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<v Speaker 1>Joe Sclante live from Hollywood. If by Hollywood you mean Burbank.

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<v Speaker 1>This is two hours of the business, end of show business,

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<v Speaker 1>not two hours right now. Though, this is a special

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<v Speaker 1>podcast episode because it is the dol drums of the

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<v Speaker 1>NFL season where we are preempted almost every week, so

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<v Speaker 1>it's going to be podcast only most of the time

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<v Speaker 1>until oh, you know, I'm around the holidays. So we

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<v Speaker 1>are today going to talk about mainly the Menendez thing

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<v Speaker 1>on Netflix. I didn't go to an actual theater this week.

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<v Speaker 1>Some people did. The people that saw Terrifier three made

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<v Speaker 1>it number one, and a lot of people listened to

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<v Speaker 1>my advice and saw Wild Robot, but not enough to

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<v Speaker 1>keep it at number one. Wild Robot. It just can't

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<v Speaker 1>beat it. You just cannot beat it. It's a perfect movie.

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<v Speaker 1>Some people have said, well, I've seen the storyline done

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<v Speaker 1>better or whatever. I don't care. This is a beautiful film,

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<v Speaker 1>you know, and you're gonna love it. The animation is great,

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<v Speaker 1>and animation is just killing it right now. So congratulations

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<v Speaker 1>to Universal for making a better an animated product than

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<v Speaker 1>anything I've seen out at Disney in quite some time.

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<v Speaker 1>And I'm the biggest Disney fan there is, maybe not

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<v Speaker 1>the bigness I biggest. I'm not one of those Disney adults. Okay,

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<v Speaker 1>I'm not a pin trader. I'm just you know, I

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<v Speaker 1>grew up in near Disneyland. I went there a lot.

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<v Speaker 1>I used to get in for free early in my youth,

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<v Speaker 1>just hanging out there like it was a you know,

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<v Speaker 1>like the back alleys of the Bowery Boys and just

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<v Speaker 1>causing mischief. Never got kicked out, got in trouble once,

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<v Speaker 1>but never got kicked out, even though I wrote a

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<v Speaker 1>I guess you could call it a hit song, one

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<v Speaker 1>of the Vandals hit song hit song in punk rock

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<v Speaker 1>Pirate's Life, about taking LSD and going on the Pirates

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<v Speaker 1>of the Caribbean ride and being trapped in there because

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<v Speaker 1>you it was an interdimensional experience that was spurred by

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<v Speaker 1>a drug induced fantasy that went wrong. But I never

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<v Speaker 1>did that. I'm just reporting what's out on the streets,

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<v Speaker 1>what's going on in the streets. People are doing that.

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<v Speaker 1>I don't recommend it. You don't need drugs at Disneyland,

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<v Speaker 1>and you shouldn't take drugs at Disneyland because there's a

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<v Speaker 1>lot of heavy machinery and children. So come on, Okay,

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<v Speaker 1>so wild row About. You should see it, and maybe

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<v Speaker 1>they'll have a wild Rowbout ride at Universal Studios that

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<v Speaker 1>might get me to go there. I just went to

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<v Speaker 1>the Universal Studios in Orlando, but in Orlando like ten times,

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<v Speaker 1>kind of Disney World over and over. I love Epcot.

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<v Speaker 1>Never went to Universal. Finally went and I'm like, yeah,

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<v Speaker 1>it's not for me. I mean it's cool, Harry Potter's amazing,

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<v Speaker 1>but I don't know. Okay. So number three is The Joker.

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<v Speaker 1>People say it sucks. I'm not gonna watch it. There's

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<v Speaker 1>no way in hell I'm going to sit down and

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<v Speaker 1>watch The Joker. Beetlejuice. Beetlejuice. Great movie. You should see it.

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<v Speaker 1>Saturday Night Live documentary. A lot of people are going

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<v Speaker 1>to see it from Sony Pictures. But I'm I couldn't

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<v Speaker 1>get myself motivated to go and watch a documentary about

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<v Speaker 1>a TV show in a theater. I couldn't do it.

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<v Speaker 1>I'm not saying it. It's not gonna happen. Number six

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<v Speaker 1>is Piece by Piece. I'm not really interested in that one.

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<v Speaker 1>Transformers one again. No Nightmare Before Christmas comes back every year. Great,

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<v Speaker 1>The Apprentice, you don't care, Okay, let's move on to

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<v Speaker 1>what I was going to talk about. First. I'm going

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<v Speaker 1>to talk about, Uh, there's a couple of things. Chapel roone.

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<v Speaker 1>You know her, Do you know who she is? She's

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<v Speaker 1>a transgender queer artist or she's not transgender because she's

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<v Speaker 1>dresses like a girl and she is a girl, but

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<v Speaker 1>her influences are transgendered people and that's her aesthetic. It's

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<v Speaker 1>like I dressed like a dry queen. It's not bad.

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<v Speaker 1>I mean, you know, I think if you're a performer,

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<v Speaker 1>I think that's a pretty good one. It's a good one.

