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<v Speaker 1>Hudson Riverradio dot com.

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<v Speaker 2>This is Jesse Carmicho from Room five. Hi, this is

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<v Speaker 2>Phil Margol of the Tokens. Hello.

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<v Speaker 3>It's Nicole Atkins on the Rock and Roll History Show.

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<v Speaker 4>Hey, everybody, welcome back to the Rock and Roll History

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<v Speaker 4>Show on Hudson River Radio. I'm Brian Horowitz. It's fourth

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<v Speaker 4>of July weekend and America's two hundred and fiftieth you've

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<v Speaker 4>probably heard, so hopefully I have a little downtime this weekend.

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<v Speaker 4>Hopefully you get to hang out and celebrate and do

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<v Speaker 4>what you want to do, hang out by the pool.

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<v Speaker 4>Whether your pool is Flag blue or Incredible Hulk green,

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<v Speaker 4>we hope you have a wonderful weekend. We thought we

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<v Speaker 4>would buy you some drinks this weekend to help you celebrate.

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<v Speaker 4>But before we hop into all that, allow me to

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<v Speaker 4>introduce all the cranbones joining us here tonight from the

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<v Speaker 4>Richter Observatory. He recently found out that Elvis used to

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<v Speaker 4>be a phone operator at a famous theater. One for

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<v Speaker 4>the money, two for the show, three to get ready,

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<v Speaker 4>four for sales, buy for customer service.

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<v Speaker 2>I was waiting, where's this going off?

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<v Speaker 4>That meil Richtor is back?

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<v Speaker 2>Thank you very much, thank you from.

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<v Speaker 4>The silver screen. She saw a guy walk into a bar.

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<v Speaker 4>He's all banged up and bruised. His arm is in

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<v Speaker 4>a cast. Bartender says, hey, what happened to you? He says,

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<v Speaker 4>I tried to climb the tallest tower in France, but

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<v Speaker 4>I fell off.

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<v Speaker 5>Mercedes Kent is back out, Hey, everybody.

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<v Speaker 4>And the host of Shaving Cream. She says, pigs dressed

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<v Speaker 4>in black never get bullied because Batman protects Gotham.

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<v Speaker 6>Barbara Deel, Oh wow, Wow, that regret my choice here?

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<v Speaker 4>Yeah, well, it's too late. I'm about to introduce you.

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<v Speaker 4>We have a special guest joining us tonight to fill

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<v Speaker 4>the void of two missing Crambones. She is the host

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<v Speaker 4>of Murder in the Hudson Valley with Yours Truly. She's

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<v Speaker 4>the host of UFO Headquarters with Mike Worden. You may

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<v Speaker 4>know her best here as the official hard ass judge

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<v Speaker 4>of the annual Pop Crambone Quiz. She was recently in

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<v Speaker 4>a documentary about bakeries. She got a small role. Linda

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<v Speaker 4>Zimmermann is.

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<v Speaker 7>Back, but it was a good role.

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<v Speaker 4>Is there a bad one?

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<v Speaker 2>You're just trying to butther her up? Can I I am?

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<v Speaker 1>I am?

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<v Speaker 4>She's taking the time out to join us tonight, and

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<v Speaker 4>I am very grateful. And actually you were filming something

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<v Speaker 4>recently I saw on your Facebook page. Are you allowed

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<v Speaker 4>to talk about that or oh?

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<v Speaker 6>Yeah, I filmed an episode for let me see if

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<v Speaker 6>I can remember the Mysteries in the Heartland. It's looking

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<v Speaker 6>at ancient Native American sites, which is one of the

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<v Speaker 6>things I do in the HUDs in the Hudson Valley

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<v Speaker 6>in this area.

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<v Speaker 7>So yeah, that was that was fun. So okay for me,

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<v Speaker 7>I do a variety.

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<v Speaker 4>Yeah, yeah, do you know when that's coming out?

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<v Speaker 7>Or probably September.

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<v Speaker 6>Okay, I'm all about the astronomical alignments of stone sites,

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<v Speaker 6>but I'm sure nobody listening tonight show wants to hear that,

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<v Speaker 6>so I.

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<v Speaker 4>Think you would be surprised. Yes, all right, fine, we're

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<v Speaker 4>going to get to the news and the celebratory weekend,

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<v Speaker 4>and no one's better to lead us off than Neil.

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<v Speaker 2>Yeah. It's something I'm not unfamiliar, not totally unfamiliar with

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<v Speaker 2>the the pastime. But anyway, so yes, you know, I

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<v Speaker 2>know that I've chosen songs by the Ramones numerous times

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<v Speaker 2>here on the Rock and Roll History Show, covering a

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<v Speaker 2>variety of topics well, and that's only because they really

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<v Speaker 2>have a song for every occasion. But this time it's

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<v Speaker 2>going to be a little different. Instead of talking about

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<v Speaker 2>the Ramones as a band, I'm going to focus on

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<v Speaker 2>one particular member, their third drummer, Richie Ramone, and a

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<v Speaker 2>song he wrote for the band called Somebody Puts Something

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<v Speaker 2>in My Drink. Richard Reinhardt he was born in nineteen

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<v Speaker 2>fifty seven. Richie played drums for several early CBGB bands

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<v Speaker 2>like Velveteen and The Shirts before becoming the drummer for

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<v Speaker 2>the Ramones. Between February nineteen eighty three and August nineteen

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<v Speaker 2>eighty seven, he took over for Marky Ramone, the band's

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<v Speaker 2>second drummer, after Marky was fired ironically because of his alcoholism.

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<v Speaker 5>Talk about drinking here I remember it well, yeap.

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<v Speaker 2>Now. At first, Richie performed under the stage name of

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<v Speaker 2>Richie bo b Ea You, before adopting the Ramone surname

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<v Speaker 2>in time for the release of his first Ramones album,

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<v Speaker 2>the band's eighth studio LP called Too Tough to Die,

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<v Speaker 2>and it's the first of three studio albums that he

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<v Speaker 2>appears on. Richie is the only Ramones drummer to be

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<v Speaker 2>the sole composer of a Ramone song. Now the other

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<v Speaker 2>two drummers they collaborated, but Richie wrote these all on

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<v Speaker 2>his own. He wrote several actually, including Somebody puts Something

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<v Speaker 2>in My Drink, which is found on their nineteen eighty

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<v Speaker 2>six album Animal Boy. Now. Rumor has it that the

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<v Speaker 2>song is based on an actual incident where he was

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<v Speaker 2>given a drink spiked with LSD and he was out

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<v Speaker 2>on a date with Frankie Valley's daughter. What could go wrong?

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<v Speaker 8>Oh?

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<v Speaker 4>What a night? Get it? Get any?

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<v Speaker 2>Oh yeah?

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<v Speaker 4>Pause for laughter and continue now.

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<v Speaker 2>Richie recorded his version of the song for his twenty

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<v Speaker 2>thirteen solo album entitled entitled, which is the version we're

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<v Speaker 2>about to hear. So grab a glass, drink up, but

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<v Speaker 2>just be careful. We never know what might be in there.

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<v Speaker 9>Somebody, somebody putting somebody another nice add on a joy

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<v Speaker 9>stuff it fun my usual set.

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<v Speaker 2>To please.

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<v Speaker 8>Spot with a joy.

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<v Speaker 9>I don't blacket it's a colored pig.

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<v Speaker 8>I'm actual staying scene.

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<v Speaker 10>It's not a bier. Somebody or something. Somebody would something

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<v Speaker 10>in the back trick somebody or something somebody Wood chopper.

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<v Speaker 9>Land fission, Janny thoughts film offenses many straw feel something.

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<v Speaker 8>Come on, I can't put.

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<v Speaker 9>You back, swam the floor, drag sack drink.

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<v Speaker 8>Drink some more. I can't say.

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<v Speaker 7>By what's that drink.

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<v Speaker 10>Some fire or shopper, somebody WoT some sack and back trick,

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<v Speaker 10>samphire or something. Somebody wood chump say.

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<v Speaker 2>The back drink, chambre ort, somefer.

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<v Speaker 10>Some by wood shop say the back drink.

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<v Speaker 8>Somebody but supper.

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<v Speaker 2>In that say.

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<v Speaker 10>In that tray.

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<v Speaker 1>In bat.

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<v Speaker 2>In my drug.

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<v Speaker 10>I can't fonder for college break going to say for

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<v Speaker 10>something and drug.

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<v Speaker 8>I feel a little dry.

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<v Speaker 10>I don't care what your fucking for.

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<v Speaker 7>Somebody put something in my drug.

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<v Speaker 11>I can't think.

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<v Speaker 12>Why what's in that?

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<v Speaker 10>Somebody but somewhere else some night it would some sa

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<v Speaker 10>in Matre, Somebud Soper, somebody WoT Soffer, a major sub

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<v Speaker 10>cat Sper sun By, WoT Soler, Mantri sun By or Soper.

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<v Speaker 12>In mad.

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<v Speaker 1>In back.

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<v Speaker 13>In Ma.

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<v Speaker 8>Ma Ma, magine.

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<v Speaker 4>The magic.

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<v Speaker 10>Some fat Soffer, some viney wood Soufer, major Sam butter

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<v Speaker 10>boat Soffer, some Babo Solfer and Majory, some butter boat Sofer,

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<v Speaker 10>somebody WoT Soffer Mado.

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<v Speaker 2>I can't tell whether he's happy about it or mad

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<v Speaker 2>about it, but maybe a little of both now. Richie

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<v Speaker 2>quit the Ramones abruptly in August of nineteen eighty seven

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<v Speaker 2>due to financial conflicts. Richie said he had asked for

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<v Speaker 2>a small percentage of the merchandise income that is, basically

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<v Speaker 2>you know, the T shirts, the T shirt money that

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<v Speaker 2>bore his name and image. Now, while admitting he didn't

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<v Speaker 2>feel entitled to an equal share as he was not

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<v Speaker 2>a founding member of the band, he did feel cheated

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<v Speaker 2>when the other members would cash their merchandise checks while

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<v Speaker 2>he sat there with nothing. Now. These conflicts were mostly

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<v Speaker 2>with guitarist Johnny Ramone, as the other members apparently didn't

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<v Speaker 2>really object, and there were also issues over production credits

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<v Speaker 2>as well, again with Johnny. Ultimately, Richie was replaced by

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<v Speaker 2>his predecessor, Markey. They brought him back after he got sober,

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<v Speaker 2>and he remained in the band Mark He did until

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<v Speaker 2>the band retired in nineteen ninety six. After releasing Entitled,

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<v Speaker 2>Richie released two more solo LPs, one called Cellophane in

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<v Speaker 2>twenty sixteen and another Lived to Tell in twenty twenty three.

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<v Speaker 2>In twenty eighteen, he published his autobiography I Know Better

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<v Speaker 2>Now my life before, during, and after the Ramones, and

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<v Speaker 2>I Know Better Now is another one of the songs

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<v Speaker 2>he wrote for the band. Somebody Put Something in My

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<v Speaker 2>Drink has since been covered by a number of other

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<v Speaker 2>punk bands, and has also been featured in a couple

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<v Speaker 2>of movies as well. In two thousand and seven, this

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<v Speaker 2>is pretty interesting, Richie debuted a classical composition called Sweet

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<v Speaker 2>for drums and orchestra with the Pasadena Pops, and it

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<v Speaker 2>was based on themes from the musical West Side Story.

