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Speaker 1: There in the way the court summon more division of

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our nation on the hills of class four seat through taxation,

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and every paceman he's only an.

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Speaker 2: We're he decided to beyond the bulgar rids p God,

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it just dance by ours.

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Speaker 1: Minds met the rich, he's upon the kid.

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Speaker 2: We simply cannot bend them. Win ninety cents our story fail.

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Their blood will plod throughout.

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Speaker 1: The streets sanctity.

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Speaker 2: Through the release cop up combing me yute nine cents

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our story mail. Their blood will blot throughout the streets

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sanctity through the release copcom coming by.

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Speaker 1: Thy glogi.

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Speaker 3: Jealousy.

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Speaker 1: They ain't away with the corses on the board, the

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nsion of our nation.

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Speaker 2: On the hills of class born death through.

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Speaker 1: Taxation, and every pin extent solely in the interest one said.

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Speaker 4: We're inside three.

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Speaker 1: On the wool over her eyes.

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Speaker 4: God not in distance.

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Speaker 1: By artivized gidging, the rich be spat a skin.

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Speaker 2: We simply cannot lendam When ninety turns starring them, their

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blood block through the streets of sanctity. Through collings come

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the healthy unci sin excent her sorry veil. Their blood

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got about the street sanctity through goolease got them healthy puts.

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Speaker 5: Yeah, yeah, Welcome everybody.

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Speaker 6: Matt Connorton unleashed.

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Speaker 7: We have entered our number three New Marrow trace on

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this Saturday morning, December twenty eight, twenty twenty four. We

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are live from the studios of w m n H

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ninety five point three FM and Glorious Manchester, New Hampshire.

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And Jenny is here as well, of course at the

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news table accounted for. And the track we just heard

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is Calleen Season from the band of Volley, if I'm

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saying that correctly. And we've got the guys here. Welcome, gentlemen,

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Audi going on, So let's let's start.

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Speaker 6: In the corner here. Tell us who you are and

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what you do in the band.

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Speaker 8: My name is Sean and some people know me is

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Skeet three Pan, which is a it's a long stupid story.

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Speaker 9: But which I will ask you about because I'm fantastic.

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Speaker 8: So I am the vocalist and I write all the lyrics, okay,

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and uh yeah, I do some of the art stuff too, okay, excellent, excellent,

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And you, sir.

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Speaker 9: My name is Dane.

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Speaker 10: I'm the guitarist in Vali and Bally's newest member.

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Speaker 6: Oh okay, well, congratulations.

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Speaker 9: Also he also goes by dB Pooper that's.

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Speaker 6: Correct, okay, which I will ask you about.

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Speaker 11: And and you Jonah Jonah. I played the drums, You

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play the drums.

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Speaker 6: Very good, very good turn. And that's not a drummer.

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Speaker 3: But you don't know.

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Speaker 6: But you don't have like a funny weird name, or

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he does, but we can't stay it on the radio.

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Speaker 11: Oh gotcha Jona to Jonah five bone, uh something like that.

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Speaker 9: Yeah, something like that.

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Speaker 6: All right, So let me ask, so Sean, what what's

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your weird name again?

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Speaker 9: Your nickname Skeet three pan?

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Speaker 6: Okay.

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Speaker 8: So I went to Taco Bell many many moons ago

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after having a few drinks, and I told them because

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they asked my name for the order, and I said

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my name was Scaffon with a K yes, and they

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spelled it as Skeet three pan and they yelled ski

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three pan to calm me over for my order, and

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it just, uh, it just stuck from there.

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Speaker 6: So I love that.

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Speaker 9: Yeah, that's that's great. Oh.

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Speaker 8: Also side notes, so Cody isn't here. He is the bassist,

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uh and he puts that bag there, but he is

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at work. So okay, I wanted to clarify that. Oh okay, yeah,

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his name is Han Blo, so okay, yeah, all right.

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Speaker 6: And where's your funny name game from?

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Speaker 10: What was it?

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Speaker 6: Or is that a story you can tell on the air.

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Speaker 10: Well, it's easy because well, first off, the name is

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dB Pooper, don't forget, and it was it was just

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it was given to me by these gentlemen. So okay,

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oh okay, but it's it's it's an honorary name, so

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I'll take it with Pride.

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Speaker 6: Okay. How long have you been in the band? You

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said your name?

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Speaker 10: I want to say since like a Halloween okay, like

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like maybe like a couple weeks before Halloween.

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Speaker 9: Yeah, our first show of them was Halloween.

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Speaker 3: Uh.

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Speaker 8: He had maybe three practices with us Pride too, and

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he just picked it up like that, yeah immediately.

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Speaker 6: Yeah, Oh very good.

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Speaker 9: Yeah. How long has the band existed?

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Speaker 8: Technically since summer summer twenty twenty one. Yeah, so yeah,

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So we started the band. It was just Joanah and

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I and we were in the room of my old apartment.

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We had my electronic kit and I had this super

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crappy guitar that was fed straight into my DII and

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we had it monitoring so I could hear it well recorded. Yeah,

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and that's how we recorded those first three songs, no kidding. Yeah,

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So our summer twenty one demos up on our band camp.

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I think it's on Spotify as well. All our music's

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on all the streaming.

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Speaker 10: But not to be confused with the three songs we're

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listening to today.

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Speaker 8: Yeah, yeah, there's quite the difference between the two sonically alone.

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But yeah, we just kept going and recording and doing

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music and having fun, and we eventually rained in our

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old guitarist, Josh. So we originally brought him in, I believe,

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on bass, and then I was gonna play bass, he

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was gonna play guitar, and Jonah would play drums, and

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he really rained us in because when Joana and I

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play together, we just play as fast as humanly possible. Yeah,

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so Josh was kind of our metronome. And then after

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we reeled Josh in, he suggested that we get Cody

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on bass, and right from the get go, it was

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like four friends in a room that have known each

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other forever, Like we were doing more joking than actually

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making music. So it was like it was a very

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nice fit. And I want to say a month after

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that month or two, we recorded all of the tracks

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that are on our album rough Cuts, which it's no misnomer.

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Speaker 9: They're all like room recordings.

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Speaker 8: That I ripped the audio from the video of, so

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they're not Wow, I bootleg all.

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Speaker 9: Of our music.

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Speaker 6: That's very punk rock, really is.

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Speaker 8: So Jonah actually had this huge cassette deck because we

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put all our music on cassette. Yeah, like we handed

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it and uh wow, yeah, that's.

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Speaker 9: A whole thing.

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Speaker 8: But Jonah and I were using his cassette deck because

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mine I just have like the little single cassette one

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you'd bring to like a college lecture in the nineties.

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So it's not the best. And uh we tried his

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and for it to record it, I forget exactly what

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it's called. But it'll take like a speed speed dubbing. Yes,

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so his has speed dubbing, So it'll take like a

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two minute song and it'll record it faster, like it

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plays the tape at a higher speed while it's recording.

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Yeah yeah, but when it does that, you can actually

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turn the volume on and listen and it sounds like

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the Chipmunks.

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Speaker 9: It's yeah yeah, and.

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Speaker 11: The chip Punks.

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Speaker 7: Yeah, I've heard of that speed dubbing. But but do

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you lose quality when you do it that way or does.

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Speaker 10: It doesn't imagine?

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Speaker 8: Yeah, I would definitely imagine. So, but we we weren't

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exactly much exactly so Jonah had an idea a while

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back that we would take like because I record to

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cassette from a line out on my computer directly into

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the cassette player. Okay, yeah, so it's it's a little jankee.

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But uh, he had the idea of doing that and

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then just continuing to record from cassette to cassette to cassette,

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so it just loses more and more quality until it's

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just like jarbled air.

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Speaker 9: Yeah.

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Speaker 8: So we we do want there to be some quality

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to our music where it's like you can listen to it,

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But of course we don't need super ritzy recordings and

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like a three thousand dollars per hour room. We want

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we want it to sound as true as it can't. Yeah,

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because we're not those type of people.

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Speaker 10: We're not.

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Speaker 9: We didn't pull up in a limousine, right right.

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Speaker 10: Right, And you don't need a super expensive studio to

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catch authenticity either, you know what I mean. And I

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think that's kind of the biggest thing.

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Speaker 6: Yeah.

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Speaker 11: Yeah, well you know we'll take one though, Yeah, yeah,

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as a free one.

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Speaker 9: Yes, it would be rude to not accept. We're good guests.

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Speaker 6: Yeah, there you go.

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Speaker 7: If the opportunity presents itself, sure, why wouldn't you. Yeah,

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so do you so with the cassettes? So do you

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sell the cassettes that shows?

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Speaker 3: Yeah?

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Speaker 8: So we actually I think we only have three left,

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no kidding.

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Speaker 3: Yeah.

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Speaker 8: So every or darn near every person that we've sold

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a cassette too has followed it up by saying, I have.

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Speaker 9: No way to play this, right.

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Speaker 8: Yeah, And almost all the people who didn't buy cassette

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said I have no way to play this right. But

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I think the two people we've given cassettes to actually

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had cassette players and were like, oh, you can just okay,

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take it if you're not going to use it as

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a paperweight.

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Speaker 6: Yeah.

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Speaker 10: It also works great as a key.

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Speaker 9: Yeah, it's a phenomenal.

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Speaker 3: Yeah.

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Speaker 8: So I found a briefcase on the side of the road.

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There was a moving sale in this like ritzy neighborhood,

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and they had a briefcase. I was just going They

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had a huge table of free stuff, and I opened

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the briefcase up there was like seventy blank cassettes in it,

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wow wrapped. And I was like, well, I guess I'm

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starting a label.

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Speaker 9: And I didn't. I never started a label, but.

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Speaker 8: I put yeah, I put are I think two albums EPs,

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whatever you want to call them, on cassette or three? Actually, yeah,

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so three of our releases are on cassette or where

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we got rid of all of them. But yeah, we

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we recorded him in my room, from my computer to

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the tape deck. Yeah, made all the album art, made

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all the album sleeves.

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Speaker 10: Like, well, we might get demand now I might have

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to mix some more.

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Speaker 9: No, absolutely not.

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Speaker 3: No.

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Speaker 7: It's it's interesting to me because I remember it was

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probably seven or eight years ago. Maybe I was on

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band camp dot com and and I'm looking around. I'm

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looking for bands in the area and see who's out there,

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and and I noticed somebody. I don't remember who it

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was the first one I noticed, but I noticed somebody

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was selling cassette tapes.

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Speaker 9: Yeah.

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Speaker 7: I was like, huh, did I just time travel? And

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then I looked around. I'm looking at others, and I'm like, oh,

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it's not just them. This is a thing now, this

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is actually happening. People are doing this, I was like,

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that's pretty cool.

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Speaker 8: It is super cool, Like I I am happy to

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see it because the more formats we have to listen to,

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the better. Like, yeah, sure you can get like a

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flack recording, listen to it on the nicest sound system

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you have via your computer, what have you. I still

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love the emotion behind the music that was recorded on

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to cassette, you know, not to discredit the stuff that's

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overproduced if you will. Yeah, it's just it feels more authentic,

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I know what you mean. Yeah, yeah, and.

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Speaker 10: Almost how like Vinyl had like a resurgenist lately and

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you know, now cassettes and I bought my son like

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a whole bunch of CDs in a boombox for Christmas. Yeah,

239
00:12:31,000 --> 00:12:34,799
he's a you know, he's a he's ten, and you know,

240
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he didn't grow up with CDs. But he's listening to

241
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his room and he pops them in and listens to

242
00:12:38,600 --> 00:12:40,240
the tracks and he's really liking it. So it's cool

243
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to see that.

244
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Speaker 6: Yeah. Yeah, well, ultimately, you know, people don't know that

245
00:12:47,159 --> 00:12:49,799
the quality. I mean, I think vinyl sounds better.

246
00:12:49,639 --> 00:12:53,480
Speaker 7: Than anything, right nothing, Vinyl, Well, Vinyl sounds better than

247
00:12:53,519 --> 00:12:55,840
a CD and a CD sounds better than a wave file,

248
00:12:55,840 --> 00:12:57,679
and a wave file sounds better than an MP three

249
00:12:57,720 --> 00:12:58,080
and so on.

250
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Speaker 4: You know.

251
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Speaker 6: But but I think I think a lot of people

252
00:13:00,840 --> 00:13:01,679
just don't realize that.

253
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Speaker 11: Yeah, you know, but and they all sound better than

254
00:13:04,039 --> 00:13:04,720
a tape.

255
00:13:08,279 --> 00:13:10,200
Speaker 7: Because with a tape you'll you'll get I mean, I

256
00:13:10,279 --> 00:13:12,279
guess with a cassette you get some of that warmth

257
00:13:12,360 --> 00:13:14,960
that you get with vinyl, right yeah, but you might

258
00:13:15,039 --> 00:13:16,000
get some hiss too.

259
00:13:17,039 --> 00:13:18,919
Speaker 10: I feel like with vinyl though too, with you know,

260
00:13:19,000 --> 00:13:21,440
amongst other things, it's like the ritual of doing it.

261
00:13:21,559 --> 00:13:24,399
You know, to leave and you're reading up everything and

262
00:13:24,440 --> 00:13:26,440
you put it down and set the needle and all that,

263
00:13:26,639 --> 00:13:28,519
so it's, you know, the ritual of it all.

264
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Speaker 2: Well.

265
00:13:29,360 --> 00:13:31,840
Speaker 7: My theory too is I think probably most people who

266
00:13:31,879 --> 00:13:34,360
buy vinyl never open it, or they open it, but

267
00:13:34,399 --> 00:13:35,559
they don't they don't play it.

268
00:13:35,840 --> 00:13:37,799
Speaker 9: Yeah, like like just like with the cassettes.

269
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Speaker 7: You know, if someone's like a really big fan, you know,

270
00:13:40,200 --> 00:13:42,240
they might just want it to have it, yeah, but

271
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they're not, but they have nothing to play it on.

272
00:13:44,039 --> 00:13:47,000
And I strongly suspect that most of the people who

273
00:13:47,039 --> 00:13:47,840
buy vinyl.

274
00:13:47,759 --> 00:13:49,960
Speaker 6: Don't even have a record player, right, i'd have to

275
00:13:50,080 --> 00:13:53,159
agree with you. Yeah, but it's I think it was

276
00:13:53,200 --> 00:13:54,360
what was it, twenty twenty two.

277
00:13:54,559 --> 00:14:00,240
Speaker 7: I think was the first year that vinyl had outsold CDs, Yeah, forever.

278
00:14:00,320 --> 00:14:01,360
Speaker 6: I think it was twenty twenty.

