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Speaker 1: You're listening to the Mind Over Murder podcast.

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Speaker 2: My name is Bill Thomas. I'm a writer, consulting, producer,

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and now podcaster. I am now trying to use my

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experience as the brother of a murder victim to help

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other victims of violent crime. I'm working on a book

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on the unsolved Colonial Parkway murders, and I'm the co

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administrator of the Colonial Parkway Murders Facebook group together with

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Kristin Dilly.

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Speaker 3: My name is Kristin Dilly.

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Speaker 4: I'm a writer, a researcher, a teacher, and a victim's advocate,

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as well as the social media manager and co administrator

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for the Colonial Parkway Murders Facebook page with my partner

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in crime, Bill Thomas.

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Speaker 3: Welcome to Mind Ever Murder. I'm Kristin Dilly and I'm

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Bill Thomas. How are you doing today there, mister Thomas.

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A wonderful, beautiful day out there in Connecticut.

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Speaker 2: It's just fine. We're just back from a few days

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offer at Cape cod In a wonderful time and visit

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a family. Very relaxing and I tried to do as

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little as possible. That was actually a good goal.

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Speaker 3: It is the best goal when you're going to the beach,

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you should do as little as possible. And I say

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that having just gone to the beach myself and made

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a point of doing as much as possible.

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Speaker 2: Wait a minute, as much or as little.

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Speaker 3: I ultimately I'm one of those people that when I

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get to a place, I like to go places. So

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I went to three different beaches to shell hunt. I

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went for a five mile run around the right Memorial,

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which commemorates Orvilen wilbur Wright's first flight. I mean, I

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called my significant other and he was like, why would

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you go for a five mile run when you're supposed

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to be relaxing, And I just don't feel right sitting still.

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Even though I was supposed to be relaxing, I did

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more than I probably ought to have, considering that it

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was just supposed to be go to the beach, hunt

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for shells and have fun.

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Speaker 2: A five mile run, though for an athlete such as yourself,

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was probably relaxing.

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Speaker 3: It was a nice challenge to try to run up

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the monument. It's a rough hill, so I did run.

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I would say about orian three quarters of the way up.

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In the last quarter I had to walk because it

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was a hard run.

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Speaker 2: This is the hill where they flew the airplane.

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Speaker 3: There's a really wonderful, really beautiful monument up at the top,

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and say, you can walk up the hill a number

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of different ways and then get to the monument at

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the top, and then you can see all the way

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down the hill on the path where they took their

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first flight. It's really great. For anybody who's local who

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hasn't gone down to the right memorial, go, It's wonderful.

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It's a nice monument to an important moment in history.

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Went for a run up the hill.

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Speaker 2: Now, in my mind, never having been to the location,

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seen movies and that sort of thing, I picture this

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as being out in the dunes and still in its

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wild natural state. Is that the case.

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Speaker 3: It's a National Park Service site, so there is a

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visitor center and everything like that, but the actual memorial

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itself is it's out there. They built the visitors center

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away from the hill, so you do have to walk

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to get out there. It is very pretty. It's not

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actually in the dunes. The dunes are a little further

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out Jackie's Ridge, which is the largest sand dune in

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the area. That's a little further away. Once you get

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to the top of the monument. You can see the

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ocean from there, which is pretty cool. You can see

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it on all sides, and it's very nice. You do

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need to come to the Outer Banks at one point

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or another. I've gone to see you. You need to

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come down here anger to the Outer Banks. It's wonderful.

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Speaker 2: It's on our list. We would very much like to

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go to the Outer Banks, based on the reports we've

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heard from you and many other people who love the

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Outer Banks.

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Speaker 3: Now we've reached the end of our summer here, no

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more vacation for either of us, and as we go

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about trying to figure out what topics are we going

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to cover as I head into the new school year

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and Bill continues his tireless work on the Colonial Parkway

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murders case and other cases, we kind of have to

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start thinking what is it that we're going to be

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presenting our audience with as we move in to fall

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and then winter. And we had been spinning our wheels

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on a specific topic that we thought would be very

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interesting for our audience. We just weren't entirely sure how

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to go about presenting it. I thought it would be

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neat for us to cover the profile of a presidential

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assassin or it would be presidential assassin. But considering that

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neither Bill nor I are profilers, we were trying to

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figure out who do we tap in to do the

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reporting on this? Do we get Jim Fitzgerald, Do we

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get Jim Clemente, Do we get doctor Ray Carr? Who

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do we get? And lo and behold, The New York

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Times magazine published a piece that really solved the problem

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of how do we talk about this? For us? And

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The New York Times magazine on July twenty fifth, twenty

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twenty four, put up a very interesting piece of long

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form reporting from a reporter named Mark O'Connell. This was

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the lead story in The New York Times magazine and

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it is titled John hank and the Madness of American

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Political Violence. John Hinckley Junior, of course, is somebody that

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I think we're all familiar with. Bill. Do you remember

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where you were when Reagan was nearly assassinated?

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Speaker 2: If I can tell you specifically where I was at

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that moment, But I do remember when we heard the

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shocking news that Reagan had been shot. At the time

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it was initially reported, I'm not sure they said whether

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President Reagan had been badly enough injured to threaten his life,

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but we knew it was very serious, and we knew

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that multiple people had been shot. A couple of weeks ago,

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when former President Trump was shot at in Butler, Pennsylvania,

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that brought some of these memories back in pretty sharp

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relief because the very disturbing news. It comes to such

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a shock when something like this happened, and then you're

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very concerned about was the president or former president injured?

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Were other people injured which happened in the Butler, Pennsylvania shooting.

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It seems like such a peculiarly American phenomenon, and it

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just sad me so profoundly to see these things happening

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over and over again. I know we've talked about it

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a little bit before on Mind over Murder, and Mark O'Connell,

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the writer here, talks about how this type of political

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violence directed at our leaders is one thing, and then

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there's so many similarities between this and mass shooters, of

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which we've seen so many here in the US. It's

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a very disturbing, long term trend that's certainly been going

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on for decades.

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Speaker 3: One of the I don't think side effects is quite

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the right word but that's what I've got in my

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brain right now, so we'll go with that. One of

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the interesting side effects of growing up in Williamsburg, Virginia

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is we have two i would say, really famous or

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maybe notorious criminal cases associated with this area. One of course,

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brought me to you, Bill, is the Colonial Parkway murders.