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<v Speaker 1>You know, it's theatrical. And yeah. One times I made

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<v Speaker 1>the mistake of like I had an old girlfriend and

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<v Speaker 1>like she'd ask me, oh, do you think that girl's pretty?

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<v Speaker 1>Do you think that girl's pretty? You know? And then

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<v Speaker 1>I made the mistake of answering yes or no. What

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<v Speaker 1>she just shouldn't do You should just say no, one's

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<v Speaker 1>a pretty as you dear. Anyway, after I I told

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<v Speaker 1>her a couple of girls I thought were pretty, one day,

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<v Speaker 1>she goes, you just like girls who look like drag queens.

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<v Speaker 1>And you know you don't want that because then next

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<v Speaker 1>time you're around a girl that looks like a drag

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<v Speaker 1>queen or worse at drag queen, then your girlfriend is

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<v Speaker 1>gonna be suspicious of you. You don't need that, so

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<v Speaker 1>you can't give him information like that. You just can't.

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<v Speaker 1>I only like girls that look like my wife. That's

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<v Speaker 1>problem too, because then there are girls that look like

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<v Speaker 1>my wife, and then she sees them. She goes that

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<v Speaker 1>girl likes me, looks like me. Why he's staring at her.

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<v Speaker 1>But she's not really like that, So I don't have

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<v Speaker 1>to worry about it. But Chapel Roane. I saw her

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<v Speaker 1>at Coachella. She was good. She's an underfire right now

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<v Speaker 1>because Bill Maher is criticizing her, and I'm wondering if

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<v Speaker 1>what happens to her career. Does this help hurt her

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<v Speaker 1>career help her career? I don't know, because it has

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<v Speaker 1>to do with Israel and Gaza and all that stuff.

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<v Speaker 1>And I'm not smart enough to understand what's going on

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<v Speaker 1>over there, and I'm not gonna try. But I do

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<v Speaker 1>know what Bill Maher said. He said, if you were

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<v Speaker 1>in the Mid East, they would throw you off a

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<v Speaker 1>building because that's what they do to queer people. So

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<v Speaker 1>he's trying to tell her give her a fraternal correction.

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<v Speaker 1>Don't get on the Palestinian bandwagon because it makes you

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<v Speaker 1>look like you don't know what they do there to

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<v Speaker 1>queer people. So entertainers always better off just kind of

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<v Speaker 1>being like, hey, you know, I'm next question. Hey, what

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<v Speaker 1>do you think Chapel of what's going on in Israel

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<v Speaker 1>and Gauza? I think all people should be free and

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<v Speaker 1>I'm against war in the end. That's your entertainment advice

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<v Speaker 1>for today. Now there's an actual legal case which is

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<v Speaker 1>kind of fascinating right now. Have you heard of it?

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<v Speaker 1>Limp Biscuit files a lawsuit against Universal alleging they owe

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<v Speaker 1>them to one hundred million dollars in royalties, And you say,

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<v Speaker 1>to yourself, how could that be? I say that to myself,

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<v Speaker 1>how could we How could Limp Biscuit earn two hundred

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<v Speaker 1>million dollars in royalties? Ever, they're big, but wow. Then

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<v Speaker 1>they kind of went away. But then as this nineties

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<v Speaker 1>thing comes back, they have a resurgence. I think last

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<v Speaker 1>time we played the Vandals played with them on a festival.

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<v Speaker 1>They were on one day, We're on the other day.

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<v Speaker 1>The Vandals outdrew them. But since then the nineties thing

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<v Speaker 1>has come back in a big way, and they're the

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<v Speaker 1>poster children for the nineties, so they're I think what happened.

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<v Speaker 1>So they're saying that their their royalties were done wrong,

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<v Speaker 1>and they're they're of course, the lawyer is going to

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<v Speaker 1>say they're purposely calculated to cheat people. I don't know

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<v Speaker 1>if I believe that, but deliberately designed to conceal artists

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<v Speaker 1>royalties so it can pocket the profits. That's a little

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<v Speaker 1>extreme of a charge to make against a the largest

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<v Speaker 1>music company in the world that other people are not suing.

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<v Speaker 1>But so what they were getting, they were getting statements.

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<v Speaker 1>Here's what you get. When you're in the music business

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<v Speaker 1>and you have a record out, you get these statements. Now,

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<v Speaker 1>if you have a sleazy label, they don't even send

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<v Speaker 1>you the statements. But a good label, we're going to

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<v Speaker 1>send you statements either quarterly or bi annually or monthly sometimes,

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<v Speaker 1>and you get these statements and it says mainly you're

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<v Speaker 1>looking at these statements if you're a young rock band,

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<v Speaker 1>to say like are you recouped or not? Are you

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<v Speaker 1>close to getting royalties? Because there's two kinds of royalties

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<v Speaker 1>you would be looking for in your statement. There would

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<v Speaker 1>be a statement for publishing and a statement for album sales.

