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<v Speaker 1>It was the last house on Hofforn Lane, a sea

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<v Speaker 1>greens bowl of a place, squeezed montidy clapboats with painted porches,

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<v Speaker 1>but refusing every rule of symmetry. On the day of

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<v Speaker 1>the neighborhood open house tour, its eaves bristled with flowering

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<v Speaker 1>vines and sunburn shingles, and the gardens built their sodiums

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<v Speaker 1>onto the walk. I'd seen the house nearly every day

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<v Speaker 1>for two decades, waving sometimes to the Oobnaur passcross. I'd

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<v Speaker 1>never paid a close attention. There were other prettier houses

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<v Speaker 1>on the street, tollbrick, prouque nan two Arts and crafts,

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<v Speaker 1>bungalows that always made the Association newsletter. This one looked

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<v Speaker 1>from the sidewalk as if a dozen ambitious additions had

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<v Speaker 1>been tacked on over the years, with barely a plan

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<v Speaker 1>among them. But the torment I could finally see inside.

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<v Speaker 1>I'd always liked open houses, even after retiring from teaching,

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<v Speaker 1>because you never knew what people would reveal when the

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<v Speaker 1>doors came open, Corks that never made the way into

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<v Speaker 1>yard gospel garden competitions. I walked over with my yellow

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<v Speaker 1>sun hat and a small notebook, taking a printed floor

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<v Speaker 1>plan from the welcome table in the front garden. There

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<v Speaker 1>was a big sign welcome lemonade and cookies inside. Please

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<v Speaker 1>enjoy your self guarded exploration Hartly. I could already hear

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<v Speaker 1>the trickle of conversation drifting down the wide steps. Miss

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<v Speaker 1>s Hartley herself greeted us at the door, brought hipped

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<v Speaker 1>silver bob sherp was dressed battered with tiny pastel boats.

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<v Speaker 1>Take your time, mind the sunken step in the back corridor.

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<v Speaker 1>She said, this a big placed twenty nine rooms, believe

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<v Speaker 1>it or not. Her smile was bright and unhurried. The

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<v Speaker 1>phrase caught my ear, not twenty or twenty five, but

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<v Speaker 1>twenty nine. I glanced over her head past old wavy

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<v Speaker 1>glass that mumbled a view to stuck a so shallow

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<v Speaker 1>it looked almost folded. Twenty nine. Not many people can

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<v Speaker 1>keep track of all those, I replied, half joking, and

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<v Speaker 1>she burst out with a laugh. Though you'd be surprised

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<v Speaker 1>everyone ends up with their own number, she said. At

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<v Speaker 1>the time, it just sounded like one of her stories.

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<v Speaker 1>Inside was a soft chaos of light and rugs. Rooms

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<v Speaker 1>opened with the apology into one another. Music crined Paarlor

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<v Speaker 1>Paula to dem with low bookshelves, bookshelves to what could

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<v Speaker 1>have been a sewing room, but all, I says all

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<v Speaker 1>were rubber boots and a half dunk cross were penciled

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<v Speaker 1>onto a window sill. A pair of little girls sat

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<v Speaker 1>in the bay window, reading aloud in two different voices

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<v Speaker 1>at once. As the hubbub of visitors filled the central hallway,

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<v Speaker 1>I let myself slow down, counting as I went making

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<v Speaker 1>marks on my pamphlet. It became a game. One for

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<v Speaker 1>the dining nook, two for a room of glass cabinets,

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<v Speaker 1>three for the sloping library that looked toward the garden.

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<v Speaker 1>I walked with precision in a way teachers learned to

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<v Speaker 1>left to right, then upstairs, pausing after the landing for breath.

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<v Speaker 1>And another two rooms that fit together like puzzle pieces,

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<v Speaker 1>only the corners didn't quite me At the end by

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<v Speaker 1>that stair, I stopped and counted my marks twenty eight.

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<v Speaker 1>I flipped the pamphlet over, recounted twice. I must have

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<v Speaker 1>missed when they had to be a closet a back

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<v Speaker 1>hallway to slit by. I doubled back, echoed by two

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<v Speaker 1>other guests, one with the camera and one with the

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<v Speaker 1>sensible blue card again, both brows knit and silent arithmetic.

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<v Speaker 1>Near the cookie table, busy with proofs of lemon and almond,

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<v Speaker 1>the woman in a cardigan handed her sheet her friend thirty,

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<v Speaker 1>The friend said, shaking her head, I swear I only

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<v Speaker 1>marked twenty six. A man college age with the camera

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<v Speaker 1>slung around his neck called over, Hey, does any one

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<v Speaker 1>have twenty nine? That's the magic number? Or await, how

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<v Speaker 1>many did you have? His tone was lightly mocking, but

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<v Speaker 1>I saw his eyes flick towards the owner. Misss Hartly

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<v Speaker 1>bustled over her beaming. No te alike. I do hope

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<v Speaker 1>you enjoyed yourselves. It's always twenty nine. She said the

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<v Speaker 1>phrase with a little flourish, as if it were a

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<v Speaker 1>punch line I'd missed. I left the lemonade, half finish,

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<v Speaker 1>my map clutched in one hand, Standing on the walkway,

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<v Speaker 1>watching neighbor's stream behind me, I found myself grinning at

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<v Speaker 1>the impossibility of it, Hooked by a mild but persistent

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<v Speaker 1>itch curiosity, nothing more. There's something appealing about a puzzle

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<v Speaker 1>that everyone solves differently. That evening, in my own garden,

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<v Speaker 1>I found myself turning over the house in my mind.

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<v Speaker 1>I had always considered myself precise, the sort who counts

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<v Speaker 1>bolts as I planted them, saws library books, answers trivic

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<v Speaker 1>questions before the television host finishes the sentence. The teacher's

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<v Speaker 1>habits die hard, My lake husband used to say, But

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<v Speaker 1>this little discrepancy, the utter inability of a dozen sorber

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<v Speaker 1>visitors to count the same rooms, felt mischievous, like a

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<v Speaker 1>gentle prank. Yeah, Yet it was persistent. The neighborhood was

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<v Speaker 1>well mashed to idiosyncrasies, half on lan culled under old

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<v Speaker 1>Maple's houses, stitched in place by nearly a century's worth

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<v Speaker 1>of substitutions. The east end was all brick and light,

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<v Speaker 1>a glass solid as packed lum full of pensioners who

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<v Speaker 1>had read every birth and death announcement twice over. Farther

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<v Speaker 1>up with the experiments around herded Victorium a taxi to

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<v Speaker 1>me above the stairs, the sunken ranch of bottle windows

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<v Speaker 1>that looked like a jigsa puzzle started by an enthusiastic

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<v Speaker 1>child and finished reluctantly by a tie at one. I'd

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<v Speaker 1>been here since my early fifties, after Daniel's death, in

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<v Speaker 1>a paleol of cottage with a patch of peonies too

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<v Speaker 1>well to impress the flower patrol, but met with loving

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<v Speaker 1>indifference by me. My routine was solid. I supped at

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<v Speaker 1>the elementary school now and then read a book or

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<v Speaker 1>three each week to wat siege with Clara, who lived

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<v Speaker 1>two blocks over. I played the Everdaese lead crosswords, corocery coupons,

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<v Speaker 1>local Trevine Knight. Never the sort to go hunting for secrets,

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<v Speaker 1>yet people brought them to me. Sure my teachers, I

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<v Speaker 1>caught what others let slip. Missess Hartley was fictious and

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<v Speaker 1>she inherited the Otause twenty years earlier. Known for her elaborate,

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<v Speaker 1>sometimes contradictory, always vibrant stories, she was the sort of

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<v Speaker 1>person who made jokes with the mailman and cold teenager's

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<v Speaker 1>dear heart. Rumor said the house was bequeathed by a gnat,

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<v Speaker 1>but there were whispers of a lottery ticket, a lost cousin,

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<v Speaker 1>even a wedding gun amok. In nineteen eighty seven, I'd

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<v Speaker 1>hurried them all often from mister Prescott across the way.

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<v Speaker 1>Mister Prescott, with his cane and Seir's ca hat, prided

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<v Speaker 1>himself on knowing every brick on the street. He'd lived

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<v Speaker 1>here before the post was split, as he liked to

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<v Speaker 1>remind newcomers, since before the paint on the house dried,

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<v Speaker 1>he once told me, frowning in his direction. He rarely

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<v Speaker 1>joined festivities, but his porch was a source of running

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<v Speaker 1>commentary on politics, pruning the teak of sized spaniel next door.

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<v Speaker 1>The local children. Some mine more in spirit than a

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<v Speaker 1>genetic circulated in the yards, like wind, inventing games, pumping

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<v Speaker 1>rumors about treasure, obsecret doors, and magic always in the

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<v Speaker 1>sea green house. Once I'd overheard a breathless eight year

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<v Speaker 1>old confde a friend that if he listened in the

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<v Speaker 1>closet under the stairs, the walls whispered. Their parents mostly

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<v Speaker 1>cared about bilaws and the annual flowerred competition, dismissing house

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<v Speaker 1>oudities as signs of a bygone era or architectural excess.

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<v Speaker 1>Even so, the police drew conversation that old barn is amazed.

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<v Speaker 1>Prescott would say, you'd freeze to death in there by October.

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<v Speaker 1>Others complained about drafty corners, inexplicable heat in the attic,

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<v Speaker 1>the window seats deep enough to nap in and lose

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<v Speaker 1>your shoes. Everyone accepted it was unusual but no one

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<v Speaker 1>pressed for more. I walked the lane most days, sometimes

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<v Speaker 1>with Chlora, other times alone. We always passed Missus hartly,

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<v Speaker 1>trading greetings through a thick screen door until the open house.

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<v Speaker 1>The interior never stirred much interest. It seemed there immutable,

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<v Speaker 1>a polite neighborhood secret that didn't matter much to anyone.

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<v Speaker 1>Now my mind returned off, sidestepping the ordinary puzzles. The house,

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<v Speaker 1>with its jumble, unlilled, refused to settle into shape. The

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<v Speaker 1>more I thought back, the less clear the path I

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<v Speaker 1>had taken began twenty nine, twenty eight thirty. The numbers

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<v Speaker 1>had all been claimed. Was it simply bad? Counting the

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<v Speaker 1>nerves of a crowd, the confusion of converging hallways. The

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<v Speaker 1>next morning, beneath the quiet sweep of the wallot tree

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<v Speaker 1>outside my window, I found the pamphlet from the tour,

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<v Speaker 1>dotted with my Keffel marks. I reconsidered the tally. Every

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<v Speaker 1>room had seemed definite as I entered a kitchen that

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<v Speaker 1>must have been remodeled more than once, and quit heavy curtains,

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<v Speaker 1>admitting only a slant of dust, A staircase that rose

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<v Speaker 1>like an afterthought. Yet the math would not align maybe

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<v Speaker 1>I missed a door, or my own sense of direction

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<v Speaker 1>betrayed me. One reflection too many in the large old mirrors.

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<v Speaker 1>But it was not just me. While I watered the

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<v Speaker 1>hydh rangers, I remembered the conversation from the lemonade table.

