, followed by commercial fishing, so they

720
00:40:33.280 --> 00:40:36.039
<v Speaker 1>don't call it the deadliest catch for nothing, although I'm

721
00:40:36.079 --> 00:40:39.440
<v Speaker 1>sure lumberjacks now would be like, I'm catching what over here,

722
00:40:39.519 --> 00:40:41.920
<v Speaker 1>and I'd like to have a word. And then after those,

723
00:40:41.920 --> 00:40:46.320
<v Speaker 1>we have airplane pilots, roofers, and sanitation workers. And if

724
00:40:46.320 --> 00:40:49.480
<v Speaker 1>you're like huh, you can see our discard anthropology episode

725
00:40:49.480 --> 00:40:52.400
<v Speaker 1>about garbage and you can bake some cookies for your

726
00:40:52.400 --> 00:40:55.480
<v Speaker 1>local pickup team. Trust me, after that you're gonna want to.

727
00:40:55.719 --> 00:40:59.559
<v Speaker 1>But honestly, car accidents have been eclipsed in this age

728
00:40:59.559 --> 00:41:04.639
<v Speaker 1>group by accidental opioid overdose and suicide. So mental health

729
00:41:04.639 --> 00:41:09.039
<v Speaker 1>care saves lives. We have a suicideology episode, invite you

730
00:41:09.079 --> 00:41:11.880
<v Speaker 1>to listen to it now. The study also noted that

731
00:41:12.039 --> 00:41:15.920
<v Speaker 1>being married lowers your risk. So until that do your part,

732
00:41:16.079 --> 00:41:19.239
<v Speaker 1>it gets delayed of it, which might actually be worth

733
00:41:19.280 --> 00:41:24.679
<v Speaker 1>the cost of matching tablecloths and a tower of fondon

734
00:41:24.840 --> 00:41:27.960
<v Speaker 1>and frosting. And my spouse, I'll tell you he sold

735
00:41:27.960 --> 00:41:31.599
<v Speaker 1>his motorcycle right after we got married because it was

736
00:41:31.639 --> 00:41:35.119
<v Speaker 1>a widow machine. And I swear if that man even

737
00:41:35.239 --> 00:41:38.440
<v Speaker 1>glances at a ladder to check on our solar panels,

738
00:41:38.519 --> 00:41:40.760
<v Speaker 1>he will get an earful of me insisting he's not

739
00:41:40.800 --> 00:41:43.079
<v Speaker 1>to do it alone. He better let me hold that thing,

740
00:41:43.440 --> 00:41:45.480
<v Speaker 1>and he better fall on my body if he does.

741
00:41:45.719 --> 00:41:49.079
<v Speaker 1>And as you may know, your grandpad, my dad passed

742
00:41:49.119 --> 00:41:52.239
<v Speaker 1>away a few years ago, and it was some sort

743
00:41:52.239 --> 00:41:54.719
<v Speaker 1>of miracle that it was from cancer and not from

744
00:41:54.960 --> 00:41:58.599
<v Speaker 1>climbing up to the pitched roof to scrape snow off

745
00:41:58.639 --> 00:42:02.519
<v Speaker 1>a satellite dish in his seventies, despite all of us

746
00:42:02.639 --> 00:42:05.920
<v Speaker 1>begging him to not do that. So no clowning around people.

747
00:42:06.639 --> 00:42:10.480
<v Speaker 1>You're scaring your loved ones. We don't like it well.

748
00:42:10.519 --> 00:42:13.559
<v Speaker 1>In terms of clowns and slipping in the shower. The

749
00:42:13.599 --> 00:42:16.679
<v Speaker 1>thing that I'm probably most afraid of right now is

750
00:42:16.840 --> 00:42:20.400
<v Speaker 1>the robots taking over. And I know you wrote, you

751
00:42:20.480 --> 00:42:23.400
<v Speaker 1>wrote why lifelike dolls and robots creep you out. We

752
00:42:23.440 --> 00:42:25.840
<v Speaker 1>had a ton of people ask about Uncanny Valley. So

753
00:42:25.880 --> 00:42:30.079
<v Speaker 1>many patrons Nikki g Ray, Press, Pafka thirty four, Remacfee, Ameliadhoff,

754
00:42:30.159 --> 00:42:33.800
<v Speaker 1>Emily McLeod, Sarah Man's, Tim Farr, Kim Grenier, are a

755
00:42:33.880 --> 00:42:37.760
<v Speaker 1>Victor adds Adam Weaver, RG and Sage Scarberry plus Kate

756
00:42:37.800 --> 00:42:42.199
<v Speaker 1>Tim's all had such similar curiosities on this. It was

757
00:42:42.239 --> 00:42:46.960
<v Speaker 1>like uncanny, which means strange or mysterious, especially in an

758
00:42:47.000 --> 00:42:49.599
<v Speaker 1>unsettling way. I thought this was a great question from

759
00:42:49.719 --> 00:42:53.519
<v Speaker 1>Sarah Swank says, along with the Uncanny Valley questions, why

760
00:42:53.559 --> 00:42:56.880
<v Speaker 1>do AI images of people make my hair stand up

761
00:42:56.880 --> 00:42:59.039
<v Speaker 1>when they're just a little bit off? Or what is

762
00:42:59.079 --> 00:43:02.480
<v Speaker 1>it about life like dolls and robots in that Uncanny Valley?

763
00:43:02.679 --> 00:43:06.119
<v Speaker 4>I think there are different kinds of creepiness, and some

764
00:43:06.239 --> 00:43:09.880
<v Speaker 4>other researchers have kind of pointed this out, and mine

765
00:43:09.960 --> 00:43:12.119
<v Speaker 4>was all about the ambiguity of threat. You know, is

766
00:43:12.159 --> 00:43:16.400
<v Speaker 4>there a danger here, but it's clear that a doll

767
00:43:16.760 --> 00:43:19.920
<v Speaker 4>is not going to kill you. Probably there's another way

768
00:43:19.920 --> 00:43:23.599
<v Speaker 4>of thinking about creepiness. I think it's called categorical ambiguity.

769
00:43:23.800 --> 00:43:27.159
<v Speaker 4>The problem with creepy dolls and robots and lifelike AI

770
00:43:27.280 --> 00:43:30.519
<v Speaker 4>images that are a little off is our caveman brains

771
00:43:30.519 --> 00:43:35.960
<v Speaker 4>aren't prepared for things to look so human but aren't human,

772
00:43:36.920 --> 00:43:40.360
<v Speaker 4>and so we would respond to them as if they're

773
00:43:40.400 --> 00:43:44.920
<v Speaker 4>real people, but consciously we know they're not. And so

774
00:43:45.039 --> 00:43:49.199
<v Speaker 4>there's this battle going on between our conscious processing of

775
00:43:49.239 --> 00:43:54.719
<v Speaker 4>what's going on here, but our unconscious involuntary response to that.

776
00:43:55.159 --> 00:43:58.599
<v Speaker 4>As something looks more and more human, we like it

777
00:43:58.639 --> 00:44:04.239
<v Speaker 4>better until it into that value where it's almost exactly

778
00:44:04.360 --> 00:44:06.840
<v Speaker 4>human but it isn't.

779
00:44:07.280 --> 00:44:09.599
<v Speaker 1>I'm almost afraid of the AI image is getting better

780
00:44:09.599 --> 00:44:12.239
<v Speaker 1>and better to where it's undetectable. That's when it starts

781
00:44:12.239 --> 00:44:14.000
<v Speaker 1>to creeping out, Like when they start having like AI

782
00:44:14.039 --> 00:44:15.920
<v Speaker 1>models that have like a ZiT here and there. I'll

783
00:44:15.960 --> 00:44:17.960
<v Speaker 1>be like, wait a minute, now, I can't tell you know.

784
00:44:18.320 --> 00:44:22.760
<v Speaker 1>And for more on uncanny Valley, that quantifiable dip in

785
00:44:22.840 --> 00:44:26.599
<v Speaker 1>comfort when something is real looking but it's not real enough,

786
00:44:26.920 --> 00:44:30.119
<v Speaker 1>you can see the twenty twelve paper Danger Avoidance an

787
00:44:30.159 --> 00:44:34.960
<v Speaker 1>evolutionary explanation of Uncanny Valley from the journal Biological Theory,

788
00:44:35.199 --> 00:44:39.280
<v Speaker 1>which explains that many species are known to bury, hide,

789
00:44:39.559 --> 00:44:45.280
<v Speaker 1>or otherwise isolate their dead members. And being cohabiting social animals.

