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<v Speaker 1>Who knows what evil learns in the hearts of the Shadow.

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<v Speaker 2>Note the shadow serious character furthers the forces of law

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<v Speaker 2>and order in reality, the Monk Cranston, wealthy young man

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<v Speaker 2>about town. The Shadow uses his anotic power to cloud

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<v Speaker 2>men's minds so that they cannot see him. Crampton's friend

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<v Speaker 2>and companions, the lovely margle Lane, is the only person

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<v Speaker 2>who knows to whom the unseen voice of the Shadow belongs.

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<v Speaker 2>Today's story mention of madness.

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<v Speaker 3>Hello, hello, everybody home.

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<v Speaker 4>I didn't expect it would.

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<v Speaker 3>The monk and we didn't think they saw a lighters

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<v Speaker 3>became up the road.

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<v Speaker 4>Mother, What in the world then, do then?

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<v Speaker 3>You know how castles get around? No get a useless mother?

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<v Speaker 5>No, one says, well at last, well you do we

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<v Speaker 5>you will please come this way, Thank you, my mother.

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<v Speaker 5>Quiet I, I hope your pardon are including on you.

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<v Speaker 3>Here we you sll down the road, will please to

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<v Speaker 3>seek it?

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<v Speaker 4>Yeah?

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<v Speaker 6>Thanks, as I started to say, we were so down

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<v Speaker 6>the road, I will strike at night.

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<v Speaker 4>Thank you. Our car was now I will follow the

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<v Speaker 4>mob start.

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<v Speaker 6>Thank you, ye, Margo, would you be interested in hearing

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<v Speaker 6>how he was told?

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<v Speaker 4>Well, please be seated, nice, pleasant little man wasn't he?

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<v Speaker 4>I saw half of it. Dolly has one side? Is

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<v Speaker 4>his fat as the coin?

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<v Speaker 1>No?

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<v Speaker 4>I know, start saying enough, it's only sambo on the

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<v Speaker 4>wall everything. Tell me.

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<v Speaker 6>I don't like him telling Mama, my man tells you

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<v Speaker 6>that's problem with your car. Yes, he stuck in the

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<v Speaker 6>mother through the bit. I know this is an offul

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<v Speaker 6>laid out.

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<v Speaker 7>Please you golf on the business from about housing even

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<v Speaker 7>by accident. Let me take you introduce myself. I am

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<v Speaker 7>causs mother, tell uncle of medicine's center. But present mister

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<v Speaker 7>balhaton castle. I'll have to happen on my own him. Welcome,

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<v Speaker 7>Thank you Montau, Madoline.

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<v Speaker 4>M mc lane. How do you do mister monitor?

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<v Speaker 6>How do you do that? He lighted mister Cranston. I

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<v Speaker 6>asked him what way I can serve you? I'd like

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<v Speaker 6>very much to use your telephone.

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<v Speaker 4>I want to.

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<v Speaker 7>Call it a right telephone. We have no such thing here,

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<v Speaker 7>no telephone. Nothing new has been put into this castle

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<v Speaker 7>in sixteen forty, nearly three hundred years ago.

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<v Speaker 6>Three hundred years correctly, that happened with.

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<v Speaker 4>The Austin Cauncil.

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<v Speaker 7>But the early sixteenth century, would you step over here

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<v Speaker 7>at the moment.

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<v Speaker 3>Yes, yes, this is a posital to Austin.

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<v Speaker 4>Hm hmm.

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<v Speaker 7>Repositively his native land. Because of political differences, he built

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<v Speaker 7>this castle. I hope that he could create in this

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<v Speaker 7>new land a replica of his ancestralousy.

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<v Speaker 4>And we find happiness.

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<v Speaker 7>Come here to this window. That's how it's a difficult,

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<v Speaker 7>surrounded by miscaus It.

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<v Speaker 3>Is right, I don't quite Oh yes, yeah, yeah, So.

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<v Speaker 6>Austin was found hanging by a rope from a lasters.

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<v Speaker 6>Oh huh, there's a superstition that the bell happened. Ever

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<v Speaker 6>seen a superstition about the Austin's death?

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<v Speaker 7>Are those who claimed that the practicy the bell happened recurred?