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<v Speaker 1>None of the visitors had the same number people with

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<v Speaker 1>digital photos, in Nephon's argue, besides shy retirees with pen

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<v Speaker 1>and paper notes. If it had merely been a model,

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<v Speaker 1>the numbers would have clustered. Instead, they spread out, not wildly,

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<v Speaker 1>but stubbornly enough to unsettle. It would be easy to

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<v Speaker 1>drop the matter there, decide that the confusion belonged to

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<v Speaker 1>the old house, and let it join the catalog of

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<v Speaker 1>neighborhood oddities. But something in the lightness with which Miss

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<v Speaker 1>s hartly repeated it's always twenty nine stuck with me

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<v Speaker 1>a certainty, yet not quite an explanation, as if she

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<v Speaker 1>relished a puzzle as much as I did, would act

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<v Speaker 1>the need to settle it. By mid morning, a pair

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<v Speaker 1>of neighbors strolled past my gate, debating the room count

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<v Speaker 1>in low amuse forices. Their tennis rackets were gartten. I

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<v Speaker 1>called out, did either of you get twenty nine the

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<v Speaker 1>ground and shook their heads, their answers diverging by more

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<v Speaker 1>than one. Danielle, I thought, would have laughed at me

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<v Speaker 1>for fussing over a number, But then I could already

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<v Speaker 1>feel a familiar friend liege at the age of my curiosity,

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<v Speaker 1>the place in me that refused to let a puzzle

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<v Speaker 1>rest unsolved, especially one paraded so openly amid lemonade and gossip.

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<v Speaker 1>That afternoon, I decided the simplest way to lay it

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<v Speaker 1>to rest would be to go back one more walk.

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<v Speaker 1>A systematic approach, I resolved to as missus Hotley to

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<v Speaker 1>open her doors again, just once for proper count. Even this,

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<v Speaker 1>I tried to tell myself, was nothing more than neighborly thoroughness.

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<v Speaker 1>I returned that even to the memory of the blue

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<v Speaker 1>cardigan woman standing just inside the entry map in hand

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<v Speaker 1>her friend had marked thirty, she only found twenty eight.

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<v Speaker 1>Both were insistent their numbers would not line despite digital evidence.

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<v Speaker 1>To compare shead photos showing a pale green corridor a

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<v Speaker 1>friend's camra showing an archery in its place. Some one

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<v Speaker 1>pointed to a door that others wore was not them

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<v Speaker 1>minutes earlier, and another guest showed a photograph of a

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<v Speaker 1>corridor elan couldn't recall, its windows glowing with late light

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<v Speaker 1>by the entryway. Missus Hartley seemed delighted by the growing confusion.

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<v Speaker 1>When I mentioned the disagreement, she just grinned, It's always

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<v Speaker 1>twenty nine, isn't it a wonder? She handed at napkins

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<v Speaker 1>with cooky shaped like keys and teapots, the picture of calm,

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<v Speaker 1>as though we all were enjoying nothing more mysterious than

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<v Speaker 1>a word game. The more evidence I gathered, the less

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<v Speaker 1>idea I had of what precisely was happening. Guests who

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<v Speaker 1>compared their lists were met with shrugs, laughter, in the

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<v Speaker 1>growing sense that some trick was being played, but by

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<v Speaker 1>whom the house itself felt physically unchanged unapologetically There yet

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<v Speaker 1>agreement over its contents kept slipping further away, even as

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<v Speaker 1>the sunlight angled down and the lemonade jug emptied. Walking home,

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<v Speaker 1>I made the decision almost absent mendedly. I would return.

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<v Speaker 1>I would count methodically room by rooumen from my own

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<v Speaker 1>peace of mind, I would enlist help. The next morning,

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<v Speaker 1>I rhymus, says Hatley's bell apology and request in hand,

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<v Speaker 1>she met my cushion with enthusiasm. Of course, I'd rather

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<v Speaker 1>get to the bottom of it myself, she said. I

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<v Speaker 1>nushered me into her front Paula, with the matter of

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<v Speaker 1>factor of someone who expects to be proven right but

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<v Speaker 1>welcomes the effort. Her house coat was blue that morning,

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<v Speaker 1>with incongruous orange flowers, and she offered me tea instead

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<v Speaker 1>of lemonade. I gathered my tools, a fresh, gritted notebook,

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<v Speaker 1>colored pens, measuring tape because in old houses nothing as

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<v Speaker 1>ever quite as labeled, and a small digital recorder left

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<v Speaker 1>of her from my supen days in case I wanted

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<v Speaker 1>to dictate observations. I called Clara, a friend, a neighbor

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<v Speaker 1>who taught at the community college and was forever photographing

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<v Speaker 1>things for her side project on personal geographies. Plora was skeptical,

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<v Speaker 1>but entertained. I don't doubt you, Ellen, but there are

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<v Speaker 1>weirder things than confusing floor plans. What if you just

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<v Speaker 1>missed a closet, she teased. I insisted that every room

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<v Speaker 1>would count and nothing would be left to memory alone.

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<v Speaker 1>When we arrived, masss hotly led us in and left

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<v Speaker 1>us to our devices. To just call out if you

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<v Speaker 1>get lost she advised quick to laughter. The rainstorm had

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<v Speaker 1>rolled past in the night, so every window was webbed,

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<v Speaker 1>with droplets throwing in certain patterns of light crossed to flows.

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<v Speaker 1>We agreed on a plan. I would sketch each true

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<v Speaker 1>as we entered, noting mode of entry, furnishing doors, window exposures,

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<v Speaker 1>and whatever oddities. Plara would photograph each threshold and take

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<v Speaker 1>panoramic images at every major turn. We mapped the first

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<v Speaker 1>floor steady is a school project, marking kitchen, breakfast room, pantry,

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<v Speaker 1>sun room. The ladder my favorite, with its entidy fern

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<v Speaker 1>pots and view of a while tomatoes was easy to place.

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<v Speaker 1>Plora said, this is room six. Yes. Then I nodded,

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<v Speaker 1>both of us, noting the number. We pressed on study, parlor, den,

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00:11:16.000 --> 00:11:19.879
<v Speaker 1>sterile closet. The house had short, broad corridors in surprising corners,

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00:11:20.000 --> 00:11:22.799
<v Speaker 1>rooms joining at odd angles, like a game of geometric

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<v Speaker 1>telephone played over a century. The must of old paper,

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00:11:25.720 --> 00:11:27.519
<v Speaker 1>the scent of cut grass from the open back door,

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00:11:27.600 --> 00:11:29.480
<v Speaker 1>a faint trace of lilacsanny in a hole which every

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<v Speaker 1>room had a personality, a bit like the people who

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00:11:31.600 --> 00:11:35.759
<v Speaker 1>passed through them upstairs. Confidence grew, our notes match and

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<v Speaker 1>we moved steadily talking through our process room fifteen sewing nook,

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<v Speaker 1>two windows, three doors, I said. Clara took two shots

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<v Speaker 1>showing the light pouring and from unexpected angles close to

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<v Speaker 1>the eavese a cozy alcove, paneled and dark wood seen.

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<v Speaker 1>Took sist solely for a stack of jigs or puzzles

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<v Speaker 1>and a strip of vivid a match Wallpepper nineteen. Plora asked,

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<v Speaker 1>yes nineteen. They felt almost too simple. As we neared

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<v Speaker 1>the attic, scrap and s is crept in the sun room.

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<v Speaker 1>I loved so much. Ellen's room mate, Klara couled as

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<v Speaker 1>somehow was not on her own count, and she frowned

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<v Speaker 1>over her camera. I didn't photograph a sun room, she insisted,

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00:12:11.159 --> 00:12:13.559
<v Speaker 1>scrolling back through a time mine. There should have captured everything.

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00:12:14.120 --> 00:12:17.240
<v Speaker 1>I paged through my own sketches. There it was plain

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<v Speaker 1>as day. Sun room, south window, Potts bird feeder nineteen

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<v Speaker 1>paces from kitchen. She pointed to her own list to

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<v Speaker 1>study where I had seen a reading nook, an octagon

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<v Speaker 1>or room I couldn't recall. I definitely remember windows all

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<v Speaker 1>a round. Look here ropt again, stained glass. We turned

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00:12:32.120 --> 00:12:35.679
<v Speaker 1>through our maps, each with distinct shapes. Both confident. At

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00:12:35.679 --> 00:12:39.000
<v Speaker 1>the end, Klara's count was twenty eight, mine had become thirty.

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<v Speaker 1>We shrugged, puzzled after masking a deeper surprise. We tried

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00:12:43.480 --> 00:12:46.200
<v Speaker 1>reconciling sketches, but found each had rooms the other failed

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00:12:46.200 --> 00:12:49.960
<v Speaker 1>to recall. Further tests only multiplied our confusion. Some of

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00:12:50.000 --> 00:12:53.120
<v Speaker 1>Klara's photos, taken at identical co ordinates to my own drawings,

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00:12:53.120 --> 00:12:56.360
<v Speaker 1>showed brickton doorways where I drawn open thresholds where my

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00:12:56.440 --> 00:12:58.960
<v Speaker 1>notes at Wholwilly's to small powder room. Her camera only

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00:12:59.000 --> 00:13:02.120
<v Speaker 1>found a wall in one photo, verdant light stream for

267
00:13:02.200 --> 00:13:05.159
<v Speaker 1>a large bay window on to threadbare rug. My memory

268
00:13:05.159 --> 00:13:08.559
<v Speaker 1>insisted there was no winter. There is certainly no bay. Curious,

269
00:13:08.679 --> 00:13:11.919
<v Speaker 1>we tried a physical check. We re entered rooms together,

270
00:13:12.080 --> 00:13:14.759
<v Speaker 1>relying on each other's directions, but we found our ruts

271
00:13:14.799 --> 00:13:18.440
<v Speaker 1>altered slightly out of step. In one instance, we smelled

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<v Speaker 1>lilac in a small parlor, apparently missing from every map.

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<v Speaker 1>We agreed to market room mixed for laid a cross checking,

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00:13:23.919 --> 00:13:27.080
<v Speaker 1>yet upon returning the room was a normal, rather dingy bathroom.

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<v Speaker 1>We met two graduate students in architecture, their arms full

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<v Speaker 1>of note pads, who wandered about, eyes wide debating in

277
00:13:32.919 --> 00:13:37.399
<v Speaker 1>low voices about experiential geometry and psychological wayfinding. They shared

278
00:13:37.399 --> 00:13:41.000
<v Speaker 1>our buildiment, blaming each other for getting distracted. Clara lent

279
00:13:41.000 --> 00:13:44.200
<v Speaker 1>them appendon. We compared notes, Their diagrams rendered in hasty

280
00:13:44.279 --> 00:13:47.639
<v Speaker 1>lock letders diverged wildly from our own. The day ended

281
00:13:47.639 --> 00:13:50.399
<v Speaker 1>in a mess of papers, ketches, and digital images. Proof

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<v Speaker 1>after proof that could not be arranged. A match overlaying

283
00:13:53.519 --> 00:13:55.799
<v Speaker 1>our work only deepened the dissonance. The sequence of rooms,

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00:13:55.879 --> 00:13:59.159
<v Speaker 1>the orientation of doors, the order of passages were all changed.

