WEBVTT

1
00:00:02.080 --> 00:00:08.320
<v Speaker 1>All right, you ready? Yes, So my co host Balky,

2
00:00:08.359 --> 00:00:11.960
<v Speaker 1>I've been told nobody appreciates a good vacation, unlike my

3
00:00:12.080 --> 00:00:13.400
<v Speaker 1>friend Eric Balkman.

4
00:00:13.800 --> 00:00:15.279
<v Speaker 2>Where is this coming from? Who?

5
00:00:15.800 --> 00:00:17.239
<v Speaker 1>Who is it going to be here? You know what's

6
00:00:17.280 --> 00:00:19.920
<v Speaker 1>funny is I don't remember, but I know someone told

7
00:00:19.960 --> 00:00:23.320
<v Speaker 1>me specifically to comment on how much you love vacation.

8
00:00:25.000 --> 00:00:27.039
<v Speaker 2>Ax Oh, Alex, Yeah, yeah, I don't like him.

9
00:00:27.039 --> 00:00:27.640
<v Speaker 1>Yeah at all.

10
00:00:27.719 --> 00:00:30.199
<v Speaker 2>That's a strange way to feel about things. I think

11
00:00:30.239 --> 00:00:34.960
<v Speaker 2>it's because I'm very like I don't like people doing

12
00:00:35.479 --> 00:00:39.479
<v Speaker 2>like covering for me while I'm gone. So I still

13
00:00:39.560 --> 00:00:42.880
<v Speaker 2>work when I'm on vacation, which is difficult because you're

14
00:00:42.920 --> 00:00:45.119
<v Speaker 2>supposed to be doing other stuff with your family, and

15
00:00:45.159 --> 00:00:48.799
<v Speaker 2>I still have to like work extra before the vacation starts,

16
00:00:48.840 --> 00:00:50.759
<v Speaker 2>and then I have to catch up after it ends.

17
00:00:51.039 --> 00:00:53.600
<v Speaker 2>So it's a huge disruption that nobody needs. Is that?

18
00:00:53.840 --> 00:00:56.200
<v Speaker 1>Is that the Fantasy Football show? Or is that all

19
00:00:56.240 --> 00:00:56.640
<v Speaker 1>the jokes?

20
00:00:56.920 --> 00:00:59.920
<v Speaker 2>Like my because I have two full time jobs, yeah

21
00:01:00.039 --> 00:01:02.880
<v Speaker 2>plus this, which isn't really a job. Sure, Yeah, I

22
00:01:02.880 --> 00:01:05.239
<v Speaker 2>have two full time jobs where I still I'll have

23
00:01:05.239 --> 00:01:08.640
<v Speaker 2>to wake up before everybody else, yeah, Pepper, and work

24
00:01:08.719 --> 00:01:10.680
<v Speaker 2>where I can throughout the day and then go to

25
00:01:10.719 --> 00:01:12.760
<v Speaker 2>bed after everybody else, you know what I mean. It's

26
00:01:12.760 --> 00:01:15.239
<v Speaker 2>just one of those things. So it's yeah, it's I'm

27
00:01:15.239 --> 00:01:17.719
<v Speaker 2>still doing shows when I'm down there. I'll be Florida

28
00:01:17.760 --> 00:01:19.719
<v Speaker 2>next week. I'm still doing shows when I'm down there.

29
00:01:19.760 --> 00:01:23.079
<v Speaker 2>I'm still doing all this other stuff. But nobody cares.

30
00:01:23.719 --> 00:01:26.120
<v Speaker 1>How about that that he's going to be gonext Basically

31
00:01:26.239 --> 00:01:28.159
<v Speaker 1>I brought it up so when I wanted to make

32
00:01:28.200 --> 00:01:29.400
<v Speaker 1>a joke, it was successful.

33
00:01:29.760 --> 00:01:32.719
<v Speaker 2>It was hilarious save the tea's because this show is

34
00:01:32.760 --> 00:01:35.200
<v Speaker 2>not taking a week off next Yes, I won't be

35
00:01:35.239 --> 00:01:36.879
<v Speaker 2>on it, but it'll be fun for the for the

36
00:01:36.920 --> 00:01:38.480
<v Speaker 2>listeners to hear what's going on next week?

37
00:01:38.599 --> 00:01:41.719
<v Speaker 1>Yeah, yeah, right now? Or you mean at the end, yeah,

38
00:01:42.040 --> 00:01:44.079
<v Speaker 1>because right now we're doing back room Yeah, And that's

39
00:01:44.120 --> 00:01:46.120
<v Speaker 1>all that really matters. And this is going to be

40
00:01:46.159 --> 00:01:49.120
<v Speaker 1>interesting one because and I'm going to preface this out

41
00:01:49.159 --> 00:01:50.840
<v Speaker 1>there right now. I don't want to sound like I

42
00:01:50.840 --> 00:01:52.879
<v Speaker 1>didn't like this movie at all, but let's just say

43
00:01:52.920 --> 00:01:54.920
<v Speaker 1>one of us has a much higher opinion of what

44
00:01:54.959 --> 00:01:57.840
<v Speaker 1>they watched than no, and.

45
00:01:58.159 --> 00:02:01.599
<v Speaker 2>God bless it, why can't we haven thing? Well? Maybe,

46
00:02:01.920 --> 00:02:05.239
<v Speaker 2>but this might be better for the for the podcast.

47
00:02:05.640 --> 00:02:09.599
<v Speaker 1>Oh absolutely, And again it's just a matter of and

48
00:02:09.759 --> 00:02:11.759
<v Speaker 1>I said, did you buy chance to get a chance

49
00:02:11.800 --> 00:02:13.919
<v Speaker 1>to see Cube or no?

50
00:02:13.919 --> 00:02:14.680
<v Speaker 2>No, I no worries.

51
00:02:14.719 --> 00:02:16.759
<v Speaker 1>That's all right, that's all right. But it's just I'm

52
00:02:16.759 --> 00:02:18.840
<v Speaker 1>gonna be very interested in your thoughts because I want

53
00:02:18.840 --> 00:02:20.639
<v Speaker 1>to start off on all of the positive and there's

54
00:02:20.639 --> 00:02:22.840
<v Speaker 1>plenty to talk about in the world of positive.

55
00:02:22.439 --> 00:02:25.240
<v Speaker 2>Here, which, by the way, just real quick, since this

56
00:02:25.319 --> 00:02:28.120
<v Speaker 2>is off topic. I did look at the cast for Cube. Yeah,

57
00:02:28.479 --> 00:02:30.719
<v Speaker 2>and there's a character in there or an actor in

58
00:02:30.800 --> 00:02:34.000
<v Speaker 2>there who was on the Red Green Show. I don't

59
00:02:34.000 --> 00:02:34.840
<v Speaker 2>think you know the Red Guys.

60
00:02:34.840 --> 00:02:35.520
<v Speaker 1>I don't know.

61
00:02:35.599 --> 00:02:38.120
<v Speaker 2>It's a Canadian TV show that was on Wisconsin. Well,

62
00:02:38.120 --> 00:02:40.680
<v Speaker 2>I mean it was on public broadcast television years ago,

63
00:02:40.759 --> 00:02:43.159
<v Speaker 2>like when I was in grade school. And it's it's

64
00:02:43.159 --> 00:02:46.039
<v Speaker 2>said at this Canadian lodge, you know, like like a

65
00:02:46.080 --> 00:02:48.280
<v Speaker 2>membership lodge or whatever, and it's all these you know,

66
00:02:48.360 --> 00:02:51.080
<v Speaker 2>older guys that you know, get into situations or whatever.

67
00:02:52.520 --> 00:02:54.960
<v Speaker 2>But anyway, I watched it religiously because I thought it

68
00:02:55.000 --> 00:02:57.319
<v Speaker 2>was hilarious. There's a lot of outdoor stuff, a lot

69
00:02:57.319 --> 00:02:59.439
<v Speaker 2>of outdoors humor on there, and I watched it religiously

70
00:02:59.439 --> 00:03:01.680
<v Speaker 2>on Thursday Night, and there is an actor in Cube

71
00:03:01.919 --> 00:03:04.000
<v Speaker 2>who used to be on The Red, which is weird.

72
00:03:04.120 --> 00:03:06.080
<v Speaker 2>I think there's a lot of Canadian actors in Cube.

73
00:03:06.080 --> 00:03:06.879
<v Speaker 2>I don't know if it was.

74
00:03:07.120 --> 00:03:07.919
<v Speaker 1>Yeah, it's a Canadian.

75
00:03:08.680 --> 00:03:10.080
<v Speaker 2>Yeah, there you go. Yeah. Yeah.

76
00:03:10.120 --> 00:03:11.439
<v Speaker 1>You know what's funny is I brought it up with

77
00:03:11.639 --> 00:03:14.280
<v Speaker 1>W A p LS. John Jordan, and he sent me

78
00:03:14.319 --> 00:03:16.840
<v Speaker 1>a picture later on that day of the DVD case

79
00:03:16.879 --> 00:03:18.599
<v Speaker 1>to Cube one, two, and zero.

80
00:03:18.599 --> 00:03:19.520
<v Speaker 2>Wow, he has all of them.

81
00:03:19.520 --> 00:03:21.599
<v Speaker 1>He has all of them all, like physical copies of

82
00:03:21.639 --> 00:03:23.000
<v Speaker 1>all of them. I was like, right on. And then

83
00:03:23.000 --> 00:03:24.479
<v Speaker 1>he's like, I'm going to watch him just because you

84
00:03:24.560 --> 00:03:26.360
<v Speaker 1>got me in the movie, so he's seen him before.

85
00:03:26.520 --> 00:03:29.840
<v Speaker 2>Yeah, did did he have share your disappointment with the

86
00:03:29.840 --> 00:03:31.039
<v Speaker 2>second one? Yeah?

87
00:03:31.159 --> 00:03:33.080
<v Speaker 1>Okay, no universally, Oh it's sad.

88
00:03:33.280 --> 00:03:33.560
<v Speaker 2>Okay.

89
00:03:35.599 --> 00:03:38.680
<v Speaker 1>One recaptures. It brings time travel in and like if

90
00:03:38.719 --> 00:03:40.800
<v Speaker 1>you're going to bite off time travel, like I can

91
00:03:40.840 --> 00:03:43.280
<v Speaker 1>watch Terminator two and be like, you know, there's elements

92
00:03:43.280 --> 00:03:45.319
<v Speaker 1>of this that don't make sense, but that's okay because

93
00:03:45.319 --> 00:03:48.120
<v Speaker 1>this movie rocks, like you really have to do it right.

94
00:03:48.240 --> 00:03:50.800
<v Speaker 1>And Cube was like, we don't care at all, We're

95
00:03:50.840 --> 00:03:52.919
<v Speaker 1>just we're just gonna put time travel in this and

96
00:03:52.960 --> 00:03:53.719
<v Speaker 1>then it's gonna happen.

97
00:03:53.800 --> 00:03:55.919
<v Speaker 2>Yeah, that's yeah. You don't want to play with elements

98
00:03:55.919 --> 00:03:58.280
<v Speaker 2>like that, then now there is there is time elements

99
00:03:58.280 --> 00:04:00.759
<v Speaker 2>in back Rooms as well. And I think before we

100
00:04:00.800 --> 00:04:02.800
<v Speaker 2>get started, we'll just give the premise of this. Yeah

101
00:04:02.840 --> 00:04:04.159
<v Speaker 2>you correct me where I'm ron? Yeah?

102
00:04:04.159 --> 00:04:04.439
<v Speaker 1>Please.

103
00:04:05.360 --> 00:04:10.599
<v Speaker 2>This is a film about a literally what it's called

104
00:04:10.639 --> 00:04:16.680
<v Speaker 2>backrooms of this furniture store that is supposedly in an

105
00:04:16.720 --> 00:04:23.040
<v Speaker 2>extra dimensional entity, extra dimensional area, and these it's just

106
00:04:23.079 --> 00:04:27.040
<v Speaker 2>a maze of backrooms with weird objects inside and people

107
00:04:27.120 --> 00:04:30.759
<v Speaker 2>are wandering there and there's potentially dangers in there as well.

108
00:04:31.959 --> 00:04:35.079
<v Speaker 2>And it's all based on the YouTube series called Backrooms,

109
00:04:35.319 --> 00:04:39.399
<v Speaker 2>which was created by Cane Pixels aka Kane Parsons, and

110
00:04:39.480 --> 00:04:44.279
<v Speaker 2>he has a whole there's probably like thirty or forty videos,

111
00:04:44.319 --> 00:04:48.759
<v Speaker 2>short videos, some are longer on YouTube about you know, backrooms,

112
00:04:48.800 --> 00:04:53.279
<v Speaker 2>and so this was kind of like the big break,

113
00:04:53.439 --> 00:04:57.279
<v Speaker 2>the big feature on this as he really expanded on this.

114
00:04:57.639 --> 00:05:00.480
<v Speaker 2>But you don't need to really watch those YouTube videos

115
00:05:00.519 --> 00:05:04.120
<v Speaker 2>to enjoy this film, did you. I watched a few

116
00:05:04.160 --> 00:05:05.120
<v Speaker 2>of them afterwards.

117
00:05:05.160 --> 00:05:08.199
<v Speaker 1>Okay, I didn't see any of them, and I didn't

118
00:05:08.199 --> 00:05:10.439
<v Speaker 1>feel like I was confused or lost at any point.

119
00:05:10.519 --> 00:05:12.040
<v Speaker 2>Oh good, then we should talk about this because I

120
00:05:12.079 --> 00:05:14.279
<v Speaker 2>feel like I was confused and lost at certain points.

121
00:05:14.759 --> 00:05:17.920
<v Speaker 2>Maybe not a ton, but yeah, I just don't have

122
00:05:17.959 --> 00:05:19.560
<v Speaker 2>the time to watch all of them right now. Oh sure,

123
00:05:19.680 --> 00:05:23.920
<v Speaker 2>but the ones I did see, I don't know, man,

124
00:05:23.959 --> 00:05:26.639
<v Speaker 2>Maybe this is just my jam, but this was really

125
00:05:26.920 --> 00:05:30.240
<v Speaker 2>I even said to you. Maybe I didn't tell you this.

126
00:05:30.240 --> 00:05:32.439
<v Speaker 2>This was one of the few films that I wanted

127
00:05:32.439 --> 00:05:34.800
<v Speaker 2>to see a second time. Yeah, and I wanted to

128
00:05:34.839 --> 00:05:36.920
<v Speaker 2>see it again before we did the podcast. It didn't happen.

129
00:05:36.959 --> 00:05:40.639
<v Speaker 2>I got wrapped into Spider Noir on video sided to

130
00:05:40.680 --> 00:05:42.399
<v Speaker 2>watch that and I didn't have to, but I chose

131
00:05:42.439 --> 00:05:46.199
<v Speaker 2>to watch that. But yeah, dude, I just I think

132
00:05:46.240 --> 00:05:50.879
<v Speaker 2>everything about this, the lighting, the creepy liminal space aspect

133
00:05:51.000 --> 00:05:54.319
<v Speaker 2>of it.

134
00:05:53.079 --> 00:05:56.079
<v Speaker 1>Even just the theming of the whole, the whole, like

135
00:05:56.279 --> 00:05:59.319
<v Speaker 1>it was very relatable. Like there's very little dialogue, but

136
00:05:59.360 --> 00:06:02.240
<v Speaker 1>I think with the I have there, they really do

137
00:06:02.319 --> 00:06:06.759
<v Speaker 1>a good job of driving home like what at least

138
00:06:06.800 --> 00:06:10.199
<v Speaker 1>the directors trying to get across the finish line there,

139
00:06:10.279 --> 00:06:12.879
<v Speaker 1>in my opinion a ways, airin the Intern reached out

140
00:06:12.920 --> 00:06:14.639
<v Speaker 1>to me because she introduced me to the back rooms

141
00:06:14.639 --> 00:06:18.079
<v Speaker 1>when she was interning twenty four She's like, yeah, don't

142
00:06:18.120 --> 00:06:19.680
<v Speaker 1>you know what the backrooms are. I'm like, this is

143
00:06:19.680 --> 00:06:21.920
<v Speaker 1>the first I'm hearing about it. She tells me about

144
00:06:21.920 --> 00:06:23.879
<v Speaker 1>what it is. I said, well, that's the dumbest sounding

145
00:06:23.879 --> 00:06:25.160
<v Speaker 1>thing I've ever heard in my life.

146
00:06:27.040 --> 00:06:32.040
<v Speaker 2>What I'm blown away? Not only do you did you

147
00:06:32.120 --> 00:06:34.279
<v Speaker 2>not enjoy this film? Well I shouldn't say you didn't

148
00:06:34.319 --> 00:06:35.240
<v Speaker 2>enjoy this fil yeah.

149
00:06:35.079 --> 00:06:36.959
<v Speaker 1>Because I will see it a second time, absolutely not

150
00:06:36.959 --> 00:06:38.639
<v Speaker 1>in theaters, But I mean this.

151
00:06:38.600 --> 00:06:43.439
<v Speaker 2>Whole aspect, I mean this, this doesn't the whole idea,

152
00:06:43.680 --> 00:06:45.879
<v Speaker 2>the whole premise of this doesn't creep you out.

153
00:06:46.040 --> 00:06:49.279
<v Speaker 1>The movie did a better job of driving that point

154
00:06:49.279 --> 00:06:49.920
<v Speaker 1>home for me.

155
00:06:50.560 --> 00:06:52.279
<v Speaker 2>How much of the back rooms videos have you seen

156
00:06:52.319 --> 00:06:53.120
<v Speaker 2>on YouTube? I have not.

157
00:06:53.480 --> 00:06:56.839
<v Speaker 1>I'm going solely based off of air in the intern's

158
00:06:56.879 --> 00:06:59.720
<v Speaker 1>description of it. And then one picture she's like, yeah,

159
00:06:59.720 --> 00:07:02.319
<v Speaker 1>look these rooms. She's like, picture this but forever. And

160
00:07:02.360 --> 00:07:04.720
<v Speaker 1>I was like okay, and she was like it's called

161
00:07:04.720 --> 00:07:07.879
<v Speaker 1>a liminal space, and I'm like okay. I was like,

162
00:07:07.920 --> 00:07:10.360
<v Speaker 1>this is what gen Z's into. Like, you guys don't

163
00:07:10.399 --> 00:07:14.560
<v Speaker 1>know what the hell you're talking about. And I think

164
00:07:14.600 --> 00:07:17.879
<v Speaker 1>it's amazing. I think the idea of this is is

165
00:07:18.000 --> 00:07:22.720
<v Speaker 1>tremendous seeing it enacted with a professional flair. Not a

166
00:07:22.759 --> 00:07:25.720
<v Speaker 1>ton of money, but you know, a million dollars behind

167
00:07:25.759 --> 00:07:28.920
<v Speaker 1>what was ultimately put together. There ten times the budget

168
00:07:28.959 --> 00:07:31.879
<v Speaker 1>of what we reviewed last week on Obsession. I get

169
00:07:31.920 --> 00:07:34.120
<v Speaker 1>it now. And I was putting myself in a I

170
00:07:34.160 --> 00:07:35.839
<v Speaker 1>always mispronounced his name Chueto.

171
00:07:37.240 --> 00:07:39.879
<v Speaker 2>I think it's the quote me.

172
00:07:40.000 --> 00:07:42.360
<v Speaker 1>I'm just gonna call him Victor sweet going forward so

173
00:07:42.439 --> 00:07:44.199
<v Speaker 1>that we can skip.

174
00:07:43.879 --> 00:07:46.199
<v Speaker 2>All that baron morto whatever.

175
00:07:47.279 --> 00:07:50.399
<v Speaker 1>But seeing the way he reacted, I was putting myself

176
00:07:50.439 --> 00:07:51.079
<v Speaker 1>in that position.

177
00:07:51.160 --> 00:07:52.959
<v Speaker 2>Okay, well, I just have to say this real quick.

178
00:07:53.720 --> 00:07:56.399
<v Speaker 2>I went to Doctor Strange. You went to Four Brothers.

179
00:07:56.720 --> 00:07:59.920
<v Speaker 2>Dude was nominated for Best Actor for twelve Years of Slave,

180
00:08:00.279 --> 00:08:03.040
<v Speaker 2>and neither one of us went to and I can't

181
00:08:03.040 --> 00:08:06.279
<v Speaker 2>even remember what his name was, and that terrible.

182
00:08:06.279 --> 00:08:09.279
<v Speaker 1>He has far more accolades, but for my money, either

183
00:08:09.319 --> 00:08:11.720
<v Speaker 1>one of the like from an entertainment value, you know.

184
00:08:11.680 --> 00:08:13.399
<v Speaker 2>Yeah, twelve years. It makes me sad.

185
00:08:13.560 --> 00:08:16.079
<v Speaker 1>Yeah, exactly, that's what I'm saying. Nothing against that movie,

186
00:08:16.120 --> 00:08:19.360
<v Speaker 1>but you know, but in any event, trying to put

187
00:08:19.399 --> 00:08:26.680
<v Speaker 1>myself in his position, it did. It helped me internalize

188
00:08:27.079 --> 00:08:29.800
<v Speaker 1>just how creepy it is, because my biggest real world

189
00:08:29.959 --> 00:08:34.440
<v Speaker 1>fear is being perceived as crazy when I know I

190
00:08:34.480 --> 00:08:36.679
<v Speaker 1>am beyond a shadow of a doubt right about what

191
00:08:36.720 --> 00:08:37.279
<v Speaker 1>I am saying.

192
00:08:37.320 --> 00:08:39.200
<v Speaker 2>Okay, but you know what's scary about that, Ben, And

193
00:08:39.240 --> 00:08:40.639
<v Speaker 2>I know this is probably going to hit me at

194
00:08:40.639 --> 00:08:42.919
<v Speaker 2>some point in my life because I've had parents, or

195
00:08:43.200 --> 00:08:47.519
<v Speaker 2>not parents, I've had grandparents hit with Alzheimers. Yeah. Absolutely,

196
00:08:47.639 --> 00:08:50.399
<v Speaker 2>And I feel like eventually that that's going to happen

197
00:08:50.440 --> 00:08:54.080
<v Speaker 2>to me, and you will think you are one right, And.

198
00:08:54.399 --> 00:08:56.639
<v Speaker 1>Dude, you need to see Black Mirror. There's an episode.

199
00:08:56.639 --> 00:08:58.080
<v Speaker 1>But I don't want to get too far off topic,

200
00:08:58.120 --> 00:09:00.440
<v Speaker 1>but that's that's like what you're described, Like, I can

201
00:09:00.480 --> 00:09:02.519
<v Speaker 1>feel it in my spine right now, just you even

202
00:09:02.559 --> 00:09:04.000
<v Speaker 1>saying that, because that's well.

203
00:09:04.039 --> 00:09:05.840
<v Speaker 2>Some of some of those are like the best kind

204
00:09:05.879 --> 00:09:08.399
<v Speaker 2>of horror movies too, where you're you have the unreliable

205
00:09:08.519 --> 00:09:11.399
<v Speaker 2>narrator and you're seeing it from that angle and you're like,

206
00:09:11.480 --> 00:09:14.480
<v Speaker 2>oh my god, everybody else is crazy this guy's and

207
00:09:14.519 --> 00:09:17.039
<v Speaker 2>then like Shutter Island is a perfect example that where

208
00:09:17.039 --> 00:09:19.720
<v Speaker 2>you're like, Okay, something's going on here, and and then

209
00:09:19.720 --> 00:09:21.759
<v Speaker 2>you're like, oh, my god, it's it's.

