WEBVTT

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<v Speaker 1>Oh Venture Adventure in free mystery romance starring Humphrey Voguard

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<v Speaker 1>and Lauren Bacall together in the sultry setting of tactical

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<v Speaker 1>Havannah and the mysterious islands of the Caribbean.

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<v Speaker 2>Oh Venture.

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<v Speaker 1>Once again the magic names of Humphrey Bogart and Lauren

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<v Speaker 1>Bacall bring you Low. Adventure had a tale of mystery

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<v Speaker 1>Adventure and in freed all right, Sailor Havana, Cuba, where

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<v Speaker 1>we started from. Well we get off out.

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<v Speaker 2>How long can you keep it up? Slake? Come on,

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<v Speaker 2>come on off the boat, I said, how long can

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<v Speaker 2>you keep it up? You've been so ever since we

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<v Speaker 2>left Chi West. So we didn't meet him, So he

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<v Speaker 2>didn't pick up his targo. Sailor.

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<v Speaker 1>A guy named Scan sends us a wire. He says,

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<v Speaker 1>meet him in Key West, move his cargo.

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<v Speaker 2>I didn't want to go. You wanted to go, all right,

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<v Speaker 2>send mister Scan and whatever he wanted us to bring

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<v Speaker 2>to Havana weren't there. So we had a boat ride

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<v Speaker 2>the Key Western back You and me. That's nothing. Huh,

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<v Speaker 2>Come on, sailor, let's get off the boat. I don't

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<v Speaker 2>need any help. What are you angry? About the money

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<v Speaker 2>we didn't make.

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<v Speaker 1>No, it was time away from Havana, but I didn't

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<v Speaker 1>have to be away from her.

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<v Speaker 2>You talk about Havanah like it was a warming do I?

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<v Speaker 2>How do you talk about me? Behind my back? Walk

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<v Speaker 2>ahead of me and I'll think of something. There's your Havannah?

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<v Speaker 2>A cock fight? Come on, let's take a look sailor,

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<v Speaker 2>how's your blood much today?

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<v Speaker 3>No, let's get out of here.

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<v Speaker 1>And bitter at sailor two birds with steel spurs slashing

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<v Speaker 1>each other the pieces.

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<v Speaker 2>Let's pause and cheer.

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<v Speaker 1>Come on, let's watch for a while. People get to

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<v Speaker 1>enjoy this sort of thing. I find out why.

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<v Speaker 2>I don't want to find out why. I'll see you

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<v Speaker 2>back at Channing's place. All right, Okay, let's go. You

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<v Speaker 2>got a bang out of watching this? Well, that gives

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<v Speaker 2>me a chance to get bitter, makes me an honest man.

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<v Speaker 3>Huh the cock fight disposed?

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<v Speaker 2>You? Huh? See your tastes are too delicate? Or perhaps

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<v Speaker 2>what's the place? A new way to catch the Yankee dollar?

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<v Speaker 2>Or perhaps the young kid merchandise. If lady asks you

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<v Speaker 2>what this is to me, go, who are you? Permit

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<v Speaker 2>me to tell you the story of my life? I

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<v Speaker 2>am a poet. I guess that's worth the dollar. Give

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<v Speaker 2>me a dollar's sake, We patrons of the art, permit

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<v Speaker 2>me to refuse the money. Formit me to return to

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<v Speaker 2>the matter of the Yankee merchandise you have brought from

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<v Speaker 2>key waste. This is a man with a problem. Say

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<v Speaker 2>you are the people from the boat the Bowl's venture.

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<v Speaker 2>We are the people from the boat the bold venture

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<v Speaker 2>nor rhymes nice gone say then it is a simple matter.

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<v Speaker 2>Seece you are the people from the boat. It is simple.

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<v Speaker 2>We will make arrangements for the removal of the merchandise. Look,

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<v Speaker 2>shall I the Mario my name? Permit me? That is

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<v Speaker 2>my name? Amariyal?

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<v Speaker 1>Sure I forgot My memory is a little shaky, mine too,

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<v Speaker 1>Hurst too. So we're having a tough time remembering what

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<v Speaker 1>this is all about.

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<v Speaker 2>Slower reading, huh.

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<v Speaker 3>Are you trying to be clever me, am ego, or

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<v Speaker 3>perhaps your pleasure in tweaking my patience? The merchandise? Permit me,

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<v Speaker 3>But the merchandise, it is a matter of life and death.

