WEBVTT

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<v Speaker 1>It's KMFI AM six forty and you're listening to the

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<v Speaker 1>Conway Show on demand on the iHeartRadio app.

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<v Speaker 2>Tomorrow at twelve thirty will be the first Big ten

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<v Speaker 2>game for the USC Trojans, and it could not be bigger.

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<v Speaker 3>Is it?

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<v Speaker 2>Going to the Big House in ann Arbor, Michigan to

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<v Speaker 2>face off against the number eighteen Wolverines. The Trojans are

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<v Speaker 2>number eleven right now. And I grew up as a

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<v Speaker 2>longtime USC Trojans fan, Sorry UCLA. I was always partial

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<v Speaker 2>to the Trojans and that goes back to my father

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<v Speaker 2>taking me to a USC basketball game in the mid

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<v Speaker 2>nineteen seventies and I was a Trojan fan ever since.

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<v Speaker 2>But USC football has been up and down over the

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<v Speaker 2>past two years. I was talking to petros of Petrosen

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<v Speaker 2>Money earlier today. It even he was kind of bullish

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<v Speaker 2>on this team as far as its prospects, the potential

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<v Speaker 2>that it might be able to do something thing. But

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<v Speaker 2>I'm not an sc alum. Tiffany Hobbs, who you will hear,

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<v Speaker 2>paired up with Mark Ronner as they take over for

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<v Speaker 2>me and it's a hosting later with Mo Kelly later

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<v Speaker 2>on tonight. Tiffany Hobbs is an sc alum.

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<v Speaker 3>I grew up.

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<v Speaker 2>Loving the PAC eight, which turned into the PAC ten,

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<v Speaker 2>which turned into the PAC twelve, and now the PAC

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<v Speaker 2>twelve is.

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<v Speaker 3>It's still around, but it's not what it was.

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<v Speaker 2>Did it have any significance to you, Tiffany, when USC

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<v Speaker 2>and UCLA and other schools bolted for the Big ten?

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<v Speaker 4>Absolutely? And first, thank you for playing our fight song.

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<v Speaker 4>I was in here with my V for victory, doing

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<v Speaker 4>our salute and you know, pumping my fingers, and it

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<v Speaker 4>just takes me back. I'm of the Pete Carroll generation.

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<v Speaker 4>I'm of the forty for forty generation, that ESP and

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<v Speaker 4>documentary that was done. I believe if you're thirty for thirty,

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<v Speaker 4>I had the numbers wrong. You knew what I meant, MO,

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<v Speaker 4>But I'm of that ILK. I'm of the Matt Lionard

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<v Speaker 4>and Reggie Lyndell White and all of them. And so

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<v Speaker 4>playing Michigan for me is something that's always been relegated

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<v Speaker 4>to the National Championship, to the Rose Bowl, so that

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<v Speaker 4>we're playing them during season is monumental. It's something we

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<v Speaker 4>usually wait for all year, and now it's at the

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<v Speaker 4>beginning and all of this momentum is just crashing.

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<v Speaker 3>Yes, it has a lot of significance.

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<v Speaker 2>What about the symbolism of the Rose Bowl never again

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<v Speaker 2>being the Rose Bowl what we have always thought it

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<v Speaker 2>to be.

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<v Speaker 4>Right, I'm not happy about that because there's so much

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<v Speaker 4>nostalgia attached to that January first game, just to that

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<v Speaker 4>period of time. So the fact that we're no longer

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<v Speaker 4>going to have the Rose Bowl as kind of a

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<v Speaker 4>marker or like essentially a really significant time in history

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<v Speaker 4>during our football season, it's kind of sad.

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<v Speaker 3>It's a bit bittersweet. I look forward to it every year.

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<v Speaker 4>I don't necessary barely attend, but it's always something I

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<v Speaker 4>look to as the pinnacle of USC football and it's

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<v Speaker 4>no longer there.

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<v Speaker 2>What was it like being a student at USC during

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<v Speaker 2>the Pete Carroll era? You know what it's like when

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<v Speaker 2>it was at its best, and you know what it's

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<v Speaker 2>like when it wasn't at its best. To know when

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<v Speaker 2>you have a Heisman Trophy candidate and or winner walking

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<v Speaker 2>around campus, maybe in class with you, Oh yeah, oh yeah,

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<v Speaker 2>what was that time like?

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<v Speaker 3>It was normal. It was a normal collegiate experience.

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<v Speaker 4>They weren't the superstars they've become. They were well known

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<v Speaker 4>because Athletics is a huge part of USC in every

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<v Speaker 4>field for the most part, with football being the biggest.

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<v Speaker 3>But you noticed these people.

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<v Speaker 4>I befriended these people just as classmates. I had Reggie

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<v Speaker 4>Bush in classes. I had Matt Lioner sitting behind me

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<v Speaker 4>in sociology and we were swapping notes.

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<v Speaker 3>So are you just showing off now? Huh?

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<v Speaker 4>And you know, again, it was a very normal experience,

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<v Speaker 4>but you did know that these students were special and

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<v Speaker 4>that they were being celebrated outside of our little cacophony

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<v Speaker 4>on campus. Pete Carroll, on the other hand, was absolutely

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<v Speaker 4>a celebrity. Oh really, Oh my god. He walked around

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<v Speaker 4>and I swear it was like the Red Sea. It

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<v Speaker 4>just parted. People just moved out of his way as

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<v Speaker 4>Pete Carroll walked through campus, and he couldn't have been

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<v Speaker 4>a nicer person.

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<v Speaker 2>Twenty years or so later, now, Reggie Bush has been

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<v Speaker 2>reinstated as far as USC, He's gotten back his Heisband trophy.

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<v Speaker 2>But I don't know how people may feel about Pete

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<v Speaker 2>Carroll in the years since, given the loss of scholarships,

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<v Speaker 2>the loss of a national championship, you know, vacating that championship,

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<v Speaker 2>and loss of wins.

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<v Speaker 3>How is he viewed within campus circles. He's still very

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<v Speaker 3>much beloved.

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<v Speaker 4>He's Pete Carroll, and many people, many USC alums, look

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<v Speaker 4>back at that period as being the best stretch of

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<v Speaker 4>USC football, or at least one of the top two

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<v Speaker 4>or three in USC's football history. So Pete Carroll is

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<v Speaker 4>again beloved, He's revered. If he wanted to come back,

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<v Speaker 4>I am dollars to donut sure they would have him back.

