1 00:00:01,720 --> 00:00:04,160 Speaker 1: Je je Joe, you already know what it is. I'm 2 00:00:04,200 --> 00:00:07,839 your host CEO Fortune and Yeah now tuned in the 3 00:00:07,839 --> 00:00:11,439 top n T News Walk, the world's most entertaining podcast 4 00:00:11,519 --> 00:00:14,720 showing the world. You can catch top an T News 5 00:00:14,800 --> 00:00:19,519 Walk on alhol Radio, Amazon Music, Apple Podcasts, or any 6 00:00:19,559 --> 00:00:22,800 place where you can find podcasters. Also make sure you 7 00:00:22,879 --> 00:00:25,879 tap into our top n T TV on YouTube at 8 00:00:26,000 --> 00:00:27,920 top an T one. 9 00:00:28,239 --> 00:00:32,640 Speaker 2: Sure get Fortune Yo to the great. 10 00:00:34,840 --> 00:00:38,159 Speaker 1: And Jordan Alby. I wrote this for the UK and 11 00:00:38,280 --> 00:00:41,560 my enemies of course from Okay. 12 00:00:41,880 --> 00:00:44,960 Speaker 3: I give him a Martians like that's your mat inside 13 00:00:45,039 --> 00:00:47,920 jump on the beat. This knock rod tights go caushes 14 00:00:48,200 --> 00:00:51,359 hold not like horses for rod beats like injin zop 15 00:00:51,719 --> 00:00:54,880 that ship up into top Get to the spend spending 16 00:00:55,000 --> 00:00:55,880 like a spend time. 17 00:00:56,240 --> 00:00:57,880 Speaker 1: Make that bitch g just to. 18 00:00:57,960 --> 00:01:01,159 Speaker 3: The one bigg the South disches likes my name. I 19 00:01:01,280 --> 00:01:05,239 do not tap her cot lotch no album my bottle beef. 20 00:01:05,319 --> 00:01:07,840 Ain't throw a tense tist down jumping like y m 21 00:01:07,959 --> 00:01:11,359 C m B stop puts the food chain. Shee your 22 00:01:11,439 --> 00:01:14,400 fortunes e t that's my name. I don't know my 23 00:01:14,599 --> 00:01:18,000 bitches shot can fight bitches broken your lights because night 24 00:01:18,120 --> 00:01:19,359 aur deep pitches. 25 00:01:19,439 --> 00:01:24,959 Speaker 1: Demons. That's what they say. Boy, that's what they say. 26 00:01:25,040 --> 00:01:27,640 You get the wrong one in your life. They like demon. 27 00:01:28,799 --> 00:01:30,879 But anyway, hey man, shout out to all the women 28 00:01:30,879 --> 00:01:35,200 in the world. Man, we love y'all. Yes her, yes her, 29 00:01:35,280 --> 00:01:41,560 yes her. And if you don't know where you're about 30 00:01:41,599 --> 00:01:44,560 to find out the note because you will freeze into 31 00:01:44,599 --> 00:01:48,439 a top of the Food Chain Entertainment l LC. And 32 00:01:48,640 --> 00:01:53,879 this is our podcast Top in T news Log and 33 00:01:54,000 --> 00:01:57,840 I am your host CEO. Four Oh. 34 00:02:00,159 --> 00:02:01,920 Speaker 2: Yes, sir, yes, sir, yes, sir. 35 00:02:06,200 --> 00:02:08,439 Speaker 1: And I got an interesting topic and now I got 36 00:02:08,479 --> 00:02:12,120 an interesting topic tonight. You know, I was really scribbing 37 00:02:12,199 --> 00:02:14,159 to hold off on this topic. But I am a 38 00:02:14,199 --> 00:02:17,680 part of the culture, and I actually watched the culture 39 00:02:17,759 --> 00:02:23,520 develop in the Bronx, New York and right and actually, 40 00:02:23,759 --> 00:02:26,680 uh b, where is that right now? Which which is 41 00:02:26,719 --> 00:02:30,240 at a good state because we got a dope album 42 00:02:30,319 --> 00:02:34,840 that we just had from two Change Alchemist and what 43 00:02:34,960 --> 00:02:38,960 was his name, June Larry Larry Junk for that, you 44 00:02:38,960 --> 00:02:42,080 know what I'm saying, that's not funny, man, been a 45 00:02:42,120 --> 00:02:44,840 run the plug big running a plug in a thing sing. 46 00:02:46,080 --> 00:02:50,159 Then we got you know, Kendrick doing his things then 47 