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<v Speaker 3>When shall we remove it from your.

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<v Speaker 2>The poet only knows one time is right? Yeah? Waiting goodbye?

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<v Speaker 2>A fun farewell now, But it is a.

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<v Speaker 3>Matter you cannot be merchandise. If it can mean life,

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<v Speaker 3>it can mean death.

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<v Speaker 2>You can a refuse about the merchandise die.

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<v Speaker 3>If you want to be happy and leader. King's life

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<v Speaker 3>never makes a pretty woman your life. Therefore, from a

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<v Speaker 3>logical on a few, marry a woman uglier than you.

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<v Speaker 3>A pretty woman make a husband looks fall and then

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<v Speaker 3>he is very often falls the alcohol. Therefore, from a

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<v Speaker 3>logical on a few merrier woman uglier than you, Oh,

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<v Speaker 3>lady sailor, mister slave, why do you come back so soon

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<v Speaker 3>to King Moses? Because you love me?

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<v Speaker 2>Why else? King Moses? I tell why else?

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<v Speaker 3>Because on tripty key West something sour must have turned

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<v Speaker 3>mo soa am I inevitably correct?

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<v Speaker 2>You are inevitably correct, King Morses.

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<v Speaker 3>You come back to make King Moses sloppy with happiness.

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<v Speaker 3>Mister slake, therefore, aught of me about bringing something to eat?

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<v Speaker 2>King? Oh?

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<v Speaker 3>An ecstasy, a joy, a frenzy, a kick.

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<v Speaker 2>Just bring us something to eat right now, mister slave,

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<v Speaker 2>You really do love him, don't you? Slave? Uh huh,

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<v Speaker 2>I give its my own. How long does it take

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<v Speaker 2>for someone to be around? Ah?

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<v Speaker 1>That depends Ready with the food, King, Ready yours, mister slave, yours, Lady, Sailor,

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<v Speaker 1>you talk, I smile inside myself.

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<v Speaker 3>I get my guitar.

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<v Speaker 2>I got song for you, said king.

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<v Speaker 3>A lady I approach, who waits for slave? A lady

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<v Speaker 3>so handsome no one can a A lady who in

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<v Speaker 3>the hotel did read your star? A lady who brings jr.

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<v Speaker 3>Maybe desper.

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<v Speaker 4>You don't even, but I think perhaps you were looking

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<v Speaker 4>for me for BB nur Sena.

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<v Speaker 1>I don't know you, but I I think perhaps I

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<v Speaker 1>was looking for you for a BBO light. I want

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<v Speaker 1>to explain something to you about the hotel business, Sailor.

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<v Speaker 1>I am what is known as a mine host that

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<v Speaker 1>comes in two parts mine and host.

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<v Speaker 2>Sit down, baby, Bill.

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<v Speaker 4>You have not answered my question.

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<v Speaker 2>Soron he'll look for me.

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<v Speaker 1>I look for a lot of things, why particularly for you, because.

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<v Speaker 4>You are the man who brought his board in supports

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<v Speaker 4>on a little while ago.

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<v Speaker 2>Oh, a lady wants a boat bride. Why don't you

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<v Speaker 2>try the nearest tunnel of love, miss BB. This is

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<v Speaker 2>included in the price room of people the merchandise. No biby,

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<v Speaker 2>I'll throw that in for free.

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<v Speaker 1>Wait a minute, you said merchandise, BB is Now what

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<v Speaker 1>you said.

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<v Speaker 2>Yes, maybe the gentleman POWs your question? Will you answer

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<v Speaker 2>the gentleman's question?

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<v Speaker 4>Do you know very well what it is we want?

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<v Speaker 2>Sure? Sure? But uh let's hear it from her own

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<v Speaker 2>red lips.

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<v Speaker 4>Huh Now I understand it's a matter of more money.

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<v Speaker 2>Huh. Well, we expected it and we'll decise you for it,

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<v Speaker 2>but we will pay it.

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<v Speaker 4>I have room six as I will wait for you there.

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<v Speaker 4>I'll give you ten minutes to a range for more money.

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<v Speaker 4>When I pay your price, there will be no more delay.