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<v Speaker 3>I don't know if he would go back to college.

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<v Speaker 4>For me, he wouldn't, but if he wanted to, he could.

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<v Speaker 4>I think he always has a home at USC. So

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<v Speaker 4>does Reggie Bush, so do many others who come from

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<v Speaker 4>that from that family.

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<v Speaker 2>Well, look, this is kind of like a pre cross talk,

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<v Speaker 2>So let me just ask you this before I let

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<v Speaker 2>you go. You are going to be co hosting with

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<v Speaker 2>Mark Ronner, who's usually in the news booth, but you

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<v Speaker 2>two are both going to be steering the Lady with

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<v Speaker 2>Mo Kelly ship tonight. Yeah, don't wreck it, okay, Please,

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<v Speaker 2>don't run it aground, don't think it, don't do anything

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<v Speaker 2>that I wouldn't do.

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<v Speaker 3>Is we're going to treat it like a cruise.

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<v Speaker 5>Mo.

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<v Speaker 4>And that's something that you would be happy to be

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<v Speaker 4>on with us. Okay, I know a lot about cruising.

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<v Speaker 4>It won't be the naked cruise. I know you guys

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<v Speaker 4>were talking about looking at yourselves in the mirror naked

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<v Speaker 4>and you enjoying that.

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<v Speaker 3>Wait wait, wait, don't confuse stories.

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<v Speaker 2>I said, me looking at myself in the mirror is

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<v Speaker 2>for when I'm at home.

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<v Speaker 3>I would never go on a naked cruise.

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<v Speaker 6>I don't know.

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<v Speaker 3>I tell people all the.

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<v Speaker 2>Time the idea of certain things is not the same

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<v Speaker 2>as the reality.

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<v Speaker 3>Like if you've ever.

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<v Speaker 2>Been to Black's Beach, you know what I'm saying, Like,

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<v Speaker 2>have you ever been to like a nude beat you

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<v Speaker 2>think like, oh, it'd be great.

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<v Speaker 3>No, it's not. It really isn't. It's not.

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<v Speaker 4>There's a lot of skin, a lot of flopping and

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<v Speaker 4>flapping around.

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<v Speaker 3>Gravity is not everybody's friend.

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<v Speaker 2>Okay.

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<v Speaker 3>And the same thing, I shouldn't tell too many stories.

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<v Speaker 2>All I'm saying is, yes, get on a cruise ship tonight.

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<v Speaker 4>Okay, just don't get on the nude cruise. We won't

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<v Speaker 4>and we will try very hard not to sink your ship.

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<v Speaker 3>Mode. We won't sink your battleship, so to speak. So

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<v Speaker 3>to speak.

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<v Speaker 2>Thank you very much. So prediction tomorrow SC Michigan.

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<v Speaker 3>Oh, SC.

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<v Speaker 4>We've won the last two times we've played, We've won.

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<v Speaker 4>We've beaten them a lot, We've beaten the breaks off

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<v Speaker 4>of them. Oh, the last two times we've played, and

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<v Speaker 4>I've I feel like I'm jinxing us now, but I

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<v Speaker 4>do believe very much that we will win.

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<v Speaker 3>We have to win. Yeah, y'all better, we we have

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<v Speaker 3>to win, all right.

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<v Speaker 2>Tiffany Hobbs, Tiffty Hobbs and Mark Ronn are coming up

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<v Speaker 2>at seven o'clock in for me later with Mo Kelly.

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<v Speaker 2>I wish you all luck, Thank you, Mo, see you

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<v Speaker 2>Conway Show, Mo Kelly here KFI AM six forty live

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<v Speaker 2>everywhere on the iHeartRadio app. We're going to keep the

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<v Speaker 2>sports thing going because you know Caitlyn Clark, she has

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<v Speaker 2>revolutionized women's basketball, especially the w NBA. Well, the w

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<v Speaker 2>NBA playoffs start this weekend, and if you like me,

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<v Speaker 2>you're gonna want to tune in.

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<v Speaker 3>I'm gonna tell you how you can do that. That's next.

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<v Speaker 6>You're listening to Tim Conway Junior on demand from KFI

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<v Speaker 6>AM six forty.

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<v Speaker 2>Then just a second, we'll give you an update on

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<v Speaker 2>the upcoming w NBA Playoffs, which kicks off this weekend,

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<v Speaker 2>is going to be huge in the world of DWS

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<v Speaker 2>and sports.

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<v Speaker 3>But I have to remind you of this.

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<v Speaker 2>It's Halloween time at the Disneyland Resort and KFI Am

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<v Speaker 2>six forty wants to give you a chance to experience

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<v Speaker 2>all of the frightful fun. The Happiest Halloween has brought

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<v Speaker 2>fiendishly tasty treats, thrills for one in all, and bootifol

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<v Speaker 2>decor to both Disney California Adventure Park and Disneyland Park.

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<v Speaker 2>It's going on right now all the way through Halloween

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<v Speaker 2>October thirty. First, just keep on listening to KFI for

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<v Speaker 2>your chance to win a four pack of one day

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<v Speaker 2>one park tickets to the Disneyland Resort.

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<v Speaker 3>And I'll give you an added hint.

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<v Speaker 2>Keep listening to KFI and Conway Show and later with

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<v Speaker 2>Mokelly for your chance to win a four pack of

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<v Speaker 2>one day one park tickets to the Disneyland Resort. There

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<v Speaker 2>is your only hint you don't get any more. Let's

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<v Speaker 2>talk about the WNBA and on my show later with

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<v Speaker 2>Mokelly Monday through Friday, seven to ten pm here on KFI.