210
00:09:21.720 --> 00:09:24.000
<v Speaker 1>A shitty movie. But Thor the Dark No, Thor the

211
00:09:24.080 --> 00:09:26.799
<v Speaker 1>Dark World too is a shitty no, no shut. Her

212
00:09:26.799 --> 00:09:30.039
<v Speaker 1>Island's great, predictable but great. But but uh thor two

213
00:09:30.080 --> 00:09:34.480
<v Speaker 1>when Eric Selvig Scarsguard's dad, he's in a mental institution

214
00:09:34.639 --> 00:09:36.759
<v Speaker 1>the entire time, and then he walks out with a

215
00:09:36.799 --> 00:09:38.799
<v Speaker 1>bag full of pills and then you see the flock

216
00:09:38.840 --> 00:09:41.000
<v Speaker 1>of birds appear from a portal out of nowhere and

217
00:09:41.039 --> 00:09:43.200
<v Speaker 1>basically scare the crap out all of them, and he

218
00:09:43.279 --> 00:09:45.879
<v Speaker 1>throws that and he uh like looks at him smiling,

219
00:09:45.879 --> 00:09:47.759
<v Speaker 1>and they're like, why are you smiling right now? And

220
00:09:47.759 --> 00:09:50.159
<v Speaker 1>he's like, there's nothing better than realizing the whole world's

221
00:09:50.200 --> 00:09:52.320
<v Speaker 1>crazier than you are, and shows him throw the pills

222
00:09:52.360 --> 00:09:54.159
<v Speaker 1>away and keep walking. I'm like, I love that.

223
00:09:54.440 --> 00:09:57.120
<v Speaker 2>I love that you call him Scarsguard's dad, where I

224
00:09:57.159 --> 00:09:59.600
<v Speaker 2>think of stelling Scarsguard as scars Guard and the other

225
00:09:59.639 --> 00:10:02.840
<v Speaker 2>guys are his sons. Yeah, you know what I mean.

226
00:10:03.039 --> 00:10:05.159
<v Speaker 1>It's just the you know, it's the context of how

227
00:10:05.240 --> 00:10:07.399
<v Speaker 1>I'm talking about it, but get it. But in any event,

228
00:10:08.120 --> 00:10:12.639
<v Speaker 1>so the movie helped me understand where the phenomenon stemmed

229
00:10:12.679 --> 00:10:13.600
<v Speaker 1>from Yeah.

230
00:10:13.600 --> 00:10:15.320
<v Speaker 2>By the way, do you know the original So the

231
00:10:15.320 --> 00:10:20.759
<v Speaker 2>creepy pasta on this is it came from? I can't.

232
00:10:20.759 --> 00:10:24.240
<v Speaker 2>According to Wikipedia, it came from somebody posting on like

233
00:10:24.279 --> 00:10:28.480
<v Speaker 2>four Chan. I think of like, hey, post a weird

234
00:10:29.240 --> 00:10:31.759
<v Speaker 2>post a photo of something that just doesn't feel right

235
00:10:31.799 --> 00:10:34.480
<v Speaker 2>to you, you know, So somebody posted this photo. I

236
00:10:34.519 --> 00:10:37.120
<v Speaker 2>mean you go in the back Room's Wikipedia. It's it's

237
00:10:37.159 --> 00:10:39.399
<v Speaker 2>a shot that looks very similar to what we see

238
00:10:39.440 --> 00:10:42.679
<v Speaker 2>in the back Rooms film and and and there.

239
00:10:42.399 --> 00:10:44.320
<v Speaker 1>Which is a hobby lobby in Oscar.

240
00:10:44.279 --> 00:10:47.480
<v Speaker 2>Gosh, Wisconsin, which is what I wanted to bring up. Yeah,

241
00:10:47.879 --> 00:10:51.799
<v Speaker 2>so so the so then since then, like stuff has

242
00:10:51.960 --> 00:10:54.480
<v Speaker 2>under like they've they've made changes. There was like a

243
00:10:54.559 --> 00:10:57.240
<v Speaker 2>race track there or something like a model race car

244
00:10:57.399 --> 00:10:58.080
<v Speaker 2>track or something.

245
00:10:58.240 --> 00:11:00.480
<v Speaker 1>A coworker of ours used to go there. It's a

246
00:11:00.559 --> 00:11:03.200
<v Speaker 1>very surreal moment for him that everybody's learning about this.

247
00:11:03.279 --> 00:11:05.360
<v Speaker 1>He's like, I remember doing this, yeah.

248
00:11:05.879 --> 00:11:08.559
<v Speaker 2>Yeah, and now it's I think that somebody else bought

249
00:11:08.559 --> 00:11:10.440
<v Speaker 2>it and they ripped it all up, So it's totally

250
00:11:10.440 --> 00:11:14.279
<v Speaker 2>different now. But that's where the original photo stem from,

251
00:11:14.480 --> 00:11:16.799
<v Speaker 2>was in Osh Gosh, Wisconsin.

252
00:11:16.320 --> 00:11:19.039
<v Speaker 1>Yeah, which they don't lean into in the movie. Which

253
00:11:19.039 --> 00:11:22.799
<v Speaker 1>is disappointing. I think they intentionally keep it vague. It

254
00:11:22.879 --> 00:11:26.279
<v Speaker 1>actually reminded me of and it's very Okay, let me

255
00:11:26.279 --> 00:11:27.679
<v Speaker 1>start here. I have so many thoughts that I want

256
00:11:27.720 --> 00:11:30.440
<v Speaker 1>to say about the setting because the whole concept and

257
00:11:30.480 --> 00:11:31.759
<v Speaker 1>I don't know, and I'm going to look at the

258
00:11:31.799 --> 00:11:33.480
<v Speaker 1>time now and if you determine what I.

259
00:11:33.440 --> 00:11:35.919
<v Speaker 2>Said as a spoiler, then I'll take it out. Now.

260
00:11:36.080 --> 00:11:37.559
<v Speaker 2>It's going to be tough to do this without well

261
00:11:37.639 --> 00:11:41.360
<v Speaker 2>maybe we can, but just real quick before you say anything.

262
00:11:42.440 --> 00:11:44.559
<v Speaker 2>As long as they're talking setting, Yeah, I love the

263
00:11:45.240 --> 00:11:46.000
<v Speaker 2>nineteen nineties.

264
00:11:46.120 --> 00:11:48.080
<v Speaker 1>Well, that's what I want to bring up about it.

265
00:11:48.159 --> 00:11:50.919
<v Speaker 1>So the whole concept of the back Rooms, it is

266
00:11:51.039 --> 00:11:54.399
<v Speaker 1>essentially a living entity trying to recreate the earth. Is

267
00:11:54.440 --> 00:11:56.399
<v Speaker 1>that a fair thing without spoiling anything?

268
00:11:56.480 --> 00:11:59.960
<v Speaker 2>But it's like, I don't know if we know that exactly.

269
00:12:00.399 --> 00:12:03.399
<v Speaker 2>We know that there's something supernatural. Can I use the

270
00:12:03.440 --> 00:12:06.120
<v Speaker 2>dog analogy that's used in this movie? Absolutely? Okay?

271
00:12:06.200 --> 00:12:08.480
<v Speaker 1>Yeah, So the way they describe it is picture if

272
00:12:08.559 --> 00:12:09.759
<v Speaker 1>you've never seen.

273
00:12:09.759 --> 00:12:12.360
<v Speaker 2>This is this is by the way, this is chielte

274
00:12:12.600 --> 00:12:16.519
<v Speaker 2>Chel for his character trying to explain the back rooms

275
00:12:16.559 --> 00:12:19.919
<v Speaker 2>to his therapist. Yes, and so if there's a point

276
00:12:19.960 --> 00:12:24.519
<v Speaker 2>in the movie where he discovers this area underneath his store,

277
00:12:24.639 --> 00:12:27.639
<v Speaker 2>right yeah, that he was not aware of, and it

278
00:12:27.720 --> 00:12:31.879
<v Speaker 2>was it's a really weird, creepy, uncanny thing. And he's

279
00:12:31.879 --> 00:12:33.840
<v Speaker 2>trying to explain this to his therapist, which he had

280
00:12:33.840 --> 00:12:35.840
<v Speaker 2>already been seeing a therapist, like this was not his

281
00:12:35.879 --> 00:12:39.559
<v Speaker 2>first okay, So she's trying to understand what he's talking

282
00:12:39.600 --> 00:12:41.559
<v Speaker 2>about and what he sees down there. And then he

283
00:12:41.720 --> 00:12:43.279
<v Speaker 2>uses the analogy and.

284
00:12:43.200 --> 00:12:45.559
<v Speaker 1>He says, picture if you've never seen a dog, So

285
00:12:45.639 --> 00:12:49.120
<v Speaker 1>I described one to you, like I justri like, oh, well,

286
00:12:49.159 --> 00:12:52.279
<v Speaker 1>Bashan has has poofy white hair and a nose like

287
00:12:52.320 --> 00:12:54.600
<v Speaker 1>this and legs like this. And then I asked you

288
00:12:54.639 --> 00:12:57.279
<v Speaker 1>to draw it. You'd get eighty percent of it right,

289
00:12:57.399 --> 00:13:00.080
<v Speaker 1>but there would be obvious things because you've never seen it.

290
00:13:00.080 --> 00:13:02.320
<v Speaker 1>It's not right, it's not perfect.

291
00:13:01.879 --> 00:13:02.600
<v Speaker 2>It's off.

292
00:13:02.759 --> 00:13:06.600
<v Speaker 1>Yeah, And that's what the back rooms creates. So then

293
00:13:06.799 --> 00:13:09.440
<v Speaker 1>because of how I watched movies, the director of this

294
00:13:09.559 --> 00:13:11.919
<v Speaker 1>movie was born after nine to eleven. He had nothing

295
00:13:11.919 --> 00:13:14.519
<v Speaker 1>to do with the nineties, so he is recreating the

296
00:13:14.600 --> 00:13:15.559
<v Speaker 1>nineteen nineties.

297
00:13:15.799 --> 00:13:19.840
<v Speaker 2>Ben Yeah, from stuff being told to him, exact stuff

298
00:13:19.840 --> 00:13:20.240
<v Speaker 2>he seen.

299
00:13:20.320 --> 00:13:21.879
<v Speaker 1>He didn't live it, and you and I are sitting

300
00:13:21.919 --> 00:13:24.320
<v Speaker 1>there having been, you know, having experienced the nineties at

301
00:13:24.399 --> 00:13:26.759
<v Speaker 1>slightly different points of our life, and I'm like, I

302
00:13:26.799 --> 00:13:30.159
<v Speaker 1>get that, like just the sheer mundaneness of the nineties

303
00:13:30.200 --> 00:13:33.000
<v Speaker 1>because we weren't hyper connected, right, Like, there were elements

304
00:13:33.039 --> 00:13:34.720
<v Speaker 1>of it that I was like, oh, this feels like

305
00:13:34.759 --> 00:13:37.000
<v Speaker 1>the nineties, and other moments where I was like, well.

306
00:13:37.440 --> 00:13:42.120
<v Speaker 2>The wardrobe, yeah, the furniture, yeah, the cars, the home

307
00:13:42.159 --> 00:13:46.120
<v Speaker 2>settings like a CHAA four his home, the therapist's home, yeah,

308
00:13:46.279 --> 00:13:49.840
<v Speaker 2>stuff like that. It really brought me back, and I think,

309
00:13:50.000 --> 00:13:51.759
<v Speaker 2>and maybe this is why I liked it more than you,

310
00:13:52.519 --> 00:13:55.159
<v Speaker 2>is I remember in the nineties. I mean I was

311
00:13:55.200 --> 00:13:59.639
<v Speaker 2>I was a teenager beginning in nineteen ninety two, and

312
00:13:59.720 --> 00:14:05.039
<v Speaker 2>I was teenager until nineteen ninety eight. So ninety two

313
00:14:05.120 --> 00:14:07.840
<v Speaker 2>to ninety eight, I'm a teenager. That's the thick of

314
00:14:07.879 --> 00:14:13.960
<v Speaker 2>the nineties, okay, And your brain probably undergoes the most

315
00:14:14.080 --> 00:14:18.559
<v Speaker 2>changes in that time period, right, And so for me

316
00:14:18.759 --> 00:14:23.759
<v Speaker 2>seeing this and bringing me back to that definitely stirred

317
00:14:23.840 --> 00:14:26.279
<v Speaker 2>up some things and it made it even creepier, sure,

318
00:14:26.360 --> 00:14:31.600
<v Speaker 2>to to sort of live out something that I never

319
00:14:31.679 --> 00:14:35.440
<v Speaker 2>lived out, but I did live out anyway we're getting well.

320
00:14:35.279 --> 00:14:38.440
<v Speaker 1>Wait, it's it's the kind of theming that I can

321
00:14:38.480 --> 00:14:41.679
<v Speaker 1>appreciate though, because I'm like, oh, I get that element

322
00:14:41.720 --> 00:14:43.240
<v Speaker 1>of it, and I think he does a very good job.

323
00:14:43.279 --> 00:14:46.519
<v Speaker 1>It's a very good approximation of what the nineties are like.

324
00:14:47.200 --> 00:14:49.480
<v Speaker 1>I I'll save that for another time, but I use

325
00:14:49.519 --> 00:14:52.399
<v Speaker 1>the backrooms as an example in Outside the Box. I'm like,

326
00:14:52.399 --> 00:14:54.840
<v Speaker 1>this is like a backrooms version of Outside the Box.

327
00:14:54.879 --> 00:14:57.399
<v Speaker 1>It's like someone heard what I do and they're trying

328
00:14:57.399 --> 00:14:58.879
<v Speaker 1>to copy it, but they really don't get it.

329
00:14:59.080 --> 00:15:01.960
<v Speaker 2>Now. Now, the other thing that we should bring as

330
00:15:02.000 --> 00:15:05.000
<v Speaker 2>long as we're talking about the copying of this, is this.

331
00:15:05.440 --> 00:15:09.759
<v Speaker 2>I mean, what's the commentary on AI in this? You

332
00:15:09.799 --> 00:15:13.960
<v Speaker 2>know what I mean? There's something like Mark Duplas's character

333
00:15:14.120 --> 00:15:19.000
<v Speaker 2>we really don't see significantly until the final portion of

334
00:15:19.039 --> 00:15:22.480
<v Speaker 2>the movie, but there's something else going on, like similar

335
00:15:22.519 --> 00:15:27.120
<v Speaker 2>to was it the season three is Stranger Things or

336
00:15:27.240 --> 00:15:29.399
<v Speaker 2>I can't remember what it was, but we find out

337
00:15:29.440 --> 00:15:31.559
<v Speaker 2>in season three. I think it was the opener that

338
00:15:31.600 --> 00:15:36.279
<v Speaker 2>the premiere that the Russians have found the upside down

339
00:15:36.360 --> 00:15:39.080
<v Speaker 2>or whatever, and so I think there's something there's a

340
00:15:39.200 --> 00:15:42.720
<v Speaker 2>similar sort of aspect to back rooms of like this

341
00:15:42.879 --> 00:15:46.360
<v Speaker 2>is kind of known by other people other than the

342
00:15:46.960 --> 00:15:50.159
<v Speaker 2>main protagonist and then the therapist and what have.

343
00:15:50.080 --> 00:15:51.799
<v Speaker 1>You, a little bit of world building. If they go

344
00:15:51.960 --> 00:15:54.799
<v Speaker 1>the sequel route, there's enough pieces in place where they

345
00:15:54.840 --> 00:15:55.960
<v Speaker 1>could expand upon it.

346
00:15:56.440 --> 00:16:01.320
<v Speaker 2>There is an endless I mean, I went I googled

347
00:16:02.639 --> 00:16:04.960
<v Speaker 2>because if like some of these YouTube shorts that were

348
00:16:04.960 --> 00:16:08.559
<v Speaker 2>showing up in my feed, they're ranking the scariest entities

349
00:16:08.919 --> 00:16:12.279
<v Speaker 2>that are in the back rooms, you know, that occupy

350
00:16:12.320 --> 00:16:15.440
<v Speaker 2>the backrooms, and it's stuff that's really freaking stuff that

351
00:16:15.440 --> 00:16:17.720
<v Speaker 2>shouldn't freak me out, but it did. And then I'm

352
00:16:18.399 --> 00:16:20.559
<v Speaker 2>like the rabbit hole I fell down with all these

353
00:16:20.600 --> 00:16:23.120
<v Speaker 2>different you know, the creepy pasta stuff that that people

354
00:16:23.159 --> 00:16:28.799
<v Speaker 2>come up with, you know, Jeff the Killer and Ted

355
00:16:28.840 --> 00:16:31.799
<v Speaker 2>the Caver or whatever it was called. It's it's really

356
00:16:31.879 --> 00:16:35.240
<v Speaker 2>messed up, nightmare fuel stuff, you know. And so then

357
00:16:35.279 --> 00:16:37.600
<v Speaker 2>I'm like, I watched this YouTube short ranking like the

358
00:16:37.600 --> 00:16:40.200
<v Speaker 2>top five scariest entities in the back rooms. I'm like, well,

359
00:16:40.200 --> 00:16:43.399
<v Speaker 2>there's got to be more than that. It's it's it's

360
00:16:43.440 --> 00:16:46.480
<v Speaker 2>it's fan fiction. It's it's it's on the internet. It's

361
00:16:46.519 --> 00:16:49.399
<v Speaker 2>on Reddit, it's on four Chune it's it's it's everywhere.

362
00:16:49.480 --> 00:16:52.600
<v Speaker 2>So everybody has this huge list. I mean, you can't

363
00:16:52.600 --> 00:16:55.399
<v Speaker 2>even and Kane Parsons, granted he didn't come up with

364
00:16:55.440 --> 00:16:57.840
<v Speaker 2>all this, but I'm sure he wants to pay off

365
00:16:58.279 --> 00:17:00.399
<v Speaker 2>some of this stuff that fans have come up with,

366
00:17:00.480 --> 00:17:05.079
<v Speaker 2>you know, for this you there's I mean we could

367
00:17:05.079 --> 00:17:08.000
<v Speaker 2>be talking about like Fast X or or you know,

368
00:17:08.079 --> 00:17:10.079
<v Speaker 2>something like just do ten movies of this stuff and

369
00:17:10.079 --> 00:17:11.680
<v Speaker 2>I'll watch it. Yeah, and I think people will do.

370
00:17:11.839 --> 00:17:13.240
<v Speaker 2>It's doing great at the box office.

371
00:17:13.279 --> 00:17:15.920
<v Speaker 1>It's absolutely crushing it, and I mean, I think that's

372
00:17:15.960 --> 00:17:18.440
<v Speaker 1>what a lot of the purests, I think that's their

373
00:17:18.519 --> 00:17:21.799
<v Speaker 1>main gripe with it. I've heard them call this boomer schlock,

374
00:17:22.359 --> 00:17:24.359
<v Speaker 1>this back room a version because they're mad that it

375
00:17:24.400 --> 00:17:26.279
<v Speaker 1>doesn't have a lot of this stuff that I'm only

376
00:17:26.359 --> 00:17:29.519
<v Speaker 1>learning about, either in preparation for this or literally hearing

377
00:17:29.599 --> 00:17:32.640
<v Speaker 1>you say it right now. And I think if that

378
00:17:33.119 --> 00:17:35.200
<v Speaker 1>might be my biggest gripe with it. And it's kind

379
00:17:35.240 --> 00:17:39.160
<v Speaker 1>of creating esque. But there's such long, creepy moments of

380
00:17:39.240 --> 00:17:41.839
<v Speaker 1>nothing happening. And I will not spoil what the creature

381
00:17:41.960 --> 00:17:43.880
<v Speaker 1>is in in this movie.

382
00:17:44.000 --> 00:17:47.559
<v Speaker 2>Well it's I mean, hold on before you say creature.

383
00:17:48.960 --> 00:17:51.000
<v Speaker 1>Entity. No, and no, not that.

384
00:17:51.119 --> 00:17:54.400
<v Speaker 2>I just I feel like to assume that there is

385
00:17:55.039 --> 00:17:56.079
<v Speaker 2>only one.

386
00:17:57.400 --> 00:17:59.880
<v Speaker 1>Right, that's my point, But there really is only one.

387
00:18:00.119 --> 00:18:02.720
<v Speaker 1>I don't know about that in the movie. Yeah, in

388
00:18:02.720 --> 00:18:04.480
<v Speaker 1>the movie I'm talking about there's only one.

389
00:18:04.960 --> 00:18:09.200
<v Speaker 2>I think that there are other things that we don't

390
00:18:09.240 --> 00:18:16.720
<v Speaker 2>exactly know what they are, but but they're definitely not inanimate. Yeah, okay,

391
00:18:16.720 --> 00:18:20.000
<v Speaker 2>there's other things down there, Yeah, and what they are

392
00:18:20.039 --> 00:18:23.079
<v Speaker 2>I don't know. I think they kind of tell you

393
00:18:23.119 --> 00:18:24.759
<v Speaker 2>a little bit at the end, but then I'm not sure.

394
00:18:24.759 --> 00:18:26.519
<v Speaker 2>We have to talk about the ending at some point too.

395
00:18:26.880 --> 00:18:31.319
<v Speaker 2>But there is one dominant, scary sort of thing, yeah,

396
00:18:31.440 --> 00:18:33.000
<v Speaker 2>you know down there.

397
00:18:32.839 --> 00:18:36.480
<v Speaker 1>And it's practical that we know of. There's definitely more.

398
00:18:36.599 --> 00:18:39.519
<v Speaker 2>Well, think about this, Think about how this movie opens.

399
00:18:39.599 --> 00:18:43.000
<v Speaker 2>Remember it's it's a found footage opening. Yeah, right, And

400
00:18:43.119 --> 00:18:45.519
<v Speaker 2>what was there at the end of that found footage

401
00:18:45.599 --> 00:18:48.720
<v Speaker 2>that couldn't have been right, you know? Or was it

402
00:18:48.799 --> 00:18:49.200
<v Speaker 2>the same?

403
00:18:49.400 --> 00:18:52.559
<v Speaker 1>But I don't know, we don't know, We don't know it, right, Yeah,

404
00:18:52.599 --> 00:18:55.039
<v Speaker 1>And like again, you can do it well without having

405
00:18:55.079 --> 00:18:58.680
<v Speaker 1>seen it. But there's just there's long lulls of atmosphere

406
00:18:58.720 --> 00:19:01.839
<v Speaker 1>building and I would have welcomed maybe like this might

407
00:19:01.839 --> 00:19:03.680
<v Speaker 1>be the creting part of me, but like I would

408
00:19:03.680 --> 00:19:06.680
<v Speaker 1>have welcomed two or three more things to make me go, oh,

409
00:19:06.799 --> 00:19:10.000
<v Speaker 1>I'm unsettled looking at this thing. And I would have

410
00:19:10.119 --> 00:19:12.440
<v Speaker 1>liked to see the imagination. And that could be budgetary

411
00:19:12.519 --> 00:19:14.359
<v Speaker 1>for the record, I mean, if you've got a million

412
00:19:14.400 --> 00:19:17.000
<v Speaker 1>dollar budget and Victor Sweet is in the movie, that's

413
00:19:17.000 --> 00:19:18.720
<v Speaker 1>a big portion of the budget right there.

414
00:19:18.599 --> 00:19:19.039
<v Speaker 2>It's true.

415
00:19:19.039 --> 00:19:21.119
<v Speaker 1>And then you got the rest of the cast, which

416
00:19:21.240 --> 00:19:24.039
<v Speaker 1>isn't working for free, everybody behind the scenes. So like,

417
00:19:24.079 --> 00:19:27.160
<v Speaker 1>there comes a time when very obviously, assuming the success

418
00:19:27.200 --> 00:19:29.519
<v Speaker 1>of this, we're probably going to see a twenty million

419
00:19:29.559 --> 00:19:32.119
<v Speaker 1>dollar budget for the sequel here, and I imagine a

420
00:19:32.160 --> 00:19:34.039
<v Speaker 1>little bit more fanfare.

