WEBVTT

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<v Speaker 1>For members only. Golf Smarter number three hundred and eighty three,

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<v Speaker 1>published on May seven, twenty thirteen.

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<v Speaker 2>Welcome to Golf Smarter Mulligans, your second chance to gain

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<v Speaker 2>insight and advice from the best instructors featured on the

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<v Speaker 2>Golf Smarter podcast. Great Golf Instruction Never gets old. Our

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<v Speaker 2>interview library features hundreds of hours of game improvement conversations

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<v Speaker 2>like this that are no longer available in any podcast app.

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<v Speaker 3>You can make every put if your definition of making

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<v Speaker 3>a putt is getting it started just the way you

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<v Speaker 3>want it, and if you do, that's all you can control.

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<v Speaker 3>After that, all you can do to root for it.

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<v Speaker 3>It's like a relay race. Fred. In a relay race,

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<v Speaker 3>what is your job? You have a two person race,

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<v Speaker 3>and you go first. Your first job is to run

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<v Speaker 3>your leg of the race the best you can. That's

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<v Speaker 3>your stroke in putting. Once the putter head gets to

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<v Speaker 3>the ball, that's the same thing as your hand off

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<v Speaker 3>of the baton. After you've handed off the baton, that's

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<v Speaker 3>your transfer of energy from the potter head to the ball.

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<v Speaker 3>All you want to focus on is making a good handoff.

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<v Speaker 3>What happens if you're looking at the finish line. While

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<v Speaker 3>you're trying to hand off the baton, it's gonna be

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<v Speaker 3>a bad handoff. Maybe you'll drop it. And what if

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<v Speaker 3>you don't trust the person and you don't let go

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<v Speaker 3>after you hand off the baton, you keep running along

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<v Speaker 3>with them and hold the baton. That's not gonna help them.

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<v Speaker 3>If you hand off the baton but you don't trust

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<v Speaker 3>them and you give them a shove towards the finish line,

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<v Speaker 3>that's not going to help them either. The off that's

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<v Speaker 3>exactly your partner in this relay races the ball. All

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<v Speaker 3>you want to do is make a good handoff and

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<v Speaker 3>get it started. After that, it's the ball's job to

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<v Speaker 3>find the hole.

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<v Speaker 1>That's the secret to it in Golf's game within the game.

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<v Speaker 1>Part two with Doctor Joseph Parent.

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<v Speaker 2>This is Golf Smarter.

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<v Speaker 1>Welcome back to Golf Smarter for members only, Doctor Joe.

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<v Speaker 3>Hi, Fred, great to be with you again and again.

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<v Speaker 1>I really appreciate the additional time that you're providing for us,

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<v Speaker 1>all because you have an Eastern wisdom about you that

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<v Speaker 1>we like to bring with us to the golf course

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<v Speaker 1>every time. Thank you, that was not patronizing. I really

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<v Speaker 1>believe that.

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<v Speaker 3>Well, we've been doing this for a long time and

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<v Speaker 3>I appreciate it.

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<v Speaker 1>Yeah, we have as do. I all right, this new

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<v Speaker 1>book really really good. You know, if I can just

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<v Speaker 1>do a podcast on putting every single week, I would

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<v Speaker 1>because I find it to be so important. I mean,

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<v Speaker 1>it's got to be right because even on the scorecard

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<v Speaker 1>they give you two strokes, you know, for.

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<v Speaker 3>True, that's true when you think of what the you

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<v Speaker 3>know what par is, it's how many shots.

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<v Speaker 1>It's thirty six shots on the course and thirty six

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<v Speaker 1>on the putting green.

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<v Speaker 3>How many shots it would typically take to get to

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<v Speaker 3>the green plus two for putting right, So that's half

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<v Speaker 3>year round, right exactly.

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<v Speaker 1>So you know, but because of my attention issues, I

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<v Speaker 1>couldn't do a podcast on putting every week. I got

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<v Speaker 1>to vary the topics or I'd go out of my mind.

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<v Speaker 3>Absolutely. Well, there's a lot, there's you know, there's a

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<v Speaker 3>lot more to golf to it than than just putting.

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<v Speaker 3>But but it really is where the mental game comes

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<v Speaker 3>in the most. And that's what I end up working

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<v Speaker 3>with students the most on is short gaming putting.

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<v Speaker 1>Yeah. Well, I mean we've had people from U and

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<v Speaker 1>I've I've always wanted to get You mentioned doctor Craig's

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<v Speaker 1>Craig Farnsworth because I just recently we did a show

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<v Speaker 1>on Lakina the JD the general manager there, he was

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<v Speaker 1>on the show. I played around down there, and I

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<v Speaker 1>would love to get doctor Craig on. And we have

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<v Speaker 1>We've talked about aim point, We've we have Jeff Mangum.

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<v Speaker 1>So we talk a lot about putting because it is

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<v Speaker 1>so critically important and I think one of the things

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<v Speaker 1>that more I see more people struggling with than anything

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<v Speaker 1>is reading the greens. Do you hold the putter in

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<v Speaker 1>front of your and try to make it, you know,

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<v Speaker 1>a plumb bob line, or do you you crawl around

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<v Speaker 1>on the ground and you know, do these bizarre positions

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<v Speaker 1>and reading the greens is is probably harder than stroking

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<v Speaker 1>the ball.

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<v Speaker 3>Well, you know, I have a particular approach to reading

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<v Speaker 3>greens that I think is very very helpful. And then

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<v Speaker 3>then I have something in the in my routine that

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<v Speaker 3>lets people get better at reading greens as they play.

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<v Speaker 3>I think that's the really special thing that I offer. Yeah,

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<v Speaker 3>but the starting perspective is I like to quote Jack

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<v Speaker 3>Nicholas who said, I start reading the green from fifty

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<v Speaker 3>yards away, and that is looking at the overall lay

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<v Speaker 3>of the land. I start even sooner than that. I

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<v Speaker 3>start before I go out for the round. If it's

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<v Speaker 3>a new course, I go to the pro shop and

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<v Speaker 3>I ask somebody there is there any Is there any

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<v Speaker 3>direction that almost all the greens in the course tend

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<v Speaker 3>to break towards. For example, out in you were talking

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<v Speaker 3>about Lakinta out in the Coachelli Valley with palm desert

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<v Speaker 3>and palm springs, everything breaks towards the east. They say

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<v Speaker 3>towards India, which is the farthest east town in the valley,

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<v Speaker 3>but it's actually breaking towards the salt and sea, this

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<v Speaker 3>very low body of water out east of the valley.

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<v Speaker 3>When you go to Riviera Country Club in Pacific Palisades

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<v Speaker 3>where they have the Los Angeles Open, everything breaks towards

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<v Speaker 3>the sixth green and the seventh tee, that corner of

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<v Speaker 3>the golf course away from the clubhouse, which is way

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<v Speaker 3>up on a hill. So you want to know the

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<v Speaker 3>overall lay of the land and any particular major direction

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<v Speaker 3>that the course. We just were at the Masters. Every

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<v Speaker 3>putt breaks towards Ray's Creek at the Masters. And if

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<v Speaker 3>you know that it helps. It makes a difference in

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<v Speaker 3>how you read the putts. So you start before you

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<v Speaker 3>even get on the course. So what's the overall landscape?

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<v Speaker 3>Are there mountains in one direction? Is the ocean in

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<v Speaker 3>one direction? Then you come in closer, and then you say, okay,

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<v Speaker 3>for this particular green, where is the high point around

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<v Speaker 3>the green? Is there? You know? Is there a creek nearby?

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<v Speaker 3>Is there a pond to one side? And look around

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<v Speaker 3>the edge of the green where there are bunkers. Golf

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<v Speaker 3>course designers don't They don't want the water to run

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<v Speaker 3>through a bunker when it's draining off the green, So

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<v Speaker 3>the drain place will be a place away from the bunkers.

