WEBVTT 1 00:00:00.280 --> 00:00:04.839 Baby, I'm a gangstato. It takes a little tangle. You 2 00:00:04.919 --> 00:00:08.240 don't mess with me. Mess with me, baby, I'm a 3 00:00:08.359 --> 00:00:16.359 gangsta too. Oh, Pach, baby, you're a Gangstatoo. 4 00:00:23.800 --> 00:00:26.800 For good warnings, this podcast is designed to take you 5 00:00:26.800 --> 00:00:29.839 outside of your comfort zone and make you question reality 6 00:00:30.239 --> 00:00:39.679 Listening Discretion is a vibe the Fellas. 7 00:00:41.600 --> 00:00:55.039 This ain't my first time at the rodeos. All right, everyone, 8 00:00:55.200 --> 00:00:57.880 you know what it is. It's a cosmic Peach podcast 9 00:00:57.920 --> 00:01:00.479 and I have a very special guest line up for 10 00:01:00.520 --> 00:01:05.000 you today. I recently worked with him on The Occult Rejects, 11 00:01:05.040 --> 00:01:07.400 so you may have already heard that episode, but it's 12 00:01:07.480 --> 00:01:08.120 Rider Lee. 13 00:01:08.560 --> 00:01:09.120 How are you. 14 00:01:09.640 --> 00:01:10.400 What's going on? 15 00:01:11.359 --> 00:01:14.319 I'm doing great, Julia, Thanks for having me on Really Eazy. Yeah, 16 00:01:14.640 --> 00:01:17.159 I'm god. You like my movie and if you watched. 17 00:01:17.000 --> 00:01:19.840 It, yeah, I've watched it a couple of times actually. 18 00:01:20.439 --> 00:01:25.159 So it is available on Amazon Prime and is it 19 00:01:25.480 --> 00:01:27.760 anywhere else? That's where I've been watching it. 20 00:01:27.799 --> 00:01:31.920 But you can get it on Apple TV Plus and 21 00:01:32.359 --> 00:01:35.120 you can also get it on to b Now, so 22 00:01:36.000 --> 00:01:39.560 you got a few options there. I think that it 23 00:01:39.640 --> 00:01:42.879 was released in the UK also on Amazon Prime, but 24 00:01:43.040 --> 00:01:46.280 it's not like a worldwide thing. So now that it's 25 00:01:46.319 --> 00:01:50.159 out on to B more countries that people live in 26 00:01:50.239 --> 00:01:52.040 can now watch it if you can get the too 27 00:01:52.079 --> 00:01:56.920 B apps, So yeah to Amazon Prime and Apple TV plus. 28 00:01:57.280 --> 00:02:00.560 Yeah, I mean I love it obviously. I actually watched 29 00:02:00.560 --> 00:02:05.040 the first two Kubrick's Odyssey that was Jay Widner, and 30 00:02:05.079 --> 00:02:09.240 then when I saw this one, my husband Colby actually 31 00:02:09.520 --> 00:02:13.240 I think has spoke to you about it from Kenspiracy Playtime. 32 00:02:14.240 --> 00:02:18.960 We watched it together and yeah, we were both huge 33 00:02:18.960 --> 00:02:20.960 fans of it right away. So I wanted to have 34 00:02:21.000 --> 00:02:24.199 you on ask you my own questions about it because 35 00:02:24.400 --> 00:02:27.560 there's a lot to dive into there. But I guess 36 00:02:27.599 --> 00:02:29.919 I really first want to open up by saying, I'm 37 00:02:29.960 --> 00:02:33.360 a huge Kubrick fan obviously, as you can kind of 38 00:02:33.400 --> 00:02:36.719 tell from my background, But what what is he to you? Like? 39 00:02:36.840 --> 00:02:40.639 Is he a mad genius? Or is he like a 40 00:02:40.680 --> 00:02:43.800 bad guy or a good guy or like where who 41 00:02:43.960 --> 00:02:44.639 is he to you? 42 00:02:46.639 --> 00:02:52.680 Well? I've always been a fan of filmmaking. I'm certified centiphile. 43 00:02:53.159 --> 00:02:56.319 That's when I grew up, like I would just throw 44 00:02:56.319 --> 00:02:58.439 on a movie. It was like kind of my escapism 45 00:02:58.599 --> 00:03:05.360 from you know, real and I always admired really good 46 00:03:05.639 --> 00:03:10.599 filmmaking and Qubreic is definitely considered one of the best 47 00:03:10.599 --> 00:03:18.159 filmmakers of all time, and just his cinematic style. No 48 00:03:18.199 --> 00:03:22.199 one really does that anymore, right, It's all like jump cuts. 49 00:03:22.280 --> 00:03:27.680 It's always don't let the shot hang on anybody for 50 00:03:27.759 --> 00:03:31.560 too long, which is not the way that it's you're 51 00:03:31.599 --> 00:03:36.319 supposed to tell a story through filmmaking supposed to be 52 00:03:37.080 --> 00:03:39.400 a story. You don't have to give