WEBVTT

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<v Speaker 1>Hello, I'm welcomed stories all the time. The lad you

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<v Speaker 1>are here, Let's get into it. Volunteering in retirement at

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<v Speaker 1>the old Benning Lane branch isn't so different from working there,

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<v Speaker 1>except the clock ticks lower, the uniforms have vanished, and

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<v Speaker 1>I'm the only one who ever volunteers for the late

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<v Speaker 1>shift for shelving. I don't mind. I like being among

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<v Speaker 1>books as the winter dust seeps in the blue glass

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<v Speaker 1>beneath the reading lamps, making the aisles look under water.

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<v Speaker 1>On Friday evenings, the library is all small sands caught

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<v Speaker 1>wheels at tap. At the returns desk, Alice humming as

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<v Speaker 1>she stacks the whole shelf, the eratic clutter from junior

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<v Speaker 1>troubleshooting the ancient public printer. That's when I found the card.

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<v Speaker 1>It was a battered rectangle, the color of old postcards,

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<v Speaker 1>blue and cream, marble together and curved with age, shoved

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<v Speaker 1>like a bookmark deep inside Astois spirits of the lower

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<v Speaker 1>Estuary asterisk. I'd noticed the book as I saw did

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<v Speaker 1>the day's returns, the kind of utkuo at a print

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<v Speaker 1>local field guide on the are most loyal regulars ever borrow?

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<v Speaker 1>When I found through its pages, A slip of faded

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<v Speaker 1>plastic fluttered out and landed at my feet. First, I

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<v Speaker 1>almost tossed it into the lost card bin, but there,

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<v Speaker 1>above the faded logo, a branch name surrounded by a

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<v Speaker 1>halo of seagulls discontinued. What I was a teenager was

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<v Speaker 1>a name h Morrow. The serial number two, ending with

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<v Speaker 1>an enormous hand printedy, caught my eye. I couldn't recall

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<v Speaker 1>the font, and the back was stamped with an address panel

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<v Speaker 1>nobody's filled out in decades. Curiosity flickered quick as the

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<v Speaker 1>lamp light. I carried the card to the terminal at

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<v Speaker 1>the reference desk, nudged aside Junior's laptop and pulled a

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<v Speaker 1>borrowed database up fingers itching. Most cards from that period

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<v Speaker 1>are usually starting with eight, two or five had been

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<v Speaker 1>long retired, phased out in the eighties when the city

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<v Speaker 1>were fully digital. But this number eight hundred thousand eight

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<v Speaker 1>seemed an outlayer. I'd have remembered card numbered ZO, but

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<v Speaker 1>when I tried to scan it with the bar coded reader,

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<v Speaker 1>it pined red. No such a caount. How in the

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<v Speaker 1>reference tune I used to souve nose on. Over two weeks,

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<v Speaker 1>I switched to the ancient microfiche catalog. Nobody touched but

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<v Speaker 1>me or alice there Faint and green phosphor was an

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<v Speaker 1>entry for H. Morrow's card Live and Active as Anything

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<v Speaker 1>loans going back to the sixties. Two to three books

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<v Speaker 1>checked out every month, never a final lost item. According

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<v Speaker 1>to the record, H. Marrow had borrowed Astors Burds of

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<v Speaker 1>the Lower Estuary Asteris before and returned it every time

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<v Speaker 1>within two weeks. A model patron if a not only

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<v Speaker 1>invisible one. I scrolled through the recent loans, all ordinary

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<v Speaker 1>sounding astors, Carbassans, forgotten astors, gaster As, Assault Churches of

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<v Speaker 1>the Western Bay, asteriskasters four of the show lyin as

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<v Speaker 1>Asterus Mariners Almanac nineteen seventy five, assk Asterisk gold games.

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<v Speaker 1>We played Asterisk, not one overdue of flat does problem stock. Yet,

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<v Speaker 1>running through my mental list of regulars, I couldn't imagine

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<v Speaker 1>who H Morrow might be. Every familiar facing outwindling Glentil

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<v Speaker 1>sidled along in my minds. I missed her Forbes with

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<v Speaker 1>his cane and tote, miss Essilwell and clutching her garden mysteries.

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<v Speaker 1>The after school students praying up the tablet chargers. None

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<v Speaker 1>were morrow or had ever been. I set the car

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<v Speaker 1>to one side, sliding it in a pencil envelope marked

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<v Speaker 1>exceptions for privacy. For reasons I couldn't name, I decided

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<v Speaker 1>not to mention it just yet. Instead, I scribbled down

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<v Speaker 1>the list of books checked out in the past yere

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<v Speaker 1>on a sticky note folded in the pocket of my jacket,

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<v Speaker 1>and went to help Alice lock up. There was no sign,

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<v Speaker 1>walking home in the fog that I'd begun something larger

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<v Speaker 1>than a cattalogging oddity, only an insistent urge to know

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<v Speaker 1>who was using an eight car to borrow from a collection.

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<v Speaker 1>There By, all evidence shouldn't even allow it. Retirement, every

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<v Speaker 1>one told me, would be simpler than working life, and

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<v Speaker 1>yet old habits die hard. The next morning, I work

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<v Speaker 1>before dawn as usual, a kettle screeching against the silent house,

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<v Speaker 1>and sat with tea by the window while low cloud

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<v Speaker 1>trailed over the roof. Ups For a moment, I watched

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<v Speaker 1>for birds outside, thinking of the field guide to what

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<v Speaker 1>small life was moving between the alley us and the

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<v Speaker 1>muddy gutter at the kerbe. There's a comfort in cycles

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<v Speaker 1>in pattern. My walk to the library took me down

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<v Speaker 1>lanes littered with luster shells and over the stubborn roots

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<v Speaker 1>lift in the paving stones. I love the sense of history,

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<v Speaker 1>and the foot houses laid into old storefronts. A few

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<v Speaker 1>hand painted numbers on doorphrains, a marine smell you couldn't

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<v Speaker 1>quite wash out. This branch marble, trimmed and a bit neglected.

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<v Speaker 1>Built in nineteen twelve, and as much a relic as

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<v Speaker 1>a resource clawn on. Even as the city bled staff

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<v Speaker 1>to the new community resource hubbed ten blocks inland, our

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<v Speaker 1>regulars came for the piece, the view of the stuary,

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<v Speaker 1>the big windows that let in the evening tide. We'd

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<v Speaker 1>grown small, but not silent. Alice, three years from full retirement,

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<v Speaker 1>ran the circulation desk with a precision encoded in her bones.

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<v Speaker 1>She'd worked here decades longer than I had, through storms

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<v Speaker 1>and renovations, and did everything with an efficiency that belied

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<v Speaker 1>her dry Weit Junior, the latest desk assistant, mostly wanted

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<v Speaker 1>ours for tuition and spent his gaps on the staff WiFi,

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<v Speaker 1>but could fix a misbehaving scan of faster than I

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<v Speaker 1>could blink, and always greeted the after school students with

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<v Speaker 1>unruly warm our crowd was odd in its routines. Missesilwellan

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<v Speaker 1>had been using the reading room since the carpet was blue,

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<v Speaker 1>and would arrive each Friday demanding the new mysteries, not

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<v Speaker 1>the ones with recipes. Mister Forbes always asked for the

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<v Speaker 1>same battered copy of Astis Dictionary of British Lighthouses Astros,

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<v Speaker 1>but now needed help carrying at home. The kids arrived

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<v Speaker 1>in a noisy cloud at four, peeled off the coats

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<v Speaker 1>in a puddle by the bean big chairs, and scrounged

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<v Speaker 1>for comics. We even had a little monthly mystery book

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<v Speaker 1>club some local teachers, and every quarter a few newcomers

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<v Speaker 1>lost the half falls of the stacks. But the heart

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<v Speaker 1>of the place was in its rituals. As sunset, Alice

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<v Speaker 1>would flick off the porch lights and we'd walk the aisles,

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<v Speaker 1>taking off returns in the handreton ledger. There were recent

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<v Speaker 1>returned snowbook was a stubborn holdover from before my time.

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<v Speaker 1>Alice wore it solved more confusions than the online catalog,

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<v Speaker 1>ever could. Some routines were strangers still. After big coastal storms,

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<v Speaker 1>we'd fine chair shuffold of paintings hung backward as if

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<v Speaker 1>the building had, in Alice's words, stretched us back. No

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<v Speaker 1>one took the stories seriously, but everyone claimed once to

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<v Speaker 1>have got lost in the hallway or found the clock

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<v Speaker 1>over the returns desk had begun for a day to

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<v Speaker 1>run backward. The building's layout also changed, if only in

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<v Speaker 1>rumor there was a half staircase rising too. What the

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<v Speaker 1>blueprints call reading alcot now paint a plain white and

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<v Speaker 1>used for storage ploss a mysterious pained to shut door

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<v Speaker 1>behind the staff kitchen. Some years, the lower level, with

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<v Speaker 1>its windowless arches, felt larger than it should be in

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<v Speaker 1>every so often, the city's Facilities department would send a

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<v Speaker 1>teen to once again verify fire code compliance. To me,

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<v Speaker 1>these quirks were merely flavored proof of a place at

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<v Speaker 1>lasting itself, and a staff too few and too devoted

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<v Speaker 1>to be bothered by the small absurd. If h Morrow

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<v Speaker 1>was another regular, they'd have had some story tangled up

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<v Speaker 1>in these routines. Yet nobody in thirty years had ever

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<v Speaker 1>spoken the name. My next step was simple enough, try

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<v Speaker 1>to log the EPH card into the checkout system and

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<v Speaker 1>see where its record led. After closing, I waited for

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<v Speaker 1>the last patron to drift past the reference desk and

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<v Speaker 1>tapped in the serial number. As expected, the modern system

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<v Speaker 1>spatted out. There were no cards in the eight hundred

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<v Speaker 1>thousand range in the books, and no way to overwrite

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<v Speaker 1>manual entry, but are a microfiche there. The pattern was robust,

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<v Speaker 1>dozens of checkouts every year from nineteen sixty two to

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<v Speaker 1>the present, a span soo steady you could set a

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<v Speaker 1>tied chart by it. I flipped first to the most

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<v Speaker 1>recent titles. Some Astors Carbore Songs Forgotten asterisk I vaguely

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<v Speaker 1>recalled seeing on the shelves. Others asterisk for Or of

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<v Speaker 1>the Shoreline asterisk appeared in the catalog, but the borrowing

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<v Speaker 1>slips code stamped with an initial, showed no sign of

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<v Speaker 1>Morrow's hand. Most odd was Asterisks Soul Churches of the

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<v Speaker 1>Western Bay asterisk. The microfiche said H. Morrow had checked

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<v Speaker 1>it out three times in the last six years. Yet

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<v Speaker 1>when I searched the master index, the blackbye under Alice

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<v Speaker 1>still kept up by hand. There was no record of

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<v Speaker 1>our ever having owned such a title. This was stranger

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<v Speaker 1>than a missing card. I walked back into the stacks,

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<v Speaker 1>scanning for Astros Salt Churches asterisk. It wasn't there the shelves.

