WEBVTT

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<v Speaker 1>You're listening to Later with Moe Kelly on demand from

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<v Speaker 1>KFI AM six forty.

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<v Speaker 2>Cafim Kelly Alive everywhere on the iHeartRadio app. And if

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<v Speaker 2>you don't know, I'm not going to give names, but

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<v Speaker 2>within our iHeart LA Radio family, there are I think

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<v Speaker 2>six different people who've lost their houses, and that might

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<v Speaker 2>be an understatement by tomorrow as more information comes in.

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<v Speaker 3>So it's very personal for us.

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<v Speaker 2>We are going through this with you, and because of that,

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<v Speaker 2>I make it a point to make sure that I'm

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<v Speaker 2>checking in with not only my friends and family, but

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<v Speaker 2>my co workers, people in the studio and Isabella. We

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<v Speaker 2>don't get to work together all that often, and I

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<v Speaker 2>may tease you about only being twelve years old, but

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<v Speaker 2>I haven't had a chance to ask, are you and

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<v Speaker 2>your family okay?

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<v Speaker 1>Yeah?

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<v Speaker 4>So far, I haven't had to get evacuated yet. Luckily

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<v Speaker 4>I'm in the Silver Lake area. But my great aunt

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<v Speaker 4>did lose her home in Alta, Dina, and we've been

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<v Speaker 4>raising awareness about that, raising money, which has been really

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<v Speaker 4>great so far.

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<v Speaker 5>Like the power of social.

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<v Speaker 4>Media in a positive way, It's it's been really really

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<v Speaker 4>good to see and I've been doing my best to

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<v Speaker 4>you know, there's a lot of bars in my area

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<v Speaker 4>that are actually like taking donations and stuff like that,

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<v Speaker 4>So that's been really great. But me personally, so far,

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<v Speaker 4>so good, And a lot of my other relatives in

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<v Speaker 4>Los Angeles live more in like the Korea Town area too,

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<v Speaker 4>so so far.

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<v Speaker 2>So I think there's a generational difference. I'm old enough

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<v Speaker 2>to compare this with other disasters in Southern California. I

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<v Speaker 2>remember how Angelino's responded to like the north Ridge earthquake.

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<v Speaker 2>You wouldn't have any memory of that other than looking

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<v Speaker 2>it up on the Internet and remembering what the YouTube

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<v Speaker 2>video said. But the country is very different now compared

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<v Speaker 2>to previous disasters, which are specific to Southern California. We're

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<v Speaker 2>much more coarse in our rhetoric. We're much less empathetic

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<v Speaker 2>in how we deal with each other if you just

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<v Speaker 2>look at social media. We're much more guided by politics

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<v Speaker 2>and grievances as opposed to empathy for people. And I'm

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<v Speaker 2>very disappointed and dismayed, But I look at that as

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<v Speaker 2>someone who remembers what Southern California was relative to what

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<v Speaker 2>it is right now. You're of a different generation in

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<v Speaker 2>your conversations with people in your age group. What are

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<v Speaker 2>they saying about these fires? What are they feeling about

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<v Speaker 2>what is happening.

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<v Speaker 4>It's so funny I have been saying, I am so

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<v Speaker 4>sick of living through unprecedented times.

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<v Speaker 5>I feel like I feel like COVID.

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<v Speaker 4>Honestly, just hate to throw back to that, but kind

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<v Speaker 4>of desensitize a lot of people in my generation, in

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<v Speaker 4>my immediate age group, too. Crazy things happening in our

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<v Speaker 4>country and specifically in California. Now, I'd say it's not

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<v Speaker 4>that they're not sympathetic and not aware, but desensitized is

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<v Speaker 4>the word that I would use, because I just see

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<v Speaker 4>a lot of people who were evacuated still posting on

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<v Speaker 4>social media, still, you know, in good spirits, which is

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<v Speaker 4>a good thing. But I just think everyone is so

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<v Speaker 4>desensitized now to everything.

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<v Speaker 5>It's it's pretty crazy.

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<v Speaker 2>Well, it's e litite from being evacuated to losing your home.

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<v Speaker 2>You know, there are thousands of people who have been

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<v Speaker 2>evacuated but not permanently displaced exactly. That might be part

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<v Speaker 2>of that equation. But I'm always curious because I remember

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<v Speaker 2>what it was, let's say, after nine to eleven, what

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<v Speaker 2>it felt like here in Los Angeles. I remember feeling

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<v Speaker 2>as if we didn't know whether nine to eleven was

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<v Speaker 2>going to continue and was also going to include Los Angeles.

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<v Speaker 2>I just know in my conversations with people who worked

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<v Speaker 2>in the federal government and worked in the White House

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<v Speaker 2>during that time, there were concerns that LA was also

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<v Speaker 2>going to get hit major landmarks as as part of

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<v Speaker 2>an extended attack, and LA was just a different place.

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<v Speaker 2>If you wouldn't remember this, but after nine to eleven,

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<v Speaker 2>there was a swell of unity in this country not

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<v Speaker 2>seen since, that's for sure, And I don't know if

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<v Speaker 2>we would ever be able to duplicate it if, unfortunately,

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<v Speaker 2>we were to have another major event like that.

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<v Speaker 3>I think it's different.

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<v Speaker 2>Your experience is obviously very different than mine, and I

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<v Speaker 2>think about the people that I know, just like Tawala,

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<v Speaker 2>who may have lived or families may have lived in

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<v Speaker 2>these houses for many generations, right, and we're just at

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<v Speaker 2>the point I think your generation going forward less so

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<v Speaker 2>than our generation, uh, my generation generation X, we are

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<v Speaker 2>still kind of that bridge where we have a lot

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<v Speaker 2>of physical items, a lot of physical media documents, where

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<v Speaker 2>your generation is all about digital online cloud.

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<v Speaker 4>Yeah, it's it's hilarious because weirdly I feel like the

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<v Speaker 4>importance of physical media is coming back a little bit

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<v Speaker 4>in my generation as well, at least with the people

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<v Speaker 4>who I know in my personal circle and just amongst

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<v Speaker 4>my inner circle. Like the biggest thing is like, oh,

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<v Speaker 4>a bunch of people have film cameras. Now, it's like

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<v Speaker 4>where and also novelty, right, it is one hundred percent

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<v Speaker 4>like I throw the film cameras into the go bag.

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<v Speaker 2>When you have film cameras, are they the kind where

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<v Speaker 2>you have to actually buy the flash as well?

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<v Speaker 3>Yes, so you're going real retro. Yeah.

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<v Speaker 2>My first camera was a wind up Kodak and you

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<v Speaker 2>had to buy the flash and the flash I think

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<v Speaker 2>there were maybe like eight flashes on it. There were

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<v Speaker 2>like eight exposures. It wasn't like unlimited flashes on a smartphone.

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<v Speaker 2>You had to buy the physical flash and it would

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<v Speaker 2>pop in, and the odds of you not exposing the

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<v Speaker 2>film and ruining it were sklimming none.

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<v Speaker 3>But that's coming back in the style.

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<v Speaker 4>Oh yeah, one hundred percent film cameras like that. Like

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<v Speaker 4>it's it's.