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<v Speaker 3>And not only that, wherever you have a bunker, people

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<v Speaker 3>have been hitting sand out onto the green, so they've

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<v Speaker 3>essentially been top dressing it every day. And the level

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<v Speaker 3>of the green near the bunkers gets a little bit higher,

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<v Speaker 3>So know that balls are going to break a little

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<v Speaker 3>bit away from the bunkers. So this way you go

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<v Speaker 3>from outside to end and then you get and then

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<v Speaker 3>you start looking at the area around your putt. But

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<v Speaker 3>you take all these other factors into account.

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<v Speaker 1>First, how often when you have gone into the pro

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<v Speaker 1>shop and asked them about the general direction of where

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<v Speaker 1>balls will will break towards. Have they ever said the

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<v Speaker 1>sprinkler drain the drainage? I mean because when I've I've

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<v Speaker 1>talked to golf course architects and asked him about that

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<v Speaker 1>kind of thing, and they said, it's always gonna there's

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<v Speaker 1>no such thing as a flat green because it's gotta

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<v Speaker 1>it's got a drain and it's gonna drain too, you know,

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<v Speaker 1>I mean, do they do they make the drainage in

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<v Speaker 1>that same direction?

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<v Speaker 3>Is oh? Not necessarily not. It doesn't necessarily match the

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<v Speaker 3>overall Yeah, slope of the of the golf course. Every holes,

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<v Speaker 3>every hole is different in that way. So so the

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<v Speaker 3>way that it's designed, it doesn't necessarily match. But you

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<v Speaker 3>have to take all these factors. It's almost like vectors

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<v Speaker 3>or arrows that you say, well, i've got some of

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<v Speaker 3>it going in that direction, and then there's this counter

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<v Speaker 3>force going in this direction. Oh, you know, I think

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<v Speaker 3>they even out and it's really going to be straight.

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<v Speaker 3>So you can work with that. But the most important

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<v Speaker 3>thing is once you've read the green, and once you've

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<v Speaker 3>read your putt, you make a commitment to get it

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<v Speaker 3>started on the line that you saw. And if you

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<v Speaker 3>roll it on the line and it doesn't do what

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<v Speaker 3>you thought, this is where learning can come in. And

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<v Speaker 3>this is what I teach in the book How to

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<v Speaker 3>Make Every Putt. I talk about the post shot routine,

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<v Speaker 3>which is if after your putt, you made your putt,

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<v Speaker 3>it got started and going okay, this should turn out

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<v Speaker 3>really well, and then it turns either in the opposite direction,

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<v Speaker 3>or it doesn't move the way you thought it would,

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<v Speaker 3>or it goes way past where you thought or way

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<v Speaker 3>short of where you thought. Then you say, huh, okay,

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<v Speaker 3>I hit the putt that I thought was going to

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<v Speaker 3>get to the hole, but it went a different direction.

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<v Speaker 3>Didn't I see about the slope or the grain or

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<v Speaker 3>the direction of the break or what did I see

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<v Speaker 3>that wasn't there? And I have what's called I have

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<v Speaker 3>you be what's called the objective detective. So you drop

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<v Speaker 3>your emotion about having missed the putt and you say, okay,

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<v Speaker 3>I'm over that. Now what can I learn from this? Okay?

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<v Speaker 3>I thought it was going to keep breaking and it

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<v Speaker 3>straightened out. Okay, I see, So that means the fall

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<v Speaker 3>line was kind of in this direction. I need to

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<v Speaker 3>remember that, so that I just put to the fall line.

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<v Speaker 3>I don't think it's going to break across the fall line.

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<v Speaker 3>And I talk about that in a chapter called Rivers

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<v Speaker 3>and Fountains that talks about the pattern of how putts

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<v Speaker 3>break uphill and downhill.

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<v Speaker 1>Excellent is that one of the chapters that has a

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<v Speaker 1>QR code that we can see a video as well.

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<v Speaker 3>That is in how to make every put in the

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<v Speaker 3>section on reading Green is a chapter called Rivers and Fountains,

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<v Speaker 3>and there is a QR square or code that you

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<v Speaker 3>can scan in to your device or smartphone and it'll

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<v Speaker 3>take you to a video that I demonstrate, and you'll

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<v Speaker 3>see a downhill putt that is cur curving, curving and

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<v Speaker 3>then straightens out and doesn't keep curving, which is what

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<v Speaker 3>downhillputs tend to do. Once they like a river, once

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<v Speaker 3>it finds its fall line straight down towards the ocean,

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<v Speaker 3>it just goes straight. And then uphill putts they might

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<v Speaker 3>go straight, but like a fountain, the water in a

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<v Speaker 3>fountain wants to turn around and go back to the

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<v Speaker 3>earth any direction it can. Uphill puts straight, straight, straight,

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<v Speaker 3>and just before they get to the hole, they break

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<v Speaker 3>across and curve away in front, so you need to

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<v Speaker 3>be able to recognize that pattern and read the green

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<v Speaker 3>for that.

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<v Speaker 1>Well, let's stay on that. Section two. Those are the

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<v Speaker 1>bread from the new book How to Make Every put

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<v Speaker 1>by Doctor Joseph Parrot, and it starts with the secret

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<v Speaker 1>to reading greens, the lay of the land, take the

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<v Speaker 1>high road. You talk about putting a scorecard over half

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<v Speaker 1>the hole.

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<v Speaker 3>That's right now.

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<v Speaker 1>That that intrigued me. I've never heard of that before.

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<v Speaker 1>Give me the details on that one, because I thought

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<v Speaker 1>that was really fascinating.

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<v Speaker 3>Okay, well, you know, if you're looking at the whole

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<v Speaker 3>golf hole, you don't get to focus on the high

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<v Speaker 3>side quite so much. So let's say you have a

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<v Speaker 3>right to left breaking putt and you're gonna put it

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<v Speaker 3>up the hill and it's going to come back down

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<v Speaker 3>and go in the right side of the hole. That's

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<v Speaker 3>the place you want to be looking at for your read.

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<v Speaker 3>So you cover the bottom half of the hole with

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<v Speaker 3>a scorecard.

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<v Speaker 1>You say, I need to define bottom here are you talking.

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<v Speaker 3>About edge of the lower the edge of the scorecard.

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<v Speaker 3>I'll try to describe it as I do in the book.

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<v Speaker 3>The edge of the scorecard points straight across the center

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<v Speaker 3>of the hole and points straight at your ball. Okay,

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<v Speaker 3>so if it was a dead straight putt, you would

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<v Speaker 3>hit right. The ball would hit right at the place

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<v Speaker 3>where the scorecard is at the front edge of the hole.

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<v Speaker 3>But you're looking at breaking putts, so the high side

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<v Speaker 3>will be open, the low side closed by the scorecard.

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<v Speaker 1>And the advantage of this.

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<v Speaker 3>The advantage of it is you see yourself trying to

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<v Speaker 3>put it in the high side, the effective center of

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<v Speaker 3>the hole shifts up to the high side of the hole,

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<v Speaker 3>and you say, that's where I want the ball, crossing

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<v Speaker 3>the edge up there, and that gives you more room.

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<v Speaker 3>And you know, Bobby Jones talked about this nearly one

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<v Speaker 3>hundred years ago. He says, you know, a ball turning

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<v Speaker 3>towards the hole is much more likely to go in,

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<v Speaker 3>and that means coming from the high side, then a

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<v Speaker 3>ball turning away from the hole. And once it turns

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<v Speaker 3>away from the hole and rolls down the low side,

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<v Speaker 3>every inch it rolls it takes it farther from the hole.

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<v Speaker 3>So if you roll a couple of puts at the

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<v Speaker 3>same pace, and one curls around the hole above it

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<v Speaker 3>on the high side, and one misses the hole below it.

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<v Speaker 3>The putt that misses the hole below the hole is

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<v Speaker 3>going to roll a whole lot farther away. I mean,

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<v Speaker 3>that's why they call the high side the pro side

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<v Speaker 3>and the low side of the hole the amateur side. Sure,

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<v Speaker 3>there's a reason for it. It's better try to play

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<v Speaker 3>as much break as you possibly can and still have

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<v Speaker 3>the ball trickle in just into the top side of

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<v Speaker 3>the hole, the high side of the hole.