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<v Speaker 2>Is is? It's final? It is final? Now, let's see

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<v Speaker 2>uh six A she said, And that's what she said, slave,

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<v Speaker 2>that's just what she said.

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<v Speaker 1>You know, say, well, I think I can handle it alone.

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<v Speaker 1>Why don't you wait for me downstairs?

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<v Speaker 2>Huh? Because I'm afraid of the dog I cry, And

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<v Speaker 2>that's what I thought. Now, you know, Slate, that noise,

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<v Speaker 2>it's already happened to us once today.

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<v Speaker 1>A little lady is a bookie for gamecock fighting.

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<v Speaker 2>And let's go slate. Look look the faith her body. Yeah, slash,

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<v Speaker 2>he riddens slashed to death by a gamecock late? Oh late? Now,

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<v Speaker 2>how do you like Havana sailor mister sleep?

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<v Speaker 3>Mister sleep.

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<v Speaker 2>Mister slade is wearing out his office floor. King Moses

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<v Speaker 2>tell me, I'll tell him.

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<v Speaker 3>The police have made up fively well to the front door,

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<v Speaker 3>Lady Sailor, they're five.

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<v Speaker 2>Let's go. Thanks. I'll tell mister slave.

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<v Speaker 3>You want anything I can do for the after the

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<v Speaker 3>police occasion, Lady Sailor, you, mister slave.

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<v Speaker 2>No, I'll call if we want anything.

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<v Speaker 3>Might get down knee and hammels outside. You opened the

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<v Speaker 3>women and whistle for King Moses.

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<v Speaker 2>If you want slate, slate, what are you trying to build? Alright?

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<v Speaker 2>I don't blame you, slater. I know it's it's hard

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<v Speaker 2>to believe.

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<v Speaker 1>What's hard to believe? Beautiful woman killed by a fighting bird,

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<v Speaker 1>A bird would.

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<v Speaker 2>Steel spurs on it. Slave at my hotel.

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<v Speaker 1>Girl locked in a in a room in my hotel

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<v Speaker 1>with a bird bred just slashed for blood. I don't

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<v Speaker 1>like cops in my place. Cops are for the tourist trade,

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<v Speaker 1>not not all.

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<v Speaker 3>That bothers you.

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<v Speaker 2>The fact that the police were here wasn't it to you?

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<v Speaker 2>What bothers me? I didn't ask you questions, I didn't

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<v Speaker 2>ask for you. All right, slay all right? Kind of

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<v Speaker 2>a jerk?

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<v Speaker 1>Am I anyhow Man tells me to take care of it,

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<v Speaker 1>so I take care of his daughter.

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<v Speaker 2>You what am I out of my mind? I don't

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<v Speaker 2>need you hanging around.

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<v Speaker 1>Here, Sailor. I don't need anything about you. I got

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<v Speaker 1>along great before.

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<v Speaker 2>Before my father died. What do you want me to do? Slate?

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<v Speaker 2>Leave well, sit down, Slate. You're sweating. Hm, it's a trick.

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<v Speaker 2>I know it's hot, so I sweat. You want me

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<v Speaker 2>to sign you, I'll sign you. Might you like me

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<v Speaker 2>to sign you? Slate like this? Nuh? Look at you.

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<v Speaker 1>The way you're dressed, jeans, the way your hair is.

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<v Speaker 1>Man has to walk towards you.

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<v Speaker 2>I know you're a woman. I should do something about

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<v Speaker 2>your hair, sailor. What's the matter with it? Other woman's

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<v Speaker 2>hair like that? They don't there like what like this?

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<v Speaker 2>You can touch it, Slate, touch it that I had

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<v Speaker 2>touch it. Answer the door, you'll answer it. Yeah, there

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<v Speaker 2>a neatness. Ay, it's a poet tell times to come in.

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<v Speaker 2>He can wave the sign.

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<v Speaker 1>An explanation for the events of this afternoon out in order.

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<v Speaker 1>See if we don't make a chest this time? Now, I, oh,

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<v Speaker 1>what are you trying to tell us? That tragedy the

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<v Speaker 1>King of the Girl of b B was a tragedy.

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<v Speaker 1>Now I don't what do you know about baby Digney

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<v Speaker 1>was the sister of my wife. She and it's what

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<v Speaker 1>time is?

