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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What what's going to happen?

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<v Speaker 1>I'll think what you up? Everybody? Welcome to another Headless

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<v Speaker 1>is Magical mail bag. Say hi to my co host Nick, Nick,

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<v Speaker 1>how are you doing today?

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<v Speaker 2>What is up is going on? Sir? How the hell

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<v Speaker 2>are you.

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<v Speaker 1>Doing well? Doing well? So we got a lot of

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<v Speaker 1>mail in the mail bag, but first let's get to

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<v Speaker 1>our symbols.

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<v Speaker 2>Do you want to go first or it's up to

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<v Speaker 2>you if you want to go first. I mean, if

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<v Speaker 2>you want me to go first, I can definitely do that,

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<v Speaker 2>So that's not a problem.

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<v Speaker 1>Well, I got mine pulled up, so I might as

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<v Speaker 1>well add that to the stage. So I want to

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<v Speaker 1>talk a little bit about Zagrias, and Zagrias is definitely

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<v Speaker 1>one of the more interesting gods in the Greek pantheon

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<v Speaker 1>that never gets any attention unless it's in a video

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<v Speaker 1>game about the underworld, right, So if you've ever played

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<v Speaker 1>Hades or Hades Too, you know about Zagrias and how

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<v Speaker 1>he's sort of the main character, but they don't really

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<v Speaker 1>give you a lot of the backstory. And even in

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<v Speaker 1>the game, like Dionysus is one of your helpers or

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<v Speaker 1>patrons in the game, and that doesn't make any sense

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<v Speaker 1>because Zagrias is Dionysus before dying and being risen again,

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<v Speaker 1>so it's it's kind of weird. But anyways, I was

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<v Speaker 1>playing Hades and I thought to myself, I have done Zagrias.

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<v Speaker 1>I'm gonna bring him up. So Zagrias is said to

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<v Speaker 1>be the son of Zeus and Persephone, right, and Zeus,

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<v Speaker 1>in the form of a snake, you know, tempted Persephone

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<v Speaker 1>away from Hades, right, and then she gave birth thought

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<v Speaker 1>it was his, turns out it was his brother's. And

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<v Speaker 1>so this character, Zagrias is a guy that's completely out

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<v Speaker 1>of place, right, So he doesn't feel at home in

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<v Speaker 1>the underworld because Hades ain't his father. He doesn't know

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<v Speaker 1>that his father is Zeups, Hades' brother, and Hades doesn't

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<v Speaker 1>know that. So this kind of this goes bad for Hara, right.

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<v Speaker 1>So Harah finds out that Zeus has another kid with somebody,

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<v Speaker 1>you know, one of her sisters, and she's pissed. So

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<v Speaker 1>she goes down and throws Zagrias to the Titans, right,

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<v Speaker 1>and so he gets ripped apart limb from Melm and

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<v Speaker 1>then she saves his heart. So as the as the

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<v Speaker 1>Titans are full of Zagrias stuff. Zeus comes down and

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<v Speaker 1>completely decimates all of the all of the Titans with

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<v Speaker 1>his thunderbolts, and in doing so, the ashes mixed with

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<v Speaker 1>the soil, and that's where humans come from. Where the

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<v Speaker 1>consumed flesh of God's zagrias as it is now made

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<v Speaker 1>into dirt through the process of the Titans, So where

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<v Speaker 1>the consumed and regurgitated flesh of the God. So that's

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<v Speaker 1>sort of where they got their oppression of us. Now,

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<v Speaker 1>Zagrias also had In some stories they talk about this

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<v Speaker 1>special mirror he had, and Zagrias's mirror was said to

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<v Speaker 1>show alternative realities, so if you're thinking about making a decision,

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<v Speaker 1>it should show you the outcome of that decision. It's

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<v Speaker 1>really interesting because this is the Greeks talking about multiple

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<v Speaker 1>world hypothesis, you know, sort of like what if the

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<v Speaker 1>strings of fate are realigned and they go differently and

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<v Speaker 1>this gives you the results. So they were thinking about

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<v Speaker 1>this sort of multi dimensional choose your own adventure thing

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<v Speaker 1>thousands of years ago, and we're only now starting to

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<v Speaker 1>think about the multi world hypothesis when it's sort of

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<v Speaker 1>like central to the story of Zagaras, but Zagoras, after

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<v Speaker 1>his heart is saved by hera, Zeus puts it in

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<v Speaker 1>his thigh, oh, and carries it in his thigh until

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<v Speaker 1>the new Zagaras, Dionysus pops out of his thigh and

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<v Speaker 1>then becomes the god of wine and drink. But this

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<v Speaker 1>is one of the reasons why Dinysus is the dying

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<v Speaker 1>and rising god is because of Zagrias. So Zagariaas becomes Dionysus.