00:02:50,599 --> 00:02:54,560 we got Ice Tune He's just dropped the album. Then 48 00:02:54,960 --> 00:03:02,479 we got the The The Gazelder Boys. Man, you gotta 49 00:03:02,479 --> 00:03:05,479 give a process on cause Zelda Bus anyway, yeah, man, 50 00:03:05,719 --> 00:03:08,479 So speaking of hip hop and speaking of the culture 51 00:03:09,400 --> 00:03:13,680 right this episode is pretty much, you know, wanting to 52 00:03:13,759 --> 00:03:17,199 give a lot of artists that's up and coming and 53 00:03:17,240 --> 00:03:20,039 a lot of artists that's inside the game are pretty 54 00:03:20,120 --> 00:03:23,000 much like, uh, a heads up to be careful about 55 00:03:23,039 --> 00:03:26,199 how you're moving. Okay, you need to be careful about 56 00:03:26,199 --> 00:03:29,759 how you're moving and what you're expiring, and you know, 57 00:03:29,919 --> 00:03:31,919 like where you are at right now. You know what 58 00:03:31,919 --> 00:03:33,599 I'm saying. I'm saying because and the reason why I 59 00:03:33,639 --> 00:03:35,560 say that is I'm talking about where you're ad inside 60 00:03:35,599 --> 00:03:39,400 your career. Because you know, if you or a part 61 00:03:39,479 --> 00:03:42,800 of a certain label or a certain movement, you know, 62 00:03:42,879 --> 00:03:46,039 you know that you have a certain influence on the world, 63 00:03:46,199 --> 00:03:48,960 on neighborhoods, on where you're at and what's going on. 64 00:03:49,240 --> 00:03:51,520 And what I'm pertaining to is this situation with a 65 00:03:51,560 --> 00:03:54,319 little baby. You understand what I'm saying. But the situation 66 00:03:54,360 --> 00:03:56,719 that's pertaining with a little baby now, it's oh, it's 67 00:03:56,759 --> 00:04:00,240 it's it's I it's it's I it's old, and I 68 00:04:00,240 --> 00:04:03,479 think it's kind of funny how you know the world 69 00:04:03,680 --> 00:04:07,599 tends to take old things that may have occurred and 70 00:04:07,759 --> 00:04:09,960 try to make it relevant, you understand, and just won't 71 00:04:10,039 --> 00:04:12,039 let somebody live past the past. I will say that 72 00:04:12,240 --> 00:04:15,199 I feel like that's eye and screens. But this right here, 73 00:04:15,280 --> 00:04:17,879 situations pertaining to the little baby. I debscribing not to 74 00:04:17,920 --> 00:04:20,920 even touch on this situation. You understand. I'm saying because 75 00:04:20,920 --> 00:04:24,279 you know me like I hate talking on open cases. 76 00:04:24,360 --> 00:04:28,000 Speaker 2: The street, understand. 77 00:04:28,240 --> 00:04:30,680 Speaker 1: So you know over here on top en t news 78 00:04:30,720 --> 00:04:33,600 log crabauts, you know, we don't talk on open cases. 79 00:04:33,639 --> 00:04:37,279 We don't speculate, try to help police crack codes and 80 00:04:36,399 --> 00:04:40,399 and give y. You know what I'm saying a narrative 81 00:04:40,439 --> 00:04:42,959 as far as as like what's going on with the case, 82 00:04:43,279 --> 00:04:46,399 But I can say that in a whole I want 83 00:04:46,439 --> 00:04:50,360 to you know, Semichel Doonus is to the families that 84 00:04:50,439 --> 00:04:54,000 lost loved ones through the situation and to a little baby, 85 00:04:54,040 --> 00:04:57,720 you understand. And the reason why, the reason why is 86 00:04:57,800 --> 00:05:00,879 because I feel like it's very unfortunate that these teenagers 87 00:05:00,879 --> 00:05:03,759 had to lose they life. You understand what I'm saying 88 00:05:04,199 --> 00:05:07,600 to any type of violence. I'm not gonna say it 89 00:05:07,639 --> 00:05:09,920 was gang violence. We're not gonna do that. You understand 90 00:05:09,920 --> 00:05:15,759 what I'm