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<v Speaker 2>We were talking about the WNBA long before it was fashionable,

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<v Speaker 2>long before the person by the name of Caitlin Clark

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<v Speaker 2>came on this seen long before she was talked about

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<v Speaker 2>in college at Iowa, And you've heard Tim Carmell Junior

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<v Speaker 2>talking about Kaitlyn Clark talking about how she's changed the

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<v Speaker 2>level of interest, how people started really watching WNBA all

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<v Speaker 2>because of her. Can't deny, but the sport is actually

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<v Speaker 2>a good product once you take the time to watch it,

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<v Speaker 2>learn some of the players, learn some of the team histories,

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<v Speaker 2>the rivalries. Who are some of the big names in

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<v Speaker 2>the sport, and there are some big names, you can

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<v Speaker 2>enjoy it all the better. And Caitlyn Clark has transformed

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<v Speaker 2>what people know and think about w NBA basketball. She

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<v Speaker 2>came in as a heralded rookie. Some people thought that

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<v Speaker 2>there would be an adjustment period, and there was. She

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<v Speaker 2>didn't get off to the greatest start, but she quickly

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<v Speaker 2>found her sea legs and found a way to not

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<v Speaker 2>only survive, but thrive. She's led her team to the playoffs.

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<v Speaker 2>Indi at a fever and it starts on Sunday.

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<v Speaker 7>It's crazy to see since the season began and her,

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<v Speaker 7>you know, playing throughout the season, all of these social

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<v Speaker 7>media takes of people in criticizing her. For those of

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<v Speaker 7>us old enough to know better, it sounds exactly like

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<v Speaker 7>when Jordan first came into the league.

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<v Speaker 2>You know, I would make a slightly different change, a

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<v Speaker 2>different assessment, not like Jordan, because Jordan came in and

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<v Speaker 2>dominated in a points sence, he's.

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<v Speaker 3>A scoring leader.

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<v Speaker 2>I think she's closer in comparison to Magic Johnson as

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<v Speaker 2>far as how is her game formulation.

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<v Speaker 7>As far as the criticism of her, well, yes, the

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<v Speaker 7>what I was talking about is that the criticism I

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<v Speaker 7>see of her, like online all this season has been, oh, yeah,

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<v Speaker 7>she gets all the points and assist but because she

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<v Speaker 7>takes all these shots, and you know, it's like it's

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<v Speaker 7>it's more a matter of the quantity that she's taken

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<v Speaker 7>to get the numbers that she has. And it's like,

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<v Speaker 7>that's what they said about Jordan the beginning.

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<v Speaker 3>She's a rookie.

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<v Speaker 2>There are things that she can improve in our game,

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<v Speaker 2>but she is single handedly most responsible for the turnaround

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<v Speaker 2>of the Indiana Fever franchise as Jordan.

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<v Speaker 3>You know, in many ways, Ran did so much for

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<v Speaker 3>the NBA. You can't argue with success.

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<v Speaker 2>Now, is she the MVP, No, that's Asia Wilson by

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<v Speaker 2>a lot. Is she the rookie of the Year? Absolutely? Absolutely?

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<v Speaker 2>Can she make some noise in the playoffs? We'll see

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<v Speaker 2>they're coming in in the in the sixth slot. They're

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<v Speaker 2>going up against the Connecticut Sun and their first game

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<v Speaker 2>is this Sunday at twelve noon on ABC. To put

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<v Speaker 2>that in perspective, that's like a Sunday NBA game and

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<v Speaker 2>time slot.

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<v Speaker 3>How many how many teams do not make the w

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<v Speaker 3>NBA playoffs?

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<v Speaker 7>I want to say about half really, because they were saying,

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<v Speaker 7>I mean, considering that's that's pretty phenomenal, considering how bad

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<v Speaker 7>that team was before she got there.

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<v Speaker 2>Well, they got to number one draft picks, one number

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<v Speaker 2>one overall draft picks the past two year. They were

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<v Speaker 2>that bad and for the first half of this WNBA

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<v Speaker 2>season they were still that bad, which highlights I would

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<v Speaker 2>say the outsized impact that Caitlyn Clark has had. She

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<v Speaker 2>broke the single season assists record as a rookie. Now

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<v Speaker 2>where I said that she needed to improve her game,

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<v Speaker 2>she also I think broke the record for most turnovers

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<v Speaker 2>in the season, and that has to do with decision making.

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<v Speaker 2>That has to do with just maturing as a player,

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<v Speaker 2>and that will happen with time. And I was saying,

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<v Speaker 2>I more compare her game to Magic Johnson as far

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<v Speaker 2>as making other players around her better. It's not just

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<v Speaker 2>her where on a given night she may throw in

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<v Speaker 2>a triple double, but she may also be the catalyst

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<v Speaker 2>for other teammates doing well.

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<v Speaker 3>She's only going to get better. I mean, just love averages.

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<v Speaker 2>Law of averages, and you know what, And from what

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<v Speaker 2>I can tell, she seems durable in other words, not

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<v Speaker 2>prone to injury.

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<v Speaker 7>Yeah, and she doesn't seem to really or struggle and

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<v Speaker 7>just mentally she seems like she's got the toughness to

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<v Speaker 7>kind of stick it through and get better.

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<v Speaker 2>Oh she does, but she does have to improve her

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<v Speaker 2>ball handling, she has to improve her defense, and yes,

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<v Speaker 2>players do get better. People forget she's only like twenty

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<v Speaker 2>two or twenty three, which means that she's only been

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<v Speaker 2>a fully grown adult in her adult body and skills

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<v Speaker 2>for maybe five years at most. You're not really fully

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<v Speaker 2>matured into well to your twenties.

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<v Speaker 7>She's definitely given an excitement to people who otherwise had

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<v Speaker 7>not given a crap about WNBA before, including myself.

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<v Speaker 3>Right, and again, I can't stress it enough. I hate that.

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<v Speaker 3>You can't hate it now.

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<v Speaker 2>You can dislike her fan base, sure, because a lot

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<v Speaker 2>of them are not actual WNBA fans. They're not knowledgeable

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<v Speaker 2>about the game, and they make these proclamations about Caitlin

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<v Speaker 2>Clark that just aren't true, like saying that she needed

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<v Speaker 2>to be the MVP. No, she's not close. She's had

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<v Speaker 2>a wonderful year, but she's not the MVP of the league.

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<v Speaker 2>That only speaks to you not knowing who the best

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<v Speaker 2>player in the league is, and it's by a lot

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<v Speaker 2>aga Wilson. But could it be next year? Quite possibly.

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<v Speaker 2>She's on a wonderful trajectory.

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<v Speaker 3>Again.

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<v Speaker 2>This game, the Indiana Fever Game, is going to be

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<v Speaker 2>twelve noon Sunday. That's usually reserved for NBA caliber weekend games.

