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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Alohol.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Saint.

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But first I do want to encourage you. If you're

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enjoying the podcast, please follow us using your favorite podcast software.

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And if you're enjoying the podcast on YouTube, be sure

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to like the video, subscribe to the channel, and mark

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the notification bell, all those great things that help YouTube

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channels to grow. Today's program is broady impart by the

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financial support of our listeners. You can support the show

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on a one time basis. Support dot Great Detectives dot

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net and become one of our ongoing Patreon supporters for

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as little as two dollars per month. Just go to

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Patreon dot Great Detectives dot net. But here, from September eighteenth,

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nineteen forty nine, here is an episode, and I'm going

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to admit I'm going to use an alternate title. I

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will tell you the other titles that this is circulates

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around after the podcast, but we're gonna call this Murder

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on the High Seas.

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Speaker 2: Listen one hour from now for a special broadcast over

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most of these stations, in which Sir Stafford crypts British

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Chancellor of the Exchequer announcements and explains his government's decision

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to devalue the British pound steerling. That's one hour from now.

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The Adventures of the Saint starring Vincent Price. The Saint,

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based on characters created by Leslie Charterists and known to

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millions from books, magazines, and motion pictures. The robin Hood

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of modern crime now comes to radio, starring Hollywood's brilliant

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and talented actor Vincent Price as.

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Speaker 3: The Saint. Hello, how is my favorite shipboard acquaintance this evening?

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Simonly you startle me?

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Speaker 4: You can hardly see you through the fog here on deck.

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Speaker 3: Yes, it is getting thicker, isn't it? But I suppose

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it's to be expected. Last night nature went on a

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binge of moonshine, and this is her foggy morning after

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only it's evening. How can you tell through the fog?

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You know you have a very pretty laugh, Barber. I'll

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listen for it in all of your pictures from now.

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Speaker 5: I thank you, Simon, but I'm I'm not going to

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make any more pictures. I'm retiring, retiring, at the peak

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of your career. I'm just tired of pictures, that's all, Barbara.

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You'll never be able to run away from it. What

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do you mean I'm referring to whatever it is.

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Speaker 3: That frightens you. Why don't you tell me about it? Barbara,

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there's nothing to tail on.

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Speaker 1: I'm tired.

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Speaker 3: I need to raise plese Simon. Don't make me talk

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about it. Something that, Simon? Is that someone standing there? Yeah? No,

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I don't see anyone. You are nervous, Simon.

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Speaker 5: Only I could confide in someone, if I could tell.

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Speaker 3: You what Perhaps I already know more than you think

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I do. You're cold, suhere's your wrath.

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Speaker 5: It's over there, some place in one of those dickss.

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Speaker 3: I'll find it. I don't see it here, Barbara, you

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shure you, Barbara, behind you, look out, Barbara, Barbara, man overboard,

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Man overboard.

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Speaker 6: Maybe you'd like a swim to Saint Hell.

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Speaker 7: Oh oh, mister Templar, mister Templar.

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Speaker 3: Oh Hello. I suppose the usual question is where am I?

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Speaker 7: Sometimes they awaken from your type of custom made comma,

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asking whoever.

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Speaker 3: I Evidently I wasn't hit quite that hard. I even

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remember who you are. Doctor Norman. It is doctor Norman,

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the celebrated psychiatrist, isn't it?

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Speaker 7: That is good template, But I'm afraid I must still

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confine you here to the ship's infirmary for a while.

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A possible concussion. You know.

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Speaker 3: They tell me what makes a famous neurologist like you

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poses a mere ship's doctor.

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Speaker 7: I'm really not posing, Patridge, the ship's physician is ill.

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I was within earshot when I heard the familiar call,

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is there a doctor in the house? And no, Simon,

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don't try to get up. I have a flask here

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if a drink will make you happy.

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Speaker 3: Oh not right now, thank you. So I recall I

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have some unfinished business to attend.

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Speaker 7: Yes, they couldn't find her any folk. She's gone. Yes,

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it was a horrible accident.

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Speaker 3: Horrible, yes, accident.

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Speaker 7: Now you mean to say she didn't fall over book,

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she was murdered. Murdered, but true, I think I know.

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Oh my head, it feels like the Aberdeen proving grass.

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I will mix you a sedative. You know you're not

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looking very well.

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Speaker 3: I always look like this when I'm angry. I'm the

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one cure.

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Speaker 6: Yes, I know.

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Speaker 7: The lady with these scales known as Madame justice. You know, timply,

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I've been curious about what makes a man like you.

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Speaker 3: I'll tell you every eight days or so, someone winds

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me up. Right now, I'm wound up, tight, tight with fury.

