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<v Speaker 1>If you look at the twisted metal of a highway collision,

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<v Speaker 1>you can usually find the narrative of the disaster, just

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<v Speaker 1>you know, written right there in the debris.

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<v Speaker 2>Oh absolutely, I mean an investigator can just measure the

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<v Speaker 2>skid marks or examine the sheared brake.

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<v Speaker 1>Line, right exactly. They test the grip of the tires,

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<v Speaker 1>and they point to a definitive physical cause. The mechanical

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<v Speaker 1>failure is visible, it's it's quantifiable.

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<v Speaker 2>It's all right there in front of you. But the

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<v Speaker 2>real question is what happens when that forensic instinct completely

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<v Speaker 2>breaks down?

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<v Speaker 1>Yeah, and that's the terrifying part, right, Like what happens

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<v Speaker 1>when a fatal disaster, or this whole string of bizarre drownings,

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<v Speaker 1>or even the annihilation of an entire army division occurs, and.

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<v Speaker 2>All the physical measurements in the world just leave you

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<v Speaker 2>staring at an inexplicable void.

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<v Speaker 1>Yes, it's so unsettling.

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<v Speaker 2>Well, you're left grappling with the terrifying realization that human

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<v Speaker 2>reason has hard limits. I mean, we construct our modern

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<v Speaker 2>society on this bedrock of cause and effect in a

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<v Speaker 2>closed rational system.

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<v Speaker 1>We like things to make sense.

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<v Speaker 2>We really do. So when a tragedy breaches that system,

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<v Speaker 2>We're forced to look beyond the veil of the measurable,

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<v Speaker 2>and frankly, that is a profoundly uncomfortable place for the

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<v Speaker 2>human mind to operate.

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<v Speaker 1>It really is, and that profound discomfort is exactly the

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<v Speaker 1>territory we are exploring today because our mission for this

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<v Speaker 1>deep dive is to map the chilling intersection where sheer

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<v Speaker 1>coincidence just bleeds into the supernatural.

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<v Speaker 2>It's a fascinating line of walk.

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<v Speaker 1>It totally is, and we are unpacking a massive stack

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<v Speaker 1>of source material today. It's largely anchored by the exhaustive

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<v Speaker 1>research featured in the history series called The Unexplained, and.

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<v Speaker 2>The sources they've pulled together are just incredible.

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<v Speaker 1>Oh they're wild. These sources detail five distinct, highly documented

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<v Speaker 1>and honestly heavily scrutinized cases of alleged curses. We're going

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<v Speaker 1>to be looking at submerged towns hiding dark histories, the

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<v Speaker 1>apocalyptic warnings of ancient warlords.

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<v Speaker 2>The decay of Hollywood monuments, which is a wild story

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<v Speaker 2>on its own.

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<v Speaker 1>Yeah, and even a completely unassuming suburban basement that actively

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<v Speaker 1>curates the macabre.

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<v Speaker 2>Right and throughout this entire exploration, the fundamental tension we

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<v Speaker 2>need to interrogate is the nature of a curse itself?

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<v Speaker 1>What do you mean by that? Exactly?

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<v Speaker 2>Well, we have to ask ourselves. Are we dealing with

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<v Speaker 2>literal tangible entities here, like things compose of dark resonant energy,

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<v Speaker 2>Or and this is equally fascinating, are we observing one

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<v Speaker 2>of the most elaborate, deeply ingrained psychological coping mechanisms in

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<v Speaker 2>human history?

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<v Speaker 1>Ah? I see, like, when the math of a tragedy

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<v Speaker 1>simply does not add up, do we just invent a

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<v Speaker 1>monster to balance the equation?

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<v Speaker 2>Exactly? Do we create the monster just to regain our

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<v Speaker 2>own sense of control?

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<v Speaker 1>Okay, let's unpack this, because to genuinely investigate that tension,

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<v Speaker 1>I feel like we shouldn't start in some ancient torchlit

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<v Speaker 1>crypt right.

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<v Speaker 2>No, the true test of these phenomena is how they

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<v Speaker 2>intrude on our everyday lives.

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<v Speaker 1>Exactly. So, we are starting with the geography of misfortune

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<v Speaker 1>in a place built specifically for leisure. We're going to

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<v Speaker 1>Lake Lanear in North Georgia.

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<v Speaker 2>Right, a massive modern reservoir.

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<v Speaker 1>Yeah. Why does a modern man made lake a place

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<v Speaker 1>that hosts like up to fourteen million tourists? And boaters

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<v Speaker 1>every single year possess a statistical record that makes it

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<v Speaker 1>feel inherently, almost maliciously dangerous.

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<v Speaker 2>The contrast there is just charring because Lake Lanier was

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<v Speaker 2>engineered in the nineteen fifties by the Army Corps of Engineers.

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<v Speaker 2>I mean, it is a massive infrastructure trium.

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<v Speaker 1>It's huge.

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<v Speaker 2>It's twenty six miles long, it is over seven hundred

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<v Speaker 2>miles a shoreline. It was designed to provide hydro electric

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<v Speaker 2>power and a steady water supply to Atlanta.

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<v Speaker 1>So it's basically the ultimate symbol of human dominance over

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<v Speaker 1>the natural landscape exactly.

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<v Speaker 2>Yet since its creation, the death toll has completely defied

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<v Speaker 2>the standard risk models for a body of water of

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<v Speaker 2>that size.

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<v Speaker 1>Yeah, the sources outline and estimated six hundred to seven

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<v Speaker 1>hundred drownings since the lake was filled, which is staggering.

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<v Speaker 2>It is if you look at reservoirs a commensurate size

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<v Speaker 2>with similar tourist traffic in the region, the fatality rate

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<v Speaker 2>at Lani area is entirely disproportionate.

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<v Speaker 1>But the sheer volume of fatalities isn't even the most

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<v Speaker 1>unsettling part to me. It's the specific bizarre mechanics of

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<v Speaker 1>how people are dying.

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<v Speaker 2>There, right. The eyewitness accounts are chilling.

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<v Speaker 1>They really are. The testimonies from rescue divers, first responders, witnesses,

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<v Speaker 1>they all establish this deeply disturbing pattern because the physiological

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<v Speaker 1>reality of drowning is typically very violent.

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<v Speaker 2>Yes, it's highly visible. It involves thrashing, shouting, this instinctual

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<v Speaker 2>and desperate clawing at the surface to keep the airwight

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<v Speaker 2>clear exactly.

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<v Speaker 1>But at Lake Lanier, witnesses repeatedly describe victims just slipping

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<v Speaker 1>below the surface without a single splash.

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<v Speaker 2>They don't fight at all.

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<v Speaker 1>No, The specific phrase use time and time again in

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<v Speaker 1>the reports is that victims appear to go under in

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<v Speaker 1>quote one gulp, and they just never resurface.

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<v Speaker 2>That phrase one gulp. It really transforms the lake from

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<v Speaker 2>a geographical location into active predator.

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<v Speaker 1>It does, and the sensory data from the survivors backs

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<v Speaker 1>up that predatory narrative entirely. There is this one detailed

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<v Speaker 1>account from a highly trained lifeguard who fell out of

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<v Speaker 1>a boat.

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<v Speaker 2>And this is someone whose entire professional life is built

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<v Speaker 2>on understanding the fluid dynamics of water.

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<v Speaker 1>Right, She's an expert, but upon being pulled to safety,

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<v Speaker 1>she wasn't just panicked, she was fundamentally disoriented by the

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<v Speaker 1>physical properties of the lake itself.

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<v Speaker 2>What did she say it felt like?

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<v Speaker 1>She stated that the water didn't feel like water. She

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<v Speaker 1>said it felt impossibly thick, like it was clinging to her.

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<v Speaker 1>She actually described it explicitly as feeling quote, just like molasses.

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<v Speaker 2>Wow, and other rescue divers have corroborated that exact sensation.

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<v Speaker 1>Really, they felt the molasses thing too.

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<v Speaker 2>Yes, they note this oppressive heavy quality to the water,

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<v Speaker 2>and it's often accompanied by an irrational but overwhelming feeling

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<v Speaker 2>of not being alone when they're submerged.

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<v Speaker 1>That is terrifying.

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<v Speaker 2>To understand this, we really have to bifurcate our analysis. First,

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<v Speaker 2>we have to look at the brutal physical reality of

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<v Speaker 2>what lies beneath the surface, and then we have to

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<v Speaker 2>examine the profound spiritual trauma of the land itself.

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<v Speaker 1>Okay, let's address the physical reality first, because the engineering

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<v Speaker 1>history of Lake Lanier is basically a blueprint for a

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<v Speaker 1>submerged death trap.

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<v Speaker 2>It really is a nightmare down there.

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<v Speaker 1>Yeah, the Army Corps of Engineers didn't just dig a

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<v Speaker 1>new basin for this lake. They simply dammed the Chattahoochee

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<v Speaker 1>River and flooded an enormous inhabited valley.

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<v Speaker 2>Right, they just let the water rise over.

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<v Speaker 1>Exactly, and that valley contained a thriving, albeit highly controversial

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<v Speaker 1>community called Oscarville. The government acquired over fifty six thousand

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<v Speaker 1>acres across three counties, forcefully relocated the population, and literally

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<v Speaker 1>left the infrastructure almost entirely intact.

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<v Speaker 2>The result is a jagged post apocalyptic labyrinth hidden just

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<v Speaker 2>at a site.

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<v Speaker 1>It's wild to think about.

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<v Speaker 2>You have concrete foundations, fully paved roads, steel bridges, and

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<v Speaker 2>even an entire automobile race track just resting in the dark.

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<v Speaker 1>Down there, an entire racetrack, but most lethally, they completely

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<v Speaker 1>failed to clear the forests.

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<v Speaker 2>Yes, the trees.

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<v Speaker 1>There are vast expanses of standing timber. We're talking entire

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<v Speaker 1>groves of oak and pine trees reaching forty to seventy

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<v Speaker 1>feet high, and their top branches are waiting mere feet

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<v Speaker 1>below the surface of the water, hardened by decades of

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<v Speaker 1>being submerged.

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<v Speaker 2>Which invites a very necessary dose of grounded reality.

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<v Speaker 1>I think, oh, for sure, look at the variables here.

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<v Speaker 1>You have millions of tourists, many of whom are consuming alcohol,

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<v Speaker 1>operating jet skis and speedboats directly over an invisible, decaying

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<v Speaker 1>town and a petrified underwater forest. It's a recipe for disaster, right,

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<v Speaker 1>So aren't the sheer mathematics of those hazards entirely sufficient

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<v Speaker 1>to explain the death toll? If a swimmer gets their

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<v Speaker 1>leg caught in the rebar of a submerged bridge or

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<v Speaker 1>entangled in the invisible branches of a sixty foot pine tree,

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<v Speaker 1>they are going to be pulled under instantly, without a struggle.

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<v Speaker 2>They wouldn't even have a chance to splash.

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<v Speaker 1>Exactly. It's not a monster taking one gulp, it's fluid

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<v Speaker 1>dynamics and submerged debris. So why do we even need

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<v Speaker 1>to invoke a supernatural explanation when the physical hazards are

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<v Speaker 1>this extreme.

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<v Speaker 2>What's fascinating here is that the physical debris provides a

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<v Speaker 2>perfectly rational mechanism for the disappearances, absolutely, but it completely

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<v Speaker 2>fails to account for the localized psychological terror.

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<v Speaker 1>You mean the molasses feeling.

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<v Speaker 2>Exactly, the molasses sensation, the profound dread reported by professional

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<v Speaker 2>rescue divers. To understand that, we have to look deeper

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<v Speaker 2>than the concrete of Oscarville. We have to look at

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<v Speaker 2>what Oscarville was built on top of?

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<v Speaker 1>Oh? Right, the drought.

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<v Speaker 2>Yes, During an intense regional drought in two thousand and seven,

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<v Speaker 2>the water levels of Lake Lanier plummeted and it revealed

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<v Speaker 2>a structure known as the Summer Around.

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<v Speaker 1>And this wasn't just a hill, right, No, it.