790
00:44:45.280 --> 00:44:49.400
<v Speaker 1>It explains primates have also developed burial as a mechanism

791
00:44:49.480 --> 00:44:53.039
<v Speaker 1>of separating the dead from the living, and necrophobia, or

792
00:44:53.079 --> 00:44:55.199
<v Speaker 1>fear of the dead, is deemed to be one of

793
00:44:55.280 --> 00:44:58.679
<v Speaker 1>the reasons behind human burial practices, at least since the

794
00:44:58.760 --> 00:45:01.000
<v Speaker 1>early Iron Age, and it's thought to be one of

795
00:45:01.039 --> 00:45:06.360
<v Speaker 1>the reasons that people find human like response more important

796
00:45:06.440 --> 00:45:10.840
<v Speaker 1>than appearance in robots, because when something looks a lot

797
00:45:10.880 --> 00:45:12.519
<v Speaker 1>like us but it is a little off, we're like,

798
00:45:12.880 --> 00:45:15.440
<v Speaker 1>that's a corpse and we don't like it. So what

799
00:45:15.679 --> 00:45:18.519
<v Speaker 1>dead stuff schivs us out? I'm glad you asked, because

800
00:45:18.519 --> 00:45:22.039
<v Speaker 1>the researchers ranked the rank and in order from the

801
00:45:22.119 --> 00:45:26.599
<v Speaker 1>least defensive to the most defensive. Are you ready? Okay,

802
00:45:26.679 --> 00:45:29.400
<v Speaker 1>least defensive a dead insect? And the paper says, as

803
00:45:29.440 --> 00:45:31.840
<v Speaker 1>a matter of fact, many of us kill insects without

804
00:45:31.840 --> 00:45:34.719
<v Speaker 1>even having the feeling of regret. Also, I should note

805
00:45:34.760 --> 00:45:37.519
<v Speaker 1>we have some great episodes on spiders and bugs and ants. Okay,

806
00:45:38.639 --> 00:45:42.360
<v Speaker 1>moving on, a decomposing insect body is a little grosser.

807
00:45:42.880 --> 00:45:48.039
<v Speaker 1>Next a dead small animal, then a decomposing small animal.

808
00:45:48.400 --> 00:45:51.960
<v Speaker 1>We're going up the scale, a dead large animal, and

809
00:45:52.000 --> 00:45:55.679
<v Speaker 1>then a decomposing large animal, think like a dead cow,

810
00:45:55.840 --> 00:46:00.000
<v Speaker 1>or like a deer or something, and then a human corpse.

811
00:46:00.800 --> 00:46:03.199
<v Speaker 1>And I thought that was it. I thought that was

812
00:46:03.199 --> 00:46:06.559
<v Speaker 1>the apex of the list, like the summit of what's creepy,

813
00:46:06.599 --> 00:46:08.400
<v Speaker 1>But it turned out it was just a paragraph break.

814
00:46:08.440 --> 00:46:11.079
<v Speaker 1>And then it continued on the next page with the

815
00:46:11.119 --> 00:46:17.840
<v Speaker 1>penultimate a decomposing or freshly dead mutilated corpse. And then

816
00:46:18.000 --> 00:46:21.599
<v Speaker 1>this paper says that the top tier creepy thing human

817
00:46:21.639 --> 00:46:26.760
<v Speaker 1>brains want to avoid is so specific a freshly dead,

818
00:46:27.119 --> 00:46:33.079
<v Speaker 1>mutilated corpse with sudden movements. This again, is a scientific paper.

819
00:46:33.320 --> 00:46:35.880
<v Speaker 1>I think, I think the research speaks for itself there.

820
00:46:35.920 --> 00:46:38.559
<v Speaker 1>I think we get it now. As far as Uncanny

821
00:46:38.639 --> 00:46:42.159
<v Speaker 1>Valley in animated dolls, one of the creepiest things out there,

822
00:46:42.199 --> 00:46:45.880
<v Speaker 1>many paranormal fans agree, is this particular one. It's a

823
00:46:45.920 --> 00:46:50.159
<v Speaker 1>raggedy ann type doll named Annabel, which legend has it

824
00:46:50.360 --> 00:46:53.199
<v Speaker 1>tried to strangle a pair of roommates in the nineteen seventies,

825
00:46:53.719 --> 00:46:56.480
<v Speaker 1>and then Annabel found her way into the hands of

826
00:46:56.519 --> 00:46:59.840
<v Speaker 1>these paranormal researchers, Ed and Lorraine Warren, who deemed the

827
00:47:00.039 --> 00:47:02.400
<v Speaker 1>all to be possessed by demons. They kept it in

828
00:47:02.400 --> 00:47:05.840
<v Speaker 1>a glass box to keep everyone safe. Annabel has been

829
00:47:05.920 --> 00:47:08.840
<v Speaker 1>kept for decades as this like totem of terror, like

830
00:47:08.880 --> 00:47:11.960
<v Speaker 1>the most haunted object. And although ed and Lorraine they

831
00:47:12.000 --> 00:47:16.440
<v Speaker 1>passed into their own realm post life, this Annabelle doll,

832
00:47:16.639 --> 00:47:19.320
<v Speaker 1>It's still around and it was just this year was

833
00:47:19.360 --> 00:47:23.519
<v Speaker 1>touring the country for horror fans and in July it

834
00:47:23.559 --> 00:47:26.559
<v Speaker 1>was in a hotel room with Dan Rivera, it's fifty

835
00:47:26.559 --> 00:47:29.199
<v Speaker 1>four year old handler, the lead investigator for the New

836
00:47:29.280 --> 00:47:34.000
<v Speaker 1>England Society for Psychic Research. When Dan died suddenly of

837
00:47:34.000 --> 00:47:37.760
<v Speaker 1>what was determined to be a cardiac event. Was he

838
00:47:37.880 --> 00:47:40.400
<v Speaker 1>scared to death in a hotel room with this doll.

839
00:47:40.440 --> 00:47:42.360
<v Speaker 1>We're never going to know, But that was just a

840
00:47:42.360 --> 00:47:45.119
<v Speaker 1>few months ago, and in I guess a testament to

841
00:47:45.199 --> 00:47:48.920
<v Speaker 1>just how Batshit twenty twenty five has been. You may

842
00:47:48.960 --> 00:47:51.480
<v Speaker 1>not have even heard about this demon possessed doll killing

843
00:47:51.519 --> 00:47:54.280
<v Speaker 1>or handler, or the fact that the doll is now

844
00:47:54.320 --> 00:47:58.440
<v Speaker 1>in possession of the recently disgraced comedian Matt Rife, who

845
00:47:58.480 --> 00:48:01.719
<v Speaker 1>bought Edien Lorraine's spooky house in Connecticut and has least

846
00:48:01.800 --> 00:48:04.400
<v Speaker 1>the right to be Annabelle's handler for the next five

847
00:48:04.480 --> 00:48:08.119
<v Speaker 1>years because he loves the lore of this particular haunted

848
00:48:08.159 --> 00:48:11.199
<v Speaker 1>doll who was featured in the movie The Conjurings. Okay,

849
00:48:11.199 --> 00:48:13.480
<v Speaker 1>there's simply too much going on in the world. And

850
00:48:13.519 --> 00:48:15.400
<v Speaker 1>speaking of dolls, Kurt s one or so is a

851
00:48:15.400 --> 00:48:17.760
<v Speaker 1>creepy doll type of creepy related to the creepy guy

852
00:48:18.199 --> 00:48:20.679
<v Speaker 1>at the bar type of creepy. And I think it

853
00:48:20.719 --> 00:48:23.760
<v Speaker 1>seems like it's both that a little bit of that uncertainty.

854
00:48:24.159 --> 00:48:27.039
<v Speaker 1>And I know you've written on how not to creep

855
00:48:27.760 --> 00:48:31.199
<v Speaker 1>women out, and I'm wondering with this creepy guy at

856
00:48:31.239 --> 00:48:33.719
<v Speaker 1>the bar type of creepy, what have you found about

857
00:48:33.800 --> 00:48:38.000
<v Speaker 1>not creeping women out, either online or in person.

