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<v Speaker 1>Kalaroga Shock Media.

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<v Speaker 2>Hey there, I'm Jenny Mack with your daily comedy news.

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<v Speaker 2>Dave Chappelle says he's invigorated. He said that at the

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<v Speaker 2>NAACP Awards on Saturday night, where he was given the

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<v Speaker 2>President's Award. Dave said, I won a lot of awards recently,

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<v Speaker 2>but this one tonight is probably the most special award

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<v Speaker 2>I've ever gotten.

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<v Speaker 1>Thank you, mister President, for this's hona. Uh. You know, look,

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<v Speaker 1>I won a lot of awards recently, but this one

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<v Speaker 1>tonight is probably the most special award I've ever gotten

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<v Speaker 1>because it's from this institution that represents these people, US

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<v Speaker 1>people of color, black people. My god brother is here tonight,

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<v Speaker 1>Ben Jealous. Ben used to be the president of the NAACP,

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<v Speaker 1>and I asked him, I said, what do you think?

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<v Speaker 1>What do you think I should say tonight? And Ben

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<v Speaker 1>sent me a whole speech. But tonight, man, tonight, I

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<v Speaker 1>feel invigorated because all my Netflix checks cleared. I don't

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<v Speaker 1>know anybody any work right now. Every time you see me,

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<v Speaker 1>just know I'm only up there because I want to

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<v Speaker 1>be right up there.

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<v Speaker 2>Dave said, I hope all of us who work in

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<v Speaker 2>this industry feel strong and inspired and not discouraged, especially

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<v Speaker 2>because this is a very difficult time right now.

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<v Speaker 1>We got a lot of work to do. But it

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<v Speaker 1>feels good to know that we're not in it alone,

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<v Speaker 1>that we got each other and remember, community is everything.

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<v Speaker 1>Shout out to everybody who lost their home or was

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<v Speaker 1>displaced from their home, even for a time. Everybody, Look,

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<v Speaker 1>don't ever be afraid to lean on each other. My

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<v Speaker 1>father told me a phrase that got me all the

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<v Speaker 1>way to where I am today. He said, whenever you

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<v Speaker 1>mess up, well you feel like you can't get up.

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<v Speaker 1>He said, you remember these words because they are magic words.

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<v Speaker 1>And I said, what's the words? Day?

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<v Speaker 2>And he seeing whoops, good stuff from Dave. There on

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<v Speaker 2>Gossip Corner, TMZ reported Justin Bieber takes a smoke break

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<v Speaker 2>while catching up with Dave Chappelle. They were photographed together

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<v Speaker 2>at Barney's Beanery in West Hollywood on Saturday night. We're

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<v Speaker 2>told they were seen sitting on the outside patio. At

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<v Speaker 2>one point, Justin Bieber was seen hugging another person who

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<v Speaker 2>was arriving to the bar. It's unclear if they were

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<v Speaker 2>with a group or others or what was going on,

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<v Speaker 2>but Justin had his cigarettes Naproghetz. He talked about appearing

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<v Speaker 2>at SNL fifty and on his podcast, and Heate said,

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<v Speaker 2>I got there Wednesday because I was supposed to rehearsal Thursday,

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<v Speaker 2>and then as I was about to take off, they

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<v Speaker 2>tell me I don't have to rehearse until Saturday, and

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<v Speaker 2>rather than deep board the plane, Ate decided to spend

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<v Speaker 2>the week in New York and maybe get in a

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<v Speaker 2>few spots. Nate said, a lot of comics. We got

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<v Speaker 2>together and hung out. So we went to the East

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<v Speaker 2>Village with Gaff again. Then on Wednesday night I went

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<v Speaker 2>over to the comedy seller. Nate was aware of all

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<v Speaker 2>the name dropping and said, this is gonna be just

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<v Speaker 2>all names. You know, everybody's kind of in town, right

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<v Speaker 2>because everybody's going SNL fifties. So I went up, Spade

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<v Speaker 2>went up, Rock went up. We didn't know this, they

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<v Speaker 2>told us as we were going up. That same show.

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<v Speaker 2>How that show started was the host that it was

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<v Speaker 2>Steve Martin. Martin short John Mulaney. We were the worst

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<v Speaker 2>part of the show. He said of Steve Martin that

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<v Speaker 2>he doesn't think that Martin's been to a room like

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<v Speaker 2>that since the nineteen sixties. He said, the audience is

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<v Speaker 2>very fortunate. Those people paid I think eighteen dollars for

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<v Speaker 2>that ticket. We were saying, like it's gotta be one

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<v Speaker 2>of the better lineups ever at the Cellar. Friday did

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<v Speaker 2>a big profile of Greg Guttfeld. Now I don't talk

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<v Speaker 2>about Greg much because there's never anything in the press

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<v Speaker 2>about him. Friday estimates Greg makes about nine million dollars

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<v Speaker 2>a year, roughly half of what Fallon, Kimmel and Colbert

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<v Speaker 2>are earning. Depending on whose report you read, Guttfeld might

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<v Speaker 2>have the top late night show. Greg said, I think

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<v Speaker 2>Fallon was a victor of status preservation. I think when

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<v Speaker 2>I see them all in agreement not to make jokes

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<v Speaker 2>about sacred subjects out of again status preservations, it's because

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<v Speaker 2>they know they'll be cast aside if they do that.