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<v Speaker 2>Wasn't a natural topographical feature at all. It was a massive,

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<v Speaker 2>ancient and highly sacred Native American burial ground belonging to

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<v Speaker 2>the creek and chairs.

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<v Speaker 1>Wow. Now, the historical records show the Army Corps of

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<v Speaker 1>Engineers claim they respectfully exhumed and relocated all the graves

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<v Speaker 1>before the flooding commenced.

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<v Speaker 2>They did claim that, but the.

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<v Speaker 1>Sources really highlight the absurdity of that claim. I mean,

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<v Speaker 1>in the late nineteen forties, they did not possess ground

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<v Speaker 1>penetrating radar.

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<v Speaker 2>Not at all, and the excavation was rushed, severely, underfunded,

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<v Speaker 2>and handled with the cultural callousness that was pretty typical

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<v Speaker 2>of the era.

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<v Speaker 1>Right, So, the mathematical probability that they successfully located and

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<v Speaker 1>moved every single remain from an extensive centuries old burial

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<v Speaker 1>complex is practically zero.

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<v Speaker 2>Which means the modern recreational ecosystem of Lake Lanier is

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<v Speaker 2>functioning directly over a desecrated active grave site mikes Mitchell's

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<v Speaker 2>and this brings us to the anthropological mechanism of animism. Animism, Yes,

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<v Speaker 2>Animism is the foundational belief in many indigenous cultures that

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<v Speaker 2>the material world, the soil, the rivers, the trees, is

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<v Speaker 2>not inert dead mass. It is a living spiritual network.

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<v Speaker 1>Okay, I follow you.

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<v Speaker 2>The burial of the dead is a sacred integration into

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<v Speaker 2>that exact network.

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<v Speaker 1>Yeah.

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<v Speaker 2>So when you violently disrupt that, when you bulldoze a

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<v Speaker 2>burial mount and drown it under billions of gallons of water,

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<v Speaker 2>you are not just moving dirt.

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<v Speaker 1>Right, You're doing real damage.

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<v Speaker 2>In the animistic worldview, you are generating a catastrophic spiritual wound.

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<v Speaker 1>You are fundamentally altering the energy of the space. It's

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<v Speaker 1>like the land remembers the violation exactly.

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<v Speaker 2>A land based curse operates on the premise of resonant

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<v Speaker 2>environmental trauma. When a profound, historical and spiritual trespass occurs,

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<v Speaker 2>the geography itself.

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<v Speaker 1>Becomes hostile, so it fights back.

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<v Speaker 2>Yes, whether you view that hostility as literal angry spirits

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<v Speaker 2>dragging swimmers down, or simply as a deep collective psychological

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<v Speaker 2>guilt that manifests panic and physical heaviness in the water.

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<v Speaker 2>The result is exactly the same.

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<v Speaker 1>The lake functions as an active monument to human arrogance,

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<v Speaker 1>and it collects a toll. Perfectly said, so, Lake Linear

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<v Speaker 1>is kind of a past of trap. It requires people

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<v Speaker 1>to come to it, to actively wade into its waters

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<v Speaker 1>before the purse can act. But that raises a much larger,

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<v Speaker 1>far more terrifying prospect, which is what happens when a

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<v Speaker 1>curse isn't anchored to a lake bed in Georgia, what

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<v Speaker 1>happens when a curse is designed to be active, carrying

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<v Speaker 1>a historical weight so massive that it possesses the power

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<v Speaker 1>to alter the trajectory of global history.

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<v Speaker 2>That is a massive leap and scale, And to explore that,

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<v Speaker 2>we must shift our focus from a localized American reservoir

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<v Speaker 2>to the vast, historically bloodsoaked plains of Central Asia.

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<v Speaker 1>We're talking about Uzbekistan.

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<v Speaker 2>Specifically, an ancient mausoleum in Uzbekistan known as the Gourdy

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<v Speaker 2>Emir or the Tomb of the King. And the King

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<v Speaker 2>entered there is Tamerlane.

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<v Speaker 1>The Great, Oh boy, Tamerling, Yes.

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<v Speaker 2>A figure whose legacy forces us to confront the absolute

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<v Speaker 2>limits of human cruelty.

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<v Speaker 1>Tamerling's history reads like some dark fantasy novel, but it's

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<v Speaker 1>entirely real. Operating in the late fourteenth century, he basically

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<v Speaker 1>envisioned himself as the heir to Genghis Khan.

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<v Speaker 2>And he had the military ambition to match it really did.

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<v Speaker 1>Over a thirty five year period, he launched this campaign

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<v Speaker 1>of relentless mechanized warfare. He carved out an empire that

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<v Speaker 1>stretched all the way from the frozen steps of Siberia

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<v Speaker 1>to the Mediterranean Sea.

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<v Speaker 2>The scale of his violence is genuinely difficult to process.

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<v Speaker 2>The historical consensus featured in our sources estimates his armies

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<v Speaker 2>were directly responsible for the extermination of roughly five percent

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<v Speaker 2>of the total global population at the.

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<v Speaker 1>Time, five percent of the entire world, and we cannot

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<v Speaker 1>gloss over the methodology of that extermination either. Because Tamerlane

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<v Speaker 1>didn't just defeat opposing armies. He utilized psychological terror as

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<v Speaker 1>a primary instrument of state craft.

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<v Speaker 2>His signature tactic is still infamous today.

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<v Speaker 1>Yeah, following the siege of a rebellious city, he would

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<v Speaker 1>decapitate the surviving population and then he used their severed heads,

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<v Speaker 1>mortared with clay to construct massive, towering pyramids outside the

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<v Speaker 1>city gates.

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<v Speaker 2>He literally engineered architecture out of human remains.

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<v Speaker 1>And to broadcast to the surrounding world, Submit or your

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<v Speaker 1>skulls will build the next monument.

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<v Speaker 2>It is a level of calculated, sadistic energy that really

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<v Speaker 2>beggars belief. And the cultural assumption is that when a

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<v Speaker 2>human being generates that magnitude of suffering, the energy doesn't

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<v Speaker 2>just dissipate into the ether when they die. It concentrates

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<v Speaker 2>exactly so, when Tamerlane died in fourteen oh five, he

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<v Speaker 2>was sealed inside the Guria Mirr and for centuries the

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<v Speaker 2>tomb functioned as a geopolitical quarantine zone. Nobody dared touch it.

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<v Speaker 1>And to ensure that quarantine, there were two incredibly explicit

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<v Speaker 1>inscriptions carved right into the tomb. The first one warned,

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<v Speaker 1>when I rise from the dead, the world shall tremble,

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<v Speaker 1>which is ominous enough, right, But the second one was

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<v Speaker 1>even more specific. It said, whosoever opens my tomb shall

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<v Speaker 1>unleash an invader more terrible than I.

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<v Speaker 2>Those inscriptions establish a sacred boundary defined entirely by apocalyptic

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<v Speaker 2>threat and the local population honored that boundary flawlessly for

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<v Speaker 2>over five hundred.

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<v Speaker 1>Years until eighteen forty one.

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<v Speaker 2>Right it held until it collided with the specific aggressive

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<v Speaker 2>pathology of Joseph Stalin.

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<v Speaker 1>Which if you were searching history for a mind arrogant

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<v Speaker 1>enough to view a century's old supernatural threat as a

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<v Speaker 1>personal challenge, Stalin is literally the ultimate candidate.

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<v Speaker 2>Stalin's interest in Tamerlane wasn't merely historical curiosity either. It

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<v Speaker 2>was deeply ideological. I mean, Stalin was actively forging the

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<v Speaker 2>Soviet Union through brutal internal purges, force famines, and absolute

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<v Speaker 2>authoritarian terror, so.

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<v Speaker 1>He felt a kinship.

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<v Speaker 2>He looked back at Tamerlane and saw a mirrored reflection

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<v Speaker 2>of his own methodology. He actually wanted to claim that legacy,

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<v Speaker 2>so he ordered a state sponsored expedition of Soviet anthropologists

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<v Speaker 2>and archaeologists to travel to Uzbekistan and to the tomb

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<v Speaker 2>and physically pry open the sarcophagus to examine Tamerlane's remains.

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<v Speaker 1>And this expedition is the inciting incident of the curse.

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<v Speaker 1>The team arrives and the local elders are frantic. They

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<v Speaker 1>present the archaeologists with these ancient texts begging them to

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<v Speaker 1>leave the stones in place, warning that breaking the seal

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<v Speaker 1>will invite total destruction.

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<v Speaker 2>But the Soviet team, operating under strict Marxist Leninist principles

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<v Speaker 2>of scientific materialism, which completely rejects superstition, they just dismiss

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<v Speaker 2>the locals.

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<v Speaker 1>Yeah, they just wave them off. They apply the heavy

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<v Speaker 1>machinery and crack the tomb, and the immediate sensory feedback

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00:15:22.080 --> 00:15:26.080
<v Speaker 1>is astonishing. The smell, right, yes, The expedition logs record

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<v Speaker 1>that the instant the seal was broken, the crypt was

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<v Speaker 1>flooded with this overpowering, suffocating scent of frankinsense, rose oil

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<v Speaker 1>and camphor. The aroma was so dense and sudden that

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<v Speaker 1>several team members believe they were physically smelling the curse

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<v Speaker 1>bleeding into the atmosphere.

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<v Speaker 2>The violation was total. The lead Soviet anthropologist even posed

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<v Speaker 2>for a photograph holding the skull of tamer Lane in

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<v Speaker 2>his hands, just inspecting it under harsh lights. The state

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<v Speaker 2>media published it as a victory over superstition, but.

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<v Speaker 1>The timeline of what happened next is why this event

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<v Speaker 1>is studied by both historians and paranormal researchers alike. The

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<v Speaker 1>timeline is what elevates this from a spooky anecdote to

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<v Speaker 1>a genuinely terrifying historical anomaly.

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00:16:07.440 --> 00:16:08.799
<v Speaker 2>Let's lay out that timeline.

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<v Speaker 1>Okay, The Soviet team opened the tomb on June twentieth,

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<v Speaker 1>nineteen forty one. Literally forty eight hours later, on June

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<v Speaker 1>twenty second, nineteen forty one, Adolf Hitler launched Operation.

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<v Speaker 2>Barbarosa, which remains the largest, most catastrophic military invasion in

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<v Speaker 2>the history of human conflict. Over three million troops of

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<v Speaker 2>the Axis Powers smashed into the western borders of the

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<v Speaker 2>Soviet Union, and.

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<v Speaker 1>The violence, the scale of destruction, and the sheer mechanized

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<v Speaker 1>slaughter unleashed on the Eastern Front. It fundamentally changed the world.

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<v Speaker 2>And the crucial element here is the element of surprise.

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<v Speaker 2>Because up until that exact morning, the Soviet Union and

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<v Speaker 2>Nazi Germany were bound by the Molotov Ribbentrop.

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<v Speaker 1>Packed right a strict treaty of non aggression.

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<v Speaker 2>Exactly, Hitler shattered that pack that morning.

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<v Speaker 1>Whosoever opens my tomb shall unleash an invader more terrible

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<v Speaker 1>than I. They open the tomb, and two days later Hitler,

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<v Speaker 1>arguably the only figure in the twentieth century, who could

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<v Speaker 1>challenge Tamerlane's dark legacy invades.

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<v Speaker 2>It's an incredible correlation.

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<v Speaker 1>As the German pansers tear through the Soviet defenses, driving

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<v Speaker 1>mercilessly toward Moscow, the pragmatic atheist foundation of the Soviet

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<v Speaker 1>high command actually begins to crack.

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<v Speaker 2>The psychological terror of the invasion forces Stalin's closest advisors

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<v Speaker 2>to look at the mounting casualties and seriously ask did

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00:17:27.079 --> 00:17:28.319
<v Speaker 2>our hubris trigger this?

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00:17:28.599 --> 00:17:31.720
<v Speaker 1>And the panic reached the very top of the Soviet apparatus.