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<v Speaker 1>How do we amateurs misread it in the sense of

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<v Speaker 1>not giving it enough break?

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<v Speaker 3>Well, almost always that's the most common thing. And I

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<v Speaker 3>think that the way they describe putts on TV actually

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<v Speaker 3>is misguiding. And they say, I think it's just going

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00:14:04.720 --> 00:14:06.919
<v Speaker 3>to you know, it's one cup out or two balls

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00:14:06.919 --> 00:14:10.559
<v Speaker 3>out to the right. It's really usually much much more

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00:14:10.600 --> 00:14:13.639
<v Speaker 3>than that, but that's how they describe it. I was

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00:14:13.679 --> 00:14:18.039
<v Speaker 3>once at the Masters coaching VJ and we were standing

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00:14:18.080 --> 00:14:20.600
<v Speaker 3>on the green and he was putting this on the

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00:14:20.639 --> 00:14:25.480
<v Speaker 3>practice screen on a very severely sloping part, and I

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00:14:25.600 --> 00:14:29.559
<v Speaker 3>said to his caddy, you need to tell him to

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<v Speaker 3>aim at this spot because that's really how much break

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00:14:33.799 --> 00:14:35.679
<v Speaker 3>is going to happen here. And he says, there is

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<v Speaker 3>no way that I'm going to tell VJ that there's

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00:14:38.080 --> 00:14:40.159
<v Speaker 3>two and a half feet of break on a four

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<v Speaker 3>foot putt, But there was. It was really true. Wow,

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<v Speaker 3>I said, then just tell him to play enough break

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<v Speaker 3>for it to fall in the absolute top of the hole.

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<v Speaker 3>And that worked for him.

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<v Speaker 1>Interesting.

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<v Speaker 3>So what happens for amateurs is they aim, you know,

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<v Speaker 3>one or two balls to the right of the hole,

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00:15:04.600 --> 00:15:07.559
<v Speaker 3>but then when they make their stroke, they push the

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00:15:07.639 --> 00:15:11.080
<v Speaker 3>putt out towards the break or pull it across and

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00:15:11.159 --> 00:15:14.000
<v Speaker 3>give it more break, and then they think they did

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00:15:14.000 --> 00:15:18.000
<v Speaker 3>it right, and that's just going to be very inconsistent.

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<v Speaker 3>What I would like you to do is read plenty

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<v Speaker 3>of break and hit a straight putt right at the

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00:15:24.720 --> 00:15:29.600
<v Speaker 3>point where you know that you're aiming for that amount

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<v Speaker 3>of break. Then if you've played too much break, it's

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00:15:34.120 --> 00:15:39.480
<v Speaker 3>easier to gear down than it is to aim higher. Yes,

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00:15:40.039 --> 00:15:42.080
<v Speaker 3>so that's one of the exercises I give. I say,

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<v Speaker 3>aim way up high, aim for tons of break, and

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00:15:46.519 --> 00:15:49.080
<v Speaker 3>see that it only gets within a foot of the hole.

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00:15:49.559 --> 00:15:52.080
<v Speaker 3>Then gear it down a couple of inches. See where

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00:15:52.120 --> 00:15:55.559
<v Speaker 3>that ends up. And that'll help you see how much

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00:15:55.600 --> 00:15:58.240
<v Speaker 3>break you can play and still get to the hole

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00:15:58.519 --> 00:16:00.279
<v Speaker 3>and that's the ideal amount that you one.

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00:16:01.840 --> 00:16:04.120
<v Speaker 1>I don't know if this is just a personal preference

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00:16:04.159 --> 00:16:06.639
<v Speaker 1>thing or it's something that should be taught this way.

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00:16:07.240 --> 00:16:11.440
<v Speaker 1>It's just an individual When I when I'm looking at

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<v Speaker 1>the line, uh unputting and someone says, yeah, it's just

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00:16:15.360 --> 00:16:19.080
<v Speaker 1>like one one cup to the right, you know, I don't.

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00:16:19.360 --> 00:16:22.559
<v Speaker 1>I don't aim it for that spot.

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00:16:22.879 --> 00:16:23.120
<v Speaker 3>You know.

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00:16:23.720 --> 00:16:26.960
<v Speaker 1>At the whole what I try to visualize is the

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00:16:27.159 --> 00:16:29.919
<v Speaker 1>entire line. And we talked about this earlier, the entire

300
00:16:30.080 --> 00:16:33.879
<v Speaker 1>line that the ball will roll on, and I look

301
00:16:33.919 --> 00:16:35.679
<v Speaker 1>for the apex. I look for the point where I

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00:16:35.679 --> 00:16:38.759
<v Speaker 1>think it's gonna be the highest spot and then it's gonna,

303
00:16:39.080 --> 00:16:41.240
<v Speaker 1>you know, then start going back towards the hole. So

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00:16:41.720 --> 00:16:44.679
<v Speaker 1>I kind of putt to that way, to that direction.

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00:16:45.279 --> 00:16:48.879
<v Speaker 3>I think that that's good. Uh. One of the dangers

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00:16:48.919 --> 00:16:52.519
<v Speaker 3>of that is if you if the apex is near you,

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00:16:52.519 --> 00:16:55.919
<v Speaker 3>you may not hit it hard enough. So again, you

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00:16:55.960 --> 00:16:59.039
<v Speaker 3>do want to see the whole thing. You don't need

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00:16:59.080 --> 00:17:00.919
<v Speaker 3>to see you see, you don't need to see the

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00:17:00.960 --> 00:17:04.319
<v Speaker 3>apex particularly. You can see that, but that's part of

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00:17:04.359 --> 00:17:06.400
<v Speaker 3>the whole path that the putt's going to take, the

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00:17:06.440 --> 00:17:10.000
<v Speaker 3>whole line that it's going to roll on And the

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00:17:10.039 --> 00:17:12.279
<v Speaker 3>most important thing you want to say is well, for

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00:17:12.359 --> 00:17:15.000
<v Speaker 3>it to get up to that apex where what direction

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00:17:15.079 --> 00:17:17.240
<v Speaker 3>does it need to start in? You might not be

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00:17:17.319 --> 00:17:19.759
<v Speaker 3>aiming straight at that apex point because it may break

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00:17:19.799 --> 00:17:21.880
<v Speaker 3>a little bit before it gets to that high point.

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00:17:22.119 --> 00:17:24.039
<v Speaker 1>Oh yeah, I mean if it's going to round off,

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00:17:24.079 --> 00:17:27.160
<v Speaker 1>it's definitely not exact. I can't go right to it

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00:17:27.759 --> 00:17:28.640
<v Speaker 1>a right angle turn.

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00:17:29.119 --> 00:17:32.920
<v Speaker 3>It is not so. And you may be actually aiming

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00:17:33.279 --> 00:17:35.440
<v Speaker 3>further out than that apex point. But you want to

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00:17:35.440 --> 00:17:38.519
<v Speaker 3>see the whole path and then see what the first

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00:17:38.640 --> 00:17:42.079
<v Speaker 3>foot of the role is and set your putter face

325
00:17:42.119 --> 00:17:45.240
<v Speaker 3>perpendicularly to that first foot, and then you roll a

326
00:17:45.279 --> 00:17:49.799
<v Speaker 3>straight putt in that direction. The only question is how

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00:17:49.839 --> 00:17:52.000
<v Speaker 3>big a stroke you make. But you make the same

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00:17:52.039 --> 00:17:54.960
<v Speaker 3>stroke every time, and you roll it where the putterface

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00:17:55.039 --> 00:17:58.960
<v Speaker 3>is pointing every single time, no pushing, no pulling ever.

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00:18:00.119 --> 00:18:05.000
<v Speaker 1>In your eyes directly you will? What about your eyes?

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00:18:05.079 --> 00:18:07.480
<v Speaker 1>Let let me let you answer the question instead of

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00:18:07.480 --> 00:18:10.279
<v Speaker 1>trying to lead you with it. Your eyes.

