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Speaker 1: In just a moment X minus one.

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Speaker 2: But first, some of the funniest situations you've ever witnessed

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a car Every Wednesday night, when the devilish imagination of

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mc Jack Bailey gets to work on NBC's Truth or Consequences,

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You won't believe it until you hear it, So listening tomorrow.

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Then another last session is in store later on with

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the wise and witty Gracio Marks as he and contestants

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play You Bet Your Life, While the melodic note in

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your Wednesday evening schedule is music and fun. On Airtime

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with Jazell McKenzie.

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Speaker 3: Comet down for blast Off X minus five four three

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two X minus one. Fire from the far horizons of

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the unknown come transcribed tales of new dimensions in time

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and space. These are stories of the future adventures in

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which you'll live in a million, could be years, on

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a thousand, maybe worlds. The National Broadcasting Company, in cooperation

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with Galaxies Science Fiction Magazine presents.

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Speaker 4: He minus one Tonight, the Mark Clifton Story Star Bright.

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Speaker 1: Well, It's finally happened. I've known Edwood for a long

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time now. That's why I'm writing this in the hope

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that you'll understand and not think me mad. Whatever the outcome,

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I hope you will not judge me too harshly for

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what I've done or failed to do.

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Speaker 5: Mister Holmes, mister Holmes.

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Speaker 1: Come in.

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Speaker 6: Oh hello, Chief, I just want to let you know

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so that we're doing everything we can to find the children.

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Speaker 1: Yes, I'm sure you are. We've got three.

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Speaker 7: Hundred men out calling the woods for them.

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Speaker 6: The Army base has volunteered another hundred men, and we've

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sent an all points bullet and every police unit in

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the country.

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Speaker 1: Fine, fine, I just want to check and make certain

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our description is accurate. Your little girl Star was wearing

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a blue dress and white sandals.

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Speaker 7: Is that right?

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Speaker 1: That's right?

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Speaker 7: And she is?

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Speaker 1: How old? Is six? Six years old?

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Speaker 7: And the little howl boy holes seven?

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Speaker 1: I believe seven.

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Speaker 7: H Thank you, well, I'll be in touch with it.

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Speaker 1: Well, that's very good to be Chief.

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Speaker 8: Oh.

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Speaker 1: By the way, yes, mister and missus Howell, how are

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they taking Well, they're pretty upset naturally. Mister Howley's out

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with a man searching. Yes, yes, I know.

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Speaker 7: Missus Howell's in the car outside.

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Speaker 1: Ruth is outside. Why didn't you come in?

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Speaker 7: Well, she she said she'd rather not. Why see missus

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Hall I.

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Speaker 9: Thought I decided to come in. I'm not going to

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sit on my feelings any long. I have to say this, Pete.

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Bill and I have been your neighbors for almost a

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year now. Our children have been almost inseparable.

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Speaker 1: I know that.

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Speaker 9: Then, how can you just sit here writing letters when

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they may be lost somewhere or in trouble. Why aren't

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you out with Bill and the rest of them searching?

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Speaker 1: I can't, Ruth, I know how you feel. Please try

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to understand. I intend to help find Bobby in Starr,

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but I must do this first.

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Speaker 10: Why what's so important about rude?

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Speaker 1: I'm sorry?

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Speaker 10: Sorry? Then, why don't you act like a man. You're inhuman? Please,

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I don't ever want to see you or speak to

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you again.

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Speaker 1: Perhaps you won't.

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Speaker 7: What was that, mister Holmes?

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Speaker 1: Nolly Chief, If you don't mind, I'd like to be

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alone for a moment.

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Speaker 7: Okay, mister Holmes, I'll keep in touch.

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Speaker 1: How can I tell them? How can I make them understand?

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I write this to you because they must be made

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to understand somehow. But I have to begin at the beginning.

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I think I first noticed it one evening when Star

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was three years old. I was in my reading chair

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going over some work. Star was sitting on the floor

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in the circle of light with her blunt nose, scissors

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and scraps of paper. Her long silence made me glance down.

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Speaker 8: And then we glew this togetheret for the line here.

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Speaker 1: Star like that? Star? What is it?

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Speaker 8: Daddy?

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Speaker 1: Can I see what you've made? Uh? Huh, Well, well

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it's quite a coincidence. What you know what they call

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a piece of paper joined together with a half twist

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like this? Nope, it's called a mobia strip.

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Speaker 8: You mean somebody already made.

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Speaker 1: One, a man named Mobius mathematician a long time ago.

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Speaker 8: Did he know you can put a line on it

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like that? So it has one side?