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<v Speaker 1>We'll call it that now you're publishing. Is the amount

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<v Speaker 1>of money that the record label must pay composers when

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<v Speaker 1>they're mechanically reproducing their copyrights onto a tangible met or

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<v Speaker 1>even a digital medium. A that's caught. Why they call

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<v Speaker 1>it a mechanical royalty. It would be something like just

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<v Speaker 1>I'll just tell you, like I'd be like, let's call

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<v Speaker 1>it seventy cents a record, an album sex six cents

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<v Speaker 1>a song or something like that. They've got to pay

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<v Speaker 1>that to somebody. They pay it to whoever owns the

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<v Speaker 1>composing rights. Who the composer, Maybe he sold his rights,

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<v Speaker 1>maybe he's got a partner. They there's a company called

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<v Speaker 1>Harry Fox that collects that from most people. I don't

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<v Speaker 1>let them collect my money because I can collect my

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<v Speaker 1>own money and I don't want to give them a cut.

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<v Speaker 1>But you were going to if you're a record label,

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<v Speaker 1>every time you mechanically reproduce a record, you got to

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<v Speaker 1>pay that six cents a song. Okay, So you look

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<v Speaker 1>at that, and that goes directly to the band. You

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<v Speaker 1>can't you cannot touch that. You can give it to,

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<v Speaker 1>you give it to the publisher or the band. Sometimes

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<v Speaker 1>a publisher came about and said, hey, fred Durst, let

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<v Speaker 1>me give you a million dollar advance on your publishing.

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<v Speaker 1>Now you're paying it to that guy until it recoops.

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<v Speaker 1>And then it recoops, then you're that guy's got to

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<v Speaker 1>collect the money and start giving it to Fred Durst

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<v Speaker 1>or half of it or or three quarters of it,

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<v Speaker 1>depending on the deal you made and how much money

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<v Speaker 1>of an advance you took. I hope this is not

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<v Speaker 1>putting you to sleep. So that's publishing. That's for songwriting. Now,

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<v Speaker 1>sometimes it goes to a different person because like, if

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<v Speaker 1>you're Elvis, you didn't write your songs, maybe some of them.

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<v Speaker 1>If you're Frank Sinatra, you didn't write any of them.

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<v Speaker 1>So on a Frank Sinatra album, all that money's going to,

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<v Speaker 1>you know, Paul Anka, whoever wrote things like New York,

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<v Speaker 1>New York. That's where that money's going. It's not going

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<v Speaker 1>to Frank Sinatra is only getting the album sales royalties.

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<v Speaker 1>So those are two different things. So when but when

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<v Speaker 1>the Biscuit looks at their statements, their statements all said,

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<v Speaker 1>you're not recouped yet on your album sales, or you're publishing. Actually,

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<v Speaker 1>let's leave publishing a side. Let's just deal with album sales,

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<v Speaker 1>because you're not recouped yet, so we're not paying you anything.

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<v Speaker 1>And then they just kind of got used to that,

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<v Speaker 1>and because well they took says here in this article

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<v Speaker 1>that they got like forty two million dollars in advances

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<v Speaker 1>over their career. Okay, think about that, staggering number. Two

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<v Speaker 1>forty two million dollars. Lord, the Vandals probably got one

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<v Speaker 1>million dollars worth of advances over their entire career. I'm

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<v Speaker 1>going to say five hundred thousand. And we are recouped everywhere,

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<v Speaker 1>everywhere in town, so we get when we get a statement,

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<v Speaker 1>we get actual royalties because we're recouped. Now, if they

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<v Speaker 1>get an advance of one million dollars for their album

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<v Speaker 1>sales from Universal, forget about publishing. They've got to earn

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<v Speaker 1>out that advance before they get a cent. And that

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<v Speaker 1>would be about a dollar to a dollar thirty five

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<v Speaker 1>in Fred durstday, probably a dollar thirty five for each

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<v Speaker 1>CD that was sold. So they got to sell a

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<v Speaker 1>million to recoup a one point three five million dollar advance.

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<v Speaker 1>How many millions of records did they sell? Well, if

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<v Speaker 1>they got a forty two million dollar worth of advance.

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<v Speaker 1>As some of that's probably in publishing. That's a lot

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<v Speaker 1>of records you gotta sell. But over time the streaming

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<v Speaker 1>income started to come in. You know, probably sold some

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<v Speaker 1>songs to some films and evidently the money piled up.

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<v Speaker 1>They were owed a bunch of money and they didn't

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<v Speaker 1>and then finally when they complained about it at all,

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<v Speaker 1>it looks like, according to this article, Universal sent them

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<v Speaker 1>a million dollars to them to fred Durst, and a

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<v Speaker 1>million or to the band, then three million dollars to

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<v Speaker 1>the record label that fred Durst started to put out

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<v Speaker 1>his own records. Because remember for a while he was

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<v Speaker 1>like I got my own record label and directing movies,

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<v Speaker 1>all that kind of stuff. He was a big player.

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<v Speaker 1>So he's getting a good royalty rate because he owns

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<v Speaker 1>a record label. And they did pay him. It's like

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<v Speaker 1>they paid him maybe four million dollars or something like that.