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<v Speaker 2>So not too shabby for a punk drubber No.

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<v Speaker 4>No elegant.

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<v Speaker 6>Now.

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<v Speaker 2>Along with the three Ramone studio albums, the third being

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<v Speaker 2>nineteen eighty seven's Halfway to Sanity. By the Way, Richie

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<v Speaker 2>also appears on numerous Ramone's Greatest Hits compilations, and he

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<v Speaker 2>also played on Joey Ramone's second posthumous solo LP and Yes,

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<v Speaker 2>I know You're all wondering, and I know some of

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<v Speaker 2>you know. Of course, I got to see Richie play

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<v Speaker 2>with the Ramones a few times, and once right here

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<v Speaker 2>in our own Rockland County in Mount Ivy, back in

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<v Speaker 2>nineteen eighty four, a place called the Expo and I

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<v Speaker 2>think they tore it down and built a diner anyway,

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<v Speaker 2>And I know I've seen him perform with his own

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<v Speaker 2>band a few times, along with a couple of the

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<v Speaker 2>Cranbones here many times with Mercedes, and we even dragged

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<v Speaker 2>Brian along one time too. I think he's almost gotten

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<v Speaker 2>over the shock.

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<v Speaker 4>I had a great night. That was awesome. I got

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<v Speaker 4>a sign drumstick to chat with him a little bit.

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<v Speaker 4>That was a good night.

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<v Speaker 2>It was. It was really cool.

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<v Speaker 4>Now I will never reach the coolness factor of Neil

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<v Speaker 4>and Mercedes. Obviously I was. I made the tricycle that

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<v Speaker 4>was the third wheel. But that's okay. I'll take what

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<v Speaker 4>I can get.

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<v Speaker 2>It all counts, it all counts, And finally, Richie continues

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<v Speaker 2>to perform, and he's currently one of the three surviving

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<v Speaker 2>members of the band, the other two being Markeye and

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<v Speaker 2>bassist CJ. Ramone. So remember, don't drink and drive and

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<v Speaker 2>go to a concert.

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<v Speaker 4>Thank you excellent.

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<v Speaker 5>I cannot listen to any version of that song without

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<v Speaker 5>thinking of a friend of mine who used to go

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<v Speaker 5>to Ceegb's all the time. And I don't know what

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<v Speaker 5>band he was there to see, but he was there

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<v Speaker 5>one night with his girlfriend. Now he lived down the

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<v Speaker 5>Jersey Shore somewhere, so when they left, they had to

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<v Speaker 5>drive home and they actually woke up on the median

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<v Speaker 5>of the turnpike.

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<v Speaker 4>Oh my god.

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<v Speaker 2>But they woke up intact, intact, I hope. Yeah, them

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<v Speaker 2>and whatever vehicles.

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<v Speaker 5>Yeah, insane.

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<v Speaker 4>Yeah, that's that's a night of bad decisions.

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<v Speaker 7>Somebody put something in their drink.

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<v Speaker 5>Yes, absolutely, wow, alcohol alcohol for one, No, for real?

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<v Speaker 2>Something oh really really?

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<v Speaker 4>Oh yeah yeah yeah from the area. The Jersey Turnpike

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<v Speaker 4>at some places is like four or five six lanes wide.

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<v Speaker 4>And they're in the media in the Wow. Okay, yeah,

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<v Speaker 4>that's well.

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<v Speaker 2>I remember they used to you know, they used to

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<v Speaker 2>serve tap be you know in pictures. I would for

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<v Speaker 2>many reasons, I never ordered that. I always had something,

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<v Speaker 2>you know, that was like like a bottle can. Yeah,

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<v Speaker 2>for sure. It just it just didn't seem like a

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<v Speaker 2>good idea.

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<v Speaker 4>And in college, one of the downtown bars used to

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<v Speaker 4>do dollar beer nights, but you brought your own container,

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<v Speaker 4>and just that week, the hardware store at the other

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<v Speaker 4>end of the street would sell bird baths on sale,

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<v Speaker 4>So you would actually have guys walking around this bar

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<v Speaker 4>carrying bird baths.

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<v Speaker 5>I think that's hilarious.

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<v Speaker 4>I was DJing. I was not a bird bath participant.

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<v Speaker 5>So how much does a bird bath hold I don't

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<v Speaker 5>know in pictures.

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<v Speaker 2>It was a lot in bird bird bath.

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<v Speaker 1>Of beer bourbon. You could take it anywhere you want.

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<v Speaker 2>Well, I'm not going to brag, but that was the

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<v Speaker 2>sort of class I was in, you know, before retiring,

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<v Speaker 2>of course. Yeah, but I never thought of using a

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<v Speaker 2>bird bath.

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<v Speaker 4>But I don't know who came up with it, but

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<v Speaker 4>they made the most of it.

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<v Speaker 2>All him that if it was new, not an old

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<v Speaker 2>bird bath.

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<v Speaker 4>No, I mean not no, these were new bird baths from.

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<v Speaker 2>Swipe swipe one off of somebody's Oh god, no, no, no, no, no, no, no, well,

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<v Speaker 2>you know maybe after enough never mind, never mind, you

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<v Speaker 2>can use it.

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<v Speaker 4>After for whatever. But yes, when you're done drinking out of.

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<v Speaker 5>It, that alcohol disinfects it.

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<v Speaker 4>No no, still still no, no, it could be one

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<v Speaker 4>green alcohol and there's still not Yeah.

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<v Speaker 2>Well this was all before bird flew and all that stuff,

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<v Speaker 2>so I might have been no never mind.

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<v Speaker 4>Yeah, birds have been since the dawn of time, so

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<v Speaker 4>there is no good way to.

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<v Speaker 2>Buy your bird baths.

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<v Speaker 7>Conversation South real fast, are you surprised.

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<v Speaker 2>Oh, I'm sure it's going to get worse we're talking about.

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<v Speaker 4>I'm sure, Actually, Barbara, you're up. So you get to

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<v Speaker 4>decide high brow low brow? Which way are we going

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<v Speaker 4>to go?

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<v Speaker 2>All right?

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<v Speaker 1>Well, all right, so yeah, the song about drinking that

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<v Speaker 1>I have chosen, it's called the Scotsman. We're gonna hear

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<v Speaker 1>the rendition by Brian Bowers, and I'm going to talk

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<v Speaker 1>about him a little bit later, but for right now,

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<v Speaker 1>I want to talk about the guy that wrote the song,

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<v Speaker 1>Mike Cross. He was born October twenty fifth, nineteen forty six,

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<v Speaker 1>in Maryville, Tennessee. He grew up in North Carolina, and

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<v Speaker 1>he's an American musician, singer, songwriter, fiddler, guitarist, and storyteller.

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<v Speaker 1>His musical works are a blend of bluegrass, Celtic influences,

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<v Speaker 1>country rock, folk, and pop, but he's best known for

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<v Speaker 1>his humorous songs. However, his diehard fans are quick to

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<v Speaker 1>point out that his serious songwriting is just as impressive

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<v Speaker 1>as his comedy. Cross was inducted into the Blue Ridge

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<v Speaker 1>Music Hall of Fame in two thousand and nine in

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<v Speaker 1>recognition of his contributions to Appalachian and North Carolina music.

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<v Speaker 1>Although he never achieved mainstream success, and it's unknown exactly

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<v Speaker 1>when Cross wrote The Scotsman, but it's believed to be

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<v Speaker 1>sometime during the nineteen seventies because the recording we will

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<v Speaker 1>now hear was released in nineteen eighty by Brian Bauers

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<v Speaker 1>on his album Home Home on the Road. So before

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<v Speaker 1>we continue with details about Bowers, let's hear its brief.

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<v Speaker 7>It's very short.

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<v Speaker 1>Let's hear his version of the Scotsman.

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<v Speaker 2>Now well.

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<v Speaker 12>Scotsman planned and killed, left the bar wan even fair,

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<v Speaker 12>and one could tell how he walked, and he drunk

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<v Speaker 12>more than his share. He fumbled around until he could

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<v Speaker 12>no longer keep his feet, and he stumbled off to

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<v Speaker 12>the grass to sleep beside this street, ringing it a

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<v Speaker 12>little lady ringed Lisle. He stumbled off to the grass

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<v Speaker 12>to sleep beside this tree. About that time to the

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<v Speaker 12>young and lovely girls. Just happened by one says to

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<v Speaker 12>the other, with the twinkle in her eye, see on

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<v Speaker 12>sleeping Scotsman, so strong and handsome, Bill. I wonder rivage's true?

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<v Speaker 12>What they don't wear beneath the.

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<v Speaker 11>Kilt, ringing it a little lady ring nordedly eye.

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<v Speaker 12>Oh wow, wonder rivage's true. What they don't wear beneath

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00:19:20.279 --> 00:19:24.640
<v Speaker 12>the kilt. They crept upon that sleeping Scotsman quiet as

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00:19:24.720 --> 00:19:28.559
<v Speaker 12>could be lifted up as killed about and if so

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<v Speaker 12>they could see and their all for them. Of you

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00:19:32.519 --> 00:19:36.200
<v Speaker 12>beneath this god is skirt was nothing more than God

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00:19:36.279 --> 00:19:40.079
<v Speaker 12>had graced him with upon his bird ringing, that a

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<v Speaker 12>little lad ring nordedly eye, oh, was nothing more than

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00:19:45.000 --> 00:19:48.960
<v Speaker 12>God had graced him with upon his birth. They marveled

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<v Speaker 12>for a moment. Then one said we must be gone.

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<v Speaker 12>Let's leave a present for our friend before we move along.

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<v Speaker 12>As a gift, they left their blue silk ribbon tied

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<v Speaker 12>into a bowl around the bunny star. The scots kilted

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<v Speaker 12>lyft dunshow.

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<v Speaker 11>Ringing did a little ladio ring nadii isle around the

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<v Speaker 11>bunny star.

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<v Speaker 12>The scots kilted lyft dun show. Now the Scotsman wolf

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<v Speaker 12>to nature's call and stumble towards the trees behind the

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<v Speaker 12>bushy lifts his kilt and cock said what he sees

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<v Speaker 12>and there the startle boys, He says to what's before

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<v Speaker 12>his eyes off, lad, I don't know where you've in Budaseo.

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<v Speaker 12>One first priss ringing did a little ladio ring nadali

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<v Speaker 12>isle a lad I don't.

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<v Speaker 11>Know where you've embudasyo one first part, okay, the.

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<v Speaker 1>Pews of would happen if you drink so much you

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<v Speaker 1>pass out? Let that be a lesson to all of us.

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<v Speaker 1>So the song is done in a classic folk storytelling format,

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<v Speaker 1>with a simple narration, a memorable chor a punchline. And

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00:21:02.599 --> 00:21:06.319
<v Speaker 1>it was frequently requested on the Doctor Demento Show and

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<v Speaker 1>often made the show's top five, known as the Funny Five.

