WEBVTT

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<v Speaker 1>I'm productions.

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<v Speaker 2>We are being hynotized people like this, news readers, politicians, teachers, lecturers.

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<v Speaker 3>We are in a country and in a world that

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<v Speaker 3>is being run by.

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<v Speaker 1>Unbelievably sick people.

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<v Speaker 3>The chasm between what we're told is going on and

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<v Speaker 3>what he's really going on is.

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<v Speaker 4>Absolutely Oh yeah, dude, basing that one ship.

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<v Speaker 3>It's like we all know what's going down, but no

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<v Speaker 3>one's saying what happens to the home of.

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<v Speaker 5>The brief.

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<v Speaker 3>Doing this now when no one's talking about it aside.

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<v Speaker 6>Every plase and everybody's just.

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<v Speaker 3>Walking around out in the problem to make up till

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<v Speaker 3>we're done in the.

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<v Speaker 4>Great but in little may.

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<v Speaker 1>We need to be ready to raise that.

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<v Speaker 7>Welcome to the end of everybody.

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<v Speaker 3>Welcome back, ladies, Jam into another episode of Nephilim Death Squad.

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<v Speaker 3>I am David Lee Corbo, aka the Raven that is

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<v Speaker 3>top Lobbsite, the Father of Disinformation. Before we get into

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<v Speaker 3>today's guest, I would like to remind all of our

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<v Speaker 3>live viewers that this is a thirty minute preview only.

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<v Speaker 3>Sometime around the thirty minute mark, will be going live

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<v Speaker 3>exclusively to Patreon dot com backslash Nephilim Death Squad You can, however,

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<v Speaker 3>continue watching along and enjoying an ad free viewing experience

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<v Speaker 3>for free on patreon dot com backslash Nefhlin Death Squad

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<v Speaker 3>for a limited amount of time. Otherwise, give it a

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<v Speaker 3>couple of days and the episode will release everywhere else.

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<v Speaker 7>Probably what three days, four days.

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<v Speaker 3>Something like that.

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<v Speaker 1>Top when we feel like it, when.

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<v Speaker 3>We feel like it is really yeah, that's really the

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<v Speaker 3>thing here coming getting into today's guest, we are joined

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<v Speaker 3>by rider Lee Ryder. For the audience who may not

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<v Speaker 3>be familiar with you, where can they find your work?

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<v Speaker 6>Thanks for having me on guys, really appreciate it is

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<v Speaker 6>looking forward to the conversation. You can find me on

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<v Speaker 6>raizby Giants, on YouTube and innion all cast platforms, and

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<v Speaker 6>if you would like to reach out to me personally,

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<v Speaker 6>you can find me on x at Raised by a

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<v Speaker 6>Giants eight and on Instagram at Raised by a Giants pod.

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<v Speaker 6>But yeah, I'm a filmmaker. I'm a director and editor.

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<v Speaker 6>I have two films on Amazon Prime. I have JFKX

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<v Speaker 6>Solving The Crime of the Century, which you can watch

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<v Speaker 6>for free on Amazon Prime, and then my latest documentary,

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<v Speaker 6>A Clockwork Shining. Kubrick's Odyssey three is also on Amazon Prime.

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<v Speaker 6>And if you don't like Amazon Prime, and if you

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<v Speaker 6>think Amazon Prime is promoting free Masonic symbolism in their logo,

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<v Speaker 6>you can watch the movie on Vimeo as well. So

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<v Speaker 6>got you some options there.

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<v Speaker 4>Nice, you're man, You're maybe your JFK film is about

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<v Speaker 4>to take off again if you can get in front

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<v Speaker 4>of the right eyes. We have some disclosure coming or

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<v Speaker 4>what they're calling disclosure. Will see what they decided to

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<v Speaker 4>tell us. But what angle did you take on that film?

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<v Speaker 6>It's unlike anything that anyone has really ever heard before.

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<v Speaker 6>It takes is basically j It's his theory. And we

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<v Speaker 6>originally wanted to do the film on Stanley Kubrick first,

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<v Speaker 6>and then we were like, okay, well Stanley Kubrick film

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<v Speaker 6>was going to take a lot more money because he

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<v Speaker 6>had already previously done two movies on Stanley Kubrick, which

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<v Speaker 6>was A Kubrick's Odyssey one and A Cubric's Odyssey two.

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<v Speaker 6>He's the originator of Stanley Kubrick, essentially showing that the

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<v Speaker 6>shining is his confession of faking the moon landing. That's

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<v Speaker 6>where a lot of people got that idea from was

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<v Speaker 6>from Jay Widner in those are Cubric's Odyssey films, and

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<v Speaker 6>they don't give him enough credit for that. They kind

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<v Speaker 6>of take the idea and then put it out there

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<v Speaker 6>and throw clips and stuff. But who popularized that was

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<v Speaker 6>Jay Widner in the movie Room two thirty seven. That's

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<v Speaker 6>where everyone really heard that movie, well heard that theory.

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<v Speaker 6>And so JFK Acts is a different take on the

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<v Speaker 6>assassination of JFK. And I don't want to ruin it

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<v Speaker 6>for the people that haven't seen it. If you can

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<v Speaker 6>also watch it on tub as well as free to be,

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<v Speaker 6>so you can get on it's on Amazon, freeb and s,

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<v Speaker 6>type in jfkas and you can watch it on there.

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<v Speaker 6>Or if you got to be on your TV or

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<v Speaker 6>got the two b opp you just type in Jfkax

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<v Speaker 6>and you'll find it on there.

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<v Speaker 3>Kubrick, he did this thing that has kind of solidified

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<v Speaker 3>him as the man with the blueprint for subliminal messaging,

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<v Speaker 3>or at least he did it to the highest level.

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<v Speaker 3>You just mentioned that he admitted within the film The

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<v Speaker 3>Shining that he faked the moon landing. And so we

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<v Speaker 3>find ourselves on this show bringing him up very often,

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<v Speaker 3>because whenever you see a piece of media with subliminal

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<v Speaker 3>messaging in the background. Well, he's always gonna end up

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<v Speaker 3>being part of the conversation. And recently we did a

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<v Speaker 3>deep dive on the Santa Baby video by Kim Kardashian,

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<v Speaker 3>And also we talk quite a bit about the movie

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<v Speaker 3>White Noise, which is starring Adam Driver. It's a film

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<v Speaker 3>on Netflix where they're depicting an Ohio train derailment, and

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<v Speaker 3>the background of that film is rich with storytelling if

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<v Speaker 3>you pay attention. But we don't really get into Kubrick

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<v Speaker 3>very much, and sometimes it doesn't dawn on me that

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<v Speaker 3>the audience might not know what I'm talking about. Something

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<v Speaker 3>that you take for granted, but it's not on everybody's radars.

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<v Speaker 3>So I'd love to start picking this at part today,

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<v Speaker 3>especially when it comes to the shining and clockwork Orange.

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<v Speaker 3>How can a thing be a movie on one level

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<v Speaker 3>but have a completely different story in the background. Well,

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<v Speaker 3>that's what.

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<v Speaker 6>Kubrick was a master doing, was telling the story through

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<v Speaker 6>the actual filmmaking process. And like we were mentioning before

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<v Speaker 6>the show started, so many filmmakers now want to give

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<v Speaker 6>everything away in the exposition of the movie, like long Legs,

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<v Speaker 6>did you guys see Long Legs with Nicholas Cage.

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<v Speaker 3>Yeah, I was told to watch Long Legs and I

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<v Speaker 3>don't know. It was a strange film. What do you

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<v Speaker 3>make of it?

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<v Speaker 6>It was really good. I loved it up until the

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<v Speaker 6>last until her mom blows the back out of the head,

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<v Speaker 6>shoots the doll, and then her spirit or whatever gets released,

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<v Speaker 6>and then she's laying on the bed and then her

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<v Speaker 6>mom comes to her and tells her the entire plot

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<v Speaker 6>of the freaking movie. Yeah, ruins the entire thing. In

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<v Speaker 6>the same way with Smile Too. Smile Too did the

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<v Speaker 6>exact same thing, Like we didn't have to be told

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<v Speaker 6>that all of it was happening in her head. We

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<v Speaker 6>could have put two and two together whenever she woke

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<v Speaker 6>up on the stage and then she's the Smile character, like,

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<v Speaker 6>we would have put two and two together and realized

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<v Speaker 6>that the entire movie was happening in her head. Like

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<v Speaker 6>the Smile entity did not have to tell her, this

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<v Speaker 6>is all happening in your head. These are the problems

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<v Speaker 6>and the issues with filmmaking nowadays. This is literally all.

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<v Speaker 6>There's no wonder, there's no mystery, it's just all. And

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<v Speaker 6>whenever they build up that mystery where you're like, oh man,

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<v Speaker 6>this is super intrigued. I really like this, and then

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<v Speaker 6>instead of creating your own ideas and your own theories

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<v Speaker 6>about the movie, they just tell you exactly what the

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<v Speaker 6>movie is about. And that's what Kubric never wanted to do.

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<v Speaker 6>And that's the reason why Kubric never did any interviews. Well,

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<v Speaker 6>he did very few interviews because he didn't want his

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<v Speaker 6>interpretation of the movie to be projected onto the audience,

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<v Speaker 6>because he felt that if he told the audience exactly

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<v Speaker 6>what the movie was about, then that ends all theory

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<v Speaker 6>and speculation as to what he might have been trying

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<v Speaker 6>to say with the movie.

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<v Speaker 3>I wonder if those films performed well in the box office,

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<v Speaker 3>because it almost seems logical to me that where it

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<v Speaker 3>will take some time for a Kubric film to potentially

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<v Speaker 3>find its audience, and that audience are people that like

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<v Speaker 3>that sort of a thing, right, like that mystery, like

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<v Speaker 3>that speculation, and like having to think critically. But I

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<v Speaker 3>think we're being honest, the vast majority of people don't,

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<v Speaker 3>especially today, right we just everything happened so fast, nobody's

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<v Speaker 3>got time, and so could it be that they're trying

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<v Speaker 3>to appeal to a larger audience when they do that,

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<v Speaker 3>because I would almost I wouldn't be surprised if it

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<v Speaker 3>didn't perform well in the box office and then became

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<v Speaker 3>a cult classic after the fact.

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<v Speaker 4>Well I'm reading about it now. So the opening weekend

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<v Speaker 4>it did just over half a million dollars and then

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<v Speaker 4>like the domestic total when all of said and done,

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<v Speaker 4>it was forty four million and worldwide forty seven million.

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<v Speaker 4>So it started off like people like, what the hell

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<v Speaker 4>is this shit? And then it just took off. I

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<v Speaker 4>guess it took his films take a little while to

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<v Speaker 4>boil over and really think about.

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<v Speaker 6>Yeah, he didn't really have that many large successes whenever

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<v Speaker 6>they came out. I mean even two thousand and one

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<v Speaker 6>of Space honestly was kind of trashed critically. But before

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<v Speaker 6>he did the Shining his movie before that was Barry Linden,

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<v Speaker 6>and Barry Linden was not a success at all, did

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<v Speaker 6>not make It was probably Kubrick's worst performing film that

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<v Speaker 6>ever hit theaters. It was not a critical success, it

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<v Speaker 6>was not an audience success. And then after Barry Lyndon

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<v Speaker 6>came out, Kubrick was then offered the Extorcist. He was

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<v Speaker 6>going to direct the Actorcist and he turned it down,

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<v Speaker 6>and then they ultimately went to William Freaking, which is

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<v Speaker 6>the director of the Actressist, and that kind of became,

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<v Speaker 6>you know, a really big film for Warner Brothers because

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<v Speaker 6>it's based on a novel and really popular movie. And

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<v Speaker 6>then it's kind of we sort of theorized in our movie,

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<v Speaker 6>which there is some evidence for this is that Warner Brothers.

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<v Speaker 5>It was kind of Warner Brothers.

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<v Speaker 6>Idea to give The Shining to Stanley Kubrick to make

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<v Speaker 6>the movie because they had already had success with adapting

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<v Speaker 6>a horror novel with William Freaking directing the actressists. So

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<v Speaker 6>it was probably pushed in Kubrick's way like here take this,

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<v Speaker 6>because they had a pre published copy of The Shining

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<v Speaker 6>from Stephen King, and they were like, here, Kubrick, you

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<v Speaker 6>know kind of you're you're on a downstreak right now.

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<v Speaker 6>Your last movie did not perform well, so we want

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<v Speaker 6>you to do an adaptation of Stephen King's The Shining.

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<v Speaker 6>And a lot of Kubrick's films, he changes things, he

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<v Speaker 6>doesn't base it off of the novel, and that's what

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<v Speaker 6>really upset Stephen King. Within The Shining is because Kubrick

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<v Speaker 6>put his own spin on the adaptation, and then King

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<v Speaker 6>came in and then made his miniseries on The Shining,

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<v Speaker 6>which was complete and total dog shit.

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<v Speaker 5>It was not good.

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<v Speaker 6>It was haunted bushes and haunted freaking play swings and

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<v Speaker 6>like just a god awful disaster. And that's what Kubrick

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<v Speaker 6>was saying. He was like, yeah, King, you might be

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<v Speaker 6>a really good you might be able to write really

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<v Speaker 6>good novels, but you're not a filmmaker. You can't make

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<v Speaker 6>a good film. And we see evidence of that as

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<v Speaker 6>Kubrick is making the movie. Kubrick is rewriting the entire

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<v Speaker 6>movie as he's making it. He's rewriting the script, so

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<v Speaker 6>he's changing things, He's putting things in there, he's taking

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<v Speaker 6>things out. He probably submitted a more conducive script Warner

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<v Speaker 6>Brothers in the beginning to follow it along with King's

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<v Speaker 6>work so that they would greenlight the movie. No filmmaker

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<v Speaker 6>is ever going to be writing a script for a

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<v Speaker 6>film as you're shooting the movie. Unless you want to

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<v Speaker 6>complete an utter disaster of a movie. You just don't

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<v Speaker 6>do that.

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<v Speaker 3>What did you think about Doctor Sleep, which is the

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<v Speaker 3>sequel to the Shining.

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<v Speaker 6>I like Doctor Sleep, but it takes a completely different angle.

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<v Speaker 6>It's more about like astral projection and out of body

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<v Speaker 6>experiences and remote viewing and by location, which is a

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<v Speaker 6>really interesting concept which gets into a lot of the

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<v Speaker 6>remote viewing and I've done a lot of work into

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<v Speaker 6>researching the government's remote viewing program, the Stargate. I've had

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<v Speaker 6>a lot of those people on my show, the official

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<v Speaker 6>people that were in the program, doctor David Morehouse, Lim Buchanan,

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<v Speaker 6>Dell Graph. He was their originator that called the coin

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<v Speaker 6>the term Stargate, Doctor Paul Smith. I've had a lot

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<v Speaker 6>of them on my channel, and I've done a lot

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<v Speaker 6>of research into it, and I think that it's a

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<v Speaker 6>really interesting film. They took a completely different direction, and

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<v Speaker 6>obviously it's not a cubric film, though they do use

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<v Speaker 6>a lot of the symbolism, Like they use the carpet

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<v Speaker 6>from that Kubric used in The Shining. It's there and

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<v Speaker 6>they take it, take you back to the hotel at

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<v Speaker 6>the end of the movie, and then it, you know,

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<v Speaker 6>burns to the ground, which it was originally supposed to

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<v Speaker 6>burn to the ground at the end of the Shining book.

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<v Speaker 6>I'm pretty sure that that's what happened at the end

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<v Speaker 6>of Stephen King's novel The Shining is that the hotel

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<v Speaker 6>burned to the ground, But Cubrick didn't do that in

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<v Speaker 6>the first movie, so then they just did it at

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<v Speaker 6>the end of the movie of Doctor Sleep.

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<v Speaker 5>But I liked it.

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<v Speaker 6>I thought that the acting was good. Hugh McGregor was it.

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<v Speaker 6>But it has really nothing other than the surface level

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<v Speaker 6>stuff in Doctor Sleep.

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<v Speaker 3>As a film, Yeah, I found that it didn't connect it.

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<v Speaker 3>It almost felt like two different movies in a way,

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<v Speaker 3>where you have that first chunk and then when they

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<v Speaker 3>go to the hotel, it almost feels like it's you're

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<v Speaker 3>watching something different in some way because outside of it,

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<v Speaker 3>it feels like it bears very little resemblance or connection

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<v Speaker 3>to The Shining except for you know, ew and McGregor's character.

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<v Speaker 3>But going back to the original film, I've watched some

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<v Speaker 3>segments of documentaries on it. You can find a lot

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<v Speaker 3>of people are fascinated. It's kind of the gift that

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<v Speaker 3>keeps giving, right because there seems to be replay value

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<v Speaker 3>in it where you can catch something where you didn't

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<v Speaker 3>see it the first time around, and it seems that

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<v Speaker 3>people are pretty comfortable with the idea that The Shining

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<v Speaker 3>is telling two stories in the background. One is, like

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<v Speaker 3>we said earlier, about the moon landing, and the other

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<v Speaker 3>is about the genocide of the Native Americans.

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<v Speaker 7>And I don't know if that's true.

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<v Speaker 3>So I'd love to hear your point of view on

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<v Speaker 3>what is it that Kubrick is trying to express in

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<v Speaker 3>The Shining.

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<v Speaker 6>Well, that gets really deep, and that's essentially what the

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<v Speaker 6>entire almost two hour movie is really all about and

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<v Speaker 6>is really setting out because it's a different theory that

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<v Speaker 6>no one has ever heard before, no one has ever

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<v Speaker 6>talked about before, and that is that Stanley Kubrick is

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<v Speaker 6>essentially telling us about MK Ultra mind control. That's what

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<v Speaker 6>the entire movie is really about. And it's mind control

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<v Speaker 6>on many levels. Because that doesn't discount the other theories

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<v Speaker 6>that are circulating about The Shining, like the faking of

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<v Speaker 6>the moon landing, because if they did indeed fake the

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<v Speaker 6>moon landing, that's going to be a giant MK Ultra operation.

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<v Speaker 6>And then when you look at why do none of

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<v Speaker 6>the TVs have look like they're plugged into anything in

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<v Speaker 6>the Shining. They're cordless, they're not, but they're running in

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<v Speaker 6>the Shining right, So it's like, if he did indeed

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<v Speaker 6>fake the moon landing, then he's trying to say that

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<v Speaker 6>what you were watching was fake because the moon landing

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<v Speaker 6>footage was supposedly broadcasted live everywhere in the world at

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<v Speaker 6>that time, I think, but mainly in the United States

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<v Speaker 6>because the United States was the one that was launching

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<v Speaker 6>the rocket. So if that's what he's trying to say,

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<v Speaker 6>it's an mk Ultra program on many different layers, but

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<v Speaker 6>there's so many subtle things like Hubert puts in there,

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<v Speaker 6>there's so many different continuity errors within the shining that

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<v Speaker 6>really doesn't make any sense unless he is trying to

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<v Speaker 6>break the psyche of the viewer. As the viewer is

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<v Speaker 6>watching the movie, and as Jack Torrence is also starting

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<v Speaker 6>to go deeper and deeper into this MK Ultra program

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<v Speaker 6>and getting his psyche split, he's subliminally trying to get

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<v Speaker 6>the audience to have their psyche split, to have them

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<v Speaker 6>start to question their reality subliminally by things disappearing or reappearing,

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<v Speaker 6>or moving around the screen, or being there in one shot,

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<v Speaker 6>disappearing in the.

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00:16:00.399 --> 00:16:02.200
<v Speaker 5>Next shot, or being there earlier.

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<v Speaker 6>In the movie and not being there later in the movie.

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<v Speaker 6>So those are some of the subliminal techniques. It's to

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<v Speaker 6>disorient the audience, as he's also disorienting the characters within

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00:16:12.639 --> 00:16:17.440
<v Speaker 6>the movie. But there's there's so many different things. Like

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<v Speaker 6>the first time that we meet Wendy and Danny in

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<v Speaker 6>the movie, Wendy's reading the book by J. D. Salinger

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<v Speaker 6>called Ketcher in the Rye. And I'm sure you guys

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00:16:25.480 --> 00:16:27.320
<v Speaker 6>are familiar with the book. Ketcher and the Ryot has

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00:16:27.399 --> 00:16:32.000
<v Speaker 6>been associated with two major assassinations within a year of

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<v Speaker 6>the release of The Shining, So Kubrick had this book

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<v Speaker 6>in his movie a year before both assassinations of John

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<v Speaker 6>Lennon and the attempted assassination on Ronald Reagan, and where

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<v Speaker 6>both books were found at the scene, and they've been

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<v Speaker 6>related to an mk Ultri style Manchurian candidate assassination. Kubrick

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<v Speaker 6>had this book in his movie and Wendy is reading

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<v Speaker 6>it a year before both of these assassinations.

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<v Speaker 3>It begins to suggest that, I mean, obviously, if you

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00:17:04.920 --> 00:17:07.519
<v Speaker 3>are recruited to help fake the moon landing, then you

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00:17:07.599 --> 00:17:10.880
<v Speaker 3>might be keen to other information or plans, right, That's

317
00:17:10.960 --> 00:17:14.200
<v Speaker 3>kind of what happens or the implications of that idea

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00:17:14.319 --> 00:17:18.079
<v Speaker 3>and it seems like the elite, for lack of a

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00:17:18.079 --> 00:17:24.759
<v Speaker 3>better term, they regard Kubrick pretty highly. It seems that

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<v Speaker 3>they celebrate his ability to do this sort of a thing,

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<v Speaker 3>to ingrain his media with these symbols that tell a story.

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<v Speaker 3>We were watching the Kim Kardashian video and in it

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<v Speaker 3>there is a scene where I actually have it right here.

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<v Speaker 3>I don't know if you want to bring this image

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<v Speaker 3>up top, give me one second, but there is an

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<v Speaker 3>homage to the shining and we've got this image here.

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<v Speaker 3>If you bring that up, you can see on the

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<v Speaker 3>right side there is that sort of a mascot down

329
00:17:57.960 --> 00:18:03.000
<v Speaker 3>along hallway and he's being you know, molested in one way,

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00:18:03.039 --> 00:18:05.319
<v Speaker 3>shape or form by two men. And this is also

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<v Speaker 3>the same thing that you see in Jared Leto's thirty

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<v Speaker 3>Seconds to Mars video, the Kill, which is arguably one

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<v Speaker 3>of their more successful songs. I would say thirty seconds

334
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<v Speaker 3>to Mars that's probably like maybe their number one hit,

335
00:18:23.119 --> 00:18:26.240
<v Speaker 3>and the entire hit too. Was it their first hit,

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<v Speaker 3>And I think that was the moment that really launched

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00:18:29.440 --> 00:18:32.839
<v Speaker 3>Jared Leto into the stratosphere as far as being you know,

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<v Speaker 3>a Hollywood icon goes. And so that entire music video

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00:18:37.279 --> 00:18:40.680
<v Speaker 3>is one big short or not big, you know, but

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<v Speaker 3>it's a It's a Kubrick film in many ways. It's

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<v Speaker 3>done like the Shining. The whole thing is an homage

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<v Speaker 3>to the Shining. And when I see that, especially when

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<v Speaker 3>we're talking about Jared Leto, Hollywood elite, Kim Kardashian, you know,

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<v Speaker 3>Hollywood elite also probably a witch. These people, I think

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<v Speaker 3>they they guard Kubrick pretty highly.

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<v Speaker 6>Then when you look at Jared Leto, he owns Lookout

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<v Speaker 6>Mountain Air Force Base in Laurel Canyon in Hollywood.

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<v Speaker 1>Duzzy, come on, man, that's crazy.

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<v Speaker 6>And you look at Lookout Mountain. You look at the overlook.

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<v Speaker 6>There used to be a hotel that sat on the

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<v Speaker 6>grounds of where the Lookout Mountain Air Force Base is.

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<v Speaker 6>That was called the Lookout Hotel, and that hotel burnt

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<v Speaker 6>to the ground in the early nineteen hundreds. Then at

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<v Speaker 6>the end of Stephen King's novel and at the end

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<v Speaker 6>of Doctor Sleep, the overlook burns to the ground.

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<v Speaker 1>Yes, yes, so you Lookout Overlook.

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<v Speaker 6>You got all those connections there and then all these

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<v Speaker 6>high ranking there were so many films that was made

359
00:19:58.799 --> 00:20:03.200
<v Speaker 6>at Lookout Mountain Air Force that we don't even know

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<v Speaker 6>about to this very day, like thousands of films. There

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<v Speaker 6>was more films that were made up there Lookout Mountain

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<v Speaker 6>Air Force Base than was made all of Hollywood up

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<v Speaker 6>until that point. Several people had high ranking clearance for it.

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<v Speaker 6>Major Hollywood actors had high ranking clearance. This is where

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<v Speaker 6>all of the nuclear bomb testing footage was filmed up

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<v Speaker 6>there on miniature sets. Was that Lookout Mountain Air Force Base.

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<v Speaker 6>Marilyn Monroe, Carrie Grant, James Stewart, all these, Ronald Reagan,

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<v Speaker 6>they all had top secret security clearance for this Lookout

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<v Speaker 6>Mountain Air Force Base on top of the Lower Canyon,

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<v Speaker 6>right outside of Hollywood, And no one knows exactly what

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00:20:43.400 --> 00:20:46.720
<v Speaker 6>they were doing up there, but it is factual that

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<v Speaker 6>that's where the nuclear testing bombs were filmed. They weren't

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<v Speaker 6>real bombs that were being dropped and filmed. They were

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<v Speaker 6>being filmed on miniature sets and they were being filmed

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<v Speaker 6>at Lookout Mountain Air Force Base out of Hollywood and

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<v Speaker 6>Laurel Canyon.

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<v Speaker 1>Right I might be locate. Oh I'm sorry, go ahead,

378
00:21:05.920 --> 00:21:09.359
<v Speaker 1>tap yeah, I'm gonna jump the gun here. Why do

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<v Speaker 1>you think they have to tell you?

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<v Speaker 4>Because we're describing in multiple, multiple ways how his movie

381
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<v Speaker 4>is pointing to events in the future in the past,

382
00:21:19.519 --> 00:21:23.119
<v Speaker 4>but like, why why even bother telling the general public

383
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<v Speaker 4>in this way?

