WEBVTT

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<v Speaker 1>Fed up with the everyday grind, tired out by the

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<v Speaker 1>dull routine, you want to get away from it at all.

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<v Speaker 2>We offer you.

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<v Speaker 3>Escape Escape Transcribe to free you from the four walls

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<v Speaker 3>of today for a half hour of high adventure.

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<v Speaker 1>You are alone in the jungle with three men. You

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<v Speaker 1>know that one of them is a desperate criminal whom

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<v Speaker 1>you've come to arrest, but you don't know which one.

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<v Speaker 1>You have to find him before he can save himself

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<v Speaker 1>by killing you.

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<v Speaker 3>Today we escape from reality into the depths of a

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<v Speaker 3>tropical jungle in a tantalizing search for a murder. As L. G.

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<v Speaker 3>Blackman told it in his famous story Red Wine.

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<v Speaker 4>The rusty little tramp freighter bumped against the rickety wharf,

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<v Speaker 4>and I dropped from the rail under the planking for

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<v Speaker 4>the first time, felt the humid heat. Roll out of

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<v Speaker 4>the jungle. This was Tanjongg Samar, sweltering half forgotten last

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<v Speaker 4>out post on the rubber coast of Borneo. I crossed

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<v Speaker 4>the beach and walked up the path of crushed shells

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<v Speaker 4>leading to a low bungalow at the edge of the jungle.

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<v Speaker 4>The freighter would lie at the wharf for four hours

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<v Speaker 4>plenty of time for me to get the thing over

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<v Speaker 4>with and be back aboard. When she sailed, I was

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<v Speaker 4>expecting trouble, of course, but no real danger. I'd done

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<v Speaker 4>jobs like this before, or at least I thought this

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<v Speaker 4>would be the same. I thought so on until I

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<v Speaker 4>stepped up on the porch and met her. Kurt Controller,

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<v Speaker 4>the tan Junk Sama District.

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<v Speaker 5>Yeah, I'm here, Kert the Controller. What does that I

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<v Speaker 5>can do for you?

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<v Speaker 4>My name's Paul Vernier, mister Kurt. I have a letter

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<v Speaker 4>of introduction here from the Governor General.

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<v Speaker 5>Mister from the United States.

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<v Speaker 4>Yeah, the governor promised me your cooperation.

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<v Speaker 5>So I see cooperation is good. But he does not

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<v Speaker 5>say cooperation in what.

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<v Speaker 4>I've come here after? A killer, mister Kurt.

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<v Speaker 5>Oh diyas maybe headhunters.

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<v Speaker 4>No, this one's a civilized killer. An American wanted in

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<v Speaker 4>San Francisco for murdering his wife. His name is Jerome Steaks.

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<v Speaker 5>I see, I won't just sit down, mister, won't you call?

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<v Speaker 5>He died in Jeff King Head.

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<v Speaker 6>I brang right away.

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<v Speaker 5>Coffee in a moment.

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<v Speaker 4>Nice of you, but maybe I better pick this guy

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<v Speaker 4>up first. I'd hate to miss the boat and have

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<v Speaker 4>to lay over five days.

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<v Speaker 5>You're acquainted with this Steaks, mister, No, I've never seen him,

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<v Speaker 5>and you have photographs right, not no fingerprints.

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<v Speaker 4>Now, this happened two years ago. Until next month we

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<v Speaker 4>had it listed as a double suicide. What are you

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<v Speaker 4>driving at, mister Kurk.

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<v Speaker 5>Simply this. There's no one in my district by the

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<v Speaker 5>name of Steaks.

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<v Speaker 4>Now, he wouldn't be using his own name. Of course.

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<v Speaker 4>There is an American here though, three.

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<v Speaker 5>Of them, mister Vania, employed as foreman on the Kota

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<v Speaker 5>Rubber plantation here Tanjong Sama.

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<v Speaker 4>According to my information, Steaks came here from Batavia about

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<v Speaker 4>six months ago.

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<v Speaker 5>They all arrived six months ago on the same board.

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<v Speaker 5>The quota company is just going back into operation.

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<v Speaker 4>You understand, I see well. According to people who have

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<v Speaker 4>seen him, Jerome Steaks as a man about thirty five

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<v Speaker 4>years old, of medium heights, light build, pale complexion, with

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<v Speaker 4>black hair and mustache.

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<v Speaker 5>Amazing. Any one of these men might fit that description,

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<v Speaker 5>except that all are clean shaven and heavily tanned from

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<v Speaker 5>the tropical sun. Furthermore, mister, all three of the men

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<v Speaker 5>have lied blonde hair.

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<v Speaker 7>Julie Shi, Jeff Fete good.

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<v Speaker 5>War too, Cups one. I won't bring your baggage up

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<v Speaker 5>from the war. For mister Finigiel, it appears to your

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<v Speaker 5>business may take a little longer than four hours.

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<v Speaker 4>I'm certain of the information I got in, but Tavia,

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<v Speaker 4>I know the man's here.

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<v Speaker 5>Then the problem resolved itself into a matter of identification.

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<v Speaker 4>And I always talk with the three of them. Are

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<v Speaker 4>to do that?

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<v Speaker 5>I doubt that, mister finigil The swarms here at Tanjung

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<v Speaker 5>summer are infested with fever cream. It is always hot

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<v Speaker 5>like now, and the jungles back they are swarm with

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<v Speaker 5>crites crist a deadly little snake no longer than your

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<v Speaker 5>four arms. There you are, and in the rivers they

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<v Speaker 5>are crocodiles. So men rarely come here unless they are

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<v Speaker 5>running away from something, trying to lose their past. I

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<v Speaker 5>think you'll find all three men have manufactured stories, so

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<v Speaker 5>I always want to choose.

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<v Speaker 4>Well, sometimes a man can be identified by his personality.

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<v Speaker 5>And the personality of this man, Sneaks is it's something

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<v Speaker 5>out of the ordinary, or.

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<v Speaker 4>A forman and a rubber plantation. Yes, I doubt if

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<v Speaker 4>all three of these men can be aristocrats. And in

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<v Speaker 4>a sense, well that's what Steaks is a cosmopolity. He's

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<v Speaker 4>lived all around the world, always associating with top society.

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<v Speaker 4>He's a lover of fine foods and wine. Speaks French

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<v Speaker 4>and German fluently. He's a come bon vivant, a man

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<v Speaker 4>of perfect taste in clothes and manners.