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<v Speaker 1>But his lawyers say, you got two point three million

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<v Speaker 1>to Flawless Records, his company, and one million to him

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<v Speaker 1>in last August. But they filed the lawsuit last week

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<v Speaker 1>and they say there owe two hundred million dollars as

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<v Speaker 1>a lawyer. I heard his name is Quantinets or something

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<v Speaker 1>like that, and he's very colorful and he polls stunts

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<v Speaker 1>and things like that, and he gets in the in

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<v Speaker 1>the public eye and forces things to happen with public pressure.

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<v Speaker 1>That kind of guy. So we're all gonna watch this

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<v Speaker 1>very closely, except for bands, I mean, especially bands that

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<v Speaker 1>have deals with Universal and have had him through the nineties,

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<v Speaker 1>like some bands I won't mention that I'm very interested in.

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<v Speaker 1>So we'll see how that goes. That is limp biscuit

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<v Speaker 1>versus Universal, hundreds of millions of dollars at stake, theoretically,

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<v Speaker 1>we'll see. All right, now, we're gonna get to the

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<v Speaker 1>Menendez thing, because that's the only thing. I mean, I

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<v Speaker 1>just kind of watched it obsessively and didn't go to

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<v Speaker 1>a movie theater and the did you watch it? What

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<v Speaker 1>did you think of it? Put it in my Facebook comments.

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<v Speaker 1>That's the only place you can really get a hold

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<v Speaker 1>of me, or I might respond, Okay, it's nine episodes.

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<v Speaker 1>Nobody's getting nine episodes to do a true crime story.

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<v Speaker 1>But Ryan Murphy. Ry Murphy's one of the most successful

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<v Speaker 1>producers in television, and he's got you know, hits everywhere,

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<v Speaker 1>and he made this huge deal with Netflix and it's

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<v Speaker 1>kind of starting to pay off for Netflix. He did

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<v Speaker 1>the Dammer one, now he's doing this one nine episodes,

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<v Speaker 1>so they really dragged out the story, gave him an

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<v Speaker 1>opportunity to be very artistic with it and to tell

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<v Speaker 1>every side of the story, you know, all these different angles.

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<v Speaker 1>So I some of the parts of it I didn't

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<v Speaker 1>enjoy at all, but in the for the most part

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<v Speaker 1>was I was hooked to I was hooked to it,

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<v Speaker 1>and I enjoyed a lot of it. Is like my

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<v Speaker 1>era of the nineties, you know, when I'm like twenty

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<v Speaker 1>seven in nineteen ninety and this is going on at

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<v Speaker 1>that time, and I'm in law school, and it was.

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<v Speaker 1>It was fascinating back then, still fascinating now if you

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<v Speaker 1>don't know the story. They killed their parents and then

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<v Speaker 1>they seem to have gotten away with it, mainly because

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<v Speaker 1>the Beverly Hills police at that time weren't doing the

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<v Speaker 1>thing that you could pull anyone off the street. Right now,

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<v Speaker 1>there's so much true crime on TV and ask them, Hey,

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<v Speaker 1>if two parents got murdered in Beverly Hills or anywhere,

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<v Speaker 1>who's their and they had two kids. Who's the who's

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<v Speaker 1>the first person you're gonna look at? Well, I look

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<v Speaker 1>at and see if they had any affairs, you know,

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<v Speaker 1>going on, and then I'd look at the kids, you know,

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<v Speaker 1>do they stand again? Who's stand again? Who stand again?

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<v Speaker 1>Of course these kids stood to gain. I mean there's

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<v Speaker 1>some complications about whether they were cut out of the

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<v Speaker 1>wheel or not. But if you're a cop who stands

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<v Speaker 1>to gain, go investigate them. They didn't do anything. They

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<v Speaker 1>let these guys are run around for months selling or

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<v Speaker 1>buying roll x'es and cars, and of course they did

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<v Speaker 1>because they're stupid. And the whole uh the upshot of

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<v Speaker 1>the all the Menendez you know documentaries. There's a documentary

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<v Speaker 1>I watched. First, I thought there's a Menendez thing. I

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<v Speaker 1>went on Netflix and I watched. I thought it was

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<v Speaker 1>everyone was talking about this documentary. I watched that. That

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<v Speaker 1>was pretty good. The Netflix went then I realized, oh,

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<v Speaker 1>there's a narrative, scripted drama here. Let me watch that,

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<v Speaker 1>yep shot of it. These are just two stupid people,

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<v Speaker 1>stupid spoiled chemacos. These guys never had to do anything

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<v Speaker 1>for themselves, and they're there their dad. It seems like

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<v Speaker 1>their dad pretended to say like, I'm gonna be tough

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<v Speaker 1>on you, okay, And then but he's so worried about

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<v Speaker 1>his ego and that these these kids will be show

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<v Speaker 1>pieces for him, and they will go to the best

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<v Speaker 1>schools and they'll be the best tennis players and all

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<v Speaker 1>that stuff. He has to fund it all, and you

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<v Speaker 1>got to worry that. I think, you know one thing,

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<v Speaker 1>if you're a kid like that, you can worry. You

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<v Speaker 1>know what, I don't really need all this stuff. I'm

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<v Speaker 1>gonna dress like a homeless person and see how you

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<v Speaker 1>like that. I'm gonna embarrass you. No, no, no, no,