everything away in 53 00:03:39.439 --> 00:03:42.719 the exposition of the film, which is a mistake that 54 00:03:42.960 --> 00:03:46.840 a lot of modern movies make now. They don't tell 55 00:03:46.879 --> 00:03:49.680 the story through the actual They don't let the camera 56 00:03:49.840 --> 00:03:53.199 tell the story. They let the characters within the story 57 00:03:53.240 --> 00:03:57.360 tell the story. That's a really big mistake. Now there 58 00:03:57.360 --> 00:04:03.520 are a few directors nowadays that do kind of lean 59 00:04:03.599 --> 00:04:08.199 in that direction more. They're starting to, mostly with horror movies. 60 00:04:09.000 --> 00:04:13.120 It's kind of they're starting to not give things away 61 00:04:13.199 --> 00:04:15.879 within the actual movie and let the audience put two 62 00:04:15.960 --> 00:04:19.560 and two together. And that's what Cubreak is, basically, what 63 00:04:19.600 --> 00:04:24.560 the Shining is, it's the audience having to put two 64 00:04:24.600 --> 00:04:27.800 and two together to create their own theory of what's 65 00:04:27.839 --> 00:04:30.240 going on. And at the end of our movie at clockwork, 66 00:04:30.279 --> 00:04:35.399 shining Kubric's Odyssey three. We have that audio clip of 67 00:04:36.160 --> 00:04:38.519 Cubriic talking I don't know if you listen all the 68 00:04:38.519 --> 00:04:42.040 way to the end during the credits, but he talks 69 00:04:42.639 --> 00:04:46.680 about the reason why he doesn't do very many interviews 70 00:04:47.279 --> 00:04:49.959 is because he doesn't want to tell the audience what 71 00:04:50.000 --> 00:04:53.079 the movie is actually about. He wants the audience to 72 00:04:53.120 --> 00:04:57.560 figure out what the movie means to them, right, And 73 00:04:57.600 --> 00:05:03.079 that's a really big deal within filmmaking, because again, now 74 00:05:03.120 --> 00:05:05.879 it's not about that anymore. Now it's just giving away 75 00:05:05.920 --> 00:05:08.800 the end. Though, like Long Legs. I don't know if 76 00:05:08.800 --> 00:05:11.720 you watch Long Legs with Nicholas Cage right. 77 00:05:11.600 --> 00:05:13.879 It's on my list. I haven't watched it yet, though 78 00:05:13.879 --> 00:05:16.480 it is good, well, it's. 79 00:05:16.399 --> 00:05:21.160 Really good up until about the end when they tell 80 00:05:21.240 --> 00:05:25.680 you everything that's going on throughout the entire movie. They 81 00:05:25.680 --> 00:05:29.000 don't give you anything because you're trying to figure it out, right, 82 00:05:29.639 --> 00:05:32.439 And that's what a movie is supposed to do. You're 83 00:05:32.439 --> 00:05:36.360 supposed to figure things out as a movie goes along, 84 00:05:36.560 --> 00:05:38.600 and then you put it together and by the end 85 00:05:38.720 --> 00:05:41.639 you've realized what's going on. But they don't do that anymore. 86 00:05:41.639 --> 00:05:43.879 It's more of an it's an attention span thing because 87 00:05:43.879 --> 00:05:46.879 people don't have the attention to set down and watching 88 00:05:46.920 --> 00:05:49.639 an hour and forty five minute movie. They want to 89 00:05:49.639 --> 00:05:51.480 be playing on their phone or doing whatever. But when 90 00:05:51.519 --> 00:05:53.600 I'm watching a movie, it's like nothing else is going 91 00:05:53.600 --> 00:05:56.040 on and paying one hundred percent focus to the movie. 92 00:05:56.920 --> 00:05:59.439 But in the movie Long Legs, they go through an 93 00:05:59.480 --> 00:06:04.439 hour and minutes of this movie and then at the end, 94 00:06:05.040 --> 00:06:08.800 right like right before it's getting ready to end, they 95 00:06:08.839 --> 00:06:12.519 explain everything that happened throughout the movie, and it just 96 00:06:12.600 --> 00:06:16.879 ruined them. Right, Yeah, when the audience could have they 97 00:06:16.879 --> 00:06:20.319 could have added a few more scenes in there, and 98 00:06:20.879 --> 00:06:23.920 they the audience could have put together exactly what's going on, 99 00:06:24.000 --> 00:06:28.439 and you didn't have to tell everybody what happened through 100 00:06:28.439 --> 00:06:30.480 the movie. They could piece it together on their own. 101 00:06:30.519 --> 00:06:33.079 And that's a really big mistake. I would love to 102 00:06:33.120 --> 00:06:37.079 actually direct a feature film with like actors and like 103 00:06:37.160 --> 00:06:39.560 do an actual film, because I think that I could 104 00:06:39.560 --> 00:06:41.079 do it really. 