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<v Speaker 2>I'm already cast aside. I'm free. Variety writes that Greg

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<v Speaker 2>struggles to name a host he finds funny other than

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<v Speaker 2>Bill Maher and Joe Rogan. Then he remembers Tim Dillon.

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<v Speaker 2>Tim has a small role in Joker Too, and he

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<v Speaker 2>has trashed it. Greg says of Dylan talk about non

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<v Speaker 2>interested in status preservation, said it's the worst movie he's

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<v Speaker 2>ever made, and how everybody on the set new it

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<v Speaker 2>was terrible. That's somebody who doesn't care. Then you have

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<v Speaker 2>Andre Schultz at THEO Vaughn finding success and being honest

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<v Speaker 2>and not giving a hoot. Then you have these other

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<v Speaker 2>guys that have told the line and they're like, are

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<v Speaker 2>we out and the zeitgeist? Are we no longer relevant? Greg,

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<v Speaker 2>I think correctly analyzes Howard Stern here and I have

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<v Speaker 2>often said of Howard to a couple things. One, Howard

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<v Speaker 2>paid me the compliment of my career, oh probably twenty

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<v Speaker 2>years ago now. The first time I met him, the

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<v Speaker 2>only time I met him, he found out that a

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<v Speaker 2>program the Rodock Channel, and he told me it sounded

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<v Speaker 2>really great. So Howard Stern telling me my radio station

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<v Speaker 2>sounded great meant the world to me. But I don't

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<v Speaker 2>think Greg is unfair here when he says the more

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<v Speaker 2>Howard Stern had to lose, the less risk he took.

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<v Speaker 2>I think when you're in that group, the late not

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<v Speaker 2>comedy or humorous world, they start putting their professional status

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<v Speaker 2>and their personal status in front of what could be

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<v Speaker 2>really funny and what could be really true. They had

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<v Speaker 2>four years of an incapacitated president, and they didn't say boo,

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<v Speaker 2>and instead they unravel over posts by Trump. But it's

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<v Speaker 2>like you could do both. Gottfeldt said he did not

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<v Speaker 2>vote for Trump in twenty sixteen, did so reluctantly in

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<v Speaker 2>twenty twenty, and enthusiastically in twenty twenty four. This time

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<v Speaker 2>I went in person, like the day the freaking place opened.

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<v Speaker 2>I was there at nine am down in the village

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<v Speaker 2>that I couldn't wait. Interesting exchange here with the Variety.

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<v Speaker 2>Greg explains that his mom was Catholic. The writer says, wait,

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<v Speaker 2>aren't you Jewish? The text then reads this might be

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<v Speaker 2>the only time during our hours together which he seems uncomfortable.

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<v Speaker 2>Answering a question, Greg says, my dad was an atheist.

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<v Speaker 2>I think after the Holocaust he had no religious beliefs

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<v Speaker 2>at all. I don't remember the stories except that my

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<v Speaker 2>dad didn't want to talk about it. My parents were

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<v Speaker 2>older when they had me, so he was born in

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<v Speaker 2>nineteen twenty four to twenty so he had a lot

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<v Speaker 2>of relatives. Blah blah blah. Variety asks in the Holocaust,

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<v Speaker 2>Greg said, either escaping or in I never really talk

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<v Speaker 2>about it because I don't know. Greg talked about when

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<v Speaker 2>the Internet wanted to cancel Sidney Sweeney because a relative

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<v Speaker 2>of Sydney's was photographed wearing a Blue Lives Matter shirt

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<v Speaker 2>at her mother's birthday party. Greg said, see, this is

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<v Speaker 2>what happened when you were on at Targets and how

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<v Speaker 2>addictive it is to cancel people. It's not enough just

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<v Speaker 2>to go after famous people. You have to go after

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<v Speaker 2>people who are tangential to fame. Then you get a

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<v Speaker 2>dopamine head every time it works. Did you take down

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<v Speaker 2>Sidney Sweeney's relative? Yes, I did. It could be well,

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<v Speaker 2>you're a loser. That should be the answer. Greg continues,

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<v Speaker 2>celebrities have too much to lose to let their guard

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<v Speaker 2>down on a show like mine. If I had Ryan

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<v Speaker 2>Reynolds or somebody sitting there and we're doing a segment

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<v Speaker 2>on trans and sports, you think he's going to tell

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<v Speaker 2>me what he thinks. F No, he's going to be

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<v Speaker 2>looking for his publicist. You said you were promoting a movie.