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<v Speaker 1>There was no way our separate records could possibly refer

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00:14:02.120 --> 00:14:04.639
<v Speaker 1>to the same house, though we'd walk together the whole time.

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00:14:05.240 --> 00:14:07.759
<v Speaker 1>Back at my kitchen table, map spread beside a cold

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<v Speaker 1>cup of coffee, Chlora whistled softly. It's like the househeadits itself,

289
00:14:11.440 --> 00:14:14.399
<v Speaker 1>she said, half joking. As brightened by the problem, I

290
00:14:14.440 --> 00:14:17.600
<v Speaker 1>stared at my paper's multiple versions of small windows, staircases

291
00:14:17.639 --> 00:14:19.559
<v Speaker 1>bending the wrong way, a sun room that might have

292
00:14:19.600 --> 00:14:22.120
<v Speaker 1>been a memory rather than a room. If it were

293
00:14:22.159 --> 00:14:25.480
<v Speaker 1>only me, I'd of guess fatigue, nostalgia. But with evidence

294
00:14:25.519 --> 00:14:28.200
<v Speaker 1>in hand, from two, then four, then half a dozen observers,

295
00:14:28.279 --> 00:14:30.440
<v Speaker 1>each account impossible to overlay on to the next. The

296
00:14:30.480 --> 00:14:33.519
<v Speaker 1>puzzle only grew deeper. It wasn't a matter of miscount.

297
00:14:33.639 --> 00:14:35.840
<v Speaker 1>It had become a problem of reality itself, or at

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00:14:35.840 --> 00:14:38.480
<v Speaker 1>the very least the stories we told about it. I

299
00:14:38.519 --> 00:14:41.120
<v Speaker 1>thought back to the kit seeker, howiys the parent's impatience,

300
00:14:41.200 --> 00:14:43.639
<v Speaker 1>and wondered, was this some elaborate trick, or had the

301
00:14:43.639 --> 00:14:46.960
<v Speaker 1>house itself slipped anchor? That night I found myself restless

302
00:14:46.960 --> 00:14:49.159
<v Speaker 1>with curiosity, not dread, not the feeling that the house

303
00:14:49.240 --> 00:14:51.080
<v Speaker 1>posed a threat, but that it offered a glimpse of

304
00:14:51.080 --> 00:14:53.559
<v Speaker 1>some larger stranger, a way of being if only I

305
00:14:53.600 --> 00:14:55.679
<v Speaker 1>looked at it from the right angle, if there was

306
00:14:55.720 --> 00:14:57.559
<v Speaker 1>an answer, it might live in memory in the way

307
00:14:57.600 --> 00:15:00.039
<v Speaker 1>people recalled the shape of the house. I decided I

308
00:15:00.120 --> 00:15:02.440
<v Speaker 1>did to look backward as well as within, beginning with

309
00:15:02.480 --> 00:15:05.440
<v Speaker 1>the person who remembered every changehol from Lane had ever endured,

310
00:15:05.679 --> 00:15:09.320
<v Speaker 1>mister Prescott. Prescott answered my ring with the shop about time,

311
00:15:09.399 --> 00:15:11.320
<v Speaker 1>but ushered me up to his porch, a bright red

312
00:15:11.360 --> 00:15:15.200
<v Speaker 1>geranium casting pattern shadows at our fee, Prescott, I began,

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00:15:15.440 --> 00:15:17.200
<v Speaker 1>have you ever gone inside the Hotly House for the

314
00:15:17.240 --> 00:15:21.639
<v Speaker 1>association tour? He snorted, too drafty, like walking through a sieve.

315
00:15:21.679 --> 00:15:23.440
<v Speaker 1>If you ask me. But I've been in as a

316
00:15:23.440 --> 00:15:25.960
<v Speaker 1>boy in the forties, and since no two visits match.

317
00:15:26.600 --> 00:15:29.799
<v Speaker 1>He leaned back, came across knees, hashadowing his sharp eyes,

318
00:15:29.919 --> 00:15:33.039
<v Speaker 1>remembering Allah, when they build it, it was ordinary enough,

319
00:15:33.080 --> 00:15:35.440
<v Speaker 1>ought to have had maybe sixteen rooms, not much more,

320
00:15:35.480 --> 00:15:37.559
<v Speaker 1>But there was always some wing being added, a wall's

321
00:15:37.600 --> 00:15:40.120
<v Speaker 1>coming down or following over. My uncle helped wired in

322
00:15:40.159 --> 00:15:42.440
<v Speaker 1>fifty one, came back saying there were rooms, he'd swear

323
00:15:42.440 --> 00:15:45.519
<v Speaker 1>weren't they before. Did you remember any specific story about

324
00:15:45.519 --> 00:15:48.519
<v Speaker 1>a changing I pressed, half expecting him to wave me off.

325
00:15:49.200 --> 00:15:51.279
<v Speaker 1>There was a summer must have been nineteen fifty two

326
00:15:51.279 --> 00:15:53.559
<v Speaker 1>when a whole wing showed up, library of summer rooms

327
00:15:53.600 --> 00:15:55.879
<v Speaker 1>something like that. Nobody could say how a why. But

328
00:15:55.960 --> 00:15:58.279
<v Speaker 1>the taxes went up, and the blueprints didn't match what

329
00:15:58.360 --> 00:16:01.320
<v Speaker 1>he saw inside. Even city inspecters threw up their hands.

330
00:16:01.840 --> 00:16:03.840
<v Speaker 1>He shook his head, amused in a little proud of

331
00:16:03.840 --> 00:16:07.200
<v Speaker 1>the neighborhood' quirks. The city kept pro drawing maps. Old

332
00:16:07.200 --> 00:16:10.080
<v Speaker 1>Miss s Hampson, Missess Hartley's an. I suppose she insisted

333
00:16:10.080 --> 00:16:12.799
<v Speaker 1>it had twenty nine rooms and would brook no argument.

334
00:16:13.320 --> 00:16:16.480
<v Speaker 1>The more oppressed, the more tangled, the stories became. Some

335
00:16:16.559 --> 00:16:18.080
<v Speaker 1>said the house was always a bit of a war

336
00:16:18.159 --> 00:16:20.759
<v Speaker 1>and a rabbit maze with impossible right angles. Others were

337
00:16:20.799 --> 00:16:23.600
<v Speaker 1>sure it was sensible until boarding house days in the sixties,

338
00:16:23.720 --> 00:16:26.200
<v Speaker 1>after which the ruins, not the walls, but the actual

339
00:16:26.240 --> 00:16:29.240
<v Speaker 1>room count never matched. Two visits in a row, determined

340
00:16:29.279 --> 00:16:32.559
<v Speaker 1>to push further a visit City Hall. The clerk perky,

341
00:16:32.600 --> 00:16:35.039
<v Speaker 1>but Harry quinted at me through wire room glasses as

342
00:16:35.039 --> 00:16:38.480
<v Speaker 1>I requested the house's blueprints, which ones she qupt, flipping

343
00:16:38.519 --> 00:16:41.679
<v Speaker 1>through manilla folders. We've got at least rien recor all

344
00:16:41.720 --> 00:16:46.240
<v Speaker 1>supposedly originals. She produced resets, each labeled by different architects,

345
00:16:46.279 --> 00:16:50.080
<v Speaker 1>hand dated decades apart. They were at best rough cousins.

346
00:16:50.679 --> 00:16:53.759
<v Speaker 1>Each blueprint showed broad similarities, a central hall, a staircase,

347
00:16:54.120 --> 00:16:58.440
<v Speaker 1>roughly the same footprint, with details diverged. One included a

348
00:16:58.519 --> 00:17:01.600
<v Speaker 1>music room with French windows, which existed nowhere in the house.

349
00:17:01.639 --> 00:17:04.119
<v Speaker 1>Another had a whole west wing missing an a study

350
00:17:04.119 --> 00:17:07.400
<v Speaker 1>in its place. I scrutinized the property tax recos and

351
00:17:07.480 --> 00:17:10.920
<v Speaker 1>found more contradictions. Some years the house was taxed on

352
00:17:10.960 --> 00:17:15.160
<v Speaker 1>twenty eight rooms, others on thirty. Several inspector's notes read

353
00:17:15.240 --> 00:17:18.039
<v Speaker 1>site does not match fl upland provided or discrepancies in

354
00:17:18.039 --> 00:17:21.960
<v Speaker 1>internal measurements. Survey records were a palimpsyst of edits and

355
00:17:22.039 --> 00:17:25.279
<v Speaker 1>margin notes. There were scattered boomers too. One of the

356
00:17:25.279 --> 00:17:28.519
<v Speaker 1>city's older residents, Ms. Jason, a tiny, sprightly woman in

357
00:17:28.519 --> 00:17:31.880
<v Speaker 1>her late eighties, was adamant the original architect was an

358
00:17:31.880 --> 00:17:34.920
<v Speaker 1>odd one, like to leave clues, briddles and woodwork, eccentric

359
00:17:34.960 --> 00:17:38.160
<v Speaker 1>as a mappie. Another neighbor suggested the house was briefly

360
00:17:38.200 --> 00:17:41.039
<v Speaker 1>a boarding house in the nineteen sixties and seventies, rooms

361
00:17:41.079 --> 00:17:44.079
<v Speaker 1>re arranged to accommodate families in Nothing so odd, just practical,

362
00:17:44.200 --> 00:17:47.240
<v Speaker 1>she insisted. I followed the line to a former resident,

363
00:17:47.319 --> 00:17:50.880
<v Speaker 1>Mister Wilkins, met at a community lunch. He was tall,

364
00:17:50.960 --> 00:17:53.200
<v Speaker 1>bent in his mid seventies, and full of the warm

365
00:17:53.240 --> 00:17:55.720
<v Speaker 1>nostalge of someone happy to have left the oddities behind.

366
00:17:56.440 --> 00:17:58.440
<v Speaker 1>I only lived there year when I was nine, he

367
00:17:58.519 --> 00:18:01.079
<v Speaker 1>told me. I phase alike from memory. There were always

368
00:18:01.160 --> 00:18:03.759
<v Speaker 1>jokes about losing your socks, your hat, your sense of direction.

369
00:18:04.359 --> 00:18:07.079
<v Speaker 1>He thought. A moment once I found the door in

370
00:18:07.119 --> 00:18:09.319
<v Speaker 1>the upstairs hallway that wasn't there the day before, opened

371
00:18:09.319 --> 00:18:12.039
<v Speaker 1>onto a room fild with blinding sunlight and flowers lilacs.

372
00:18:12.119 --> 00:18:14.039
<v Speaker 1>I think I shut it, ran to tell my mother,

373
00:18:14.200 --> 00:18:16.519
<v Speaker 1>and when I came back, it was gone. Never managed

374
00:18:16.519 --> 00:18:19.079
<v Speaker 1>to show any one. He rustled in his wallet and

375
00:18:19.119 --> 00:18:22.039
<v Speaker 1>withdrew a faded black and white snap shot marked a

376
00:18:22.119 --> 00:18:25.160
<v Speaker 1>room seventeen. It showed an overexposed rectangle enty but with

377
00:18:25.200 --> 00:18:28.319
<v Speaker 1>a flood of light, wooden floor in distinct shadows. It

378
00:18:28.359 --> 00:18:30.920
<v Speaker 1>doesn't match anything there now, but I remember the smell,

379
00:18:31.039 --> 00:18:34.160
<v Speaker 1>like curly summer, strange thing to forget or remember. I

380
00:18:34.200 --> 00:18:37.759
<v Speaker 1>thanked him photograph carefully returned. As I walked home, I

381
00:18:37.759 --> 00:18:40.599
<v Speaker 1>reaplayed a story in the others, and the assertion grew stronger.