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<v Speaker 1>In the winter of nineteen forty two, as the Battle

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<v Speaker 1>of Stalingrad raged and the fate of the nation hung

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<v Speaker 1>by a thread, Stalin capitulated to the superstition he really did.

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<v Speaker 2>He ordered Tamalaane's remains to be gathered, flown back to

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<v Speaker 2>his Pakistan, and reinterred with full respectful Islamic rites.

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<v Speaker 1>They closed the box and the immediate aftermath. Days after

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<v Speaker 1>the reinterment, in December nineteen forty two, the Red Army

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<v Speaker 1>encircled the German sixth Army at Stalingrad, forcing their surrender.

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<v Speaker 1>The momentum of the entire Second World War or shifted permanently.

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<v Speaker 2>The German forces never regained the offensive. They began a

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<v Speaker 2>long brutal retreat that ended in the ruins of Berlin.

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<v Speaker 1>They put the warlord back to rest and they win

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<v Speaker 1>the war. Now, this is where I have to throw

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<v Speaker 1>a massive wrench into the narrative.

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<v Speaker 2>Go for it.

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<v Speaker 1>Are we seriously suggesting that the geopolitical machinery of the

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00:18:19.480 --> 00:18:23.440
<v Speaker 1>Third Reich hinged on a stone lid in Uzbekistan? I

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<v Speaker 1>mean Hitler despised Bolshevism. Laban's from the conquest of the

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<v Speaker 1>East was the central thesis of his entire ideology.

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<v Speaker 2>That's entirely true.

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<v Speaker 1>The logistical build up of three million troops, thousands of

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<v Speaker 1>tanks and supply lines took nearly a year to organize.

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<v Speaker 1>They didn't just mobilize in a weekend because a Soviet

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<v Speaker 1>scientist picked up a skull. Isn't this just the most

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<v Speaker 1>spectacular coincidental collision of a dictator's ego trip with a

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<v Speaker 1>geopolitical time bomb that had been ticking since nineteen thirty nine?

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<v Speaker 2>That grounded historical pushback is entirely correct regarding the mechanics

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00:18:54.880 --> 00:18:58.640
<v Speaker 2>of the German military, but it completely misses the profound

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00:18:58.680 --> 00:19:02.359
<v Speaker 2>psychological phenomenon ofccurring within the Soviet leadership, which is the

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<v Speaker 2>mechanism of synchronicity. Synchronicity, Yes, Carl Jung defined synchronicity as

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<v Speaker 2>circumstances that appear meaningfully related yet lack a causal connection.

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<v Speaker 2>When the human mind is subjected to the incomprehensible chaos

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<v Speaker 2>of total war, when millions are dying and the rational

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00:19:19.319 --> 00:19:23.839
<v Speaker 2>structures of civilization are just vaporizing, the brain desperately seeks

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<v Speaker 2>a narrative structure.

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<v Speaker 1>Oh, I see, we need to believe someone is driving

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00:19:27.279 --> 00:19:29.480
<v Speaker 1>the car, even if they are driving it off a cliff.

386
00:19:29.680 --> 00:19:34.720
<v Speaker 2>Exactly. We crave a framework. The geopolitical reality of Hitler's

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00:19:34.720 --> 00:19:39.240
<v Speaker 2>betrayal was too vast, too complex, and too terrifying to control.

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00:19:39.799 --> 00:19:42.880
<v Speaker 2>But a curse a curse's contract. It has rules.

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<v Speaker 1>Right, If you open it, this happens. If you close it,

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00:19:45.279 --> 00:19:45.839
<v Speaker 1>it stops.

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00:19:45.960 --> 00:19:49.599
<v Speaker 2>Precisely, if Stalin caused the invasion by opening the tomb,

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00:19:49.960 --> 00:19:52.440
<v Speaker 2>then Stalin retains the power to stop the invasion by

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00:19:52.480 --> 00:19:55.279
<v Speaker 2>closing the tomb. The belief in the curse didn't cause

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00:19:55.359 --> 00:19:58.000
<v Speaker 2>Hitler to attack, but the belief in the curse actively

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00:19:58.039 --> 00:20:01.200
<v Speaker 2>altered the psychology and the decision of the Soviet high command.

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<v Speaker 1>So the human mind elevates vast political slaughter to the

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<v Speaker 1>realm of the supernatural, because confronting the true, mundane reality

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00:20:08.680 --> 00:20:11.920
<v Speaker 1>of human evil on that scale is just psychologically unbearable.

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00:20:12.119 --> 00:20:15.720
<v Speaker 2>That is a brilliant distinction. Tarrelne intended his tomb to

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<v Speaker 2>be a beacon of fear. He built a trap. But

401
00:20:18.559 --> 00:20:21.920
<v Speaker 2>what happens when we observe the exact inverse of that intention?

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00:20:22.240 --> 00:20:22.720
<v Speaker 1>What do you mean?

403
00:20:23.079 --> 00:20:25.799
<v Speaker 2>What happens when a structure is conceived and built to

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00:20:25.799 --> 00:20:29.480
<v Speaker 2>be a monument to luxury, comfort and safety, yet somehow

405
00:20:29.519 --> 00:20:33.039
<v Speaker 2>subverts its own design to become a vortex of misery

406
00:20:33.079 --> 00:20:33.519
<v Speaker 2>and death.

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00:20:33.680 --> 00:20:37.200
<v Speaker 1>Ah, we are transitioning from the grand historical stage of

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00:20:37.200 --> 00:20:41.640
<v Speaker 1>global conflict to the hyper concentrated environment of urban architecture.

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00:20:41.720 --> 00:20:45.480
<v Speaker 2>We're moving to downtown Los Angeles. We need to examine

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00:20:45.480 --> 00:20:48.440
<v Speaker 2>the deeply unsettling history of the Cecil Hotel.

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00:20:48.640 --> 00:20:51.599
<v Speaker 1>Oh, the Cecil. For anyone familiar with true crime or

412
00:20:51.680 --> 00:20:54.960
<v Speaker 1>modern urban legends, the Cecil Hotel is ground zero for

413
00:20:55.079 --> 00:20:59.039
<v Speaker 1>architectural dread. Let's establish the baseline here. The Cecil opened

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00:20:59.079 --> 00:21:01.960
<v Speaker 1>its doors in nineteen twenty four. It was conceived as

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00:21:01.960 --> 00:21:03.880
<v Speaker 1>a masterpiece of Bo's arts design.

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00:21:04.000 --> 00:21:04.880
<v Speaker 2>It was gorgeous.

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00:21:05.000 --> 00:21:08.599
<v Speaker 1>Yeah. The lobby feature towering marble columns, toroszo floors, and

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00:21:08.720 --> 00:21:11.799
<v Speaker 1>stained glass. It was built with the explicit intention of

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00:21:11.880 --> 00:21:15.680
<v Speaker 1>drawing upwardly mobile business travelers and tourists to a glamorous

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00:21:15.759 --> 00:21:17.279
<v Speaker 1>hub in southern California.

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00:21:17.559 --> 00:21:21.480
<v Speaker 2>Yet the timeline of its decay is shockingly brief. It

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00:21:21.559 --> 00:21:26.200
<v Speaker 2>did not experience a slow, graceful decline. Almost immediately after

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00:21:26.240 --> 00:21:29.480
<v Speaker 2>its grand opening, the building began to generate a localized

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00:21:29.519 --> 00:21:32.799
<v Speaker 2>epidemic of tragedy. It was immediate. Within a decade, the

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00:21:32.799 --> 00:21:35.880
<v Speaker 2>sheer density of suicides occurring on the property led the

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00:21:35.920 --> 00:21:39.880
<v Speaker 2>local press and residents to actually brand it the Suicide Hotel.

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00:21:40.279 --> 00:21:43.839
<v Speaker 1>The archives paint a brutal picture. You have individuals like

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00:21:44.000 --> 00:21:47.480
<v Speaker 1>WK Norton checking into a room specifically to ingest poison.

429
00:21:48.000 --> 00:21:51.359
<v Speaker 1>You have Army medics Sergeant Louis D. Borden, who systematically

430
00:21:51.400 --> 00:21:53.759
<v Speaker 1>slit his own throat within the hotel's walls.

431
00:21:53.839 --> 00:21:54.359
<v Speaker 2>That's Graham.

432
00:21:54.519 --> 00:21:57.920
<v Speaker 1>One researcher in the source is easily cataloged seventeen highly

433
00:21:57.960 --> 00:22:01.799
<v Speaker 1>publicized suicides directly tied to the hotel, and those only

434
00:22:01.880 --> 00:22:04.160
<v Speaker 1>account for the incidents that actually made the papers.

435
00:22:04.279 --> 00:22:06.200
<v Speaker 2>Which is an insane statistical anomaly.

436
00:22:06.359 --> 00:22:09.880
<v Speaker 1>Right if a standard metropolitan hotel experiences one, perhaps two

437
00:22:09.880 --> 00:22:12.640
<v Speaker 1>such events in a century, the Cecil was operating on

438
00:22:12.680 --> 00:22:15.359
<v Speaker 1>a statistical plane that suggests the building itself was a

439
00:22:15.359 --> 00:22:16.920
<v Speaker 1>catalyst for despair.

440
00:22:16.920 --> 00:22:21.119
<v Speaker 2>And that historical momentum of despair culminates in the modern

441
00:22:21.119 --> 00:22:24.559
<v Speaker 2>era with the twenty twelve disappearance of twenty one year

442
00:22:24.599 --> 00:22:28.240
<v Speaker 2>old Alisa Lamb, a case that essentially paralyzed the Internet

443
00:22:28.240 --> 00:22:28.960
<v Speaker 2>with speculation.

444
00:22:29.519 --> 00:22:32.200
<v Speaker 1>The Alisa Lamb case is absolutely the nexus of the

445
00:22:32.240 --> 00:22:36.279
<v Speaker 1>Cecil's dark reputation. She vanishes while staying at the hotel,

446
00:22:36.880 --> 00:22:39.480
<v Speaker 1>and in a desperate bid for leads, the Los Angeles

447
00:22:39.559 --> 00:22:43.160
<v Speaker 1>Police Department releases the last known footage of her. It

448
00:22:43.200 --> 00:22:45.680
<v Speaker 1>was captured by the security camera inside one of the

449
00:22:45.680 --> 00:22:47.160
<v Speaker 1>hotel's elevators, and to.

450
00:22:47.119 --> 00:22:51.680
<v Speaker 2>Watch that footage is to witness a profound psychological unraveling

451
00:22:51.880 --> 00:22:52.680
<v Speaker 2>in real time.

452
00:22:53.000 --> 00:22:56.440
<v Speaker 1>The anomalies in her behavior are intense. She enters the elevator,

453
00:22:56.480 --> 00:22:59.240
<v Speaker 1>but the doors fail to close. She presses an entire

454
00:22:59.319 --> 00:23:00.000
<v Speaker 1>column of buttons.

455
00:23:00.119 --> 00:23:02.400
<v Speaker 2>Sequentially, she steps out into the hallway right.

456
00:23:02.359 --> 00:23:06.640
<v Speaker 1>Yes, moving with this erratic, deeply paranoid physical geometry peering

457
00:23:06.680 --> 00:23:09.240
<v Speaker 1>around the doorframe, as if hunting or hiding from an

458
00:23:09.279 --> 00:23:13.279
<v Speaker 1>unseen pursuer. She retreats to the corner of the elevator, cowering.

459
00:23:13.000 --> 00:23:14.559
<v Speaker 2>It's so unsettling to watch.

460
00:23:14.880 --> 00:23:17.640
<v Speaker 1>Then she steps back into the hall and begins performing

461
00:23:17.640 --> 00:23:22.640
<v Speaker 1>these fluid, highly articulate, almost ritualistic hand gestures. She is

462
00:23:22.680 --> 00:23:26.160
<v Speaker 1>clearly interacting with an entity or a force entirely invisible

463
00:23:26.160 --> 00:23:29.119
<v Speaker 1>to the camera. Finally, she walks away down the corridor

464
00:23:29.359 --> 00:23:30.720
<v Speaker 1>and vanishes.