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00:18:12.279 --> 00:18:14.599
<v Speaker 3>Tell where you can tell where your eyes are just

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00:18:14.680 --> 00:18:17.680
<v Speaker 3>by you know, take your putter stance and then then

335
00:18:18.119 --> 00:18:19.920
<v Speaker 3>use two fingers to hold the tip of your putter

336
00:18:19.960 --> 00:18:22.079
<v Speaker 3>and look down the shaft and see where it's pointing.

337
00:18:22.400 --> 00:18:25.000
<v Speaker 3>Is it pointing straight at your at at the ball

338
00:18:25.640 --> 00:18:29.880
<v Speaker 3>or are you most most putters, most golfers are way inside.

339
00:18:30.119 --> 00:18:32.440
<v Speaker 3>In other words, their eyes aren't directly over the ball.

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00:18:32.960 --> 00:18:37.759
<v Speaker 3>They're they're away from the ball. Uh, and they're reaching

341
00:18:37.799 --> 00:18:40.720
<v Speaker 3>out with the putter. Now, what I found is it

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00:18:40.759 --> 00:18:44.160
<v Speaker 3>creates an optical illusion. You have less angles if your

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00:18:44.160 --> 00:18:46.759
<v Speaker 3>eyes are right over the ball, So it creates an

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00:18:46.799 --> 00:18:51.759
<v Speaker 3>optical illusion. And players tend to aim farther away from

345
00:18:52.119 --> 00:18:54.359
<v Speaker 3>If you're a right handed golfer, they tend to aim

346
00:18:54.400 --> 00:18:57.200
<v Speaker 3>to the right the further away they are from the ball.

347
00:18:58.559 --> 00:19:01.319
<v Speaker 3>So you need to you need to have your eyes

348
00:19:01.680 --> 00:19:05.160
<v Speaker 3>at least near the ball or hang or straight over

349
00:19:05.200 --> 00:19:10.279
<v Speaker 3>it in your position. And then the other aspect is

350
00:19:10.880 --> 00:19:15.200
<v Speaker 3>if your eyes are slightly behind the ball, in other words,

351
00:19:15.200 --> 00:19:19.000
<v Speaker 3>away from the hole, it's easier to look down the line.

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00:19:19.920 --> 00:19:22.440
<v Speaker 3>If your head gets ahead of the ball and your

353
00:19:22.519 --> 00:19:25.640
<v Speaker 3>head is between the ball and the hole, you're kind

354
00:19:25.640 --> 00:19:27.960
<v Speaker 3>of looking back down towards the ball and then over

355
00:19:28.000 --> 00:19:30.799
<v Speaker 3>towards the hole, then back down towards the ball. Get

356
00:19:30.799 --> 00:19:33.480
<v Speaker 3>in there behind it a little bit and you'll be

357
00:19:33.519 --> 00:19:35.759
<v Speaker 3>looking down the line and see the ball as well

358
00:19:35.880 --> 00:19:36.559
<v Speaker 3>a little bit.

359
00:19:36.400 --> 00:19:41.279
<v Speaker 1>Better and your eyes during the stroke. I know that

360
00:19:41.440 --> 00:19:46.000
<v Speaker 1>I tend to have a tendency to like as soon

361
00:19:46.039 --> 00:19:48.680
<v Speaker 1>as the ball. As soon as I make contact with

362
00:19:48.720 --> 00:19:50.920
<v Speaker 1>the ball, my head starts to turn towards the hole,

363
00:19:51.119 --> 00:19:52.680
<v Speaker 1>and that kind of strews me up.

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00:19:53.319 --> 00:19:55.039
<v Speaker 3>Well, I'm going to take I'm going to go out

365
00:19:55.039 --> 00:19:56.640
<v Speaker 3>on a limb, hear Fred, and I'm going to guess

366
00:19:56.680 --> 00:19:58.880
<v Speaker 3>that it starts to move even before you hit the ball.

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00:19:58.920 --> 00:20:00.000
<v Speaker 1>That's quite possible, I don't know.

368
00:20:00.200 --> 00:20:02.559
<v Speaker 3>And I'm going to go out on a limb and

369
00:20:02.640 --> 00:20:07.640
<v Speaker 3>guess that it tends to move slightly before you hit

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00:20:07.720 --> 00:20:12.480
<v Speaker 3>the ball. And that's because we have a human tendency

371
00:20:12.519 --> 00:20:16.680
<v Speaker 3>to anticipate. We anticipate what's going to happen, and we

372
00:20:16.720 --> 00:20:18.880
<v Speaker 3>want to see what's going to happen, so we tend

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00:20:18.920 --> 00:20:21.359
<v Speaker 3>to move ahead of time. What I'd like you to

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00:20:21.400 --> 00:20:24.720
<v Speaker 3>do is I don't like to say keep your head still.

375
00:20:25.279 --> 00:20:28.400
<v Speaker 3>That's a little too frozen. I want to say, keep

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00:20:28.440 --> 00:20:32.759
<v Speaker 3>your head steady and keep your whole posture until you

377
00:20:32.799 --> 00:20:35.440
<v Speaker 3>hold your finish. And then one of the chapters I

378
00:20:35.480 --> 00:20:38.559
<v Speaker 3>have that's the end of the routine is then turn

379
00:20:38.640 --> 00:20:41.039
<v Speaker 3>your head to track rather than lifting your head up

380
00:20:41.039 --> 00:20:43.200
<v Speaker 3>and lifting your whole body up to turn and look.

381
00:20:44.680 --> 00:20:46.480
<v Speaker 3>So if you leave your body where it is and

382
00:20:46.559 --> 00:20:49.880
<v Speaker 3>just swivel your head on your neck, then it doesn't

383
00:20:49.920 --> 00:20:52.039
<v Speaker 3>move you out of position. But if you lift your

384
00:20:52.079 --> 00:20:55.319
<v Speaker 3>whole body up, and it's what's called coming up out

385
00:20:55.359 --> 00:20:59.240
<v Speaker 3>of the pot, that's going to affect your stroke. So

386
00:20:59.359 --> 00:21:02.519
<v Speaker 3>keep your body steady, keep your head steady until you

387
00:21:03.200 --> 00:21:06.200
<v Speaker 3>hold the finish of your stroke. Then turn your head

388
00:21:06.200 --> 00:21:06.559
<v Speaker 3>to look.

389
00:21:13.079 --> 00:21:16.599
<v Speaker 1>What about looking at and looking at the ball versus

390
00:21:16.640 --> 00:21:20.759
<v Speaker 1>looking at the hole while you're putting.

391
00:21:20.720 --> 00:21:24.519
<v Speaker 3>While you're putting, some people have done that. They try

392
00:21:24.559 --> 00:21:26.799
<v Speaker 3>They tried putting looking at the hole, because it's the

393
00:21:26.799 --> 00:21:29.400
<v Speaker 3>same principle that I talked about in the previous podcast.

394
00:21:29.759 --> 00:21:32.559
<v Speaker 3>When you're throwing, when you're playing catch with somebody, you

395
00:21:32.599 --> 00:21:35.359
<v Speaker 3>don't look at the ground. You look at you look

396
00:21:35.359 --> 00:21:36.640
<v Speaker 3>at their hand or the glove.

397
00:21:37.279 --> 00:21:40.000
<v Speaker 1>Right when you're shooting free When you're shooting a basketball,

398
00:21:40.000 --> 00:21:42.039
<v Speaker 1>you're looking at the rim. You're not looking at the ball.

399
00:21:42.440 --> 00:21:45.640
<v Speaker 3>Yeah, can you imagine a basketball player takes a good

400
00:21:45.640 --> 00:21:47.480
<v Speaker 3>long look at the rim, bounces the ball twice, then

401
00:21:47.519 --> 00:21:50.000
<v Speaker 3>looks down at the ground. And then shoots while they're

402
00:21:50.000 --> 00:21:53.599
<v Speaker 3>looking at the ground. Pretty ridiculous, huh, right, that, but

403
00:21:53.640 --> 00:21:56.599
<v Speaker 3>that's what we do when we're putting. So what I

404
00:21:56.720 --> 00:21:59.799
<v Speaker 3>found is that we can look at the hole and

405
00:22:00.160 --> 00:22:03.359
<v Speaker 3>ball at the same time. And here's how you do it.