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Speaker 1: Old joy? Yes, yes he did. Someday. I'll tell you

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what it means.

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Speaker 8: Now, what tell me about a Mobia's strip?

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Speaker 1: Very complicated?

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Speaker 8: Then read about it?

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Speaker 1: Oh you wouldn't understand, honey, read me anyway, Okay, young lady,

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But I warn you it'll be like one of those

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nonsense rhymes. At least I hope it will. At three

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years a child shouldn't have enough functioning intelligence to put

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together a Mobia's strip. I had known for some time now,

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the star was an exceptionally bright child. Just how bright?

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I had no idea, not until I began to read

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to her from an advanced physics book, The Theory of

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the Mobius Strip to the Power of Infinity. Now, then,

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are you sufficiently mixed up? Young lady?

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Speaker 11: Daddy?

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Speaker 12: You know what what?

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Speaker 8: You read too slow?

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Speaker 12: You say a word, then I think a long time,

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then you say another word.

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Speaker 1: I see. Just what would you have me do about it?

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Speaker 9: Well?

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Speaker 10: Teach me to read.

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Speaker 8: Then I can think as quick as.

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Speaker 1: I want the words quickly. It's an adverbtion.

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Speaker 8: Oh, daddy, really, you pick on such unimportant things. I

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want to learn to read.

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Speaker 1: Okay, when would you like to begin?

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Speaker 8: Right now? Tonight?

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Speaker 1: Before she went to bed that evening, my daughter was

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able to read. In the months that followed, a great

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deal happened. Some of our friends, like Jim Petree, have

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dropped in and been amused to see her on the

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floor rapidly turning the pages of an encyclopedia as big

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as she is. Sit down, Jim, Oh, thanks, Starr. Aren't

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you going to say hello to Uncle Jim?

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Speaker 11: Well, I see she's taken to looking at the pictures

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in the encyclopedia and.

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Speaker 1: Oh yeah, yes, come on in the library, Jim, I

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like to talk to you, proudably Yeah, sure thing. Bring

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you drinking, Okay, I'll shut the door here a while

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all was secrecy. Sit down, Jim. We've been friends, you

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and I ever since engineering school. So neither of us

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have ever mentioned it. But one of the reasons we

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were drawn together is because both of us have IQ

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somewhere up in the genius ratings.

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Speaker 11: Oh I think it was more than that.

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Speaker 1: Well, that played a part. It isn't easy to be

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exceptional in a world which regards mediocrity as the only

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behavior above suspicion.

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Speaker 11: Well, we all have to live with our afflictions. Yours

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and mine is a quick mind and a dull environment.

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Speaker 1: What would you do, Jim, if you were a parent,

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as I am, whose wife had died as Eleanor did,

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and you discovered that your only child was well afflicted

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with a fantastically brilliant mind star.

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Speaker 11: Oh, come on, pete, any little girl who's content just

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to look at the pictures and the encyclopedia.

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Speaker 7: I mean, after all, she.

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Speaker 1: Wasn't looking at the pictures, huh, she was reading the pages? What?

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Speaker 11: But she was turning them as fast as humanly possible.

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Speaker 1: She was reading them. But I know I've tested her.

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She not only remembers everything, she understands the concepts. She

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even gets impatient with.

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Speaker 11: Well have measured her?

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Speaker 1: Why I've given her IQ tests, aptitude tests, reaction tables,

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all the parapherneia for measuring something we know nothing about it.

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Speaker 11: And.

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Speaker 1: Tests don't work.

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Speaker 11: How do you mean? Well?

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Speaker 1: Either the tables are screwing your stars beyond all measurement, Peter, Are.

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Speaker 11: You sure you're not projecting this? I mean, isn't it

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possible at a few accidental.

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Speaker 1: Yeah? Yes, yes, honey, I got lonely, Okay, Cook, come

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on in, Uncle.

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Speaker 8: Jim, would you read me a story?

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Speaker 11: Why don't you read your own story?

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Speaker 8: Because I'm only three and three year olds can't read.

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Speaker 1: And so she had found the answer to her affliction

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by herself conformity. She had already learned to conceal her intelligence.

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So many of us break our hearts before we learn that.

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When Star was four years old, according to state law,

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her mind had developed enough so she could attend nursery school.

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Speaker 13: Hi daddy, Hi.

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Speaker 1: Honey, did you like nursery school?

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Speaker 9: Oh?

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Speaker 8: Yes, it was fun.

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Speaker 1: What'd you learn today, not much.

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Speaker 12: I tried to cut out paper dolls, but the scissors

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kept slipping.