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<v Speaker 1>Call numbers jumped from travel Guard's nine hundred ten to

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<v Speaker 1>Architecture seven hundred twenty, with nothing in between, no maroon spines,

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<v Speaker 1>no sign the shelf had been squeezed recently. The absence

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<v Speaker 1>felt deliberate. I wheeled my cart to the circ desk,

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<v Speaker 1>where Alice had just begun taling the day's fines. Alice,

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<v Speaker 1>I said, do you remember a book called Baster's Salt

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<v Speaker 1>Churches of the Western b Asterisk Mauron Spine, probably local history.

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<v Speaker 1>I can't find it in the catalog. She didn't look up,

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<v Speaker 1>just squinted at her ledger. No such book. We might

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<v Speaker 1>have had something about Salt Mine's old industries, but that

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<v Speaker 1>was before your time. Card indixes from the eightiestone shirt.

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<v Speaker 1>All the old blue cards like that she caught sight

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<v Speaker 1>of the eighth card were recycled when the city went digital.

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<v Speaker 1>Why nothing, I said, too quickly, just thought I'd seen

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<v Speaker 1>the title before. She raised anybra. Maybe one of those

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<v Speaker 1>books that gets mentioned but not born. But there are

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<v Speaker 1>a few old timers who do that make up lost

169
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<v Speaker 1>volume to tell a good story. I forced to laugh,

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<v Speaker 1>even as my hands said to it car deeper into

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<v Speaker 1>my pocket. It would have been easier to believe it

172
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<v Speaker 1>was a glitch, someone duplicating old barkerds, or a middle

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<v Speaker 1>manager transposing titles during the migration from paper. But the

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<v Speaker 1>dates were too precise, the intervals too regular. I made

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<v Speaker 1>a private note check who had catalog at which titles,

176
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<v Speaker 1>when and how H. Mara's loans aligned with library closures,

177
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<v Speaker 1>floods or city events. If a fandom card could plug

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<v Speaker 1>itself into the microfiche, what else might have slotted in

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<v Speaker 1>enow undetected? That night at home, my sleep came and

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<v Speaker 1>fits scenes from the Return's Death, slipping in and out

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<v Speaker 1>between half dreamt catalog entries. In the tap of rain

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<v Speaker 1>at my window. I kept seeing the maroon spine, the

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<v Speaker 1>sand dusty title, the faded gull stamped on the card.

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<v Speaker 1>In the morning, I woked tngled in a single question.

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<v Speaker 1>If H. Morrow's records are real, how could the books

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<v Speaker 1>vanish and the borrower remain a ghost? I started it methodically.

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<v Speaker 1>H Morrow, according to the cards, never borrowed more than

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<v Speaker 1>three books at once. Every check out. The curd exactly

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<v Speaker 1>two weeks part like clockwork, always a Tuesday or a Thursday,

190
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<v Speaker 1>never a Monday or Saturday, and never coinciding with a holiday.

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<v Speaker 1>The aps in the record sometimes stretched months but didn't

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<v Speaker 1>line with no enclosures or strikes. The pattern looked intentional.

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<v Speaker 1>A search for H. Marrow in the city's digital sensus

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<v Speaker 1>turned up nothing, no listing, no obituary, no property records.

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<v Speaker 1>I tried city directories and came up black. But in

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<v Speaker 1>the basement, exuming the dusty binders of old yellowing newsletters,

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<v Speaker 1>I spotted a single clue. The nineteen sixty two yearboo

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<v Speaker 1>of Westside Junior High shurda stone photograph labeled Henry Morrow faculty,

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<v Speaker 1>underneath which no subject or further information was given. The

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<v Speaker 1>staff roll Typerton skipped his name entirely. The old card

201
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<v Speaker 1>catalog draw two hundred nine loan titles nineteen sixty nineteen

202
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<v Speaker 1>seventy nine should have carried lending slits for the Morrow checkouts. Instead,

203
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<v Speaker 1>several cards were missing. Of those remaining lending slips for

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00:09:49.639 --> 00:09:52.039
<v Speaker 1>dates when Morrow had borrowed asterisk four of the shoreline

205
00:09:52.080 --> 00:09:54.440
<v Speaker 1>asterisk well there, but checker to some one else entirely.

206
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<v Speaker 1>At G. Shaughnessy in tight black pen, I photo copied

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<v Speaker 1>a few for comparison, then sat with the stack, muzzling

208
00:10:00.360 --> 00:10:04.320
<v Speaker 1>the contradiction. Who then had actually taken the books? Oh?

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<v Speaker 1>Was there an event? Unusual? Collective forgotten well ending records

210
00:10:07.279 --> 00:10:10.399
<v Speaker 1>got scrambled, the slips mismatched with borrowers, and titles shifted

211
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<v Speaker 1>scruvably between who checked what A'm When my doubts grew

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00:10:13.960 --> 00:10:16.519
<v Speaker 1>pricking at the base of my skull, I decided to

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00:10:16.519 --> 00:10:20.080
<v Speaker 1>soft the canvas of regulars. Miss Ccilwillan, perched beside the

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<v Speaker 1>dusty radiator under the window, surprised me when I asked

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<v Speaker 1>off handedly whether she'd ever read aster Assault Churches of

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<v Speaker 1>the Western Bay asterisk. A face lit with immediate recognition.

217
00:10:29.200 --> 00:10:32.320
<v Speaker 1>Though the maroon one, she said, gall on the spine.

218
00:10:32.399 --> 00:10:35.200
<v Speaker 1>I got it out before they redecorated, maybe nineteen ninety six.

219
00:10:35.279 --> 00:10:37.120
<v Speaker 1>There was a story in there, I'm sure, But the

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00:10:37.159 --> 00:10:39.399
<v Speaker 1>old lighthouse after the big storm. My cousin used to

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00:10:39.440 --> 00:10:42.159
<v Speaker 1>say her neighbor's bother build it. There's no record of

222
00:10:42.159 --> 00:10:44.759
<v Speaker 1>a story like that. I said gently, you were not

223
00:10:44.840 --> 00:10:48.240
<v Speaker 1>confusing it with asterisk light Houses of Inlet asterisk. She

224
00:10:48.279 --> 00:10:51.000
<v Speaker 1>shook her head. No, this was different. There was a

225
00:10:51.000 --> 00:10:53.000
<v Speaker 1>whole chapter about the church that used to stand where

226
00:10:53.039 --> 00:10:55.200
<v Speaker 1>the playground is now tall with a weathered bell. Nobody

227
00:10:55.200 --> 00:10:57.759
<v Speaker 1>else remembers it. But the book had a church, I'm certain.

228
00:10:58.399 --> 00:11:00.639
<v Speaker 1>I pressed for more, but her story began to drift.

229
00:11:00.679 --> 00:11:03.039
<v Speaker 1>A cousin remembered but died in the eighties. Maybe the

230
00:11:03.039 --> 00:11:05.360
<v Speaker 1>book was actually in her church's library at not Os,

231
00:11:06.000 --> 00:11:08.679
<v Speaker 1>but the certainty of the maroon'spine beguldis were too vivid

232
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<v Speaker 1>to invent. Back at the sort desk, Junior overheard and

233
00:11:12.039 --> 00:11:15.159
<v Speaker 1>offered a more modern solution. I could ask my booksmooth group.

234
00:11:15.200 --> 00:11:17.840
<v Speaker 1>He grinned. They dig up rare editions all the time.

235
00:11:17.960 --> 00:11:21.159
<v Speaker 1>There's a whole discord for out of Prince Staff. He posted,

236
00:11:21.559 --> 00:11:24.840
<v Speaker 1>returned in a day with a dry shrug. Nothing read it.

237
00:11:25.000 --> 00:11:27.840
<v Speaker 1>Library thing even world cupt no asterisks, ault church as

238
00:11:27.879 --> 00:11:30.639
<v Speaker 1>asterisk in any language, closest as a magazine article about

239
00:11:30.679 --> 00:11:34.559
<v Speaker 1>salt domes in Norway. So a pattern emerged. The deeper

240
00:11:34.759 --> 00:11:38.480
<v Speaker 1>dug the shaky my understand and became physical. Books supposedly

241
00:11:38.559 --> 00:11:41.279
<v Speaker 1>checked out were not on the shelf or had never existed.

242
00:11:41.840 --> 00:11:45.440
<v Speaker 1>The lending slips overlap but didn't align. All stories gained

243
00:11:45.440 --> 00:11:47.440
<v Speaker 1>detail but lost for it in the more I pressed,

244
00:11:48.039 --> 00:11:51.080
<v Speaker 1>what was I seeing? A borrower from an adjacent collection.

245
00:11:51.639 --> 00:11:54.320
<v Speaker 1>A disruption, a slip between two versions of our city's record.

246
00:11:54.919 --> 00:11:58.000
<v Speaker 1>I began noting every address ever attached to h Mara's record.

247
00:11:58.679 --> 00:12:01.639
<v Speaker 1>Each over decades, its mapped to a recognizable spot in

248
00:12:01.639 --> 00:12:05.559
<v Speaker 1>the neighborhood, but none were valid now. The nineteen seventy

249
00:12:05.600 --> 00:12:07.799
<v Speaker 1>eight entry thirty one Benning Lane was now the city's

250
00:12:07.840 --> 00:12:10.960
<v Speaker 1>largest playground, at gleaming clause of steel and plastic, recently

251
00:12:10.960 --> 00:12:14.000
<v Speaker 1>built atop the site of two vanished houses, The nineteen

252
00:12:14.080 --> 00:12:17.399
<v Speaker 1>ninety one address, seventeen Harbor Court had become a yoga studio.