291
00:17:36.640 --> 00:17:39.559
<v Speaker 1>don't dress like a homeless person. Here's an unlimited clothing budget,

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00:17:39.599 --> 00:17:43.000
<v Speaker 1>you know, that kind of manipulation. So he gave him everything,

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<v Speaker 1>yet he was cruel to them, seems like now, but

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<v Speaker 1>you know, defind cruel when you're trying to raise kids

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<v Speaker 1>who are spoiled brands. I think it comes down to

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<v Speaker 1>his ego. His ego is not letting him raise the

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<v Speaker 1>kids in a normal way. But I don't know how

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<v Speaker 1>to raise kids. Who does. But he raised them in

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<v Speaker 1>a way where they shot him in the face of

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<v Speaker 1>the shotgun. So he obviously I think I can say

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00:18:10.359 --> 00:18:13.920
<v Speaker 1>he did a really crappy job. Whatever's method was, it

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00:18:13.960 --> 00:18:20.039
<v Speaker 1>didn't work. But after they're arrested, then after a while

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<v Speaker 1>they come up with a story said we killed them

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<v Speaker 1>because we were molested, because they came up with a

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<v Speaker 1>theory where they could argue self defense and avoid the

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<v Speaker 1>death penalty and maybe get out of prison. Because if

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<v Speaker 1>you have an honest, good faith belief that your life

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00:18:33.559 --> 00:18:36.599
<v Speaker 1>was in danger and you shot them for that honest,

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00:18:36.640 --> 00:18:39.680
<v Speaker 1>good faith belief, you don't get out of jail, but

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<v Speaker 1>you do get to plead to like an involuntary manslaughter

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<v Speaker 1>or a voluntary manslaughter. I think that's what it would be,

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<v Speaker 1>and they cannot charge you with first durg murder if

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<v Speaker 1>you had a good faith belief that your life was

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<v Speaker 1>in danger. So they concocted a story where they had

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<v Speaker 1>a good faith belief that their life was in danger

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<v Speaker 1>because their parents were going to kill them. They basically

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<v Speaker 1>that was part of their thing. They have been molested

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<v Speaker 1>forever and their parents are going to go to kill them,

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<v Speaker 1>that we're going to kill them, And they didn't have

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<v Speaker 1>a very good support for why their mom would kill them.

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<v Speaker 1>And I think that is what the that's one of

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<v Speaker 1>the problems with their case. But in the movie, let's

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00:19:17.079 --> 00:19:19.599
<v Speaker 1>talk about the movie. The movie. You watch it, it might

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<v Speaker 1>make you mad sometimes, you know, you say, people never

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<v Speaker 1>say stuff like this or that would never happen. Why

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<v Speaker 1>would they believe this? These people are spoiled brats. But

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<v Speaker 1>you're really seeing this in a Roschmann type scenario where

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<v Speaker 1>different versions of the same story are being told over

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00:19:37.759 --> 00:19:40.359
<v Speaker 1>and over and over again, gets a little repetitive. The

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<v Speaker 1>worst is that they keep talking about details of the

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<v Speaker 1>molestation which probably didn't occur, over and over and over

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<v Speaker 1>and over again, the same details over and over and then.

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<v Speaker 1>And my wife at one point was going, Wow, these

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<v Speaker 1>are such detailed molestation stories. How would they even know

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<v Speaker 1>to make this stuff up? And then someone pointed out

336
00:20:05.480 --> 00:20:08.240
<v Speaker 1>that they were reading all these books about molestation stories,

337
00:20:08.640 --> 00:20:10.519
<v Speaker 1>so they got really good at it and their life

338
00:20:10.559 --> 00:20:15.119
<v Speaker 1>was on the line and they put on a performance

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00:20:16.240 --> 00:20:19.480
<v Speaker 1>and Okay, no one bought it, and they're in prison

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00:20:19.519 --> 00:20:21.279
<v Speaker 1>for the rest of their life. So that's But when

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<v Speaker 1>you're watching this now, you wanna hang Ryan Murphy for

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00:20:24.400 --> 00:20:28.160
<v Speaker 1>trying to depict what happened. And sometimes you're mad at him.

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<v Speaker 1>You're like, oh, come on, this why do you do this?

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<v Speaker 1>Why do you do that? But hey, it's an epic

345
00:20:32.960 --> 00:20:35.920
<v Speaker 1>nine hours. He's got to fill the time, and he

346
00:20:35.960 --> 00:20:38.960
<v Speaker 1>made I think he did a great job, except for

347
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<v Speaker 1>repeating the child the pedophile stuff over and over because

348
00:20:43.160 --> 00:20:47.519
<v Speaker 1>it didn't happen. Most likely it just did not happen.

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00:20:47.680 --> 00:20:50.160
<v Speaker 1>They made it up so they could. That's their defense. Hey,

350
00:20:50.200 --> 00:20:51.720
<v Speaker 1>how we get out of this. Let's make up the story.

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<v Speaker 1>That's the story they made up. It's no different than saying, well,

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<v Speaker 1>I wasn't there, I was over here. I have an alibi.