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<v Speaker 1>So there's an interesting sort of a tie in between

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<v Speaker 1>all of that stuff, because Dionysus then becomes kind of

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<v Speaker 1>this Jesus figure, So this is like the proto proto

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<v Speaker 1>Jesus figure. Again, the underworld is interesting because Jesus goes

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<v Speaker 1>into the underworld to retrieve the keys. Right while he's

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<v Speaker 1>you know, in the tomb for three days, he goes

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<v Speaker 1>to the underworld to get the keys of Hell, right,

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<v Speaker 1>very Zagrius type thing to do. Like this is very

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<v Speaker 1>kind of closely related to this underworld mythology that's going

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<v Speaker 1>on with Zeus and ze there's some sort of keys

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<v Speaker 1>that keep the Titans in right, So kind of an

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<v Speaker 1>interesting crossover. What do you think about that?

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<v Speaker 2>It's interesting. I don't know anything about this, so it's

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<v Speaker 2>only to me. Yeah, well you know what you said

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<v Speaker 2>something earlier. I mean, I get stuck on the stupidest things,

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<v Speaker 2>the whole dirt stuff. I'm like, yo, it was like,

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<v Speaker 2>how many different stories got us coming from dirt and.

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<v Speaker 1>Clay, all of them.

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<v Speaker 2>Yeah, but this one at least at least you're including electricity,

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<v Speaker 2>at least you're putting some life into it, you know.

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<v Speaker 2>The Lange, well.

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<v Speaker 1>They had multiple cos cosmologies and the Greek you know,

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<v Speaker 1>sort of poetry frame of reference. And Prometheus was said

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<v Speaker 1>to be the other creator of mankind and he created

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<v Speaker 1>us out of clay, right, So him and his brother

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<v Speaker 1>Epimetheus were putting together all of the animals that would

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<v Speaker 1>populate the earth during the time just past the Golden Age,

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<v Speaker 1>and so Prometheus got to pick out of the list

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<v Speaker 1>of like special attributes to give to animals. So you know,

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<v Speaker 1>birds got wings and lions got claws, you know, and

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<v Speaker 1>hyenas got the teeth. And when he finally came to mankind,

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<v Speaker 1>he ran out of the special attributes in the box.

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<v Speaker 1>So his brother Prometheus comes over and gives us forethought,

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<v Speaker 1>and so again you've kind of got the same idea

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<v Speaker 1>of we're giving something divine in our bodies or in

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<v Speaker 1>our souls from the gods that makes us special. The

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<v Speaker 1>rest of this dirt.

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<v Speaker 2>Said, that's a that's even a thought that kind of

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<v Speaker 2>like permeates through a lot of our thinking. Now that

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<v Speaker 2>there's a part of God.

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<v Speaker 1>Outam came from dirt. Even in the Aztec in mayand

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<v Speaker 1>they they say that we are now the dirt people.

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<v Speaker 2>Right.

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<v Speaker 1>So they had four sons before this one, and in

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<v Speaker 1>the other sons they had like corn people, and they

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<v Speaker 1>had you know, other people that were made out of water.

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<v Speaker 1>I believe I could be wrong about that, but now

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<v Speaker 1>we were the dirt people. So even they call us

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<v Speaker 1>the dirt people, you know, a whole continent away. So

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<v Speaker 1>it's interesting how that continuity is sort of shared in there.

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<v Speaker 2>What is going on you put that one up out

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<v Speaker 2>of all of if you choose that one, I got

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<v Speaker 2>a sledge a right, I'm done right now.

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<v Speaker 1>Prometheus and Inankee you have a lot in common. It's like,

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<v Speaker 1>this is the guy that's bringing all the sciences. This

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<v Speaker 1>is the one who feels pity for mankind. And in

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<v Speaker 1>the case of Prometheus, he felt such pity for mankind

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<v Speaker 1>that Zeus in punishment of his bringing fire back to

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<v Speaker 1>humanity as we were shivering and cold there, he nailed

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<v Speaker 1>Prometheus to the Caucasus mountains for a thousand years. And

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<v Speaker 1>so Ankie is the one who saves us sort of

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<v Speaker 1>from the flood idea. He gets us away from his

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<v Speaker 1>brother and so, and again there's not brothers too. So

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<v Speaker 1>you've got Prometheus and Epimetheus, and then you've got Anki

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<v Speaker 1>and Leo, and they're kind of like these brothers in

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<v Speaker 1>kind of opposition. In the case of Prometheus, his brother

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<v Speaker 1>was just a moron. So he's got Prometheus, which means forethought,

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<v Speaker 1>and that Epimetheus means at a thought. So this is

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<v Speaker 1>the guy who's always living in the past and he's

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<v Speaker 1>always stuck on stupid and so he's he's the dim

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<v Speaker 1>one and Prometheus is the smart one.