382
00:18:40.640 --> 00:18:43.000
<v Speaker 1>The house was not only confusing, It was unstable in

383
00:18:43.039 --> 00:18:46.160
<v Speaker 1>a way, a defied simple explanation or error. The problem

384
00:18:46.240 --> 00:18:48.799
<v Speaker 1>was no longer one of miscounted doors or hurry visitors.

385
00:18:49.480 --> 00:18:52.480
<v Speaker 1>It was something more fundamental, more disorienting, a house whose

386
00:18:52.559 --> 00:18:56.279
<v Speaker 1>very identity, over decades, refused to settle. The next logical

387
00:18:56.279 --> 00:18:58.799
<v Speaker 1>step was to see hard a evidence, something less fleeting,

388
00:18:58.960 --> 00:19:01.559
<v Speaker 1>more grounded and out of act in memory. I called

389
00:19:01.640 --> 00:19:04.000
<v Speaker 1>upon the modest, if under appreciate it store of the

390
00:19:04.000 --> 00:19:06.839
<v Speaker 1>local Historical Society, a warren of arcades under the library,

391
00:19:06.920 --> 00:19:10.079
<v Speaker 1>run by volunteers and fiercely defended against medlows by mister

392
00:19:10.119 --> 00:19:13.559
<v Speaker 1>Prescott himself, who sat on the board with permission from

393
00:19:13.599 --> 00:19:16.240
<v Speaker 1>Messess Hatley and the archivist. I sorted through shells and

394
00:19:16.319 --> 00:19:20.000
<v Speaker 1>assid free boxes looking for proof. I found hand drawn

395
00:19:20.079 --> 00:19:23.440
<v Speaker 1>room by room illustration faded and annotated without dates, programs

396
00:19:23.440 --> 00:19:25.680
<v Speaker 1>from church events held in the music room, second floor,

397
00:19:25.799 --> 00:19:27.880
<v Speaker 1>north wing, which had never existed on any of the

398
00:19:27.920 --> 00:19:30.720
<v Speaker 1>blueprints in my files, and an annotated guests brook its

399
00:19:30.759 --> 00:19:33.759
<v Speaker 1>curly handwriting referencing entertainments in rooms that by any current

400
00:19:33.759 --> 00:19:37.000
<v Speaker 1>acount were nowhere to be found. Among the photographs, two

401
00:19:37.079 --> 00:19:40.440
<v Speaker 1>the discrepancies appeared. I set to image aside by side

402
00:19:40.559 --> 00:19:42.960
<v Speaker 1>taken a year apart, same angle, but one shrewed three

403
00:19:42.960 --> 00:19:45.279
<v Speaker 1>windows where the other shout too, with the siding painted

404
00:19:45.319 --> 00:19:48.759
<v Speaker 1>in subtly different shades, neither matching Missess Hartley's current sea green.

405
00:19:49.319 --> 00:19:51.559
<v Speaker 1>In a group shot from a nineteen ninety seven birthday,

406
00:19:51.559 --> 00:19:54.319
<v Speaker 1>a guest was visible standing where by current plans there

407
00:19:54.400 --> 00:19:57.279
<v Speaker 1>was only a wall. Some one had drawn attentive finger

408
00:19:57.319 --> 00:20:00.720
<v Speaker 1>on the print, writing question marks in red ink. Missess

409
00:20:00.720 --> 00:20:03.559
<v Speaker 1>Hotleigh herself at my polight request produced a shoe box

410
00:20:03.559 --> 00:20:07.839
<v Speaker 1>of personal memorabilia inside small brass room, placoudts of room seventeen,

411
00:20:08.000 --> 00:20:10.319
<v Speaker 1>a room twenty three, polish to a dull gly increased

412
00:20:10.359 --> 00:20:12.880
<v Speaker 1>invitation CODs to parties in the east library, and more

413
00:20:12.920 --> 00:20:17.279
<v Speaker 1>paper fragments, each pattern but non matching current walls. Eager

414
00:20:17.319 --> 00:20:20.279
<v Speaker 1>to clarify, I organized yet another visit, inviting Clara and

415
00:20:20.279 --> 00:20:23.240
<v Speaker 1>a visiting architect, doctor Ramish, who'd come from the college

416
00:20:23.240 --> 00:20:27.039
<v Speaker 1>after hearing about our impossible architecture. We assembled with earphones,

417
00:20:27.079 --> 00:20:30.079
<v Speaker 1>tablets and a sense of anticipation. Deck as clotted cream.

418
00:20:30.640 --> 00:20:35.480
<v Speaker 1>We began our walk, each recording impressions allowed. First room entryway,

419
00:20:35.559 --> 00:20:40.200
<v Speaker 1>hardwood floors, two arched doors, Chlora narrated second room, round dining,

420
00:20:40.240 --> 00:20:44.160
<v Speaker 1>three windows. Doctor Ramis strode ahead, dicted into mensons in quick,

421
00:20:44.319 --> 00:20:47.400
<v Speaker 1>precise jargon. I kept to the middle, updating my sketches

422
00:20:47.440 --> 00:20:51.319
<v Speaker 1>in real time. Rooms diverged without warning. For Clara, the

423
00:20:51.319 --> 00:20:55.079
<v Speaker 1>double parlor existed rich with velvet chairs. For Raymish, there

424
00:20:55.119 --> 00:20:58.400
<v Speaker 1>was only a pantry, its shelves unremarkable. I tried to

425
00:20:58.440 --> 00:21:01.079
<v Speaker 1>resolve the contradiction by pays and or orientation, to no avail.

426
00:21:01.720 --> 00:21:06.200
<v Speaker 1>Each person's documentation tallied a different route, different contents, different counts.

427
00:21:06.720 --> 00:21:10.640
<v Speaker 1>Each insisted on the reality of their experience. Nothing would reconcile.

428
00:21:11.200 --> 00:21:15.240
<v Speaker 1>Then the architect interjected. Half way through a narrow corridor, stop,

429
00:21:15.440 --> 00:21:18.160
<v Speaker 1>he said, kneeling by a bookshelf that jutted unevenly from

430
00:21:18.160 --> 00:21:21.599
<v Speaker 1>the wall, This panel is loose. He took gently, and

431
00:21:21.640 --> 00:21:24.440
<v Speaker 1>an near door, all but invisible from afar, creaked open.

432
00:21:24.960 --> 00:21:27.200
<v Speaker 1>The air was chill inside, and the room empty with

433
00:21:27.279 --> 00:21:29.839
<v Speaker 1>full scrape row seemed to breathe, cold and accustomed. There

434
00:21:30.519 --> 00:21:34.240
<v Speaker 1>I stepped inside, the sensation of newness almost electric. I

435
00:21:34.279 --> 00:21:37.599
<v Speaker 1>sketched it quickly, and Chlora photographed over my shoulder. We

436
00:21:37.680 --> 00:21:40.720
<v Speaker 1>exited pulse quickening, but when we checked Clara's photo a

437
00:21:40.759 --> 00:21:43.920
<v Speaker 1>minute later, it showed only blank wall, nothing behind the bookshlf,

438
00:21:43.960 --> 00:21:48.000
<v Speaker 1>but empty plaster. Doctor Raymish, peering over her shoulder, frowned.

439
00:21:48.599 --> 00:21:51.799
<v Speaker 1>That is impossible, he whispered, equal parse, bewildered and delighted.

440
00:21:52.400 --> 00:21:54.720
<v Speaker 1>We all agreed the room had been narrow, real physical

441
00:21:54.759 --> 00:21:57.920
<v Speaker 1>space we'd entered. Yet the only records from a quick

442
00:21:57.920 --> 00:22:00.839
<v Speaker 1>sketch and now living memory, no I Nels's arriving later,

443
00:22:00.880 --> 00:22:03.759
<v Speaker 1>could find any door. It left us at an inflection point.

444
00:22:04.279 --> 00:22:06.640
<v Speaker 1>The house could not be described as merely confusing, nor

445
00:22:06.680 --> 00:22:09.480
<v Speaker 1>explained by the jumble of odd extensions. It was not

446
00:22:09.519 --> 00:22:13.920
<v Speaker 1>simply miscanted or even misunderstood. Instead, it appeared to exist

447
00:22:13.920 --> 00:22:16.920
<v Speaker 1>differently for every observer, each investigation reshaping. What was there,

448
00:22:16.920 --> 00:22:19.559
<v Speaker 1>a living, shifting contradiction that danced just outside the reach

449
00:22:19.559 --> 00:22:22.279
<v Speaker 1>of proof. As the sun set, I found myself sitting

450
00:22:22.279 --> 00:22:24.319
<v Speaker 1>on a guarden bench out front, a stack of sketches

451
00:22:24.359 --> 00:22:26.519
<v Speaker 1>and notes in my lap, breathless with a kind of wonder.

452
00:22:27.079 --> 00:22:29.680
<v Speaker 1>The puzzle, it seemed, was deeper than the number of rooms.

453
00:22:30.319 --> 00:22:32.720
<v Speaker 1>The house's reality, the very fabric of its being refused

454
00:22:32.759 --> 00:22:35.240
<v Speaker 1>to be fixed by observation or measurement, or the careful

455
00:22:35.240 --> 00:22:37.880
<v Speaker 1>hand of any chronicler. I folded my notes as the

456
00:22:37.880 --> 00:22:40.960
<v Speaker 1>street lights flickered on, their glowed, pooling against the green clapboards.

457
00:22:41.480 --> 00:22:43.720
<v Speaker 1>As Missus hotly locked her door with a smile, she

458
00:22:43.759 --> 00:22:46.759
<v Speaker 1>turned to me. Found all twenty nine yet, Jess, her

459
00:22:46.759 --> 00:22:50.319
<v Speaker 1>eyes sparkling, her hands still lightly dusted in flower. Not yet,

460
00:22:50.359 --> 00:22:53.079
<v Speaker 1>I replied, my voice shaky with delight. But I am

461
00:22:53.079 --> 00:22:55.799
<v Speaker 1>not sure I want to any longer. What I did want,

462
00:22:55.799 --> 00:22:57.720
<v Speaker 1>what I needed, was to understand how a house could

463
00:22:57.759 --> 00:23:01.160
<v Speaker 1>resist consensus so perfectly. I sensed that the answer would

464
00:23:01.160 --> 00:23:04.200
<v Speaker 1>not be found in numbers alone. Misss Hartley's front patch

465
00:23:04.319 --> 00:23:06.640
<v Speaker 1>lights had begun to glow the brass lands faring line

466
00:23:06.640 --> 00:23:10.160
<v Speaker 1>across the uneven flagstone. A thin wedge lamplight followed her

467
00:23:10.200 --> 00:23:12.720
<v Speaker 1>as she closed the thick many window door, leaving me

468
00:23:12.759 --> 00:23:14.759
<v Speaker 1>alone on the garden bench, a stack of sketches at

469
00:23:14.759 --> 00:23:17.640
<v Speaker 1>my side, cool air on my arms. The house behind

470
00:23:17.640 --> 00:23:20.200
<v Speaker 1>me looked and changed, humming its quite refrain to the street.