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But the other, hey is that you really can't help

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hearing about if you grow up here in Williamsburg, Virginia,

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is about John Hinckley Junior, because for as long as

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I can remember, he has been granted leave to leave

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Saint Elizabeth's Hospital, where he was confined after being found

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not guilty by reason of insanity. He has been granted

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leave from the hospital to come visit his parents. And

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that is something that I was aware of pretty much

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all my life. And then, of course, several years ago,

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when all of the restrictions on John Hinckley were lifted

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and he came to live here permanently full time, that

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is something that we spend a little bit of time

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talking about here on the podcast. John Hinckley Junior is

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a name that really is just intertwined with Williamsburg in general.

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For those of us who have lived here most of

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our lives, as I have, That's just a name that

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you become familiar with, just as you become familiar with

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the Colonial Parkway, and just as you become familiar with

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other things unrelated to crime, like Bruce Hornsby, who is

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our resident rock musician. John Hinckley, is just someone that

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if you live here, you're familiar with that name. And

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so when I saw this article, I was particularly interested

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in the author's reasoning behind writing it right now and

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what he had to say about this very uniquely American

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phenomenon of American political violence and shootings. What we wanted

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to do today, We did want to share it with everybody,

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and we wanted to take some time to go through

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the article and then offer some color commentary on our

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thoughts on the material, because it is very interesting and

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he ties in all the various intersections between politics, pop

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culture and violence in crime, and it's a very interesting

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and engaging article that we wanted to make sure you

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are listeners were able to to spend a little bit

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of time with. So I think what we'll go ahead

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and do today, This is definitely going to be a

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chew episode er because it is quite a long piece

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of reporting very well done. And so what we'll do

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is we'll go ahead and we will go through and

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do this paragraph by paragraph, offer color commentary as needed,

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and further discussion as warranted, and we'll go from there.

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We will put a link to this article in our

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show notes, but for anybody who wants to search it

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up immediately to follow along with us. It is from

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the New York Times magazine, the July twenty fifth issue,

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twenty twenty four and the title of the article is

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John Hinckley Junior and the Madness of American Political Violence.

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Speaker 2: Before we start, just a quick reminder we had discussed

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John Hinckley Junior once before with our friend Mark Olshaker

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in an earlier episode of Mind Over Murder, which is

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a very interesting discussion, and we'll link to that in

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the show notes as well.

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Speaker 3: This piece is from author Mark O'Connell. He is a

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writer from Dublin who actually came to Williamsburg and spoke

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to John Hinckley Junior over the course of three days

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to do this article in September twenty sixteen, three and

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a half decades after he shot President Ronald Reagan in

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a deranged bid to impress the actress Jody Foster, a

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crime for which he was found not guilty by reason

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of insanity. John W. Hinckley Junior was released from Saint

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Elizabeth's Psychiatric Hospital in Washington, d c. From there, he

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moved to Williamsburg, Virginia, where he lived for some years

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with his elderly mother, Joanne, and a large house overlooking

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the thirteenth pole of a golf course. The federal court

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that granted his release did so on certain conditions. One

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of these was that he must not speak to the media.

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Another was that Hinckley, who was a songwriter for some

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years before the failed assassination attempt, and who continued to

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play music as part of his psychiatric treatment, must not

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release for public consumption, even anonymously, any of his work

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without the specific approval of the treatment team interest with

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his care. If I'm remembering correctly, Bill, that is referencing

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the Son of Sam law, which says that someone who

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has been convicted of a crime cannot benefit from their work.

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Speaker 2: That's my recollection as well. And I also remember Mark

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Olshaker weighing in very strongly that he felt that Hinckley

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should not be released back in twenty sixteen, that he

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thought it was a terrible mistake. I do find it

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odd that a man who shot four people, one of

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whom ultimately died from his injuries. James Brady, the former

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president's press secretary. I'd have to agree with Mark that

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I find it really difficult to accept the fact that

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Hinckley's out and about, but so be it so, continuing

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the article. After his arrest, Hinckley was diagnosed with, among

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other conditions, atypical psychosis and severe narcissistic personality disorder. His

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extravagantly strange and violent actions have been bound up in

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a toxic fascination with celebrity and an egomaniacal glee at

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the fame those actions brought him. Although Hinckley's treatment was

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successful and the judge was satisfied that he presented a

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very low risk of reoffending, the restrictions were intended to

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ensure that he neither courted nor was courted by the media,

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and that his mental stability would not be threatened in

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the immediate aftermath of his release by widespread attention.

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Speaker 3: I was always a little surprised by the fact that

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there was not much coverage outside of a couple of

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articles about the fact that Hinckley had been released. I

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have always been surprised. I keep waiting for the day

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that he's going to find his way onto someone's true

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crime podcast. There have been people who my own parents

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have asked, have you ever thought about like interviewing John

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Hinckley Junior for your podcast? And I've told them I

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can't think of a circumstance under which I actually want

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to talk to him. I don't know that I want

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to spend time chatting with a man who tried to

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assassinate the president. I just I don't know that I

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have that in me to do. How would you feel

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about it?

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Speaker 2: I can't see us doing it either. And then there's

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something about it. If we talk about someone's new book

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or a film project or television series or whatever, I

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think there's an implication that we feel this is worthwhile,

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that we feel this is worth bringing some attention to,

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and that we want to talk to this person because

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we think they've got something to contribute to the larger conversation,

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not just here in mind over Murder. I think there's

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an implied endorsement when we say Catherine Miles' book Trailed

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is worth reading, or you should check out this new

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book by this author or that author. I wouldn't want

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anyone to ever think that you and I were somehow

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promoting or supporting John Hinckley. And they talk about this

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in the article. We'll get into more details. He's an

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aspiring singer songwriter. It's been for a number of years,

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and he's actually attempted to go out on tour. He

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was supposed to be up here in the Northeast doing

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tour dates. I don't know. There's something about it that

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just gives me the creeps, and I think to myself, well,

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I have no doubt that the conversation with Hinckley might

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be interesting. I don't want to do anything that's going

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to promote that guy, or that's going to say we

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think this guy is particularly worth spending forty five minutes with.