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<v Speaker 2>I like it. That's funny. So you want me to uh,

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<v Speaker 2>you want me to hit up my Yeah, we got

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<v Speaker 2>the uh did I pull it up? Yeah? Oh no,

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<v Speaker 2>I forgot the ship. I've been forgetting to share it lately.

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<v Speaker 2>Jesus my man. I'm sorry, that's all right. It was

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<v Speaker 2>Oh God, the one I opened up. I should have

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<v Speaker 2>known I had. It's like black, it's it's it's transparent,

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<v Speaker 2>so it's I'm not gonna look right, Hold on one second,

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<v Speaker 2>I do have another one to choose. I apologize, right glyphs. Yeah,

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<v Speaker 2>I have the aberc at dabor, which yeah, which is

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<v Speaker 2>interesting because I actually it had nothing to do with

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<v Speaker 2>uh with dirone mentioning it, but it is interesting how

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<v Speaker 2>that came up as a as a schedule for me

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<v Speaker 2>to pick keeps it up? Yeah, yeah, yeah, I was like,

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<v Speaker 2>you know what, I think we'll go with that. So

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<v Speaker 2>here is the abracadabra symbol or diminishing triangle amulet, if

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<v Speaker 2>you might like to call it that. What is it.

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<v Speaker 2>It's a text sigil formed by writing the word abercadabra

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<v Speaker 2>and a triangle that loses one letter per line until

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<v Speaker 2>a single A remains. In late antiquity, this was a

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<v Speaker 2>medical talisman against cyclical fevers, especially malaria. It's not just

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<v Speaker 2>a word, it's a digrammatic charm whose shape is part

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<v Speaker 2>of the spell. The earliest known sightings from it or

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<v Speaker 2>being around is late second early third century CE, in

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<v Speaker 2>a Latin didactic poem called Liber Medicinalyis by Quintus Serenus

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<v Speaker 2>Samonocus or s A M M O n I c Us,

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<v Speaker 2>and he was a physician and a tutor at the

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<v Speaker 2>Severin court. In chapter fifty one of that book, Lib

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<v Speaker 2>medicon Analysis or whatever you're saying, that shows up and

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<v Speaker 2>he gives a step by step instructions to draw the rug,

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<v Speaker 2>to draw the triangle on paperis and tie it around

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<v Speaker 2>the neck with linen for fever relief. And excerpt taken

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<v Speaker 2>from that in parentheses right on a sheet the word

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<v Speaker 2>abercadaber repeated on the lines below, each time emitting the

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<v Speaker 2>final letter until a single letter remains, tapering it like

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<v Speaker 2>a cone, attach it to the neck with a linen thread.

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<v Speaker 2>So that's how it was actually taken out of a

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<v Speaker 2>Liber medicinal la whatever and where it's been seen surviving

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<v Speaker 2>examples University of Michigan. They have a third century Egyptian

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<v Speaker 2>papyrus fever Ambulet in his sixth century Coptic codex that

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<v Speaker 2>reproduces the aberca daba triangle. In it what it means

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<v Speaker 2>the logic of the spell. The diminishing letters enact sympathetic

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<v Speaker 2>magic as the word visibly wanes. The illness is supposed

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<v Speaker 2>to dissipate the cone of the triangle is explicitly mentioned

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<v Speaker 2>by Serenus. The material has to be papyrus and the

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<v Speaker 2>next placement are all part of how it works. So

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<v Speaker 2>there we go. I think I have another one that

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<v Speaker 2>I can show possibly, Yeah does that how does that

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<v Speaker 2>one show up? Yes? That looks weird? Yeah, there we

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<v Speaker 2>got that back.

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<v Speaker 1>Oh there you go.

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<v Speaker 2>Yeah. So, uh, that is the Abricadabra. I've seen him

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<v Speaker 2>plenty of times. I never actually knew it had to

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<v Speaker 2>do anything with sickness or whatever.

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<v Speaker 1>Hm. Well, it's a very interesting, interesting sigulation of those

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<v Speaker 1>letters because you know, all of those letters are like

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<v Speaker 1>big time in magic. When you're talking about the barbarous

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<v Speaker 1>words and all the rest of Abra kha. You know,

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<v Speaker 1>these are like the magic letters. You know, that's it.

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<v Speaker 2>We'll ex give you that.