279
00:14:01,519 --> 00:14:04,360
Speaker 10: There everywhere f y E, Newberry, Comics, everywhere you go,

280
00:14:04,600 --> 00:14:05,360
there's records.

281
00:14:05,519 --> 00:14:08,120
Speaker 7: Oh yeah, I haven't even forget even a Walmart. I've

282
00:14:08,159 --> 00:14:09,480
seen vinylists. They've got like that.

283
00:14:09,639 --> 00:14:12,159
Speaker 9: That is the That is the funniest part of it.

284
00:14:12,559 --> 00:14:15,399
Speaker 8: Like when when you start seeing a certain type of

285
00:14:15,480 --> 00:14:18,759
product being sold at Walmart, that's when you know it's like, oh,

286
00:14:19,679 --> 00:14:21,720
this is definitely a thing.

287
00:14:21,799 --> 00:14:24,039
Speaker 10: Now got a little Walmart for my George Straight CDs.

288
00:14:27,960 --> 00:14:31,639
Speaker 7: Yeah, it is so I I worked at I worked

289
00:14:31,679 --> 00:14:34,440
at f y E, which before that was Strawberries. I

290
00:14:34,440 --> 00:14:36,559
don't know if any of you guys remember Strawberries, No,

291
00:14:36,799 --> 00:14:39,879
but that was that was a record store that uh

292
00:14:40,440 --> 00:14:42,440
f ye came in and bought. But there were Strawberries

293
00:14:42,480 --> 00:14:44,799
locations all over New England. And I remember when we

294
00:14:44,879 --> 00:14:47,559
had when when I started there, we still had cassette

295
00:14:47,600 --> 00:14:51,000
tapes sure and uh and it was interesting. One of

296
00:14:51,039 --> 00:14:54,440
the things that I always found fascinating was to see,

297
00:14:54,799 --> 00:14:58,480
you know, older technology. You know, people make all kinds

298
00:14:58,519 --> 00:15:01,320
of predictions about when it's gonna go way, but then

299
00:15:01,559 --> 00:15:05,320
does it actually go away? You know, And cassettes, even

300
00:15:05,440 --> 00:15:08,080
at that time, hung on for a lot longer than

301
00:15:08,120 --> 00:15:10,399
I would have expected. And I think the reason was

302
00:15:11,120 --> 00:15:14,120
they were still selling new cars with cassette players in them,

303
00:15:14,480 --> 00:15:17,000
and then once that stopped, that's when we didn't have

304
00:15:17,080 --> 00:15:18,320
cassettes anymore in the store.

305
00:15:18,799 --> 00:15:21,240
Speaker 6: So it's wild to see them come back. And of

306
00:15:21,279 --> 00:15:22,720
course vinyl, which never went away.

307
00:15:23,080 --> 00:15:23,320
Speaker 9: People.

308
00:15:23,360 --> 00:15:25,759
Speaker 7: It's funny people talk about vinyl like, oh, vinyl is back,

309
00:15:25,799 --> 00:15:27,000
and it's like, well, never stopped.

310
00:15:29,320 --> 00:15:30,639
Speaker 6: They never stopped making vinyl.

311
00:15:30,720 --> 00:15:33,480
Speaker 11: But I have a record player in my car.

312
00:15:34,600 --> 00:15:37,799
Speaker 9: Do you really know? Oh? Okay, I think he's got

313
00:15:37,840 --> 00:15:38,759
the dash mount for that.

314
00:15:40,000 --> 00:15:41,240
Speaker 7: So I was gonna say, I think if you buy

315
00:15:41,279 --> 00:15:42,919
a Tesla, you can actually get it with a record

316
00:15:42,919 --> 00:15:44,279
player in it. Like I'm not even kidding.

317
00:15:44,360 --> 00:15:49,720
Speaker 8: Oh, man, have you ever seen the No, I don't

318
00:15:49,720 --> 00:15:54,840
think so it dude. It's basically like plastic the thickness

319
00:15:54,840 --> 00:15:57,320
of a soda bottle, like a two liters of soda. Yeah,

320
00:15:57,440 --> 00:15:59,320
and they I guess they used to give them mountain

321
00:15:59,320 --> 00:16:02,279
boxes a series, but I got one from one of

322
00:16:02,360 --> 00:16:04,799
my favorite bands. They have like they do it all

323
00:16:04,919 --> 00:16:08,039
DIY and I bought this record. I've never seen a

324
00:16:08,080 --> 00:16:10,559
flexi disc before in my life, and it's just like

325
00:16:10,600 --> 00:16:11,480
a sheet of plastic.

326
00:16:11,639 --> 00:16:13,919
Speaker 9: It's so thin. And I pulled it out. I'm like,

327
00:16:14,000 --> 00:16:16,399
did these guys like pull a fast one on me?

328
00:16:16,519 --> 00:16:18,240
Is this a joke? And I put it on.

329
00:16:18,320 --> 00:16:20,679
Speaker 8: It actually plays, and I looked it up. So flexi

330
00:16:20,720 --> 00:16:24,480
discs are like very low quality. The quality is terrible,

331
00:16:24,559 --> 00:16:28,759
but they're definitely a novelty because it is cool to

332
00:16:28,840 --> 00:16:30,639
see this thing and be like, I can play music

333
00:16:30,679 --> 00:16:33,519
off of that, no kidding. Yeah, I definitely recommend looking

334
00:16:33,600 --> 00:16:34,879
up and you just.

335
00:16:34,919 --> 00:16:35,799
Speaker 6: Play it on a record player.

336
00:16:35,879 --> 00:16:37,240
Speaker 8: Yeah, you can play it on a record player. And

337
00:16:37,279 --> 00:16:40,240
they're like, I was looking into how much it costs

338
00:16:40,360 --> 00:16:42,799
to get a run of them. It's not it's not

339
00:16:43,000 --> 00:16:46,080
worth it. There's more, there's more labor involved than you

340
00:16:46,080 --> 00:16:49,399
would imagine for that tiny little piece of plastic.

341
00:16:49,519 --> 00:16:52,440
Speaker 7: But yeah, because it's probably there's probably like one place

342
00:16:52,519 --> 00:16:53,759
in the entire country that doesn't.

343
00:16:54,039 --> 00:16:56,720
Speaker 8: Yeah, there's not too many. There's not a high demand

344
00:16:56,799 --> 00:16:58,360
for flexi discs for a reason.

345
00:16:58,559 --> 00:17:00,639
Speaker 10: Yeah, a little bit of a new meaning to low fi.

346
00:17:00,960 --> 00:17:01,200
Speaker 9: Yeah.

347
00:17:02,240 --> 00:17:04,480
Speaker 6: Is it the size of a full record?

348
00:17:04,599 --> 00:17:06,640
Speaker 8: Or is it what I believe? They make some that

349
00:17:06,759 --> 00:17:08,440
are the size of a full record. The one I

350
00:17:08,599 --> 00:17:11,880
got was like a seven inch okay, so yeah, well

351
00:17:11,920 --> 00:17:12,400
that's wild.

352
00:17:12,559 --> 00:17:14,519
Speaker 7: Yeah, I've never even heard of that, which surprises me.

353
00:17:14,599 --> 00:17:16,400
But oh that's cool. I'm gonna have to look that up.

354
00:17:16,400 --> 00:17:17,480
I'm super curious now.

355
00:17:18,960 --> 00:17:19,079
Speaker 9: Now.

356
00:17:19,400 --> 00:17:22,440
Speaker 6: So but you guys put you do CDs to right.

357
00:17:22,440 --> 00:17:24,599
Speaker 9: Or do you have we ever done a CD?

358
00:17:24,839 --> 00:17:25,799
Speaker 11: Have yet to make a SA.

359
00:17:27,880 --> 00:17:29,960
Speaker 9: Okay, I'm working on it.

360
00:17:30,279 --> 00:17:33,119
Speaker 6: Yeah, but but but is that so I assume that's

361
00:17:33,160 --> 00:17:35,200
the plan for the new It's an EP right there.

362
00:17:35,359 --> 00:17:35,559
Speaker 4: Yeah.

363
00:17:35,640 --> 00:17:39,519
Speaker 8: Yeah, So it's gonna be a six song EPH. It's

364
00:17:39,759 --> 00:17:43,599
gonna be coming out January twenty fourth. Funny enough, we're

365
00:17:43,720 --> 00:17:47,559
playing at Codo and Lowell January twenty fourth with our

366
00:17:47,599 --> 00:17:52,160
good buddies Street Trash okay and the Lips Boys, the

367
00:17:52,200 --> 00:17:55,680
Lipstick Boys, Hatch and yes the Black Hat. Oh yes,

368
00:17:55,960 --> 00:17:57,839
so that should be a good time. I think it's uh,

369
00:17:58,000 --> 00:18:00,519
it's gonna start at nine. It's on our instag but

370
00:18:00,720 --> 00:18:04,559
uh yeah, six song EP on the way and we

371
00:18:04,720 --> 00:18:09,000
are going to put it on CDs. Okay, yeah, theoretically,

372
00:18:09,160 --> 00:18:13,119
theoretically they're gonna realistically, it's gonna be a CDR that

373
00:18:13,200 --> 00:18:15,839
we burnt it onto and I just wrote on sharp

374
00:18:15,960 --> 00:18:18,119
with sharpy on it, like this is it.

375
00:18:19,279 --> 00:18:19,519
Speaker 9: Yeah.

376
00:18:19,720 --> 00:18:22,160
Speaker 10: I'm a big CD fan, so I'll definitely be getting one.

377
00:18:22,680 --> 00:18:24,640
However that needs to come to fruition.

378
00:18:24,920 --> 00:18:27,079
Speaker 9: It'll be five dollars. Okay.

379
00:18:28,279 --> 00:18:29,519
Speaker 6: I love the CDR idea.

380
00:18:29,839 --> 00:18:33,519
Speaker 8: Yeah, well I've I've done it before where I printed

381
00:18:33,599 --> 00:18:36,240
out the uh it's like a sticky label you can

382
00:18:36,279 --> 00:18:38,039
put right on top of the CD. Yeah, so I

383
00:18:38,079 --> 00:18:40,480
can make it look a little more Yeah.

384
00:18:41,000 --> 00:18:43,400
Speaker 10: Yeah, but that's funny.

385
00:18:43,680 --> 00:18:49,960
Speaker 7: When I first started doing this because I started, well, actually, yeah,

386
00:18:50,200 --> 00:18:52,359
when did I started interviewing bands? Like back in two

387
00:18:52,359 --> 00:18:54,400
thousand and eight, two thousand and nine. This show hasn't

388
00:18:54,440 --> 00:18:56,319
existed that long, but but I was doing it for

389
00:18:56,319 --> 00:18:57,759
a while before I was at W M and H.

390
00:18:58,119 --> 00:19:01,160
And when I first started, like people hadn't even gotten

391
00:19:01,200 --> 00:19:04,160
really comfortable yet with sending things via Dropbox and Google

392
00:19:04,279 --> 00:19:07,799
Drive or just attaching files to an email, and occasionally

393
00:19:08,440 --> 00:19:09,599
like guests would show up.

394
00:19:10,000 --> 00:19:11,759
Speaker 6: The move was they'd have a.

395
00:19:11,839 --> 00:19:14,319
Speaker 7: CD that they burned with the music on it that

396
00:19:14,359 --> 00:19:15,880
they wanted to play, and they'd write on it with

397
00:19:15,960 --> 00:19:18,039
a sharpie and then it wouldn't even be in a case.

398
00:19:18,400 --> 00:19:20,000
Speaker 6: They would hand it to me. They'd put the CD

399
00:19:20,119 --> 00:19:22,640
on their finger and be like, here you.

400
00:19:22,720 --> 00:19:24,880
Speaker 10: Go, I've heard you. I've heard you tell this more.

401
00:19:25,119 --> 00:19:25,279
Speaker 4: Yeah.

402
00:19:25,519 --> 00:19:28,519
Speaker 6: Sure, And that would happen all the time.

403
00:19:28,880 --> 00:19:30,599
Speaker 10: Well if you have kids too, like you know, with

404
00:19:30,759 --> 00:19:34,000
like any like Xboxer PlayStation disc, like, if it's not

405
00:19:34,160 --> 00:19:36,200
in the machine, that's the last time it'll be in

406
00:19:36,200 --> 00:19:38,799
the machine, right right.

407
00:19:39,200 --> 00:19:44,200
Speaker 6: Yeah, it's nice to have technology, you know, we do.

408
00:19:44,559 --> 00:19:46,400
Speaker 7: We actually have a CD player here, but the only

409
00:19:46,440 --> 00:19:47,680
one who ever, I don't know if he has no

410
00:19:47,799 --> 00:19:49,880
rob as a veto, he also show here called Granted

411
00:19:49,880 --> 00:19:51,599
state of Mind and he uses it.

412
00:19:52,039 --> 00:19:53,799
Speaker 6: But he's the only one. I've never even used a

413
00:19:53,920 --> 00:19:54,559
CD player.

414
00:19:55,160 --> 00:19:57,480
Speaker 9: That's sick, yeah, but it's but yeah, the.

415
00:19:57,519 --> 00:20:03,240
Speaker 7: Technology is wonderful, wonderful to have. So now, so where

416
00:20:03,279 --> 00:20:06,160
did you guys record so the new EP the six songs?

417
00:20:06,200 --> 00:20:08,160
And did you record it the same way you've recorded

418
00:20:08,200 --> 00:20:09,240
everything else or no?

419
00:20:09,519 --> 00:20:15,160
Speaker 8: So we actually we we bucked up and started paying

420
00:20:15,200 --> 00:20:18,359
for studio time instead of just recording it with a

421
00:20:18,640 --> 00:20:19,359
crappy camera.

422
00:20:19,599 --> 00:20:22,480
Speaker 9: Oh god, yeah. So we recorded it with our good

423
00:20:22,519 --> 00:20:23,279
buddy Axel.

424
00:20:23,759 --> 00:20:23,880
Speaker 3: Uh.

425
00:20:24,319 --> 00:20:25,519
Speaker 9: He helped us bang it out.

426
00:20:25,640 --> 00:20:29,559
Speaker 6: It took I only know one Axel around your axle Baguley.

427
00:20:29,559 --> 00:20:30,519
Speaker 9: Yeah, the very same.

428
00:20:31,319 --> 00:20:31,519
Speaker 2: Yeah.

429
00:20:32,519 --> 00:20:32,720
Speaker 11: Yeah.

430
00:20:32,799 --> 00:20:33,599
Speaker 10: He's a great guy.