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Speaker 7: Well, it's a psychiatrist. I would advise you to unwind it.

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Speaker 3: Here we are doing this.

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Speaker 7: It will put you to sleep after a while.

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Speaker 3: Thank you.

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Speaker 7: You say you think you know who killed Barbara Simon.

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Speaker 3: I was wrong, I do know.

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Speaker 7: Well, I think you ought to talk to me. Unwind yourself.

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Speaker 3: You think I need psychiatry, doctor, well, I think you're

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too taught at the moment.

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Speaker 7: That plus you're concussion it might be dangerous.

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Speaker 3: Very well, doctor Alan Wined, I'll tell you the entire story.

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Speaker 7: If you don't mind, Simon here this will help derism.

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It's a metronome. Psychiatrists often use them.

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Speaker 3: But if you run no, I don't mind. I'd never

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met Barbara Brooks, although I'd doubt if there's a human

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being alive who hasn't heard of her or seen her

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in the movies. I first saw the day we boarded ship.

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There was something in her expression, in the way she

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walked and talked and smiled that immediately told me here

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was someone I should know. Her entire demeanor was an

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attitude of invitation that a man sphere doctor. She was

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a frightened lady. She wanted someone near her. I walked

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over to her there on deck and immediately made myself useful.

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Her steward evidently had become busy elsewhere, so I kipped

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my hat and said, somewhat idiotically, get your program here, lady.

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You can't tell the staterooms without the numbers. I beg

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you if your steward seems to have deserted you. I'd

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sailed a scow before, or so. If it's the direction

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to your stateroom you're looking for, I would like it.

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I would do a number.

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Speaker 7: Please say thank you very much much.

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Speaker 3: It's this way. My My name's Temper Simon, for sure.

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And of course you're Barbara Brooks. You know we passed

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the bar on route to eight thirty six main deck.

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There's an old passion with a new acquaintance. Sound in writing.

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It will a little later after you see here on

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the ship. Oh, there are several Oh, I see he's

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gone in the corner. Yeah, I think I saw the man.

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You meant, a certain north centered gentleman named Raider. I

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don't know that name. No, surely you've heard of Phil Raider.

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He's just as big a star in his line of

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work as you are in yours. What is his line

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of work? Well, he's he's an exterminator of human beings.

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Speaker 8: Mister.

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Speaker 3: I'm afraid that was obvious from the moment I first

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saw you. Why don't you tell me about it? No,

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I can't know. I'd be cured. That's as good a

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reason as any for not telling me. But I must

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warn you I have a peculiar talent for finding things

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out for myself.

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Speaker 4: No, you mustn't do anything, please please.

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Speaker 9: Hello Rader, Oh, miss Saint m world's getting smaller, Yes.

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Speaker 3: Yes, but I understand you're doing your share to see

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that it doesn't get overcrowded. Traveling for your health again

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or just traveling, just traveling, Raider. Why does the mere

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glimpse of you rounding a corner start a lady's teeth

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to chattering lady?

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Speaker 10: I don't know any ladies, obviously. Maybe she thought I

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was someone else. Maybe, And if you're.

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Speaker 3: Of a mind to annoy her, you'll wish you were.

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Speaker 10: Look saint, Just soak up sunshine on this cruise. Don't

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go poking in any dark places might be bad for you.

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Speaker 3: Oh what sort of bad rader look.

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Speaker 10: Big shot? Just so there's no misunderstanding, you butt in

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where you ain't welcome on this cruise.

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Speaker 3: And yes, and I'll kill you.

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Speaker 7: How is your head, sir?

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Speaker 3: And it feels as if a regimental crap game was

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going on inside of it with jet propelled dice.

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Speaker 7: You haven't drunk your sedative yet?

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Speaker 3: Here? Oh? Thank you? Shall I go on taking the

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load off of my concussion?

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Speaker 7: Yes, by all means? I think I was present at

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the Mexico.

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Speaker 3: Yes, doctor you were. It was the night of that

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ridiculous costume ball ships captains is so fond of arrangement,

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he is.

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Speaker 7: I remember we were at the bar together.

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Speaker 3: You were a pirate, I recall it years and you

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were a clown. The ball was loaded with clowns, some

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of them not even aware of their clownishness. But it

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was gay and sprightly, and the music was good. I

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remember our conversation. Doctor. You suddenly appeared at my elbow

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and said, in the most chivery, sinister manner, you.

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Speaker 7: Know, templar, I have a confession to make to you. Well,

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I'm always interested in confessions. Doctor, I've had a schoolboy

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crush on the beautiful Barbara ever since I saw her

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and pictures first. Tell me what does one do about it?