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Speaker 3: Now, I'm sure that there are people who are going

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to say, okay, but then why are you spending time

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talking about this article about him. There's a whole lot

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more I think that needs to be examined, and this

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author is doing it through the lens of Hinckley because

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he is a he's a living political assassin. He's not incarcerated,

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he was not killed. He is here, he is out,

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he is among us. The way that he is examining

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Hinckley and his motivations for attempt to intershoot the president,

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I think are very They say a lot larger things

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about our culture than just about him by himself, and

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that is why we're willing to have a conversation about

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this article, but not with Hinckley himself. In twenty twenty two,

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not long after his mother died, the last of those

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restrictions were lifted, more than four decades after shooting Ronald Reagan,

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along with a secret Service agent named Timothy McCarthy, a

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police officer named Thomas Delante, and Reagan's press secretary James Brady,

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who was left permanently disabled. He was, at sixty seven

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years of age, truly free. Hinkley had by then opened

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a Twitter account and amassed thousands of followers. On June fifteenth,

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twenty twenty two, the day the restrictions were lifted, he

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posted the following quote after forty one years, two months,

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and fifteen days freedom at last end quote. His following grew,

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and he quickly began to use his platform to release

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music and promote upcoming gigs. He announced a total of

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a dozen performances. Unsurprising, these shows got a lot of

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attention and began to sell out, but every single one

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of them was canceled before he could play as a

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result of backlash, including an anonymous threatening emails received by

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the venues. And I remember very distinctly when our own

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Williamsburg Regional Library up here, which has a beautiful auditorium,

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was advertising on their page, Hey, John Hinckley is going

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to do a concert here. There was immediate backlash from

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the entire community. They were like, why would you put

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him on your stage? Why would you do that? The

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man tried to assassinate the president. Why would you put

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him on there? And almost immediately they had to cancel

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the show.

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Speaker 2: I understand it. When they put other dates in other

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parts of the country, people push back hard, and I

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get it. I'm not a proponent of cancel culture or

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any of that makes me roll my eyes a bit.

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I get why people were upset. This guy is a

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presidential assassin. He shot for people, And I don't know why,

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of all the people on the planet and all the

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singer songwriters, why do we have to promote John Hinckley.

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I completely understand it. So the article continues. This made

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Hinckley a figure of Purian interest on social media. When

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he posted about his excitement for an upcoming show, for instance,

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along with a selfie in which he stared directly at

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the camera with a glazed and entirely effectless expression. I

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just picture him with no emotion. The replies were a

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chorus of ironic quips and jokes. Someone replied with a

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jiff of Travis Bickle, that's the killer in Taxi Driver clapping,

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a reference to Hinckley's most famous inspiration for his crime

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and obsession with Taxi Driver and with Jody Foster, who

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played the teenage prostitute Iris in the film. Quote haven't

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heard his new stuff, but I like his earlier work.

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Unquote read another jokes about Hinckley's early work follow him

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everywhere online. For a majority of people who encountered his

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internet presence, Hinckley was an absurd and quintessentially American aberration,

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a guy who shot and very nearly killed president and

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was somehow still alive to sing his songs about peace

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and love and redemption.

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Speaker 3: It's a unique place that he finds himself in. I

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think I would put it right on par with say

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Leslie van Houghton, who received parole a year ago, the

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last of the Manson family killers, or the most recent

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of the Manson family killers to be paroled. I think

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that would be tantamount to Leslie van Houghton deciding to

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go on speaking to her, Why do you want to

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support someone who has done these horrible things? And yet

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it does amaze me that he has this many followers

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on social media. I saw the face you just made.

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There's an ick factor to it almost.

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Speaker 2: Yeah, it's cringey.

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Speaker 3: It really is to use the word the youth would use.

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You said, Actually, I've been told that the youth are

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no longer using cringey.

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Speaker 2: What are they saying cringe?

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Speaker 3: I don't actually even know, But whatever it is, I'm

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going to have to adjust my slang accordingly.

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Speaker 2: You're going to be surrounded by young people in what

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a week?

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Speaker 3: Yeah, I'm going to have to learn all the newest

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pieces of slang and so on and so forth. And

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even if I don't like, actually go out and look

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for it. It's going to find me. Nonetheless, this is

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what happens when you work in a high school exactly.

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Speaker 2: So if cringe is not the word, I'm sure you'll

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find out what it is.

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Speaker 3: Yeah, at some point or another. But I will still

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continue to use cringe and cringe, and that will usually

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make them roll their eyes again, missterillane. Nobody says that anymore,

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all right. The article continues. In forty three years after

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that near assassination in Butler, Pennsylvania, a twenty year old

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loaner named Thomas Matthew Crooks took several shots at Donald

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Trump with a semi automatic rifle, wounding the former president's

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right here and plunging an already darkened Catoch world even

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deeper into darkness and chaos. Hinkley now became the focus

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of a different kind of interest. After the shooting, he

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posted the following message on the platform now known as

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X quote violence is not the way to go. Give

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piece a chance. He was quoting his old hero John Lennon,

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who was himself murdered by a strange and sick and

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lonely young man with a gun. The tweet provoked a

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by now predictable response. There were gifts of Jodie Foster

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looking haunted, hope she sees this bro and of Travis

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Bickle talking to himself in the Mirror. There was an

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article in the Guardian headlined man who tried to assassinate

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Reagan says violence is not the way to go. Mostly

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people seemed to be able to respond to the message

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only as evidence of the further derangement of things.

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Speaker 2: I get the derangement response, because, man, is it rich

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listening to Hinckley quote John Lennon, who was himself assassinated

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in nineteen eighty. That's another situation where I remember exactly

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where I was and.

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Speaker 3: Where are you. I'm just curious.

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Speaker 2: I was at home and the news came in that evening.

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It was December eighth, I believe, nineteen eighty, and I

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just remember being so profound saddened by this news. John

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Lennon never did anything to anybody and was supposedly someone

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that Mark David Chapman, his assassin, looked up to. The

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whole thing is just so profoundly sad. There's something that's

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really almost offensive about Hinkley quoting John Lennon. He's right,

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violence is not the way to go. I'm not sure

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he's the right messenger here.

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Speaker 3: No exactly.

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Speaker 2: Hinkley might agree in a sense, he had long held

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the belief that the country was too divided and there

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were too many guns. Quote. The political climate here in

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America is just so volatile, he told me. When I

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got him on the phone, I asked him how he

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felt about the whole thing. There was a long silence,

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and eventually I heard him sigh. He's a slow talker

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who often pauses at length between thoughts, and in the

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short time I had known him, I had learned to

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write out the silences to let him continue at his

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own pace. He said, then, in a tone of stoic resignation,

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I wish it hadn't happened.

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Speaker 3: It was a couple of days after the shooting, late

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at night in Dublin, where I live, and early evening

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in Williamsburg. He was getting a lot of media requests,

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he said, but had so far turned them all down.

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He was an object once again of intense curiosity, as

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though having shot at a president and lived, he was

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somehow a proxy for crooks who was killed just seconds

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after his attempt on Trump's life. It's possible, after all,

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that we will never know what led crooks to try

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to kill the former president. But in Hinckley we are

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presented with a kind of living antecedent through whose former

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delusions we might begin to understand the currents of violence

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and culture wide madness that seemed to act so strongly

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on certain solitary and obsessive men who continued to cause

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such turbulence in the flow of American history. That line.