431
00:20:33,799 --> 00:20:34,920
Speaker 9: Yeah he as I.

432
00:20:35,319 --> 00:20:37,519
Speaker 8: I told him several times. He's an absolute wizard.

433
00:20:37,759 --> 00:20:40,000
Speaker 9: Yeah yeah.

434
00:20:40,279 --> 00:20:40,519
Speaker 3: Yeah.

435
00:20:40,680 --> 00:20:43,319
Speaker 8: So if he's listening, shout out to Axel for sure,

436
00:20:44,599 --> 00:20:46,160
or more specifically PACIFICO.

437
00:20:46,960 --> 00:20:49,440
Speaker 9: Don't know what I mean, uh specific. Yeah.

438
00:20:49,880 --> 00:20:54,319
Speaker 8: Uh So it took us about seven or eight hours

439
00:20:54,400 --> 00:20:56,599
to bang it all out. We did the drums all

440
00:20:56,680 --> 00:20:58,839
in one night, then we did guitar and bass the

441
00:20:58,920 --> 00:21:01,799
next night, then we did both Okay, so it was

442
00:21:02,000 --> 00:21:06,039
uh I'm still getting over being tired from all of

443
00:21:06,160 --> 00:21:10,039
that because that was the week before Christmas is when

444
00:21:10,079 --> 00:21:12,119
we like really started hammering it down.

445
00:21:12,240 --> 00:21:14,920
Speaker 9: So it was a busy time to be doing that.

446
00:21:15,400 --> 00:21:19,599
Speaker 10: Uh yeah, if I'm not mistaken, I want to say

447
00:21:19,599 --> 00:21:22,160
that's the first time we've all experienced that kind of

448
00:21:22,240 --> 00:21:25,200
like recording process. So it was you know, you're I

449
00:21:25,279 --> 00:21:29,119
gotta be on point and you know, I've getten lockdown

450
00:21:29,160 --> 00:21:29,599
and lock in.

451
00:21:29,799 --> 00:21:34,960
Speaker 8: So I've done it once before, but it was maybe

452
00:21:35,960 --> 00:21:37,680
four hours worth of being in the studio and I

453
00:21:37,759 --> 00:21:39,839
was on drums the entire time, so it was like

454
00:21:41,440 --> 00:21:45,160
I was in a completely separate room with headphones on,

455
00:21:45,240 --> 00:21:47,200
and that was the first time I ever had to

456
00:21:47,319 --> 00:21:49,279
do that, and I'm like, this is the weirdest thing.

457
00:21:49,599 --> 00:21:50,279
Speaker 6: Is weird, isn't it?

458
00:21:50,519 --> 00:21:51,359
Speaker 9: It's so weird.

459
00:21:51,519 --> 00:21:55,160
Speaker 7: Yeah yeah, oh that's uh, that's cool though, that you

460
00:21:55,279 --> 00:21:58,680
got recorded with AX. Where did the place in Nashawa? Yes,

461
00:21:58,720 --> 00:22:01,759
sir okay, excellent. Yeah, yep, that's outstanding. You guys ever

462
00:22:01,799 --> 00:22:02,960
play there at Terminus.

463
00:22:03,559 --> 00:22:07,039
Speaker 8: So I have been talking to actually another shout out

464
00:22:07,119 --> 00:22:11,000
my good friend sim So she just started, uhim.

465
00:22:11,200 --> 00:22:14,000
Speaker 6: Yeah, the very same yep, your people know my peep.

466
00:22:14,079 --> 00:22:16,319
Oh yeah, it's a small scene.

467
00:22:16,559 --> 00:22:16,759
Speaker 9: Yeah.

468
00:22:17,880 --> 00:22:22,000
Speaker 8: So she reached out to me recently about potentially getting

469
00:22:22,079 --> 00:22:24,559
us booked there in twenty twenty five, and I am

470
00:22:24,640 --> 00:22:28,200
quite excited, yeah because I my old old band actually

471
00:22:28,240 --> 00:22:31,880
used to practice there. Oh no kidding, yeah band, So

472
00:22:32,039 --> 00:22:36,799
it was Putrid Lizards at the time, and then yeah,

473
00:22:37,039 --> 00:22:39,039
we went through several name changes.

474
00:22:39,119 --> 00:22:39,359
Speaker 4: It was.

475
00:22:40,279 --> 00:22:43,240
Speaker 8: It was certainly an interesting period of my life.

476
00:22:43,440 --> 00:22:44,960
Speaker 6: Futrid Lizards strike me.

477
00:22:45,160 --> 00:22:47,079
Speaker 7: Strikes me as a kind of name where you're probably

478
00:22:47,119 --> 00:22:49,319
pretty safe that somebody else isn't gonna, you know, come

479
00:22:49,359 --> 00:22:50,079
after you and say.

480
00:22:49,960 --> 00:22:53,200
Speaker 6: Hey we we already have that name, right am I?

481
00:22:53,319 --> 00:22:53,440
Speaker 8: Right?

482
00:22:53,680 --> 00:22:58,960
Speaker 9: Yeah, yeah, correct? Correct to Mundo. Oh that's awesome.

483
00:22:59,079 --> 00:23:00,880
Speaker 7: But no, that's cool that you were recorded with Axel.

484
00:23:01,079 --> 00:23:04,599
And then so now, why an EP? I'm always curious

485
00:23:04,599 --> 00:23:06,359
about this because again, we live in a time where

486
00:23:06,599 --> 00:23:08,279
you have so many different options. You can do an EP,

487
00:23:08,359 --> 00:23:10,599
you could do an album, you could just release singles. Yeah,

488
00:23:11,039 --> 00:23:13,359
a lot of the guests that we talked to lately

489
00:23:13,519 --> 00:23:16,559
they released a bunch of singles that eventually become an album,

490
00:23:17,079 --> 00:23:18,519
you know, instead of doing it the old way where

491
00:23:18,559 --> 00:23:20,319
they release an album and put out singles.

492
00:23:20,359 --> 00:23:22,319
Speaker 6: But why did you guys decide to do an EP?

493
00:23:22,480 --> 00:23:23,519
What went into that decision?

494
00:23:23,880 --> 00:23:27,319
Speaker 8: We had the opportunity, So it actually kind of started

495
00:23:27,440 --> 00:23:31,000
when Axel hit me up because he was saying, you

496
00:23:31,039 --> 00:23:35,400
wanted to record us. So we finally hashed out a

497
00:23:35,480 --> 00:23:38,359
day to start recording, and we thought, okay, well, we

498
00:23:38,480 --> 00:23:43,039
have like seven songs that we want to get recorded,

499
00:23:43,079 --> 00:23:46,119
and now that we have Dane and we also were

500
00:23:46,160 --> 00:23:49,240
deciding what do we want to rehash from Voluntary Suffering?

501
00:23:49,319 --> 00:23:53,400
Speaker 9: That's our album? Okay, that we recorded prior, and we.

502
00:23:53,480 --> 00:23:58,680
Speaker 8: Didn't necessarily want to rehash anything. So we went forth

503
00:23:58,759 --> 00:24:01,279
to start recording those six seven songs. It was seven,

504
00:24:01,359 --> 00:24:04,720
but one of them we scrapped for now, but uh,

505
00:24:06,279 --> 00:24:10,039
we just we recorded them and felt like this is

506
00:24:10,160 --> 00:24:12,359
exactly it, Like this is how it should be. We

507
00:24:12,359 --> 00:24:14,720
shouldn't add more, we shouldn't redact anything like it just

508
00:24:15,400 --> 00:24:17,039
it kind of all collectively felt right.

509
00:24:18,200 --> 00:24:20,440
Speaker 10: It sounds how Baldy should sound exactly.

510
00:24:20,599 --> 00:24:25,880
Speaker 8: And it's like you need to know how much to

511
00:24:26,319 --> 00:24:28,119
how much to pour into something. You don't want to

512
00:24:28,160 --> 00:24:29,640
overpour and overfill the cup, you know.

513
00:24:29,880 --> 00:24:31,799
Speaker 6: Yeah, so yeah that makes sense.

514
00:24:31,880 --> 00:24:32,559
Speaker 9: Yeah, that makes sense.

515
00:24:32,960 --> 00:24:34,759
Speaker 7: Actually, it's kind of nice right when it when it's

516
00:24:34,839 --> 00:24:38,039
sort of organic, when the when the answer just presents itself,

517
00:24:38,079 --> 00:24:40,000
it's like this feels right, this sounds right.

518
00:24:40,400 --> 00:24:41,119
Speaker 9: Yeah exactly.

519
00:24:41,319 --> 00:24:42,839
Speaker 10: It should be fun, and you don't want to get

520
00:24:42,839 --> 00:24:45,160
to a point where like you're agonizing over every silly

521
00:24:45,200 --> 00:24:47,240
little thing that's going on in the recording thing too.

522
00:24:47,359 --> 00:24:49,400
I mean, you know, we we we want to rock

523
00:24:49,440 --> 00:24:51,039
out and want to sound good, but we're not like,

524
00:24:51,319 --> 00:24:53,480
you know, going to lose our minds over it, right.

525
00:24:53,559 --> 00:24:55,839
Speaker 6: Right, Yeah, that makes that makes sense.

526
00:24:56,000 --> 00:24:58,640
Speaker 11: I don't know what the difference between an EP and

527
00:24:58,720 --> 00:25:01,839
an LP and an album. So I'm glad Sean answered

528
00:25:01,880 --> 00:25:02,359
that question.

529
00:25:03,000 --> 00:25:04,000
Speaker 10: I don't know if he really answered it.

530
00:25:04,359 --> 00:25:06,079
Speaker 9: I ramble, dude.

531
00:25:06,599 --> 00:25:10,400
Speaker 8: I think it's I think it's very subjective, like because

532
00:25:11,079 --> 00:25:14,359
you know, especially in punk rock, you have like nine

533
00:25:14,599 --> 00:25:18,680
minute long songs, right, So is the standard set on

534
00:25:18,920 --> 00:25:21,079
the track the amount of tracks, or is it set

535
00:25:21,160 --> 00:25:23,119
on the length in terms of.

536
00:25:23,400 --> 00:25:25,599
Speaker 10: You know, I never thought of it ginning to something

537
00:25:25,640 --> 00:25:26,519
else that's gonna come.

538
00:25:26,400 --> 00:25:29,759
Speaker 8: Out, because you can have like you have these crazy

539
00:25:30,000 --> 00:25:33,559
Norwegian black metal bands that have songs that are like

540
00:25:33,720 --> 00:25:37,319
thirteen minutes long and they have three songs and they're like,

541
00:25:38,359 --> 00:25:39,400
I'm not gonna do death.

542
00:25:41,240 --> 00:25:44,400
Speaker 9: Just to picture it. But it's like this is an album, like, right,

543
00:25:45,240 --> 00:25:45,759
it's three.

544
00:25:45,720 --> 00:25:48,559
Speaker 6: Songs, like, but if it's an hour long, it's hard

545
00:25:48,599 --> 00:25:49,599
to argue exactly.

546
00:25:49,759 --> 00:25:50,519
Speaker 9: That's what I mean.

547
00:25:51,000 --> 00:25:53,839
Speaker 10: Like AFI has an EP and it only has four

548
00:25:53,960 --> 00:25:54,920
songs on it, but it.

549
00:25:54,960 --> 00:25:58,440
Speaker 8: Also I feel like that's typically what you find on

550
00:25:58,519 --> 00:26:03,720
an EP is like anywhere from one to like seven songs,

551
00:26:03,759 --> 00:26:07,039
and then there's that weird like limbo seven to nine

552
00:26:07,160 --> 00:26:10,720
songs where it's like, yeah, you're you're curious of what

553
00:26:10,839 --> 00:26:14,480
you are, I suppose and then you have anything past

554
00:26:14,519 --> 00:26:16,319
that hours like that's an album. But we could be

555
00:26:16,480 --> 00:26:18,920
funny and do like a twenty six song EP.

556
00:26:20,599 --> 00:26:22,599
Speaker 10: We have it in us. We could definitely definitely have

557
00:26:22,680 --> 00:26:24,640
it now that we know and then you know the

558
00:26:24,759 --> 00:26:27,440
recording process and all that sort of thing. I feel

559
00:26:27,440 --> 00:26:29,279
like that's possible if you wanted to do, like, you know,

560
00:26:29,599 --> 00:26:33,279
a thirteen fourteen song thing and have it be anything legit.

561
00:26:33,599 --> 00:26:35,480
Speaker 11: Yeah, twenty six songs single?

562
00:26:35,759 --> 00:26:37,319
Speaker 10: Yeah, yeah, double album.

563
00:26:37,400 --> 00:26:40,039
Speaker 8: We're never putting out We're never putting out another album.

564
00:26:40,119 --> 00:26:41,440
We're just gonna put out EPs.

565
00:26:43,880 --> 00:26:45,279
Speaker 6: Do you got how many songs do you guys have?

566
00:26:45,440 --> 00:26:45,480
Speaker 3: It?

567
00:26:45,519 --> 00:26:49,200
Speaker 6: Sounds like you guys have a lot of songs, right, geez.

568
00:26:48,920 --> 00:26:50,519
Speaker 10: I don't know. I never really thought about it. Maybe

569
00:26:51,160 --> 00:26:53,960
roughly it could be in the twenties.

570
00:26:54,480 --> 00:26:55,519
Speaker 9: Yes, we're in the twenties.

571
00:26:55,640 --> 00:27:00,720
Speaker 8: Like, and that's involving like the half written one, the

572
00:27:00,799 --> 00:27:03,240
ones that we've played thought in progress, Yeah.

573
00:27:03,079 --> 00:27:03,599
Speaker 10: Stuff like that.

574
00:27:03,920 --> 00:27:04,160
Speaker 6: Yeah.

575
00:27:04,400 --> 00:27:07,079
Speaker 11: Yeah, covers of bands and owns ever heard? So we

576
00:27:07,240 --> 00:27:08,319
just got our song.

577
00:27:08,960 --> 00:27:13,000
Speaker 8: Yeah, we uh that about doing Yeah, we're like we

578
00:27:13,160 --> 00:27:16,799
need we need to learn covers so that when where

579
00:27:16,839 --> 00:27:21,000
it shows people will at least recognize something that was

580
00:27:21,079 --> 00:27:23,079
our logic behind it. And then we're like, let's cover

581
00:27:23,279 --> 00:27:27,440
the like lowercase B sides from every band, right, like

582
00:27:27,640 --> 00:27:32,519
the Four of Us. Yeah, I mean, well, people know Nirvana,

583
00:27:32,559 --> 00:27:34,839
but they don't know Tourett's by Nirvana because we cover that.