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<v Speaker 2>Could you say that a year ago could not not

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<v Speaker 2>even close. And there's what happens on the court, and

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<v Speaker 2>there's what happens off the court. On the court, she's

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<v Speaker 2>not the best player. Off the court, she's the most

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<v Speaker 2>compelling player. Both things are true. Now she has the

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<v Speaker 2>biggest spotlight on her and careers and legacies are made

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<v Speaker 2>in the playoffs, and she will have more scrutiny now

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<v Speaker 2>than ever before because the casual fan, the non fan,

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<v Speaker 2>the people who are listening down it's like, let me

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<v Speaker 2>check out this Caitlin Clark.

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<v Speaker 3>They're all going to be tuning in on Sunday and

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<v Speaker 3>it's going to remind you of Kobe because his first

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<v Speaker 3>year was not oh you are reading my mind.

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<v Speaker 2>Because that first year that Kobe was with the Lakers,

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<v Speaker 2>they had this series against the Utah Jazz and he's

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<v Speaker 2>best known for throwing up maybe four or five consecutive

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<v Speaker 2>air balls ricks.

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<v Speaker 3>It's a different level of pressure.

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<v Speaker 2>Has nothing to do with ability physical abilities, about being

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<v Speaker 2>able to manage your emotions in the moment. This is

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<v Speaker 2>going to be huge for not only Kitlyn Clark, but

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<v Speaker 2>for the WNBA, and for all the jokes about how

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<v Speaker 2>the WNBA had horrible basketball or it couldn't pay for

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<v Speaker 2>itself and the NBA was subsidizing it. They have a

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<v Speaker 2>massive TV deal which is coming and a rising tide

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<v Speaker 2>lists all boats, all the players will be paid more,

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<v Speaker 2>They'll have a larger slice of the pie. Caitlin Clark

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<v Speaker 2>has been fantastic for the WNBA. It's just now she's

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<v Speaker 2>going to have to put up for everyone to see

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<v Speaker 2>on the biggest stage, and I'm going to be watching.

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<v Speaker 6>You're listening Tim Conway Junior on demand from KFI AM

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<v Speaker 6>six forty.

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<v Speaker 2>Did you know it's been forty years and two days

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<v Speaker 2>since the series finale of Three's Company September eighth excuse me,

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<v Speaker 2>September eighteenth, forty years ago, the final episode of threes Company.

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<v Speaker 2>And it saddens me because, of course, as we get older,

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<v Speaker 2>we have these constant reminders of our mortality. Actress Joyce

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<v Speaker 2>de Witt obviously played Janet is seventy five now and

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<v Speaker 2>she's the last surviving member of that show. And you

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<v Speaker 2>think about other TV shows of the eighties and late seventies,

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<v Speaker 2>and most of them are down to no one left

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<v Speaker 2>or only one person left, like Laverne and Shirley.

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<v Speaker 3>Lenny Is.

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<v Speaker 2>The actor Michael McKeon, who played Lenny, is the last

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<v Speaker 2>surviving member of the show. They have Max the Beverly Hillbillies.

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<v Speaker 2>You have Tina Louise who played Ginger on Gilligan's Island.

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<v Speaker 2>She's the last surviving member. Leave it to Beaver. Jerry Mathers,

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<v Speaker 2>the Beaver himself is the last surviving member, Pam Dauber,

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<v Speaker 2>who played many of Mork and Mindy the last surviving member.

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<v Speaker 3>And so on.

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<v Speaker 2>So we're losing these great actors and actresses from these

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<v Speaker 2>phenomenal TV shows, so it's always good to hear from

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<v Speaker 2>them while we can still hear from them. And Joyce

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<v Speaker 2>to Wit was asked about the fortieth anniversary of the

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<v Speaker 2>series finale of Three's Company, and here's what she had

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<v Speaker 2>to say to US Weekly Magazine. Quote. The most dear, precious, tender,

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<v Speaker 2>and utterly unexpected experiences that have come from working in

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<v Speaker 2>Three's Company are the many, many adults who have told

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<v Speaker 2>me that Three's Company was a safe haven they could

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<v Speaker 2>count on during their teen years.

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<v Speaker 3>For some, the only say haven.

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<v Speaker 2>And it's weird because I fit into that because I

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<v Speaker 2>was watching Three's Company during some of my teenage years.

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<v Speaker 2>Three's Company ran for eight seasons from nineteen seventy six

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<v Speaker 2>to nineteen eighty four. Of course it never really left syndication,

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<v Speaker 2>and if you are not old enough to remember, but

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<v Speaker 2>it was all about Jack Tripper, who was played by

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<v Speaker 2>the late John Ritter, and he moved him too an

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<v Speaker 2>apartment with Janet Wood and Chrissy snow and it was

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<v Speaker 2>a really big deal back then because, as the show goes,

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<v Speaker 2>Jack had to fake as if he was gay to

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<v Speaker 2>be allowed to stay in the same apartment as two women.

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<v Speaker 2>And the running joke was be it mister Roper or

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<v Speaker 2>mister Furley, was that Jack Tripper was supposedly gay and

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<v Speaker 2>he was not any type of sexual threat to Janet

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<v Speaker 2>or Chrissy. And you would think today it's like, how

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<v Speaker 2>does that even work? Why would that even be a

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<v Speaker 2>TV show? And Michael Croach, you remember, it was a

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<v Speaker 2>big damn deal back then.

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<v Speaker 3>He was.

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<v Speaker 7>He's basically the reason why I'm here in La. That

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<v Speaker 7>show and him are the basically the reasons why I

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<v Speaker 7>came out here to La to try to do what

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<v Speaker 7>he did and make people feel the way that he

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<v Speaker 7>made me feel watching him.

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<v Speaker 2>His brand of physical humor was so funny, and I

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<v Speaker 2>don't know if they could have written all that stuff

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<v Speaker 2>in with his facial expressions, his facial contortions, there's a

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<v Speaker 2>lot of physical humor that you just don't see. Well, hell,

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<v Speaker 2>you don't even see sitcoms anymore, but you don't see

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<v Speaker 2>that type of humor done with such genius anymore.

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<v Speaker 7>I still do affectations and sounds and stuff that he

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<v Speaker 7>did like a Yeah.

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<v Speaker 3>He was probably the biggest reason why I came out

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<v Speaker 3>here to La.