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<v Speaker 7>This may happened originally right down to the present day.

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<v Speaker 7>What was that to mister Pratton? Don't be frightnous La

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<v Speaker 7>the girl? What's wrong with her?

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<v Speaker 4>Melicent?

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<v Speaker 3>Go back to your apartment house, mistress.

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<v Speaker 1>Of it's here.

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<v Speaker 4>It's not in my imagination this time. It's started moved

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<v Speaker 4>across definitely and down.

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<v Speaker 6>No, there's not, Captain val Horton, since your mother passed

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<v Speaker 6>down only that's.

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<v Speaker 7>What you've ever seen a care here? No, I found Come,

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<v Speaker 7>my dear, you're fighting? How I guess lay let me

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<v Speaker 7>me the present militant capers.

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<v Speaker 4>My dear, we're including hall.

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<v Speaker 6>I hope you won't sit me over a tormous milicin

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<v Speaker 6>lame and Frankston is an accident. They came here for help, Oh,

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<v Speaker 6>my dear, nothing serious milicine. Of course, that's in the muddy.

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<v Speaker 6>We're unable to go any further. You must be that's

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<v Speaker 6>very kind of humans.

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<v Speaker 3>Milicine.

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<v Speaker 6>But I think we'll push onto the nearest village. I'm

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<v Speaker 6>afraid that's not feasible. The newest house is ten miles away,

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<v Speaker 6>well beyond the moor, and.

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<v Speaker 4>I'm the only one who are You must submitted to

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<v Speaker 4>the hospitality of health.

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<v Speaker 6>That's very kind of you, but I think you're most welcome.

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<v Speaker 6>I have my man prepare room for you. Look very late, Milicus.

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<v Speaker 6>You must be off the dad.

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<v Speaker 4>Yes, I'm not afraid now that I'm not the robbers.

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<v Speaker 4>Good night, good night, good night, good night.

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<v Speaker 6>I believe I owe you both an explanation. You see,

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<v Speaker 6>the child had a frightful stock several years ago.

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<v Speaker 4>Shock.

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<v Speaker 7>Yes, her mother was paralyzed during the latter years of

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<v Speaker 7>her life, and being quite extensive. She lived here alone,

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<v Speaker 7>unattended milicine to the school in Europe. So many months, minister,

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<v Speaker 7>you see no answer to her letters. So she came

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<v Speaker 7>back to Balhausen and found her mother's skeleton in this room,

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<v Speaker 7>seated in a wheelchair, her only companion beside her a cat.

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<v Speaker 4>Well, that's let explains. Oh, it explains many things.

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<v Speaker 7>Mister Granson the voice that he hears the departed chances

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<v Speaker 7>for two and had to started imagination returned to Bellehausen.

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<v Speaker 4>Oh, of course.

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<v Speaker 7>Oh, I'm sure that all must be very trying to

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<v Speaker 7>you both. I'll hurry see you along with your rooms.

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<v Speaker 7>Make yourselves constable. I'll be back directly.

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<v Speaker 3>Yes, yes, thank you. Ah well, Margo, not a pretty

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<v Speaker 3>situation with.

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<v Speaker 4>What can you do?

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<v Speaker 6>I'm not sure, Marg, I'd like to stay. In fact,

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<v Speaker 6>I must say, will Margo. It seems that many invisible

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<v Speaker 6>walk the whole that happened the night.

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<v Speaker 4>There will be one other, the Shadow.

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<v Speaker 8>Don't be a great miss medicine. I mean no help

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<v Speaker 8>to help you. It helps possible hype a friend.

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<v Speaker 4>I have no name.

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<v Speaker 8>Really, I'm called the Shadow.

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<v Speaker 4>Are you one of the visions?

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<v Speaker 8>No, not one of the visions. I'm a living, breathing model,

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<v Speaker 8>just like you. But I forget the hypnotic power through

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<v Speaker 8>which I can create a metal list that makes me invisible.

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<v Speaker 4>You're not one of them, You're not still you know.

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<v Speaker 8>Oh, there's nothing supernatural about these these cattle produce. Speak

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<v Speaker 8>of that.