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00:21:11.480 --> 00:21:14.880
<v Speaker 1>And just to put it out there, my next show

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00:21:14.920 --> 00:21:18.759
<v Speaker 1>I'm working on for Shaving Cream will be a tribute

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00:21:18.799 --> 00:21:24.000
<v Speaker 1>to Doctor Demento's Funny Five. So Bowers is also known

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<v Speaker 1>as an auto harp player. You can find pictures of

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00:21:28.400 --> 00:21:35.559
<v Speaker 1>it online, and the auto harp. He's actually credited with

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00:21:35.799 --> 00:21:41.319
<v Speaker 1>introducing the instrument to generations of musicians. And he's kind

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00:21:41.359 --> 00:21:44.240
<v Speaker 1>of more famous for playing the auto harp than he

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00:21:44.400 --> 00:21:48.079
<v Speaker 1>is for that song. And he was inducted into the

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00:21:48.319 --> 00:21:51.640
<v Speaker 1>Auto Harp Hall of Fame in nineteen ninety three.

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<v Speaker 4>Oh he's the other guy, all right, gotcha?

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00:21:57.319 --> 00:21:59.880
<v Speaker 1>Which I think is almost as funny as the song is.

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00:22:00.759 --> 00:22:02.599
<v Speaker 6>So there you have it.

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<v Speaker 4>Where is the Auto hart Hall of Fame.

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00:22:06.200 --> 00:22:10.039
<v Speaker 1>The I don't know if there's a physical.

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00:22:11.680 --> 00:22:13.279
<v Speaker 4>Some spare bedroom in the back.

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00:22:13.759 --> 00:22:17.160
<v Speaker 1>It's probably in some janitor's closet.

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00:22:16.839 --> 00:22:19.599
<v Speaker 4>And some building somewhere. I never even heard of it.

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00:22:20.319 --> 00:22:22.720
<v Speaker 1>I know, I know, I was trying to find more

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00:22:22.839 --> 00:22:23.839
<v Speaker 1>info on it, but I.

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<v Speaker 4>Mean, I'm not. I would definitely go.

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00:22:26.039 --> 00:22:28.720
<v Speaker 1>Yeah, you would go to the Auto Heart Hall of Fame,

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00:22:28.799 --> 00:22:34.880
<v Speaker 1>and you would marvel at this gentleman howers that he

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00:22:35.119 --> 00:22:37.200
<v Speaker 1>actually has his name somewhere.

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<v Speaker 4>Yeah, you can only imagine the gift shop.

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<v Speaker 2>Wow.

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00:22:45.279 --> 00:22:50.160
<v Speaker 4>Yeah, sorry, Okay, all right, thank you for.

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<v Speaker 7>You left me speechless with that.

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<v Speaker 1>When I'm sitting here trying to picture all the things

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<v Speaker 1>I could pross, possibly purchase and all, Yeah, gift shot.

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00:23:00.799 --> 00:23:02.720
<v Speaker 4>Key chain, it would be very very difficult.

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00:23:04.640 --> 00:23:06.920
<v Speaker 2>They have a whole, a whole section of Blue River.

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00:23:07.039 --> 00:23:08.000
<v Speaker 14>I was gonna say that.

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<v Speaker 2>You just beat me to it.

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<v Speaker 4>Killed kilts and key chains.

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<v Speaker 2>And blue being being being of part, you know, part

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<v Speaker 2>Scottish descent. You know, I've got a whole trophy case

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<v Speaker 2>of those.

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<v Speaker 14>Are they all blue?

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<v Speaker 2>Neil, I'll never tell.

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<v Speaker 4>That's for another show.

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<v Speaker 2>One that was that was a loaded question. I justn't know.

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<v Speaker 2>It's a family show. I'm going to stop right there.

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<v Speaker 4>Yep, And if we haven't scared Linda off yet, we're

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<v Speaker 4>gonna try.

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<v Speaker 6>The song reminded me of you know, the World Cup

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00:23:49.039 --> 00:23:52.960
<v Speaker 6>is going on now and the Scots keep drinking Boston dry.

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00:23:53.359 --> 00:23:56.559
<v Speaker 2>Yes you want to.

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<v Speaker 4>They came over on except for the bud light. Except

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<v Speaker 4>the bud light. They have bud light light, Yes they would.

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00:24:04.000 --> 00:24:06.200
<v Speaker 2>Yeah, so last week we did.

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<v Speaker 1>Brian hates the bagpipes, and so I went to the

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00:24:08.960 --> 00:24:12.279
<v Speaker 1>other side of the coin where we have scotsman but

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<v Speaker 1>no bagpipes, and there you go, say thank you, Brian,

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00:24:17.920 --> 00:24:18.240
<v Speaker 1>thank you.

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<v Speaker 4>All Right, we're gonna take a real quick break and

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<v Speaker 4>we're gonna be back with more. So go hit the

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00:24:26.000 --> 00:24:28.839
<v Speaker 4>restroom while you can and get another round, then join

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<v Speaker 4>us in a few minutes. We'll be right back. Hudson

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<v Speaker 4>River Radio dot Com. Your dad likes us.

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<v Speaker 5>This concludes the first part of this cassette.

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<v Speaker 4>Please turn the cassette over and begin again on side

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<v Speaker 4>to Hudson River Radio dot Com and welcome back. So uh,

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<v Speaker 4>I'm partial to old fashions myself. I have to admit,

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<v Speaker 4>you know, I.

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<v Speaker 14>Tried to.

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00:25:00.039 --> 00:25:05.000
<v Speaker 4>Ever had never had heard about need to try, so

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00:25:05.480 --> 00:25:07.599
<v Speaker 4>that that's kind of my default, that a nice porter

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00:25:07.680 --> 00:25:09.519
<v Speaker 4>of stout, something along those lines. I'm not a big

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00:25:09.559 --> 00:25:10.119
<v Speaker 4>beer drinker.

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00:25:10.200 --> 00:25:12.640
<v Speaker 1>I like the dark beer, the stouts.

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00:25:12.680 --> 00:25:13.200
<v Speaker 9>I like those.

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00:25:13.400 --> 00:25:14.519
<v Speaker 4>I would rather go with those.

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00:25:14.640 --> 00:25:14.799
<v Speaker 2>You know.

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00:25:14.799 --> 00:25:16.799
<v Speaker 4>I have a lot of friends that love the I

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00:25:16.920 --> 00:25:19.319
<v Speaker 4>pas and all that, and they smell like paint thinner

409
00:25:19.359 --> 00:25:20.400
<v Speaker 4>to me. I can't even try.

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00:25:21.319 --> 00:25:25.359
<v Speaker 2>I retired. I retired before all that I PA stuff

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00:25:25.440 --> 00:25:29.039
<v Speaker 2>came out. Yeah it was. It was never you know,

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00:25:29.240 --> 00:25:32.160
<v Speaker 2>it was it was imported beer, but not not, you know,

413
00:25:32.400 --> 00:25:35.599
<v Speaker 2>so I missed out on a whole Well.

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00:25:35.680 --> 00:25:38.279
<v Speaker 4>I like the crappier places, like checking out the breweries

415
00:25:38.279 --> 00:25:40.799
<v Speaker 4>and all that, you know, just just checking out how

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00:25:40.839 --> 00:25:42.680
<v Speaker 4>it's done and checking out the local business kind of

417
00:25:42.720 --> 00:25:45.279
<v Speaker 4>thing that I like. But yeah, I'm not big on

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00:25:45.359 --> 00:25:48.960
<v Speaker 4>all the all the weird smelling stuff. I don't know.

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<v Speaker 4>All right, Linda, get me out of this hole. What

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00:25:52.839 --> 00:25:53.400
<v Speaker 4>do you drink?

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00:25:54.480 --> 00:25:54.640
<v Speaker 13>Oh?

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00:25:54.839 --> 00:25:55.119
<v Speaker 2>Sure?

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<v Speaker 14>Sure?

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00:25:56.000 --> 00:25:59.880
<v Speaker 6>Well I had about two hours notice for this, Joe,

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00:26:00.200 --> 00:26:03.400
<v Speaker 6>uh huh, And I was like, what do I know

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00:26:03.480 --> 00:26:04.640
<v Speaker 6>about drinking songs?

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00:26:04.759 --> 00:26:08.839
<v Speaker 7>Rocking about? What I do know is my wheelhouse is

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00:26:08.960 --> 00:26:10.200
<v Speaker 7>the thirties and forties.

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00:26:10.440 --> 00:26:14.799
<v Speaker 6>So I said to Brian, look, I've got a really

430
00:26:15.079 --> 00:26:18.559
<v Speaker 6>favorite drinking song if you don't mind something from the forties,

431
00:26:18.640 --> 00:26:22.640
<v Speaker 6>So he said, go with it. So I am cocktails

432
00:26:22.759 --> 00:26:26.640
<v Speaker 6>for two, but not just any version. The song was

433
00:26:26.720 --> 00:26:31.440
<v Speaker 6>originally written by Arthur Johnson and Sam Coslow, and it

434
00:26:31.680 --> 00:26:36.480
<v Speaker 6>debuted in the nineteen thirty four movie Murder at the Vanities,

435
00:26:36.640 --> 00:26:40.240
<v Speaker 6>which was a pre code musical if.

436
00:26:40.200 --> 00:26:45.480
<v Speaker 7>You know what that means, yes, anything goes essentially.

437
00:26:47.000 --> 00:26:53.359
<v Speaker 6>It was performed by Danish actor singer Carl Brisson, who,

438
00:26:53.680 --> 00:26:58.279
<v Speaker 6>before he became an actor singer, was a European champion

439
00:26:58.480 --> 00:27:03.119
<v Speaker 6>prize fighter, so that was a nice transition. Stopped getting

440
00:27:03.160 --> 00:27:06.160
<v Speaker 6>punched in the face and got to do, you know,

441
00:27:06.640 --> 00:27:13.000
<v Speaker 6>musicals with attractive women. Also in this movie was a

442
00:27:13.160 --> 00:27:17.799
<v Speaker 6>song performed by Gertrude Michael called Sweet Marijuana.

443
00:27:18.640 --> 00:27:20.559
<v Speaker 7>But that's probably for another show.

444
00:27:20.759 --> 00:27:26.880
<v Speaker 6>I'll be back when you do the Okay marijuana pace shows.

445
00:27:28.960 --> 00:27:32.799
<v Speaker 6>Also in nineteen thirty four, Duke Ellington did a wildly

446
00:27:32.960 --> 00:27:36.440
<v Speaker 6>popular version of it. It was the second biggest hit

447
00:27:36.880 --> 00:27:41.000
<v Speaker 6>of nineteen thirty four. Tommy Dorsey did a swing version

448
00:27:41.079 --> 00:27:44.640
<v Speaker 6>in thirty eight. Bing Crosby had a very popular version

449
00:27:44.720 --> 00:27:49.279
<v Speaker 6>in nineteen fifty five, and in nineteen sixty one Ray

450
00:27:49.480 --> 00:27:53.680
<v Speaker 6>Charles and Betty Carter did a very nice version of it,

451
00:27:53.960 --> 00:27:57.400
<v Speaker 6>so it was kind of an old standard. But by

452
00:27:57.599 --> 00:28:01.799
<v Speaker 6>far and away, my favorite version, because I'm a little twisted,

453
00:28:02.519 --> 00:28:04.400
<v Speaker 6>is from nineteen forty four.

454
00:28:04.799 --> 00:28:08.799
<v Speaker 7>The Spike Jones and his City Slickers.

455
00:28:08.440 --> 00:28:11.240
<v Speaker 14>Version my favorite two all right.