253
00:12:17.519 --> 00:12:21.120
<v Speaker 1>Its original clap was lost under modern glass. Each location,

254
00:12:21.279 --> 00:12:23.480
<v Speaker 1>when I passed by, hinted at prior life a metal

255
00:12:23.559 --> 00:12:25.919
<v Speaker 1>number sunken into acove. A stone slab inscribed with an

256
00:12:26.000 --> 00:12:28.240
<v Speaker 1>upside down B beside the new cafe, a fragment of

257
00:12:28.279 --> 00:12:32.360
<v Speaker 1>weathered vents. The traces were subtle, but undeniably there. A

258
00:12:32.440 --> 00:12:36.000
<v Speaker 1>pat informed the card holder whoever were whatever they were

259
00:12:36.200 --> 00:12:38.639
<v Speaker 1>kept moving to addresses a line precisely with sits about

260
00:12:38.639 --> 00:12:42.080
<v Speaker 1>to change. Skulls closed at consolidation store frons demolished for retail,

261
00:12:42.200 --> 00:12:45.399
<v Speaker 1>home storn out for parks, as if Age Morrow was

262
00:12:45.399 --> 00:12:48.799
<v Speaker 1>always living where the city forgot itself fastest, Almost not

263
00:12:48.879 --> 00:12:50.960
<v Speaker 1>a person but a presence, were a pattern, moving in

264
00:12:51.000 --> 00:12:54.039
<v Speaker 1>step with the city's vanishing history. What if the library

265
00:12:54.039 --> 00:12:56.799
<v Speaker 1>record didn't reflect an individual, but captured the shape of

266
00:12:56.799 --> 00:12:59.279
<v Speaker 1>the city as it drifted. What if my hand had

267
00:12:59.279 --> 00:13:01.200
<v Speaker 1>become the act of reading a hidden web of stories,

268
00:13:01.240 --> 00:13:04.159
<v Speaker 1>some private, some collective, fetch weakly into our records, then

269
00:13:04.240 --> 00:13:07.559
<v Speaker 1>lost the question busst inside me, I stopped thinking of

270
00:13:07.759 --> 00:13:09.480
<v Speaker 1>h Morrow as a ghost or a glitch, and more

271
00:13:09.519 --> 00:13:11.000
<v Speaker 1>as a kind of shud or an emanation of the

272
00:13:11.000 --> 00:13:14.360
<v Speaker 1>library's quite continuity, stitching together the seams of a shifting city.

273
00:13:14.919 --> 00:13:18.720
<v Speaker 1>One blustery Wednesday, I decided to search further. The sub basement,

274
00:13:18.960 --> 00:13:21.480
<v Speaker 1>rarely visited except during city wide rills or the kind

275
00:13:21.519 --> 00:13:24.279
<v Speaker 1>of routine inventory that Alice avoided, offered the best hope

276
00:13:24.279 --> 00:13:27.960
<v Speaker 1>of stumbling upon Bret evidence. The oldest PLU print suggested

277
00:13:27.960 --> 00:13:30.399
<v Speaker 1>a half level used a century ago as a staff

278
00:13:30.440 --> 00:13:34.120
<v Speaker 1>cork croom and auxiliary book storage, now largely sealed. Armed

279
00:13:34.120 --> 00:13:36.960
<v Speaker 1>with a flashlight, spe keys, and my battered notebook, I

280
00:13:37.000 --> 00:13:39.159
<v Speaker 1>made my way past the collapsible chair stacks so high

281
00:13:39.200 --> 00:13:42.159
<v Speaker 1>they nearly blocked the landing. The air was musty tinged

282
00:13:42.159 --> 00:13:44.840
<v Speaker 1>with the sweet rot of leather bindings. An all card

283
00:13:44.840 --> 00:13:47.440
<v Speaker 1>catalog draw broken as woodswollen from a flood years ago,

284
00:13:47.559 --> 00:13:50.519
<v Speaker 1>leaned against a wall, lined without a circulation Encyclopedia sets

285
00:13:51.200 --> 00:13:54.399
<v Speaker 1>oox'es stout chest high contained circulation reports before nineteen eighty

286
00:13:54.480 --> 00:13:57.320
<v Speaker 1>discarded puzzles, A faded poster for a nineteen seventy one

287
00:13:57.360 --> 00:14:00.000
<v Speaker 1>protein night but in a very back corner behind me

288
00:14:00.000 --> 00:14:01.879
<v Speaker 1>and a rolling file cabinet that barely feed the width

289
00:14:01.879 --> 00:14:03.879
<v Speaker 1>of the hallway, and noticed it tight gap just wide

290
00:14:03.919 --> 00:14:06.720
<v Speaker 1>enough fur shell thus choke drop box disguised as part

291
00:14:06.759 --> 00:14:09.679
<v Speaker 1>of the cabinetry. Its brass loot was itch within number,

292
00:14:09.799 --> 00:14:12.440
<v Speaker 1>almost invisible until the light cut across eight hundred thousand

293
00:14:12.440 --> 00:14:16.039
<v Speaker 1>eight the eight cards number. I felt a shiver, not

294
00:14:16.120 --> 00:14:17.879
<v Speaker 1>of fear, but of a question about to be answered

295
00:14:18.000 --> 00:14:20.720
<v Speaker 1>or deepened. The key from the lost property drawer long

296
00:14:20.759 --> 00:14:23.720
<v Speaker 1>forgotten fit. After a few tense moments of coaxing, the

297
00:14:23.759 --> 00:14:27.879
<v Speaker 1>lock turned with a protesting squeal. Inside, stacked edgewise were

298
00:14:27.879 --> 00:14:30.480
<v Speaker 1>three or maybe four slim books, thick covers, battered and

299
00:14:30.519 --> 00:14:32.720
<v Speaker 1>their pages called in unfamiliar script to nothing like the

300
00:14:32.759 --> 00:14:37.399
<v Speaker 1>standard locks or guest registers. Each volume was unique. The nearest,

301
00:14:37.559 --> 00:14:40.759
<v Speaker 1>the thickest bore the title behnd in an evening Castoriskincident

302
00:14:40.879 --> 00:14:44.960
<v Speaker 1>Nights nineteen seventy two seventy nine asterisk. The next was smaller,

303
00:14:45.000 --> 00:14:47.240
<v Speaker 1>a plain blue nowebok embossed faintly with an outline of

304
00:14:47.279 --> 00:14:49.600
<v Speaker 1>the city's main street. But the namers and above salt

305
00:14:49.600 --> 00:14:52.000
<v Speaker 1>bindels sent a spark through me. The very word misss

306
00:14:52.080 --> 00:14:56.000
<v Speaker 1>Lewellyn had mentioned, I knelt him. Flipped through pages. These

307
00:14:56.039 --> 00:14:59.440
<v Speaker 1>were not the official minutes of any municipal event. Instead,

308
00:14:59.639 --> 00:15:01.799
<v Speaker 1>one was a colage of stories. Some ones called the

309
00:15:01.840 --> 00:15:03.600
<v Speaker 1>day that I had left all the shells upside down,

310
00:15:03.679 --> 00:15:05.519
<v Speaker 1>and children run the lane giggling in the red light.

311
00:15:05.600 --> 00:15:09.480
<v Speaker 1>Others more pointed out nineteen seventy eight sirens, all houses emptied.

312
00:15:09.559 --> 00:15:11.799
<v Speaker 1>Families lined the cricket ground in the hot dusk, waiting

313
00:15:11.840 --> 00:15:13.519
<v Speaker 1>for the mayor to turn the lights back on. Mother

314
00:15:13.559 --> 00:15:16.159
<v Speaker 1>packed a salt bindell for supper, lamonade wrapped in oskin.

315
00:15:16.279 --> 00:15:18.240
<v Speaker 1>No one gone missing, but nothing felt the same. The

316
00:15:18.279 --> 00:15:19.879
<v Speaker 1>red tide and sit into the words I could in

317
00:15:19.960 --> 00:15:22.679
<v Speaker 1>my mind. No one had ever reported a city wide

318
00:15:22.720 --> 00:15:25.039
<v Speaker 1>of evacuation in any year I could remember, let alone

319
00:15:25.039 --> 00:15:27.320
<v Speaker 1>in the seventies. The next book was written in a

320
00:15:27.320 --> 00:15:30.080
<v Speaker 1>playful dialect, a blend of our local English childhood's line

321
00:15:30.080 --> 00:15:33.000
<v Speaker 1>and words not quite right whistle deek for front porch,

322
00:15:33.279 --> 00:15:35.759
<v Speaker 1>salt bindell for packed lunch, sind a slap for a

323
00:15:35.759 --> 00:15:38.840
<v Speaker 1>type of wind. Some words were close enough to guess,

324
00:15:39.000 --> 00:15:42.039
<v Speaker 1>while others seemed to shift, meaning chameleon like. Line by line.

325
00:15:42.440 --> 00:15:45.440
<v Speaker 1>My hands went cold, but my excitement burned. If these

326
00:15:45.440 --> 00:15:48.720
<v Speaker 1>were Morrow's books, then he'd written in overlapping, slightly impossible city,

327
00:15:48.720 --> 00:15:51.159
<v Speaker 1>one where stories grew as extensions of local memory and

328
00:15:51.240 --> 00:15:54.559
<v Speaker 1>disaster were celebration, left of faint mark, even when unrecorded elsewhere.

329
00:15:55.159 --> 00:15:57.519
<v Speaker 1>But what if they weren't his? Had the books been

330
00:15:57.559 --> 00:15:59.679
<v Speaker 1>written by civil hands or by a collect of that

331
00:15:59.679 --> 00:16:01.759
<v Speaker 1>path The eighth card along at a kind of talisman.

332
00:16:02.240 --> 00:16:04.799
<v Speaker 1>I carried the books upstairs in a canvas back, promising

333
00:16:04.799 --> 00:16:07.120
<v Speaker 1>myself not to mention the discovery until I'd read them

334
00:16:07.120 --> 00:16:09.679
<v Speaker 1>through in private. My sense of the library and my

335
00:16:09.720 --> 00:16:12.279
<v Speaker 1>place in it had shifted again. No longer was I

336
00:16:12.320 --> 00:16:14.960
<v Speaker 1>merely hunting a missing patron. I was rough in the

337
00:16:15.039 --> 00:16:18.279
<v Speaker 1>edges of two histories intertwined, and only half legible preserved,

338
00:16:18.320 --> 00:16:20.759
<v Speaker 1>not in marble minutes, but in fragile stories left behind,

339
00:16:20.799 --> 00:16:23.200
<v Speaker 1>whether the city would soon forget on a night of

340
00:16:23.240 --> 00:16:25.360
<v Speaker 1>driving rain. As at hunched at the kitchen table, the

341
00:16:25.360 --> 00:16:28.519
<v Speaker 1>sub basement books splay open before me. At first glance,

342
00:16:28.679 --> 00:16:31.679
<v Speaker 1>they seemed mestates crossed out in jokes, darting between accounts

343
00:16:31.679 --> 00:16:35.039
<v Speaker 1>of storms, festivals, and municipal decisions that almost but not

344
00:16:35.120 --> 00:16:38.919
<v Speaker 1>quite matched the records in city hall volumes, margin nearly abounded.