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<v Speaker 1>You know that combination, right, And you know in the comments,

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<v Speaker 1>they're talking about abraxis abra sachs or however they said it,

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<v Speaker 1>and then it got mistranslated, and it's stuck to the mistranslation,

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<v Speaker 1>and that's the idea of the three hundred and sixty

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<v Speaker 1>five degree demon right, So he's in charge of all

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<v Speaker 1>three hundred and sixty five degrees in the year, and

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<v Speaker 1>so in essence, it's like almost every clock that's ticking

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<v Speaker 1>away is being governed by this strange, cockheaded, snake legged entity.

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<v Speaker 1>But I mean fevers. I'm not seeing the actual connection

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<v Speaker 1>to fevers. You know, you know it might be code

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<v Speaker 1>for something else because you got a lot of powerful

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<v Speaker 1>letters there and there's fevers. Yeah, how do you treat fevers?

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<v Speaker 2>You know? Right? Right?

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<v Speaker 1>Is he never know?

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<v Speaker 2>No, That's why I was surprised when it was for that.

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<v Speaker 2>I was like, really, okay, you say so do we

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<v Speaker 2>then you even have this the whole thing, like why

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<v Speaker 2>did Crowley change it to abra? Abra had to abra?

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<v Speaker 2>Like like is that for like if your footharts? Like

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<v Speaker 2>you know what I'm saying, Like, you know, I just

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<v Speaker 2>find it weird that he he whatever. I just yeah,

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<v Speaker 2>I was very surprised to hear it was for malaria

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<v Speaker 2>and fevers?

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<v Speaker 1>All right, so we got some stories.

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<v Speaker 2>We still got, uh what's her face in there? No? God,

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<v Speaker 2>I forgot Winter York.

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<v Speaker 1>I don't think we have anymore from Winter. I was

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<v Speaker 1>gotta get in touch with her.

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<v Speaker 2>But went you gotta send in the address to get

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<v Speaker 2>some stickies.

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<v Speaker 1>Right, We gotta get those. So let me see here.

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<v Speaker 1>We've got a couple of pieces here. Well, let's just

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<v Speaker 1>go with Liz s right, so high headless Giant. Nick

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<v Speaker 1>may remember me from around this time last year. We

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<v Speaker 1>were supposed to meet up and possibly Detroit, but that

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<v Speaker 1>didn't pan out. Experiences.

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<v Speaker 2>Yeah, I remember that was for the Juggalo thing. That's right, Oh,

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<v Speaker 2>that's right. I'm supposed to be sending her stickies. She

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<v Speaker 2>hit me up, told me she sent you an email

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<v Speaker 2>and wanted stickies. I totally forgot. Fuck.

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<v Speaker 1>I've had experiences. I believe six that I attributed to hallucinations,

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<v Speaker 1>but I saw them before they actually happened. I didn't

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<v Speaker 1>think that any of them. More did sharing the information,

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<v Speaker 1>and I wanted to learn more about them, but without

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<v Speaker 1>sounding like a crackhead. So recently, on August twenty fourth,

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<v Speaker 1>I had a near death experience that was magnanimous in

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<v Speaker 1>comparison to the other ones, much more. We're in detail

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<v Speaker 1>what I believed was the release from my corpse. I've

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00:16:04.200 --> 00:16:06.600
<v Speaker 1>got plenty of information, and I think we could have

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00:16:06.639 --> 00:16:09.879
<v Speaker 1>a high level conversation where you keep me up to

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00:16:09.919 --> 00:16:14.679
<v Speaker 1>what is pertinent. It might be worth sharing on your podcast.

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<v Speaker 1>That'll be fun.

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<v Speaker 2>Oh, you should should be a good guess. She's got

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<v Speaker 2>some crazy stories.

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<v Speaker 1>All right, No, that was that was a quick one.

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<v Speaker 1>But she's she's dropping the one. So what do you

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<v Speaker 1>say next week we get in touch and get her

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<v Speaker 1>on the show.

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<v Speaker 2>Yeah, yeah, yeah, yeah. Ultimately she did hit me up

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<v Speaker 2>and told me I don't she said that she sent

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<v Speaker 2>you something, So yeah, I'll let her up in the.

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<v Speaker 1>Yeah, I got her all her info right there.

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<v Speaker 2>Yeah. Yeah, then yeah, hit her up, man, make it happen,

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<v Speaker 2>and let's see I've got she already said, let's do it.

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<v Speaker 2>She's in the chat now, am I in? Yeah? She said.

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<v Speaker 1>Sweet. So I got another one from another guy named Nick.