105 00:06:40.839 --> 00:06:44.079 Well, like horror genre or. 106 00:06:44.480 --> 00:06:50.079 Horror genre or like some something psychological mm hmmm, psychological 107 00:06:50.399 --> 00:06:52.319 movies like mind bending movies a day. 108 00:06:52.360 --> 00:06:54.199 I feel like you'd be really good at that. And 109 00:06:54.360 --> 00:06:57.519 it's just curious question, but how do you feel about 110 00:06:57.600 --> 00:06:58.319 Jordan Peel. 111 00:06:59.720 --> 00:07:00.839 I do like Jordan Peele. 112 00:07:01.160 --> 00:07:04.160 Okay, I do too. I was just curious because he is, 113 00:07:04.360 --> 00:07:10.160 to me a modern day storyteller with some of the 114 00:07:10.759 --> 00:07:12.800 things that he's coming. I was just curious if you 115 00:07:12.839 --> 00:07:14.959 thought he was any good, because I do. 116 00:07:15.199 --> 00:07:19.319 But my pile movies, I didn't really like Candy Man, 117 00:07:19.560 --> 00:07:22.920 but all of his other ones Nope, Nope, was really good. 118 00:07:23.839 --> 00:07:26.399 It was great. Get Out was really good. That other 119 00:07:26.439 --> 00:07:27.279 one that he did that. 120 00:07:27.319 --> 00:07:31.560 Was like his next US. Yes, yeah, I was. 121 00:07:31.519 --> 00:07:36.240 Really good too. Like when you have the formula for 122 00:07:36.399 --> 00:07:43.279 a psychological thriller mind bending movie. I think that the 123 00:07:43.279 --> 00:07:46.199 the problem with directors in like Hollywood is they think 124 00:07:46.199 --> 00:07:48.639 that it's going to be too psychological to where the 125 00:07:48.680 --> 00:07:52.439 audience can't figure it out. But the audience is way 126 00:07:52.600 --> 00:07:58.759 but that that encourages rewatchability. Half the movies has come 127 00:07:58.800 --> 00:08:04.720 out in the modern day have no rewatchability. Right then 128 00:08:04.839 --> 00:08:10.439 once and you're done, but not qubic right. I've watched 129 00:08:10.480 --> 00:08:15.480 The Shining hundreds of times just making the movie, and 130 00:08:15.519 --> 00:08:18.199 I watched it hundreds of times before that when I 131 00:08:18.240 --> 00:08:21.439 was developing my theory of exactly what Stanley Kubrick was 132 00:08:21.439 --> 00:08:25.680 trying to say, within the movie. I watched it hundreds 133 00:08:25.720 --> 00:08:31.879 of times. Okay, there's not another movie or another genre 134 00:08:32.039 --> 00:08:36.039 of movie or anybody other than Stanley Kubrick that you 135 00:08:36.120 --> 00:08:39.320 can rewatch over and over and over and over again 136 00:08:39.639 --> 00:08:45.679 and get something new because they're like one and done movie. 137 00:08:46.240 --> 00:08:50.919 M I will never rewatch a Marvel movie until. 138 00:08:52.840 --> 00:08:56.159 Right. Yeah, it's like you know, they compared to go 139 00:08:56.240 --> 00:08:59.759 into like an amusement park. When you watch a Marvel movie, 140 00:09:00.120 --> 00:09:02.840 you know, because it's all just like fun and games 141 00:09:02.919 --> 00:09:06.759 and whatever, and then it's over and there's like explosions 142 00:09:06.840 --> 00:09:10.159 and you know, bright flashing colors or whatever. It's like 143 00:09:10.320 --> 00:09:15.879 candy movie, you know, for like just zoning out. But 144 00:09:17.279 --> 00:09:19.600 I've been watching The Shining since I was a little kid, 145 00:09:19.639 --> 00:09:22.879 and every time I watch it, immediately, just like with 146 00:09:22.960 --> 00:09:25.039 the opening when it's going through the lake and the 147 00:09:25.120 --> 00:09:28.720 trees and like you're kind of getting the landscape and 148 00:09:28.759 --> 00:09:36.240 it's just transcendent almost, It like immediately takes you inside 149 00:09:36.240 --> 00:09:39.639 the movie. And it doesn't matter how many times I 150 00:09:39.679 --> 00:09:42.639 watch it, I always feel like I've stayed at the overlook. 