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Speaker 1: I look, Starr, don't overdo it. That's as bad as

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being too quick. The idea is that everybody has to

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be just about standard average. That's the only thing people

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will tolerate. It's expected that a little girl of four

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should know how to cut out paper dolls properly.

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Speaker 10: Oh.

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Speaker 12: I guess that's the hard part, isn't it, daddy, to know?

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How much you want to know?

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Speaker 1: Yeah, that's the part I always found hard when I

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was young.

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Speaker 8: It's really all right. I let one little girl show

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me how to cut them out, so now she likes me.

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She just took charge of me in told the other

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kids say she liked me too, so they did, because

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she's the leader, even if she is one of the stupid.

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What the stupid? That's the trouble with you, daddy. You

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don't grasp things right away, just because you're only a

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tween between.

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Speaker 1: I assume that means an in between.

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Speaker 8: That's right, you're in between a stupid and.

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Speaker 1: A bright, and you're a bright. Yes.

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Speaker 8: I made those names up when I was very little.

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Speaker 1: How little?

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Speaker 4: Oh?

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Speaker 8: About six months old? Ah?

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Speaker 1: The thoughts began to whirl around in my head. After

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that one, A small fear kept growing inside me. How

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profound was this little inn that was staring up at me?

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How much did she understand?

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Speaker 12: Already?

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Speaker 1: Even as the thought formed, I learned the final horrifying

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fact about my little girl.

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Speaker 8: It's all right, Daddy, don't be afraid of me.

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Speaker 1: How did you know that I was thinking anything like that?

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Speaker 8: Well, I just figured it out.

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Speaker 1: Star. I want you to ask me honestly when I

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ask you this next question, will you?

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Speaker 8: Yes?

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Speaker 1: Star? Can you read people's minds? Are you a telepath? Well?

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Speaker 8: Yes, Daddy, I thought so.

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Speaker 1: You read my mind just now, didn't you?

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Speaker 8: Yes?

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Speaker 1: Now, I'd like to know something else, right, Can you

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teach me to do it?

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Speaker 8: You're already learning it, daddy. The trouble is you're so slow.

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You didn't even know you were learning. See Daddy, Yeah,

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you know what I wish?

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Speaker 1: What do you wish?

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Speaker 8: Well?

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Speaker 1: Nothing, all the same. I knew exactly what she was wishing.

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She was wishing for a companion whose mind would match

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her own. You see, I was becoming telepathic. Just a minute. Well, hello,

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you a little girl home? Yeah, she's upstairs. Who are

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you I'm Robert. Robert.

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Speaker 12: Who Robert? How my mother and father moved next door yesterday?

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Speaker 1: Oh? Well, come in, Robert, I'd like to play with

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your little girl. How'd you know I had a little girl? Oh?

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I just know, I see. And how old are you?

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Speaker 12: I'm six.

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Speaker 1: Well I'll ask Starr to come downstairs. I'm sure she'd

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be glad to see it.

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Speaker 12: Yes, she will.

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Speaker 1: Tell me, Robert. Are you a tween or a bride?

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Speaker 12: Oh? I'm a What did you.

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Speaker 1: Say, mister hols Helling. I didn't have to say it.

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I could read his thought. He was a bride, and

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there was no accident that he and his parents had

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moved next door. Somehow Star had managed to make contact

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with him, and they had arranged the whole thing. A

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father is prepared to lose his daughter eventually, but not

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so soon, not so terribly soon. Coming. Oh hello, Ruth,

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something wrong.

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Speaker 10: I was just looking for Bobby. I thought he was

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over here playing with Star.

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Speaker 1: I thought they were over your place.

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Speaker 10: I don't understand it.

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Speaker 1: I have noticed that they've been disappearing for a couple

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of hours, almost every afternoon.

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Speaker 9: Well I suppose they'll turn up again. They know better

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than to cross the street by themselves. They're too little

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for that. If they come here first, tell them to

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come over and have some milk and cookies.

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Speaker 1: I'll do that.

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Speaker 3: Oh.

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Speaker 10: Oh, by the way, this must belong to your Star.

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Speaker 1: Oh it's that.

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Speaker 9: Oh, some sort of coin or metal or something. I

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found it out in the backyard after Star and Bobby

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were playing. It looks brand new.

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Speaker 1: Let's have a look.

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Speaker 10: Oh it's something wrong.

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Speaker 1: Did you say you found this in your backyard? Yes?

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Speaker 10: What is it?

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00:15:01,679 --> 00:15:02,159
Speaker 1: I don't know.

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Speaker 9: Well, I've got to get back. They will be getting

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home for dinner soon, so see you later.