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<v Speaker 2>Crazy, amazing, absolutely amazing. Now, If lastly, for you, were

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<v Speaker 2>you ever or have you been ever? Because you have

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<v Speaker 2>this proliferation of information especially with the fires. You have

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<v Speaker 2>so much more information than we would get during a

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<v Speaker 2>major disaster. We have emergency alert system and you'd have

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<v Speaker 2>broadcast news, but there was no twenty four to seven

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<v Speaker 2>type dissemination of information. There wasn't like an outlet where

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<v Speaker 2>the anchors were going to stay on forty eight hours

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<v Speaker 2>in a row like they have on NBC four. To

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<v Speaker 2>their credit, Has there any I don't know how I

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<v Speaker 2>can ask this. Does it matter that you have all

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<v Speaker 2>this information available?

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<v Speaker 5>One hundred percent?

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<v Speaker 4>I think to a certain extent it does drive up anxiety.

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<v Speaker 5>Because it does. Okay, it's just.

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<v Speaker 4>In general, the twenty four hour news cycle will always

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<v Speaker 4>drive up anxiety. But I personally, as someone who stresses

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<v Speaker 4>and prepares as early as possible, I am so thankful

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<v Speaker 4>for all of this.

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<v Speaker 5>I've been watching NBCLA, I've been listening to.

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<v Speaker 4>KFI when I'm not here, like non stop, and I'm very,

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<v Speaker 4>very thankful for it. But with that being said, it

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<v Speaker 4>has been driving up my anxiety like crazy because you

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<v Speaker 4>can't escape it.

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<v Speaker 5>It's everywhere.

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<v Speaker 4>It's on TikTok, it's on I mean, I did delete Twitter,

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<v Speaker 4>so I'm on the same boat.

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<v Speaker 5>But like Instagram, it's everywhere. You can't escape it.

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<v Speaker 2>I remember growing up and you had a number of quakes,

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<v Speaker 2>like there was a Silbar quake. I don't know if

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<v Speaker 2>it's like maybe nineteen seventy one, seventy two or so,

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<v Speaker 2>and the only way you would get information we would

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<v Speaker 2>listen to the radio. We would listen to KABC back then,

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<v Speaker 2>and you get the five o'clock news, six o'clock news,

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<v Speaker 2>and maybe that yet the eleven o'clock news.

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<v Speaker 3>I don't think there was anything more than that.

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<v Speaker 2>And if you didn't get it at the five stop

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<v Speaker 2>five o'clock, six o'clock or eleven o'clock, you'd have to

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<v Speaker 2>get in the physical print newspaper where Mark Ronald was working,

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<v Speaker 2>and that was and that would only come once a day.

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<v Speaker 2>So the flow of information was very, very limited. We

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<v Speaker 2>would not be able to if these fires back in

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<v Speaker 2>the nineteen seventies, you really wouldn't know what was going on.

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<v Speaker 2>There was no way to be able to get all

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<v Speaker 2>this information to the general public in a timely fashion

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<v Speaker 2>because we were only getting updates maybe twice a day,

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<v Speaker 2>maybe once a day if you're looking at a physical newspaper.

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<v Speaker 2>I say all that to say technology has saved a

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<v Speaker 2>lot of lives, Absolutely a lot of lives.

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<v Speaker 3>It's saved a lot of houses.

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<v Speaker 2>It's saved a lot of heartache and heartbreak. And for

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<v Speaker 2>as much as I complain about your generation, and as

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<v Speaker 2>much as I complain about technology and social media, got

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<v Speaker 2>to be honest, got to be fair, it's saved a

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<v Speaker 2>lot of people.

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<v Speaker 5>I agree.

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<v Speaker 3>Well, thank you for letting me bounce off you this segment.

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<v Speaker 4>Of course, any time so you're fifteen, nearing that, Yeah,

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<v Speaker 4>you could.

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<v Speaker 3>Say that you haven't gotten your learners permit yet.

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<v Speaker 5>Heavy No, no, not yet.

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<v Speaker 2>Cam I Am six forty moth Kelly here, we're live

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<v Speaker 2>everywhere on the iHeartRadio app. I'm going to tell you

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<v Speaker 2>about a fire aid concert which is coming up on

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<v Speaker 2>January thirtieth at the Into It Dome right around the

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<v Speaker 2>corner from my house, and how the music industry is

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<v Speaker 2>starting to coalesce as such see other portions of entertainment

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<v Speaker 2>trying to help bring people together and also help people

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<v Speaker 2>out financially.

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<v Speaker 3>We'll tell you about that next.

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<v Speaker 1>You're listening to Later with Mo Kelly on demand from

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<v Speaker 1>KFI AM six forty.

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<v Speaker 3>Make sure to check out the podcast on.

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<v Speaker 2>The iHeartRadio app. Or wherever you should get your podcasts.

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<v Speaker 2>Maybe it's Apple podcasts, or it's podcast Addict, Spreaker, wherever

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<v Speaker 2>you get your podcasts. You can find the latter with

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<v Speaker 2>mo Kelly Show Podcasts. There's a lot of good information

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<v Speaker 2>on there, specifically around the fires, specifically the evacuations, the

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<v Speaker 2>curfew which is now in effect for all of those

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<v Speaker 2>evacuation zones from six pm to six am. If you

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<v Speaker 2>don't know the curfew is in effect for those evacuation zones,

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<v Speaker 2>do not go in. Don't try to go in. You

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<v Speaker 2>will be arrested. And we know that the National Guard

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<v Speaker 2>is their patrol. You don't want to play around with

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<v Speaker 2>that at all. You don't want to have a misunderstanding.

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<v Speaker 2>As they say, so the curfews are in effect for

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<v Speaker 2>just the evacuation zones. We've told you about the expansion

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<v Speaker 2>of the Pacific Palisades fire and that evacuation zone. Mark

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<v Speaker 2>Roner will have an update on that at the bottom

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<v Speaker 2>of the hour. And as we move through this fire disaster,

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<v Speaker 2>the attention has slowly begun to turn toward restoration of

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<v Speaker 2>the community. I'll put it like that, and the end

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<v Speaker 2>at Dome, the new Clippers Arena will be hosting a

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<v Speaker 2>benefit show dedicated to rebuilding communicated communities devastated by the

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<v Speaker 2>fires and supporting efforts to prevent future disasters throughout Southern California.

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<v Speaker 2>Is going to be called Fire Aid, an Evening of

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<v Speaker 2>music and solidarity. It's set to take place on January thirtieth,

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<v Speaker 2>and the ticket and performer information will be announced soon. Obviously,

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<v Speaker 2>the whole lineup is not in place, but as that

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<v Speaker 2>information has been available, we'll make sure that you know

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<v Speaker 2>about it if you should be interested. But being built

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<v Speaker 2>as a concert where the proceeds will go toward a

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<v Speaker 2>new five oh one C three created that will focus

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<v Speaker 2>on rebuilding infrastructure, supporting displaced families, and advancing fire prevention

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<v Speaker 2>technologies and strategies to ensure LA is better prepared for

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<v Speaker 2>these fire emergencies. The show will be produced by Shelley

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<v Speaker 2>Irving and the A's Off Family. If you're familiar with

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<v Speaker 2>them in the music business, I am in conjunction with

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<v Speaker 2>Live Nation and AEG Presents.

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<v Speaker 3>They are all reputable.

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<v Speaker 2>You need not worry about them as far as their

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<v Speaker 2>connection to the music business. I will say there will

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<v Speaker 2>be a lot of fly by night charities and associations

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<v Speaker 2>which will be asking for your donation or for you

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<v Speaker 2>to contribute somehow.

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<v Speaker 3>They may pop up on your phone.

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<v Speaker 2>I would recommend great caution and you do your due

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<v Speaker 2>diligence and research any organization which is asking for your

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<v Speaker 2>money that you may not receive something in return.