858
00:48:38.880 --> 00:48:43.039
<v Speaker 4>Well, I haven't done any actual research on creepy guys

859
00:48:43.079 --> 00:48:47.119
<v Speaker 4>other than my own personal experience. But again, what you

860
00:48:47.159 --> 00:48:50.239
<v Speaker 4>have to keep in mind, it's all about playing by

861
00:48:50.239 --> 00:48:54.679
<v Speaker 4>the rules, you know, like not doing something that a

862
00:48:54.760 --> 00:48:58.599
<v Speaker 4>normal person wouldn't do. You're interested in this woman and

863
00:48:58.639 --> 00:49:02.199
<v Speaker 4>you want her to like you, but you're afraid she's

864
00:49:02.239 --> 00:49:04.840
<v Speaker 4>going to reject you. So you're all nervous to start with,

865
00:49:05.159 --> 00:49:08.039
<v Speaker 4>and so you get all twitchy, and you're trying to

866
00:49:08.039 --> 00:49:10.039
<v Speaker 4>be funnier than you are and smarter than you are,

867
00:49:10.440 --> 00:49:15.480
<v Speaker 4>the situation pulls creepy behaviors out of you, that makes

868
00:49:15.920 --> 00:49:18.960
<v Speaker 4>the woman start to think, this is not a normal guy.

869
00:49:19.280 --> 00:49:22.119
<v Speaker 4>And if he doesn't understand these basic rules of interaction,

870
00:49:22.800 --> 00:49:26.719
<v Speaker 4>what other rules doesn't he understand? So it's all about

871
00:49:27.440 --> 00:49:30.880
<v Speaker 4>just being normal, you know. Try to overcome your anxiety

872
00:49:30.960 --> 00:49:35.239
<v Speaker 4>about approaching somebody and don't let that interfere with just

873
00:49:35.280 --> 00:49:38.280
<v Speaker 4>being you. Now you also have to be conscious of

874
00:49:38.840 --> 00:49:43.119
<v Speaker 4>you don't start touching people, you don't start talking about

875
00:49:43.159 --> 00:49:45.880
<v Speaker 4>sex right away. There are certain things you got to

876
00:49:45.920 --> 00:49:47.480
<v Speaker 4>do right or not do. Is the case?

877
00:49:47.519 --> 00:49:50.360
<v Speaker 1>Maybe, well, what if you're not really normal but you're

878
00:49:50.440 --> 00:49:53.320
<v Speaker 1>not harmful. We're going to circle back to that. Aaron White,

879
00:49:54.039 --> 00:49:58.360
<v Speaker 1>ariel Vincent, puzz Goddess, and Ki Kiani wanted to know.

880
00:49:59.079 --> 00:50:01.519
<v Speaker 1>Aaron wanted to know, how does one know if you

881
00:50:01.639 --> 00:50:05.440
<v Speaker 1>are being creepy to others? I assume I am not,

882
00:50:05.599 --> 00:50:08.039
<v Speaker 1>they say, But then again, people who act toward me

883
00:50:08.079 --> 00:50:10.519
<v Speaker 1>in ways that I find creepy don't seem to realize

884
00:50:10.559 --> 00:50:13.519
<v Speaker 1>they are. Is there any way to detect creepiness in yourself?

885
00:50:14.000 --> 00:50:15.960
<v Speaker 4>That's a really good question. One of the things we

886
00:50:15.960 --> 00:50:18.239
<v Speaker 4>ask people in our original study, and this is about

887
00:50:18.280 --> 00:50:22.239
<v Speaker 4>thirteen hundred people, do you think creepy people know they're creepy,

888
00:50:22.760 --> 00:50:27.519
<v Speaker 4>And overwhelmingly the response was no, they don't think creepy

889
00:50:27.519 --> 00:50:31.679
<v Speaker 4>people understand that they're creepy. Another interesting side effect of

890
00:50:31.719 --> 00:50:34.280
<v Speaker 4>my having done some research on this is I get

891
00:50:34.360 --> 00:50:39.679
<v Speaker 4>messages from guys who are worried about exactly this thing.

892
00:50:39.960 --> 00:50:42.280
<v Speaker 4>They're starting to think now that people think they're creepy,

893
00:50:42.519 --> 00:50:45.239
<v Speaker 4>and they find this very troubling. I don't think we're

894
00:50:45.320 --> 00:50:49.360
<v Speaker 4>very good at detecting it in ourselves. We seem perfectly

895
00:50:49.400 --> 00:50:53.239
<v Speaker 4>normal to ourselves, right. I think a lot of people

896
00:50:53.280 --> 00:50:55.880
<v Speaker 4>who just send out the wrong vibe are very lonely people, right,

897
00:50:55.880 --> 00:50:58.559
<v Speaker 4>because people run away from them, they don't want to

898
00:50:58.559 --> 00:51:01.639
<v Speaker 4>form a close relationship with them. And then the whole

899
00:51:01.639 --> 00:51:04.760
<v Speaker 4>thing kind of snowballs. You become creepier because you become

900
00:51:04.760 --> 00:51:08.239
<v Speaker 4>more desperate, and then in your interactions with people, your

901
00:51:08.280 --> 00:51:12.280
<v Speaker 4>desperation is unusual, and it just kind of feeds on itself.

902
00:51:12.559 --> 00:51:15.119
<v Speaker 1>If your eyebrows are up in a is this play

903
00:51:15.159 --> 00:51:17.719
<v Speaker 1>about us way? Let me say that I'm with you

904
00:51:18.039 --> 00:51:21.679
<v Speaker 1>socially awkwardly, and I would like to know about neurodivergence.

905
00:51:21.840 --> 00:51:26.280
<v Speaker 1>Along with my siblings and possible research Anna Elizabeth Keran

906
00:51:26.480 --> 00:51:30.239
<v Speaker 1>h Anton Kleinsheldt protect trans lives, as well as questions

907
00:51:30.239 --> 00:51:33.280
<v Speaker 1>about cultural norms and even racism asked by Flora and

908
00:51:33.320 --> 00:51:37.079
<v Speaker 1>the Fawn analysta Young Genesis, Will Clark, Felipe Jimenez, Meghan Walker,

909
00:51:37.199 --> 00:51:39.760
<v Speaker 1>Jeremy Green, and Bia Hagen. Do you ever have to

910
00:51:39.800 --> 00:51:43.599
<v Speaker 1>account for neurodivergence on either side of the research?

911
00:51:44.119 --> 00:51:46.440
<v Speaker 4>Well, now, this had never even crossed my mind when

912
00:51:46.440 --> 00:51:48.199
<v Speaker 4>we were doing the original creepiness stuff.

913
00:51:48.280 --> 00:51:51.400
<v Speaker 1>But remember this research was conducted nearly a decade ago,

914
00:51:51.480 --> 00:51:54.880
<v Speaker 1>and since then we've had better screening and public awareness

915
00:51:54.920 --> 00:51:58.400
<v Speaker 1>and first person outreach of the flavors of social norms

916
00:51:58.599 --> 00:52:02.800
<v Speaker 1>and just more understanding of neurodivergence in popular culture. And

917
00:52:02.960 --> 00:52:05.599
<v Speaker 1>we have several episodes on ADHD which we'll link in

918
00:52:05.599 --> 00:52:07.679
<v Speaker 1>the show notes, as well as a coming in the

919
00:52:07.719 --> 00:52:10.880
<v Speaker 1>future one about autism, which is not caused by tile

920
00:52:10.920 --> 00:52:11.280
<v Speaker 1>at all.

921
00:52:11.400 --> 00:52:15.039
<v Speaker 4>If somebody is neurodivergent in some way, autistic or whatever,

922
00:52:15.840 --> 00:52:19.000
<v Speaker 4>if you don't know that and you're interacting with the person,

923
00:52:19.519 --> 00:52:21.960
<v Speaker 4>you're trying to figure out what's going on there. On

924
00:52:22.039 --> 00:52:25.760
<v Speaker 4>the other hand, if you understand where the person's coming from,

925
00:52:26.159 --> 00:52:28.199
<v Speaker 4>that puts you at ease because now you have an

926
00:52:28.239 --> 00:52:30.159
<v Speaker 4>explanation and you're not worried.

927
00:52:30.599 --> 00:52:32.719
<v Speaker 1>I think that that's interesting. The more we try to

928
00:52:32.880 --> 00:52:39.320
<v Speaker 1>hide what is innate to us and maybe mask over it,

929
00:52:39.719 --> 00:52:44.119
<v Speaker 1>maybe the creepier it is, like trying to suppress who

930
00:52:44.199 --> 00:52:47.639
<v Speaker 1>you are in a certain way. Maybe that's creepy. But yeah,

931
00:52:47.679 --> 00:52:49.960
<v Speaker 1>if I knew that I were talking to someone with anxiety,

932
00:52:50.400 --> 00:52:52.880
<v Speaker 1>I would probably have a really different experience than if

933
00:52:52.920 --> 00:52:55.920
<v Speaker 1>they were like I get sometimes just kind of twitchy

934
00:52:55.960 --> 00:53:00.599
<v Speaker 1>and weird. You know. Maybe it's like disclosure makes everyone

935
00:53:00.599 --> 00:53:04.519
<v Speaker 1>more comfortable. Listener Eleanor Wall shares their experience of this

936
00:53:04.599 --> 00:53:06.559
<v Speaker 1>kind of bias and has a question I.