345
00:16:39.000 --> 00:16:41.440
<v Speaker 1>Asked miss Essie about the night the benches vanished. Check

346
00:16:41.480 --> 00:16:45.159
<v Speaker 1>against Baylight incident is its same mirrors, first mural snippets

347
00:16:45.200 --> 00:16:48.879
<v Speaker 1>of poetry, riddles, shopping lists. Yet the tone was never grand,

348
00:16:48.960 --> 00:16:51.200
<v Speaker 1>nor did I feel like someone was writing for history,

349
00:16:51.759 --> 00:16:55.519
<v Speaker 1>but buried among the stories details leapt up Astorisk incident,

350
00:16:55.600 --> 00:16:58.960
<v Speaker 1>knights Asterrois, reference to Tid Sirens nineteen seventy eight, mapping

351
00:16:58.960 --> 00:17:01.399
<v Speaker 1>the event on to real stre t Reetarborreau now by

352
00:17:01.440 --> 00:17:04.680
<v Speaker 1>Glynda had never in my experience been evacuated for any reason.

353
00:17:05.279 --> 00:17:07.880
<v Speaker 1>Rituals were described that nearly matched those lingering in the

354
00:17:07.880 --> 00:17:10.400
<v Speaker 1>library's current foc or closing at sunset, the way the

355
00:17:10.440 --> 00:17:13.000
<v Speaker 1>side door jam during spring, even a big sale council

356
00:17:13.079 --> 00:17:15.680
<v Speaker 1>by Red Light warnings. None of our cities minutes were called.

357
00:17:16.240 --> 00:17:19.640
<v Speaker 1>The dialect book was even stranger. The introduction, scrawled in

358
00:17:19.680 --> 00:17:22.680
<v Speaker 1>pale blue pen, read for the keepers, the blinkers, the

359
00:17:22.680 --> 00:17:26.519
<v Speaker 1>ones who shuff their stories twice, terms like parlor, glee men, salt.

360
00:17:26.519 --> 00:17:30.240
<v Speaker 1>Bindel repeated the mutated. Some words I lady remembered hearing

361
00:17:30.240 --> 00:17:33.039
<v Speaker 1>in childhood, phrases used by grandparents or out of jokingly

362
00:17:33.079 --> 00:17:36.440
<v Speaker 1>in the schoolyard, never written down. Others I realized I'd

363
00:17:36.480 --> 00:17:40.279
<v Speaker 1>simply never christened before. For hours, I compared the handritten books,

364
00:17:40.319 --> 00:17:43.839
<v Speaker 1>events and diction to the citied official timeline. Again and again.

365
00:17:44.000 --> 00:17:46.880
<v Speaker 1>Contradictions arose, events that didn't quite fit, tales that seemed

366
00:17:46.880 --> 00:17:51.000
<v Speaker 1>to explain half joking what official records avoided. Sometimes I

367
00:17:51.039 --> 00:17:53.960
<v Speaker 1>even found annotations in the margins not the real year,

368
00:17:54.039 --> 00:17:56.920
<v Speaker 1>double check bakery ledger or matches Forbes fishing story, ask

369
00:17:57.000 --> 00:17:59.799
<v Speaker 1>about colored landon. Whoever kept these books was not just

370
00:17:59.839 --> 00:18:02.960
<v Speaker 1>for recording a hidden history, but testing it against community memory,

371
00:18:03.039 --> 00:18:06.480
<v Speaker 1>cross referencing every substantial oddity. The pattern that had only

372
00:18:06.559 --> 00:18:08.519
<v Speaker 1>bothered at the edges of my mind now sprang full,

373
00:18:08.599 --> 00:18:11.440
<v Speaker 1>growing The card, the books, the addresses, even the stories

374
00:18:11.480 --> 00:18:14.240
<v Speaker 1>told half constantly by our regulars, all belonged to a shadow,

375
00:18:14.240 --> 00:18:16.799
<v Speaker 1>where by an alternate time line, perhaps or meurely the

376
00:18:16.799 --> 00:18:18.680
<v Speaker 1>sum of what people thought could have once been true.

377
00:18:19.119 --> 00:18:21.319
<v Speaker 1>I searched for a passage that might tie it altogether.

378
00:18:21.400 --> 00:18:24.480
<v Speaker 1>Cross referencing the red Tied incident with city council records.

379
00:18:25.119 --> 00:18:28.160
<v Speaker 1>Our town's official documents from nineteen seventy eight said only

380
00:18:28.200 --> 00:18:30.759
<v Speaker 1>that its scheduled power interruption had occurred, with no mention

381
00:18:30.839 --> 00:18:34.759
<v Speaker 1>of city wide evacuation, feuge shortages, or sirens. Yet here

382
00:18:34.799 --> 00:18:37.880
<v Speaker 1>in this abasement spatteredly book was a crowd gathered at dusk.

383
00:18:37.920 --> 00:18:40.160
<v Speaker 1>The bench is ringed by lemonade jugs and soft talk,

384
00:18:40.799 --> 00:18:44.200
<v Speaker 1>an exaggeration or slippage, a place where two memories met

385
00:18:44.200 --> 00:18:47.519
<v Speaker 1>in blended. By now my sense of calm had transformed utterly,

386
00:18:47.559 --> 00:18:51.279
<v Speaker 1>not inter fear, but robust, burning curiosity. I couldn't see

387
00:18:51.279 --> 00:18:54.559
<v Speaker 1>myself in these margins, but my neighborhood, my routines, even

388
00:18:54.559 --> 00:18:57.240
<v Speaker 1>my silly faith in the library's completeness began to refract.

389
00:18:57.920 --> 00:19:00.279
<v Speaker 1>I had always thought of the library as witness and reser.

390
00:19:00.359 --> 00:19:02.559
<v Speaker 1>But what if it was something stranger and murmuring and

391
00:19:02.599 --> 00:19:06.400
<v Speaker 1>complete bridge between plausible pass between the stories people wish

392
00:19:06.440 --> 00:19:09.079
<v Speaker 1>it happened and those that actually did. It was past

393
00:19:09.079 --> 00:19:11.119
<v Speaker 1>two in the morning when I leaned back, pinched the

394
00:19:11.119 --> 00:19:14.400
<v Speaker 1>bridge of my nose, and realized something both exhilerting and terrifying.

395
00:19:14.440 --> 00:19:16.640
<v Speaker 1>The IT card was not a relic, not merely a

396
00:19:16.720 --> 00:19:20.000
<v Speaker 1>leftover from half forgotten bureaucracy. It was a passport to

397
00:19:20.079 --> 00:19:23.799
<v Speaker 1>through line, threaded through two overlapping narratives, one my own,

398
00:19:23.880 --> 00:19:26.200
<v Speaker 1>the branch I knew and could touch, the other of

399
00:19:26.319 --> 00:19:29.799
<v Speaker 1>library not fully seen, where wild evacuations and lost books survived,

400
00:19:29.839 --> 00:19:32.559
<v Speaker 1>and where stories might slip from almost true intil never happened,

401
00:19:32.640 --> 00:19:36.160
<v Speaker 1>and back again. The next morning, the world looked subtly changed.

402
00:19:36.880 --> 00:19:39.279
<v Speaker 1>The damp pavement on Bending Lane seemed, for the briefest

403
00:19:39.279 --> 00:19:42.319
<v Speaker 1>moment to shimmot With the second story, I found myself

404
00:19:42.359 --> 00:19:44.960
<v Speaker 1>scanning the library's odd angles, searching for new cracks in

405
00:19:45.000 --> 00:19:48.119
<v Speaker 1>the blueprints of my assumptions. I resolved I would check

406
00:19:48.119 --> 00:19:50.920
<v Speaker 1>the building's architecture, or compare staff memories, probe the points

407
00:19:50.960 --> 00:19:54.839
<v Speaker 1>where history knotted and frayed. Good places, I wondered, accumulate

408
00:19:54.839 --> 00:19:58.279
<v Speaker 1>alternate recollections nested in their walls, waiting perhaps for someone

409
00:19:58.279 --> 00:20:01.119
<v Speaker 1>to notice if so, our eighth cord was the bridge

410
00:20:01.160 --> 00:20:03.200
<v Speaker 1>not just to another patron, but till version of the

411
00:20:03.200 --> 00:20:07.559
<v Speaker 1>city recorded, loved, nearly forgotten, but never quite raised. Junior

412
00:20:07.680 --> 00:20:09.559
<v Speaker 1>was the first to catch me early the next morning,

413
00:20:09.640 --> 00:20:12.079
<v Speaker 1>his backcack open on the staff desk, ere but dangling

414
00:20:12.079 --> 00:20:14.519
<v Speaker 1>from one ear, screens of the glimmering wild collars across

415
00:20:14.519 --> 00:20:16.920
<v Speaker 1>his glasses. He looked up when he saw the cluster

416
00:20:16.920 --> 00:20:20.119
<v Speaker 1>of handrton books touched beneath my arm. You digging up

417
00:20:20.119 --> 00:20:23.839
<v Speaker 1>the library secret codes? Messsaar, He grinned, stretching until his

418
00:20:23.880 --> 00:20:26.839
<v Speaker 1>holy hem barely covered his stomach. You working on the

419
00:20:26.839 --> 00:20:29.720
<v Speaker 1>basement thing again? For a second, I almost asked if

420
00:20:29.720 --> 00:20:31.960
<v Speaker 1>he remembered the side reading room, or if he'd ever

421
00:20:32.039 --> 00:20:34.440
<v Speaker 1>noticed the building getting fought around storms or after those

422
00:20:34.440 --> 00:20:37.759
<v Speaker 1>inventory nights. Instead, I held up the top volume and

423
00:20:37.799 --> 00:20:40.960
<v Speaker 1>waggled it old returns. Perhaps I wanted another look at

424
00:20:41.000 --> 00:20:43.920
<v Speaker 1>the blueprints. You good with the scanner? Are you? Junior

425
00:20:44.000 --> 00:20:45.640
<v Speaker 1>perked up. If I needed a sheep feeder or a

426
00:20:45.759 --> 00:20:49.440
<v Speaker 1>USB cable. His mood always brightened digitizing the blueprints are

427
00:20:49.480 --> 00:20:52.440
<v Speaker 1>in the tiny foul closet. Want a hand. His helpfulness

428
00:20:52.480 --> 00:20:54.359
<v Speaker 1>was a form of permission. I set the sub basement

429
00:20:54.359 --> 00:20:56.160
<v Speaker 1>books down in my metal cubby and called up the

430
00:20:56.160 --> 00:20:59.319
<v Speaker 1>oldest architectural plants from the file. There was the familiar

431
00:20:59.319 --> 00:21:02.640
<v Speaker 1>ground plan, circulation desk, four reading rooms, branching stow will,