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Speaker 1: Yes, hello, Jim. Yes, do you have a portable spectral photometer?

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00:15:24,879 --> 00:15:26,879
Speaker 11: Well, sure, we've got a dozen here at the lab.

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Speaker 1: Pack one up and get over here right away, will you.

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Speaker 11: Well, Pete, I don't quit though, five.

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Speaker 1: Look do as I say. Huh, it's important.

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Speaker 8: Well okay, uh.

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Speaker 11: Huh. Well let me check the amount of radioactivity again.

285
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Speaker 1: You've checked it four times.

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Speaker 11: That's about it.

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Speaker 1: Okay, what's your opinion of this coin?

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00:15:55,480 --> 00:15:57,639
Speaker 11: Well, first of all, let me say this, it's the

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real McCoy and also it doesn't exists. Look, Pete, that

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00:16:02,279 --> 00:16:05,840
coin is pre Egyptian. It's hand cast It's made out

291
00:16:05,879 --> 00:16:08,120
of one of the oldest bronze alloys, one that was

292
00:16:08,200 --> 00:16:09,799
lost four thousand years ago.

293
00:16:09,879 --> 00:16:13,000
Speaker 1: So it's four thousand years old. It is and it isn't.

294
00:16:13,919 --> 00:16:14,480
What do you mean?

295
00:16:14,879 --> 00:16:18,440
Speaker 11: Listen, Pete. Old coins show where the edges get rounded

296
00:16:18,440 --> 00:16:23,399
with handling, the surface oxidizes, the molecular structure changes, crystallizes.

297
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Speaker 1: Pete.

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Speaker 11: This coin is authentic, and yet it's brand new. It

299
00:16:29,399 --> 00:16:30,720
might have been struck off yesterday.

300
00:16:31,679 --> 00:16:33,919
Speaker 1: You realize, of course, that that's impossible.

301
00:16:34,120 --> 00:16:35,039
Speaker 11: What'd you get a Pete?

302
00:16:35,240 --> 00:16:36,960
Speaker 1: I don't know. I think the kids got it.

303
00:16:37,000 --> 00:16:37,240
Speaker 11: Star.

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00:16:37,480 --> 00:16:39,879
Speaker 1: Yes, I don't know. I'm almost afraid to think.

305
00:16:40,080 --> 00:16:40,919
Speaker 11: Why not ask her?

306
00:16:41,159 --> 00:16:44,159
Speaker 1: She isn't around. She and Robert are off playing somewhere.

307
00:16:44,240 --> 00:16:44,840
Speaker 11: Do you know where?

308
00:16:45,919 --> 00:16:50,320
Speaker 1: No? I, oh, Jim, it's just too fantastic. It isn't possible.

309
00:16:51,360 --> 00:16:52,440
Speaker 11: I haven't said a word.

310
00:16:52,559 --> 00:16:53,519
Speaker 1: I know what you're thinking.

311
00:16:54,320 --> 00:16:57,200
Speaker 11: As a matter of fact, I was thinking something fantastic.

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00:16:57,919 --> 00:16:58,759
How did you guess?

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00:17:00,399 --> 00:17:08,759
Speaker 1: I just guessed, Jim, Let's find those kids right now? Okay, Star, Robert,

314
00:17:10,079 --> 00:17:18,119
let's try the playroom, Star Robert. I did hear, let's

315
00:17:18,119 --> 00:17:18,680
try back here.

316
00:17:19,000 --> 00:17:23,119
Speaker 11: I hear something, but hey, it's coming from the room.

317
00:17:23,160 --> 00:17:24,519
We were just in That's impossible.

318
00:17:24,559 --> 00:17:25,720
Speaker 1: There's no place they could have hidden.

319
00:17:27,480 --> 00:17:28,799
Speaker 11: I'm going to open that door.

320
00:17:29,960 --> 00:17:38,079
Speaker 1: Take a jim. There they were in the middle of

321
00:17:38,119 --> 00:17:44,480
the playroom, holding hands, a little shamefaced, a little defiant. Star, Robert,

322
00:17:44,480 --> 00:17:47,720
where have you been now? I know you weren't in

323
00:17:47,759 --> 00:17:49,319
this room a few seconds ago, and there are no

324
00:17:49,400 --> 00:17:50,400
windows you could get through.

325
00:17:52,039 --> 00:17:55,200
Speaker 8: Well, it's nothing, daddy, we just went a little way.

326
00:17:55,359 --> 00:17:57,519
Speaker 1: That is not answering me. Where did you go?