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<v Speaker 5>And a murderer.

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<v Speaker 4>Yeah, and the murderer.

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<v Speaker 5>Yeah. Well, when the three men returns this evening, I

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<v Speaker 5>should be most happy to introduce you to them, though

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<v Speaker 5>it's quite probable they are aware of your identity already.

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<v Speaker 5>My houseboy there told me you were a detective before

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<v Speaker 5>you stepped off the wharf.

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<v Speaker 4>I see so. In other words, the murderer probably knows

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<v Speaker 4>who I am and what I'm here for, but I

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<v Speaker 4>haven't the slightest idea who he is exactly.

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<v Speaker 5>It's quite an interesting thought, isn't it a more?

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<v Speaker 2>Mister, mister Faniel, I should like you to.

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<v Speaker 5>Meet mister Doran.

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<v Speaker 8>I am mister.

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<v Speaker 5>This is mister William Mettin.

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<v Speaker 7>My name is Prayer, glad to meet you same here.

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<v Speaker 4>Mister Praile might as well.

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<v Speaker 7>Drop the mister. We don't use it much around here.

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<v Speaker 7>I'm Prayer. That's Duran, It's Wilmedini. And if it's all

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<v Speaker 7>the same to you, sure.

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<v Speaker 4>Praille, Why not?

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<v Speaker 5>Hi, you gentlemen, will excuse me. I have a number

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<v Speaker 5>of things to do. Will you bring mister Vannier to

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<v Speaker 5>my bungalow for dinner? We'll celebrate having a guest in

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<v Speaker 5>tan junkson.

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<v Speaker 6>Uh her Kurt tells me all three of you are Americans.

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<v Speaker 6>I know whether I'm still one or that men of

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<v Speaker 6>the States in seven years.

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<v Speaker 4>Seven years, I think you're an old timer here, No,

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<v Speaker 4>not here Australia.

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<v Speaker 9>Don't get them started, Ban He'll spend two hours telling

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<v Speaker 9>you how he lost his shirt trying to raise sheep. Now, man,

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<v Speaker 9>if I had either money or sense, I wouldn't have

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<v Speaker 9>come to the stinking hole.

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<v Speaker 4>I wouldn't say you fellas had it too rough. Noticing

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<v Speaker 4>those empty bottles there on the shelf, what do you

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<v Speaker 4>mean for there, Hm, Paul my Son nineteen thirty six.

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<v Speaker 4>That's a good champagne. You boys are living like Conda sirrs.

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<v Speaker 9>Oh no, no, you're overrating us. Many those empty bottles

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<v Speaker 9>already here when we came. Oh just never got around

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<v Speaker 9>of throwing him out, Prairie.

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<v Speaker 6>Here's the only kind of syr in the bench he

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<v Speaker 6>can tell you anything you want to know about wines, yeah,

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<v Speaker 6>or about anything.

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<v Speaker 7>Uh, dry up just because a guy happens to know

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<v Speaker 7>a little more and somebody else. There's no reason to

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<v Speaker 7>keep riding them all the time.

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<v Speaker 8>We should n't you some way to make ice?

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<v Speaker 6>Getting plenty fed up with warm beer day in and

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<v Speaker 6>day out.

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<v Speaker 4>Here, that would get pretty tiresome. I think I'd switch

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<v Speaker 4>to Champartane or Sable or something. Come again, Well, I

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<v Speaker 4>didn't necessarily mean those in particular, but quite a number

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<v Speaker 4>of wines is even better warm than the hot children.

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<v Speaker 8>Now you're in the wrong place, Jim. We wouldn't know

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<v Speaker 8>what to do with him. If we had him.

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<v Speaker 6>This is strictly a beer and gin crowd.

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<v Speaker 9>Well, it'd be no kick on that if we had

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<v Speaker 9>some ice to go with it. Oh what I wouldn't

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<v Speaker 9>give for a cold, frosty bottle.

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<v Speaker 7>A relax when you won with dang, you're making me thirsty.

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<v Speaker 7>How about some music music?

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<v Speaker 4>There's one of you play some instruments.

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<v Speaker 6>Sure, prayer, he's terrific. I'm that phonograph over there in

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<v Speaker 6>the corner. Only trouble is he thinks three o'clock in

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<v Speaker 6>the morning is the greatest song ever written.

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<v Speaker 4>Well, I can see that that would lead to quite

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<v Speaker 4>an argument, Iran, particularly if you're a lover of the classics.

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<v Speaker 6>No, I don't go for that long hair stuff. But

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<v Speaker 6>I would like to hear a fast number once in

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<v Speaker 6>a while. It's less than ten years old.

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<v Speaker 9>Yeah, you ought to see this collection prail drive up

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<v Speaker 9>here from Batavia, strictly from the gay nineties.

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<v Speaker 4>Prayer You don't buy any chance? Have a number called

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<v Speaker 4>young Meruti set my own?

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<v Speaker 1>Ah, some Italian opera.

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<v Speaker 4>Oh no, no, it's French.

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<v Speaker 6>Well, come on, bray, I'll translate it for us.

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<v Speaker 8>You claim to be an expert on the French language.

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<v Speaker 7>Oh it's worded kind of funny, like poetry.

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<v Speaker 8>Ah sure, sure.

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<v Speaker 7>And a last word though, uh maison that means house.

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<v Speaker 4>I know that it's too bad. I thought maybe Jerome

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<v Speaker 4>Steaks might translate it. It refers to him. Of course, what

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<v Speaker 4>are you talking about? The sentence reads, there is a

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<v Speaker 4>murderer in this house.

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<v Speaker 6>Huh, Well, so you're finally coming out of me open.

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<v Speaker 8>Yeah, we heard you were a detective, Bronnie.

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<v Speaker 7>You're after some killer. You've never seen him. Steaks, you

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<v Speaker 7>figure one of us, is it?

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<v Speaker 4>That's right?

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<v Speaker 7>Prail and the guy you're after's woman Ding.

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<v Speaker 4>Are you crazy?

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<v Speaker 7>Whoever heard of anybody with a name like Wilma Ding

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<v Speaker 7>unless they made it up?

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<v Speaker 2>Up? Nothing?

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<v Speaker 1>I got a passport to prove it.

