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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we

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are going to bring you this week's episode of Yours Truly,

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Johnny Doller. But if you are enjoying this podcast, I

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want to encourage you to follow us using your favorite

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podcast software and our listener support campaign continues. You can

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become one of our ongoing Patreon supporters for where as

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little as two dollars per month at Patreon dot Great

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Detectives dot net. Now, in between last week's episode and

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this week's there was a lost episode. And this is

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usually more of just a bookkeeping matter, but the lost

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episode that's missing maybe one of the more significant ones

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in the Bob Bailey era as that program, and this

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one was one of those interconnected episodes. It's not a

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story where it won't stand on its own, but it

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can be helpful to have heard the previous story. Now

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from the character angle, it also included the introduction of

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an ongoing character who would be in the series for

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the rest of the Bailey run, and Betty Lewis, who

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is a girlfriend of Johnny, a relationship that became an

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element of a bit of a tease for listeners, although

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not too much. And she's in this story as well,

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so it wouldn't be great if we could bring you

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the Curly Waters matter, but we can't. But there's enough

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context in this story to understand what happened, at least

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as is relevant to this episode. And of course we

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have John Abbott's notes on the script for that story,

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which will allow us to fill in some details when

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we get to the post episode commentary. But now, from

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February eighth, nineteen fifty nine, here is the date with

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death Matter.

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Speaker 2: From Hollywood. It's time no for Johnny Dollar, Mandy Lewis.

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Speaker 3: Hey, it worked, sure it does, so I hang have

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that extension. Come on back here in the living room.

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We'll finish up our cocktails. Be on our way, Yes,

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sir John making your own phone ring an extension too

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from the man who put the extension of my apartment. Yeah,

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it's kind of a line check. You dial that number

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and hang up. Then if both phones ring, you know

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the extension is okay.

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Speaker 4: What do you know?

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Speaker 2: It is another line check.

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Speaker 3: Number that you can dial and I forgot what it

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is and all you got is a busy signal.

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Speaker 5: It could be an awfully cute gag. Sometimes you know,

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I'm somebody who didn't know about these numbers.

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Speaker 2: Oh, let's finish our cocktails and go.

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Speaker 6: I'm sure you didn't make it ring this guy.

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Speaker 2: I kind of left your number with my call service.

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Oh no, maybe i'd better take it now.

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Speaker 5: Listen, if that's some insurance company, when you can just

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tell them they'll have to wait until tomorrow. This is

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the third time in a week that we tried to

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have dinner together. First it was that curly Waters who

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tried to kid.

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Speaker 3: You not take it easy. Maybe this for you, one

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of your faithful boyfriends.

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Speaker 4: Well, maybe i'd better answer.

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Speaker 2: Just leave it on me. I'll scare enough. Johnny Dollar

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Burton Wills and Master's Insurance and Trust.

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Speaker 6: Oh, I've got to see you Johnny here at the

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office right away.

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Speaker 3: Look, I have a date Bert, so can't whatever is

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bothering you wait until some other time you have a date.

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That's right, We're just about to go out for dinner. No, Johnny,

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unless you get over here right away, you may find

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you have another date.

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Speaker 4: What a date with death?

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Speaker 2: Well okay.

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Speaker 7: Burt Bob Bailey in the Exciting Adventures of the Man

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with the action packed expensive cab America's fabulous freelance insurance investigator.

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Speaker 3: It was truly Johnny Dollar and no act one if

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yours truly Johnny Dollar. Expense account submitted by Special Investigator

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Johnny Dollar, the Master's Insurance and Trust Company, Home Office, Hartford, Connecticut.

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Following is an account of expenses incurred during my investigation

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of the date with death matter. I told my date,

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Betty Lewis, to stay there in her apartment until I

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called her. Then I spent on a one a dollar

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twenty for a cab. The Master's Insurance and Trust Bert

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Wells was all alone in his office. Come in, Johnny,

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sit down, sure, Bert, I wants all the excitement. Curly Waters,

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I kind of had a hunchhot with it. Lieutenant Howard

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Dailey's on his way over from police head quot. What's

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happened two years ago? You had Curley sent up to

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the pen, and that's right for the Melee's Department store,

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Jobby pol Then just a few days he swore that he'd.