406
00:22:03.680 --> 00:22:06.319
<v Speaker 3>There are two kinds of visual inputs to your brain.

407
00:22:07.079 --> 00:22:09.640
<v Speaker 3>One is the visual input from your eyes what you're

408
00:22:09.680 --> 00:22:13.440
<v Speaker 3>looking at right now. So for example, you're sitting in

409
00:22:13.480 --> 00:22:18.680
<v Speaker 3>the studio looking at your computer right correct, Okay, Now

410
00:22:18.720 --> 00:22:24.279
<v Speaker 3>I want you to picture yourself on the green the

411
00:22:24.359 --> 00:22:27.400
<v Speaker 3>last time you were playing getting ready to roll the

412
00:22:27.480 --> 00:22:31.200
<v Speaker 3>put You have yourself pictured. Yes, okay, you didn't have

413
00:22:31.240 --> 00:22:33.400
<v Speaker 3>to close your eyes to do that. But what was

414
00:22:33.440 --> 00:22:35.960
<v Speaker 3>in the forefront of your mind? Was it the computer anymore?

415
00:22:36.480 --> 00:22:37.240
<v Speaker 1>No?

416
00:22:37.240 --> 00:22:39.319
<v Speaker 3>No, but you didn't. You didn't lose track of where

417
00:22:39.319 --> 00:22:43.680
<v Speaker 3>you were. See, it's like daydreaming. You you had. Your

418
00:22:43.759 --> 00:22:47.519
<v Speaker 3>memory was the other source of input, visual input into

419
00:22:47.559 --> 00:22:49.799
<v Speaker 3>your brain. So here's what we're going to do. We're

420
00:22:49.839 --> 00:22:52.519
<v Speaker 3>going to use that so that we can look at

421
00:22:52.519 --> 00:22:56.000
<v Speaker 3>the hole and the ball at the same time after

422
00:22:56.039 --> 00:22:58.839
<v Speaker 3>you take your address. This is part of in the

423
00:22:58.960 --> 00:23:02.359
<v Speaker 3>section called the best putting Routine Ever. Excuse my modesty,

424
00:23:02.400 --> 00:23:05.839
<v Speaker 3>but I believe that that it's true. The best putting

425
00:23:05.920 --> 00:23:10.000
<v Speaker 3>routine ever, that part of that routine is, after you've

426
00:23:10.039 --> 00:23:12.440
<v Speaker 3>taken your address, you take a good long look and

427
00:23:12.680 --> 00:23:16.279
<v Speaker 3>imprint the picture of the of your putt, the distance

428
00:23:16.319 --> 00:23:19.519
<v Speaker 3>to the hole, how uphill or downhill it is. You

429
00:23:19.559 --> 00:23:22.640
<v Speaker 3>look at the whole thing for two or three seconds.

430
00:23:22.839 --> 00:23:24.680
<v Speaker 3>I like to have a ton of players to look

431
00:23:24.720 --> 00:23:29.039
<v Speaker 3>for three seconds at that and imprint that image in

432
00:23:29.119 --> 00:23:32.240
<v Speaker 3>your mind. When you look back down to the ball,

433
00:23:32.920 --> 00:23:35.920
<v Speaker 3>take half a second to bring that image to mind,

434
00:23:35.960 --> 00:23:39.000
<v Speaker 3>to switch foreground and background so that you're using your

435
00:23:39.039 --> 00:23:44.119
<v Speaker 3>memory as and you put into your memory of that

436
00:23:44.279 --> 00:23:47.400
<v Speaker 3>image of that picture, and you roll it into the picture.

437
00:23:47.519 --> 00:23:52.400
<v Speaker 3>So you're looking toward the ball, but you're seeing the

438
00:23:52.440 --> 00:23:54.559
<v Speaker 3>hole at the same time, in the same way that

439
00:23:54.599 --> 00:23:57.160
<v Speaker 3>you were just looking toward your computer, but you were

440
00:23:57.200 --> 00:24:01.079
<v Speaker 3>seeing the green that you were putting on. I like it.

441
00:24:00.920 --> 00:24:01.400
<v Speaker 3>It works.

442
00:24:01.559 --> 00:24:03.759
<v Speaker 1>Oh yeah, I like this a lot. I like that.

443
00:24:03.839 --> 00:24:04.480
<v Speaker 3>I can. I can.

444
00:24:04.720 --> 00:24:06.759
<v Speaker 1>I was visualizing doing it while you were saying it.

445
00:24:06.839 --> 00:24:10.440
<v Speaker 3>I like that. And that chapter has a QR code

446
00:24:10.480 --> 00:24:13.400
<v Speaker 3>at the end. You can scan and it'll show you.

447
00:24:13.680 --> 00:24:17.559
<v Speaker 3>It'll show you the exercise of me standing with a

448
00:24:17.599 --> 00:24:21.079
<v Speaker 3>ball in my hand looking down at a ball on

449
00:24:21.119 --> 00:24:23.359
<v Speaker 3>the ground, I look over at the hole for a

450
00:24:23.400 --> 00:24:25.680
<v Speaker 3>few seconds, I look back down to the ball of

451
00:24:25.720 --> 00:24:29.440
<v Speaker 3>the ground, and then I throw the ball while I'm

452
00:24:29.480 --> 00:24:34.240
<v Speaker 3>imagining and remembering the distance to the hole. Of course,

453
00:24:34.599 --> 00:24:38.599
<v Speaker 3>we used the cut where it went in and then

454
00:24:38.720 --> 00:24:40.519
<v Speaker 3>and then I look back down to the ball and

455
00:24:40.559 --> 00:24:42.160
<v Speaker 3>I do the same thing with the putter and it

456
00:24:42.200 --> 00:24:44.559
<v Speaker 3>does go in. That that's that's one cut. So that

457
00:24:44.640 --> 00:24:45.440
<v Speaker 3>worked pretty well.

458
00:24:45.480 --> 00:24:47.160
<v Speaker 1>And how many times did you have to do that

459
00:24:47.200 --> 00:24:49.119
<v Speaker 1>shoot until when the ball went in?

460
00:24:49.480 --> 00:24:52.279
<v Speaker 3>Well, I had to do a few throws. But after

461
00:24:52.319 --> 00:24:54.960
<v Speaker 3>I hold it, then I only did one putt and

462
00:24:55.000 --> 00:24:55.519
<v Speaker 3>it went in.

463
00:24:56.880 --> 00:25:01.039
<v Speaker 1>It works, So yeah, you opened the Let's talk about

464
00:25:01.039 --> 00:25:03.839
<v Speaker 1>the best putting routine ever. We've built it up quite

465
00:25:03.880 --> 00:25:05.759
<v Speaker 1>a while. Let's get into it.

466
00:25:06.319 --> 00:25:13.640
<v Speaker 3>Okay. The first step is reading the green and once

467
00:25:13.680 --> 00:25:20.400
<v Speaker 3>you've done that, making a commitment to your read. You

468
00:25:20.440 --> 00:25:25.200
<v Speaker 3>take your practice strokes and you make a commitment to

469
00:25:25.279 --> 00:25:28.880
<v Speaker 3>making the same stroke that you would And I've talked

470
00:25:28.880 --> 00:25:31.079
<v Speaker 3>about this before, as if you were putting to nowhere.