432
00:21:02.640 --> 00:21:05.839
<v Speaker 1>the lay out nearly unchanged since nineteen twelve, but overlaiden

433
00:21:05.839 --> 00:21:08.160
<v Speaker 1>pencil was a fine shadow outline a barely the room

434
00:21:08.200 --> 00:21:10.880
<v Speaker 1>labeled art Woe side reading staff, only right off the

435
00:21:10.880 --> 00:21:14.519
<v Speaker 1>storage corridor. I'd never seen such a room. Its line

436
00:21:14.640 --> 00:21:16.720
<v Speaker 1>ran directly behind the shelves where I'd found the box

437
00:21:16.759 --> 00:21:19.960
<v Speaker 1>with the edge gate. Look, I said, sliding the paper

438
00:21:19.960 --> 00:21:23.000
<v Speaker 1>beneath the scanner light harp, WoT doesn't exist any more,

439
00:21:23.039 --> 00:21:25.599
<v Speaker 1>but the wall should butt up. I dropped my fingers

440
00:21:25.599 --> 00:21:28.079
<v Speaker 1>along the edge of the russograph. It just were the

441
00:21:28.079 --> 00:21:30.400
<v Speaker 1>new returns cart always sticks getting around the bend. Do

442
00:21:30.480 --> 00:21:34.680
<v Speaker 1>you ever notice that totally, Junior said, the cart jams

443
00:21:34.680 --> 00:21:37.400
<v Speaker 1>every third Tuesday. I always thought it was a construction error,

444
00:21:37.400 --> 00:21:39.640
<v Speaker 1>like the building was designed for right handed people or

445
00:21:39.640 --> 00:21:42.839
<v Speaker 1>a different cart size. He was only half distracted, toggling

446
00:21:42.839 --> 00:21:45.880
<v Speaker 1>between a playlist and the scanner's progress bar. Hey want

447
00:21:45.880 --> 00:21:47.440
<v Speaker 1>me to try the side crawl? I bet I could

448
00:21:47.440 --> 00:21:49.480
<v Speaker 1>get into the drop panel. If you want more photos,

449
00:21:50.039 --> 00:21:53.160
<v Speaker 1>I pass him my phone. Take a few, please, and

450
00:21:53.160 --> 00:21:54.720
<v Speaker 1>see if you can hear an echo in the wall.

451
00:21:55.319 --> 00:21:57.559
<v Speaker 1>I waited as he disappeared into the stacks, a slim

452
00:21:57.559 --> 00:22:01.039
<v Speaker 1>shadow blending with the gray corridors the gap between the shelves.

453
00:22:01.039 --> 00:22:03.400
<v Speaker 1>I watched him kneel, press nearer to the dusty panel

454
00:22:03.440 --> 00:22:07.319
<v Speaker 1>and knock lightly. Thank Then a quieter return knock, not his,

455
00:22:07.559 --> 00:22:12.559
<v Speaker 1>but something echoing sideways. Junior's brow furrowed. Definitely hollow there,

456
00:22:12.599 --> 00:22:15.240
<v Speaker 1>he called softly. It runs all the way to the wall,

457
00:22:15.279 --> 00:22:17.440
<v Speaker 1>like a brickton closet. There was paint over a board,

458
00:22:17.559 --> 00:22:19.720
<v Speaker 1>but it rings if you hit a dead center. It

459
00:22:19.759 --> 00:22:21.720
<v Speaker 1>was a kind of proof the space remained, even if

460
00:22:21.759 --> 00:22:25.079
<v Speaker 1>the door we had vanished within hours. I'd circled back

461
00:22:25.119 --> 00:22:26.880
<v Speaker 1>to the main floor and flowered Alice as she filed

462
00:22:26.960 --> 00:22:30.559
<v Speaker 1>large print returns. You remember a side reading room behind

463
00:22:30.559 --> 00:22:34.759
<v Speaker 1>the storage wall, I ask, keeping my tone neutral. Alice paused,

464
00:22:34.799 --> 00:22:38.039
<v Speaker 1>lips pressed tight. Maybe in your first year. I know

465
00:22:38.119 --> 00:22:40.119
<v Speaker 1>the plan said as much, but it was always locked.

466
00:22:40.200 --> 00:22:42.880
<v Speaker 1>Didn't make sense then either, doors that go nowhere, staircases

467
00:22:42.960 --> 00:22:46.039
<v Speaker 1>till lit those staircases. Building's always been backward but do

468
00:22:46.039 --> 00:22:48.079
<v Speaker 1>you recall it in use? Did you ever see anyone

469
00:22:48.119 --> 00:22:51.559
<v Speaker 1>in there? She froned, No. Some say it was a

470
00:22:51.640 --> 00:22:53.599
<v Speaker 1>cloak room. Some people said it was just their The

471
00:22:53.640 --> 00:22:55.880
<v Speaker 1>older stuff said the library built extra space to grow

472
00:22:55.880 --> 00:22:58.119
<v Speaker 1>into after the war, but then forgot what for the

473
00:22:58.160 --> 00:23:01.400
<v Speaker 1>shape keep shifting why I hesitated, But the urge to

474
00:23:01.440 --> 00:23:04.039
<v Speaker 1>share was stronger. I think the shifting's part of it.

475
00:23:04.079 --> 00:23:06.160
<v Speaker 1>The weighty old blueprint overlays with the wall, the dead

476
00:23:06.200 --> 00:23:08.240
<v Speaker 1>drop box. I think there is a correspondence. May be

477
00:23:08.319 --> 00:23:10.920
<v Speaker 1>times when the spaces change were well more than one

478
00:23:11.000 --> 00:23:15.880
<v Speaker 1>version coincides. Alice's laugh was short, but not dismissive. I'd

479
00:23:15.880 --> 00:23:18.119
<v Speaker 1>believe it. When the storm's flood bending lane. The carpet

480
00:23:18.160 --> 00:23:21.440
<v Speaker 1>always smells echine, like low tide. Records go missing. Sometimes

481
00:23:21.440 --> 00:23:23.359
<v Speaker 1>my own memory skips, like I might swear we had

482
00:23:23.400 --> 00:23:26.000
<v Speaker 1>a wall of city directories, then discover we never did.

483
00:23:26.640 --> 00:23:29.119
<v Speaker 1>She gave me an assessing look, then bent looat plucker

484
00:23:29.160 --> 00:23:32.240
<v Speaker 1>returned from the drop slot, fingers careful, what are you

485
00:23:32.279 --> 00:23:35.480
<v Speaker 1>looking for? What's the end? I didn't know how to answer,

486
00:23:35.559 --> 00:23:37.119
<v Speaker 1>but in that moment found I wanted her to be

487
00:23:37.160 --> 00:23:40.279
<v Speaker 1>a partner. Novsceptic. I think I'm trying to find out

488
00:23:40.279 --> 00:23:41.960
<v Speaker 1>how much of this is the building, how much as

489
00:23:42.119 --> 00:23:44.200
<v Speaker 1>if there's a real overlap, and if it's possible to

490
00:23:44.200 --> 00:23:47.400
<v Speaker 1>see it happen. She pad in my hand. If any

491
00:23:47.400 --> 00:23:49.480
<v Speaker 1>place would lay the past on the present, it's here.

492
00:23:49.680 --> 00:23:51.920
<v Speaker 1>Ask around at Memory Knights, see what people bring through

493
00:23:51.920 --> 00:23:54.960
<v Speaker 1>the door. Memory Night was Alice's brain child, and she

494
00:23:55.039 --> 00:23:57.559
<v Speaker 1>insisted on it monthly. Once attendants dropped after the city's

495
00:23:57.559 --> 00:24:01.039
<v Speaker 1>shiny resource center opened that evening, we drew the curtains,

496
00:24:01.079 --> 00:24:03.119
<v Speaker 1>set out a scattered plate of pascotti, and left the

497
00:24:03.119 --> 00:24:05.839
<v Speaker 1>door unlot later than usual. The room filled with a

498
00:24:05.920 --> 00:24:08.759
<v Speaker 1>quiet bustle of neighbors, muss the oil and shuffling in

499
00:24:08.799 --> 00:24:10.839
<v Speaker 1>with a battered in Mister Forbes, hobbing with a stack

500
00:24:10.880 --> 00:24:13.279
<v Speaker 1>of seepy photos, to younger couples holding hands as they

501
00:24:13.319 --> 00:24:15.559
<v Speaker 1>placed a polaroid or a folded city map on the table.

502
00:24:16.119 --> 00:24:18.599
<v Speaker 1>I watched the room fill and thought, these are the keepers,

503
00:24:18.640 --> 00:24:20.240
<v Speaker 1>the ones who store I'll turn a time lines in

504
00:24:20.279 --> 00:24:23.279
<v Speaker 1>their pockets. When at kin time for open stories, I

505
00:24:23.279 --> 00:24:25.680
<v Speaker 1>wove my turning carefully, holding up one of the slim

506
00:24:25.799 --> 00:24:28.880
<v Speaker 1>Handrton books. Found this in the old staff dropped some

507
00:24:28.960 --> 00:24:31.440
<v Speaker 1>strange local tales bits in dial like anyone ever hear

508
00:24:31.480 --> 00:24:33.279
<v Speaker 1>of the term salt bundle for a lunch or know

509
00:24:33.359 --> 00:24:35.799
<v Speaker 1>about the red tide of vacuation In seventy eight, stories

510
00:24:35.799 --> 00:24:37.440
<v Speaker 1>say the whole city waited on the cricket ground with

511
00:24:37.559 --> 00:24:41.839
<v Speaker 1>lemonade and oilskins. The crowd shifted uncertain, then miss esil

512
00:24:41.920 --> 00:24:43.880
<v Speaker 1>well and brightened, as if a childhood memory had been

513
00:24:43.920 --> 00:24:47.440
<v Speaker 1>dusted off. Salt bundle was something my grandmother used to say,

514
00:24:47.680 --> 00:24:50.039
<v Speaker 1>not for lunch, No for when you pack handing salt

515
00:24:50.039 --> 00:24:51.920
<v Speaker 1>and a rug to keep produced coal for market, pack

516
00:24:51.960 --> 00:24:54.079
<v Speaker 1>your salt bundle, and don't forget the cheese. Should say,

517
00:24:54.119 --> 00:24:56.599
<v Speaker 1>but there never was an evacuation, dear, that's an aldrill,

518
00:24:56.640 --> 00:24:59.319
<v Speaker 1>old drolls, all hurry, but never a true disaster in

519
00:24:59.319 --> 00:25:02.960
<v Speaker 1>this town. Thanks. Her neighbor interjected, I was a teenager

520
00:25:03.000 --> 00:25:05.599
<v Speaker 1>in seventy eight. There were power cuts, yes, but no