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At that point, when I started reading this article, I

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was like, Oh, this is exactly what I wanted us

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to talk about. I could not have articulated it in

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such a coherent and cohesive manner. Props to Mark O'Connell.

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This is exactly what I wanted to say, but I

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didn't have the capability to say it that way. I

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00:23:11,599 --> 00:23:13,799
was so excited to read this article. I was all

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in at this point.

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Speaker 2: Yeah, it's beautifully written. You're listening to mindover Murder. We'll

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00:23:19,359 --> 00:23:25,880
be right back after this word from our sponsors. We're

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00:23:25,920 --> 00:23:29,119
back here at mindover Murder. Before we get back to

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00:23:29,160 --> 00:23:31,559
the podcast, just wanted to remind you that we have

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00:23:31,599 --> 00:23:35,680
a go fundme effort going on right now. This campaign

433
00:23:35,799 --> 00:23:38,680
is designed to help us raise funds to help promote

434
00:23:38,880 --> 00:23:43,240
Mind over Murder and specifically to push the Colonial Parkway

435
00:23:43,319 --> 00:23:47,359
murders investigation forward. We'd love it if you could support

436
00:23:47,440 --> 00:23:50,799
us in any way that you can. Any donation from

437
00:23:50,880 --> 00:23:54,000
five dollars to whatever you can afford is very much

438
00:23:54,000 --> 00:23:57,160
appreciated and will be incredibly helpful. The link is in

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00:23:57,200 --> 00:24:01,279
the show notes and in our social media pages. As always,

440
00:24:01,279 --> 00:24:05,000
thanks for your support. Now back to mind over Murder.

441
00:24:05,880 --> 00:24:10,559
This tragedy recently with Thomas Matthew Crooks and his attempted

442
00:24:10,640 --> 00:24:15,000
assassination of former President Trump. I know they're investigating what

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happened that day and the failures of the Secret Service

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00:24:19,319 --> 00:24:21,839
how Crooks was allowed to get within one hundred and

445
00:24:21,839 --> 00:24:24,920
fifty yards or so of the former president. Although he

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00:24:24,960 --> 00:24:29,359
didn't kill Trump, he did kill a former firefighter who

447
00:24:29,440 --> 00:24:32,519
was there with his family, and then terribly injured two

448
00:24:32,640 --> 00:24:36,559
other people who were also listening to former President Trump's speak.

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There's intense curiosity as to what Crook's motivations may have been,

450
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and I was reading an article this morning preparing for today.

451
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This doesn't even seem to be something that was politically motivated.

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When it comes to Crooks, he was a registered Republican,

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but he'd given a small amount of money, I think

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fifteen dollars to a group that promotes progressive values. He

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00:24:58,960 --> 00:25:03,960
had researched both former President Trump's whereabouts as well as

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00:25:04,359 --> 00:25:09,440
current President Biden's whereabouts, and even looked into senior people

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00:25:09,480 --> 00:25:14,599
within the Biden administration. It almost feels apolitical somehow. On

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00:25:14,680 --> 00:25:19,119
Crooks's part, he died almost immediately within seconds of shooting

459
00:25:19,119 --> 00:25:21,839
at the former president. He was dead shot by a

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00:25:21,880 --> 00:25:24,960
Secret Service sniper. I know that there are a lot

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00:25:24,960 --> 00:25:28,359
of people, including the team that's currently investigating what went

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00:25:28,440 --> 00:25:32,160
wrong here, that would dearly love to have talked to Crooks,

463
00:25:32,279 --> 00:25:36,799
but obviously that can't happen. We find ourselves returning to

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00:25:37,039 --> 00:25:42,519
have conversations with people like Hinckley. I understand the intense

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00:25:42,839 --> 00:25:48,079
curiosity and our desire to learn more. Can we make

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00:25:48,119 --> 00:25:49,440
any sense out of any of this?

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Speaker 3: I had by then been talking to Hinckley for three

468
00:25:52,640 --> 00:25:54,960
and a half months since a New York Post story

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00:25:55,039 --> 00:25:57,759
about the cancelation of his shows, in which he'd called

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00:25:57,839 --> 00:26:01,920
himself a victim of cancel culture, had gained widespread attention online.

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00:26:02,680 --> 00:26:06,799
This exact pattern. Hinckley announces a concert, online, commenters make

472
00:26:06,880 --> 00:26:10,839
jokes about his early work, the venue receives backlash and cancels.

473
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The show had played out a dozen or so times

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since Hinckley's restrictions were lifted. It struck me as both

475
00:26:17,359 --> 00:26:20,400
farcical and poignant, the way that he kept being thwarted

476
00:26:20,440 --> 00:26:22,759
in his efforts to share his music with the world.

477
00:26:23,240 --> 00:26:25,799
Speaker 2: The song crimea River comes to mind, doesn't it.

478
00:26:26,160 --> 00:26:29,960
Speaker 3: I was thinking world's smallest violin exactly in the world's

479
00:26:29,960 --> 00:26:30,799
sadist story.

480
00:26:31,599 --> 00:26:34,920
Speaker 2: In mid May, I went to Virginia, this is Williamsburg

481
00:26:35,039 --> 00:26:37,759
Now to spend time with him. We talked about his music,

482
00:26:37,880 --> 00:26:41,160
and about his strange and terrible past, and about his effort,

483
00:26:41,160 --> 00:26:44,160
at age sixty nine, to move on from it. I

484
00:26:44,279 --> 00:26:46,880
talked to people who collaborated with him on getting his

485
00:26:47,000 --> 00:26:50,440
music out to the world. A promoter, a guitar teacher,

486
00:26:50,799 --> 00:26:53,599
a graphic designer who worked on his records and merchandise,

487
00:26:54,160 --> 00:26:57,799
a woman whom he referred to as his assistant. When

488
00:26:57,839 --> 00:27:00,960
I thought about the disturbing things he did nineteen eighty one,

489
00:27:01,440 --> 00:27:06,279
there was a distinct sense of cognitive dissonance. I found

490
00:27:06,279 --> 00:27:08,799
it hard to square that twenty five year old mad

491
00:27:08,880 --> 00:27:12,319
man with the quiet and melancholy older fellow who just

492
00:27:12,359 --> 00:27:14,799
wanted to put out what he called his quote, message

493
00:27:14,839 --> 00:27:18,359
of peace unquote. They were different men, but also were

494
00:27:18,440 --> 00:27:20,440
very much not I think.