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<v Speaker 4>Oh, yes, how do you change of the moon?

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<v Speaker 8>With every change of the moon? Have you seen them?

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<v Speaker 4>Just if you was the nicest single servant the.

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<v Speaker 8>Hindu seven, say yes, nothing, tell me about.

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<v Speaker 4>He was my grandson, the last may chance of good life.

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<v Speaker 8>You say he was killed.

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<v Speaker 4>It happened on the name old Barton. It just comes

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<v Speaker 4>from a hunt on the moon. It is my home.

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<v Speaker 8>No, tell me exactly what it is you've seen it's murder.

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<v Speaker 4>Yes, it happened eighteen years ago. The first guy, he's

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<v Speaker 4>how how you on the moon? Then I heve se

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<v Speaker 4>climb slowly? The first landing, send me stop shut. His

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<v Speaker 4>hand goes to his throat. He makes a burbling town

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<v Speaker 4>and turns and don't.

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<v Speaker 8>Has anyone else seen this? Anybody but yourself?

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<v Speaker 1>No?

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<v Speaker 4>And nobody believes me. I don't suppose you.

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<v Speaker 8>I believe you're since.

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<v Speaker 4>Everybody humors me like I was mad. Sheba was really

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<v Speaker 4>enough to smile when I told him about the bout.

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<v Speaker 4>Oh you don't know about it. It's pretty a tree

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<v Speaker 4>just out by that finger. It comes to an old barkinger.

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<v Speaker 4>Nothing I do will drive him away, It just SIPs

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<v Speaker 4>the hollow. I there anything missing? Horrible tone?

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<v Speaker 8>You're positive see all this?

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<v Speaker 4>Miss listen?

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<v Speaker 8>I mean that could be no mistake.

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<v Speaker 4>There you you see? You tell me off? She say

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<v Speaker 4>you want to get help. How do you seek the case?

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<v Speaker 8>I don't know. I hope there might be a way. Frankly,

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<v Speaker 8>I just don't know.

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<v Speaker 4>Will you please explain to me why we've been called

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<v Speaker 4>a course.

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<v Speaker 3>I've told you, sisfy, what this on?

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<v Speaker 4>Why we've been waiting here all the time. Why can't

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<v Speaker 4>we just go in and tell what we.

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<v Speaker 6>Don't get out of here because the court isn't in

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<v Speaker 6>session recess?

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<v Speaker 9>All ridiculous school boys stuff. I'll bet you that if

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<v Speaker 9>women were running these places, seemed it happened a lot faster.

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<v Speaker 8>Than they do.

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<v Speaker 6>Now.

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<v Speaker 3>Wait a minute, I seem to recall a few shopping

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<v Speaker 3>with you, my dear.

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<v Speaker 9>Oh, well that's different, and the people would hang around,

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<v Speaker 9>look on your criminal type.

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<v Speaker 4>Everyone. That man came out of.

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<v Speaker 3>That room, that man there, yes, that's the judge. Oh

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<v Speaker 3>of course as we can be in this woom time.

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<v Speaker 10>You've heard the testimony of Margret Lane and the mont

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<v Speaker 10>Franceston two uninfeasable in the com court.

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<v Speaker 4>Room to help tend that court girl of institution.

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<v Speaker 3>We couldn't help us those mother.

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<v Speaker 4>He had to tell what we saw and heard about.

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<v Speaker 10>He looked so long it is quite obvious defendant melicicin

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<v Speaker 10>Chandelford is of unsound mind.

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<v Speaker 4>Evidence proved that beyond the question of doubts, my client

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<v Speaker 4>called it.

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<v Speaker 10>Montressor has exercise extreme patient in tearing with this unfortunate girl.

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<v Speaker 10>Now he feels that for her own goods, he should

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<v Speaker 10>be placed in an institution where she can receive proper

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<v Speaker 10>professional attacks.

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<v Speaker 4>Let's not call it a why man, what is the

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<v Speaker 4>meaning of this out there? I'm sorry, a lot of it.

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<v Speaker 1>I just couldn't sigure away.

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<v Speaker 3>If Court three, it's just a moment. Counselor a man

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<v Speaker 3>come up here?