471
00:25:32.440 --> 00:25:34.559
<v Speaker 3>When you warm up on the green, you just roll

472
00:25:34.599 --> 00:25:36.240
<v Speaker 3>the ball till you feel like it's coming off with

473
00:25:36.319 --> 00:25:38.640
<v Speaker 3>an end over end, roll right off the sweet spot

474
00:25:38.640 --> 00:25:42.720
<v Speaker 3>of the putter. That's your stroke. Use that same stroke

475
00:25:42.839 --> 00:25:46.720
<v Speaker 3>every single time. So you commit to your stroke. Make

476
00:25:46.759 --> 00:25:50.079
<v Speaker 3>a few practice strokes if you want. You set the

477
00:25:50.119 --> 00:25:54.920
<v Speaker 3>putter on your line, the putterface perpendicular to your line

478
00:25:54.960 --> 00:25:56.799
<v Speaker 3>behind the ball, and you make a commitment. You say,

479
00:25:56.839 --> 00:26:00.440
<v Speaker 3>I'm done with direction. That's the direction. I am rolling

480
00:26:00.440 --> 00:26:04.519
<v Speaker 3>this ball in with my best stroke. So now you've

481
00:26:04.559 --> 00:26:09.039
<v Speaker 3>taken care of stroke and direction once. Once you've done

482
00:26:09.079 --> 00:26:13.079
<v Speaker 3>that in your setup, now you take your good long look.

483
00:26:13.640 --> 00:26:15.960
<v Speaker 3>This is the really important part. You take a good

484
00:26:16.039 --> 00:26:21.039
<v Speaker 3>long look at the distance of your put You look

485
00:26:21.079 --> 00:26:23.400
<v Speaker 3>back down to the ball. You take a third to

486
00:26:23.400 --> 00:26:25.759
<v Speaker 3>a half a second to bring that image to mind,

487
00:26:26.920 --> 00:26:31.039
<v Speaker 3>and then immediately you roll the ball into the picture

488
00:26:31.200 --> 00:26:34.400
<v Speaker 3>using that stroke. What this does is it gets you

489
00:26:34.480 --> 00:26:38.200
<v Speaker 3>thinking out of thinking about your stroke. You're just reacting

490
00:26:38.319 --> 00:26:41.160
<v Speaker 3>to a target in the same way that a free

491
00:26:41.160 --> 00:26:43.480
<v Speaker 3>throw shooter doesn't want to be thinking about their emotion.

492
00:26:43.640 --> 00:26:47.160
<v Speaker 3>They want to be reacting to the distance to the basket.

493
00:26:48.279 --> 00:26:52.160
<v Speaker 3>So you're done with stroke, you're done with direction. You

494
00:26:52.839 --> 00:26:56.039
<v Speaker 3>roll it into the picture for your distance. You hold

495
00:26:56.079 --> 00:26:59.680
<v Speaker 3>the finish that keeps your body steady so you don't

496
00:26:59.680 --> 00:27:02.359
<v Speaker 3>come up out of the putt, and if you want

497
00:27:02.359 --> 00:27:04.519
<v Speaker 3>to look, you turn your head to track. It's called

498
00:27:04.519 --> 00:27:07.079
<v Speaker 3>turn the track, and you turn your head to track

499
00:27:07.119 --> 00:27:10.519
<v Speaker 3>without lifting your shoulders up and coming out of your posture.

500
00:27:12.039 --> 00:27:15.119
<v Speaker 3>That's the ideal routine. And then the last part of

501
00:27:15.200 --> 00:27:20.160
<v Speaker 3>the best putting routine is learn from it. If it

502
00:27:20.240 --> 00:27:23.319
<v Speaker 3>went in, congratulate yourself on doing your routine so well

503
00:27:24.640 --> 00:27:26.359
<v Speaker 3>if it didn't do what you thought it was going

504
00:27:26.440 --> 00:27:30.720
<v Speaker 3>to do, be the objective detective. Don't get upset, Say

505
00:27:30.799 --> 00:27:33.720
<v Speaker 3>what did I miss about how I read that putt?

506
00:27:33.720 --> 00:27:36.200
<v Speaker 3>Because I made the putt, the ball just didn't go

507
00:27:36.240 --> 00:27:39.160
<v Speaker 3>in the hole, So what did I miss about the read?

508
00:27:39.799 --> 00:27:42.480
<v Speaker 3>And then you look around and you'll get better at

509
00:27:42.519 --> 00:27:44.640
<v Speaker 3>reading every time.

510
00:27:47.079 --> 00:27:51.400
<v Speaker 1>Awesome, And that kind of it brings us back to

511
00:27:52.880 --> 00:27:56.839
<v Speaker 1>separating outcome from process, which is total doctor Joe.

512
00:27:58.400 --> 00:28:02.160
<v Speaker 3>Separating outcome from process, that's the whole thing that golfers

513
00:28:02.839 --> 00:28:06.279
<v Speaker 3>most difficulties come from worrying about how the SHOT's going

514
00:28:06.359 --> 00:28:09.799
<v Speaker 3>to turn out, and that affects everything that they do.

515
00:28:10.559 --> 00:28:13.119
<v Speaker 3>When your job is actually just to get the ball started.

516
00:28:13.519 --> 00:28:15.880
<v Speaker 3>It doesn't matter whether it's putting or driving or anything

517
00:28:15.920 --> 00:28:19.720
<v Speaker 3>in between. You can't determine exactly how the ball is

518
00:28:19.759 --> 00:28:22.240
<v Speaker 3>going to come out. Your job is there at the ball.

519
00:28:22.480 --> 00:28:25.640
<v Speaker 3>It's to get it started. Once you get it started,

520
00:28:26.119 --> 00:28:27.720
<v Speaker 3>that's all you can do. After that, all you can

521
00:28:27.720 --> 00:28:30.279
<v Speaker 3>do is root for it. So, in the same way

522
00:28:30.519 --> 00:28:35.599
<v Speaker 3>in putting, how to make every put You can make

523
00:28:35.640 --> 00:28:38.279
<v Speaker 3>every put if your definition of making a putt is

524
00:28:38.319 --> 00:28:41.480
<v Speaker 3>getting it started just the way you want it, and

525
00:28:41.519 --> 00:28:45.039
<v Speaker 3>if you do, that's all you can control. After that,

526
00:28:45.200 --> 00:28:47.200
<v Speaker 3>all you can do to root for it. It's like

527
00:28:47.240 --> 00:28:50.960
<v Speaker 3>a relay race, Fred. In a relay race, what is

528
00:28:51.039 --> 00:28:53.200
<v Speaker 3>your job? Your job? If you have a two person

529
00:28:53.319 --> 00:28:57.920
<v Speaker 3>race and you go first, your first job is to

530
00:28:58.000 --> 00:29:01.359
<v Speaker 3>run the race of the race the best you can,

531
00:29:02.599 --> 00:29:07.319
<v Speaker 3>and that's that's your stroke. In putting, Okay, once the

532
00:29:07.319 --> 00:29:09.759
<v Speaker 3>putter head gets to the ball, that's the same thing

533
00:29:09.799 --> 00:29:14.640
<v Speaker 3>as your hand off of the baton. After you've handed

534
00:29:14.640 --> 00:29:17.079
<v Speaker 3>off the baton, that's your transfer of energy from the

535
00:29:17.119 --> 00:29:20.839
<v Speaker 3>putter head to the ball. All you want to focus

536
00:29:20.880 --> 00:29:23.880
<v Speaker 3>on is making a good handoff. What happens if you're

537
00:29:23.920 --> 00:29:26.240
<v Speaker 3>looking at the finish line while you're trying to hand

538
00:29:26.279 --> 00:29:29.000
<v Speaker 3>off the baton, what's gonna happen?

539
00:29:29.279 --> 00:29:31.599
<v Speaker 1>You're gonna miss the person you're handing it off to.

540
00:29:31.720 --> 00:29:35.240
<v Speaker 3>Problem, it's gonna be a bad handoff. Maybe you'll drop it, okay,

541
00:29:35.400 --> 00:29:37.720
<v Speaker 3>And what if you don't trust the person and you

542
00:29:37.759 --> 00:29:40.160
<v Speaker 3>don't let go after you hand off the baton, you

543
00:29:40.240 --> 00:29:43.319
<v Speaker 3>keep running along with them and hold the baton. That's

544
00:29:43.359 --> 00:29:46.400
<v Speaker 3>not gonna help them. No, if you hand off the

545
00:29:46.400 --> 00:29:48.119
<v Speaker 3>baton but you don't trust them and you give them

546
00:29:48.119 --> 00:29:50.680
<v Speaker 3>a shove towards the finish line, that's not gonna help

547
00:29:50.759 --> 00:29:55.079
<v Speaker 3>them either. That's exactly so you don't want to treat

548
00:29:55.079 --> 00:29:57.440
<v Speaker 3>your your partner in this relay race is the ball.