495
00:27:20,240 --> 00:27:24,519
Speaker 3: This dichotomy of Hinckley, where there is here is what

496
00:27:24,599 --> 00:27:28,160
he did versus what he is now. I find that

497
00:27:28,240 --> 00:27:32,559
really compelling and interesting. I don't know that Hinckley is

498
00:27:32,599 --> 00:27:35,279
the sort of person if I saw him in Williamsburg,

499
00:27:35,359 --> 00:27:39,559
And interestingly enough, I have never had a John Hinckley sighting. Bill.

500
00:27:39,599 --> 00:27:41,079
I remember one of the first times that you were

501
00:27:41,119 --> 00:27:43,240
down here, you and I had a Bruce Hornsby sighting,

502
00:27:43,480 --> 00:27:46,599
and I call it Bruce in the wild. Bruce Hornsby

503
00:27:46,680 --> 00:27:48,400
just happened to be sitting at a booth at Plaza

504
00:27:48,440 --> 00:27:51,079
Azteca where the two of us were having dinner, which

505
00:27:51,119 --> 00:27:53,640
is pretty jazzy thing for both of us. It was neat.

506
00:27:53,759 --> 00:27:55,759
I've lived here my whole entire life. I see Bruce

507
00:27:55,759 --> 00:27:58,160
Hornsby a lot. My dad actually sees him even more.

508
00:27:58,200 --> 00:27:59,920
He's on a first name basis with him, which is

509
00:28:00,000 --> 00:28:01,880
it's pretty cool. But I have never had a John

510
00:28:01,960 --> 00:28:05,599
Hinckley sighting. Part of me does wonder why that might be.

511
00:28:05,960 --> 00:28:08,599
I am constantly out and about running errands and stuff

512
00:28:08,640 --> 00:28:12,240
like that. But I've officially seen Bruce Hornsby out in

513
00:28:12,279 --> 00:28:14,079
the wild more often than I've seen John Hinckley out

514
00:28:14,079 --> 00:28:16,279
in the wild. And I'm always a little curious about

515
00:28:16,279 --> 00:28:19,079
why that is. I am wondering how low a profile

516
00:28:19,119 --> 00:28:20,240
he actually keeps.

517
00:28:20,599 --> 00:28:23,279
Speaker 2: I see Bruce Hornsby as a force for good music

518
00:28:23,480 --> 00:28:27,519
and lots of worthwhile social causes. I've also met and

519
00:28:27,559 --> 00:28:30,119
spent the day with Bruce Hornsby some years ago when

520
00:28:30,119 --> 00:28:33,359
I was working for ASCAP. If I had the opportunity,

521
00:28:33,480 --> 00:28:36,799
I might reintroduce myself to Bruce and remind him where

522
00:28:36,799 --> 00:28:39,160
we met. But I wouldn't do it at dinner, because

523
00:28:39,319 --> 00:28:42,480
you don't interrupt someone when they're having dinner at Plaza ASTech.

524
00:28:42,559 --> 00:28:44,680
Speaker 3: How you said Plaza Azteka.

525
00:28:44,799 --> 00:28:48,880
Speaker 2: Yeah. I see Bruce Hornsby as nothing but a great

526
00:28:48,920 --> 00:28:53,319
ambassador for the community of Williamsburg. I guess if you

527
00:28:53,440 --> 00:28:56,279
hung out even more than you do now in bookstores

528
00:28:56,319 --> 00:29:00,480
and music stores, you might run into Hinckley. I wouldn't

529
00:29:00,480 --> 00:29:01,720
go out of my way for the guy.

530
00:29:02,240 --> 00:29:05,000
Speaker 3: But it is interesting though, that, because this is still

531
00:29:05,000 --> 00:29:08,759
a relatively small town. Like all things considered, Williamsburg still

532
00:29:08,799 --> 00:29:10,960
a small town. It's a big, little small town, but

533
00:29:10,960 --> 00:29:13,519
it's still small town. I had initially worried it would

534
00:29:13,519 --> 00:29:15,079
be hard to write about Hinckley in a way that

535
00:29:15,200 --> 00:29:19,160
wasn't exploitative or otherwise morally compromising. What if he was

536
00:29:19,160 --> 00:29:21,960
still in some way mentally unstable. What if he was

537
00:29:21,960 --> 00:29:24,599
so heavily medicated or so badly damaged by his own

538
00:29:24,640 --> 00:29:26,960
past that it would be impossible to conduct the sort

539
00:29:27,000 --> 00:29:29,480
of conversation I needed to have with him in order

540
00:29:29,519 --> 00:29:30,640
to write about him.

541
00:29:31,160 --> 00:29:34,880
Speaker 2: Over the conversations I had with Hinckley, these doubts fell away.

542
00:29:35,440 --> 00:29:37,480
I eventually came to think of him as a rip

543
00:29:37,559 --> 00:29:40,720
van Winkle figure who had been confined for almost the

544
00:29:40,920 --> 00:29:44,559
entirety of the era of modern telecommunications and had not

545
00:29:44,799 --> 00:29:48,400
directly experienced the seismic ships that had taken place in

546
00:29:48,400 --> 00:29:51,759
the culture he was emerging back into. And that culture

547
00:29:51,839 --> 00:29:57,960
is one where Hinkley's particular derangements, obsessive identification with fictional

548
00:29:58,079 --> 00:30:02,359
characters and celebrities, delusion of grandeur, the conjuring of rich

549
00:30:02,440 --> 00:30:06,839
alternative realities had become strangely normalized, at least on the

550
00:30:06,880 --> 00:30:11,720
platforms where Hinckley now interacts with his fans, platforms where

551
00:30:11,799 --> 00:30:15,039
it must be said, a sufficiently committed loner can become

552
00:30:15,160 --> 00:30:18,839
infamous overnight without firing a single shot. And the more

553
00:30:18,880 --> 00:30:22,599
I considered him, the more strangely, serene Hinckley seemed to

554
00:30:22,640 --> 00:30:25,559
me against the context of everything that was going on,

555
00:30:26,160 --> 00:30:29,400
at least not the inscrutable political violence of which he

556
00:30:29,519 --> 00:30:32,160
himself was such a highly charged symbol.