465
00:23:30.480 --> 00:23:34.559
<v Speaker 2>And the resolution to that footage is a nightmare, total nightmare.

466
00:23:34.720 --> 00:23:37.799
<v Speaker 2>After guests complain of low water pressure and dark, foul

467
00:23:37.839 --> 00:23:40.920
<v Speaker 2>tasting water coming from the taps, a maintenance worker goes

468
00:23:41.000 --> 00:23:43.359
<v Speaker 2>up to the roof to check the municipal water tanks.

469
00:23:44.200 --> 00:23:48.000
<v Speaker 2>Inside one of those massive sealed cisterns, he discovers Alisa

470
00:23:48.039 --> 00:23:50.920
<v Speaker 2>Lamb's decomposing body floating face down.

471
00:23:51.200 --> 00:23:54.160
<v Speaker 1>The Los Angeles County corner ultimately ruled the death in

472
00:23:54.240 --> 00:23:58.079
<v Speaker 1>accidental drowning, citing her severe bipolar disorder as a significant

473
00:23:58.079 --> 00:23:59.079
<v Speaker 1>contributing factor.

474
00:23:59.319 --> 00:24:03.440
<v Speaker 2>However, the physical logistics required for that outcome bypassing a

475
00:24:03.519 --> 00:24:06.960
<v Speaker 2>locked and alarmed rooftop door, scaling a ten foot tank,

476
00:24:07.359 --> 00:24:10.799
<v Speaker 2>climbing inside, and somehow the heavy metal lid being replaced

477
00:24:10.799 --> 00:24:11.599
<v Speaker 2>from the outside.

478
00:24:11.640 --> 00:24:15.720
<v Speaker 1>It shattered the public's acceptance of a purely rational explanation completely.

479
00:24:15.759 --> 00:24:18.319
<v Speaker 2>The consensus among those who study the hotel is that

480
00:24:18.400 --> 00:24:21.359
<v Speaker 2>she was overwhelmed by the concentrated dark energy of the Cecil.

481
00:24:21.680 --> 00:24:24.319
<v Speaker 1>So, if we are looking for the mechanism of that

482
00:24:24.440 --> 00:24:30.680
<v Speaker 1>dark energy, how does a luxury hotel become a psychological sinkhole?

483
00:24:30.960 --> 00:24:32.559
<v Speaker 1>Why that's specific address.

484
00:24:32.920 --> 00:24:35.960
<v Speaker 2>To find the mechanism, the sources suggest we must ignore

485
00:24:36.000 --> 00:24:39.359
<v Speaker 2>the nineteen twenties architecture and analyze the ground it was

486
00:24:39.400 --> 00:24:40.519
<v Speaker 2>actually built upon.

487
00:24:40.400 --> 00:24:41.240
<v Speaker 1>The dirt itself.

488
00:24:41.359 --> 00:24:44.920
<v Speaker 2>Yes, the specific coordinates at the Cecil Hotel set atop

489
00:24:44.920 --> 00:24:50.680
<v Speaker 2>a geography saturated with horrific racially motivated historical violence. The

490
00:24:50.759 --> 00:24:53.359
<v Speaker 2>land is soaked in the blood of the systemic massacre

491
00:24:53.400 --> 00:24:56.400
<v Speaker 2>of the indigenous Tongva tribe by early colonizers.

492
00:24:56.519 --> 00:24:57.119
<v Speaker 1>Wow.

493
00:24:57.279 --> 00:24:59.640
<v Speaker 2>Furthermore, it is adjacent to the site of the eighteen

494
00:24:59.720 --> 00:25:02.440
<v Speaker 2>seven on Chinatown massacre, which is one of the most

495
00:25:02.519 --> 00:25:04.480
<v Speaker 2>violent brutal lynchings in American history.

496
00:25:04.519 --> 00:25:07.880
<v Speaker 1>So the theory is psychogeography, the idea that trauma of

497
00:25:07.920 --> 00:25:11.359
<v Speaker 1>that magnitude doesn't just fade, it leaves a permanent psychic

498
00:25:11.400 --> 00:25:15.119
<v Speaker 1>stain on the environment. The pain generates a resonant frequency

499
00:25:15.160 --> 00:25:17.519
<v Speaker 1>that corrupts whatever structure is built on top of it.

500
00:25:17.599 --> 00:25:18.680
<v Speaker 2>That's the supernatural angle.

501
00:25:18.799 --> 00:25:21.519
<v Speaker 1>Yes, but I have to challenge this narrative with a

502
00:25:21.559 --> 00:25:24.920
<v Speaker 1>purely sociological model. Let's look at the actual history of

503
00:25:24.960 --> 00:25:29.319
<v Speaker 1>Los Angeles. The hotel opens in nineteen twenty four. Five

504
00:25:29.400 --> 00:25:33.119
<v Speaker 1>years later, the Great Depression destroys the American economy. The

505
00:25:33.160 --> 00:25:36.240
<v Speaker 1>immediate neighborhood surrounding the Cecil, which we now know as

506
00:25:36.279 --> 00:25:41.200
<v Speaker 1>skid Row, collapses into extreme poverty. To avoid bankruptcy, the

507
00:25:41.200 --> 00:25:45.920
<v Speaker 1>Cecil's management aggressively slashes room rates, transitioning from a luxury

508
00:25:45.920 --> 00:25:51.039
<v Speaker 1>destination to a massive, cheap, single room occupancy housing block.

509
00:25:51.160 --> 00:25:52.799
<v Speaker 2>They completely change their demographics.

510
00:25:52.880 --> 00:25:56.880
<v Speaker 1>By doing so, they actively imported a deeply vulnerable demographic,

511
00:25:57.559 --> 00:26:02.200
<v Speaker 1>thousands of transient individuals battling vere economic ruin, chronic addiction,

512
00:26:02.519 --> 00:26:06.279
<v Speaker 1>and untreated mental illness. If you pack a towering building

513
00:26:06.319 --> 00:26:09.400
<v Speaker 1>with thousands of desperate people over ninety years, aren't the

514
00:26:09.440 --> 00:26:12.079
<v Speaker 1>suicides and the erratic behavior of someone like a Lisa

515
00:26:12.160 --> 00:26:16.480
<v Speaker 1>Lamb just the tragic, inevitable result of sociology and failing

516
00:26:16.599 --> 00:26:18.039
<v Speaker 1>municipal health infrastructure.

517
00:26:18.480 --> 00:26:21.440
<v Speaker 2>Your sociological model is not just accurate, it's the physical

518
00:26:21.480 --> 00:26:24.759
<v Speaker 2>engine of the hotel's history. But the sociological model and

519
00:26:24.759 --> 00:26:28.079
<v Speaker 2>the psychological phenomenon of a curse are not mutually exclusive.

520
00:26:28.400 --> 00:26:29.559
<v Speaker 1>Really, how do they connect?

521
00:26:29.720 --> 00:26:32.079
<v Speaker 2>They feed each other perfectly through the mechanism of the

522
00:26:32.119 --> 00:26:35.519
<v Speaker 2>Nosibo effect. The Nosibo effect is the dark mirror of

523
00:26:35.559 --> 00:26:40.160
<v Speaker 2>the placebo effect. It occurs when negative expectations produce a

524
00:26:40.279 --> 00:26:42.960
<v Speaker 2>genuinely negative, even physical.

525
00:26:42.599 --> 00:26:45.480
<v Speaker 1>Outcome, So the narrative itself becomes the weapon.

526
00:26:45.640 --> 00:26:48.799
<v Speaker 2>Exactly when a building becomes culturally saturated with a narrative

527
00:26:48.839 --> 00:26:53.079
<v Speaker 2>of violence, madness, and despair, it fundamentally alters the spatial

528
00:26:53.119 --> 00:26:54.839
<v Speaker 2>psychology of the environment.

529
00:26:54.599 --> 00:26:56.000
<v Speaker 1>Like a self fulfilling prophecy.

530
00:26:56.079 --> 00:26:59.359
<v Speaker 2>Precisely, if an individual like a Lisa Lamb, who is

531
00:26:59.400 --> 00:27:03.400
<v Speaker 2>already appling with the fragile chemistry of bipolar disorder, steps

532
00:27:03.400 --> 00:27:06.279
<v Speaker 2>into an environment that is globally recognized as a monument

533
00:27:06.319 --> 00:27:10.279
<v Speaker 2>to suicide and terror, the environment acts as a psychological catalyst.

534
00:27:10.839 --> 00:27:14.519
<v Speaker 2>The cultural weight of the cecil's history actively exacerbates the

535
00:27:14.559 --> 00:27:15.279
<v Speaker 2>mental fracture.

536
00:27:15.880 --> 00:27:18.079
<v Speaker 1>So what does this all mean for the concept of

537
00:27:18.119 --> 00:27:19.319
<v Speaker 1>geographical curses.

538
00:27:19.799 --> 00:27:22.519
<v Speaker 2>It proves that a curse does not require a literal,

539
00:27:22.640 --> 00:27:26.680
<v Speaker 2>floating apparition to be deadly. The collective belief in the

540
00:27:26.720 --> 00:27:32.000
<v Speaker 2>hotel's toxicity generated real victims. The Cecil Hotel ultimately shuddered

541
00:27:32.039 --> 00:27:35.599
<v Speaker 2>its doors to the public in twenty seventeen. It wasn't

542
00:27:35.599 --> 00:27:39.279
<v Speaker 2>destroyed by a wrecking ball. It collapsed under the unbearable

543
00:27:39.319 --> 00:27:41.279
<v Speaker 2>weight of its own sinister narrative.

544
00:27:41.640 --> 00:27:45.119
<v Speaker 1>That concept, the narrative crushing the structure, is terrifying. But

545
00:27:45.200 --> 00:27:48.200
<v Speaker 1>thus far we have only examined curses anchored to the earth,

546
00:27:48.839 --> 00:27:51.920
<v Speaker 1>a submerged valley, a stone tomb in a distant country,

547
00:27:52.279 --> 00:27:55.759
<v Speaker 1>a concrete hotel in California. These are static. You have

548
00:27:55.839 --> 00:27:57.640
<v Speaker 1>to actively choose to visit them.

549
00:27:57.759 --> 00:27:58.519
<v Speaker 2>They stay put.

550
00:27:59.000 --> 00:28:01.640
<v Speaker 1>But what happens when the curse isn't tied to a foundation?

551
00:28:02.119 --> 00:28:04.519
<v Speaker 1>What happens when the curse said object is a machine

552
00:28:04.839 --> 00:28:08.519
<v Speaker 1>designed specifically for speed, capable of being dismantled, shipped across

553
00:28:08.559 --> 00:28:11.640
<v Speaker 1>the country, and spreading its misfortune like a mechanical virus.

554
00:28:11.920 --> 00:28:15.039
<v Speaker 2>We are transitioning from the static horror of location to

555
00:28:15.119 --> 00:28:18.599
<v Speaker 2>the terrifying mobile contagion of James Dean's Porsche five to

556
00:28:18.680 --> 00:28:19.480
<v Speaker 2>fifty spider.

557
00:28:19.720 --> 00:28:23.640
<v Speaker 1>Okay, the date is September thirtieth, nineteen fifty five. The

558
00:28:23.680 --> 00:28:27.640
<v Speaker 1>event is a cultural touchstone. Twenty four year old James Dean,

559
00:28:27.960 --> 00:28:30.839
<v Speaker 1>the absolute zenith of Hollywood cool and the voice of

560
00:28:30.839 --> 00:28:34.640
<v Speaker 1>a rebellious generation, is killed in a violent head on

561
00:28:34.799 --> 00:28:37.640
<v Speaker 1>collision on US Route four sixty six.

562
00:28:37.839 --> 00:28:41.519
<v Speaker 2>He was driving his brand new, customized nineteen fifty five

563
00:28:41.599 --> 00:28:47.000
<v Speaker 2>Porsche five to fifty Spider, which he affectionately called Little Bastard, and.