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Speaker 4: Get you for that, that he'd kill you, didn't he?

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Speaker 3: So what happened when he escaped and came hit a

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Hartford a few days ago? I know all about that

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from reading your report. Thanks to some quick thinking on

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your part, the police nabbed him instead. Plus the loot

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from the department store robbery. You know who deserves a

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real credit for that, the girl I had a date

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with tonight until you spoil things with your phone.

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Speaker 4: Call, Johnny.

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Speaker 3: As you know, either you or the police wounded Curly Waters,

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which is why he was taken to the hospital and

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placed under guard instead of being locked up. So well, well,

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I see you managed to locate him. Yes, Lieutenant you

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okayed Dollar. Any reason why I shouldn't be Howie? Has

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mister Wells told you what's happened now? But I think

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I can guess Curly Waters escaped from the hospital. Yes,

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I had three good men there watching over him, but

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he managed to get by them, how with help one

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of his old cronies, Kimpy Taylor. Yes, Gimpy created a

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sturbance out in the hall and when they went after him,

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Curly crashed out through the window. When they went back

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in after him, Gimpy took it on the land.

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Speaker 2: Three good men, did you say?

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Speaker 8: Well?

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Speaker 3: The odds were alled with Curly and Gimpy. When the

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boys went out in the hall afterim again. It was

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full of interns and nurses and stretchers with patients on them.

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Speaker 4: If they'd fired a shot, they might have killed somebody.

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Speaker 2: Wow, what girls, do you want me to go out

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and look for him?

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Speaker 3: No, sir, don't you see, Johnny, the reason I called

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you was because of the threat against your life, of course,

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And Johnny, I'm going to provide you with a bodyguard

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twenty four hours a day until Curley is picked up.

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Speaker 2: No, no, wait a minute, listen, how you listen?

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Speaker 3: He almost got to you just a few days ago.

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Don't you forget that? And one way or another, the

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Lieutenant's right, Johnny, you said yourself that if it wasn't

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for your girlfriend this Betty Lewis.

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Speaker 2: Heard, let me use your here. You said one way

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or another?

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Speaker 4: Howe that's right? And yeah, maybe through your girl. Is

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that who you're calling?

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Speaker 2: Yes? Are you sure she's at home? Johnny?

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Speaker 3: That's where I just left her. I told her to

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stay there and not to move until she heard from me. Johnny,

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curly wonders even come on, Berty, pick it up?

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Speaker 4: Pick it up?

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Speaker 2: No answer.

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Speaker 7: Act two of yours, truly, Johnny Dollar in a moment

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no Act two of yours truly, Johnny Dollar and the

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date with death.

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Speaker 3: Matter, Curly Waters killer on the loose again. I left

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Betty in her apartment. I told her to stay there,

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but when I tried to call her on the phone,

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no answer. Lieutendant Howard Day and I took the elevator

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down to the street to his prowl card.

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Speaker 2: Next turn left, How we take the next left?

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Speaker 4: No, we'll make it the one after that.

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Speaker 2: But it's one way, the wrong way.

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Speaker 4: Yeah, but it'll give us a short cut after a

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couple of blocks. Hang on, Johnny, Oh.

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Speaker 2: Now it's the third filling in the block.

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Speaker 4: Lead the way, Johnny. Where's the elevator?

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Speaker 2: Come on, forget it?

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Speaker 5: This is it?

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Speaker 3: Quicker Johnny? If Pearl just got to her said, haven't

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you got a key?

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Speaker 2: I have not.

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Speaker 4: Stand back, Johnny. I'll see if I can smash it open.

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Speaker 3: Wait a minute, Betty, Betty, wait, look it's open.

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Speaker 2: Freddy Fretty are.

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Speaker 6: You I'm afraid she's gone, Johnny, just gone.