421
00:19:33.640 --> 00:19:35.480
<v Speaker 2>I guess, but I mean I don't. I think part

422
00:19:35.480 --> 00:19:37.160
<v Speaker 2>of what makes this so great I was bringing this

423
00:19:37.240 --> 00:19:39.599
<v Speaker 2>up on your show, this analog horror. I mean, the

424
00:19:39.680 --> 00:19:44.200
<v Speaker 2>first back rooms video that you see on YouTube is

425
00:19:44.640 --> 00:19:47.599
<v Speaker 2>I mean costs like nothing. And then he used Kane

426
00:19:47.640 --> 00:19:49.880
<v Speaker 2>Parsons that he used some I can't remember what programming

427
00:19:49.960 --> 00:19:52.720
<v Speaker 2>used to create some other stuff in there. And it's

428
00:19:52.759 --> 00:19:57.519
<v Speaker 2>like it's it's lower than low budget and it's scary

429
00:19:57.559 --> 00:20:00.519
<v Speaker 2>as all get up. Yeah, and so I think, like,

430
00:20:00.599 --> 00:20:03.039
<v Speaker 2>even if you do something like this again, you don't

431
00:20:03.079 --> 00:20:06.119
<v Speaker 2>necessarily need to break the bank. I think part of

432
00:20:06.759 --> 00:20:09.559
<v Speaker 2>what was so great about this was that it was

433
00:20:09.599 --> 00:20:11.599
<v Speaker 2>so low budget. And you know, I think back of

434
00:20:12.240 --> 00:20:16.759
<v Speaker 2>we talked about I compared obsession to undertone done right. Yes,

435
00:20:16.960 --> 00:20:19.920
<v Speaker 2>And I think backrooms applies here as well, because this

436
00:20:20.079 --> 00:20:26.200
<v Speaker 2>was another thing that you know, I'm unsettled by seeing

437
00:20:26.240 --> 00:20:28.680
<v Speaker 2>some of this stuff that obviously seems out of place.

438
00:20:28.759 --> 00:20:32.519
<v Speaker 2>This goes back to the whole liminal, liminal space aspect. Right,

439
00:20:32.920 --> 00:20:35.839
<v Speaker 2>So if you're in a backroom, this huge back room

440
00:20:36.000 --> 00:20:39.240
<v Speaker 2>and they're mostly empty, there's some random stuff in it,

441
00:20:39.680 --> 00:20:43.440
<v Speaker 2>that's creepy because we are we go in rooms that

442
00:20:43.519 --> 00:20:46.079
<v Speaker 2>are full of stuff for a reason. We go into

443
00:20:46.119 --> 00:20:48.440
<v Speaker 2>a conference room here at the station and it's empty,

444
00:20:49.000 --> 00:20:51.200
<v Speaker 2>or we go in a classroom and it's empty. That's

445
00:20:51.240 --> 00:20:54.839
<v Speaker 2>a little creepy, right, because there's chairs in there, there's

446
00:20:54.880 --> 00:20:57.720
<v Speaker 2>a table. This is set up for human life, and

447
00:20:57.759 --> 00:21:02.160
<v Speaker 2>there's no human life in there. Long hallways in hotels,

448
00:21:02.880 --> 00:21:10.920
<v Speaker 2>backrooms underneath furniture stores, deserted malls, spaces that were built

449
00:21:11.200 --> 00:21:17.880
<v Speaker 2>to be housing flourishing human life. There's nothing there and

450
00:21:17.920 --> 00:21:19.960
<v Speaker 2>it's quiet and nothing's moving.

451
00:21:20.079 --> 00:21:23.720
<v Speaker 1>So is that a comment on modern society? Like I

452
00:21:23.880 --> 00:21:26.680
<v Speaker 1>left that theater to go into a movie theater, like

453
00:21:26.759 --> 00:21:29.680
<v Speaker 1>the physical theater, to go into the bulk of the theater.

454
00:21:29.799 --> 00:21:31.359
<v Speaker 1>Now nobody's standing there.

455
00:21:31.359 --> 00:21:33.119
<v Speaker 2>Okay, yes, Okay.

456
00:21:33.200 --> 00:21:35.400
<v Speaker 1>You go to the mall and you see ten percent

457
00:21:35.519 --> 00:21:37.759
<v Speaker 1>of the people that you're using. We've talked about the mall.

458
00:21:37.799 --> 00:21:39.640
<v Speaker 1>You go, we did Mortal Kombat. Be like, yeah, you

459
00:21:39.680 --> 00:21:41.640
<v Speaker 1>went to the mall, just a freaking hang out. You

460
00:21:41.640 --> 00:21:43.559
<v Speaker 1>weren't even going to buy something. It was just everybody

461
00:21:43.640 --> 00:21:45.559
<v Speaker 1>was at the mall. That were lines everywhere, people everywhere.

462
00:21:45.599 --> 00:21:47.319
<v Speaker 1>Now it's a ghost town. A lot of the gen

463
00:21:47.440 --> 00:21:49.960
<v Speaker 1>Z people who grew up on this back room stuff.

464
00:21:50.359 --> 00:21:52.680
<v Speaker 1>This is the only version of America they know. Is

465
00:21:52.720 --> 00:21:55.720
<v Speaker 1>almost like a backrooms version of America. Yeah, which is

466
00:21:55.799 --> 00:21:57.480
<v Speaker 1>kind of crazy when you think about it, which I

467
00:21:57.559 --> 00:21:58.279
<v Speaker 1>love that element.

468
00:21:58.359 --> 00:22:03.640
<v Speaker 2>The way to see this movie is you wait until

469
00:22:03.640 --> 00:22:05.680
<v Speaker 2>it's just out of just about to be out of theaters,

470
00:22:05.680 --> 00:22:09.079
<v Speaker 2>and nobody knows and you're the only ones seeing back

471
00:22:09.160 --> 00:22:13.519
<v Speaker 2>rooms in an empty theater. Mother of God, wear a diaper,

472
00:22:14.279 --> 00:22:17.240
<v Speaker 2>you know, just that that kind of stuff. So obviously

473
00:22:17.279 --> 00:22:20.039
<v Speaker 2>I'm I'm being a little hyperbolic here, but I think

474
00:22:20.079 --> 00:22:22.880
<v Speaker 2>that's that's what did it for me. And then and

475
00:22:22.920 --> 00:22:24.720
<v Speaker 2>then at the point, now I didn't, you know, maybe

476
00:22:24.759 --> 00:22:26.400
<v Speaker 2>I should have broken it down. I did read some

477
00:22:26.440 --> 00:22:31.119
<v Speaker 2>stuff on the internet. But why are these objects here?

478
00:22:31.640 --> 00:22:34.000
<v Speaker 2>Why are they placed in the order they are? Why

479
00:22:34.039 --> 00:22:36.960
<v Speaker 2>do they seem a little off. There's a scene with

480
00:22:37.000 --> 00:22:39.960
<v Speaker 2>a bunch of laundry. Yeah, and I found this out

481
00:22:39.960 --> 00:22:42.880
<v Speaker 2>on the internet afterwards. But in the laundry is a

482
00:22:42.920 --> 00:22:48.240
<v Speaker 2>T shirt of one of the characters who enters the

483
00:22:48.240 --> 00:22:51.400
<v Speaker 2>back rooms, right, And I don't know if it was

484
00:22:51.440 --> 00:22:53.799
<v Speaker 2>a perfect copy of it or you know, if it

485
00:22:53.920 --> 00:22:56.559
<v Speaker 2>was the actually you know, I don't know. Yeah, and

486
00:22:56.559 --> 00:22:59.039
<v Speaker 2>and so stuff like that is just it's just like

487
00:22:59.759 --> 00:23:02.400
<v Speaker 2>and then you you know, why is there a pool?

488
00:23:02.480 --> 00:23:04.720
<v Speaker 2>Why is there a random pool? Why do we have

489
00:23:04.799 --> 00:23:10.640
<v Speaker 2>these weird tunnels and passageways that seem to throw off

490
00:23:10.680 --> 00:23:12.720
<v Speaker 2>your sense of gravity a little bit and throw off

491
00:23:12.720 --> 00:23:19.160
<v Speaker 2>your sense of the There's a staircase, uh that seemingly

492
00:23:19.200 --> 00:23:23.400
<v Speaker 2>goes to a door on a ceiling, which you don't

493
00:23:23.400 --> 00:23:25.680
<v Speaker 2>have doors like that on a ceiling, like a regular door.

494
00:23:27.599 --> 00:23:30.440
<v Speaker 2>You will be you know, in these close confined spaces

495
00:23:30.480 --> 00:23:32.960
<v Speaker 2>in this movie with the protagonist, and then all of

496
00:23:33.000 --> 00:23:37.279
<v Speaker 2>a sudden, I'll open up to this wide, huge chasm

497
00:23:37.440 --> 00:23:41.000
<v Speaker 2>that that that has that that's not it that that

498
00:23:41.160 --> 00:23:44.599
<v Speaker 2>was designed like there's there's actual details in there, and.

499
00:23:44.720 --> 00:23:47.559
<v Speaker 1>It's it's just it's so weird, right.

500
00:23:47.359 --> 00:23:49.880
<v Speaker 2>And so creepy. And the lighting and the way that

501
00:23:49.960 --> 00:23:55.039
<v Speaker 2>they you know, you have this feel of like this weird.

502
00:23:55.920 --> 00:23:58.279
<v Speaker 2>I mean, I don't know, man, I've always been creeped

503
00:23:58.319 --> 00:24:01.680
<v Speaker 2>out by like this weird yellow fluorescent lighting, especially in

504
00:24:01.680 --> 00:24:04.720
<v Speaker 2>an empty room. And then the color, yeah, exactly, and

505
00:24:04.759 --> 00:24:07.079
<v Speaker 2>the color, like the color of the of this of

506
00:24:07.119 --> 00:24:09.839
<v Speaker 2>this right here in this production studio we're in. This

507
00:24:09.920 --> 00:24:13.680
<v Speaker 2>is not all that dissimilar maybe your coffee of of

508
00:24:13.799 --> 00:24:19.759
<v Speaker 2>the the colors of the of the walls in the

509
00:24:19.759 --> 00:24:21.759
<v Speaker 2>back rooms. And I was thinking back to the there's

510
00:24:21.799 --> 00:24:24.880
<v Speaker 2>a line in Ocean's eleven where they're setting up the

511
00:24:25.359 --> 00:24:28.920
<v Speaker 2>video camera to get access to all the cameras of

512
00:24:28.960 --> 00:24:31.599
<v Speaker 2>the casino and Clooney and pit A watch again and

513
00:24:31.640 --> 00:24:36.079
<v Speaker 2>Clooney goes, why do they always paint uh walls that color?

514
00:24:36.480 --> 00:24:38.880
<v Speaker 2>And Brad Pitt goes, well, they say, tope is soothing

515
00:24:39.119 --> 00:24:41.759
<v Speaker 2>or whatever. And I look at you know, like the

516
00:24:41.960 --> 00:24:45.160
<v Speaker 2>this tope ish kind of color, and I'm like, I

517
00:24:45.279 --> 00:24:48.039
<v Speaker 2>not soothed by this. Yeah, I don't know, man, Like

518
00:24:48.079 --> 00:24:50.519
<v Speaker 2>I just I'm I'm going off on this right now.

519
00:24:50.559 --> 00:24:53.480
<v Speaker 2>But I'm telling you that this element of these of

520
00:24:53.599 --> 00:24:58.559
<v Speaker 2>weird structures and yet familiar, and then the way that

521
00:24:58.559 --> 00:25:02.000
<v Speaker 2>that the film is shot, the way that it's lit,

522
00:25:03.039 --> 00:25:05.880
<v Speaker 2>it's it's super I mean easy to I shouldn't say

523
00:25:05.920 --> 00:25:08.519
<v Speaker 2>easy to do, but on the surface it's you know,

524
00:25:08.599 --> 00:25:11.960
<v Speaker 2>this is not brilliant Avatar cinematography, and yet it had

525
00:25:11.960 --> 00:25:14.599
<v Speaker 2>more of an effect on me than watching something like that.

526
00:25:14.680 --> 00:25:17.279
<v Speaker 1>And I'd argue, and I'm hopeful because you didn't mention this,

527
00:25:17.359 --> 00:25:19.079
<v Speaker 1>so you're either going to take all the wind out

528
00:25:19.119 --> 00:25:21.319
<v Speaker 1>of my sales or I'm so excited to tell you this.

529
00:25:21.599 --> 00:25:24.279
<v Speaker 1>But did you realize that the back rooms recreated the

530
00:25:24.279 --> 00:25:26.720
<v Speaker 1>furniture store commercial that was one of the rooms that

531
00:25:26.799 --> 00:25:30.359
<v Speaker 1>they were in. Okay, So, like all of it seems random,

532
00:25:30.359 --> 00:25:32.599
<v Speaker 1>And that's why I'm going to see it a second time,

533
00:25:32.640 --> 00:25:34.880
<v Speaker 1>because I did not realize that. The only reason I

534
00:25:34.960 --> 00:25:36.880
<v Speaker 1>did is because it normally that's the kind of shit

535
00:25:36.960 --> 00:25:39.640
<v Speaker 1>I realized. Yeah, but I went with Laura Lee from

536
00:25:39.680 --> 00:25:41.519
<v Speaker 1>apl and she was like, did you notice that they

537
00:25:41.559 --> 00:25:44.960
<v Speaker 1>redid the pirate the Pirate Clark commercial from the from

538
00:25:44.960 --> 00:25:46.960
<v Speaker 1>the opening, And I was like no, when she was

539
00:25:47.000 --> 00:25:48.880
<v Speaker 1>like when the shoes were there and the chair was there,

540
00:25:48.920 --> 00:25:51.519
<v Speaker 1>and I was like, I didn't put that together at all,

541
00:25:51.680 --> 00:25:53.400
<v Speaker 1>Like now I need to look at every scene in

542
00:25:53.400 --> 00:25:55.119
<v Speaker 1>the movie anyone.

543
00:25:54.839 --> 00:25:57.000
<v Speaker 2>Else they were creating, because I'm sure if we did

544
00:25:57.039 --> 00:26:01.039
<v Speaker 2>break that down. While it seems random on the surface, again, you.

545
00:26:00.920 --> 00:26:03.480
<v Speaker 1>Probably see it at random times throughout the entire movie,

546
00:26:03.519 --> 00:26:05.200
<v Speaker 1>even all the way up into the last scene.

547
00:26:05.240 --> 00:26:08.160
<v Speaker 2>It's not random, right, It's by design, right.

548
00:26:07.759 --> 00:26:10.119
<v Speaker 1>But it's by design. It's kind of like I always

549
00:26:10.119 --> 00:26:12.960
<v Speaker 1>refer back to this because, like I put this movie

550
00:26:13.079 --> 00:26:16.720
<v Speaker 1>in it follows territory. Like I know it's a good movie,

551
00:26:16.799 --> 00:26:20.000
<v Speaker 1>and I know I enjoy it, but there's just certain

552
00:26:20.000 --> 00:26:22.039
<v Speaker 1>elements I'm like, ah, I just wish it gave me

553
00:26:22.079 --> 00:26:24.519
<v Speaker 1>a little more of like the Bend style of movie.

554
00:26:24.759 --> 00:26:27.279
<v Speaker 1>And if you watch it follows you look at the

555
00:26:27.319 --> 00:26:30.519
<v Speaker 1>TVs and the TVs from the nineteen fifties, yea, the

556
00:26:30.519 --> 00:26:33.160
<v Speaker 1>cars are from the nineteen eighties. At one point, a

557
00:26:33.279 --> 00:26:36.599
<v Speaker 1>girl is using a makeup kit like a mirror and

558
00:26:36.640 --> 00:26:38.519
<v Speaker 1>she opens it and it looks like she's putting makeup on,

559
00:26:38.599 --> 00:26:41.119
<v Speaker 1>but it's a kindle that's not even a thing that exists,

560
00:26:41.359 --> 00:26:45.440
<v Speaker 1>so like there's no tech, like there's no way to

561
00:26:45.559 --> 00:26:48.920
<v Speaker 1>pinpoint exactly when this movie is happening, and there's like

562
00:26:49.000 --> 00:26:52.839
<v Speaker 1>something uneasy about that the entire movie. And this has

563
00:26:52.920 --> 00:26:56.000
<v Speaker 1>a similar effect like that, it's stuff you don't even notice.

564
00:26:56.000 --> 00:26:57.440
<v Speaker 1>It's the thing that I was like, wait a minute, those

565
00:26:57.440 --> 00:26:59.480
<v Speaker 1>cars weren't around at the same time that that TV

566
00:26:59.599 --> 00:27:01.839
<v Speaker 1>was around, and why does she have this? And it's

567
00:27:01.839 --> 00:27:03.519
<v Speaker 1>the subtle things. Then you watch it because I've seen

568
00:27:03.559 --> 00:27:05.680
<v Speaker 1>a third time, despite the fact I can't stop crap

569
00:27:05.680 --> 00:27:06.440
<v Speaker 1>talking that movie.

570
00:27:06.799 --> 00:27:08.640
<v Speaker 2>Also, yeah, and.

571
00:27:08.640 --> 00:27:11.680
<v Speaker 1>You realize that she never mentions her dad. She never

572
00:27:11.720 --> 00:27:13.680
<v Speaker 1>talks about her dad in the movie, but there's a

573
00:27:13.680 --> 00:27:15.480
<v Speaker 1>picture of them randomly in one of the scenes, and

574
00:27:15.480 --> 00:27:17.519
<v Speaker 1>then at one point it takes the image of her dad,

575
00:27:17.559 --> 00:27:19.640
<v Speaker 1>but they don't even emphasize that it's her dad in

576
00:27:19.640 --> 00:27:22.119
<v Speaker 1>any way. You're just supposed to notice because you notice

577
00:27:22.160 --> 00:27:24.519
<v Speaker 1>the picture in the one random scene. And then that's

578
00:27:24.559 --> 00:27:27.519
<v Speaker 1>the guy who's following her at one point, clearly implying

579
00:27:27.559 --> 00:27:29.920
<v Speaker 1>that there were some nefarious things going on. Back in

580
00:27:29.960 --> 00:27:31.519
<v Speaker 1>the day. And it's the kind of thing where like,

581
00:27:31.559 --> 00:27:33.759
<v Speaker 1>if you're kind of watching it, you're like, this movie's fine,

582
00:27:33.839 --> 00:27:37.000
<v Speaker 1>be like no, that's attention to detail. That's good filmmaking,

583
00:27:37.039 --> 00:27:39.960
<v Speaker 1>and I should appreciate this more than I do. And

584
00:27:40.359 --> 00:27:43.079
<v Speaker 1>that's my best way of describing the back rooms as well.

585
00:27:43.279 --> 00:27:45.640
<v Speaker 1>There were so many scenes. At one point, the therapist

586
00:27:45.720 --> 00:27:48.160
<v Speaker 1>is having a flashback and it almost looks like a

587
00:27:48.279 --> 00:27:50.839
<v Speaker 1>crane is dropping stuff on them, and I was like, well,

588
00:27:50.880 --> 00:27:52.720
<v Speaker 1>it's the point of this scene. Like I kept waiting

589
00:27:52.759 --> 00:27:54.799
<v Speaker 1>for that to come back into it and like it doesn't,

590
00:27:54.880 --> 00:27:57.720
<v Speaker 1>and like, I'm sure it meant something that I don't

591
00:27:57.799 --> 00:28:00.839
<v Speaker 1>understand because I didn't notice something else in the movie.

592
00:28:00.880 --> 00:28:02.759
<v Speaker 1>But I was sitting there and I was like, wait,

593
00:28:02.799 --> 00:28:06.160
<v Speaker 1>what was that? Why is what? Did her mom die there?

594
00:28:06.200 --> 00:28:07.759
<v Speaker 1>Or she remembering that? But that's not what it is.

595
00:28:07.799 --> 00:28:10.039
<v Speaker 1>Don't worry, I can't spoil anything. Like, that's not what

596
00:28:10.119 --> 00:28:11.640
<v Speaker 1>it is at all. It had nothing to do with

597
00:28:11.680 --> 00:28:15.279
<v Speaker 1>the plot, at least in my perception for the rest

598
00:28:15.279 --> 00:28:15.799
<v Speaker 1>of the movie.

599
00:28:16.200 --> 00:28:20.079
<v Speaker 2>Do you feel like this film you mentioned the long

600
00:28:21.319 --> 00:28:25.079
<v Speaker 2>stretches without dialogue, do you feel like it would have

601
00:28:25.119 --> 00:28:28.079
<v Speaker 2>been more of a disservice to have more dialogue, because

602
00:28:28.119 --> 00:28:31.240
<v Speaker 2>I feel like the less dialogue in this the better.

603
00:28:31.839 --> 00:28:34.000
<v Speaker 2>And I feel and the other thing too, And you're

604
00:28:34.039 --> 00:28:36.200
<v Speaker 2>kind of making me realize this is we talk about it.

605
00:28:37.319 --> 00:28:41.559
<v Speaker 2>I feel like there's not a lot of dialogue on

606
00:28:41.640 --> 00:28:45.680
<v Speaker 2>purpose because we're supposed to notice other details, you know,

607
00:28:45.759 --> 00:28:48.759
<v Speaker 2>we're supposed to take in Okay, why is that there? Okay,

608
00:28:49.839 --> 00:28:52.000
<v Speaker 2>what's the purpose of this? Why was this place here?

609
00:28:52.000 --> 00:28:53.759
<v Speaker 2>Why are we seeing this? Why are you know? And

610
00:28:53.759 --> 00:28:57.799
<v Speaker 2>stuff like that. So I feel like, you know, more

611
00:28:57.880 --> 00:29:00.640
<v Speaker 2>dialogue probably would have heard it. And then you know,

612
00:29:00.680 --> 00:29:02.680
<v Speaker 2>when we do get that heavy dialogue scene at the

613
00:29:02.759 --> 00:29:06.480
<v Speaker 2>end of the movie, I have so many questions.

614
00:29:06.559 --> 00:29:10.440
<v Speaker 1>Yeah, after that, absolutely and like, to me the best

615
00:29:10.440 --> 00:29:13.720
<v Speaker 1>dialogue because I found myself thinking, I don't know. If

616
00:29:13.759 --> 00:29:16.799
<v Speaker 1>you've watched Room two forty three, which is a documentary

617
00:29:16.839 --> 00:29:20.200
<v Speaker 1>about the Shining the making of the Shining, there is

618
00:29:20.519 --> 00:29:23.519
<v Speaker 1>it's awesome. It's eight different movie theorists and they talk

619
00:29:23.519 --> 00:29:25.039
<v Speaker 1>about what they get out of the movie.

620
00:29:25.119 --> 00:29:25.799
<v Speaker 2>Oh really, And.