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<v Speaker 6>Well, because I think that it's super cryptic, and I

385
00:21:28.599 --> 00:21:32.119
<v Speaker 6>think that it's like kind of an homage to the

386
00:21:32.160 --> 00:21:36.200
<v Speaker 6>other people that are in the know, like, oh, hey,

387
00:21:36.920 --> 00:21:39.319
<v Speaker 6>this is what we did, and if someone that knows

388
00:21:39.359 --> 00:21:42.079
<v Speaker 6>about it sees it, then they'll be clued in on

389
00:21:42.119 --> 00:21:45.119
<v Speaker 6>the clues to it. It's essentially them just playing playing

390
00:21:45.160 --> 00:21:47.880
<v Speaker 6>with people. That's what I personally think. I don't even

391
00:21:47.880 --> 00:21:50.519
<v Speaker 6>think it has anything to do with predictive programming or anything.

392
00:21:50.759 --> 00:21:54.200
<v Speaker 6>I think it's them just like sitting back and they're

393
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<v Speaker 6>a giant freaking dust star, rocking chairs and having a

394
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<v Speaker 6>good life of.

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<v Speaker 3>It's like when you're de see like if you ever

396
00:22:05.319 --> 00:22:07.160
<v Speaker 3>did something you played a trick on somebody and you

397
00:22:07.200 --> 00:22:09.279
<v Speaker 3>and your homie were in on the trick and somebody

398
00:22:09.279 --> 00:22:11.720
<v Speaker 3>else was the unwilling participant, and you might look over

399
00:22:11.960 --> 00:22:14.319
<v Speaker 3>and like give your buddy a nod, right because you're

400
00:22:14.319 --> 00:22:17.160
<v Speaker 3>in on it. It's it's uh, I guess it could be.

401
00:22:17.240 --> 00:22:18.960
<v Speaker 3>I look at these things like they could be a

402
00:22:18.960 --> 00:22:22.240
<v Speaker 3>form of communication. This is this is an interesting catch.

403
00:22:22.359 --> 00:22:25.160
<v Speaker 3>Just this morning, I believe it was just this morning

404
00:22:25.160 --> 00:22:27.440
<v Speaker 3>from Red Pill Drifter. It says, I'm sure you understand

405
00:22:27.440 --> 00:22:30.240
<v Speaker 3>what the cages are depicting in Toy Story three. What's

406
00:22:30.279 --> 00:22:32.359
<v Speaker 3>also strange is that they would give a nod to

407
00:22:32.400 --> 00:22:35.559
<v Speaker 3>Stanley Kubricks the shining on the camera and if you

408
00:22:35.599 --> 00:22:37.279
<v Speaker 3>zoom in, which I can't zoom in, it looks like

409
00:22:37.319 --> 00:22:43.319
<v Speaker 3>it says overlook H two three seven. So I mean,

410
00:22:43.920 --> 00:22:46.680
<v Speaker 3>it's Toy Story And I don't even have an answer

411
00:22:46.680 --> 00:22:49.079
<v Speaker 3>for that one. I don't know why. I don't know

412
00:22:49.119 --> 00:22:52.359
<v Speaker 3>why you would go through the trouble of putting that

413
00:22:52.440 --> 00:22:54.599
<v Speaker 3>little detail in Toy Story.

414
00:22:55.640 --> 00:22:57.200
<v Speaker 7>It could just be an animator having fun.

415
00:22:57.279 --> 00:23:00.880
<v Speaker 3>But that's a very lazy answer that I kind of

416
00:23:01.880 --> 00:23:04.240
<v Speaker 3>not a big fan of that. It's a lot of

417
00:23:04.240 --> 00:23:06.480
<v Speaker 3>it is just like, oh, animators are having fun. Right,

418
00:23:06.480 --> 00:23:08.880
<v Speaker 3>That's the same thing when it comes to Disney putting

419
00:23:08.880 --> 00:23:13.759
<v Speaker 3>all these strange, sumbliminal messages in their backgrounds. But when

420
00:23:13.799 --> 00:23:15.440
<v Speaker 3>you see that, I mean, do you think that that

421
00:23:15.640 --> 00:23:18.440
<v Speaker 3>is another one of these films just paying homage.

422
00:23:19.359 --> 00:23:21.640
<v Speaker 6>Well, I brought up a thing down here on the

423
00:23:21.640 --> 00:23:24.519
<v Speaker 6>bottom that is another Toy Story thing that shows the

424
00:23:24.640 --> 00:23:29.640
<v Speaker 6>exact carpet. Oh wow, what's going on there? And the

425
00:23:29.759 --> 00:23:30.680
<v Speaker 6>Overlook Hotel?

426
00:23:31.039 --> 00:23:32.319
<v Speaker 7>What the hell is that about?

427
00:23:33.079 --> 00:23:33.279
<v Speaker 3>Yeah?

428
00:23:34.400 --> 00:23:38.440
<v Speaker 6>Huh, Well, apparently the director of Toy Story is a

429
00:23:38.519 --> 00:23:41.599
<v Speaker 6>really big Stanley Kubrick fan and a huge Shining fan,

430
00:23:41.640 --> 00:23:45.279
<v Speaker 6>and he collects all the memorabilia and is like really

431
00:23:45.279 --> 00:23:49.599
<v Speaker 6>big into it. The director is actually of Toy Story

432
00:23:49.680 --> 00:23:54.720
<v Speaker 6>is actually the guy that funded the movie Room two

433
00:23:54.759 --> 00:23:56.599
<v Speaker 6>thirty seven that has all the theories in it.

434
00:23:58.079 --> 00:24:03.079
<v Speaker 3>When you so in the have you seen the Santa

435
00:24:03.119 --> 00:24:04.680
<v Speaker 3>Baby video with Kim Kardashian.

436
00:24:06.160 --> 00:24:09.160
<v Speaker 6>I watched it once and just to see what the

437
00:24:09.240 --> 00:24:12.599
<v Speaker 6>hype was about, but I really didn't analyze it to

438
00:24:12.880 --> 00:24:15.079
<v Speaker 6>the degree that you guys probably have.

439
00:24:15.599 --> 00:24:19.359
<v Speaker 3>Well, in one scene, there is a girl. She's in

440
00:24:19.400 --> 00:24:22.559
<v Speaker 3>a cheerleader's outfit. She's got a sort of a boulder

441
00:24:22.599 --> 00:24:25.119
<v Speaker 3>cap and it's covering one eye, and on her chest

442
00:24:25.240 --> 00:24:32.559
<v Speaker 3>is blatantly the A from Clockwork Orange same colors and everything,

443
00:24:32.599 --> 00:24:35.279
<v Speaker 3>and then of course her her cheerleader outfit is keeping

444
00:24:35.319 --> 00:24:39.440
<v Speaker 3>the same color theme. And we went in heavily. I mean,

445
00:24:40.119 --> 00:24:45.119
<v Speaker 3>look when I see that, to me, I go, oh,

446
00:24:45.279 --> 00:24:47.680
<v Speaker 3>they're trying to tell you that it's not about what's

447
00:24:47.680 --> 00:24:51.160
<v Speaker 3>happening in the foreground. It's what's about happen, It's about

448
00:24:51.160 --> 00:24:53.880
<v Speaker 3>what's happening in the background. And I think another great

449
00:24:53.880 --> 00:24:56.440
<v Speaker 3>example of that is something that I've talked about on

450
00:24:56.480 --> 00:25:00.200
<v Speaker 3>the show before. There's a film called White Noise. There

451
00:25:00.240 --> 00:25:02.720
<v Speaker 3>was a time a few years ago where we had

452
00:25:02.720 --> 00:25:09.640
<v Speaker 3>that train derailment in East Palestine, Ohio, and at the

453
00:25:09.680 --> 00:25:14.400
<v Speaker 3>same time we had a Chinese balloon spy balloon is

454
00:25:14.440 --> 00:25:18.720
<v Speaker 3>what we've dubbed it since then, traveling from the northwest

455
00:25:19.000 --> 00:25:22.440
<v Speaker 3>all the way to the southeast of America kind of diagonally.

456
00:25:23.000 --> 00:25:26.519
<v Speaker 3>And so that film is, you know, it takes place

457
00:25:26.559 --> 00:25:28.839
<v Speaker 3>in the nineteen eighties. It stars Adam Driver, and in

458
00:25:28.880 --> 00:25:32.079
<v Speaker 3>it a train derailment happens in Ohio. It turns out

459
00:25:32.079 --> 00:25:35.359
<v Speaker 3>that a lot of the people in the film, a

460
00:25:35.359 --> 00:25:39.559
<v Speaker 3>lot of the actors, were locals from East Palestine. And

461
00:25:40.599 --> 00:25:43.160
<v Speaker 3>on the surface, if you watch the film for some reason,

462
00:25:43.359 --> 00:25:47.079
<v Speaker 3>the dialogue is captivating and it's well shot, and all

463
00:25:47.119 --> 00:25:50.799
<v Speaker 3>of the actors are likable, But if you really pay attention,

464
00:25:51.519 --> 00:25:54.680
<v Speaker 3>they're not really saying anything. They're not explaining the situation,

465
00:25:55.480 --> 00:26:00.400
<v Speaker 3>and there's no narrative that's really unfolding in the dialogue.

466
00:26:01.000 --> 00:26:03.720
<v Speaker 3>But if you look at the background, there's a narrative,

467
00:26:04.160 --> 00:26:09.960
<v Speaker 3>and that narrative is UFOs. There's TVs in the background,

468
00:26:10.000 --> 00:26:13.319
<v Speaker 3>there's news reports running UFOs are landing. You'll see newspapers

469
00:26:13.319 --> 00:26:17.519
<v Speaker 3>occasionally about UFO sightings. And this theme continues all throughout

470
00:26:17.559 --> 00:26:21.000
<v Speaker 3>the film. And it's fascinating because in real life, two

471
00:26:21.039 --> 00:26:25.039
<v Speaker 3>weeks later after this film's release, a train derails, and

472
00:26:25.680 --> 00:26:28.599
<v Speaker 3>of course, before we knew it was a spy balloon

473
00:26:28.839 --> 00:26:31.559
<v Speaker 3>or whatever the hell it was, we were speculating wildly

474
00:26:32.079 --> 00:26:33.640
<v Speaker 3>as to whether or not it was a UFO. And

475
00:26:33.759 --> 00:26:36.720
<v Speaker 3>at that same time, there were reports coming from a

476
00:26:36.759 --> 00:26:41.279
<v Speaker 3>bunch of different countries Canada, Uruguay, China and a few

477
00:26:41.319 --> 00:26:46.440
<v Speaker 3>others claiming to have either seen UFOs or have shot

478
00:26:46.480 --> 00:26:50.039
<v Speaker 3>them down. And those reports went away and there was

479
00:26:50.079 --> 00:26:53.279
<v Speaker 3>nothing ever made about them. But that was our backdrop

480
00:26:53.640 --> 00:26:56.319
<v Speaker 3>while we had a train derailment in East Palestine, Ohio.

481
00:26:56.480 --> 00:27:00.839
<v Speaker 7>So, I mean, I don't even know really what to

482
00:27:00.839 --> 00:27:01.359
<v Speaker 7>make of that.

483
00:27:01.519 --> 00:27:03.839
<v Speaker 3>You know, you start to ask these questions, is this

484
00:27:04.720 --> 00:27:09.000
<v Speaker 3>revelation of the method, Is this elites communicating back and forth?

485
00:27:10.519 --> 00:27:12.200
<v Speaker 3>Have you seen that film? Do you have any thoughts

486
00:27:12.240 --> 00:27:12.400
<v Speaker 3>on that?

487
00:27:13.440 --> 00:27:15.880
<v Speaker 6>I have not seen the film. I wanted to watch it,

488
00:27:15.920 --> 00:27:18.839
<v Speaker 6>but I just got it was one of those things

489
00:27:18.839 --> 00:27:21.839
<v Speaker 6>where I started it. I normally watch a movie until

490
00:27:21.839 --> 00:27:24.119
<v Speaker 6>the very end, but I started it and it was

491
00:27:24.160 --> 00:27:27.039
<v Speaker 6>really late and it was not picking up speed at all,

492
00:27:27.079 --> 00:27:29.079
<v Speaker 6>and I didn't really know what was going on because

493
00:27:29.559 --> 00:27:33.839
<v Speaker 6>I don't really like to watch previews or trailers and movies,

494
00:27:33.880 --> 00:27:36.559
<v Speaker 6>because that's another problem, is the trailers give away so

495
00:27:36.720 --> 00:27:40.319
<v Speaker 6>much about the movie. Yeah, and I didn't know anything

496
00:27:40.359 --> 00:27:42.799
<v Speaker 6>about it. I didn't know what it was really about

497
00:27:43.160 --> 00:27:45.200
<v Speaker 6>or you know, what was going on within the movie,

498
00:27:45.200 --> 00:27:47.839
<v Speaker 6>and it was just seemed like really slow. But I'll

499
00:27:47.880 --> 00:27:49.400
<v Speaker 6>definitely have to go back and check it out. But

500
00:27:49.440 --> 00:27:51.720
<v Speaker 6>there's another movie that's called White Noise that came out

501
00:27:51.759 --> 00:27:53.599
<v Speaker 6>in like the early two thousands that is like a

502
00:27:53.759 --> 00:27:56.920
<v Speaker 6>horror movie. So that's whenever you first said White Noise,

503
00:27:56.960 --> 00:28:00.960
<v Speaker 6>I was like, Oh, that old early two thousands horror movie.

504
00:28:01.279 --> 00:28:04.799
<v Speaker 6>But Kubrick has been known to like, there's been several

505
00:28:04.839 --> 00:28:08.079
<v Speaker 6>things throughout Kubrick's career that it's kind of like what

506
00:28:08.119 --> 00:28:13.480
<v Speaker 6>you're talking about with art imitating reality or reality imitating art.

507
00:28:13.519 --> 00:28:17.519
<v Speaker 6>That's a common theme throughout Kubrick's entire film just like

508
00:28:17.519 --> 00:28:19.319
<v Speaker 6>what I was mentioning with Ketcher in the Rye. He

509
00:28:19.359 --> 00:28:21.079
<v Speaker 6>has the book Catcher in the Rye in his movie

510
00:28:21.079 --> 00:28:24.200
<v Speaker 6>a year before both of the assassinations, the one a

511
00:28:24.359 --> 00:28:29.680
<v Speaker 6>real assassination on the Beatle John Lennon and then the

512
00:28:29.720 --> 00:28:35.000
<v Speaker 6>attempted assassination on Ronald Reagan. But before that was Lolita.

513
00:28:36.079 --> 00:28:41.039
<v Speaker 6>So the movie Lolita is a very touchy film that

514
00:28:41.160 --> 00:28:46.279
<v Speaker 6>deals with you know, pedophilia essentially of a really young

515
00:28:46.480 --> 00:28:49.880
<v Speaker 6>girl and uhs a thirteen year old girl. But it

516
00:28:49.920 --> 00:28:53.319
<v Speaker 6>turns out that the exact same thing that the movie

517
00:28:53.680 --> 00:28:58.400
<v Speaker 6>is about is actually happening to the main actor of

518
00:28:58.440 --> 00:29:03.599
<v Speaker 6>the movie in real life on the set with Qubrick's

519
00:29:04.599 --> 00:29:11.960
<v Speaker 6>production manager. And she's essentially the things that she's acting

520
00:29:12.000 --> 00:29:16.200
<v Speaker 6>about is really happening to her in real life from

521
00:29:16.519 --> 00:29:21.720
<v Speaker 6>Kubrick's production manager. And yeah, it's like it's just this

522
00:29:21.920 --> 00:29:25.400
<v Speaker 6>common thing with cubrics and also with the clockwork Orange.

523
00:29:26.240 --> 00:29:31.599
<v Speaker 6>Whenever that movie came out, crime rose like heavily. There

524
00:29:31.680 --> 00:29:33.680
<v Speaker 6>was literally newspaper articles.

525
00:29:33.680 --> 00:29:36.039
<v Speaker 5>There was like the clockwork.

526
00:29:35.559 --> 00:29:38.680
<v Speaker 6>Orange gangs, the clockwork Orange murderers, like and there. It

527
00:29:38.720 --> 00:29:42.920
<v Speaker 6>was eventually pulled from a lot of other countries, especially

528
00:29:42.920 --> 00:29:45.720
<v Speaker 6>in the uk Kubrick pulled the film because it was

529
00:29:45.880 --> 00:29:49.640
<v Speaker 6>inciting violence in real life. And then when you look

530
00:29:49.680 --> 00:29:53.400
<v Speaker 6>at The Shining as well, and the things how Cubrick

531
00:29:53.640 --> 00:29:57.680
<v Speaker 6>was treating Shelley Duvall on the set of The Shining,

532
00:29:57.720 --> 00:30:02.039
<v Speaker 6>which essentially ruined Shelley do entire career. She was never

533
00:30:02.119 --> 00:30:04.680
<v Speaker 6>really the same. She did a few other acting things,

534
00:30:04.720 --> 00:30:08.200
<v Speaker 6>but was never really as big as you know, The

535
00:30:08.240 --> 00:30:12.240
<v Speaker 6>Shining and these other Popeye that she was in before.

536
00:30:12.640 --> 00:30:15.400
<v Speaker 6>It kind of wrecked her entire career. And that was

537
00:30:15.480 --> 00:30:20.480
<v Speaker 6>due to the abuse, the mental abuse, and sometimes like

538
00:30:21.960 --> 00:30:24.359
<v Speaker 6>wouldn't really call it physical abuse because he never really

539
00:30:24.359 --> 00:30:26.559
<v Speaker 6>physically abused her, but he would tell the people on

540
00:30:26.599 --> 00:30:29.319
<v Speaker 6>the set not to tend to her, not listen, don't

541
00:30:29.359 --> 00:30:33.000
<v Speaker 6>listen to her, don't tend to her needs, and like

542
00:30:33.480 --> 00:30:36.240
<v Speaker 6>pretty much verbally abusing her a lot. And that's like

543
00:30:36.279 --> 00:30:40.640
<v Speaker 6>a common thing with like what happens in MK ultra programs.

544
00:30:40.640 --> 00:30:43.000
<v Speaker 6>It's like the thing that you want to do the

545
00:30:43.039 --> 00:30:47.359
<v Speaker 6>most is psychologically break them down, to fracture their mind.

546
00:30:47.559 --> 00:30:49.640
<v Speaker 6>So therefore you can put and you would use the

547
00:30:49.720 --> 00:30:52.119
<v Speaker 6>excuse as you know, well, I'm just trying to get

548
00:30:52.160 --> 00:30:55.880
<v Speaker 6>a good performance out of her. Because obviously Kubrick did

549
00:30:55.880 --> 00:30:58.000
<v Speaker 6>not think that she was that great of an actor,

550
00:30:58.559 --> 00:31:02.039
<v Speaker 6>which is a solid excuse, but you're also using these

551
00:31:02.079 --> 00:31:06.720
<v Speaker 6>types of techniques on her that is like verbati in

552
00:31:06.799 --> 00:31:10.440
<v Speaker 6>what would be being done in some sort of mind

553
00:31:10.440 --> 00:31:13.400
<v Speaker 6>control operation, and it essentially.

554
00:31:13.480 --> 00:31:17.319
<v Speaker 5>Wrecked and ruined her career afterwards. And she just passed.

555
00:31:17.000 --> 00:31:20.960
<v Speaker 6>Away last year. And we actually have a title screen

556
00:31:21.000 --> 00:31:23.000
<v Speaker 6>at the end of our movie and you know, in

557
00:31:23.160 --> 00:31:27.240
<v Speaker 6>memory of Chello Duval. But yeah, she became like a

558
00:31:27.680 --> 00:31:28.680
<v Speaker 6>wreck after.

559
00:31:28.720 --> 00:31:29.599
<v Speaker 1>I remember she was.

560
00:31:29.559 --> 00:31:33.799
<v Speaker 6>On Doctor Phil and like that Doctor Phil's series whenever

561
00:31:33.839 --> 00:31:35.759
<v Speaker 6>he had her on is like brutal.

562
00:31:36.799 --> 00:31:40.599
<v Speaker 4>I remember hearing the scene, you know, he was Johnny

563
00:31:40.720 --> 00:31:43.240
<v Speaker 4>that that scene. They did it over one hundred times.

564
00:31:43.200 --> 00:31:46.000
<v Speaker 4>I think it has a Guinness Guinness World Book record

565
00:31:46.079 --> 00:31:48.960
<v Speaker 4>or something for a scene, that one scene that was

566
00:31:49.000 --> 00:31:49.799
<v Speaker 4>filmed the most.

567
00:31:50.279 --> 00:31:51.000
<v Speaker 1>And it's like.

568
00:31:52.000 --> 00:31:54.200
<v Speaker 4>That's the peak of the movie right where he's like

569
00:31:54.440 --> 00:31:58.200
<v Speaker 4>about to murder ax murder you and he's been torturing

570
00:31:58.200 --> 00:32:00.319
<v Speaker 4>you this entire time, and he finally gets in and

571
00:32:00.319 --> 00:32:04.759
<v Speaker 4>it's just like here's Johnny to make somebody relive that. Yeah,

572
00:32:04.960 --> 00:32:07.319
<v Speaker 4>is fucking brutal man.

573
00:32:07.759 --> 00:32:10.759
<v Speaker 7>You imagine that doing it enough eventually.

574
00:32:10.200 --> 00:32:11.440
<v Speaker 1>You could be becoming real to you.

575
00:32:11.519 --> 00:32:13.279
<v Speaker 3>Right, yeah, it becomes That's what I was gonna say.

576
00:32:13.279 --> 00:32:14.920
<v Speaker 3>It becomes real to you.

577
00:32:14.920 --> 00:32:18.079
<v Speaker 6>You want to see something really interesting real quick. So this,

578
00:32:18.240 --> 00:32:23.640
<v Speaker 6>Oh yeah, whenever Jack goes through the whenever he breaks

579
00:32:23.680 --> 00:32:26.200
<v Speaker 6>down the before he sticks his head and he says,

580
00:32:26.200 --> 00:32:31.960
<v Speaker 6>here's Johnny. You only see him break down one side

581
00:32:31.960 --> 00:32:36.440
<v Speaker 6>of the quarter panel of the door, right, It's only

582
00:32:36.559 --> 00:32:38.279
<v Speaker 6>on the right side, and he sticks his head through

583
00:32:38.319 --> 00:32:42.079
<v Speaker 6>and says, here's Johnny. But then whenever Hollerin shows up

584
00:32:42.240 --> 00:32:46.000
<v Speaker 6>in the snowmobile at the hotel and he turns around,

585
00:32:46.559 --> 00:32:48.839
<v Speaker 6>both sides of the quarter panel of the door have

586
00:32:48.920 --> 00:32:49.640
<v Speaker 6>been broken down.

587
00:32:51.200 --> 00:32:55.599
<v Speaker 3>Why is this done to create a certain effect on

588
00:32:55.640 --> 00:32:59.960
<v Speaker 3>the audience or is there is there maybe a coded mess?

589
00:33:00.559 --> 00:33:02.400
<v Speaker 3>What do you yea do people?

590
00:33:02.599 --> 00:33:05.240
<v Speaker 4>Do you think people even recognize when they're seeing it

591
00:33:05.440 --> 00:33:08.039
<v Speaker 4>or is it just like their subconscious psyche like being

592
00:33:08.079 --> 00:33:08.519
<v Speaker 4>fucked with.

593
00:33:08.960 --> 00:33:12.599
<v Speaker 6>I think it's subconsciously, because I mean, define this stuff.

594
00:33:12.920 --> 00:33:16.599
<v Speaker 6>You have to watch the movie so many times and

595
00:33:16.720 --> 00:33:19.720
<v Speaker 6>like go through like frame by frame by frame to

596
00:33:19.799 --> 00:33:22.759
<v Speaker 6>see a lot of this stuff that is there, and

597
00:33:22.799 --> 00:33:26.079
<v Speaker 6>that's just one of them. Like there's like there's like

598
00:33:26.240 --> 00:33:31.440
<v Speaker 6>at least sixty or seventy. Gee, these subtle things that

599
00:33:31.680 --> 00:33:35.920
<v Speaker 6>change and move throughout the Shining that is one hundred

600
00:33:35.920 --> 00:33:39.240
<v Speaker 6>percent obvious. It makes absolutely no sense as to why Qubria,

601
00:33:39.400 --> 00:33:40.960
<v Speaker 6>why this would be done. I mean, this has to

602
00:33:41.000 --> 00:33:44.759
<v Speaker 6>pass through so many people's hands, Like he has an

603
00:33:44.880 --> 00:33:48.079
<v Speaker 6>entire team working for him. So if he would have

604
00:33:48.079 --> 00:33:52.200
<v Speaker 6>made a mistake, which is probably highly unlikely because Kubrick

605
00:33:52.319 --> 00:33:56.599
<v Speaker 6>is a perfectionist, he gets all the details right. So

606
00:33:56.680 --> 00:34:00.400
<v Speaker 6>if it doesn't, if it passes by him, it also

607
00:34:00.440 --> 00:34:05.680
<v Speaker 6>has to pass by several other people. Like there's another

608
00:34:05.720 --> 00:34:07.920
<v Speaker 6>one that's really crazy. Let me try and pull this

609
00:34:07.960 --> 00:34:10.960
<v Speaker 6>one up. This one, this one is one that not

610
00:34:11.239 --> 00:34:15.599
<v Speaker 6>many people have ever seen, and it's so blatantly obvious.

611
00:34:16.079 --> 00:34:20.159
<v Speaker 6>And so whenever Hallarin is giving a tour to Wendy

612
00:34:20.199 --> 00:34:25.480
<v Speaker 6>and Danny in the beginning of the movie, he this

613
00:34:25.599 --> 00:34:28.440
<v Speaker 6>first room is the freezer room, right, so it goes

614
00:34:28.480 --> 00:34:30.320
<v Speaker 6>the freezer room and then the storage room, which the

615
00:34:30.320 --> 00:34:32.480
<v Speaker 6>storage room is really interesting because it plays a heavy

616
00:34:32.599 --> 00:34:36.400
<v Speaker 6>role later on in the Shiny onever Wendy is dragging

617
00:34:36.480 --> 00:34:39.239
<v Speaker 6>Jack's body into the storage room. But it sounds like

618
00:34:39.280 --> 00:34:41.239
<v Speaker 6>Hollarin says a story room. But Anyway, this is the

619
00:34:41.239 --> 00:34:46.320
<v Speaker 6>first room that Hallarin shows Wendy and Danny. He opens

620
00:34:46.400 --> 00:34:48.400
<v Speaker 6>it up. You see where the door handle is. It's

621
00:34:48.400 --> 00:34:51.320
<v Speaker 6>on the right side of the door. Ye yeah, okay,

622
00:34:51.800 --> 00:34:55.639
<v Speaker 6>So this the bottom panel here is them exiting that

623
00:34:55.800 --> 00:34:59.840
<v Speaker 6>same room, and you see where the handle is on

624
00:34:59.880 --> 00:35:01.800
<v Speaker 6>the the door is now on the left side.