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Speaker 3: Well, I know exactly what I would do if I

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were you, doctor, Yes, I'd consult the nearest psychiatryst at.

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Speaker 7: The prices we judge. I think I was hoping you'd

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cut a fellow in on your acquaintanceship, Templar. But if

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you won't introduce me, won't you at least show me

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which masks she's hiding under? I think I might be

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able to make my own introduction.

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Speaker 3: Oh very well, doctor, look for a self like figure

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in a blue and yellow hollo can costume.

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Speaker 7: Thank you, Templar, Thank you, And if you should ever

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need a good psychiatry prices you charge, I will be seen.

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Speaker 4: Don't turn around, mister Templer. I have a pistol and

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a smaller back.

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Speaker 3: Now, really is that any way to enjoy a wall

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that insane? I'm only is except for the small of

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my back, which feels abnormally large at the moment.

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Speaker 4: Certain arrangements of a made saint. It means a big

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hit of lettuce if they go through all the signs

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say keep up, say that you do, now, don't turnroun.

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It's custom so pretty. I'd hate to have to put

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a hold from my pocket.

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Speaker 3: Well, it's probably just a coincidence, but I've acquired the

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same regard for the small of my back.

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Speaker 4: Keep regarding it that I was saying, don't let your

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nose wonder where it doesn't belong, and you might begin

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by forgetting. You saw certain people aboard this boat.

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Speaker 3: See just tell me how you're going to swing it,

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missus Miller, or don't be surprised, I'd recognize the notorious

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little Miller's voice on a party line. How are you

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going to take him? Little U palm days or perhaps

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a mark deck.

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Speaker 4: This rod has a hair trigger, Saint, just a touch

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on your little little's.

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Speaker 5: Li li, you're lucky saying he'd.

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Speaker 3: A shot, Give your here, give your he go, crowd,

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crowd or all you want to. She won't mind now, yes,

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say still let her in the back. Leaves very little doubt.

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Speaker 7: She's dead, you know, Simon, I would never have played

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say late missus Miller for a professional card shop. She

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who was anything but the time.

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Speaker 3: Professional card shops are always anything but the type. Doctor.

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Speaker 7: Yeah, and you think I actually played bridge with her

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myself with a crook and a hot headed one had said.

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Speaker 3: Well, as my old grandmother used to say, doctor, beware

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of lady thieves with red hair.

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Speaker 7: I guess the lady's read hair accounted for the lack

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of insulation in her temperament. Oh how does your head feel? Simon?

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Speaker 3: Better? Doctor, much better.

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Speaker 7: You still haven't touched your sedative, you.

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Speaker 3: Know, haven't.

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Speaker 7: I I think you'll find that it helps Simon.

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Speaker 3: Heah, oh, thank you. Well, you know, shortly after the

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murder of missus Miller, doctor I called on her bereaved

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husband and a partner in crime. A very interesting visitor.

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Speaker 7: Was you have the neck for making all of your

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visits into distinct salmon tad?

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Speaker 3: And I found Miller in the bar, quenching his sorrow

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with the merry waters of the river are forgetful.

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Speaker 6: Fifty grand and the palm of our hands, and beep,

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no more limb, no more lil, No more sucker, no

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more sucker, Beep, no more fifty grand.

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Speaker 3: I see you valued your wife highly. Who was the sucker? Miller?

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Ha ha, you're funny. Tell me what's phil raider cruising

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for Miller? And don't tell me it's a coincidence he's

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on board the same ship.

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Speaker 6: You get funnier and funnier. Why is Barbara Brooks so

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afraid of Raider? You ain't even warm, Saint. You're a

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mile wide of the target.

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Speaker 3: And I'd better use a different kind of ammunition. Yeah,

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like what like a little murder performed on an unwilling

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sucker in Reno. Well you know about that. You won't

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like going back to Reno, Miller. It gets hot in

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the summer time, especially in the penitential.

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Speaker 6: Raider was with liting me on this deal. He I

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wasn't gonna say anything, feel honest.

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Speaker 10: I was just I always knew someday you'd choken their yellow.

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I thought you and I had a little understanding.

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Speaker 3: Saint. You've got a reputation for wrong thoughts, Rader.

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Speaker 9: Yeah, but right or wrong.

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Speaker 10: I backed my ideas up to the hill.

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Speaker 3: Treat that frog. Stick around the cover, Raider, or I

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might take it away from you and the Dutch courage

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that rides with it too.

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Speaker 9: I'll keep it hidden for now.