564
00:28:46.960 --> 00:28:50.440
<v Speaker 1>The context of Dean's abilities is paramount here. Dean was

565
00:28:50.480 --> 00:28:53.319
<v Speaker 1>not a reckless, pampered actor playing with a vehicle he

566
00:28:53.359 --> 00:28:56.279
<v Speaker 1>didn't understand, not at all. He was an incredibly aggressive,

567
00:28:56.400 --> 00:29:00.920
<v Speaker 1>highly combatant, and dedicated sportscar racer had recently secured a

568
00:29:00.920 --> 00:29:04.079
<v Speaker 1>class victory at the grueling Palm Springs Road Races. He

569
00:29:04.119 --> 00:29:06.000
<v Speaker 1>really understood the physics of the machine.

570
00:29:06.079 --> 00:29:09.079
<v Speaker 2>Therefore, when the crash occurred, the public and the racing

571
00:29:09.079 --> 00:29:12.680
<v Speaker 2>community could not easily dismiss it as mere amateur and competence.

572
00:29:13.160 --> 00:29:16.200
<v Speaker 2>The lack of an easy explanation created a vacuum.

573
00:29:15.839 --> 00:29:18.079
<v Speaker 1>And when a vacuum opens in the wake of a tragedy,

574
00:29:18.119 --> 00:29:21.680
<v Speaker 1>the supernatural rushes in the entire architecture of the portious

575
00:29:21.720 --> 00:29:24.519
<v Speaker 1>curse is built upon a profoundly unsettling premonition.

576
00:29:24.839 --> 00:29:25.839
<v Speaker 2>ALC Ginnis's story.

577
00:29:26.079 --> 00:29:30.359
<v Speaker 1>Yes, just five days prior to the fatal crash, Dean

578
00:29:30.519 --> 00:29:34.759
<v Speaker 1>was dining with the legendary British actor Alec Guinnis. Dean,

579
00:29:34.960 --> 00:29:38.200
<v Speaker 1>brimming with pride, brings Guinness out to the restaurant parking

580
00:29:38.200 --> 00:29:39.839
<v Speaker 1>lot to show off the silver.

581
00:29:39.599 --> 00:29:41.880
<v Speaker 2>Porsche, and Guinness had a visceral reaction.

582
00:29:42.200 --> 00:29:45.880
<v Speaker 1>Completely according to his own detailed recounting of the event,

583
00:29:46.200 --> 00:29:49.039
<v Speaker 1>Guinness looks at the car and is immediately struck by

584
00:29:49.079 --> 00:29:52.200
<v Speaker 1>a visceral wave of dread. He noted that he's spoken

585
00:29:52.240 --> 00:29:56.839
<v Speaker 1>in quote almost different voice, by passing all social pleasantries

586
00:29:56.839 --> 00:29:59.440
<v Speaker 1>to tell Dean verbatim, if you get into that car

587
00:29:59.480 --> 00:30:01.720
<v Speaker 1>by ten ocl block at night next Thursday, you'll be dead.

588
00:30:02.240 --> 00:30:05.519
<v Speaker 2>The precision of the timeline is chilling. Five days later,

589
00:30:05.880 --> 00:30:09.440
<v Speaker 2>Dean perishes in the wreckage. Guinness did not merely observe

590
00:30:09.480 --> 00:30:12.279
<v Speaker 2>a lack of seatbelts. He perceived a literal malicious energy

591
00:30:12.559 --> 00:30:14.599
<v Speaker 2>radiating from the chassis of the vehicle itself.

592
00:30:14.640 --> 00:30:16.799
<v Speaker 1>If the narrative stopped at the collision, it would be

593
00:30:16.799 --> 00:30:20.480
<v Speaker 1>a legendary tragic coincidence, But the aftermath of the crash

594
00:30:20.519 --> 00:30:23.279
<v Speaker 1>is what transforms the Porsche into the ultimate vector for

595
00:30:23.319 --> 00:30:24.079
<v Speaker 1>a mobile curse.

596
00:30:24.240 --> 00:30:26.599
<v Speaker 2>The vehicle was completely totaled. It was just a mangled

597
00:30:26.640 --> 00:30:27.960
<v Speaker 2>knot of luminium steel.

598
00:30:28.119 --> 00:30:31.720
<v Speaker 1>However, the internal organs, the engine block, the drive train

599
00:30:31.799 --> 00:30:35.319
<v Speaker 1>were salvaged. This wreckage is purchased by George Barris, the

600
00:30:35.480 --> 00:30:39.359
<v Speaker 1>iconic Hollywood car customizer who built the Batmobile, and Barris

601
00:30:39.440 --> 00:30:41.200
<v Speaker 1>unwittingly initiates the contagion.

602
00:30:41.759 --> 00:30:44.880
<v Speaker 2>Barris acts as the distributor of the cursed material. He

603
00:30:45.000 --> 00:30:48.200
<v Speaker 2>strips the usable mechanical components from the wreckage and sells

604
00:30:48.240 --> 00:30:50.720
<v Speaker 2>them to the tight net Southern California racing community.

605
00:30:51.000 --> 00:30:53.680
<v Speaker 1>The high performance engine block goes to a physician and

606
00:30:53.799 --> 00:30:58.400
<v Speaker 1>racing enthusiast named doctor William Eshrich. Other crucial drivetrain and

607
00:30:58.440 --> 00:31:01.680
<v Speaker 1>suspension components are sold to his friend, doctor Troy McHenry.

608
00:31:02.160 --> 00:31:05.119
<v Speaker 2>You now have the mechanical heart and bones of the

609
00:31:05.200 --> 00:31:09.519
<v Speaker 2>James Dean death Car transplanted into two entirely separate racing.

610
00:31:09.319 --> 00:31:13.759
<v Speaker 1>Vehicles, and the outcome is immediate and catastrophic. Both Eshrich

611
00:31:13.759 --> 00:31:17.240
<v Speaker 1>and McHenry enter the very same race at the Pomona Fairgrounds,

612
00:31:17.400 --> 00:31:20.920
<v Speaker 1>their vehicles powered by the tainted parts. During the event,

613
00:31:21.000 --> 00:31:24.680
<v Speaker 1>McHenry inexplicably loses control of his vehicle on a straightaway

614
00:31:24.960 --> 00:31:27.400
<v Speaker 1>Careen's into a tree and is killed instantly.

615
00:31:27.799 --> 00:31:31.279
<v Speaker 2>In the same race, Eshery's car wildly flips, resulting in

616
00:31:31.319 --> 00:31:32.160
<v Speaker 2>severe injuries.

617
00:31:32.519 --> 00:31:35.880
<v Speaker 1>The mechanical organs seemingly carried the fatal flaw of the

618
00:31:35.920 --> 00:31:39.400
<v Speaker 1>original vehicle with them, but the contagion wasn't restricted to

619
00:31:39.440 --> 00:31:43.920
<v Speaker 1>the moving parts. George Barris still retained the crumpled, useless

620
00:31:43.920 --> 00:31:45.680
<v Speaker 1>shell of the chassis, and in.

621
00:31:45.599 --> 00:31:49.200
<v Speaker 2>A morbid attempt at public service, he loans the mangled

622
00:31:49.240 --> 00:31:52.039
<v Speaker 2>aluminum shell to the Los Angeles Safety Council to be

623
00:31:52.160 --> 00:31:55.880
<v Speaker 2>used as a centerpiece for a highway safety exhibit aimed at.

624
00:31:55.720 --> 00:32:00.799
<v Speaker 1>Teenagers, appropriately titled speed Kills. The grim irony of that

625
00:32:00.880 --> 00:32:04.599
<v Speaker 1>exhibit is staggering, and the chassis refuses to remain dormant.

626
00:32:04.799 --> 00:32:05.680
<v Speaker 2>What happened next?

627
00:32:05.920 --> 00:32:08.880
<v Speaker 1>When the shell is delivered to Barris's North Hollywood shop

628
00:32:08.880 --> 00:32:12.200
<v Speaker 1>and is being unloaded from the flatbed transport, the heavy

629
00:32:12.279 --> 00:32:16.920
<v Speaker 1>chains mysteriously snap. The mangled car, rolls backward off the ramp,

630
00:32:17.240 --> 00:32:20.039
<v Speaker 1>lands on the mechanic guiding it, and crushes both of

631
00:32:20.039 --> 00:32:20.599
<v Speaker 1>his legs.

632
00:32:20.799 --> 00:32:21.359
<v Speaker 2>Go Lord.

633
00:32:21.559 --> 00:32:25.200
<v Speaker 1>The sources document a litany of subsequent bizarre injuries, people

634
00:32:25.240 --> 00:32:29.279
<v Speaker 1>suffering deep lacerations or inexplicable accidents simply from touching the

635
00:32:29.319 --> 00:32:32.119
<v Speaker 1>jagged metal while it was on public display across the country.

636
00:32:32.519 --> 00:32:37.240
<v Speaker 2>This relentless sequence of disasters culminates in nineteen sixty The

637
00:32:37.359 --> 00:32:40.599
<v Speaker 2>crushed shell of the Portia is loaded into a sealed

638
00:32:40.640 --> 00:32:43.720
<v Speaker 2>box car to be shipped back to Los Angeles following

639
00:32:43.720 --> 00:32:45.920
<v Speaker 2>a safety exhibition in Miami, Florida.

640
00:32:45.960 --> 00:32:47.960
<v Speaker 1>And when the train arrives on the west coast and

641
00:32:48.000 --> 00:32:50.359
<v Speaker 1>the seals on the doors are broken, the box car

642
00:32:50.400 --> 00:32:53.680
<v Speaker 1>is completely empty. The car vanished without a trace and

643
00:32:53.720 --> 00:32:56.759
<v Speaker 1>has never been located or verified in the decades since.

644
00:32:57.440 --> 00:32:59.599
<v Speaker 2>Okay, I have to step in and apply the brakes here,

645
00:32:59.640 --> 00:33:03.200
<v Speaker 2>I thought you. This entire sequence reads like we are

646
00:33:03.240 --> 00:33:06.640
<v Speaker 2>treating a sports car as a cursed organ donor literally

647
00:33:06.680 --> 00:33:11.000
<v Speaker 2>transmitting a supernatural virus through its spark plugs and steering column.

648
00:33:11.839 --> 00:33:14.799
<v Speaker 2>Let's examine the reality of the nineteen fifties sports car

649
00:33:14.920 --> 00:33:15.559
<v Speaker 2>racing scene.

650
00:33:15.599 --> 00:33:16.400
<v Speaker 1>It was dangerous.

651
00:33:16.559 --> 00:33:20.960
<v Speaker 2>It was a spectacularly dangerous, high velocity blood sport vehicles

652
00:33:21.000 --> 00:33:25.400
<v Speaker 2>lacked roll cages, fire suppression, or modern harnesses. Fatalities and

653
00:33:25.480 --> 00:33:29.000
<v Speaker 2>severe rex were a grim statistical guarantee every weekend.

654
00:33:29.079 --> 00:33:32.680
<v Speaker 1>That's entirely true. Furthermore, in an auto shop moving heavy,

655
00:33:32.799 --> 00:33:37.200
<v Speaker 1>awkward crushed metal, chains break and mechanics suffer crushing injuries.

656
00:33:37.799 --> 00:33:40.599
<v Speaker 1>Are we simply suffering from massive confirmation bias?

657
00:33:40.640 --> 00:33:40.839
<v Speaker 2>Here?

658
00:33:41.359 --> 00:33:45.680
<v Speaker 1>Are we just cherry picking completely random, statistically probable accidents

659
00:33:45.720 --> 00:33:49.599
<v Speaker 1>purely because the magnetic tragic aura of James Dean is

660
00:33:49.640 --> 00:33:51.920
<v Speaker 1>attached to the serial numbers on those parts.

661
00:33:52.279 --> 00:33:55.400
<v Speaker 2>If we connect this to the bigger picture, your assessment

662
00:33:55.440 --> 00:33:59.640
<v Speaker 2>of confirmation bias is the exact psychological mechanism at play here.

663
00:34:00.240 --> 00:34:03.319
<v Speaker 2>Human beings are exceptional pattern recognition engines.

664
00:34:03.599 --> 00:34:04.640
<v Speaker 1>We look for connections.