621
00:29:25.759 --> 00:29:29.160
<v Speaker 1>There's a there's a clip of Stanley Kubrick talking and

622
00:29:29.200 --> 00:29:32.119
<v Speaker 1>he says, I didn't want my actors to recreate He

623
00:29:32.160 --> 00:29:34.440
<v Speaker 1>holds up like a picture of a family smiling, but

624
00:29:34.519 --> 00:29:36.359
<v Speaker 1>like you never know what's happening when the picture is

625
00:29:36.400 --> 00:29:39.119
<v Speaker 1>not happening. He said, I don't want the people in

626
00:29:39.160 --> 00:29:41.960
<v Speaker 1>this film to recreate the photograph. I want them to

627
00:29:42.039 --> 00:29:45.920
<v Speaker 1>recreate a photograph of the photograph. And that has been

628
00:29:45.920 --> 00:29:48.400
<v Speaker 1>such a high level I'm not sure to understand it. Yeah,

629
00:29:48.480 --> 00:29:51.920
<v Speaker 1>Like that always resonated with me, and I found myself

630
00:29:52.079 --> 00:29:54.920
<v Speaker 1>thinking about that with the concept of the back rooms,

631
00:29:54.920 --> 00:29:58.000
<v Speaker 1>which the way, because there's a lot of like one

632
00:29:58.000 --> 00:30:01.720
<v Speaker 1>of the major themes is just re redoing your same

633
00:30:01.759 --> 00:30:04.400
<v Speaker 1>mistakes over and over again. And to me, that was

634
00:30:04.440 --> 00:30:06.519
<v Speaker 1>my favorite scene of the entire movie, is when the

635
00:30:06.559 --> 00:30:10.200
<v Speaker 1>psychiatrist goes in she runs into Clark, the main character,

636
00:30:10.799 --> 00:30:14.440
<v Speaker 1>and they have the same conversation word for word, yeah,

637
00:30:14.480 --> 00:30:17.440
<v Speaker 1>that they had earlier in the movie, but like much

638
00:30:17.480 --> 00:30:20.359
<v Speaker 1>more intense. And I was like, oh, like that. If

639
00:30:20.359 --> 00:30:22.680
<v Speaker 1>that scene didn't exist, I probably would have come in

640
00:30:22.720 --> 00:30:25.160
<v Speaker 1>here much more angry about this movie. But that scene

641
00:30:25.240 --> 00:30:27.359
<v Speaker 1>happened and I was like, Okay, no, this is good.

642
00:30:27.440 --> 00:30:29.880
<v Speaker 1>This is a good movie. I can understand why people

643
00:30:30.000 --> 00:30:31.880
<v Speaker 1>like this. And I'd argue it was like forty percent

644
00:30:31.920 --> 00:30:33.559
<v Speaker 1>of all the dialog in the movie.

645
00:30:33.839 --> 00:30:35.880
<v Speaker 2>Well you say that, but I mean there was I

646
00:30:35.920 --> 00:30:38.359
<v Speaker 2>mean the first half hour or so, there's a lot

647
00:30:38.359 --> 00:30:41.119
<v Speaker 2>of stuff going on. Sure, yeah, And that's a lot

648
00:30:41.160 --> 00:30:44.160
<v Speaker 2>of that set up. You know, he's talking to the

649
00:30:44.200 --> 00:30:48.720
<v Speaker 2>electrician coworkers, he's talking to this film crew, he's talking

650
00:30:48.759 --> 00:30:51.319
<v Speaker 2>with his therapist or whatever. Do we ever see his wife?

651
00:30:51.319 --> 00:30:52.240
<v Speaker 2>I don't think we ever see.

652
00:30:52.119 --> 00:30:54.119
<v Speaker 1>His Well I don't think so.

653
00:30:54.119 --> 00:30:55.839
<v Speaker 2>So there's a lot of setup to it, which is

654
00:30:55.839 --> 00:30:59.920
<v Speaker 2>good because then that that accentuates how the tone of

655
00:31:00.039 --> 00:31:01.519
<v Speaker 2>the entire film changes after that.

656
00:31:01.680 --> 00:31:03.440
<v Speaker 1>And this is two movies in a row where we're

657
00:31:03.440 --> 00:31:06.359
<v Speaker 1>talking about relatable themes because I think there's very few people.

658
00:31:06.359 --> 00:31:09.039
<v Speaker 1>I'm almost sporty, and I find my inner monologue sometimes

659
00:31:09.039 --> 00:31:11.519
<v Speaker 1>being like, dude, you're twenty years removed from college, and

660
00:31:11.559 --> 00:31:13.799
<v Speaker 1>sometimes you still do the same bonehead and shit that

661
00:31:13.839 --> 00:31:15.839
<v Speaker 1>you were doing twenty years ago, Like what's the matter

662
00:31:15.920 --> 00:31:17.920
<v Speaker 1>with you? And then you sit there watching this movie

663
00:31:17.960 --> 00:31:20.000
<v Speaker 1>You're like, Ah, this movie speaks to me right now.

664
00:31:20.279 --> 00:31:22.799
<v Speaker 1>I think most people can probably relate to that kind

665
00:31:22.799 --> 00:31:25.599
<v Speaker 1>of attitude because we always can improve in some way,

666
00:31:25.880 --> 00:31:29.200
<v Speaker 1>And like that entire aesthetic of that scene, I don't

667
00:31:29.200 --> 00:31:31.480
<v Speaker 1>want to you know, the other people that were in

668
00:31:31.480 --> 00:31:32.079
<v Speaker 1>the room with them.

669
00:31:32.160 --> 00:31:36.440
<v Speaker 2>There's Yeah, so it's tough to it's tough to bring

670
00:31:36.519 --> 00:31:39.559
<v Speaker 2>that up. But I think we can talk about at

671
00:31:39.640 --> 00:31:41.799
<v Speaker 2>least certain things I want to talk about. Yeah, so

672
00:31:41.920 --> 00:31:45.920
<v Speaker 2>number one, what do you think happened to the character

673
00:31:46.079 --> 00:31:52.599
<v Speaker 2>that we see in that scene? But she doesn't say anything?

674
00:31:52.680 --> 00:31:53.559
<v Speaker 1>Yeah, okay, you know what?

675
00:31:54.799 --> 00:31:58.519
<v Speaker 2>Okay? All right? Now there are things on the plates

676
00:31:58.960 --> 00:32:00.640
<v Speaker 2>in that scene, or at least one the plates.

677
00:32:00.880 --> 00:32:06.279
<v Speaker 1>Okay, yeah, I don't remember, you do? Yeah, chewelte chea

678
00:32:06.319 --> 00:32:08.200
<v Speaker 1>for his character takes a hand.

679
00:32:08.160 --> 00:32:12.839
<v Speaker 2>Yeah, I remember. Okay, Yeah, what is that? You know

680
00:32:12.880 --> 00:32:13.279
<v Speaker 2>what I mean?

681
00:32:13.400 --> 00:32:15.799
<v Speaker 1>Well, I actually I have a theory about that. Okay,

682
00:32:16.319 --> 00:32:17.279
<v Speaker 1>but if I I.

683
00:32:17.680 --> 00:32:18.519
<v Speaker 2>Can't say it without it.

684
00:32:18.519 --> 00:32:20.720
<v Speaker 1>I don't even know. I'll be vague. Can you tell me?

685
00:32:20.880 --> 00:32:27.799
<v Speaker 1>Thirty two twenty? Okay, I think it's furniture stuffing because

686
00:32:27.839 --> 00:32:30.200
<v Speaker 1>that's what's on his mind. It can't be, but that's

687
00:32:30.240 --> 00:32:32.920
<v Speaker 1>that's him. He's a furniture store guy. So him, it's

688
00:32:32.920 --> 00:32:34.200
<v Speaker 1>a recreation of.

689
00:32:34.680 --> 00:32:39.240
<v Speaker 2>Okay, you can eat that stuff. No you can't, No,

690
00:32:39.359 --> 00:32:41.839
<v Speaker 2>you can't. It's it's something else. It's got to be

691
00:32:41.880 --> 00:32:45.079
<v Speaker 2>something else. I don't know what it means.

692
00:32:45.119 --> 00:32:46.279
<v Speaker 1>Like I said, I think a lot of the movie

693
00:32:46.319 --> 00:32:48.279
<v Speaker 1>went over my head, and I pride myself on it

694
00:32:48.359 --> 00:32:50.079
<v Speaker 1>being hard to get I'm tall man, it's hard to

695
00:32:50.079 --> 00:32:50.839
<v Speaker 1>get over that head.

696
00:32:50.960 --> 00:32:53.640
<v Speaker 2>Well what okay, So what is the theme you you mentioned,

697
00:32:54.160 --> 00:32:56.240
<v Speaker 2>you know, making the same mistake over and over again.

698
00:32:56.279 --> 00:32:57.839
<v Speaker 2>I said, it's a commentary on AI.

699
00:32:58.240 --> 00:33:00.720
<v Speaker 1>Yeah, it's the making the same mistake. And I think

700
00:33:00.720 --> 00:33:03.640
<v Speaker 1>it's a commentary on gen Z's experience in America that

701
00:33:03.720 --> 00:33:06.319
<v Speaker 1>you and I can't relate to as much, but we're

702
00:33:06.359 --> 00:33:10.920
<v Speaker 1>slowly related. Even in the media world. I did radio

703
00:33:11.039 --> 00:33:14.519
<v Speaker 1>in a top thirty market that barely had more staff

704
00:33:14.839 --> 00:33:18.079
<v Speaker 1>than we do here in Appleton, and in two thousand

705
00:33:18.119 --> 00:33:20.400
<v Speaker 1>and three there were so many people working in that

706
00:33:20.480 --> 00:33:23.839
<v Speaker 1>building that at Pittsburgh Radio station had a correspondent in

707
00:33:23.880 --> 00:33:26.200
<v Speaker 1>the Middle East that we could reach out to any

708
00:33:26.279 --> 00:33:28.599
<v Speaker 1>point and bring them on the show to talk about

709
00:33:28.640 --> 00:33:31.240
<v Speaker 1>what was happening over there. And now we had one

710
00:33:31.359 --> 00:33:34.359
<v Speaker 1>reporter in general. And just like the reduction the shrinking

711
00:33:34.440 --> 00:33:37.200
<v Speaker 1>office spaces, whether you're talking about COVID or the fact

712
00:33:37.240 --> 00:33:40.400
<v Speaker 1>that people don't need as many spaces anymore, I think

713
00:33:40.440 --> 00:33:45.240
<v Speaker 1>there's just an element of I think he's saying a

714
00:33:45.240 --> 00:33:47.279
<v Speaker 1>lot of things about that, whether or not anything is

715
00:33:47.319 --> 00:33:49.839
<v Speaker 1>actually said, or whether or not it's just hearkening to

716
00:33:49.920 --> 00:33:53.000
<v Speaker 1>these feelings. I have no idea, but I think the

717
00:33:53.079 --> 00:33:58.039
<v Speaker 1>overarching theme because the back Rooms duplicates it's about duplicating

718
00:33:58.039 --> 00:34:02.039
<v Speaker 1>your mistakes. It's about doing the same things. It feels repetitive.

719
00:34:02.079 --> 00:34:04.519
<v Speaker 1>The movie feels repetitive at times, but in a good way.

720
00:34:05.920 --> 00:34:08.719
<v Speaker 1>I think that's kind of the overarching theme of it.

721
00:34:09.039 --> 00:34:12.480
<v Speaker 1>I'm telling you that when they role play the conversation

722
00:34:12.599 --> 00:34:14.519
<v Speaker 1>with the wife the second time, I was like, Oh,

723
00:34:14.599 --> 00:34:18.400
<v Speaker 1>this is actually brilliant because like he knows, he's not

724
00:34:18.440 --> 00:34:20.679
<v Speaker 1>supposed to be saying this, and here he is saying

725
00:34:20.719 --> 00:34:24.280
<v Speaker 1>it again. I will say though, and I think we

726
00:34:24.360 --> 00:34:26.480
<v Speaker 1>might have talked about this off the air last week.

727
00:34:26.719 --> 00:34:30.400
<v Speaker 1>I do think his attitude and the way he carried

728
00:34:30.480 --> 00:34:33.280
<v Speaker 1>himself at that point was unjustified. Now, for all I know,

729
00:34:33.360 --> 00:34:35.039
<v Speaker 1>he was in the back Rooms for three weeks and

730
00:34:35.039 --> 00:34:37.320
<v Speaker 1>there was just a time jump he didn't see. Okay,

731
00:34:37.320 --> 00:34:39.519
<v Speaker 1>I found it unjustified. So that was a big issue.

732
00:34:39.559 --> 00:34:42.719
<v Speaker 2>Okay, So a couple of things with that. So number one,

733
00:34:43.400 --> 00:34:46.000
<v Speaker 2>when I see this again, when not if I have

734
00:34:46.039 --> 00:34:49.360
<v Speaker 2>to pay attention to the time stamps in the videos. Sure,

735
00:34:49.599 --> 00:34:52.880
<v Speaker 2>I have to pay attention to what is in what

736
00:34:52.920 --> 00:34:55.119
<v Speaker 2>we see in the back rooms compared to what we

737
00:34:55.199 --> 00:34:57.400
<v Speaker 2>see in the real world, and how long it takes

738
00:34:58.039 --> 00:35:00.400
<v Speaker 2>for us to see a version of that in the

739
00:35:00.440 --> 00:35:04.559
<v Speaker 2>back rooms. I think that's important as well. I'm also

740
00:35:04.840 --> 00:35:10.400
<v Speaker 2>unconvinced that well, I'm definitely unconvinced. I don't know how

741
00:35:10.400 --> 00:35:13.719
<v Speaker 2>time works in there. Sure, I mean it could work very,

742
00:35:13.800 --> 00:35:16.519
<v Speaker 2>very differently. We're talking about essentially another dimension, So I

743
00:35:16.559 --> 00:35:17.440
<v Speaker 2>don't know how time works.

744
00:35:17.519 --> 00:35:19.760
<v Speaker 1>Yeah, it's like Interstellar when you're on the island on

745
00:35:19.800 --> 00:35:22.599
<v Speaker 1>the planet, Like every time the thing beats, it's another

746
00:35:22.679 --> 00:35:25.320
<v Speaker 1>year of my life. Yeah, the did you know that?

747
00:35:25.320 --> 00:35:27.039
<v Speaker 1>By the way, like there's a clock ticking in that.

748
00:35:27.480 --> 00:35:30.760
<v Speaker 2>There was this this is Interstellar came out like what

749
00:35:30.800 --> 00:35:34.400
<v Speaker 2>two thousand and three, four six, six, okay, well whatever

750
00:35:34.440 --> 00:35:37.199
<v Speaker 2>it was, and it was so long an epic that

751
00:35:37.440 --> 00:35:39.400
<v Speaker 2>there's so much of that that I and it's one

752
00:35:39.440 --> 00:35:41.719
<v Speaker 2>of those Nolan things. Not to pick on Christopher Nolan,

753
00:35:41.760 --> 00:35:44.000
<v Speaker 2>because I think he does brilliant things, but man, there's

754
00:35:44.039 --> 00:35:46.360
<v Speaker 2>some of his movies, man, where there's just stretches where

755
00:35:46.360 --> 00:35:50.400
<v Speaker 2>I'm like, I am not intelligent enough to assume this.

756
00:35:50.559 --> 00:35:54.360
<v Speaker 2>And I personally try watching like that, that'll make you

757
00:35:54.400 --> 00:35:55.239
<v Speaker 2>feel so stupid.

758
00:35:55.320 --> 00:35:58.079
<v Speaker 1>So absolutely, yeah, absolutely, but yeah, in any event, so

759
00:35:58.079 --> 00:35:58.800
<v Speaker 1>you don't know how the time.

760
00:35:58.880 --> 00:36:00.840
<v Speaker 2>Okay, So I don't know how time work. Except so

761
00:36:01.199 --> 00:36:05.119
<v Speaker 2>now Clark, who was the main character, could have been

762
00:36:05.199 --> 00:36:07.719
<v Speaker 2>in there, and and and this is one thing I

763
00:36:07.760 --> 00:36:10.920
<v Speaker 2>am pretty sure of. I think the more time you

764
00:36:10.960 --> 00:36:13.920
<v Speaker 2>spend in the back rooms, the worse it is for

765
00:36:13.960 --> 00:36:17.760
<v Speaker 2>your psyche and your sanity. And I think we get

766
00:36:17.840 --> 00:36:20.639
<v Speaker 2>you know, this other Mark Duplace's kind of group or whatever.

767
00:36:21.079 --> 00:36:23.480
<v Speaker 2>I think they're kind of getting that sense too.

768
00:36:24.719 --> 00:36:25.960
<v Speaker 1>He's becoming a horror icon.

769
00:36:26.000 --> 00:36:26.320
<v Speaker 2>By the way.

770
00:36:26.320 --> 00:36:27.679
<v Speaker 1>I don't know if you've ever seen creep.

771
00:36:27.920 --> 00:36:31.199
<v Speaker 2>Yeah, okay, So here's the other thing I was reading.

772
00:36:31.239 --> 00:36:32.920
<v Speaker 2>I think it was on Vulture today because I was

773
00:36:32.920 --> 00:36:36.039
<v Speaker 2>getting ready for this, and there was a link to

774
00:36:36.679 --> 00:36:42.039
<v Speaker 2>Mark Duplas's creep. Okay, and there was a link They

775
00:36:42.039 --> 00:36:45.119
<v Speaker 2>were talking about Mark Duplas's creep in this back rooms article.

776
00:36:45.400 --> 00:36:47.079
<v Speaker 2>So I click on the link and it brings up

777
00:36:47.119 --> 00:36:49.599
<v Speaker 2>it's like a story. I can't remember what website it is.

778
00:36:49.719 --> 00:36:51.960
<v Speaker 2>It's like one of these BuzzFeed type things, and it's

779
00:36:52.000 --> 00:36:55.159
<v Speaker 2>like found footage movies that are actually good. Yeah, right,

780
00:36:55.239 --> 00:36:57.360
<v Speaker 2>So obviously blair Witch is like the number one on there.

781
00:36:57.400 --> 00:36:59.000
<v Speaker 2>They didn't really rank them, they just listed a bunch.

782
00:36:59.280 --> 00:37:02.320
<v Speaker 2>There's an of them, and they're showing screenshots for each one,

783
00:37:02.320 --> 00:37:05.559
<v Speaker 2>and I'm like, dude, that this is like two weeks

784
00:37:05.599 --> 00:37:07.559
<v Speaker 2>worth of stuff of stuff I need to see. And

785
00:37:07.760 --> 00:37:09.760
<v Speaker 2>his creep was on there. But I need to go

786
00:37:09.840 --> 00:37:11.920
<v Speaker 2>and read about some of these movies and see because

787
00:37:11.920 --> 00:37:13.599
<v Speaker 2>I'm sure some of them. I'm like, I have to

788
00:37:13.599 --> 00:37:14.760
<v Speaker 2>see this, you know what I mean.

789
00:37:14.840 --> 00:37:16.880
<v Speaker 1>Be careful of that, because like, so, I was gonna say,

790
00:37:17.000 --> 00:37:20.480
<v Speaker 1>back Rooms is almost like this generation's blair Witch, like

791
00:37:20.559 --> 00:37:22.920
<v Speaker 1>something that if I were ten and this came out,

792
00:37:22.960 --> 00:37:25.159
<v Speaker 1>I'm like, wait, is the back Rooms real? Because I

793
00:37:25.280 --> 00:37:27.119
<v Speaker 1>was twelve when the blair Witch came out and I

794
00:37:27.159 --> 00:37:29.199
<v Speaker 1>was like, wait, am I actually watching these people get

795
00:37:29.320 --> 00:37:32.079
<v Speaker 1>like it was like a big thing. I'd argue blair

796
00:37:32.079 --> 00:37:33.360
<v Speaker 1>Witch isn't a very good movie.

797
00:37:34.960 --> 00:37:38.039
<v Speaker 2>I will tell you this. I didn't watch it until

798
00:37:38.039 --> 00:37:41.199
<v Speaker 2>the hype grew to a fever pitch and I was disappointed.

799
00:37:41.280 --> 00:37:43.639
<v Speaker 1>Yeah, I thought it was similar to this, not a

800
00:37:43.679 --> 00:37:45.599
<v Speaker 1>lot of dialogue, a lot of build up, but not

801
00:37:45.760 --> 00:37:48.840
<v Speaker 1>nearly as engaging or entertaining or yeah.

802
00:37:48.679 --> 00:37:50.639
<v Speaker 2>But I will say too, think about think about what

803
00:37:50.679 --> 00:37:53.280
<v Speaker 2>blair Witch it was like, all these unknowns. Sure you know,

804
00:37:53.480 --> 00:37:58.199
<v Speaker 2>unknown director, unknown writer, unknown actors, whereas this you actually have.

805
00:37:58.440 --> 00:37:59.840
<v Speaker 2>And by the way, I should. I'm gonna get back

806
00:37:59.840 --> 00:38:01.719
<v Speaker 2>to Lark in a second, but I want to say

807
00:38:01.719 --> 00:38:04.280
<v Speaker 2>this before I forget. So the woman who played the therapist,

808
00:38:04.559 --> 00:38:09.159
<v Speaker 2>her name is I believe Renata Rensva rains Yeah, sure,

809
00:38:09.159 --> 00:38:12.719
<v Speaker 2>okay whatever r e I n s V pronounce that.

810
00:38:12.920 --> 00:38:15.840
<v Speaker 2>Do you know who was originally slated to play this character?

811
00:38:16.039 --> 00:38:18.519
<v Speaker 2>And maybe I Oh, no, I told stirfriy this. I

812
00:38:18.559 --> 00:38:21.679
<v Speaker 2>didn't tell you this. Kristin Malatti from How I Met

813
00:38:21.679 --> 00:38:26.440
<v Speaker 2>your Mother and the Penguin Fan. She was the Falcone

814
00:38:26.719 --> 00:38:30.199
<v Speaker 2>and she was supposed to play the therapist. But there

815
00:38:30.199 --> 00:38:33.000
<v Speaker 2>are scheduling stuffs and I've never heard of Branada Rensvit.

816
00:38:33.559 --> 00:38:36.880
<v Speaker 2>I haven't no idea what else she's been in or whatever. Okay,

817
00:38:36.920 --> 00:38:37.840
<v Speaker 2>getting back to Clark.

818
00:38:38.679 --> 00:38:40.719
<v Speaker 1>So oh, and I do just want to say sorry

819
00:38:40.719 --> 00:38:42.480
<v Speaker 1>to interrupt, but the only reason I brought up blair

820
00:38:42.519 --> 00:38:45.360
<v Speaker 1>Witch is because Creep and Creep two are worth watching

821
00:38:45.400 --> 00:38:48.000
<v Speaker 1>most of that movies suck. I enjoyed both.

822
00:38:48.400 --> 00:38:49.880
<v Speaker 2>I'm going to send you a link to this because

823
00:38:49.880 --> 00:38:51.719
<v Speaker 2>I left it. I purposely left it open at work

824
00:38:51.719 --> 00:38:53.360
<v Speaker 2>because I'm like, I got to get into this. I'm

825
00:38:53.360 --> 00:38:54.920
<v Speaker 2>going to send you a link to it. And I'm

826
00:38:54.920 --> 00:38:57.639
<v Speaker 2>sure you've seen and definitely heard of some of these movies,

827
00:38:57.679 --> 00:38:59.599
<v Speaker 2>but maybe some of you haven't. And they look they look,

828
00:38:59.719 --> 00:39:02.079
<v Speaker 2>i mean look pretty good anyway, and they could all

829
00:39:02.079 --> 00:39:06.199
<v Speaker 2>suck to who so so Clark clearly something happens to

830
00:39:06.280 --> 00:39:08.920
<v Speaker 2>him mentally, Okay, yes, when he's down.

831
00:39:08.840 --> 00:39:10.639
<v Speaker 1>There, h felt unjustified.