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Speaker 10: You just be careful of the places where the lights

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don't shine. Saint cold On Miller, I want to talk with.

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Speaker 6: You I'll be out in a little while, Phil.

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Speaker 3: I want to drink wrong enough. Come on, you'd better go, Miller.

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And if you can't talk your way out of it,

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my regards to the fishes.

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Speaker 7: And I recall it well. Shortly after, mister Leder passed

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on his second warnings that you and I met for

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the first time professional.

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Speaker 3: Yes, doctor, the very next night, and I am.

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Speaker 7: Very surprised at you. He'd want you to stay away

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from dark plate.

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Speaker 3: Yes doctor, so he had. But I'm perverse by nature

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and I like to poke around. I was strolling around

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the deck with Barbara, getting moon burned and trying desperately

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to get some more information.

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Speaker 4: So wonderful having you near, Simon.

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Speaker 3: I feel safe, say, I refuse to accept the compliment,

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particularly on a moonlit night at sea.

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Speaker 4: I'm referring to danger, Simon, not romans.

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Speaker 3: They're often the very same thing. I'd like to join

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the team, Barbara.

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Speaker 5: Why don't you be fighting me, because if I did,

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we'd both be dead by morning.

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Speaker 3: I must going to ugod night, Simon.

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Speaker 6: Good night, turn around, Tepler.

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Speaker 3: I've got a I know gun pointed at the small

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of my back.

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Speaker 6: That's it. Now keep away from Barbara.

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Speaker 3: Brooks, am I clear, clear enough? Anything else?

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Speaker 6: Yeah, just so it sinks in. Saint, take this along

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the remember.

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Speaker 3: Once again you enter the picture, Doctor Norman. You found

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me there lying on the deck, basking in moonlight and blood.

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Speaker 7: Go on, Simon, tell me the rest of it.

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Speaker 3: Well, after your neat job of vulcanizing me, thus saving

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me a trip to the ship's doctor and innumerable words

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of explanation, I hit upon a strategy, and my next

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visit found me calling in the lions dead. Wow. I

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tell you you're being made a Patsy raider. You're on the

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verge of being demoted back to second class hoodlum.

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Speaker 10: I can take care of myself.

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Speaker 3: And I admit a minor sandbagging committed in your good

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name doesn't amount too much. But what if the same

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someone likes your name and designs to use it in

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other ways?

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Speaker 10: What do you mean?

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Speaker 3: I mean murder? You're a lead pipe cinch to pay

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for one of your own someday rader. But meanwhile, how

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would you feel getting hung for somebody else's shenanigan. I'd

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be annoyed, you sure would.

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Speaker 10: Look I'm not rigged up with no murder, Saint little

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meant fifty grand us alive. That's what we figured the

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sucker was good for.

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Speaker 3: It's a good enough reason for wanting Lil among the

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present instead of the late Raider. To mean, what was

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00:18:28,839 --> 00:18:30,039
the angle? Blackmail?

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Speaker 5: Nah?

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Speaker 3: No, nothing so crude.

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Speaker 9: Saint.

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Speaker 10: I sponsored the party, spot him, finger them and oil them,

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and the millers squeeze him through a deck of card.

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Guy's a sucker for good looking dames and card game.

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Speaker 3: That's all that sounds very uncomplicated, easy picking.

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Speaker 10: Guy ain't had the coin long enough to be smart

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about it.

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Speaker 3: Who's the guy he makes water heating the fat man

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00:18:48,240 --> 00:18:51,599
with the diamonds from pasaic. That's sorry. You should have dumbled.

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00:18:51,720 --> 00:18:52,680
Speaker 9: Looks like you did.

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Speaker 10: I thought you were out for a bust up in

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fifty g's a lot of money, Saint. I figured if

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00:18:57,400 --> 00:19:02,359
I could scare you'd be insurance. How about But Barbara Brooks.

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Speaker 3: Deal me out.

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00:19:03,200 --> 00:19:05,000
Speaker 10: I'm not in on whatever the caper is there.

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00:19:05,119 --> 00:19:07,720
Speaker 3: She saw you the day we sailed, and she got scared.

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00:19:08,000 --> 00:19:10,839
Speaker 10: Maybe it's because I ain't exactly pretty. But if you

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00:19:10,920 --> 00:19:12,640
really want to know something to Saint, I'll tell you

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00:19:13,240 --> 00:19:15,359
I was propositioned on the stunt against said dame.

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Speaker 9: A few weeks before we sailed.

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00:19:17,119 --> 00:19:17,880
Speaker 10: I turned it down.

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Speaker 9: The Big Dough tooal yeah, big Dough to bump her off.