584
00:27:36,000 --> 00:27:36,200
Speaker 9: Yeah.

585
00:27:36,359 --> 00:27:38,279
Speaker 10: When when I first got in the band, I thought

586
00:27:38,640 --> 00:27:43,400
Floyd the Barber was a song that they wrote. I

587
00:27:43,480 --> 00:27:46,039
was like, wow, you guys have great songs, and they're like, banks,

588
00:27:46,079 --> 00:27:46,640
we didn't write it.

589
00:27:46,920 --> 00:27:49,200
Speaker 6: Yeah, that's awesome.

590
00:27:49,720 --> 00:27:51,720
Speaker 7: I was in a band that we did a Kiss

591
00:27:51,799 --> 00:27:55,359
cover called Hate, and like only the most diehard Kiss

592
00:27:55,400 --> 00:27:59,000
fan would know about that song from their most obscure.

593
00:27:58,559 --> 00:28:00,039
Speaker 11: Album sound like a Kiss.

594
00:28:01,160 --> 00:28:03,680
Speaker 7: It doesn't, Yeah, and and but we would play it,

595
00:28:03,880 --> 00:28:06,960
and you know, we never told anybody, you know, and

596
00:28:07,079 --> 00:28:10,240
nobody nobody knew, Like nobody nobody ever came up to

597
00:28:10,359 --> 00:28:12,000
us and said, wow, I can't believe you're covering that's

598
00:28:12,039 --> 00:28:14,279
like the most obscurre Kiss song ever, Like literally nobody

599
00:28:14,319 --> 00:28:16,400
ever said it to us. Yeah, and we just we

600
00:28:16,559 --> 00:28:19,839
just put it in the set because we liked it. Yeah,

601
00:28:20,200 --> 00:28:23,039
it's funny how that that can work out. What do

602
00:28:23,119 --> 00:28:24,640
you like what do you guys do for covers?

603
00:28:25,559 --> 00:28:26,759
Speaker 9: So we got.

604
00:28:30,079 --> 00:28:30,920
Speaker 11: It's Nirvana.

605
00:28:31,440 --> 00:28:35,759
Speaker 8: Yeah, we we have a Turettes by Nirvana, Floyd the

606
00:28:35,799 --> 00:28:39,720
Barber by Nirvana. We do Molly's Lips, which is a

607
00:28:39,839 --> 00:28:42,640
cover of the Vasilines that Nirvana did.

608
00:28:42,920 --> 00:28:44,920
Speaker 10: Oh that's a double cover.

609
00:28:45,480 --> 00:28:49,759
Speaker 8: Yeah, we were working. Oh, paper Planes by m I

610
00:28:49,880 --> 00:28:53,440
A Kid. Yeah, yeah, that's kind of cool. It's a

611
00:28:53,519 --> 00:28:54,480
goofy one that we do.

612
00:28:57,000 --> 00:28:59,160
Speaker 6: What do you do about the gunfire? Does everybody clap their.

613
00:28:59,119 --> 00:29:01,599
Speaker 9: Hands or something? So I'm glad you know the song?

614
00:29:01,839 --> 00:29:05,440
Speaker 8: So for the gunfire, Jonah just hits the snare and

615
00:29:05,799 --> 00:29:08,759
I do like weird little wootily woos with my voice.

616
00:29:08,960 --> 00:29:09,160
Speaker 2: Yeah.

617
00:29:09,839 --> 00:29:12,039
Speaker 10: So yeah, we thought we thought about though, if we'd

618
00:29:12,039 --> 00:29:14,599
were to record that cover, we'd actually use real guns.

619
00:29:14,640 --> 00:29:15,440
Speaker 3: Right right?

620
00:29:15,799 --> 00:29:17,759
Speaker 6: Well, yeah you want to. I mean that's like the

621
00:29:17,799 --> 00:29:19,920
punk rock Yeah, exactly, keep it real.

622
00:29:20,599 --> 00:29:22,960
Speaker 8: So I saw I saw one of the funniest things

623
00:29:22,960 --> 00:29:26,119
I've seen. It was on YouTube and they did paper

624
00:29:26,160 --> 00:29:28,640
Planes by m I A. But if they used muskets,

625
00:29:30,000 --> 00:29:31,240
it's so funny.

626
00:29:31,799 --> 00:29:33,759
Speaker 9: I have to see that. It's amazing.

627
00:29:33,920 --> 00:29:34,079
Speaker 12: Man.

628
00:29:35,599 --> 00:29:38,279
Speaker 8: There's one shot that's licked off and then it's like

629
00:29:38,720 --> 00:29:41,359
two minutes of them packing it really.

630
00:29:41,759 --> 00:29:43,240
Speaker 9: Yeah, it is hilarious.

631
00:29:44,000 --> 00:29:48,160
Speaker 6: Yeah, that's great, that's great. Whose idea was that to

632
00:29:48,559 --> 00:29:48,759
do that?

633
00:29:49,079 --> 00:29:50,400
Speaker 9: Oh dude, I have no idea.

634
00:29:50,559 --> 00:29:54,160
Speaker 8: It's someone on the internet graced us with its presence.

635
00:29:54,319 --> 00:29:57,680
Speaker 6: Yeah, so that's awesome. That's awesome. Oh so where does

636
00:29:57,720 --> 00:29:58,400
the name come from?

637
00:29:58,559 --> 00:29:58,680
Speaker 3: Uh?

638
00:30:01,000 --> 00:30:07,119
Speaker 8: Yeah, so I was listening to a podcast about I

639
00:30:07,200 --> 00:30:10,079
think it was World War One and uh, because I

640
00:30:10,200 --> 00:30:13,279
just I listened to like random podcasts every day when

641
00:30:13,319 --> 00:30:17,200
it was working, and they were talking about the method

642
00:30:17,240 --> 00:30:20,359
of attack of Bali and Joan and I were jamming

643
00:30:20,400 --> 00:30:23,920
at the time, and I really that word just resonated

644
00:30:24,000 --> 00:30:25,519
with me and stuck in my head. So I told

645
00:30:25,640 --> 00:30:28,119
him I wanted to try to use that name, and

646
00:30:28,200 --> 00:30:31,000
he's like, I definitely dig it. We have to spell

647
00:30:31,079 --> 00:30:33,880
it differently, though, Okay, that's why it's spelled the way

648
00:30:33,920 --> 00:30:37,119
it is. And like we've gotten the funniest pronunciations. I'm

649
00:30:37,160 --> 00:30:39,839
glad you in the email you asked me, like phonetically

650
00:30:39,920 --> 00:30:42,920
how to use that. Yeah, because most people call us

651
00:30:43,000 --> 00:30:44,759
valie and I get it.

652
00:30:47,039 --> 00:30:47,680
Speaker 10: Valley girls.

653
00:30:47,799 --> 00:30:51,279
Speaker 9: Yeah, but I didn't know.

654
00:30:51,400 --> 00:30:53,759
Speaker 6: Yeah, Like I saw that and I thought I was wondering,

655
00:30:53,839 --> 00:30:55,039
like is it the name of a place?

656
00:30:55,559 --> 00:30:55,720
Speaker 4: You know?

657
00:30:56,559 --> 00:30:59,319
Speaker 9: The only other thing I found online is some like

658
00:31:00,039 --> 00:31:01,519
Italian muffler.

659
00:31:01,240 --> 00:31:07,000
Speaker 10: Man custom exhaust for your like it's from a Romeo

660
00:31:07,160 --> 00:31:07,519
or whatever.

661
00:31:09,000 --> 00:31:13,640
Speaker 7: So do people yeah, you said people mispronounce it? Does

662
00:31:13,640 --> 00:31:16,359
anybody ever spell it wrong like on a poster or something.

663
00:31:16,200 --> 00:31:20,400
Speaker 8: Or No, we haven't encountered that yet. So the main

664
00:31:20,519 --> 00:31:24,519
reason is most of the flyers I make, so I

665
00:31:24,599 --> 00:31:27,079
guess I lucked out with that, But the flyers that

666
00:31:27,440 --> 00:31:30,000
I didn't make, we haven't had it spelled incorrectly yet.

667
00:31:30,079 --> 00:31:32,960
Speaker 9: That's good because there's more, there's.

668
00:31:32,799 --> 00:31:36,000
Speaker 8: More communication that happens online and like with our Instagram

669
00:31:36,160 --> 00:31:36,559
right there.

670
00:31:36,880 --> 00:31:39,559
Speaker 9: Yeah, So it's like I would hope you wouldn't spell

671
00:31:39,559 --> 00:31:40,000
it wrong.

672
00:31:40,200 --> 00:31:42,880
Speaker 10: Man, five letters isn't too hard.

673
00:31:43,079 --> 00:31:46,240
Speaker 8: Yeah, but if someone was like doing speech to text

674
00:31:46,319 --> 00:31:49,559
to just be like volley like a volleyball. We actually

675
00:31:49,640 --> 00:31:53,759
we were joking about for our merch making volley volleyballs.

676
00:31:55,279 --> 00:31:57,680
Speaker 6: So that's a good idea. That's a good idea.

677
00:31:57,720 --> 00:31:58,119
Speaker 2: I like that.

678
00:31:58,279 --> 00:31:58,599
Speaker 6: Why not?

679
00:31:59,079 --> 00:32:00,720
Speaker 9: Why not? Now?

680
00:32:00,880 --> 00:32:02,440
Speaker 6: So Sean you write all the lyrics?

681
00:32:02,519 --> 00:32:02,680
Speaker 10: I do?

682
00:32:02,880 --> 00:32:03,039
Speaker 9: Yes?

683
00:32:03,240 --> 00:32:05,359
Speaker 6: Is there like a theme or does it vary?

684
00:32:06,119 --> 00:32:06,759
Speaker 9: It varies?

685
00:32:07,200 --> 00:32:11,839
Speaker 8: I I kind of just write what I'm feeling. I

686
00:32:11,960 --> 00:32:17,440
don't necessarily fixate on a topic like I. I don't

687
00:32:17,480 --> 00:32:19,480
give myself a topic to write about when I'm writing.

688
00:32:19,680 --> 00:32:22,880
I just I'll see like a word on the wall,

689
00:32:23,240 --> 00:32:25,839
or something in the newspaper or something on the TV,

690
00:32:26,079 --> 00:32:28,319
just one word and it just it lights a fire

691
00:32:28,359 --> 00:32:29,599
into my butt, and I just start writing.

692
00:32:29,799 --> 00:32:30,039
Speaker 6: Yeah.

693
00:32:30,519 --> 00:32:34,440
Speaker 8: More often than not, I write the lyrics before we

694
00:32:34,559 --> 00:32:39,279
write the music, so to speak. But we'll have, for instance,

695
00:32:39,400 --> 00:32:42,359
Dane'll start playing a riff and I'll be like, I'll

696
00:32:42,400 --> 00:32:46,359
either start writing something or in my giant folder of

697
00:32:46,440 --> 00:32:50,079
half written songs, I'm like, I think this will fit perfectly. Yeah,

698
00:32:51,400 --> 00:32:54,039
And I have way too, because I have massive ADHD

699
00:32:54,279 --> 00:32:57,559
so like, I literally have like a thousand notes in my.

700
00:32:59,799 --> 00:33:00,920
Speaker 9: Like lyric folder.

701
00:33:01,480 --> 00:33:06,599
Speaker 10: I've seen him scroll through, you know.

702
00:33:06,759 --> 00:33:11,000
Speaker 8: Yeah, but we like typically it's more I suppose there's

703
00:33:11,000 --> 00:33:15,960
a darker vibe to our songs and whatnot. I wouldn't

704
00:33:16,680 --> 00:33:19,480
necessarily call myself a missanthroat, but I would say they're

705
00:33:19,480 --> 00:33:25,440
a little misanthropic. But it's it's very cathartic for me

706
00:33:26,359 --> 00:33:29,240
to write lyrics and then yell those lyrics with my

707
00:33:29,359 --> 00:33:32,559
best friends, no doubt, yeah, it's like, there are bad

708
00:33:32,599 --> 00:33:34,559
things that are happening in the world, but we're having

709
00:33:34,599 --> 00:33:38,359
a ball. However, I'm cognitive of the fact that there's

710
00:33:38,400 --> 00:33:40,920
bad things going on, so maybe I'll tell some people.

711
00:33:41,240 --> 00:33:44,119
Speaker 11: He stole the chorus of fTPM from me.

712
00:33:44,720 --> 00:33:45,279
Speaker 9: Yes, I did.

713
00:33:45,640 --> 00:33:53,319
Speaker 8: Yeah, yeah, Jonah, that's my only contribution, his only lyrical contribution.

714
00:33:53,680 --> 00:33:54,799
Speaker 6: Okay, yeah, okay.

715
00:33:55,480 --> 00:33:59,319
Speaker 7: I'm curious about the ADHD does that, and there's specific

716
00:33:59,359 --> 00:34:02,119
reason I'm asking, But does that help you, Like, do

717
00:34:02,200 --> 00:34:05,359
you feel that that that helps you in terms.

718
00:34:05,200 --> 00:34:08,280
Speaker 6: Of writing and creativity? Is it a is it an

719
00:34:08,280 --> 00:34:09,800
advantage somehow? A?

720
00:34:10,119 --> 00:34:10,760
Speaker 9: Yes and no.

721
00:34:12,000 --> 00:34:15,000
Speaker 8: It's like a it's a very black and white yes

722
00:34:15,119 --> 00:34:19,559
and no. It's either it depends on like there's so

723
00:34:19,599 --> 00:34:21,840
many factors like what I ate during the day, how

724
00:34:22,079 --> 00:34:26,400
my mood is going and whatnot. But I like I'm

725
00:34:26,480 --> 00:34:32,159
either a hurricane of just starting things and not finishing them,

726
00:34:32,320 --> 00:34:34,880
like back to back to back. I'll start sweeping the

727
00:34:34,960 --> 00:34:38,400
floor and then get distracted and do something else, or

728
00:34:38,960 --> 00:34:41,159
I like hyper fixate on it.

729
00:34:41,239 --> 00:34:45,559
Speaker 9: I lock in on it and just yeah, it's more

730
00:34:45,599 --> 00:34:48,639
often than not it h it throws a stick in

731
00:34:48,679 --> 00:34:49,159
the spokes.

732
00:34:49,280 --> 00:34:51,880
Speaker 7: Okay, The reason I was curious, is I don't know

733
00:34:51,920 --> 00:34:53,440
if you know doctor Kevin ross Emory.

734
00:34:53,519 --> 00:34:54,280
Speaker 9: He's I don't think so.