saying the street, but we do know that 91 00:05:15,879 --> 00:05:19,519 it was it was violence, okay now. And also mar 92 00:05:19,560 --> 00:05:21,839 Coldonius wants to go out to a little baby because 93 00:05:21,879 --> 00:05:24,680 I feel like that's very you know, unfortunate that little 94 00:05:24,720 --> 00:05:28,000 baby you know name is being brought up seeing that 95 00:05:28,199 --> 00:05:35,040 just because a successful black entrepreneur from Atlanta who came 96 00:05:35,439 --> 00:05:38,920 from a rough you know what I'm saying, life and environment, 97 00:05:39,279 --> 00:05:43,959 and then was inspired by young thug and was giving 98 00:05:44,040 --> 00:05:47,120 money to stay out the streets to perfect this craft. 99 00:05:47,319 --> 00:05:49,839 And then nowaday he's working his craft and he's making 100 00:05:49,879 --> 00:05:52,519 away with his craft. He decides to go to a 101 00:05:52,560 --> 00:05:56,680 neighborhood and shoot a music video and then some teens 102 00:05:56,839 --> 00:06:02,199 was tragically you know or unlive, and now little baby 103 00:06:02,279 --> 00:06:06,519 is being considered the reason and the cause abouhind why 104 00:06:06,600 --> 00:06:09,879 these two children lost their lives. I don't feel like 105 00:06:10,439 --> 00:06:14,600 that is fair on little babies side, because I mean 106 00:06:14,639 --> 00:06:17,480 it's like this, when you from a city, it don't 107 00:06:17,519 --> 00:06:21,079 matter what side you wrong at inside that city, there's 108 00:06:21,199 --> 00:06:24,360 no unwritten law or no written law that says that 109 00:06:24,480 --> 00:06:26,560 if I'm from Zone four and I'm just naming zones, 110 00:06:26,720 --> 00:06:29,319 that if I'm from Zone four, that I can't go 111 00:06:29,639 --> 00:06:32,040 to d cob or I can't go to Boulacrest, or 112 00:06:32,079 --> 00:06:35,160 I can't go to Glenwood, or or if I'm from 113 00:06:35,240 --> 00:06:38,360 Marietta all the way in Cobb County. You understand what 114 00:06:38,360 --> 00:06:42,720 I'm saying. And I'm staying in the condos each point, 115 00:06:42,879 --> 00:06:46,720 or I work at the Big Chicken and that just 116 00:06:46,759 --> 00:06:49,040 because I work at this Big Chicken, that I can't 117 00:06:49,079 --> 00:06:52,879 come and work in midtown in Atlanta. I don't know, 118 00:06:52,959 --> 00:06:55,199 I'm just making up something, but you know, like all 119 00:06:55,279 --> 00:06:58,560 the people that's like, you know, like navigating the social 120 00:06:58,600 --> 00:07:02,160 media and saying, well, liul Bay he roomed because he 121 00:07:02,199 --> 00:07:05,439 could have shot his video anywhere in the world. He 122 00:07:05,480 --> 00:07:08,839 could have went to u LA and shot his music videos. 123 00:07:08,839 --> 00:07:10,560 How the hell he gonna go to LA and shoot 124 00:07:10,600 --> 00:07:13,240 music music videos? When when when LA just got burnt 125 00:07:13,240 --> 00:07:16,639 the head down my wildfire? Make that make sense? And 126 00:07:16,959 --> 00:07:18,920 this is not a funny matter, but it's just something 127 00:07:18,920 --> 00:07:21,360 that you know, I had to put my touch of 128 00:07:21,439 --> 00:07:27,360 my spin on it, man, because the street it really is, 129 00:07:27,399 --> 00:07:29,920 you know what I'm saying, And then or say that, well, 130 00:07:30,680 --> 00:07:32,639 you know, a little baby could have had you know, 131 00:07:32,959 --> 00:07:36,240 got some pictures or off of off of of the internet, 132 00:07:36,399 --> 00:07:39,279 and he could have had uh, you know, green screens, 133 00:07:39,360 --> 00:07:43,720 some some videos. First of all, when you inside the 