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<v Speaker 5>What are you trying to do?

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<v Speaker 4>Prail?

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<v Speaker 7>Turn attention away from yourself. I got nothing to hire

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<v Speaker 7>you to you a durant.

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<v Speaker 6>You can leave me out of this right now. There's

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<v Speaker 6>plenty of people in Australia who can tell you who

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<v Speaker 6>I am.

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<v Speaker 4>Unfortunately, oh, there's nobody in tan Jiang Samar who can

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<v Speaker 4>tell me for certain who any of you are. One

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<v Speaker 4>of you is a murderer, and by the time the

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<v Speaker 4>boat gets back here, I'll know which one. Either I'm

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<v Speaker 4>going to take your own steaks back to San Francisco,

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<v Speaker 4>or I'm going to kill him trying to you can

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<v Speaker 4>count it? Well, what do you say We go on

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<v Speaker 4>over to Kurt's bungalow and have dinner.

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<v Speaker 5>That's Wilmating's room there. Doraan sleeps here and pray long

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<v Speaker 5>down at the end. And this is the guest room,

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<v Speaker 5>or at least the only guest room that's usable at present.

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<v Speaker 4>Looks all right, Well.

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<v Speaker 5>It's yours for the time you're here. Step in there?

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<v Speaker 4>Or do all of these rooms open out under the porch?

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<v Speaker 5>Yes, the veranda as we call it here.

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<v Speaker 4>And there's no way to lock this store unfortunately.

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<v Speaker 2>No.

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<v Speaker 5>Anyway, the windows are covered only by mosquito netting. It

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<v Speaker 5>makes another interesting situation, does it not.

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<v Speaker 4>Yeah, I suppose interesting is.

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<v Speaker 5>The word for it. Most likely all these gentlemen are

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<v Speaker 5>acting to a great error, that's an extent, which of

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<v Speaker 5>course makes your problem exceedingly difficult.

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<v Speaker 4>That's right, mister Kurt. You did say a man rarely

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<v Speaker 4>came here unless he wanted to lose his past.

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<v Speaker 5>Yet yoh, yeah, that is true. But then I'm only

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<v Speaker 5>a servant of the government and happy little choice what

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<v Speaker 5>I'm saying. No, Well, good night, mister Peniel Kirk. I

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<v Speaker 5>trust you'll have a very comfortable night.

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<v Speaker 4>I thank you. I sat there for a long time

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<v Speaker 4>after Kurt left, trying to figure things out getting nowhere.

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<v Speaker 4>This was born here though the common lantern on the

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<v Speaker 4>table at my elbow threw a blaze of white light

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<v Speaker 4>into every corner of the room. Outside that light lay

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<v Speaker 4>the dark verandah, and beyond that the jungle. Gradually, the

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<v Speaker 4>night breeze brought the smell of the jungle into the room,

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<v Speaker 4>as rich and as exotic as the scent of taboo,

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<v Speaker 4>fragrant as midnight orchid, as disturbing as the scent of danger.

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<v Speaker 4>Or maybe maybe it was danger itself. I was smelling

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<v Speaker 4>A heavy knife, missed my throat by two inches, thudd

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<v Speaker 4>it into the bamboo partition and stuck their quivering. I

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<v Speaker 4>doused the later and one sweet, dropped down on the

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<v Speaker 4>floor and slid my thirty eight out of its holster.

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<v Speaker 4>I could hear nothing but the rustle of palm thatch

247
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<v Speaker 4>along the eaves, low creeks from the pilings underneath the bungalow,

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<v Speaker 4>the soft night sounds from the jungle. Finally, I slipped

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<v Speaker 4>my shoes off, pulled the knife out of the wall

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<v Speaker 4>and dropped it in my pocket, moved to the door,

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<v Speaker 4>and stepped quietly out onto the verandah. It was empty.

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<v Speaker 4>Across the railing, the fringe of undergrowth was dappled in

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<v Speaker 4>silver moonlight.

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<v Speaker 5>Nothing moved.

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<v Speaker 4>I paused quickly at the three doors, and from each

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<v Speaker 4>heard the sound of snoring. One of the men was faking,

257
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<v Speaker 4>but which one. I'd reached the end of the porch

258
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<v Speaker 4>when my eye caught a slight movement in the banana

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<v Speaker 4>clump a few yards from the steps. Some one was

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00:13:24.360 --> 00:13:27.440
<v Speaker 4>hiding there and moved swiftly, holding the gun ready. Came

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<v Speaker 4>within a few feet before I could make out his shape,

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<v Speaker 4>in a red and white saran, complete with dark tumbled

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00:13:31.919 --> 00:13:33.519
<v Speaker 4>curls and a flower behind one ear.

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<v Speaker 10>It was a girl, at least one the gun. You

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00:13:39.000 --> 00:13:40.480
<v Speaker 10>are going to shoot menuh?

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<v Speaker 4>I relax, Honny. I was looking for somebody else.

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<v Speaker 10>And now you have found Milana. So you are disappointed?

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00:13:50.240 --> 00:13:53.240
<v Speaker 4>Well, I look, did you see anybody moving around up

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<v Speaker 4>there on the veranda while agoch only you?

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<v Speaker 10>Twe? I became frightened and ran to hide right away.

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<v Speaker 10>I should not be here at night. I mean, let

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<v Speaker 10>us talk of something else. Uh all right, Nollana twe?

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00:14:12.960 --> 00:14:14.759
<v Speaker 10>Do you like Milana barette?

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<v Speaker 4>Definitely?

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00:14:16.840 --> 00:14:19.799
<v Speaker 10>Why do we not go somewhere else along the beach?

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00:14:19.879 --> 00:14:21.799
<v Speaker 10>Perhaps you would like that?

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00:14:22.200 --> 00:14:25.039
<v Speaker 5>Mister is too serious minded for such things.

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00:14:25.080 --> 00:14:28.960
<v Speaker 4>Never mister Kirk to join us, watcher.

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00:14:29.120 --> 00:14:31.879
<v Speaker 5>Thank you. Lana go to the bungalore at once?

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00:14:32.039 --> 00:14:34.559
<v Speaker 10>Yes, min yes, I go, I go immediately.

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00:14:34.639 --> 00:14:38.080
<v Speaker 5>She just no business being not alone at night. But Stephanie,

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00:14:38.200 --> 00:14:40.080
<v Speaker 5>is something wrong with your room? It's not comfortable?