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<v Speaker 2>And you talk about Joyce, to which she was always

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<v Speaker 2>one who, for the most part, played Janet straight. She

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<v Speaker 2>was not ditsy like Chris See, she was not wild

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<v Speaker 2>like Jack. She was always the stabilizing influence as far

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<v Speaker 2>as the character goes.

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<v Speaker 3>I preferred her to Christy. Oh I did too, Don't

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<v Speaker 3>get me wrong.

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<v Speaker 2>You know Christy was fine as sid Did you know,

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<v Speaker 2>I learned relatively recently. If you know the opening, and

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<v Speaker 2>that's part of the reason why I played the theme.

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<v Speaker 2>If you know the opening to the show, Jack is

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<v Speaker 2>riding his bike on the beach I think it's Venice Beach,

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<v Speaker 2>and he falls over because some beautiful brunette is walking

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<v Speaker 2>by in the other direction. I didn't know until recently

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<v Speaker 2>that was Suzanne Summers in a wig in a wig. Yes, No,

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<v Speaker 2>I'm serious, I didn't know. Looked at this, Yes, I

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<v Speaker 2>didn't know that. Because it's one of those trivia things.

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<v Speaker 2>I wonder who that woman was. He like you try

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<v Speaker 2>to look it up on IMDb, and maybe he had

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<v Speaker 2>something to do with the fortieth anniversary of the final

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00:20:50.839 --> 00:20:52.799
<v Speaker 2>show coming up, and then they said, no, it was

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<v Speaker 2>the passing of Suzanne Summers, that's what it was. And

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00:20:55.440 --> 00:20:59.160
<v Speaker 2>they were talking about how she was the brunette just

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<v Speaker 2>in a wig walking the other way that makes Jack

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<v Speaker 2>fall off his bike. Wow, And I said, after all

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<v Speaker 2>these years, I did not know. And it's like that's

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<v Speaker 2>the best part. You get to learn something about these

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00:21:09.200 --> 00:21:11.839
<v Speaker 2>shows and the characters and the actors and actresses who

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00:21:11.880 --> 00:21:15.640
<v Speaker 2>played them, and it's it's weird for me because as

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<v Speaker 2>talented as Joyce de Witt obviously was, that was about

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<v Speaker 2>the only thing she I know, she did some mother

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<v Speaker 2>bit TV work, but she did not move on to

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<v Speaker 2>anything else, not that she needed to, but she didn't

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<v Speaker 2>in the way that you saw more of Suzanne Summers.

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<v Speaker 2>You saw more of obviously John Ritter and the other

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<v Speaker 2>actors like chryl Tea's whoever else who played.

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<v Speaker 7>The blonde on the show, right, because they went through

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<v Speaker 7>three or three or I think at least three.

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<v Speaker 3>I feel like there was a forced one. Ye it

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<v Speaker 3>might have.

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<v Speaker 2>Been, but you know it it's just she's always been.

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<v Speaker 3>There was four. I don't remember the names, but yeah.

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<v Speaker 2>Look it up for us real quick. Now, this is

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<v Speaker 2>gonna bother me. This is the worst part of getting older.

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00:21:57.359 --> 00:21:58.319
<v Speaker 2>I can't remember all the names.

425
00:21:58.960 --> 00:21:59.160
<v Speaker 5>Say.

426
00:21:59.160 --> 00:22:02.440
<v Speaker 8>The other thing that I learned about the intro, I

427
00:22:02.480 --> 00:22:04.400
<v Speaker 8>know there's different variations of it, but I don't know.

428
00:22:04.440 --> 00:22:05.960
<v Speaker 8>I don't even know where I saw this, but I

429
00:22:06.079 --> 00:22:09.000
<v Speaker 8>never forgot it. But there's a scene where in the

430
00:22:09.160 --> 00:22:11.319
<v Speaker 8>opening there's a kid that runs and I think Joyce

431
00:22:11.400 --> 00:22:13.680
<v Speaker 8>Dewitz the one that picks him up. That's actually John

432
00:22:13.720 --> 00:22:17.759
<v Speaker 8>Ridder's son, as in like Jace Jason ridd the one

433
00:22:17.759 --> 00:22:21.640
<v Speaker 8>who's a star. Now, yeah, wow, that's what I thought

434
00:22:21.640 --> 00:22:22.160
<v Speaker 8>you were gonna say.

435
00:22:22.160 --> 00:22:23.480
<v Speaker 3>And I was like, oh, yeah, I heard about that too.

436
00:22:23.519 --> 00:22:25.839
<v Speaker 2>Look all I can say is and I think Michael

437
00:22:25.880 --> 00:22:27.680
<v Speaker 2>Will there's three three.

438
00:22:27.599 --> 00:22:32.000
<v Speaker 3>Yeah, yeah. It was after Chrissy Snow. It was her cousin.

439
00:22:32.519 --> 00:22:36.359
<v Speaker 7>It was Cindy Snow, Jenny Lee Harrison, which nobody really

440
00:22:36.359 --> 00:22:38.440
<v Speaker 7>cared about, and then the last one was Priscilla Barnes.

441
00:22:38.519 --> 00:22:43.079
<v Speaker 7>Priscilla Barnes Kerry Alden. I remember the first.

442
00:22:42.839 --> 00:22:45.960
<v Speaker 2>Time I saw it because ABC ruled television back then

443
00:22:46.400 --> 00:22:49.000
<v Speaker 2>and this was an ABC show. The first time I

444
00:22:49.039 --> 00:22:55.119
<v Speaker 2>saw the flower Pot of Water Pour on Susanne Summers

445
00:22:55.160 --> 00:22:56.880
<v Speaker 2>in that black bathing suit.

446
00:22:58.799 --> 00:23:00.200
<v Speaker 3>You were done.

447
00:23:00.480 --> 00:23:05.960
<v Speaker 2>Look, I was seven years old. All I knew was

448
00:23:06.119 --> 00:23:09.599
<v Speaker 2>she was beautiful. I didn't know what to do with myself.

449
00:23:09.640 --> 00:23:11.680
<v Speaker 2>And I never missed another episode, let me tell.

450
00:23:11.519 --> 00:23:14.000
<v Speaker 3>You that much. Yeah, oh goodness.