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<v Speaker 6>Oh what is yours connection with the defendant and missus Santipore.

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<v Speaker 4>But he's the girl. I love the girl.

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<v Speaker 3>I hope the marriage to Laurnto. Mister monistall shut her

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<v Speaker 3>away from me, Dorona.

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<v Speaker 10>This boy is simply a frontal rejected to that I

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<v Speaker 10>rejected by whom finalist.

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<v Speaker 4>I'll show you how much were rejected, suitor.

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<v Speaker 3>I am tell him as I do.

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<v Speaker 4>I love you with all Michaels.

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<v Speaker 11>So you see, Judge horn Or, I objected it to

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<v Speaker 11>play god to let me take us for the let

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<v Speaker 11>me marry her in terms of protection and affection she

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<v Speaker 11>deserves you.

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<v Speaker 3>Man, I locked the problem before the court could.

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<v Speaker 4>It pleases the cost. I would like to proceed with

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<v Speaker 4>argument on motioning to put this girl and instroduce. It

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<v Speaker 4>pleases the court. Three, that's ten minutes that we can

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<v Speaker 4>resume in a master day.

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<v Speaker 3>That's fair, everyone will, mother.

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<v Speaker 8>I have an idea and I think it can be

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<v Speaker 8>executed by the shadows.

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<v Speaker 3>Shadow, whoever you are. This is an impossible thing you ask.

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<v Speaker 4>I'd like to do it for you.

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<v Speaker 6>Lord knows who's done enough to go and order. I've

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<v Speaker 6>got the hand down of the city. Time the girls

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<v Speaker 6>commitment papers today.

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<v Speaker 8>Give me two days time, you're une, just two days

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<v Speaker 8>for comment.

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<v Speaker 4>But I just can't grant post on nothing.

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<v Speaker 8>Your honor, You've got to give me some time to

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<v Speaker 8>accomplish my top.

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<v Speaker 6>Well, please, your honor, tell you what I'll do. Yeah,

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<v Speaker 6>I'm probably a sentimental old fool. But I'll give you

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<v Speaker 6>twenty four hours go not back with something definite in

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<v Speaker 6>that time.

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<v Speaker 8>I'll have to commit the twenty four hours all it

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<v Speaker 8>would be sufficious. There's a change of the moon.

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<v Speaker 4>The next change the moon I've been placed. It has

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<v Speaker 4>that to do with the case.

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<v Speaker 8>Maybe nothing good on that.

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<v Speaker 12>Maybe everything's funnyness laying the way things came in just

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<v Speaker 12>a few hours today, when you lift their crass.

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<v Speaker 4>Attend to fight, I was sure I could go on

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<v Speaker 4>hating your poll for the rest.

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<v Speaker 3>Of my life.

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<v Speaker 4>We were in a bad front, Rubber.

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<v Speaker 2>Oh, but I can see now just how modists all

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<v Speaker 2>made use of your visitor now house supportable break.

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<v Speaker 12>He was looking for too prominent people like you, the

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<v Speaker 12>bare out of contention that Milicent was made.

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<v Speaker 4>My fellow, that Monle, he'd make a nice troking for honeymoon.

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<v Speaker 4>Your consort over getting her bow.

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<v Speaker 6>Houses exply better go over, But we're expected to do.

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<v Speaker 6>There's not much to a rubbers you and miss Lens

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<v Speaker 6>in the turn. I'll get in the castial sometimes and

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<v Speaker 6>I'll open the side door under Minister's pusson for you

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<v Speaker 6>in the flame.

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<v Speaker 4>But we moved, maybe for a month sounds simple the

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<v Speaker 4>way you're telling it. How are you ever gonna do it?

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<v Speaker 3>I let you in analytic secret, Robin. I do it

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<v Speaker 3>all with Miller.

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<v Speaker 4>How everything you men to get into without? We got

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<v Speaker 4>uncle credit?

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<v Speaker 3>Don't give me the credit, Miller.

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<v Speaker 4>Mister Grafton did it. I don't know how that he

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<v Speaker 4>turned the drink. That's the sense. And the important thing

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<v Speaker 4>is you and miss Flaming here and you've got my dad.