937
00:53:06.480 --> 00:53:09.840
<v Speaker 9>Would particularly like to know about creepiness as it relates

938
00:53:09.880 --> 00:53:14.159
<v Speaker 9>to discrimination. I grew up in the special education system,

939
00:53:14.280 --> 00:53:16.920
<v Speaker 9>and I experienced a lot of ill treatment and a

940
00:53:16.960 --> 00:53:20.559
<v Speaker 9>lot of rejection from my peers because of it. How

941
00:53:20.639 --> 00:53:25.760
<v Speaker 9>exactly can the impulse of rejection be suppressed when it

942
00:53:25.800 --> 00:53:29.880
<v Speaker 9>turns into something harmful to society, particularly to its most

943
00:53:30.000 --> 00:53:31.159
<v Speaker 9>vulnerable members.

944
00:53:31.400 --> 00:53:34.320
<v Speaker 1>And again, as we discussed in the recent human Technomorphology

945
00:53:34.360 --> 00:53:37.679
<v Speaker 1>episode with Mary Roach and in the Systems Biology episode

946
00:53:37.719 --> 00:53:40.920
<v Speaker 1>with doctor Emily Ackerman and the ADHD episode and the

947
00:53:41.000 --> 00:53:45.559
<v Speaker 1>personality Psychology episode and in the Disability Sociology episode. So

948
00:53:45.679 --> 00:53:49.440
<v Speaker 1>many biases and projections are deeply harmful to people who

949
00:53:49.480 --> 00:53:54.320
<v Speaker 1>are introverted or appear to be outside of really narrow

950
00:53:54.440 --> 00:53:58.199
<v Speaker 1>so called norms, And much of that perception can simply

951
00:53:58.400 --> 00:54:01.159
<v Speaker 1>be based on a lack of exposure to people of

952
00:54:01.360 --> 00:54:04.800
<v Speaker 1>diverse appearance and ability, Like whose fault is it that

953
00:54:04.960 --> 00:54:08.639
<v Speaker 1>someone else doesn't know a broader array of people? And again,

954
00:54:09.039 --> 00:54:14.320
<v Speaker 1>it's why representation and diversity matter so much. So newsflash,

955
00:54:14.519 --> 00:54:18.079
<v Speaker 1>shocking people are assholes to others who do not fit

956
00:54:18.119 --> 00:54:21.320
<v Speaker 1>beauty standards, and another reason why it's important to break

957
00:54:21.360 --> 00:54:24.000
<v Speaker 1>down beauty standards. We talk all about this in the

958
00:54:24.000 --> 00:54:27.639
<v Speaker 1>Ecolology episode, which we'll link in the show notes. And

959
00:54:27.679 --> 00:54:33.079
<v Speaker 1>we had another listener who asked about specific creeped outedness. Hi, Ali,

960
00:54:33.760 --> 00:54:34.719
<v Speaker 1>my name is Kayla.

961
00:54:35.039 --> 00:54:41.000
<v Speaker 10>How come different people have different phobias or are creeped

962
00:54:41.039 --> 00:54:44.960
<v Speaker 10>out by certain things? Like people always have that one

963
00:54:45.039 --> 00:54:48.760
<v Speaker 10>thing that really bugs them, Like I have a friend

964
00:54:48.840 --> 00:54:55.960
<v Speaker 10>who is really creeped out by my lar balloons floating

965
00:54:56.239 --> 00:54:59.639
<v Speaker 10>away from her. It really really bothers her. If they

966
00:54:59.679 --> 00:55:02.800
<v Speaker 10>could answer that question, that would be.

967
00:55:02.480 --> 00:55:04.639
<v Speaker 1>Great, and I will say that there is a word

968
00:55:04.679 --> 00:55:07.239
<v Speaker 1>for this kind of and that the fear of balloons

969
00:55:07.440 --> 00:55:11.280
<v Speaker 1>is called globophobia, and it usually refers to like the

970
00:55:11.480 --> 00:55:15.360
<v Speaker 1>terror of latex balloons and most often that potential for

971
00:55:15.440 --> 00:55:18.719
<v Speaker 1>them to pop. And just to circle around, I found

972
00:55:18.760 --> 00:55:21.920
<v Speaker 1>one article titled life on the Autism Spectrum, A balloon

973
00:55:22.159 --> 00:55:25.599
<v Speaker 1>for the Misbegotten, and it notes that the sudden sensory

974
00:55:25.760 --> 00:55:30.239
<v Speaker 1>overload of a popped balloon can be particularly aversive for

975
00:55:30.440 --> 00:55:33.880
<v Speaker 1>neurodivergent folks. But honestly, anyone can have a bad reaction

976
00:55:33.920 --> 00:55:37.280
<v Speaker 1>to a suddenly pop balloon and develop globophobia, even like

977
00:55:37.480 --> 00:55:42.119
<v Speaker 1>Oprah probably actually really, she said. In one interview, Oprah said,

978
00:55:42.199 --> 00:55:44.800
<v Speaker 1>I really don't like balloons. And for my fortieth birthday,

979
00:55:45.039 --> 00:55:48.400
<v Speaker 1>my entire staff decided to surprise me, she says, And

980
00:55:48.440 --> 00:55:52.360
<v Speaker 1>I come downstairs and the entire audience is filled with balloons. Literally,

981
00:55:52.599 --> 00:55:55.960
<v Speaker 1>I'm stepping over balloons, having to walk through balloons, and

982
00:55:56.000 --> 00:56:00.480
<v Speaker 1>I'm so like, ah, when is one gonna pop? Said Oprah.

983
00:56:00.599 --> 00:56:03.239
<v Speaker 1>So a treatment for this phobia, we talked about this

984
00:56:03.280 --> 00:56:07.760
<v Speaker 1>in a recent OCD episode, is exposure and response prevention therapy.

985
00:56:07.880 --> 00:56:10.800
<v Speaker 1>So yeah, you got to get yourself around a bunch

986
00:56:10.800 --> 00:56:14.440
<v Speaker 1>of balloons, even working up to popping them for that

987
00:56:14.599 --> 00:56:17.639
<v Speaker 1>phobia to go away. Now, as for the mylar ones, Kayla,

988
00:56:17.679 --> 00:56:20.320
<v Speaker 1>I looked around. I couldn't find anything. I am not

989
00:56:20.440 --> 00:56:24.360
<v Speaker 1>a doctor in any capacity, but maybe ask if it

990
00:56:24.400 --> 00:56:29.320
<v Speaker 1>has something to do with the environmental or ecological anxiety,

991
00:56:29.800 --> 00:56:33.440
<v Speaker 1>or maybe thanophobia, just the fear of death and slipping

992
00:56:33.480 --> 00:56:37.480
<v Speaker 1>away into the unknown and unseen. Or maybe it has

993
00:56:37.519 --> 00:56:39.880
<v Speaker 1>something to do with a little thing we call cosmic vertigo,

994
00:56:40.360 --> 00:56:44.119
<v Speaker 1>which is an unease a lot of people have about

995
00:56:44.239 --> 00:56:49.440
<v Speaker 1>just how big the universe is. Just this fathomless void

996
00:56:50.039 --> 00:56:52.920
<v Speaker 1>with a bunch of gas and fire and aliens. It

997
00:56:53.000 --> 00:56:54.920
<v Speaker 1>keeps going and going and going. You don't know what's

998
00:56:54.920 --> 00:56:57.239
<v Speaker 1>out there. We talk about this in the Cosmology episode

999
00:56:57.280 --> 00:56:58.119
<v Speaker 1>with doctor Katie Mack.

1000
00:56:58.559 --> 00:57:02.320
<v Speaker 4>But when you think about the modern world, snakes and

1001
00:57:02.639 --> 00:57:05.880
<v Speaker 4>in spiders, things like that are not really a threat

1002
00:57:06.400 --> 00:57:09.199
<v Speaker 4>to most people most of the time, and yet people

1003
00:57:09.239 --> 00:57:11.440
<v Speaker 4>are still terrified on them. But think of the things

1004
00:57:11.440 --> 00:57:16.920
<v Speaker 4>that are really dangerous now, guns, electrical wires, automobiles. I mean,

1005
00:57:16.960 --> 00:57:20.360
<v Speaker 4>these kill people all the time, but we don't have

1006
00:57:20.480 --> 00:57:23.280
<v Speaker 4>phobias about them, yeah, most of us.