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<v Speaker 1>It says hell, hello Nick, and had less long time listener,

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<v Speaker 1>first time emailer. So I'm an overnight tractor trailer contractor

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<v Speaker 1>for the United States Postal Service, moving in bulk from

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<v Speaker 1>one side of the distribution center to the other in

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<v Speaker 1>the glorious state of Maine. I love my truck drivers,

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<v Speaker 1>needless to say, I get plenty of time to myself

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<v Speaker 1>to listen to podcasts and music while on the road.

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<v Speaker 1>One facility I transport to is completely empty while I

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<v Speaker 1>am there offloading the trailer usually around three o'clock. In

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<v Speaker 1>the three o'clock hour, last Tuesday, I happened to be

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<v Speaker 1>in a music mood as I was offloading the trailer

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<v Speaker 1>full of mail and my Apple Music app malfunctioned. I

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00:17:42.119 --> 00:17:45.720
<v Speaker 1>was at the aforementioned empty facility. I've been using this

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<v Speaker 1>Apple Music app for years, and never have I experienced

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<v Speaker 1>such a thing. The song I was listening to seemed

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<v Speaker 1>to fast forward ten acts and skipped onto the next

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00:17:55.519 --> 00:17:59.559
<v Speaker 1>song that played even faster than then. I stopped that

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<v Speaker 1>I was in the trailer and closed out the app.

285
00:18:02.079 --> 00:18:04.839
<v Speaker 1>I decided to switch over to Spotify and started listening

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00:18:04.920 --> 00:18:08.000
<v Speaker 1>to a cult rejects podcast, The Delphi Murders with the

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00:18:08.039 --> 00:18:12.839
<v Speaker 1>Austin Paccard great episode. I put all my work gloves,

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00:18:13.400 --> 00:18:16.200
<v Speaker 1>grabbed the next case full of mail, and began backing

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<v Speaker 1>out of the trailer when Spotify abruptly stopped working. In

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00:18:19.839 --> 00:18:25.400
<v Speaker 1>Apple Music Cube back up with Slayers rating Blood. Quite

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00:18:25.440 --> 00:18:26.319
<v Speaker 1>frustrated at this.

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00:18:26.279 --> 00:18:29.039
<v Speaker 2>Point, I've been listening to that.

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00:18:29.559 --> 00:18:34.240
<v Speaker 1>Actually yeah, I can just lay dude. I ever listened

294
00:18:34.240 --> 00:18:38.079
<v Speaker 1>to this as high school. Quite frustrated. At this point,

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00:18:38.079 --> 00:18:40.400
<v Speaker 1>I couldn't help but laugh at the song choice and

296
00:18:40.519 --> 00:18:42.880
<v Speaker 1>head banged all the way to the male staging area.

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00:18:42.960 --> 00:18:46.519
<v Speaker 1>When I got to the cage to place to place it,

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00:18:47.000 --> 00:18:48.960
<v Speaker 1>I spun it around and noticed that there was an

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00:18:49.000 --> 00:18:54.240
<v Speaker 1>Express mail bag tagged cremated human remains in that very cage.

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<v Speaker 1>After cleansing. After a cleansing breath, I took my headphones

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00:18:59.240 --> 00:19:01.559
<v Speaker 1>out of my ears and just walked away. I was

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00:19:01.640 --> 00:19:04.359
<v Speaker 1>all set with music for the night. I didn't see

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00:19:04.359 --> 00:19:06.480
<v Speaker 1>any shadow out of the corner of my eyes, or

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00:19:06.519 --> 00:19:10.160
<v Speaker 1>flickering overhead lights or anything abnormal. But I can attest

305
00:19:10.200 --> 00:19:13.720
<v Speaker 1>that I had some E MF type technology anomaly definitely

306
00:19:13.720 --> 00:19:19.480
<v Speaker 1>occurring during this strange circumstance. Someone or something definitely wanted

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00:19:19.519 --> 00:19:24.440
<v Speaker 1>to listen to that song, and I got his address too,

308
00:19:24.519 --> 00:19:25.759
<v Speaker 1>So I'm gonna send that over to you.

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<v Speaker 2>Oh yeah, thank.

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<v Speaker 1>You, thank you. Nick Fletcher.

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00:19:30.359 --> 00:19:32.559
<v Speaker 2>Yeah, that was great.

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00:19:33.880 --> 00:19:37.960
<v Speaker 1>Haunted mail bag dude, that's right up this show's alley, yo, Right,

313
00:19:38.640 --> 00:19:43.079
<v Speaker 1>that's perfect. He's got the Haunted mail bag fucked out.