456
00:28:12.200 --> 00:28:16.880
<v Speaker 6>Carl Grayson did the vocals. Spike Jones was born in

457
00:28:17.039 --> 00:28:23.000
<v Speaker 6>nineteen eleven as Lindley Armstrong Jones, but he was as

458
00:28:23.279 --> 00:28:27.279
<v Speaker 6>thin as a railroad spike, so that's how he got

459
00:28:27.359 --> 00:28:32.519
<v Speaker 6>his name. At a young age, a railroad chef taught

460
00:28:32.599 --> 00:28:35.599
<v Speaker 6>him how to play music on pots and pens and.

461
00:28:35.880 --> 00:28:37.720
<v Speaker 7>Forks and spoons, so.

462
00:28:39.200 --> 00:28:42.839
<v Speaker 6>He had an interesting ear for percussion instruments at a

463
00:28:43.079 --> 00:28:49.519
<v Speaker 6>very early age. We all know about music appreciation. Well,

464
00:28:49.839 --> 00:28:53.599
<v Speaker 6>he started touring the country with what he called his

465
00:28:53.920 --> 00:28:56.480
<v Speaker 6>musical depreciation review.

466
00:28:57.359 --> 00:29:03.559
<v Speaker 7>And spoof songs. He really, you know, weird. Al Yankovic

467
00:29:03.839 --> 00:29:08.079
<v Speaker 7>is the modern day version of.

468
00:29:09.119 --> 00:29:12.079
<v Speaker 6>Spike Jones, but Spike Jones was really the one who

469
00:29:12.519 --> 00:29:13.559
<v Speaker 6>I think pretty much.

470
00:29:13.480 --> 00:29:14.279
<v Speaker 7>Started it all.

471
00:29:15.720 --> 00:29:20.319
<v Speaker 6>His first big spoof hit was Defurro's Face, and he

472
00:29:20.519 --> 00:29:23.799
<v Speaker 6>thought it's a flash in the pen, it will fade,

473
00:29:23.960 --> 00:29:27.200
<v Speaker 6>but people just kept asking for more and more. So

474
00:29:27.440 --> 00:29:32.920
<v Speaker 6>in forty four, they did their version of Cocktails for two.

475
00:29:33.200 --> 00:29:37.559
<v Speaker 6>It was number four on the charts and the writer

476
00:29:37.920 --> 00:29:43.319
<v Speaker 6>Sam Coslow he hated this version what Spike Jones did

477
00:29:43.400 --> 00:29:45.920
<v Speaker 6>to it, but he hated it all the way to

478
00:29:46.039 --> 00:29:50.720
<v Speaker 6>the bank because he made a butt load of royalties

479
00:29:50.920 --> 00:29:54.119
<v Speaker 6>off of it. And believe it or not, in nineteen

480
00:29:54.279 --> 00:29:58.880
<v Speaker 6>and excuse me, twenty twenty six, this song was selected

481
00:29:58.920 --> 00:30:03.759
<v Speaker 6>by the Library of Congress to enter the National Recording

482
00:30:04.119 --> 00:30:11.720
<v Speaker 6>Registry as a cultural, historical or esthetic importance in the

483
00:30:11.920 --> 00:30:14.640
<v Speaker 6>nation's recording sound heritage.

484
00:30:15.920 --> 00:30:19.839
<v Speaker 7>What why don't we play it?

485
00:30:20.039 --> 00:30:20.200
<v Speaker 3>Now?

486
00:30:33.599 --> 00:30:43.920
<v Speaker 10>Be given the right once again, respectively, King like several

487
00:30:44.359 --> 00:30:45.599
<v Speaker 10>days and then.

488
00:30:50.160 --> 00:30:51.519
<v Speaker 2>No longer.

489
00:30:56.440 --> 00:30:58.960
<v Speaker 4>Charming scene line.

490
00:31:04.119 --> 00:31:12.559
<v Speaker 15>In some secluded run that overlooks the avenue with someone

491
00:31:12.640 --> 00:31:18.559
<v Speaker 15>sharing a delight chaplenge this bad cocktails batoon as we

492
00:31:18.799 --> 00:31:25.119
<v Speaker 15>enjoy a cigarette to some exquisite chancel. No, two hands

493
00:31:25.119 --> 00:31:30.319
<v Speaker 15>are sure too slyly me need the servian with cocktails platoon.

494
00:31:31.400 --> 00:31:33.279
<v Speaker 4>My head made a gread.

495
00:31:34.559 --> 00:31:37.359
<v Speaker 13>But my heart will be all The idiot.

496
00:31:37.720 --> 00:31:45.039
<v Speaker 15>With intoxicated kiss is for the principle ingredients. Mosteady afternoon

497
00:31:45.119 --> 00:31:50.440
<v Speaker 15>at five, we'll be so glad we're both alive. Then

498
00:31:50.519 --> 00:31:52.839
<v Speaker 15>maybe fortune will complete plan.

499
00:31:53.160 --> 00:31:56.200
<v Speaker 7>That all began with cocktails, balloon.

500
00:32:01.079 --> 00:32:02.920
<v Speaker 2>Leto letop.

501
00:32:35.839 --> 00:32:43.799
<v Speaker 15>Most any afternoon at fin we'll be so glad we're

502
00:32:43.920 --> 00:32:44.759
<v Speaker 15>both alive.

503
00:32:48.400 --> 00:32:56.039
<v Speaker 13>Then maybe fortune will complete her plan at all began

504
00:32:57.359 --> 00:32:59.519
<v Speaker 13>with concass.

505
00:33:07.720 --> 00:33:09.559
<v Speaker 7>Isn't that the ultimate drinking song?

506
00:33:10.279 --> 00:33:15.599
<v Speaker 14>Yeah, I had to tie in some rock and roll history.

507
00:33:17.160 --> 00:33:18.920
<v Speaker 2>I think somebody spiked their drinking.

508
00:33:19.119 --> 00:33:21.000
<v Speaker 7>Yes, definitely.

509
00:33:21.680 --> 00:33:25.440
<v Speaker 6>Spike was a huge influence on of course, Weird Out,

510
00:33:25.920 --> 00:33:30.319
<v Speaker 6>Frank Zappa, Elvis Costello, the band, The list goes on

511
00:33:30.480 --> 00:33:33.960
<v Speaker 6>and on a very heavy influence on Oingo Boingo.

512
00:33:34.559 --> 00:33:41.440
<v Speaker 14>So you know, rock and roll history is not didn't

513
00:33:41.960 --> 00:33:45.519
<v Speaker 14>didn't come out of uh nowhere.

514
00:33:45.880 --> 00:33:51.400
<v Speaker 4>It had precedence and absolutely absolutely to do something silly

515
00:33:51.559 --> 00:33:54.119
<v Speaker 4>like that or funny is so much harder than it sounds.

516
00:33:54.200 --> 00:33:57.519
<v Speaker 4>It takes such skill to make it sound so informal

517
00:33:57.640 --> 00:34:00.599
<v Speaker 4>and loose, but it's tough to end. They were doing

518
00:34:00.640 --> 00:34:03.079
<v Speaker 4>that in the days of opera. Mozart wrote stuff that

519
00:34:03.200 --> 00:34:05.839
<v Speaker 4>was funny, you know, and to pull that off is

520
00:34:05.920 --> 00:34:06.359
<v Speaker 4>not easy.

521
00:34:07.119 --> 00:34:10.559
<v Speaker 2>Well, that particular recording too, that was done way before

522
00:34:10.719 --> 00:34:14.239
<v Speaker 2>you know, any kind of digital editing or sampling. They

523
00:34:14.280 --> 00:34:18.800
<v Speaker 2>had to do that pretty much on the fly live No, Yeah,

524
00:34:18.960 --> 00:34:22.599
<v Speaker 2>you're on yeah, luck, Yeah, so what I mean, Yeah,

525
00:34:23.400 --> 00:34:26.440
<v Speaker 2>it was a lot harder to create than you know

526
00:34:26.559 --> 00:34:28.639
<v Speaker 2>now you think, oh yeah, you're just you know, cutt

527
00:34:28.679 --> 00:34:31.519
<v Speaker 2>and paste and pro too. They didn't have that stuff.

528
00:34:31.559 --> 00:34:36.280
<v Speaker 1>Oh I missed up that hiccup too over yeah yeah yeah.

529
00:34:36.320 --> 00:34:38.400
<v Speaker 2>And if you screwed up the very last hiccup, you

530
00:34:38.480 --> 00:34:40.960
<v Speaker 2>had to do the whole thing. Yeah.

531
00:34:43.360 --> 00:34:45.880
<v Speaker 5>It was up on Cripple Creek by the band that

532
00:34:46.159 --> 00:34:50.159
<v Speaker 5>refers to that song right in the lyrics. Yes, yeah,

533
00:34:50.480 --> 00:34:51.960
<v Speaker 5>where she says I I.

534
00:34:54.400 --> 00:34:55.880
<v Speaker 2>Spike Jones on the box.

535
00:34:56.360 --> 00:34:59.920
<v Speaker 5>Yeah, but she says I, I oh the way he plays,

536
00:35:00.079 --> 00:35:01.960
<v Speaker 5>but I love the way I love to hear it.

537
00:35:02.039 --> 00:35:02.679
<v Speaker 10>Hear it talk.

538
00:35:02.840 --> 00:35:05.480
<v Speaker 7>Yeah yeah, yeah.

539
00:35:07.719 --> 00:35:12.599
<v Speaker 6>So you know that's sorry rock and roll history fans,

540
00:35:12.679 --> 00:35:13.440
<v Speaker 6>but that's my call.

541
00:35:13.639 --> 00:35:14.360
<v Speaker 4>It was perfect.

542
00:35:14.480 --> 00:35:17.840
<v Speaker 2>That's awesome. That's one of my favorites.

543
00:35:17.920 --> 00:35:19.679
<v Speaker 1>I was so happy when I saw that you were

544
00:35:19.760 --> 00:35:20.119
<v Speaker 1>doing this.

545
00:35:20.599 --> 00:35:27.000
<v Speaker 4>Excellent. All right, thank you, Linda Mercedes. Your turn. Oh boy,

546
00:35:28.480 --> 00:35:29.480
<v Speaker 4>you know it's going to be good.

547
00:35:31.079 --> 00:35:35.199
<v Speaker 5>Well, I am taking this in a whole different direction,

548
00:35:35.719 --> 00:35:38.119
<v Speaker 5>and I'm not going to apologize for it. By the way,

549
00:35:39.360 --> 00:35:40.679
<v Speaker 5>I really liked this song.

550
00:35:41.239 --> 00:35:42.400
<v Speaker 4>Did anybody ask.

551
00:35:43.519 --> 00:35:46.800
<v Speaker 5>Well, I'm just defending myself before you start in all right,

552
00:35:46.880 --> 00:35:50.559
<v Speaker 5>fair enough. I heard the song in a step of

553
00:35:50.639 --> 00:35:54.079
<v Speaker 5>Robi's class of all places, and insisted that the teacher

554
00:35:54.119 --> 00:35:56.440
<v Speaker 5>play it all the time because the music he typically

555
00:35:56.559 --> 00:35:59.480
<v Speaker 5>plays is super fast and sometimes I can't keep up,

556
00:36:00.920 --> 00:36:06.920
<v Speaker 5>So that became my song in the class. It is

557
00:36:07.000 --> 00:36:09.320
<v Speaker 5>not a genre that I would typically go for, but

558
00:36:10.159 --> 00:36:14.119
<v Speaker 5>now I just really like it. Hibouzi, Who's the artist,

559
00:36:14.360 --> 00:36:22.719
<v Speaker 5>was born Collins Obina Chibueise in nineteen ninety five to

560
00:36:22.880 --> 00:36:27.320
<v Speaker 5>Nigerian parents. His stage name comes from a childhood nickname

561
00:36:27.400 --> 00:36:30.079
<v Speaker 5>that began when his high school football coach at Virginia

562
00:36:30.199 --> 00:36:34.719
<v Speaker 5>mispronounced his Nigerian last name and wrote Shaboozi on his helmet.