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<v Speaker 3>It's a little bit different with the Benefit Concert.

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<v Speaker 2>You know that you're going to get a performance of

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<v Speaker 2>a number of groups, and you have to hope that

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<v Speaker 2>the money is used in a way that's originally designed

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<v Speaker 2>to be used, but also be very skeptical. I got

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<v Speaker 2>a few text messages that we're questionable about donating here

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<v Speaker 2>and donating there and making sure that you make financial

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<v Speaker 2>resources available for the evacuees and everything.

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<v Speaker 3>You're going to get a lot of those.

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<v Speaker 2>If I'm getting them, I know that you're going to

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<v Speaker 2>be getting them, and you just have to be very

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<v Speaker 2>careful with that. And if you should plan to make

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<v Speaker 2>a donation, make sure the organization is reputable and there

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<v Speaker 2>is some way that you can verify that organization which

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<v Speaker 2>is asking for your money, and if all else fails,

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<v Speaker 2>just don't, you know, donate to the Red Cross.

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<v Speaker 3>You know that's reputable.

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<v Speaker 2>Donate to a place that you've donated before that you

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<v Speaker 2>know that you can depend on, that you can count on,

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<v Speaker 2>and you're not worried about something which is just popping

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<v Speaker 2>up out of nowhere and maybe fly by night and

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<v Speaker 2>you don't have any real reason to trust it. But

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<v Speaker 2>there will be a number of benefit concerts, there'll be

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<v Speaker 2>a number of organizations which will be putting on fundraisers

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<v Speaker 2>to raise money. I'm quite sure with the best of intentions,

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<v Speaker 2>but you still have to do your due diligence and

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<v Speaker 2>make sure that your donation is going to be used

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<v Speaker 2>in a way that it was intended and will get

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<v Speaker 2>to the intended individuals who've been displaced or have lost

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<v Speaker 2>their lives, livelihoods, lives as well in this case. But

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<v Speaker 2>this is just one of those times where the criminals

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<v Speaker 2>do come out, not only as far as trying to

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<v Speaker 2>loot and take advantage of people in where their houses are,

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<v Speaker 2>but also online and taking advantage of your willingness to

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<v Speaker 2>do quote unquote your part to do something to help

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<v Speaker 2>someone else. And they're going to be a number of benefits,

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<v Speaker 2>and if you just tune in, just want to let

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<v Speaker 2>you know one of these benefits is going to be

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<v Speaker 2>at the end to it Dome and it's going to

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<v Speaker 2>be called Fire Aid.

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<v Speaker 3>It probably will have a number of huge name artists.

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<v Speaker 2>We can't tell you who that is yet because they

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<v Speaker 2>haven't announced it yet, but they are saying that it

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<v Speaker 2>will take place on January thirtieth. And from my limited

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<v Speaker 2>experience with these big concerts which come together at a

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<v Speaker 2>moment's notice, Tawala probably has his own perspective because he's

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<v Speaker 2>done more concerts than me. Part of the reason why

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<v Speaker 2>they don't know who's going to be performing. They have

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<v Speaker 2>to make sure with these artists that it is the

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<v Speaker 2>date is available in his or her schedule to come

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<v Speaker 2>to LA on basically a moment's notice.

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<v Speaker 3>What is it.

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<v Speaker 2>We're talking about twenty days, fewer than three weeks, So

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<v Speaker 2>that's a quick turnaround for big name artists who may

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<v Speaker 2>already be on tour in the United States or maybe

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<v Speaker 2>even internationally, or just are touring in support of their

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<v Speaker 2>own albums. So it's not easy to just bring big

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<v Speaker 2>name talent to LA if they're not already in LA

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<v Speaker 2>and not already available. Let's say you want to get Beyonce,

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<v Speaker 2>she might be kind of busy. Taylor Swift might be

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<v Speaker 2>kind of busy, but you want to make sure you

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<v Speaker 2>get the best talent available. These things don't come together

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<v Speaker 2>all that easily or all that quickly.

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<v Speaker 3>But but I.

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<v Speaker 2>Defer I've only done a handful of concerts Twalla Sharp

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<v Speaker 2>has done. I don't know, fifty eleven of them, fifty

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<v Speaker 2>eleven concerts.

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<v Speaker 3>At a minimum.

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<v Speaker 6>And when I see these events, these are names that

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<v Speaker 6>are reputable. The individual's putting on these offense absolutely reputable.

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<v Speaker 6>I know when we have done events, especially when they

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<v Speaker 6>are fundraising events. When you have talent who is donating

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<v Speaker 6>their time but also maybe on tour, they will not

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<v Speaker 6>allow you to use their name because, say, if we

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<v Speaker 6>were doing something at a large venue, they look at

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<v Speaker 6>that as like, hey, those are tickets that I could

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<v Speaker 6>be selling for my show, And I don't want people

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<v Speaker 6>thinking that they could just come to this event that

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<v Speaker 6>I'm donating my time for. I'm not getting anything from this.

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<v Speaker 6>I have to pay for this with my writer, my

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<v Speaker 6>band and all of that.

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<v Speaker 3>What do you mean by writer?

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<v Speaker 6>All of the things that when an artist confirms that

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<v Speaker 6>they're going to do a show for me, they typically

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<v Speaker 6>have a writer. Those are all of the little niche

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<v Speaker 6>things that they need to feel comfortable coming to do

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<v Speaker 6>the show, and on top of the band requirements, they

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<v Speaker 6>may say one time, we need one artist who said

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<v Speaker 6>that they literally wanted a bowl of only red and

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<v Speaker 6>green peanut eminem's. We had to literally sit there and

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<v Speaker 6>pull out every other color. We were told by this

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<v Speaker 6>artist of management that if she sees any color eminems

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<v Speaker 6>besides that, that she would go low and throw those

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<v Speaker 6>things all the way across the floor. You didn't get

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<v Speaker 6>what I said right there, she would go low jay.

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<v Speaker 6>So all I'm saying is there are artists who have

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<v Speaker 6>particular true story, true story in particulars that they will say,

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<v Speaker 6>uh uh, if I see something like that, they will go.

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<v Speaker 6>But we have had artists who have confirmed that they

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<v Speaker 6>will do our show, big name artists. I remember Will

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<v Speaker 6>Smith was going to do one of our concerts and

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<v Speaker 6>it was when he had the song for the Ali soundtrack,

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<v Speaker 6>and he said, Hey, I'm gonna do it, but I've

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<v Speaker 6>got a big event I've got to do. So you

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<v Speaker 6>can tease that I'll be there, but you can't say

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<v Speaker 6>my name yep. And we had to do everything around

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<v Speaker 6>that that he was going to come because this was

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<v Speaker 6>a concert where he wasn't getting paid.

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<v Speaker 3>He was like, you're not gonna sell tickets on my name.

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<v Speaker 2>You got me thinking, when we come back, we're going

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<v Speaker 2>to talk about some of the most outlandish tour riders. Oh,

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<v Speaker 2>some of these I knew about.

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<v Speaker 3>Some of them.

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<v Speaker 2>I didn't know about it. If you don't know it

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<v Speaker 2>mean writers thought. Look, if I'm gonna come perform at

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<v Speaker 2>your venue, I got to have all these things and

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<v Speaker 2>if it's not right, I will get back on my

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<v Speaker 2>bus and leave. Oh I got a list. Oh I

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<v Speaker 2>have a list too, So we'll do that when we

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<v Speaker 2>come back.

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<v Speaker 1>You're listening to Later with Moe Kelly on demand from

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<v Speaker 1>KFI AM six forty.