471
00:23:20.400 --> 00:23:22.359
<v Speaker 1>Yet I knew now that any certainty would shift if

472
00:23:22.359 --> 00:23:25.200
<v Speaker 1>I step across the threshold again. I tapped the latest

473
00:23:25.240 --> 00:23:27.480
<v Speaker 1>of my maps beneath my arm, and rose, following the

474
00:23:27.519 --> 00:23:30.240
<v Speaker 1>pulled lamplight back toward the sidewalk. The garden heavy with

475
00:23:30.240 --> 00:23:33.680
<v Speaker 1>sweet alsoon, and the green hush of approaching dusk. Everything

476
00:23:33.720 --> 00:23:36.279
<v Speaker 1>should have felt familiar. But inside me, under the surface order,

477
00:23:36.279 --> 00:23:38.519
<v Speaker 1>I could feel something and coiling, the dizzying sensation of

478
00:23:38.559 --> 00:23:40.880
<v Speaker 1>a puzzle refusing to be solved, and my own desire

479
00:23:40.920 --> 00:23:43.680
<v Speaker 1>was shaping itself. The next day, the neighborhood bristled with

480
00:23:43.720 --> 00:23:46.799
<v Speaker 1>word of our attempts at the bakery. Two mothers compared

481
00:23:46.839 --> 00:23:49.680
<v Speaker 1>notes about the room that fits itself around whoever visits, laughed,

482
00:23:49.680 --> 00:23:53.119
<v Speaker 1>to chasing away any suggestion of alarm. My friend Carr called,

483
00:23:53.200 --> 00:23:56.039
<v Speaker 1>still amused, and said, you realize you've startled a movement.

484
00:23:56.599 --> 00:23:59.720
<v Speaker 1>The architect, doctor Raemish, left a message on my answering machine,

485
00:23:59.759 --> 00:24:02.039
<v Speaker 1>his voice crackling with a mixture of frustration. In law,

486
00:24:02.640 --> 00:24:05.400
<v Speaker 1>it goes against everything I've ever measured, Ellen, I want

487
00:24:05.400 --> 00:24:07.720
<v Speaker 1>to try again with a larger group. Perhaps have you

488
00:24:07.759 --> 00:24:10.519
<v Speaker 1>ever heard of collaborative mapping? I hadn't, But the sea

489
00:24:10.519 --> 00:24:13.880
<v Speaker 1>cot if the house confounded two, three, or four observers

490
00:24:13.920 --> 00:24:16.880
<v Speaker 1>even more, perhaps the solution depended not on individual memory,

491
00:24:16.920 --> 00:24:18.880
<v Speaker 1>but on the emergence of a patent that only community

492
00:24:18.960 --> 00:24:21.559
<v Speaker 1>might reveal. What if the house's puzzle was bigger than

493
00:24:21.599 --> 00:24:24.680
<v Speaker 1>personal perception. That Sunday, the word a brisk I phoned

494
00:24:24.720 --> 00:24:27.480
<v Speaker 1>missus hotly and floated the idea. There was only a

495
00:24:27.480 --> 00:24:30.039
<v Speaker 1>beat of silence before she erupted an approval. Delighted at

496
00:24:30.039 --> 00:24:32.480
<v Speaker 1>the prospect of so many clever eyes by all means,

497
00:24:32.519 --> 00:24:35.680
<v Speaker 1>she said, let's have a party. Why not a mapping party.

498
00:24:35.759 --> 00:24:37.839
<v Speaker 1>Will supply a lemonade and tape. He supplied the map

499
00:24:37.880 --> 00:24:43.359
<v Speaker 1>makers so began the preparations, news travel fast by that weekend.

500
00:24:43.400 --> 00:24:45.000
<v Speaker 1>The open house was reborn at this time as a

501
00:24:45.000 --> 00:24:49.519
<v Speaker 1>neighborhood experiment. Volunteers from the Historical Society, students from the College,

502
00:24:49.680 --> 00:24:52.960
<v Speaker 1>my trivia night crowd, several children, dragged along by amenable parents,

503
00:24:52.960 --> 00:24:55.759
<v Speaker 1>everyone eager to try their hand at the enigma. Even

504
00:24:55.799 --> 00:24:58.519
<v Speaker 1>the practical people from the Neighborhood Association conceded one could

505
00:24:58.519 --> 00:25:02.160
<v Speaker 1>tolerate little voganized when for the sake of curiosity. On

506
00:25:02.240 --> 00:25:04.880
<v Speaker 1>the day itself, I arrived early, clipboard in hand, and

507
00:25:04.960 --> 00:25:07.160
<v Speaker 1>watched as Missus Hartley and a pair of teenagers set

508
00:25:07.160 --> 00:25:10.279
<v Speaker 1>out tables, led and with supplies. Each participant received an

509
00:25:10.279 --> 00:25:12.759
<v Speaker 1>identical blank forp in a soft blue sheet bared but

510
00:25:12.799 --> 00:25:15.319
<v Speaker 1>for numbered thresholds, and a wadg of colored posted notes,

511
00:25:15.480 --> 00:25:17.880
<v Speaker 1>three feet of painter's tape, and a portable recorder if

512
00:25:17.880 --> 00:25:21.200
<v Speaker 1>they wished. People joked about teams, but most drifted off

513
00:25:21.200 --> 00:25:24.240
<v Speaker 1>singly on loose pairs, each determined to walk their own path.

514
00:25:24.880 --> 00:25:27.839
<v Speaker 1>My group included Flora, two architecture students, and a pair

515
00:25:27.880 --> 00:25:30.039
<v Speaker 1>of children under ten named Elitt and Saint Mirra, who

516
00:25:30.079 --> 00:25:33.039
<v Speaker 1>ran ahead, enchanted by the promise of discovering secret doors.

517
00:25:33.759 --> 00:25:36.680
<v Speaker 1>The college's focal professor, a tall woman named doctor Tenor,

518
00:25:36.680 --> 00:25:39.160
<v Speaker 1>with sleeves roll above the elbow tagged after us, note

519
00:25:39.160 --> 00:25:41.519
<v Speaker 1>taking in a battered spiral as she murmured about recurrent

520
00:25:41.519 --> 00:25:45.200
<v Speaker 1>motifs and immigrant house stories. Once ins I the rules vanished,

521
00:25:45.799 --> 00:25:48.880
<v Speaker 1>conversation faded to people funneled into different rooms, each intent

522
00:25:48.960 --> 00:25:51.960
<v Speaker 1>on their own survey. I traced my usual route, counting

523
00:25:51.960 --> 00:25:54.960
<v Speaker 1>the familiar entryway, then the circular dining alcoho, the library

524
00:25:55.000 --> 00:25:57.559
<v Speaker 1>with its brace window, the kitchen still warm with bread.

525
00:25:58.160 --> 00:26:01.599
<v Speaker 1>Each room I counted, sketched double checks, and recorded. Klara

526
00:26:01.680 --> 00:26:04.680
<v Speaker 1>stuck to the left, photographing and counting, calling now and

527
00:26:04.720 --> 00:26:08.039
<v Speaker 1>then how many Ellen seven for me? This is nine already.

528
00:26:08.640 --> 00:26:11.240
<v Speaker 1>Soon a house hummed with the gentle confusion, people passing

529
00:26:11.240 --> 00:26:13.960
<v Speaker 1>in hallways, sometimes squeezing past tape across the doorway. Don't

530
00:26:13.960 --> 00:26:16.039
<v Speaker 1>go through here, I need to map the foscide first.

531
00:26:16.559 --> 00:26:19.839
<v Speaker 1>The children called out, delightedly. We found a secret hallway,

532
00:26:19.880 --> 00:26:22.519
<v Speaker 1>they shouted, waving their arms, clutching a handful of post

533
00:26:22.519 --> 00:26:26.000
<v Speaker 1>its mark with crayon vines, arches and mysterious door. Their

534
00:26:26.039 --> 00:26:29.839
<v Speaker 1>excitement was contagious. Even the most methodical adults found themselves chuckling,

535
00:26:29.960 --> 00:26:33.119
<v Speaker 1>their dignities sweetly eroded by play. After an hour, the

536
00:26:33.160 --> 00:26:36.200
<v Speaker 1>explorers trickled into the kitchen, claiming victory or defeat. Maps

537
00:26:36.200 --> 00:26:39.279
<v Speaker 1>and nuts in hand, I gathered the finished floorplands, laying

538
00:26:39.359 --> 00:26:42.119
<v Speaker 1>and side by side cross masss Hartley's broad kitchen table.

539
00:26:42.759 --> 00:26:45.000
<v Speaker 1>At first we tried to match them room by room,

540
00:26:45.119 --> 00:26:49.079
<v Speaker 1>number by number, thrushold by threshold. It was feudal. No

541
00:26:49.200 --> 00:26:52.519
<v Speaker 1>two maps were alike. Some agreed on the number twenty eight,

542
00:26:52.599 --> 00:26:55.200
<v Speaker 1>twenty nine, thirty, but never in the pattern or order.

543
00:26:55.839 --> 00:26:58.599
<v Speaker 1>Where one person's map showed the sun room, another presented

544
00:26:58.599 --> 00:27:01.839
<v Speaker 1>a closet or a stairwell. A hallway appeared in one sketch,

545
00:27:01.960 --> 00:27:04.519
<v Speaker 1>a cloak room in another. The children's map bore a

546
00:27:04.559 --> 00:27:07.759
<v Speaker 1>fantastic tangle of rooms, vine covered corridors snaking through the center,

547
00:27:07.880 --> 00:27:10.720
<v Speaker 1>places not found by any adult. One of you must

548
00:27:10.759 --> 00:27:13.359
<v Speaker 1>have doubled back tease mister Prescott, though his own map,

549
00:27:13.440 --> 00:27:15.839
<v Speaker 1>when pressed into service by the assembled, made no more

550
00:27:15.880 --> 00:27:19.039
<v Speaker 1>sense than the rest. People tried to rationalize at first,

551
00:27:19.640 --> 00:27:22.799
<v Speaker 1>maybe a mistake or a result of distraction. Someone's wore

552
00:27:22.799 --> 00:27:24.480
<v Speaker 1>a door had been locked al ere and now sad

553
00:27:24.519 --> 00:27:28.079
<v Speaker 1>Ajar others insisted the count was accurate, pointing to photos

554
00:27:28.119 --> 00:27:31.799
<v Speaker 1>or post its. The after tangle bemused frustration, until gradually

555
00:27:31.839 --> 00:27:33.920
<v Speaker 1>a quiet delight grew in a space left by confusion.