563
00:36:35.519 --> 00:36:39.360
<v Speaker 5>Chibwese is an Igboo word that means God is king.

564
00:36:40.639 --> 00:36:44.599
<v Speaker 5>His music combines country, Americana and hip hop. The song

565
00:36:44.800 --> 00:36:47.480
<v Speaker 5>we are talking about today is a bar song, and

566
00:36:47.599 --> 00:36:52.960
<v Speaker 5>then in parentheses Tipsy, which spent nineteen weeks on top

567
00:36:53.039 --> 00:36:57.800
<v Speaker 5>of the Billboard Hot one hundred, tied with Little Nazex's

568
00:36:58.079 --> 00:37:00.920
<v Speaker 5>Old Town Road. I know you all familiar with that

569
00:37:02.280 --> 00:37:05.800
<v Speaker 5>as then as the then longest running Hot one hundred

570
00:37:05.920 --> 00:37:11.239
<v Speaker 5>top Hot one hundred number one song of all Time.

571
00:37:12.360 --> 00:37:16.440
<v Speaker 5>Chibuz Chubwezi was born and raised in Why do I

572
00:37:16.559 --> 00:37:17.800
<v Speaker 5>keep pronouncing that differently?

573
00:37:18.360 --> 00:37:18.559
<v Speaker 2>Good?

574
00:37:18.679 --> 00:37:20.880
<v Speaker 4>That's what the coach did and just wrote it down

575
00:37:21.000 --> 00:37:21.880
<v Speaker 4>wrong and the helmet.

576
00:37:22.920 --> 00:37:26.360
<v Speaker 5>He was born and raised in Woodbridge, Virginia r Junior

577
00:37:26.440 --> 00:37:28.480
<v Speaker 5>High School. He spent two years at a boarding school

578
00:37:28.559 --> 00:37:31.559
<v Speaker 5>in Nigeria and then graduated high school in the US.

579
00:37:32.239 --> 00:37:35.840
<v Speaker 5>Although he originally aspired to be a writer, in twenty fourteen,

580
00:37:36.000 --> 00:37:39.960
<v Speaker 5>Chaboozi founded V Picture Films, a film production company, with

581
00:37:40.079 --> 00:37:43.519
<v Speaker 5>the goal of becoming a writer, director, and producer. In

582
00:37:43.840 --> 00:37:48.480
<v Speaker 5>twenty eighteen, Chaboozi was asked by Duckworth, an American rapper

583
00:37:48.639 --> 00:37:52.000
<v Speaker 5>who I'm sure you're familiar with, to sing the hook

584
00:37:52.119 --> 00:37:54.880
<v Speaker 5>for the song Start a Riot. It went so well

585
00:37:54.960 --> 00:37:57.599
<v Speaker 5>that Shaboozi was also asked to sing the second verse.

586
00:37:58.320 --> 00:38:02.440
<v Speaker 5>The song, released in December twenty eighteen, was included in

587
00:38:02.519 --> 00:38:05.880
<v Speaker 5>the soundtrack to Spider Man Into the Spider Verse and

588
00:38:06.239 --> 00:38:11.679
<v Speaker 5>led to national recognition for Shaboozi. In January twenty twenty four,

589
00:38:11.800 --> 00:38:14.360
<v Speaker 5>he was asked to sing a bar song with Beyonce

590
00:38:14.599 --> 00:38:17.480
<v Speaker 5>after she heard the then unreleased song, and it was

591
00:38:17.599 --> 00:38:22.360
<v Speaker 5>released on her twenty twenty four album Cowboy Carter Chaboozi

592
00:38:22.400 --> 00:38:25.119
<v Speaker 5>has told reporters that he was exposed to country music

593
00:38:25.199 --> 00:38:30.280
<v Speaker 5>by his Nigerian father, who quote unquote embodies Americana while

594
00:38:30.400 --> 00:38:33.119
<v Speaker 5>holding on to his roots. He also said that he

595
00:38:33.199 --> 00:38:36.360
<v Speaker 5>was inspired by his father's cowboy style of dress and

596
00:38:36.519 --> 00:38:40.119
<v Speaker 5>love of country music. There's something really endearing I find

597
00:38:40.239 --> 00:38:44.800
<v Speaker 5>about that. The opening line sets up the story, my

598
00:38:44.920 --> 00:38:48.039
<v Speaker 5>baby want a burken She's been telling me all night long.

599
00:38:48.199 --> 00:38:50.599
<v Speaker 5>This of course refers to the Burken bag, which is

600
00:38:50.679 --> 00:38:54.639
<v Speaker 5>a status symbol with prices ranging from ten thousand dollars

601
00:38:54.719 --> 00:38:56.599
<v Speaker 5>to five hundred thousand dollars.

602
00:38:56.840 --> 00:39:01.920
<v Speaker 4>That's ridiculous. It's a big ridiculous. That's ridiculous.

603
00:39:02.519 --> 00:39:04.760
<v Speaker 14>What's What's it made out of diamonds?

604
00:39:05.199 --> 00:39:06.039
<v Speaker 5>Now, it's just leather.

605
00:39:06.559 --> 00:39:10.239
<v Speaker 4>But it was partly, Uh, it was unicorn.

606
00:39:11.719 --> 00:39:18.199
<v Speaker 5>It's Hermes, the designer and Jane Berkin, the actress, came

607
00:39:18.280 --> 00:39:20.039
<v Speaker 5>together to design this bag.

608
00:39:20.679 --> 00:39:22.679
<v Speaker 2>I don't know. It's a very big deal.

609
00:39:23.199 --> 00:39:23.880
<v Speaker 4>Ridiculous.

610
00:39:25.280 --> 00:39:28.159
<v Speaker 5>So the character in the song decides, because he's never

611
00:39:28.239 --> 00:39:30.239
<v Speaker 5>going to be able to afford one, to stop working

612
00:39:30.320 --> 00:39:32.159
<v Speaker 5>his butt off and go drinking with his friends.

613
00:39:32.559 --> 00:39:33.159
<v Speaker 4>Good for him.

614
00:39:34.599 --> 00:39:36.360
<v Speaker 14>Let's hear a bar song.

615
00:39:45.599 --> 00:39:47.280
<v Speaker 8>Baby found burkey.

616
00:39:48.079 --> 00:39:53.760
<v Speaker 16>She's been telling me all my lost.

617
00:39:52.760 --> 00:40:00.960
<v Speaker 8>Grouse lease go songs five, work moody, hell do our

618
00:40:01.079 --> 00:40:05.639
<v Speaker 8>work so hard? I can't very bound my problem. I

619
00:40:05.760 --> 00:40:09.400
<v Speaker 8>can't tell you hey go when I'm gonna one.

620
00:40:09.519 --> 00:40:11.000
<v Speaker 4>Here, here comes two.

621
00:40:11.079 --> 00:40:14.239
<v Speaker 8>Set the three to the far, sell them bringing another rout.

622
00:40:14.400 --> 00:40:16.880
<v Speaker 8>We need to let anymore thro stepping on the table.

623
00:40:17.000 --> 00:40:20.960
<v Speaker 8>She don't need to dance for Oh mind, good lord,

624
00:40:21.320 --> 00:40:23.760
<v Speaker 8>say I'm gonna come here with a double shot of whiskey.

625
00:40:24.400 --> 00:40:24.960
<v Speaker 1>They't what mean?

626
00:40:25.159 --> 00:40:26.840
<v Speaker 10>Jack Damn's gotta his street.

627
00:40:27.360 --> 00:40:31.960
<v Speaker 16>There's a party downtown near Fifth Street. Everybody had the barget.

628
00:40:36.320 --> 00:40:43.840
<v Speaker 16>Everybody had the barkin. Everybody had the barget.

629
00:40:45.199 --> 00:40:47.880
<v Speaker 8>I've been bully since I left. I ain't changing fortune.

630
00:40:48.079 --> 00:40:52.280
<v Speaker 8>Tell my mind, I forget wat trunk. At ten am,

631
00:40:52.519 --> 00:40:54.920
<v Speaker 8>we gonna do this begin Tell your girl to bring

632
00:40:55.000 --> 00:40:58.760
<v Speaker 8>a friend. Oh lord, one here comes two, to the

633
00:40:58.840 --> 00:41:01.679
<v Speaker 8>three to the part. Tell them bring another round.

634
00:41:01.800 --> 00:41:02.719
<v Speaker 1>We need to any more.

635
00:41:02.920 --> 00:41:05.719
<v Speaker 8>Don't stepping on the table. She don't need a dance floor.

636
00:41:06.320 --> 00:41:09.760
<v Speaker 8>Oh my good lord, some I'm gonna put me up

637
00:41:09.800 --> 00:41:11.000
<v Speaker 8>a double shadow.

638
00:41:10.800 --> 00:41:14.320
<v Speaker 10>His son say on me and Jack Dale's gotta his streets.

639
00:41:14.760 --> 00:41:18.840
<v Speaker 16>There's a party downtown near fifth Streets. Everybody had the.

640
00:41:18.880 --> 00:41:20.519
<v Speaker 10>Bar get test Street.

641
00:41:23.719 --> 00:41:25.719
<v Speaker 8>Everybody had to bargain tip.

642
00:41:29.679 --> 00:41:32.159
<v Speaker 16>Everybody had the bargain tips ships.

643
00:41:32.199 --> 00:41:35.360
<v Speaker 4>Fine, he comes the two to the three to the four.

644
00:41:35.880 --> 00:41:38.039
<v Speaker 8>When this last call in, the chickens out of the

645
00:41:38.159 --> 00:41:40.960
<v Speaker 8>dark skin kind of lay. But the ladies want some

646
00:41:41.119 --> 00:41:45.880
<v Speaker 8>morn Oh my good lord, tell him drink something some

647
00:41:45.880 --> 00:41:48.039
<v Speaker 8>I'm gonna put me up a double shadow.

648
00:41:47.760 --> 00:41:51.199
<v Speaker 16>With shoe they on me and Jack Dale's got a history.

649
00:41:51.800 --> 00:41:55.719
<v Speaker 8>There's a party downtown near Fifth Street. Everybody he had

650
00:41:55.760 --> 00:41:57.760
<v Speaker 8>the barket test some.

651
00:41:57.800 --> 00:41:59.519
<v Speaker 16>I'm gonna come me up a double shadow.

652
00:41:59.639 --> 00:42:23.800
<v Speaker 5>Listen, So the line is everybody at the bar getting tipsy.