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00:19:21,319 --> 00:19:23,759
Speaker 10: Not for me, though, she's too prominent. Too much heat

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00:19:23,799 --> 00:19:26,279
on those jobs who made the offer. Rader, he wasn't

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00:19:26,279 --> 00:19:29,319
exactly interested in leaving his calling card, saying, just to

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00:19:29,400 --> 00:19:30,839
John Smith's far as I'm concerned.

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00:19:30,880 --> 00:19:33,880
Speaker 3: But he had a description, didn't he? Everybody has a description?

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Speaker 10: Sure, sure, he was a medium sized guy with the

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lights who turned them off.

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00:19:43,759 --> 00:19:49,480
Speaker 7: Brown tie blue shirt, brown tie blue shirt.

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00:19:49,279 --> 00:19:53,240
Speaker 3: Brown tie blue shirt. Not a very harmonious color scheme,

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00:19:53,319 --> 00:20:02,799
is it really? Thank you? Rader? At least your last

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00:20:02,960 --> 00:20:07,200
earthly utterance was in the direction of good thank.

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Speaker 8: You round thie blue shirts.

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00:20:20,440 --> 00:20:22,720
Speaker 3: What does he mean, Simon, Well, it means that either

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00:20:22,759 --> 00:20:26,599
the man for whom I search isn't a very fastidious dresser,

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00:20:26,720 --> 00:20:31,079
doctor or else, or else, or else he's color blind.

359
00:20:31,559 --> 00:20:36,440
Blue and brown just aren't worn together. Hell no, I'll

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00:20:36,480 --> 00:20:38,200
take that drink now, doctor.

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00:20:38,880 --> 00:20:40,960
Speaker 7: I mixed for you your concussion later.

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00:20:41,000 --> 00:20:41,559
Speaker 3: Doctor later.

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00:20:42,200 --> 00:20:44,559
Speaker 7: Well, I can see that you're going to be a

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00:20:44,640 --> 00:20:48,640
very difficult patient. I hope you don't mind drinking out

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00:20:48,680 --> 00:20:50,079
of another medicine.

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00:20:49,599 --> 00:20:55,519
Speaker 3: Glass right now. I prefer a little more. Doctor, that's fine.

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00:20:56,599 --> 00:20:58,680
Has such a beautiful color, hasn't it? Doctor?

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00:20:58,839 --> 00:21:02,759
Speaker 7: Hasn't it? Aren't you going to drink it?

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00:21:02,839 --> 00:21:03,160
Speaker 8: Simon?

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00:21:03,240 --> 00:21:05,559
Speaker 3: In a moment, doctor, when I finished my story, Oh.

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00:21:05,480 --> 00:21:09,720
Speaker 7: Yes, of course his study Barbara's murder, wasn't it?

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00:21:09,920 --> 00:21:13,400
Speaker 3: Yes? Barbara was next. But immediately before our last meeting

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00:21:13,440 --> 00:21:16,240
on deck and the fog, Doctor, I found out what

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00:21:16,279 --> 00:21:19,519
she was afraid of. You did, But how it was easy.

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00:21:19,960 --> 00:21:22,759
The steward had some keys, I had some money. The

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00:21:22,799 --> 00:21:25,400
steward has enough now for that chicken ranch he's always

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00:21:25,480 --> 00:21:26,000
dreamed of.

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00:21:26,319 --> 00:21:28,319
Speaker 7: You broke into Barbara's states room.

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00:21:28,759 --> 00:21:32,880
Speaker 3: Yes, well what did you find, Simon? Largely perfume stockings

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00:21:32,920 --> 00:21:40,039
and some letters, doctor, peculiar letters f yes, yes, no,

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00:21:40,200 --> 00:21:43,720
from the same fan, A fan she was once engaged

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00:21:43,759 --> 00:21:46,200
to marry, doctor, A fan who loved her very much

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00:21:47,039 --> 00:21:50,319
and hated her in equal proportions, who was so torn

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00:21:50,400 --> 00:21:53,799
between love and hate he had to kill her.

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00:21:54,240 --> 00:21:55,359
Speaker 7: It's got, sophic.

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00:21:55,599 --> 00:21:58,240
Speaker 3: You should know what do you mean? Will you know

387
00:21:58,279 --> 00:21:59,960
the classifications? You're the doctor?

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00:22:00,119 --> 00:22:04,000
Speaker 7: Oh drink Simon?