735
00:34:54,440 --> 00:34:57,159
Speaker 7: He's from Nashua, and I've done a lot of work

736
00:34:57,159 --> 00:34:59,239
with him over the years. I'm on his podcast sometimes

737
00:34:59,280 --> 00:35:00,679
and he's been on the show a lot, and I

738
00:35:00,920 --> 00:35:03,079
know him really well. But he he's done a lot

739
00:35:03,079 --> 00:35:04,639
of work in the area of a d D and

740
00:35:04,719 --> 00:35:07,360
ADHD and he's written he's written some books. One of

741
00:35:07,400 --> 00:35:10,119
the books is called Managing the Gift, and in it

742
00:35:10,239 --> 00:35:13,239
he talks about how it can actually be an advantage

743
00:35:13,239 --> 00:35:15,880
if you play it right, and and how you know

744
00:35:17,559 --> 00:35:20,280
a lot of creative people you know have ADHD and

745
00:35:20,639 --> 00:35:23,760
a lot of very successful entrepreneurs you know, and there's

746
00:35:23,800 --> 00:35:26,880
a spectrum and so forth. But but yeah, he talks

747
00:35:26,880 --> 00:35:29,400
about how a lot of musicians you know, that it

748
00:35:29,679 --> 00:35:32,400
can again if you if you use it to your advantage,

749
00:35:32,400 --> 00:35:34,760
you can it can help you with your creativity and

750
00:35:35,199 --> 00:35:37,480
coming up with concepts and then expanding on them.

751
00:35:37,559 --> 00:35:41,159
Speaker 8: And I think if anything musically that it's helped with,

752
00:35:41,320 --> 00:35:45,119
it's playing the drums really, because I am always tapping

753
00:35:45,199 --> 00:35:47,760
on stuff like NonStop ever since I was a kid.

754
00:35:47,840 --> 00:35:49,360
Speaker 6: Yeah, I'm the same I'm not a drummer. I'm a

755
00:35:49,360 --> 00:35:51,199
bass player, but I constantly.

756
00:35:50,880 --> 00:35:52,559
Speaker 9: Tell yeah, I uh.

757
00:35:53,159 --> 00:35:55,360
Speaker 8: When I first started playing drums, that's how I would

758
00:35:55,400 --> 00:35:58,559
like write most of my drumming and learn and practice

759
00:35:58,719 --> 00:36:01,559
was like in class. I would be stopping my foot,

760
00:36:01,639 --> 00:36:05,000
tapping my right hand, tapping my left hand, and visualizing

761
00:36:05,079 --> 00:36:08,400
the kit, which did not help it. It almost made

762
00:36:08,440 --> 00:36:12,119
it more enticing to tap on everything. And my classmates

763
00:36:12,159 --> 00:36:14,280
weren't too stoked on that, as you can imagine.

764
00:36:14,480 --> 00:36:15,760
Speaker 10: I bet your teachers loved you.

765
00:36:16,039 --> 00:36:17,719
Speaker 9: No, they hated me, dude.

766
00:36:19,719 --> 00:36:23,599
Speaker 7: Oh wow, that's too bad, because, you know, because they

767
00:36:23,639 --> 00:36:25,480
should have been. It'd be nice if they were supportive.

768
00:36:26,320 --> 00:36:28,000
But teachers don't always know what.

769
00:36:28,719 --> 00:36:30,960
Speaker 10: I had a tough time in school too. Yeah, well

770
00:36:31,079 --> 00:36:31,360
for sure.

771
00:36:31,400 --> 00:36:31,559
Speaker 9: Yeah.

772
00:36:31,559 --> 00:36:33,639
Speaker 10: I was always getting in trouble and being a menace

773
00:36:33,760 --> 00:36:39,119
and yeah, you know, but it's it's all how you

774
00:36:39,199 --> 00:36:40,559
turn out in the and I suppose.

775
00:36:40,360 --> 00:36:42,440
Speaker 6: Yeah, exactly exactly. How how about you?

776
00:36:44,320 --> 00:36:46,800
Speaker 11: I got good grades when I didn't know anyone.

777
00:36:47,079 --> 00:36:49,360
Speaker 6: Yeah, what do you mean?

778
00:36:51,079 --> 00:36:53,719
Speaker 11: I just ran cross country and track and did my

779
00:36:53,760 --> 00:36:56,480
homework because I didn't know anyone. When I moved to

780
00:36:56,760 --> 00:36:57,840
Florida for high school.

781
00:36:57,960 --> 00:37:00,360
Speaker 6: Oh okay, but then I.

782
00:37:00,719 --> 00:37:04,039
Speaker 11: Decided that I had other things. I want to tape

783
00:37:04,079 --> 00:37:04,400
it off.

784
00:37:04,599 --> 00:37:09,880
Speaker 7: Yeah, yeah, that makes sense, that makes sense. We should

785
00:37:09,960 --> 00:37:12,280
uh oh Jesus already eleven thirties. Let's uh, let's play

786
00:37:12,280 --> 00:37:14,440
another track. Oh, by the way, so what's up before

787
00:37:14,480 --> 00:37:14,880
we do that?

788
00:37:15,000 --> 00:37:15,159
Speaker 4: Though?

789
00:37:15,480 --> 00:37:15,519
Speaker 2: So?

790
00:37:15,639 --> 00:37:17,519
Speaker 6: What is what is calling season about?

791
00:37:17,599 --> 00:37:20,719
Speaker 7: Because the lyrics are really interesting and that that that's

792
00:37:20,760 --> 00:37:23,400
part of why I was asking too about uh, you know,

793
00:37:23,519 --> 00:37:26,119
is there a theme to your your your lyrics?

794
00:37:26,519 --> 00:37:31,800
Speaker 9: Oh? Well, that one is about killing and eating the rich,

795
00:37:32,039 --> 00:37:36,599
the top one percent, like the folks that are so rich.

796
00:37:36,719 --> 00:37:37,840
You have no idea who they.

797
00:37:37,719 --> 00:37:43,760
Speaker 7: Are, right, I approve, Yeah, I'm not literally doing it, yes, yes, yeah,

798
00:37:43,760 --> 00:37:44,440
I approve of them.

799
00:37:44,639 --> 00:37:51,280
Speaker 8: Yeah yeah in Minecraft. In Minecraft, No, it's it's metaphorical.

800
00:37:51,320 --> 00:37:53,320
I'm not I'm not, of course saying like, hey, go

801
00:37:53,480 --> 00:37:59,280
do this dog, but uh, it's it's just it's what

802
00:37:59,480 --> 00:38:03,679
I am at the collective messages that the general populace

803
00:38:04,159 --> 00:38:08,840
feels about the struggle that we're all going through right

804
00:38:08,920 --> 00:38:12,440
now to some degree, because there's different facets of struggling financially.

805
00:38:12,559 --> 00:38:15,760
But yeah, you know the fact that you have someone

806
00:38:15,960 --> 00:38:19,039
like Jeff Bezos or Bezos however, your pronounce his name.

807
00:38:20,519 --> 00:38:25,199
That make my yearly salary in a minute, like, I

808
00:38:25,639 --> 00:38:29,320
feel like you have enough, buddy, Right, I'm all for

809
00:38:30,400 --> 00:38:31,760
folks winning the medal, but.

810
00:38:34,159 --> 00:38:35,880
Speaker 9: Come on, you know what I mean.

811
00:38:36,760 --> 00:38:39,760
Speaker 7: And and that concentration of wealth, it becomes more and

812
00:38:39,840 --> 00:38:43,000
more concentrated all the time. Yes, exactly, Fewer and fewer

813
00:38:43,079 --> 00:38:45,679
people control more and more of the wealth.

814
00:38:45,960 --> 00:38:46,320
Speaker 9: Exactly.

815
00:38:46,360 --> 00:38:48,000
Speaker 11: Are you registered to vote, Sean?

816
00:38:48,960 --> 00:38:53,559
Speaker 6: No, you should, Yes, I have.

817
00:38:54,960 --> 00:38:56,440
Speaker 9: I actually voted for Dane.

818
00:38:57,079 --> 00:38:58,559
Speaker 6: Oh that's nice, rotamentary.

819
00:38:58,880 --> 00:39:00,239
Speaker 9: It would have been nicer if you one.

820
00:39:00,440 --> 00:39:02,280
Speaker 10: I don't remember what I what I was running for.

821
00:39:02,679 --> 00:39:04,079
Speaker 6: I was gonna say, were you on the ballot or

822
00:39:04,159 --> 00:39:04,800
was it around now?

823
00:39:04,840 --> 00:39:06,840
Speaker 9: I put him on the ballot. Oh very good. Yeah,

824
00:39:07,000 --> 00:39:07,519
it's very.

825
00:39:07,440 --> 00:39:07,880
Speaker 10: Sweet of you.

826
00:39:08,119 --> 00:39:10,559
Speaker 6: Yeah, there's something very that's very new Hampshire.

827
00:39:11,119 --> 00:39:12,599
Speaker 9: Yeah, I do that.

828
00:39:12,679 --> 00:39:14,719
Speaker 10: That's a very nice I think Cody ran for sheriff.

829
00:39:14,880 --> 00:39:18,440
Speaker 11: I want to say I voted for Cody for sheriff too.

830
00:39:18,519 --> 00:39:19,320
Speaker 10: I quoted for Cody.

831
00:39:19,719 --> 00:39:20,480
Speaker 9: Oh, very nice.

832
00:39:21,159 --> 00:39:22,119
Speaker 6: I would have known.

833
00:39:23,039 --> 00:39:24,239
Speaker 10: I think he'd make a great sheriff.

834
00:39:24,599 --> 00:39:28,960
Speaker 8: So he said, he said, if he became the sheriff,

835
00:39:29,079 --> 00:39:31,639
he would make everybody in the entire state of deputy.

836
00:39:33,679 --> 00:39:36,079
Speaker 6: Okay, I mean that's a lot of responsibility. I don't

837
00:39:36,079 --> 00:39:36,760
know if I'd want.

838
00:39:36,639 --> 00:39:39,599
Speaker 9: To be a well tough luck buddy or a deputy.

839
00:39:39,679 --> 00:39:43,039
Speaker 10: It'd be cool to have the badatory deputy service.

840
00:39:43,400 --> 00:39:46,440
Speaker 9: It'd be hilarious if everybody in an entire state was

841
00:39:46,480 --> 00:39:47,039
a deputy.

842
00:39:48,280 --> 00:39:49,559
Speaker 10: Watch out Massachusetts.

843
00:39:51,480 --> 00:39:52,079
Speaker 6: I feel like that.

844
00:39:52,119 --> 00:39:54,000
Speaker 7: Would not be very New Hampshire. That would be more

845
00:39:54,159 --> 00:39:57,280
like Utah or something. Yeah, I could see that where

846
00:39:57,320 --> 00:39:58,639
you just deputize everybody.

847
00:39:58,880 --> 00:40:01,760
Speaker 11: Yeah, everybody's a wife in Utah.

848
00:40:03,159 --> 00:40:05,840
Speaker 10: Yes, more wifes per capita.

849
00:40:09,320 --> 00:40:09,679
Speaker 4: There you go.

850
00:40:09,880 --> 00:40:12,760
Speaker 6: That might be a lyrical idea. You could do something

851
00:40:12,800 --> 00:40:12,960
with that.

852
00:40:13,719 --> 00:40:16,679
Speaker 7: Well, let's let's play this track Static. Anything we should

853
00:40:16,719 --> 00:40:17,760
know about this before we play it.

854
00:40:18,320 --> 00:40:21,360
Speaker 8: Uh, If you come to see us when we're playing

855
00:40:21,440 --> 00:40:24,480
this live and you don't yell along to the part

856
00:40:24,559 --> 00:40:26,239
that you'll know what to yell along to once you

857
00:40:26,360 --> 00:40:27,840
hear it, I'm gonna be pretty sad.

858
00:40:28,119 --> 00:40:32,400
Speaker 6: Okay, all right, fair enough? Check it out. This is Static.

859
00:40:32,519 --> 00:40:34,960
The band is Volley, and they're here with us live

860
00:40:35,000 --> 00:40:35,480
in studio.

861
00:40:52,239 --> 00:40:59,079
Speaker 1: I feel I can't understanding. I'd feel like my labor

862
00:41:00,199 --> 00:41:02,960
I feel like he's so made up. Last going got

863
00:41:03,079 --> 00:41:05,599
your picture. But I feel like God the an he

864
00:41:05,800 --> 00:41:06,920
tries to clinic in.

865
00:41:07,000 --> 00:41:11,400
Speaker 4: The script shirt. Stand, it's a static stacking washed away

866
00:41:12,000 --> 00:41:15,400
and it's a static stag it wash away.

867
00:41:15,840 --> 00:41:18,039
Speaker 1: Stand, it's a static stag.

868
00:41:18,039 --> 00:41:20,440
Speaker 3: It washed away. Yeah, it's a.

869
00:41:20,519 --> 00:41:23,320
Speaker 1: Static staging walked away.

870
00:41:23,960 --> 00:41:26,840
Speaker 2: I feel like got me any priceman and on the

871
00:41:27,000 --> 00:41:30,159
sun what I feel like on the fiery pemin and.

872
00:41:30,239 --> 00:41:33,960
Speaker 1: A broken gun so ready to furst. I'm ready to burst.

873
00:41:33,760 --> 00:41:38,039
Speaker 2: Someone bottled up stuck that inca ready jumping like.

874
00:42:06,719 --> 00:42:17,880
Speaker 4: Day dag away, dagon walking away and it's a dand.

875
00:42:19,880 --> 00:42:29,880
Speaker 6: Away that is static. The band is volley here with us.

876
00:42:30,360 --> 00:42:32,599
Speaker 8: And I'm a robot. My voice sounds like a flanger

877
00:42:32,719 --> 00:42:34,719
right now. But Axel is assuring me that I'm not

878
00:42:34,800 --> 00:42:36,559
going to sound like a robot. I will, in fact

879
00:42:36,639 --> 00:42:38,480
sound like a human being, because I am a human

880
00:42:38,519 --> 00:42:40,000
being that is not, in fact a robot.

881
00:42:41,159 --> 00:42:43,000
Speaker 10: It's true, he is not a robot.

882
00:42:44,800 --> 00:42:46,639
Speaker 9: Thank you for leaving that in, Axel, I love you.

883
00:42:49,559 --> 00:42:52,320
Oh yeah, you can turn it off.

884
00:42:53,480 --> 00:42:54,639
Speaker 6: That's all right, we got this far.

885
00:42:55,679 --> 00:42:56,440
Speaker 9: Yeah, that's true.