832
00:39:10.679 --> 00:39:12.480
<v Speaker 2>But we don't know. I'm gonna get to I'm gonna

833
00:39:12.480 --> 00:39:15.519
<v Speaker 2>get to that in a second. The scene where she

834
00:39:16.159 --> 00:39:22.440
<v Speaker 2>is kind of wandering around down there, and there's this

835
00:39:22.559 --> 00:39:26.320
<v Speaker 2>screenshot of like she like calls out like hello or

836
00:39:26.440 --> 00:39:30.880
<v Speaker 2>Clark or something, and then we just see this empty

837
00:39:31.079 --> 00:39:33.639
<v Speaker 2>hallway and then all of a sudden, it's just a

838
00:39:33.679 --> 00:39:34.559
<v Speaker 2>real subtle move.

839
00:39:34.719 --> 00:39:37.519
<v Speaker 1>Yeah, yeah, that is it's just so good.

840
00:39:37.719 --> 00:39:38.320
<v Speaker 2>I know you don't.

841
00:39:38.360 --> 00:39:42.440
<v Speaker 1>I mean, it's just to me, it's like the creepy

842
00:39:42.840 --> 00:39:46.159
<v Speaker 1>how many people have ever been in a room and

843
00:39:46.239 --> 00:39:48.440
<v Speaker 1>you know nothing's in there with you, and you know

844
00:39:48.599 --> 00:39:52.000
<v Speaker 1>nothing's moving and your mind and your eyes start playing

845
00:39:52.039 --> 00:39:55.639
<v Speaker 1>tricks on you, and then this happened. I just thought

846
00:39:55.639 --> 00:39:57.559
<v Speaker 1>it was bro and your backs to a wall, a

847
00:39:57.639 --> 00:40:00.440
<v Speaker 1>literal wall. So it's like I gotta go forward. Yeah

848
00:40:00.480 --> 00:40:01.119
<v Speaker 1>you know what I mean?

849
00:40:01.199 --> 00:40:04.280
<v Speaker 2>Oh my god, like moving moving through these back rooms

850
00:40:04.320 --> 00:40:07.360
<v Speaker 2>like would have been terrifying. I would have been paralyzed

851
00:40:07.400 --> 00:40:10.159
<v Speaker 2>by fear and and I'll tell you, Okay, we're gonna

852
00:40:10.159 --> 00:40:13.599
<v Speaker 2>talk about the justification for his reaction a second. What

853
00:40:13.679 --> 00:40:17.840
<v Speaker 2>was the justification? What was his obsession with going in there? Yeah?

854
00:40:17.880 --> 00:40:19.920
<v Speaker 2>I mean that must just be like a different Every

855
00:40:20.000 --> 00:40:24.039
<v Speaker 2>human's different. We all want to do different things. I

856
00:40:24.079 --> 00:40:28.639
<v Speaker 2>can't imagine if my fingers touched that wall, and not

857
00:40:28.679 --> 00:40:32.039
<v Speaker 2>only that. Yeah, I'm selling that store. I'm getting the

858
00:40:32.039 --> 00:40:33.840
<v Speaker 2>heck out of there, and I'm moving across the country.

859
00:40:33.880 --> 00:40:36.079
<v Speaker 2>I don't care right that that's you want to get

860
00:40:36.079 --> 00:40:37.440
<v Speaker 2>as far away from that as possible.

861
00:40:37.480 --> 00:40:40.199
<v Speaker 1>I wouldn't even sell the store because I wouldn't want

862
00:40:40.239 --> 00:40:42.559
<v Speaker 1>there to be a record, because you know, the government's

863
00:40:42.599 --> 00:40:45.480
<v Speaker 1>coming after the second they find out you found a portal.

864
00:40:45.760 --> 00:40:49.000
<v Speaker 1>So I'm not even I'm just moving on. I'm not

865
00:40:49.039 --> 00:40:51.920
<v Speaker 1>telling anybody what I saw. I'm not touching that stuff. Yeah,

866
00:40:52.079 --> 00:40:55.320
<v Speaker 1>I'm calling it. I'm calling it a day. And there

867
00:40:55.360 --> 00:40:57.960
<v Speaker 1>was a Simpsons episode, a Halloween episode where they find

868
00:40:57.960 --> 00:40:59.800
<v Speaker 1>a portal like that and it turns out turns them

869
00:40:59.800 --> 00:41:03.159
<v Speaker 1>all three D like they're no longer cartoons anymore.

870
00:41:03.559 --> 00:41:05.599
<v Speaker 2>And I just I just feel like, you know, you

871
00:41:05.599 --> 00:41:07.079
<v Speaker 2>don't know if it's good or you don't know if

872
00:41:07.079 --> 00:41:07.599
<v Speaker 2>it's evil.

873
00:41:08.039 --> 00:41:10.000
<v Speaker 1>But there could be monsters, there could be demons, there

874
00:41:10.000 --> 00:41:12.360
<v Speaker 1>could be anything. But the other side, we talk we talk.

875
00:41:12.280 --> 00:41:14.480
<v Speaker 2>About range of outcomes and fantasy football all the time,

876
00:41:14.719 --> 00:41:16.559
<v Speaker 2>you know, like like you can't just put a projection

877
00:41:16.639 --> 00:41:17.599
<v Speaker 2>on a player, you can't just.

878
00:41:17.599 --> 00:41:19.239
<v Speaker 1>Score ceilings all that jazz.

879
00:41:19.320 --> 00:41:22.079
<v Speaker 2>Yeah, so think about for like a portal or whatever

880
00:41:22.079 --> 00:41:25.280
<v Speaker 2>we saw in back rooms. There's a range of outcomes. Right, Sure,

881
00:41:25.719 --> 00:41:28.280
<v Speaker 2>this could be great it's on the other side, but

882
00:41:28.440 --> 00:41:30.960
<v Speaker 2>I'm not betting on it. No, that is an extremely,

883
00:41:31.559 --> 00:41:36.159
<v Speaker 2>extremely likely scenario where whatever is there is not meant

884
00:41:36.159 --> 00:41:37.000
<v Speaker 2>for humans. Dude.

885
00:41:37.159 --> 00:41:41.280
<v Speaker 1>I have to use GPS to get to freaking Nina still,

886
00:41:41.320 --> 00:41:43.679
<v Speaker 1>and like do things in Nina. I'm not going in

887
00:41:43.719 --> 00:41:44.679
<v Speaker 1>this round round.

888
00:41:45.920 --> 00:41:49.079
<v Speaker 2>No. I use GPS all the time, but it's more

889
00:41:49.159 --> 00:41:51.199
<v Speaker 2>so like so I know when I'm going to get

890
00:41:51.280 --> 00:41:54.599
<v Speaker 2>to a spot or it's that, and like I know,

891
00:41:54.920 --> 00:41:58.360
<v Speaker 2>like around town, I know my way around, but I

892
00:41:58.400 --> 00:42:01.360
<v Speaker 2>want to know the fastest way, so I'll always plug

893
00:42:01.400 --> 00:42:03.199
<v Speaker 2>it into my GPS to make sure I'm taking the

894
00:42:03.239 --> 00:42:05.800
<v Speaker 2>fastest way there. Sorry, but they say that makes you

895
00:42:05.840 --> 00:42:09.320
<v Speaker 2>stupider the more I believe that the more you use GPS.

896
00:42:09.360 --> 00:42:11.199
<v Speaker 2>Which is unfortunate that I'm getting.

897
00:42:10.920 --> 00:42:13.239
<v Speaker 1>Stupider, but it happens. And being lost.

898
00:42:13.400 --> 00:42:17.920
<v Speaker 2>Okay, let's get back to why you thought the reaction

899
00:42:18.079 --> 00:42:21.199
<v Speaker 2>from Clark was not justified and the problem you had

900
00:42:21.239 --> 00:42:24.119
<v Speaker 2>with that. Yeah, so I don't We'll dance around this

901
00:42:24.159 --> 00:42:26.159
<v Speaker 2>as much as we can without revealing anything.

902
00:42:26.320 --> 00:42:29.280
<v Speaker 1>Go ahead, Oh well, I mean that that that's essentially

903
00:42:29.360 --> 00:42:32.480
<v Speaker 1>where I'm coming from, because you follow essentially the movie

904
00:42:32.639 --> 00:42:37.239
<v Speaker 1>is Clark's movie for the first hour more than that. Yeah,

905
00:42:37.280 --> 00:42:39.599
<v Speaker 1>and then all of a sudden you kind of can tell, oh,

906
00:42:39.639 --> 00:42:42.000
<v Speaker 1>we're going to be following the psychiatrist the rest of

907
00:42:42.000 --> 00:42:42.360
<v Speaker 1>the time.

908
00:42:42.400 --> 00:42:44.760
<v Speaker 2>This is just only like fifteen minutes ago, yeah.

909
00:42:44.840 --> 00:42:46.559
<v Speaker 1>Maybe twenty yeah.

910
00:42:47.119 --> 00:42:47.559
<v Speaker 2>Uh.

911
00:42:47.599 --> 00:42:49.760
<v Speaker 1>And it doesn't feel abrupt or anything. It's not like

912
00:42:49.760 --> 00:42:52.079
<v Speaker 1>you're thrown off or anything like that. But I mean,

913
00:42:52.519 --> 00:42:54.800
<v Speaker 1>you see quite a bit of Clark going into the

914
00:42:54.800 --> 00:42:57.320
<v Speaker 1>back rooms, coming out, finding friends to go in with,

915
00:42:57.400 --> 00:42:59.639
<v Speaker 1>and going back out again and doing all these different things,

916
00:42:59.679 --> 00:43:02.719
<v Speaker 1>seen different rooms, seeing different things, and there was no

917
00:43:03.199 --> 00:43:07.280
<v Speaker 1>gradual descent. There was no mister Chips the scarface. It

918
00:43:07.440 --> 00:43:11.880
<v Speaker 1>was just like normal furniture salesman guy that has no

919
00:43:12.039 --> 00:43:14.559
<v Speaker 1>concept of what's real and what's not, which, like, again,

920
00:43:14.760 --> 00:43:16.480
<v Speaker 1>a lot of what is in there would be like,

921
00:43:16.599 --> 00:43:19.000
<v Speaker 1>I don't know anymore. So I get that, but it

922
00:43:19.119 --> 00:43:21.960
<v Speaker 1>just feels like it happened in like a day.

923
00:43:22.119 --> 00:43:25.440
<v Speaker 2>And I think that's why time moves differently there.

924
00:43:25.559 --> 00:43:27.559
<v Speaker 1>It might, you know, it might, but they don't do

925
00:43:27.679 --> 00:43:29.280
<v Speaker 1>anything that tells me that.

926
00:43:29.679 --> 00:43:32.719
<v Speaker 2>And so okay, well here's the other thing, Ben, let's

927
00:43:32.760 --> 00:43:36.480
<v Speaker 2>just let's throw the time concept out. I'm like, and

928
00:43:36.519 --> 00:43:38.760
<v Speaker 2>I'm speaking just for me, because that's I know who

929
00:43:38.800 --> 00:43:42.719
<v Speaker 2>I am. Being down there, Hey, even for a little

930
00:43:42.760 --> 00:43:46.320
<v Speaker 2>bit and seeing all that weird stuff, maybe my mind

931
00:43:46.360 --> 00:43:49.360
<v Speaker 2>would go pretty quick too, you know, maybe I would

932
00:43:49.440 --> 00:43:54.119
<v Speaker 2>start you know, changing, reality would start changing for me

933
00:43:54.159 --> 00:43:55.000
<v Speaker 2>pretty quick. Yeah.

934
00:43:55.039 --> 00:43:57.760
<v Speaker 1>No, no, but here's the deal. You're you're Clark in this.

935
00:43:57.800 --> 00:44:01.559
<v Speaker 1>You're not You're not Bulky. You chose to go in there,

936
00:44:01.880 --> 00:44:04.920
<v Speaker 1>you left multiple times a familiar face. Did he in

937
00:44:04.960 --> 00:44:07.360
<v Speaker 1>no way, It's not like he didn't know who she was.

938
00:44:07.559 --> 00:44:12.559
<v Speaker 1>Like you're like, oh, thank god, somebody that knows where

939
00:44:12.599 --> 00:44:15.199
<v Speaker 1>to go to get out of here. She just is

940
00:44:15.360 --> 00:44:18.000
<v Speaker 1>because things happen in the plot. But what he cannot

941
00:44:18.000 --> 00:44:21.079
<v Speaker 1>get back, it's not even about getting back. Do you

942
00:44:21.119 --> 00:44:24.000
<v Speaker 1>remember the voicemail that he left her. Yeah, and it

943
00:44:24.440 --> 00:44:26.480
<v Speaker 1>to me it seemed like he made his decision like

944
00:44:27.000 --> 00:44:29.880
<v Speaker 1>and and and by the way, consider what's going on

945
00:44:29.920 --> 00:44:31.280
<v Speaker 1>with this dude's life.

946
00:44:31.360 --> 00:44:35.679
<v Speaker 2>His business is failing. Yes, he's obviously got a drinking problem.

947
00:44:36.719 --> 00:44:39.440
<v Speaker 2>His wife does not allow him to live at home.

948
00:44:40.239 --> 00:44:43.960
<v Speaker 2>He at one point was a talented architect or an

949
00:44:44.000 --> 00:44:47.159
<v Speaker 2>up and coming architect, and now he's running this failing

950
00:44:47.159 --> 00:44:53.159
<v Speaker 2>furniture store and he's making these awful, hacky commercials. There's

951
00:44:53.199 --> 00:44:57.519
<v Speaker 2>nothing for him, sure on the outside. And yet he

952
00:44:57.639 --> 00:45:00.599
<v Speaker 2>finds this back rooms thing, and may maybe he looks

953
00:45:00.639 --> 00:45:02.639
<v Speaker 2>at it from the standpoint of, you know, we look

954
00:45:02.679 --> 00:45:04.239
<v Speaker 2>at her like, oh, this is bad, this is evil,

955
00:45:04.239 --> 00:45:07.960
<v Speaker 2>this is not good. I don't know, maybe he looked

956
00:45:08.000 --> 00:45:10.920
<v Speaker 2>at it from the standpoint of like, this is the

957
00:45:10.920 --> 00:45:13.599
<v Speaker 2>coolest thing that's ever happened to him, and he wants

958
00:45:13.639 --> 00:45:16.199
<v Speaker 2>to explore and learn more. Maybe he found something that

959
00:45:16.199 --> 00:45:19.119
<v Speaker 2>nobody else knows about and he might have stopped. So

960
00:45:19.159 --> 00:45:22.320
<v Speaker 2>then you start framing it in your mind. Now, bad

961
00:45:22.360 --> 00:45:25.960
<v Speaker 2>stuff did happen, right, Yeah, and he knows bad stuff

962
00:45:26.000 --> 00:45:28.559
<v Speaker 2>happened in there, dude. The scene where he is talking

963
00:45:28.599 --> 00:45:32.119
<v Speaker 2>to I think her name is Karen, the Finn Bennett's

964
00:45:32.159 --> 00:45:35.880
<v Speaker 2>character's girlfriend, like his assistant manager was that. Her name

965
00:45:35.920 --> 00:45:39.000
<v Speaker 2>Karen doesn't really matter, but she's on one side of

966
00:45:39.079 --> 00:45:42.639
<v Speaker 2>a wall and she's talking to him. Yeah, and she

967
00:45:42.840 --> 00:45:46.280
<v Speaker 2>can see him, and the camera shot is at the

968
00:45:46.400 --> 00:45:49.760
<v Speaker 2>very back of the room that Clark's in. He's at

969
00:45:49.760 --> 00:45:53.960
<v Speaker 2>the wayfront, and she starts screaming behind you, behind you,

970
00:45:54.039 --> 00:45:56.440
<v Speaker 2>and then the camera picks up. Yeah.

971
00:45:56.519 --> 00:46:02.639
<v Speaker 3>Ah, dude, it's just I'm telling you, man, And maybe

972
00:46:02.679 --> 00:46:04.719
<v Speaker 3>it's just it's cheap thrills that does it for me,

973
00:46:04.800 --> 00:46:08.519
<v Speaker 3>But no, I'm just the little beats that we have

974
00:46:08.679 --> 00:46:13.039
<v Speaker 3>that the setup, the execution, more set up, more execution.

975
00:46:13.400 --> 00:46:17.159
<v Speaker 2>It just it just was one thing after another and

976
00:46:17.320 --> 00:46:20.280
<v Speaker 2>was just totally engrossed the whole time, totally creeped out. Dude.

977
00:46:20.320 --> 00:46:22.119
<v Speaker 2>I tried to watch I told you, I tried to

978
00:46:22.119 --> 00:46:25.000
<v Speaker 2>watch some of these back rooms videos on YouTube. I

979
00:46:25.119 --> 00:46:28.199
<v Speaker 2>was really unsettled. They are not easy to watch. And

980
00:46:28.239 --> 00:46:30.639
<v Speaker 2>then I get done with it and like, god, I

981
00:46:30.679 --> 00:46:32.920
<v Speaker 2>want to watch that again. Even though it's not pleasant

982
00:46:32.960 --> 00:46:36.400
<v Speaker 2>watching it. It's really it's a sick thing to really

983
00:46:36.480 --> 00:46:39.039
<v Speaker 2>try to describe. I don't know, Yeah, I feel it.

984
00:46:39.039 --> 00:46:40.800
<v Speaker 1>And again I don't want it to sound because you're

985
00:46:40.800 --> 00:46:44.039
<v Speaker 1>exactly right, and maybe to a certain extent, a certain extent,

986
00:46:44.679 --> 00:46:49.960
<v Speaker 1>more dialogue, more monsters, it would have trivialized what was

987
00:46:50.280 --> 00:46:53.679
<v Speaker 1>and so the things that were there. The scene we

988
00:46:53.800 --> 00:46:56.480
<v Speaker 1>keep talking about at the dinner table, there were other

989
00:46:56.639 --> 00:46:59.840
<v Speaker 1>characters there, and like everything that happened in that scene.

990
00:46:59.880 --> 00:47:02.840
<v Speaker 1>I admit I'm not a jumper ever, and I didn't

991
00:47:02.920 --> 00:47:06.480
<v Speaker 1>jump this time either, but only out of male ego

992
00:47:06.599 --> 00:47:09.679
<v Speaker 1>and pride, because like I felt it in my chest

993
00:47:09.960 --> 00:47:13.039
<v Speaker 1>when at one point one character just starts running out

994
00:47:13.079 --> 00:47:15.239
<v Speaker 1>of nowhere. It's just like it's like boom, I'm gone,

995
00:47:15.800 --> 00:47:19.079
<v Speaker 1>and it was. It reminded me to a certain extent,

996
00:47:19.679 --> 00:47:22.880
<v Speaker 1>but it's not the same feeling. But there's a scene

997
00:47:22.880 --> 00:47:25.719
<v Speaker 1>and get Out where one of the characters is sprinting

998
00:47:25.800 --> 00:47:29.320
<v Speaker 1>directly at the camera and the camera is essentially acting

999
00:47:29.360 --> 00:47:32.880
<v Speaker 1>as another character's eyes, and like the music really isn't

1000
00:47:32.880 --> 00:47:35.400
<v Speaker 1>even playing, and it's just a person running as fast

1001
00:47:35.400 --> 00:47:38.320
<v Speaker 1>as they can directly at you without saying anything. I

1002
00:47:38.320 --> 00:47:40.559
<v Speaker 1>remember feeling that much chest like oh god, I hate

1003
00:47:40.599 --> 00:47:43.480
<v Speaker 1>this right now, and I felt that way again, and

1004
00:47:43.519 --> 00:47:45.760
<v Speaker 1>like that's a nice feeling, because especially with how much

1005
00:47:45.800 --> 00:47:48.000
<v Speaker 1>of this stuff that I have seen in my life,

1006
00:47:48.280 --> 00:47:51.039
<v Speaker 1>it's hard to get me there anymore, and this movie

1007
00:47:51.079 --> 00:47:52.880
<v Speaker 1>did get there. So like, I don't want you guys

1008
00:47:52.880 --> 00:47:54.599
<v Speaker 1>to think like this isn't gonna be getting some five

1009
00:47:54.719 --> 00:47:57.079
<v Speaker 1>or six, but I think, as you said, it's important

1010
00:47:57.119 --> 00:47:59.719
<v Speaker 1>to keep expectations in check. And I think there was

1011
00:47:59.760 --> 00:48:02.960
<v Speaker 1>a yeah, a movement around this film that really thought me,

1012
00:48:03.199 --> 00:48:05.320
<v Speaker 1>made me think I was going to see something transcendent,

1013
00:48:05.679 --> 00:48:06.880
<v Speaker 1>as opposed to like.

1014
00:48:07.079 --> 00:48:10.639
<v Speaker 2>See I did. Yeah to me, this it hit it

1015
00:48:10.719 --> 00:48:13.079
<v Speaker 2>hit me in all the weird spots in my mind

1016
00:48:13.239 --> 00:48:16.000
<v Speaker 2>that I had either forgotten about yeah or didn't realize

1017
00:48:16.000 --> 00:48:18.679
<v Speaker 2>we're there. I don't know, we'll get to it later on.

1018
00:48:20.400 --> 00:48:24.639
<v Speaker 2>Let's talk about that dinner scene here, so again I'm

1019
00:48:24.639 --> 00:48:26.639
<v Speaker 2>not going to try to give too much away. We

1020
00:48:26.679 --> 00:48:31.679
<v Speaker 2>already talked about how the back rooms sort of whatever

1021
00:48:31.719 --> 00:48:34.400
<v Speaker 2>they are, whoever they are. I think it's more what

1022
00:48:36.280 --> 00:48:40.440
<v Speaker 2>are recreating, like the dog analogy we brought for you know,

1023
00:48:40.480 --> 00:48:43.239
<v Speaker 2>where it's it's it's a recreation of something that's described,

1024
00:48:43.280 --> 00:48:48.960
<v Speaker 2>but it's not perfect. Okay, Clearly there is an entity

1025
00:48:49.079 --> 00:48:54.199
<v Speaker 2>down there that is, no doubt mimicking a character in

1026
00:48:54.239 --> 00:48:59.800
<v Speaker 2>this Yeah, okay, think about the other participants in that

1027
00:49:00.079 --> 00:49:06.480
<v Speaker 2>inner scene. Who were they? Yeah? Right? Did we find out? Uh?

1028
00:49:06.599 --> 00:49:08.559
<v Speaker 1>No, we did not, at least not that I'm aware of.

1029
00:49:08.599 --> 00:49:11.639
<v Speaker 2>Again that there was one that was standing up in

1030
00:49:11.679 --> 00:49:17.960
<v Speaker 2>that scene that to me was not dressed in a

1031
00:49:18.000 --> 00:49:21.280
<v Speaker 2>way you would expect a person to dress in that

1032
00:49:21.639 --> 00:49:23.880
<v Speaker 2>time era. I have, I have, I'd have to look

1033
00:49:23.880 --> 00:49:25.599
<v Speaker 2>at it again, but that's what struck me on it,

1034
00:49:25.719 --> 00:49:28.719
<v Speaker 2>and I'm like, okay, well, we never saw anything like

1035
00:49:28.800 --> 00:49:32.280
<v Speaker 2>this previous, at least I didn't remember. And then I

1036
00:49:32.360 --> 00:49:34.639
<v Speaker 2>see that, and then there's another character sitting down that

1037
00:49:34.679 --> 00:49:38.000
<v Speaker 2>we clearly yeah, I mean, there was nothing there. So

1038
00:49:38.079 --> 00:49:40.440
<v Speaker 2>then you wonder how long? And then I go back

1039
00:49:40.480 --> 00:49:43.079
<v Speaker 2>to that time stamp from the from the film of

1040
00:49:43.320 --> 00:49:45.599
<v Speaker 2>or from the found footage that that opened the film,

1041
00:49:45.960 --> 00:49:49.360
<v Speaker 2>and it's like, my god, how long has this have

1042
00:49:49.480 --> 00:49:51.599
<v Speaker 2>they known? About this or how long have people how

1043
00:49:51.599 --> 00:49:52.800
<v Speaker 2>long has this existed?

