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Speaker 1: Around god City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the smell of

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guns smoke, guns starrying William Conrad, the story of the

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violin that moved west with young America, and the story

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of a man who moved with him.

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Speaker 2: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chancey job, and it makes a man watchful

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and a little lonely.

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Speaker 3: Well, boy, bring anything.

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Speaker 2: All right, you sing out.

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Speaker 4: If you want me, I'll be able to hell with

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job than Hi.

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Speaker 2: You do well, Kimy.

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Speaker 1: It appears I'm not an invisible man.

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Speaker 5: After all.

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Speaker 2: I wasn't ignoring you, Doc.

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Speaker 3: I was just too busy, as thou art old, and

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it's not my advanced age and state of gqipeture. Well,

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you'll never get old dog to arn me, you said,

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I hope I don't get so old.

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Speaker 6: Pretty girl won't say that to me.

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Speaker 5: Whether she means another.

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Speaker 7: Oh, I don't mean it.

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Speaker 5: Provided I am one of the three.

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Speaker 4: Once you're talking to.

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Speaker 6: One of them, kiddy, you are the most beautiful.

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Speaker 4: That you and me are gonna have a drink now, lucky,

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thank I put it twice in the last hour, and

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leave me alone.

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Speaker 8: You call me simon.

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Speaker 1: I'll just look it all.

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Speaker 4: Can you keep your pants on that chair, old timer,

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and you keep your mouth old turble wise.

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Speaker 5: I can make it easy about it. Look competed, kids,

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before you get into trouble.

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Speaker 4: I said we're gonna have a drink and her ideals.

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Now come on, let go.

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Speaker 2: I mean somebody having a little trouble here.

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Speaker 7: It's mad.

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Speaker 3: Will you tell him to leave me alone?

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Speaker 5: Lady says, keep your hands off. Kidding?

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Speaker 8: Now, don't you start calling me kid?

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Speaker 5: Now, what's your name?

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Speaker 8: Brabble?

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Speaker 5: Just brabble, that's all yah know? And die?

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Speaker 4: Don't you any lag aint it?

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Speaker 5: And not unless you keep back in the way you

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were a minute ago. What do you want me to do? Kidding?

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Speaker 3: Just get him out of here.

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Speaker 4: He hasn't got enough sense to take no fin answer.

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Speaker 5: You hurt her brother. You better go someplace else.

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Speaker 4: You think you can push people around, don't you.

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Speaker 8: Just because you're the law.

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Speaker 5: Nobody's pushing him.

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Speaker 4: You all think you're pretty smart calling me kid, then

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run along study.

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Speaker 7: Or maybe I.

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Speaker 4: Ain't fixing the run.

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Speaker 8: Now what do you think about that?

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Speaker 5: Brother? Oh? You better quit well your head.

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Speaker 8: I don't appear to you.

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Speaker 2: Nobody have, and I'll prove.

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Speaker 8: It to you.

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Speaker 2: I did prove it all of ie and you go.

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Speaker 5: I hadn't improved it. But r brovo.

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Speaker 2: You move your hand any closer to that gun and

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I'll slap the teeth right out.

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Speaker 5: Of your head.

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Speaker 4: You afraid to draw against me, Marshall.

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Speaker 5: Now you half baked young idiot. Now you give me

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that gun gay back. You ain't gonna treat me like

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no kid. I told you they keep your hand away,

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all right? Get up, brother, Oh you're not hurt.

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Speaker 2: Come I get up.

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Speaker 4: You keep give me my gun.

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Speaker 2: You come around in the morning, you can have it back.

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Provide that you're cooled off.

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Speaker 5: I can show a little sense.

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Speaker 8: You made a big mistake, Marshall.

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Speaker 5: You should have d I mean, when you had the chance.

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It'll look different to you in the morning. Brother. Now

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you'll go somewhere and sleep it off.

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Speaker 4: Now sure, run along, sonny is that what you're saying?

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And I'll tell you something. All of you you're gonna

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be whistling a different tune.

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Speaker 5: Before I leave this town.

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Speaker 8: You just wait and see you gonna be a mighty.

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Speaker 4: Storry man Marshall before I'm through. Well, see, I hate

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and meet run like that very often.

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Speaker 2: Man, h he's a scared kid duck, that's what's wrong

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with him. And he's scared mostly that somebody will find

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it out.