557
00:30:32,599 --> 00:30:37,039
Speaker 3: It is very interesting Hinckley went into Saint Elizabeth in

558
00:30:37,279 --> 00:30:41,240
nineteen eighty one eighty two, the year I was born,

559
00:30:41,559 --> 00:30:45,440
and he finally was released from all restrictions on that

560
00:30:45,680 --> 00:30:49,200
two years ago. So that is a really long stretch

561
00:30:49,240 --> 00:30:52,720
of time to be out of sync with the As

562
00:30:52,799 --> 00:30:57,000
mister O'Connell puts, some seismic shifts in culture that happened.

563
00:30:57,440 --> 00:31:00,920
I'm from the generation I'm I guess xeniel is how

564
00:31:00,960 --> 00:31:04,599
you call me. I'm a gen X slash millennial at Xeniel.

565
00:31:05,039 --> 00:31:09,279
I remember having a childhood without internet and then going

566
00:31:09,319 --> 00:31:12,359
to college with it being full steam, and now I

567
00:31:12,400 --> 00:31:15,279
can't imagine a situation in which I wouldn't have an

568
00:31:15,279 --> 00:31:18,880
Internet connected device somewhere. Hinkley never got any of that.

569
00:31:19,200 --> 00:31:22,839
He was in Sant Elizabeths the whole entire time. It's

570
00:31:22,880 --> 00:31:26,519
got to be I think the Rip van Winkle reference

571
00:31:26,839 --> 00:31:28,599
is accurate. And of course the English teacher and me

572
00:31:28,680 --> 00:31:32,119
loves that the literary character took a nap for many years.

573
00:31:32,640 --> 00:31:35,559
I think that's really apt. And so I think this

574
00:31:35,599 --> 00:31:39,880
is a very interesting paragraph here about Hinckley and reminding

575
00:31:39,920 --> 00:31:44,160
everybody this is a guy who went to institutionalization for

576
00:31:44,279 --> 00:31:46,759
this horrible crime, and when he came out, the entire

577
00:31:46,799 --> 00:31:47,599
world had changed.

578
00:31:48,000 --> 00:31:51,279
Speaker 2: He was in St. Elizabeth's for your entire life basically

579
00:31:51,559 --> 00:31:52,119
pretty much.

580
00:31:52,359 --> 00:31:55,880
Speaker 3: Yeah, And as I said earlier in the podcast, growing up,

581
00:31:56,000 --> 00:31:59,400
we would always hear because the local newspaper report on it.

582
00:31:59,680 --> 00:32:02,599
Hankley is out in a supervised visit with his parents.

583
00:32:03,160 --> 00:32:06,880
There was a huge to do when he was allowed

584
00:32:06,960 --> 00:32:11,240
to have weekend visits and then longer and longer, and

585
00:32:11,559 --> 00:32:14,359
there was quite a bit of coverage when he was

586
00:32:14,440 --> 00:32:17,559
finally released from all of the restrictions at Saint Elizabeth

587
00:32:17,599 --> 00:32:20,200
and was allowed to live here permanently. I'm sure that

588
00:32:20,279 --> 00:32:22,160
there was a heck of a flap in King's Mill

589
00:32:22,480 --> 00:32:26,119
that what a conversation to have the neighborhood assassin is

590
00:32:26,160 --> 00:32:28,960
coming home to live. That had to have been an

591
00:32:28,960 --> 00:32:32,960
interesting conversation. Okay, article continues. I come from Ireland, a

592
00:32:33,039 --> 00:32:36,319
country with a long and complicated history of political violence.

593
00:32:36,759 --> 00:32:39,640
For most of this history, which stretches back through centuries

594
00:32:39,640 --> 00:32:43,039
of colonial dispossession. Such violence arose, in one way or

595
00:32:43,039 --> 00:32:46,799
another out of a struggle for national self determination. When

596
00:32:46,839 --> 00:32:49,720
what are now called non state actors committed deeds of

597
00:32:49,799 --> 00:32:52,319
terror and violence, they did so by and large within

598
00:32:52,359 --> 00:32:56,000
the context of a coherent political project. Say what you like,

599
00:32:56,119 --> 00:32:59,240
for instance, about the IRA's failed attempt in nineteen eighty

600
00:32:59,240 --> 00:33:02,559
four to assass Margaret Thatcher by blowing up a hotel

601
00:33:02,599 --> 00:33:06,119
in Brighton, but you can't say that it was totally inexplicable.

602
00:33:06,559 --> 00:33:09,160
You didn't have to agree morally with the aims or

603
00:33:09,200 --> 00:33:12,240
the methodologies of violence to understand them.

604
00:33:12,759 --> 00:33:17,119
Speaker 2: What is disturbing for me is that these political assassins

605
00:33:17,119 --> 00:33:19,920
here in the United States, so much of it just

606
00:33:20,000 --> 00:33:27,160
seems aimless and baseless and completely pathetic. I understand why

607
00:33:27,599 --> 00:33:30,839
the people of Ireland, and particularly Northern Ireland may have

608
00:33:30,920 --> 00:33:34,680
wanted to kill Margaret Thatcher. I'm not saying I think

609
00:33:34,720 --> 00:33:38,240
that was a good idea or that she necessarily deserved it.

610
00:33:38,680 --> 00:33:41,960
At least there's a political means to an end here.

611
00:33:42,480 --> 00:33:45,920
Political assassinations in the United States, for the most part way,

612
00:33:46,039 --> 00:33:50,640
particularly when the assassin survives and has an opportunity, perhaps

613
00:33:50,720 --> 00:33:54,200
to be heard in court or speak. At some point,

614
00:33:54,480 --> 00:33:57,000
none of it ever seems to make any sense to me.

615
00:33:57,480 --> 00:34:01,799
It's all about self aggrandizement. They're pretty pathetic and this

616
00:34:02,000 --> 00:34:06,000
is just their way of achieving fame infamy perhaps.

617
00:34:06,519 --> 00:34:08,639
Speaker 3: Yeah, there was an excellent podcast out a couple of

618
00:34:08,719 --> 00:34:11,880
years ago from our friends over at Tenderfoot TV called

619
00:34:11,920 --> 00:34:15,079
the RFK Tapes, and that was a lot of discussion

620
00:34:15,119 --> 00:34:19,840
about Robert Kennedy's assassination at dvances and the motivations behind

621
00:34:19,840 --> 00:34:23,400
that one have been hotly debated. Very interesting stuff. But

622
00:34:23,559 --> 00:34:27,360
I like your characterization of the aimless. It feels like, well,

623
00:34:27,599 --> 00:34:30,800
what is the point in this? I don't know enough

624
00:34:30,800 --> 00:34:34,719
about RFK and his political ideology to be able to

625
00:34:34,800 --> 00:34:37,800
pinpoint or reason why it would have wanted him dead.