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Speaker 3: We went over the apartment with a fine tooth calm,

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hoping to find some clue as to where she'd gone, Yeah,

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and how she gone. Curley was a desperate man likely

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to do anything Betty had left in a hurry. We

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were sure of that because the closet lafoyer was left open,

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the coat hanger lying on the floor, and because of

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the way she'd left the front door unlocked.

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Speaker 2: But that was all we knew.

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Speaker 3: At least there was no sign of a struggle because

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he probably had a gun and your girlfriend probably knows

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he's one of the best shots in the country.

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Speaker 2: All right, all right, how a now listen?

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Speaker 4: Huh no, let me take it, Johnny, but it maybe

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I'll get it.

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Speaker 2: Hello, Lieutenant Howard Daily there, who's calling.

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Speaker 4: Riley down at headquarters?

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Speaker 9: Who'd you think?

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Speaker 3: Uh?

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Speaker 2: It's Riley?

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Speaker 4: Thanks?

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Speaker 10: Yeah, we got one of them, Lieutenant Gimbe Taylor.

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Speaker 2: What's that where.

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Speaker 9: About eleven miles up North Road?

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Speaker 4: Yeah?

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Speaker 3: He wrapped his stolen car around a big elem tree,

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you know, up the dead Man's game?

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Speaker 4: Did it kill him?

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Speaker 3: I managed to crawl a couple hundred yards under a

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brush for he conked out.

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Speaker 2: It was Curly w Is with him.

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Speaker 4: Riley was Curly Waters with him.

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Speaker 2: There was no sign of him. But the man they

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stole the car from said there was two of them.

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Speaker 3: There was two of them.

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Speaker 2: Then ask him any sign of Betty there.

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Speaker 4: Riley, any sign of a passenger a girl?

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Speaker 9: No, h.

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Speaker 4: Okay, I'll keep checking with you. You hear it all, Johnny.

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Speaker 3: Yeah, two men stole a car, so the other one

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must have been Curly. Whether they were both on the

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wreck and Kurty was able to get away after all

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of Kimpy was able to crawl a couple of hundred yards, yeah, Curley,

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maybe a couple of one hundred miles away by now?

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Oh maybe not, Howie. I don't think he left town

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with Kimpy helped him steal a car. Yeah, I'll make

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it look as though he was leaving. Why do you

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say that, Johnny, because of Betty? Because I think he's

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holding Betty to get me to him. Then maybe you

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will agree to a twenty four hour a day bodyguard

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after all. No, No, absolutely not, Johnny. I do think

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that he's a jerk.

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Speaker 2: He isn't.

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Speaker 3: He's smart. He's smart enough to smell a copper mile away.

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Speaker 2: Just no, Howie.

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Speaker 3: No, there's only one thing to do, only one way

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to flush him out, Johnny, Betty, Betty, what happened?

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Speaker 2: Where have you been? What happened to you?

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Speaker 5: I got a phone call from the hospital they said

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it was the hospital. Yeah, they said you were down there,

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but you'd been shot by Curly Water.

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Speaker 3: I told you he's clever, how he Beddy? Thank Heaven,

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he is not to get you. Oh, this is Lieutenant

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Daily from the headquarters. What were you going to say, Johnny,

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I say he's clever. This means that Curly is still

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in town, still gunning for me. He called Betty to

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get her away from this apartment, knowing that I'd come here.

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Speaker 4: Johnny.

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Speaker 3: Yeah, and he might have been here waiting for me

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if you hadn't come too. But he's smart, smart enough

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to want to catch me alone, so how he It

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means there's only one bait in the world that'll bring

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him out.

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Speaker 2: In the open. What's that, Johnny? Me alone?

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Speaker 3: John all right, Betty was staying here. You're going back

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to headquarters.

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Speaker 9: Me.

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Speaker 3: I'm going to my apartment. I'm gonna sit there and

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wait for him.

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Speaker 4: Oh Johnny, No, Okay, sure, Johnny, you go right ahead.

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But I'll have enough men hidden away surrounding that place.

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Speaker 6: Of your all.

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Speaker 3: Then you'll never get him. Then he'll have to skip out,

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maybe skip the country. I'd like to see him try it, Howie.