521
00:25:05.720 --> 00:25:07.839
<v Speaker 1>sirens unless you mean a time the air raid system

522
00:25:07.880 --> 00:25:11.480
<v Speaker 1>tested during the parade, Mister Forbes Leafing drew his stack,

523
00:25:11.759 --> 00:25:14.319
<v Speaker 1>pulled out a photograph benchs vanished from the park, only

524
00:25:14.400 --> 00:25:17.319
<v Speaker 1>land of children on blankets in the dusk. My family

525
00:25:17.319 --> 00:25:20.079
<v Speaker 1>claims it was a summer blackout. Not a disaster, but

526
00:25:20.160 --> 00:25:22.160
<v Speaker 1>all the lanterns were out. We thought the world had ended,

527
00:25:22.160 --> 00:25:24.160
<v Speaker 1>as children do. My sister says it was for the

528
00:25:24.160 --> 00:25:26.319
<v Speaker 1>maple rehearsal, but I say it was for something big

529
00:25:26.359 --> 00:25:29.279
<v Speaker 1>or funny. Isn't it how memories to us? The young

530
00:25:29.319 --> 00:25:31.720
<v Speaker 1>mother piped up my uncle loved Scarce with the story

531
00:25:31.720 --> 00:25:34.079
<v Speaker 1>about the bent lamplight Patrol, said the mayo and dotted

532
00:25:34.119 --> 00:25:36.480
<v Speaker 1>all lighting candles with a crooked stick. Though only now

533
00:25:36.480 --> 00:25:38.119
<v Speaker 1>I think he'd read it in a book or dreamed

534
00:25:38.119 --> 00:25:42.279
<v Speaker 1>it from some old family tale. Gradually, memories tangled. The

535
00:25:42.359 --> 00:25:44.720
<v Speaker 1>more people chimed in the fuzzy the facts became, until

536
00:25:44.759 --> 00:25:47.599
<v Speaker 1>they were riffing on one another's stories, swapping details, laughing

537
00:25:47.640 --> 00:25:49.960
<v Speaker 1>as they realized how little could be nil down. I

538
00:25:50.000 --> 00:25:52.519
<v Speaker 1>read a passage from the Handreton book, changing names, hoping

539
00:25:52.559 --> 00:25:54.920
<v Speaker 1>not to call it. Their reactions. Mother port lemonade on

540
00:25:54.960 --> 00:25:57.039
<v Speaker 1>the green in an oskin pale, while the lanterns flickered.

541
00:25:57.039 --> 00:25:59.200
<v Speaker 1>Red Missee said don't look at the tower if you

542
00:25:59.240 --> 00:26:02.359
<v Speaker 1>want to sleep tonight. Alice, hovering with the bascutdy plate,

543
00:26:02.400 --> 00:26:05.559
<v Speaker 1>grinned at the phrase. I do remember the lanterns, but

544
00:26:05.680 --> 00:26:08.559
<v Speaker 1>Red must have been after the parade. As I closed

545
00:26:08.559 --> 00:26:10.160
<v Speaker 1>the book, it struck me here in the thick of

546
00:26:10.240 --> 00:26:13.880
<v Speaker 1>mutual startling, new details grew by the minute. Someone claimed

547
00:26:13.880 --> 00:26:17.279
<v Speaker 1>to have seen the parade's costume room. Another remembered shivering

548
00:26:17.279 --> 00:26:19.400
<v Speaker 1>beneath the benches the night the park lights went out.

549
00:26:20.039 --> 00:26:23.559
<v Speaker 1>False memory, collective invention. It didn't matter. What began as

550
00:26:23.559 --> 00:26:25.480
<v Speaker 1>a record of a disaster no one agreed on had

551
00:26:25.480 --> 00:26:28.759
<v Speaker 1>become communo folklore, self sustaining. But more than that, as

552
00:26:28.759 --> 00:26:30.799
<v Speaker 1>I listened to miss Eesilwellyan and mister Forbes said it

553
00:26:30.880 --> 00:26:33.680
<v Speaker 1>warn another's stories, dissecting which here was the real parade,

554
00:26:33.720 --> 00:26:35.759
<v Speaker 1>in which was just thunder? I felt the Eighth Card

555
00:26:35.799 --> 00:26:37.680
<v Speaker 1>was not a passport into a fixed history, but a

556
00:26:37.680 --> 00:26:40.079
<v Speaker 1>magnet drawing people's all turn of recollections out into the

557
00:26:40.119 --> 00:26:44.079
<v Speaker 1>open of focus, accumulating probability. Afterward, as we cleaned up,

558
00:26:44.079 --> 00:26:47.200
<v Speaker 1>Alice turned to me, Funny, isn't it how people remember

559
00:26:47.240 --> 00:26:49.759
<v Speaker 1>what they never saw? I was left with the thrill.

560
00:26:50.240 --> 00:26:52.599
<v Speaker 1>Whether or not their red tight had happened, its story

561
00:26:52.640 --> 00:26:55.960
<v Speaker 1>persisted alive in the swapping and stitching of memory. Maybe

562
00:26:56.000 --> 00:26:58.680
<v Speaker 1>that was what the Eighth Card really borrowed, Possibility made

563
00:26:58.680 --> 00:27:01.359
<v Speaker 1>physical for a moment and then gone. I returned to

564
00:27:01.400 --> 00:27:03.240
<v Speaker 1>the sub basement the night, the hundred and books tucked

565
00:27:03.319 --> 00:27:06.400
<v Speaker 1>under my arm. They no longer seemed like forgotten relics,

566
00:27:06.519 --> 00:27:08.960
<v Speaker 1>but tools means for surfacing what had never been official,

567
00:27:09.119 --> 00:27:12.960
<v Speaker 1>only believed half inherited. Back behind the stacks, Junior was

568
00:27:13.000 --> 00:27:16.680
<v Speaker 1>waiting foam flasklight ready check this out, Missessa look at

569
00:27:16.680 --> 00:27:19.839
<v Speaker 1>the system after a storm, after the computer's due their update. Sometimes,

570
00:27:19.920 --> 00:27:22.599
<v Speaker 1>like for five minutes, our shelfless shows books that aren't

571
00:27:22.599 --> 00:27:26.240
<v Speaker 1>really here. He tapped at the search green see astros

572
00:27:26.319 --> 00:27:29.440
<v Speaker 1>carbra Soon's forgotten asterisk there now gone. Even Ellis wore

573
00:27:29.480 --> 00:27:31.559
<v Speaker 1>she put it in large prine last Tuesday. But it's

574
00:27:31.559 --> 00:27:35.640
<v Speaker 1>not physically anywhere. Does it happen often? I asked, leaning in.

575
00:27:36.279 --> 00:27:39.640
<v Speaker 1>He grinned. Only right after those peraglitches, or when the

576
00:27:39.640 --> 00:27:42.640
<v Speaker 1>storm knocks a breaker, some deep freeze on the cattalog clears,

577
00:27:42.680 --> 00:27:45.359
<v Speaker 1>something comes and goes. Ghost entries, But only when something

578
00:27:45.440 --> 00:27:48.039
<v Speaker 1>reels happening in here. Sometimes even the light flicker just

579
00:27:48.079 --> 00:27:51.160
<v Speaker 1>at the moment the record appears, and then proof my

580
00:27:51.279 --> 00:27:53.960
<v Speaker 1>heart thudded dies the lock ever show who checked those

581
00:27:53.960 --> 00:27:57.480
<v Speaker 1>books out? He shook his head. It just says act

582
00:27:57.519 --> 00:28:00.440
<v Speaker 1>of lone end weirdest thing there never overdue. Every weird

583
00:28:00.519 --> 00:28:03.720
<v Speaker 1>entries returned on time. Sometimes on days were closed, we

584
00:28:03.799 --> 00:28:06.480
<v Speaker 1>spent that afternoon comparing the microfiche record with the current

585
00:28:06.480 --> 00:28:10.839
<v Speaker 1>digital shelf lists. Sure enough, on stormy days, books borrowed

586
00:28:10.839 --> 00:28:13.519
<v Speaker 1>by Age Marrow would briefly appear on our inventory sheet,

587
00:28:13.559 --> 00:28:17.000
<v Speaker 1>then vanish at the next tribute. Alice returning from launch

588
00:28:17.160 --> 00:28:19.759
<v Speaker 1>and sisted to shelf asters Cowbo songs forgotten aster as

589
00:28:19.799 --> 00:28:23.359
<v Speaker 1>curself right before the surge. I'd bet my pension on it.

590
00:28:23.559 --> 00:28:25.839
<v Speaker 1>But it's not there. Is it? Redcover that blackdoodle of

591
00:28:25.880 --> 00:28:30.200
<v Speaker 1>the estuary gone? A possibility crystallized the catalogs, like the stories,

592
00:28:30.240 --> 00:28:34.680
<v Speaker 1>sometimes breed. Digital overlapped with paper. One reality's inventory briefly

593
00:28:34.720 --> 00:28:37.599
<v Speaker 1>bled into the next, especially when the library's routines opening

594
00:28:37.640 --> 00:28:41.400
<v Speaker 1>closing renovations were disrupted by weather repair. I pulled the

595
00:28:41.480 --> 00:28:44.160
<v Speaker 1>municipal wreckers out for the nineteen sixty four and nineteen

596
00:28:44.200 --> 00:28:47.119
<v Speaker 1>seventy nine renovations, tracing the periods when rooms were closed

597
00:28:47.200 --> 00:28:50.720
<v Speaker 1>or combines. In the fine print a note temporary removal

598
00:28:50.759 --> 00:28:53.400
<v Speaker 1>of art war stack for structural work missing inventory not

599
00:28:53.480 --> 00:28:56.160
<v Speaker 1>to be returned to main Indix Sea branch manager. My

600
00:28:56.279 --> 00:28:59.240
<v Speaker 1>pulse raced. It was as though the gaps were expected,

601
00:28:59.319 --> 00:29:03.200
<v Speaker 1>even sanctioned. Our systems had always allowed for inventory anomalies,

602
00:29:03.240 --> 00:29:06.200
<v Speaker 1>which staff were not to pursue too closely. Junior leaned

603
00:29:06.240 --> 00:29:09.039
<v Speaker 1>on the desk, reading over my shoulder. Could the eighth

604
00:29:09.039 --> 00:29:11.920
<v Speaker 1>card just be like a generic cross listing? Staff would

605
00:29:11.920 --> 00:29:14.480
<v Speaker 1>issue we of cards to slip between catalogs, keep track

606
00:29:14.599 --> 00:29:17.880
<v Speaker 1>during renovations, then forget. But the pattern is too long,

607
00:29:17.960 --> 00:29:21.839
<v Speaker 1>too careful, I said, almost whispering. The cardbrocurves across decades,

608
00:29:21.920 --> 00:29:25.079
<v Speaker 1>always tracking the same circle of stories, always attached to addresses,

609
00:29:25.160 --> 00:29:27.000
<v Speaker 1>changing just as the city is about to forget them.