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<v Speaker 2>Hey? Look if you don't, it's almost two thirty now yeah,

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<v Speaker 2>yeses now puttmit me. He's very wrong that BB's dead.

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<v Speaker 2>They're wrong that he's part of an even great rong.

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<v Speaker 2>So help me. What's kind of wrong? Like so the

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<v Speaker 2>merchandise you have broke those of us on an island,

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<v Speaker 2>you know he didn't. He gotta be in those of

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<v Speaker 2>us who wait for the guns. Guns. So that's it.

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<v Speaker 2>That's the merchandise guns. H see, well has he's a

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<v Speaker 2>better way to purchase human dignity? Bucom it? We need

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<v Speaker 2>those guns, and you think we have the guns for

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<v Speaker 2>your evolution? Of course? Like, so you can meet the

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<v Speaker 2>boat to permit me. I will answer it a complatriot.

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<v Speaker 2>I am expecting he's to meet me here.

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<v Speaker 3>All right, Mary might help him? He shot?

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<v Speaker 2>Yeah, yeah, shot dead. Like so.

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<v Speaker 1>Now back to the Bold Venture our stars Humphrey Bogarde

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<v Speaker 1>and Lauren McCall and the second act of our story.

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<v Speaker 3>A lady she come to Samon's place, a directed figure

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<v Speaker 3>and clothes of lace.

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<v Speaker 2>Then the lady she died in.

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<v Speaker 3>Samon's pace again cock Witsburg.

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<v Speaker 2>He slash her pa a poet.

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<v Speaker 3>He came to miss the slave, make big apologies for bear.

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<v Speaker 3>He explains his bones to mister Sleeve, but bullied in

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<v Speaker 3>heart bring him fort to sly, mister Slade. He turned

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<v Speaker 3>to lady Sailah.

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<v Speaker 2>He says, you know, King.

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<v Speaker 3>Do I call the police again, mister Slade?

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<v Speaker 1>No, Two people die in my place. That makes it personal.

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<v Speaker 1>I like that poet.

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<v Speaker 2>You're not always a real tough man, are you, Slay?

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<v Speaker 2>I said, I like that poet and that girl Bebie

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<v Speaker 2>and that girl Bebi? What about it? Did you like

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<v Speaker 2>her too? And she had a problem. She came to

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<v Speaker 2>me for help. She died. My father said, you'd be

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<v Speaker 2>a man like that.

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<v Speaker 1>Why don't you get out of here? Saylorh Why don't

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<v Speaker 1>you go back to the States. Look at the mess.

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<v Speaker 1>I'm in it, you're in it.

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<v Speaker 2>Why don't you leave? Saylor? You don't know? Do you? Missus? Slee? Yeah?

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<v Speaker 2>What do you want? King? See all the dead gentleman's

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<v Speaker 2>papers from his pocket? Oh, let's have a look. Mario

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<v Speaker 2>Tallana sixty four, Aven out of love cut we're going

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<v Speaker 2>calling huh, say h a man like Mario die.

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<v Speaker 1>If somebody's got to tell somebody because somebody might wanna.

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<v Speaker 2>Know, I would, I'd wanna know. Let's go to Avenue

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<v Speaker 2>to love a sailor.

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<v Speaker 4>Yeah, what is it you want, Senior Senorita?

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<v Speaker 2>Oh we uh, we come to it.

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<v Speaker 5>About Bieby, my sister Biby. If you have come to

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<v Speaker 5>tell me of her death, it has already been revealed

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<v Speaker 5>to me.

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<v Speaker 2>Just a minute, Senor, I am called Celestine. Will it

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<v Speaker 2>not be easier for you?

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<v Speaker 1>So?

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<v Speaker 2>Yeah? Easier is your baby sister than the poet Mario Mario.

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<v Speaker 2>He's my husband, yes, a poet and a husband.

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<v Speaker 3>I'm fortunate, am I not? You are friends of Mario's?

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<v Speaker 2>Yes, friends, Sailor. I can't do it. You tell her?

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<v Speaker 2>Thanks lords h Senior Selvestale of your husband?

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<v Speaker 5>What he is it?

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<v Speaker 2>Of my husband? What is it? He's dead? Okay? Okay, Saila?

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<v Speaker 1>How long can you take to tell a woman her

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<v Speaker 1>husband's dead?

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<v Speaker 2>He said it was going to the water sun to

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<v Speaker 2>write me a verse to first?