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<v Speaker 4>So it sounds good.

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<v Speaker 3>I don't know if telling ability.

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<v Speaker 4>Yeah, it's here. It's hunting again.

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<v Speaker 3>Don't you won't take the longer?

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<v Speaker 1>You know?

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<v Speaker 4>You know? Backs? Yeah, right down the mother's look the window.

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<v Speaker 4>It's the votes close to the window, most within me, Robert,

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<v Speaker 4>let me have that letter open him? What are you

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<v Speaker 4>going to do the month?

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<v Speaker 6>I'm going to try my hand against a lot of

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<v Speaker 6>nights though, John, Yes, fine, alright, step back. Mother, let

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<v Speaker 6>her gold light his breath, yell eaves and.

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<v Speaker 4>Interesting, very interesting. I couldn't say there's nothing you can do.

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<v Speaker 3>No wait, Robert mount and here's something up.

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<v Speaker 4>No more are you going.

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<v Speaker 6>To move?

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<v Speaker 3>They're coming this way.

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<v Speaker 6>Anyone can live in a place like this is still

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<v Speaker 6>hold on with the ten. Others have reasons that way, Margo.

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<v Speaker 6>I don't exclude him. Okay, I think that somebody. Yes,

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<v Speaker 6>my look put.

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<v Speaker 4>Out that simbo. I'm going out my whole. I don't

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<v Speaker 4>want to light to seam prove.

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<v Speaker 3>M nah ah right.

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<v Speaker 4>I opened the door and I'm going all right, open up.

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<v Speaker 1>Use your boy.

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<v Speaker 6>Step through, Robber the black Now coaches follow me, Robert, Yeah,

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00:17:27.279 --> 00:17:30.359
<v Speaker 6>stot down behind the scot stream. You can see the stairs,

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00:17:32.119 --> 00:17:34.240
<v Speaker 6>mister yes, looking around.

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<v Speaker 4>That's our man. I'll watch it.

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00:17:37.440 --> 00:17:40.880
<v Speaker 3>Maybe, m No, keep hid it.

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00:17:43.440 --> 00:17:45.640
<v Speaker 4>Here's the lay. Be ready to run, Robert, what are

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00:17:45.680 --> 00:17:47.440
<v Speaker 4>we gonna do? Heavy up before he can get to

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00:17:47.480 --> 00:17:49.119
<v Speaker 4>that big bikes done at the bottom of the stairs.

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<v Speaker 4>Cookie stopped on the lay ready now.

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00:17:55.079 --> 00:17:58.039
<v Speaker 13>Full button choking and he falls down the thing. Come on, Robert, stop,

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00:17:58.400 --> 00:18:03.559
<v Speaker 13>tell where you are come. I look, mister, no, we're

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00:18:03.599 --> 00:18:07.839
<v Speaker 13>on your home all the way. Robert there, you've got

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00:18:07.920 --> 00:18:08.759
<v Speaker 13>enough with the culture.

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00:18:09.400 --> 00:18:12.200
<v Speaker 4>Oh no, you got him.

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00:18:12.599 --> 00:18:13.359
<v Speaker 8>You know him right in the.

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00:18:15.680 --> 00:18:18.079
<v Speaker 4>Don't worry, you don't know.

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00:18:18.720 --> 00:18:21.319
<v Speaker 3>We'll see tracking my proper. I'll turn him over.

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00:18:22.079 --> 00:18:25.799
<v Speaker 6>You should see that, mister Creston. All right, now see

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00:18:25.839 --> 00:18:32.680
<v Speaker 6>who Robert take medicine to her apartment. Mago, you come

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00:18:32.720 --> 00:18:32.920
<v Speaker 6>with me.

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00:18:34.480 --> 00:18:38.319
<v Speaker 4>To my mother, h what's mean? I want to look

312
00:18:38.359 --> 00:18:39.559
<v Speaker 4>at that boat? Please?

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00:18:39.640 --> 00:18:40.400
<v Speaker 3>Right outside the door?

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00:18:41.960 --> 00:18:43.519
<v Speaker 4>All right, mother, after you?

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00:18:43.960 --> 00:18:48.839
<v Speaker 3>Than yeah, there's a charm and pethered friend.