1007
00:57:23.599 --> 00:57:27.079
<v Speaker 1>Yeah, But Mel Roswell. Great question from New Zealand where

1008
00:57:27.079 --> 00:57:29.360
<v Speaker 1>they have a lot of creepy crawleys are scary crawleys.

1009
00:57:29.559 --> 00:57:31.519
<v Speaker 1>So I'm sure everyone's had that thing where you feel

1010
00:57:31.519 --> 00:57:33.679
<v Speaker 1>like someone is looking at you, and sure enough you

1011
00:57:33.719 --> 00:57:36.039
<v Speaker 1>turn around and there is someone looking straight at you

1012
00:57:36.119 --> 00:57:39.800
<v Speaker 1>and it feels super creepy. Is that a known phenomenon

1013
00:57:39.880 --> 00:57:41.800
<v Speaker 1>or do we do that a lot and there's no

1014
00:57:41.840 --> 00:57:43.960
<v Speaker 1>one there and we only remember the times when there's

1015
00:57:44.000 --> 00:57:44.519
<v Speaker 1>someone there.

1016
00:57:44.800 --> 00:57:46.079
<v Speaker 4>I think that's more likely.

1017
00:57:46.519 --> 00:57:49.599
<v Speaker 1>Hmmm. Okay, because we have.

1018
00:57:49.639 --> 00:57:53.760
<v Speaker 4>Something that's called a confirmation bias. So if you believe

1019
00:57:53.800 --> 00:57:59.000
<v Speaker 4>that something is true, we actively look for examples that

1020
00:57:59.239 --> 00:58:03.039
<v Speaker 4>fit the store and convince us that it's true. And

1021
00:58:03.320 --> 00:58:06.960
<v Speaker 4>if we see things that don't apply, we just kind

1022
00:58:06.960 --> 00:58:09.440
<v Speaker 4>of ignore them or don't notice them. So, yeah, if

1023
00:58:09.480 --> 00:58:11.679
<v Speaker 4>you believe you can tell when somebody's looking at you,

1024
00:58:12.320 --> 00:58:14.840
<v Speaker 4>and you look around and nobody's looking at you, you

1025
00:58:14.960 --> 00:58:17.119
<v Speaker 4>just don't remember it. Yeah, all it takes is that

1026
00:58:17.199 --> 00:58:21.679
<v Speaker 4>one time where you see it and aha, you know,

1027
00:58:22.840 --> 00:58:25.360
<v Speaker 4>it really reinforces it. We believe in a lot of

1028
00:58:25.400 --> 00:58:28.599
<v Speaker 4>stuff like okay, the full moon and its effects on behavior,

1029
00:58:29.239 --> 00:58:31.639
<v Speaker 4>A lot of people really believe that it's not true,

1030
00:58:32.039 --> 00:58:35.079
<v Speaker 4>the full moon doesn't do anything. But what happens is

1031
00:58:35.760 --> 00:58:39.119
<v Speaker 4>if something weird happens and there happens to be a

1032
00:58:39.159 --> 00:58:43.199
<v Speaker 4>full moon. You notice that, You say, ahaha, But what

1033
00:58:43.199 --> 00:58:44.639
<v Speaker 4>about all the time, is there was a full moon

1034
00:58:44.679 --> 00:58:47.239
<v Speaker 4>and nothing weird happened, or all the time something weird

1035
00:58:47.280 --> 00:58:50.119
<v Speaker 4>happen and there was no full moon. You know, all

1036
00:58:50.119 --> 00:58:54.159
<v Speaker 4>it takes is that one incident to reinforce your belief.

1037
00:58:54.880 --> 00:58:57.519
<v Speaker 1>I think about penny Wise and the guy who plays

1038
00:58:57.559 --> 00:58:59.719
<v Speaker 1>him is very hot, and it makes no sense that

1039
00:58:59.760 --> 00:59:02.440
<v Speaker 1>he's scariest clown ever because under that makeup he looks

1040
00:59:02.440 --> 00:59:05.480
<v Speaker 1>like a male model. His name is Peter Sarsgard. I

1041
00:59:05.480 --> 00:59:07.840
<v Speaker 1>started typing up and then I googled it and realized, no,

1042
00:59:08.000 --> 00:59:10.000
<v Speaker 1>it is Bill Scarsgard.

1043
00:59:09.480 --> 00:59:16.440
<v Speaker 8>Peter Sarscar no relation to Stellin, Alex Gusta philu Volto.

1044
00:59:17.599 --> 00:59:21.639
<v Speaker 8>He is sar'scar. They are scars New and I.

1045
00:59:21.639 --> 00:59:23.880
<v Speaker 1>Should have known that. Because if you need a musical

1046
00:59:23.960 --> 00:59:28.039
<v Speaker 1>and visual disambiguation, I will link that song by Jared

1047
00:59:28.079 --> 00:59:31.119
<v Speaker 1>Sleeper in the show notes. A few people Melanie Aang,

1048
00:59:31.320 --> 00:59:34.719
<v Speaker 1>Rachel Robinson, and Fiona wanted to know. Fiona asked, what's

1049
00:59:34.800 --> 00:59:37.960
<v Speaker 1>up with attractive people doing saying creepy shit and getting

1050
00:59:38.000 --> 00:59:41.760
<v Speaker 1>away with it, while less attractive people are instantly considered creepy.

1051
00:59:42.239 --> 00:59:46.280
<v Speaker 1>And Melanie asked, will someone be good looking objectively reduce

1052
00:59:46.599 --> 00:59:49.559
<v Speaker 1>their creepiness scales even if they are a creep.

1053
00:59:50.119 --> 00:59:53.760
<v Speaker 4>Yes, you can get away with a lot more if

1054
00:59:53.800 --> 00:59:55.000
<v Speaker 4>you're good looking than if you're not.

1055
00:59:55.719 --> 00:59:55.960
<v Speaker 1>Dear.

1056
00:59:56.119 --> 00:59:58.480
<v Speaker 4>There's something called a halo effect that's all the opposite

1057
00:59:58.480 --> 01:00:00.559
<v Speaker 4>of It's called the horns effect, you know, like devils

1058
01:00:00.559 --> 01:00:03.880
<v Speaker 4>and angels. If a person is good looking, we know

1059
01:00:04.039 --> 01:00:08.800
<v Speaker 4>they have one desirable good quality, and that leads us

1060
01:00:08.800 --> 01:00:11.119
<v Speaker 4>to jump to the conclusion that they must have other

1061
01:00:11.199 --> 01:00:15.519
<v Speaker 4>ones as well. Whereas if a person isn't advertising any

1062
01:00:15.679 --> 01:00:18.840
<v Speaker 4>good quality that's visible, we're inclined to think, well, they

1063
01:00:18.880 --> 01:00:21.719
<v Speaker 4>got one bad thing going on. I wouldn't be surprised

1064
01:00:21.760 --> 01:00:24.159
<v Speaker 4>if they've got more going on as well. So we're

1065
01:00:24.159 --> 01:00:28.159
<v Speaker 4>already biased in favor of We're against people based on

1066
01:00:28.199 --> 01:00:32.000
<v Speaker 4>their appearance, and so now the good looking person can't

1067
01:00:32.000 --> 01:00:35.559
<v Speaker 4>eventually convince you that they're creepy, but it's going to

1068
01:00:35.639 --> 01:00:40.079
<v Speaker 4>take more work, whereas the other person, you're gonna say, okay,

1069
01:00:40.199 --> 01:00:40.880
<v Speaker 4>a lot quicker.

1070
01:00:41.280 --> 01:00:44.159
<v Speaker 1>A few people asked about eye contact, Marina Buckley, They'll

1071
01:00:44.199 --> 01:00:48.400
<v Speaker 1>be listening. Timbo and Gina H asked. Miranda said, why

1072
01:00:48.480 --> 01:00:51.880
<v Speaker 1>is eye contact from strangers so unnerving? Gina H says,

1073
01:00:52.000 --> 01:00:55.159
<v Speaker 1>I'm flirty and I can make infinite eye contact. Am

1074
01:00:55.199 --> 01:01:00.159
<v Speaker 1>I creepy? Timbo mentions that intense eye contact can seem

1075
01:01:00.239 --> 01:01:03.639
<v Speaker 1>so close to erotic intimacy and serial killer vibes at

1076
01:01:03.639 --> 01:01:08.079
<v Speaker 1>the same time. Is there a certain amount of contact

1077
01:01:08.079 --> 01:01:09.360
<v Speaker 1>with someone that's too much?