389
00:22:04,079 --> 00:22:07,440
Speaker 3: A color blind schizophrenic. I don't believe I've ever met

390
00:22:07,480 --> 00:22:10,599
one before, Doctor Norman. So color blind. He mistook the

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00:22:10,599 --> 00:22:13,880
green and orange holloqun castume worn by Lil Miller for

392
00:22:13,960 --> 00:22:16,279
the blue and yellow one worn by Barbara. That is

393
00:22:16,440 --> 00:22:19,000
very interesting, poor little if she'd come to the ball

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00:22:19,000 --> 00:22:20,960
as anything but a harlequin, she'd have lived to take

395
00:22:21,000 --> 00:22:24,839
in fifty thousand dollars. You know you were wrong about

396
00:22:24,880 --> 00:22:28,200
Lil's hair, Doctor, It wasn't red, it was brown.

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00:22:28,960 --> 00:22:30,039
Speaker 7: You said it was read.

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00:22:30,359 --> 00:22:32,759
Speaker 3: I wanted to see if you'd agreed. You said yes,

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00:22:32,799 --> 00:22:35,119
of course, handed to me, would you, doctor, stare alongside

400
00:22:35,119 --> 00:22:37,680
the drink. No, no, don't try to tell them apart

401
00:22:37,720 --> 00:22:42,000
by their aromas. Doctor, it's obvious that there are different colors.

402
00:22:42,519 --> 00:22:43,559
I'll catch you tell.

403
00:22:44,880 --> 00:22:48,119
Speaker 7: You find it saint like very much for you to

404
00:22:48,240 --> 00:22:48,720
drink it.

405
00:22:48,880 --> 00:22:52,960
Speaker 3: My doctor, What a pretty purple gun you're wearing? Or

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00:22:53,039 --> 00:22:53,640
is it pink?

407
00:22:54,000 --> 00:22:57,480
Speaker 7: Drink up, Tippler, You hardly feel it. It's just a

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00:22:57,599 --> 00:22:58,759
dash of Prussic.

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00:22:58,400 --> 00:23:01,400
Speaker 3: Acid, doctor Norman. When you give sedative, you go overboard

410
00:23:01,480 --> 00:23:05,799
drink it, Timpler, Well you're the doctor. A toast to you,

411
00:23:05,920 --> 00:23:10,640
Doctor Norman. To your green shirt, blue tie, and gray handkerchief,

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00:23:11,519 --> 00:23:12,640
none of which match.

413
00:23:13,599 --> 00:23:19,319
Speaker 7: Here's how my eyes you threw it in my eyes.

414
00:23:19,400 --> 00:23:21,839
Speaker 3: It was a question of your eyes or my stomach. Doctor.

415
00:23:22,119 --> 00:23:25,839
My eyes I blind. You'll get over it, doctor, which

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00:23:25,839 --> 00:23:27,279
is more than can be said of me if one

417
00:23:27,279 --> 00:23:30,440
of those wild shots of yours should hit me. I

418
00:23:30,480 --> 00:23:33,599
know I shouldn't practice medicine without a license, doctor, any

419
00:23:33,599 --> 00:23:37,160
more than you should. But here's a sedative from me

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00:23:37,319 --> 00:23:45,079
to you. It pleasant nightmares. Doctor Norman.

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00:23:56,519 --> 00:23:58,920
Speaker 2: You have been listening to another adventure of the Saint,

422
00:23:59,200 --> 00:24:01,920
the robin Hood of modern crime, and now here is

423
00:24:01,960 --> 00:24:03,680
our star, Vincent Price.

424
00:24:03,599 --> 00:24:07,960
Speaker 3: Ladies and gentlemen. In a prejudice filled America, no one

425
00:24:08,000 --> 00:24:12,119
would be secure in his job, his business, his church,

426
00:24:12,359 --> 00:24:16,839
or his home. Yet racial and religious antagonisms are exploited

427
00:24:16,960 --> 00:24:21,720
daily by quacks and adventurers, whose followers make up the irresponsible,

428
00:24:21,839 --> 00:24:26,240
lunatic fringe of American life. Refuse to listen to or

429
00:24:26,359 --> 00:24:30,480
spread rumors against any race or religion. Helped us stamp

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00:24:30,519 --> 00:24:34,319
out prejudice in our country. Let's judge our neighbors by

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00:24:34,359 --> 00:24:37,640
the character of their lives alone, and not on the

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00:24:37,680 --> 00:24:41,440
basis of their religion or origin. This is Vincent Price

433
00:24:41,519 --> 00:24:44,039
inviting you to join us again next week at the

434
00:24:44,119 --> 00:24:47,799
same time for another exciting Adventure of the Saint good

435
00:24:47,880 --> 00:25:17,839
Night the Night.