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<v Speaker 2>Can't I'm Kelly Live Everywhere on the iHeartRadio app. And

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<v Speaker 2>I was telling you last segment about this upcoming fire

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<v Speaker 2>Aid benefit concert for California wildfire victims. It's set for

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<v Speaker 2>January thirtieth at the endo it Dome, and I was explaining,

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<v Speaker 2>I can't tell you the lineup yet, it hasn't been set.

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<v Speaker 2>But I also want to give you some context as

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<v Speaker 2>far as why they can't use artists names in advance.

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<v Speaker 2>And I called into all of who's produced any number

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<v Speaker 2>of concerts, and Twilette reminded me that a big portion

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<v Speaker 2>of this. You have to negotiate the writer as far

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<v Speaker 2>as what the venue and the promoters will provide for

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<v Speaker 2>a Beyonce or Mariah Carey or Rihanna or Taylor Swift

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<v Speaker 2>to come be part of this. And I say those

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<v Speaker 2>names because these big names will probably be a part

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<v Speaker 2>of it. Expect those names, but for them to come,

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<v Speaker 2>it's largely dependent on whether they can free themselves. If

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<v Speaker 2>they're right in the middle of a tour, they can

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<v Speaker 2>fly in. Are they flying in from New York, They're

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<v Speaker 2>flying in from Texas? Where they be flying in from Prague?

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<v Speaker 2>You know, those are the things you have to worry about,

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<v Speaker 2>and also whether the promoters are willing to accommodate their rider.

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<v Speaker 2>And there are some really outrageous riders. The first one

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<v Speaker 2>I'll tell you about is Mariah Carey. I can confirm

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<v Speaker 2>this one because I vaguely remember what we had to

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<v Speaker 2>do when she was going to be performing at the

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<v Speaker 2>Grammys when I was there. Now, her backstage area has

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<v Speaker 2>to have a certain size. There has to be a

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<v Speaker 2>certain room to it. You can't just put Mariah Carey

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<v Speaker 2>in any room. It has to be de side of

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<v Speaker 2>like a hotel suite and her rider requests the door

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<v Speaker 2>opened to a living room space, not the dressing room,

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<v Speaker 2>so it has to have like a living room area.

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<v Speaker 2>In addition to the dressing room, all rooms should be

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<v Speaker 2>draped and the couch must not contain busy patterns. The

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00:21:58.680 --> 00:22:01.960
<v Speaker 2>room temperatures has to be set to seventy five degrees.

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<v Speaker 2>I'm not going to argue that because singers they do

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<v Speaker 2>not want a cold room. It affects her voice, so

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<v Speaker 2>I won't get angry about that. Food and drink requirements

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<v Speaker 2>Fiji stillwater, pellegrino, sparkling water, fried chicken, red and white wine,

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<v Speaker 2>four Joe malone, vanilla candles, and two vases of white roses,

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<v Speaker 2>coke and gatorade sugary drinks contry, and there's also sugarless gum.

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<v Speaker 2>And there's small bottles of room temperature water, lemon, lemons, honey.

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<v Speaker 2>And that's just some of the stuff of her rider.

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<v Speaker 2>What do you remember, Twalla. I remember when we booked.

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<v Speaker 6>Recording artist Jill Scott when she was still singing before

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<v Speaker 6>she got into just mainly acting, and she required a

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<v Speaker 6>dozen long stem white roses, a large bottle of crystal,

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<v Speaker 6>and a large bottle of mo ed.

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<v Speaker 3>And hundreds of dollars.

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<v Speaker 6>Yes, and and I can't remember the food writer, but

403
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<v Speaker 6>we went out, rushed out and got all of these things.

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<v Speaker 6>And we remember she came in, she did the show,

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<v Speaker 6>and she left. She didn't even go into the dress room.

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<v Speaker 6>So it's like, and these are things that I promise

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<v Speaker 6>just this lots of times. This may not even be

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<v Speaker 6>the artists themselves asking for this. This is just this,

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00:23:28.000 --> 00:23:29.359
<v Speaker 6>that and the other. So it's like, I doubt that

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00:23:29.400 --> 00:23:32.119
<v Speaker 6>she even knew that stuff was in there, because we're like,

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00:23:32.599 --> 00:23:35.319
<v Speaker 6>so the mo ed stuff is still in there. I

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<v Speaker 6>remember the Ojys when we booked them, they said that

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<v Speaker 6>they needed catered Roscoe's chicken and waffles. They didn't want

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00:23:44.000 --> 00:23:45.519
<v Speaker 6>us to just go and get it and bring it.

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00:23:45.519 --> 00:23:48.799
<v Speaker 6>They needed Rosco's Chicken and Waffles to come and prepare

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00:23:48.839 --> 00:23:55.319
<v Speaker 6>the food. And they needed three fifths of Crown Royal,

417
00:23:56.119 --> 00:23:58.960
<v Speaker 6>the Crown Royal, the Hennessy and the the in the

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00:23:58.960 --> 00:24:02.319
<v Speaker 6>purple bats. Yeah, they had to have that in the

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<v Speaker 6>dressing room. Yes, and that we were like, okay, so

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<v Speaker 6>we're gonna have Roscos come up and cook and we're

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<v Speaker 6>gonna have the Crown Royale in the room.

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<v Speaker 2>Rihanna required a large cheetah or leopard print rug to

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<v Speaker 2>walk on, and it has to be clean because you

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00:24:19.039 --> 00:24:22.519
<v Speaker 2>will be walking barefoot on it. Adequate lighting must be

425
00:24:22.599 --> 00:24:28.039
<v Speaker 2>required for provided for a relaxed atmosphere. White drapes will

426
00:24:28.039 --> 00:24:32.240
<v Speaker 2>be used to cover lockers or anything backstage, and a

427
00:24:32.400 --> 00:24:33.759
<v Speaker 2>humidifier and.

428
00:24:33.720 --> 00:24:37.079
<v Speaker 3>Four small clear square.

429
00:24:36.920 --> 00:24:43.400
<v Speaker 2>Vases with white tulips needed in the dressing room. If

430
00:24:43.400 --> 00:24:48.799
<v Speaker 2>you can't find white tulips, white Casablanca Lili's will do instead.

431
00:24:49.000 --> 00:24:52.599
<v Speaker 3>What is with the artists with the white rosa that

432
00:24:53.119 --> 00:24:53.799
<v Speaker 3>that is wild?

433
00:24:53.880 --> 00:24:55.960
<v Speaker 2>I don't know, but those are some of the things

434
00:24:56.000 --> 00:25:00.920
<v Speaker 2>that artists will require that you have to accommodate them

435
00:25:00.920 --> 00:25:05.000
<v Speaker 2>on for them to perform. And I've seen artists cancel

436
00:25:05.079 --> 00:25:09.160
<v Speaker 2>performances for less, yeah, for not having all their writer

437
00:25:09.359 --> 00:25:10.319
<v Speaker 2>requirements met.

438
00:25:10.519 --> 00:25:14.119
<v Speaker 6>Yes, yes, I have actually seen and this is something

439
00:25:14.240 --> 00:25:18.119
<v Speaker 6>that I have seen personally, and I know for a

440
00:25:18.160 --> 00:25:21.880
<v Speaker 6>fact none of it was used. But we had the

441
00:25:22.079 --> 00:25:24.279
<v Speaker 6>pleasure one time we put together a show with jay Z.