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He's an actor, a good one. If that costume of

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a priest he was going to use before he can well,

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then that he could have walked right by you or

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me or anybody else and never have been recognized. And

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with a phony passport, which he already has, he'll skip

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the country, all right. But when he comes back, I

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won't know. I won't be ready for him right now.

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I am, Please, Johnny, yel listen, No, Howie, you'd be

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a sitting duck for Sarry.

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Speaker 2: It's the only way.

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Speaker 7: Act three if yours truly Johnny Dollar in a moment, no,

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Act three, if yours truly Johnny Dollar.

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Speaker 2: Johnny Pitch and maybe soon to be a dead one.

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Speaker 3: The only way to bring curly waters out in the

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open was for me to wait for him, wait for

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him to come and try to kill me. So after

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making Betty promise to stay in her apartment and Lieutenant

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Daily to go back to headquarters, I went over to

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my own apartment and I waited. Believe me, I felt

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anything but brave, But I'd rather take my chances on

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having it out with him now and than spend the

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rest of my life knowing he was still alive, somewhere,

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still gunning for me that sooner or later he'd catch

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me off guard. Twelve twelve thirty. My impulse was to

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raise my gun and pull off a couple of shots

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right through that door.

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Speaker 2: Yeah, Oh, was.

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Speaker 11: It, Hollie?

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Speaker 8: Open up?

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Speaker 3: Oh Howie? What the devil are you doing here?

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Speaker 4: Just checking up? Johnny? Checking up?

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Speaker 3: You got a bunch of boys scattered around out there.

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No body guys you were talking about. No Johnny. But listen,

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will you sitting here alone waiting for him? You're taking

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too much of a chance. Can't you get it through

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that thick skull of yours. It's the only way to

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make him show himself. And I tell you it's the

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surest way in the world to get murdered.

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Speaker 2: You don't think I'm able to take care of myself, huh?

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Speaker 3: I didn't say that. Well, then I'm a cop, Johnny.

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I just can't let you do this.

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Speaker 2: Oh.

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Speaker 3: I mean you're worried that maybe you'll be set down

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00:15:26,559 --> 00:15:29,360
to pounding a beat again. Oh no, you crazy fool.

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I'm worried about you. Won't you change your mind?

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Speaker 2: No?

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Speaker 3: No, Now you better leave howe, and for heaven's sake,

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don't come back again.

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Speaker 4: But unless I do. How can I tell how I.

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Speaker 3: Know you'll know, you'll know if he does come, and

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I'm sure he will if you don't scare him off.

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I hope and pray he doesn't tie. When it's all over,

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I'll call you, Johnny if he chalk.

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Speaker 2: Along, howie? Would you?

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Speaker 3: You're just holding things up, and I'll tell me he

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doesn't know you've come here. So go on, baby, beat it, okay,

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and you give me your word that you won't come

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back until I called you.

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Speaker 4: But what if he gets you?

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Speaker 2: Your word on it?

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Speaker 4: Okay, Johnny.

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Speaker 3: I went back into my little kitchen and brewed upon

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a coffee, a big one. Fatigue was a possibility I

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hadn't thought of until right now.

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Speaker 2: Maybe curly water his hand. He probably thought of.

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Speaker 3: A lot of things, a lot of tricks, because at

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least one thing was sure after what happened a few

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days ago. He knew that somehow he'd have to get

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me off guard. And I hoped him, pray that how

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he would keep his word, would keep his men away

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from the whole area, that he himself would stay away,

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not even call until this whole thing had come to

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ahead and I heard it. It was at the back

316
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door of my apartment, the kitchen door that led to

317
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a fire escape. Fortunately I turned the light off in

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the kitchen I could sneak in without being seen. A Betty,

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get in here quick. Oh why did you come here?

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Speaker 2: Good, Johnny?

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Speaker 4: I mean crazy? It would worry.

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Speaker 3: Doesn't the lieutenant have brains enough to put some men

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around your place to keep an eye on.

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Speaker 5: You can out the window, and when they went to investigate,

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I sneaked out the back.

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Speaker 8: Way through the alley.