665
00:34:04.720 --> 00:34:06.759
<v Speaker 2>Once ele again is seated the narrative of the curse,

666
00:34:07.319 --> 00:34:10.960
<v Speaker 2>every subsequent event involving those parts was viewed exclusively through

667
00:34:11.000 --> 00:34:14.159
<v Speaker 2>that lens. We kept the crashes involving the Dean parts,

668
00:34:14.480 --> 00:34:17.199
<v Speaker 2>and we entirely ignore the dozens of other fatal wrecks

669
00:34:17.239 --> 00:34:18.400
<v Speaker 2>that occurred at Pomona that year.

670
00:34:18.440 --> 00:34:19.320
<v Speaker 1>We filter the data.

671
00:34:19.480 --> 00:34:23.000
<v Speaker 2>Yes. However, the most sociologically fascinating element of this story

672
00:34:23.400 --> 00:34:26.519
<v Speaker 2>is the psychological deterioration of George Barris himself.

673
00:34:26.760 --> 00:34:27.880
<v Speaker 1>What happened to Barris?

674
00:34:28.079 --> 00:34:30.880
<v Speaker 2>Barris did not initially believe in the curse. He's a

675
00:34:30.920 --> 00:34:35.800
<v Speaker 2>pragmatic businessman leveraging a famous tragedy for publicity and safety campaigns.

676
00:34:36.320 --> 00:34:38.960
<v Speaker 2>But as the collateral damage mounted, the shattered legs of

677
00:34:39.000 --> 00:34:42.639
<v Speaker 2>his mechanic, the sudden deaths of the doctors, the constant

678
00:34:42.679 --> 00:34:45.840
<v Speaker 2>injuries at the exhibits, Barris's pragmatism cracked.

679
00:34:45.960 --> 00:34:47.280
<v Speaker 1>He started to buy into it.

680
00:34:47.360 --> 00:34:50.920
<v Speaker 2>He began to internalize the narrative. He became genuinely terrified

681
00:34:50.920 --> 00:34:54.480
<v Speaker 2>of the object he owned, and this psychological shift leads

682
00:34:54.480 --> 00:34:57.800
<v Speaker 2>to the most credible, non supernatural theory regarding the car's

683
00:34:57.800 --> 00:34:59.000
<v Speaker 2>disappearance in nineteen.

684
00:34:58.800 --> 00:35:01.559
<v Speaker 1>Sixty, theory that it wasn't a brazen heist.

685
00:35:01.960 --> 00:35:05.599
<v Speaker 2>Precisely, it is highly improbable that a team of thieves

686
00:35:05.679 --> 00:35:09.920
<v Speaker 2>executed a flawless train heist to steal a worthless, crushed

687
00:35:09.960 --> 00:35:13.800
<v Speaker 2>block of aluminum. The leading theory among automotive historians is

688
00:35:13.800 --> 00:35:17.800
<v Speaker 2>that George Barris, burdened by the accumulated guilt and genuinely

689
00:35:17.880 --> 00:35:21.159
<v Speaker 2>fearing the vehicle's lethal proximity of the public, orchestrated the

690
00:35:21.199 --> 00:35:24.960
<v Speaker 2>disappearance himself. He likely destroyed the chassis in a compactor

691
00:35:25.280 --> 00:35:27.960
<v Speaker 2>or buried it permanently, breaking the cycle of the curse.

692
00:35:28.239 --> 00:35:31.480
<v Speaker 1>He assumed the moral burden of stopping the contagion.

693
00:35:32.000 --> 00:35:35.880
<v Speaker 2>It forces us to ask a profound ethical question regarding

694
00:35:35.880 --> 00:35:39.840
<v Speaker 2>our relationship with inanimate objects. If you, in your heart

695
00:35:40.199 --> 00:35:43.639
<v Speaker 2>genuinely believe that an object possesses a malicious energy that

696
00:35:43.800 --> 00:35:46.679
<v Speaker 2>actively harms those around it, do you have an ethical

697
00:35:46.679 --> 00:35:50.159
<v Speaker 2>mandate to destroy it, even if that object is an

698
00:35:50.199 --> 00:35:52.199
<v Speaker 2>invaluable piece of Hollywood history.

699
00:35:52.360 --> 00:35:52.880
<v Speaker 1>Wow.

700
00:35:53.239 --> 00:35:56.760
<v Speaker 2>Barris likely concluded that the human cost of curating the

701
00:35:56.760 --> 00:36:00.199
<v Speaker 2>Porsche's legacy was simply a price he was no longer willing.

702
00:36:00.199 --> 00:36:03.079
<v Speaker 1>To pay, and that realization provides the perfect pivot for

703
00:36:03.119 --> 00:36:06.360
<v Speaker 1>our discussion. George Barris seemingly went to great lengths to

704
00:36:06.440 --> 00:36:08.880
<v Speaker 1>rid the world of a cursed object to protect the public.

705
00:36:09.000 --> 00:36:11.559
<v Speaker 1>But what kind of human psychology is driven to do

706
00:36:11.639 --> 00:36:15.199
<v Speaker 1>the exact opposite to collect them Who actively seeks out

707
00:36:15.239 --> 00:36:18.440
<v Speaker 1>the toxic artifacts that everyone else is desperately trying to bury.

708
00:36:18.480 --> 00:36:20.960
<v Speaker 1>We are leaving the glamour of Hollywood and travelingked with

709
00:36:21.079 --> 00:36:25.599
<v Speaker 1>thoroughly mundane suburban street which hides a deeply abnormal basement.

710
00:36:25.679 --> 00:36:28.280
<v Speaker 2>We are entering the domain of those who curate the macabre.

711
00:36:28.920 --> 00:36:31.360
<v Speaker 2>We are examining the work of paranormal researchers Greg and

712
00:36:31.400 --> 00:36:32.079
<v Speaker 2>Dana Nukirk.

713
00:36:32.360 --> 00:36:36.159
<v Speaker 1>The New Kirks present a fascinating paradox. If you look

714
00:36:36.199 --> 00:36:38.599
<v Speaker 1>at their home from the street, it is the picture

715
00:36:38.679 --> 00:36:43.320
<v Speaker 1>of suburban normalcy, but beneath their floorboards lies a localized

716
00:36:43.320 --> 00:36:45.599
<v Speaker 1>containment zone for high strangeness.

717
00:36:45.960 --> 00:36:50.639
<v Speaker 2>They operate a sprawling, meticulously catalog museum of haunted and

718
00:36:50.760 --> 00:36:54.079
<v Speaker 2>cursed objects, housed entirely within their basement.

719
00:36:54.280 --> 00:36:57.920
<v Speaker 1>The genesis of their collection was entirely reactive too. As

720
00:36:57.920 --> 00:37:02.599
<v Speaker 1>their public profile is paranormal investigators grew, they inadvertently became

721
00:37:02.639 --> 00:37:04.559
<v Speaker 1>a repository for the desperate right.

722
00:37:04.559 --> 00:37:06.079
<v Speaker 2>People didn't know what to do with these things.

723
00:37:06.199 --> 00:37:09.280
<v Speaker 1>Yeah, when an individual acquired an antique or an artifact

724
00:37:09.400 --> 00:37:12.440
<v Speaker 1>that seemed to be the catalyst for a sudden, terrifying

725
00:37:12.519 --> 00:37:15.320
<v Speaker 1>downward spiral in their lives, they didn't know how to

726
00:37:15.320 --> 00:37:17.440
<v Speaker 1>dispose of it. So they would box the item up,

727
00:37:17.679 --> 00:37:20.000
<v Speaker 1>ship it to the New Curks, and essentially beg them

728
00:37:20.000 --> 00:37:21.840
<v Speaker 1>to take custody of the nightmare.

729
00:37:21.480 --> 00:37:24.519
<v Speaker 2>And the inventory. They have A mast is staggering, the

730
00:37:24.679 --> 00:37:28.400
<v Speaker 2>curator ring that carries a documented history of bringing sudden,

731
00:37:28.519 --> 00:37:31.320
<v Speaker 2>violent death to anyone who slips it onto their finger.

732
00:37:31.800 --> 00:37:35.800
<v Speaker 2>They possess a heavy worn bible that was allegedly utilized

733
00:37:35.840 --> 00:37:39.800
<v Speaker 2>during an exorcism that went catastrophically wrong. But perhaps the

734
00:37:39.800 --> 00:37:42.000
<v Speaker 2>most jarring item is a mounted.

735
00:37:41.639 --> 00:37:44.920
<v Speaker 1>Deer skull, oh the deer Skull. The provenance of the

736
00:37:44.960 --> 00:37:47.639
<v Speaker 1>skull details a woman who purchased it at a rural

737
00:37:47.679 --> 00:37:51.960
<v Speaker 1>antique shop to decorate her office. Within days of mounting it,

738
00:37:52.039 --> 00:37:56.159
<v Speaker 1>her staff was struck by a severe, inexplicable illness.

739
00:37:55.800 --> 00:37:57.679
<v Speaker 2>And it escalated quickly, very quickly.

740
00:37:58.199 --> 00:38:01.199
<v Speaker 1>Shortly after, an employee was struck by a vehicle under

741
00:38:01.239 --> 00:38:05.719
<v Speaker 1>bizarre circumstances, and the chaos culminated when the physical structural

742
00:38:05.760 --> 00:38:09.920
<v Speaker 1>wall the skull was mounted on spontaneously collapsed, destroying half

743
00:38:09.960 --> 00:38:10.440
<v Speaker 1>the breathing.

744
00:38:10.840 --> 00:38:14.159
<v Speaker 2>The new Kirks treat these items like unexploded ordinance. They're

745
00:38:14.239 --> 00:38:18.239
<v Speaker 2>kept under strict protocols, locked away. They view their primary

746
00:38:18.280 --> 00:38:22.039
<v Speaker 2>role not as exhibitors, but as jailers. They bear the

747
00:38:22.079 --> 00:38:25.960
<v Speaker 2>immense responsibility of sequestering these volatile items for the general public.

748
00:38:26.079 --> 00:38:28.639
<v Speaker 1>Yet the paradox is that they are intted daily with

749
00:38:28.760 --> 00:38:32.119
<v Speaker 1>emails from the public practically demanding access to view and

750
00:38:32.199 --> 00:38:35.480
<v Speaker 1>interact with the collection, which speaks directly to the deeply

751
00:38:35.679 --> 00:38:38.239
<v Speaker 1>ingrained anthropological draw of the macabre.

752
00:38:38.280 --> 00:38:39.159
<v Speaker 2>We can't look away.

753
00:38:39.400 --> 00:38:41.960
<v Speaker 1>Why do we want to touch the hot stove? The

754
00:38:42.039 --> 00:38:45.719
<v Speaker 1>sources thealize that when an object is explicitly labeled as cursed,

755
00:38:46.159 --> 00:38:49.199
<v Speaker 1>its fundamental nature is altered. In the human mind. It

756
00:38:49.360 --> 00:38:52.840
<v Speaker 1>ceases to be mundane, it becomes special. Exactly, a crystic

757
00:38:52.960 --> 00:38:56.400
<v Speaker 1>chair isn't just wood and fabric. It is entirely unique

758
00:38:56.440 --> 00:38:59.360
<v Speaker 1>in the universe, and the fact that its uniqueness is

759
00:38:59.400 --> 00:39:03.840
<v Speaker 1>defined by its capacity to inflict suffering appeals directly to

760
00:39:03.880 --> 00:39:08.599
<v Speaker 1>the darkest, most voyeuristic corners of human psychology. We possess

761
00:39:08.639 --> 00:39:11.199
<v Speaker 1>an undeniable urge to stand at the edge of the

762
00:39:11.239 --> 00:39:12.280
<v Speaker 1>abyss and look down.

763
00:39:12.480 --> 00:39:16.480
<v Speaker 2>But staring into the abyss triggers severe physiological responses. Dana

764
00:39:16.599 --> 00:39:19.639
<v Speaker 2>Newkirk has meticulously documented the reactions of visitors who are

765
00:39:19.639 --> 00:39:20.719
<v Speaker 2>granted access.