610
00:29:27.039 --> 00:29:28.880
<v Speaker 1>What if the eighth card's function is to what serve

611
00:29:28.920 --> 00:29:32.160
<v Speaker 1>as a passport when things overlap? He nodded, then shrugged

612
00:29:32.720 --> 00:29:35.559
<v Speaker 1>wild not even ready would believe it. The more I

613
00:29:35.599 --> 00:29:37.960
<v Speaker 1>considered it, the more alluring the idea became. The eighth

614
00:29:37.960 --> 00:29:40.720
<v Speaker 1>card is a transitional object, not just for books, but

615
00:29:40.759 --> 00:29:43.880
<v Speaker 1>for the memory of the city itself, bridging to library realities.

616
00:29:44.519 --> 00:29:47.640
<v Speaker 1>To test this, I began to chase stories outside library walls.

617
00:29:48.240 --> 00:29:50.400
<v Speaker 1>I stopped by the bakery, hoping to talk to Gloria,

618
00:29:50.440 --> 00:29:53.559
<v Speaker 1>the barrister whose uncle was notorious for his outlandish memory.

619
00:29:54.079 --> 00:29:56.119
<v Speaker 1>Gloria was for stocking crosses. When I brought up the

620
00:29:56.160 --> 00:29:59.279
<v Speaker 1>bent lamp plip patrol, my uncle of that one, she said,

621
00:29:59.319 --> 00:30:02.759
<v Speaker 1>smearing jam on her apron. He'd say, after the big blackout,

622
00:30:02.759 --> 00:30:04.440
<v Speaker 1>the mayor went down the ro lighting lamps with the

623
00:30:04.440 --> 00:30:07.519
<v Speaker 1>crooked stake, wearing red galoshes. But then he'd segue to

624
00:30:07.559 --> 00:30:09.759
<v Speaker 1>the story about the flooded clock tower, or the time

625
00:30:09.799 --> 00:30:12.119
<v Speaker 1>the city gave every one lemonade in ozcin jugs after

626
00:30:12.160 --> 00:30:14.599
<v Speaker 1>the parade. Sometimes the stories ran together, like he was

627
00:30:14.640 --> 00:30:17.519
<v Speaker 1>inventing scenes because he liked the feeling they gave. Her

628
00:30:17.559 --> 00:30:21.079
<v Speaker 1>tone was affectionate, not skeptical. I pressed gently. Did he

629
00:30:21.079 --> 00:30:23.680
<v Speaker 1>ever claim it was from a book? Maybe to Rosan?

630
00:30:23.799 --> 00:30:26.000
<v Speaker 1>Some days it would be fiction, other days he'd swear

631
00:30:26.039 --> 00:30:28.440
<v Speaker 1>by it. He'd tell those same stories at every holiday.

632
00:30:28.599 --> 00:30:30.480
<v Speaker 1>He even mailed a letter to city Hall insisting the

633
00:30:30.519 --> 00:30:32.400
<v Speaker 1>city used to have a parade just for the library

634
00:30:32.440 --> 00:30:34.960
<v Speaker 1>banners with seagulls. No one else remembered, but he insisted

635
00:30:34.960 --> 00:30:36.759
<v Speaker 1>there was proof in a lost book. I thought it

636
00:30:36.799 --> 00:30:38.319
<v Speaker 1>was a joke, but the way he said it made

637
00:30:38.319 --> 00:30:41.359
<v Speaker 1>me nearly believe. I thanked her and left thinking no

638
00:30:41.400 --> 00:30:43.920
<v Speaker 1>one could separate written stories from or tradition. Not in

639
00:30:43.960 --> 00:30:47.480
<v Speaker 1>this part of town. Every impossible book echoed folk memory

640
00:30:47.519 --> 00:30:50.240
<v Speaker 1>and every family's oral history, wove bits from written sources,

641
00:30:50.319 --> 00:30:54.680
<v Speaker 1>even imaginary ones. The cycle was seamless. I next visited

642
00:30:54.680 --> 00:30:57.400
<v Speaker 1>the post office, tracking down mister Lubbeck, a retired mailman

643
00:30:57.440 --> 00:31:00.599
<v Speaker 1>who'd lived through all the library's modern history. He greeted

644
00:31:00.680 --> 00:31:04.000
<v Speaker 1>me with a amuse smile, sorting fliers at the counter. Oh. Yes,

645
00:31:04.359 --> 00:31:06.839
<v Speaker 1>after the big storms sometimes we'd get a ton of

646
00:31:06.880 --> 00:31:10.000
<v Speaker 1>redirected mail, letters addressed to houses that didn't exist any more,

647
00:31:10.079 --> 00:31:12.440
<v Speaker 1>or had never been there. Once I delivered apostle to

648
00:31:12.519 --> 00:31:14.799
<v Speaker 1>thirty one Benning Lane, weeks after they bulldozed it for

649
00:31:14.839 --> 00:31:17.480
<v Speaker 1>the playground. My robe bricaded listed clear as day. I

650
00:31:17.519 --> 00:31:19.480
<v Speaker 1>thought it was an old era, but even my senior

651
00:31:19.519 --> 00:31:21.960
<v Speaker 1>guy said those addresses kret back after storms, like the

652
00:31:21.960 --> 00:31:24.880
<v Speaker 1>city forgot what homes it had lost. I asked whether

653
00:31:24.920 --> 00:31:28.279
<v Speaker 1>any letters were ever addressed to h Morrow. He shook

654
00:31:28.319 --> 00:31:31.599
<v Speaker 1>his head thoughtfully, don't recall the name. But there were oddities.

655
00:31:31.599 --> 00:31:34.559
<v Speaker 1>After every renovation, addresses that pulston and out of existence.

656
00:31:34.640 --> 00:31:37.079
<v Speaker 1>We always blamed the city database, said the storm Water

657
00:31:37.160 --> 00:31:39.720
<v Speaker 1>Council was two years behind. Maybe your card holder just

658
00:31:39.759 --> 00:31:44.079
<v Speaker 1>lived between the lines. The phrase felt significant between the lines.

659
00:31:44.680 --> 00:31:48.200
<v Speaker 1>As the days passed, my puzzle deepened. Written stories, oral tales,

660
00:31:48.319 --> 00:31:50.759
<v Speaker 1>and lost catalog entries all encircled the eveh card without

661
00:31:50.799 --> 00:31:53.960
<v Speaker 1>quite overlapping. I realized that, in a sense, the story

662
00:31:54.039 --> 00:31:56.400
<v Speaker 1>was neither about missing books nor factual history, but about

663
00:31:56.400 --> 00:31:58.759
<v Speaker 1>possibility that was nearly real, given shape by the right

664
00:31:58.839 --> 00:32:01.759
<v Speaker 1>artifact at the right moment. The eighth card kept turning

665
00:32:01.799 --> 00:32:04.519
<v Speaker 1>up with the record slat, pulling desperate memories into proximity,

666
00:32:04.559 --> 00:32:07.799
<v Speaker 1>then vanishing. Before anyone grew too certain, I reached out

667
00:32:07.799 --> 00:32:10.880
<v Speaker 1>to doctor Raleigh's, a linguistic's professor at the community college,

668
00:32:11.039 --> 00:32:14.240
<v Speaker 1>and handed her the handwritten dialect book. She read for

669
00:32:14.279 --> 00:32:16.960
<v Speaker 1>a long moment, then mused some of this as genuine dialect.

670
00:32:17.000 --> 00:32:20.200
<v Speaker 1>Regionalisms all playground slam, but the blend is artful, almost

671
00:32:20.200 --> 00:32:22.799
<v Speaker 1>a conscious invention. See here. Wi Solick was sometimes used

672
00:32:22.799 --> 00:32:25.559
<v Speaker 1>for porch, but saught bindel never in parlor gleam. That is,

673
00:32:25.599 --> 00:32:27.960
<v Speaker 1>half fair tale, half local collar. Some one meant these

674
00:32:28.000 --> 00:32:30.880
<v Speaker 1>stories to seem plausible but not fixed. Could it be

675
00:32:30.920 --> 00:32:34.920
<v Speaker 1>a hoax? I asked, hopeful for resolution, she shook her aid.

676
00:32:35.640 --> 00:32:38.640
<v Speaker 1>Too careful for parody, not careful enough for deliberate invention.

677
00:32:38.720 --> 00:32:40.559
<v Speaker 1>Whoever wrote this had a deep love of the city

678
00:32:40.640 --> 00:32:42.759
<v Speaker 1>and a scholars ear for the line between fact and fiction.

679
00:32:42.880 --> 00:32:44.920
<v Speaker 1>More than that, a playful respect for what was possible.

680
00:32:44.960 --> 00:32:48.039
<v Speaker 1>Sometimes that exactly what a living memory feels like. That

681
00:32:48.200 --> 00:32:50.720
<v Speaker 1>was my turning point. I sat alone in the sub

682
00:32:50.720 --> 00:32:54.240
<v Speaker 1>basement that afternoon, reviewing the books, the photos from Junior,

683
00:32:54.279 --> 00:32:56.319
<v Speaker 1>the notes from the city Ledger are stories told at

684
00:32:56.319 --> 00:32:59.599
<v Speaker 1>memory night. I started to see the entire structures less

685
00:32:59.599 --> 00:33:01.880
<v Speaker 1>like a puzzle and more like a braid, three chords

686
00:33:02.000 --> 00:33:05.319
<v Speaker 1>woven when the conditions allowed, then pulled apart again. Turning

687
00:33:05.319 --> 00:33:07.559
<v Speaker 1>through the pages of the sub Basement Ledger, I noticed

688
00:33:07.559 --> 00:33:11.480
<v Speaker 1>something new. Faint, nearly erased, was a pattern annotations at

689
00:33:11.480 --> 00:33:14.319
<v Speaker 1>the foot of each page, boxes drawn around capital letters.

690
00:33:14.920 --> 00:33:17.599
<v Speaker 1>What if they were more than simple margin notes. I

691
00:33:17.640 --> 00:33:20.440
<v Speaker 1>copied the letter sequentially, THHG d O O R s

692
00:33:20.519 --> 00:33:22.640
<v Speaker 1>t U r N slash thh E s h E

693
00:33:22.759 --> 00:33:25.359
<v Speaker 1>l v E s sh A f T. A chill

694
00:33:25.440 --> 00:33:28.440
<v Speaker 1>ran down my arms. The phrase felt like an instruction,

695
00:33:28.640 --> 00:33:31.400
<v Speaker 1>or perhaps a description. The doors turned, slushed, the shelf shift.