327
00:17:57,640 --> 00:17:59,920
Speaker 11: You see, Star, we've found this coin?

328
00:18:00,480 --> 00:18:03,119
Speaker 8: Come on, I shouldn't have to tell you are both

329
00:18:03,240 --> 00:18:03,799
just tweeting.

330
00:18:03,880 --> 00:18:07,440
Speaker 1: Star. I'm still your daddy. Even brightes have feelings about

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00:18:07,440 --> 00:18:08,559
their parents.

332
00:18:09,000 --> 00:18:15,880
Speaker 8: No, I tried to ESP, Daddy. You just don't ESP

333
00:18:16,079 --> 00:18:19,880
good Daddy. Robert does it very nicely. He can always

334
00:18:19,880 --> 00:18:22,359
find me when I hide. That's cause you don't have

335
00:18:22,480 --> 00:18:26,359
much imagination. I do too, Yeah, but you always have

336
00:18:26,400 --> 00:18:28,680
to look at a book to SP what's in it?

337
00:18:28,799 --> 00:18:31,799
Speaker 12: So you leave an ESP smudge. I just look at

338
00:18:31,839 --> 00:18:34,079
where you left a smudge, and I go to that

339
00:18:34,240 --> 00:18:37,680
place in that time, and here you are. Oh but

340
00:18:37,880 --> 00:18:39,279
that's cheating.

341
00:18:39,160 --> 00:18:39,720
Speaker 1: It isn't.

342
00:18:40,319 --> 00:18:44,160
Speaker 12: You just haven't got imagination. You can't teleport yourself to

343
00:18:44,240 --> 00:18:46,480
a place that hasn't been I can too.

344
00:18:46,920 --> 00:18:49,160
Speaker 8: What about the moon people. They haven't been.

345
00:18:49,079 --> 00:18:53,559
Speaker 12: Yet, Oh Star, they have too. Not for your daddy,

346
00:18:53,599 --> 00:18:57,279
they haven't. But for the things from our Taurus. The

347
00:18:57,359 --> 00:18:59,720
moon people were about ten million white years ago.

348
00:19:00,000 --> 00:19:02,680
Speaker 1: Wait a minute, kids, Hold on, Jim, have you been

349
00:19:02,680 --> 00:19:03,240
listening to this?

350
00:19:04,240 --> 00:19:06,319
Speaker 11: I think I heard it. I love kids.

351
00:19:06,720 --> 00:19:08,920
Speaker 1: You're either playing a big joke on us older folks,

352
00:19:09,559 --> 00:19:11,359
or you've actually figured out a way to travel to

353
00:19:11,400 --> 00:19:14,400
places in the past, right and in the future too.

354
00:19:14,480 --> 00:19:18,359
Speaker 11: Daddy, Star, could you tell us how you do it?

355
00:19:17,400 --> 00:19:21,000
Speaker 8: It would be easier if I could esp it to you.

356
00:19:21,079 --> 00:19:24,079
Speaker 11: We'll just pretend we're stupids and tell us in words.

357
00:19:24,200 --> 00:19:27,319
Speaker 8: Well, you remember the Moby's strip.

358
00:19:27,559 --> 00:19:29,599
Speaker 1: I remember she made it about a year ago.

359
00:19:30,079 --> 00:19:32,759
Speaker 8: Well, you join the ends of a strip of paper

360
00:19:32,759 --> 00:19:36,400
with a half twist to make one's surface. Then you

361
00:19:36,519 --> 00:19:39,079
take a sheet and give it a half twist so

362
00:19:39,119 --> 00:19:40,960
you can join the edges together all over.

363
00:19:41,440 --> 00:19:45,160
Speaker 11: That's Klein's bottle. Oh you know about that, Yes, we

364
00:19:45,480 --> 00:19:46,200
know that. Go on.

365
00:19:46,759 --> 00:19:50,279
Speaker 12: Well, then you take a cube, you imagine a cube,

366
00:19:50,599 --> 00:19:51,599
and you twist it.

367
00:19:51,720 --> 00:19:53,519
Speaker 7: That's right, Go on, Star.

368
00:19:53,599 --> 00:19:57,279
Speaker 8: And uiesp the twisted cube all together the same way

369
00:19:57,319 --> 00:20:00,599
you did Klein's bottle. Now, if you you do that

370
00:20:00,759 --> 00:20:04,559
big enough all around you, so you sort of folded

371
00:20:04,640 --> 00:20:07,440
into it, you can teleport yourself any place you want

372
00:20:07,440 --> 00:20:09,599
to go. And that's all there is to it.