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00:19:43.200 --> 00:19:46.359
<v Speaker 2>Yeah, yeah, it's funny. I didn't make that connection until

315
00:19:46.400 --> 00:19:52.319
<v Speaker 2>he just said it out. I was like, yeah, yeah,

316
00:19:52.359 --> 00:19:56.680
<v Speaker 2>he knew that ship. That's a fabricated story. He's like

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00:19:56.720 --> 00:19:59.039
<v Speaker 2>fucking he said he said last week he said, if

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00:19:59.039 --> 00:20:04.079
<v Speaker 2>you make one up, I'll send down stick is all right? Nice?

319
00:20:05.720 --> 00:20:07.279
<v Speaker 2>I gotta tell it out of the stairs and stubbed

320
00:20:07.319 --> 00:20:13.079
<v Speaker 2>my toe. Can I get some free sticks? Man?

321
00:20:13.160 --> 00:20:15.480
<v Speaker 1>You never know, I've had my my stuff fuck up.

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00:20:15.599 --> 00:20:18.359
<v Speaker 1>When I'm outside of like cemeteries and stuff like, I'll

323
00:20:18.359 --> 00:20:21.039
<v Speaker 1>have again, like the apps will switch or I'll hear

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00:20:21.119 --> 00:20:24.039
<v Speaker 1>some sort of radio signal coming through, and it's just

325
00:20:24.079 --> 00:20:26.440
<v Speaker 1>like I'm just driving outside of this freaking you know

326
00:20:26.559 --> 00:20:29.279
<v Speaker 1>cemetery I drive by every night. Shouldn't be doing that,

327
00:20:29.400 --> 00:20:32.200
<v Speaker 1>but something weird happens. And you know it's not on

328
00:20:32.319 --> 00:20:35.079
<v Speaker 1>common with electronics and the and the dead to have

329
00:20:35.160 --> 00:20:37.240
<v Speaker 1>some sort of conversation.

330
00:20:37.599 --> 00:20:40.440
<v Speaker 2>Yo, there's this dude that I try to contact him

331
00:20:40.440 --> 00:20:41.599
<v Speaker 2>and to see if I can get him on the show.

332
00:20:41.640 --> 00:20:43.559
<v Speaker 2>He's like a paranormal dude, and sometimes he goes to

333
00:20:43.599 --> 00:20:45.640
<v Speaker 2>these places and he'll like clean I don't know if

334
00:20:45.640 --> 00:20:48.359
<v Speaker 2>it's a thing with people like paranormal, they like cleaning headstones,

335
00:20:48.400 --> 00:20:52.960
<v Speaker 2>likes as a community service. And he's cleaning the headstone

336
00:20:53.400 --> 00:20:55.759
<v Speaker 2>of like some child, and he's got like his box

337
00:20:55.799 --> 00:20:57.720
<v Speaker 2>with him, and know this thing start's having a conversation

338
00:20:57.759 --> 00:21:01.480
<v Speaker 2>with him, telling him to stop cleaning the shit. Yo.

339
00:21:01.599 --> 00:21:03.240
<v Speaker 2>I was like, yo, I gotta get you on and

340
00:21:03.240 --> 00:21:06.319
<v Speaker 2>you got to show this ship. It was kind of

341
00:21:06.359 --> 00:21:09.079
<v Speaker 2>bugged out. It was like kind of answering like that.

342
00:21:09.640 --> 00:21:11.640
<v Speaker 2>I'm very skeptical with that stuff, but his quote, my

343
00:21:11.680 --> 00:21:13.000
<v Speaker 2>intention just put it that way.

344
00:21:14.119 --> 00:21:17.759
<v Speaker 1>Yeah, that's awesome. We had that guy from I think

345
00:21:17.759 --> 00:21:19.119
<v Speaker 1>it was Atlanta.

346
00:21:19.200 --> 00:21:22.720
<v Speaker 2>Oh yeah, clt Yeah, the guy from Charlotte. Yeah, I

347
00:21:22.920 --> 00:21:27.000
<v Speaker 2>gotta make that's right. Yeah yeah, he cleans my headstones. Yeah. Yeah,

348
00:21:27.119 --> 00:21:28.440
<v Speaker 2>that was another reason I said, I don't know if

349
00:21:28.480 --> 00:21:29.799
<v Speaker 2>this is the thing. I don't know what people do

350
00:21:29.920 --> 00:21:34.119
<v Speaker 2>for a community service award, but yeah, I mean it's

351
00:21:34.119 --> 00:21:35.400
<v Speaker 2>a cool way to get in. It's a cool way

352
00:21:35.400 --> 00:21:37.160
<v Speaker 2>to get into a graveyard and hang out for a while.

353
00:21:37.160 --> 00:21:39.799
<v Speaker 2>Like guys clean a couple of heads. Respect for the dead.