549
00:29:58.359 --> 00:30:00.000
<v Speaker 3>All you want to do is make a good hand

550
00:30:00.160 --> 00:30:04.200
<v Speaker 3>off and get it started. After that, it's the ball's

551
00:30:04.240 --> 00:30:05.079
<v Speaker 3>job to find the hole.

552
00:30:11.680 --> 00:30:12.480
<v Speaker 1>Go find a hole.

553
00:30:13.839 --> 00:30:17.240
<v Speaker 3>Jo describe that when you roll a good putt, people

554
00:30:17.279 --> 00:30:19.960
<v Speaker 3>describe it. They say that putt made it look like

555
00:30:20.000 --> 00:30:23.519
<v Speaker 3>the ball was hunting for the hole. Yeah, don't that's

556
00:30:23.640 --> 00:30:25.240
<v Speaker 3>that's a common expression in golf.

557
00:30:25.359 --> 00:30:27.279
<v Speaker 1>Oh yeah, I mean how many times the ball went

558
00:30:27.319 --> 00:30:29.440
<v Speaker 1>and I'm like, I knew that was going in from

559
00:30:29.519 --> 00:30:32.000
<v Speaker 1>the time I set up. I mean, just I felt it,

560
00:30:32.039 --> 00:30:34.119
<v Speaker 1>I saw the line, I lived the line. It just

561
00:30:34.960 --> 00:30:36.799
<v Speaker 1>I had no doubt this putt was going in.

562
00:30:37.200 --> 00:30:40.759
<v Speaker 3>We have those moments and they're they're great. And and

563
00:30:40.799 --> 00:30:43.240
<v Speaker 3>you'll notice that when you have those moments, you don't

564
00:30:43.240 --> 00:30:46.880
<v Speaker 3>think about mechanics. Nope, you don't think about your technique.

565
00:30:47.319 --> 00:30:49.599
<v Speaker 3>All you do is you see it and you respond

566
00:30:49.640 --> 00:30:52.720
<v Speaker 3>to it and you get it started, and you go,

567
00:30:53.480 --> 00:30:55.440
<v Speaker 3>my job's done. Yeah.

568
00:30:55.480 --> 00:30:58.359
<v Speaker 1>But then you then you force yourself to try to

569
00:30:58.400 --> 00:31:01.079
<v Speaker 1>recreate that. That's when you when problems begin.

570
00:31:02.039 --> 00:31:05.279
<v Speaker 3>Yes, trying to recreate that. The only way you can

571
00:31:05.319 --> 00:31:08.839
<v Speaker 3>recreate that is to get better at visualizing, because what

572
00:31:08.920 --> 00:31:12.319
<v Speaker 3>you just described was you saw it going in before

573
00:31:12.359 --> 00:31:14.599
<v Speaker 3>it ever did. And I have a chapter in how

574
00:31:14.599 --> 00:31:18.400
<v Speaker 3>to make every put called already in the hole. That's

575
00:31:18.440 --> 00:31:20.319
<v Speaker 3>what you want to see. You want to see the

576
00:31:20.319 --> 00:31:23.000
<v Speaker 3>ball already in the hole. And then you're just going

577
00:31:23.079 --> 00:31:24.599
<v Speaker 3>up and doing a replay.

578
00:31:24.720 --> 00:31:25.960
<v Speaker 1>And hear the happy sound.

579
00:31:27.880 --> 00:31:30.440
<v Speaker 3>You know what, the happy sound doesn't always show up.

580
00:31:30.440 --> 00:31:33.279
<v Speaker 3>The happy sound I want to hear is wow, I

581
00:31:33.319 --> 00:31:37.119
<v Speaker 3>love the way I got that putt started. And if

582
00:31:37.119 --> 00:31:39.640
<v Speaker 3>you say that every time you putt, you're going to

583
00:31:39.680 --> 00:31:42.200
<v Speaker 3>be a great cutter, because if you're not holding a

584
00:31:42.200 --> 00:31:45.039
<v Speaker 3>lot of them, it's just about reading. And you'll get

585
00:31:45.039 --> 00:31:47.759
<v Speaker 3>better at that as long as you keep making the

586
00:31:47.799 --> 00:31:50.640
<v Speaker 3>putt you intend to make, you know.

587
00:31:50.759 --> 00:31:55.440
<v Speaker 1>Wrapping this up in section seven, it's the title of it.

588
00:31:55.480 --> 00:31:56.319
<v Speaker 1>Sounded familiar.

589
00:31:57.440 --> 00:32:00.920
<v Speaker 3>Yes, getting better all the time? M h. That's right.

590
00:32:01.079 --> 00:32:03.039
<v Speaker 3>That's what you want to be doing when you're playing.

591
00:32:03.359 --> 00:32:05.440
<v Speaker 3>And that's what the post shot routine that I teach

592
00:32:05.519 --> 00:32:08.839
<v Speaker 3>really does. It helps you get better all the time

593
00:32:08.920 --> 00:32:12.599
<v Speaker 3>because if you didn't make the putt, if you feel

594
00:32:12.599 --> 00:32:14.960
<v Speaker 3>like you know something got in the way, you need

595
00:32:15.000 --> 00:32:19.079
<v Speaker 3>to be able to identify that and make your routine better.

596
00:32:19.759 --> 00:32:22.240
<v Speaker 3>If you did make your putt but the ball didn't

597
00:32:22.240 --> 00:32:24.440
<v Speaker 3>do what you thought it was going to do, then

598
00:32:24.480 --> 00:32:26.759
<v Speaker 3>you have to work on your read and your judgment

599
00:32:26.799 --> 00:32:30.319
<v Speaker 3>of speed and that can get better. And what I

600
00:32:30.359 --> 00:32:34.319
<v Speaker 3>talk about, what I really like, is a chapter called

601
00:32:34.400 --> 00:32:38.839
<v Speaker 3>skills practice versus performance practice. If you want to improve

602
00:32:38.880 --> 00:32:42.160
<v Speaker 3>your putting, there are two aspects to it. One is

603
00:32:42.200 --> 00:32:45.519
<v Speaker 3>skills practice, and that is doing little drills that make

604
00:32:45.559 --> 00:32:49.519
<v Speaker 3>you better at each part of putting. For example, if

605
00:32:49.559 --> 00:32:51.720
<v Speaker 3>you want to get better at hitting the ball off

606
00:32:51.759 --> 00:32:55.200
<v Speaker 3>the sweet spot, then you need to put You could

607
00:32:55.200 --> 00:32:59.640
<v Speaker 3>even put contact paper on the face that shows where

608
00:32:59.680 --> 00:33:03.039
<v Speaker 3>the was, but you can you want to roll putts

609
00:33:03.119 --> 00:33:05.680
<v Speaker 3>until they all feel the same. You don't need to

610
00:33:05.680 --> 00:33:08.200
<v Speaker 3>do your full routine for that, you just want to

611
00:33:08.559 --> 00:33:10.759
<v Speaker 3>You can line up putts and roll one after another

612
00:33:10.880 --> 00:33:14.559
<v Speaker 3>after another. Same thing with using the line on the

613
00:33:14.559 --> 00:33:16.960
<v Speaker 3>ball to see if you're rolling an end over end

614
00:33:17.039 --> 00:33:21.240
<v Speaker 3>and not hitting a glancing blow. These are all skills practice.

615
00:33:21.799 --> 00:33:24.440
<v Speaker 3>But when it comes to performance practice, you want to

616
00:33:24.480 --> 00:33:27.960
<v Speaker 3>practice the way you're going to be playing, which means

617
00:33:28.000 --> 00:33:32.480
<v Speaker 3>one ball and putting to a hole and going through

618
00:33:32.480 --> 00:33:36.759
<v Speaker 3>your full routine each time. Don't get careless, don't shortcut it.