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<v Speaker 3>Who are you? Are you of the police?

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<v Speaker 2>Well married Mario's friends? You wanna find his murderer? It

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<v Speaker 2>will not bring him back. Mario was telling you something

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<v Speaker 2>before he died, about a revolution about guns.

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<v Speaker 5>Mario was to me a man who loved me, who

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<v Speaker 5>wrote little verses.

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<v Speaker 3>For me of the saw the Mario that you speak.

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<v Speaker 3>I know nothing.

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<v Speaker 5>Who what Senorretti en Eparada maybe Senorretti? And he spoke

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<v Speaker 5>often with Mario late into the.

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<v Speaker 2>Night while I slept. I would bring them food and

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<v Speaker 2>then leave them to talk among men. All we signed,

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<v Speaker 2>senor Atiennes here's.

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<v Speaker 5>A villa seventeen aveny the quest us.

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<v Speaker 3>I think there is nothing more.

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<v Speaker 2>For us to say to each other. Adio's friends of Marios.

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<v Speaker 3>Come right in, Senor Senorita.

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<v Speaker 2>Sure, and I am my chien.

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<v Speaker 3>No, Senor, I am your brother. Where's that chien in

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<v Speaker 3>the other proum with the rest of the guests. There

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<v Speaker 3>is a concert this way in here.

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<v Speaker 2>I will leave you Abil. There is some concept that

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<v Speaker 2>girl when she danced and said, it's one letter. Yeah,

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<v Speaker 2>we are alex am I being rude? Yes, yes you are.

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<v Speaker 3>Can't you say that?

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<v Speaker 2>Girls trying to express herself? I am your host. My

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<v Speaker 2>name is that Jenny? This way? Please? Yeah?

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<v Speaker 3>Yeah?

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<v Speaker 2>Sure? Tell Ustine a call. She told me to expect you.

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<v Speaker 3>Did he tell you about her husband?

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<v Speaker 2>About Mario? Yes? Yes, did you to kill him? Now's

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<v Speaker 2>your record at jan not flawless in hip hop? About

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<v Speaker 2>this room, pebbe, Hey what is this? Who is this guy?

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<v Speaker 2>These are the ones Peppy, the man and woman we

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<v Speaker 2>have been waiting for. Now, Senor, you will tell us

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<v Speaker 2>why have you come to a Kenny?

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<v Speaker 1>Because I don't like my hotel to be loused up

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<v Speaker 1>with dead bodies. First, the girl was killed in a

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<v Speaker 1>poet But you know why?

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<v Speaker 2>Yes, yes, I would know. Why Who are you at gen?

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00:18:23.519 --> 00:18:26.519
<v Speaker 2>Why should you know so much? He does not embarrass

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<v Speaker 2>me to say that I am a patriar. You see,

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<v Speaker 2>BB and Mario were revolutionary. They were killed by our enemies.

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00:18:33.839 --> 00:18:36.319
<v Speaker 2>They were killed to prevent them from taking guns across

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<v Speaker 2>the Caribbean to our islands, the guns they thought were

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<v Speaker 2>on your boat. We shall proceed without BB and Mario.

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<v Speaker 2>The man is talking like he's got the guns anyhow, Slate,

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00:18:48.519 --> 00:18:52.279
<v Speaker 2>see we have them. They came on another boat, not yours. Well,

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<v Speaker 2>here's the now, good health, let's go to say right eh?

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<v Speaker 2>Why sane? I knew it? Speak over your shoulder, slight.

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<v Speaker 1>Just question what's the caliber? The gun happy has in

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<v Speaker 1>his hand at thirty two or thirty eight.

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<v Speaker 2>What's like a thirty two is a thirty eight? You

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<v Speaker 2>will help uster, hope, you're the what we have the guns.

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<v Speaker 2>You have a boat. It's necessary to have both to

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00:19:14.440 --> 00:19:18.400
<v Speaker 2>get the guns to my island. Besides, I prefer not

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<v Speaker 2>to have your roam in the streets at Guana until

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00:19:21.240 --> 00:19:24.200
<v Speaker 2>we have disposed. But the weapon who wants to roam

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00:19:24.319 --> 00:19:29.960
<v Speaker 2>the streets me daddy. The Senor moves quickly. There is

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<v Speaker 2>a great knee to hurry.