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00:14:40.399 --> 00:14:45.080
<v Speaker 4>It was until this flew in through the window. A knife, Yeah,

284
00:14:45.320 --> 00:14:47.480
<v Speaker 4>a throwing knife. Never said before?

285
00:14:47.559 --> 00:14:49.679
<v Speaker 5>Oh yeah, yeah, it's one of the collections. Turns a

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00:14:49.720 --> 00:14:52.919
<v Speaker 5>bungalow to see Americans saw them at tid that's every

287
00:14:52.960 --> 00:14:57.320
<v Speaker 5>evening and wager on the results. I believe mister Doran

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00:14:57.720 --> 00:14:58.600
<v Speaker 5>taught the other two.

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00:14:59.120 --> 00:15:01.759
<v Speaker 4>What about you, mister Kurt, do you have a bet

290
00:15:01.799 --> 00:15:02.960
<v Speaker 4>with it?

291
00:15:03.000 --> 00:15:09.799
<v Speaker 5>Would be too easy? Watch I learned to throw a

292
00:15:09.840 --> 00:15:12.440
<v Speaker 5>knife in Java many years ago.

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<v Speaker 4>And Nlana, I suppose she's an expert at it too.

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<v Speaker 5>Milana knows nothing of knife her greatest accomplishment. Instead of

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00:15:19.559 --> 00:15:21.519
<v Speaker 5>making friends too easily.

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00:15:21.919 --> 00:15:25.679
<v Speaker 4>I see, just who is she anyway? Does she live here?

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00:15:26.240 --> 00:15:31.200
<v Speaker 5>Yeah, she lives here. She is my wife, your wife,

298
00:15:31.480 --> 00:15:35.480
<v Speaker 5>exactly my wife. Good night, mister Vania.

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00:15:41.679 --> 00:15:45.080
<v Speaker 3>In just a moment, we will return to escape, but

300
00:15:45.200 --> 00:15:49.240
<v Speaker 3>first coming to you in succession, Spike Jones, Jack Benny,

301
00:15:49.360 --> 00:15:52.080
<v Speaker 3>and Amos and Andy bring you ninety non stop minutes

302
00:15:52.120 --> 00:15:55.200
<v Speaker 3>of superlative joy every Sunday night. When you hear them

303
00:15:55.200 --> 00:15:59.120
<v Speaker 3>among CBS's ten great Sunday Night shows, The Spike Jones

304
00:15:59.159 --> 00:16:01.679
<v Speaker 3>Show and Amos and I heard over most of these

305
00:16:01.679 --> 00:16:05.000
<v Speaker 3>same CBS stations, and Jack Benny comes to you over

306
00:16:05.039 --> 00:16:09.360
<v Speaker 3>them all, and now with our star Jeff Chandler, we

307
00:16:09.399 --> 00:16:13.919
<v Speaker 3>returned to the second act of escape and red wine.

308
00:16:20.559 --> 00:16:23.080
<v Speaker 4>When I finally turned in that night, I didn't make

309
00:16:23.080 --> 00:16:26.360
<v Speaker 4>the mistake of lighting the lantern again. Being a target

310
00:16:26.360 --> 00:16:29.720
<v Speaker 4>once in an evening was enough, and dressed in the dark,

311
00:16:29.799 --> 00:16:31.799
<v Speaker 4>pushed the bed up to block the door, propped a

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00:16:31.919 --> 00:16:35.120
<v Speaker 4>chair against the window sill, and lay down on the floor.

313
00:16:36.200 --> 00:16:39.240
<v Speaker 4>I kept trying to fit some theory together to account

314
00:16:39.240 --> 00:16:42.279
<v Speaker 4>for the things that had happened. When I drifted off

315
00:16:42.279 --> 00:16:44.960
<v Speaker 4>to sleep, I was no nearer any answer than before

316
00:16:51.000 --> 00:16:53.600
<v Speaker 4>I woke up with the first light of dawn. For

317
00:16:53.679 --> 00:16:56.000
<v Speaker 4>a full minute was ready to predict a peaceful day.

318
00:16:56.879 --> 00:16:59.679
<v Speaker 4>Then I turned my head slightly and saw it on

319
00:16:59.720 --> 00:17:03.279
<v Speaker 4>the flow against the wall, eighteen inches from my left handed,

320
00:17:03.279 --> 00:17:06.839
<v Speaker 4>its eyes open and unmoving, lay a kright first cousin

321
00:17:06.880 --> 00:17:10.720
<v Speaker 4>to the cobra, the deadliest snake in borneo. Cold sweat

322
00:17:10.759 --> 00:17:12.720
<v Speaker 4>broke out on my forehead ran into the corners of

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00:17:12.759 --> 00:17:15.799
<v Speaker 4>my eyes. Not daring to make any sudden move, I

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00:17:15.920 --> 00:17:18.559
<v Speaker 4>slid my right hand slowly up behind me and found

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00:17:18.559 --> 00:17:24.960
<v Speaker 4>my gun under the pillow. The snake moved slightly I

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00:17:25.079 --> 00:17:29.440
<v Speaker 4>froze for one long minute. Carefully, I brought the gun

327
00:17:29.480 --> 00:17:33.359
<v Speaker 4>over until I had the ugly head centered above the foresight.

328
00:17:34.279 --> 00:17:41.119
<v Speaker 4>Then I did curt in here.

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00:17:45.039 --> 00:17:45.440
<v Speaker 6>All right?

330
00:17:46.200 --> 00:17:48.680
<v Speaker 4>Sure, Kik, come on in. I I had an early

331
00:17:48.720 --> 00:17:50.519
<v Speaker 4>morning visited there on the floor.

332
00:17:51.400 --> 00:17:53.240
<v Speaker 5>Kright, did he bite you?

333
00:17:56.279 --> 00:17:59.359
<v Speaker 8>Ah snake? That's funny?

334
00:17:59.559 --> 00:18:03.839
<v Speaker 4>What's I cried? Wilma Ding just killed one here in

335
00:18:03.880 --> 00:18:04.359
<v Speaker 4>my room?

336
00:18:04.680 --> 00:18:06.759
<v Speaker 7>Well, there's plenty of my around, but I never heard

337
00:18:06.799 --> 00:18:08.400
<v Speaker 7>of one crawling into a room before.