556
00:27:34.519 --> 00:27:37.559
<v Speaker 1>After a while, the architect Raymush spoke a little above

557
00:27:37.559 --> 00:27:40.240
<v Speaker 1>the crowd. It's almost as if the rooms exist for

558
00:27:40.279 --> 00:27:42.359
<v Speaker 1>the act of counting, but vanish or appear when you

559
00:27:42.359 --> 00:27:44.400
<v Speaker 1>try to check again. The harder we seek a fixed plan,

560
00:27:44.480 --> 00:27:47.000
<v Speaker 1>the less the house allows one. I saw a window

561
00:27:47.000 --> 00:27:49.440
<v Speaker 1>bench with initials carved into its, said Missess Betts, a

562
00:27:49.480 --> 00:27:52.680
<v Speaker 1>neighbor in her seventies. Looked like my lay husband's hand,

563
00:27:52.759 --> 00:27:55.559
<v Speaker 1>but I never saw it before. She seemed largely pleased,

564
00:27:55.599 --> 00:28:00.240
<v Speaker 1>even wistful. The focal professor Grinn, collecting impromptu interviews, This

565
00:28:00.359 --> 00:28:02.519
<v Speaker 1>is exactly what I have heard from oral history, stories

566
00:28:02.519 --> 00:28:05.759
<v Speaker 1>of slippery houses, rooms that wander or hide themselves, always

567
00:28:05.759 --> 00:28:08.319
<v Speaker 1>echoing the mood or memory of the people inside. Not haunted,

568
00:28:08.319 --> 00:28:10.799
<v Speaker 1>it just deeply, stubbornly alive to attention. This not a

569
00:28:10.799 --> 00:28:14.079
<v Speaker 1>ghost story, but something about the persistence of possibility. I

570
00:28:14.160 --> 00:28:17.920
<v Speaker 1>linger gathering impressions samere The Kuito of the children handed

571
00:28:17.920 --> 00:28:20.759
<v Speaker 1>me her tipmark map shyly her eyes alight with satisfaction.

572
00:28:21.400 --> 00:28:24.000
<v Speaker 1>There's a hallway with fines, she said, madder of fact.

573
00:28:24.799 --> 00:28:27.359
<v Speaker 1>No grown up found it and notlt to meet her gaze,

574
00:28:27.359 --> 00:28:30.440
<v Speaker 1>Sliding her map alongside the others. What did you see there,

575
00:28:31.039 --> 00:28:35.279
<v Speaker 1>I asked? Her answer was gentle her voice, sure. I

576
00:28:35.279 --> 00:28:37.559
<v Speaker 1>think it's where you find things that got lost. That's

577
00:28:37.559 --> 00:28:39.680
<v Speaker 1>where the cat went last summer too. We saw him

578
00:28:39.720 --> 00:28:43.240
<v Speaker 1>through the window. Further questioning uncovered a scatter of detail sunlight,

579
00:28:43.319 --> 00:28:45.319
<v Speaker 1>the blue vase, the feeling of being somewhere or not

580
00:28:45.359 --> 00:28:48.279
<v Speaker 1>meant to stay. That evening, when the crowd had scattered,

581
00:28:48.319 --> 00:28:50.640
<v Speaker 1>miss As Hotly and I sat down in her back garden,

582
00:28:50.839 --> 00:28:53.519
<v Speaker 1>mugs of tea beside us. The air was scented with

583
00:28:53.519 --> 00:28:56.920
<v Speaker 1>cut grass and distant magnolia. We spread the overlaid maps

584
00:28:56.960 --> 00:29:00.480
<v Speaker 1>between us, each one in artifactive effort desire memory. More

585
00:29:00.480 --> 00:29:02.799
<v Speaker 1>than a catalog of failures. The collection had the ore

586
00:29:02.880 --> 00:29:06.119
<v Speaker 1>of something jointly created, a puzzle with only collaborative shifting solutions.

587
00:29:06.799 --> 00:29:09.279
<v Speaker 1>Missus Hotley watched me trace sundrum on my map, my

588
00:29:09.359 --> 00:29:13.000
<v Speaker 1>pen skimming over black space and clars. Years ago, she said,

589
00:29:13.000 --> 00:29:15.200
<v Speaker 1>I tried to photograph every room in order the way

590
00:29:15.240 --> 00:29:17.359
<v Speaker 1>my aunt insisted they be remembered, but the album never

591
00:29:17.440 --> 00:29:20.359
<v Speaker 1>laid flat. Half the photos vanished. One time, the negatives

592
00:29:20.359 --> 00:29:23.319
<v Speaker 1>were blank entirely. The more I tried, the less I recognize.

593
00:29:23.759 --> 00:29:26.640
<v Speaker 1>She sipped quietly. Some things aren't meant to be pinned

594
00:29:26.680 --> 00:29:28.839
<v Speaker 1>down and labeled. Daniel, my late husband used to say,

595
00:29:28.839 --> 00:29:32.599
<v Speaker 1>certainties overrated. Her use of a name startled me. We

596
00:29:32.680 --> 00:29:35.119
<v Speaker 1>had never before spoken of her own, Daniel, who died

597
00:29:35.160 --> 00:29:37.519
<v Speaker 1>only a few years after my own. She caught my

598
00:29:37.599 --> 00:29:40.640
<v Speaker 1>look and shrugged. Sometimes I wonder if I count rooms

599
00:29:40.640 --> 00:29:42.480
<v Speaker 1>because he did, or maybe he did because I did.

600
00:29:42.599 --> 00:29:45.519
<v Speaker 1>Now I just watch what happens. Her chuckle was soft,

601
00:29:45.559 --> 00:29:48.680
<v Speaker 1>but not dismissive. The house is happiest, I think when

602
00:29:48.680 --> 00:29:51.359
<v Speaker 1>it confounds the people who want unto his most. I

603
00:29:51.400 --> 00:29:53.480
<v Speaker 1>gazed at the profusion of paper in front of us,

604
00:29:53.519 --> 00:29:55.440
<v Speaker 1>at the way the house, so sturdy and insistent from

605
00:29:55.480 --> 00:29:58.119
<v Speaker 1>that side, refused to be finalized from within. It was

606
00:29:58.119 --> 00:30:01.599
<v Speaker 1>a living history, rumors, tricks embodied in every failed effort

607
00:30:01.599 --> 00:30:04.319
<v Speaker 1>to fix its nature. The mapping party blurred in my

608
00:30:04.319 --> 00:30:07.799
<v Speaker 1>mind is nigh deepened. I thought of mister Prescott's reminiscences

609
00:30:07.799 --> 00:30:10.960
<v Speaker 1>of Ms. Jason's ruddles and woodwork of mister Wilkins's memory

610
00:30:10.960 --> 00:30:14.640
<v Speaker 1>of Room seventeen, splashed with sunlight and lilacs. More than that,

611
00:30:14.880 --> 00:30:16.880
<v Speaker 1>I thought of my own repeated attempts at sketches and

612
00:30:16.960 --> 00:30:20.200
<v Speaker 1>aligned counts, refusing to reconcile. A part of me wanted

613
00:30:20.240 --> 00:30:23.519
<v Speaker 1>stubbornly to find the right version, but a different part, older,

614
00:30:23.599 --> 00:30:26.920
<v Speaker 1>perhaps humbler, with age, began to cherish the impossibility. Yet

615
00:30:26.960 --> 00:30:30.160
<v Speaker 1>the problem still tugged. What sort of place can exist? Only?

616
00:30:30.240 --> 00:30:32.519
<v Speaker 1>Is a sum of private versions, each when in complete,

617
00:30:32.599 --> 00:30:36.359
<v Speaker 1>every attempt a consensus generating further incongruity. Is it illusion,

618
00:30:36.440 --> 00:30:39.880
<v Speaker 1>trick or some deeper property? I wanted a sharper answer,

619
00:30:40.000 --> 00:30:42.440
<v Speaker 1>when that would reach beyond the polite boundary between nabally

620
00:30:42.480 --> 00:30:46.000
<v Speaker 1>amusement and professional compulsion. A letter arrived the next morning,

621
00:30:46.039 --> 00:30:49.000
<v Speaker 1>when I had not expected Doctor Tenner from the college.

622
00:30:49.039 --> 00:30:51.640
<v Speaker 1>The Folkhorp professor was writing a piece for her department's

623
00:30:51.680 --> 00:30:53.799
<v Speaker 1>journal and enclosed a draft section about the house with

624
00:30:53.839 --> 00:30:56.720
<v Speaker 1>twenty nine rooms in it. She sketched in brief the

625
00:30:56.720 --> 00:31:00.079
<v Speaker 1>phenomenonous community ought of act, not a spirit nor a prank,

626
00:31:00.160 --> 00:31:02.640
<v Speaker 1>but a shared ambiguity rooted in the overlapping claims and

627
00:31:02.680 --> 00:31:06.119
<v Speaker 1>wishes of dozens of lives, architecture as palimpsist, each retelling

628
00:31:06.119 --> 00:31:09.759
<v Speaker 1>a quiet rebellion against closure. It was elegant, almost poetic.

629
00:31:10.480 --> 00:31:13.319
<v Speaker 1>It also suggested something I had not actively considered. What

630
00:31:13.359 --> 00:31:15.559
<v Speaker 1>if the persistent anomaly was not a thing to resolve,

631
00:31:15.640 --> 00:31:18.160
<v Speaker 1>but to invite participation, Each mapping an act of personal

632
00:31:18.200 --> 00:31:21.920
<v Speaker 1>expression and negotiation with collective memory. That night I could

633
00:31:21.960 --> 00:31:24.359
<v Speaker 1>not sleep. The house beneath the moon. I took on

634
00:31:24.400 --> 00:31:27.359
<v Speaker 1>a slightly different sheen, at once vexed and infinitely potential.

635
00:31:27.440 --> 00:31:30.039
<v Speaker 1>Every window a question, every shadow cast by both presents

636
00:31:30.039 --> 00:31:32.960
<v Speaker 1>and absence. I wrote a letter inviting a handful of

637
00:31:32.960 --> 00:31:35.559
<v Speaker 1>past residents, those who had moved away yet still replied

638
00:31:35.559 --> 00:31:38.200
<v Speaker 1>to the news of her to visit. A small group agreed,

639
00:31:38.240 --> 00:31:40.160
<v Speaker 1>three adults who had grown up in the house and

640
00:31:40.279 --> 00:31:43.680
<v Speaker 1>kept their own quiet records. When they arrived, all friends,

641
00:31:43.920 --> 00:31:46.599
<v Speaker 1>now scattered adults with young families or distant spouses, They

642
00:31:46.640 --> 00:31:48.519
<v Speaker 1>walked through the entry with the reverence I had not

643
00:31:48.599 --> 00:31:52.359
<v Speaker 1>seen in others. Their faces shifted, flickered with recognition and

644
00:31:52.359 --> 00:31:55.079
<v Speaker 1>surprise as they moved from room to room. Where's the

645
00:31:55.079 --> 00:31:57.799
<v Speaker 1>front music room? Asked one, a woman in her mid forties,

646
00:31:57.839 --> 00:32:00.279
<v Speaker 1>with lively hands, ice sharpening as she entered, but was

647
00:32:00.279 --> 00:32:03.359
<v Speaker 1>now a study. My mother practiced piano here every morning

648
00:32:03.400 --> 00:32:07.160
<v Speaker 1>before school. It's not she trailed off, frowning where I

649
00:32:07.160 --> 00:32:09.839
<v Speaker 1>saw a rolltop desk in books she described high windows

650
00:32:09.839 --> 00:32:12.319
<v Speaker 1>and a battered metronome. A man a decade ald to

651
00:32:12.359 --> 00:32:15.119
<v Speaker 1>glance furtively at the base of the stairs, his voice unsteady.