653
00:42:23.960 --> 00:42:26.320
<v Speaker 5>I really thought it was everybody at the bar can

654
00:42:26.440 --> 00:42:33.679
<v Speaker 5>kiss me? Visual to me, it's hilarious. I find this

655
00:42:33.800 --> 00:42:36.760
<v Speaker 5>song fascinating because the song has a cross has crossover

656
00:42:36.800 --> 00:42:39.599
<v Speaker 5>appeal obviously, and give me played for a wide demographic.

657
00:42:40.159 --> 00:42:42.280
<v Speaker 5>It flows like a hip hop song and sounds like

658
00:42:42.360 --> 00:42:45.760
<v Speaker 5>a pop country song. Which which is which are the

659
00:42:45.840 --> 00:42:50.800
<v Speaker 5>two most popular genres of the US. Apparently, Yeah, apparently

660
00:42:50.920 --> 00:42:55.920
<v Speaker 5>he was influenced by again Little Naza's ex song Old

661
00:42:56.039 --> 00:42:58.320
<v Speaker 5>Town Road and if you remember.

662
00:42:58.079 --> 00:43:00.679
<v Speaker 4>That one, I couldn't escape it. Whether you liked it

663
00:43:00.800 --> 00:43:00.960
<v Speaker 4>or not.

664
00:43:02.039 --> 00:43:04.159
<v Speaker 14>Yeah, I have no idea what it is actually.

665
00:43:05.519 --> 00:43:08.039
<v Speaker 4>There are so many versions of it out there, and

666
00:43:08.159 --> 00:43:12.519
<v Speaker 4>it was just you try to avoid it. And I

667
00:43:12.639 --> 00:43:15.320
<v Speaker 4>had not heard it until Yeah, once was enough. Writing

668
00:43:15.400 --> 00:43:18.159
<v Speaker 4>this up once or twice was enough, and then that

669
00:43:18.280 --> 00:43:18.679
<v Speaker 4>was enough.

670
00:43:20.239 --> 00:43:24.480
<v Speaker 5>That song, like I said, spent little Naza song spent

671
00:43:24.719 --> 00:43:28.280
<v Speaker 5>seventeen sorry nineteen weeks on the Billboard Top one hundred,

672
00:43:28.320 --> 00:43:31.039
<v Speaker 5>and Billboard reports that a bar song is the first

673
00:43:31.079 --> 00:43:34.679
<v Speaker 5>single to crack the top ten on the magazines. I

674
00:43:34.760 --> 00:43:38.880
<v Speaker 5>don't know any of these magazines pop airplay, Country airplay,

675
00:43:39.480 --> 00:43:43.960
<v Speaker 5>Adult pop airplay, and rhythmic airplay charts. In those last

676
00:43:44.000 --> 00:43:47.400
<v Speaker 5>two formats are stations that play current pop for adult

677
00:43:47.519 --> 00:43:50.599
<v Speaker 5>audiences and those that play a mix of R and B,

678
00:43:50.800 --> 00:43:55.280
<v Speaker 5>rap and dance respectively. I don't know. There's a ton

679
00:43:55.400 --> 00:43:58.519
<v Speaker 5>of YouTube videos demonstrating the dance for this song. So

680
00:43:58.599 --> 00:44:02.039
<v Speaker 5>if anybody wants to go thine dancing with me sometime,

681
00:44:02.159 --> 00:44:03.840
<v Speaker 5>let me know because I've been working on it.

682
00:44:05.239 --> 00:44:07.199
<v Speaker 4>Good to know, all right.

683
00:44:09.360 --> 00:44:12.360
<v Speaker 5>If you I read somewhere that if you you know

684
00:44:12.519 --> 00:44:15.760
<v Speaker 5>in song facts, I think it was if you google shaboozy,

685
00:44:15.920 --> 00:44:21.639
<v Speaker 5>that the screen will tilt because it's tipsy. It didn't

686
00:44:21.679 --> 00:44:25.519
<v Speaker 5>work for me, but I think that's a very cool idea. Anyway,

687
00:44:25.639 --> 00:44:26.199
<v Speaker 5>how do you like me?

688
00:44:26.320 --> 00:44:26.519
<v Speaker 10>Now?

689
00:44:27.920 --> 00:44:31.639
<v Speaker 4>I like country. I'm probably more a country fan than

690
00:44:31.719 --> 00:44:34.639
<v Speaker 4>any of the Cranbones. I know, Linda runs away when

691
00:44:34.679 --> 00:44:36.920
<v Speaker 4>you say grand ol Opry, she goes no and goes

692
00:44:36.960 --> 00:44:41.039
<v Speaker 4>running in the other directions. Same same, Yeah, it's a

693
00:44:41.119 --> 00:44:43.360
<v Speaker 4>catchy song. What kills it for me is that it's

694
00:44:43.400 --> 00:44:47.159
<v Speaker 4>auto tuned to perfection and it just robs it of

695
00:44:48.000 --> 00:44:51.119
<v Speaker 4>the musicality for me. You know, it's a catchy song,

696
00:44:51.280 --> 00:44:53.599
<v Speaker 4>it's it's easy to learn. That's the kind of song

697
00:44:53.679 --> 00:44:55.840
<v Speaker 4>that you can just jam on. Anybody could pick up

698
00:44:55.840 --> 00:44:58.920
<v Speaker 4>a guitar, four chords and it's a lot of fun.

699
00:44:59.079 --> 00:45:04.000
<v Speaker 4>But that production is just too perfected for me. That's

700
00:45:04.119 --> 00:45:06.280
<v Speaker 4>That's kind of what the only negative thing I would

701
00:45:06.320 --> 00:45:08.119
<v Speaker 4>have to say about it fair.

702
00:45:08.719 --> 00:45:10.320
<v Speaker 5>It's it's good for a step class.

703
00:45:11.440 --> 00:45:14.199
<v Speaker 4>I'm telling you that is like, you know, Linda runs

704
00:45:14.239 --> 00:45:16.840
<v Speaker 4>away from opry. Guess what I run away from? So

705
00:45:17.519 --> 00:45:18.559
<v Speaker 4>we don't have to worry about that.

706
00:45:18.760 --> 00:45:20.639
<v Speaker 2>Shouldn't it be for a twelve step.

707
00:45:25.840 --> 00:45:30.000
<v Speaker 5>So everybody in the bar can kiss me? That's all

708
00:45:30.039 --> 00:45:30.559
<v Speaker 5>I had to say.

709
00:45:30.760 --> 00:45:34.440
<v Speaker 4>What you wish for Get Your Bird bathkeet in Line.

710
00:45:36.880 --> 00:45:38.519
<v Speaker 4>All right, that was a good one.

711
00:45:38.559 --> 00:45:39.400
<v Speaker 2>I do like that song.

712
00:45:39.559 --> 00:45:42.239
<v Speaker 4>So all right, thanks Mercedes. One more quick break and

713
00:45:42.320 --> 00:45:44.679
<v Speaker 4>we have one more selection to go, so stick around.

714
00:45:45.079 --> 00:45:47.199
<v Speaker 7>This is Hudson River Radio dot Com.

715
00:45:52.840 --> 00:45:58.199
<v Speaker 4>Hudson Riverradio dot Com. All right, I'm going back early,

716
00:45:58.320 --> 00:46:00.400
<v Speaker 4>not quite as early as Linda, but we're going to

717
00:46:00.440 --> 00:46:02.440
<v Speaker 4>go back to the nineteen fifties. We're going to be

718
00:46:02.519 --> 00:46:06.679
<v Speaker 4>talking about Joseph Amos Milburn, who was born in Houston,

719
00:46:06.760 --> 00:46:11.400
<v Speaker 4>Texas in nineteen twenty seven. One of thirteen kids. That's

720
00:46:11.639 --> 00:46:15.840
<v Speaker 4>more than two Brady Bunches, two Brady Bunches and an Oliver.

721
00:46:17.239 --> 00:46:20.000
<v Speaker 4>He's from a black family. He started playing the piano

722
00:46:20.079 --> 00:46:23.880
<v Speaker 4>at age five and enlisted in the US Navy at fifteen,

723
00:46:24.039 --> 00:46:27.039
<v Speaker 4>back when they let you do that. He played music

724
00:46:27.119 --> 00:46:30.360
<v Speaker 4>in the service during World War Two, and after being discharged,

725
00:46:30.400 --> 00:46:33.039
<v Speaker 4>he went back to Houston and put together a sixteen

726
00:46:33.079 --> 00:46:36.440
<v Speaker 4>piece band and played the clubs around the city. He

727
00:46:36.559 --> 00:46:39.000
<v Speaker 4>was going by Amos Milburn at this point and he

728
00:46:39.079 --> 00:46:44.360
<v Speaker 4>dropped to Joseph. Milburn's legacy and influence comes from those

729
00:46:44.480 --> 00:46:48.079
<v Speaker 4>years right after World War Two. During the war, sophisticated

730
00:46:48.159 --> 00:46:52.320
<v Speaker 4>jazz combos and the big bands. That's what was popular.

731
00:46:52.440 --> 00:46:57.360
<v Speaker 4>The big band sounds Billie Holliday, Ben Crosby started getting popular,

732
00:46:57.480 --> 00:47:00.840
<v Speaker 4>like the Andrews Sisters with the vocal harmonies. Know Boogie

733
00:47:00.880 --> 00:47:04.079
<v Speaker 4>Woogee b Google Boy, that was a huge hit. Milburn

734
00:47:04.159 --> 00:47:06.519
<v Speaker 4>went a step further into what is called the jump

735
00:47:06.599 --> 00:47:09.960
<v Speaker 4>Blue style, which was louder, It was more energetic, It

736
00:47:10.079 --> 00:47:13.039
<v Speaker 4>was focused more on rhythm, and the singer became the

737
00:47:13.079 --> 00:47:15.920
<v Speaker 4>center of attention. Mostly in big bands, the singer was

738
00:47:16.000 --> 00:47:18.679
<v Speaker 4>just part of the group, kind of stood in line

739
00:47:18.719 --> 00:47:21.400
<v Speaker 4>with everybody else. Now the singer was more out front,

740
00:47:21.559 --> 00:47:22.880
<v Speaker 4>which is kind of what we see in rock and

741
00:47:22.960 --> 00:47:28.000
<v Speaker 4>roll as time goes forward. Milburn's style heavily influenced other musicians,

742
00:47:28.559 --> 00:47:31.239
<v Speaker 4>the most famous of which would be Fats Domino. We've

743
00:47:31.320 --> 00:47:34.039
<v Speaker 4>talked a lot about Fats Domino and how Fats Domino

744
00:47:34.159 --> 00:47:36.880
<v Speaker 4>in turn influenced a lot of early rock and roll

745
00:47:37.039 --> 00:47:39.840
<v Speaker 4>Jerry Lee Lewis and all that kind of stuff. So

746
00:47:40.039 --> 00:47:43.239
<v Speaker 4>from playing in the Houston clubs Amos, Milburn got a

747
00:47:43.320 --> 00:47:47.199
<v Speaker 4>record contract with Aladdin Records in Los Angeles. He recorded

748
00:47:47.320 --> 00:47:50.920
<v Speaker 4>around eighty songs with them. He was very popular playing

749
00:47:50.960 --> 00:47:53.639
<v Speaker 4>around Los Angeles, and he did well on tour with

750
00:47:53.760 --> 00:47:56.840
<v Speaker 4>his full band, and since the style of music was

751
00:47:56.880 --> 00:47:59.559
<v Speaker 4>about energy, having a good time, having lots of fun,

752
00:48:00.039 --> 00:48:01.880
<v Speaker 4>a lot of the songs he did were about drinking

753
00:48:01.960 --> 00:48:06.360
<v Speaker 4>and partying. Because go with what you Know, right, one

754
00:48:06.400 --> 00:48:09.239
<v Speaker 4>of his best songs and best known songs, I should say,

755
00:48:09.320 --> 00:48:11.760
<v Speaker 4>came out in nineteen fifty three. That is the one

756
00:48:11.800 --> 00:48:13.760
<v Speaker 4>we're going to come back to in just a couple minutes.