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<v Speaker 2>You didn't tell me they're gonna ask me about this.

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<v Speaker 2>Greg said, I don't need it. Kim Well could have

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<v Speaker 2>Kevin Costner on, I'd still beat him. I'd still double

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<v Speaker 2>his ratings. I wanted to shout out the people who

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<v Speaker 2>support the show. The irregular members at buy Me a

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<v Speaker 2>Coffee dot Com. They are Deb, Tommy Andrea, Gary, Shannon,

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<v Speaker 2>Mike and Kenny. Much appreciated. It is one way to

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<v Speaker 2>support the show. You go to buy Me a Coffee

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<v Speaker 2>dot com slash Daily Comedy News. You throw a couple

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<v Speaker 2>bucks in the tip chart. You can become a member

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<v Speaker 2>the two dollar club. As I always say, two dollars

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<v Speaker 2>five hundred thousand people do it. I'll have a million dollars.

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<v Speaker 2>Can you imagine that? Not quite a five hundred thousand yet,

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<v Speaker 2>but you know we're getting there. Buy Me a Coffee

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<v Speaker 2>dot com slash Daily Comedy News. Appreciate you guys supporting

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<v Speaker 2>the show. The SAG Awards were Sunday Night, and people

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<v Speaker 2>paid attention to them this year because they were on Netflix.

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<v Speaker 2>The Outstanding Performance buy an Ensemble in a Comedy Series

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<v Speaker 2>the nominees Abbott Elementary Hacks Shrinking the Bear, which, as

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<v Speaker 2>we all know, is not a comedy at all, so

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<v Speaker 2>the winner only murders in the building. Outstanding Performance by

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<v Speaker 2>a Male Actor in a Comedy Series the nominees Adam Browdy.

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<v Speaker 2>Nobody wants this. Ted Danson Man on the Inside, Harrison

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<v Speaker 2>Ford Shrinking, Jeremy Allen White for a Dramatic series, The Bear,

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<v Speaker 2>The Winner, Martin Short Only Murders. Outstanding Performance by a

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<v Speaker 2>Female Actor in a Comedy Series nominees Kristen Bell Nobody

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<v Speaker 2>Wants This, Quentin Brunson, Abbott, Lisa Colone Zayas for Drama

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<v Speaker 2>series The Bear, Ioeta Berry for Drama series The Bear,

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<v Speaker 2>The Winner, Gene Smart for Hacks. Chelsea Handler has a

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<v Speaker 2>book out today. It's called I'll Have What She's Having.

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<v Speaker 2>It's Tuesday. What's the Netflix special today? Looks like there

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<v Speaker 2>isn't one today. I don't have anything in the notes,

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<v Speaker 2>and I usually put these in the notes. The next

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<v Speaker 2>two were Andrew Schultz on March fourth and Chelsea Handler

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<v Speaker 2>on March twenty fifth. Last week was Rose bud Baker,

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<v Speaker 2>Okay Becuesse. They didn't do one this week, So if

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<v Speaker 2>you need something to watch, Gina Brillan, She's got a

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<v Speaker 2>special aut on YouTube today. In Mind Your Business, Gina

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<v Speaker 2>tackles everything from becoming a mother during the pandemic, the

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<v Speaker 2>evolving challenges of parenthood, the rising costs of travel, and

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<v Speaker 2>the complexities of our ever changing social climate, and it

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<v Speaker 2>pulled a couple clips here. I'm gonna split this into

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<v Speaker 2>today and tomorrow because it's just not cool to turn

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<v Speaker 2>my show into I play clips from Trevor Noah's podcast.

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<v Speaker 2>But I was listening to the episode from February sixth

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<v Speaker 2>where he was talking about hosting the Grammys, and I

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<v Speaker 2>thought this was really interesting. Trevor explained the push and

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<v Speaker 2>pull of playing to the room versus playing to the

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<v Speaker 2>audience at home. I'll let this go for a little bit.

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<v Speaker 3>The weird thing about doing live TV, especially in award

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<v Speaker 3>show or anything like that, is you're balancing two balls

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<v Speaker 3>that are very differently sized. You have the TV audience,

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<v Speaker 3>which is massive, and then you have the live audience,

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<v Speaker 3>which is tiny in comparison. However, the live audience has

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<v Speaker 3>a direct and immediate impact on you. The TV audience

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<v Speaker 3>does not. Yeah, but now, if you ignore the live audience,

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<v Speaker 3>that is at your peril as a performer, because they

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<v Speaker 3>will never be with you. And if you don't have

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<v Speaker 3>the room, you don't have the right energy that gets

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<v Speaker 3>you to where you need to be in whatever you're saying.