373
00:20:10,599 --> 00:20:14,119
Speaker 11: Jim, what do you think I need another drink? Pete,

374
00:20:14,599 --> 00:20:15,200
a big one.

375
00:20:23,279 --> 00:20:26,200
Speaker 1: That's all there was to it. The line, the plane,

376
00:20:26,359 --> 00:20:30,160
the cube, those were Euclidean physics. The Mobia strip, the

377
00:20:30,279 --> 00:20:34,680
Kline bottle, the twisted cube, those were Einsteinian physics. Well

378
00:20:34,720 --> 00:20:36,680
I was pretty advanced in both, but I'd have to

379
00:20:36,759 --> 00:20:39,480
do some heavy thinking to really grasp it. Meanwhile, the

380
00:20:39,519 --> 00:20:41,759
two little kids stood there staring at us.

381
00:20:42,440 --> 00:20:45,640
Speaker 11: Star Robert, can you tell us some of the places

382
00:20:45,680 --> 00:20:47,200
you've been all over.

383
00:20:47,079 --> 00:20:50,160
Speaker 8: Uncle Jim, the Romans and the Egyptians and places like that.

384
00:20:50,720 --> 00:20:51,880
Speaker 11: Is that how you got the coin?

385
00:20:52,519 --> 00:20:52,880
Speaker 1: Uh? Huh?

386
00:20:52,880 --> 00:20:56,119
Speaker 8: I found it. It wasn't stealing, was it, Daddy. I

387
00:20:56,279 --> 00:20:57,440
just found it in the door.

388
00:20:57,559 --> 00:20:59,759
Speaker 1: Well skip that for a minute. What about going to

389
00:20:59,839 --> 00:21:00,480
the future.

390
00:21:01,000 --> 00:21:02,880
Speaker 12: There isn't any future, mister Holmes.

391
00:21:03,240 --> 00:21:03,599
Speaker 1: What's that?

392
00:21:04,319 --> 00:21:08,119
Speaker 12: It's kind of hard to explain. Even Star doesn't get it. Oh,

393
00:21:08,440 --> 00:21:11,400
when she gets to be six, like I Am, she'll

394
00:21:11,440 --> 00:21:12,400
probably understand.

395
00:21:12,519 --> 00:21:13,880
Speaker 1: We'll try to explain it to me.

396
00:21:14,440 --> 00:21:17,799
Speaker 12: Well, it's all connected, just like the moby a strip.

397
00:21:18,279 --> 00:21:20,440
If you go far enough, you'll get back to Earth

398
00:21:20,559 --> 00:21:23,640
starts again. Start with the cavemen, than us men, the

399
00:21:23,759 --> 00:21:28,079
atomic men, the moon men, planet men, star men, and brights.

400
00:21:28,559 --> 00:21:31,759
I mean, somehow what the Bright's got off the strip?

401
00:21:32,240 --> 00:21:34,519
We haven't been able to find them any place in time.

402
00:21:34,839 --> 00:21:37,400
Speaker 8: I'd like to know how they got off and where

403
00:21:37,440 --> 00:21:38,000
they are all.

404
00:21:38,039 --> 00:21:41,359
Speaker 1: Look, kids, this kind of thing can be dangerous. You

405
00:21:41,440 --> 00:21:43,720
might be eaten by a dinosaur or something.

406
00:21:43,799 --> 00:21:46,279
Speaker 8: Oh we just esp I salls right out of it.

407
00:21:46,319 --> 00:21:48,440
Speaker 1: Well, anyway, I don't want you leaving this part of

408
00:21:48,440 --> 00:21:50,400
the time strip, not again.

409
00:21:50,599 --> 00:21:51,000
Speaker 8: Daddy.

410
00:21:51,279 --> 00:21:53,039
Speaker 1: I may be just a tween, but I'm your father.

411
00:21:53,720 --> 00:21:55,279
Speaker 8: I always mind you, Daddy.

412
00:21:55,559 --> 00:21:57,519
Speaker 1: Uh what about going off the block?

413
00:21:57,799 --> 00:22:00,200
Speaker 8: But Daddy, we didn't cross as singles.

414
00:22:00,240 --> 00:22:05,000
Speaker 11: Nevertheless, think of what you're doing. Pictures, specimen's recordings not

415
00:22:05,039 --> 00:22:07,559
only from the past, but from the future. Pete, I

416
00:22:07,640 --> 00:22:10,839
beg you, Jim, this is my daughter, But what a contribution.

417
00:22:11,440 --> 00:22:13,119
We could be ages ahead of ourselves.