354
00:21:39.839 --> 00:21:42.079
<v Speaker 2>We hardly ever do that, you know. It's just the

355
00:21:42.119 --> 00:21:43.200
<v Speaker 2>cemetery sit there.

356
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<v Speaker 1>We just drive by them. You know, hardly anybody ever

357
00:21:46.839 --> 00:21:50.079
<v Speaker 1>goes in to onto their ancestors or on the spirits

358
00:21:50.079 --> 00:21:50.880
<v Speaker 1>that are hanging around.

359
00:21:50.960 --> 00:21:51.160
<v Speaker 2>You know.

360
00:21:51.680 --> 00:21:54.079
<v Speaker 1>No wonder we have so many hauntings and so many possessions.

361
00:21:54.119 --> 00:21:57.000
<v Speaker 1>It's like we don't honor our debt anymore. So clearly

362
00:21:57.319 --> 00:22:00.599
<v Speaker 1>they're kind of pissed about that. At least some of

363
00:22:00.640 --> 00:22:01.200
<v Speaker 1>them are.

364
00:22:01.799 --> 00:22:03.759
<v Speaker 2>Like arrows up in the chat says, I spend so

365
00:22:03.839 --> 00:22:06.720
<v Speaker 2>much time at cemetery. That's a fun.

366
00:22:09.559 --> 00:22:16.799
<v Speaker 1>Cemetery, right, Lisa says Hispanic son of the debt all

367
00:22:16.839 --> 00:22:17.119
<v Speaker 1>the time.

368
00:22:17.119 --> 00:22:19.920
<v Speaker 2>Oh yeah, yeah, that big way.

369
00:22:19.759 --> 00:22:20.640
<v Speaker 1>That's south of the border.

370
00:22:20.720 --> 00:22:23.640
<v Speaker 2>Not here and agree with it. Yeah, no, for sure,

371
00:22:23.720 --> 00:22:25.640
<v Speaker 2>for sure, I.

372
00:22:25.559 --> 00:22:30.240
<v Speaker 1>Have insider information. So I found out that America is

373
00:22:30.279 --> 00:22:32.920
<v Speaker 1>built on top of an Indian burial grammar.

374
00:22:42.839 --> 00:22:44.839
<v Speaker 2>The amount of dead people that needed to be created

375
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<v Speaker 2>just for used to be here, right, Fuck, it was

376
00:22:48.240 --> 00:22:50.400
<v Speaker 2>fucked out. He was like, every funny, really think about it.

377
00:22:52.359 --> 00:22:55.799
<v Speaker 2>But this is a great episode. At about twenty two minutes,

378
00:22:55.960 --> 00:22:59.200
<v Speaker 2>Do we have another one coming on tonight? No? No,

379
00:22:59.319 --> 00:23:03.200
<v Speaker 2>actually we don't. Oh I can't, uh oh tonight. I

380
00:23:03.240 --> 00:23:05.480
<v Speaker 2>don't know. Maybe I don't. I don't remember. We got

381
00:23:05.480 --> 00:23:08.920
<v Speaker 2>called call Crush on Saturday night. I just was gonna

382
00:23:08.920 --> 00:23:10.680
<v Speaker 2>tell you about that. We got him coming on. I

383
00:23:10.720 --> 00:23:12.880
<v Speaker 2>just booked him for seven o'clock, seven o'clock. I figured

384
00:23:12.920 --> 00:23:13.960
<v Speaker 2>it'd be a decent time.

385
00:23:14.920 --> 00:23:15.839
<v Speaker 1>Yeah, that's perfect.

386
00:23:16.119 --> 00:23:20.000
<v Speaker 2>Yeah, that's great tomorrow night. No, No, I don't think

387
00:23:20.079 --> 00:23:24.039
<v Speaker 2>I do. I have. Unfortunately, I have somebody tomorrow. But again,

388
00:23:24.160 --> 00:23:27.240
<v Speaker 2>this guy is only available during the day Richard Kazinski.

389
00:23:27.279 --> 00:23:28.839
<v Speaker 2>But I don't even think I'm going live with the guy.

390
00:23:30.880 --> 00:23:34.680
<v Speaker 1>Yeah, yeah, all right, well we'll see, yes, but you

391
00:23:34.680 --> 00:23:37.240
<v Speaker 1>have anything special coming out? You want to talk to

392
00:23:37.319 --> 00:23:38.559
<v Speaker 1>him about your appearances?