134 00:07:43,720 --> 00:07:46,079 heart of your craft, you want to be as real 135 00:07:46,199 --> 00:07:49,680 and as authentic as you can. Number one, number two, 136 00:07:50,079 --> 00:07:54,040 there's no unwritten rules saying that little baby can't go 137 00:07:54,279 --> 00:07:57,120 and form you know what I'm saying, some type of 138 00:07:57,639 --> 00:08:01,519 or creative inspiration from any side of time that he 139 00:08:01,600 --> 00:08:03,639 chose to, you know, shoot the music video. And then 140 00:08:03,720 --> 00:08:07,040 number three, number three, they been trying to get this 141 00:08:07,160 --> 00:08:10,439 man crossed over since the beginning. If you pay attention 142 00:08:10,839 --> 00:08:15,199 to the interview that he had with Lil Yati, you 143 00:08:15,199 --> 00:08:16,839 know what I'm saying, Little Yachi, you know what I'm saying. 144 00:08:16,879 --> 00:08:20,199 When when when he explained that listen, I changed the 145 00:08:20,199 --> 00:08:22,879 four PF thing. You know what I'm saying, folk pockets 146 00:08:22,920 --> 00:08:25,319 full like I changed it. I let it go. You 147 00:08:25,360 --> 00:08:27,040 understand I'm saying. The reason why I let it go 148 00:08:27,199 --> 00:08:29,240 is because a lot of rappers and a lot of 149 00:08:29,240 --> 00:08:31,720 people that was a part of the entourage was doing 150 00:08:31,959 --> 00:08:35,279 in the street type stuff. So I separated myself from 151 00:08:35,320 --> 00:08:37,799 that just so I can't get Rico when people was 152 00:08:37,840 --> 00:08:40,519 trying to put this type energy on his man and 153 00:08:40,559 --> 00:08:42,519 you know, trying to like cross him out because of 154 00:08:42,559 --> 00:08:47,279 his success. So this is ceing your fortune being real 155 00:08:47,559 --> 00:08:53,159 right in telling you be careful how you're moving. Once 156 00:08:53,240 --> 00:08:56,240 you reach a level of success in life, it don't 157 00:08:56,279 --> 00:08:58,559 have to be on entertainment. It don't have to be 158 00:08:59,440 --> 00:09:02,799 or you know in Hollywood, it don't have. It can 159 00:09:02,840 --> 00:09:05,120 be your average Joe walking down the street that came 160 00:09:05,159 --> 00:09:08,159 from the trap life and pimping. You understand what I'm saying. 161 00:09:08,159 --> 00:09:10,320 I don't know, or or it could be the average 162 00:09:10,320 --> 00:09:13,200 crackhead who was smoking crack and then they changed to 163 00:09:13,279 --> 00:09:16,399 start working. You have to be careful and you have 164 00:09:16,480 --> 00:09:19,279 to walk like because the people who don't want to 165 00:09:19,279 --> 00:09:23,200 see succeed, it's always looking for reasons to trip you up. 166 00:09:23,399 --> 00:09:27,519 In number two, don't visit certain places where you know 167 00:09:27,639 --> 00:09:30,240 that if you being inside that place is gonna call 168 00:09:30,360 --> 00:09:32,559 some type of drama cast other people to be hurt. 169 00:09:32,600 --> 00:09:32,840 Speaker 2: Man. 170 00:09:35,759 --> 00:09:40,440 Speaker 1: That's what I'm saying. That's what I'm saying when it 171 00:09:40,480 --> 00:09:43,720 start up saying, I'm saying the more this episode right 172 00:09:43,759 --> 00:09:49,000 here is tread light and be careful how you walk. 173 00:09:49,120 --> 00:09:52,200 You understand what I'm saying. Now, it's neither here to 174 00:09:52,240 --> 00:09:55,399 say that. Okay. If I know that this neighborhood is 175 00:09:55,399 --> 00:09:57,840 a rightful neighborhood, I'm not gonna go over there and 176 00:09:57,879 --> 00:10:00,279 gonna talk my enemies against what I'm saying. And I 177 00:10:00,320 --> 00:10:02,559 get that part. If that's the case. You know what 178 00:10:02,639 --> 00:10:04,840 I'm saying. That's in general. You feel what I'm saying. 