338
00:18:08.599 --> 00:18:12.000
<v Speaker 4>I'm not sure it did crawl in. I've got an

339
00:18:12.039 --> 00:18:14.319
<v Speaker 4>idea it may have been dropped in through the mosquito

340
00:18:14.359 --> 00:18:17.160
<v Speaker 4>netting there at the window, eh By home by a

341
00:18:17.200 --> 00:18:21.039
<v Speaker 4>guy named Jerome Steaks. Have you hear, um Duran, Why

342
00:18:21.079 --> 00:18:22.319
<v Speaker 4>don't you pick up Wilma Ding?

343
00:18:22.400 --> 00:18:23.039
<v Speaker 7>He's your man?

344
00:18:23.119 --> 00:18:23.880
<v Speaker 1>Oh sure sure.

345
00:18:23.880 --> 00:18:25.799
<v Speaker 9>I always carry a couple of snakes around my pocket,

346
00:18:25.880 --> 00:18:26.400
<v Speaker 9>just for luck.

347
00:18:26.480 --> 00:18:28.359
<v Speaker 4>What I want to know is who carries this around

348
00:18:28.359 --> 00:18:29.240
<v Speaker 4>in their pocket for luck?

349
00:18:30.400 --> 00:18:32.200
<v Speaker 7>It's one of our nice in the living room. We

350
00:18:32.279 --> 00:18:33.119
<v Speaker 7>throw them at a target.

351
00:18:33.200 --> 00:18:33.599
<v Speaker 4>Yeah I know.

352
00:18:34.200 --> 00:18:36.720
<v Speaker 6>Last night I was the target and prails your boy.

353
00:18:37.119 --> 00:18:39.240
<v Speaker 6>He's an expert, wins every time we play.

354
00:18:39.160 --> 00:18:42.440
<v Speaker 7>Try up durands.

355
00:18:42.519 --> 00:18:45.119
<v Speaker 4>All of you so nobody knows anything about these accidents.

356
00:18:45.160 --> 00:18:48.039
<v Speaker 4>They just happened. Here's a warning to whichever one of

357
00:18:48.039 --> 00:18:50.720
<v Speaker 4>you is steaks the next time, you better cover yourself.

358
00:18:50.720 --> 00:18:53.519
<v Speaker 4>I'm through being a clay pigeon from now on. It's

359
00:18:53.519 --> 00:18:55.519
<v Speaker 4>going to be a lot tougher, a whole lot tougher.

360
00:19:02.160 --> 00:19:07.119
<v Speaker 4>That day passed. The next I got exactly nowhere. Things

361
00:19:07.160 --> 00:19:11.400
<v Speaker 4>didn't fit, didn't add up. I saw Nilana several times,

362
00:19:11.400 --> 00:19:14.000
<v Speaker 4>but had no chance to speak to her. When her

363
00:19:14.079 --> 00:19:16.319
<v Speaker 4>Kurt was with me, she'd pass without a glance. But

364
00:19:16.559 --> 00:19:19.880
<v Speaker 4>if I was alone, she'd manage a quick, provocative smile

365
00:19:20.000 --> 00:19:23.839
<v Speaker 4>that sent shivers down my spine. By the fourth day,

366
00:19:23.880 --> 00:19:26.839
<v Speaker 4>the tension among us had grown almost unbearable. The steamer

367
00:19:26.920 --> 00:19:29.240
<v Speaker 4>was due the next evening on its return trip to Batavia.

368
00:19:29.279 --> 00:19:33.240
<v Speaker 4>I needed a break of some kind, had to have one. Well,

369
00:19:33.279 --> 00:19:35.839
<v Speaker 4>it came at dusk when I dropped into my room

370
00:19:35.920 --> 00:19:41.880
<v Speaker 4>to change for dinner. One it is I, Milana, Nelana,

371
00:19:41.920 --> 00:19:43.240
<v Speaker 4>What the devil are you doing here.

372
00:19:43.200 --> 00:19:46.559
<v Speaker 10>To see you? One? Does that make you unhappy?

373
00:19:46.880 --> 00:19:49.160
<v Speaker 4>No? But I doubt if her curtain think, what's the idea?

374
00:19:49.519 --> 00:19:49.599
<v Speaker 2>No?

375
00:19:49.720 --> 00:19:52.440
<v Speaker 10>He must not find out. That is why I hide

376
00:19:52.440 --> 00:19:53.400
<v Speaker 10>here and wait for you.

377
00:19:53.680 --> 00:19:54.960
<v Speaker 4>We may walk in here any moment.

378
00:19:55.119 --> 00:19:57.240
<v Speaker 10>It is true to one. It is why I cannot

379
00:19:57.279 --> 00:20:02.839
<v Speaker 10>stay now. But I wi something to ask you. It

380
00:20:02.960 --> 00:20:04.839
<v Speaker 10>is true that you look for a man who has

381
00:20:04.960 --> 00:20:07.519
<v Speaker 10>killed a woman in your United States. Yeah, that's right,

382
00:20:07.599 --> 00:20:10.359
<v Speaker 10>A man who now names himself by another name. Yes,

383
00:20:11.200 --> 00:20:13.640
<v Speaker 10>perhaps the same one who one night threw the knife

384
00:20:13.680 --> 00:20:13.920
<v Speaker 10>at you.

385
00:20:14.240 --> 00:20:15.359
<v Speaker 4>I think, so, do you know who it is?

386
00:20:15.599 --> 00:20:18.720
<v Speaker 10>I saw the knife thrown to one I was outside.

387
00:20:18.759 --> 00:20:19.720
<v Speaker 4>Maybe quiet.

388
00:20:21.519 --> 00:20:22.240
<v Speaker 10>It is someone.

389
00:20:23.240 --> 00:20:27.559
<v Speaker 4>Yeah, it's going into the living.

390
00:20:27.920 --> 00:20:30.119
<v Speaker 10>But he will come here when he does not find you.

391
00:20:31.160 --> 00:20:32.200
<v Speaker 10>I'm very frightened. One.

392
00:20:32.200 --> 00:20:33.359
<v Speaker 4>I must go.