451
00:23:14.359 --> 00:23:18.880
<v Speaker 2>Forty years since the final episode, the series finale of

452
00:23:19.000 --> 00:23:22.519
<v Speaker 2>Three's Company, and I didn't know they actually had a

453
00:23:22.599 --> 00:23:24.720
<v Speaker 2>final episode. A lot of these shows they just kind

454
00:23:24.720 --> 00:23:28.160
<v Speaker 2>of go away, but they actually had a final episode.

455
00:23:29.200 --> 00:23:32.799
<v Speaker 2>And Joyce to Wit said that she wanted something different

456
00:23:34.039 --> 00:23:34.960
<v Speaker 2>for her character.

457
00:23:35.519 --> 00:23:38.599
<v Speaker 3>She wanted her her Well, this is what she had

458
00:23:38.640 --> 00:23:38.839
<v Speaker 3>to say.

459
00:23:38.920 --> 00:23:41.480
<v Speaker 2>Quote I, as in Joyce to Wit, was a bit

460
00:23:41.519 --> 00:23:43.640
<v Speaker 2>offended when it was time to retire the show that

461
00:23:43.680 --> 00:23:46.480
<v Speaker 2>they chose to marry her off as in Janet as

462
00:23:46.519 --> 00:23:49.640
<v Speaker 2>the path forward for that character. I would have sent

463
00:23:49.680 --> 00:23:53.000
<v Speaker 2>her to law school or medical school, or to the

464
00:23:53.039 --> 00:23:57.039
<v Speaker 2>Peace Corps. To her point, yes, that probably made more

465
00:23:57.039 --> 00:23:58.920
<v Speaker 2>sense with what we knew about Janet. That would have

466
00:23:58.920 --> 00:24:02.359
<v Speaker 2>been great too. But it's nineteen eighty four, is that

467
00:24:02.400 --> 00:24:06.400
<v Speaker 2>you know, that's like pre Murphy Brown. We're still dealing

468
00:24:06.480 --> 00:24:08.880
<v Speaker 2>with the reality of Mary Tyler Moore. If you know your.

469
00:24:08.799 --> 00:24:11.240
<v Speaker 7>History right on that cusp. A couple of years later,

470
00:24:11.279 --> 00:24:12.880
<v Speaker 7>that's probably very much what they would have done.

471
00:24:12.920 --> 00:24:15.160
<v Speaker 2>And along those same lines, remember the show One Day

472
00:24:15.200 --> 00:24:18.319
<v Speaker 2>at a Time. The whole idea of a divorcee, you know,

473
00:24:18.920 --> 00:24:23.680
<v Speaker 2>or Alice living by herself and her son. TV was

474
00:24:23.720 --> 00:24:27.599
<v Speaker 2>not as progressive small p as people want to think.

475
00:24:27.960 --> 00:24:30.720
<v Speaker 2>There was a real growth process that TV had to

476
00:24:30.759 --> 00:24:32.759
<v Speaker 2>go through in the late nineteen seventies.

477
00:24:32.759 --> 00:24:36.960
<v Speaker 3>In the early nineteen eighties, Conway show, mo Kelly here,

478
00:24:37.400 --> 00:24:38.240
<v Speaker 3>we have one more segment.

479
00:24:38.279 --> 00:24:40.079
<v Speaker 2>We'll probably sit down with Mark Ronner and see what

480
00:24:40.160 --> 00:24:42.279
<v Speaker 2>he is up to as he and Tiffany hops are

481
00:24:42.279 --> 00:24:44.640
<v Speaker 2>getting ready to share the chair and fill in for

482
00:24:44.680 --> 00:24:45.799
<v Speaker 2>me with Later with Mo Kelly.

483
00:24:45.880 --> 00:24:46.319
<v Speaker 3>That's next.

484
00:24:47.200 --> 00:24:50.920
<v Speaker 6>You're listening to Tim Conway Junior on demand from KFI

485
00:24:51.200 --> 00:24:52.519
<v Speaker 6>AM six forty.

486
00:24:53.920 --> 00:24:57.640
<v Speaker 3>Just in for tonight. Conway will be back on Monday.

487
00:24:58.119 --> 00:25:00.359
<v Speaker 2>But just in case you are not familiar with me,

488
00:25:00.440 --> 00:25:02.880
<v Speaker 2>I host lated with Mo Kelly from seven to ten PM.

489
00:25:02.960 --> 00:25:04.599
<v Speaker 3>Well, exception of tonight.

490
00:25:05.400 --> 00:25:09.599
<v Speaker 2>I'm going to be filled in by Mark Ronner and

491
00:25:09.640 --> 00:25:12.119
<v Speaker 2>Tiffany Hobbs, who will be sharing the chair.

492
00:25:12.599 --> 00:25:14.759
<v Speaker 3>Mark Ronner, what's on a show tonight? We are going

493
00:25:14.799 --> 00:25:16.079
<v Speaker 3>to fill you in, Mo.

494
00:25:17.079 --> 00:25:19.799
<v Speaker 5>It's the same show as usual, except we all just

495
00:25:19.920 --> 00:25:23.240
<v Speaker 5>kind of moved over a chair, didn't we We're gonna

496
00:25:23.240 --> 00:25:25.079
<v Speaker 5>do musical chairs. Yeah, we're gonna do that name that

497
00:25:25.079 --> 00:25:27.960
<v Speaker 5>cult movie classic. In the nine o'clock hour, we're gonna

498
00:25:27.960 --> 00:25:30.200
<v Speaker 5>do the Runner Report. You're gonna have to wait till

499
00:25:30.240 --> 00:25:32.000
<v Speaker 5>then to find out whether or not you should see

500
00:25:32.240 --> 00:25:36.480
<v Speaker 5>the Penguin. We're gonna talk about a couple salacious things

501
00:25:36.519 --> 00:25:41.079
<v Speaker 5>in the news, including that Olivia Newsy scandal with RFK Junior.

502
00:25:41.880 --> 00:25:44.559
<v Speaker 2>You know what, I think you and I look at

503
00:25:44.680 --> 00:25:47.920
<v Speaker 2>scandals like that a different way. I think we hold

504
00:25:48.119 --> 00:25:53.480
<v Speaker 2>reporters in journal journalist professionals to a higher standard. I

505
00:25:53.559 --> 00:25:56.359
<v Speaker 2>was so dismayed when I saw that story. Oh and

506
00:25:56.359 --> 00:25:58.759
<v Speaker 2>we should hold them us to a higher standard. You

507
00:25:58.799 --> 00:26:01.160
<v Speaker 2>got to keep your nose clean. And I think that

508
00:26:01.240 --> 00:26:05.440
<v Speaker 2>she deserves to be excommunicated. Go find another job, Go

509
00:26:05.440 --> 00:26:07.480
<v Speaker 2>go work in pr some we're going to talk about that.