1078
01:01:10.559 --> 01:01:13.760
<v Speaker 4>Yeah, the way icon And this is something that's very

1079
01:01:14.079 --> 01:01:18.079
<v Speaker 4>culture specific. There are some cultures that are much more

1080
01:01:18.079 --> 01:01:20.800
<v Speaker 4>intimate in the way people interact with each other, a

1081
01:01:20.840 --> 01:01:24.880
<v Speaker 4>lot more eye contact, closer interaction distances, more touching, and

1082
01:01:24.920 --> 01:01:28.320
<v Speaker 4>then there are others that are much more standoffish. The

1083
01:01:28.360 --> 01:01:30.679
<v Speaker 4>thing about eye contact, and this is true for primates

1084
01:01:30.719 --> 01:01:34.800
<v Speaker 4>as well, baboons and chimps and so on. Direct eye contact,

1085
01:01:34.880 --> 01:01:37.639
<v Speaker 4>first of all, is very arousing. Your heart rate increases,

1086
01:01:37.679 --> 01:01:41.599
<v Speaker 4>adrenaline starts moving through your system because eye contact from

1087
01:01:41.639 --> 01:01:47.840
<v Speaker 4>another person is a strong social signal of intention. Now,

1088
01:01:48.039 --> 01:01:53.239
<v Speaker 4>the intention can be positive as in romantic attraction and

1089
01:01:53.360 --> 01:01:56.599
<v Speaker 4>I love you, and it can be threatening in terms

1090
01:01:56.599 --> 01:01:59.800
<v Speaker 4>of violence. If you look at two boxers before boxing match,

1091
01:01:59.800 --> 01:02:02.159
<v Speaker 4>the stare down right. Yeah, they're looking at each other

1092
01:02:02.280 --> 01:02:05.199
<v Speaker 4>right in the eye. And to knows, a baseball umpire

1093
01:02:05.639 --> 01:02:07.840
<v Speaker 4>and a manager having a fight there right in each

1094
01:02:07.840 --> 01:02:11.800
<v Speaker 4>other's faces. Think of eye contact as turning up the

1095
01:02:11.920 --> 01:02:15.440
<v Speaker 4>volume on whatever's going on in the interaction. If it's

1096
01:02:15.480 --> 01:02:20.119
<v Speaker 4>a pleasant interaction, eye contact makes it more pleasant. If

1097
01:02:20.199 --> 01:02:24.639
<v Speaker 4>it's a threatening or aggressive or unpleasant interaction, more eye

1098
01:02:24.639 --> 01:02:28.440
<v Speaker 4>contact makes it more unpleasant. There was a study done

1099
01:02:28.480 --> 01:02:31.599
<v Speaker 4>a bazillion years ago where they had people who were

1100
01:02:31.639 --> 01:02:35.519
<v Speaker 4>in an interview getting positive or negative feedback about themselves.

1101
01:02:35.800 --> 01:02:39.400
<v Speaker 4>They'd taken a personality test and the interviewer was either

1102
01:02:39.440 --> 01:02:42.639
<v Speaker 4>telling them good things about themselves or bad things about themselves,

1103
01:02:42.880 --> 01:02:45.639
<v Speaker 4>And what they manipulated was how much eye contact did

1104
01:02:45.639 --> 01:02:48.960
<v Speaker 4>the interviewer use? Oh God, And it turned out that

1105
01:02:49.079 --> 01:02:51.480
<v Speaker 4>if the interviewer was using a lot of eye contact

1106
01:02:51.880 --> 01:02:54.800
<v Speaker 4>and telling you good things about yourself, you really liked

1107
01:02:54.840 --> 01:02:58.079
<v Speaker 4>the interviewer. If the eye contact was coming from the

1108
01:02:58.079 --> 01:03:00.800
<v Speaker 4>interviewer or who was telling you bad things, you really

1109
01:03:00.840 --> 01:03:03.639
<v Speaker 4>hated that person more than if they didn't use so

1110
01:03:03.719 --> 01:03:04.559
<v Speaker 4>much eye contact.

1111
01:03:04.800 --> 01:03:08.519
<v Speaker 1>See the twenty eighteen Frontiers and Psychology paper Effective Eye

1112
01:03:08.519 --> 01:03:13.599
<v Speaker 1>Contact and Integrative Review for a very deep, soulful gaze

1113
01:03:13.760 --> 01:03:14.639
<v Speaker 1>into that research.

1114
01:03:15.119 --> 01:03:20.880
<v Speaker 4>So your listener is right in saying that eye contact

1115
01:03:21.199 --> 01:03:25.880
<v Speaker 4>automatically makes you feel something, and too much of it

1116
01:03:26.239 --> 01:03:29.199
<v Speaker 4>or too little of it can be disturbing. Now, the

1117
01:03:29.760 --> 01:03:32.840
<v Speaker 4>other person you mentioned who said she's a flirt and

1118
01:03:32.880 --> 01:03:36.039
<v Speaker 4>she can maintain eye contact, does that make her creepy?

1119
01:03:37.320 --> 01:03:40.239
<v Speaker 4>The fact that she can do it doesn't make her creepy,

1120
01:03:41.199 --> 01:03:44.000
<v Speaker 4>but whether she does it or not and when she

1121
01:03:44.119 --> 01:03:47.119
<v Speaker 4>does it. But the fact that she's female, I think

1122
01:03:47.199 --> 01:03:47.880
<v Speaker 4>helps a lot.

1123
01:03:48.119 --> 01:03:50.000
<v Speaker 1>And that is an assumption, of course, based on the

1124
01:03:50.079 --> 01:03:52.679
<v Speaker 1>name Gina and also fun fact, gender is not binary,

1125
01:03:52.800 --> 01:03:55.920
<v Speaker 1>so my sis queer, trans and babies. We discussed that

1126
01:03:56.000 --> 01:03:59.159
<v Speaker 1>in the wonderful Neuroendocrinology episode, which we'll link in the

1127
01:03:59.159 --> 01:03:59.679
<v Speaker 1>show notes.

1128
01:04:00.039 --> 01:04:02.880
<v Speaker 4>We were already talking about males being more threatening and creepier.

1129
01:04:03.800 --> 01:04:06.639
<v Speaker 4>Women really have to work at it to come across

1130
01:04:06.639 --> 01:04:12.119
<v Speaker 4>as creepy because they're not threatening usually.

1131
01:04:12.719 --> 01:04:15.400
<v Speaker 1>What about goths. I used to be goth for a

1132
01:04:15.400 --> 01:04:18.360
<v Speaker 1>long time, all black. Yeah, a lot of fish nets,

1133
01:04:18.559 --> 01:04:20.440
<v Speaker 1>still wear fish nets, but you know, I used to

1134
01:04:20.519 --> 01:04:23.119
<v Speaker 1>hang out with people with a lot of face makeup

1135
01:04:23.280 --> 01:04:26.239
<v Speaker 1>and stuff. Do you think that some people self select

1136
01:04:26.280 --> 01:04:29.280
<v Speaker 1>to be creepy, to be like almost like how poisonous

1137
01:04:29.280 --> 01:04:32.639
<v Speaker 1>sprogs have bright colors? Is this to say like, don't

1138
01:04:32.639 --> 01:04:33.119
<v Speaker 1>come near this?

1139
01:04:33.719 --> 01:04:36.039
<v Speaker 4>Yeah, I think there's some posing that goes on. You know,

1140
01:04:36.079 --> 01:04:39.320
<v Speaker 4>what you're trying to do is show that you're you know,

1141
01:04:39.400 --> 01:04:43.639
<v Speaker 4>you're not tied down by convention and you're not a conformist.

1142
01:04:44.280 --> 01:04:47.719
<v Speaker 4>You want to look like all the other goths, right, yeah, yeah, exactly,

1143
01:04:49.280 --> 01:04:53.239
<v Speaker 4>And I don't think that style is creepy if you're

1144
01:04:53.280 --> 01:04:56.559
<v Speaker 4>in a society. Okay, I'm a college professor. The goth

1145
01:04:56.559 --> 01:04:58.880
<v Speaker 4>thing comes and goes, and I've had lots of goth

1146
01:04:59.280 --> 01:05:03.599
<v Speaker 4>students knowing that that's a fashion and a style that

1147
01:05:03.760 --> 01:05:07.440
<v Speaker 4>people of a certain age like to adopt. I don't

1148
01:05:07.440 --> 01:05:09.960
<v Speaker 4>think of that person as creepy because I understand they're

1149
01:05:10.000 --> 01:05:13.159
<v Speaker 4>just trying to kind of fit in. They're trying to

1150
01:05:13.320 --> 01:05:17.760
<v Speaker 4>say something about themselves. Yeah, and that's within the norm.