418
00:22:13,160 --> 00:22:19,400
Speaker 1: No, Star, Robert, I'd like your promise you won't leave

419
00:22:19,480 --> 00:22:28,400
present time again. Well, okay, okay, all right, now run along.

420
00:22:28,799 --> 00:22:30,640
Robert's mother has some cookies and milk for you.

421
00:22:31,000 --> 00:22:39,599
Speaker 8: Okay, see you, lady, Daddy.

422
00:22:37,640 --> 00:22:41,720
Speaker 1: Jim, I'm sorry. Well, I suppose if I had a daughter.

423
00:22:41,960 --> 00:22:43,920
Are you going to report this and.

424
00:22:43,799 --> 00:22:46,960
Speaker 11: Have everybody give me the horse? Laugh? I may be

425
00:22:47,160 --> 00:22:50,319
just a tween peete, but I'm not another fool.

426
00:22:53,599 --> 00:22:55,720
Speaker 1: It took me almost six months to do it. I

427
00:22:55,720 --> 00:22:57,880
don't know how many times I've visualized a cube and

428
00:22:58,119 --> 00:23:00,160
esp did a half twist and tried to see the

429
00:23:00,240 --> 00:23:02,480
edges around me. And then once there was a flies

430
00:23:02,680 --> 00:23:05,720
just for an instant, I was concentrating on Caesar's triumphant

431
00:23:05,759 --> 00:23:08,680
march into Rome, and for the briefest instant there it was,

432
00:23:09,400 --> 00:23:18,799
I was standing on a roadway watching, and then it vanished. Hey, hey, daddy,

433
00:23:19,599 --> 00:23:23,920
what are your two characters plotting? We lah, I'm going

434
00:23:23,920 --> 00:23:28,240
to my study for a while. Star. Yes, daddy, you

435
00:23:28,559 --> 00:23:32,319
remember your promise about not leading present time, don't you? Yes, Daddy,

436
00:23:32,759 --> 00:23:38,119
You're going to keep it, Yes, daddy, Okay, I'm holding

437
00:23:38,160 --> 00:23:52,720
you to it. Hello, Hello, yeah.

438
00:23:53,160 --> 00:23:56,319
Speaker 9: There, No, When did you see them last?

439
00:23:56,799 --> 00:23:57,440
Speaker 1: What time is it?

440
00:23:57,960 --> 00:23:58,119
Speaker 8: Oh?

441
00:23:58,240 --> 00:24:01,039
Speaker 1: About ten this morning? Six or seven hours ago?

442
00:24:01,640 --> 00:24:03,519
Speaker 10: Why Pete, I'm worried.

443
00:24:03,960 --> 00:24:04,440
Speaker 1: What's up?

444
00:24:04,920 --> 00:24:07,039
Speaker 10: Well, they were upstairs in Bobby's room.

445
00:24:07,200 --> 00:24:09,400
Speaker 9: I was in the living room now, and I could

446
00:24:09,440 --> 00:24:12,599
swear they didn't come downstairs. And yet when I went

447
00:24:12,720 --> 00:24:14,480
up there, they were gone.

448
00:24:15,039 --> 00:24:17,079
Speaker 1: That was over five hours ago, Ruth. Are you sure

449
00:24:17,079 --> 00:24:18,079
they didn't come down.

450
00:24:18,079 --> 00:24:20,839
Speaker 10: I was in that living room every moment, Pete.

451
00:24:21,759 --> 00:24:24,200
Speaker 1: Now, Ruth, Ruth, don't get panicky. I'm coming right over.

452
00:24:24,640 --> 00:24:35,920
Just don't get panicky. There wasn't a trace of them. Well,

453
00:24:36,039 --> 00:24:39,319
that isn't exactly true. Remember what Robert had said about

454
00:24:39,359 --> 00:24:42,319
star leaving an esp smudge. Well, I was able to

455
00:24:42,359 --> 00:24:44,680
catch it in Robert's room. It had something to do

456
00:24:44,759 --> 00:24:47,000
with where the brights went when they got off the

457
00:24:47,039 --> 00:24:51,200
time strip. That's it. Of course, they wouldn't disobey by

458
00:24:51,240 --> 00:24:54,559
leaving present time. But isn't it possible that there is

459
00:24:54,599 --> 00:24:58,039
more than one present time? Isn't it possible that another

460
00:24:58,200 --> 00:25:02,160
now coexists hours? That's the cue.

461
00:25:02,359 --> 00:25:05,680
Speaker 10: Of course, I'm going to call the police, Pete.

462
00:25:05,680 --> 00:25:06,799
Speaker 1: I don't think it'll do any good.