393
00:20:34.000 --> 00:20:38.359
<v Speaker 10>There's no time now. Tonight, when everyone sleeps, wait by

394
00:20:38.359 --> 00:20:40.480
<v Speaker 10>the tall palm at the edge of the clearing. I

395
00:20:40.519 --> 00:20:45.400
<v Speaker 10>will come. Neilana has done foolish things to one, but

396
00:20:45.519 --> 00:20:48.119
<v Speaker 10>tonight she will fix it all good. You come.

397
00:20:56.640 --> 00:20:58.960
<v Speaker 4>I waited for a long time in the shadow by

398
00:20:58.960 --> 00:21:02.359
<v Speaker 4>the palm tree, watched the moonlight sift down through the

399
00:21:02.400 --> 00:21:08.640
<v Speaker 4>shaggy fronds. But two hours passed. She didn't come. Waiting

400
00:21:08.720 --> 00:21:12.160
<v Speaker 4>there though, in the jungle night, plan began to form

401
00:21:12.200 --> 00:21:15.640
<v Speaker 4>in my mind. A long shot, true enough, but one

402
00:21:15.680 --> 00:21:19.240
<v Speaker 4>with possibilities. It needed luck to work, but I'd come

403
00:21:19.279 --> 00:21:20.799
<v Speaker 4>to the point where I had to count on a

404
00:21:20.920 --> 00:21:24.240
<v Speaker 4>little luck at any rate. I decided to stop the

405
00:21:24.240 --> 00:21:26.880
<v Speaker 4>ball rolling the next morning after breakfast.

406
00:21:27.240 --> 00:21:29.799
<v Speaker 8>Wait a minute, Venire, let's get this straight.

407
00:21:30.200 --> 00:21:32.720
<v Speaker 4>I thought i'd put it straight enough to Anna. I

408
00:21:32.759 --> 00:21:35.200
<v Speaker 4>said the hunts off, I'm pulling out on that boat tonight.

409
00:21:35.240 --> 00:21:36.240
<v Speaker 4>You can, I'll relax.

410
00:21:36.519 --> 00:21:39.119
<v Speaker 9>Yeah, but five days ago you were a cock eyed

411
00:21:39.160 --> 00:21:40.079
<v Speaker 9>Sure it was one of us.

412
00:21:40.720 --> 00:21:41.640
<v Speaker 8>I'll come the switch.

413
00:21:41.960 --> 00:21:44.960
<v Speaker 4>Five days ago, Wilmerding, I didn't know you, guys. I

414
00:21:45.160 --> 00:21:47.720
<v Speaker 4>was certain of the information I'd picked up in Betavia,

415
00:21:48.480 --> 00:21:50.160
<v Speaker 4>and I'm not so certain of it now.

416
00:21:50.440 --> 00:21:53.039
<v Speaker 7>What change your mind? A sweet disposition?

417
00:21:53.440 --> 00:21:57.240
<v Speaker 4>No, exactly the opposite, Frail. Now, I doubt very much

418
00:21:57.240 --> 00:21:59.240
<v Speaker 4>if any of you guys is who he claims to be.

419
00:21:59.400 --> 00:22:02.440
<v Speaker 4>I wouldn't be so prized if Doran, Wilmerding and Prail

420
00:22:02.480 --> 00:22:06.000
<v Speaker 4>are all phony names. But that's not my business. I

421
00:22:06.079 --> 00:22:08.559
<v Speaker 4>came here after steeks. I've decided now I made a mistake,

422
00:22:08.559 --> 00:22:08.960
<v Speaker 4>and that's that.

423
00:22:09.359 --> 00:22:12.039
<v Speaker 9>Wait a minute, aren't you forgetting the fact that somebody

424
00:22:12.079 --> 00:22:13.559
<v Speaker 9>tried to knock you off a couple of times?

425
00:22:14.279 --> 00:22:16.759
<v Speaker 4>Well, let's just say the reason for that was a

426
00:22:16.880 --> 00:22:19.039
<v Speaker 4>side issue, had nothing to do with steaks.

427
00:22:19.039 --> 00:22:20.720
<v Speaker 7>Come in here, push us around for a week, and

428
00:22:20.880 --> 00:22:22.160
<v Speaker 7>decide it was all a mistake.

429
00:22:22.400 --> 00:22:25.240
<v Speaker 4>I'm sorry, Prail, and look, I'm gonna try to make

430
00:22:25.319 --> 00:22:27.079
<v Speaker 4>up for it. This evening, I'm throwing at dinner party

431
00:22:27.079 --> 00:22:29.599
<v Speaker 4>at here Kurt's bungalow before the port leaves tonight. You're

432
00:22:29.640 --> 00:22:30.519
<v Speaker 4>you're all invited.

433
00:22:30.880 --> 00:22:32.480
<v Speaker 8>Yeah, that's pretty decent, have you ever.

434
00:22:32.960 --> 00:22:34.960
<v Speaker 4>I'll get some food and drinks from the Captain as

435
00:22:34.960 --> 00:22:37.559
<v Speaker 4>soon as he docks. If you're as fed up with

436
00:22:37.640 --> 00:22:39.880
<v Speaker 4>ry staffel and warm beer as I am, you'll be

437
00:22:39.960 --> 00:22:44.880
<v Speaker 4>ready for change. Good goodness, it's all settled, and I

438
00:22:44.920 --> 00:22:48.359
<v Speaker 4>can promise you at least two surprise dishes, maybe three

439
00:22:48.400 --> 00:22:51.880
<v Speaker 4>if you can. Oh, here, Kurt, come on in.

440
00:22:52.119 --> 00:22:54.519
<v Speaker 5>I was wondering if and if you had seen the

441
00:22:54.640 --> 00:22:55.519
<v Speaker 5>landa this morning.

442
00:22:56.359 --> 00:22:58.119
<v Speaker 4>Well, what's wrong here, Court.

443
00:22:58.440 --> 00:23:02.480
<v Speaker 5>I'm rather concerned about time. She has not been home

444
00:23:02.559 --> 00:23:03.839
<v Speaker 5>since early last night.