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<v Speaker 1>You admire the view, Senorah, this clip that screams down

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<v Speaker 1>into the sea.

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<v Speaker 2>Or perhaps Senyor is afraid of such heights, but the

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<v Speaker 2>view is magnificent. The guns are nice too. You have exquisite,

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<v Speaker 2>this Senyor, in guns, in boats and in me e

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<v Speaker 2>precise listener, See you are wrong. You can be slay.

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<v Speaker 2>The man said that you ad what do we play now? Oh?

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<v Speaker 1>No place, And I assure you hard work. Peppy is

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<v Speaker 1>below and your boat waiting for the guns. You will

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<v Speaker 1>see that he gets in. Then you will take us

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<v Speaker 1>to our destination on your exquisite boat. You mean I

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<v Speaker 1>locked them all the way and this class down to

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<v Speaker 1>the boat not.

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<v Speaker 2>Quite so hard, and you're you see, we are prepared

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00:20:26.279 --> 00:20:30.039
<v Speaker 2>the cargo net Winch. You place the guns in the net,

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00:20:30.039 --> 00:20:34.000
<v Speaker 2>then load, then to Peppy quit simple like pie. It'll

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00:20:34.039 --> 00:20:38.519
<v Speaker 2>be like pie. Wanted slave, I'll help Noura. No, no,

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00:20:38.920 --> 00:20:42.279
<v Speaker 2>you will simply spend there, because you will inspire the

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00:20:42.359 --> 00:20:49.880
<v Speaker 2>senor to magnifue an effort. You may begin, sen what

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00:20:49.960 --> 00:20:53.400
<v Speaker 2>happens when through here? You will be killed? Ask you

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00:20:53.480 --> 00:20:56.599
<v Speaker 2>so that question. But it's so easy for you. You

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00:20:56.720 --> 00:20:59.680
<v Speaker 2>have but to die me. I have to commit a murder.

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00:21:00.200 --> 00:21:04.359
<v Speaker 2>My heart pleads for you. Thank you. I did not

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<v Speaker 2>send your for one, Lord, Lord the wench One. We're

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00:21:20.839 --> 00:21:22.680
<v Speaker 2>glad you're happy CELASKI.

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00:21:23.039 --> 00:21:27.640
<v Speaker 1>Yeah, we're glad. Thanks for saving our lives. It was messy,

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<v Speaker 1>but thanks.

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<v Speaker 3>My heart is seeded with kindness for your bull.

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00:21:32.240 --> 00:21:34.480
<v Speaker 1>We'll drink to your heart filled with kindness in Havana.

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<v Speaker 1>Heady boy, to take that gun away and we'll go.

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<v Speaker 2>You are so kind to come and tell me of

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<v Speaker 2>my husband's death.

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00:21:40.519 --> 00:21:41.799
<v Speaker 3>I want to do something.

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<v Speaker 2>Gracious for you in Shannon's place. Do something gracious for

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00:21:45.839 --> 00:21:46.960
<v Speaker 2>us in Shannon's place.

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<v Speaker 5>I will not permit one to kill you.

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<v Speaker 4>You will die as suicide.

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<v Speaker 1>I wouldn't have it any other way. Tell us about

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<v Speaker 1>killing people, cel Estie, So you're.

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<v Speaker 2>Born that way? Or didn't come on you all of

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00:21:58.799 --> 00:22:00.359
<v Speaker 2>a sudden tried.

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<v Speaker 3>To make a revolution.

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<v Speaker 2>You were foolish enough to stumbled into it. It is

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<v Speaker 2>a pity you stumbled into the wrong side. You're and one.

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<v Speaker 2>Here are the right ones. You are all.

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<v Speaker 5>Alike through its revolutionary is adventurous all over the intellect

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<v Speaker 5>of trained fleet BB Mario.

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<v Speaker 2>At the end e Peppy, Oh yes, Steppe is dead.

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<v Speaker 2>Also one took care of it. Phoebe was your sister.

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<v Speaker 2>There were fools. They are happier dead now to the

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<v Speaker 2>edge of the cliff walk. Yeah happy, I'll say, well,

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00:22:38.240 --> 00:22:40.880
<v Speaker 2>you're real happy what you came to with, honey, you.

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<v Speaker 1>Got what you came for.