442
00:25:24.359 --> 00:25:26.480
<v Speaker 6>It was the jay Z for Free Show and we

443
00:25:26.559 --> 00:25:28.480
<v Speaker 6>did this at I believe it was at the Key

444
00:25:28.599 --> 00:25:32.839
<v Speaker 6>Club and his writer was and I believe this is

445
00:25:32.880 --> 00:25:36.160
<v Speaker 6>pretty much the exact same writer. I just lost the page.

446
00:25:36.160 --> 00:25:38.519
<v Speaker 6>But I saw, I said myself. I remember having to

447
00:25:38.559 --> 00:25:43.279
<v Speaker 6>get these things for his room. It was like fresh

448
00:25:43.359 --> 00:25:48.160
<v Speaker 6>peanut butter and some type of some type of chocolates

449
00:25:48.160 --> 00:25:50.720
<v Speaker 6>and all these things. And there had to be muet

450
00:25:50.799 --> 00:25:56.079
<v Speaker 6>sean don and the room had to have not like

451
00:25:56.119 --> 00:25:58.200
<v Speaker 6>a solid it had to have solid Prince couldn't have

452
00:25:58.240 --> 00:26:01.240
<v Speaker 6>anything wild in the room. Had to be solid colors

453
00:26:01.279 --> 00:26:03.799
<v Speaker 6>in the room or he wouldn't even walk in. Like

454
00:26:03.920 --> 00:26:05.200
<v Speaker 6>they got the time it was like had to be

455
00:26:05.240 --> 00:26:08.000
<v Speaker 6>all black. Is for the Black album where they had

456
00:26:08.000 --> 00:26:10.119
<v Speaker 6>to be all black in the room. We're like, okay,

457
00:26:10.480 --> 00:26:13.400
<v Speaker 6>black chairs, black carpeting and all that, black walls.

458
00:26:13.640 --> 00:26:15.160
<v Speaker 3>Got it. We will get it done.

459
00:26:15.400 --> 00:26:17.279
<v Speaker 6>And the thing is, you don't get it done, you

460
00:26:17.319 --> 00:26:19.680
<v Speaker 6>will have an artist who will hold up the show.

461
00:26:19.880 --> 00:26:22.160
<v Speaker 6>They may not even leave. They may say we're not

462
00:26:22.160 --> 00:26:23.480
<v Speaker 6>gonna go on right now. We're not gonna go on

463
00:26:24.440 --> 00:26:27.559
<v Speaker 6>right because at that point, correct me if I'm wrong.

464
00:26:27.880 --> 00:26:31.599
<v Speaker 2>They already receive half in advance, yeah guaranteed, yep, and

465
00:26:31.640 --> 00:26:36.319
<v Speaker 2>the rest is payable upon arrival and when they walk.

466
00:26:36.119 --> 00:26:36.599
<v Speaker 3>In the rope.

467
00:26:36.680 --> 00:26:39.839
<v Speaker 6>And the thing is is you've agreed to these things,

468
00:26:40.160 --> 00:26:43.960
<v Speaker 6>so if they leave, it's on you. You will still

469
00:26:44.000 --> 00:26:46.319
<v Speaker 6>have to pay that bill. They're like, you did not

470
00:26:46.519 --> 00:26:51.039
<v Speaker 6>meet the contractual demands that you signed. I'm leaving, and

471
00:26:51.079 --> 00:26:53.799
<v Speaker 6>you will give me the rest of my money because

472
00:26:53.799 --> 00:26:58.640
<v Speaker 6>now you're trying to rob me of my performance funds. No,

473
00:26:58.759 --> 00:27:01.599
<v Speaker 6>you're gonna give me all that. It's it's serious, it

474
00:27:01.720 --> 00:27:03.000
<v Speaker 6>is very serious.

475
00:27:03.480 --> 00:27:06.960
<v Speaker 2>I don't know if there was one artist who walked

476
00:27:06.960 --> 00:27:09.039
<v Speaker 2>out on us when I was like working at Warner

477
00:27:09.119 --> 00:27:12.119
<v Speaker 2>Brothers or Virgin Records, but I remember when I was

478
00:27:12.160 --> 00:27:16.119
<v Speaker 2>working at Virgin Records, it was providing promotional support for

479
00:27:16.240 --> 00:27:20.400
<v Speaker 2>the Velvet Rope tour, and I remember some things about

480
00:27:20.480 --> 00:27:23.000
<v Speaker 2>Janet's rider until I had to look it up just

481
00:27:23.039 --> 00:27:25.200
<v Speaker 2>to say that, yep, this is this is the right one.

482
00:27:25.599 --> 00:27:30.240
<v Speaker 2>She had to have unscented candles three to four inches

483
00:27:30.279 --> 00:27:33.000
<v Speaker 2>in diameters, like you just can't get any unset that.

484
00:27:33.039 --> 00:27:38.119
<v Speaker 2>They had to be a certain diameter Votivo red current

485
00:27:38.359 --> 00:27:42.799
<v Speaker 2>scent candles, and an arrangement of cut white tulips. I

486
00:27:43.200 --> 00:27:46.039
<v Speaker 2>don't get it, but you know, and if not available,

487
00:27:46.680 --> 00:27:50.519
<v Speaker 2>she asked for white guardenias or white roses. In an

488
00:27:50.599 --> 00:27:53.480
<v Speaker 2>absence of those substitutes and arrangement should be a variety

489
00:27:53.519 --> 00:27:57.880
<v Speaker 2>of whites nicely put together. Any substitutions must be approved

490
00:27:57.960 --> 00:28:01.799
<v Speaker 2>by the production staff, and they have They would send

491
00:28:02.119 --> 00:28:06.319
<v Speaker 2>a personal assist assistant to coordinate her meals, and the

492
00:28:06.359 --> 00:28:09.359
<v Speaker 2>promoters have to stock her dressing room with an assortment

493
00:28:09.400 --> 00:28:15.640
<v Speaker 2>of fruit and beverages. Janet Jackson also enjoyed Orbit chewing gum, Gatorade,

494
00:28:16.240 --> 00:28:20.319
<v Speaker 2>assorted crystal light drink mixes, and organic creamy peanut butter.

495
00:28:20.599 --> 00:28:22.920
<v Speaker 3>There's that peanut butter thing. Peanut butter. I don't get it.

496
00:28:23.160 --> 00:28:27.559
<v Speaker 6>Yeah, yeah, And you may remember this because for a

497
00:28:27.640 --> 00:28:30.880
<v Speaker 6>while you were over at her label, over at working

498
00:28:30.920 --> 00:28:33.440
<v Speaker 6>with the mc A group and all that.

499
00:28:33.480 --> 00:28:36.920
<v Speaker 3>Mary J. Blige, I, yes, she did. I remember this.

500
00:28:37.000 --> 00:28:40.519
<v Speaker 6>I remember this because we did the Mary Mary Mary Show,

501
00:28:40.519 --> 00:28:43.519
<v Speaker 6>which is Mary J. Blige and Mary Mary at the.

502
00:28:43.920 --> 00:28:46.640
<v Speaker 2>She was a weird configuration because Mary Mary is a

503
00:28:46.640 --> 00:28:48.640
<v Speaker 2>gospel group and Mary jack But it was. It was

504
00:28:48.640 --> 00:28:50.839
<v Speaker 2>a Christmas show. It was a Holidays show. But still

505
00:28:51.319 --> 00:28:52.680
<v Speaker 2>I don't think of Christmas and Mary J.

506
00:28:52.799 --> 00:28:55.160
<v Speaker 3>Blige. Yeah, it was. It was good. It was a

507
00:28:55.200 --> 00:28:55.559
<v Speaker 3>good show.