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<v Speaker 1>It was like, well, I did kill him, but I

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<v Speaker 1>had to because I thought they're going to kill me,

355
00:21:00.160 --> 00:21:03.359
<v Speaker 1>and you know, they were molested me in my whole life. Okay,

356
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<v Speaker 1>it's no one bought it, so we don't really have

357
00:21:05.920 --> 00:21:12.319
<v Speaker 1>to worry about it. But I think you can make

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<v Speaker 1>an argument that if your dad was so mean, you

359
00:21:17.559 --> 00:21:20.119
<v Speaker 1>had to kill him because you're so freaked out by it.

360
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<v Speaker 1>And I think the jury could have said, Okay, so

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00:21:26.160 --> 00:21:28.000
<v Speaker 1>you killed your dad, we're going to go easy on

362
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<v Speaker 1>you in that voluntary manslaughter. You were so freaked out

363
00:21:32.599 --> 00:21:35.599
<v Speaker 1>and so you know, your poor thing. The problem is

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00:21:35.640 --> 00:21:39.480
<v Speaker 1>they killed their mom. Okay, so for killing your mom,

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<v Speaker 1>you get the death penalty. No, I'm not really for

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<v Speaker 1>the death penalty, so I'm glad I wasn't around then.

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<v Speaker 1>But you get the maximum penalty for killing your mom,

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<v Speaker 1>which is death. So why are we even talking about it?

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<v Speaker 1>Why coming up with all these excuses about why you

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<v Speaker 1>killed your dad when you killed your mom. No excuses

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<v Speaker 1>for killing your mom. So you get maximum for your mom.

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<v Speaker 1>We can only kill you once. So you killed her,

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<v Speaker 1>you get killed, and we're done. But back then, I

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<v Speaker 1>don't know. I don't know why someone didn't come up

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<v Speaker 1>with that argument. But there's two trials. First trial, they

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<v Speaker 1>give them the benefit of the doubt and they let

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<v Speaker 1>all this stuff in. You're gonna let you plead this

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<v Speaker 1>child molesting thing or whatever, and enough of the jury

379
00:22:31.920 --> 00:22:33.599
<v Speaker 1>buys it, so they have a hung jury, and so

380
00:22:33.640 --> 00:22:36.720
<v Speaker 1>they're going to try them again. Second trial, the judge,

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00:22:36.759 --> 00:22:39.359
<v Speaker 1>same judge, says, well, I don't want that to happen again,

382
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<v Speaker 1>so let me manipulate how much evidence comes in, and

383
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<v Speaker 1>then I know I'll get a guilty verdict, which I

384
00:22:44.160 --> 00:22:47.759
<v Speaker 1>don't know if that's fair either. So the first one

385
00:22:47.799 --> 00:22:51.759
<v Speaker 1>was let them say anything and put on a show.

386
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<v Speaker 1>And the ladies and the jury believed it. The men

387
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<v Speaker 1>said no way, and then that was unfair because they were,

388
00:23:00.400 --> 00:23:05.720
<v Speaker 1>you know, just crucifying their parents. There's no evidence for

389
00:23:05.759 --> 00:23:10.759
<v Speaker 1>this molestation at all. None. There's a couple like people

390
00:23:10.759 --> 00:23:12.400
<v Speaker 1>that said, well, yeah, I heard, and he told me

391
00:23:12.519 --> 00:23:14.440
<v Speaker 1>there was something going on. But they also have letters

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00:23:14.480 --> 00:23:17.680
<v Speaker 1>of the Menendez kids writing letters to people and telling

393
00:23:17.720 --> 00:23:20.519
<v Speaker 1>them to come and testify and tell the following lie.

394
00:23:21.440 --> 00:23:24.920
<v Speaker 1>They call him on the phone, tell the following lie.

395
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<v Speaker 1>So they have that, so you can't really believe anything

396
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<v Speaker 1>they say. So basically you have to approach this so

397
00:23:30.880 --> 00:23:37.400
<v Speaker 1>you can't believe anything they say. But the one funny

398
00:23:37.400 --> 00:23:41.640
<v Speaker 1>thing is the prosecutor in the first trial says she

399
00:23:41.759 --> 00:23:47.440
<v Speaker 1>could not find one person to testify favorably for Jose Menendez.

400
00:23:48.160 --> 00:23:50.119
<v Speaker 1>Could not find one person that would come in and

401
00:23:50.160 --> 00:23:52.079
<v Speaker 1>say he was a very good guy. Lick, he's been

402
00:23:52.119 --> 00:23:56.839
<v Speaker 1>murdered in his living room while you're sleeping. No one,

403
00:23:57.559 --> 00:24:01.200
<v Speaker 1>despite all that sympathy that you might have, she couldn't

404
00:24:01.200 --> 00:24:02.720
<v Speaker 1>find one person that would come in and say he

405
00:24:02.759 --> 00:24:07.119
<v Speaker 1>was a nice guy. So that's a problem, and that's

406
00:24:07.119 --> 00:24:09.400
<v Speaker 1>the problem, you know, that's I guess one of the

407
00:24:09.400 --> 00:24:12.839
<v Speaker 1>reasons why the trial went on and on and then