393
00:23:38.640 --> 00:23:40.599
<v Speaker 2>And oh yeah, I totally forgot about that. I totally

394
00:23:40.599 --> 00:23:43.000
<v Speaker 2>forgot about that. Oh that's right. And tomorrow's Friday. I

395
00:23:43.039 --> 00:23:45.119
<v Speaker 2>am trying to get somebody for tomorrow night. Believe it

396
00:23:45.200 --> 00:23:46.480
<v Speaker 2>or not, I'm trying to I'm gonna see if I

397
00:23:46.480 --> 00:23:48.240
<v Speaker 2>can get that guy on for Shakespeare who was supposed

398
00:23:48.240 --> 00:23:50.640
<v Speaker 2>to do it last week. I hit him up. I

399
00:23:50.640 --> 00:23:52.000
<v Speaker 2>just don't know if he's gonna be available in me

400
00:23:52.039 --> 00:23:54.640
<v Speaker 2>asking him what's up with tomorrow? It's already Thursday. But

401
00:23:54.799 --> 00:23:57.400
<v Speaker 2>uh yeah, the events. I wanted to say that at

402
00:23:57.440 --> 00:24:02.799
<v Speaker 2>the beginning. Unfortunately I totally forgot myself. October fourth, we

403
00:24:02.839 --> 00:24:07.119
<v Speaker 2>will be at let me see here, October fourth, Bigfoot

404
00:24:07.160 --> 00:24:11.000
<v Speaker 2>Comic Con at the Fun Factory, and that is at

405
00:24:11.519 --> 00:24:15.640
<v Speaker 2>ten to twenty four Georgia Road, Franklin, North Carolina. That

406
00:24:15.839 --> 00:24:19.279
<v Speaker 2>should be me, Tyrone or maybe one or two other

407
00:24:19.279 --> 00:24:22.920
<v Speaker 2>people from the ECLT Rejects might be the surprise. Yes,

408
00:24:23.000 --> 00:24:25.279
<v Speaker 2>we got that going on. We will have T shirts

409
00:24:25.279 --> 00:24:27.720
<v Speaker 2>and we should have I mean, if the mail doesn't

410
00:24:27.720 --> 00:24:30.039
<v Speaker 2>get here by then there's a problem. It must be

411
00:24:30.039 --> 00:24:32.319
<v Speaker 2>another unted mail bag. I should have headless as art

412
00:24:32.319 --> 00:24:36.039
<v Speaker 2>too with us, so I will have that. I think

413
00:24:36.079 --> 00:24:38.480
<v Speaker 2>this thing is like literally five dollars at the door.

414
00:24:38.759 --> 00:24:40.559
<v Speaker 2>So I mean, if you're in the area, it's gonna

415
00:24:40.599 --> 00:24:42.519
<v Speaker 2>cost your five bucks. I mean you can come hang out.

416
00:24:42.880 --> 00:24:44.039
<v Speaker 2>Like I said, if you don't like to show you

417
00:24:44.039 --> 00:24:45.599
<v Speaker 2>coul stop buy it. Tell us you go fuck ourselves

418
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<v Speaker 2>for five dollars. You know what I'm saying. So maybe

419
00:24:48.319 --> 00:24:52.279
<v Speaker 2>buy a T shirt while you're there. But yeah, come

420
00:24:52.359 --> 00:24:54.119
<v Speaker 2>check that out. And then the eighteenth we got another one.

421
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<v Speaker 2>But I also promoting that as we get closer to

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00:24:56.079 --> 00:24:58.359
<v Speaker 2>that one. But yeah, if you're in anywhere close to Franklin,

423
00:24:58.400 --> 00:25:01.000
<v Speaker 2>North Carolina, the ocult Rejects will be there. Chunk, come

424
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<v Speaker 2>check us out.

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<v Speaker 1>We got to start doing a podcaster Dunk Tank. Pay

426
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<v Speaker 1>five dollars dunk the podcast. Oh god, yeah right, it'd

427
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<v Speaker 1>be amazing. We make so much money.

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<v Speaker 2>You make that like you basically they do that in

429
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<v Speaker 2>like the second degree of the OTO. They toys you

430
00:25:19.079 --> 00:25:20.640
<v Speaker 2>in like a fucking water tank, so I mean you

431
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<v Speaker 2>can even make an initiation out of it in this life.

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<v Speaker 2>At this point, you're being baptized, right man.

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<v Speaker 1>You just kicked it up a notch. I've got visions

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00:25:32.119 --> 00:25:35.720
<v Speaker 1>of rituals squirming around in my head. But this is

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<v Speaker 1>a great episode. Guys, go out and check out these events.

436
00:25:38.839 --> 00:25:40.920
<v Speaker 1>We got to start a community, you know, we got

437
00:25:40.920 --> 00:25:44.039
<v Speaker 1>to get to know each other, so that's always important.

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<v Speaker 1>And uh, definitely we'll see you next time. Hell yeah, La,