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Speaker 3: Rebbe you're insane to have come here. I don't just

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00:17:10,920 --> 00:17:12,960
see if Curly comes and there's a lot of shooting.

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Speaker 5: Think I could just sit there, knowing what might happen

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here any minute, knowing.

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Speaker 2: That if Curley got.

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Speaker 3: Lucky, Honey, I don't know what to tell you. And

333
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I can't send you back without a police guide. And

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if the police come around, they'll only keep Curly away.

335
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I just been sitting here hoping that how he'll have

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sense enough not to come back again. Oh yeah, you

337
00:17:30,920 --> 00:17:31,839
get worried about me.

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Speaker 4: Too, him, Johnny Curly?

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00:17:38,839 --> 00:17:42,000
Speaker 3: Oh Johnny, Yeah, maybe it is all right going into

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00:17:42,039 --> 00:17:47,559
the bedroom here, Jo, stay there, no matter what happens,

341
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Stay there, understand, Stay there?

342
00:17:53,319 --> 00:17:55,559
Speaker 2: Yeah? Who is it?

343
00:17:56,000 --> 00:17:56,160
Speaker 9: Oh?

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Speaker 2: I told you, how are you it is?

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Speaker 10: You would just don't try to raise that gun. Dollar, Curly,

346
00:18:07,000 --> 00:18:13,640
drop it, drop that dollar? Ah over there sitting in

347
00:18:13,640 --> 00:18:16,480
that chair. Yeah, I guess right.

348
00:18:17,240 --> 00:18:19,319
Speaker 2: You sent the cops away so i'd come after you.

349
00:18:19,400 --> 00:18:20,680
But I had to be sure.

350
00:18:21,559 --> 00:18:23,519
Speaker 10: That's why I've been sitting in an empty apartment across

351
00:18:23,559 --> 00:18:26,519
the hall all afternoon all night to make sure. That's

352
00:18:26,519 --> 00:18:29,839
how I knew what the lieutenant's voice sounded like. Real

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clever boy, Curly, All.

354
00:18:32,000 --> 00:18:33,960
Speaker 4: Right, I'm not gonna waste any time.

355
00:18:34,000 --> 00:18:36,160
Speaker 10: That dumb lieutenant might try coming back again, and I

356
00:18:36,160 --> 00:18:39,640
have to kill him too, So Dollar, I'm not even

357
00:18:39,680 --> 00:18:40,960
giving you time to pray.

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Speaker 3: You're you're pretty sure there aren't any cops planning around here,

359
00:18:44,759 --> 00:18:47,839
aren't you. I'm not only sure, but Gimpy Taylor's wife

360
00:18:47,880 --> 00:18:49,079
has spotted where she can see it.

361
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Speaker 2: They tried to come around. Yeah, just what do you

362
00:18:51,839 --> 00:18:53,039
think she could do about it?

363
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Speaker 10: One shot into the alley across the street and they

364
00:18:55,759 --> 00:18:56,960
forget all about you.

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00:18:57,759 --> 00:18:58,400
Speaker 4: Dumb cops.

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Speaker 2: All right, tell me, Curly, I get it.

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00:19:01,319 --> 00:19:01,799
Speaker 4: Goodbye.

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00:19:01,839 --> 00:19:07,880
Speaker 10: Dollar, No, don't answer, not a word, Dollar, not a

369
00:19:07,920 --> 00:19:09,400
word had up?

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00:19:10,640 --> 00:19:15,119
Speaker 3: What who is that Carly harle, lend me that phone

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00:19:15,640 --> 00:19:17,640
and don't move move with a gun on me?

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00:19:17,799 --> 00:19:21,599
Speaker 2: Hair, Curly, Yeah, who is it?

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00:19:22,079 --> 00:19:22,440
Speaker 3: Myrtle?

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00:19:22,839 --> 00:19:24,720
Speaker 4: Gimpi's wife, myrtle.

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Speaker 9: Now listen, Dollar isn't alone. He was in the bedroom

376
00:19:29,640 --> 00:19:33,680
waiting for you. Listen. Is the door of that bedroom open?