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00:18:48.960 --> 00:18:54.200
<v Speaker 4>Still still terrible and still to that that confounded voice.

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00:18:55.960 --> 00:18:58.640
<v Speaker 4>Take a look at this what is it? A while?

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00:18:59.160 --> 00:19:03.119
<v Speaker 3>Yes, and if I'm not mistaken it, well, let's give

319
00:19:03.119 --> 00:19:03.720
<v Speaker 3>it a yank.

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00:19:03.559 --> 00:19:12.079
<v Speaker 4>And see what what a long hand, long copper and

321
00:19:13.759 --> 00:19:14.799
<v Speaker 4>tell me an.

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00:19:17.440 --> 00:19:18.240
<v Speaker 3>Here we are, Ma'll go.

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<v Speaker 6>If the vultures in it, heart, soul and mind, they're

324
00:19:22.440 --> 00:19:23.880
<v Speaker 6>all in peace in this little device.

325
00:19:24.359 --> 00:19:25.799
<v Speaker 4>It's like a radio loud seaton.

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00:19:26.079 --> 00:19:27.319
<v Speaker 3>That's exactly what it is.

327
00:19:27.759 --> 00:19:30.160
<v Speaker 4>I have no idea vaulted the speak to creature.

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00:19:31.319 --> 00:19:32.680
<v Speaker 3>You take the car, drive to the big and from

329
00:19:32.720 --> 00:19:34.720
<v Speaker 3>the police. Don't let them know who you are, but

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00:19:34.839 --> 00:19:35.920
<v Speaker 3>tell them to get up here right away.

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00:19:36.799 --> 00:19:39.039
<v Speaker 6>I'm going to follow this wire, probably to one of

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00:19:39.079 --> 00:19:41.039
<v Speaker 6>those abandoned god hous at the end of the morn.

333
00:19:41.559 --> 00:19:43.720
<v Speaker 6>Tell the police to watch for a flashlight signal and

334
00:19:43.839 --> 00:19:45.799
<v Speaker 6>rush to the location and hold anybody they may find there.

335
00:19:46.480 --> 00:19:48.599
<v Speaker 6>The shadow is going to find a human vulture at

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00:19:48.640 --> 00:19:58.640
<v Speaker 6>the other end of this line. About one more longer

337
00:19:58.720 --> 00:20:00.960
<v Speaker 6>the time see signal to take it down and bring

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00:20:01.000 --> 00:20:07.279
<v Speaker 6>it in. Okay, honest it thought tag into the next microphone. Now,

339
00:20:07.440 --> 00:20:09.079
<v Speaker 6>don't you want me to do the hounds again? Yeah,

340
00:20:09.079 --> 00:20:11.839
<v Speaker 6>it's at that part I get founded coming back across tomorrow.

341
00:20:12.079 --> 00:20:13.039
<v Speaker 6>So I had to figure out it.

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00:20:17.920 --> 00:20:18.279
<v Speaker 1>What was that?

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00:20:19.000 --> 00:20:19.960
<v Speaker 4>Did you do that? Diggison?

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00:20:20.119 --> 00:20:20.160
<v Speaker 1>No?

345
00:20:20.839 --> 00:20:23.000
<v Speaker 8>Over there by the door. That laugh is not in

346
00:20:23.039 --> 00:20:25.640
<v Speaker 8>Stevenson's repertoires impersonations.

347
00:20:25.039 --> 00:20:28.240
<v Speaker 4>Motosaoul stiggingson what times there is it? You see anybody?

348
00:20:28.279 --> 00:20:31.400
<v Speaker 8>I'll answerpont him Motosol. He can't see me anymore than

349
00:20:31.440 --> 00:20:31.759
<v Speaker 8>you can.

350
00:20:31.920 --> 00:20:32.400
<v Speaker 4>Well, who are you?

351
00:20:32.880 --> 00:20:34.519
<v Speaker 8>I am the shadow?

352
00:20:34.759 --> 00:20:34.799
<v Speaker 1>He?

353
00:20:35.680 --> 00:20:36.640
<v Speaker 4>Oh, yes, I've heard of you.