625
00:35:02.400 --> 00:35:03.800
<v Speaker 1>It's not even in the same place.

626
00:35:04.039 --> 00:35:07.159
<v Speaker 6>It's not even in the same place. There's two completely

627
00:35:07.159 --> 00:35:09.960
<v Speaker 6>different places. The entire background is completely different.

628
00:35:10.320 --> 00:35:12.360
<v Speaker 4>Let me say something real quick, and this is nothing

629
00:35:12.400 --> 00:35:15.199
<v Speaker 4>to do with the shining. I let my kids watch

630
00:35:16.000 --> 00:35:18.599
<v Speaker 4>some shows. I'm careful what they watch, and I was like, Bluey,

631
00:35:19.079 --> 00:35:21.400
<v Speaker 4>it seems okay. I like the message of the I

632
00:35:21.440 --> 00:35:22.840
<v Speaker 4>don't know if you have kids, and I know this

633
00:35:22.920 --> 00:35:25.960
<v Speaker 4>is the craziest side, but I was like, Bluey seems fine.

634
00:35:26.440 --> 00:35:29.559
<v Speaker 4>And they my daughter's learning to spell. So she goes

635
00:35:29.599 --> 00:35:32.519
<v Speaker 4>on YouTube and she writes Bluey. And of course you're

636
00:35:32.559 --> 00:35:34.639
<v Speaker 4>not necessarily going to get full episodes. You're going to

637
00:35:34.679 --> 00:35:37.800
<v Speaker 4>get other things about Bluey, sometimes people making their own

638
00:35:38.400 --> 00:35:41.880
<v Speaker 4>Bluey things, sometimes playing with toys. This one turned out

639
00:35:41.880 --> 00:35:44.920
<v Speaker 4>to be a deep dive into blue It's the fucking

640
00:35:44.920 --> 00:35:47.440
<v Speaker 4>craziest thing. And my kids are sitting there watching this

641
00:35:47.519 --> 00:35:49.599
<v Speaker 4>for about five minutes before I look and I said,

642
00:35:49.599 --> 00:35:50.679
<v Speaker 4>what the hell are you guys looking at?

643
00:35:50.840 --> 00:35:51.760
<v Speaker 1>And it's just some dude.

644
00:35:51.800 --> 00:35:55.039
<v Speaker 4>He's like, well, here are the inconsistencies with the show, Bluey,

645
00:35:55.079 --> 00:35:57.599
<v Speaker 4>and it's riddled with them things just like this. And

646
00:35:57.639 --> 00:36:00.000
<v Speaker 4>he's like, look at the father Bingo as he sits here,

647
00:36:00.159 --> 00:36:02.800
<v Speaker 4>but in the next frame something is off, and he's like,

648
00:36:02.880 --> 00:36:03.840
<v Speaker 4>it shouldn't.

649
00:36:03.400 --> 00:36:03.880
<v Speaker 1>Be that way.

650
00:36:03.920 --> 00:36:07.480
<v Speaker 4>This is a strange oversight anyway, And I'm watching this

651
00:36:07.519 --> 00:36:09.559
<v Speaker 4>and it's just one after another after another. I'm like,

652
00:36:09.599 --> 00:36:12.400
<v Speaker 4>this fucking show is riddled with these things. And then

653
00:36:12.400 --> 00:36:15.239
<v Speaker 4>I started thinking the same thing. I'm like, I understand

654
00:36:15.239 --> 00:36:17.960
<v Speaker 4>animation to a certain level. I'm a graphic artist, but

655
00:36:18.039 --> 00:36:20.679
<v Speaker 4>I'm like, to get that wrong, you would have had

656
00:36:20.719 --> 00:36:24.599
<v Speaker 4>to intentionally design and draw a whole nother set, because

657
00:36:24.599 --> 00:36:26.800
<v Speaker 4>it doesn't this makes sense to get this one detail.

658
00:36:26.840 --> 00:36:28.960
<v Speaker 4>This is an asset that you would reuse in the

659
00:36:29.000 --> 00:36:32.960
<v Speaker 4>same spot always to redo. It is like intentional, and

660
00:36:33.559 --> 00:36:35.239
<v Speaker 4>that's what they did. I was like, get the fuck

661
00:36:35.239 --> 00:36:36.559
<v Speaker 4>out of here, man. I'm like, now I can't show

662
00:36:36.559 --> 00:36:37.840
<v Speaker 4>my kids Bluey. It's crazy.

663
00:36:37.840 --> 00:36:40.840
<v Speaker 7>I was watching YouTube with my son and all of

664
00:36:40.880 --> 00:36:41.239
<v Speaker 7>a sudden.

665
00:36:41.320 --> 00:36:43.800
<v Speaker 3>The next video that popped up that was recommended to

666
00:36:43.840 --> 00:36:45.400
<v Speaker 3>him was ipet goat.

667
00:36:45.199 --> 00:36:47.400
<v Speaker 7>Two, which is like super good Z.

668
00:36:48.480 --> 00:36:50.559
<v Speaker 3>That was recommended to him, And so I was able

669
00:36:50.559 --> 00:36:53.000
<v Speaker 3>to sit down with my son for the first like

670
00:36:53.239 --> 00:36:55.960
<v Speaker 3>you know, I mean, you end up pausing so much

671
00:36:56.039 --> 00:36:59.000
<v Speaker 3>and then and then and you know, establishing what all

672
00:36:59.039 --> 00:37:01.440
<v Speaker 3>these symbols mean, and a lot of it goes over

673
00:37:01.440 --> 00:37:03.760
<v Speaker 3>my head. But I'm still trying to explain to my son, like, look,

674
00:37:03.800 --> 00:37:05.920
<v Speaker 3>this is what he's nine years old. I'm just ruining him.

675
00:37:06.199 --> 00:37:09.639
<v Speaker 3>This is what symbols convey. These are all the different meanings.

676
00:37:09.679 --> 00:37:12.000
<v Speaker 3>And this is why it's a more effective form of

677
00:37:12.280 --> 00:37:15.840
<v Speaker 3>communication than spoken word, because one symbol can have so

678
00:37:15.880 --> 00:37:18.360
<v Speaker 3>many meanings and in conjunction with other symbols, there's a

679
00:37:18.440 --> 00:37:21.360
<v Speaker 3>never ending, you know, amount of branches you can go on.

680
00:37:21.440 --> 00:37:26.559
<v Speaker 7>But we were talking to Dave Snedeker, who used to.

681
00:37:26.480 --> 00:37:29.559
<v Speaker 3>Be a Hollywood guy, and oh yeah, one of the

682
00:37:29.599 --> 00:37:31.400
<v Speaker 3>things that he highlighted was like, you.

683
00:37:31.360 --> 00:37:33.400
<v Speaker 4>Hold on, wait, before you get into that, let's let

684
00:37:33.440 --> 00:37:35.239
<v Speaker 4>the people know because we're well past thirty minutes.

685
00:37:35.400 --> 00:37:38.039
<v Speaker 3>Yeah, thirty nine minutes. We gave them ten extra minutes, guys,

686
00:37:38.039 --> 00:37:41.599
<v Speaker 3>We are now cutting the stream to YouTube rumble elsewhere.

687
00:37:41.920 --> 00:37:43.880
<v Speaker 3>If you want to continue watching along, head on over

688
00:37:43.920 --> 00:37:46.519
<v Speaker 3>to patreon dot com backslash Nephlin Death Squad. You can

689
00:37:46.559 --> 00:37:48.679
<v Speaker 3>sign up for the free tier if you'd like and

690
00:37:48.960 --> 00:37:51.840
<v Speaker 3>continue enjoying an ad free experience and listening along with

691
00:37:51.880 --> 00:37:55.000
<v Speaker 3>this conversation. Otherwise, give it a few days and the

692
00:37:55.039 --> 00:37:57.000
<v Speaker 3>episode will release in its entirety.

693
00:37:57.480 --> 00:38:00.000
<v Speaker 7>Bye bye, So Snedeker.

694
00:38:00.119 --> 00:38:03.599
<v Speaker 3>One of the things that he highlights is that, you know,

695
00:38:03.760 --> 00:38:07.679
<v Speaker 3>in filmmaking, what's the what's the word continuity? I think

696
00:38:07.719 --> 00:38:11.239
<v Speaker 3>it's continuity. So so it's so important to have continuity

697
00:38:11.239 --> 00:38:13.320
<v Speaker 3>from one scene to the next scene. In other words,

698
00:38:13.320 --> 00:38:15.559
<v Speaker 3>if it's a cloud, it's if it's an overcast sky

699
00:38:15.800 --> 00:38:18.679
<v Speaker 3>in one shot and the next shot is still in that.

700
00:38:18.800 --> 00:38:20.800
<v Speaker 4>This one's gonna blow your mind, dude when he tells

701
00:38:20.840 --> 00:38:21.559
<v Speaker 4>you this shit.

702
00:38:22.199 --> 00:38:25.039
<v Speaker 3>What the uh? What I tell about the yeah, dude.

703
00:38:25.400 --> 00:38:28.599
<v Speaker 3>So basically what he does is that's the the anchor point.

704
00:38:28.639 --> 00:38:30.679
<v Speaker 3>It's like, look, you're looking for continuity from one scene

705
00:38:30.719 --> 00:38:32.400
<v Speaker 3>to the next. If the watches on the left wrist

706
00:38:32.440 --> 00:38:34.280
<v Speaker 3>in one scene, it had better be on the left

707
00:38:34.280 --> 00:38:37.599
<v Speaker 3>wrist in another scene. If there is overcast in one scene,

708
00:38:37.960 --> 00:38:40.679
<v Speaker 3>and and the camera switches, a frame switches, it had

709
00:38:40.719 --> 00:38:43.559
<v Speaker 3>still better be overcast, which he explained sometimes that's the

710
00:38:43.559 --> 00:38:45.880
<v Speaker 3>reason why they're in a rush to get these because

711
00:38:45.880 --> 00:38:48.800
<v Speaker 3>it's weather dependent, right, you need that. Everybody knows continuity

712
00:38:48.840 --> 00:38:51.960
<v Speaker 3>is is incredibly important. So for somebody like Kubert to

713
00:38:52.039 --> 00:38:54.559
<v Speaker 3>deviate from that is is, you know, strange, what are

714
00:38:54.559 --> 00:38:57.119
<v Speaker 3>you trying to do here? But what he shows us

715
00:38:57.480 --> 00:39:03.400
<v Speaker 3>is that in Joe Biden's inauguration there is really grotesque

716
00:39:03.880 --> 00:39:08.320
<v Speaker 3>examples of of you know, non continuity from one moment

717
00:39:08.360 --> 00:39:11.639
<v Speaker 3>to the next. In fact, he shows us this video

718
00:39:11.719 --> 00:39:14.719
<v Speaker 3>where where Hunter Biden is standing in one place and

719
00:39:14.760 --> 00:39:18.079
<v Speaker 3>the scene switches or the frame switches, and he's completely

720
00:39:18.119 --> 00:39:19.880
<v Speaker 3>in a different location. Oh, you actually have it?

721
00:39:20.400 --> 00:39:23.719
<v Speaker 4>Yeah, let me see. Okay, I think this is a scene. Yeah,

722
00:39:23.719 --> 00:39:26.840
<v Speaker 4>so he's on uh, he should be on this side.

723
00:39:27.000 --> 00:39:29.880
<v Speaker 4>And this is filmed live right allegedly.

724
00:39:30.360 --> 00:39:35.440
<v Speaker 3>Yeah, And then when the scene switches because he walks

725
00:39:35.480 --> 00:39:38.039
<v Speaker 3>off right or something like that.

726
00:39:38.360 --> 00:39:40.440
<v Speaker 1>It's like a crossfade that goes.

727
00:39:40.199 --> 00:39:42.159
<v Speaker 3>On cross fade and then it goes and then he's

728
00:39:42.199 --> 00:39:44.880
<v Speaker 3>in a completely different location. That's not it yet, this

729
00:39:45.039 --> 00:39:46.800
<v Speaker 3>is it. He's going to walk away and then they'll

730
00:39:46.840 --> 00:39:51.239
<v Speaker 3>cross fade and then Hunter Biden is a completely different location.

731
00:39:52.079 --> 00:39:54.800
<v Speaker 4>So he steps down. He should be on the left

732
00:39:54.800 --> 00:39:57.159
<v Speaker 4>of Joe as he steps down. Now here's the here's

733
00:39:57.159 --> 00:40:00.440
<v Speaker 4>a crossfade. Well he's talking, he's.

734
00:40:00.239 --> 00:40:02.480
<v Speaker 3>Talking through it. Boom boom boom.

735
00:40:02.719 --> 00:40:05.360
<v Speaker 4>Yeah, this is great. This is really great TV that

736
00:40:05.400 --> 00:40:06.199
<v Speaker 4>we're showing people.

737
00:40:08.719 --> 00:40:10.360
<v Speaker 3>You really want to watch this one, all right, not

738
00:40:10.440 --> 00:40:12.679
<v Speaker 3>a listening one. Watch it and then.

739
00:40:12.559 --> 00:40:16.360
<v Speaker 4>See boom, so as show him he's on the he's

740
00:40:16.400 --> 00:40:18.119
<v Speaker 4>on the wrong side of Joe Biden.

741
00:40:19.639 --> 00:40:21.119
<v Speaker 1>Is basically what's going on here?

742
00:40:21.199 --> 00:40:24.719
<v Speaker 3>Yeah, yeah, I forget which moment it is, but but

743
00:40:25.039 --> 00:40:27.760
<v Speaker 3>either way that that is Needteker and he, like I said,

744
00:40:27.880 --> 00:40:32.519
<v Speaker 3>used to be a filmmaker. And so when when we're

745
00:40:32.559 --> 00:40:35.280
<v Speaker 3>saying here that it's not sloppy, like all these things

746
00:40:35.400 --> 00:40:38.400
<v Speaker 3>are done on purpose, there's somebody who they pay a

747
00:40:38.400 --> 00:40:40.719
<v Speaker 3>lot of money to put every single thing in the

748
00:40:40.719 --> 00:40:43.920
<v Speaker 3>background in a very particular way, very particular, you know

749
00:40:43.960 --> 00:40:46.559
<v Speaker 3>what I mean. It's like set designers get paid a lot.

750
00:40:46.599 --> 00:40:48.679
<v Speaker 3>It's a very important thing to them. This is not

751
00:40:48.800 --> 00:40:51.400
<v Speaker 3>something that you would just overlook. And then you said

752
00:40:51.840 --> 00:40:55.679
<v Speaker 3>writer that there's like upwards of like seven instances or

753
00:40:55.719 --> 00:40:58.639
<v Speaker 3>seventy instances of this, like that's not an accident at all,

754
00:40:58.800 --> 00:41:00.480
<v Speaker 3>and then you have to ask the question, what on

755
00:41:00.559 --> 00:41:03.800
<v Speaker 3>earth is Kubrick trying to express by these inconsistencies.

756
00:41:05.239 --> 00:41:07.760
<v Speaker 6>Yeah, I would, I have to absolutely agree. I mean,

757
00:41:08.000 --> 00:41:10.440
<v Speaker 6>the way that you could get away with that with

758
00:41:10.480 --> 00:41:14.159
<v Speaker 6>the Hunter Biden thing is if you just flipped the

759
00:41:14.840 --> 00:41:18.360
<v Speaker 6>video to the opposite direction, so you could just irritate. Yeah,

760
00:41:18.400 --> 00:41:21.119
<v Speaker 6>you could just mirrored it or like turn it around,

761
00:41:21.119 --> 00:41:23.199
<v Speaker 6>but I'm not sure. I'd have to look into that

762
00:41:23.960 --> 00:41:27.519
<v Speaker 6>one more. But yeah, the Shining is completely just riddled

763
00:41:27.559 --> 00:41:34.440
<v Speaker 6>with all of these inconsistencies, continuity errors, earlier setups in

764
00:41:34.480 --> 00:41:37.480
<v Speaker 6>the movie for things that are being paid off later

765
00:41:37.559 --> 00:41:40.800
<v Speaker 6>on in the movie, like whenever the doctor comes to

766
00:41:41.039 --> 00:41:44.920
<v Speaker 6>visit Danny, Danny's lane on a Teddy Bear, there's teddy

767
00:41:44.920 --> 00:41:49.000
<v Speaker 6>bear freaking paintings on the wall to overlook hotel, and

768
00:41:49.039 --> 00:41:54.159
<v Speaker 6>then later on whenever Wendy's She's essentially been traumatized because

769
00:41:54.199 --> 00:41:58.480
<v Speaker 6>Wendy hasn't been gotten to the degree that Danny and

770
00:41:58.800 --> 00:42:02.480
<v Speaker 6>Jack are at because the reason that Danny has his

771
00:42:02.559 --> 00:42:04.719
<v Speaker 6>ability is to be able to do anything is because

772
00:42:04.719 --> 00:42:07.559
<v Speaker 6>of the abuse that he's suffered by Jack, and this

773
00:42:07.679 --> 00:42:10.159
<v Speaker 6>is explained in the beginning of the movie between the

774
00:42:10.199 --> 00:42:13.159
<v Speaker 6>doctor Wendy, and Wendy that comes to visit.

775
00:42:12.960 --> 00:42:14.480
<v Speaker 5>Them in their apartment in Boulder.

776
00:42:15.440 --> 00:42:18.519
<v Speaker 6>The doctor asked her when when did these When did

777
00:42:18.519 --> 00:42:20.400
<v Speaker 6>he start showing these types of signs? When did he

778
00:42:20.440 --> 00:42:23.320
<v Speaker 6>start having these issues or these problems, because they're calling.

779
00:42:23.079 --> 00:42:25.079
<v Speaker 5>Them problems and they're not really the problems there.

780
00:42:25.239 --> 00:42:28.880
<v Speaker 6>He's essentially being able to remote view and like see

781
00:42:29.440 --> 00:42:31.199
<v Speaker 6>events that are going to happen in the future is

782
00:42:31.280 --> 00:42:34.360
<v Speaker 6>essentially what it is. And she's like, well, when did

783
00:42:34.360 --> 00:42:37.400
<v Speaker 6>he start experiencing this kind of stuff? And then Wendy says, well,

784
00:42:37.440 --> 00:42:43.920
<v Speaker 6>it wasn't long after Jack had hurt Danny's arm. Essentially,

785
00:42:44.519 --> 00:42:47.280
<v Speaker 6>that's not the exact verbatim words, I'm paraphrasing it, but

786
00:42:48.119 --> 00:42:51.559
<v Speaker 6>he started experiencing these problems whenever Jack injured Danny's arm.

787
00:42:51.960 --> 00:42:55.679
<v Speaker 6>And then Jack later on admits that to Lloyd the bartender.

788
00:42:55.800 --> 00:42:58.280
<v Speaker 6>He first off he says, oh, well, I didn't touch him,

789
00:42:58.280 --> 00:43:00.360
<v Speaker 6>and then he was like, oh, maybe I had, Maybe

790
00:43:00.360 --> 00:43:02.559
<v Speaker 6>I got him one time, but it was an accident.

791
00:43:03.119 --> 00:43:05.679
<v Speaker 6>It was four and amn years ago, which is another

792
00:43:06.119 --> 00:43:10.880
<v Speaker 6>there's dialogue continuity errors as well, because Wendy says in

793
00:43:10.920 --> 00:43:14.639
<v Speaker 6>the movie that Jack had been sober since the time

794
00:43:14.920 --> 00:43:18.599
<v Speaker 6>that he had hurt Danny's arm, and then Jack says

795
00:43:18.679 --> 00:43:20.880
<v Speaker 6>that it was I think he says that it was

796
00:43:21.119 --> 00:43:23.239
<v Speaker 6>three or four years ago, so it didn't make any

797
00:43:23.239 --> 00:43:26.000
<v Speaker 6>sense because Jack had only been sober for five months.

798
00:43:29.400 --> 00:43:31.800
<v Speaker 6>So it's a dialogue air. And there's other dialogue airs

799
00:43:31.800 --> 00:43:37.400
<v Speaker 6>as well in the movie. There's one with Grady, which

800
00:43:37.480 --> 00:43:40.800
<v Speaker 6>is the theory that there's two different Grady's in the movie,

801
00:43:40.840 --> 00:43:44.239
<v Speaker 6>but one that I didn't even catch that was brought

802
00:43:44.320 --> 00:43:46.920
<v Speaker 6>up whenever we had Mark Devlin on the show, because

803
00:43:46.960 --> 00:43:49.960
<v Speaker 6>Mark Devlin's in the documentary. We have Kathy O'Brien, which

804
00:43:50.000 --> 00:43:54.480
<v Speaker 6>is MK Ultra Mind Control Survivor. We have Joe Otwell,

805
00:43:54.519 --> 00:43:57.119
<v Speaker 6>which is an author and a researcher. We have Mark Devlin,

806
00:43:57.159 --> 00:44:00.519
<v Speaker 6>which is an author and researcher in his delved into

807
00:44:00.599 --> 00:44:03.440
<v Speaker 6>the music industry. That we have Walter Bosley, which is

808
00:44:03.480 --> 00:44:08.599
<v Speaker 6>a a FOSI former Air Force intelligence agent. They're all

809
00:44:08.599 --> 00:44:11.840
<v Speaker 6>in the movie, including me and uh and Jay Wider.

810
00:44:11.880 --> 00:44:15.599
<v Speaker 6>But Mark, brought up in our interview is the reason

811
00:44:15.679 --> 00:44:21.639
<v Speaker 6>why Grady's name changes throughout the movie. So whenever Jack

812
00:44:21.719 --> 00:44:30.199
<v Speaker 6>is sitting down for the interview with Ollmen. Allmend says that, uh,

813
00:44:30.239 --> 00:44:34.800
<v Speaker 6>he says Grady, he says his full name. Sorry, I'm

814
00:44:34.800 --> 00:44:37.280
<v Speaker 6>blinking on the exact name that he calls him.

815
00:44:37.599 --> 00:44:40.760
<v Speaker 5>He says, uh, fuck.

816
00:44:41.880 --> 00:44:45.559
<v Speaker 6>So later Grady calls himself Delberg Grady. So Jack has

817
00:44:45.559 --> 00:44:48.840
<v Speaker 6>seen Delbur Grady. Don't I know you from somewhere. I've

818
00:44:48.840 --> 00:44:50.880
<v Speaker 6>seen you around the hotel before. I've seen your pictures

819
00:44:50.880 --> 00:44:52.880
<v Speaker 6>on the wall, But we've never seen any picture of

820
00:44:53.039 --> 00:44:55.079
<v Speaker 6>Delburg Grady. But there was actually a scene that was

821
00:44:55.119 --> 00:44:58.320
<v Speaker 6>cut out of the movie of the Shining that Stanley

822
00:44:58.400 --> 00:45:01.280
<v Speaker 6>Kubrick actually filmed, which was Jack whenever he went down

823
00:45:01.320 --> 00:45:04.960
<v Speaker 6>into the basement, he found a scrap book of all

824
00:45:05.000 --> 00:45:08.639
<v Speaker 6>the events that had happened up at the Overlook Hotel.

825
00:45:08.760 --> 00:45:11.119
<v Speaker 6>So that's like a scene that was cut out, which

826
00:45:11.199 --> 00:45:14.199
<v Speaker 6>didn't make any sense because he says that he had

827
00:45:14.239 --> 00:45:19.039
<v Speaker 6>seen Delbert Grady's picture around the hotel, and the only

828
00:45:19.039 --> 00:45:20.559
<v Speaker 6>way that he would have seen that picture is if

829
00:45:20.599 --> 00:45:22.920
<v Speaker 6>he would have found the scrap book that was in

830
00:45:22.960 --> 00:45:24.679
<v Speaker 6>the basement, which was the scene that was cut out.

831
00:45:24.679 --> 00:45:28.760
<v Speaker 6>So there's remnants of that scene still being in there.

832
00:45:28.920 --> 00:45:31.920
<v Speaker 6>Later on in the movie whenever they're in the bathroom,

833
00:45:32.199 --> 00:45:34.880
<v Speaker 6>and then before.

834
00:45:33.840 --> 00:45:36.480
<v Speaker 1>It there's a reason, so he had a different name

835
00:45:36.519 --> 00:45:36.880
<v Speaker 1>in the book.

836
00:45:36.960 --> 00:45:40.639
<v Speaker 4>It's not the same name from the Stephen King book.

837
00:45:40.679 --> 00:45:43.039
<v Speaker 4>I think it was Delbert, and then it's Charles in

838
00:45:43.079 --> 00:45:46.320
<v Speaker 4>one version for whatever reason, and then it does it's

839
00:45:46.360 --> 00:45:50.440
<v Speaker 4>a weird slip, right, like they kind of like forget

840
00:45:50.480 --> 00:45:52.480
<v Speaker 4>that they did that.

841
00:45:52.480 --> 00:45:55.039
<v Speaker 6>That's right, it was Charles, Charles Grady. Whenever Allman was

842
00:45:55.039 --> 00:45:59.159
<v Speaker 6>saying talking to Jack, he said, the former caretaker, Charles Grady,

843
00:45:59.159 --> 00:46:01.360
<v Speaker 6>we had up here, ordered his his wife and his

844
00:46:01.440 --> 00:46:05.800
<v Speaker 6>two daughters. And then later whenever Jack and Grady is

845
00:46:05.840 --> 00:46:08.719
<v Speaker 6>in the in the bathroom and just cleaning the alcohol

846
00:46:08.920 --> 00:46:16.440
<v Speaker 6>off of Jack's blazer, he refers to himself as Delbert Grady.

847
00:46:16.639 --> 00:46:18.719
<v Speaker 4>Delbert is his name in the book. If because I

848
00:46:18.960 --> 00:46:21.360
<v Speaker 4>love Stephen King, I hate his politics. I think he's

849
00:46:21.400 --> 00:46:24.960
<v Speaker 4>a huge homo, but I just really like his writing

850
00:46:25.280 --> 00:46:26.360
<v Speaker 4>The Dark Tower or whatever.

851
00:46:26.800 --> 00:46:26.960
<v Speaker 3>I do.

852
00:46:27.039 --> 00:46:31.360
<v Speaker 4>Remember it's Delbert in the book and it's Charles. So yeah,

853
00:46:31.559 --> 00:46:34.280
<v Speaker 4>it's like they so they they intentionally he goes through

854
00:46:34.280 --> 00:46:36.880
<v Speaker 4>the trouble of changing this guy's name for really no reason,

855
00:46:36.880 --> 00:46:39.800
<v Speaker 4>because it's not even a real character in this in

856
00:46:39.840 --> 00:46:43.599
<v Speaker 4>this uh play, in this book or movie and then

857
00:46:43.719 --> 00:46:49.880
<v Speaker 4>accidentally like what would be the term mandela affecting himself Like.