377
00:19:35,160 --> 00:19:38,880
Speaker 2: No, it isn't. What goes Curly, Quiet, Listen to me.

378
00:19:39,480 --> 00:19:42,640
Speaker 9: If the door of that bedroom starts to open, don't

379
00:19:42,680 --> 00:19:44,240
wait start shooting.

380
00:19:45,519 --> 00:19:47,920
Speaker 10: Hold his phone, keep the line open, and don't move

381
00:19:47,960 --> 00:19:48,680
out of that ship.

382
00:19:48,759 --> 00:19:49,799
Speaker 2: Why I'm telling me? Why?

383
00:19:50,160 --> 00:20:04,880
Speaker 4: Quiet? Quiet? H No, No, you don't what I do?

384
00:20:09,559 --> 00:20:15,400
Speaker 3: Sh Okay, Betty, thank Heaven. You remember the number to

385
00:20:15,480 --> 00:20:16,920
dial and make those phones right?

386
00:20:17,480 --> 00:20:20,039
Speaker 2: How about the way I had this guy my voice

387
00:20:20,039 --> 00:20:20,359
for him?

388
00:20:20,440 --> 00:20:22,839
Speaker 3: You realize what a chance you were taking. If he

389
00:20:22,960 --> 00:20:25,279
hadn't turned the fire when you kicked open that door,

390
00:20:25,319 --> 00:20:27,319
if I'd missed him when I threw that phone at.

391
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Speaker 2: Him, it worked, That's all it come.

392
00:20:29,400 --> 00:20:31,279
Speaker 3: And look look one of his bullets knicks you right

393
00:20:31,319 --> 00:20:33,400
here in the arm.

394
00:20:33,599 --> 00:20:48,039
Speaker 8: Oh blood o, Johnny, sure sure, yeah, Early's back in

395
00:20:48,119 --> 00:20:49,960
the clink, and this time it stay.

396
00:20:50,759 --> 00:20:53,319
Speaker 3: When the necessary papers were signed, I hauled him over

397
00:20:53,359 --> 00:20:56,839
to the state pen myself, so expense account total including

398
00:20:56,880 --> 00:21:02,240
transportation forty seven dollars. Even ready, Reddy Lewis, I'll tell

399
00:21:02,279 --> 00:21:06,720
you this if I were a marrying kind, believe me

400
00:21:08,079 --> 00:21:10,079
yours truly, Samny.

401
00:21:09,839 --> 00:21:40,720
Speaker 7: Dollars, Yours truly Johnny Dollar, starring Bob Bailey, originates in

402
00:21:40,759 --> 00:21:44,240
Hollywood and has written, produced, and directed by Jack Johnstone.

403
00:21:44,920 --> 00:21:48,839
Heard in our cast were Lucille Meredith, James McAllion, Russ Thorson,

404
00:21:49,079 --> 00:21:52,279
Sam Edwards and Herb Vigrants. Be sure to join us

405
00:21:52,279 --> 00:21:55,880
next week, same time and station, or another exciting story

406
00:21:55,960 --> 00:21:57,920
of yours truly, Johnny Dollar.

407
00:22:00,240 --> 00:22:02,319
Speaker 2: This is damn coverly speaking.

408
00:22:22,279 --> 00:22:25,880
Speaker 1: Welcome back. I have some criticisms of this episode, but

409
00:22:26,000 --> 00:22:29,160
I want to start out with the positive points. I

410
00:22:29,359 --> 00:22:34,759
did like the way that Johnny questioned Howie about how

411
00:22:34,960 --> 00:22:41,279
these were supposed good men who had let Curly escape

412
00:22:41,319 --> 00:22:45,480
with the aid of Gimpi Taylor. I also think that

413
00:22:45,720 --> 00:22:50,240
there is something to say for Johnny's approach, like why

414
00:22:50,720 --> 00:22:56,640
have a deadly enemy with a grudge against you looming

415
00:22:57,079 --> 00:23:00,640
have the confrontation get it over with when you know

416
00:23:00,799 --> 00:23:04,799
that he's coming. At least in theory in context of

417
00:23:04,799 --> 00:23:09,640
the episode, that makes sense. I also appreciated Betty's quick

418
00:23:09,759 --> 00:23:15,680
thinking and her bravery and pulling Donny out of the fire.