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<v Speaker 2>Huh. Excite romance the Tropic Moon people killed? You can't crazy?

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<v Speaker 2>What are you talking about? What you wanted?

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<v Speaker 1>Isn't its sarily, That's why you came to me, because

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00:22:50.480 --> 00:22:52.079
<v Speaker 1>it was empty for a girl like you back there

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00:22:52.119 --> 00:22:55.640
<v Speaker 1>from wherever you came from, real empty. Why why you

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00:22:56.599 --> 00:22:58.279
<v Speaker 1>don't slap me, sailor I'll break in two.

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<v Speaker 4>No one, no, do not put your hands on in

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<v Speaker 4>keep them a low.

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<v Speaker 3>Don't keep the gun in his bat They were kill

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<v Speaker 3>each other.

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00:23:10.240 --> 00:23:11.839
<v Speaker 2>Watch it, you watch it. He's got a gun in

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<v Speaker 2>your back, have a gun in my back? Say for

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<v Speaker 2>one the gun? Got it, sailor?

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00:23:18.480 --> 00:23:18.880
<v Speaker 3>Pick it up?

387
00:23:20.319 --> 00:23:24.240
<v Speaker 2>Now, you Celastinea, don't struggle.

388
00:23:23.880 --> 00:23:25.559
<v Speaker 1>To lastine, relax, enjoy yourself.

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<v Speaker 2>I'm a tender guy. I'm taking you back to Havannah.

390
00:23:29.240 --> 00:23:30.400
<v Speaker 4>Take your hands off me.

391
00:23:30.599 --> 00:23:35.400
<v Speaker 2>Let's go. I'm holding you a real tight till Havannah

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00:23:35.400 --> 00:23:37.920
<v Speaker 2>police take you away from the hold of that type.

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00:23:37.960 --> 00:23:39.720
<v Speaker 2>She's not going to be in any condition for the police.

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00:23:40.200 --> 00:23:42.759
<v Speaker 2>What about one, got a gun in your hand, I'm sailor.

395
00:23:43.039 --> 00:23:46.599
<v Speaker 2>Oh sure, sorry, I forgot some of them. Get with it, Sailor.

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00:23:47.160 --> 00:23:48.920
<v Speaker 1>Keep that gun pointed to wind and we get back

397
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<v Speaker 1>to Havanna. Then what then, Shannon's place? Better back there?

398
00:23:54.359 --> 00:24:31.799
<v Speaker 2>I want you with me. How do you like it? Slave? Like?

399
00:24:31.920 --> 00:24:33.839
<v Speaker 2>Why dancing with me?

400
00:24:34.599 --> 00:24:34.720
<v Speaker 1>Oh?

401
00:24:34.720 --> 00:24:38.599
<v Speaker 2>It's all right. I'm wearing a dress. Now, Yeah, I

402
00:24:39.279 --> 00:24:43.519
<v Speaker 2>noticed my hair? You like it this way? Do you

403
00:24:43.720 --> 00:24:46.640
<v Speaker 2>like my hair this way? Slay, Let's get out of here.

404
00:24:47.359 --> 00:24:50.319
<v Speaker 2>I like it here, come on, let's go go ahead.

405
00:24:51.039 --> 00:24:54.160
<v Speaker 2>I'll find somebody who likes it. There, I said, come on,

406
00:24:55.240 --> 00:24:59.599
<v Speaker 2>Why well, there's a breeze outside. What's a breeze got

407
00:24:59.640 --> 00:25:01.880
<v Speaker 2>to do it? I want to see what it does

408
00:25:01.960 --> 00:25:02.480
<v Speaker 2>to your hair.

409
00:25:08.720 --> 00:25:12.920
<v Speaker 1>And so our two stars, Humphrey Bogart and Lauren Bacall

410
00:25:13.440 --> 00:25:16.799
<v Speaker 1>have brought to a close our latest bold venture story.

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<v Speaker 1>Special music was composed and conducted by David Rose. May

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00:25:21.079 --> 00:25:23.279
<v Speaker 1>we invite you to listen again next week at this

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00:25:23.440 --> 00:25:29.720
<v Speaker 1>time or another exciting adventure starring Humphrey Bogart and Lauren

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00:25:29.799 --> 00:25:34.160
<v Speaker 1>Bacall together in Old Venture