858
00:46:50.320 --> 00:46:51.280
<v Speaker 1>I don't, I don't get it.

859
00:46:51.280 --> 00:46:52.559
<v Speaker 3>It's almost like a Mandela effect.

860
00:46:52.599 --> 00:46:55.000
<v Speaker 1>It's extremely jarring for anybody who is.

861
00:46:56.480 --> 00:47:01.519
<v Speaker 3>If he is creating all these inconsistencies in the hopes

862
00:47:01.519 --> 00:47:04.880
<v Speaker 3>that someone would notice, And if you notice, then you

863
00:47:04.960 --> 00:47:08.360
<v Speaker 3>might start looking for more inconsistencies. And to your point, writer,

864
00:47:08.519 --> 00:47:11.199
<v Speaker 3>it seems to be riddled with them. And then if

865
00:47:11.199 --> 00:47:14.679
<v Speaker 3>you're looking for those things and you're no longer paying

866
00:47:14.679 --> 00:47:17.079
<v Speaker 3>attention to the story, well then you might pick up

867
00:47:17.079 --> 00:47:19.280
<v Speaker 3>on the other one. So do you think it's a

868
00:47:19.320 --> 00:47:22.199
<v Speaker 3>form of like breadcrumbs left for the viewer so that

869
00:47:22.320 --> 00:47:24.199
<v Speaker 3>you will be cued.

870
00:47:23.960 --> 00:47:26.039
<v Speaker 7>Into the idea that something else is happening.

871
00:47:27.679 --> 00:47:31.559
<v Speaker 6>Yeah, there's a because whenever I was making the movie,

872
00:47:31.880 --> 00:47:36.239
<v Speaker 6>I originally wanted to make the movie, and I was

873
00:47:36.719 --> 00:47:38.960
<v Speaker 6>watching the Shining over and over and over again, and

874
00:47:39.000 --> 00:47:41.880
<v Speaker 6>I wasn't really privy to any of the other theories

875
00:47:41.920 --> 00:47:44.440
<v Speaker 6>surrounding the Shining Stars. Just watching the movie over and

876
00:47:44.480 --> 00:47:46.519
<v Speaker 6>over and over again, I'm trying to figure out and

877
00:47:46.559 --> 00:47:49.920
<v Speaker 6>see things that maybe no one had ever seen before.

878
00:47:50.599 --> 00:47:53.519
<v Speaker 6>And I believe that I did find things that no

879
00:47:53.559 --> 00:47:57.400
<v Speaker 6>one had ever seen before in the background of the

880
00:47:57.480 --> 00:48:01.599
<v Speaker 6>Gold Room. Hold on, let me try and okay, we're

881
00:48:01.599 --> 00:48:05.760
<v Speaker 6>on we're on on sunsory platform, right. Oh yeah, okay,

882
00:48:05.840 --> 00:48:08.039
<v Speaker 6>so if you want to screenshore.

883
00:48:07.559 --> 00:48:09.840
<v Speaker 1>This, oh that's right here.

884
00:48:10.159 --> 00:48:12.320
<v Speaker 6>So in the background of the Gold Room.

885
00:48:12.000 --> 00:48:14.679
<v Speaker 5>Whenever uh, they're being.

886
00:48:14.519 --> 00:48:17.960
<v Speaker 6>Walked through elementals giving them a tour of the Gold Room,

887
00:48:18.159 --> 00:48:24.320
<v Speaker 6>there's a fucking Nazi swastika in the background of the

888
00:48:24.320 --> 00:48:25.199
<v Speaker 6>Gold Room on the wall.

889
00:48:26.400 --> 00:48:28.079
<v Speaker 1>Nazis love their symbology, dude.

890
00:48:28.920 --> 00:48:32.440
<v Speaker 6>Yeah, and where did where did mind control in the

891
00:48:32.679 --> 00:48:34.239
<v Speaker 6>MK Ultra start?

892
00:48:35.119 --> 00:48:38.440
<v Speaker 4>Yeah, it's it's a shame that the Nazis get lumped

893
00:48:38.440 --> 00:48:43.360
<v Speaker 4>in with racism and like like politics, because like they

894
00:48:43.400 --> 00:48:46.400
<v Speaker 4>really do shine with their occult symbolism and and that

895
00:48:46.480 --> 00:48:47.000
<v Speaker 4>kind of stuff.

896
00:48:47.000 --> 00:48:48.280
<v Speaker 1>There ties to me and feto me.

897
00:48:48.360 --> 00:48:51.559
<v Speaker 3>Yeah, everybody's everybody's mad because they're they're they're racism, Like

898
00:48:51.559 --> 00:48:55.800
<v Speaker 3>you should be mad because they're occultists and yeah, and

899
00:48:55.840 --> 00:48:59.920
<v Speaker 3>they're clearly trying to do something pretty nefarious.

900
00:49:00.000 --> 00:49:03.760
<v Speaker 4>I mean, you're like channeling channeling ancient Atlanians and shit

901
00:49:03.840 --> 00:49:06.960
<v Speaker 4>like that. No problem, But did you hear about how

902
00:49:07.000 --> 00:49:09.360
<v Speaker 4>they felt about the Blacks, like all right, it's like

903
00:49:09.440 --> 00:49:10.079
<v Speaker 4>that's not good.

904
00:49:10.280 --> 00:49:14.679
<v Speaker 3>We're missing it. We're missing it here. Yeah, I see this.

905
00:49:15.320 --> 00:49:17.719
<v Speaker 3>I mean I wonder if why do.

906
00:49:17.679 --> 00:49:19.199
<v Speaker 4>You think, why do you think he put it here?

907
00:49:19.239 --> 00:49:20.920
<v Speaker 4>Because for me, it's like it's got to be the

908
00:49:20.960 --> 00:49:23.760
<v Speaker 4>occult symbolism of the Nazis, Like he's paying respect to

909
00:49:23.800 --> 00:49:26.960
<v Speaker 4>these these dudes who are looking for you know, uh,

910
00:49:27.000 --> 00:49:29.440
<v Speaker 4>this the spear of destiny that killed Jesus or that

911
00:49:29.480 --> 00:49:30.559
<v Speaker 4>you know, poked him inside.

912
00:49:30.599 --> 00:49:33.519
<v Speaker 3>Because it could be a nod to that, that MK ultra.

913
00:49:33.679 --> 00:49:35.400
<v Speaker 3>I mean, that's that's where it got its roots in

914
00:49:35.480 --> 00:49:37.599
<v Speaker 3>very many ways. And this is what you're doing. I

915
00:49:37.639 --> 00:49:41.440
<v Speaker 3>mean you're literally doing that to the actress in real time, right,

916
00:49:41.519 --> 00:49:48.440
<v Speaker 3>You're you're manipulating her via trauma. And so yeah, I

917
00:49:48.480 --> 00:49:49.719
<v Speaker 3>mean maybe maybe that's what it is.

918
00:49:50.920 --> 00:49:53.239
<v Speaker 6>I think that it was one hundred percent house to

919
00:49:53.280 --> 00:49:56.559
<v Speaker 6>do with a nod to the the MK ultra programs

920
00:49:56.559 --> 00:50:00.000
<v Speaker 6>that were started in in Nazi Germany during that time.

921
00:50:00.039 --> 00:50:03.519
<v Speaker 6>I mean there's other things as well that revolve around this.

922
00:50:04.159 --> 00:50:07.639
<v Speaker 6>Whenever Jack is in the gold Room and he's talking

923
00:50:07.639 --> 00:50:12.159
<v Speaker 6>to Lloyd the bartender, there's a lady that walks past

924
00:50:12.280 --> 00:50:16.480
<v Speaker 6>that has like this this outline of a bloody handprint

925
00:50:16.599 --> 00:50:19.119
<v Speaker 6>that's on her ass. Not people have said that this

926
00:50:19.320 --> 00:50:21.519
<v Speaker 6>is I was the first person to see this. I

927
00:50:21.559 --> 00:50:23.519
<v Speaker 6>was the only person that ever pointed this and pointed

928
00:50:23.519 --> 00:50:25.360
<v Speaker 6>this out like two years ago with Jay Winer on

929
00:50:25.400 --> 00:50:27.800
<v Speaker 6>my show, before we even met our documentary. It looks

930
00:50:27.840 --> 00:50:31.800
<v Speaker 6>like exactly, that's exactly what it is. Tom Hanks and

931
00:50:31.800 --> 00:50:35.199
<v Speaker 6>the Wilson volleyball, the four fingerprint thing. You can look

932
00:50:35.199 --> 00:50:39.480
<v Speaker 6>into freaking Tom Hanks and see all the weird ship

933
00:50:39.639 --> 00:50:41.559
<v Speaker 6>that he's been into, and then you know.

934
00:50:41.639 --> 00:50:43.519
<v Speaker 1>You go back to that, Yeah, yeah, there it is.

935
00:50:43.920 --> 00:50:47.199
<v Speaker 3>And then what do you suggest that that that that

936
00:50:47.239 --> 00:50:51.400
<v Speaker 3>bloody handprint is is actually representative of one in particular

937
00:50:51.920 --> 00:50:55.480
<v Speaker 3>torture victim, a child who would have been, you know,

938
00:50:55.519 --> 00:50:58.960
<v Speaker 3>the recipient of just horrifying things in an Epstein esque

939
00:50:59.079 --> 00:51:01.960
<v Speaker 3>kind of a scenario. Uh. And and they even allege

940
00:51:02.000 --> 00:51:05.599
<v Speaker 3>that people like Ellen DeGeneres and I think Jay z

941
00:51:05.880 --> 00:51:09.599
<v Speaker 3>and and a few others pay homage to that moment.

942
00:51:10.079 --> 00:51:13.119
<v Speaker 3>You'll see this this bloody handprint face thing and a

943
00:51:13.119 --> 00:51:15.639
<v Speaker 3>lot of things, and they'll wear it on a sweater

944
00:51:17.079 --> 00:51:19.679
<v Speaker 3>and there's resemblance. It's not quite the same thing, but

945
00:51:19.719 --> 00:51:23.119
<v Speaker 3>it does bear resemblance. It's a face and it's it's bloodied.

946
00:51:23.639 --> 00:51:26.719
<v Speaker 3>I've also seen it blown up as artwork, I think

947
00:51:26.760 --> 00:51:28.719
<v Speaker 3>in like Jay Z's house or somebody like that. I

948
00:51:28.719 --> 00:51:31.840
<v Speaker 3>think even maybe Tony Podesta. So I mean, yeah, this

949
00:51:31.840 --> 00:51:34.920
<v Speaker 3>this all becomes I mean, that just got real messy,

950
00:51:34.960 --> 00:51:35.440
<v Speaker 3>real quick.

951
00:51:36.199 --> 00:51:38.920
<v Speaker 6>It did. And that's one of the first things that

952
00:51:38.920 --> 00:51:41.119
<v Speaker 6>that I had seen while I was watching the movie

953
00:51:41.119 --> 00:51:43.679
<v Speaker 6>that no one else had ever brought up or ever

954
00:51:43.760 --> 00:51:46.599
<v Speaker 6>noticed before. And and with anything.

955
00:51:46.440 --> 00:51:48.159
<v Speaker 7>Too, like now that you see it's blatant.

956
00:51:48.440 --> 00:51:51.440
<v Speaker 6>Yeah, with anything that you first discovered, there's always people

957
00:51:51.559 --> 00:51:54.119
<v Speaker 6>that's gonna come out and try and say that's not

958
00:51:54.280 --> 00:51:56.480
<v Speaker 6>what it is because they're jealous that they're when they

959
00:51:56.480 --> 00:51:59.280
<v Speaker 6>didn't see it first, right, They're like, oh, that's not

960
00:51:59.480 --> 00:52:01.559
<v Speaker 6>that's it's just a part of the dross that's just

961
00:52:01.599 --> 00:52:03.679
<v Speaker 6>made into the dress. Well, regardless if it's a part

962
00:52:03.719 --> 00:52:06.280
<v Speaker 6>of the dress, were made into the dress. Cuba put

963
00:52:06.800 --> 00:52:09.960
<v Speaker 6>this costume designer to put a freaking the shape of

964
00:52:09.960 --> 00:52:12.239
<v Speaker 6>a bloody handprint on the back of this woman's dress

965
00:52:12.280 --> 00:52:14.360
<v Speaker 6>and it just happens to be on her ass, Like, right,

966
00:52:14.440 --> 00:52:15.360
<v Speaker 6>weren't her asses?

967
00:52:15.679 --> 00:52:19.639
<v Speaker 3>Yeah, but give me a break, great catch, great catch. Yeah,

968
00:52:19.639 --> 00:52:21.519
<v Speaker 3>I mean I mean as soon as you pointed it out,

969
00:52:21.639 --> 00:52:24.280
<v Speaker 3>that's where my mind went straight to the Wilson volleyball.

970
00:52:24.440 --> 00:52:27.239
<v Speaker 3>And like I said, it, it gets messy because the

971
00:52:27.280 --> 00:52:31.840
<v Speaker 3>implications of that are are massive. When did Castaway come out?

972
00:52:32.000 --> 00:52:35.400
<v Speaker 3>So when if this thousand I believe two thousand, and

973
00:52:35.440 --> 00:52:36.679
<v Speaker 3>when did The Shining come out?

974
00:52:37.000 --> 00:52:37.639
<v Speaker 6>Nineteen eighty?

975
00:52:39.559 --> 00:52:39.800
<v Speaker 5>Wow?

976
00:52:40.039 --> 00:52:41.960
<v Speaker 1>This is as a very long game.

977
00:52:42.639 --> 00:52:44.679
<v Speaker 3>It's a game. It really.

978
00:52:45.519 --> 00:52:47.559
<v Speaker 4>It makes me think though, like like damn, like as

979
00:52:47.719 --> 00:52:49.639
<v Speaker 4>as we're uncovering, like you did it, when did your

980
00:52:49.679 --> 00:52:51.320
<v Speaker 4>documentary about this release.

981
00:52:52.239 --> 00:52:54.960
<v Speaker 6>Release last year? Released the day before the election.

982
00:52:55.639 --> 00:53:00.559
<v Speaker 4>It's almost like almost fifty years fifty they've been Yeah,

983
00:53:00.599 --> 00:53:02.519
<v Speaker 4>I mean other people have been talking about it, of course, but.

984
00:53:02.800 --> 00:53:04.760
<v Speaker 3>You know, but I was saying to writer earlier, like

985
00:53:05.199 --> 00:53:08.360
<v Speaker 3>Kubrick Films, The Shining in particular is like, you know,

986
00:53:08.440 --> 00:53:10.719
<v Speaker 3>you think about a video game and its replay value.

987
00:53:11.719 --> 00:53:14.920
<v Speaker 3>This film has replay value and it just keeps giving.

988
00:53:15.760 --> 00:53:17.599
<v Speaker 6>It does it keeps giving and giving and giving it.

989
00:53:17.920 --> 00:53:21.079
<v Speaker 6>There's a movie that doesn't doesn't stop giving.

990
00:53:21.679 --> 00:53:23.960
<v Speaker 3>And it's in that way you look at Cubric and

991
00:53:24.000 --> 00:53:26.280
<v Speaker 3>it's like he's a he's a master.

992
00:53:28.280 --> 00:53:31.000
<v Speaker 6>He's a master, he's a master filmmaker, and he can

993
00:53:31.039 --> 00:53:33.719
<v Speaker 6>slide things in there that people won't notice.

994
00:53:33.400 --> 00:53:35.239
<v Speaker 5>For years and years and years.

995
00:53:35.280 --> 00:53:38.880
<v Speaker 6>I mean, yeah, I mean to the fact that we

996
00:53:39.000 --> 00:53:43.440
<v Speaker 6>can still watch the movie and find new things within

997
00:53:43.480 --> 00:53:45.679
<v Speaker 6>the movie that no one has ever seen before. Because

998
00:53:45.840 --> 00:53:48.840
<v Speaker 6>that was going to be that was my hurdle, right,

999
00:53:49.440 --> 00:53:53.440
<v Speaker 6>because I wasn't going to make the movie if I

1000
00:53:53.559 --> 00:53:59.719
<v Speaker 6>was just going to be rehashing everyone's previously established theories, right.

1001
00:54:00.559 --> 00:54:03.079
<v Speaker 6>And as I was watching it, this was the first

1002
00:54:03.079 --> 00:54:08.039
<v Speaker 6>thing that I seen. And then I seen the swastika

1003
00:54:08.079 --> 00:54:11.280
<v Speaker 6>in the background of the gold room. And then the

1004
00:54:11.320 --> 00:54:15.000
<v Speaker 6>one thing that people really bring up a lot, but

1005
00:54:15.039 --> 00:54:22.079
<v Speaker 6>they've misinterpreted is this photo right here. So whenever Danny

1006
00:54:22.159 --> 00:54:23.920
<v Speaker 6>is in the games room and you're throwing darts at

1007
00:54:23.920 --> 00:54:26.159
<v Speaker 6>the dartboard, he turns around and he sees the two

1008
00:54:26.239 --> 00:54:28.480
<v Speaker 6>little girls, which is the twins. There's a lot of

1009
00:54:28.480 --> 00:54:30.320
<v Speaker 6>eleven symbolism.

1010
00:54:29.719 --> 00:54:30.159
<v Speaker 5>In the movie.

1011
00:54:30.199 --> 00:54:33.119
<v Speaker 6>There's elevens everywhere. You got the twins right here that

1012
00:54:33.199 --> 00:54:35.880
<v Speaker 6>are representing the eleven. You got the double doors behind

1013
00:54:35.920 --> 00:54:38.159
<v Speaker 6>them that's also presenting the love in pretty much all

1014
00:54:38.199 --> 00:54:40.559
<v Speaker 6>the doors in the entire hotel are two doors. There

1015
00:54:40.559 --> 00:54:42.360
<v Speaker 6>are two double doors eleven the.

1016
00:54:42.800 --> 00:54:45.920
<v Speaker 7>Light writer that Stranger Things.

1017
00:54:46.000 --> 00:54:48.440
<v Speaker 3>The main character is eleven, and that is a trauma

1018
00:54:48.519 --> 00:54:51.920
<v Speaker 3>based mk ultra you know, mind control entities on the

1019
00:54:51.960 --> 00:54:53.480
<v Speaker 3>other side of the veil kind of a situation.

1020
00:54:53.800 --> 00:54:54.840
<v Speaker 6>That's exactly right.

1021
00:54:55.199 --> 00:54:56.679
<v Speaker 1>What's even stranger to is that?

1022
00:54:56.920 --> 00:54:59.679
<v Speaker 4>I mean, if you want to get real, like supernatural

1023
00:54:59.679 --> 00:55:02.559
<v Speaker 4>with it, Eleven they referred to or as l and

1024
00:55:02.639 --> 00:55:06.840
<v Speaker 4>that's like an abbreviation of elohem, which would be full

1025
00:55:06.880 --> 00:55:10.880
<v Speaker 4>if anything, from fallen angels to God the Creator. So yeah,

1026
00:55:11.039 --> 00:55:14.760
<v Speaker 4>it's man, it's this shiic goes super deep, super super deep.

1027
00:55:16.320 --> 00:55:18.440
<v Speaker 3>It's the nine to eleven thing too, right, I mean

1028
00:55:18.440 --> 00:55:22.719
<v Speaker 3>they it's everywhere the buildings were they had names. Actually,

1029
00:55:23.159 --> 00:55:26.519
<v Speaker 3>each individual tower had a name. They were considered like twins.

1030
00:55:26.519 --> 00:55:29.960
<v Speaker 3>It was I forget exactly how that went, but yeah,

1031
00:55:30.000 --> 00:55:32.800
<v Speaker 3>that so, I mean that eleven symbolism was done to

1032
00:55:32.920 --> 00:55:33.840
<v Speaker 3>us on nine eleven two.

1033
00:55:34.440 --> 00:55:37.039
<v Speaker 6>Yeah, the twin Towers, the twins in this movie, the

1034
00:55:37.079 --> 00:55:40.239
<v Speaker 6>double Doors lives looking like Eleven's like, it's it's insane

1035
00:55:40.280 --> 00:55:43.119
<v Speaker 6>whenever you look at all the eleven types of symbolism

1036
00:55:43.119 --> 00:55:45.679
<v Speaker 6>within the Shining But this poster on the wall that's

1037
00:55:45.719 --> 00:55:49.079
<v Speaker 6>in the background. People have pointed this all. This wasn't

1038
00:55:49.119 --> 00:55:51.440
<v Speaker 6>something that I had seen. Others have pointed out this

1039
00:55:51.480 --> 00:55:54.079
<v Speaker 6>poster before, but they got the meaning of what the

1040
00:55:54.119 --> 00:55:57.599
<v Speaker 6>poster actually is wrong, and they think that it's referring

1041
00:55:57.639 --> 00:56:01.400
<v Speaker 6>to the They they look at the poster and they

1042
00:56:01.400 --> 00:56:04.079
<v Speaker 6>see the ski this guy and the ski looks like

1043
00:56:04.119 --> 00:56:07.519
<v Speaker 6>you're skiing or whatever, and they bring but also they

1044
00:56:07.519 --> 00:56:10.079
<v Speaker 6>think that it looks like a menotaur, which you have

1045
00:56:10.199 --> 00:56:15.239
<v Speaker 6>like the famous Cubrick stairs that are prominent in his movies.

1046
00:56:15.280 --> 00:56:18.280
<v Speaker 6>You had it in a clockwork Orange where Alex was

1047
00:56:18.320 --> 00:56:19.960
<v Speaker 6>doing you know that stare that they do where they

1048
00:56:20.039 --> 00:56:22.039
<v Speaker 6>bring the rye, they nod their head down and they

1049
00:56:22.119 --> 00:56:23.239
<v Speaker 6>what's their eyes up?

1050
00:56:24.679 --> 00:56:26.079
<v Speaker 1>Sampouku i or something like that.

1051
00:56:26.159 --> 00:56:27.719
<v Speaker 3>Yeah, it's where you could see the whites of their

1052
00:56:27.760 --> 00:56:30.000
<v Speaker 3>eyes on the bottom predominantly.

1053
00:56:30.280 --> 00:56:33.559
<v Speaker 6>Yes, And that's also in full metal jacket. That's in

1054
00:56:33.599 --> 00:56:35.119
<v Speaker 6>the Shining Cubrit does.

1055
00:56:35.000 --> 00:56:37.159
<v Speaker 3>It all the time as well. Trump did it, and

1056
00:56:37.239 --> 00:56:39.840
<v Speaker 3>obviously the painting of Lucifer is one of the more

1057
00:56:39.880 --> 00:56:43.159
<v Speaker 3>famous examples of that. I forget who painted that. I

1058
00:56:43.199 --> 00:56:45.679
<v Speaker 3>don't know if it was DaVinci or Michelangel or whatever,

1059
00:56:45.719 --> 00:56:48.280
<v Speaker 3>but he is doing this kind of like you know,

1060
00:56:49.039 --> 00:56:51.920
<v Speaker 3>it's it's indicative of like vengeance or something like that.

1061
00:56:53.079 --> 00:56:55.840
<v Speaker 6>So when you take this poster for what it actually

1062
00:56:55.880 --> 00:56:58.800
<v Speaker 6>means and you analyze.

1063
00:56:58.239 --> 00:57:01.320
<v Speaker 5>The word monarchy, you have monarch.

1064
00:57:01.039 --> 00:57:06.400
<v Speaker 6>Mk ultra right right right, so exactly, so you have

1065
00:57:07.280 --> 00:57:11.960
<v Speaker 6>you have monarch mk ultra. You have Jack writing out

1066
00:57:12.119 --> 00:57:14.719
<v Speaker 6>over and over and over again the same phrase, and

1067
00:57:14.719 --> 00:57:17.400
<v Speaker 6>Windy comes in and finds it, and then Jack's then

1068
00:57:17.440 --> 00:57:21.400
<v Speaker 6>triggered to do violence and try and murder his family

1069
00:57:21.480 --> 00:57:25.239
<v Speaker 6>after that, which is a psychic driving technique that is

1070
00:57:25.320 --> 00:57:30.360
<v Speaker 6>done where they would basically imprint. It's a famous technique

1071
00:57:30.400 --> 00:57:34.599
<v Speaker 6>that was developed in Canada that they would take a

1072
00:57:34.800 --> 00:57:38.400
<v Speaker 6>looped audio message into a room and have the subject

1073
00:57:38.599 --> 00:57:41.840
<v Speaker 6>or the patient listen to the looped audio message over

1074
00:57:41.840 --> 00:57:43.920
<v Speaker 6>and over and over again, so then it just gets

1075
00:57:44.159 --> 00:57:47.760
<v Speaker 6>stuck in their head. So that's what they're doing to Jack.

1076
00:57:47.880 --> 00:57:51.280
<v Speaker 6>They're essentially making him write the same thing over and

1077
00:57:51.320 --> 00:57:53.280
<v Speaker 6>over and over again. And we see evidence of that

1078
00:57:53.320 --> 00:57:57.280
<v Speaker 6>with sir Han. Sirhan which assassin was said to us

1079
00:57:57.280 --> 00:58:03.360
<v Speaker 6>assassinated RFK. He did the same thing over and over

1080
00:58:03.400 --> 00:58:06.679
<v Speaker 6>and over again in his notebook rfkmist die rfkm ustye

1081
00:58:06.840 --> 00:58:08.760
<v Speaker 6>over and over and over again. And Jack is doing

1082
00:58:08.760 --> 00:58:11.760
<v Speaker 6>his own version of that same exact technique, which a

1083
00:58:11.800 --> 00:58:14.800
<v Speaker 6>psychic driving. He's all working, no play makes Jack a

1084
00:58:14.840 --> 00:58:16.719
<v Speaker 6>doll boy. All work and no play makes Jack a

1085
00:58:16.760 --> 00:58:20.679
<v Speaker 6>doll boy. It's the same exact technique. And then when

1086
00:58:20.679 --> 00:58:22.559
<v Speaker 6>Windy comes in and sees it, he's just he's not

1087
00:58:22.599 --> 00:58:25.480
<v Speaker 6>really writing a novel, He's just writing the same words

1088
00:58:25.480 --> 00:58:28.480
<v Speaker 6>over and over and over again. He then becomes he

1089
00:58:28.559 --> 00:58:34.400
<v Speaker 6>gets triggered. Yeah mk Ultramanchurian style candidate. Trigger that makes

1090
00:58:34.480 --> 00:58:37.000
<v Speaker 6>him want to murder Wendy and Danny.