508
00:28:55.640 --> 00:28:58.279
<v Speaker 6>Was that the It was at the the House of

509
00:28:58.319 --> 00:29:02.759
<v Speaker 6>Blues in in Anaheid And I remember two humidifiers, ten

510
00:29:02.920 --> 00:29:07.480
<v Speaker 6>medium pre washed bathsized towels, No dairy or pork of

511
00:29:07.559 --> 00:29:12.240
<v Speaker 6>any kind. Ten one point five liter bottles of Fiji

512
00:29:12.279 --> 00:29:17.640
<v Speaker 6>absolutely positively must be Fiji. Six cans of diet Doctor Pepper.

513
00:29:17.960 --> 00:29:21.400
<v Speaker 6>Six cans of Schweps Ginger Ell. Who's gonna drink all

514
00:29:21.400 --> 00:29:26.400
<v Speaker 6>that in a three hour period? Two medium packs or

515
00:29:26.440 --> 00:29:30.559
<v Speaker 6>two packs of Mentals Cinnamon fresh only, cinnamon fresh only,

516
00:29:30.839 --> 00:29:31.160
<v Speaker 6>all right?

517
00:29:31.240 --> 00:29:33.240
<v Speaker 3>Six cans of Red Bull Energy Drink.

518
00:29:33.599 --> 00:29:36.960
<v Speaker 6>Six bottles of black cherry propels in the sports bottle.

519
00:29:37.160 --> 00:29:40.480
<v Speaker 6>Have to have the flip top sports bottles. Eight sets

520
00:29:40.519 --> 00:29:44.680
<v Speaker 6>of silverware, twenty four napkins, and one tub of clean ice.

521
00:29:44.839 --> 00:29:46.400
<v Speaker 3>No food has really been mentioned here.

522
00:29:46.480 --> 00:29:49.759
<v Speaker 6>What do you do with the napkins and the tub

523
00:29:49.799 --> 00:29:51.400
<v Speaker 6>of clean okay?

524
00:29:51.720 --> 00:29:55.400
<v Speaker 2>Assortment of drinks and look, that person will be urinating

525
00:29:55.440 --> 00:29:56.960
<v Speaker 2>all night long if you try to drink all that

526
00:29:57.000 --> 00:29:58.680
<v Speaker 2>before your show, even after your show.

527
00:29:59.359 --> 00:30:03.880
<v Speaker 6>You know, remember once we did not have the writer

528
00:30:04.559 --> 00:30:09.400
<v Speaker 6>or room requirements for an R and B singer, and

529
00:30:10.720 --> 00:30:14.799
<v Speaker 6>he came and gave us so much attitude at the

530
00:30:14.839 --> 00:30:18.799
<v Speaker 6>show that him and his entourage went back to the

531
00:30:18.920 --> 00:30:23.640
<v Speaker 6>room and absolutely destroyed it. They threw feces on the walls,

532
00:30:23.960 --> 00:30:27.680
<v Speaker 6>they urinated all over the floors. They smashed the TVs

533
00:30:27.759 --> 00:30:29.000
<v Speaker 6>and they left.

534
00:30:30.440 --> 00:30:37.319
<v Speaker 3>Give me the initials one M singer? Wait wait wait

535
00:30:37.319 --> 00:30:39.200
<v Speaker 3>wait wait? Is that the first or last night? That's

536
00:30:39.200 --> 00:30:39.759
<v Speaker 3>the first name?

537
00:30:40.519 --> 00:30:43.920
<v Speaker 6>M is the initial the first list and he and

538
00:30:43.960 --> 00:30:46.720
<v Speaker 6>he went by one. He was one of those one

539
00:30:46.799 --> 00:30:51.720
<v Speaker 6>named artists. I bet I asked the last last initial

540
00:30:51.799 --> 00:30:53.400
<v Speaker 6>of his first name is.

541
00:30:53.400 --> 00:30:56.519
<v Speaker 2>Oh, okay, I know exactly who it is.

542
00:30:56.640 --> 00:30:58.279
<v Speaker 3>I know exactly who it is. I was hoping it

543
00:30:58.319 --> 00:31:01.480
<v Speaker 3>was Morrissey. You know what.

544
00:31:02.720 --> 00:31:11.359
<v Speaker 2>The rock Riders, comparatively speaking, are more reasonable, not always,

545
00:31:11.920 --> 00:31:18.079
<v Speaker 2>but like the food fighters, they asked for McDonald's, best

546
00:31:18.119 --> 00:31:19.440
<v Speaker 2>Buy and Porno.

547
00:31:22.319 --> 00:31:25.359
<v Speaker 7>I love it when people get so insane with fame

548
00:31:25.400 --> 00:31:28.880
<v Speaker 7>that they start acting like Caligula. I demand a donkey,

549
00:31:29.000 --> 00:31:32.519
<v Speaker 7>six tubes of super glue, a midget, and four bowling balls.

550
00:31:33.480 --> 00:31:36.920
<v Speaker 3>That's politically correct. It's a height challenge person. Well, I was.

551
00:31:37.200 --> 00:31:39.640
<v Speaker 2>I was role playing, okay, like I was talking about

552
00:31:39.640 --> 00:31:43.279
<v Speaker 2>the food fighters. Dave Grohl also required that excess food

553
00:31:43.359 --> 00:31:46.240
<v Speaker 2>must be donated to a local soup kitchen. That's not bad, No,

554
00:31:46.319 --> 00:31:48.720
<v Speaker 2>That's what I'm saying. It's just different. It's a different

555
00:31:49.559 --> 00:31:51.400
<v Speaker 2>I know for R and B and hip hop artists.

556
00:31:51.480 --> 00:31:54.680
<v Speaker 2>It was almost like a status thing to have an

557
00:31:54.720 --> 00:31:57.559
<v Speaker 2>outlandish tour rider just did.

558
00:31:57.720 --> 00:31:59.440
<v Speaker 6>But I think it's some of the younger people because

559
00:31:59.440 --> 00:32:02.519
<v Speaker 6>because I you remember, like Tina Marie rest in Peace.

560
00:32:02.799 --> 00:32:06.279
<v Speaker 6>All Tina Marie wanted was to make sure we had

561
00:32:06.440 --> 00:32:09.279
<v Speaker 6>a finely tuned white piano because that went with her set,

562
00:32:09.440 --> 00:32:10.720
<v Speaker 6>and that was it. She was like, I just need

563
00:32:10.839 --> 00:32:12.519
<v Speaker 6>she I don't need anything else. I'll bring whatever else

564
00:32:12.559 --> 00:32:14.799
<v Speaker 6>I need. I just need to finally tuned white piano

565
00:32:15.119 --> 00:32:17.920
<v Speaker 6>to play in Patti LaBelle. She was like, she just

566
00:32:17.960 --> 00:32:20.799
<v Speaker 6>needs to make sure the floor is clean. Make sure

567
00:32:20.839 --> 00:32:22.880
<v Speaker 6>that that the stage she's get to walk back, because

568
00:32:22.880 --> 00:32:24.519
<v Speaker 6>she would be kicking off for shoes like that was

569
00:32:24.519 --> 00:32:26.319
<v Speaker 6>one thing. She was like, just make sure the floor

570
00:32:26.400 --> 00:32:28.119
<v Speaker 6>is clean because if I kick off my shoes, I

571
00:32:28.119 --> 00:32:31.079
<v Speaker 6>cannot be walking on anything dirty don't have and no

572
00:32:31.079 --> 00:32:33.519
<v Speaker 6>one can walk on the stage. Before she gets off,

573
00:32:33.599 --> 00:32:35.440
<v Speaker 6>she said, no one could walk on the floor must

574
00:32:35.480 --> 00:32:37.200
<v Speaker 6>be the the it must be waxed and clean.