766
00:39:20.400 --> 00:39:21.360
<v Speaker 1>What happens to them.

767
00:39:21.480 --> 00:39:24.679
<v Speaker 2>Even individuals who are completely blind to the specific histories

768
00:39:24.679 --> 00:39:29.159
<v Speaker 2>of the artifacts experience violent, involuntary physical reactions upon entering

769
00:39:29.199 --> 00:39:33.559
<v Speaker 2>the space. She catalogs sudden skyrocketing heart rates, crippling waves

770
00:39:33.559 --> 00:39:37.480
<v Speaker 2>of anxiety, instances of neo syncope or fainting, and frequent

771
00:39:37.519 --> 00:39:39.519
<v Speaker 2>bouts of dry heaving and vomiting.

772
00:39:39.239 --> 00:39:42.800
<v Speaker 1>The human nervous system actively physically rejects the environment.

773
00:39:43.199 --> 00:39:46.719
<v Speaker 2>Yes, and that systemic rejection brings us to the most

774
00:39:46.800 --> 00:39:50.800
<v Speaker 2>dangerous artifact in their archive, an object so potent, so

775
00:39:50.880 --> 00:39:53.920
<v Speaker 2>seemingly active in its malice, that the New Kirk's people,

776
00:39:53.920 --> 00:39:57.480
<v Speaker 2>who have built their entire lives around containing haunted artifacts,

777
00:39:57.960 --> 00:39:59.960
<v Speaker 2>determined it could not be safely curated.

778
00:40:00.480 --> 00:40:03.679
<v Speaker 1>It is a crude wooden effigy known simply as the Crone.

779
00:40:04.159 --> 00:40:07.679
<v Speaker 2>The Crone represents the purest iteration of a cursed object,

780
00:40:07.880 --> 00:40:10.519
<v Speaker 2>because it was not cursed by tragic coincidence. It was

781
00:40:10.559 --> 00:40:11.480
<v Speaker 2>cursed by design.

782
00:40:11.599 --> 00:40:15.079
<v Speaker 1>It's a roughly hewn, carved wooden statue of an older woman,

783
00:40:15.480 --> 00:40:18.840
<v Speaker 1>but its purpose is undeniable. The creator deliberately tied a

784
00:40:18.880 --> 00:40:21.920
<v Speaker 1>thick noose around its neck and violently hammered heavy iron

785
00:40:22.039 --> 00:40:23.559
<v Speaker 1>nails deep into its body.

786
00:40:23.599 --> 00:40:26.760
<v Speaker 2>It is an artifact constructed entirely out of ritualistic malice

787
00:40:26.800 --> 00:40:28.000
<v Speaker 2>and concentrated hatred.

788
00:40:28.119 --> 00:40:30.559
<v Speaker 1>The origin of its discovery is like the opening scene

789
00:40:30.559 --> 00:40:33.400
<v Speaker 1>of a horror film. Two hikers veered far off the

790
00:40:33.440 --> 00:40:36.079
<v Speaker 1>marked trails, deep in the Catskill Mountains of New York.

791
00:40:36.639 --> 00:40:39.679
<v Speaker 1>They discovered the statue hidden inside a remote cave, and

792
00:40:39.760 --> 00:40:42.480
<v Speaker 1>in a profound lapse of judgment, they decided to take

793
00:40:42.519 --> 00:40:44.400
<v Speaker 1>the effigy home as a souvenir, and.

794
00:40:44.360 --> 00:40:45.679
<v Speaker 2>The retaliation was immediate.

795
00:40:45.760 --> 00:40:50.119
<v Speaker 1>Their lives completely derailed. Their previously docile pets became erratic

796
00:40:50.159 --> 00:40:54.760
<v Speaker 1>and violent. They began finding inexplicable, wet, muddy footprints tracking

797
00:40:54.760 --> 00:40:58.360
<v Speaker 1>across the floors of their locked home. Overwhelmed by terror,

798
00:40:58.400 --> 00:41:00.559
<v Speaker 1>they boxed the Crone up and dipped it to the

799
00:41:00.559 --> 00:41:01.440
<v Speaker 1>New Kirk basement.

800
00:41:01.679 --> 00:41:05.679
<v Speaker 2>Once inside the museum, the Crone's energy did not stabilize,

801
00:41:05.880 --> 00:41:09.639
<v Speaker 2>it amplified. The New Kirks observed that simply walking near

802
00:41:09.679 --> 00:41:14.159
<v Speaker 2>its containment box induced a crushing, heavy sensation in the chest.

803
00:41:14.840 --> 00:41:18.280
<v Speaker 2>But the absolute breaking point involved a specific visitor.

804
00:41:18.360 --> 00:41:22.079
<v Speaker 1>Ah This story is wild. A man traveled internationally, driving

805
00:41:22.119 --> 00:41:24.159
<v Speaker 1>all the way from Canada to their home in Ohio

806
00:41:24.280 --> 00:41:28.000
<v Speaker 1>with the singular, obsessive goal of seeing the Crone. He

807
00:41:28.079 --> 00:41:31.199
<v Speaker 1>pleaded with the New Kirks to remove it from its protective.

808
00:41:30.719 --> 00:41:33.960
<v Speaker 2>Casing, and against all their established protocols, they relented.

809
00:41:34.079 --> 00:41:38.400
<v Speaker 1>The physical reaction from the visitor was instantaneous, violent, and terrifying.

810
00:41:38.840 --> 00:41:41.639
<v Speaker 1>The moment the statue was exposed, the man's eyes rolled

811
00:41:41.639 --> 00:41:45.880
<v Speaker 1>completely back into his skull. He began to spontaneously hemorrhage.

812
00:41:45.519 --> 00:41:47.239
<v Speaker 2>Blood from his mouth, and then he collapsed.

813
00:41:47.519 --> 00:41:50.480
<v Speaker 1>He collapsed onto the concrete floor in the throes of

814
00:41:50.519 --> 00:41:55.079
<v Speaker 1>a massive full body seizure, necessitating an emergency response from

815
00:41:55.159 --> 00:41:57.039
<v Speaker 1>paramedics to stabilize his vitals.

816
00:41:57.519 --> 00:42:01.440
<v Speaker 2>That horrific medical event was the catalyst for action. Greg

817
00:42:01.480 --> 00:42:04.920
<v Speaker 2>and Dana realized the crone possessed a volatility that could

818
00:42:04.960 --> 00:42:08.679
<v Speaker 2>not be managed in a suburbing setting. It required a radical,

819
00:42:08.800 --> 00:42:09.920
<v Speaker 2>extreme intervention.

820
00:42:10.199 --> 00:42:12.920
<v Speaker 1>They decided they had to perform a cleansing ritual to

821
00:42:12.960 --> 00:42:15.800
<v Speaker 1>disarm the object, and to do so, they had to

822
00:42:15.840 --> 00:42:18.519
<v Speaker 1>return it to the source. They packed the effigy and

823
00:42:18.639 --> 00:42:22.039
<v Speaker 1>drove back to the remote, dense woods of the Catskill Mountains,

824
00:42:22.400 --> 00:42:25.719
<v Speaker 1>hiking miles off the grid to locate the exact geographical

825
00:42:25.760 --> 00:42:26.920
<v Speaker 1>origin of the curse.

826
00:42:27.199 --> 00:42:30.159
<v Speaker 2>The mechanics of the ritual they performed are absolutely fascinating.

827
00:42:30.719 --> 00:42:34.239
<v Speaker 2>Dana establishes a physical perimeter in the deep woods, creating

828
00:42:34.239 --> 00:42:37.800
<v Speaker 2>a contained energetic boundary. The mechanism of the ritual is

829
00:42:37.880 --> 00:42:41.440
<v Speaker 2>highly specific. For every single iron nail that Greg physically

830
00:42:41.440 --> 00:42:43.760
<v Speaker 2>pries out of the carved wood with a hammer, they

831
00:42:43.800 --> 00:42:47.000
<v Speaker 2>are intentionally ritually pulling the curse out of the object.

832
00:42:47.320 --> 00:42:50.159
<v Speaker 1>And as they are executing this process in the dead

833
00:42:50.199 --> 00:42:53.159
<v Speaker 1>silence of the isolated forest, they begin to hear the

834
00:42:53.199 --> 00:42:57.159
<v Speaker 1>distinct sound of heavy, unseen footsteps pacing in a circle

835
00:42:57.360 --> 00:42:58.679
<v Speaker 1>just outside their perimeter.

836
00:42:59.039 --> 00:43:02.880
<v Speaker 2>The psychological tip in that moment is immense. Finally, Greg

837
00:43:02.920 --> 00:43:06.760
<v Speaker 2>grips the last deepest iron nail and wrenches it free

838
00:43:06.760 --> 00:43:07.639
<v Speaker 2>from the wood.

839
00:43:07.519 --> 00:43:11.920
<v Speaker 1>And immediately they report a sudden, violent physical phenomenon, a

840
00:43:12.000 --> 00:43:15.280
<v Speaker 1>sharp electric pop in the air, accompanied by a massive

841
00:43:15.440 --> 00:43:20.039
<v Speaker 1>sudden drop in barometric pressure. And at that exact millisecond,

842
00:43:20.239 --> 00:43:22.880
<v Speaker 1>every single coyote in the surrounding miles of the mountain

843
00:43:22.960 --> 00:43:26.880
<v Speaker 1>range begins to howl in perfect sustained unison, and.

844
00:43:26.760 --> 00:43:30.559
<v Speaker 2>Then absolute silence returns. They look down at their hands

845
00:43:30.599 --> 00:43:34.079
<v Speaker 2>and the oppressive, terrifying artifact that caused seizures and terror,

846
00:43:34.400 --> 00:43:36.639
<v Speaker 2>it's just well, it's just a block of wood. The

847
00:43:36.639 --> 00:43:39.639
<v Speaker 2>malignant energy is entirely, permanently gone.

848
00:43:39.760 --> 00:43:41.719
<v Speaker 1>Here's where it gets really interesting, and I have to

849
00:43:41.800 --> 00:43:44.800
<v Speaker 1>use an analogy here. The entire sequence reads exactly like

850
00:43:44.840 --> 00:43:48.679
<v Speaker 1>an explosive ordnance disposal squad diffusing a supernatural bomb in

851
00:43:48.679 --> 00:43:51.559
<v Speaker 1>the wilderness. You pull the wrong wire, it detonates. You

852
00:43:51.559 --> 00:43:53.760
<v Speaker 1>pull the iron nails, the curse is rendered inert.

853
00:43:53.880 --> 00:43:55.960
<v Speaker 2>It's a great analogy, but let's look at this.

854
00:43:55.920 --> 00:44:00.000
<v Speaker 1>With a cold analytical eye. If the oppressive energy vanished

855
00:44:00.079 --> 00:44:03.360
<v Speaker 1>the precise second the final nail was removed, does that

856
00:44:03.440 --> 00:44:06.639
<v Speaker 1>definitively prove that the dark magic bound to the object

857
00:44:06.760 --> 00:44:10.840
<v Speaker 1>was tangibly objectively real, Or does it prove that human

858
00:44:10.920 --> 00:44:14.239
<v Speaker 1>ritual is simply the most brilliant, culturally ingrained, and highly

859
00:44:14.239 --> 00:44:18.320
<v Speaker 1>effective psychological placebo ever designed to cure the human mind

860
00:44:18.360 --> 00:44:19.280
<v Speaker 1>of its own terror.

861
00:44:19.840 --> 00:44:23.599
<v Speaker 2>That distinction is the absolute crux of the anthropological analysis

862
00:44:23.599 --> 00:44:26.760
<v Speaker 2>of this event. Scholars of neuroscience and religious studies have

863
00:44:26.840 --> 00:44:30.920
<v Speaker 2>long documented the immense, undeniable power of ritualistic behavior.

864
00:44:31.039 --> 00:44:31.679
<v Speaker 1>It really works.