445
00:23:04.920 --> 00:23:08.599
<v Speaker 4>I had a couple of ideas about that myself, ideas

446
00:23:08.640 --> 00:23:11.880
<v Speaker 4>I wished I didn't have anyway. As soon as the

447
00:23:11.880 --> 00:23:14.000
<v Speaker 4>rest of the bunch went about their business, I began

448
00:23:14.079 --> 00:23:17.519
<v Speaker 4>my own search for Nelana. I didn't know the country,

449
00:23:17.519 --> 00:23:20.240
<v Speaker 4>and it was nearly dusk before I found it then

450
00:23:20.279 --> 00:23:23.119
<v Speaker 4>I said nothing about it to anyone, But sitting at

451
00:23:23.119 --> 00:23:25.759
<v Speaker 4>the table that night, while the dinner party moved along,

452
00:23:25.799 --> 00:23:28.599
<v Speaker 4>I was seeing everything through a haze of red, the

453
00:23:28.680 --> 00:23:30.960
<v Speaker 4>same color as the red and the saran wrapped around

454
00:23:30.960 --> 00:23:33.519
<v Speaker 4>the slim figure of a beautiful girl. I kept thinking

455
00:23:33.519 --> 00:23:35.720
<v Speaker 4>how she'd never smile anymore, how she'd never walk in

456
00:23:35.720 --> 00:23:39.000
<v Speaker 4>the moonlight again because somebody had cut her throat.

457
00:23:42.200 --> 00:23:44.519
<v Speaker 7>I know a story along the same lines. I never

458
00:23:44.519 --> 00:23:45.440
<v Speaker 7>heard that one before.

459
00:23:45.720 --> 00:23:47.000
<v Speaker 8>Ah, what a dinner.

460
00:23:47.960 --> 00:23:49.920
<v Speaker 6>Oh, after six months of rife stuff, I could go

461
00:23:50.000 --> 00:23:50.680
<v Speaker 6>crazy about her.

462
00:23:51.160 --> 00:23:53.279
<v Speaker 7>Yeah, when you throwing from are you already throw it?

463
00:23:53.880 --> 00:23:55.799
<v Speaker 4>This is only the beginning beginning?

464
00:23:56.119 --> 00:23:57.200
<v Speaker 7>Where can you go from here?

465
00:23:57.400 --> 00:24:00.599
<v Speaker 4>Well? Right now? For instance, roast pheasant? All right, one,

466
00:24:00.720 --> 00:24:01.079
<v Speaker 4>bring it.

467
00:24:01.039 --> 00:24:03.319
<v Speaker 7>Over, shirt one right the way. I bring.

468
00:24:04.799 --> 00:24:06.759
<v Speaker 4>A lot for me to put here for you to cove.

469
00:24:06.839 --> 00:24:10.599
<v Speaker 4>Por no, no, I wonder if you'd mind carving it here.

470
00:24:10.680 --> 00:24:13.240
<v Speaker 5>Curse not at all, mister, Yeah, I should be happy

471
00:24:13.240 --> 00:24:13.920
<v Speaker 5>to place it here.

472
00:24:13.960 --> 00:24:17.000
<v Speaker 6>One boy, I haven't had a roast pheasants since Australia.

473
00:24:17.119 --> 00:24:18.319
<v Speaker 6>He used to shoot him all the time.

474
00:24:18.400 --> 00:24:21.359
<v Speaker 7>Even a smells enough to drive you crazy, you said it.

475
00:24:21.359 --> 00:24:23.759
<v Speaker 4>Pray, Oh you haven't seen anything, yet the pheasant is

476
00:24:23.799 --> 00:24:26.000
<v Speaker 4>the main dish, so the two surprises go right along

477
00:24:26.000 --> 00:24:27.559
<v Speaker 4>with it. Wong, bring it out.

478
00:24:28.039 --> 00:24:30.359
<v Speaker 7>Shirt one, I bring rack a way.

479
00:24:30.200 --> 00:24:34.079
<v Speaker 4>Not careful, don't drop it? Yeah, oh yeah, thanks. Well

480
00:24:34.160 --> 00:24:38.480
<v Speaker 4>there you are. It's Chambertin vintage nineteen eleven, unquestionably the

481
00:24:38.519 --> 00:24:40.440
<v Speaker 4>finest red wine that exists in the world today.

482
00:24:40.559 --> 00:24:41.839
<v Speaker 8>Holy smoke, where'd you get it?

483
00:24:42.640 --> 00:24:44.440
<v Speaker 4>I found out on the trip in the captain of

484
00:24:44.440 --> 00:24:46.880
<v Speaker 4>the steam. I had a few bottles. Took a lot

485
00:24:46.920 --> 00:24:49.200
<v Speaker 4>of talgging to get one out of him, but I'll

486
00:24:49.200 --> 00:24:52.960
<v Speaker 4>open it one if you got the glasses Shirt one. Good. Oh, boys,

487
00:24:53.000 --> 00:24:54.880
<v Speaker 4>you make it back to warm beer tomorrow. But you

488
00:24:54.960 --> 00:24:59.920
<v Speaker 4>got the best tonight? How Wang show them a second surprise?

489
00:25:00.319 --> 00:25:01.880
<v Speaker 7>One big bucket.

490
00:25:01.519 --> 00:25:05.880
<v Speaker 9>Eyes ice real honesty, gosh, cracked ice or I haven't

491
00:25:05.920 --> 00:25:07.519
<v Speaker 9>seen a chunk of ice for six months, so.

492
00:25:07.640 --> 00:25:09.759
<v Speaker 4>I thought you'd go for that one, all right, Wang,

493
00:25:09.920 --> 00:25:12.880
<v Speaker 4>serve the wine, William Wine. You know, it was pretty

494
00:25:12.920 --> 00:25:15.880
<v Speaker 4>amazing to find nineteen eleven Chambertan on a little tramp

495
00:25:15.880 --> 00:25:18.519
<v Speaker 4>freighter down here in the South Pacific. The stuff's so

496
00:25:18.599 --> 00:25:20.359
<v Speaker 4>rare it's hard to get at any price anymore.

497
00:25:20.640 --> 00:25:23.279
<v Speaker 8>Maybe so, but that ice is what gets me.

498
00:25:23.480 --> 00:25:27.240
<v Speaker 7>Yeah, that's it, Wang, dumb plenty in mind.

499
00:25:27.319 --> 00:25:28.039
<v Speaker 3>I want to stop that.

500
00:25:28.079 --> 00:25:28.599
<v Speaker 7>What the w.

501
00:25:30.240 --> 00:25:31.559
<v Speaker 4>What's the matter, Wilmerding?

502
00:25:31.920 --> 00:25:34.519
<v Speaker 5>Oh? What well?