179 00:10:04,879 --> 00:10:07,240 I know that if like it's some places in it's 180 00:10:07,240 --> 00:10:10,399 some places inside the city, whether I'm down south, up north, 181 00:10:10,759 --> 00:10:12,519 or or or or in the Midwest or in the 182 00:10:12,559 --> 00:10:14,759 West coast that I know that certain people ain't gonna 183 00:10:14,799 --> 00:10:16,679 take to me. You feel what I'm saying, and I 184 00:10:16,799 --> 00:10:19,759 scribed to avoid them them places. You feel what I'm saying, 185 00:10:19,840 --> 00:10:22,440 and I mean, I'm I'm I'm doing big things, young 186 00:10:22,480 --> 00:10:24,399 ste what I'm saying I mean, and my booking from 187 00:10:24,440 --> 00:10:26,000 what I'm doing the way I came from. I'm doing 188 00:10:26,000 --> 00:10:28,200 big things. So I'm not gonna go and go do 189 00:10:28,320 --> 00:10:32,679 a crab virus or or you know, live video inside 190 00:10:32,759 --> 00:10:35,480 places inside you know a certain part of time where 191 00:10:35,480 --> 00:10:37,480 I know that these people don't like me and set 192 00:10:37,519 --> 00:10:40,600 up shop that shit. Okay, it makes sense. I get that, 193 00:10:40,879 --> 00:10:42,879 especially if it's gonna cast people to get hurt. But 194 00:10:42,919 --> 00:10:44,960 what I'm saying is that I'm not gonna say that 195 00:10:44,960 --> 00:10:48,440 that's the case for a little baby. And I'm saying 196 00:10:48,639 --> 00:10:51,039 that I hope that that brother get through that situation 197 00:10:51,200 --> 00:10:54,039 and come out clean with no charges. And also I 198 00:10:54,080 --> 00:10:57,200 hope that you know, uh, we learn from this situation. 199 00:10:57,679 --> 00:11:00,600 And here as far as about being successful, like you know, 200 00:11:00,679 --> 00:11:03,759 if you got the money to change your environments, change 201 00:11:03,759 --> 00:11:06,519 your environments, because that's why we hustling hard, you know, 202 00:11:06,679 --> 00:11:09,480 to change our environments. That's why we left wing up 203 00:11:09,519 --> 00:11:12,799 and we change it to actually escape these environments and 204 00:11:12,840 --> 00:11:15,519 bring our people along with us, and condonance goes to 205 00:11:15,960 --> 00:11:18,639 the people that lost lives inside this tragedy situation. 206 00:11:18,759 --> 00:11:22,200 Speaker 2: Man for real, Man the street listous. 207 00:11:23,279 --> 00:11:25,679 Speaker 1: Yeah yeah, yeah, yeah yeah. So I just wanted to 208 00:11:25,679 --> 00:11:27,480 get that off my chest. Like I say, you know, 209 00:11:27,639 --> 00:11:29,919 I don't talk about open cases, so I didn't want 210 00:11:29,960 --> 00:11:32,600 to elaborate on it. But whenever I do elaborate, I 211 00:11:32,639 --> 00:11:36,360 always give a higher understanding and the spend you'll understand 212 00:11:36,360 --> 00:11:38,320 what I'm saying to the situations, so we can see 213 00:11:38,360 --> 00:11:41,240 clearly what's going on and then learn from people's mistakes 214 00:11:41,279 --> 00:11:42,519 men and move forward man. 215 00:11:44,519 --> 00:11:46,919 Speaker 2: The street. 216 00:11:48,600 --> 00:11:54,000 Speaker 1: Yeah yeah, for real, for real. But other than that, man, 217 00:11:54,039 --> 00:11:57,159 you know, like it wasn't too much that was exciting me. 218 00:11:57,519 --> 00:11:59,600 You know what I'm saying with what was going on 219 00:11:59,639 --> 00:12:02,279 inside the world, but I can say that the n 220 00:12:02,440 --> 00:12:06,480 double ACP was astonishing. 