408
00:24:12.839 --> 00:24:14.640
<v Speaker 1>the second So the second one, you know, they didn't

409
00:24:14.680 --> 00:24:18.559
<v Speaker 1>they weren't allowed to argue the molestations, so they were

410
00:24:18.599 --> 00:24:23.920
<v Speaker 1>just already it was over before it started, and they're

411
00:24:23.960 --> 00:24:28.000
<v Speaker 1>serving life sentences without the possibility of parole. Very interesting

412
00:24:28.119 --> 00:24:32.799
<v Speaker 1>article about Ryan Murphy's version that Eric Menendez has commented

413
00:24:32.839 --> 00:24:37.279
<v Speaker 1>on it and he said he thinks it's bad. Problem

414
00:24:37.319 --> 00:24:39.680
<v Speaker 1>is he didn't see it. This is an Entertainment weekly,

415
00:24:40.119 --> 00:24:41.880
<v Speaker 1>so he's making this big statement about it, but he

416
00:24:41.920 --> 00:24:46.359
<v Speaker 1>hasn't watched it. So and I go, this is what

417
00:24:46.400 --> 00:24:52.359
<v Speaker 1>I say to that too. Yeah, TV producers exploit murders

418
00:24:52.400 --> 00:24:56.119
<v Speaker 1>and victims and all this horrible stuff and they make

419
00:24:56.160 --> 00:24:59.839
<v Speaker 1>money off it and et cetera. And I think there's

420
00:24:59.839 --> 00:25:01.559
<v Speaker 1>a lot lot of people that could complain, which are

421
00:25:01.599 --> 00:25:03.960
<v Speaker 1>you know, victim's families members and things like that. And

422
00:25:04.200 --> 00:25:06.079
<v Speaker 1>if you have disdain for Ryan Murphy because you think

423
00:25:06.119 --> 00:25:12.960
<v Speaker 1>he's exploiting your death, okay, fine, valid, valid complaint. But

424
00:25:15.799 --> 00:25:19.839
<v Speaker 1>for Eric Menendez and Lyle Menendez, once you kill your

425
00:25:19.839 --> 00:25:22.160
<v Speaker 1>mom for no reason, you don't get to complain about anything.

426
00:25:22.279 --> 00:25:25.880
<v Speaker 1>So that's just now I don't know if you know this,

427
00:25:25.960 --> 00:25:30.000
<v Speaker 1>but there's an appeal or a request being made for

428
00:25:30.039 --> 00:25:33.680
<v Speaker 1>a new trial, because one of the main things is,

429
00:25:33.759 --> 00:25:39.119
<v Speaker 1>I mean, there's so many there's so many Menendez products

430
00:25:39.160 --> 00:25:44.000
<v Speaker 1>now on all these streaming service it's literally reigning Menendez

431
00:25:45.000 --> 00:25:50.200
<v Speaker 1>at the moment. And one of the documentaries shows a

432
00:25:50.279 --> 00:25:53.519
<v Speaker 1>letter that was written by Eric to his friend a

433
00:25:53.559 --> 00:25:58.519
<v Speaker 1>couple of weeks before the murders that supposedly proves that

434
00:25:58.599 --> 00:26:04.480
<v Speaker 1>he was being molested and by his father, and so

435
00:26:04.519 --> 00:26:13.480
<v Speaker 1>that would change everything. So, I mean, here's what I

436
00:26:13.519 --> 00:26:15.279
<v Speaker 1>would do, and I would face that if you want

437
00:26:15.279 --> 00:26:18.319
<v Speaker 1>a retrial, and this is the way I would have

438
00:26:18.319 --> 00:26:20.200
<v Speaker 1>done the original trial. And I don't know why, and

439
00:26:20.240 --> 00:26:22.640
<v Speaker 1>they never called me. This would have solved everything. There

440
00:26:22.640 --> 00:26:25.920
<v Speaker 1>would have been one trial, not two trials, and went over.

441
00:26:26.039 --> 00:26:28.799
<v Speaker 1>It would have been over in five seconds. I would

442
00:26:28.799 --> 00:26:33.960
<v Speaker 1>have said, Okay, your dad molested you. All right, I'm

443
00:26:33.960 --> 00:26:39.319
<v Speaker 1>the DA. I'm gonna I'm not even gonna charge you

444
00:26:39.359 --> 00:26:43.119
<v Speaker 1>with your dad's murder. Okay, I'm not gonna charge you.

445
00:26:43.119 --> 00:26:48.799
<v Speaker 1>You're innocent, self defense. I believe you. Good, good for you. Now,

446
00:26:49.880 --> 00:26:53.079
<v Speaker 1>I'm just gonna put you on trial for your mother's murder. Okay,

447
00:26:53.799 --> 00:26:59.119
<v Speaker 1>did she molest you? No? She didn't. Okay, why did

448
00:26:59.160 --> 00:27:01.880
<v Speaker 1>you kill her? Oh? Because of this and that that

449
00:27:02.000 --> 00:27:05.079
<v Speaker 1>she couldn't live without my dad, and she was a

450
00:27:05.119 --> 00:27:07.640
<v Speaker 1>prisoner too, so we put her out of her misery. Okay,

451
00:27:07.839 --> 00:27:11.640
<v Speaker 1>that's really bad. That's not a defense. Now you have

452
00:27:12.119 --> 00:27:13.960
<v Speaker 1>since I let you off for your dad. They were

453
00:27:13.960 --> 00:27:22.440
<v Speaker 1>convicted anyway of two consecutive there were sentence to two

454
00:27:22.480 --> 00:27:26.960
<v Speaker 1>consecutive life sentences. All right. Now each of you get

455
00:27:26.960 --> 00:27:30.440
<v Speaker 1>one life sentence without parole. The other was two without parole.