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<v Speaker 3>They're not listening, they're not paying attention, they're not coming

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<v Speaker 3>with you, they're not laugh you name it. If you

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<v Speaker 3>only pay attentions to the room, the person at home

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<v Speaker 3>is going, well, clearly this is not for me, yea,

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<v Speaker 3>this is taking too long. This is and you've watched

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<v Speaker 3>an award show where it feels self indulgent sitting at

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<v Speaker 3>home and then the people they are like, ah, nice shoes.

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<v Speaker 2>Ha ha ha ha ha ha ha ha.

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<v Speaker 3>And you're like, all right, clearly this is not about me.

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<v Speaker 3>I'm just watching people. But this is the delicate dance.

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<v Speaker 3>You are making a show for television. But they aren't

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<v Speaker 3>two hundred people in that room with you. There are

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<v Speaker 3>fourteen thousand people in the room with you. So they

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<v Speaker 3>are as important in a weird way as the people

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<v Speaker 3>at home, and yet they serve very different purposes. So

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<v Speaker 3>your pace for the people in the room is different

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<v Speaker 3>to your pace for the people at home. Your pace

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<v Speaker 3>for a joke is different your pace for everything. So

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<v Speaker 3>in these moments, what I'm experiencing is I've just felt

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<v Speaker 3>where the room is when we've come out of the

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<v Speaker 3>top of the show, and I've gone, damn, we have

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<v Speaker 3>a lot of work to do tonight. Because people aren't

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<v Speaker 3>as celebratory as they normally.

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<v Speaker 2>Are pretty interesting, right. He then explained the vibe in

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<v Speaker 2>the room that was right around the La fires, and

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<v Speaker 2>he explains that he was editing on the fly and

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<v Speaker 2>just kind of feeling the vibe and not just doing

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<v Speaker 2>the act as written and moving some stuff around, so

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<v Speaker 2>it was not to screw things up. Really interesting here.

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<v Speaker 3>And I've gone, damn, we have a lot of work

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<v Speaker 3>to do tonight because people aren't as celebratory as they

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<v Speaker 3>normally are. So now when people are saying how are you?

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<v Speaker 3>And how have you been? At every table, whether it's

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<v Speaker 3>Cynthia Arrivo talking to Taylor Swift, whether it's John Legend

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<v Speaker 3>going over and talking to you know, Esperanza Spelding or

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<v Speaker 3>whoever it is, everyone there is going how are you.

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<v Speaker 3>Normally it's like, hey, what's up? How are you feeling?

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<v Speaker 1>Yeah?

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<v Speaker 3>Baby, oh look at you. No, now people are how

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<v Speaker 3>are you? It doesn't matter why how are you? And

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<v Speaker 3>now I'm going, oh man, this is not where I

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<v Speaker 3>would do the jokes that I thought I would do,

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<v Speaker 3>And I've got to move that around. I'm doing all

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<v Speaker 3>of this in my head here. I'm trying to think

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<v Speaker 3>of how we're shifting things, trying to think of and

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<v Speaker 3>I mean, you know me, well, both of you do.

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<v Speaker 3>After every show I go, there's a million things I

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<v Speaker 3>could have done better, you know. But because I know

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<v Speaker 3>comedy's so percarious, I'm always like, ah, it's the death

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<v Speaker 3>of you.

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<v Speaker 2>Got a couple more clips from Trevor tomorrow. That great

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<v Speaker 2>Jim Gaffigan joke. Apparently nobody told Jim they were about

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<v Speaker 2>to do it, so Trevor will tell that story tomorrow.

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<v Speaker 2>In the meantime, listening to Trevor's podcast, this is the

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<v Speaker 2>February sixth episode that I'm talking about here, lenn On

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<v Speaker 2>a sad note. Lynn Marie Stewart. You may know her

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<v Speaker 2>as Charlie's mom on It's Always Sunny in Philadelphia. She's

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<v Speaker 2>passed away at age seventy eight. You may also know

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<v Speaker 2>her as Miss Evonne on the Peewee Herman Show. Deadline

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<v Speaker 2>reports that Stuart passed away on February twenty first, at

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<v Speaker 2>the age of seventy eight. Manager Betty Smith reported that

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<v Speaker 2>Stuart had found a tumor between her liver and gallbladder

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<v Speaker 2>and said that Lynn was the most talented actress. She

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<v Speaker 2>left her craft above everything. Lynn Marie Stewart was seventy eight,