696
00:33:32.000 --> 00:33:34.359
<v Speaker 1>I spread every city map in blueprint. I had cross

697
00:33:34.440 --> 00:33:36.799
<v Speaker 1>referencing days from h morrows of a lap loans with

698
00:33:36.799 --> 00:33:39.920
<v Speaker 1>the years the library's structure physically changed in nineteen fifty nine,

699
00:33:40.079 --> 00:33:43.799
<v Speaker 1>nineteen sixty four, nineteen seventy nine, nineteen ninety seventh year

700
00:33:43.799 --> 00:33:47.480
<v Speaker 1>of heavy flooding, a decade back. Without exception, every improbable

701
00:33:47.559 --> 00:33:50.319
<v Speaker 1>landing OAR address appeared at exactly these thresholds. Times when

702
00:33:50.319 --> 00:33:54.319
<v Speaker 1>the building or the city itself was physically rearranged, when

703
00:33:54.359 --> 00:33:58.440
<v Speaker 1>rooms were repurposed, books moved, addresses deleted, even renovation logs

704
00:33:58.440 --> 00:34:02.319
<v Speaker 1>noted missing catalog entries box four slash seven. In each moment,

705
00:34:02.359 --> 00:34:06.279
<v Speaker 1>the echoing anomaly returned temporary records, evanescent memories, stories no

706
00:34:06.319 --> 00:34:09.280
<v Speaker 1>one else could find. In the morning, the realization landed

707
00:34:09.320 --> 00:34:12.320
<v Speaker 1>as quietly as dawned. There was no one agemorrow. There

708
00:34:12.519 --> 00:34:14.960
<v Speaker 1>was instead the role of a reader, invoked by the

709
00:34:15.000 --> 00:34:16.920
<v Speaker 1>write out effact at the right moment, someone who could

710
00:34:17.000 --> 00:34:19.599
<v Speaker 1>check out, return, and referred stories when the city and

711
00:34:19.679 --> 00:34:22.599
<v Speaker 1>library briefly overlapped with what had almost been the card

712
00:34:22.639 --> 00:34:26.239
<v Speaker 1>was a passport vallid. Wherever the thresholds touched, whenever shells moved,

713
00:34:26.360 --> 00:34:29.719
<v Speaker 1>whenever doors turned in the architecture. I had spent weeks

714
00:34:29.719 --> 00:34:32.679
<v Speaker 1>searching for an explanation, grounded in lost books, memory falts,

715
00:34:32.760 --> 00:34:36.599
<v Speaker 1>deliberate misfallings. But here as a pattern emerged, I saw

716
00:34:36.639 --> 00:34:39.199
<v Speaker 1>something simpler, the library itself not just a record, but

717
00:34:39.239 --> 00:34:42.639
<v Speaker 1>a machine for possibility. Every few years, at the axis

718
00:34:42.639 --> 00:34:45.480
<v Speaker 1>of some physical, social, or narrative change, the shells shifted,

719
00:34:45.480 --> 00:34:48.519
<v Speaker 1>ever so slightly, reconfiguring what was possible, allowing glance in

720
00:34:48.519 --> 00:34:51.880
<v Speaker 1>contact with what might have been an accidental phenomenon made

721
00:34:51.960 --> 00:34:53.960
<v Speaker 1>visible by a novel to defunct card and a handful

722
00:34:54.000 --> 00:34:56.639
<v Speaker 1>of haundred in books no one remembered writing. I felt

723
00:34:56.639 --> 00:34:58.480
<v Speaker 1>a wash of all the urge to possess the solution

724
00:34:58.599 --> 00:35:02.280
<v Speaker 1>faded into pure spechless reas the eighth card their reader

725
00:35:02.400 --> 00:35:05.480
<v Speaker 1>belonged to possibility itself, not to any one memory, any

726
00:35:05.480 --> 00:35:09.280
<v Speaker 1>one reality. All the vanished stories, the misremembered prades, the

727
00:35:09.360 --> 00:35:12.280
<v Speaker 1>lost addresses, they weren't evidence of failure or bureaucratic error,

728
00:35:12.440 --> 00:35:15.559
<v Speaker 1>or even urban ghostliness. There were the natural turbulence of

729
00:35:15.559 --> 00:35:18.000
<v Speaker 1>collective life, made tangible only for a moment at a

730
00:35:18.039 --> 00:35:22.079
<v Speaker 1>medium building, where their story and attention, my skepticism, my

731
00:35:22.199 --> 00:35:24.760
<v Speaker 1>need to pin every detail to an objective event, melted

732
00:35:25.440 --> 00:35:28.559
<v Speaker 1>in its place, flooded humility. We do not own our past.

733
00:35:28.719 --> 00:35:31.559
<v Speaker 1>Our stories overlap and contradict and sustain us all the same.

734
00:35:32.119 --> 00:35:34.639
<v Speaker 1>The library, sturdy as marble and old as the city's

735
00:35:34.639 --> 00:35:38.280
<v Speaker 1>own memory, simply included that fact. After that, the evidence

736
00:35:38.320 --> 00:35:41.360
<v Speaker 1>no longer mattered, there was nothing left to solve. Instead,

737
00:35:41.480 --> 00:35:44.840
<v Speaker 1>I returned each week, sometimes shelving, sometimes simply listening to

738
00:35:44.840 --> 00:35:46.760
<v Speaker 1>the squeak of a stare, of the hush of page turning,

739
00:35:46.960 --> 00:35:49.159
<v Speaker 1>watching the flicker in the overhead bulbs as a storm

740
00:35:49.159 --> 00:35:52.400
<v Speaker 1>mold above Benning Lane. I caught myself paying gentle attention

741
00:35:52.440 --> 00:35:54.800
<v Speaker 1>to mistaken reshovings, to moment when a book reappeared in

742
00:35:54.800 --> 00:35:57.360
<v Speaker 1>an unfamiliar spot and no one quite remembered who checked

743
00:35:57.360 --> 00:35:59.840
<v Speaker 1>it in. There was no urge now defoul a report,

744
00:35:59.840 --> 00:36:02.079
<v Speaker 1>only to honor what was fleeting and true, even if

745
00:36:02.199 --> 00:36:04.280
<v Speaker 1>or because it was slip away before any one else

746
00:36:04.320 --> 00:36:07.320
<v Speaker 1>looked up. And the people too became subtly different to me.

747
00:36:08.000 --> 00:36:10.559
<v Speaker 1>I chat with Alice and Junior, watching for changes in

748
00:36:10.599 --> 00:36:13.159
<v Speaker 1>their own recollections, half wondering if they become leaders in

749
00:36:13.159 --> 00:36:15.719
<v Speaker 1>some terne of the shelves, some rearrangement yet to come.

750
00:36:16.239 --> 00:36:18.440
<v Speaker 1>I asked the regulars about the new arrivals, the long

751
00:36:18.519 --> 00:36:21.000
<v Speaker 1>lost books, lest to fetch the facts and to celebrate

752
00:36:21.039 --> 00:36:24.199
<v Speaker 1>the very act of remembering. I found myself smiling whenever

753
00:36:24.199 --> 00:36:26.039
<v Speaker 1>someone told a story that didn't line up with any

754
00:36:26.039 --> 00:36:28.599
<v Speaker 1>local history. When missescil well and claimed the lighthouse once

755
00:36:28.639 --> 00:36:30.760
<v Speaker 1>went dark for a fortnight, but Junior joked, but see

756
00:36:30.800 --> 00:36:33.519
<v Speaker 1>a but Vanish or Alice rolled her eyes, refusing to

757
00:36:33.559 --> 00:36:36.760
<v Speaker 1>admit her own memory. At skipped Each contradiction I now

758
00:36:36.840 --> 00:36:38.960
<v Speaker 1>understood was proof of a city, a library in a

759
00:36:38.960 --> 00:36:41.519
<v Speaker 1>neighborhood far richer than the sum of its documented facts.

760
00:36:42.159 --> 00:36:44.280
<v Speaker 1>One gray morning, as the wind last fleet against the

761
00:36:44.360 --> 00:36:46.920
<v Speaker 1>library's old stained glass, I paused at the sub basement

762
00:36:46.920 --> 00:36:49.920
<v Speaker 1>book drop on, thinking, I set my pomp flat against

763
00:36:49.920 --> 00:36:52.440
<v Speaker 1>a cordi metal trace in the faintly each date, for

764
00:36:52.599 --> 00:36:54.840
<v Speaker 1>breath or two, I thought I heard another world's bustled

765
00:36:54.880 --> 00:36:57.679
<v Speaker 1>children laughing on prey day, crowd gathered from Amonade under

766
00:36:57.679 --> 00:37:00.480
<v Speaker 1>Crimson lanterns, the creak of a Vanish lampite move somewhere

767
00:37:00.559 --> 00:37:02.639
<v Speaker 1>just out of view. I left the eighth card in

768
00:37:02.679 --> 00:37:05.039
<v Speaker 1>a special folder by the Exceptians box, half hoping some

769
00:37:05.079 --> 00:37:06.960
<v Speaker 1>one would come one day to claim it, whether the

770
00:37:06.960 --> 00:37:09.800
<v Speaker 1>catalog were for a moment list an impossible new return.

771
00:37:10.320 --> 00:37:13.400
<v Speaker 1>And I returned up the steps, feeling the city's polls flickering,

772
00:37:13.639 --> 00:37:15.920
<v Speaker 1>knowing that every library contains more than one city, that

773
00:37:16.039 --> 00:37:18.239
<v Speaker 1>every card holder, seen or unseen, might be reading in

774
00:37:18.280 --> 00:37:21.400
<v Speaker 1>a place just next ours. Even now, when I listen

775
00:37:21.400 --> 00:37:23.599
<v Speaker 1>as stories are told in the reading room, I wonder

776
00:37:23.679 --> 00:37:25.800
<v Speaker 1>how many versions of a place are quietly remembered in

777
00:37:25.800 --> 00:37:28.280
<v Speaker 1>the spaces we share. And could it be if I

778
00:37:28.320 --> 00:37:31.079
<v Speaker 1>look and listen, I'll find my own story tangled with another's,

779
00:37:31.239 --> 00:37:36.679
<v Speaker 1>waiting gently for a dishlve to shift. And that is

780
00:37:36.719 --> 00:37:39.199
<v Speaker 1>the end. Thank you for listening, and I will see

781
00:37:39.199 --> 00:37:47.960
<v Speaker 1>you in the next one.