419
00:23:15,960 --> 00:23:19,960
And I think this story had a good overall plot

420
00:23:20,079 --> 00:23:23,279
and could have worked really well. But this is one

421
00:23:23,359 --> 00:23:28,079
of those stories that, honestly, I think Johnstone, if at

422
00:23:28,079 --> 00:23:31,680
all possible, this is the sort of story you commission

423
00:23:32,519 --> 00:23:36,000
rather than right yourself, because I don't think Johnstone was

424
00:23:36,039 --> 00:23:39,759
particularly suited to rit this. And there are some structural

425
00:23:39,839 --> 00:23:44,680
things with this episode, like the total runtime of this

426
00:23:44,839 --> 00:23:48,960
episode because we don't have any commercials or PSA's is

427
00:23:49,079 --> 00:23:54,079
less than twenty minutes. But the whole situation where the

428
00:23:54,119 --> 00:23:58,559
detective made the phone call to Betty's for how he

429
00:23:59,079 --> 00:24:03,960
was incredibly clunky. Now, it was a bit realistic in

430
00:24:04,000 --> 00:24:08,359
that we heard the information spoken twice and it would

431
00:24:08,440 --> 00:24:12,359
be in real life. But the dramatic way, and a

432
00:24:12,400 --> 00:24:15,559
way that doesn't really harm realism, is how he picks

433
00:24:15,599 --> 00:24:19,920
up the phone rather than Johnny and says hello, oh yes,

434
00:24:20,000 --> 00:24:23,960
and that happened? When did that happen? Where is he?

435
00:24:24,519 --> 00:24:24,759
Speaker 2: You know?

436
00:24:24,920 --> 00:24:27,880
Speaker 1: Just ask a few questions and then tells Johnny what

437
00:24:28,039 --> 00:24:32,440
was said. Instead, we're treated to the lieutenant getting information,

438
00:24:33,400 --> 00:24:36,880
Johnny asking questions, relaying it back. You know, it's a

439
00:24:36,920 --> 00:24:41,640
literal game of telephone, and honestly, the Hartford Police Department

440
00:24:42,359 --> 00:24:46,480
doesn't come off particularly good in this episode. Johnny's question

441
00:24:46,759 --> 00:24:52,400
of good men was apt because Curly's whole strategy for

442
00:24:52,759 --> 00:24:57,599
distracting the police is just making noise, and every officer's

443
00:24:57,720 --> 00:25:00,640
running off in the direction of the noise. And why

444
00:25:00,680 --> 00:25:04,319
not because that strategy has already worked. And while I

445
00:25:04,359 --> 00:25:07,960
would love to hear the Curly Waters matter for the

446
00:25:08,039 --> 00:25:13,279
sake of continuity and being a completionist, it doesn't necessarily,

447
00:25:14,640 --> 00:25:18,839
at least from the way John Abbott describes the script

448
00:25:18,920 --> 00:25:23,799
in his book Who Is Johnny Dollar Matter, it doesn't

449
00:25:24,000 --> 00:25:28,400
paint Johnny in a very favorable lot. That episode begins

450
00:25:28,799 --> 00:25:33,799
with Curly Waters calling Johnny up, telling him he broke

451
00:25:33,839 --> 00:25:36,480
out of prison and is coming for him, and then

452
00:25:36,680 --> 00:25:41,799
Curly gets the drop on Johnny in his own apartment

453
00:25:42,279 --> 00:25:46,200
after having called Johnny in advance to warn him of escape,

454
00:25:46,400 --> 00:25:48,680
and he that he was coming for him. The only

455
00:25:48,759 --> 00:25:53,720
reason Johnny wasn't dead immediately is that Curly had a

456
00:25:53,839 --> 00:25:56,559
hate on for Johnny and thought it would be perfect

457
00:25:56,680 --> 00:26:01,599
revenge to have Johnny help him. March the eighty four

458
00:26:01,680 --> 00:26:06,000
thousand dollars Curly had robbed and then he would kill Johnny.