626
00:34:38,440 --> 00:34:41,239
What was the point of that he was universally beloved

627
00:34:41,280 --> 00:34:43,599
as far as I can tell. What is the point

628
00:34:43,679 --> 00:34:46,079
in taking out this guy who was really only trying

629
00:34:46,119 --> 00:34:49,599
to do good things for the country. I will never

630
00:34:49,679 --> 00:34:51,000
understand it, agreed.

631
00:34:51,400 --> 00:34:54,480
Speaker 2: O'Connell continues, and this picks up on some of these themes.

632
00:34:54,960 --> 00:34:58,360
The tradition of political violence in the United States is

633
00:34:58,519 --> 00:35:01,559
of an entirely different way, and it seems to me

634
00:35:02,079 --> 00:35:07,079
to arise out of the conjoined American traditions of entrepreneurial

635
00:35:07,119 --> 00:35:11,719
individualism and gun ownership. The presiding archetype of such violence

636
00:35:11,719 --> 00:35:14,880
in American life is not a revolutionary in a balaklava

637
00:35:15,039 --> 00:35:19,440
backed by a paramilitary organization, but a lonely oddball with

638
00:35:19,519 --> 00:35:24,719
a firearm fixation and a complex of conspiratorial grievances, whose

639
00:35:24,760 --> 00:35:28,280
relationships of the political dynamics of his country is often

640
00:35:28,480 --> 00:35:33,480
highly inscrutable or in any case, disconnected from any organized

641
00:35:33,519 --> 00:35:40,280
political project. This is a confused and confusing figure. Lee

642
00:35:40,320 --> 00:35:46,320
Harvey Oswald, James Earl Ray, these non entities who seized

643
00:35:46,360 --> 00:35:49,400
for themselves a place in history, even a kind of

644
00:35:49,480 --> 00:35:52,559
perverse greatness, by murdering great men.

645
00:35:52,920 --> 00:35:56,039
Speaker 3: Could not have said that or articulated that any better.

646
00:35:56,480 --> 00:36:00,360
Speaker 2: No, it's beautifully written, and he's really capturing the sense

647
00:36:00,400 --> 00:36:03,679
of something that I think we need to be thinking about.

648
00:36:04,119 --> 00:36:07,639
Crooks is another person in this long list of kind

649
00:36:07,639 --> 00:36:11,760
of bizarre nobodies that are going to try to kill

650
00:36:11,920 --> 00:36:14,800
political leaders in a way that doesn't even seem to

651
00:36:14,840 --> 00:36:19,480
make sense. There's no philosophical underpinning here. They just want

652
00:36:19,519 --> 00:36:23,320
to kill this individual to claim their what fifteen minutes

653
00:36:23,360 --> 00:36:25,239
of fame from behind bars.

654
00:36:25,760 --> 00:36:28,920
Speaker 3: John Henckley Junior was both an extreme and an imperfect

655
00:36:28,960 --> 00:36:33,280
example of this archetype, not least because he failed on

656
00:36:33,320 --> 00:36:37,039
a psychological level. He had less in common with practitioners

657
00:36:37,079 --> 00:36:41,119
of political murder from other cultures and times the unknown

658
00:36:41,159 --> 00:36:44,639
assassin of the revolutionary leader Michael Collins during the Irish

659
00:36:44,639 --> 00:36:48,559
Civil War, say Or Carillo princip the Serbian nationalist who

660
00:36:48,599 --> 00:36:52,039
sparked the First World War by killing Archdupe Franz Ferdinand,

661
00:36:52,440 --> 00:36:56,159
than he did with the other major avatar of American carnage,

662
00:36:56,440 --> 00:36:59,920
the mass shooter. He was a lonely and tormented boy

663
00:37:00,159 --> 00:37:03,920
whose mental illness absorbed and intensified many of the dark

664
00:37:04,079 --> 00:37:09,199
energies of American culture, the interplay between cinematic and actual violence,

665
00:37:09,599 --> 00:37:13,440
the devotional relationship with fame, and the conviction that heroic

666
00:37:13,519 --> 00:37:16,719
self definition can be achieved through an act of violence.

667
00:37:17,360 --> 00:37:20,960
His motives were not exactly obscure, but his politics were

668
00:37:21,000 --> 00:37:24,519
incoherent and largely irrelevant to his deed.

669
00:37:25,280 --> 00:37:29,000
Speaker 2: The same can't be confidently said of Thomas Matthew Crooks,

670
00:37:29,199 --> 00:37:33,119
who came within inches of assassinating a former and perhaps

671
00:37:33,159 --> 00:37:36,760
future president not yet at least for the simple reason

672
00:37:36,800 --> 00:37:40,840
that almost nothing can confidently be said of him. Reporters

673
00:37:40,840 --> 00:37:44,239
are sketched a broad outline of his life. Crooks came

674
00:37:44,280 --> 00:37:47,320
from a middle class suburb of Pittsburgh, and high school

675
00:37:47,360 --> 00:37:51,039
classmates described him as intelligent, geeky, and a bit of

676
00:37:51,079 --> 00:37:54,599
a loner. He liked playing video games and shooting guns.

677
00:37:55,119 --> 00:37:57,519
We know that he was a registered Republican, but we

678
00:37:57,599 --> 00:38:00,760
also know that he donated fifteen dollars to any nonprofit

679
00:38:00,920 --> 00:38:05,880
dedicated to increasing voter turnout for Democrats. Having unlocked his phone,

680
00:38:06,000 --> 00:38:08,719
the FBI found that he searched for the date of

681
00:38:08,760 --> 00:38:12,519
both Trump's rally in Butler and the Democratic National Convention,

682
00:38:12,800 --> 00:38:15,480
and for pictures of Biden and Trump, as well as

683
00:38:15,559 --> 00:38:20,400
high level federal appointees in the Biden administration. Maybe there's

684
00:38:20,440 --> 00:38:22,639
a version of this story yet to be told in

685
00:38:22,679 --> 00:38:27,400
which Crooks and his actions do make sense. Maybe investigators

686
00:38:27,480 --> 00:38:30,599
find some detail buried deep in the data hoard, some

687
00:38:30,760 --> 00:38:34,719
glimmering chard left behind in the digital recesses that somehow

688
00:38:34,760 --> 00:38:39,679
illuminates it all. But also maybe not. Maybe unimaginable chaos

689
00:38:39,800 --> 00:38:42,880
was nearly unleashed on the United States for no better

690
00:38:42,920 --> 00:38:45,559
reason than that Butler was a little over an hour's

691
00:38:45,639 --> 00:38:49,880
drive from his parents' house, and maybe Crooks remains legible,

692
00:38:49,960 --> 00:38:53,239
if at all, only as a late and sad entry

693
00:38:53,320 --> 00:38:56,320
into the canon of the lonely American man who takes

694
00:38:56,320 --> 00:38:59,440
a shot of the President, an archetype of which John

695
00:38:59,480 --> 00:39:04,639
Hinckley Junior was until very recently the most vivid contemporary example.