463
00:25:07,000 --> 00:25:09,200
Speaker 10: We've got to find them. They'd have come back by now.

464
00:25:09,160 --> 00:25:12,799
Speaker 1: Yes, if they could. What do you mean nothing?

465
00:25:13,559 --> 00:25:14,359
Speaker 10: What are you going to do?

466
00:25:14,839 --> 00:25:16,759
Speaker 1: I'm going back to my study to think.

467
00:25:16,960 --> 00:25:19,200
Speaker 10: To think, aren't you going to look for them?

468
00:25:19,240 --> 00:25:20,680
Speaker 1: I have to figure out where to look.

469
00:25:20,880 --> 00:25:23,200
Speaker 10: Well, I'm not going to sit around doing nothing. I'm

470
00:25:23,240 --> 00:25:29,240
calling the police.

471
00:25:31,839 --> 00:25:35,440
Speaker 1: That was this morning. I've been doing some desperate concentrating

472
00:25:35,480 --> 00:25:38,200
since then. Jim, I'm writing this down so you'll know

473
00:25:39,279 --> 00:25:41,039
I've already managed to go back to the time of

474
00:25:41,119 --> 00:25:43,960
kiops and ahead to the time when men were navigating

475
00:25:43,960 --> 00:25:46,400
to distant planets in a matter of days. But the

476
00:25:46,440 --> 00:25:50,119
big job remains how to get into a dimension parallel

477
00:25:50,160 --> 00:25:53,119
with our own. At the same time, I figured out

478
00:25:53,279 --> 00:25:56,039
that to get the equivalent of a Mobius strip with depth,

479
00:25:56,559 --> 00:25:59,640
you must use the super cube, the Tesseract. That's what

480
00:25:59,680 --> 00:26:02,799
I'm on at the moment. If I succeed, there is

481
00:26:02,839 --> 00:26:05,720
a possibility I may not be able to get back.

482
00:26:06,400 --> 00:26:08,279
I hope you will be able to make Bill and

483
00:26:08,359 --> 00:26:13,680
Ruth Howell understand. Okay, Now, if I take six cubes

484
00:26:14,200 --> 00:26:16,960
and pull them in one another so that every angle

485
00:26:17,039 --> 00:26:20,640
is a right angle, yes, all right, I've got that.

486
00:26:21,519 --> 00:26:25,240
And now I've been folding a esp the tesser Act,

487
00:26:25,519 --> 00:26:27,440
I half twist around myself.

488
00:26:29,160 --> 00:26:34,920
Speaker 5: Mister Holmes, there's the harms. You in there, mister Holmes,

489
00:26:36,400 --> 00:26:40,319
We'll have to break in. It's locked on the inside.

490
00:26:40,960 --> 00:26:44,200
Speaker 1: Mister Holmes, he he, why are you he?

491
00:26:45,880 --> 00:26:49,759
Speaker 6: That's funny. The door was locked from the inside. But

492
00:26:49,880 --> 00:26:52,160
here's this fountain pen with the ink still wet.

493
00:26:54,079 --> 00:27:05,759
Speaker 13: But he's gone.

494
00:27:05,839 --> 00:27:08,359
Speaker 4: You have just heard X minus one, presented by the

495
00:27:08,440 --> 00:27:13,000
National Broadcasting Company in cooperation with Galaxy Science Fiction magazine,

496
00:27:13,240 --> 00:27:15,920
which this month features the final installment of Frederick Pohl's

497
00:27:16,000 --> 00:27:19,559
novel slave Ship, story of a world engaged in the

498
00:27:19,559 --> 00:27:22,759
wildest of all possible non wars, where the order of

499
00:27:22,759 --> 00:27:26,799
the day was even wilder still, Spare every animal and

500
00:27:26,880 --> 00:27:30,440
throw the men to the wolves. Galaxy Magazine on your

501
00:27:30,480 --> 00:27:34,440
new stand today The Night, by transcription X minus one

502
00:27:34,480 --> 00:27:37,200
has brought You star Bright, a story from the pages

503
00:27:37,200 --> 00:27:40,359
of Galaxy, written by Mark Clifton and adapted for radio

504
00:27:40,400 --> 00:27:43,519
by George Leffards. Featured in the cast were Sarah Fussell,

505
00:27:43,880 --> 00:27:49,039
Lawson Zerby, Bill Quinn, Billy Harris, Ralph Bell, and Kate Wilkinson.

506
00:27:49,440 --> 00:27:52,759
You're announcer Fred Collins. X minus one was directed by

507
00:27:52,839 --> 00:27:55,599
Daniel Sutter and is an NBC Radio Network production.