510
00:26:07.839 --> 00:26:09.240
<v Speaker 2>We're going to talk about Diddy.

511
00:26:10.000 --> 00:26:13.519
<v Speaker 5>Ellen has a new special coming up on Netflix. I

512
00:26:13.599 --> 00:26:15.799
<v Speaker 5>have a thought or two on that. It's going to

513
00:26:15.839 --> 00:26:18.039
<v Speaker 5>be a jam packed show. The only thing missing will

514
00:26:18.079 --> 00:26:21.960
<v Speaker 5>be you, Moe Kelly, the host of the show. I'm

515
00:26:22.000 --> 00:26:24.319
<v Speaker 5>read right here. No, I'll be in the car all

516
00:26:24.359 --> 00:26:25.160
<v Speaker 5>my way home.

517
00:26:25.359 --> 00:26:29.440
<v Speaker 2>But talk about that real quickly, the musical chair and

518
00:26:29.519 --> 00:26:32.480
<v Speaker 2>the different muscles you got to use, the gears you

519
00:26:32.559 --> 00:26:32.880
<v Speaker 2>have to.

520
00:26:32.839 --> 00:26:36.200
<v Speaker 3>Shift, moving from news to personality.

521
00:26:36.279 --> 00:26:38.359
<v Speaker 5>Yeah, I'll say well, I was actually a host of

522
00:26:38.400 --> 00:26:40.599
<v Speaker 5>a show of my own in Seattle before I did

523
00:26:40.640 --> 00:26:43.359
<v Speaker 5>news here. But before I was a host in Seattle,

524
00:26:43.400 --> 00:26:47.119
<v Speaker 5>I was also a longtime print journalism reporter and columnist

525
00:26:47.599 --> 00:26:49.920
<v Speaker 5>and op ed writer, And so I've done a lot

526
00:26:49.920 --> 00:26:52.920
<v Speaker 5>of different things, and you do kind of have to

527
00:26:53.000 --> 00:26:56.559
<v Speaker 5>switch gears and make sure you do some things and

528
00:26:56.839 --> 00:26:58.960
<v Speaker 5>don't do other things. You know, like when you're reporting

529
00:26:59.000 --> 00:27:01.799
<v Speaker 5>the news, you can just start riffing about your thoughts

530
00:27:01.839 --> 00:27:05.880
<v Speaker 5>on who's a jerk, who you don't like, what's messed up?

531
00:27:05.960 --> 00:27:10.519
<v Speaker 5>You deliver the news. Here's a little bit different, I mean,

532
00:27:10.640 --> 00:27:13.559
<v Speaker 5>because I have to go back and forth. I have

533
00:27:13.640 --> 00:27:16.440
<v Speaker 5>to watch what I say a little bit still. But

534
00:27:16.599 --> 00:27:20.759
<v Speaker 5>oh no, no, we're letting fly tonight, mo.

535
00:27:21.440 --> 00:27:24.319
<v Speaker 2>You know. I try to tell people everyone has one

536
00:27:24.440 --> 00:27:27.079
<v Speaker 2>radio show in them. If I were to pick someone

537
00:27:27.079 --> 00:27:29.000
<v Speaker 2>off the street and say, hey, do a radio show,

538
00:27:29.160 --> 00:27:32.680
<v Speaker 2>they probably could if they could choose their pet topics

539
00:27:32.920 --> 00:27:33.920
<v Speaker 2>and say I want to talk about this.

540
00:27:33.960 --> 00:27:35.400
<v Speaker 3>I want to talk about that, talk about that.

541
00:27:35.799 --> 00:27:38.400
<v Speaker 2>But once you do show after show after show, you

542
00:27:38.480 --> 00:27:40.559
<v Speaker 2>realize it gets more and more difficult. You have to

543
00:27:40.599 --> 00:27:42.000
<v Speaker 2>deal with the news which is in front of you,

544
00:27:42.039 --> 00:27:44.960
<v Speaker 2>which you're not really choosing, and you have to keep

545
00:27:44.960 --> 00:27:47.680
<v Speaker 2>your audience in mind, where you may want to talk

546
00:27:47.720 --> 00:27:51.000
<v Speaker 2>about one thing, but you can't ignore what is what

547
00:27:51.039 --> 00:27:52.680
<v Speaker 2>they call the talker and so forth.

548
00:27:52.759 --> 00:27:53.920
<v Speaker 3>Oh, that's absolutely right.

549
00:27:54.000 --> 00:27:57.319
<v Speaker 5>And whether you're being a talk host or a journalist,

550
00:27:57.440 --> 00:28:00.400
<v Speaker 5>news anchor whatever, or a reporter, you do you kind

551
00:28:00.400 --> 00:28:03.799
<v Speaker 5>of have to become an instant expert on X number

552
00:28:03.799 --> 00:28:05.519
<v Speaker 5>of things a day and then move on to things

553
00:28:05.559 --> 00:28:09.519
<v Speaker 5>the next day. So you're a little bit of a dilettante?

554
00:28:10.119 --> 00:28:11.599
<v Speaker 5>Is that too big a word? Am I gonna get

555
00:28:11.599 --> 00:28:14.440
<v Speaker 5>scolded for using the word dileton Yes? You will, because

556
00:28:14.519 --> 00:28:17.160
<v Speaker 5>I'll tell you our boss Robin She said, don't don't

557
00:28:17.200 --> 00:28:17.880
<v Speaker 5>use the big words.

558
00:28:17.880 --> 00:28:20.559
<v Speaker 3>Don't use the big words, use the smaller words. Why

559
00:28:20.559 --> 00:28:22.799
<v Speaker 3>don't sound like Gilbert Gottfried used.

560
00:28:22.680 --> 00:28:25.519
<v Speaker 5>The smaller words the jack of all trades, master of none.

561
00:28:25.640 --> 00:28:27.359
<v Speaker 5>How's that is that familiar enough?

562
00:28:27.440 --> 00:28:27.680
<v Speaker 4>Yeah?