575
00:32:37.440 --> 00:32:37.960
<v Speaker 3>That was it.

576
00:32:38.720 --> 00:32:41.279
<v Speaker 2>So when we know, that was a long way of saying,

577
00:32:41.440 --> 00:32:44.400
<v Speaker 2>when we find out who's going to be performing at

578
00:32:44.440 --> 00:32:47.319
<v Speaker 2>this fire Aid concert, we will let you know. But

579
00:32:47.480 --> 00:32:50.160
<v Speaker 2>all this is being negotiated right now because of things

580
00:32:50.200 --> 00:32:51.160
<v Speaker 2>just like this the tour writer.

581
00:32:51.920 --> 00:32:55.519
<v Speaker 1>You're listening to Later with Moe Kelly on demand from

582
00:32:55.599 --> 00:32:59.839
<v Speaker 1>KFI AM six forty.

583
00:33:08.240 --> 00:33:11.960
<v Speaker 2>KFI mo Kelly, We're live everywhere on the iHeartRadio app

584
00:33:12.000 --> 00:33:15.759
<v Speaker 2>and it's been a long and difficult week for all

585
00:33:15.799 --> 00:33:18.680
<v Speaker 2>of us. We hope to get back to regular programming

586
00:33:18.759 --> 00:33:23.000
<v Speaker 2>on Later with mo Kelly next week, have some more fun,

587
00:33:23.359 --> 00:33:25.240
<v Speaker 2>laugh a little bit more. But we had to take

588
00:33:25.279 --> 00:33:29.079
<v Speaker 2>care of each other this week and making sure that

589
00:33:29.480 --> 00:33:32.559
<v Speaker 2>all of you were taken care of. And next week

590
00:33:32.599 --> 00:33:35.480
<v Speaker 2>we should have a few more laughs, get back to

591
00:33:35.559 --> 00:33:38.960
<v Speaker 2>the regular inappropriate humor which we all know and love.

592
00:33:39.759 --> 00:33:44.519
<v Speaker 2>Mark Ronner will be back with his usual deflections, distractions

593
00:33:44.519 --> 00:33:48.640
<v Speaker 2>and destructive tendencies that we all know and love. This

594
00:33:48.680 --> 00:33:50.839
<v Speaker 2>isn't the time for your crass insults.

595
00:33:50.880 --> 00:33:51.079
<v Speaker 6>Moe.

596
00:33:51.359 --> 00:33:53.720
<v Speaker 2>No, no, no, I wouldn't dare do that, not on

597
00:33:53.880 --> 00:33:58.039
<v Speaker 2>this week, because that's beneath me and I just have

598
00:33:58.160 --> 00:34:01.200
<v Speaker 2>too much respect for you personally to do such a thing.

599
00:34:01.400 --> 00:34:05.359
<v Speaker 2>Your sarcasm is doing just find it seems I don't

600
00:34:05.359 --> 00:34:08.239
<v Speaker 2>know what you're talking about. Did want to let you

601
00:34:08.360 --> 00:34:14.239
<v Speaker 2>know this. You may remember at pastathon we had an

602
00:34:14.320 --> 00:34:16.840
<v Speaker 2>item that we were auctioning off, and it was the

603
00:34:16.920 --> 00:34:22.360
<v Speaker 2>opportunity to co host later with Mo Kelly for not one,

604
00:34:22.519 --> 00:34:25.360
<v Speaker 2>not two, but all three hours of the show. And

605
00:34:25.440 --> 00:34:28.320
<v Speaker 2>we had a wonderful individual who stepped up and outbid

606
00:34:28.360 --> 00:34:32.599
<v Speaker 2>a number of people for that opportunity, Paul Berry. And

607
00:34:32.639 --> 00:34:35.960
<v Speaker 2>he's going to be joining us in studio at the

608
00:34:36.039 --> 00:34:39.599
<v Speaker 2>end of the month January thirty first, the last day

609
00:34:39.599 --> 00:34:43.599
<v Speaker 2>of the month. And yeah, it's a Friday, and we're

610
00:34:43.599 --> 00:34:48.079
<v Speaker 2>gonna have a typical Friday show. We're gonna laugh, we're

611
00:34:48.079 --> 00:34:50.719
<v Speaker 2>going to act foolish, we're gonna play name that movie

612
00:34:50.760 --> 00:34:53.199
<v Speaker 2>cult classic. We're going to give away some prizes as well.

613
00:34:53.840 --> 00:34:55.960
<v Speaker 2>Just got word we have some more mugs and some

614
00:34:56.039 --> 00:35:00.320
<v Speaker 2>other Chotski's coming our way that we'll be giving way

615
00:35:00.559 --> 00:35:01.880
<v Speaker 2>thanks to Neil Savadia.

616
00:35:03.159 --> 00:35:07.880
<v Speaker 6>It's my understanding and I'm hoping that he spends some

617
00:35:08.039 --> 00:35:12.800
<v Speaker 6>time talking about it. That our winner has a company

618
00:35:14.159 --> 00:35:20.559
<v Speaker 6>that catalogs sounds from Disneyland and and and it's an

619
00:35:20.639 --> 00:35:24.119
<v Speaker 6>audio experience of an audio tour of the park.

620
00:35:24.480 --> 00:35:25.960
<v Speaker 3>I cannot wait.

621
00:35:25.719 --> 00:35:28.719
<v Speaker 6>To hear about that experience, because sometimes I have gone

622
00:35:28.719 --> 00:35:31.719
<v Speaker 6>to Dignel and just sat and closed my eyes and

623
00:35:31.840 --> 00:35:34.719
<v Speaker 6>just take in the sounds, and I could go over

624
00:35:34.760 --> 00:35:36.719
<v Speaker 6>to Adventureland and just all the sounds.

625
00:35:36.880 --> 00:35:38.320
<v Speaker 3>I loved that concept.

626
00:35:38.480 --> 00:35:40.719
<v Speaker 6>So when I heard him talking about it at Pasathon,

627
00:35:40.800 --> 00:35:42.519
<v Speaker 6>I'm like, oh, you gotta promote this.

628
00:35:43.280 --> 00:35:49.800
<v Speaker 2>Remain seated please samn and it's full for boy. Mark

629
00:35:49.800 --> 00:35:52.400
<v Speaker 2>doesn't get that. He just he's never been to Disneyland,

630
00:35:52.440 --> 00:35:53.519
<v Speaker 2>so he wouldn't understand that.

631
00:35:54.559 --> 00:35:54.840
<v Speaker 3>Mark.

632
00:35:55.519 --> 00:35:58.320
<v Speaker 7>I was busy doing important work to There's nothing going

633
00:35:58.360 --> 00:36:01.480
<v Speaker 7>on in the world right now. There's not a juvenile

634
00:36:02.079 --> 00:36:07.039
<v Speaker 7>nothing more important than this. Serious time remain present. Juvenile taunts,

635
00:36:07.159 --> 00:36:13.440
<v Speaker 7>remain seated. Please you never heard that like on a

636
00:36:13.519 --> 00:36:17.239
<v Speaker 7>matta horn. Wait, have you ever been to Disculine?

637
00:36:17.679 --> 00:36:17.920
<v Speaker 2>Yeah?