1044
00:49:53.000 --> 00:49:55.960
<v Speaker 1>Yeah, I just and like the movie was messing with

1045
00:49:56.000 --> 00:49:57.800
<v Speaker 1>me so much at that point that I thought the

1046
00:49:57.840 --> 00:50:00.199
<v Speaker 1>sitting down I couldn't tell. Like I remember staring very

1047
00:50:00.280 --> 00:50:03.679
<v Speaker 1>vividly at the character that was sitting down. I'm like,

1048
00:50:03.800 --> 00:50:05.519
<v Speaker 1>is that person moving right now?

1049
00:50:05.840 --> 00:50:06.000
<v Speaker 2>Yeah?

1050
00:50:06.119 --> 00:50:07.880
<v Speaker 1>I turned the lights on the I was like, oh

1051
00:50:07.920 --> 00:50:09.280
<v Speaker 1>my god, all right, he's moving now.

1052
00:50:09.800 --> 00:50:13.159
<v Speaker 2>There's a scene dude in back room. Like the video,

1053
00:50:13.239 --> 00:50:14.639
<v Speaker 2>the first video I saw, I might have been the

1054
00:50:14.679 --> 00:50:17.280
<v Speaker 2>first video that Cane Parsons came up with where the

1055
00:50:17.320 --> 00:50:21.480
<v Speaker 2>person recording is flipping a light switch on and off

1056
00:50:21.800 --> 00:50:25.599
<v Speaker 2>multiple times on top of a staircase and he's looking

1057
00:50:25.639 --> 00:50:29.199
<v Speaker 2>down and I'm like, stop flipping, just leave it, just

1058
00:50:29.360 --> 00:50:31.440
<v Speaker 2>leave it on. Stop because I know what's going to

1059
00:50:31.480 --> 00:50:32.000
<v Speaker 2>happen here.

1060
00:50:32.360 --> 00:50:37.960
<v Speaker 1>It's just so I'm telling you, I can't really, I

1061
00:50:38.000 --> 00:50:41.440
<v Speaker 1>can't really explain what this movie did to me. And

1062
00:50:41.519 --> 00:50:45.320
<v Speaker 1>I know that sounds stupid and lazy and hyperbolic or whatever,

1063
00:50:45.800 --> 00:50:48.920
<v Speaker 1>but there's just I just think I found my jam

1064
00:50:48.960 --> 00:50:50.199
<v Speaker 1>here when it comes to horror.

1065
00:50:50.239 --> 00:50:50.719
<v Speaker 2>I love it.

1066
00:50:50.760 --> 00:50:52.960
<v Speaker 1>And it says something because again I have not seen

1067
00:50:53.000 --> 00:50:55.639
<v Speaker 1>any of the shorts. Yeah, There's a very famous short

1068
00:50:55.639 --> 00:50:57.719
<v Speaker 1>which I might have even sent you before because I

1069
00:50:57.800 --> 00:51:00.800
<v Speaker 1>tell anybody with ears to watch it. But it's called

1070
00:51:00.920 --> 00:51:04.000
<v Speaker 1>lights Out and it won like a short festival ten

1071
00:51:04.159 --> 00:51:06.559
<v Speaker 1>ish years ago, and they ended up turning it into

1072
00:51:06.599 --> 00:51:09.840
<v Speaker 1>a PG thirteen horror movie called lights Out that sucked.

1073
00:51:09.920 --> 00:51:11.400
<v Speaker 1>It was awful. It was awful for an hour and

1074
00:51:11.440 --> 00:51:14.239
<v Speaker 1>a half. The ninety second short it starts with her

1075
00:51:14.239 --> 00:51:17.400
<v Speaker 1>flicking the lights on and off and what ultimately it

1076
00:51:17.480 --> 00:51:19.920
<v Speaker 1>chills me to my business on YouTube. Yeah, we'll watch

1077
00:51:19.920 --> 00:51:23.320
<v Speaker 1>it after, Okay, cool. It's very short. It really hits

1078
00:51:23.320 --> 00:51:25.880
<v Speaker 1>home in a lot of ways, and it's just done

1079
00:51:25.920 --> 00:51:28.199
<v Speaker 1>in a way that's so creepy. And then they completely

1080
00:51:28.199 --> 00:51:30.760
<v Speaker 1>missed the mark in the movie, and having not seen

1081
00:51:30.800 --> 00:51:34.840
<v Speaker 1>the shorts here, it feels like they captured that sincere

1082
00:51:34.960 --> 00:51:37.440
<v Speaker 1>dread you felt in the ninety seconds or however long

1083
00:51:37.480 --> 00:51:40.920
<v Speaker 1>the YouTube shorts were four ninety minutes or however long

1084
00:51:40.960 --> 00:51:43.000
<v Speaker 1>the movie is roughly ninety minutes.

1085
00:51:42.840 --> 00:51:45.480
<v Speaker 2>Sometimes bigger and well. I say this about SNL sketches

1086
00:51:45.519 --> 00:51:47.559
<v Speaker 2>all the time. Sure people always ask me. You're like, oh,

1087
00:51:47.559 --> 00:51:49.960
<v Speaker 2>did you see this SNL movie? You see this? No?

1088
00:51:50.400 --> 00:51:53.000
<v Speaker 2>I have no interest because one joke yeah, well it's

1089
00:51:53.000 --> 00:51:55.880
<v Speaker 2>not necessarily one joke, but it's just one idea. It's

1090
00:51:55.880 --> 00:51:58.000
<v Speaker 2>one theme, and you play it out and it's not

1091
00:51:58.159 --> 00:52:00.880
<v Speaker 2>meant to be ye, ninety minutes. It's meant to be

1092
00:52:00.920 --> 00:52:03.199
<v Speaker 2>four or five minutes, and then that's it, right, And

1093
00:52:03.239 --> 00:52:05.639
<v Speaker 2>that's why a lot of SnO movies quite frankly.

1094
00:52:05.440 --> 00:52:07.679
<v Speaker 1>Suck exactly, you know, but they make a lot of money.

1095
00:52:07.719 --> 00:52:12.880
<v Speaker 1>So sure, sure, but this one I think did capture.

1096
00:52:12.960 --> 00:52:14.920
<v Speaker 1>Like again, there were moments when I was creeped out.

1097
00:52:15.119 --> 00:52:17.440
<v Speaker 1>What sucks is I don't know that I could really

1098
00:52:17.480 --> 00:52:20.159
<v Speaker 1>put a finger on why I walked out of there,

1099
00:52:20.199 --> 00:52:22.360
<v Speaker 1>like in my and I think we disagree on this

1100
00:52:22.960 --> 00:52:26.719
<v Speaker 1>of the double feature of horror that we basically have done. Yeah,

1101
00:52:26.800 --> 00:52:30.159
<v Speaker 1>I even though it was more predictable, more wrote feel

1102
00:52:30.159 --> 00:52:32.559
<v Speaker 1>like I got more out of obsession, whereas you were

1103
00:52:32.639 --> 00:52:34.280
<v Speaker 1>kind of leaning, okay towards.

1104
00:52:34.119 --> 00:52:36.760
<v Speaker 2>So we were talking about in one of the companies

1105
00:52:36.800 --> 00:52:40.079
<v Speaker 2>I work for, we have a you know, slack the yeah, okay,

1106
00:52:40.119 --> 00:52:42.199
<v Speaker 2>so we use slack for that, and we have all

1107
00:52:42.199 --> 00:52:44.360
<v Speaker 2>these different channels and I don't remember what got posted

1108
00:52:44.400 --> 00:52:47.760
<v Speaker 2>in the random channel, but somebody mentioned a movie and

1109
00:52:48.960 --> 00:52:50.840
<v Speaker 2>or no, I think I just brought up somebody mentioned

1110
00:52:50.840 --> 00:52:53.199
<v Speaker 2>a movie, and I brought up, yeah, backrooms is really good, guys,

1111
00:52:53.760 --> 00:52:56.159
<v Speaker 2>and a bunch of people in their commented that they

1112
00:52:56.199 --> 00:52:58.960
<v Speaker 2>had also seen both Obsession and back Rooms, and I

1113
00:52:59.079 --> 00:53:03.199
<v Speaker 2>was the only one that liked Backrooms better than Obsessions. Yeah,

1114
00:53:03.280 --> 00:53:05.800
<v Speaker 2>you know. Everybody else said, oh yeah, backrooms was pretty good,

1115
00:53:05.840 --> 00:53:07.679
<v Speaker 2>and and a lot of they had seen a lot

1116
00:53:07.679 --> 00:53:10.280
<v Speaker 2>of the stuff that Caane Parsons had done on YouTube

1117
00:53:10.280 --> 00:53:13.000
<v Speaker 2>prior to this, but they're like, yeah, Obsession. I'm like,

1118
00:53:13.079 --> 00:53:15.679
<v Speaker 2>you know, it was good, but I just think that

1119
00:53:15.800 --> 00:53:20.199
<v Speaker 2>creepy aesthetic in back rooms, that the use of negative sound.

1120
00:53:20.039 --> 00:53:22.960
<v Speaker 1>It just way more unique, yeah, way more. It just

1121
00:53:23.039 --> 00:53:25.159
<v Speaker 1>it hit me a lot harder, you know, no doubt

1122
00:53:25.159 --> 00:53:27.679
<v Speaker 1>about that. And maybe that's an age thing, age two

1123
00:53:28.119 --> 00:53:31.320
<v Speaker 1>an age thing too as well for me, because you know,

1124
00:53:31.400 --> 00:53:34.800
<v Speaker 1>I've worked in I used to work at the Mayfair

1125
00:53:34.840 --> 00:53:40.079
<v Speaker 1>Mall in Milwaukee, and I've been down there where it's

1126
00:53:40.119 --> 00:53:43.199
<v Speaker 1>just all this empty, weird, you know, so I've it's

1127
00:53:43.559 --> 00:53:45.000
<v Speaker 1>in the Valley. I think I brought this up the

1128
00:53:45.039 --> 00:53:47.280
<v Speaker 1>Valley Fair Mall, which I don't think was around when

1129
00:53:47.280 --> 00:53:50.239
<v Speaker 1>you moved here, but that was another like older mall,

1130
00:53:50.599 --> 00:53:53.320
<v Speaker 1>and and a lot of places were closed, and it

1131
00:53:53.360 --> 00:53:56.639
<v Speaker 1>was it had a feel of like, you know, think

1132
00:53:56.639 --> 00:53:59.360
<v Speaker 1>about the mall from Stranger Things, Well, what happens to

1133
00:53:59.400 --> 00:54:00.280
<v Speaker 1>that thirty.

1134
00:54:00.039 --> 00:54:01.760
<v Speaker 2>Years later, twenty years later? What does that look like?

1135
00:54:02.000 --> 00:54:02.719
<v Speaker 2>It's creepy.

1136
00:54:03.039 --> 00:54:06.199
<v Speaker 1>It's like a time capsule and and it's it's just

1137
00:54:06.800 --> 00:54:07.960
<v Speaker 1>I don't know, man, like just it.

1138
00:54:08.119 --> 00:54:11.159
<v Speaker 2>It's this liminal space thing. I think it's something I

1139
00:54:11.320 --> 00:54:13.639
<v Speaker 2>never heard about before back rooms, right, and now you

1140
00:54:13.719 --> 00:54:15.599
<v Speaker 2>fall into that more and more, and it's just like,

1141
00:54:15.639 --> 00:54:19.400
<v Speaker 2>oh man, this is it. This is creepy, and I

1142
00:54:19.440 --> 00:54:22.639
<v Speaker 2>think you know what it is to a lot of

1143
00:54:22.679 --> 00:54:25.679
<v Speaker 2>horror movies will show you the monster, right, They'll show

1144
00:54:25.679 --> 00:54:28.159
<v Speaker 2>you what the antagonist is. They'll show you what they're

1145
00:54:28.199 --> 00:54:33.960
<v Speaker 2>fighting or whatever. Sometimes I think when you don't see that,

1146
00:54:34.559 --> 00:54:36.360
<v Speaker 2>your imagination is a.

1147
00:54:36.440 --> 00:54:40.639
<v Speaker 1>Much more As an adult, I agree, yeah, into that.

1148
00:54:40.920 --> 00:54:44.039
<v Speaker 2>You create something in your in your mind that's and

1149
00:54:44.079 --> 00:54:46.039
<v Speaker 2>then how often does that happen where you actually see

1150
00:54:46.079 --> 00:54:48.679
<v Speaker 2>the monster at the end you're like, oh, yeah, but

1151
00:54:49.320 --> 00:54:52.960
<v Speaker 2>what like what could happen? What could be there? Not knowing?

1152
00:54:53.079 --> 00:54:55.079
<v Speaker 2>I think that's what right there.

1153
00:54:55.239 --> 00:54:58.239
<v Speaker 1>There are the few moments, like I always say, I

1154
00:54:58.280 --> 00:54:59.800
<v Speaker 1>don't want to say it's the scariest thing in ma

1155
00:55:00.440 --> 00:55:03.119
<v Speaker 1>I think I can imagine scary things like the xenomorph

1156
00:55:03.159 --> 00:55:05.760
<v Speaker 1>in the movie Aliens is a terrifying creature to me,

1157
00:55:05.800 --> 00:55:09.320
<v Speaker 1>I'm like, brilliant. Yeah, there's a handful of times, but no,

1158
00:55:09.559 --> 00:55:12.039
<v Speaker 1>I couldn't agree with you more. I think the imagination

1159
00:55:12.199 --> 00:55:15.079
<v Speaker 1>absolutely running wild, especially at this stage of my life,

1160
00:55:15.519 --> 00:55:19.679
<v Speaker 1>hits way harder than anything that a director could show

1161
00:55:19.719 --> 00:55:22.480
<v Speaker 1>me in terms of trying to scare me. It's like

1162
00:55:22.519 --> 00:55:23.880
<v Speaker 1>my mind, but you do get me.

1163
00:55:23.920 --> 00:55:26.440
<v Speaker 2>But you know what's funny about that bench is let's

1164
00:55:26.440 --> 00:55:28.920
<v Speaker 2>say somebody gave you ten million dollars and they said,

1165
00:55:28.960 --> 00:55:31.639
<v Speaker 2>you create a horror movie, right, you would create a

1166
00:55:31.679 --> 00:55:33.960
<v Speaker 2>horror movie based on what's in your mind, and then

1167
00:55:34.000 --> 00:55:36.880
<v Speaker 2>you'd watch it and you and you'd be like, you know,

1168
00:55:36.960 --> 00:55:40.280
<v Speaker 2>you'd make the whole thing. You get done with post

1169
00:55:40.440 --> 00:55:42.039
<v Speaker 2>and that's all finished and go and you watch it

1170
00:55:42.079 --> 00:55:45.440
<v Speaker 2>and you'd be like, Nope, yeah, I don't like this.

1171
00:55:46.760 --> 00:55:50.119
<v Speaker 2>And I think it's because like we want it. I

1172
00:55:50.159 --> 00:55:52.360
<v Speaker 2>don't know, it's just a matter of like you kind

1173
00:55:52.400 --> 00:55:53.920
<v Speaker 2>of know what's in your mind, you know how it's

1174
00:55:53.960 --> 00:55:58.639
<v Speaker 2>gonna play out, and even when you put the monster

1175
00:55:59.280 --> 00:56:01.679
<v Speaker 2>on paper or on film. When you put the monster

1176
00:56:01.760 --> 00:56:05.679
<v Speaker 2>on film, I do think that it lessens the impact

1177
00:56:06.159 --> 00:56:09.760
<v Speaker 2>of watching it. I know of you know, wondering what

1178
00:56:09.800 --> 00:56:11.519
<v Speaker 2>it could be, and then when you actually see it,

1179
00:56:11.559 --> 00:56:12.360
<v Speaker 2>you're kind of like.

1180
00:56:12.920 --> 00:56:15.159
<v Speaker 1>Oh, yeah, I will say though, there is a twenty

1181
00:56:15.239 --> 00:56:18.239
<v Speaker 1>twenty three remake of the two thousand and three movie

1182
00:56:18.960 --> 00:56:21.760
<v Speaker 1>Wrong Turn, Yeah, which you know that came out during

1183
00:56:21.800 --> 00:56:24.679
<v Speaker 1>the Jessica bal remake of Texas Chains on my screen.

1184
00:56:24.719 --> 00:56:26.159
<v Speaker 1>I may have talked about this if I talked about this,

1185
00:56:26.239 --> 00:56:26.760
<v Speaker 1>or I may have.

1186
00:56:26.800 --> 00:56:29.920
<v Speaker 2>Okay, I know you mentioned the Wrong Turn, No bring

1187
00:56:29.960 --> 00:56:31.960
<v Speaker 2>it up, because I don't remember what you said about it.

1188
00:56:32.039 --> 00:56:34.400
<v Speaker 1>So there's a scene it's like a community of people.

1189
00:56:34.480 --> 00:56:38.320
<v Speaker 1>They drop the because, to be real, the whole backwards

1190
00:56:38.360 --> 00:56:41.360
<v Speaker 1>Appalacha thing is very disrespectful to the people of Appalachia,

1191
00:56:41.519 --> 00:56:43.440
<v Speaker 1>so they drop that whole element of it. And it's

1192
00:56:43.480 --> 00:56:45.719
<v Speaker 1>just like a community of people that look normal that

1193
00:56:45.760 --> 00:56:49.679
<v Speaker 1>are just really fucked up, and they either will graphically

1194
00:56:49.800 --> 00:56:52.639
<v Speaker 1>kill you or they condemn you to the darkness. And

1195
00:56:52.679 --> 00:56:55.159
<v Speaker 1>when you are condemned to the darkness, they take your

1196
00:56:55.159 --> 00:56:57.719
<v Speaker 1>eyes out and they take your tongue out, and then

1197
00:56:57.719 --> 00:57:00.639
<v Speaker 1>they throw you in the super dark cave condemned one

1198
00:57:00.719 --> 00:57:02.960
<v Speaker 1>character to the darkness, and all you see is the

1199
00:57:03.079 --> 00:57:07.199
<v Speaker 1>viewer is a cave entrance. That is that the director

1200
00:57:07.360 --> 00:57:10.679
<v Speaker 1>lit it in a way where it quite literally looks

1201
00:57:10.719 --> 00:57:13.039
<v Speaker 1>like you're just like walking out into outer space, like

1202
00:57:13.079 --> 00:57:15.519
<v Speaker 1>it's so black that I was like, and then they

1203
00:57:15.519 --> 00:57:17.440
<v Speaker 1>don't go in, and I was like, I remember sitting

1204
00:57:17.480 --> 00:57:20.159
<v Speaker 1>there and watching it with my brother. I was like, Oh,

1205
00:57:20.360 --> 00:57:21.960
<v Speaker 1>I kind of wish they would have showed us what's

1206
00:57:21.960 --> 00:57:24.000
<v Speaker 1>in there, but I'm kind of glad they didn't because

1207
00:57:24.039 --> 00:57:27.159
<v Speaker 1>I'm actively terrified by what that would look like. Then

1208
00:57:27.239 --> 00:57:29.960
<v Speaker 1>twenty minutes go by and turns out they are going

1209
00:57:30.000 --> 00:57:32.480
<v Speaker 1>to go into the darkness to rescue their friend, and

1210
00:57:32.519 --> 00:57:35.360
<v Speaker 1>you're gonna see what's in there. Yeah, and it was

1211
00:57:35.360 --> 00:57:37.519
<v Speaker 1>one of the creepiest images that you could ever put

1212
00:57:37.559 --> 00:57:40.960
<v Speaker 1>on films. It lived up to it wholeheartedly. And this

1213
00:57:41.039 --> 00:57:43.840
<v Speaker 1>is not an endorsement of the movie because overall, even

1214
00:57:43.880 --> 00:57:45.559
<v Speaker 1>though it was not good, but this scene was really

1215
00:57:45.559 --> 00:57:48.199
<v Speaker 1>This scene is so anytime we'll be like remember that

1216
00:57:48.280 --> 00:57:50.400
<v Speaker 1>scene in Wrong Turn twenty twenty three, like we will

1217
00:57:50.440 --> 00:57:54.559
<v Speaker 1>still talk about remember the Darkness, because like that hits

1218
00:57:54.599 --> 00:57:57.559
<v Speaker 1>so hard because like I let my imagination run wide.

1219
00:57:57.599 --> 00:58:00.239
<v Speaker 1>I'm like, Ben, picture yourself in there, no eyes, no

1220
00:58:00.360 --> 00:58:02.360
<v Speaker 1>ability to talk, and you're trying to feel your way

1221
00:58:02.400 --> 00:58:05.119
<v Speaker 1>through this dark cave with other random people that have

1222
00:58:05.159 --> 00:58:07.679
<v Speaker 1>been punished in there before, and you're like, what would

1223
00:58:07.719 --> 00:58:09.920
<v Speaker 1>that be like? And like I had my own perception,

1224
00:58:10.000 --> 00:58:11.880
<v Speaker 1>And then you get there and like the first thing

1225
00:58:11.920 --> 00:58:13.639
<v Speaker 1>you see is like an old guy sniff in the

1226
00:58:13.679 --> 00:58:15.440
<v Speaker 1>wall because the only thing he can do is use

1227
00:58:15.480 --> 00:58:17.679
<v Speaker 1>his sun. And I was like, all right, I'm already

1228
00:58:17.760 --> 00:58:19.519
<v Speaker 1>more creeped out than I was in my mind and

1229
00:58:19.559 --> 00:58:22.360
<v Speaker 1>we have just got in here, like it's where it

1230
00:58:22.400 --> 00:58:25.199
<v Speaker 1>goes from there, And I was just like, okay, well

1231
00:58:25.199 --> 00:58:27.800
<v Speaker 1>that was a pretty well done moments like it can happen,

1232
00:58:28.000 --> 00:58:30.519
<v Speaker 1>is my point. But it's very few and far between.

1233
00:58:31.079 --> 00:58:32.480
<v Speaker 2>Yeah, I should say there's exceptions.

1234
00:58:32.960 --> 00:58:35.880
<v Speaker 1>Yeah sure, but and again it might be in movies

1235
00:58:35.880 --> 00:58:38.199
<v Speaker 1>where you're like, well that was super forgettable other than

1236
00:58:38.239 --> 00:58:41.159
<v Speaker 1>that moment, but that moment absolutely will stick with me

1237
00:58:41.239 --> 00:58:43.079
<v Speaker 1>until I die. And that was kind of.

1238
00:58:43.480 --> 00:58:46.840
<v Speaker 2>Can't see, you can't taste, you can touch and smell.

1239
00:58:46.880 --> 00:58:49.199
<v Speaker 2>What's the other sense here? Oh and here ye here?

1240
00:58:49.400 --> 00:58:51.760
<v Speaker 1>Yeah, that's it? Oh my god. And when their friend

1241
00:58:51.840 --> 00:58:52.719
<v Speaker 1>hears their voice.

1242
00:58:52.760 --> 00:58:57.719
<v Speaker 2>Oh my god, all right, I gotta watch this. All right,

1243
00:58:58.599 --> 00:58:59.639
<v Speaker 2>so what are we at on time?

1244
00:59:00.519 --> 00:59:02.239
<v Speaker 1>But let me bring it back up.