503
00:25:34.599 --> 00:25:36.319
<v Speaker 4>What I mean is that you mean you're well aware

504
00:25:36.319 --> 00:25:39.039
<v Speaker 4>of the fact that ice kills the bouquet of Chamboutan.

505
00:25:39.720 --> 00:25:41.279
<v Speaker 4>Isn't that it steaks?

506
00:25:41.599 --> 00:25:43.240
<v Speaker 7>Steaks you mean, Wilburd.

507
00:25:43.519 --> 00:25:47.319
<v Speaker 4>Yes, yes, once a gomee, always a gourmet, a crook

508
00:25:47.400 --> 00:25:49.880
<v Speaker 4>with enough sense to keep his hair dyed black for

509
00:25:50.000 --> 00:25:52.039
<v Speaker 4>years so he could become a natural blund if he

510
00:25:52.079 --> 00:25:54.559
<v Speaker 4>ever had to make a getaway, but not enough sense

511
00:25:54.599 --> 00:25:56.759
<v Speaker 4>to keep still and let me roin a bottle of wine.

512
00:25:57.240 --> 00:26:00.640
<v Speaker 4>Easy with those hands. Don't try reaching for a gun, Kurt, No,

513
00:26:00.759 --> 00:26:02.880
<v Speaker 4>put down that night, govern here's copers.

514
00:26:11.759 --> 00:26:17.720
<v Speaker 6>Kurt good Lord Kerchief killed him.

515
00:26:16.799 --> 00:26:19.000
<v Speaker 5>And so you do not have a prisoner to take

516
00:26:19.039 --> 00:26:22.359
<v Speaker 5>back with you, mister Vaniel. But I too found her body.

517
00:26:23.359 --> 00:26:26.720
<v Speaker 5>I knew you had been there. I saw your footprints.

518
00:26:27.279 --> 00:26:31.119
<v Speaker 4>I'm sorry, good And she was she.

519
00:26:30.880 --> 00:26:34.279
<v Speaker 5>Had been seeing wilmarthin. I had guessed that was one

520
00:26:34.319 --> 00:26:38.920
<v Speaker 5>of them, and apparently she found out he was steaks.

521
00:26:39.160 --> 00:26:41.680
<v Speaker 4>Yeah, I know that's what she was going to tell me.

522
00:26:42.000 --> 00:26:43.039
<v Speaker 4>He didn't give her a chance.

523
00:26:43.920 --> 00:26:50.480
<v Speaker 5>She was young, mister Vannier, foolish perhaps, but I loved

524
00:26:50.480 --> 00:26:51.200
<v Speaker 5>her very much.

525
00:26:51.680 --> 00:26:54.359
<v Speaker 7>Hey, look he knocked over the bottle of wine.

526
00:26:54.640 --> 00:26:56.200
<v Speaker 4>It's pouring out all over the place.

527
00:26:56.440 --> 00:27:00.480
<v Speaker 8>YEA, Rather what a mess here there?

528
00:27:00.559 --> 00:27:04.880
<v Speaker 4>I am. It's quite a mess. Only one thing, though

529
00:27:05.839 --> 00:27:12.640
<v Speaker 4>not all of it, is Red Wine.

530
00:27:17.839 --> 00:27:25.519
<v Speaker 3>Escape is produced and directed by Norman McDonald. Today we

531
00:27:25.559 --> 00:27:29.720
<v Speaker 3>have presented transcribed Red Wine by L. G. Blackman, adapted

532
00:27:29.720 --> 00:27:33.319
<v Speaker 3>for radio by Morton Lewis and Less Crutchfield, with editorial

533
00:27:33.359 --> 00:27:37.000
<v Speaker 3>supervision by John Duncle. Starred as Paul Vernier was Jeff

534
00:27:37.039 --> 00:27:41.640
<v Speaker 3>Chandler with Barry Kroger's hair Curt Featured players were David Allis,

535
00:27:41.720 --> 00:27:45.359
<v Speaker 3>Lou Krugman, Jack Krusian, and Lorette phil Brand. The special

536
00:27:45.440 --> 00:27:47.960
<v Speaker 3>music was arranged and played by Ivan at Mars.

537
00:27:50.000 --> 00:27:53.039
<v Speaker 1>Next week, you are flying over the lonely wastes of

538
00:27:53.079 --> 00:27:57.000
<v Speaker 1>the Pacific, lost, torn by the fury of a typhoon,

539
00:27:57.079 --> 00:27:59.359
<v Speaker 1>near gasoline running out, and the head of you is

540
00:27:59.400 --> 00:28:04.279
<v Speaker 1>an adventure is so strange, so terrifying, that your mind

541
00:28:04.480 --> 00:28:05.519
<v Speaker 1>cannot accept it.

542
00:28:12.279 --> 00:28:16.480
<v Speaker 3>Next week we Escape with Nelson Bond's gripping story of

543
00:28:16.559 --> 00:28:21.599
<v Speaker 3>a fantastic conquers Isle. Goodbye, then until this same time

544
00:28:21.720 --> 00:28:33.599
<v Speaker 3>next week, when once again CBS offers you escape. Broadway

545
00:28:34.079 --> 00:28:37.720
<v Speaker 3>is my beat, says Danny Clover, and he's proud of it.

546
00:28:38.079 --> 00:28:41.359
<v Speaker 3>Tomorrow afternoon, over most of these same CBS stations, you'll

547
00:28:41.359 --> 00:28:44.279
<v Speaker 3>hear the first of Danny's adventures. You'll hear how a

548
00:28:44.359 --> 00:28:46.920
<v Speaker 3>real cop with a real purpose for running down a

549
00:28:47.000 --> 00:28:50.359
<v Speaker 3>murder goes about his business, backed by the world's largest

550
00:28:50.400 --> 00:28:57.480
<v Speaker 3>police department. Listen in as Danny declares, Broadway is my beat. Now,

551
00:28:57.680 --> 00:28:59.880
<v Speaker 3>stay tuned for five minutes of the latest news, to

552
00:28:59.920 --> 00:29:02.759
<v Speaker 3>be followed by let's pretend over most of these same

553
00:29:02.880 --> 00:29:13.039
<v Speaker 3>CBS stations. This is Roy Rowin speaking for CBS the

554
00:29:13.079 --> 00:29:30.680
<v Speaker 3>Columbia Broadcasting System