886
00:42:56,840 --> 00:42:59,800
Speaker 6: I totally forgot that there was something else there that

887
00:43:00,280 --> 00:43:01,320
that makes two of us.

888
00:43:02,599 --> 00:43:04,039
Speaker 10: Well, at least it was radio friendly.

889
00:43:04,280 --> 00:43:04,480
Speaker 4: Yeah.

890
00:43:05,159 --> 00:43:08,119
Speaker 11: Absolutely, we have to do that to make the song

891
00:43:08,280 --> 00:43:08,840
two minutes.

892
00:43:09,079 --> 00:43:11,960
Speaker 10: Yeah, yeah, that's.

893
00:43:11,840 --> 00:43:12,840
Speaker 6: Right, that's smart.

894
00:43:13,320 --> 00:43:13,360
Speaker 2: No.

895
00:43:13,519 --> 00:43:14,880
Speaker 7: I when I listened to it, I was like, I

896
00:43:14,960 --> 00:43:16,599
got to remember this something at the end, and then

897
00:43:16,639 --> 00:43:17,440
of course I forgot.

898
00:43:17,880 --> 00:43:19,679
Speaker 6: But uh no, I like that track though. It's very

899
00:43:19,800 --> 00:43:20,280
very catchy.

900
00:43:20,400 --> 00:43:20,639
Speaker 9: Thank you.

901
00:43:20,800 --> 00:43:22,679
Speaker 6: I like the do you want to tell you? You

902
00:43:22,760 --> 00:43:25,320
were telling off air? Do you want to Yeah, what

903
00:43:25,639 --> 00:43:26,320
you were talking about?

904
00:43:26,639 --> 00:43:26,840
Speaker 9: Yeah?

905
00:43:27,079 --> 00:43:31,880
Speaker 8: So I wrote that on guitar like four years ago,

906
00:43:31,960 --> 00:43:34,719
give your take. And this was when I was playing

907
00:43:34,760 --> 00:43:41,079
guitar a lot. I I broke my wrist a few

908
00:43:41,159 --> 00:43:44,440
years later, like once Volley started really picking up, I broke.

909
00:43:45,760 --> 00:43:46,440
Speaker 9: I'm so sorry.

910
00:43:46,480 --> 00:43:48,039
Speaker 6: That's all right. We're on a we're on a delay.

911
00:43:48,079 --> 00:43:51,480
I caught it. We're on an eight second delay. So

912
00:43:51,519 --> 00:43:53,159
when the when the naughty punk rock?

913
00:43:55,320 --> 00:43:58,920
Speaker 11: Yeah, sorry, you want to say something bad?

914
00:43:59,159 --> 00:43:59,199
Speaker 4: No.

915
00:44:00,280 --> 00:44:03,320
Speaker 8: So I broke my wrist and I was unable to

916
00:44:03,360 --> 00:44:06,639
play that song anymore because there's a solo part that

917
00:44:07,079 --> 00:44:12,320
it's very difficult to do, and we kept trying and

918
00:44:12,360 --> 00:44:15,719
trying and trying. So at one point we were just

919
00:44:15,840 --> 00:44:20,360
playing the last two measures of it. After it does

920
00:44:20,440 --> 00:44:25,519
the little solo we part and we wound up messing

921
00:44:25,559 --> 00:44:28,039
around at practice and I was yelling along to what

922
00:44:28,159 --> 00:44:31,159
the solo would have been that I was doing and

923
00:44:31,480 --> 00:44:33,360
to do that just so we could keep time I

924
00:44:33,480 --> 00:44:39,360
was going. But and when we recorded it, I was

925
00:44:39,400 --> 00:44:42,639
doing that in the background and Axel said that sounds

926
00:44:42,679 --> 00:44:46,639
pretty sick. Next practice, I texted them, I'm like, we

927
00:44:46,800 --> 00:44:48,519
need to at least try this, like hear me out,

928
00:44:48,559 --> 00:44:49,119
let's try it.

929
00:44:49,800 --> 00:44:50,440
Speaker 9: And we did it.

930
00:44:50,559 --> 00:44:52,519
Speaker 8: We all just looked at each other and we're like, oh,

931
00:44:52,679 --> 00:44:55,480
that's it. So now we have that part where we

932
00:44:55,599 --> 00:45:00,519
all yelled the solo instead, and it's just it gives

933
00:45:00,599 --> 00:45:04,320
me like such a great feeling every time I hear it, because, yeah,

934
00:45:04,559 --> 00:45:07,239
what we want is we want people to hear it

935
00:45:07,320 --> 00:45:10,000
and yell along with us, right, because we're all we're

936
00:45:10,039 --> 00:45:11,880
all in it together to have fun, right right.

937
00:45:12,039 --> 00:45:14,440
Speaker 10: Yeah, Live at a show, it's definitely easy for the

938
00:45:14,519 --> 00:45:16,360
audience to like chime in on that and yeah the

939
00:45:16,400 --> 00:45:18,480
whole place, you know, you know, yelling it.

940
00:45:18,800 --> 00:45:21,840
Speaker 6: Yeah, No, that's very cool. That's very cool. Are you

941
00:45:21,920 --> 00:45:23,119
guys playing out a lot?

942
00:45:23,840 --> 00:45:25,440
Speaker 9: We have been playing more and more.

943
00:45:25,559 --> 00:45:28,760
Speaker 8: Yeah, So we have a show January twenty fourth at

944
00:45:28,840 --> 00:45:35,280
CODO and Lowell. We're playing the twenty seventh at that's January. Yeah,

945
00:45:35,519 --> 00:45:39,960
we're playing the twenty seventh of January at O'Brien's in Boston.

946
00:45:40,199 --> 00:45:40,760
Speaker 6: Oh nice.

947
00:45:41,239 --> 00:45:43,920
Speaker 8: We're setting up a show in February at the Keep

948
00:45:44,000 --> 00:45:47,559
and Lowell, so we're super stoked for that. We have

949
00:45:47,719 --> 00:45:49,800
been playing out quite a bit.

950
00:45:50,039 --> 00:45:52,519
Speaker 10: This will be our second trip to O'Brien's. We just

951
00:45:52,599 --> 00:45:54,679
played with Already Dead and Dave Strong a couple of

952
00:45:54,719 --> 00:45:55,920
weeks ago. Oh my god.

953
00:45:56,280 --> 00:45:56,480
Speaker 11: Yeah.

954
00:45:56,639 --> 00:45:58,159
Speaker 9: Yeah, big shout outs to both of them.

955
00:45:58,280 --> 00:46:00,760
Speaker 7: We love absolutely, Yeah, we loved Dave's been on the

956
00:46:00,800 --> 00:46:04,239
show a couple of Dave's amazing and we had Already

957
00:46:04,360 --> 00:46:06,559
Dead on I don't know, maybe six months ago.

958
00:46:06,760 --> 00:46:06,920
Speaker 11: Yeah.

959
00:46:07,000 --> 00:46:07,960
Speaker 6: Yeah, they're fantastic.

960
00:46:08,079 --> 00:46:11,079
Speaker 8: They're awesome. There's such funny guys. Like after the show

961
00:46:11,159 --> 00:46:12,960
is finished, we sat and joked with them for like

962
00:46:13,079 --> 00:46:13,679
thirty minutes.

963
00:46:13,880 --> 00:46:14,639
Speaker 9: Yeah, it is great.

964
00:46:14,880 --> 00:46:19,880
Speaker 7: Yeah, and there they have some pretty good, pretty sophisticated

965
00:46:19,920 --> 00:46:20,719
themes to their Yeah.

966
00:46:20,840 --> 00:46:23,800
Speaker 6: Absolutely, yeah, no, I love I love those guys. That's

967
00:46:24,119 --> 00:46:24,599
that's great.

968
00:46:25,599 --> 00:46:27,480
Speaker 7: Do you guys have any is there anybody in the

969
00:46:27,519 --> 00:46:29,320
scene you kind of you know, because it happens organically,

970
00:46:29,360 --> 00:46:30,719
anybody that you kind of team up with.

971
00:46:30,880 --> 00:46:32,360
Speaker 6: Are there any other bands that you play a lot

972
00:46:32,400 --> 00:46:32,719
of shows?

973
00:46:33,320 --> 00:46:36,320
Speaker 8: It's so street trash there. There are buddies. We play

974
00:46:36,400 --> 00:46:38,400
with them pretty frequently. A lot of the shows that

975
00:46:38,480 --> 00:46:40,320
we've played have been with them, from either of them

976
00:46:40,400 --> 00:46:42,920
reaching out to us with an opportunity or us reaching

977
00:46:42,960 --> 00:46:44,239
out to them and saying like, hey, we want to

978
00:46:44,280 --> 00:46:46,280
play with you guys again. Yeah, And every time we

979
00:46:46,360 --> 00:46:49,360
play together, it's just it's so much fun. It it

980
00:46:49,480 --> 00:46:52,440
feels very organic, like because we basically just laugh the

981
00:46:52,559 --> 00:46:54,800
entire time. Yeah, and we're not playing music, we're messing

982
00:46:54,840 --> 00:46:55,280
with each other.

983
00:46:55,519 --> 00:46:55,679
Speaker 3: Yeah.

984
00:46:55,800 --> 00:46:57,119
Speaker 6: Yeah, that's cool.

985
00:46:57,400 --> 00:46:58,039
Speaker 9: That's very cool.

986
00:46:58,079 --> 00:46:59,360
Speaker 10: Street trash rules for sure.

987
00:47:00,000 --> 00:47:03,239
Speaker 7: I don't think, Yeah, we haven't had them, have we Jenny, Oh,

988
00:47:03,320 --> 00:47:04,800
she's busy doing something.

989
00:47:05,840 --> 00:47:06,039
Speaker 3: Yeah.

990
00:47:06,079 --> 00:47:08,360
Speaker 7: Yeah, it becomes a blur. I've been doing this a

991
00:47:08,440 --> 00:47:11,280
long time. It's like sometimes sometimes we'll we'll have somebody

992
00:47:11,320 --> 00:47:13,760
and it's like looking forward to meeting them. It's like, oh,

993
00:47:13,760 --> 00:47:16,519
I've already met them, but I don't realize it until

994
00:47:17,119 --> 00:47:19,280
they're here, you know.

995
00:47:20,360 --> 00:47:23,199
Speaker 6: But uh no, but that's you guys.

996
00:47:23,400 --> 00:47:23,519
Speaker 2: Uh.

997
00:47:24,519 --> 00:47:26,079
Speaker 7: What about in the summertime? Do you plan to do

998
00:47:26,079 --> 00:47:27,440
a lot of shows in the summer. It seems like

999
00:47:27,480 --> 00:47:28,880
a lot of bands that's when they.

1000
00:47:29,159 --> 00:47:32,679
Speaker 8: Yes, so we are actually, uh, we're hoping for a

1001
00:47:32,719 --> 00:47:35,920
busy summer, but we're also trying to formulate it's towards

1002
00:47:35,960 --> 00:47:40,320
the end of summer, we're gonna try to go to Japan. Yeah,

1003
00:47:41,559 --> 00:47:44,920
so Cody, again, big ups to Cody. I know you're

1004
00:47:44,960 --> 00:47:52,559
listening all at work. So Cody was in Japan for

1005
00:47:52,639 --> 00:47:57,159
a few years and he brought up the idea last

1006
00:47:57,239 --> 00:47:58,840
year that we should go to Japan. And we're like,

1007
00:47:59,320 --> 00:48:01,679
we're trying to say, of all our money from shows

1008
00:48:01,760 --> 00:48:05,199
and like piling our own personal funds too, to try

1009
00:48:05,239 --> 00:48:08,079
to go over there for like a week and wow, yeah,

1010
00:48:08,840 --> 00:48:09,960
just just have a blast.

1011
00:48:10,079 --> 00:48:12,559
Speaker 10: It seems Cody has like connects with some venue owners

1012
00:48:12,599 --> 00:48:14,599
over there when he was stationed in Japan. And yeah,

1013
00:48:15,079 --> 00:48:17,320
the punk scene in Japan is really cool too. It's

1014
00:48:17,320 --> 00:48:19,599
like they're still in the eighties punk scene. Still, it's

1015
00:48:19,639 --> 00:48:21,800
still really raw and still really you know, kind of

1016
00:48:21,840 --> 00:48:24,199
that that original punk vibe over there.

1017
00:48:24,480 --> 00:48:25,639
Speaker 6: No kidding, I had no idea.

1018
00:48:26,000 --> 00:48:28,679
Speaker 10: Yeah, what's the EP comes out, We're gonna send it

1019
00:48:28,719 --> 00:48:31,519
their way and you know, get them, get them primed.

1020
00:48:32,199 --> 00:48:34,679
Speaker 9: Oh wow. Yeah, the punk scene in Japan is really

1021
00:48:34,760 --> 00:48:35,920
really big, no kidding.

1022
00:48:36,039 --> 00:48:39,599
Speaker 6: Yeah, I wouldn't have guessed. Now, are there other American

1023
00:48:39,679 --> 00:48:42,079
bands that they go there to tour that go to Japan.

1024
00:48:41,960 --> 00:48:45,079
Speaker 9: Specifically that you yeah, a good amount of them?

1025
00:48:45,199 --> 00:48:49,320
Speaker 8: None then, I know personally yeah yeah, but if there's

1026
00:48:49,440 --> 00:48:52,840
a larger, larger scale punk band that you can think of,

1027
00:48:52,960 --> 00:48:54,400
they probably tore over in Japan.

1028
00:48:54,519 --> 00:48:57,440
Speaker 10: Okay, yeah, okay, there's a Facebook page too that you know,

1029
00:48:57,639 --> 00:48:59,639
it's all just you know what bands are coming through

1030
00:48:59,719 --> 00:49:02,159
Japan in the dates and stuff like that. So yeah, okay,

1031
00:49:02,480 --> 00:49:03,760
you know, tune into what's going on with that.

1032
00:49:04,159 --> 00:49:04,719
Speaker 9: That's wild.

1033
00:49:05,480 --> 00:49:07,519
Speaker 6: Are there any Japanese punk bands a tour here that

1034
00:49:07,559 --> 00:49:08,159
I don't know about?

1035
00:49:08,480 --> 00:49:14,159
Speaker 8: So Oda Boke Beaver there. I believe all female punk band,

1036
00:49:14,480 --> 00:49:18,719
I know it. If not all, most of the members are.

1037
00:49:18,840 --> 00:49:20,840
It's like a female front at punk band. And they

1038
00:49:20,920 --> 00:49:25,920
are phenomenal. They're so fast and so like sick. Yeah,

1039
00:49:27,400 --> 00:49:31,000
they just got done touring over here, no kidding, yeah,

1040
00:49:31,199 --> 00:49:32,360
like a couple of weeks ago.