563
00:28:28.240 --> 00:28:29.920
<v Speaker 3>He gets almost like, you don't need to use such

564
00:28:30.119 --> 00:28:30.799
<v Speaker 3>those big words.

565
00:28:30.839 --> 00:28:33.240
<v Speaker 2>I said, well, well, those are words I actually use

566
00:28:33.319 --> 00:28:35.640
<v Speaker 2>in my normal everyday conversation.

567
00:28:36.079 --> 00:28:41.440
<v Speaker 5>Yeah, I say recapitulate. Well that's a little high falute.

568
00:28:42.240 --> 00:28:42.599
<v Speaker 3>No, no, no.

569
00:28:42.640 --> 00:28:45.319
<v Speaker 5>I got scolded for using other word pugnacious a couple

570
00:28:45.359 --> 00:28:47.240
<v Speaker 5>of weeks ago, and I didn't realize that was too

571
00:28:47.240 --> 00:28:50.519
<v Speaker 5>many syllables. I always feel like when I get scolded

572
00:28:50.519 --> 00:28:53.480
<v Speaker 5>for using a word, it's like you ever see Amedeus?

573
00:28:53.640 --> 00:28:55.720
<v Speaker 5>And by the way, I've been spoken to for making

574
00:28:55.720 --> 00:29:00.200
<v Speaker 5>too many movie references. But amedeis Wolfgang Amadanas Mozart. He's

575
00:29:00.440 --> 00:29:03.440
<v Speaker 5>dealing with the king of what is it Germany?

576
00:29:03.519 --> 00:29:03.880
<v Speaker 3>Austria?

577
00:29:04.160 --> 00:29:07.359
<v Speaker 5>I think Vienna. I forget there is no king of Vienna.

578
00:29:08.160 --> 00:29:11.839
<v Speaker 5>The end, it's the guy Jeffrey Jones who says that, well,

579
00:29:11.880 --> 00:29:14.680
<v Speaker 5>I don't like this. It has too many notes. There's

580
00:29:14.680 --> 00:29:16.839
<v Speaker 5>too many notes in it. What do you mean, It's

581
00:29:16.880 --> 00:29:19.119
<v Speaker 5>just too many. So that's how I feel when somebody

582
00:29:19.119 --> 00:29:20.880
<v Speaker 5>tells me I used a word that was too big.

583
00:29:20.880 --> 00:29:22.839
<v Speaker 5>It's like I don't know. When I hear a word

584
00:29:22.839 --> 00:29:24.200
<v Speaker 5>that I don't know, I want to learn what the

585
00:29:24.240 --> 00:29:26.480
<v Speaker 5>word is it. If it puts you on edge, all

586
00:29:26.880 --> 00:29:27.839
<v Speaker 5>use a smaller word.

587
00:29:28.079 --> 00:29:29.880
<v Speaker 3>I remember talking to Robin bless her Heart.

588
00:29:29.880 --> 00:29:32.799
<v Speaker 2>I said well, it's talk rado, so you know, how

589
00:29:32.839 --> 00:29:34.119
<v Speaker 2>could I have too many words?

590
00:29:34.880 --> 00:29:36.960
<v Speaker 3>How can I have too many syllables? It's kind of

591
00:29:37.000 --> 00:29:39.119
<v Speaker 3>your stock in trade. It is what I do.

592
00:29:39.359 --> 00:29:43.279
<v Speaker 2>It's tools in the tool chest, you know, but it's

593
00:29:43.519 --> 00:29:46.119
<v Speaker 2>I wish I could pull everyone behind the curtain so

594
00:29:46.119 --> 00:29:49.519
<v Speaker 2>they see that it's it is a discipline and you

595
00:29:49.599 --> 00:29:51.119
<v Speaker 2>have to be a student of your craft now.

596
00:29:51.200 --> 00:29:52.799
<v Speaker 3>And you're really good at it. I know that.

597
00:29:53.240 --> 00:29:55.960
<v Speaker 5>Largely what we do on the show from day to

598
00:29:56.039 --> 00:29:58.799
<v Speaker 5>day and week to week is we bust on each

599
00:29:58.799 --> 00:30:01.160
<v Speaker 5>other and mock each other and laugh at each other

600
00:30:01.240 --> 00:30:03.119
<v Speaker 5>and look for ways to get one in on each other.

601
00:30:03.640 --> 00:30:05.960
<v Speaker 5>But you're the kind of good at it that people

602
00:30:06.240 --> 00:30:10.799
<v Speaker 5>don't understand. Not everybody can do it. The easier you

603
00:30:10.880 --> 00:30:12.880
<v Speaker 5>make it look, the more you thind it's just like writing,

604
00:30:13.000 --> 00:30:15.440
<v Speaker 5>the more you think anybody could do it, Yeah, just

605
00:30:15.480 --> 00:30:17.599
<v Speaker 5>sit behind the mic and talk. But no, no, no,

606
00:30:17.640 --> 00:30:20.240
<v Speaker 5>not everybody can do it. And you're exceptionally good at it. Well,

607
00:30:20.240 --> 00:30:23.880
<v Speaker 5>I appreciate that, you know. Make sure that you let

608
00:30:23.880 --> 00:30:25.960
<v Speaker 5>me know where to Venmo. You for that compliment. Yeah,

609
00:30:25.960 --> 00:30:26.960
<v Speaker 5>you'll put that in a promo.

610
00:30:27.079 --> 00:30:27.319
<v Speaker 3>I know.

611
00:30:29.160 --> 00:30:32.839
<v Speaker 2>Coming up next is later with Mo Kelly just without Mo, Kelly, Mark,

612
00:30:33.160 --> 00:30:35.640
<v Speaker 2>and Tiffany k if I AM six forty We're live

613
00:30:35.759 --> 00:30:37.759
<v Speaker 2>everywhere on the iHeartRadio app.

614
00:30:38.119 --> 00:30:42.240
<v Speaker 1>Conway Show on demand on the iHeartRadio app. Now, you

615
00:30:42.279 --> 00:30:45.000
<v Speaker 1>can always hear us live on kf I AM six

616
00:30:45.079 --> 00:30:49.160
<v Speaker 1>forty four to seven pm Monday through Friday, and anytime

617
00:30:49.319 --> 00:30:52.000
<v Speaker 1>on demand on the iHeart Radio app