436
00:25:17,960 --> 00:25:21,000
Speaker 2: Script of The Saint was written by Michael Kramoy. Our

437
00:25:21,079 --> 00:25:25,039
cast included Betty lou Gerson, Gene Bates, Frank Gersteal, Bill Conrad,

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00:25:25,079 --> 00:25:28,680
and Bonney Phillips. The music was composed and conducted by

439
00:25:28,680 --> 00:25:33,400
Harry Zimmerman. The Saint, based on characters created by Leslie Charteris,

440
00:25:33,640 --> 00:25:36,480
is a James L. Saffier production and is directed by

441
00:25:36,480 --> 00:25:36,920
Thomas A.

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00:25:37,039 --> 00:25:37,519
Speaker 3: Mcavity.

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00:25:38,559 --> 00:25:40,640
Speaker 2: Vincent Price is soon to be seen in Harry and

444
00:25:40,720 --> 00:25:44,960
Popkins's production of Champagne for Caesar, co starring Ronald Coleman.

445
00:25:46,000 --> 00:25:47,960
All you Saint fans will be glad to know that

446
00:25:47,960 --> 00:25:51,119
the Saint comic books are unsale at all New Stands.

447
00:25:51,880 --> 00:26:14,559
Your announcer, Merril Ross, this is the mutual well broadcasting system.

448
00:26:19,720 --> 00:26:26,680
Speaker 1: Welcome back. An enjoyable episode. And I really loved the

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00:26:26,720 --> 00:26:31,920
idea of this story being told and us learning that

450
00:26:32,000 --> 00:26:35,720
it was actually being told to the killer at his

451
00:26:36,000 --> 00:26:40,279
own designs on Simon, And of course you have to

452
00:26:40,400 --> 00:26:45,400
love the interplay of two great actors, Vincent Price and

453
00:26:45,440 --> 00:26:51,720
William Conrand. And there's something about Price where when he

454
00:26:51,880 --> 00:26:58,599
gets a lot of seeds with the same performer. I

455
00:26:58,640 --> 00:27:02,400
think of the suspense episode of the Hands of Mister Outermon,

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00:27:02,720 --> 00:27:07,079
which he played with Claude Rains that you really can

457
00:27:07,160 --> 00:27:10,319
have just this great energy going on. Now, what are

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00:27:10,440 --> 00:27:15,279
the titles of this program that are listed typically on

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00:27:15,319 --> 00:27:23,319
the internet. Number one, the Schizophrenic Psychiatrists. I hope people

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00:27:23,440 --> 00:27:27,960
see the problem with that title. It gives away the

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00:27:28,200 --> 00:27:33,319
entire blot. So does the second most popular title that

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00:27:33,359 --> 00:27:36,960
you'll see on the Internet for this episode, The color

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00:27:37,079 --> 00:27:42,440
Blind Killer Furder on the Hot Seas is generic, but

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00:27:42,799 --> 00:27:45,640
it is a title that has been used for this episode,

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00:27:45,759 --> 00:27:48,359
and it's the only title that's been used for this

466
00:27:48,519 --> 00:27:53,759
episode that doesn't ruin the ending. On the toddling issues,

467
00:27:54,240 --> 00:27:59,480
you do have to say that the portrayal of color

468
00:27:59,559 --> 00:28:04,720
blonde is ridiculously broad. Now, to be fair, a lot

469
00:28:04,759 --> 00:28:09,119
of Golden Age media when it came to mysteries, portray

470
00:28:09,319 --> 00:28:14,000
color blindness in this way. Without getting too much into

471
00:28:14,039 --> 00:28:21,759
the weeds on this Generally, color blindness comes there across

472
00:28:21,880 --> 00:28:24,480
a spectrum of a few different colors that you're not

473
00:28:24,640 --> 00:28:28,039
able to distinguish. But even more than that is just

474
00:28:28,119 --> 00:28:32,160
the fact that this guy is a prominent man in

475
00:28:32,400 --> 00:28:38,480
a profession that relies on credibility, and the way Simon

476
00:28:38,599 --> 00:28:42,240
describes it, he walks around dressing a way that others

477
00:28:42,319 --> 00:28:46,079
have said, oh, look, there's a clown in that situation,

478
00:28:46,359 --> 00:28:51,160
particularly in this era, if you had a disability that

479
00:28:51,319 --> 00:28:56,240
was not immediately visible, you would want to camouflage that.