1091
00:58:38.079 --> 00:58:40.440
<v Speaker 3>The image on the poster reminds me of like the

1092
00:58:40.519 --> 00:58:43.280
<v Speaker 3>kind of the Lucifer, the morning Star, the light bearer,

1093
00:58:43.360 --> 00:58:46.440
<v Speaker 3>the Promethean kind of a situation. It's like this man

1094
00:58:46.559 --> 00:58:51.480
<v Speaker 3>carrying the light, but all these things, there's spells at

1095
00:58:51.519 --> 00:58:53.039
<v Speaker 3>the end of the day. I mean, you were talking

1096
00:58:53.079 --> 00:58:55.760
<v Speaker 3>before about how you know, not only are they doing

1097
00:58:55.800 --> 00:58:58.559
<v Speaker 3>this to the actress while they're going through it, but

1098
00:58:59.119 --> 00:59:02.199
<v Speaker 3>also it's is that clockwork orange is having this effect

1099
00:59:02.280 --> 00:59:05.679
<v Speaker 3>wherever it's playing that suddenly, you know, violence is happening

1100
00:59:06.280 --> 00:59:08.199
<v Speaker 3>around the areas where it's released, to the point where

1101
00:59:08.199 --> 00:59:12.480
<v Speaker 3>they even remove it from the UK. That to me,

1102
00:59:12.679 --> 00:59:18.559
<v Speaker 3>sounds just like at some point the music industry hijacked.

1103
00:59:20.719 --> 00:59:21.880
<v Speaker 7>Predominantly black music.

1104
00:59:21.920 --> 00:59:25.960
<v Speaker 3>I mean, obviously it's happened, but with hip hop in particular,

1105
00:59:26.800 --> 00:59:31.800
<v Speaker 3>it wasn't always like this. Violence adduled sort of like

1106
00:59:31.880 --> 00:59:36.079
<v Speaker 3>drug use, gang banging, disrespect to women, that kind of

1107
00:59:36.119 --> 00:59:38.079
<v Speaker 3>a thing. It didn't used to be that when it

1108
00:59:38.119 --> 00:59:40.679
<v Speaker 3>first happened. And then it seems like at some point

1109
00:59:41.079 --> 00:59:43.719
<v Speaker 3>you can speculate as to why it's a prison industrial

1110
00:59:43.760 --> 00:59:47.039
<v Speaker 3>complex trying to create a situation we're going to end

1111
00:59:47.079 --> 00:59:49.119
<v Speaker 3>up imprisoning more black people because they get paid, or

1112
00:59:49.800 --> 00:59:52.760
<v Speaker 3>or the crack epidemic right funding, the Iran contra wars,

1113
00:59:52.760 --> 00:59:56.280
<v Speaker 3>all these things doesn't really matter. What eventually happens is

1114
00:59:57.920 --> 01:00:02.280
<v Speaker 3>let's just put it in the most generous light possible.

1115
01:00:02.440 --> 01:00:07.679
<v Speaker 3>They realize that violence, drug use, and things of that

1116
01:00:07.800 --> 01:00:11.280
<v Speaker 3>nature sell very well, and so then what happens is

1117
01:00:11.599 --> 01:00:14.159
<v Speaker 3>their artists start pushing that because look, if you're a

1118
01:00:14.199 --> 01:00:17.159
<v Speaker 3>record label, like you got Talent, Kid, you just got

1119
01:00:17.199 --> 01:00:18.159
<v Speaker 3>to change your messaging.

1120
01:00:18.400 --> 01:00:19.599
<v Speaker 7>We know what works.

1121
01:00:20.239 --> 01:00:23.400
<v Speaker 3>And then eventually what happens is where the art form

1122
01:00:23.519 --> 01:00:26.119
<v Speaker 3>used to be a reflection of the culture, it then

1123
01:00:26.159 --> 01:00:29.760
<v Speaker 3>mirrors itself back and the culture becomes a product of

1124
01:00:29.800 --> 01:00:31.679
<v Speaker 3>the art form. So where the art form is now

1125
01:00:31.719 --> 01:00:36.039
<v Speaker 3>pushing out into the world violence and you know, women

1126
01:00:36.119 --> 01:00:39.920
<v Speaker 3>abuse and drug usage and glorifying like being in prison

1127
01:00:40.000 --> 01:00:43.000
<v Speaker 3>and things like that, then the culture starts to emulate it.

1128
01:00:43.039 --> 01:00:44.719
<v Speaker 7>So it becomes this like feedback loop.

1129
01:00:44.760 --> 01:00:48.039
<v Speaker 3>And if you can do that to an entire community

1130
01:00:48.079 --> 01:00:51.400
<v Speaker 3>of people and hijack a culture like that, well then

1131
01:00:51.440 --> 01:00:54.360
<v Speaker 3>maybe you could do that with like world events. Maybe

1132
01:00:54.360 --> 01:00:57.239
<v Speaker 3>if you could embed your plans for what's going to

1133
01:00:57.280 --> 01:01:00.239
<v Speaker 3>happen in the future and enough of your media and

1134
01:01:00.320 --> 01:01:04.360
<v Speaker 3>aim that at people, maybe somehow there's this exchange back

1135
01:01:04.840 --> 01:01:07.599
<v Speaker 3>and we can kind of manifest these things. It's spellcraft,

1136
01:01:07.840 --> 01:01:09.679
<v Speaker 3>it's just not in the way that we think about

1137
01:01:09.800 --> 01:01:12.360
<v Speaker 3>spellcraft when you think about I don't know, like the

1138
01:01:12.400 --> 01:01:14.960
<v Speaker 3>way children's cartoons or something presents it.

1139
01:01:16.320 --> 01:01:18.480
<v Speaker 6>There's a lot of that too, with like double speak

1140
01:01:18.760 --> 01:01:23.760
<v Speaker 6>within the community the you know, where people will mention

1141
01:01:24.320 --> 01:01:28.239
<v Speaker 6>one thing but they mean something completely different, but the

1142
01:01:28.280 --> 01:01:31.800
<v Speaker 6>audience and the people that are listening have a different interpretation.

1143
01:01:31.840 --> 01:01:34.000
<v Speaker 6>And I think that it's a surface level when they

1144
01:01:34.159 --> 01:01:36.880
<v Speaker 6>actually mean something, you know, I mean, look at the

1145
01:01:36.920 --> 01:01:39.079
<v Speaker 6>alien invasion stuff. I mean, how long have people been

1146
01:01:39.079 --> 01:01:43.360
<v Speaker 6>talking about an alien invasion. Well, we had an alien invasion.

1147
01:01:43.639 --> 01:01:46.280
<v Speaker 6>It happened in twenty twenty, Biden, let it happen. It

1148
01:01:46.320 --> 01:01:50.480
<v Speaker 6>came across our borders. When you're in another country, you're

1149
01:01:50.519 --> 01:01:54.280
<v Speaker 6>considered an alien. If I were to go to any

1150
01:01:54.280 --> 01:01:56.719
<v Speaker 6>other country right now, and I'm not a citizen of

1151
01:01:56.719 --> 01:02:00.239
<v Speaker 6>that country, I'm an alien. I'm an alien there. I

1152
01:02:00.280 --> 01:02:03.920
<v Speaker 6>am foreign to that country, I am not from there.

1153
01:02:05.199 --> 01:02:08.840
<v Speaker 6>So we have this crisis where everyone's talking about, you know,

1154
01:02:08.920 --> 01:02:12.880
<v Speaker 6>the big alien invasion, and then you know, Trump comes

1155
01:02:12.920 --> 01:02:14.920
<v Speaker 6>in and is like, well, let's deport all these people

1156
01:02:15.000 --> 01:02:16.880
<v Speaker 6>back to where they're from. So Trump came in and

1157
01:02:16.880 --> 01:02:19.800
<v Speaker 6>defeated the freaking aliens. Dude, it's it's it's mind it's

1158
01:02:20.000 --> 01:02:23.639
<v Speaker 6>word magic, mind fuckery. Well, it's all that it is.

1159
01:02:25.639 --> 01:02:27.360
<v Speaker 4>Reagan said like, oh, if we wanted to have some

1160
01:02:27.440 --> 01:02:30.119
<v Speaker 4>kind of like world government, we would it would take

1161
01:02:30.239 --> 01:02:33.000
<v Speaker 4>something like an alien invasion. Never thought about it among

1162
01:02:33.000 --> 01:02:33.559
<v Speaker 4>those lines.

1163
01:02:33.760 --> 01:02:38.039
<v Speaker 3>Well, sometimes it is a very literal though, And by

1164
01:02:38.039 --> 01:02:41.079
<v Speaker 3>that I mean like people have pretty well established that

1165
01:02:41.159 --> 01:02:46.159
<v Speaker 3>before nine to eleven happened, we were just constantly absorbing

1166
01:02:46.480 --> 01:02:49.840
<v Speaker 3>media that was about the towers getting attacked. It and

1167
01:02:49.880 --> 01:02:52.039
<v Speaker 3>it showed up in so many different ways, you know,

1168
01:02:52.119 --> 01:02:54.239
<v Speaker 3>all the way from like the Simpsons to I don't know,

1169
01:02:54.239 --> 01:02:59.199
<v Speaker 3>whatever you name the show. And in hindsight, Hindsight's twenty twenty,

1170
01:02:59.239 --> 01:03:00.960
<v Speaker 3>we can look back and be like, now that the

1171
01:03:01.039 --> 01:03:04.440
<v Speaker 3>towers are gone, this magazine is really strange, or this

1172
01:03:04.519 --> 01:03:06.800
<v Speaker 3>episode of this show is really strange, or this film

1173
01:03:06.880 --> 01:03:10.239
<v Speaker 3>or this you know whatever. And we ended up finding

1174
01:03:10.719 --> 01:03:13.639
<v Speaker 3>that there was a lot of it. And so I

1175
01:03:13.639 --> 01:03:17.079
<v Speaker 3>don't know what purpose that serves you. You can only kind

1176
01:03:17.079 --> 01:03:19.480
<v Speaker 3>of speculate, but it's it seems like on some level

1177
01:03:19.519 --> 01:03:23.280
<v Speaker 3>it's communications with those in the know. On another destroyed,

1178
01:03:23.400 --> 01:03:25.400
<v Speaker 3>it's because the towers are gonna get destroyed. And then

1179
01:03:25.440 --> 01:03:28.239
<v Speaker 3>sometimes maybe it's it's a little bit different where you

1180
01:03:28.239 --> 01:03:29.960
<v Speaker 3>know your alien analogy works.

1181
01:03:30.239 --> 01:03:33.000
<v Speaker 4>Right, I see you're about to pull up another another

1182
01:03:33.159 --> 01:03:35.039
<v Speaker 4>uh still here, But I wanted to say before I

1183
01:03:35.039 --> 01:03:41.760
<v Speaker 4>forget the eleven stuff. Crowley, that's like big in Thalima.

1184
01:03:42.079 --> 01:03:43.599
<v Speaker 4>I think the do as that will will be the

1185
01:03:43.639 --> 01:03:45.159
<v Speaker 4>whole of the law. Like He's like made sure it

1186
01:03:45.199 --> 01:03:48.000
<v Speaker 4>had eleven words in it. Eleven was like a divine

1187
01:03:48.079 --> 01:03:51.920
<v Speaker 4>number to the you know, to Thelema, to Crowley, and yes,

1188
01:03:52.000 --> 01:03:53.039
<v Speaker 4>Crowley ice, and.

1189
01:03:52.960 --> 01:03:54.320
<v Speaker 1>It's also shows up in Kabala.

1190
01:03:54.360 --> 01:03:58.639
<v Speaker 4>It's something like uh in their uh sort of numerology,

1191
01:03:58.800 --> 01:04:02.920
<v Speaker 4>it means uh. It's the space. It's this supernatural space

1192
01:04:02.960 --> 01:04:08.480
<v Speaker 4>between like human understanding and this like esoteric world. That's

1193
01:04:08.519 --> 01:04:11.000
<v Speaker 4>what they that's what they thought eleven was.

1194
01:04:11.079 --> 01:04:13.280
<v Speaker 3>So it also has something to do with like the

1195
01:04:13.320 --> 01:04:18.480
<v Speaker 3>Pillars of Solomon in some way. There's these two pillars

1196
01:04:18.800 --> 01:04:21.320
<v Speaker 3>I'm reading it here made of bronze that stood in

1197
01:04:21.360 --> 01:04:24.840
<v Speaker 3>front of the entrance to Solomon's temple in Jerusalem. And

1198
01:04:24.840 --> 01:04:27.760
<v Speaker 3>then it's like on nine to eleven, who took out

1199
01:04:27.800 --> 01:04:35.599
<v Speaker 3>that gigantic insurance claim. Uh, I know, I know the

1200
01:04:35.679 --> 01:04:39.920
<v Speaker 3>Solomon Brothers had something to do. Their name gets brought

1201
01:04:39.960 --> 01:04:42.639
<v Speaker 3>up or that name gets brought up in the nine

1202
01:04:42.639 --> 01:04:44.559
<v Speaker 3>to eleven situation. Here. Let me see if I can

1203
01:04:44.599 --> 01:04:44.800
<v Speaker 3>find it.

1204
01:04:44.920 --> 01:04:48.719
<v Speaker 6>Solomon makes me think of solomonca from Breaking Bad.

1205
01:04:49.599 --> 01:04:55.320
<v Speaker 3>Yeah, I just yes, Okay, Solomon Brothers was building seven,

1206
01:04:55.840 --> 01:04:59.800
<v Speaker 3>the Solomon Brothers building. Okay, so you know the Pillars

1207
01:04:59.800 --> 01:05:02.760
<v Speaker 3>of Solomon, the Solomon Brothers. Yeah, this is there's like

1208
01:05:02.800 --> 01:05:05.920
<v Speaker 3>it's a big The number eleven is is like the

1209
01:05:06.000 --> 01:05:09.760
<v Speaker 3>nuvirological representation of the Pillars of Solomon. Yeah, there's there's

1210
01:05:09.760 --> 01:05:10.320
<v Speaker 3>something there.

1211
01:05:11.639 --> 01:05:16.039
<v Speaker 6>It also refers to Janice, the god Janis, the androgynous

1212
01:05:16.039 --> 01:05:16.800
<v Speaker 6>god Jenis.

1213
01:05:16.880 --> 01:05:20.440
<v Speaker 3>Yes, yeah, doesn't it doesn't it have two faces?

1214
01:05:20.880 --> 01:05:23.199
<v Speaker 1>Yes, yes, nef one shit baby.

1215
01:05:23.599 --> 01:05:25.360
<v Speaker 6>And then when you look at you know, what they

1216
01:05:25.360 --> 01:05:27.440
<v Speaker 6>were trying to be, you know, pushing for the past

1217
01:05:28.239 --> 01:05:32.400
<v Speaker 6>long time now is like essentially androgynya. Yeah, mixing of

1218
01:05:32.480 --> 01:05:33.000
<v Speaker 6>the genders.

1219
01:05:33.960 --> 01:05:37.039
<v Speaker 3>And then when it's when those two genders are destroyed,

1220
01:05:37.480 --> 01:05:40.519
<v Speaker 3>what takes their place is one unified thing. So two

1221
01:05:40.599 --> 01:05:43.880
<v Speaker 3>become one. It becomes this intersex kind of a situation.

1222
01:05:44.639 --> 01:05:45.519
<v Speaker 3>Uh yeah, yeah.

1223
01:05:45.559 --> 01:05:48.400
<v Speaker 6>And then like hermaphrodite type situation. And then you look

1224
01:05:48.440 --> 01:05:52.559
<v Speaker 6>at Joseph Mingela during World War two and some of

1225
01:05:52.599 --> 01:05:54.800
<v Speaker 6>the Nazi experiments on twins.

1226
01:05:55.360 --> 01:05:58.119
<v Speaker 3>Yeah mm hmm. Yeah, he was a weird guy. He's

1227
01:05:58.159 --> 01:06:01.079
<v Speaker 3>obsessed with twins, and he was obsessed with the I

1228
01:06:01.159 --> 01:06:05.840
<v Speaker 3>learned recently central heterochromia.

1229
01:06:05.199 --> 01:06:06.559
<v Speaker 1>Which apparently here we go.

1230
01:06:06.719 --> 01:06:08.519
<v Speaker 3>I'm not gonna go into it, but people that have

1231
01:06:08.639 --> 01:06:08.960
<v Speaker 3>like two.

1232
01:06:08.880 --> 01:06:12.199
<v Speaker 4>Different tell the people. Go ahead, people, we told me

1233
01:06:12.280 --> 01:06:13.880
<v Speaker 4>seven times when you have my house, tell the people.

1234
01:06:13.920 --> 01:06:17.559
<v Speaker 3>Did you know that he was injecting adrenaline in people's

1235
01:06:17.599 --> 01:06:20.920
<v Speaker 3>eyeballs who had central heterochromia, and he was trying to

1236
01:06:20.920 --> 01:06:24.920
<v Speaker 3>see if it would change that guy, weird cat.

1237
01:06:25.199 --> 01:06:27.880
<v Speaker 1>Do you know what that is? Central heterochromia? Ever heard

1238
01:06:27.880 --> 01:06:28.039
<v Speaker 1>of this?

1239
01:06:29.119 --> 01:06:31.679
<v Speaker 3>It's just basically heterochromia is when you have like me,

1240
01:06:31.840 --> 01:06:35.559
<v Speaker 3>when you're the best bro like me. It's when one

1241
01:06:35.599 --> 01:06:37.800
<v Speaker 3>color one eye is one color and another one is

1242
01:06:37.840 --> 01:06:40.880
<v Speaker 3>another color. And then central heterochroma is where there's two

1243
01:06:40.920 --> 01:06:44.000
<v Speaker 3>definitive colors in one eye, like there's a ring of

1244
01:06:44.039 --> 01:06:46.719
<v Speaker 3>color and then an outer ring of color. There you go,

1245
01:06:47.119 --> 01:06:49.519
<v Speaker 3>I have that, but it's it's not served me at all.

1246
01:06:50.840 --> 01:06:53.880
<v Speaker 4>But the idea behind it is that people with this

1247
01:06:53.960 --> 01:06:57.039
<v Speaker 4>sort of genetic trade are harder to MK ultra, maybe

1248
01:06:57.039 --> 01:06:58.320
<v Speaker 4>because of the flicker rate or.

1249
01:06:58.400 --> 01:07:01.800
<v Speaker 3>Whatever, have extra cones in their eye. I guess we

1250
01:07:01.960 --> 01:07:06.679
<v Speaker 3>have extra cones in our eye. Allegedly, the Gates program

1251
01:07:06.440 --> 01:07:09.440
<v Speaker 3>and k mk Ultra and other programs like that were

1252
01:07:09.480 --> 01:07:14.039
<v Speaker 3>seeking people out who had this disposition, and I guess

1253
01:07:15.239 --> 01:07:17.280
<v Speaker 3>the story goes basically they were trying to figure out

1254
01:07:17.280 --> 01:07:20.639
<v Speaker 3>why in the hell these people won't succumb to this

1255
01:07:20.679 --> 01:07:23.320
<v Speaker 3>sort of a like the apparently we can't be hypnotized.

1256
01:07:23.480 --> 01:07:26.239
<v Speaker 3>I've never been hypnotized, but it doesn't mean shit. That's anecdotal.

1257
01:07:27.119 --> 01:07:31.920
<v Speaker 3>But yeah, I mean it's interesting mk Ultra, the Gates program, Mangola,

1258
01:07:32.039 --> 01:07:34.079
<v Speaker 3>you know it all. It also the eye in general,

1259
01:07:34.559 --> 01:07:35.320
<v Speaker 3>the eye in general.

1260
01:07:35.400 --> 01:07:37.800
<v Speaker 6>Yeah, it's really interesting because I have two pupils in

1261
01:07:37.840 --> 01:07:38.519
<v Speaker 6>my left eye.

1262
01:07:38.800 --> 01:07:41.400
<v Speaker 1>Do you really how does that work?

1263
01:07:41.880 --> 01:07:46.000
<v Speaker 6>My pupil and my left eye has been split, so

1264
01:07:46.199 --> 01:07:48.199
<v Speaker 6>the top half of my left eye you wouldn't be

1265
01:07:48.199 --> 01:07:50.360
<v Speaker 6>able to see the camera quality is not good enough.

1266
01:07:50.360 --> 01:07:52.880
<v Speaker 6>But the pupil on my left eye, I was shot

1267
01:07:52.960 --> 01:07:55.000
<v Speaker 6>in the eye with a BB gun when I was

1268
01:07:55.000 --> 01:07:55.800
<v Speaker 6>twelve years old.

1269
01:07:57.119 --> 01:07:58.400
<v Speaker 7>That's a nightmare, dude.

1270
01:07:58.599 --> 01:08:00.679
<v Speaker 5>It was horrible, Dude, it was.

1271
01:08:00.480 --> 01:08:02.760
<v Speaker 3>I have literally shot two of my friends in the

1272
01:08:02.760 --> 01:08:04.480
<v Speaker 3>eye with the BB gun. That's my literature.

1273
01:08:06.119 --> 01:08:07.679
<v Speaker 7>You were that guy, bro, Fuck you O.

1274
01:08:07.880 --> 01:08:09.519
<v Speaker 3>No, I was literally that guy.

1275
01:08:09.679 --> 01:08:09.880
<v Speaker 5>Man.

1276
01:08:09.920 --> 01:08:12.239
<v Speaker 7>That's horrifying. Oh my god, it's split.

1277
01:08:12.039 --> 01:08:14.480
<v Speaker 6>Your pupil, split my pupil in half. So whenever I

1278
01:08:14.559 --> 01:08:17.479
<v Speaker 6>go anytime that I ever go to the eye doctor,

1279
01:08:17.520 --> 01:08:20.439
<v Speaker 6>which I don't really ever go to the eye doctor.

1280
01:08:20.439 --> 01:08:23.199
<v Speaker 6>I don't go to any doctors in general ever, but

1281
01:08:23.319 --> 01:08:28.359
<v Speaker 6>whenever I have in the past, they're like astounded by

1282
01:08:28.359 --> 01:08:31.359
<v Speaker 6>what they can see in my eye because you're they're

1283
01:08:31.399 --> 01:08:35.079
<v Speaker 6>able to see things that they normally couldn't see because

1284
01:08:35.119 --> 01:08:36.279
<v Speaker 6>my pupils.

1285
01:08:35.960 --> 01:08:39.760
<v Speaker 7>Like as it affected your vision a little bit.

1286
01:08:39.800 --> 01:08:42.520
<v Speaker 6>I mean, if I close my right eye, it's definitely

1287
01:08:42.560 --> 01:08:45.399
<v Speaker 6>more blurry. But it's I think it's like I don't know,

1288
01:08:45.520 --> 01:08:47.760
<v Speaker 6>eighteen twenty. Vision is still really good.

1289
01:08:47.840 --> 01:08:48.800
<v Speaker 3>Vision still really good.

1290
01:08:48.880 --> 01:08:52.000
<v Speaker 6>Yeah, but it recovered and like the blood was like

1291
01:08:52.800 --> 01:08:55.760
<v Speaker 6>all like blocked my eye. Also, I couldn't see for

1292
01:08:55.800 --> 01:08:57.239
<v Speaker 6>like three months out of my left eye.

1293
01:08:57.640 --> 01:08:58.960
<v Speaker 7>Oh that's such a nightmare.

1294
01:08:59.079 --> 01:09:01.359
<v Speaker 3>Dude. I have nine year old and I'm just thinking, like,

1295
01:09:01.439 --> 01:09:04.520
<v Speaker 3>if that happened, holy grad some sort of weird karma

1296
01:09:04.640 --> 01:09:09.199
<v Speaker 3>for me. Yeah. But this, this, I mean, that's a

1297
01:09:09.239 --> 01:09:14.439
<v Speaker 3>great bit of connective tissue right between you brought up Mangola.

1298
01:09:14.840 --> 01:09:16.079
<v Speaker 7>I wonder what it is?

1299
01:09:16.399 --> 01:09:18.439
<v Speaker 3>What was his do do you have any information about

1300
01:09:18.439 --> 01:09:20.920
<v Speaker 3>what his fascination regarding twins was was it? Was it

1301
01:09:21.119 --> 01:09:25.079
<v Speaker 3>the alleged psychic connection that exists between twins.

1302
01:09:25.439 --> 01:09:27.079
<v Speaker 6>I think that that's what he was trying to figure out.

1303
01:09:27.079 --> 01:09:29.399
<v Speaker 6>But it's difficult to find a lot of information on

1304
01:09:29.439 --> 01:09:32.439
<v Speaker 6>it because a lot of it is like a bunch

1305
01:09:32.479 --> 01:09:38.520
<v Speaker 6>of speculation and what in like secondhand information on exactly

1306
01:09:38.920 --> 01:09:41.840
<v Speaker 6>the types of experiments that he was doing. There's really

1307
01:09:42.560 --> 01:09:49.039
<v Speaker 6>no solid like documentation that shows exactly what he was

1308
01:09:49.079 --> 01:09:51.960
<v Speaker 6>doing with twins, so it's kind of like handed down information,

1309
01:09:52.079 --> 01:09:54.479
<v Speaker 6>and that information has kind of been regurgitated, and we

1310
01:09:54.560 --> 01:09:57.079
<v Speaker 6>know when things are regurgitated, things get lost in the

1311
01:09:57.119 --> 01:09:59.760
<v Speaker 6>shuffle and things get added or things get taken away

1312
01:09:59.760 --> 01:10:04.399
<v Speaker 6>from so it becomes like this this kind of mystery thing.

1313
01:10:04.439 --> 01:10:09.119
<v Speaker 6>But it's been reported by several people that he was

1314
01:10:09.199 --> 01:10:14.000
<v Speaker 6>doing experiments on twins, So what exactly it was for.

1315
01:10:14.399 --> 01:10:16.359
<v Speaker 6>I would be guessing that it had something to do

1316
01:10:16.399 --> 01:10:20.359
<v Speaker 6>with the psychic communication between them and if they would

1317
01:10:20.479 --> 01:10:22.479
<v Speaker 6>be able to tell what was going on to the

1318
01:10:22.520 --> 01:10:25.720
<v Speaker 6>other one, which then relates into mk ultra as well,

1319
01:10:25.800 --> 01:10:28.039
<v Speaker 6>because that's what they were trying to do with mk

1320
01:10:28.199 --> 01:10:32.720
<v Speaker 6>ultra ultimately, was to try and bring about these psychic

1321
01:10:32.760 --> 01:10:36.439
<v Speaker 6>abilities and these psychic powers from the mind fracturing that

1322
01:10:36.479 --> 01:10:38.520
<v Speaker 6>they were doing. It was kind of like an after effect.