221 00:12:06,600 --> 00:12:10,639 Speaker 4: Now the world show was astonishing. Man, want to show 222 00:12:10,679 --> 00:12:15,279 when I'm cham for me, I wanted to give a 223 00:12:15,480 --> 00:12:19,320 them welcomed me. Shout out from. 224 00:12:19,399 --> 00:12:23,440 Speaker 1: Top of the food chain Entertainment to all those that 225 00:12:23,639 --> 00:12:29,159 want awards, and also to the director Derek himself. Understand 226 00:12:29,120 --> 00:12:33,360 with him saying, you get a shout out to Derrick 227 00:12:34,000 --> 00:12:37,080 and A, the CEO, the president. Derek, if you know, 228 00:12:37,200 --> 00:12:38,960 you know, you don't say said. 229 00:12:39,759 --> 00:12:43,159 Speaker 2: You know, you know, I ain't gonna expose my hand man. 230 00:12:43,679 --> 00:12:45,519 Speaker 1: You know That's how I'm moving over here. I don't 231 00:12:45,559 --> 00:12:48,200 want to expose my hand man. But yeah, shout out 232 00:12:48,240 --> 00:12:52,039 to the NAACP. Shout out to all the beautiful men 233 00:12:52,159 --> 00:12:57,039 and women that want awards. Kiki Palmer Entertainment UH Entertainer 234 00:12:57,080 --> 00:12:59,799 of the Year award. Man, it was some faces that 235 00:12:59,840 --> 00:13:02,960 I always admired and seen there and you know it 236 00:13:03,080 --> 00:13:05,440 was beautiful, man, so again big run for part to 237 00:13:05,480 --> 00:13:09,159 the NAACP and we got a lot of work to do. 238 00:13:09,480 --> 00:13:13,399 But remember you can move more accurately when you move 239 00:13:13,440 --> 00:13:16,360 on sud. You ain't got to call everybody of your movie. 240 00:13:18,159 --> 00:13:20,080 You ain't got to tell every about of your moods 241 00:13:20,279 --> 00:13:26,360 man Ah listen Man Coup of the Food Chain Entertainment 242 00:13:26,600 --> 00:13:35,759 LG is a advertising agency that provides the services of publication, communication, 243 00:13:36,320 --> 00:13:41,600 social media, media, screaming, and e commerce. Tap in with Us. 244 00:13:41,879 --> 00:13:43,879 If you want to see me as a host or 245 00:13:43,919 --> 00:13:47,000 do some work written me, call me one eight three 246 00:13:47,120 --> 00:13:54,519 three three seven five forty twenty eight. Extensions one University Empowerment, 247 00:13:54,799 --> 00:13:59,759 We All an educational public charity Father one C three 248 00:14:00,200 --> 00:14:03,919 same number, Extension two. Lock in with Me Man Top 249 00:14:03,960 --> 00:14:06,879 of the Food Tuck Entertainment, Top n t Lous Love, 250 00:14:07,279 --> 00:14:14,440 Universal Empowerment, See your Fortune, We Great, Get Fortune, Yo 251 00:14:14,600 --> 00:14:20,120 to the Great and Jordan album. I wrote this with 252 00:14:20,240 --> 00:14:25,200 the world and my enemies, of course. Okay, I jump 253 00:14:25,240 --> 00:14:27,600 my martians like that's your mar ms. 254 00:14:27,679 --> 00:14:30,720 Speaker 3: I jump on no beat, not rid back, no pushous 255 00:14:31,000 --> 00:14:34,159 b don't like horses for rob beach, like engines up 256 00:14:34,200 --> 00:14:37,000 proud that ship up fencing. I did the spending the 257 00:14:37,360 --> 00:14:40,159 spinding like for spend times, make that bitch good. 258 00:14:40,080 --> 00:14:42,200 Speaker 1: Seasis doing the one finished. Sad bitches like. 259 00:14:42,279 --> 00:14:45,120 Speaker 3: My name for traz No I do not save her 260 00:14:45,440 --> 00:14:48,360 her loves, no album, Oh my birth beach ain't for 261 00:14:48,440 --> 00:14:50,679 your throw a ten strit down jumps like y m 262 00:14:50,799 --> 00:14:54,759 c MB top for the food chain. See your fortunes 263 00:14:55,039 --> 00:14:56,320 in t That's my name.