1151
01:05:17.760 --> 01:05:20.960
<v Speaker 4>But if you were to be goth and go to

1152
01:05:21.039 --> 01:05:24.760
<v Speaker 4>a place where people have never seen this before, then yeah,

1153
01:05:24.800 --> 01:05:26.159
<v Speaker 4>you'll creep them out.

1154
01:05:26.480 --> 01:05:31.559
<v Speaker 1>Right, But it takes much more innovation and work to

1155
01:05:31.679 --> 01:05:34.239
<v Speaker 1>creep people out with your fashion than simply going a

1156
01:05:34.280 --> 01:05:34.800
<v Speaker 1>hot topic.

1157
01:05:36.239 --> 01:05:37.679
<v Speaker 4>Yeah, essentially, I would say.

1158
01:05:39.119 --> 01:05:42.000
<v Speaker 1>I am gagged and so read that it hurts. Joe

1159
01:05:42.000 --> 01:05:44.920
<v Speaker 1>Hall I had a great question last listener question that

1160
01:05:45.000 --> 01:05:47.320
<v Speaker 1>I think is such a good one, and it was

1161
01:05:47.360 --> 01:05:51.239
<v Speaker 1>echoed also by Deborah Brunner. But Joe asked, Hi.

1162
01:05:51.239 --> 01:05:54.639
<v Speaker 11>Ali, this is Justine Lorenzo Hall. My question is about

1163
01:05:54.639 --> 01:05:58.039
<v Speaker 11>the specific creepiness that happens right before you realize you're

1164
01:05:58.079 --> 01:06:01.679
<v Speaker 11>being scammed. On on that scammers try to seem trustworthy,

1165
01:06:01.800 --> 01:06:05.239
<v Speaker 11>but the Celtics heals off an unusual turn of phrase

1166
01:06:05.239 --> 01:06:06.719
<v Speaker 11>and request that's out of character.

1167
01:06:07.440 --> 01:06:07.639
<v Speaker 2>Yeah.

1168
01:06:07.679 --> 01:06:09.559
<v Speaker 4>I think that's a great example. I hadn't thought about

1169
01:06:09.599 --> 01:06:12.800
<v Speaker 4>that one before, but I think that's exactly analogous to,

1170
01:06:13.679 --> 01:06:15.840
<v Speaker 4>you know, the predator in the woods waiting to get you.

1171
01:06:16.079 --> 01:06:16.480
<v Speaker 1>Mm hmm.

1172
01:06:16.760 --> 01:06:20.360
<v Speaker 4>Okay, you may not be physically at risk, but you're

1173
01:06:20.440 --> 01:06:23.639
<v Speaker 4>financially at risk. You're about to possibly have all kinds

1174
01:06:23.639 --> 01:06:27.960
<v Speaker 4>of hassles and problems, but you're not sure, and it's

1175
01:06:28.039 --> 01:06:34.639
<v Speaker 4>this uncertainty that is creating. I think that's exactly the

1176
01:06:34.679 --> 01:06:38.199
<v Speaker 4>same thing. And if you've already sort of gone down

1177
01:06:38.199 --> 01:06:41.360
<v Speaker 4>the road aways, you've already agreed to certain things given

1178
01:06:41.400 --> 01:06:45.119
<v Speaker 4>certain information, it's really hard to reverse that. So I

1179
01:06:45.199 --> 01:06:47.559
<v Speaker 4>think that's an excellent example. I'm glad he shared that

1180
01:06:47.719 --> 01:06:49.280
<v Speaker 4>because I'm going to use that.

1181
01:06:49.880 --> 01:06:53.239
<v Speaker 1>Yes, that happened to my husband recently where he was

1182
01:06:53.480 --> 01:06:55.239
<v Speaker 1>called by his bank to say that there was someone

1183
01:06:55.280 --> 01:06:58.119
<v Speaker 1>scamming him. And he had this moment where he was

1184
01:06:58.119 --> 01:06:59.880
<v Speaker 1>like on FaceTime with them and they wanted him to

1185
01:07:00.039 --> 01:07:03.079
<v Speaker 1>green record, and I suddenly saw him go wait a second,

1186
01:07:03.199 --> 01:07:05.679
<v Speaker 1>and he realized like, oh, this is not the bank

1187
01:07:05.960 --> 01:07:10.360
<v Speaker 1>at all warning me, Like there's this little like a squikiness,

1188
01:07:10.960 --> 01:07:13.519
<v Speaker 1>you know this where suddenly you just want to retract

1189
01:07:13.559 --> 01:07:16.840
<v Speaker 1>into yourself like an armadillo or a pillbug and just say,

1190
01:07:16.920 --> 01:07:20.280
<v Speaker 1>don't you dare you know? I think they call that

1191
01:07:20.440 --> 01:07:24.679
<v Speaker 1>conglobate in the you know, natural world. I do have

1192
01:07:24.800 --> 01:07:28.679
<v Speaker 1>another episode coming up on animal defenses like spikes and

1193
01:07:28.760 --> 01:07:32.280
<v Speaker 1>scales and stinks with doctor Ted Stankowitch and it's a

1194
01:07:32.320 --> 01:07:35.880
<v Speaker 1>good one. Last questions I always ask are the hardest

1195
01:07:35.880 --> 01:07:39.360
<v Speaker 1>thing about doing your research? Like, what is something that's

1196
01:07:39.519 --> 01:07:43.360
<v Speaker 1>difficult in the process of doing this well?

1197
01:07:43.960 --> 01:07:48.199
<v Speaker 4>With the creepiness research, I think the big difficulty is

1198
01:07:48.280 --> 01:07:52.000
<v Speaker 4>making it as realistic as you would like. You can

1199
01:07:52.239 --> 01:07:55.159
<v Speaker 4>show people pictures of faces and ask them to make judgments.

1200
01:07:55.199 --> 01:07:58.400
<v Speaker 4>About the creepiness of the person. You can ask them

1201
01:07:58.440 --> 01:08:02.239
<v Speaker 4>to imagine situation and have them rate how they feel,

1202
01:08:03.119 --> 01:08:08.280
<v Speaker 4>but to actually create a real life situation where the

1203
01:08:08.320 --> 01:08:11.440
<v Speaker 4>person is getting creeped out is something. First of all,

1204
01:08:11.440 --> 01:08:14.440
<v Speaker 4>it's practically hard to do, but even if you could

1205
01:08:14.519 --> 01:08:19.359
<v Speaker 4>do it ethically, you probably shouldn't, and so not being

1206
01:08:19.399 --> 01:08:21.520
<v Speaker 4>able to make the research as realistic as you would

1207
01:08:21.560 --> 01:08:24.680
<v Speaker 4>like is probably the big difficulty.

1208
01:08:25.319 --> 01:08:29.239
<v Speaker 1>What about your favorite thing in terms of research and creepiness,

1209
01:08:29.239 --> 01:08:32.239
<v Speaker 1>any moments that have just been like, oh love.

1210
01:08:33.359 --> 01:08:35.520
<v Speaker 4>A lot of the stories that I've gotten to tell,

1211
01:08:35.680 --> 01:08:39.159
<v Speaker 4>like about the clowns and the experiences I've been able

1212
01:08:39.159 --> 01:08:42.119
<v Speaker 4>to have because I've done creepiness research has been kind

1213
01:08:42.159 --> 01:08:43.920
<v Speaker 4>of rewarding. Absolutely.

1214
01:08:44.800 --> 01:08:47.680
<v Speaker 1>I mean, you've changed the way we all make eye

1215
01:08:47.720 --> 01:08:51.560
<v Speaker 1>contact with clowns and bars, that's for sure, and.

1216
01:08:51.479 --> 01:08:53.000
<v Speaker 4>That's a good things.