865
00:44:31.800 --> 00:44:34.519
<v Speaker 2>It does when human beings engage in a shared, highly

866
00:44:34.559 --> 00:44:39.400
<v Speaker 2>structured set of physical actions, establishing a boundary, focusing intense intent,

867
00:44:39.920 --> 00:44:43.079
<v Speaker 2>the visceral physical act of prying a binding nail from wood,

868
00:44:43.239 --> 00:44:46.559
<v Speaker 2>and they genuinely, deeply believe in the supernatural mechanism behind

869
00:44:46.599 --> 00:44:50.119
<v Speaker 2>those actions, It triggers a profound neurobiological shift.

870
00:44:50.199 --> 00:44:53.599
<v Speaker 1>It effectively rewires their internal reality right on the spot.

871
00:44:53.960 --> 00:44:57.800
<v Speaker 2>Exactly. The physical motions of the ritual provide the human

872
00:44:57.840 --> 00:45:03.079
<v Speaker 2>brain with a structured, actionable pathway to process, compartmentalize, and

873
00:45:03.159 --> 00:45:07.239
<v Speaker 2>ultimately discard severe trauma and anxiety. The ritual creates a

874
00:45:07.280 --> 00:45:08.360
<v Speaker 2>definitive end state.

875
00:45:08.599 --> 00:45:09.639
<v Speaker 1>It gives them closure.

876
00:45:09.880 --> 00:45:12.400
<v Speaker 2>It provides a mechanism to rid ourselves of the demons

877
00:45:12.440 --> 00:45:16.920
<v Speaker 2>we perceive. And the crucial takeaway is this, whether those

878
00:45:16.960 --> 00:45:20.199
<v Speaker 2>demons are literal, spiritual entities attached to a piece of

879
00:45:20.239 --> 00:45:24.639
<v Speaker 2>carved pine, or whether they are the metaphorical, psychosomatic manifestations

880
00:45:24.679 --> 00:45:28.559
<v Speaker 2>of our own deep seated contigious anxieties. The ritual works.

881
00:45:28.639 --> 00:45:30.920
<v Speaker 1>The physical act cures the mind, and.

882
00:45:30.840 --> 00:45:34.400
<v Speaker 2>By curing the mind, it completely neutralizes the power of

883
00:45:34.440 --> 00:45:35.039
<v Speaker 2>the object.

884
00:45:35.199 --> 00:45:37.760
<v Speaker 1>So, whether the dark magic was embedded in the grain

885
00:45:37.840 --> 00:45:40.400
<v Speaker 1>of the wood or entirely within the neural pathways of

886
00:45:40.400 --> 00:45:42.880
<v Speaker 1>their own minds, the act of pulling the nails broke

887
00:45:42.920 --> 00:45:45.960
<v Speaker 1>the circuit. That is a brilliant encapsulation.

888
00:45:45.400 --> 00:45:46.840
<v Speaker 2>Of the phenomenon he really is.

889
00:45:47.000 --> 00:45:49.920
<v Speaker 1>As we step back and synthesize this incredibly dense, globe

890
00:45:49.920 --> 00:45:53.519
<v Speaker 1>spanning journey, we have mapped the absolute extremes of how

891
00:45:53.599 --> 00:45:55.800
<v Speaker 1>humanity interacts with the inexplicable.

892
00:45:55.880 --> 00:45:57.159
<v Speaker 2>We covered a lot of ground today.

893
00:45:57.360 --> 00:46:00.440
<v Speaker 1>We really did. We started by plunging into the physical

894
00:46:00.480 --> 00:46:03.639
<v Speaker 1>hazards and the deep spiritual trauma hidden beneath the murky

895
00:46:03.719 --> 00:46:08.159
<v Speaker 1>waters of Lake Lanier, exploring how a desecrated landscape might

896
00:46:08.280 --> 00:46:09.639
<v Speaker 1>exact a violent toll.

897
00:46:10.000 --> 00:46:13.039
<v Speaker 2>We traveled to the steps of Uzbekistan to witness how

898
00:46:13.039 --> 00:46:17.079
<v Speaker 2>the violation of a warlord's warning aligned with terrifying precision

899
00:46:17.400 --> 00:46:20.679
<v Speaker 2>to the outbreak of the most destructive invasion in human history.

900
00:46:21.159 --> 00:46:24.280
<v Speaker 1>We walk the marble halls of the Cecil Hotel, examining

901
00:46:24.360 --> 00:46:27.960
<v Speaker 1>how the psychogeography of historical trauma can mutate a building

902
00:46:28.000 --> 00:46:29.920
<v Speaker 1>into a lethal psychological sinkhole.

903
00:46:30.400 --> 00:46:34.320
<v Speaker 2>We tracked the fatal, contagious momentum of a shattered Portie

904
00:46:34.559 --> 00:46:37.639
<v Speaker 2>and analyze the heavy moral burden of the man who

905
00:46:37.679 --> 00:46:38.880
<v Speaker 2>finally chose to stop it.

906
00:46:39.159 --> 00:46:41.960
<v Speaker 1>And finally, we stood in the isolated woods of the Catskills,

907
00:46:42.320 --> 00:46:46.239
<v Speaker 1>analyzing how the neurobiology of ritual can successfully diffuse the violent,

908
00:46:46.360 --> 00:46:48.480
<v Speaker 1>concentrated energy of a wooden crone.

909
00:46:48.639 --> 00:46:52.239
<v Speaker 2>And across all these wildly distinct narratives, from global war

910
00:46:52.280 --> 00:46:56.880
<v Speaker 2>to suburban basements, a singular, crucial theorem emerges regarding how

911
00:46:56.880 --> 00:46:58.239
<v Speaker 2>we must interact with the unknown.

912
00:46:58.360 --> 00:46:59.199
<v Speaker 1>What's the takeaway?

913
00:46:59.320 --> 00:47:02.519
<v Speaker 2>Greg Nuker actually provided a piece of hard earned device

914
00:47:02.960 --> 00:47:07.000
<v Speaker 2>that serves as the ultimate thesis for this exploration. The

915
00:47:07.119 --> 00:47:11.480
<v Speaker 2>single greatest defense you possess against any curse anywhere is

916
00:47:11.519 --> 00:47:12.679
<v Speaker 2>to refuse defeed it.

917
00:47:12.840 --> 00:47:15.360
<v Speaker 1>You defeat it by aggressively refusing to believe in it.

918
00:47:15.440 --> 00:47:19.519
<v Speaker 2>Precisely, a curse, whether you define it as a dark, free,

919
00:47:19.599 --> 00:47:24.920
<v Speaker 2>roaming spiritual entity or a complex, self fulfilling psychological feedback loop,

920
00:47:25.400 --> 00:47:27.239
<v Speaker 2>operates on a parasitic engine.

921
00:47:27.320 --> 00:47:28.199
<v Speaker 1>It needs a host.

922
00:47:28.960 --> 00:47:32.920
<v Speaker 2>It fundamentally requires human participation to function. It means your fear,

923
00:47:33.079 --> 00:47:36.679
<v Speaker 2>your attention, and your belief to manifest physical results. If

924
00:47:36.719 --> 00:47:39.880
<v Speaker 2>you consciously withdraw your participation, if you starve it of

925
00:47:39.920 --> 00:47:43.800
<v Speaker 2>your focus, you completely neutralize its power over your reality.

926
00:47:43.880 --> 00:47:46.719
<v Speaker 1>Which brings me to a final, highly provocative thought that

927
00:47:46.760 --> 00:47:49.599
<v Speaker 1>I want to leave you the listener to mull over today.

928
00:47:49.920 --> 00:47:53.000
<v Speaker 1>It is something none of the historical source is explicitly addressed,

929
00:47:53.159 --> 00:47:56.880
<v Speaker 1>but given the mechanics we've just outlined, it feels incredibly urgent.

930
00:47:56.960 --> 00:47:57.400
<v Speaker 2>Let's hear it.

931
00:47:57.639 --> 00:48:01.239
<v Speaker 1>We have thoroughly established the premise that curses only gain

932
00:48:01.360 --> 00:48:04.760
<v Speaker 1>power when human beings give them concentrated attention and feed

933
00:48:04.800 --> 00:48:08.559
<v Speaker 1>them with fear. But what happens to that parasitic dynamic

934
00:48:09.000 --> 00:48:12.480
<v Speaker 1>in the reality of our modern, hyperconnected digital age.

935
00:48:12.559 --> 00:48:14.039
<v Speaker 2>Ooh, that is a dark thought.

936
00:48:14.159 --> 00:48:17.800
<v Speaker 1>Think about the historical limitations. In the past, a cursed

937
00:48:17.920 --> 00:48:21.719
<v Speaker 1>effigy was physically isolated in a box in Ohio, or

938
00:48:21.760 --> 00:48:25.360
<v Speaker 1>a cursed hotel only exerted its influence over the desperate

939
00:48:25.400 --> 00:48:29.280
<v Speaker 1>individuals who physically walked through its front doors. The contagion

940
00:48:29.360 --> 00:48:30.960
<v Speaker 1>was geographically limited, right, it.

941
00:48:30.880 --> 00:48:32.800
<v Speaker 2>Couldn't spread beyond its immediate vicinity.

942
00:48:32.880 --> 00:48:36.920
<v Speaker 1>But today, the deeply unsettling footage of Alisa Lamb or

943
00:48:36.960 --> 00:48:40.119
<v Speaker 1>the high resolution image of the crone can be uploaded

944
00:48:40.159 --> 00:48:42.719
<v Speaker 1>to a server and viewed by tens of millions of

945
00:48:42.760 --> 00:48:44.840
<v Speaker 1>people globally in a matter of hours.

946
00:48:45.000 --> 00:48:46.400
<v Speaker 2>This raises an important question.

947
00:48:46.519 --> 00:48:50.239
<v Speaker 1>It really does. If human attention, morbid curiosity, and active

948
00:48:50.280 --> 00:48:53.639
<v Speaker 1>fear are the literal fuel sources that power curse, what

949
00:48:53.800 --> 00:48:56.119
<v Speaker 1>happens when you hook that curse directly into the main

950
00:48:56.239 --> 00:48:57.079
<v Speaker 1>vein of the internet.

951
00:48:57.199 --> 00:48:58.079
<v Speaker 2>You supercharge it?

952
00:48:58.400 --> 00:49:02.159
<v Speaker 1>Exactly if five million people are staring at an image

953
00:49:02.199 --> 00:49:05.480
<v Speaker 1>of a supposedly haunted object on their screens, and they

954
00:49:05.480 --> 00:49:09.280
<v Speaker 1>are all simultaneously focusing their anxiety, their unease, and their

955
00:49:09.360 --> 00:49:13.760
<v Speaker 1>dread onto that single point of data. Could the collective, massive,

956
00:49:13.880 --> 00:49:17.760
<v Speaker 1>concentrated anxiety of the Internet actually create a curse where

957
00:49:17.840 --> 00:49:18.920
<v Speaker 1>none existed before?

958
00:49:19.039 --> 00:49:20.480
<v Speaker 2>It's the ultimate manifestation.

959
00:49:20.840 --> 00:49:24.800
<v Speaker 1>Can we, through the sheer, unprecedented volume of our digital fear,

960
00:49:25.079 --> 00:49:28.679
<v Speaker 1>crowd source a supernatural event into existence. It is a

961
00:49:28.719 --> 00:49:31.920
<v Speaker 1>mechanism worth deeply considering the next time you find yourself

962
00:49:31.920 --> 00:49:34.920
<v Speaker 1>doomed scrolling late at night, staring into the glowing, murky

963
00:49:34.960 --> 00:49:38.119
<v Speaker 1>waters of the next viral mystery. We desperately want the

964
00:49:38.119 --> 00:49:40.599
<v Speaker 1>world to be visible and measurable, like the skid marks

965
00:49:40.599 --> 00:49:43.599
<v Speaker 1>on a highway. But as we've explored today, the most dangerous,

966
00:49:43.679 --> 00:49:47.480
<v Speaker 1>inexplicable forces are often the exact ones we inadvertently manifest

967
00:49:47.519 --> 00:49:48.039
<v Speaker 1>in the dark