757
00:48:14.599 --> 00:48:16.840
<v Speaker 4>To be fair, he himself had a good time, but

758
00:48:16.960 --> 00:48:19.559
<v Speaker 4>he did not have a drinking problem. He just sang

759
00:48:19.679 --> 00:48:25.599
<v Speaker 4>about them. He did not really participate, but he was performing.

760
00:48:25.199 --> 00:48:25.679
<v Speaker 2>So there you go.

761
00:48:26.599 --> 00:48:29.280
<v Speaker 4>Now, around that time, while touring, he decided to drop

762
00:48:29.400 --> 00:48:32.559
<v Speaker 4>the band and continue as a solo act. He did

763
00:48:32.639 --> 00:48:35.599
<v Speaker 4>well on tour still, but after about three years of touring,

764
00:48:35.639 --> 00:48:38.239
<v Speaker 4>around nineteen fifty eight, he decided to go back to

765
00:48:38.360 --> 00:48:42.639
<v Speaker 4>Houston and reform the band. Unfortunately, now his style was

766
00:48:42.800 --> 00:48:45.000
<v Speaker 4>kind of falling out of favor because this is when

767
00:48:45.119 --> 00:48:47.800
<v Speaker 4>early rock and roll was starting to really catch on.

768
00:48:48.559 --> 00:48:50.840
<v Speaker 4>Nineteen fifty eight was when Johnny be Good by Chuck

769
00:48:50.880 --> 00:48:54.679
<v Speaker 4>Berry came out Rumble by Link Ray, both of which

770
00:48:54.840 --> 00:48:58.719
<v Speaker 4>put the electric guitar front and center and the piano

771
00:48:58.840 --> 00:49:00.559
<v Speaker 4>was kind of going to the side. The piano and

772
00:49:00.599 --> 00:49:03.480
<v Speaker 4>the saxophone. We're kind of going to the side. The

773
00:49:03.599 --> 00:49:07.199
<v Speaker 4>Everly Brothers came out with new vocal harmonies. Some guy

774
00:49:07.320 --> 00:49:09.760
<v Speaker 4>named Elvis was starting to get popular. I think he

775
00:49:09.880 --> 00:49:12.800
<v Speaker 4>probably did okay for himself as time went on, but

776
00:49:13.039 --> 00:49:17.480
<v Speaker 4>Milburn kept playing. His final recording happened in nineteen seventy seven,

777
00:49:18.159 --> 00:49:20.559
<v Speaker 4>but by then he had suffered a stroke that affected

778
00:49:20.599 --> 00:49:22.800
<v Speaker 4>his left side, so he could only play piano with

779
00:49:22.880 --> 00:49:25.920
<v Speaker 4>his right hand. And what was cool when he was performing,

780
00:49:26.199 --> 00:49:28.440
<v Speaker 4>other people in the band would actually come up and

781
00:49:28.440 --> 00:49:30.559
<v Speaker 4>play the left hand part for him, which is the

782
00:49:30.599 --> 00:49:32.719
<v Speaker 4>bass part and on the piano, So he would be

783
00:49:32.800 --> 00:49:34.800
<v Speaker 4>playing the right hand, he'd be singing, and other people

784
00:49:34.800 --> 00:49:36.760
<v Speaker 4>would walk up and just kind of fill in the

785
00:49:36.840 --> 00:49:39.199
<v Speaker 4>left hand parts, which I think is awesome. That is

786
00:49:39.480 --> 00:49:42.920
<v Speaker 4>musicianship as far as I'm concerned right there. Later on,

787
00:49:43.039 --> 00:49:45.519
<v Speaker 4>he would have a second stroke that resulted in a

788
00:49:45.599 --> 00:49:50.280
<v Speaker 4>leg amputation because of circulation problems, and an unfortunate third

789
00:49:50.320 --> 00:49:53.920
<v Speaker 4>stroke was the fatal one for him. Amos Milburn died

790
00:49:54.000 --> 00:49:57.320
<v Speaker 4>in nineteen eighty at age fifty two and was buried

791
00:49:57.400 --> 00:50:01.679
<v Speaker 4>in the Houston National cemetery now. The famous Milburn song

792
00:50:01.719 --> 00:50:03.239
<v Speaker 4>that We're going to Hear was one that he did

793
00:50:03.320 --> 00:50:06.760
<v Speaker 4>not write himself. It was written by Rudy Toomes, who

794
00:50:06.880 --> 00:50:09.440
<v Speaker 4>wrote a number of songs, mostly in the nineteen fifties.

795
00:50:10.039 --> 00:50:13.360
<v Speaker 4>Rudy himself was murdered in the hallway of his apartment

796
00:50:13.400 --> 00:50:16.599
<v Speaker 4>building in Harlem, kind of cut down in his prime.

797
00:50:16.679 --> 00:50:19.400
<v Speaker 4>Who knows what may have come after. But the name

798
00:50:19.440 --> 00:50:23.440
<v Speaker 4>of this song is one Scotch, one Bourbon, one beer.

799
00:50:24.199 --> 00:50:26.440
<v Speaker 4>The singer is in a bar trying to forget his

800
00:50:26.559 --> 00:50:30.519
<v Speaker 4>girlfriend who went off somewhere. Who knows. The bartender just

801
00:50:30.599 --> 00:50:32.920
<v Speaker 4>wants to close up, but the singer just keeps going

802
00:50:32.960 --> 00:50:37.159
<v Speaker 4>on and keeps ordering one Scotch, one bourbon, one beer.

803
00:50:37.800 --> 00:50:40.480
<v Speaker 4>It was on the charts for fourteen weeks in nineteen

804
00:50:40.519 --> 00:50:44.159
<v Speaker 4>fifty three, which is pretty good. In nineteen sixty six,

805
00:50:44.320 --> 00:50:47.519
<v Speaker 4>John Lee Hooker remade the song his way, changing the

806
00:50:47.559 --> 00:50:51.599
<v Speaker 4>style into a Southern boogie and simplifying the lyrics. He

807
00:50:51.760 --> 00:50:55.039
<v Speaker 4>changed the title to one Bourbon, one Scotch, one beer,

808
00:50:55.519 --> 00:50:58.559
<v Speaker 4>which is how you may recognize it. A little bit

809
00:50:58.719 --> 00:51:02.920
<v Speaker 4>more you may come to mind. And in nineteen seventy seven,

810
00:51:03.280 --> 00:51:07.320
<v Speaker 4>George Thorogood remade the John Lee Hooker version. He added

811
00:51:07.360 --> 00:51:10.480
<v Speaker 4>the story from another Hooker song, House Rent Boogies to

812
00:51:10.679 --> 00:51:13.760
<v Speaker 4>explain the story. He gets kicked out of his apartment

813
00:51:13.840 --> 00:51:16.360
<v Speaker 4>for not paying rent, so out the door he went.

814
00:51:16.920 --> 00:51:20.119
<v Speaker 4>You may recognize that line from the George thurgood YEP.

815
00:51:20.280 --> 00:51:23.840
<v Speaker 4>So he actually put two songs together to John Lee

816
00:51:23.880 --> 00:51:26.679
<v Speaker 4>Hooker songs to make what would be the most famous

817
00:51:26.760 --> 00:51:31.320
<v Speaker 4>version of the song. But it's two steps removed from

818
00:51:31.360 --> 00:51:35.079
<v Speaker 4>the original nineteen fifty three Amos Milburn song One Scotch,

819
00:51:35.239 --> 00:51:37.920
<v Speaker 4>one bourbon, one euro. Let's go back to the original

820
00:51:38.000 --> 00:51:38.719
<v Speaker 4>and check it out.

821
00:51:49.719 --> 00:52:01.159
<v Speaker 17>One Scotch, one bourbon, one Scotch, one bourbon.

822
00:52:02.119 --> 00:52:03.280
<v Speaker 8>One bell.

823
00:52:06.800 --> 00:52:12.639
<v Speaker 3>Breaths the bard and listening here, I need give the trouble,

824
00:52:12.760 --> 00:52:23.159
<v Speaker 3>so have no f one scotchip, one burbon one. Now

825
00:52:23.360 --> 00:52:26.480
<v Speaker 3>I don't want soda, no bubble.

826
00:52:26.639 --> 00:52:26.880
<v Speaker 2>Come.

827
00:52:27.719 --> 00:52:31.000
<v Speaker 3>You got what I'm won't, so please serve me some.

828
00:52:31.840 --> 00:52:37.440
<v Speaker 3>Since my business been everything's lost, I'm on this kick

829
00:52:37.639 --> 00:52:39.440
<v Speaker 3>and I get it off.

830
00:52:39.880 --> 00:52:44.679
<v Speaker 7>One Scotch, one burber, one b.

831
00:52:48.320 --> 00:52:52.920
<v Speaker 17>One Scotch, one bourbon, one.

832
00:52:55.639 --> 00:52:58.880
<v Speaker 11>Breezes the barden.

833
00:52:59.639 --> 00:53:03.960
<v Speaker 3>Listen. Yeah, I ain't dere for trouble, though I have

834
00:53:04.239 --> 00:53:09.880
<v Speaker 3>no idea or one scotch, one burbery.

835
00:53:13.360 --> 00:53:17.400
<v Speaker 17>Now my woman, she's started me on the street.

836
00:53:18.079 --> 00:53:21.360
<v Speaker 3>I can't find her and she can't find me.

837
00:53:22.239 --> 00:53:25.679
<v Speaker 17>She left this morning, said she wouldn't stay.

838
00:53:26.320 --> 00:53:29.840
<v Speaker 3>She's been out all night and it's a break of day.

839
00:53:30.239 --> 00:53:39.960
<v Speaker 17>One Scotch, one burber onondy, one scotch.

840
00:53:40.679 --> 00:53:47.840
<v Speaker 4>One burber, one deer, being.

841
00:53:48.000 --> 00:53:54.039
<v Speaker 3>Mistabad and listening. I ain't here for trouble, though, I

842
00:53:54.119 --> 00:53:56.840
<v Speaker 3>have noe or one scotching.

843
00:53:57.320 --> 00:53:59.840
<v Speaker 17>One burber, one.

844
00:54:03.440 --> 00:54:07.440
<v Speaker 3>Oh well, one monvanda, make it strong.

845
00:54:07.639 --> 00:54:09.760
<v Speaker 2>I got to find my baby, for.

846
00:54:09.880 --> 00:54:11.719
<v Speaker 8>Tics are not long.

847
00:54:12.000 --> 00:54:24.800
<v Speaker 17>One scotch, one burbon on, one scotch, one bourbon, one.

848
00:54:24.840 --> 00:54:34.639
<v Speaker 3>Be as debard and listen here. I ain't here for trouble,

849
00:54:34.840 --> 00:54:36.599
<v Speaker 3>so have no fear.