638
00:36:17.960 --> 00:36:19.559
<v Speaker 3>I think when I was like six years old, I

639
00:36:19.800 --> 00:36:23.239
<v Speaker 3>went on the Oh my gosh, there we go. It's

640
00:36:23.320 --> 00:36:24.119
<v Speaker 3>beneath him.

641
00:36:24.199 --> 00:36:26.800
<v Speaker 2>It's too juvenile to go on a ride in an

642
00:36:26.800 --> 00:36:27.920
<v Speaker 2>amusement park.

643
00:36:28.599 --> 00:36:30.639
<v Speaker 3>Why is it fun to do that as an adult?

644
00:36:31.440 --> 00:36:32.639
<v Speaker 3>Depends on who you're crazy.

645
00:36:33.519 --> 00:36:38.039
<v Speaker 2>Take their side. She is an adult, she could speak

646
00:36:38.079 --> 00:36:40.039
<v Speaker 2>her mind. She's barely an adult.

647
00:36:42.159 --> 00:36:48.760
<v Speaker 3>Hey, hey, children are seen not hurt. Wait, whose side

648
00:36:48.840 --> 00:36:49.719
<v Speaker 3>is everybody here?

649
00:36:49.760 --> 00:36:49.920
<v Speaker 7>On?

650
00:36:50.039 --> 00:36:51.719
<v Speaker 3>What is going on here? I'm on my side? Go

651
00:36:51.760 --> 00:36:52.320
<v Speaker 3>ahead as well.

652
00:36:52.559 --> 00:36:54.960
<v Speaker 5>No, Disneyland rules. You're crazy, Mark. I'm sorry.

653
00:36:55.199 --> 00:36:56.199
<v Speaker 3>It's also expensive.

654
00:36:56.239 --> 00:36:56.679
<v Speaker 2>I have.

655
00:36:57.039 --> 00:36:59.679
<v Speaker 3>If I'm going to spend that kind of dough, I

656
00:36:59.719 --> 00:37:01.440
<v Speaker 3>have are things ahead of it in line.

657
00:37:01.639 --> 00:37:05.360
<v Speaker 4>You could have gone at the holiday event for true

658
00:37:05.440 --> 00:37:06.519
<v Speaker 4>for the price of zero.

659
00:37:06.920 --> 00:37:10.039
<v Speaker 2>Well, I may if we're still doing that in the future.

660
00:37:11.000 --> 00:37:12.840
<v Speaker 2>But you could have gone just a few months ago.

661
00:37:12.880 --> 00:37:15.239
<v Speaker 2>You didn't take the opportunity. I probably had to work.

662
00:37:15.280 --> 00:37:17.360
<v Speaker 2>I work all the time. Have you noticed I never

663
00:37:17.400 --> 00:37:21.039
<v Speaker 2>take days off unless I have, like dental surgery.

664
00:37:21.239 --> 00:37:23.280
<v Speaker 3>Well, you keep making these excuses. You have to make

665
00:37:23.320 --> 00:37:26.880
<v Speaker 3>time for that, which is important. I have to serve

666
00:37:27.000 --> 00:37:31.360
<v Speaker 3>our listeners first and foremost. Morris William, why you got

667
00:37:31.360 --> 00:37:34.679
<v Speaker 3>to bring my government name, because that indicates the seriousness

668
00:37:34.719 --> 00:37:39.400
<v Speaker 3>of the situation, Isabella. He's just jealous because I got

669
00:37:39.440 --> 00:37:41.840
<v Speaker 3>my William as my middle name before he got his.

670
00:37:42.559 --> 00:37:42.880
<v Speaker 5>Right.

671
00:37:43.199 --> 00:37:46.519
<v Speaker 2>That's what it is. Good bragging about your age. There, Grandpa,

672
00:37:46.719 --> 00:37:49.880
<v Speaker 2>that's all right, Get off my damn law. Get off

673
00:37:50.039 --> 00:37:52.840
<v Speaker 2>my laws. Not the time to spray anybody down with

674
00:37:52.880 --> 00:37:56.039
<v Speaker 2>your host and take your bicycle with you. Peddle away,

675
00:37:56.159 --> 00:37:58.440
<v Speaker 2>pedal away. You go home and soak your teeth. It's

676
00:37:58.440 --> 00:38:02.239
<v Speaker 2>almost ten o'clock. You know, Isabella, do you get that reference.

677
00:38:02.320 --> 00:38:04.679
<v Speaker 2>I'm be serious, Okay, just want to make sure. Okay,

678
00:38:05.079 --> 00:38:07.280
<v Speaker 2>you know, people getting implants and everything. You don't get

679
00:38:07.280 --> 00:38:09.079
<v Speaker 2>to see dentures like you used to when I was

680
00:38:09.119 --> 00:38:12.800
<v Speaker 2>going up. I just assume my dad was like born

681
00:38:12.880 --> 00:38:15.000
<v Speaker 2>with only twenty eight teeth or something.

682
00:38:15.079 --> 00:38:15.920
<v Speaker 3>Oh, let me tell you.

683
00:38:15.960 --> 00:38:19.079
<v Speaker 7>At the one of the first newspaper I ever worked at,

684
00:38:19.400 --> 00:38:22.679
<v Speaker 7>there was a there was the local car dealer, the

685
00:38:22.719 --> 00:38:26.320
<v Speaker 7>big car dealer in town in Lafayette, Indiana. We got

686
00:38:26.480 --> 00:38:31.280
<v Speaker 7>leaked video outtakes of a commercial. This guy's dentures flying

687
00:38:31.360 --> 00:38:34.519
<v Speaker 7>out as he was filming the commercial. It's the best

688
00:38:34.559 --> 00:38:37.400
<v Speaker 7>thing I've ever seen. Look, I am not going to

689
00:38:37.480 --> 00:38:42.280
<v Speaker 7>ever wear dentures. I will have holes in my smile

690
00:38:43.559 --> 00:38:45.440
<v Speaker 7>or I'll get some implants. I don't know if I

691
00:38:45.480 --> 00:38:47.719
<v Speaker 7>knew implants. Again, that was a horrible experience. Let me

692
00:38:47.719 --> 00:38:50.320
<v Speaker 7>tell you, Oh, I've got a couple of those coming up.

693
00:38:50.360 --> 00:38:53.440
<v Speaker 7>If you could not go into detail, you need to.

694
00:38:55.599 --> 00:38:59.440
<v Speaker 3>Know. You don't want to be surprised. I'm already petrified.

695
00:38:59.840 --> 00:39:01.719
<v Speaker 3>You need to know when they're going to drill through

696
00:39:01.760 --> 00:39:04.400
<v Speaker 3>your jaw. I have the drugs lined up so far

697
00:39:04.559 --> 00:39:07.519
<v Speaker 3>in advance. I don't want to even These are nothing

698
00:39:07.920 --> 00:39:10.960
<v Speaker 3>like the sound and smell of a dentist drilling through

699
00:39:10.960 --> 00:39:11.280
<v Speaker 3>your job.

700
00:39:11.400 --> 00:39:14.199
<v Speaker 2>At the time, Look at the time, have a great weekend.

701
00:39:14.280 --> 00:39:15.960
<v Speaker 2>K if I AM six forty were live everywhere in

702
00:39:16.000 --> 00:39:20.679
<v Speaker 2>the iHeartRadio app. K s I k OST HD two

703
00:39:20.880 --> 00:39:24.480
<v Speaker 2>Los Angeles, Orange County, live everywhere on the radio