480
00:28:56,720 --> 00:29:01,920
And prominent people who have colorblindness, they tend to work

481
00:29:02,039 --> 00:29:07,440
things out with assistance or tailor's or someone else who

482
00:29:07,440 --> 00:29:11,400
will go ahead and say, okay, well you need to

483
00:29:11,480 --> 00:29:15,200
go ahead and plan these outfits. These shirts go with

484
00:29:15,240 --> 00:29:19,599
this pair of pants, and this tie goes with this shirt,

485
00:29:20,119 --> 00:29:23,240
and just you know, and put maybe little labels on

486
00:29:23,319 --> 00:29:27,640
them that are written so he knows what to do.

487
00:29:28,559 --> 00:29:31,839
And so where some of the subtlety might come in

488
00:29:32,839 --> 00:29:38,319
is a situation where things are not carefully planned or

489
00:29:38,480 --> 00:29:43,160
the person with color blindness doesn't have an opportunity to

490
00:29:43,960 --> 00:29:48,279
follow their typical process. Listener comments and feedback now and

491
00:29:48,319 --> 00:29:52,200
we go to YouTube where Joe comments regarding the episode.

492
00:29:52,240 --> 00:29:54,680
Mister important, thanks Adam, you are the best. I love

493
00:29:54,759 --> 00:29:57,279
your comments. I learned so much from you. Well, thanks

494
00:29:57,279 --> 00:29:59,680
so much, appreciate your comment.

495
00:29:59,759 --> 00:29:59,960
Speaker 3: Joe.

496
00:30:00,319 --> 00:30:03,519
Speaker 1: Well, now it is time to thank our Patreon supporter

497
00:30:03,559 --> 00:30:06,480
of the day, and I want to go ahead and

498
00:30:06,720 --> 00:30:13,559
thank Bernie, Patreon supporter since June of twenty twenty four,

499
00:30:13,759 --> 00:30:16,880
currently supporting the podcast at the Shawmus level of four

500
00:30:16,920 --> 00:30:19,920
dollars more per month. Thanks so much for your support, Bernie,

501
00:30:20,119 --> 00:30:22,440
And that will do it for today. If you're enjoying

502
00:30:22,480 --> 00:30:26,680
the podcast, please follow us using your favorite podcast software

503
00:30:27,279 --> 00:30:30,039
and be sure to rate and review the podcast wherever

504
00:30:30,119 --> 00:30:33,319
you download it from. We'll be back next Monday with

505
00:30:33,400 --> 00:30:35,799
another episode of The Saint. But join us back here

506
00:30:35,880 --> 00:30:37,839
tomorrow for the Big Story.

507
00:30:37,920 --> 00:30:41,519
Speaker 7: Where and now you stand with Special Investigator Nick Oliver,

508
00:30:42,279 --> 00:30:44,799
both of you shaking your head as a dead man

509
00:30:44,880 --> 00:30:45,440
lying on the.

510
00:30:45,440 --> 00:30:47,839
Speaker 3: Cot just off Route sixty six.

511
00:30:48,400 --> 00:30:51,160
Speaker 7: There Clinton, Oh, possible way of identification?

512
00:30:51,960 --> 00:30:52,240
Speaker 3: Nothing.

513
00:30:52,839 --> 00:30:54,839
Speaker 11: I'll get Haynes with a fingerprint, jo and see if

514
00:30:54,880 --> 00:30:59,079
his print'sallusating. I don't think even a mother would recognize

515
00:30:59,119 --> 00:31:01,200
his face. Hey, where are you going?

516
00:31:02,240 --> 00:31:02,920
Speaker 3: Looking around?

517
00:31:03,279 --> 00:31:06,359
Speaker 4: And wish that ambulance will get here? What are you

518
00:31:06,400 --> 00:31:06,839
looking for?

519
00:31:07,960 --> 00:31:14,079
Speaker 3: Something in the grass? Next? Yay, you know it's a coin.

520
00:31:15,480 --> 00:31:19,000
Here's another one. Let me see there's the Mexican coins, right,

521
00:31:19,240 --> 00:31:21,759
that's what they are. Well, what are they doing here? Rhino?

522
00:31:22,480 --> 00:31:25,359
Speaker 11: Well, we've got something anyhow. It's not much more than nothing,

523
00:31:25,400 --> 00:31:26,039
but it's something.

524
00:31:26,440 --> 00:31:28,799
Speaker 1: I hope you'll be with us then. In the meantime,

525
00:31:29,079 --> 00:31:33,759
send your comments to Box thirteen at Greatdetactives dot net,

526
00:31:34,240 --> 00:31:38,119
follow us on Twitter at Radio Detactives, and check us

527
00:31:38,119 --> 00:31:44,200
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.

528
00:31:44,920 --> 00:31:47,799
This is your host, Adam Graham signing off.