850
00:54:36.840 --> 00:54:49.599
<v Speaker 17>One scotch, one burbon, one one scotch, one burbe.

851
00:54:53.880 --> 00:54:56.440
<v Speaker 4>You can hear where Fats Domino got his influence from.

852
00:54:57.400 --> 00:54:58.239
<v Speaker 2>That was awesome.

853
00:54:58.679 --> 00:55:01.360
<v Speaker 4>Yeah, that was great. I love that kind I could

854
00:55:01.360 --> 00:55:03.679
<v Speaker 4>sit back and listen to that all day. It's fun

855
00:55:03.719 --> 00:55:07.079
<v Speaker 4>to play that kind of stuff too. So before the

856
00:55:07.159 --> 00:55:09.559
<v Speaker 4>emails come in, we all know what beer is fermented

857
00:55:09.639 --> 00:55:12.840
<v Speaker 4>grains and yeast. So what is the difference between scotch

858
00:55:12.920 --> 00:55:16.559
<v Speaker 4>and bourbon? Someone should explain it, and I have it

859
00:55:16.679 --> 00:55:20.400
<v Speaker 4>right here. The definition of bourbon. It's made in the US.

860
00:55:20.679 --> 00:55:23.719
<v Speaker 4>It must contain fifty one percent corn in the mash

861
00:55:23.920 --> 00:55:28.079
<v Speaker 4>and is aged in new charred oak barrels. There is

862
00:55:28.159 --> 00:55:33.199
<v Speaker 4>no additional flavoring allowed. Scotch is made in Scotland from

863
00:55:33.360 --> 00:55:36.400
<v Speaker 4>malted barley and it's aged at least three years in

864
00:55:36.760 --> 00:55:40.480
<v Speaker 4>what is called mature oak caskets, meaning that the caskets

865
00:55:40.519 --> 00:55:44.440
<v Speaker 4>were previously previously used to mature something else like wine

866
00:55:44.840 --> 00:55:47.159
<v Speaker 4>or sherry or bourbon, and it gets some of the

867
00:55:47.199 --> 00:55:53.320
<v Speaker 4>flavor from that. So Scott, did I say malted barley, Yes,

868
00:55:53.440 --> 00:55:55.840
<v Speaker 4>malted barley. Malted means the grain is soaked in water

869
00:55:56.440 --> 00:55:58.840
<v Speaker 4>and the grain is a lot to sprout, and then

870
00:55:58.920 --> 00:56:03.239
<v Speaker 4>it's dried and then it's used to ferment. I didn't

871
00:56:03.280 --> 00:56:04.320
<v Speaker 4>know that. I had to look that that.

872
00:56:04.400 --> 00:56:04.920
<v Speaker 5>I didn't know that.

873
00:56:05.039 --> 00:56:07.599
<v Speaker 4>I don't know what molten meant. So yeah, it's like

874
00:56:07.679 --> 00:56:10.320
<v Speaker 4>the little grain is just trying and nope, you get

875
00:56:10.400 --> 00:56:13.599
<v Speaker 4>dried out and then you get turned into something glorious

876
00:56:13.599 --> 00:56:16.280
<v Speaker 4>as far as I am concerned, and ultimately you get

877
00:56:16.320 --> 00:56:18.599
<v Speaker 4>made into an old fashion, which makes me very happy.

878
00:56:20.760 --> 00:56:21.559
<v Speaker 4>So there you have it.

879
00:56:22.440 --> 00:56:25.760
<v Speaker 2>Well, I remember something called a boiler maker, which you

880
00:56:25.880 --> 00:56:29.760
<v Speaker 2>take it a mug of beer and drop a shot

881
00:56:30.559 --> 00:56:33.559
<v Speaker 2>I guess a bourbon in it, and then just like

882
00:56:34.719 --> 00:56:39.079
<v Speaker 2>drink it really fast. Yeah, yeah, that's I did that

883
00:56:39.400 --> 00:56:43.199
<v Speaker 2>maybe once or twice, and I was like, oh no, no,

884
00:56:44.199 --> 00:56:44.960
<v Speaker 2>no more no.

885
00:56:45.719 --> 00:56:46.519
<v Speaker 5>And what's the other one?

886
00:56:46.559 --> 00:56:51.119
<v Speaker 4>A car bum There's a few like that that you know,

887
00:56:51.760 --> 00:56:53.960
<v Speaker 4>designed to you know, guzzle it isn't it. There's like

888
00:56:54.039 --> 00:56:56.960
<v Speaker 4>a doctor pepper something, but there's a combination of two

889
00:56:57.039 --> 00:56:58.840
<v Speaker 4>things that make it taste like like a beer and

890
00:56:58.960 --> 00:57:01.920
<v Speaker 4>something that make it tastes like a doctor pepper. But

891
00:57:02.320 --> 00:57:04.199
<v Speaker 4>if it's about chugging, it's not for me.

892
00:57:05.719 --> 00:57:09.440
<v Speaker 2>It took me by surprise that I'll say, yeah, I wasn't.

893
00:57:10.239 --> 00:57:13.000
<v Speaker 2>Oh how bad could it be? And oh boiler maker

894
00:57:13.199 --> 00:57:17.679
<v Speaker 2>is that's right on the money that turns your stomach

895
00:57:17.760 --> 00:57:19.880
<v Speaker 2>into a oh yeah no.

896
00:57:20.800 --> 00:57:23.079
<v Speaker 4>No, I am such a lightweight that no, no, no, no,

897
00:57:23.159 --> 00:57:23.519
<v Speaker 4>no no no.

898
00:57:24.679 --> 00:57:28.760
<v Speaker 5>So my question about that is do you not get

899
00:57:28.880 --> 00:57:31.079
<v Speaker 5>hit in the nose with the shotglass?

900
00:57:33.280 --> 00:57:36.480
<v Speaker 2>M I don't think you could feel it after that,

901
00:57:36.719 --> 00:57:42.079
<v Speaker 2>but I don't remember that happening. But I was more like,

902
00:57:42.199 --> 00:57:43.719
<v Speaker 2>all of a sudden, I thought my head was going

903
00:57:43.760 --> 00:57:48.079
<v Speaker 2>to explode that. That was my pro got out, and I.

904
00:57:48.199 --> 00:57:53.079
<v Speaker 5>Was always afraid to try it because I don't want

905
00:57:53.119 --> 00:57:54.800
<v Speaker 5>to get hit in the nose with that.

906
00:57:54.840 --> 00:57:55.719
<v Speaker 2>I can understand that.

907
00:57:56.039 --> 00:57:59.199
<v Speaker 4>Yeah, I mean, it wasn't a country song in that

908
00:58:00.039 --> 00:58:02.760
<v Speaker 4>I got hit in the nose with a shocklass.

909
00:58:02.840 --> 00:58:03.400
<v Speaker 2>I'm writing this.

910
00:58:05.280 --> 00:58:05.480
<v Speaker 13>Down.

911
00:58:06.280 --> 00:58:09.280
<v Speaker 4>I got hit in the nose with a shockglass.

912
00:58:10.599 --> 00:58:14.760
<v Speaker 2>So I just stick to a Harvey wallbanger. So yeah,

913
00:58:16.760 --> 00:58:17.719
<v Speaker 2>that was a while ago.

914
00:58:18.760 --> 00:58:21.360
<v Speaker 4>Is there a difference between dropping the shotglass in it

915
00:58:21.800 --> 00:58:25.239
<v Speaker 4>or just pouring whatever's in the shotglas? No, well they

916
00:58:25.880 --> 00:58:28.320
<v Speaker 4>I know, it's like I guess this is part of

917
00:58:28.360 --> 00:58:29.039
<v Speaker 4>the experience.

918
00:58:29.519 --> 00:58:32.480
<v Speaker 2>Yeah, and it starts to actually churn it really, you

919
00:58:32.559 --> 00:58:38.280
<v Speaker 2>know it it bubbles, you know, it doesn't. Yeah, it

920
00:58:38.360 --> 00:58:39.239
<v Speaker 2>lives up to its.

921
00:58:39.239 --> 00:58:41.320
<v Speaker 4>U We should have found a bartender to join us

922
00:58:41.360 --> 00:58:43.719
<v Speaker 4>for this one to answer all these questions. I didn't

923
00:58:43.760 --> 00:58:45.440
<v Speaker 4>think of that. We may have to do that next

924
00:58:45.480 --> 00:58:50.159
<v Speaker 4>time we do this topic, definitely, Yeah, all right, but

925
00:58:50.480 --> 00:58:52.159
<v Speaker 4>for now I think it's a it's a good time

926
00:58:52.199 --> 00:58:53.400
<v Speaker 4>to pull the plug and go out and have a

927
00:58:53.440 --> 00:58:54.559
<v Speaker 4>good time, enjoy the weekend.

928
00:58:54.639 --> 00:58:56.239
<v Speaker 5>What do you think sounds good?

929
00:58:56.800 --> 00:58:57.199
<v Speaker 10>All right?

930
00:58:57.480 --> 00:58:59.559
<v Speaker 4>All right, excellent, So we are out of here. Thank

931
00:58:59.599 --> 00:59:02.920
<v Speaker 4>your bones as always for excellent selections. Linda, thank you

932
00:59:03.039 --> 00:59:07.119
<v Speaker 4>so much for joining us and adding your expertise. I

933
00:59:07.320 --> 00:59:09.920
<v Speaker 4>like the early stuff too, I like the forties, so yeah,

934
00:59:10.559 --> 00:59:13.760
<v Speaker 4>pah great. I'm glad you're here, and thank you all

935
00:59:13.800 --> 00:59:15.559
<v Speaker 4>for joining us for the rock and roll history showed

936
00:59:15.599 --> 00:59:17.960
<v Speaker 4>up to get to subscribe in your favorite podcast app

937
00:59:18.039 --> 00:59:19.480
<v Speaker 4>and check out all the other shows we do at

938
00:59:19.519 --> 00:59:22.880
<v Speaker 4>Hudson River Radio because there is something for everybody. We

939
00:59:22.920 --> 00:59:25.119
<v Speaker 4>will see you next week with another brand new episode,

940
00:59:25.280 --> 00:59:28.480
<v Speaker 4>the follow up two beverages. What happens next we will

941
00:59:28.519 --> 00:59:31.760
<v Speaker 4>see so join us then. Until then, have a great weekend.

942
00:59:31.840 --> 00:59:34.239
<v Speaker 4>Happy fourth of July for those in the US for

943
00:59:34.320 --> 00:59:37.480
<v Speaker 4>those outside the US, Happy fourth of July anyway, it's

944
00:59:37.559 --> 00:59:39.119
<v Speaker 4>just not a holiday for you. Look an I say,

945
00:59:39.480 --> 00:59:41.880
<v Speaker 4>you still have July fourth. We'll see you then, every

946
00:59:41.920 --> 00:59:46.400
<v Speaker 4>great weekend. Peace out, everybody, come a rock, cop.

947
00:59:46.280 --> 00:59:47.159
<v Speaker 14>Bottom and rum.

948
00:59:49.920 --> 00:59:55.760
<v Speaker 4>Okay, Bye bye. Hudson Riverradio dot com a subsidiary of

949
00:59:55.840 --> 01:00:01.000
<v Speaker 4>Glacier Entertainment LLC, potentially successful the multi hundred dollar corporations