1323
01:10:38.600 --> 01:10:41.000
<v Speaker 6>It was kind of like an afterthought like, yeah, well,

1324
01:10:41.039 --> 01:10:43.479
<v Speaker 6>let's see if we can control their mind, let's traumatize them,

1325
01:10:43.560 --> 01:10:45.720
<v Speaker 6>let's see what we can do with that, and then

1326
01:10:45.800 --> 01:10:46.840
<v Speaker 6>let's see what happens.

1327
01:10:46.880 --> 01:10:48.359
<v Speaker 5>Afterwards, like what.

1328
01:10:48.760 --> 01:10:52.680
<v Speaker 6>Can we do with them after we've broken down their

1329
01:10:52.680 --> 01:10:59.159
<v Speaker 6>psyche and several of them got enhanced abilities. Their intuition

1330
01:10:59.359 --> 01:11:02.880
<v Speaker 6>was locked, the psychic abilities were then opened up, like

1331
01:11:02.920 --> 01:11:04.960
<v Speaker 6>it opened up this whole other world. It's just so

1332
01:11:05.079 --> 01:11:11.359
<v Speaker 6>unfortunate that in order to essentially unlock these abilities you

1333
01:11:11.600 --> 01:11:15.279
<v Speaker 6>have to go through really torturous conditions. But that can

1334
01:11:15.319 --> 01:11:18.520
<v Speaker 6>also happen in just like everyday normal life as well,

1335
01:11:18.600 --> 01:11:20.960
<v Speaker 6>Like you don't have to be a part of any

1336
01:11:21.039 --> 01:11:27.000
<v Speaker 6>kind of governmental mk ultra mind fracturing program to have

1337
01:11:27.800 --> 01:11:30.720
<v Speaker 6>some form of psychic abilities. I believe that we all

1338
01:11:30.720 --> 01:11:33.279
<v Speaker 6>have psychic abilities, it's just if it's in the forefront

1339
01:11:33.399 --> 01:11:37.880
<v Speaker 6>of our consciousness or not. So like, any kind of

1340
01:11:38.039 --> 01:11:42.479
<v Speaker 6>traumatizing event that has done to you personally can and

1341
01:11:42.680 --> 01:11:47.640
<v Speaker 6>probably will inevitably open up these psychic abilities within you.

1342
01:11:47.720 --> 01:11:52.479
<v Speaker 6>That's why kids are probably the most susceptible to it.

1343
01:11:52.520 --> 01:11:55.920
<v Speaker 6>And that's also where you get a lot of in

1344
01:11:56.319 --> 01:12:00.720
<v Speaker 6>like the hairy fairy stuff, like the mystical as well,

1345
01:12:00.720 --> 01:12:04.800
<v Speaker 6>because our brain actually tries to cover up that trauma,

1346
01:12:04.800 --> 01:12:07.159
<v Speaker 6>and our brain can actually just make up things to

1347
01:12:07.239 --> 01:12:11.319
<v Speaker 6>replace the negative stuff that we experienced. So instead of

1348
01:12:12.520 --> 01:12:15.760
<v Speaker 6>you being molested whenever you were younger, or something happening

1349
01:12:15.800 --> 01:12:19.039
<v Speaker 6>to you whenever you were really young, some very traumatic

1350
01:12:19.159 --> 01:12:22.279
<v Speaker 6>thing and your uncle raping you in the closet or whatever.

1351
01:12:22.359 --> 01:12:27.560
<v Speaker 6>Your your brain, well, then make something up to replace

1352
01:12:27.920 --> 01:12:31.159
<v Speaker 6>those events with in order to cover up that trauma,

1353
01:12:31.800 --> 01:12:34.720
<v Speaker 6>so it could be instead of that happening to you,

1354
01:12:35.600 --> 01:12:38.439
<v Speaker 6>it could be all well, I was on a top

1355
01:12:38.760 --> 01:12:42.439
<v Speaker 6>secret mission and I was a superhero, you know what

1356
01:12:42.479 --> 01:12:45.880
<v Speaker 6>I mean. I was a super soldier in space, you know,

1357
01:12:45.960 --> 01:12:48.600
<v Speaker 6>for fighting a least exactly.

1358
01:12:49.279 --> 01:12:51.720
<v Speaker 4>Let me ask you a question, I guess the personal question.

1359
01:12:53.319 --> 01:12:55.760
<v Speaker 4>Do you, knowing what they were after and what they're

1360
01:12:55.760 --> 01:12:59.000
<v Speaker 4>searching for, do you think that we should like that

1361
01:12:59.039 --> 01:13:02.000
<v Speaker 4>we should continue that we should I don't even know

1362
01:13:02.039 --> 01:13:04.840
<v Speaker 4>if this is a question, but like should we be

1363
01:13:05.000 --> 01:13:06.920
<v Speaker 4>figuring this stuff out at all?

1364
01:13:07.079 --> 01:13:09.279
<v Speaker 1>Like if human beings.

1365
01:13:09.000 --> 01:13:12.840
<v Speaker 4>Do have these latent abilities that lie within you that

1366
01:13:12.920 --> 01:13:15.640
<v Speaker 4>are released with traumas, Like like, I get why these

1367
01:13:15.680 --> 01:13:18.479
<v Speaker 4>people wanted to study that. That's the most fascinating thing

1368
01:13:19.079 --> 01:13:21.960
<v Speaker 4>you can Right now, we're trying to make rats transgender

1369
01:13:22.000 --> 01:13:23.479
<v Speaker 4>in Afghanistan or something.

1370
01:13:23.279 --> 01:13:24.840
<v Speaker 1>Like cares this?

1371
01:13:25.399 --> 01:13:27.239
<v Speaker 4>I understand people are people are getting hurt, and I'm

1372
01:13:27.279 --> 01:13:27.920
<v Speaker 4>not advocating.

1373
01:13:27.920 --> 01:13:28.680
<v Speaker 1>I'm not like, I.

1374
01:13:28.680 --> 01:13:31.319
<v Speaker 3>Guess molesting these rats so that they have psychic powers.

1375
01:13:33.359 --> 01:13:38.479
<v Speaker 4>All right, I'm coming out as a proponent of Project

1376
01:13:38.640 --> 01:13:41.479
<v Speaker 4>MK Ultra like I'm going to go into government and

1377
01:13:41.720 --> 01:13:44.239
<v Speaker 4>petition them to fund it. More like, we need to

1378
01:13:44.600 --> 01:13:46.640
<v Speaker 4>or at least to know what you found out. I

1379
01:13:46.720 --> 01:13:48.720
<v Speaker 4>understand you did this awful thing, but it's kind of

1380
01:13:48.760 --> 01:13:52.560
<v Speaker 4>like the information is just it's priceless, and it's a

1381
01:13:52.640 --> 01:13:54.760
<v Speaker 4>it's a shame that we don't know. We don't really

1382
01:13:54.760 --> 01:13:55.640
<v Speaker 4>know what they discovered.

1383
01:13:56.000 --> 01:13:59.720
<v Speaker 3>The issue with it becomes if you adhere to the

1384
01:13:59.760 --> 01:14:04.800
<v Speaker 3>idea that within these different realms or wherever you're you know, going,

1385
01:14:04.840 --> 01:14:08.000
<v Speaker 3>when you're remote viewing or actual projecting, that there are

1386
01:14:08.079 --> 01:14:10.880
<v Speaker 3>other things that inhabit it. This is something obviously that

1387
01:14:10.960 --> 01:14:13.560
<v Speaker 3>Stranger Things plays off of, and I don't think that

1388
01:14:13.560 --> 01:14:17.520
<v Speaker 3>that is the only element in that film that's inconsistent

1389
01:14:18.359 --> 01:14:21.279
<v Speaker 3>with reality. I think that probably is consistent with reality.

1390
01:14:21.319 --> 01:14:24.560
<v Speaker 3>I myself have been exposed to things that I don't

1391
01:14:24.560 --> 01:14:28.960
<v Speaker 3>have the luxury of, you know, wondering if other things exist.

1392
01:14:29.640 --> 01:14:34.840
<v Speaker 3>And so the question then becomes there seems to be

1393
01:14:34.880 --> 01:14:39.800
<v Speaker 3>a connection between childhood trauma and psychic abilities there's also

1394
01:14:39.840 --> 01:14:44.840
<v Speaker 3>a connection between trauma, especially childhood trauma, and demonic possession.

1395
01:14:45.600 --> 01:14:47.720
<v Speaker 3>And so the question then becomes.

1396
01:14:47.399 --> 01:14:50.399
<v Speaker 1>Gets into Jerry morzinski territory.

1397
01:14:50.039 --> 01:14:52.439
<v Speaker 3>Right, And I know, yeah, Jerry is the man. I

1398
01:14:52.479 --> 01:14:55.560
<v Speaker 3>know you've spoken to him as well. I've heard that

1399
01:14:55.760 --> 01:14:56.840
<v Speaker 3>we have an episode.

1400
01:14:56.920 --> 01:14:58.720
<v Speaker 4>We have a running gag on this show where I'm

1401
01:14:58.720 --> 01:15:01.359
<v Speaker 4>about to I'm about to produce Bengal cards. So as

1402
01:15:01.399 --> 01:15:04.640
<v Speaker 4>they watch, every time David says something like I have

1403
01:15:04.720 --> 01:15:07.880
<v Speaker 4>autopilo erection, or like he talks about his eye, or

1404
01:15:08.000 --> 01:15:10.800
<v Speaker 4>says Jerry Marzinski, everybody either you put like a little

1405
01:15:10.840 --> 01:15:11.640
<v Speaker 4>bingo card in there.

1406
01:15:11.680 --> 01:15:13.439
<v Speaker 1>You just drink. At this point, they're drinking it.

1407
01:15:14.960 --> 01:15:17.199
<v Speaker 3>If I say the word indicative, which is like I

1408
01:15:17.199 --> 01:15:24.319
<v Speaker 3>can't so if there is a chance, there seems to

1409
01:15:24.319 --> 01:15:27.880
<v Speaker 3>be a chance. And I understand the logical line of

1410
01:15:27.880 --> 01:15:31.560
<v Speaker 3>thinking here. It's like, how do you know that these

1411
01:15:31.920 --> 01:15:36.439
<v Speaker 3>spiritual abilities that you then derive from this traumatic experience

1412
01:15:36.760 --> 01:15:39.439
<v Speaker 3>are your own abilities? Or if you've been augmented in

1413
01:15:39.520 --> 01:15:45.159
<v Speaker 3>some way by something that's remaining silent but allowing whatever

1414
01:15:45.239 --> 01:15:47.439
<v Speaker 3>abilities it has to be to be lent to you,

1415
01:15:47.520 --> 01:15:50.880
<v Speaker 3>Like sometimes you see a film that plays off that, right, actually,

1416
01:15:50.920 --> 01:15:54.560
<v Speaker 3>there's a great music video by scrill X, which a

1417
01:15:54.600 --> 01:15:57.359
<v Speaker 3>lot of people would say that's an oxymoron, but either way,

1418
01:15:57.520 --> 01:16:01.680
<v Speaker 3>there's a music video by Skrillx called First of the Year,

1419
01:16:02.640 --> 01:16:06.560
<v Speaker 3>and in that video, it's about a pedophile who's going

1420
01:16:06.560 --> 01:16:09.920
<v Speaker 3>to playgrounds and picking up kids, picks up the wrong kid,

1421
01:16:10.319 --> 01:16:12.720
<v Speaker 3>and this little girl who he takes to like an

1422
01:16:12.760 --> 01:16:17.239
<v Speaker 3>empty warehouse, ends up having like she's possessed in one

1423
01:16:17.239 --> 01:16:19.159
<v Speaker 3>way or another. So she has a demon that comes

1424
01:16:19.159 --> 01:16:22.079
<v Speaker 3>along with her and rips the guy to shreds. It's

1425
01:16:22.119 --> 01:16:25.199
<v Speaker 3>a really cool song in a really cool video, But

1426
01:16:26.319 --> 01:16:30.159
<v Speaker 3>she looks like she's doing telekinesis to this guy, but

1427
01:16:30.520 --> 01:16:33.399
<v Speaker 3>the shadow that she's casting on the wall shows you

1428
01:16:33.439 --> 01:16:35.159
<v Speaker 3>that something else is in the room with her and

1429
01:16:35.199 --> 01:16:40.479
<v Speaker 3>it's actually doing it. So I think that there might

1430
01:16:40.520 --> 01:16:42.560
<v Speaker 3>be a reality to that. I mean, you have looked

1431
01:16:42.560 --> 01:16:44.760
<v Speaker 3>into these things a lot. You were talking before about

1432
01:16:44.800 --> 01:16:47.960
<v Speaker 3>all the remote viewing, and I'm not saying that any

1433
01:16:48.600 --> 01:16:52.800
<v Speaker 3>one of these these abilities isn't outside of like a

1434
01:16:52.800 --> 01:16:54.760
<v Speaker 3>demonic possession. Like, I think there might be something to

1435
01:16:54.880 --> 01:17:00.920
<v Speaker 3>remote viewing, but there are other things like telekinesis, knowing

1436
01:17:01.560 --> 01:17:04.520
<v Speaker 3>one way or another what somebody's thinking or any of

1437
01:17:04.520 --> 01:17:07.560
<v Speaker 3>these things. I mean, how do you separate those two?

1438
01:17:07.560 --> 01:17:09.359
<v Speaker 3>What have you found looking into them?

1439
01:17:09.800 --> 01:17:14.439
<v Speaker 6>Well, what I found is I think kind of reimagines the.

1440
01:17:14.600 --> 01:17:16.520
<v Speaker 5>Entire paranormal and.

1441
01:17:18.279 --> 01:17:24.520
<v Speaker 6>Spirit phenomenon because there's this remote viewing technique that was

1442
01:17:26.079 --> 01:17:28.600
<v Speaker 6>taught by Ingo Swan, which was he was a part

1443
01:17:28.640 --> 01:17:31.880
<v Speaker 6>of SRI International. That was some of the first people

1444
01:17:31.960 --> 01:17:36.079
<v Speaker 6>that were looked into, you know, the psychic phenomenon and

1445
01:17:36.239 --> 01:17:41.399
<v Speaker 6>remote viewing. And there's this advanced form of remote viewing,

1446
01:17:41.439 --> 01:17:46.920
<v Speaker 6>this called perfect site integration, which is essentially by location.

1447
01:17:47.640 --> 01:17:50.880
<v Speaker 6>So you get into your remote viewing state, you can

1448
01:17:51.000 --> 01:17:57.079
<v Speaker 6>essentially duplicate your physical body and take that physical body

1449
01:17:57.079 --> 01:18:00.920
<v Speaker 6>wherever you want it to go, like a like an

1450
01:18:00.960 --> 01:18:07.800
<v Speaker 6>astral projection by location form. So then whenever you get

1451
01:18:07.840 --> 01:18:10.159
<v Speaker 6>to that site that you're essentially removed, you you can

1452
01:18:10.199 --> 01:18:14.199
<v Speaker 6>interact with the environment. Oh, you can move things, you

1453
01:18:14.199 --> 01:18:16.720
<v Speaker 6>can knock things off walls, you can open cabinets, you

1454
01:18:16.720 --> 01:18:18.640
<v Speaker 6>can open refrigerator doors.

1455
01:18:19.239 --> 01:18:21.039
<v Speaker 3>That kind of makes you feel like whatever people are

1456
01:18:21.079 --> 01:18:23.960
<v Speaker 3>having Poultergeist, it's really just an asshole who's remote viewing

1457
01:18:24.720 --> 01:18:26.560
<v Speaker 3>and he's like, watch this shit when it knock this

1458
01:18:26.640 --> 01:18:27.079
<v Speaker 3>over watching.

1459
01:18:27.359 --> 01:18:28.359
<v Speaker 1>Yeah, the Poultergeist.

1460
01:18:28.439 --> 01:18:31.680
<v Speaker 4>It doesn't fit with the supernatural worldview of like the

1461
01:18:31.760 --> 01:18:34.880
<v Speaker 4>other side most of the time, because sometimes it's like

1462
01:18:34.960 --> 01:18:37.000
<v Speaker 4>it's like this is a human being, Like like this

1463
01:18:37.159 --> 01:18:37.319
<v Speaker 4>is the.

1464
01:18:37.319 --> 01:18:40.000
<v Speaker 3>Motherfucker's just standing in my kitchen knocking cups off the counter.

1465
01:18:40.479 --> 01:18:43.920
<v Speaker 6>Yeah, I mean it really reimagines that because some of

1466
01:18:43.920 --> 01:18:46.199
<v Speaker 6>those stuff might not even be like what we think

1467
01:18:46.199 --> 01:18:48.880
<v Speaker 6>that it is. It might be another living human being

1468
01:18:49.439 --> 01:18:53.199
<v Speaker 6>also in our dream state as well. I mean, when

1469
01:18:53.239 --> 01:18:57.840
<v Speaker 6>does a lot of this type of activity normally happen.

1470
01:18:58.199 --> 01:19:02.279
<v Speaker 6>It's normally synonymous with happening at night. Oh yeah, what

1471
01:19:02.319 --> 01:19:06.199
<v Speaker 6>are people doing at night? They're sleeping. A majority of

1472
01:19:06.239 --> 01:19:11.840
<v Speaker 6>the population is a sleep at night. So could we

1473
01:19:11.920 --> 01:19:16.640
<v Speaker 6>be dreaming about a specific location that is important to us?

1474
01:19:16.640 --> 01:19:20.720
<v Speaker 6>And then we've literally brought our dream consciousness into this

1475
01:19:20.880 --> 01:19:23.880
<v Speaker 6>physical reality and we're able to manipulate the environment and

1476
01:19:23.920 --> 01:19:27.520
<v Speaker 6>manipulate the area of like where we are. And then

1477
01:19:27.560 --> 01:19:30.880
<v Speaker 6>that's what people are experiencing and they're thinking, oh, well,

1478
01:19:30.920 --> 01:19:33.560
<v Speaker 6>it has to be some kind of disembodied spirit or

1479
01:19:33.600 --> 01:19:35.319
<v Speaker 6>someone that's died here, and when that might not be

1480
01:19:35.359 --> 01:19:38.359
<v Speaker 6>the case. And I'm not saying that that other possibility

1481
01:19:38.760 --> 01:19:42.039
<v Speaker 6>isn't possible. Well, I mean, it could could very well.

1482
01:19:41.840 --> 01:19:46.159
<v Speaker 2>Be somebudded spirits, but a plethora of shape going on,

1483
01:19:46.560 --> 01:19:48.560
<v Speaker 2>which is like we're just we think in the physical,

1484
01:19:48.960 --> 01:19:51.640
<v Speaker 2>three dimensional realm, but you know, whenever it comes to

1485
01:19:51.680 --> 01:19:55.359
<v Speaker 2>these other realms, they're probably just as diverse.

1486
01:19:55.359 --> 01:19:56.680
<v Speaker 3>So in the way that you would hear something in

1487
01:19:56.720 --> 01:20:00.319
<v Speaker 3>your attic and you go, that's either an intruder demon

1488
01:20:00.920 --> 01:20:03.840
<v Speaker 3>or I have this fucking raccoon problem. Again, it was like, yeah,

1489
01:20:03.840 --> 01:20:05.439
<v Speaker 3>it's pretty diverse. There could be a number of things

1490
01:20:05.479 --> 01:20:07.319
<v Speaker 3>that could be. All of those things be all of

1491
01:20:07.399 --> 01:20:12.119
<v Speaker 3>those things the psychic psychic rads, right, So it's interesting

1492
01:20:12.119 --> 01:20:14.520
<v Speaker 3>when you traumatized him, so they have psych.

1493
01:20:15.119 --> 01:20:17.800
<v Speaker 4>Some people that have these encounters that like, I don't know,

1494
01:20:17.840 --> 01:20:21.359
<v Speaker 4>some surefire ways that we've we've went through, like from

1495
01:20:21.359 --> 01:20:24.920
<v Speaker 4>sleep paralysis to like alien abduction. Is like saying the

1496
01:20:25.000 --> 01:20:27.199
<v Speaker 4>name of Jesus Christ. A lot of people have said

1497
01:20:27.199 --> 01:20:31.319
<v Speaker 4>this and that it works, and but there will be

1498
01:20:31.359 --> 01:20:33.439
<v Speaker 4>cases where stuff like this doesn't work, Like if your

1499
01:20:33.479 --> 01:20:35.319
<v Speaker 4>house is being haunted and then you're like, I rebuke

1500
01:20:35.359 --> 01:20:36.640
<v Speaker 4>you in the name of Jesus Christ, and it's like

1501
01:20:36.680 --> 01:20:39.439
<v Speaker 4>it's some guy, it's a government worker and He's like.

1502
01:20:39.399 --> 01:20:43.159
<v Speaker 3>This doesn't neighbor who figured out.

1503
01:20:42.439 --> 01:20:43.640
<v Speaker 1>That doesn't work on him?

1504
01:20:43.880 --> 01:20:45.800
<v Speaker 4>Like there's I don't know if you're familiar with the

1505
01:20:45.800 --> 01:20:49.159
<v Speaker 4>story of the guy that killed Anton Levey in uh

1506
01:20:49.800 --> 01:20:54.920
<v Speaker 4>he was allegedly whatever. In Tony Merkle's show The Confessionals,

1507
01:20:55.319 --> 01:20:59.039
<v Speaker 4>he says that Anton is doing astral projection at him,

1508
01:20:59.159 --> 01:21:02.079
<v Speaker 4>or like manifesting himself some way, and he rebuked the me.

1509
01:21:02.119 --> 01:21:04.800
<v Speaker 4>He's like, that doesn't work on me because he's not

1510
01:21:05.119 --> 01:21:08.199
<v Speaker 4>He's not an incorporal entity. He's a human being that

1511
01:21:08.319 --> 01:21:10.199
<v Speaker 4>is doing this thing, you know what I mean. So,

1512
01:21:10.279 --> 01:21:13.880
<v Speaker 4>like the rules to have to this other world are

1513
01:21:13.960 --> 01:21:17.960
<v Speaker 4>just baffling, and some people, I guess, understand it more

1514
01:21:17.960 --> 01:21:18.359
<v Speaker 4>than I do.

1515
01:21:18.760 --> 01:21:22.920
<v Speaker 3>Well, I've been having this thing like pretty reliably now.

1516
01:21:24.039 --> 01:21:26.479
<v Speaker 3>I don't like doing it because it kind of freaks

1517
01:21:26.520 --> 01:21:29.159
<v Speaker 3>me out, and I really like my sleep. But you know,

1518
01:21:29.199 --> 01:21:32.560
<v Speaker 3>when you're in these pseudo sleep states between you know,

1519
01:21:32.640 --> 01:21:38.680
<v Speaker 3>waking and sleeping, there's some pliability in the way your

1520
01:21:38.720 --> 01:21:46.239
<v Speaker 3>mind works. So very often recently I'll wake up and

1521
01:21:46.279 --> 01:21:49.319
<v Speaker 3>I'll see whatever dreamscape I was in almost like kind

1522
01:21:49.319 --> 01:21:52.159
<v Speaker 3>of pull away from me like a tunnel, and then

1523
01:21:53.520 --> 01:21:58.119
<v Speaker 3>the quality of the image suffers, you know, tremendously. It's

1524
01:21:58.159 --> 01:22:02.439
<v Speaker 3>no longer tanity. It's it's like something real bad, Like

1525
01:22:02.600 --> 01:22:06.960
<v Speaker 3>it just fades to the color spectrum goes away, and

1526
01:22:07.039 --> 01:22:10.239
<v Speaker 3>it's almost like I'm viewing it in negative color, like inverted.

1527
01:22:10.439 --> 01:22:12.720
<v Speaker 3>And but I could still see a lot. I could

1528
01:22:12.760 --> 01:22:14.520
<v Speaker 3>see a lot a lot. I could see like objects

1529
01:22:14.520 --> 01:22:17.119
<v Speaker 3>and people and and and there's a lot of like

1530
01:22:17.199 --> 01:22:19.920
<v Speaker 3>patterns and geometry and things like that. And I get

1531
01:22:19.920 --> 01:22:22.680
<v Speaker 3>this feeling that if I wasn't retarded and I knew

1532
01:22:22.680 --> 01:22:24.439
<v Speaker 3>what I was doing, that I could do something in

1533
01:22:24.479 --> 01:22:27.239
<v Speaker 3>that moment. But instead, my like my logical brain kicks

1534
01:22:27.239 --> 01:22:28.840
<v Speaker 3>in and there's a lot of like what's this? What

1535
01:22:28.880 --> 01:22:30.680
<v Speaker 3>am I looking at? Why is this happening? And as

1536
01:22:30.720 --> 01:22:34.439
<v Speaker 3>soon as that shit starts happening, it just goes away. So,

1537
01:22:34.880 --> 01:22:37.319
<v Speaker 3>you know, and I don't I would hope I don't

1538
01:22:37.319 --> 01:22:41.720
<v Speaker 3>have demons. I think we all can do something like that.

1539
01:22:41.760 --> 01:22:46.359
<v Speaker 3>My grandmother used to write papers on remote viewing, and

1540
01:22:47.640 --> 01:22:52.039
<v Speaker 3>that's interesting in hindsight, but she also considered herself like

1541
01:22:52.039 --> 01:22:56.920
<v Speaker 3>a clairvoyant and also, interestingly enough, suffered from alien abduction experiences.

1542
01:22:56.960 --> 01:23:00.000
<v Speaker 3>So I also think those things go hand and hit

1543
01:23:00.039 --> 01:23:03.840
<v Speaker 3>and you know, whatever remote viewing is or astral projection is,

1544
01:23:04.479 --> 01:23:07.800
<v Speaker 3>I would be very sure or at least unsurprised to

1545
01:23:07.840 --> 01:23:10.159
<v Speaker 3>find out that the people who are doing it there's

1546
01:23:10.199 --> 01:23:14.520
<v Speaker 3>also a big overlap in their sleep paralysis experiences, maybe

1547
01:23:14.560 --> 01:23:20.439
<v Speaker 3>even abduction experiences, shadow people, other entities. I imagine these

1548
01:23:20.479 --> 01:23:24.000
<v Speaker 3>things all played together in the same sandpit pretty often.