652
00:32:15.799 --> 00:32:18.240
<v Speaker 1>I remember a secret passage behind the pantrey, but it

653
00:32:18.240 --> 00:32:21.200
<v Speaker 1>seems gone now. He looked at the prison arrangement, confessed

654
00:32:21.240 --> 00:32:23.240
<v Speaker 1>he must have mistaken it. But I saw something in

655
00:32:23.279 --> 00:32:26.039
<v Speaker 1>his posture. Certainty eroded by the reluctance of reality to

656
00:32:26.079 --> 00:32:30.559
<v Speaker 1>corporate their stories bifurcated further. Even among three who had

657
00:32:30.599 --> 00:32:32.920
<v Speaker 1>shared years in these rooms, their recollections were not a

658
00:32:32.920 --> 00:32:37.720
<v Speaker 1>harmonious composite, but a set of partial, mutually incompatible maps. Listening,

659
00:32:37.759 --> 00:32:40.000
<v Speaker 1>it struck me more forcefully. The house was composed not

660
00:32:40.039 --> 00:32:42.680
<v Speaker 1>only of its wood and brick, but of the hopes, losses,

661
00:32:42.880 --> 00:32:45.880
<v Speaker 1>and narratives poured into it by its inhabitants. Could it

662
00:32:45.920 --> 00:32:48.319
<v Speaker 1>be the very process of recounting and remembering, the joint

663
00:32:48.319 --> 00:32:51.839
<v Speaker 1>and perfect project of describing, that sustained the instability Eager

664
00:32:51.880 --> 00:32:53.559
<v Speaker 1>for day to be on memory, I returned to the

665
00:32:53.599 --> 00:32:57.039
<v Speaker 1>local archives, rummaging for anything I might have missed. In

666
00:32:57.079 --> 00:32:59.079
<v Speaker 1>a set of locked drawers. At the far end, I

667
00:32:59.119 --> 00:33:02.480
<v Speaker 1>discovered a sheaf of blueprints. Various hands and decades represented

668
00:33:02.599 --> 00:33:05.720
<v Speaker 1>the paper worn to a soft translucency. Each plan was

669
00:33:05.799 --> 00:33:08.160
<v Speaker 1>labeled original, but in truth none matched any other or

670
00:33:08.200 --> 00:33:11.880
<v Speaker 1>the current house web. Penham mended some coroners with questions.

671
00:33:12.000 --> 00:33:15.079
<v Speaker 1>Balcony added nineteen forty seven, none found, stairway to no

672
00:33:15.119 --> 00:33:19.599
<v Speaker 1>word demolished another annotated attic dressing rooum entry incertain a

673
00:33:19.640 --> 00:33:22.359
<v Speaker 1>faint trailer noted while margin caught my eye. Each new

674
00:33:22.359 --> 00:33:25.480
<v Speaker 1>hand leaves and mark revises remembered not as built this

675
00:33:25.720 --> 00:33:28.720
<v Speaker 1>orient m s Chan who joined me exuming records, paused

676
00:33:28.759 --> 00:33:31.000
<v Speaker 1>when I showed her it's as though the house writs

677
00:33:31.039 --> 00:33:34.200
<v Speaker 1>emarse itself. With every survey look here reach new architect

678
00:33:34.319 --> 00:33:37.680
<v Speaker 1>races or overwrites rather than clarifies. She peered closer to

679
00:33:37.680 --> 00:33:39.799
<v Speaker 1>set of initials beside a pencil's sketch of a room

680
00:33:39.839 --> 00:33:42.480
<v Speaker 1>no longer extend to rectangular balcony room with a roof

681
00:33:42.519 --> 00:33:45.799
<v Speaker 1>line unfamiliar to any now living copyer at this orian

682
00:33:45.839 --> 00:33:48.920
<v Speaker 1>suggested at first, but softened, or maybe just a different

683
00:33:48.920 --> 00:33:51.440
<v Speaker 1>way of being honest. Building plans are always partly guesswork,

684
00:33:51.519 --> 00:33:54.279
<v Speaker 1>a story told for the benefit of future guesses. I

685
00:33:54.279 --> 00:33:58.039
<v Speaker 1>gathered up my notes. The sense of dissolution became less troubling,

686
00:33:58.279 --> 00:34:01.079
<v Speaker 1>more quietly wonderful. There was no way to pin this

687
00:34:01.119 --> 00:34:03.440
<v Speaker 1>house to a single narrative, no path to a definitive

688
00:34:03.480 --> 00:34:05.480
<v Speaker 1>ants are not one that survived a change of witness,

689
00:34:05.519 --> 00:34:07.440
<v Speaker 1>a new decade, or even the turn of a door up.

690
00:34:07.960 --> 00:34:10.400
<v Speaker 1>I explained the latest to Cora, who scribbled furiously in

691
00:34:10.440 --> 00:34:12.960
<v Speaker 1>her notebook, asking is the missing room? I memory then,

692
00:34:13.079 --> 00:34:15.559
<v Speaker 1>something seated by suggestion and grown by need, the mind

693
00:34:15.559 --> 00:34:19.039
<v Speaker 1>filling an expectant gap. I shook my head. It's not

694
00:34:19.119 --> 00:34:21.760
<v Speaker 1>only mine, the maptis agrees each time, but the evidence

695
00:34:21.760 --> 00:34:24.280
<v Speaker 1>blueprints for too shift to There's no stable past to

696
00:34:24.320 --> 00:34:27.280
<v Speaker 1>appeal to. Even now, with the room numbers documented by

697
00:34:27.320 --> 00:34:30.280
<v Speaker 1>city inspectors. Nothing aligned to tax form from nineteen eighty

698
00:34:30.320 --> 00:34:32.320
<v Speaker 1>two said thirty one. A school in Moment card from

699
00:34:32.400 --> 00:34:36.239
<v Speaker 1>nineteen seventy said twenty eight. The next morning, alone and restless,

700
00:34:36.239 --> 00:34:39.480
<v Speaker 1>I walked to the house. Missess Hartley greeted me. House

701
00:34:39.519 --> 00:34:42.599
<v Speaker 1>goat fluttering as always, unruffled by my freshly of questions.

702
00:34:43.280 --> 00:34:45.519
<v Speaker 1>Come in if you like, she said. The lilacs are

703
00:34:45.519 --> 00:34:47.039
<v Speaker 1>in bloom by the back fence to day, and the

704
00:34:47.079 --> 00:34:50.000
<v Speaker 1>house is feeling friendly. I stepped through the familiar blue

705
00:34:50.000 --> 00:34:52.079
<v Speaker 1>green door, no book in hand, and drifted by old

706
00:34:52.079 --> 00:34:54.960
<v Speaker 1>habit to the staircase. The air was cool, faintly scentered,

707
00:34:55.000 --> 00:34:58.280
<v Speaker 1>shadows soft as ever. I walked up stairs, expecting the

708
00:34:58.360 --> 00:35:01.880
<v Speaker 1>ordinary sequence to resert itself, but something was subtly wrong.

709
00:35:02.480 --> 00:35:04.760
<v Speaker 1>I paused between the curve of the second floor landing

710
00:35:04.800 --> 00:35:06.440
<v Speaker 1>and the narrower at ex stairs, where the light struck

711
00:35:06.480 --> 00:35:09.440
<v Speaker 1>differently than I remembered. Ahead, the wall shimmered in the

712
00:35:09.480 --> 00:35:12.840
<v Speaker 1>late afternoonla Suddenly there was a door, a plane slightly

713
00:35:12.880 --> 00:35:16.280
<v Speaker 1>warped panel, neither grand nor hidden, but simply there. My

714
00:35:16.360 --> 00:35:19.119
<v Speaker 1>steps thickened, A whisper of hesitance crept into my chest,

715
00:35:19.760 --> 00:35:22.599
<v Speaker 1>but curiosity held me. I reached out, twisted the handle,

716
00:35:22.639 --> 00:35:25.199
<v Speaker 1>and the door swung away. Inside was a room I

717
00:35:25.239 --> 00:35:27.760
<v Speaker 1>had never entered, A small, peaceful space, tiled with sunlight,

718
00:35:27.760 --> 00:35:30.840
<v Speaker 1>its windows open, the air sweet with lilac. The floor

719
00:35:30.840 --> 00:35:33.840
<v Speaker 1>creaked faintly. Beneath my shoes there was a battered chair,

720
00:35:33.960 --> 00:35:35.679
<v Speaker 1>a low desk with a faint ring of ink, and

721
00:35:35.719 --> 00:35:37.880
<v Speaker 1>the sense of arrival of something neither new nor foreign,

722
00:35:37.960 --> 00:35:42.599
<v Speaker 1>but quietly inevitable. I stepped inside. The sensation was unmistakable.

723
00:35:42.639 --> 00:35:45.440
<v Speaker 1>This was the room seventeen from Wilkins's photograph, the space

724
00:35:45.440 --> 00:35:48.880
<v Speaker 1>that had flickered through stories, memory, rumor. For a moment,

725
00:35:49.000 --> 00:35:51.039
<v Speaker 1>it seemed the whole of the house was holding its breath,

726
00:35:51.079 --> 00:35:54.079
<v Speaker 1>as if in gentle approval. I opened my notebook, fingers

727
00:35:54.119 --> 00:35:56.440
<v Speaker 1>trembling only a lettl, and sketched the windows, the odd

728
00:35:56.480 --> 00:35:59.000
<v Speaker 1>angle of the sunlight, the scattered faded petals on the desk.

729
00:35:59.679 --> 00:36:01.360
<v Speaker 1>I tried. I had to fix the scent to memory,

730
00:36:01.400 --> 00:36:04.360
<v Speaker 1>to transcribe the precise pattern of the curtains. I made

731
00:36:04.360 --> 00:36:07.159
<v Speaker 1>a brief audio note describing everything, allowing my impressions to

732
00:36:07.159 --> 00:36:09.840
<v Speaker 1>tumble up, the taste of the air, the exact shade

733
00:36:09.880 --> 00:36:13.039
<v Speaker 1>of morning glory blue. Then, as quickly as the moment began,

734
00:36:13.159 --> 00:36:16.159
<v Speaker 1>I heard voices downstairs, laughter, footsteps, the small noises of

735
00:36:16.199 --> 00:36:19.559
<v Speaker 1>every day. I closed the notebook, stepped backward, eased the

736
00:36:19.559 --> 00:36:22.519
<v Speaker 1>door gently shoot behind me. My heart hummed a mix

737
00:36:22.559 --> 00:36:25.840
<v Speaker 1>of elation and uncertainty. When I turned to retrace my steps.