459
00:26:06,079 --> 00:26:09,039
That was his revenge plan, and the whole thing only

460
00:26:09,079 --> 00:26:13,559
got foiled because they got back to the apartment, Betty

461
00:26:13,839 --> 00:26:18,319
called about their date and in canceling that, Johnny gave

462
00:26:18,640 --> 00:26:22,000
her a clue that led her to call the police. So,

463
00:26:22,640 --> 00:26:26,640
in defense of Howie, when Johnny's like, you don't think

464
00:26:26,680 --> 00:26:31,559
I can take care of myself, after Johnny had already

465
00:26:31,799 --> 00:26:36,400
been caught in his own home by Curly, after Curly

466
00:26:36,480 --> 00:26:39,400
had warned ahead he was coming, Howie had to be

467
00:26:39,559 --> 00:26:43,119
biting his tongue so hard. But again it comes down

468
00:26:43,200 --> 00:26:47,240
to where Johnstone's strength is as a writer, and wherever

469
00:26:47,319 --> 00:26:51,799
he's able to write compelling characters, that tends to be

470
00:26:51,839 --> 00:26:55,839
where he does well and Betty Lewis by far is

471
00:26:56,039 --> 00:27:00,000
the highlight of this episode. Listener comments and feedback now

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00:27:00,119 --> 00:27:04,680
and we start over on Spotify with Harrison commenting regarding

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00:27:04,720 --> 00:27:08,359
the Deadly Doubt matter. Since I began listening to The

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00:27:08,359 --> 00:27:12,319
Great Detective Feedback in twenty nineteen, I've come to the

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realization that the number one lesson I've learned is always

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always close the door behind you and lock it. I

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think This makes it eight hundred and twenty five times

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I've heard this plot device in seven years, only eight

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hundred and twenty five. I think it's been at least

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eight hundred and twenty nine. Now, in all seriousness, you're correct,

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and of course it's a vital life lesson. Thanks for

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the comment, Harrison, and then Mechanics sixty six rights regarding

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the hair raising matter seriously again with the same old

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I couldn't have left Prince because well it's an oldie.

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Whether it's a goody, I guess is up for debate.

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And then we have a few comments on our listener

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survey gen rights. I love disc the shows on this podcast,

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yours truly. Johnny Dollar is my favorite. And then I

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love listening to old radio shows. They are a wonderful

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reminder of simpler times. And then love this podcast, especially

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Philip Marlow, Rocky Jordan, let George do It, and Johnny Dollar,

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and appreciate so much you're taking the time to comment.

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Now it's time to thank our Patreon supporter of the day,

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and I want to thank tea Patreon supporter since July

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00:28:33,039 --> 00:28:36,240
currently supporting the podcast at the Shawmas level of four

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00:28:36,279 --> 00:28:38,880
dollars or more per month. Thanks so much for your support, Tea,

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and that will do it for today. If you're enjoying

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the podcast, please follow us using your favorite podcast software.

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And if you're enjoying the podcast on YouTube, be sure

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to like the video, subscribe to the channel, and mark

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the notification bell. We'll be back next Friday with another

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episode of Yours Truly, Johnny Dollar, But join us back

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here tomorrow. Counter spot where this is going to be.

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Speaker 11: A tough enough to crackmit to hunting happened Meion force

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gatholine coupons, bud counterfeiting or all bring gasoline coupons. It's

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just as bad now as counterfeitting money work. I have

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a hunch of this is even more serious than it

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appears on the surface. How do you mean I'm afraid

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that this gas is being obtained by counterfeit coupons to

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be used to refuel anime submarines. Do you think it

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goes that deep?

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Speaker 1: If you'll be with us then in the meantime, send

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your comments to Box thirteen at Great Detectives dot net,

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00:29:35,759 --> 00:29:39,359
follow us on Twitter at Radio Detectives, and check us

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out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho.

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This is your host, Adam Graham, Sign and off.