1041
00:49:32,719 --> 00:49:34,639
Speaker 9: I didn't get to go see him. I was super bummed.

1042
00:49:34,760 --> 00:49:38,760
But yeah, they're very very good. Oh wow, yeah, oh.

1043
00:49:38,719 --> 00:49:39,880
Speaker 6: That's pretty cool. Huh.

1044
00:49:40,519 --> 00:49:43,559
Speaker 7: It's interesting. Yeah, I had no idea if you are

1045
00:49:43,639 --> 00:49:45,760
just joining us. We have Volley here with us alive

1046
00:49:45,840 --> 00:49:49,440
in studio. Hi, when does the when does the EP?

1047
00:49:49,599 --> 00:49:51,039
I'm sure you said it, but I can't remember when

1048
00:49:51,039 --> 00:49:52,079
when does the EP come out?

1049
00:49:52,360 --> 00:49:53,039
Speaker 6: Or do you know yet?

1050
00:49:53,280 --> 00:49:56,599
Speaker 8: So it's gonna be releasing January twenty fourth.

1051
00:49:56,719 --> 00:49:59,159
Speaker 10: January twenty fourth, other night, which is the same night

1052
00:49:59,199 --> 00:50:00,719
as the Codo Lowell Show.

1053
00:50:00,840 --> 00:50:02,559
Speaker 9: Yeaes gotcha Codo and Lowell.

1054
00:50:03,159 --> 00:50:05,000
Speaker 7: Hey, is that a new place by the way, Codo,

1055
00:50:05,079 --> 00:50:06,679
Because all of a sudden, I'm hearing about it, and I.

1056
00:50:06,920 --> 00:50:10,840
Speaker 8: Know I'm not certain that it's necessarily a new place.

1057
00:50:10,960 --> 00:50:14,400
I think it's new that they've started hosting music. I

1058
00:50:14,519 --> 00:50:17,079
could be very wrong, though, So I just discovered this

1059
00:50:17,239 --> 00:50:20,400
place because it's the first I started hearing of it too.

1060
00:50:20,480 --> 00:50:23,760
So there's a location in loll And then there's a

1061
00:50:23,840 --> 00:50:24,840
location in Salem.

1062
00:50:25,440 --> 00:50:27,840
Speaker 10: Oh okay, Yeah, I want to say Street Trash just

1063
00:50:27,880 --> 00:50:30,400
played in Salem last night. Yeah, literally last night Friday

1064
00:50:30,440 --> 00:50:32,320
and Friday night they played it Salem.

1065
00:50:32,400 --> 00:50:32,679
Speaker 9: Codo.

1066
00:50:32,880 --> 00:50:34,760
Speaker 7: Oh okay, I'm gonna have to learn about that because

1067
00:50:34,760 --> 00:50:36,840
I got a yesterday, I got a text message from

1068
00:50:36,840 --> 00:50:39,000
somebody wanted to know if I had a suggestion for

1069
00:50:39,119 --> 00:50:41,320
a band, yeah, to play a show at Codo and

1070
00:50:41,840 --> 00:50:44,239
Lowell And I'm like, Codo, that's new to me. Yeah,

1071
00:50:44,559 --> 00:50:46,760
so that's cool though, I mean we need more venues,

1072
00:50:46,800 --> 00:50:47,280
we always do.

1073
00:50:47,760 --> 00:50:51,039
Speaker 8: We absolutely need more venues there. There aren't too many

1074
00:50:51,679 --> 00:50:56,280
around this neck of the woods. Union Coffee in Milford

1075
00:50:56,880 --> 00:50:59,480
is it has a special place in our heart really Yeah?

1076
00:50:59,559 --> 00:51:02,119
Speaker 9: Yeah, Yeah, shout out Union Coffee for sure, and big

1077
00:51:02,199 --> 00:51:03,559
ups to Drew. I love you.

1078
00:51:04,480 --> 00:51:05,159
Speaker 6: Why is uh?

1079
00:51:05,679 --> 00:51:07,679
Speaker 7: I've heard of it, but I've never been there. What's

1080
00:51:07,719 --> 00:51:09,119
special about Union Coffee?

1081
00:51:09,400 --> 00:51:12,960
Speaker 8: So it's a tiny little coffee shop that you would

1082
00:51:13,000 --> 00:51:17,679
not expect an absolute hurricane of a punk show to happen.

1083
00:51:17,760 --> 00:51:19,840
Speaker 9: It happened at Yeah.

1084
00:51:20,039 --> 00:51:22,679
Speaker 8: So last time we played there, it was too cool

1085
00:51:22,719 --> 00:51:24,639
to play outside, so we played inside or it was

1086
00:51:24,760 --> 00:51:29,320
rainy something like that. But it was pretty cramped in

1087
00:51:29,440 --> 00:51:33,679
there and it was just chaos. Street Trash actually brought

1088
00:51:33,719 --> 00:51:36,760
this big inflatable pill that they threw up into the

1089
00:51:36,840 --> 00:51:39,280
crowd and that people were smacking it around and it

1090
00:51:39,320 --> 00:51:41,280
wound up hitting one of the beer taps and beer

1091
00:51:41,400 --> 00:51:42,159
was spring everywhere.

1092
00:51:42,840 --> 00:51:43,960
Speaker 9: Well, they were playing and it was.

1093
00:51:44,079 --> 00:51:49,079
Speaker 8: Like that's the coolest thing I've ever seen. Yeah, it

1094
00:51:49,159 --> 00:51:52,920
was an absolute madhouse. And prior to that we played

1095
00:51:53,039 --> 00:51:56,880
outside and it was just so much fun because that

1096
00:51:57,039 --> 00:51:59,719
was the first show in a long while where I

1097
00:51:59,800 --> 00:52:02,320
got to just do vocals, and when I can just

1098
00:52:02,400 --> 00:52:04,599
do vocals, I run around like a madman.

1099
00:52:04,719 --> 00:52:07,159
Speaker 9: Yeah, just like act like a crazy person.

1100
00:52:07,280 --> 00:52:11,800
Speaker 6: So yeah, oh that's cool. So the owners there were

1101
00:52:11,880 --> 00:52:13,159
cool about the beer tap.

1102
00:52:13,599 --> 00:52:16,880
Speaker 9: Yeah, yeah, I don't think anybody really notified.

1103
00:52:17,039 --> 00:52:19,519
Speaker 10: I don't think any other venue in town because there's

1104
00:52:19,519 --> 00:52:21,440
a few you know restaurants stuff where they have you know,

1105
00:52:21,559 --> 00:52:24,920
local bands that do cover songs and stuff like that,

1106
00:52:25,119 --> 00:52:27,440
and I don't think anyone else would let them get

1107
00:52:27,440 --> 00:52:29,239
away with that in that place, you know.

1108
00:52:30,119 --> 00:52:30,760
Speaker 6: Yeah, so.

1109
00:52:32,360 --> 00:52:34,000
Speaker 10: Having as much fun though, Yeah.

1110
00:52:34,760 --> 00:52:37,320
Speaker 8: The Shasking in Manchester is sick.

1111
00:52:37,920 --> 00:52:38,119
Speaker 6: Yeah.

1112
00:52:38,360 --> 00:52:44,760
Speaker 8: Yeah, I'm not certain of too many other places. I

1113
00:52:44,920 --> 00:52:48,000
know there are other venues in Manchester, the Jewel. The

1114
00:52:48,119 --> 00:52:51,760
Jewel I'm talking about more like our type of venues

1115
00:52:52,280 --> 00:52:54,559
you can do what you do. Yeah, yeah, the places

1116
00:52:54,599 --> 00:52:56,480
where you go to the bathroom and the stall door

1117
00:52:56,599 --> 00:52:57,159
was ripped off.

1118
00:52:58,239 --> 00:52:59,519
Speaker 9: That's where our music.

1119
00:53:00,199 --> 00:53:01,800
Speaker 10: There may or may not be a volley sticker in

1120
00:53:01,840 --> 00:53:04,320
the urinal I don't know who put that there.

1121
00:53:05,639 --> 00:53:06,360
Speaker 6: Oh my goodness.

1122
00:53:06,440 --> 00:53:12,400
Speaker 7: Well, yeah, so the EPs in January and then are

1123
00:53:12,440 --> 00:53:14,679
you guys already working on new stuff for the next.

1124
00:53:14,599 --> 00:53:19,239
Speaker 8: One or we have actually several other songs that are

1125
00:53:19,320 --> 00:53:23,480
like half written, uh, that that have music behind them too.

1126
00:53:24,079 --> 00:53:28,519
And we're always, you know, messing around of practice. So

1127
00:53:29,480 --> 00:53:33,039
we just got done building our new practice space. Ah,

1128
00:53:34,280 --> 00:53:36,079
so we were pretty occupied with that. But now that

1129
00:53:36,119 --> 00:53:38,079
we're all moved in, it's like our little clubhouse.

1130
00:53:38,360 --> 00:53:38,559
Speaker 6: Cool.

1131
00:53:39,639 --> 00:53:42,800
Speaker 8: We're working on soundproofing because it's loud in there. Yeah,

1132
00:53:44,440 --> 00:53:48,320
but yeah, we have been playing more frequently too, so

1133
00:53:48,440 --> 00:53:53,320
we haven't had much time to have just a relaxing practice.

1134
00:53:53,400 --> 00:53:55,599
It's like, we have a show Friday, we need to

1135
00:53:56,159 --> 00:53:59,400
we need to stop goofing off, right, which we still

1136
00:53:59,440 --> 00:54:01,239
goof off during that time.

1137
00:54:01,320 --> 00:54:02,920
Speaker 6: But what do you guys run us a couple times

1138
00:54:02,960 --> 00:54:03,840
a week or so?

1139
00:54:04,079 --> 00:54:08,679
Speaker 8: We do once a week. Uh, it's it changes. So

1140
00:54:09,119 --> 00:54:11,199
we were doing every Monday, now we do every Wednesday.

1141
00:54:11,519 --> 00:54:13,719
Speaker 9: Not that people are like.

1142
00:54:14,280 --> 00:54:17,679
Speaker 8: Concerned with what day of the week unless they're trying

1143
00:54:17,719 --> 00:54:18,159
to kill us.

1144
00:54:18,159 --> 00:54:20,480
Speaker 10: I suppose we had a show and then now it's

1145
00:54:20,519 --> 00:54:23,400
been the holidays and you know a little little disbanded

1146
00:54:23,920 --> 00:54:24,440
a couple of weeks.

1147
00:54:24,719 --> 00:54:28,159
Speaker 8: Yeah, so you have you have Thanksgiving, then you have like,

1148
00:54:28,440 --> 00:54:31,400
what's three or four weeks until Christmas, So that entire

1149
00:54:31,559 --> 00:54:34,360
chunk the past two months of my life have just

1150
00:54:34,440 --> 00:54:40,559
been carpentry. Yeah, carpentry, uh, sleeping, occasionally, recording music, and

1151
00:54:40,800 --> 00:54:41,760
taking care of my kiddo.

1152
00:54:42,039 --> 00:54:42,239
Speaker 6: Yeah.

1153
00:54:42,280 --> 00:54:44,320
Speaker 9: So yeah, yeah, yeah.

1154
00:54:44,440 --> 00:54:46,599
Speaker 7: Sometimes it can be a relief when the holidays are

1155
00:54:46,639 --> 00:54:48,159
over and it's like, Okay, I can get back.

1156
00:54:48,280 --> 00:54:51,800
Speaker 9: Dude. December December twenty sixth is my favorite.

1157
00:54:55,519 --> 00:54:58,039
Speaker 7: I was like that when I worked in retail. Oh man,

1158
00:54:58,199 --> 00:55:00,199
December twenty sex could not come soon enough.

1159
00:55:01,199 --> 00:55:05,079
Speaker 8: I worked in retail too, and Black Friday was just

1160
00:55:06,880 --> 00:55:09,960
an absolute nightmare. It's been probably about eight or nine

1161
00:55:10,000 --> 00:55:13,239
years since I worked in retail, but brother, if Black

1162
00:55:13,320 --> 00:55:14,719
Friday is a nightmare.

1163
00:55:14,639 --> 00:55:15,320
Speaker 6: Yeah, yeah.

1164
00:55:15,840 --> 00:55:19,239
Speaker 7: Well, when I worked for Fye, because you know, Strawberries

1165
00:55:19,280 --> 00:55:22,880
had been bought by Fye, and that's a chain of

1166
00:55:22,960 --> 00:55:25,679
stores that just won't die. Every time it looks like

1167
00:55:25,719 --> 00:55:28,760
they're done, they open a new location somewhere and they survived.

1168
00:55:28,840 --> 00:55:31,280
But over the course of the span of the years

1169
00:55:31,320 --> 00:55:34,360
that I worked there, like Black Friday was so just

1170
00:55:35,400 --> 00:55:36,400
monstrously busy.

1171
00:55:36,719 --> 00:55:38,159
Speaker 6: But by the time I left. I left that.

1172
00:55:38,199 --> 00:55:43,119
Speaker 7: Company in twenty thirteen, and by that point Black Friday

1173
00:55:43,159 --> 00:55:45,000
would be so busy at the beginning of the day,

1174
00:55:45,599 --> 00:55:48,079
and then by the time we would get to the afternoon,

1175
00:55:48,400 --> 00:55:51,960
you know, because online shopping is so big now, it

1176
00:55:52,000 --> 00:55:55,280
would be just like kind of a normal day. It

1177
00:55:55,480 --> 00:55:59,000
really changed over the years, and I found that I

1178
00:55:59,000 --> 00:56:00,920
didn't mind it as much because it was like not

1179
00:56:01,079 --> 00:56:03,920
so overwhelming. Like when I first started there, it would

1180
00:56:03,920 --> 00:56:06,039
be like Black Friday was super busy, and then every

1181
00:56:06,119 --> 00:56:08,119
day it was super busy right up to Christmas, and

1182
00:56:08,159 --> 00:56:10,119
then by the time I left there, it was like

1183
00:56:10,199 --> 00:56:12,760
Black Friday was kind of busy, and then the rest

1184
00:56:12,840 --> 00:56:15,079
of the time would be just kind of normal. Yeah,

1185
00:56:15,440 --> 00:56:17,119
and then you'd be wondering, are they going to close

1186
00:56:17,199 --> 00:56:19,639
this location in January, which often turned out.