738
00:36:25.880 --> 00:36:28.039
<v Speaker 1>The door was gone, plain wall again, empty of any

739
00:36:28.119 --> 00:36:31.199
<v Speaker 1>join back in the entryway, everything was back to order,

740
00:36:31.320 --> 00:36:34.360
<v Speaker 1>massess hotly in the kitchen, steeping tea chlor arriving, arms

741
00:36:34.400 --> 00:36:37.199
<v Speaker 1>loaded with new film. My hands tightened on the notebook.

742
00:36:37.719 --> 00:36:39.800
<v Speaker 1>I glanced down at the sketch I just made, except

743
00:36:39.800 --> 00:36:42.440
<v Speaker 1>now the lines were half vanished, the writing blurred, as

744
00:36:42.440 --> 00:36:44.079
<v Speaker 1>if the paper kept only an echo of what I

745
00:36:44.079 --> 00:36:47.440
<v Speaker 1>have recorded. The audio file replate with muffled static. My

746
00:36:47.480 --> 00:36:50.639
<v Speaker 1>own voice cut short after a single word light. If

747
00:36:50.639 --> 00:36:54.400
<v Speaker 1>I was disappointed, it surprised me how little the feeling persisted. Instead,

748
00:36:54.559 --> 00:36:57.239
<v Speaker 1>I felt a gentle affirmation I had experienced the impossible,

749
00:36:57.280 --> 00:36:59.800
<v Speaker 1>and though the proof to solve, the impression deepened. The

750
00:37:00.000 --> 00:37:03.400
<v Speaker 1>Eulse's rooms were not merely inaccessible. They were perhaps contingent,

751
00:37:03.519 --> 00:37:05.559
<v Speaker 1>real in the moment of being seen, invited into the

752
00:37:05.559 --> 00:37:09.400
<v Speaker 1>world by observation, by intention, even by longing. Clora looked

753
00:37:09.400 --> 00:37:11.480
<v Speaker 1>over my shoulder and saw only a blank page. But

754
00:37:11.559 --> 00:37:14.960
<v Speaker 1>she didn't tease. Instead, she said, did you see something?

755
00:37:15.480 --> 00:37:18.079
<v Speaker 1>I smiled and replied, I saw what I needed. Sometimes

756
00:37:18.119 --> 00:37:21.360
<v Speaker 1>that's all remasques. In the days that followed, word of

757
00:37:21.360 --> 00:37:24.679
<v Speaker 1>the mapping party's failure or success, depending on one's temperament,

758
00:37:24.719 --> 00:37:27.800
<v Speaker 1>spread beyond the neighborhood. A minor local curiosity made the

759
00:37:27.880 --> 00:37:30.840
<v Speaker 1>rounds at the university, then in a Sunday magazine supplement,

760
00:37:30.960 --> 00:37:32.679
<v Speaker 1>then in a letter from a poet who claimed the

761
00:37:32.679 --> 00:37:36.280
<v Speaker 1>house inspired her latest cycle verse. People debated the cause

762
00:37:36.360 --> 00:37:40.360
<v Speaker 1>aspace filling curve, a logical paradox, a highly eccentric original builder.

763
00:37:40.400 --> 00:37:43.599
<v Speaker 1>Some invoked ideas from mathematics, like non Euclidean geometry or

764
00:37:43.639 --> 00:37:46.360
<v Speaker 1>the Bannock Tarsky paradox, as if the house itself enacted

765
00:37:46.360 --> 00:37:49.760
<v Speaker 1>a conceptual riddle with every visit. Others, like doctor Tenner,

766
00:37:49.800 --> 00:37:52.599
<v Speaker 1>preferred the mythic frame. It is a living enigma, she

767
00:37:52.639 --> 00:37:55.199
<v Speaker 1>told a gathering during a book club discussion. In the parlor,

768
00:37:55.840 --> 00:37:58.840
<v Speaker 1>it exists in the ovalap between was remembered and was constructed.

769
00:37:59.000 --> 00:38:00.760
<v Speaker 1>A record of the stories were willing to share in

770
00:38:00.840 --> 00:38:04.880
<v Speaker 1>those we cannot repeat. Missus Hartley, always practical, pronounced herself

771
00:38:04.920 --> 00:38:07.599
<v Speaker 1>satisfied so long as compliments kept flowing about her cookies

772
00:38:07.639 --> 00:38:11.400
<v Speaker 1>and tea. I looked again at the data, overlaid maps, blueprints,

773
00:38:11.519 --> 00:38:14.880
<v Speaker 1>faded photos. There was no deeper pattern that I could extract,

774
00:38:14.960 --> 00:38:18.159
<v Speaker 1>no consensus that grew out of multiplying the perspectives, the

775
00:38:18.199 --> 00:38:21.159
<v Speaker 1>anomaly remained. The missing or extra room was never resolved,

776
00:38:21.159 --> 00:38:25.039
<v Speaker 1>but rather displaced the side of everyone's uncertainty, memory, and expectation.

777
00:38:25.719 --> 00:38:27.960
<v Speaker 1>It was a function of attention, of hope, of loss.

778
00:38:28.599 --> 00:38:30.880
<v Speaker 1>The more finely we tried to pin it, the morelusive

779
00:38:30.920 --> 00:38:33.840
<v Speaker 1>it became. On a quiet walk home with Chlora, she asked,

780
00:38:33.920 --> 00:38:36.760
<v Speaker 1>do you mind that there's no answer? Not really, I

781
00:38:36.840 --> 00:38:40.159
<v Speaker 1>found myself surprised by my own containment. It matters more,

782
00:38:40.199 --> 00:38:42.440
<v Speaker 1>I said that the attempt to solve it brings us together,

783
00:38:42.480 --> 00:38:45.039
<v Speaker 1>that we discover how reality waivers under share its scrutiny,

784
00:38:45.079 --> 00:38:47.880
<v Speaker 1>how every version, however fleeting, tells us something about what

785
00:38:47.960 --> 00:38:50.239
<v Speaker 1>we hope and remember. I used to think cacuously matter

786
00:38:50.239 --> 00:38:52.320
<v Speaker 1>at most. Now I am not so sure. The room

787
00:38:52.440 --> 00:38:54.679
<v Speaker 1>is missing for everyone at once, But each return invites

788
00:38:54.719 --> 00:38:57.440
<v Speaker 1>a new story. That sense deep and slowly was every

789
00:38:57.440 --> 00:39:01.280
<v Speaker 1>conversation on the street, every glance exchanged between mess At

790
00:39:01.280 --> 00:39:03.840
<v Speaker 1>the next association meeting, some un joked about their twenty

791
00:39:03.920 --> 00:39:06.159
<v Speaker 1>ninth agenda item, and the room burst into the kind

792
00:39:06.159 --> 00:39:09.400
<v Speaker 1>of laughter that closest distances our weekly walks to conneue

793
00:39:09.440 --> 00:39:12.039
<v Speaker 1>meaning neighbors speculating about which room they would find if

794
00:39:12.039 --> 00:39:14.039
<v Speaker 1>on need, they had the right company, the right intent,

795
00:39:14.119 --> 00:39:17.280
<v Speaker 1>the right story in their hearts. Over time, I found

796
00:39:17.280 --> 00:39:19.480
<v Speaker 1>myself less troubled by what could not be measured, more

797
00:39:19.519 --> 00:39:22.119
<v Speaker 1>attuned to the shifting harmonies of memory and conversation that

798
00:39:22.159 --> 00:39:25.199
<v Speaker 1>bound us as a community. My annotated maps, the ones

799
00:39:25.239 --> 00:39:27.639
<v Speaker 1>I'd once hoped would reveal a singular truth, became cherish

800
00:39:27.760 --> 00:39:30.199
<v Speaker 1>dart of acts, their contradictions, a record of collective wonder,

801
00:39:30.280 --> 00:39:32.960
<v Speaker 1>treasured more for their disagreements than for any promise of solution.

802
00:39:33.559 --> 00:39:36.199
<v Speaker 1>One evening, I found myself standing on the sidewalk before

803
00:39:36.199 --> 00:39:38.119
<v Speaker 1>the house, as the sun dipped red behind the trees,

804
00:39:38.159 --> 00:39:41.679
<v Speaker 1>sky painted in wide and certain brushstrokes. A new group

805
00:39:41.679 --> 00:39:44.840
<v Speaker 1>of visitors gathered on the steps, their voices hushed with anticipation.

806
00:39:45.480 --> 00:39:47.840
<v Speaker 1>I watched as they entered, Their images bend neared the

807
00:39:47.840 --> 00:39:51.119
<v Speaker 1>old glass laughters, drifting and faintly through an appendable walls.

808
00:39:51.880 --> 00:39:54.280
<v Speaker 1>At that moment, I realized a house with twenty nine

809
00:39:54.360 --> 00:39:56.400
<v Speaker 1>rooms would never be fully mapped, nor should it be.

810
00:39:56.960 --> 00:40:00.360
<v Speaker 1>Assessence would refusal the constant invitation to count, to question, share,

811
00:40:00.400 --> 00:40:03.119
<v Speaker 1>to begin again. The twenty nine room might exist just

812
00:40:03.159 --> 00:40:05.239
<v Speaker 1>out of reach, or in each attempt to grasp it,

813
00:40:05.519 --> 00:40:08.000
<v Speaker 1>or perhaps only in the stories we invent for ourselves.

814
00:40:08.679 --> 00:40:11.800
<v Speaker 1>Standing under the walnut tree, outside sunlight dappling the garden,

815
00:40:11.880 --> 00:40:14.119
<v Speaker 1>I let myself feel the freedom in not knowing, in

816
00:40:14.199 --> 00:40:17.559
<v Speaker 1>never quite resolving where the lost door lad. The house endured,

817
00:40:17.880 --> 00:40:20.360
<v Speaker 1>full of shifting corners and subtle doors as long as

818
00:40:20.360 --> 00:40:23.320
<v Speaker 1>someone was curious enough to keep looking. Perhaps all of

819
00:40:23.360 --> 00:40:25.440
<v Speaker 1>reality is less a fixed ledger and more house with

820
00:40:25.480 --> 00:40:28.519
<v Speaker 1>twenty nine rooms, always different depending on where you stand

821
00:40:28.519 --> 00:40:31.000
<v Speaker 1>and how many stories you are willing to follow. I

822
00:40:31.000 --> 00:40:34.000
<v Speaker 1>imagine the next set of visitors, maps and pencils in hand,

823
00:40:34.159 --> 00:40:37.039
<v Speaker 1>disappearing inside. Each servant they'd finally resolve the count, each

824
00:40:37.079 --> 00:40:40.000
<v Speaker 1>destined to emerge changed and delightfully confounded, just as I

825
00:40:40.039 --> 00:40:42.639
<v Speaker 1>had been. And I was grateful, as truly grateful as

826
00:40:42.639 --> 00:40:44.320
<v Speaker 1>I have ever been for the room just out of reach.

827
00:40:44.400 --> 00:40:47.079
<v Speaker 1>The answer always deferred, the collective wonder that made every

828
00:40:47.079 --> 00:40:50.800
<v Speaker 1>walk down Hawthorne Lane a new beginning. And that is

829
00:40:50.840 --> 00:40:53.599
<v Speaker 1>the end. Thank you for listening, and I will see

830
00:40:53.639 --> 00:41:02.000
<v Speaker 1>you in the next one.