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Speaker 3: What chances are you leave town without even coming around

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to get his guns?

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Speaker 2: Now, kiddy, he'll be around to get it before he

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leaves down.

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Speaker 5: He'll use it, right.

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Speaker 4: What do you mean, man, use it on the whole

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me more likely?

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Speaker 5: Oh?

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Speaker 9: Well, you know, mister John lay at night like this.

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Speaker 6: Is the best time of the whole day.

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Speaker 5: A great Chester just does look better in the tracting' well.

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Speaker 7: Yes, her, but it ain't only that things clipped down

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about this time night. Folks goes to bed and kindly

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put their meanings.

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Speaker 5: Away for awhile, maybe some of 'em do dst.

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Speaker 7: Get the chance to settle. The breeze comes in off

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the prairie, all fresh and cool, The.

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Speaker 9: Stars comes out the moon.

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Speaker 7: Right, I mean, here is one way Rochester wat the

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many I I heard something, mm.

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Speaker 5: How'd you hear that? Al right?

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Speaker 7: It sound about somebody grown in there come on, uh

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look uh if somebody laying away on the ground, U.

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Speaker 2: Uh uh uh, that's strike a match, yes, sir.

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Speaker 5: And then.

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Speaker 2: Well that Walley Street, Yeah, looks like he's coming around.

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Speaker 5: Wallech uh mm Walley Matt Dollar you all right? Mm?

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Wally can you hear me?

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Speaker 2: Wallach uh Marshall, Yeah, what happened?

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Speaker 6: I don't know.

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Speaker 5: Somebody hit me back to the head. Who was it?

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I don't know.

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Speaker 6: Uh. It was in the Long Branch when poker and

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I come out and I started down the street.

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Speaker 5: My money, Where is my money?

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Speaker 6: I had more than a hundred dollars. I wonder that

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the poker game.

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Speaker 7: Well, the way your pocket just turned inside out, I

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doubt you got it.

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Speaker 6: Now, somebody was laying for me out here in the dark,

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and that shure looks that way, and I ain't know

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it better than this stuff. And talk to talk to

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who Genie Prebble. She stopped me and started making up to.

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Speaker 2: Me, and then somebody slugged it from behind it. That's right,

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And that's happened around there before.

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Speaker 6: You know.

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Speaker 5: There's a lot of little tricks like that. And he

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means she's hipping me up for it, like.

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Speaker 7: I've passed him month of tree.

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Speaker 5: Here you think you can stand up on like?

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Speaker 6: Yeah, I just think she's hand and there I bet

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the man had done.

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Speaker 5: It's that fella. She's been hanging around with her lately.

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What fella?

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Speaker 6: I don't know what's so young? Whipper's nupper calls himself Brabbo.

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Speaker 5: They see it and shenon and the want of lady

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set the third door back.

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Speaker 7: And the land lady's a caution.

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Speaker 5: Now it's that kind of a place.

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Speaker 3: Chester, My, yeah, what is it?

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Speaker 5: It's Marshall Dell and I wanna talk to you, jan I.

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Speaker 3: Just it.

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Speaker 5: You better stand back Chester. You may be in there

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with her?

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Speaker 6: Sure?

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Speaker 4: Well eight every day did Marshall come calling on a girl?

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Speaker 5: You might have waitme in Jenna. Well, Marshall, I do

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you think like it? Uh?

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Speaker 2: You hear a little gird you who you talking to?

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Speaker 5: Oh? Hello, bravo?

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Speaker 8: And what'd you let him in for?

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Speaker 4: Just come in bob, Oh, I couldn't do nothing.

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Speaker 8: What the idea of Marsha?

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Speaker 5: Which one of you has the money? What money? The

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money you took from Walley's Stirk.

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Speaker 3: We don't know nothing about that?

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Speaker 5: What do you walk to?

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Speaker 8: Marshall?

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Speaker 2: You made a mistake, doesn't Virgina Walley's Stark knows you.

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You always used to pick strangers when you were working

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at it with your old partner.

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Speaker 8: What's he talking about.

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Speaker 4: I don't know, Boba.

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Speaker 3: I don't know nothing about.

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Speaker 8: What partner nobody.

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Speaker 5: His name was Big Red. Jenny was pretty friendly with

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him til I run him out of town last year.

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Speaker 2: Well, I didn't know what kind of man you was.