1187
00:56:19,480 --> 00:56:22,480
Speaker 9: To be the case, But it becomes a spirit Halloween

1188
00:56:22,519 --> 00:56:23,079
pretty quick.

1189
00:56:23,159 --> 00:56:28,760
Speaker 6: Oh yeah, yeah, absolutely absolutely So. Guys, where should people

1190
00:56:28,800 --> 00:56:30,639
go online to keep up with everything that you're doing?

1191
00:56:30,639 --> 00:56:31,480
Where's the best place?

1192
00:56:31,800 --> 00:56:37,000
Speaker 8: So on Instagram it's at Bally six sixty six because

1193
00:56:37,039 --> 00:56:45,320
we're super edgy. On Facebook dot com, that's www dot

1194
00:56:45,400 --> 00:56:46,280
Facebook dot com.

1195
00:56:47,280 --> 00:56:49,840
Speaker 9: Uh, I feel to need to clarify it. Oh lord,

1196
00:56:50,119 --> 00:56:51,400
uh so I believe it.

1197
00:56:52,000 --> 00:56:55,840
Speaker 8: I believe it's also Bally sixty sixty six. We are

1198
00:56:56,000 --> 00:56:59,880
on Spotify, iTunes, Amazon Music, all that stuff.

1199
00:57:00,280 --> 00:57:02,079
Speaker 9: Uh, band Camp and band camp.

1200
00:57:02,199 --> 00:57:04,440
Speaker 8: Our favorite is when you go to our band camp

1201
00:57:04,519 --> 00:57:07,559
because when you go to our band camp, we actually

1202
00:57:07,719 --> 00:57:10,800
get a cut of some of the profit when you

1203
00:57:10,880 --> 00:57:14,400
purchase our stuff instead of getting a fraction of a

1204
00:57:14,519 --> 00:57:17,320
cent every thousand plays or something. Right, Not that we're

1205
00:57:17,360 --> 00:57:19,880
in it for the money, but if there's money being made,

1206
00:57:20,000 --> 00:57:22,159
I don't feel like ninety nine percent of it should

1207
00:57:22,159 --> 00:57:24,320
be going to the streaming platform, you know what I mean.

1208
00:57:24,880 --> 00:57:27,679
And band camp has band Camp Friday, so if you

1209
00:57:27,800 --> 00:57:30,440
need to buy somebody a belated Christmas present, you should

1210
00:57:30,480 --> 00:57:33,239
totally buy them something from our merch store.

1211
00:57:33,599 --> 00:57:35,400
Speaker 9: There you go, There you go.

1212
00:57:35,639 --> 00:57:39,039
Speaker 10: That's www dot bali, dot bandcamp, dot com.

1213
00:57:41,480 --> 00:57:44,039
Speaker 6: Did somebody tell you guys that that's my pet peeve?

1214
00:57:44,360 --> 00:57:45,440
The Www?

1215
00:57:45,840 --> 00:57:45,880
Speaker 2: No?

1216
00:57:46,000 --> 00:57:49,239
Speaker 9: I know that's awesome though it's a lot of people's

1217
00:57:49,280 --> 00:57:49,840
pet peeves.

1218
00:57:49,880 --> 00:57:54,320
Speaker 7: That's why I did it, Dude, I've been I've been

1219
00:57:54,440 --> 00:57:58,840
upset about that for twenty years, like literally twenty years ago.

1220
00:57:59,079 --> 00:58:02,000
I was going, why do I still hear radio ads

1221
00:58:02,039 --> 00:58:04,360
where when they give the website they say w WLB.

1222
00:58:04,559 --> 00:58:07,599
Speaker 9: Why I could have said worldwide Web?

1223
00:58:07,800 --> 00:58:09,800
Speaker 4: Do that?

1224
00:58:10,360 --> 00:58:12,679
Speaker 9: Is that actually what that stands for? Worldwide Web? Yeah?

1225
00:58:12,719 --> 00:58:14,159
Speaker 10: Dog, yeah, okay, I heard.

1226
00:58:14,199 --> 00:58:15,840
Speaker 9: I had heard that.

1227
00:58:16,000 --> 00:58:17,480
Speaker 10: I just wasn't sure if someone was just trying to

1228
00:58:17,519 --> 00:58:19,320
mess with me or now it sounds too perfect.

1229
00:58:19,440 --> 00:58:20,039
Speaker 1: I swear to you.

1230
00:58:20,239 --> 00:58:23,239
Speaker 7: Twenty years ago I was complaining about it, like, why

1231
00:58:23,480 --> 00:58:25,760
why do people still say that it's a rightful gripe.

1232
00:58:25,840 --> 00:58:27,400
Speaker 9: It's there's no need to say it.

1233
00:58:27,960 --> 00:58:32,360
Speaker 8: What about http slash slash you forgot the semi colon?

1234
00:58:33,760 --> 00:58:36,559
Speaker 7: Okay, I'll only say this publicly because I don't think

1235
00:58:36,559 --> 00:58:39,960
he actually listens to the show. Doctor Kevin I mentioned earlier,

1236
00:58:40,000 --> 00:58:43,000
Doctor Kevin ross Emory he had an ad once. It

1237
00:58:43,119 --> 00:58:44,920
was it was just it was a an ad for

1238
00:58:45,599 --> 00:58:47,840
for his book. I think it was probably managing the

1239
00:58:47,880 --> 00:58:49,920
gift an ad for his book. That it wasn't on

1240
00:58:50,079 --> 00:58:50,480
the radio.

1241
00:58:50,559 --> 00:58:51,440
Speaker 6: It was only online.

1242
00:58:51,719 --> 00:58:52,440
Speaker 9: Yeah, but it was.

1243
00:58:52,639 --> 00:58:54,679
Speaker 6: It was like it was produced like a radio ad.

1244
00:58:54,880 --> 00:58:58,760
Speaker 7: I swear to god, it actually said in the ad

1245
00:58:59,239 --> 00:59:02,760
go to h t t oh no actually.

1246
00:59:02,480 --> 00:59:03,519
Speaker 6: Said that in the ad.

1247
00:59:03,760 --> 00:59:08,199
Speaker 9: That is hilarious, And I just I was.

1248
00:59:08,639 --> 00:59:11,400
Speaker 11: I never and I'm still talking about the ad today,

1249
00:59:11,480 --> 00:59:12,719
so I think it was successful.

1250
00:59:12,760 --> 00:59:13,320
Speaker 6: Well, that's true.

1251
00:59:13,719 --> 00:59:15,280
Speaker 10: My grandmother is going to actually type that in.

1252
00:59:15,480 --> 00:59:17,079
Speaker 9: So what you're going to do is you're going to

1253
00:59:17,159 --> 00:59:18,719
turn on your personal computer.

1254
00:59:22,679 --> 00:59:26,679
Speaker 7: Yeah, I just uh, but the ad wasn't successful because

1255
00:59:26,679 --> 00:59:27,639
I don't remember exactly what.

1256
00:59:27,679 --> 00:59:28,039
Speaker 4: It was for.

1257
00:59:28,760 --> 00:59:29,960
Speaker 6: I just said it was for doctor.

1258
00:59:30,239 --> 00:59:31,440
Speaker 9: You just remember his flub.

1259
00:59:31,719 --> 00:59:34,280
Speaker 6: But yeah, I remember hearing him saying in the ad

1260
00:59:34,480 --> 00:59:35,679
for more information.

1261
00:59:35,400 --> 00:59:36,159
Speaker 9: Go to H T T.

1262
00:59:36,480 --> 00:59:37,599
Speaker 6: I'm like, what is that happening?

1263
00:59:38,119 --> 00:59:41,519
Speaker 10: That's precious airtime You're wasting by saying all that exactly.

1264
00:59:41,679 --> 00:59:44,599
Speaker 7: Well, that's that's that's why, even because even today I

1265
00:59:44,679 --> 00:59:45,719
hear it in radio ads.

1266
00:59:45,880 --> 00:59:49,239
Speaker 6: Sure, and I'm baffled, like, why would you do that?

1267
00:59:49,519 --> 00:59:50,840
Why would you waste that time?

1268
00:59:51,599 --> 00:59:54,280
Speaker 11: Anyway, I am wasted airtime.

1269
00:59:55,920 --> 00:59:56,800
Speaker 10: You know you're not. Jonah.

1270
00:59:56,800 --> 00:59:57,199
Speaker 9: We love you.

1271
00:59:59,119 --> 01:00:01,480
Speaker 7: Well, I appreciate you coming in. This has been this

1272
01:00:01,559 --> 01:00:04,599
has been great having absolutely we will do it again

1273
01:00:04,599 --> 01:00:07,599
in the future. And we can close with this track

1274
01:00:07,679 --> 01:00:09,119
sleep anything we should know about this.

1275
01:00:10,239 --> 01:00:14,440
Speaker 8: So this song is about how I've just been dealing

1276
01:00:14,519 --> 01:00:20,119
with massive sleep deprivation for thirty whole years. I just

1277
01:00:20,360 --> 01:00:22,159
I have a very hard time sleeping, so I wrote

1278
01:00:22,199 --> 01:00:25,599
this and also, yeah, I don't know if my son's listening,

1279
01:00:25,679 --> 01:00:27,559
but shout out to Mason tax.

1280
01:00:27,400 --> 01:00:31,840
Speaker 10: Fraud Sean sleep situation is getting better though. He was

1281
01:00:32,159 --> 01:00:35,920
gifted a new mattress for Christmas. Shout out to a

1282
01:00:36,039 --> 01:00:37,760
mattress firm or I don't know who you want to.

1283
01:00:38,400 --> 01:00:39,440
Speaker 9: I don't know if we can do that.

1284
01:00:40,719 --> 01:00:41,519
Speaker 10: He's sponsored.

1285
01:00:43,320 --> 01:00:48,400
Speaker 8: Yeah, thank you to the manufacturer of my match. Well

1286
01:00:48,400 --> 01:00:50,480
from a person who coiled the springs to the person

1287
01:00:50,480 --> 01:00:51,199
who stuffed it.

1288
01:00:51,639 --> 01:00:54,280
Speaker 6: Yes, very good. Well it's probably all machines.

1289
01:00:53,960 --> 01:00:55,719
Speaker 10: But well we can hope hope.

1290
01:00:57,639 --> 01:01:01,159
Speaker 7: Right exactly exactly, Well, we'll we'll play that in a moment.

1291
01:01:01,280 --> 01:01:03,400
But Jenny, before we go, do you want to plug

1292
01:01:03,440 --> 01:01:04,039
your website?

1293
01:01:04,320 --> 01:01:06,760
Speaker 10: Absolutely, you can come check me out at gen coffee

1294
01:01:06,800 --> 01:01:09,039
dot com, g E N N C O F f

1295
01:01:09,239 --> 01:01:13,039
U I dot com for all my creatives and trouble making.

1296
01:01:12,960 --> 01:01:15,360
Speaker 6: And links to your article. You've been you've been in

1297
01:01:15,480 --> 01:01:16,800
the news quite a bit.

1298
01:01:17,800 --> 01:01:19,599
Speaker 1: Yeah, yeah, that's there too.

1299
01:01:19,679 --> 01:01:22,920
Speaker 7: Yes, yes, absolutely, all right, So we will end with

1300
01:01:23,039 --> 01:01:26,599
this track. This is called Sleep. The band is Volley Again. Guys,

1301
01:01:26,679 --> 01:01:29,000
thank you so much, thank you, good night, and if

1302
01:01:29,000 --> 01:01:30,519
you missed any part of today's show. It will be

1303
01:01:30,599 --> 01:01:32,000
up in just a little bit at w m H

1304
01:01:32,119 --> 01:01:34,519
radio dot organ at my website Matt Conorton dot com,

1305
01:01:34,840 --> 01:01:36,119
and we'll talk at you a little bit later.

1306
01:01:36,159 --> 01:01:37,199
Speaker 6: Bye everybody, Bye.

1307
01:01:37,079 --> 01:01:52,960
Speaker 3: Bye sleep time.

1308
01:02:00,199 --> 01:02:00,760
Speaker 9: Yeah, I mean.

1309
01:02:02,159 --> 01:02:03,280
Speaker 3: To be on the seat.

1310
01:02:03,599 --> 01:02:07,760
Speaker 2: Cannot try to count. Be poor there, bunny can talk

1311
01:02:07,960 --> 01:02:09,239
my guys have a shrug.

1312
01:02:10,000 --> 01:02:19,599
Speaker 12: What a lot of the jackpot of lethargy. I feel

1313
01:02:19,719 --> 01:02:21,480
like I'm running down a feather seat.

1314
01:02:21,880 --> 01:02:24,000
Speaker 4: Ye, feel like I'm running out a boat.

1315
01:02:24,719 --> 01:02:27,400
Speaker 1: Ye feel like I'm running down a feather cheat.

1316
01:02:27,719 --> 01:02:29,119
Speaker 3: Ye feel like I'm.

1317
01:02:29,039 --> 01:02:45,960
Speaker 1: Running out a boat. Got here, I sleep dolling asleep,

1318
01:02:46,119 --> 01:02:49,039
ex peenny time and gone their future.

1319
01:02:49,360 --> 01:02:52,559
Speaker 12: So s to sase, bring by your name big o

1320
01:02:52,800 --> 01:02:55,159
the space current Saya.

1321
01:02:56,480 --> 01:02:59,079
Speaker 1: To be so the sea? Can I sign a rout

1322
01:02:59,360 --> 01:03:00,679
before that? You're funny?

1323
01:03:01,079 --> 01:03:02,079
Speaker 3: He had to talk.

1324
01:03:02,280 --> 01:03:05,239
Speaker 1: Play eyes, have a suck d on the one or

1325
01:03:05,360 --> 01:03:06,760
reject a lot of puckers.

1326
01:03:13,000 --> 01:03:13,199
Speaker 3: Die.

1327
01:03:13,320 --> 01:03:16,199
Speaker 1: I feel like I'm running out. I'm got a tea ry.

1328
01:03:16,440 --> 01:03:18,239
You feel like I'm running out of home.

1329
01:03:18,840 --> 01:03:21,199
Speaker 3: Die. I feel like I'm running out of a.

1330
01:03:21,239 --> 01:03:24,119
Speaker 1: Cheap NYE feel like I'm running out of home.

1331
01:03:50,000 --> 01:03:58,199
Speaker 4: Nine feel like I'm running a guy right, feel like I'm.

1332
01:03:58,079 --> 01:03:59,559
Speaker 3: Running got a fuck.

1333
01:04:00,719 --> 01:04:08,039
Speaker 1: I feel like come running out of energy. I feel

1334
01:04:08,159 --> 01:04:10,559
I come running out of hope.