1245
00:59:04.119 --> 00:59:06.079
<v Speaker 2>I have to, I have to bring this up. We

1246
00:59:06.119 --> 00:59:08.480
<v Speaker 2>have to talk about the ending, because I thought the

1247
00:59:08.599 --> 00:59:11.719
<v Speaker 2>ending to me seemed kind of like I knew what

1248
00:59:11.800 --> 00:59:14.039
<v Speaker 2>was going on. But then I read some stuff on

1249
00:59:14.039 --> 00:59:16.000
<v Speaker 2>the internet that was like, they're talking about it's kind

1250
00:59:16.000 --> 00:59:19.000
<v Speaker 2>of a nebulous ending and it's kind of an open ending.

1251
00:59:19.400 --> 00:59:21.760
<v Speaker 2>Did you view it that same way too? What did

1252
00:59:21.760 --> 00:59:23.679
<v Speaker 2>you think you were looking at in that final scene?

1253
00:59:23.840 --> 00:59:26.960
<v Speaker 1>Well, I've got a I don't know if I can

1254
00:59:27.039 --> 00:59:29.599
<v Speaker 1>say this. If you think it's spoiling to answer this question,

1255
00:59:29.719 --> 00:59:34.559
<v Speaker 1>don't answer it. Do you think she's out.

1256
00:59:33.880 --> 00:59:39.840
<v Speaker 2>The way that the way that that conversation that she

1257
00:59:40.000 --> 00:59:45.599
<v Speaker 2>had in the final scene makes me think that that is.

1258
00:59:48.519 --> 00:59:50.119
<v Speaker 1>That's my question, because.

1259
00:59:49.880 --> 01:00:01.400
<v Speaker 2>There's okay, so I believe she is out of the

1260
01:00:01.440 --> 01:00:08.199
<v Speaker 2>back rooms. Okay, I don't believe she is free of

1261
01:00:08.199 --> 01:00:11.519
<v Speaker 2>the backer, free of what happened to her in the

1262
01:00:11.559 --> 01:00:15.159
<v Speaker 2>back rooms. And I don't think she's free of like

1263
01:00:15.239 --> 01:00:18.239
<v Speaker 2>I think she is staying where she is for a

1264
01:00:18.280 --> 01:00:21.760
<v Speaker 2>little bit, for a little while. Mark Duplace says his

1265
01:00:21.880 --> 01:00:28.800
<v Speaker 2>character says something to the effect of like, whatever or

1266
01:00:28.840 --> 01:00:33.760
<v Speaker 2>whoever is making the decision about her future, it doesn't

1267
01:00:33.760 --> 01:00:36.199
<v Speaker 2>seem like it resolves itself in that movie. I agree

1268
01:00:36.519 --> 01:00:43.880
<v Speaker 2>now that the final shot, it's gonna be difficult. What

1269
01:00:44.239 --> 01:00:46.639
<v Speaker 2>are we looking at? Are we looking at? Is that

1270
01:00:46.679 --> 01:00:47.360
<v Speaker 2>the back rooms?

1271
01:00:47.920 --> 01:00:48.320
<v Speaker 1>Yeah?

1272
01:00:48.360 --> 01:00:49.199
<v Speaker 2>That is for sure.

1273
01:00:50.199 --> 01:00:52.480
<v Speaker 1>I think all we're looking at it's just like the

1274
01:00:52.639 --> 01:00:55.559
<v Speaker 1>broken purple chain shoes. I think that's her. What's what's

1275
01:00:55.599 --> 01:00:58.679
<v Speaker 1>the guy from the league's name? He keeps saying duplas, Yeah,

1276
01:00:59.039 --> 01:01:03.840
<v Speaker 1>the league I forgot. Yeah, I think that last scene

1277
01:01:03.960 --> 01:01:05.679
<v Speaker 1>is the copy of the cort.

1278
01:01:05.679 --> 01:01:08.239
<v Speaker 2>That's what I think too. That's what I think too.

1279
01:01:09.239 --> 01:01:12.800
<v Speaker 2>And then and then and then the stuff I've read,

1280
01:01:13.199 --> 01:01:16.159
<v Speaker 2>some of the stuff I've read, is that that's not

1281
01:01:16.280 --> 01:01:18.119
<v Speaker 2>a copy.

1282
01:01:18.239 --> 01:01:20.760
<v Speaker 1>I think they misinterpreted the movie. I might be wrong,

1283
01:01:20.880 --> 01:01:24.000
<v Speaker 1>Like there's absolutely a chance I missed something because that

1284
01:01:24.000 --> 01:01:26.079
<v Speaker 1>that That's how I've kind of been positioning myself.

1285
01:01:26.159 --> 01:01:29.239
<v Speaker 2>Yeah, the podcast, I mean, I mean I never I

1286
01:01:29.400 --> 01:01:32.679
<v Speaker 2>never considered it until I read that, and then I'm like, okay,

1287
01:01:33.320 --> 01:01:36.239
<v Speaker 2>and there's obviously a big flaw with that. Well, okay,

1288
01:01:36.519 --> 01:01:38.840
<v Speaker 2>I don't want to ruin this. Let's talk about that.

1289
01:01:38.880 --> 01:01:39.440
<v Speaker 2>Off here. Yeah.

1290
01:01:39.480 --> 01:01:40.800
<v Speaker 1>Sure, but that's.

1291
01:01:40.679 --> 01:01:42.920
<v Speaker 2>Another thing that kind of like obviously sets it up

1292
01:01:42.960 --> 01:01:44.440
<v Speaker 2>for and and this is the other thing I'll bring up.

1293
01:01:44.480 --> 01:01:45.719
<v Speaker 2>And I had it on my phone. I wanted to

1294
01:01:45.800 --> 01:01:49.480
<v Speaker 2>I wanted to make sure I got to this. So

1295
01:01:51.920 --> 01:01:58.559
<v Speaker 2>in reading about this film, oh, by the way, two

1296
01:01:58.639 --> 01:02:01.960
<v Speaker 2>hundred and sixteen million words world wide, it's a twenty

1297
01:02:01.960 --> 01:02:05.760
<v Speaker 2>four's highest grossing film to date, and Kane Parsons is

1298
01:02:05.840 --> 01:02:10.760
<v Speaker 2>now the youngest filmmaker to reach number one at the

1299
01:02:10.840 --> 01:02:14.320
<v Speaker 2>US box office. Wow. And it's the second highest grossing

1300
01:02:14.320 --> 01:02:16.320
<v Speaker 2>horror film twenty twenty six. I wonder what the top

1301
01:02:16.360 --> 01:02:20.480
<v Speaker 2>one was, Oh, Obsession, Dude, Obsession is number one, back

1302
01:02:20.559 --> 01:02:24.480
<v Speaker 2>Rooms is two, and dude, this is hilario. We Okay,

1303
01:02:24.840 --> 01:02:27.519
<v Speaker 2>so this is the top ten grossing horror movies of

1304
01:02:28.119 --> 01:02:31.719
<v Speaker 2>twenty twenty six so far. Obsession, back Rooms one, and two.

1305
01:02:32.559 --> 01:02:37.079
<v Speaker 2>Three is Scream seven, which, yeah, exactly, number four. I

1306
01:02:37.079 --> 01:02:40.360
<v Speaker 2>don't really think this is a horror movie. Scary Movie

1307
01:02:40.960 --> 01:02:43.360
<v Speaker 2>is number four, which we're going to talk about in

1308
01:02:43.400 --> 01:02:46.440
<v Speaker 2>a couple of weeks, right, Send Help is five, sure,

1309
01:02:46.960 --> 01:02:48.960
<v Speaker 2>and then Lee Cronin is The Mummy, which I.

1310
01:02:48.880 --> 01:02:52.639
<v Speaker 1>Haven't seen the interest in that, honestly, Bone Temple.

1311
01:02:52.360 --> 01:02:55.800
<v Speaker 2>Is number seven. Cool. Number eight is Iron Lung, which

1312
01:02:55.840 --> 01:02:56.639
<v Speaker 2>I've never heard.

1313
01:02:56.480 --> 01:02:57.519
<v Speaker 1>Of another YouTuber.

1314
01:02:57.719 --> 01:03:01.719
<v Speaker 2>Oh okay, yeah right, Number nine return to Silent Hill.

1315
01:03:01.920 --> 01:03:05.000
<v Speaker 2>Have you seen this? Okay? And I assume that's the

1316
01:03:05.079 --> 01:03:08.960
<v Speaker 2>Silent Hill sequel or whatever. And then obviously Ready or

1317
01:03:09.000 --> 01:03:11.599
<v Speaker 2>Not To is number ten. Okay, So that's that's the

1318
01:03:11.599 --> 01:03:13.880
<v Speaker 2>top ten, which we've we've talked about. We've done a

1319
01:03:13.880 --> 01:03:16.519
<v Speaker 2>lot of these for the podcast. Okay, I know it's cool.

1320
01:03:16.559 --> 01:03:18.480
<v Speaker 1>Before you move on, I don't know if you've seen

1321
01:03:18.480 --> 01:03:21.360
<v Speaker 1>any of the controversy so well, not of what quote

1322
01:03:21.400 --> 01:03:24.679
<v Speaker 1>fingers controversy the makeup artist in Obsession.

1323
01:03:24.840 --> 01:03:26.079
<v Speaker 2>Oh yeah, you told me about this?

1324
01:03:26.280 --> 01:03:29.719
<v Speaker 1>Yeah yeah, they just came out yesterday, probably because of

1325
01:03:29.760 --> 01:03:32.920
<v Speaker 1>how many people cause the ruckets. She made seven thousand

1326
01:03:32.960 --> 01:03:34.639
<v Speaker 1>dollars for essentially twenty days.

1327
01:03:34.719 --> 01:03:36.880
<v Speaker 2>Oh no, you didn't tell me about this? O keep going.

1328
01:03:37.000 --> 01:03:40.559
<v Speaker 1>Yeah, so okay, let me start. She complained, for lack

1329
01:03:40.599 --> 01:03:43.239
<v Speaker 1>of a better term, publicly, she was like, yeah, so

1330
01:03:43.320 --> 01:03:45.559
<v Speaker 1>I agreed to work on Obsession and they paid me

1331
01:03:45.639 --> 01:03:48.719
<v Speaker 1>seven thousand dollars to do makeup and again it was

1332
01:03:48.719 --> 01:03:50.719
<v Speaker 1>for like twenty one days. So like I'm I'm not

1333
01:03:50.800 --> 01:03:53.719
<v Speaker 1>crying a pity party for her, but she's like, and

1334
01:03:53.719 --> 01:03:56.000
<v Speaker 1>then we made eight hundred million dollars and I feel

1335
01:03:56.039 --> 01:03:58.800
<v Speaker 1>like maybe that this should be disseminated. And they just

1336
01:03:58.880 --> 01:04:02.679
<v Speaker 1>came out earlier today or maybe late yesterday, the creative

1337
01:04:02.719 --> 01:04:06.440
<v Speaker 1>company behind Obsession, and they said, we're gonna package fifty

1338
01:04:06.480 --> 01:04:09.079
<v Speaker 1>million dollars if we're gonna spread it out amongst all

1339
01:04:09.119 --> 01:04:11.760
<v Speaker 1>of the people that helped make this movie, because Iron

1340
01:04:11.840 --> 01:04:17.440
<v Speaker 1>Lung was completely funded by a YouTuber and when Iron

1341
01:04:17.519 --> 01:04:21.159
<v Speaker 1>Lung ended up way exceeding all expectations since he didn't

1342
01:04:21.159 --> 01:04:23.719
<v Speaker 1>have to answer to a production company, he just paid

1343
01:04:23.760 --> 01:04:26.960
<v Speaker 1>everybody like more because he didn't expect to make that

1344
01:04:27.079 --> 01:04:30.039
<v Speaker 1>much money. And when that story went viral, because I've

1345
01:04:30.079 --> 01:04:31.960
<v Speaker 1>never seen Iron Lung, but after I heard that, I

1346
01:04:31.960 --> 01:04:34.000
<v Speaker 1>almost want to go support it, just to support those

1347
01:04:34.079 --> 01:04:34.880
<v Speaker 1>kind of actions.

1348
01:04:35.159 --> 01:04:37.280
<v Speaker 2>What's what's it about? Do you know? No idea?

1349
01:04:37.639 --> 01:04:40.360
<v Speaker 1>He's he's like a video game streamer, like the person

1350
01:04:40.400 --> 01:04:43.400
<v Speaker 1>to direct ith. He records himself playing video games. And

1351
01:04:43.440 --> 01:04:46.639
<v Speaker 1>apparently Iron Lung is like a character he created for

1352
01:04:46.800 --> 01:04:48.679
<v Speaker 1>one of the He plays a lot of horror games

1353
01:04:48.840 --> 01:04:51.159
<v Speaker 1>and so it's a character he created and they wrote

1354
01:04:51.239 --> 01:04:53.719
<v Speaker 1>directed film and like the actors are just his friends.

1355
01:04:53.960 --> 01:04:57.239
<v Speaker 1>But like he did, he went to like NYU or something.

1356
01:04:57.239 --> 01:04:59.519
<v Speaker 1>He has some chops at making a movie. But it's

1357
01:04:59.559 --> 01:05:02.000
<v Speaker 1>by no mean you're not gonna mistake it for Spielberger.

1358
01:05:02.880 --> 01:05:06.800
<v Speaker 1>But but he has some chops. And apparently this just exploded.

1359
01:05:06.840 --> 01:05:09.199
<v Speaker 1>And I only found out about it because I told

1360
01:05:09.239 --> 01:05:11.159
<v Speaker 1>you there was a thing that was like six horror

1361
01:05:11.199 --> 01:05:14.960
<v Speaker 1>movies made by YouTuber YouTubers, then one that failed, Like

1362
01:05:15.000 --> 01:05:16.920
<v Speaker 1>I was like, someone do a well. One of the

1363
01:05:16.960 --> 01:05:19.119
<v Speaker 1>six that succeeded was Iron Long. I'm like, I haven't

1364
01:05:19.119 --> 01:05:20.920
<v Speaker 1>even heard of this movie, and.

1365
01:05:21.840 --> 01:05:24.760
<v Speaker 2>So what what? So was obsession back rooms? Iron Lung

1366
01:05:25.480 --> 01:05:27.199
<v Speaker 2>the one that nobody knows about? And then do we

1367
01:05:27.239 --> 01:05:27.800
<v Speaker 2>know the other two?

1368
01:05:28.159 --> 01:05:29.559
<v Speaker 1>I'd have to find it.

1369
01:05:30.679 --> 01:05:34.199
<v Speaker 2>Speaking of Spielberg, Aaron Sorkin is where I went with

1370
01:05:34.239 --> 01:05:38.400
<v Speaker 2>this because I just saw this trailer three hours ago.

1371
01:05:39.079 --> 01:05:42.280
<v Speaker 2>Do you know there's a companion movie coming out in October?

1372
01:05:42.360 --> 01:05:45.880
<v Speaker 2>To the social network? You knew about this? I found

1373
01:05:45.880 --> 01:05:48.840
<v Speaker 2>out about it today Today's You're today, Your's today years old?

1374
01:05:48.880 --> 01:05:50.920
<v Speaker 2>When I found about this? Have you seen the trailer

1375
01:05:50.960 --> 01:05:52.639
<v Speaker 2>for it? Oh? Looks good man?

1376
01:05:52.719 --> 01:05:53.119
<v Speaker 1>Does it?

1377
01:05:54.199 --> 01:05:57.000
<v Speaker 2>So it's about the Facebook whistleblower who I can't remember

1378
01:05:57.000 --> 01:05:59.800
<v Speaker 2>her name, sure, but she came out with all these

1379
01:06:00.000 --> 01:06:04.599
<v Speaker 2>documents she released and all this nefarious, semi nefarious stuff

1380
01:06:04.599 --> 01:06:08.079
<v Speaker 2>that Facebook was involved in, seemingly always choosing profits over

1381
01:06:08.480 --> 01:06:13.760
<v Speaker 2>what's what's. So you have Mikey Madison who won the

1382
01:06:13.760 --> 01:06:18.199
<v Speaker 2>Best Actress two years ago for playing that hooker or whatever.

1383
01:06:18.199 --> 01:06:23.519
<v Speaker 2>I can't remember the name of it. Oh god, it,

1384
01:06:23.559 --> 01:06:26.440
<v Speaker 2>this is gonna drive me. It's a It's a one

1385
01:06:26.519 --> 01:06:29.960
<v Speaker 2>word movie which was nominated for Best Picture. It didn't

1386
01:06:29.960 --> 01:06:35.239
<v Speaker 2>win Best Picture, but she won for Best Actress for it,

1387
01:06:35.320 --> 01:06:38.599
<v Speaker 2>and I can't anora that's what it was. So she

1388
01:06:38.679 --> 01:06:43.840
<v Speaker 2>was Anura. Now we also know Mikey Madison from the

1389
01:06:43.840 --> 01:06:48.079
<v Speaker 2>Scream franchise and she was in uh, What's on Time

1390
01:06:48.079 --> 01:06:52.559
<v Speaker 2>in Hollywood? So she plays the whistleblower. Jeremy Allen White

1391
01:06:52.800 --> 01:06:55.960
<v Speaker 2>from The Bear is the journalist that is sort of

1392
01:06:56.000 --> 01:07:00.760
<v Speaker 2>like investigating this story, and it a brilliant, I think,

1393
01:07:00.800 --> 01:07:06.360
<v Speaker 2>brilliant casting. You have famous method actor Jeremy Strong playing

1394
01:07:06.440 --> 01:07:09.760
<v Speaker 2>Mark Zuckerberg, and I'm telling you, man, it is like

1395
01:07:10.000 --> 01:07:14.400
<v Speaker 2>looking at the real Mark zucker It's just he's totally awkward,

1396
01:07:14.760 --> 01:07:16.719
<v Speaker 2>the way you could tell he's on the spectrum a

1397
01:07:16.719 --> 01:07:20.880
<v Speaker 2>little bit. I and Bill Burr is in this too,

1398
01:07:20.960 --> 01:07:23.400
<v Speaker 2>which I mean, it's a really good cast. Sorkin wrote it,

1399
01:07:23.480 --> 01:07:25.920
<v Speaker 2>he's directing. It comes out in October. I'm very excited.

1400
01:07:26.079 --> 01:07:27.840
<v Speaker 1>Yeah, well, well I'm sure we'll have time for that

1401
01:07:27.880 --> 01:07:29.519
<v Speaker 1>one on the list here. You know, I just got

1402
01:07:29.559 --> 01:07:31.480
<v Speaker 1>to say, this is a testament to this movie is

1403
01:07:31.519 --> 01:07:33.679
<v Speaker 1>that's the most off topic we've gone for an hour.

1404
01:07:33.760 --> 01:07:35.679
<v Speaker 1>We almost exclusively stuck the back.

1405
01:07:35.559 --> 01:07:37.960
<v Speaker 2>Rooms for an hour. Yeah we did. We don't do that. Well.

1406
01:07:38.000 --> 01:07:39.360
<v Speaker 2>I liked it quite a bit. So this is the

1407
01:07:39.519 --> 01:07:42.079
<v Speaker 2>other thing I want to say. So last month Caane

1408
01:07:42.079 --> 01:07:45.280
<v Speaker 2>Parson says he's not finished with back rooms? Why would

1409
01:07:45.320 --> 01:07:47.360
<v Speaker 2>he be sure? And then the other thing I found

1410
01:07:48.480 --> 01:07:51.519
<v Speaker 2>there was there's a scene and it's just a little payoff.

1411
01:07:52.599 --> 01:07:55.880
<v Speaker 2>I think it's called The Oldest View is sort of

1412
01:07:55.920 --> 01:07:58.000
<v Speaker 2>like where he got his start. It's a four part

1413
01:07:58.039 --> 01:08:03.440
<v Speaker 2>YouTube series again space finding an finding a mall underground

1414
01:08:03.760 --> 01:08:09.039
<v Speaker 2>or whatever. And there's this this the wheel Giant or

1415
01:08:09.079 --> 01:08:10.960
<v Speaker 2>the Rolling Giant I think it's called is the Big

1416
01:08:11.000 --> 01:08:15.119
<v Speaker 2>bad in this And anyway, so I fell into that

1417
01:08:15.199 --> 01:08:16.760
<v Speaker 2>rabbit while I was reading about that, I'm like, God,

1418
01:08:16.760 --> 01:08:20.520
<v Speaker 2>I gotta watch this too, and uh, there's a little

1419
01:08:20.560 --> 01:08:25.319
<v Speaker 2>payoff with a character in that that's in back Rooms

1420
01:08:25.399 --> 01:08:27.199
<v Speaker 2>kind of but not really. I'll tell you about it after.

1421
01:08:27.319 --> 01:08:30.439
<v Speaker 2>It's not a big deal anyway, he said. There's already

1422
01:08:30.439 --> 01:08:32.479
<v Speaker 2>things in the works right now. He's saying he's going

1423
01:08:32.560 --> 01:08:36.760
<v Speaker 2>to continue the YouTube series back Rooms, okay, and then,

1424
01:08:37.199 --> 01:08:40.720
<v Speaker 2>just a couple of days ago, Deadline Hollywood said that

1425
01:08:41.039 --> 01:08:45.920
<v Speaker 2>Caine Parsons is interviewing potential screenwriting partners to help him

1426
01:08:46.399 --> 01:08:50.680
<v Speaker 2>do the sequel right now. He said that that's not true,

1427
01:08:50.800 --> 01:08:55.439
<v Speaker 2>although it probably is true in Hollywood, and he wants to.

1428
01:08:56.079 --> 01:08:59.279
<v Speaker 2>We said this with Obsession too, with who directed Obsession,

1429
01:08:59.279 --> 01:09:02.880
<v Speaker 2>I'm gonna forget the guy's name, I never remember. Yeah,

1430
01:09:02.920 --> 01:09:07.720
<v Speaker 2>but another YouTuber famous YouTuber are now famous, Curry Barker.

1431
01:09:08.079 --> 01:09:10.760
<v Speaker 2>Curry Barker said that he wanted to do an Obsession

1432
01:09:10.840 --> 01:09:14.319
<v Speaker 2>television series. Yeah. Caane Parsons is exploring back.

1433
01:09:14.239 --> 01:09:17.760
<v Speaker 1>Room television series irons Hot. Yeah, and it's not Curry

1434
01:09:17.840 --> 01:09:22.000
<v Speaker 1>Barker worked. He was in a later episode of Always Sonny.

1435
01:09:23.079 --> 01:09:24.840
<v Speaker 2>I read that who did he play?

1436
01:09:24.680 --> 01:09:26.800
<v Speaker 1>They did one where they like went to like the

1437
01:09:26.800 --> 01:09:29.960
<v Speaker 1>the Chucky cheese equivalent of their youth and he's the

1438
01:09:29.960 --> 01:09:32.199
<v Speaker 1>one who like takes their uh they have to sign

1439
01:09:32.279 --> 01:09:36.840
<v Speaker 1>like waivers about any injuries. And he's sitting there and

1440
01:09:36.840 --> 01:09:38.520
<v Speaker 1>he's like, yeah, I just I don't care if you

1441
01:09:38.600 --> 01:09:41.479
<v Speaker 1>signed it or not, Like, yeah, yeah, I saw that

1442
01:09:41.520 --> 01:09:44.960
<v Speaker 1>pomp interesting and uh it was sent to me. Actually,

1443
01:09:45.159 --> 01:09:49.600
<v Speaker 1>there is a short of him buying something else from

1444
01:09:49.680 --> 01:09:52.439
<v Speaker 1>the girl who sold the Wishing Willow at the beginning

1445
01:09:52.439 --> 01:09:55.880
<v Speaker 1>of Obsession, well before Obsession was ever made, and it's

1446
01:09:55.960 --> 01:09:59.239
<v Speaker 1>him and the actress who sold the Wishing Willow in

1447
01:09:59.239 --> 01:10:00.520
<v Speaker 1>like a ninety se YouTube.