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Speaker 8: Didn't ji Jinia?

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Speaker 5: Where'd you go to night when you was out so long?

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Speaker 3: No place I d I just talked to some friends,

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like I told you.

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Speaker 5: Weren't you with her brother?

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Speaker 6: No?

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Speaker 3: I wasn't.

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Speaker 4: What friends, Gina, Just some some girls I know that

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worked down at the Long Branch and some other places

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down the street.

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Speaker 5: You weren't in the Long Branch when you ran at

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Old Wallay's Stirk. You were in the alley.

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Speaker 9: I'd been there though.

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Speaker 2: I I I was coming home taking the short cutting.

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Speaker 4: Wally stopped me.

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Speaker 5: Uh, he says, you stopped him.

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Speaker 4: I I just said hello, and he he wanted to talk.

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Speaker 2: And while you were talking to him, somebody stepped up

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behind and slugged him in the back of the head.

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Speaker 3: I don't know nothing about that.

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Speaker 9: Marshall, you were there, say it was dark. I I

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didn't see nothing.

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Speaker 5: It wasn't that dark. I don't do that, Jenna.

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Speaker 4: He'd kill me. He said he'd kill me if I

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told anybody who was gonna kill you?

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Speaker 8: Now, what are you talking about it?

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Speaker 4: I didn't want nothing to do with him, Brable, Honestly

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I didn't.

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Speaker 5: I was scared to death when I heard he was back.

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Speaker 4: And then he found me and he threatened me.

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Speaker 5: It made a big red.

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Speaker 3: Now he'll kill me if he knows I told you.

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Speaker 5: You know where he is now? Yeah, you rock and

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little sne You.

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Speaker 4: Didn't know him, Brabo.

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Speaker 5: He top and he and he's mean and you're just

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the kid.

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Speaker 1: And I didn't want you to get hurt out here.

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Speaker 5: Chester, take her outside?

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Speaker 8: Uh, momble yet, go.

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Speaker 5: On, Jina, I'll be out in a minute, all right, Marshall.

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Speaker 8: No, you pushed me just as far as you're going to.

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Speaker 6: Marshall.

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Speaker 8: Now, you made it so I'll be a laughing stock

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all over town.

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Speaker 5: You're shouldn't at taken up with a girl like her brother, and.

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Speaker 8: You shouldn't have been born. I'm gonna prove that to you, Michall.

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Speaker 5: It's the last thing I ever do, and her.

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Speaker 2: Brother, the next time you make a move toward that

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kind of yours, it probably will be the last thing

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you ever do.

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Speaker 8: You're gonna pay Michell, and you're gonna pay plenty. I'll

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show you what I am.

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Speaker 5: You don't have to show me, brother, I already know.

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I mean, it's cards make you so mad?

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Speaker 7: Hey, you want to play another game may day dark?

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Speaker 5: How many times though I have to beat you before

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your kills up.

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Speaker 7: Cards and running against that as?

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Speaker 5: Oh? Sure, yes one morning?

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Speaker 3: Man?

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Speaker 2: Oh alright, go ahead and be a lee ah yeah, sir, yes, sir,

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would you mind going over to Sam's place and bringing

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some supper for the prisoner?

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Speaker 5: Uh? I shuld oh?

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Speaker 9: Uh be all right to get you a little snack

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all the hat?

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Speaker 5: Yes, m let's she see you?

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Speaker 8: And then he got locked up?

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Speaker 5: Man, a man called Big Red. He's waiting trial for

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Robin while they stir a couple of days ago.

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Speaker 8: M m oh, yes, I heard about that.

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Speaker 5: Yeah. I figure he'll be convicted on the evidence. He

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should have been sent up years ago. Mm no ah, uh,

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I mean you look at this hand. That should be

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a good one. Doc.

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Speaker 8: You tell it?

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Speaker 5: Yeah, y you claim? And I stacked the deck. Well

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not yet. I'll just wait and see how the hand

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turns out.

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Speaker 6: It's us that a poor loser.

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Speaker 5: Oh my boy, I haven't lost yet.

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Speaker 4: Uh you're sure going to though, whenever the hand I've

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got here.

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Speaker 7: That was out back, man.

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Speaker 5: You stay here, doc, I watch you up.

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Speaker 8: Pull it, Marshall, cause right way, uh.