1549
01:23:25.560 --> 01:23:28.880
<v Speaker 6>Yeah. I just had a really weird experience the other

1550
01:23:29.239 --> 01:23:33.119
<v Speaker 6>night where I had a really wild, crazy dream and

1551
01:23:33.159 --> 01:23:36.520
<v Speaker 6>I woke up from my dream and I kind of

1552
01:23:36.560 --> 01:23:40.319
<v Speaker 6>opened my eyes and the entire reality was like nothing

1553
01:23:40.359 --> 01:23:43.800
<v Speaker 6>but code. Like you've heard of people like seeing like

1554
01:23:43.840 --> 01:23:45.680
<v Speaker 6>the matrix like in front of them, and this was

1555
01:23:45.720 --> 01:23:47.119
<v Speaker 6>my first time ever experiencing it.

1556
01:23:47.600 --> 01:23:51.720
<v Speaker 7>Screw, what was it made up of? Like if you

1557
01:23:51.760 --> 01:23:53.039
<v Speaker 7>could almost.

1558
01:23:52.720 --> 01:23:54.159
<v Speaker 1>See any numbers or symbols?

1559
01:23:54.199 --> 01:23:57.119
<v Speaker 6>Like it was numbers, a bunch of numbers, and the

1560
01:23:57.199 --> 01:24:00.079
<v Speaker 6>numbers like flashed and they were like rotating. Some of

1561
01:23:59.920 --> 01:24:04.560
<v Speaker 6>them look like dates, some of them looked like coordinates. Interesting,

1562
01:24:04.600 --> 01:24:08.039
<v Speaker 6>but it still had like the outline of like the

1563
01:24:08.079 --> 01:24:13.199
<v Speaker 6>walls in my room were there, like but it was

1564
01:24:13.279 --> 01:24:13.840
<v Speaker 6>all code.

1565
01:24:14.520 --> 01:24:16.439
<v Speaker 1>What were the colors?

1566
01:24:17.119 --> 01:24:20.600
<v Speaker 6>It was like blue, there were blue in the and

1567
01:24:20.720 --> 01:24:22.760
<v Speaker 6>the collars were like white.

1568
01:24:24.640 --> 01:24:29.319
<v Speaker 3>I had something recently where I had that experience, and it,

1569
01:24:29.520 --> 01:24:31.760
<v Speaker 3>like I said, by what I was looking at that

1570
01:24:31.880 --> 01:24:34.520
<v Speaker 3>was my dream almost detached and became far away from me.

1571
01:24:35.880 --> 01:24:38.239
<v Speaker 3>And then it kind of tilted and I was still

1572
01:24:38.279 --> 01:24:42.000
<v Speaker 3>looking at it. But everything looked like the matrix black

1573
01:24:42.039 --> 01:24:46.319
<v Speaker 3>and green, except it wasn't like data. It was like

1574
01:24:46.640 --> 01:24:52.199
<v Speaker 3>blackness and really really dark green sand. So everything, all

1575
01:24:52.239 --> 01:24:55.000
<v Speaker 3>the highlights and the shadows, it was just you know,

1576
01:24:55.079 --> 01:24:57.319
<v Speaker 3>mixtures of black and green, black and green, and that

1577
01:24:57.399 --> 01:25:00.760
<v Speaker 3>was everything that I saw, and my POV was like stuck.

1578
01:25:00.760 --> 01:25:03.159
<v Speaker 3>I was looking at the sidewalk, but I wasn't really

1579
01:25:03.159 --> 01:25:05.319
<v Speaker 3>looking at it. I was actually viewing that behind my

1580
01:25:05.399 --> 01:25:07.600
<v Speaker 3>eyes like a small window with a bunch of other

1581
01:25:07.680 --> 01:25:10.039
<v Speaker 3>weird shit going on. I don't know what it is, man,

1582
01:25:10.399 --> 01:25:12.720
<v Speaker 3>but I am not so inclined to think that it's

1583
01:25:12.720 --> 01:25:17.119
<v Speaker 3>inherently evil. This is a this is a Christian show.

1584
01:25:17.159 --> 01:25:18.960
<v Speaker 3>We tend to look at the world through the biblical

1585
01:25:19.399 --> 01:25:23.880
<v Speaker 3>world lens. Obviously, there's you know, conjoining of a lot

1586
01:25:23.880 --> 01:25:26.279
<v Speaker 3>of different ideas besides that when it comes to conspiracy

1587
01:25:26.359 --> 01:25:32.840
<v Speaker 3>and occulted things. But sometimes I look at those practices

1588
01:25:33.079 --> 01:25:35.439
<v Speaker 3>and I'm like, I'm really not too sure The main

1589
01:25:35.479 --> 01:25:37.439
<v Speaker 3>reason I'm not too sure is because it's very clear

1590
01:25:37.439 --> 01:25:40.000
<v Speaker 3>there of a spiritual nature, and it's very clear we

1591
01:25:40.000 --> 01:25:43.039
<v Speaker 3>don't have a map, and that's not good because that's

1592
01:25:43.039 --> 01:25:44.880
<v Speaker 3>like going anywhere. It's like going in the woods or

1593
01:25:44.920 --> 01:25:47.640
<v Speaker 3>going in the ocean and just not being familiar with

1594
01:25:47.680 --> 01:25:49.960
<v Speaker 3>where the hell you are and what inhabits that realm.

1595
01:25:50.000 --> 01:25:52.720
<v Speaker 3>And I do think that negative things are there, but

1596
01:25:52.960 --> 01:25:57.239
<v Speaker 3>I think just like any place you know, there's gonna

1597
01:25:57.239 --> 01:25:59.079
<v Speaker 3>be negative things, there's gonna be positive things, there's gonna

1598
01:25:59.079 --> 01:26:04.479
<v Speaker 3>be neutral things, and it's I don't know. It feels

1599
01:26:04.640 --> 01:26:06.880
<v Speaker 3>almost harrowing to me to do it because it always

1600
01:26:06.920 --> 01:26:11.000
<v Speaker 3>happens at night, and I really don't like when things,

1601
01:26:11.039 --> 01:26:12.279
<v Speaker 3>like the last thing I want to do is be

1602
01:26:12.319 --> 01:26:16.399
<v Speaker 3>creeped out before I'm going to sleep, and that'll keep me, honestly,

1603
01:26:16.439 --> 01:26:18.960
<v Speaker 3>like that alone will keep me from pursuing a lot

1604
01:26:18.960 --> 01:26:21.000
<v Speaker 3>of this shit. But it does kind of seem to

1605
01:26:21.000 --> 01:26:24.600
<v Speaker 3>happen almost naturally. And I'm sure there's a way through,

1606
01:26:24.640 --> 01:26:27.640
<v Speaker 3>like a meditative process or a greater understanding that you

1607
01:26:27.680 --> 01:26:31.840
<v Speaker 3>could have more depth of experience with that, but I'm

1608
01:26:31.840 --> 01:26:33.640
<v Speaker 3>just not too sure where that depth is going to

1609
01:26:33.680 --> 01:26:35.439
<v Speaker 3>take me, And what the hell is going to be

1610
01:26:35.479 --> 01:26:36.279
<v Speaker 3>there when I get there.

1611
01:26:37.680 --> 01:26:39.640
<v Speaker 6>I think that is really important to be able to

1612
01:26:39.680 --> 01:26:42.399
<v Speaker 6>get outside of your body. I think that that I've

1613
01:26:42.439 --> 01:26:45.039
<v Speaker 6>never really done it. I've come really really close. I

1614
01:26:45.079 --> 01:26:48.520
<v Speaker 6>was doing some incredible breath work really late one night,

1615
01:26:48.560 --> 01:26:50.479
<v Speaker 6>at like three in the morning, and I was really close.

1616
01:26:50.520 --> 01:26:52.880
<v Speaker 6>It seemed like the circle open up and I had

1617
01:26:52.920 --> 01:26:54.920
<v Speaker 6>like one leg through the circle. I was about to

1618
01:26:55.000 --> 01:26:57.039
<v Speaker 6>just jump right out of my body. Like it was

1619
01:26:57.119 --> 01:27:01.479
<v Speaker 6>the exact experience that everyone says happens, like where your

1620
01:27:01.479 --> 01:27:05.399
<v Speaker 6>whole body tingles, like it started at my feet super tingly,

1621
01:27:05.479 --> 01:27:07.319
<v Speaker 6>went up all my legs, and then when I hit

1622
01:27:07.520 --> 01:27:11.319
<v Speaker 6>the back of my head like where the uh the

1623
01:27:11.319 --> 01:27:15.479
<v Speaker 6>crown chakra is, then that's whenever I like was getting

1624
01:27:15.479 --> 01:27:16.560
<v Speaker 6>ready to get out of my body.

1625
01:27:16.560 --> 01:27:16.760
<v Speaker 5>It was.

1626
01:27:17.119 --> 01:27:18.880
<v Speaker 6>It was crazy, dude. It was like almost and it

1627
01:27:18.880 --> 01:27:21.199
<v Speaker 6>felt so warm. It almost felt like what people describe

1628
01:27:21.239 --> 01:27:23.960
<v Speaker 6>as like the Kundalini energy as well, like how it

1629
01:27:23.960 --> 01:27:26.239
<v Speaker 6>comes up through your body and all that. But it

1630
01:27:26.279 --> 01:27:28.920
<v Speaker 6>was like me getting ready to exit my body and

1631
01:27:29.000 --> 01:27:31.399
<v Speaker 6>I didn't make it. I snapped out of it and

1632
01:27:31.600 --> 01:27:33.399
<v Speaker 6>it was completely gone. But I think that that is

1633
01:27:33.439 --> 01:27:36.720
<v Speaker 6>really important to be able to do because I believe

1634
01:27:36.760 --> 01:27:40.880
<v Speaker 6>that we're spiritual entities inside of a physical shell. Yeah,

1635
01:27:40.920 --> 01:27:44.359
<v Speaker 6>and we have to have the map because if we

1636
01:27:44.439 --> 01:27:48.399
<v Speaker 6>don't know what it's like outside of our body, then

1637
01:27:48.520 --> 01:27:52.119
<v Speaker 6>we're going to be completely lost. Whenever this physical body dies,

1638
01:27:52.359 --> 01:27:54.319
<v Speaker 6>We're not going to know where to go, what to do,

1639
01:27:55.319 --> 01:27:56.840
<v Speaker 6>and we're going to be stuck.

1640
01:27:58.319 --> 01:27:59.920
<v Speaker 3>That's the thing that gets me too, is like, I know,

1641
01:28:00.000 --> 01:28:03.399
<v Speaker 3>you know, within like Egyptian mythology, when you die, the

1642
01:28:03.479 --> 01:28:07.039
<v Speaker 3>soul has like a very elongated journey upward through like

1643
01:28:07.159 --> 01:28:10.640
<v Speaker 3>celestial bodies and such that it has to go through

1644
01:28:11.520 --> 01:28:14.880
<v Speaker 3>and eventually ends up in a place where their heart

1645
01:28:15.000 --> 01:28:17.680
<v Speaker 3>is weighed up against a feather or something like that.

1646
01:28:17.720 --> 01:28:19.960
<v Speaker 3>It's basically a way of measuring your sin how heavy

1647
01:28:20.039 --> 01:28:23.880
<v Speaker 3>is your heart, but it's described as like an actual journey.

1648
01:28:24.119 --> 01:28:27.319
<v Speaker 3>And then you have this other thing that people suggest

1649
01:28:29.600 --> 01:28:33.760
<v Speaker 3>there's been a karmic reincarnation cycle that's been created to

1650
01:28:33.880 --> 01:28:36.520
<v Speaker 3>our detriment, and that there are these things that seek

1651
01:28:36.560 --> 01:28:40.039
<v Speaker 3>to loose off of us that will usher us into

1652
01:28:40.039 --> 01:28:41.399
<v Speaker 3>this reincarnation cycle.

1653
01:28:42.479 --> 01:28:47.199
<v Speaker 7>And I know that there are things.

1654
01:28:46.880 --> 01:28:51.319
<v Speaker 3>That exist that would be pleased to inhabit your physical

1655
01:28:51.359 --> 01:28:53.960
<v Speaker 3>form so that they could interact with this physical realm again.

1656
01:28:55.800 --> 01:28:58.600
<v Speaker 3>And I mean this is just like the notion of possession, which,

1657
01:28:58.600 --> 01:29:00.119
<v Speaker 3>by the way, going back to what we were talking

1658
01:29:00.119 --> 01:29:03.479
<v Speaker 3>about before, where these actors and actresses are often subjected

1659
01:29:03.520 --> 01:29:07.920
<v Speaker 3>to like really harrowing experiences and trauma. Uh the Exorcist

1660
01:29:07.920 --> 01:29:09.840
<v Speaker 3>we were talking about. I believe that little girl went

1661
01:29:09.880 --> 01:29:11.039
<v Speaker 3>through hell.

1662
01:29:12.640 --> 01:29:16.560
<v Speaker 4>And everybody who's everyone who's played the Joker.

1663
01:29:17.279 --> 01:29:21.000
<v Speaker 3>Played the Joker, right, that's another one. So my thing

1664
01:29:21.079 --> 01:29:22.399
<v Speaker 3>is like, hey, look at that.

1665
01:29:22.439 --> 01:29:27.800
<v Speaker 4>Hold on a second, Jack Nicholson, Oh shit, whoa And

1666
01:29:27.840 --> 01:29:31.159
<v Speaker 4>that was definitely before the Shining because that movie was seventies.

1667
01:29:31.640 --> 01:29:35.279
<v Speaker 6>That Batman Huh yeah, I thought it was before the Shining.

1668
01:29:35.319 --> 01:29:39.359
<v Speaker 6>He played the Joker in the in the Batman movie

1669
01:29:39.399 --> 01:29:47.479
<v Speaker 6>with what's his name, the most famous Batman Keaton, Michael Kington.

1670
01:29:49.199 --> 01:29:51.239
<v Speaker 3>Well, I don't know if you ever talked to Paul Stobs,

1671
01:29:51.279 --> 01:29:54.680
<v Speaker 3>but he's a great, uh content creator. He does a

1672
01:29:54.720 --> 01:29:59.880
<v Speaker 3>show called Understanding Conspiracy, and he talks about how various

1673
01:30:00.000 --> 01:30:03.199
<v Speaker 3>cultures will dress up as the entity that they want

1674
01:30:03.239 --> 01:30:08.199
<v Speaker 3>to be inhabited by. And he says that there are

1675
01:30:08.720 --> 01:30:10.760
<v Speaker 3>you know, there's a race of giants. It would have

1676
01:30:10.760 --> 01:30:14.399
<v Speaker 3>been the offspring of like fallen angels and human beings.

1677
01:30:14.399 --> 01:30:15.560
<v Speaker 3>It's the namesake of the show.

1678
01:30:15.880 --> 01:30:17.600
<v Speaker 1>Got to ask, is that why why do you call

1679
01:30:17.640 --> 01:30:20.800
<v Speaker 1>your show Raised by Giants?

1680
01:30:21.920 --> 01:30:24.840
<v Speaker 6>Yeah, so it does have some something to do with

1681
01:30:24.359 --> 01:30:27.479
<v Speaker 6>the giants and the nuffhalon. But I'm also really tall.

1682
01:30:27.600 --> 01:30:28.319
<v Speaker 6>I'm six five.

1683
01:30:29.960 --> 01:30:32.760
<v Speaker 1>It's a very simple reason. I'm a huge guy, a

1684
01:30:32.800 --> 01:30:33.359
<v Speaker 1>really big guy.

1685
01:30:33.439 --> 01:30:36.119
<v Speaker 6>My whole family is really tall. So it kind of

1686
01:30:36.439 --> 01:30:38.720
<v Speaker 6>seemed right. And I originally wanted it to be a

1687
01:30:38.960 --> 01:30:42.520
<v Speaker 6>name of a band, but then I decided to repurpose

1688
01:30:42.560 --> 01:30:43.479
<v Speaker 6>it from a.

1689
01:30:43.399 --> 01:30:44.760
<v Speaker 3>Banger name for a banger name.

1690
01:30:44.800 --> 01:30:46.880
<v Speaker 4>By the way, you do give very tall energy, like

1691
01:30:46.920 --> 01:30:49.039
<v Speaker 4>you don't give a fuck, Like it's very tall, Like

1692
01:30:49.079 --> 01:30:51.680
<v Speaker 4>he has this very like right, like we're sure. I'm

1693
01:30:51.720 --> 01:30:55.920
<v Speaker 4>five eight five nine, David's like five to eight five seven.

1694
01:30:56.119 --> 01:31:00.000
<v Speaker 1>We have to have this energy like it's very annoying.

1695
01:31:00.039 --> 01:31:02.760
<v Speaker 3>I understand to like totally at this, like I don't

1696
01:31:02.920 --> 01:31:03.600
<v Speaker 3>fucking care.

1697
01:31:04.159 --> 01:31:05.760
<v Speaker 1>Owen Benjamin's the same thing with us.

1698
01:31:05.840 --> 01:31:07.840
<v Speaker 4>Like when we talk to Owen, he's like six', Eight

1699
01:31:08.079 --> 01:31:09.760
<v Speaker 4>so we're talking to him AND i could just tell

1700
01:31:09.800 --> 01:31:12.600
<v Speaker 4>he's just. Annoyed it's just annoyed by our small presence

1701
01:31:12.600 --> 01:31:14.840
<v Speaker 4>and Our go, Ahead. David i'm sorry for cutting height.

1702
01:31:14.920 --> 01:31:17.319
<v Speaker 3>Supremacist so that's.

1703
01:31:17.159 --> 01:31:18.640
<v Speaker 6>WHY i want to get a big truck SO i

1704
01:31:18.680 --> 01:31:20.680
<v Speaker 6>can look at everybody while i'm driving AS i look

1705
01:31:20.680 --> 01:31:22.840
<v Speaker 6>at them When i'm standing, There so just the top

1706
01:31:22.880 --> 01:31:23.720
<v Speaker 6>of the, head.

1707
01:31:24.159 --> 01:31:26.439
<v Speaker 7>It's light top to just look at look at people

1708
01:31:26.479 --> 01:31:27.039
<v Speaker 7>like that all the.

1709
01:31:27.079 --> 01:31:29.760
<v Speaker 4>TIME i, wonder, like, Yeah i'm SEEING i would be

1710
01:31:29.800 --> 01:31:32.119
<v Speaker 4>seeing everyone else from a slightly different, angle like either

1711
01:31:32.159 --> 01:31:32.560
<v Speaker 4>equal or.

1712
01:31:32.640 --> 01:31:33.079
<v Speaker 1>Up it must.

1713
01:31:33.119 --> 01:31:36.359
<v Speaker 3>Be it's psychologically, like, dude WHEN i step on something

1714
01:31:36.359 --> 01:31:38.880
<v Speaker 3>and it makes me TOLER i, go, YEAH i feel.

1715
01:31:38.640 --> 01:31:41.439
<v Speaker 4>Like that that turtle in the Fucking Doctor SEUs Boul go,

1716
01:31:41.479 --> 01:31:43.359
<v Speaker 4>ahead go, Ahead. David finish because we only have a

1717
01:31:43.359 --> 01:31:45.600
<v Speaker 4>couple of. Minutes we have guests coming on again at,

1718
01:31:45.600 --> 01:31:46.960
<v Speaker 4>two SO i don't.

1719
01:31:46.760 --> 01:31:49.119
<v Speaker 3>Even remember WHAT i was talking about it three oh,

1720
01:31:49.159 --> 01:31:51.279
<v Speaker 3>oh this idea that you become inhabited by the spirit

1721
01:31:51.319 --> 01:31:54.800
<v Speaker 3>that you dress. Like and so he suggests that the

1722
01:31:54.840 --> 01:31:58.000
<v Speaker 3>modern day visage of the clown is actually something that

1723
01:31:58.399 --> 01:32:02.239
<v Speaker 3>was created by a freeman who was running The barnum

1724
01:32:02.239 --> 01:32:05.199
<v Speaker 3>And bailey or whatever circus it, was and that it

1725
01:32:05.239 --> 01:32:07.399
<v Speaker 3>has to do with homage to the net film because

1726
01:32:07.399 --> 01:32:10.039
<v Speaker 3>the nephilin would have had red, hair very pale, skin

1727
01:32:10.800 --> 01:32:14.680
<v Speaker 3>a very red nose that and also always would have

1728
01:32:14.720 --> 01:32:17.840
<v Speaker 3>because they were. Cannibals they ate human, beings blood all

1729
01:32:17.880 --> 01:32:20.960
<v Speaker 3>over their faces and so large shit used.

1730
01:32:20.800 --> 01:32:23.439
<v Speaker 1>To cover up their six. Toes shit like, that all.

1731
01:32:23.359 --> 01:32:25.680
<v Speaker 3>Kinds of fun. Stuff and so to, me you, know

1732
01:32:25.800 --> 01:32:27.079
<v Speaker 3>if you talk to, him he lays it out in

1733
01:32:27.079 --> 01:32:30.079
<v Speaker 3>such a compelling way or like something. Happened the way

1734
01:32:30.079 --> 01:32:32.119
<v Speaker 3>they made the clown and the way they injected it

1735
01:32:32.159 --> 01:32:36.960
<v Speaker 3>Into american culture was clearly done on. Purpose and so

1736
01:32:37.159 --> 01:32:38.600
<v Speaker 3>then you have to ask yourself to what? End but

1737
01:32:38.640 --> 01:32:41.880
<v Speaker 3>WHEN i See Jack nicholson play that character and the

1738
01:32:42.279 --> 01:32:44.239
<v Speaker 3>way he plays a character In The, SHINING i think

1739
01:32:44.279 --> 01:32:47.119
<v Speaker 3>these actors and actresses at the highest levels what we

1740
01:32:47.199 --> 01:32:49.720
<v Speaker 3>call method, ACTING i think is just a level of.

1741
01:32:49.800 --> 01:32:50.840
<v Speaker 3>Possession not just.

1742
01:32:51.520 --> 01:32:54.239
<v Speaker 4>That but like so he, plays he plays a, joker

1743
01:32:54.279 --> 01:32:57.640
<v Speaker 4>and forget about what he plays on. Screen For The,

1744
01:32:57.640 --> 01:33:01.600
<v Speaker 4>shining he was With brick in torturing this woman for

1745
01:33:01.680 --> 01:33:05.279
<v Speaker 4>however long it took to film this fucking. Movie that

1746
01:33:05.439 --> 01:33:06.880
<v Speaker 4>was like what he was doing to her was like

1747
01:33:07.039 --> 01:33:07.399
<v Speaker 4>joke or.

1748
01:33:07.560 --> 01:33:09.319
<v Speaker 3>Esque, yes, yes and.

1749
01:33:09.279 --> 01:33:12.680
<v Speaker 6>It was a long, shoe too long. Shoot they shot

1750
01:33:12.720 --> 01:33:14.880
<v Speaker 6>Them The shining for a really long, time but several

1751
01:33:14.920 --> 01:33:17.840
<v Speaker 6>people throughout the entertainment industry have talked about. This Jim

1752
01:33:17.880 --> 01:33:19.600
<v Speaker 6>carrey has talked about this where he felt like he

1753
01:33:19.680 --> 01:33:23.039
<v Speaker 6>was possessed By Andy kaufman's. Spirit, Yes beyonce says that

1754
01:33:23.159 --> 01:33:28.199
<v Speaker 6>she when she performs The sasha fears so like something

1755
01:33:28.239 --> 01:33:29.920
<v Speaker 6>else comes in and takes them, over and then it

1756
01:33:29.920 --> 01:33:33.600
<v Speaker 6>gives them the ability to be that. Individual and it's

1757
01:33:33.720 --> 01:33:38.079
<v Speaker 6>really strange whether that's like real or way that they perceive.

1758
01:33:38.159 --> 01:33:40.880
<v Speaker 6>IT i, mean it's up for. INTERPRETATION i, mean but

1759
01:33:40.960 --> 01:33:43.479
<v Speaker 6>to be that good of an, actor like somebody Liked

1760
01:33:43.840 --> 01:33:47.680
<v Speaker 6>Jim carrey like you gotta, BE i don't know how

1761
01:33:47.720 --> 01:33:50.039
<v Speaker 6>you would get Your you would have to open yourself

1762
01:33:50.119 --> 01:33:53.279
<v Speaker 6>up to that type of, thing you.

1763
01:33:53.319 --> 01:33:56.680
<v Speaker 3>Know they we look at this like it's, spellcraft and

1764
01:33:57.520 --> 01:34:01.600
<v Speaker 3>it's all works of like rituals and embolism and. Ceremony

1765
01:34:02.359 --> 01:34:04.680
<v Speaker 3>and then you have Like, hollywood which is what The

1766
01:34:04.760 --> 01:34:08.560
<v Speaker 3>druids made their wands out, of was wood from the holly.

1767
01:34:08.600 --> 01:34:12.920
<v Speaker 3>Tree it just all of it kind of does like

1768
01:34:12.960 --> 01:34:15.880
<v Speaker 3>why the hell does every element of, this you, know

1769
01:34:16.520 --> 01:34:21.920
<v Speaker 3>performative aspect Of american culture have embedded within it something

1770
01:34:21.920 --> 01:34:23.760
<v Speaker 3>to do with, SPELLCRAFT i, mean it's just at some

1771
01:34:23.840 --> 01:34:27.479
<v Speaker 3>POINT i kind of, go, yeah the anecdotal evidence is piled,

1772
01:34:27.520 --> 01:34:31.079
<v Speaker 3>up AND i believe. It it's now something THAT i will.

1773
01:34:31.359 --> 01:34:35.359
<v Speaker 3>Espouse it's the. Truth but we are ten minutes away

1774
01:34:35.359 --> 01:34:38.760
<v Speaker 3>from having to launch another. Show this has been a wonderful.

1775
01:34:39.239 --> 01:34:41.560
<v Speaker 6>Conversation you guys are cutting me. Off what the?

1776
01:34:41.640 --> 01:34:42.399
<v Speaker 5>Fuck not just?

1777
01:34:42.439 --> 01:34:45.039
<v Speaker 6>Joking CAN i run through some of these other slides really.

1778
01:34:44.960 --> 01:34:45.920
<v Speaker 3>Quick before we up? Up?

1779
01:34:46.239 --> 01:34:46.640
<v Speaker 1>Yeah, dog?

1780
01:34:46.720 --> 01:34:46.880
<v Speaker 3>Yeah?

1781
01:34:46.920 --> 01:34:47.199
<v Speaker 1>Please.