696
00:39:05,320 --> 00:39:08,480
Speaker 3: I don't know where, exactly, if anywhere, it would make

697
00:39:08,599 --> 00:39:11,719
sense for Hinckley to be living in Freedom forty three

698
00:39:11,800 --> 00:39:16,280
years after shooting Ronald Reagan, but Williamsburg, the former capital

699
00:39:16,320 --> 00:39:19,960
of the Virginia Colony, with its restored eighteenth century buildings

700
00:39:20,000 --> 00:39:24,239
and its tourist economy, feels like a particularly strange outcome.

701
00:39:24,840 --> 00:39:28,559
The town, whose historical center bills itself as the world's

702
00:39:28,639 --> 00:39:32,440
largest living history museum, amounts to a sort of immersive

703
00:39:32,599 --> 00:39:38,239
infotainment experience on the theme of America's colonial period. During

704
00:39:38,280 --> 00:39:40,760
my visit there in May, I saw many men in

705
00:39:40,880 --> 00:39:46,039
period garb waistcoats, breeches, tricorn hats, addressing clusters of tourists

706
00:39:46,119 --> 00:39:50,840
in stentorian fashion about Thomas Jefferson and George Washington. There

707
00:39:50,880 --> 00:39:54,800
are frequent outdoor performances by Fife and drum outfits. There

708
00:39:54,840 --> 00:39:57,440
are I would guess, more gift shops per capita than

709
00:39:57,519 --> 00:40:01,000
any American town other than Orlando. I would take exception

710
00:40:01,079 --> 00:40:01,320
with that.

711
00:40:01,440 --> 00:40:04,480
Speaker 2: By the way, I did laugh when I read that, though.

712
00:40:04,239 --> 00:40:07,400
Speaker 3: I don't think that's true. As I walked the broad

713
00:40:07,440 --> 00:40:10,559
promenades of the Historical Center, the only traffic on which

714
00:40:10,679 --> 00:40:13,800
was horse drawn carts full of tourists, I encountered several

715
00:40:13,840 --> 00:40:17,480
groups of small boys fighting pitched battles with wooden swords

716
00:40:17,519 --> 00:40:21,800
and toy muskets. He's not wrong on that part. I

717
00:40:21,920 --> 00:40:24,320
do take a little bit of umbrage on behalf of

718
00:40:24,360 --> 00:40:27,360
my city. We don't have that many gift shops.

719
00:40:27,719 --> 00:40:34,119
Speaker 2: Okay, if you say so, I like Williams work. Just fine.

720
00:40:34,480 --> 00:40:37,079
Speaker 3: I was gonna say, you've been here, Yes, are we

721
00:40:37,280 --> 00:40:38,480
crawling with gish?

722
00:40:39,559 --> 00:40:42,320
Speaker 2: Not that I recall, but perhaps for a Dublin or

723
00:40:42,440 --> 00:40:43,599
it might have felt that way.

724
00:40:44,119 --> 00:40:47,800
Speaker 3: Okay, true enough, true enough, Okay. There is so much

725
00:40:48,320 --> 00:40:53,639
interesting discussion and conversation to continue unpacking with this article

726
00:40:54,000 --> 00:40:55,559
that we are going to bring it to a close

727
00:40:55,639 --> 00:40:57,960
right now. We're about halfway through the article. And for

728
00:40:57,960 --> 00:41:00,280
anybody who thinks that maybe we're taking a little too

729
00:41:00,280 --> 00:41:03,199
long to read this. You can actually have someone at

730
00:41:03,199 --> 00:41:05,079
the New York Times read this to you. There is

731
00:41:05,119 --> 00:41:07,639
a link to the article and that is forty full

732
00:41:07,679 --> 00:41:11,599
minutes long without any of our sparkling and incisive commentary.

733
00:41:11,920 --> 00:41:13,840
So we actually think you're getting the better part of

734
00:41:13,880 --> 00:41:15,760
the deal by listening to the both of us.

735
00:41:16,360 --> 00:41:19,920
Speaker 2: That's true. And I'll bet we charge more reasonable rates

736
00:41:19,960 --> 00:41:21,000
than The New York Times.

737
00:41:21,159 --> 00:41:23,960
Speaker 3: Probably we do. As someone who pays for the Times

738
00:41:24,039 --> 00:41:27,840
every single month, I think we have much more reasonable rates.

739
00:41:28,159 --> 00:41:32,599
We will continue this dissection of this particular piece of

740
00:41:32,679 --> 00:41:35,880
writing in our very next episode. Matt is going to

741
00:41:35,960 --> 00:41:38,320
do it for this episode of mind Over Murder, but

742
00:41:38,360 --> 00:41:40,719
stay tuned for the next one. Thank you so much

743
00:41:40,760 --> 00:41:42,960
for listening. We'll see you next time.

744
00:41:52,239 --> 00:41:55,800
Speaker 1: Mind Over Murder is a production of Absolute Zero and

745
00:41:55,880 --> 00:41:57,280
Another Dog Productions.

746
00:41:57,840 --> 00:42:01,199
Speaker 2: Our executive producers are Bill Thomas and Kristin Dilley.

747
00:42:01,519 --> 00:42:03,960
Speaker 1: Our logo art is by Pamela Arnois.

748
00:42:04,599 --> 00:42:06,679
Speaker 2: Our theme music is by Kevin mcleoud.

749
00:42:07,199 --> 00:42:11,079
Speaker 1: Mind Over Murder is distributed in partnership with crawl Space Media.

750
00:42:11,880 --> 00:42:15,119
Speaker 2: You can follow us on Facebook, Twitter, or Instagram.

751
00:42:15,239 --> 00:42:17,840
Speaker 1: You can also follow our page on the Colonial Parkway

752
00:42:17,920 --> 00:42:19,719
Murders on Facebook.

753
00:42:19,480 --> 00:42:22,519
Speaker 2: And finally, you can follow Bill Thomas on Twitter at

754
00:42:22,559 --> 00:42:24,159
Bill Thomas. Five six.

755
00:42:24,679 --> 00:42:27,760
Speaker 1: Thank you for listening to Mind Over Murder.