1217
01:08:55.600 --> 01:08:59.640
<v Speaker 1>So ask lovely people creepy questions, because why not involve

1218
01:08:59.800 --> 01:09:02.039
<v Speaker 1>your head when you're watching your back. Thank you to

1219
01:09:02.119 --> 01:09:04.880
<v Speaker 1>doctor Frank mccandrew for letting me barrage him with so

1220
01:09:05.000 --> 01:09:08.479
<v Speaker 1>many spooptober topics at once, and stick around for the

1221
01:09:08.560 --> 01:09:12.479
<v Speaker 1>month of learning to love your least favorite bugs? What's

1222
01:09:12.479 --> 01:09:16.520
<v Speaker 1>in Haunted Lakes with GEO, the history of poison control

1223
01:09:16.640 --> 01:09:19.159
<v Speaker 1>and the weight of the word evil. It will be

1224
01:09:19.560 --> 01:09:22.840
<v Speaker 1>a spook tabular month. Also, we will link more studies

1225
01:09:22.840 --> 01:09:25.039
<v Speaker 1>and social media handles on our website, which is linked

1226
01:09:25.079 --> 01:09:27.319
<v Speaker 1>right in the show notes, and we are at ologies

1227
01:09:27.359 --> 01:09:30.239
<v Speaker 1>on Instagram a blue Sky. I'm Ali Ward with one L.

1228
01:09:30.319 --> 01:09:32.439
<v Speaker 1>On both you can find a whole catalog of about

1229
01:09:32.479 --> 01:09:36.560
<v Speaker 1>four hundred almost five hundred episodes by hitting ologies dot com.

1230
01:09:36.840 --> 01:09:39.279
<v Speaker 1>We have kid friendly, Classroom Safe episodes two in their

1231
01:09:39.319 --> 01:09:42.039
<v Speaker 1>own feed. They're called Smologies SMO l O g I

1232
01:09:42.199 --> 01:09:44.680
<v Speaker 1>E S. They're linked in the show notes. Ologies Merch

1233
01:09:44.800 --> 01:09:48.239
<v Speaker 1>is available at ologiesmerch dot com. You can join Patreon

1234
01:09:48.279 --> 01:09:51.000
<v Speaker 1>at patreon dot com slash Ologies to support the show

1235
01:09:51.039 --> 01:09:54.800
<v Speaker 1>and leave questions for theologists, including audio ones before we record.

1236
01:09:55.119 --> 01:09:58.800
<v Speaker 1>Aaron Talbert adminsiologies podcast Facebook group. Aveline Malick makes our

1237
01:09:58.840 --> 01:10:02.680
<v Speaker 1>professional transcripts. Kelly R. Dwyer does the website. The Comforting

1238
01:10:02.720 --> 01:10:06.680
<v Speaker 1>Noel Dilworth is our scheduling producer overseeing the dark Corners

1239
01:10:06.760 --> 01:10:10.239
<v Speaker 1>as managing director is Susan Hale. Jake Chafy edits with

1240
01:10:10.439 --> 01:10:13.680
<v Speaker 1>Sharp Eyes and Ears and lead editor. The bodyguard of

1241
01:10:13.720 --> 01:10:17.840
<v Speaker 1>audio is Mercedes Maitland of Maitland Audio and Happy, Happy, Happy,

1242
01:10:17.920 --> 01:10:20.880
<v Speaker 1>big big Birthday this week to my flashlight in the

1243
01:10:20.920 --> 01:10:24.520
<v Speaker 1>inky black the lumens in the dead of night Jared Sleeper.

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01:10:24.760 --> 01:10:27.560
<v Speaker 1>You can find that wonderful song by your pod mother,

1245
01:10:27.680 --> 01:10:30.119
<v Speaker 1>as well as many other bangers and poems at Jared

1246
01:10:30.159 --> 01:10:33.600
<v Speaker 1>Sleeper on TikTok. And he also makes shirts that I

1247
01:10:33.640 --> 01:10:39.239
<v Speaker 1>love at jbstink dot com jbstink dot com, including He's

1248
01:10:39.279 --> 01:10:42.920
<v Speaker 1>got some coyote and bug ones. I love whatever he makes,

1249
01:10:43.439 --> 01:10:45.800
<v Speaker 1>it's so good. Nick Thorburn made the theme music. And

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01:10:45.840 --> 01:10:47.840
<v Speaker 1>if you stick around until the end, I tell you

1251
01:10:47.880 --> 01:10:49.960
<v Speaker 1>a secret, and I will tell you the most scared

1252
01:10:50.000 --> 01:10:52.000
<v Speaker 1>I have ever been in my life. I was home alone,

1253
01:10:52.199 --> 01:10:54.239
<v Speaker 1>Jar was out of town, and I had had way

1254
01:10:54.239 --> 01:10:57.560
<v Speaker 1>too much coffee on top of dealing with a too

1255
01:10:57.680 --> 01:11:02.560
<v Speaker 1>abrupt cessation of effects or and everything was terrifying. And

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01:11:02.920 --> 01:11:05.439
<v Speaker 1>in the bedroom it was like ten thirty at night.

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01:11:05.479 --> 01:11:10.039
<v Speaker 1>I heard someone banging around in my bedroom closet. Freaked out,

1258
01:11:10.119 --> 01:11:12.720
<v Speaker 1>rushed out, called some friends and then they urged me

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01:11:12.760 --> 01:11:15.680
<v Speaker 1>to call the non emergency line of the LAPD, who

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01:11:15.720 --> 01:11:18.640
<v Speaker 1>came in with guns drawn to clear the house and

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01:11:18.680 --> 01:11:21.239
<v Speaker 1>it turns out that my full rack of clothes in

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01:11:21.279 --> 01:11:24.720
<v Speaker 1>the closet had detached itself from the wall, and the

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01:11:24.760 --> 01:11:27.960
<v Speaker 1>noise I heard was boxes on the shelf slowly sliding

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01:11:27.960 --> 01:11:30.880
<v Speaker 1>into the door like an elbow, and readers. It is

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01:11:30.960 --> 01:11:35.239
<v Speaker 1>the scariest The ambiguity got me. Okay, the world is scary, though,

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01:11:35.279 --> 01:11:38.319
<v Speaker 1>and we are going to try to make spootober fun cool.

1267
01:11:38.760 --> 01:11:52.680
<v Speaker 1>Bye bye pachadermatology, hobiology or doo zoology, lithology, zechnology, meteorology, oology, apology, seriology, elinology.

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<v Speaker 7>Well, some people, we're freezing prices for two years in

1269
01:12:02.920 --> 01:12:06.520
<v Speaker 7>the Virgin Media playhouse. Switch to our super fast, reliable

1270
01:12:06.520 --> 01:12:09.760
<v Speaker 7>broadband now and freeze your prices or law broadband offers

1271
01:12:09.800 --> 01:12:12.720
<v Speaker 7>for twenty four months from just thirty five euro month

1272
01:12:12.800 --> 01:12:16.239
<v Speaker 7>with no activation fee. Switch in store or at Virgin

1273
01:12:16.319 --> 01:12:19.640
<v Speaker 7>Media dot ie Virgin Media, It's playtime.

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01:12:19.800 --> 01:12:22.760
<v Speaker 5>Tcenc's applies subject to availability new broadband customers and twenty

1275
01:12:22.760 --> 01:12:24.880
<v Speaker 5>four month contracts only. You won't receive a price increase

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01:12:24.920 --> 01:12:26.800
<v Speaker 5>with the duration of this contract from thirty five yuro

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01:12:26.960 --> 01:12:29.920
<v Speaker 5>month for twenty four months seventy euro thereafter. N Februar eighteenth,

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01:12:30.000 --> 01:12:31.000
<v Speaker 5>twenty twenty six.

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01:12:31.239 --> 01:12:33.640
<v Speaker 3>Get value you can't argue with at Tesco with their

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01:12:33.680 --> 01:12:36.520
<v Speaker 3>amazing club card prices. Have the perfect night in with

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01:12:36.560 --> 01:12:39.640
<v Speaker 3>their finest frozen pizza meal deal. Get a finest frozen pizza,

1282
01:12:39.800 --> 01:12:42.560
<v Speaker 3>chips and ice cream all for six Euro like our

1283
01:12:42.560 --> 01:12:45.720
<v Speaker 3>delicious spicy salami, hot honey and do Ya or Margarito

1284
01:12:45.760 --> 01:12:48.920
<v Speaker 3>wood fired pizzas, served up with their crispy chunkie chips

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01:12:49.119 --> 01:12:52.159
<v Speaker 3>and ice cream like sea salta caramel or pistachio for dessert.

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01:12:52.560 --> 01:12:56.000
<v Speaker 3>Can't argue with that shop in store or online. Tesco.

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01:12:56.479 --> 01:12:59.359
<v Speaker 3>Every Little helps available in most stories. Prices vary in

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01:12:59.399 --> 01:12:59.800
<v Speaker 3>express