354
00:20:36.880 --> 00:20:39.880
<v Speaker 8>Quite an elaborat array of insanity producing machinery you have here?

355
00:20:40.039 --> 00:20:43.400
<v Speaker 7>What do you mean that's simple portable broadcasting outset. We're

356
00:20:43.480 --> 00:20:44.359
<v Speaker 7>radio amateurs, that's all.

357
00:20:44.400 --> 00:20:45.799
<v Speaker 3>Okay, yes, sure that's all.

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00:20:45.799 --> 00:20:48.599
<v Speaker 8>Amateurs at radio. But professionals a crime.

359
00:20:48.640 --> 00:20:49.799
<v Speaker 4>I'm afraid you're making a mistake.

360
00:20:49.839 --> 00:20:52.160
<v Speaker 8>You're the one who's made the mistake. Montosol. You made

361
00:20:52.200 --> 00:20:54.480
<v Speaker 8>the mistake of thinking you could drive medicine. Cancel but mad,

362
00:20:55.039 --> 00:20:55.920
<v Speaker 8>or at least make a believe it.

363
00:20:56.039 --> 00:20:56.319
<v Speaker 1>How mad?

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<v Speaker 4>This is ridiculous. I don't know what they're talking about.

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00:20:58.200 --> 00:21:01.079
<v Speaker 8>You then I add me motoso, I am only concerned

366
00:21:01.119 --> 00:21:03.759
<v Speaker 8>with just trying your play, your.

367
00:21:03.680 --> 00:21:04.319
<v Speaker 4>Control of them.

368
00:21:04.839 --> 00:21:05.680
<v Speaker 8>That canfol board and.

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00:21:05.720 --> 00:21:08.839
<v Speaker 3>Unfortunate at the what's that couplet of appeals?

370
00:21:08.880 --> 00:21:11.759
<v Speaker 8>How long he's drive coming for you and you're impersonating

371
00:21:11.759 --> 00:21:16.519
<v Speaker 8>competitors The police run run for your too.

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<v Speaker 3>Yes, oh guess it looks a lot different than did

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<v Speaker 3>the first time we came here.

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<v Speaker 4>A margot m hm.

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00:21:37.359 --> 00:21:40.039
<v Speaker 6>So glad those kids are getting married. She looks very

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00:21:40.079 --> 00:21:44.400
<v Speaker 6>lovely in that wedding gown, doesn't she m see Are

377
00:21:44.440 --> 00:21:45.119
<v Speaker 6>you listening to me?

378
00:21:45.559 --> 00:21:45.759
<v Speaker 8>Yes?

379
00:21:47.079 --> 00:21:51.039
<v Speaker 4>Yes, I was just thinking what would happen if you were.

380
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<v Speaker 9>This is your supposition? Are you just speaking of you

381
00:21:57.599 --> 00:22:00.960
<v Speaker 9>walking up the aisle. This is robberies now ready to

382
00:22:01.039 --> 00:22:03.119
<v Speaker 9>take the sacred vows that can endure over the rest

383
00:22:03.160 --> 00:22:07.319
<v Speaker 9>of your life. Yes, all of a sudden somebody would

384
00:22:07.319 --> 00:22:09.640
<v Speaker 9>shoot the best man, the minister would fall down, poison,

385
00:22:09.880 --> 00:22:12.119
<v Speaker 9>bride maid would be sad, and you'd be off again.

386
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<v Speaker 4>On another case, I fuck up the whole Dawn Say.

387
00:22:24.720 --> 00:22:27.000
<v Speaker 11>Dave's program is based on a story copywriting about the

388
00:22:27.000 --> 00:22:29.920
<v Speaker 11>Shadow magazine. All the characters and all the places named

389
00:22:29.960 --> 00:22:32.880
<v Speaker 11>are the Kiss Any similarity to person's living or dead

390
00:22:32.960 --> 00:22:36.319
<v Speaker 11>is purely coincidental. The Shadow magazine is on sale at

391
00:22:36.359 --> 00:22:37.240
<v Speaker 11>your local news.

392
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<v Speaker 4>The Weed of Crime.

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<v Speaker 8>There's a proof crime does not pay. The Shadows