619
00:33:37.799 --> 00:33:41.400
<v Speaker 3>Do performance practice and give yourself target. So can I

620
00:33:41.599 --> 00:33:46.200
<v Speaker 3>put from from different distances to ten different holes on

621
00:33:46.240 --> 00:33:48.839
<v Speaker 3>the practice screen or from ten different places to one

622
00:33:48.880 --> 00:33:53.839
<v Speaker 3>hole on the practice screen and not three putt? That's

623
00:33:53.920 --> 00:33:57.240
<v Speaker 3>my goal, and I'm going to do my full performance,

624
00:33:57.839 --> 00:33:59.839
<v Speaker 3>my full routine, just the way I would on the

625
00:33:59.839 --> 00:34:05.400
<v Speaker 3>golf course. To do that, that's that's performance practice. Those

626
00:34:05.400 --> 00:34:07.119
<v Speaker 3>are the that's the difference between the two.

627
00:34:07.960 --> 00:34:11.760
<v Speaker 1>And it all really leads to whatever book you know

628
00:34:11.840 --> 00:34:14.199
<v Speaker 1>you're going to write, whatever book we're going to read,

629
00:34:14.199 --> 00:34:15.840
<v Speaker 1>it's all going to lead back to confidence.

630
00:34:17.480 --> 00:34:21.400
<v Speaker 3>Confidence. That's what my teacher said, had a favorite expression.

631
00:34:21.519 --> 00:34:26.599
<v Speaker 3>Confidence what every golfer needs and and really putting boils

632
00:34:26.639 --> 00:34:30.440
<v Speaker 3>down so much more to confidence than just about any

633
00:34:30.440 --> 00:34:34.800
<v Speaker 3>other stroke, because it's not that complicated a stroke. And

634
00:34:34.880 --> 00:34:38.000
<v Speaker 3>if you're not confident, then you're going to second guess

635
00:34:38.000 --> 00:34:40.440
<v Speaker 3>your read. That's not going to help you because you're

636
00:34:40.480 --> 00:34:42.920
<v Speaker 3>gonna have doubt about it. Once you have doubt about

637
00:34:42.920 --> 00:34:47.280
<v Speaker 3>your read, you're going to you're doomed maybe push or

638
00:34:47.360 --> 00:34:50.920
<v Speaker 3>pull or be hesitant on your stroke. If you're not

639
00:34:50.960 --> 00:34:52.840
<v Speaker 3>sure about your stroke, you're going to get very If

640
00:34:52.840 --> 00:34:54.519
<v Speaker 3>you're not confident in your stroke, you're going to get

641
00:34:54.559 --> 00:34:57.920
<v Speaker 3>very mechanical, and that's going to take you away. There's

642
00:34:57.920 --> 00:34:59.920
<v Speaker 3>going to be no flow to your stroke. You want.

643
00:35:00.000 --> 00:35:02.039
<v Speaker 3>I have a lot of flow to your putting stroke.

644
00:35:03.320 --> 00:35:07.159
<v Speaker 3>And and if you're not confident about your feel then

645
00:35:07.880 --> 00:35:10.039
<v Speaker 3>you're going to go numb, and you're going to hit

646
00:35:10.119 --> 00:35:13.239
<v Speaker 3>putts with different at different paces, and you're always going

647
00:35:13.320 --> 00:35:18.320
<v Speaker 3>to be guessing and and the sense of well, I'm

648
00:35:18.360 --> 00:35:21.559
<v Speaker 3>not sure what's going on, and the feeling of confidence

649
00:35:22.079 --> 00:35:25.880
<v Speaker 3>is a completely different thing. The other thing is if

650
00:35:25.960 --> 00:35:29.480
<v Speaker 3>you're not confident, then some fear can come in. And

651
00:35:29.519 --> 00:35:32.760
<v Speaker 3>if fear comes in, then you're going to end up

652
00:35:33.079 --> 00:35:36.840
<v Speaker 3>with the word that I don't like to use. So

653
00:35:37.320 --> 00:35:39.280
<v Speaker 3>it starts with a Y, it ends with an S,

654
00:35:39.400 --> 00:35:42.360
<v Speaker 3>and it has four letters. And I have a bonus

655
00:35:42.400 --> 00:35:44.159
<v Speaker 3>chapter at the end of the book in case you

656
00:35:44.280 --> 00:35:48.280
<v Speaker 3>have yes the yips don't. If you get the book,

657
00:35:48.920 --> 00:35:51.320
<v Speaker 3>please do not read that last chapter if you don't

658
00:35:51.320 --> 00:35:55.199
<v Speaker 3>already have them. You don't want to be thinking about it.

659
00:35:55.480 --> 00:35:57.679
<v Speaker 1>You know, it's funny because you have.

660
00:35:57.599 --> 00:36:00.280
<v Speaker 3>Them, that last chapter is for you and it will

661
00:36:00.320 --> 00:36:01.039
<v Speaker 3>cure them.

662
00:36:01.480 --> 00:36:04.280
<v Speaker 1>Well, that is so funny because I was going to say.

663
00:36:04.519 --> 00:36:05.840
<v Speaker 1>The last thing I was going to say to you

664
00:36:06.039 --> 00:36:10.440
<v Speaker 1>was Okay, So is it worth me asking about the yips?

665
00:36:10.519 --> 00:36:12.920
<v Speaker 1>Or is that just a whole nother podcast episode.

666
00:36:13.719 --> 00:36:15.119
<v Speaker 3>I don't We're not even going to put it on

667
00:36:15.159 --> 00:36:18.880
<v Speaker 3>the podcast, Okay, I don't want everybody listening to it.

668
00:36:19.079 --> 00:36:21.039
<v Speaker 1>Okay, fine, No, then we're not going to do it.

669
00:36:21.079 --> 00:36:29.159
<v Speaker 3>Special special special code to unlock that podcast unless you

670
00:36:29.440 --> 00:36:32.000
<v Speaker 3>unless you swear that you already have them, you're not

671
00:36:32.039 --> 00:36:34.400
<v Speaker 3>allowed to listen to it because because you don't want

672
00:36:34.440 --> 00:36:36.639
<v Speaker 3>to be thinking about that kind of thing. You don't

673
00:36:36.679 --> 00:36:38.719
<v Speaker 3>want to be thinking about what could go wrong on

674
00:36:38.760 --> 00:36:41.840
<v Speaker 3>the green in any part of your golf game. You

675
00:36:41.880 --> 00:36:44.159
<v Speaker 3>want to be thinking about what you do want to

676
00:36:44.199 --> 00:36:48.320
<v Speaker 3>happen having a positive attitude towards it. So, whether it

677
00:36:48.360 --> 00:36:51.199
<v Speaker 3>happens or not, if you have a positive attitude toward it,

678
00:36:51.599 --> 00:36:54.559
<v Speaker 3>you're going to have a better chance of producing what

679
00:36:54.599 --> 00:36:57.719
<v Speaker 3>you're picturing because, as in one of my chapters in

680
00:36:57.840 --> 00:37:00.280
<v Speaker 3>Zen Golf, you produce what you feel.

681
00:37:01.400 --> 00:37:04.599
<v Speaker 1>Right right well again, the book is called How to

682
00:37:04.599 --> 00:37:07.440
<v Speaker 1>Make Every Putt, The Secret to winning Golf's game within

683
00:37:07.480 --> 00:37:11.119
<v Speaker 1>the game. Doctor Joseph Parent once again the author of

684
00:37:11.159 --> 00:37:14.719
<v Speaker 1>the amazing Zen Golf and now How to Make Every Putt.

685
00:37:14.719 --> 00:37:17.719
<v Speaker 1>Thanks so much for your time. It's great to talk

686
00:37:17.760 --> 00:37:21.679
<v Speaker 1>to you again, and as always I wish you continued success.

687
00:37:22.159 --> 00:37:24.320
<v Speaker 3>Thanks Fred, great to be with you. We'll do it

688
00:37:24.360 --> 00:37:24.880
<v Speaker 3>again soon.