456
00:27:30.680 --> 00:27:33.920
<v Speaker 1>Now you get one without parole. Why would the DA's

457
00:27:33.960 --> 00:27:38.720
<v Speaker 1>office be so interested in convicting them for both murders.

458
00:27:40.400 --> 00:27:44.599
<v Speaker 1>Just declare them innocent of the father's murder and get

459
00:27:44.759 --> 00:27:48.359
<v Speaker 1>a life sentence without parole for the mother's murder. No

460
00:27:48.400 --> 00:27:51.160
<v Speaker 1>one's going to argue with that. And you could do

461
00:27:51.200 --> 00:27:53.160
<v Speaker 1>the same thing when they come up for appeal. If

462
00:27:53.200 --> 00:27:57.160
<v Speaker 1>you have half a brain, you would do that. And

463
00:27:57.200 --> 00:28:01.920
<v Speaker 1>forget trying to convince people that Jose Menendez did not

464
00:28:03.599 --> 00:28:07.839
<v Speaker 1>molest the two kids. Just throw that one out. They

465
00:28:07.880 --> 00:28:11.759
<v Speaker 1>only have one life. You have one life sentence without parole,

466
00:28:11.799 --> 00:28:15.839
<v Speaker 1>and it's done. But nobody calls me. It's just the

467
00:28:15.839 --> 00:28:18.200
<v Speaker 1>way it goes. But anyway, do I recommend it, Yes,

468
00:28:18.240 --> 00:28:21.759
<v Speaker 1>I do. Once you see them interviewing them about there,

469
00:28:21.920 --> 00:28:24.839
<v Speaker 1>they're describing their child abuse, I would just fast forward it.

470
00:28:24.920 --> 00:28:28.920
<v Speaker 1>I did. You didn't get anything out of that, Ryan

471
00:28:29.000 --> 00:28:34.119
<v Speaker 1>Murphy maybe did. There's a lot of you know, topless

472
00:28:34.400 --> 00:28:38.640
<v Speaker 1>men in this thing, a little gratuitous topless bodies in

473
00:28:38.720 --> 00:28:41.880
<v Speaker 1>this thing. So there's that, you know, and maybe Ryan

474
00:28:41.920 --> 00:28:43.920
<v Speaker 1>Murphy gets something out of that, or his audience does.

475
00:28:43.960 --> 00:28:48.039
<v Speaker 1>I don't know. But describing your how you're getting raped

476
00:28:48.039 --> 00:28:50.880
<v Speaker 1>and stuff when it probably didn't happen, you don't need that.

477
00:28:51.400 --> 00:28:53.079
<v Speaker 1>So I would fast forward through all that, which you

478
00:28:53.119 --> 00:28:56.839
<v Speaker 1>can do because the Netflix fast forward thing, the technology

479
00:28:56.880 --> 00:28:58.680
<v Speaker 1>they are improving it, it gets better and better and better,

480
00:28:59.039 --> 00:29:01.160
<v Speaker 1>easier to fast forward. It used to be impossible. It's

481
00:29:01.160 --> 00:29:07.119
<v Speaker 1>just terrible, but it's better. So, like I said, I

482
00:29:07.160 --> 00:29:11.240
<v Speaker 1>recommend it. But it's uh, it's not for kids, that's

483
00:29:11.240 --> 00:29:14.119
<v Speaker 1>for sure. All right. I think that's about it. I

484
00:29:14.160 --> 00:29:17.440
<v Speaker 1>will I'm just brief putting news. The Vandals Christmas Show

485
00:29:17.480 --> 00:29:21.440
<v Speaker 1>is on sale now December twentieth at the House of Blues,

486
00:29:21.759 --> 00:29:26.319
<v Speaker 1>San Diego. December twenty, first Saturday Night at the House

487
00:29:26.319 --> 00:29:29.440
<v Speaker 1>of Blues and I and it's gonna be a lot

488
00:29:29.440 --> 00:29:31.359
<v Speaker 1>of fun. I hope you will come. It's a big

489
00:29:31.400 --> 00:29:33.039
<v Speaker 1>tradition for a lot of people. It sells out of

490
00:29:33.119 --> 00:29:36.599
<v Speaker 1>a year, so get your tickets soon, and I will

491
00:29:36.599 --> 00:29:38.359
<v Speaker 1>now leave you with just the taste of the greatest

492
00:29:38.359 --> 00:29:50.680
<v Speaker 1>song I ever written. All O.