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Speaker 5: Brother, Uh them to turn around.

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Speaker 8: It's a gun I got in your back, and I'll

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take that.

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Speaker 5: Gun in't yours?

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Speaker 8: You know mine?

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Speaker 5: Really up to, brother, I'm riding.

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Speaker 4: Out to night, Marshall, and I don't even in this

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town something to remember me by. I just killed big ready,

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h I shot him through the cell window, just like

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a setting prairie dog, you crazy fool. And now I'm

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gonna pull down a show for the boys at the

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Long Branch.

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Speaker 8: I'm gonna make that Marshall dance for him.

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Speaker 2: I'd given you the old chance. I'm going to, brother,

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or you had your last warning.

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Speaker 8: And you forgot something.

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Speaker 6: Marshall.

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Speaker 5: It's a gun I'm holding in your back.

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Speaker 8: Now start walking, well, just keep walking one.

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Speaker 5: You're having me down a rough road, trouble, and this

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is about your last chance to turn back straight ahead.

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Speaker 4: You're a fool, kid, don't you call me kidd? And

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after what I'm doing tonight, go on EASi look good

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forget that nice straight fown.

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Speaker 3: I don't y back to back.

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Speaker 4: Huh say girls went along, girly, Maybe I'll fight time

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for you later. Look, brother, I try. I didn't mean

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what I sat there the night. I to let him go.

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Speaker 8: Look you and meet and kid, I have and go

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somewhere with me dark and I know what.

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Speaker 5: You're up to. You and I'll be there. You better

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know where it's kidding. Train ahead, marshall right, happen in

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the middle of a story.

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Speaker 4: We want them all we get a good look at this.

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I'm gonna show him something they won't forget. Well they

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thought to do real fine.

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Speaker 2: Written everybody, listen, I got something to show you man.

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Speaker 4: You all know this man, but I bet you didn't

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know he could dance, now, didn't you? I got the

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marshall right where I wanted.

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Speaker 9: You know something.

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Speaker 4: He don't even look half way big no more?

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Speaker 2: All right to stay back, everybody, He just killed they

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riz you all thought I was a kid.

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Speaker 5: Or what you think now? I still think I broble

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and I was scared one of the boots.

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Speaker 8: You shut up, marshall.

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Speaker 2: You'll killed, think Rod, But why don't you tell him

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how he shot him through the cell window? A big

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rat didn't have a gun. That's how brave this kid is.

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Stop calling me that. And he ambushed me, hitting the

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dark and stuck a gun in my back. You sure

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asking for I hadn't shoot it. He wanted to prove

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something to him. That'll prove plenty an unarmed man in

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the back. You're a snake and yellow coward.

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Speaker 5: Brother, You shut up.

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Speaker 2: You want him to remember you? They will, alright, They

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will hang a name on you before.

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Speaker 5: You even get out of town. Shot two men in

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the back because he was afraid to stand up and

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call him.

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Speaker 2: I ain't afraid, all right, prove it? Then you put

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my gun back in the holster, and you stand up

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and face me.

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Speaker 9: You think I'm crazy?

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Speaker 5: No, I just think he's scared, and so does everybody

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else here. Had to lie. I look at him, and

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you tow.

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Speaker 8: Alright, alright, there's your gun.

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Speaker 4: Don't you turn around, not till I get across the room.

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Speaker 8: Don't you move till I get old with you, and

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I till you win.

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Speaker 5: No, brother, sure you're keeping your own gun in rhine. Sure,

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but you got one in your horse? Can now say?

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You can't say I'm killing.

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Speaker 7: It at our man?

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Speaker 2: Alright, I said, way you want it. Don't move you,

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marchas brother, get under arrest from murder. Now you drop

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that gun.

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Speaker 5: Not hard to leave you? Are you all right now? Yeah?

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I'm all right kidding.

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Speaker 6: Uh.

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Speaker 5: He shouldn't prove much to him. He proved one thing

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in it. What that a bulletle killer man?

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Speaker 2: And he had to die to do that.

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Speaker 5: Yeah, m.

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Speaker 1: Gunsmoke. We're used and directed by Norman McDonnell. Stars William

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Conrad as Matt Dillon Us Marshall. Featured in the cast

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were Parley Bear as Chester, Harry mcneer as Doc, and

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Georgia Ellis as Kiddy.