1448
01:10:00.640 --> 01:10:03.399
<v Speaker 2>Well that but that makes sense because he was doing stuff.

1449
01:10:03.520 --> 01:10:06.880
<v Speaker 2>You know, he's creating stuff like comedy stuff usually, but

1450
01:10:06.920 --> 01:10:10.079
<v Speaker 2>with that same those same actor Like just this very cool.

1451
01:10:10.199 --> 01:10:13.279
<v Speaker 1>I mean, this is very interesting. And I think it's

1452
01:10:13.319 --> 01:10:15.319
<v Speaker 1>as long as they hired the right people. I feel

1453
01:10:15.319 --> 01:10:16.680
<v Speaker 1>like we're at the beginning of a trend.

1454
01:10:16.760 --> 01:10:19.119
<v Speaker 2>Yes, that's I think that's a good way to wrap

1455
01:10:19.239 --> 01:10:22.119
<v Speaker 2>up here, Like are we on the cusp of seeing?

1456
01:10:22.760 --> 01:10:24.199
<v Speaker 2>And we said we I think we teased this a

1457
01:10:24.199 --> 01:10:26.840
<v Speaker 2>little bit with Obsession. Are we on the cusp of seeing?

1458
01:10:27.039 --> 01:10:29.960
<v Speaker 2>And somebody said, maybe it was you Ben who brought

1459
01:10:29.960 --> 01:10:35.159
<v Speaker 2>this up? Where did I read it? Somebody said, something

1460
01:10:35.520 --> 01:10:38.880
<v Speaker 2>about when I think it was either Obsession or back

1461
01:10:38.960 --> 01:10:43.159
<v Speaker 2>Rooms is coming out and they're like, yep, somebody's gonna make.

1462
01:10:43.199 --> 01:10:45.840
<v Speaker 1>Yeah I said that. Yeah, and now they're making an

1463
01:10:45.840 --> 01:10:47.000
<v Speaker 1>Obsession universe.

1464
01:10:47.119 --> 01:10:49.159
<v Speaker 2>Like it's like but they but they made it seem

1465
01:10:49.239 --> 01:10:50.880
<v Speaker 2>like this is going to be a disaster when it

1466
01:10:50.920 --> 01:10:53.279
<v Speaker 2>comes out and nobody's gonna see it. Right, No, that's

1467
01:10:53.279 --> 01:10:56.279
<v Speaker 2>what this guy was saying. Somebody's oh there, Now, somebody's

1468
01:10:56.319 --> 01:10:58.680
<v Speaker 2>gonna make a ninety minute or an hour and forty

1469
01:10:58.680 --> 01:11:01.600
<v Speaker 2>five minute movie about this that nobody's gonna like and

1470
01:11:01.680 --> 01:11:02.359
<v Speaker 2>everybody liked it.

1471
01:11:02.439 --> 01:11:04.720
<v Speaker 1>Yeah, so as long as you do it well at it.

1472
01:11:04.800 --> 01:11:06.479
<v Speaker 2>So I think I think that that's the thing that

1473
01:11:06.520 --> 01:11:10.279
<v Speaker 2>I'm very excited about is seeing this next generation of

1474
01:11:10.399 --> 01:11:15.520
<v Speaker 2>filmmakers kind of grow up and create stuff that you

1475
01:11:15.600 --> 01:11:18.199
<v Speaker 2>and I haven't considered, stuff that we didn't grow up about.

1476
01:11:18.720 --> 01:11:22.000
<v Speaker 2>Stuff we didn't grow up with, things and thoughts and stuff,

1477
01:11:22.359 --> 01:11:25.880
<v Speaker 2>you know, not saying that social anxiety, which is much

1478
01:11:25.880 --> 01:11:27.720
<v Speaker 2>more at least more talked about now. I think it

1479
01:11:27.800 --> 01:11:32.000
<v Speaker 2>was always prevalent, but like utilizing stuff like that, you know,

1480
01:11:32.159 --> 01:11:39.640
<v Speaker 2>in your films and and you know, just a this

1481
01:11:39.640 --> 01:11:44.079
<v Speaker 2>this whole fresh viewpoint of people creating stuff that they've

1482
01:11:44.119 --> 01:11:47.319
<v Speaker 2>never seen before, that that maybe we've never seen before,

1483
01:11:47.720 --> 01:11:50.000
<v Speaker 2>stuff that that gets its try out on YouTube. And

1484
01:11:50.039 --> 01:11:54.039
<v Speaker 2>maybe that's good because only only the the best are surviving.

1485
01:11:54.119 --> 01:11:58.239
<v Speaker 2>This isn't a case where, oh, this big filmmaker who's

1486
01:11:58.279 --> 01:12:00.640
<v Speaker 2>done this is gonna get a bunch of money from

1487
01:12:00.640 --> 01:12:04.359
<v Speaker 2>this production studio to make a movie. And maybe it's good.

1488
01:12:04.399 --> 01:12:09.000
<v Speaker 2>Maybe it's not Hollywood. It famously over the last fifteen

1489
01:12:09.039 --> 01:12:13.560
<v Speaker 2>twenty years many have accused it of running out of ideas. Sure,

1490
01:12:13.680 --> 01:12:15.439
<v Speaker 2>and so what do they do. They go back to

1491
01:12:15.479 --> 01:12:18.640
<v Speaker 2>the stuff that's bankable, That the stuff that makes money.

1492
01:12:18.720 --> 01:12:20.880
<v Speaker 2>It's why we have fifty seven Fast and Furious. It's

1493
01:12:20.880 --> 01:12:24.079
<v Speaker 2>why we have Toy Story five coming up, so they

1494
01:12:24.159 --> 01:12:24.960
<v Speaker 2>know what works.

1495
01:12:25.199 --> 01:12:27.840
<v Speaker 1>Chris Nolan said as much yesterday. He's I mean, granted,

1496
01:12:27.880 --> 01:12:30.039
<v Speaker 1>it might just be, you know, head up his own

1497
01:12:30.079 --> 01:12:32.600
<v Speaker 1>ass kind of thing, but he said Odyssey might be

1498
01:12:32.640 --> 01:12:34.359
<v Speaker 1>one of the last movies like it. He said, it's

1499
01:12:34.399 --> 01:12:36.680
<v Speaker 1>going to be a long time before another studio gets

1500
01:12:36.680 --> 01:12:38.960
<v Speaker 1>a green light to do something like this. So like,

1501
01:12:39.000 --> 01:12:40.600
<v Speaker 1>and I think you're thought on.

1502
01:12:40.840 --> 01:12:42.840
<v Speaker 2>He is right, though, I mean with stuff like that,

1503
01:12:43.079 --> 01:12:46.000
<v Speaker 2>I mean, like, unless you are a select I don't know,

1504
01:12:46.000 --> 01:12:50.159
<v Speaker 2>maybe twenty directors. It's maybe twenty Yeah, probably less, Yeah,

1505
01:12:50.159 --> 01:12:53.960
<v Speaker 2>probably less. You're not going to get a budget like that.

1506
01:12:54.239 --> 01:12:57.720
<v Speaker 2>So what's great about this for Hollywood is that ever,

1507
01:12:57.840 --> 01:13:01.520
<v Speaker 2>you can see not only this stuff on YouTube first,

1508
01:13:02.039 --> 01:13:05.079
<v Speaker 2>but you can see the reaction from from users and

1509
01:13:05.119 --> 01:13:08.039
<v Speaker 2>what the comments are saying, how many likes it's getting,

1510
01:13:08.039 --> 01:13:11.000
<v Speaker 2>how many views it's getting. There is your focus group

1511
01:13:11.079 --> 01:13:13.159
<v Speaker 2>right there, and it's not even a focus group, it's

1512
01:13:13.199 --> 01:13:15.760
<v Speaker 2>the focus universe. Yeah, this is what people are going

1513
01:13:15.800 --> 01:13:18.479
<v Speaker 2>to do. So I think that's exciting. Yeah, I agree,

1514
01:13:18.520 --> 01:13:19.319
<v Speaker 2>as long as you know.

1515
01:13:20.039 --> 01:13:22.520
<v Speaker 1>I read an article yesterday that said fifty five percent

1516
01:13:22.560 --> 01:13:24.840
<v Speaker 1>of all Internet traffic is bots at this Well.

1517
01:13:24.560 --> 01:13:26.399
<v Speaker 2>That could be, that could be. I don't know. But

1518
01:13:26.399 --> 01:13:30.800
<v Speaker 2>but and and and there's no guarantee that taking a

1519
01:13:30.920 --> 01:13:33.520
<v Speaker 2>series like this and turning it into a feature film,

1520
01:13:33.600 --> 01:13:35.479
<v Speaker 2>there's no guarantee that it's going to do.

1521
01:13:35.560 --> 01:13:37.199
<v Speaker 1>I show you Lights Out will be all right.

1522
01:13:37.439 --> 01:13:41.039
<v Speaker 2>But but but by my point of saying all this is,

1523
01:13:41.119 --> 01:13:44.199
<v Speaker 2>I feel like we are in a much more fertile

1524
01:13:44.399 --> 01:13:47.680
<v Speaker 2>testing ground than we have been in a while. And

1525
01:13:47.720 --> 01:13:51.079
<v Speaker 2>because of the success of Curry Barker, because of the

1526
01:13:51.119 --> 01:13:54.880
<v Speaker 2>success of Kane Parsons. We are going to see more

1527
01:13:55.000 --> 01:13:58.720
<v Speaker 2>opportunities for young filmmakers to and whoever created Iron Lung,

1528
01:13:59.199 --> 01:14:03.439
<v Speaker 2>we're going to see more an opportunity to see fresh stuff. Yeah,

1529
01:14:04.000 --> 01:14:12.199
<v Speaker 2>and which backrooms is fresh. But there's this weirdly nostalgic uncomfortability. Yeah,

1530
01:14:13.000 --> 01:14:15.760
<v Speaker 2>discomfort I should say that comes with it. That just

1531
01:14:15.880 --> 01:14:17.520
<v Speaker 2>makes it so enjoyable. You know.

1532
01:14:17.560 --> 01:14:20.399
<v Speaker 1>It's kind of ironic that in the longest stretch of

1533
01:14:20.520 --> 01:14:23.960
<v Speaker 1>no Marvel movies, that's when you see all the creativity perkle.

1534
01:14:23.960 --> 01:14:26.560
<v Speaker 1>It's true, probably a lesson that might be learned there

1535
01:14:26.600 --> 01:14:29.000
<v Speaker 1>as well. Yeah, that like when the superhero stuff stopped,

1536
01:14:29.000 --> 01:14:32.000
<v Speaker 1>they're like, okay, fagin, let's try this backrooms thing and

1537
01:14:32.000 --> 01:14:34.640
<v Speaker 1>see what happens. Give it a million bucks. If it fails, whatever,

1538
01:14:34.720 --> 01:14:37.319
<v Speaker 1>will bounce back for a twenty four. We'll be fine.

1539
01:14:37.840 --> 01:14:41.359
<v Speaker 1>And that's when you take these chances. It's exciting. It's

1540
01:14:41.399 --> 01:14:45.000
<v Speaker 1>exciting for sure. You go first nine and a half, Okay, cool, Okay,

1541
01:14:45.000 --> 01:14:46.840
<v Speaker 1>I can't give it a perfect ten because there's no

1542
01:14:47.039 --> 01:14:48.920
<v Speaker 1>I always feel like, no matter what I've seen, there

1543
01:14:48.920 --> 01:14:52.560
<v Speaker 1>could always be something better. Yeah, I mentioned all the

1544
01:14:52.600 --> 01:14:53.319
<v Speaker 1>stuff about this.

1545
01:14:54.520 --> 01:14:57.000
<v Speaker 2>I would this is not a scary movie. No, it

1546
01:14:57.119 --> 01:15:00.720
<v Speaker 2>is a creepy movie. It is an uncomfort movie. It

1547
01:15:00.800 --> 01:15:03.720
<v Speaker 2>is an original movie, which I really love the way

1548
01:15:03.760 --> 01:15:08.800
<v Speaker 2>it was lit, the questions it had me asking before, during,

1549
01:15:08.960 --> 01:15:12.119
<v Speaker 2>and after. I love movies that play with my head

1550
01:15:12.199 --> 01:15:15.119
<v Speaker 2>like that. I love knowing that I could probably see

1551
01:15:15.119 --> 01:15:18.119
<v Speaker 2>this a bunch of times and still find stuff that

1552
01:15:18.319 --> 01:15:23.199
<v Speaker 2>I didn't realize. I love the idea of this leaving

1553
01:15:23.279 --> 01:15:28.520
<v Speaker 2>itself open to potential future films, you know, in this

1554
01:15:28.520 --> 01:15:32.199
<v Speaker 2>this whole weird universe. I just feel like there are

1555
01:15:32.399 --> 01:15:36.680
<v Speaker 2>very few movies that affected me the way that this

1556
01:15:36.760 --> 01:15:41.119
<v Speaker 2>one did. I've been scared before, I've been creeped out before,

1557
01:15:41.640 --> 01:15:45.399
<v Speaker 2>I've laughed before, I've been you know, emotionally involved into

1558
01:15:45.399 --> 01:15:48.760
<v Speaker 2>a drama before. As far as the creepy scale, which

1559
01:15:48.800 --> 01:15:51.239
<v Speaker 2>is obviously the scale i'd measured this one on, it

1560
01:15:51.319 --> 01:15:53.960
<v Speaker 2>was at the top. I just it was God, it

1561
01:15:54.039 --> 01:15:57.239
<v Speaker 2>was just so so cathartic and enjoyable. Nine and a half.

1562
01:15:57.359 --> 01:15:59.720
<v Speaker 1>I absolutely love that, and I mean I enjoyed it

1563
01:15:59.760 --> 01:16:03.000
<v Speaker 1>still as well. I'm going seven status. I think seven

1564
01:16:03.079 --> 01:16:06.159
<v Speaker 1>is completely reasonable. I thoroughly enjoyed it as well. But

1565
01:16:06.199 --> 01:16:08.840
<v Speaker 1>as we started this podcast off, I told you about

1566
01:16:08.840 --> 01:16:12.319
<v Speaker 1>it last week as well. I did. There was just

1567
01:16:12.359 --> 01:16:14.439
<v Speaker 1>something and like I said, that's the Cretan in me,

1568
01:16:15.000 --> 01:16:17.920
<v Speaker 1>and it was it was maybe it was that that somber,

1569
01:16:18.000 --> 01:16:20.960
<v Speaker 1>cathartic nature. But when I've seen a movie like Cube

1570
01:16:21.000 --> 01:16:23.359
<v Speaker 1>that deals in liminal spaces and has that kind of

1571
01:16:23.399 --> 01:16:27.000
<v Speaker 1>conversation but from an entirely different perspective with a group

1572
01:16:27.119 --> 01:16:29.319
<v Speaker 1>of strangers, and I think I said it on the

1573
01:16:29.359 --> 01:16:32.359
<v Speaker 1>podcast before, but I'm a sucker for any movie descriptions

1574
01:16:32.399 --> 01:16:34.439
<v Speaker 1>with six strangers are stuck in a blank.

1575
01:16:34.560 --> 01:16:36.079
<v Speaker 2>Yeah, like this is insert here.

1576
01:16:36.119 --> 01:16:37.520
<v Speaker 1>And I was like, all right, well and see what's

1577
01:16:37.520 --> 01:16:38.079
<v Speaker 1>going on here?

1578
01:16:38.239 --> 01:16:40.039
<v Speaker 2>I mean, I grant I haven't seen Cube yet, but

1579
01:16:40.079 --> 01:16:42.840
<v Speaker 2>to me, my understanding is the pacing of that movie

1580
01:16:42.880 --> 01:16:45.119
<v Speaker 2>is much more frenetic than than Packrock.

1581
01:16:45.199 --> 01:16:48.479
<v Speaker 1>Cube is essentially picture back rooms, but in every room

1582
01:16:48.680 --> 01:16:51.319
<v Speaker 1>that Clark discovered, there's a new saw trap and.

1583
01:16:51.439 --> 01:16:53.119
<v Speaker 2>Yeah that they have to figure out how.

1584
01:16:54.600 --> 01:16:56.640
<v Speaker 1>Yeah yeah, And I was like, oh, this is and

1585
01:16:56.680 --> 01:16:58.319
<v Speaker 1>you don't know why you're there, and you don't know

1586
01:16:58.399 --> 01:16:59.720
<v Speaker 1>is it an alien? Is a government?

1587
01:16:59.800 --> 01:17:01.520
<v Speaker 2>Is why? Why is any.

1588
01:17:01.720 --> 01:17:05.680
<v Speaker 1>Are you even there exactly? And and how do we

1589
01:17:05.720 --> 01:17:07.840
<v Speaker 1>get out of here? And just where it goes from

1590
01:17:07.840 --> 01:17:10.720
<v Speaker 1>there and so like, to me, that is the quintessential

1591
01:17:10.800 --> 01:17:13.119
<v Speaker 1>version of this. But I have a feeling that like

1592
01:17:13.319 --> 01:17:16.720
<v Speaker 1>true movie people be like, oh, Backroom's excelled in all ways.

1593
01:17:16.760 --> 01:17:19.520
<v Speaker 1>Maybe I have no idea, but like that's more my speed.

1594
01:17:19.600 --> 01:17:21.279
<v Speaker 1>Not to say that this wasn't good. And there is

1595
01:17:21.319 --> 01:17:24.159
<v Speaker 1>a creepiness to it similar to the movie Creep. It's

1596
01:17:24.199 --> 01:17:26.079
<v Speaker 1>a little bit more of a slow burn creep, but

1597
01:17:26.119 --> 01:17:28.479
<v Speaker 1>it absolutely is that. I gotta check out Creep. Yeah,

1598
01:17:28.479 --> 01:17:30.279
<v Speaker 1>I think you would enjoy it, at least the first one.

1599
01:17:30.319 --> 01:17:31.640
<v Speaker 1>The second one is basically saying.

1600
01:17:31.479 --> 01:17:32.439
<v Speaker 2>Are there only two? Yeah?

1601
01:17:32.520 --> 01:17:37.920
<v Speaker 1>Okay, yeah, they they wrap it up. Yeah, but at

1602
01:17:37.960 --> 01:17:40.319
<v Speaker 1>any event, that's gonna do it for that one. Balky's

1603
01:17:40.319 --> 01:17:43.159
<v Speaker 1>out next week. Yeah, we're doing he Man next week.

1604
01:17:43.239 --> 01:17:45.560
<v Speaker 1>Still though, Laura Lee from W A p l Is

1605
01:17:45.560 --> 01:17:47.199
<v Speaker 1>going to be checking that one out with you. You see

1606
01:17:47.199 --> 01:17:50.439
<v Speaker 1>a lot of these movies with Laura No, okay, no,

1607
01:17:50.920 --> 01:17:53.239
<v Speaker 1>I know you have a few in the past. Yeah, yeah,

1608
01:17:53.279 --> 01:17:56.239
<v Speaker 1>and we she does a single thing now on Tuesdays,

1609
01:17:56.279 --> 01:17:58.640
<v Speaker 1>which kind of some extra stuff that kind of eats

1610
01:17:58.680 --> 01:18:00.760
<v Speaker 1>into it. But she was all about the back are

1611
01:18:00.800 --> 01:18:02.119
<v Speaker 1>you going to see it? I'm like, yeah, you want

1612
01:18:02.239 --> 01:18:02.960
<v Speaker 1>you want to tag along?

1613
01:18:03.159 --> 01:18:05.920
<v Speaker 2>So but so he Man next week on off topic

1614
01:18:06.079 --> 01:18:08.399
<v Speaker 2>with me and and Laura. I feel like probably grew

1615
01:18:08.479 --> 01:18:09.079
<v Speaker 2>up in the era.

1616
01:18:10.359 --> 01:18:13.359
<v Speaker 1>She rah, yeah, and I've been saying, I've said it

1617
01:18:13.399 --> 01:18:16.239
<v Speaker 1>on the she said, Uh, you know, I didn't even

1618
01:18:16.279 --> 01:18:19.000
<v Speaker 1>need to know that that Jared Leto was cast as

1619
01:18:19.000 --> 01:18:20.920
<v Speaker 1>Skeletor I can tell by his mannerisms.

1620
01:18:22.079 --> 01:18:25.880
<v Speaker 2>That's funny. It's so wild because I had all the

1621
01:18:25.920 --> 01:18:27.800
<v Speaker 2>action figures when I was like, I think the first

1622
01:18:27.840 --> 01:18:30.039
<v Speaker 2>action figure, Well, no, I had probably a Gobots. I

1623
01:18:30.079 --> 01:18:32.279
<v Speaker 2>think we're first. But then I had a bunch of

1624
01:18:32.279 --> 01:18:35.800
<v Speaker 2>he Man. I mean there's audio cassettes and video cassettes

1625
01:18:36.279 --> 01:18:38.560
<v Speaker 2>of my dad interviewing me and my brothers back in

1626
01:18:38.560 --> 01:18:40.279
<v Speaker 2>the day asking us what we wanted for Christmas and

1627
01:18:40.319 --> 01:18:43.239
<v Speaker 2>our birthday. We want the Castle of Gray Skull, he Man,

1628
01:18:43.279 --> 01:18:45.319
<v Speaker 2>and we're doing the and I'm like, but all that's

1629
01:18:45.319 --> 01:18:46.880
<v Speaker 2>I mean, that was like forty years ago now for me.

1630
01:18:46.960 --> 01:18:49.159
<v Speaker 2>So I would have to brush up on it at

1631
01:18:49.159 --> 01:18:50.800
<v Speaker 2>this point, and I probably still will see he Man

1632
01:18:50.840 --> 01:18:53.239
<v Speaker 2>for the nostalgic aspect. But there's so much of that

1633
01:18:53.399 --> 01:18:54.840
<v Speaker 2>universe that I forgot.

1634
01:18:54.600 --> 01:18:57.560
<v Speaker 1>So absolutely, and I I said, I'm getting big time.

1635
01:18:57.920 --> 01:19:00.479
<v Speaker 1>The reviews are mixed, it's bombing in the box office,

1636
01:19:00.520 --> 01:19:03.159
<v Speaker 1>but I'm getting big time G I Joe, first G

1637
01:19:03.279 --> 01:19:05.920
<v Speaker 1>I Joe movie off of it, so I'm hopeful for that.

1638
01:19:06.079 --> 01:19:08.479
<v Speaker 1>When Balke comes back, we'll be doing scary movie.

1639
01:19:08.279 --> 01:19:11.439
<v Speaker 2>Gary movie, which by the way, uh Stirfry was super

1640
01:19:11.439 --> 01:19:12.279
<v Speaker 2>pumped for that one.

1641
01:19:12.439 --> 01:19:15.239
<v Speaker 1>Yeah, didn't live up to it for him. Yeah, I

1642
01:19:15.319 --> 01:19:16.880
<v Speaker 1>was gonna bring that up with you off the air.

1643
01:19:16.920 --> 01:19:19.000
<v Speaker 1>It seems like it whipped. But I mean like we'll

1644
01:19:19.039 --> 01:19:23.159
<v Speaker 1>see it anyway, like fourth highest grossing horror movie of

1645
01:19:23.159 --> 01:19:27.199
<v Speaker 1>twenty twenty six apparently, so we'll get you guys then.

1646
01:19:27.239 --> 01:19:28.119
<v Speaker 1>Thanks for listening.