1782
01:34:48.319 --> 01:34:52.279
<v Speaker 6>Okay so this one here is like the beetle reference

1783
01:34:53.000 --> 01:34:54.800
<v Speaker 6>with in The. Shining there's so many of. Them it's

1784
01:34:54.920 --> 01:34:57.159
<v Speaker 6>the top panel as The Beatles Abbey road nineteen sixty,

1785
01:34:57.279 --> 01:34:59.640
<v Speaker 6>nine the bottom panels The. Shining they're almost walking in

1786
01:34:59.680 --> 01:35:04.359
<v Speaker 6>the Eggs Zach seam line up there With almond And

1787
01:35:04.640 --> 01:35:08.039
<v Speaker 6>jack And wendy And Bill, watson which we don't really

1788
01:35:08.039 --> 01:35:10.239
<v Speaker 6>talk too much About Bill watson in the movie because

1789
01:35:10.960 --> 01:35:13.119
<v Speaker 6>it seems Like Bill watson In The shining is more

1790
01:35:13.159 --> 01:35:16.720
<v Speaker 6>of Like Sidney gottlieb character within THE, Cia Like Sidney

1791
01:35:16.720 --> 01:35:19.239
<v Speaker 6>gottlieb was known, for you, know being the head of

1792
01:35:19.239 --> 01:35:22.520
<v Speaker 6>the Mk ultra, programs and what they would do essentially

1793
01:35:22.680 --> 01:35:27.560
<v Speaker 6>is like the front person is All Stuart almond so

1794
01:35:27.800 --> 01:35:30.479
<v Speaker 6>he's like the person that is made to look like

1795
01:35:30.560 --> 01:35:32.880
<v Speaker 6>he's actually running the place when it's really Like Bill.

1796
01:35:32.920 --> 01:35:35.920
<v Speaker 6>Watson it's a classic trick that a lot of people

1797
01:35:36.000 --> 01:35:39.279
<v Speaker 6>have used throughout history where the person that's actually really

1798
01:35:39.319 --> 01:35:41.319
<v Speaker 6>calling the shots is like the person that no one

1799
01:35:41.359 --> 01:35:43.840
<v Speaker 6>thinks is actually calling the. Shots so, Yeah almond is

1800
01:35:43.840 --> 01:35:48.640
<v Speaker 6>actually the front person of this entire. Operation so in

1801
01:35:48.680 --> 01:35:53.000
<v Speaker 6>the Movie The Shining Stephen king in the, book it

1802
01:35:53.119 --> 01:35:55.319
<v Speaker 6>was a red. Beatle and this is one of the

1803
01:35:55.359 --> 01:35:57.600
<v Speaker 6>other people have pointed. Out Jay winer has pointed this

1804
01:35:57.600 --> 01:35:59.439
<v Speaker 6>out on his several, movies has been pointed out a

1805
01:35:59.479 --> 01:36:02.079
<v Speaker 6>room two third. Seven but it's just important to go

1806
01:36:02.520 --> 01:36:04.359
<v Speaker 6>to kind of go through. It so it was a red.

1807
01:36:04.399 --> 01:36:07.760
<v Speaker 6>Beatle In The shining novel By Stephen, King kubrick changed

1808
01:36:07.800 --> 01:36:11.800
<v Speaker 6>the beatle to a yellow. Beatle and then Whenever allman

1809
01:36:11.920 --> 01:36:14.840
<v Speaker 6>is traveling up to The Overlook hotel to check on

1810
01:36:15.239 --> 01:36:17.800
<v Speaker 6>the family up, there there's a red beetle that crushed

1811
01:36:17.840 --> 01:36:20.840
<v Speaker 6>underneath the semi truck on the way up. There so

1812
01:36:20.880 --> 01:36:24.119
<v Speaker 6>it's definitely a nod to you, know, like, hey this

1813
01:36:24.199 --> 01:36:27.399
<v Speaker 6>is this is my, Movie Stephen, king this isn't. Yours

1814
01:36:27.960 --> 01:36:30.840
<v Speaker 6>and also there's The White, Beatle John Lennon's White beatle

1815
01:36:30.880 --> 01:36:32.079
<v Speaker 6>that's in the background of The Abbey.

1816
01:36:32.159 --> 01:36:35.840
<v Speaker 7>ROAD i like, that by the, Way, king that's, right,

1817
01:36:35.920 --> 01:36:36.680
<v Speaker 7>yeah very.

1818
01:36:36.760 --> 01:36:40.760
<v Speaker 6>Much and also Another beatle references was That Stephen king

1819
01:36:40.920 --> 01:36:44.199
<v Speaker 6>got the inspiration the title the Novel The shining by

1820
01:36:44.399 --> 01:36:45.920
<v Speaker 6>The John lennon Song Instant.

1821
01:36:45.960 --> 01:36:50.720
<v Speaker 7>Karma isn't he a horrifying? Creature Stephen?

1822
01:36:50.800 --> 01:36:53.640
<v Speaker 3>King my? GOD i mean you look at his nogging

1823
01:36:53.760 --> 01:36:56.239
<v Speaker 3>and you go for sure there are horror stories in.

1824
01:36:56.279 --> 01:36:58.279
<v Speaker 1>THERE i think it's his, mouth, really it is his.

1825
01:36:58.399 --> 01:37:01.439
<v Speaker 3>Mouth he's got a bad. Mouth it's not, good.

1826
01:37:02.600 --> 01:37:03.039
<v Speaker 5>Not a good.

1827
01:37:03.079 --> 01:37:05.640
<v Speaker 6>Mouth Stephen king fixed that mouth bro a ton of.

1828
01:37:05.640 --> 01:37:07.880
<v Speaker 6>Money he definitely looks like he got hit by every

1829
01:37:07.920 --> 01:37:09.920
<v Speaker 6>branch on the way down from the Tream. Bro he's

1830
01:37:09.920 --> 01:37:13.760
<v Speaker 6>an ugly looking ass. Mouthfucker. Yeah this is the catcher

1831
01:37:13.760 --> 01:37:16.239
<v Speaker 6>in the ride that we mentioned. Earlier this is one

1832
01:37:16.279 --> 01:37:20.079
<v Speaker 6>with the. Lampshade this tilted slightly Whenever windy And danny

1833
01:37:20.239 --> 01:37:22.319
<v Speaker 6>go into the room did the bathroom to hide From

1834
01:37:22.399 --> 01:37:24.119
<v Speaker 6>jack when he breaks down the, wall and then in

1835
01:37:24.159 --> 01:37:27.600
<v Speaker 6>the next shot the lampshade is perfectly. Straight this is

1836
01:37:27.600 --> 01:37:29.800
<v Speaker 6>the panel that we talked about. Earlier is the monarch.

1837
01:37:29.880 --> 01:37:32.279
<v Speaker 6>Sign this is another one that people have pointed out,

1838
01:37:32.319 --> 01:37:35.439
<v Speaker 6>before which is The hitler mustache whenever the picture fades

1839
01:37:35.439 --> 01:37:38.000
<v Speaker 6>from the faraway shot to the close up. Shot this

1840
01:37:38.159 --> 01:37:40.279
<v Speaker 6>was shown In room two thirty. Seven but it just

1841
01:37:40.359 --> 01:37:45.479
<v Speaker 6>connects because of all the Other nazi And holocaust symbolism

1842
01:37:45.520 --> 01:37:48.720
<v Speaker 6>that we've already pointed out and mk ultra throughout the.

1843
01:37:48.760 --> 01:37:52.079
<v Speaker 6>Thing and here's the, swastika and that's really. It but

1844
01:37:52.119 --> 01:37:54.760
<v Speaker 6>there's other ones back here THAT i didn't really get,

1845
01:37:54.760 --> 01:37:58.319
<v Speaker 6>to which is the maze in the background of the establishing,

1846
01:37:58.319 --> 01:38:01.479
<v Speaker 6>shot which was shot In oregon at The Timberline. Lodge

1847
01:38:01.680 --> 01:38:04.640
<v Speaker 6>there's not a maze in the background of the opening establishing,

1848
01:38:04.680 --> 01:38:06.600
<v Speaker 6>shop and then later on there is the maze because

1849
01:38:06.600 --> 01:38:08.359
<v Speaker 6>the rest of it was filmed In england on a.

1850
01:38:08.399 --> 01:38:12.680
<v Speaker 6>Set The jack's tie is in the same pattern as

1851
01:38:12.920 --> 01:38:15.079
<v Speaker 6>The hedge, maze so the first time we See jack

1852
01:38:15.119 --> 01:38:18.680
<v Speaker 6>And jack's tie looks almost identical to the same patterns

1853
01:38:18.680 --> 01:38:22.319
<v Speaker 6>The hedge mase sticker of a dopey the dwarf disappearing

1854
01:38:22.359 --> 01:38:22.880
<v Speaker 6>on the.

1855
01:38:23.000 --> 01:38:25.760
<v Speaker 4>Door they have to peel off the, Wall that's What i'm, saying,

1856
01:38:25.800 --> 01:38:28.199
<v Speaker 4>yeah or put it on like you're gonna peel it

1857
01:38:28.279 --> 01:38:29.680
<v Speaker 4>or put it, on like there's no reason for.

1858
01:38:29.720 --> 01:38:31.960
<v Speaker 6>That come, on, yeah and everything else is in the

1859
01:38:32.000 --> 01:38:35.119
<v Speaker 6>exact same, location so they either they had to peel

1860
01:38:35.159 --> 01:38:37.279
<v Speaker 6>it off and they only took one. Off and what

1861
01:38:37.279 --> 01:38:42.560
<v Speaker 6>do you, mean? Bro this one is the whenever The

1862
01:38:42.960 --> 01:38:49.079
<v Speaker 6>grady thing where they the different. Names. Uh this one

1863
01:38:49.159 --> 01:38:50.960
<v Speaker 6>is interesting because it's got the cool laid on the

1864
01:38:51.000 --> 01:38:53.479
<v Speaker 6>top and two years before was The Jim jones incident

1865
01:38:53.640 --> 01:38:58.600
<v Speaker 6>where all the people, died so and that was happening

1866
01:38:58.680 --> 01:39:01.600
<v Speaker 6>during the filming Of The. Shining this one's a weird

1867
01:39:01.640 --> 01:39:04.680
<v Speaker 6>connuity air which is like a plastic set tarp can

1868
01:39:04.720 --> 01:39:07.920
<v Speaker 6>be seen in the background As danny's rolling around the.

1869
01:39:08.319 --> 01:39:11.760
<v Speaker 6>Hotel the, chair the infamous chair that disappears and then

1870
01:39:11.800 --> 01:39:18.079
<v Speaker 6>reappears Behind, jack all in the exact same. Shot the

1871
01:39:18.119 --> 01:39:20.159
<v Speaker 6>paper tray on the desk looking like he gives an

1872
01:39:20.159 --> 01:39:23.760
<v Speaker 6>almond a boar whenever he goes in the shake hands

1873
01:39:23.760 --> 01:39:27.399
<v Speaker 6>With jack The teddy bear in the. Background it also

1874
01:39:27.399 --> 01:39:29.840
<v Speaker 6>looks like it has a heart on which is fire

1875
01:39:29.920 --> 01:39:32.199
<v Speaker 6>truck which Is this is also where The windy picks

1876
01:39:32.279 --> 01:39:34.840
<v Speaker 6>up the. Bat not a lot of people realize, this

1877
01:39:34.920 --> 01:39:37.199
<v Speaker 6>but that's where because it's in the, Background so Whenever

1878
01:39:37.239 --> 01:39:40.800
<v Speaker 6>windy gets up from With, danny she turns around.

1879
01:39:40.520 --> 01:39:41.359
<v Speaker 5>And she grabs the.

1880
01:39:41.359 --> 01:39:44.239
<v Speaker 6>Bat and then there's also other things that are setting

1881
01:39:44.359 --> 01:39:47.239
<v Speaker 6>up for the bat. Scene earlier in the. Movie there's on.

1882
01:39:47.239 --> 01:39:49.920
<v Speaker 5>The curtain right up, here on this top left quarter.

1883
01:39:49.680 --> 01:39:52.000
<v Speaker 6>Panel there's a cartoon character that's holding.

1884
01:39:51.760 --> 01:39:53.560
<v Speaker 7>A baseball pat it looks Like Donald.

1885
01:39:53.640 --> 01:39:57.800
<v Speaker 6>Duck and down here Whenever jack before he goes to

1886
01:39:57.840 --> 01:39:59.880
<v Speaker 6>look into the, maze and then the maze fades and

1887
01:40:00.159 --> 01:40:03.359
<v Speaker 6>the exterior shot Of windy And danny outside in the,

1888
01:40:03.359 --> 01:40:06.640
<v Speaker 6>maze there's the baseball bat on the. Couch so the

1889
01:40:06.680 --> 01:40:11.479
<v Speaker 6>baseball bat goes from downstairs When jack's looking into the

1890
01:40:11.479 --> 01:40:15.319
<v Speaker 6>maze to upstairs in their apartment for where she picks

1891
01:40:15.319 --> 01:40:17.840
<v Speaker 6>it up and Hits jack WITH.

1892
01:40:18.159 --> 01:40:20.600
<v Speaker 3>I forgot that which director said, it but it was

1893
01:40:20.640 --> 01:40:22.720
<v Speaker 3>something like if there is a if there is a

1894
01:40:22.720 --> 01:40:26.159
<v Speaker 3>shotgun on the wall in act, one, yeah then it's

1895
01:40:26.199 --> 01:40:28.680
<v Speaker 3>going to be guaranteed that it's going to be used

1896
01:40:28.680 --> 01:40:30.079
<v Speaker 3>In act. Two.

1897
01:40:30.399 --> 01:40:34.520
<v Speaker 6>Yeah and also the. Knife the knife is shown in

1898
01:40:35.079 --> 01:40:38.479
<v Speaker 6>the previous set up When hollerin is giving them a

1899
01:40:38.520 --> 01:40:40.880
<v Speaker 6>tour of the you see the, knife and that knife

1900
01:40:40.920 --> 01:40:42.640
<v Speaker 6>is the knife that she's running around with at the

1901
01:40:42.680 --> 01:40:45.600
<v Speaker 6>end of the movie through the. Hotel this one's. Interesting

1902
01:40:45.640 --> 01:40:49.479
<v Speaker 6>this one's a door that was closed Whenever danny seems

1903
01:40:49.560 --> 01:40:52.479
<v Speaker 6>sees room two thirty, seven and then in the next

1904
01:40:52.479 --> 01:40:57.640
<v Speaker 6>shot it's. Open this is a carpet switching. Patterns there's

1905
01:40:57.680 --> 01:41:01.239
<v Speaker 6>been so much contention over. This people say that this

1906
01:41:01.600 --> 01:41:05.199
<v Speaker 6>just moved him over one, square BUT i, mean that

1907
01:41:05.239 --> 01:41:08.079
<v Speaker 6>could be possible, that but why would you not put

1908
01:41:08.119 --> 01:41:11.760
<v Speaker 6>him in the exact same location as you were were?

1909
01:41:11.840 --> 01:41:13.720
<v Speaker 6>Before because this is the first shot and it's got

1910
01:41:13.720 --> 01:41:16.199
<v Speaker 6>the open facing hexagonal carpet.

1911
01:41:15.920 --> 01:41:17.000
<v Speaker 5>Pattern but then whenever it.

1912
01:41:17.000 --> 01:41:20.319
<v Speaker 6>Switches, around it's got the closes facing hexagonal carpet.

1913
01:41:20.319 --> 01:41:23.720
<v Speaker 3>Pattern i've heard that they used that sort of a

1914
01:41:23.760 --> 01:41:28.119
<v Speaker 3>plot device to to show you that like shit's about

1915
01:41:28.119 --> 01:41:28.479
<v Speaker 3>to pop.

1916
01:41:28.520 --> 01:41:30.840
<v Speaker 7>Off so typically what they'll do is they'll.

1917
01:41:30.720 --> 01:41:34.159
<v Speaker 3>Wind a frame upside down and when it becomes, inverted

1918
01:41:34.239 --> 01:41:36.640
<v Speaker 3>that's gonna you, know it's time for things to get.

1919
01:41:36.640 --> 01:41:39.319
<v Speaker 3>CRAZY i WOULD i would interpret this almost as as

1920
01:41:39.359 --> 01:41:41.760
<v Speaker 3>one of those things WHERE i would wonder if before

1921
01:41:41.800 --> 01:41:43.680
<v Speaker 3>this it wasn't too, crazy and then right after, this

1922
01:41:43.800 --> 01:41:45.479
<v Speaker 3>something really horrifying happens in the.

1923
01:41:45.479 --> 01:41:48.520
<v Speaker 6>Film but the thing is is all the cars are

1924
01:41:48.560 --> 01:41:49.119
<v Speaker 6>all set.

1925
01:41:49.239 --> 01:41:52.239
<v Speaker 3>Up, yes, no, No I'm i'm saying that would be

1926
01:41:52.560 --> 01:41:54.800
<v Speaker 3>it would be done on, purpose and you're, right, like,

1927
01:41:54.880 --> 01:41:58.439
<v Speaker 3>yeah this is definitely intentionally to jar. You it's, yes,

1928
01:41:58.560 --> 01:42:01.000
<v Speaker 3>yeah this is on, purpose like shell shock.

1929
01:42:01.079 --> 01:42:05.159
<v Speaker 6>Somebody this is The Teddy bear set up for earlier

1930
01:42:05.199 --> 01:42:11.439
<v Speaker 6>in the. Film H this Is Tang tang in the

1931
01:42:11.439 --> 01:42:13.720
<v Speaker 6>the in the. Background it's next to the kool aid as.

1932
01:42:13.720 --> 01:42:16.520
<v Speaker 6>Well And tang was a really big drink for the

1933
01:42:16.600 --> 01:42:20.560
<v Speaker 6>astronauts and all The apollo programs are basically Blue tang

1934
01:42:20.720 --> 01:42:24.319
<v Speaker 6>into the stratosphere made it a very popular drink that everyone.

1935
01:42:24.359 --> 01:42:28.039
<v Speaker 6>Wanted room two thirty seven d anywhere in The apollo loving,

1936
01:42:28.079 --> 01:42:29.760
<v Speaker 6>sure going in the room two thirty. Seven and we

1937
01:42:29.800 --> 01:42:33.000
<v Speaker 6>all know that there's a toy story. Reference there's the

1938
01:42:33.079 --> 01:42:37.680
<v Speaker 6>TVs THAT i was referring to earlier that don't have

1939
01:42:37.960 --> 01:42:42.119
<v Speaker 6>any kind of power source to. Them they're just playing

1940
01:42:42.119 --> 01:42:43.199
<v Speaker 6>without being plugged into.

1941
01:42:43.199 --> 01:42:45.359
<v Speaker 3>Anything this one's like in the middle of. It it's

1942
01:42:45.359 --> 01:42:47.119
<v Speaker 3>not even near a wall for an. Outlet it's just

1943
01:42:47.119 --> 01:42:47.680
<v Speaker 3>in the middle of the.

1944
01:42:47.680 --> 01:42:52.079
<v Speaker 6>Floor, yeah and, uh that's, uh this is the one

1945
01:42:52.119 --> 01:42:53.800
<v Speaker 6>THAT i showed. Earlier and then we're back to The.

1946
01:42:53.800 --> 01:42:58.279
<v Speaker 6>Beatles so, yeah that. Was that's just a little quick presentation,

1947
01:42:58.439 --> 01:43:01.319
<v Speaker 6>there and that's some of. Them there's other ones THAT

1948
01:43:01.359 --> 01:43:03.199
<v Speaker 6>i didn't even. Add there's even one.

1949
01:43:04.920 --> 01:43:06.920
<v Speaker 5>For a clockwork.

1950
01:43:06.920 --> 01:43:10.840
<v Speaker 6>Orange it's probably important to also show if we have enough,

1951
01:43:10.880 --> 01:43:15.039
<v Speaker 6>time it's just, one just one little and then the

1952
01:43:15.079 --> 01:43:17.720
<v Speaker 6>people are aware of this. Too but in a clockwork,

1953
01:43:17.760 --> 01:43:23.760
<v Speaker 6>orange there's a word above here this as A drm.

1954
01:43:23.840 --> 01:43:24.159
<v Speaker 5>Chrome.

1955
01:43:24.960 --> 01:43:26.720
<v Speaker 3>Yeah, Here i'm gonna bring that up real. Quick people

1956
01:43:26.720 --> 01:43:29.520
<v Speaker 3>can see, that, yep you could see his head is blocking.

1957
01:43:29.560 --> 01:43:32.640
<v Speaker 3>It but if you fill in the, blanks it's one

1958
01:43:32.640 --> 01:43:37.399
<v Speaker 3>of the earlier cultural mentions of a drenochrome, yep which

1959
01:43:37.479 --> 01:43:40.119
<v Speaker 3>you know right there mk ultra and that goes all

1960
01:43:40.119 --> 01:43:42.840
<v Speaker 3>the way back to The nazis and stretches all the

1961
01:43:42.840 --> 01:43:48.359
<v Speaker 3>way to modern day where, this you, know enigma of

1962
01:43:48.399 --> 01:43:51.560
<v Speaker 3>adrenochrome still still eludes.

1963
01:43:51.640 --> 01:43:51.840
<v Speaker 5>Us.

1964
01:43:51.960 --> 01:43:55.800
<v Speaker 3>Man, well where where can people find your whole documentary on?

1965
01:43:55.840 --> 01:43:59.840
<v Speaker 6>This you find it On amazon And APPLE tv. Plus

1966
01:44:00.119 --> 01:44:03.199
<v Speaker 6>type in a clockwork shining and it'll be the first

1967
01:44:03.239 --> 01:44:04.800
<v Speaker 6>thing to pop. Up but if you wanted the full,

1968
01:44:04.840 --> 01:44:08.880
<v Speaker 6>title it's a Clockwork Shining Cube Bricks odyssey. Three if

1969
01:44:08.880 --> 01:44:11.800
<v Speaker 6>you'd like, to you, know come over to my YouTube

1970
01:44:11.880 --> 01:44:15.840
<v Speaker 6>channel and subscribe over, there as raised by giants on

1971
01:44:15.880 --> 01:44:19.000
<v Speaker 6>YouTube and any and all podcast, Platforms and thank you

1972
01:44:19.039 --> 01:44:21.560
<v Speaker 6>guys very much for having me. On it was a wonderful.

1973
01:44:21.560 --> 01:44:23.680
<v Speaker 6>CONVERSATION i had a lot of. Fun let's do it again.

1974
01:44:23.720 --> 01:44:27.600
<v Speaker 3>Sometime absolutely top of your your mic is muted for whatever.

1975
01:44:27.600 --> 01:44:30.920
<v Speaker 1>Reason, yeah sorry about the time. Limit it's just, UH

1976
01:44:31.920 --> 01:44:32.720
<v Speaker 1>i was just busting your.

1977
01:44:32.720 --> 01:44:36.039
<v Speaker 3>Balls, okay this is a great episode, schedule things Like

1978
01:44:36.039 --> 01:44:38.920
<v Speaker 3>Insane people and we'll have like three shows back to

1979
01:44:38.960 --> 01:44:40.880
<v Speaker 3>back with no breathing time in the middle of. It,

1980
01:44:42.199 --> 01:44:46.520
<v Speaker 3>Man thank you writer for your, time And i'm glad

1981
01:44:46.520 --> 01:44:48.319
<v Speaker 3>we were able to pull this. Off, GUYS i highly

1982
01:44:48.319 --> 01:44:50.359
<v Speaker 3>recommend going and checking out the rest of his work

1983
01:44:50.439 --> 01:44:52.359
<v Speaker 3>because what you saw here on The shining it was

1984
01:44:52.399 --> 01:44:52.920
<v Speaker 3>just like a brief.

1985
01:44:52.920 --> 01:44:55.800
<v Speaker 4>Overview there's his work Is your work is, prolific, man

1986
01:44:55.840 --> 01:44:59.439
<v Speaker 4>you go everywhere when it's like one of one of

1987
01:44:59.479 --> 01:45:01.880
<v Speaker 4>my one of the conspiracy theorists THAT i really like

1988
01:45:01.920 --> 01:45:03.439
<v Speaker 4>to listen, to and like when you start to do,

1989
01:45:03.520 --> 01:45:06.359
<v Speaker 4>content you don't listen as. Much but uh, yeah one

1990
01:45:06.399 --> 01:45:09.359
<v Speaker 4>of the one of those guys in my, Opinion thank, you.

1991
01:45:09.439 --> 01:45:11.239
<v Speaker 5>DUDE i really appreciate THAT i work hard on.

1992
01:45:11.279 --> 01:45:12.880
<v Speaker 6>IT i do it all the. TIME i do all the,

1993
01:45:12.920 --> 01:45:15.079
<v Speaker 6>WORK i book all the, GUESTS i make all the,

1994
01:45:15.079 --> 01:45:17.520
<v Speaker 6>thumbnails and make all do all the, editing and make

1995
01:45:17.560 --> 01:45:19.239
<v Speaker 6>all the reels and all the short. Videos and it

1996
01:45:19.279 --> 01:45:22.520
<v Speaker 6>gets really toxing. Sometimes so tell me about. It the

1997
01:45:22.520 --> 01:45:24.439
<v Speaker 6>compliments that you guys exactly What i'm talking.

1998
01:45:24.439 --> 01:45:26.760
<v Speaker 4>ABOUT i see you On spreaker, Two so go support

1999
01:45:26.800 --> 01:45:29.239
<v Speaker 4>him on on audio as. Well if you, like you,

2000
01:45:29.279 --> 01:45:31.279
<v Speaker 4>know if you like people being able to make a

2001
01:45:31.319 --> 01:45:33.279
<v Speaker 4>living off of this or do more doing more of,

2002
01:45:33.319 --> 01:45:36.199
<v Speaker 4>it go ahead and do. That but, guys until next,

2003
01:45:36.199 --> 01:45:39.199
<v Speaker 4>time which is like two minutes from, now don't forget

2004
01:45:39.239 --> 01:45:43.399
<v Speaker 4>to a basically, imply we'll see you. Guys the taste

2005
01:45:44.279 --> 01:45:46.680
<v Speaker 4>is a tub blom books in the corner of the.

2006
01:45:46.800 --> 01:45:49.680
<v Speaker 5>Room it is constantly, telling let's want.

2007
01:45:49.600 --> 01:45:53.479
<v Speaker 2>To be is real if you can persuade me that

2008
01:45:53.600 --> 01:45:56.039
<v Speaker 2>what they see with their eyes is what there is to, say.

2009
01:45:57.800 --> 01:45:59.880
<v Speaker 3>Because they'll lack in the faces.

2010
01:46:00.279 --> 01:46:03.239
<v Speaker 5>An explanation that portrays the bigger picture of what.

2011
01:46:03.359 --> 01:46:05.720
<v Speaker 3>Happened and they had