151 00:09:43.320 --> 00:09:45.200 By the time the movie is over, I feel like 152 00:09:45.240 --> 00:09:49.399 I've went through the experience. And so I did find 153 00:09:49.399 --> 00:09:52.960 it interesting that you and Jay Widner mentioned in the 154 00:09:53.039 --> 00:09:58.320 movie that it's not actually a horror film though, and 155 00:09:58.639 --> 00:10:01.480 so what would you you say that it is. 156 00:10:04.200 --> 00:10:09.360 I would say that it is a psychological mind bending movie. 157 00:10:09.519 --> 00:10:13.440 And but it was categorized when it first came out 158 00:10:13.679 --> 00:10:16.879 well as like a horror movie, as like Stephen King's 159 00:10:16.919 --> 00:10:22.279 masterpiece horror movies. But there's very few horror elements within 160 00:10:22.360 --> 00:10:25.759 Stanley Kubrick's The Shining. There's very there's not any jump scares, 161 00:10:26.679 --> 00:10:31.600 r one jump scare. It's it's more of a psychological. 162 00:10:32.679 --> 00:10:33.159 Thriller. 163 00:10:34.519 --> 00:10:37.399 And that brings on an entirely new meaning when you 164 00:10:37.440 --> 00:10:42.279 watch our movie at Clockwork Shining Cubric's honesty three, because 165 00:10:42.279 --> 00:10:46.600 the whole thing is psychological. It's a psychological experiment. They're 166 00:10:46.639 --> 00:10:51.840 running a psychological experiment up there on Jack. The entire 167 00:10:51.919 --> 00:10:58.440 thing has ran as like an operation. It's a CIA 168 00:10:58.720 --> 00:11:02.720 mind control operation that's going on up there. And once 169 00:11:02.759 --> 00:11:06.720 you put all the pieces together and you realize exactly 170 00:11:06.720 --> 00:11:11.320 what's going on, the entire movie makes sense because there's 171 00:11:11.440 --> 00:11:15.360 not Everyone has their own theories of what's going on 172 00:11:15.399 --> 00:11:17.320 in The Shining. And that's not to say that any 173 00:11:17.360 --> 00:11:21.840 of those theories are wrong. They can all be right simultaneously. Right, 174 00:11:21.840 --> 00:11:25.960 But the overall arching theory is our theory that we 175 00:11:26.039 --> 00:11:29.480 present in a clockwork shining seems to be the thing 176 00:11:29.519 --> 00:11:33.639 that makes sense because it also makes everything else makes sense. 177 00:11:34.879 --> 00:11:42.360 The moon landing stuff, which would be one giant psychological 178 00:11:42.399 --> 00:11:46.720 operation faking the moon, which would be an MK ultra 179 00:11:47.679 --> 00:11:52.960 program like live feed out to everybody in the world, 180 00:11:53.039 --> 00:11:56.080 all at the same time of a fake moon landing. 181 00:11:56.360 --> 00:11:59.679 That's if that's true, that's one of the greatest MK 182 00:11:59.759 --> 00:12:04.440 allure mind control operations has ever existed. Right, Can we 183 00:12:04.519 --> 00:12:07.840 make everybody believe everyone in the world believe that we 184 00:12:07.879 --> 00:12:11.279 went to the moon? And that's the type of things 185 00:12:11.440 --> 00:12:15.600 that they do. That's what the MK ultra programs is 186 00:12:15.639 --> 00:12:19.200 really about, is to change the perception of people, to 187 00:12:19.320 --> 00:12:22.600 make them believe something happened when it may or may 188 00:12:22.600 --> 00:12:27.240 not have actually happened. Right. We can implant memories, thoughts, 189 00:12:27.240 --> 00:12:31.200 and ideas into people's heads to make them think that 190 00:12:31.240 --> 00:12:34.080 something happened when it didn't happen, or vice versa, when 191 00:12:35.120 --> 00:12:37.279 something really did happen, and will make them believe that 192 00:12:37.320 --> 00:12:41.000 it didn't happen. Right, It works both ways. You can 193 00:12:41.039 --> 00:12:42.360 do it both ways, and when you look at you 194 00:12:42.480 --> 00:12:46.039 and camera and what he was doing in Canada whenever 195 00:12:46.240 --> 00:12:51.279 the CIA subleased the programs into Canada, because that's really 196 00:12:51.279 --> 00:12:54.320 where a lot of them went. They subleased a lot 197 00:12:54.320 --> 00:12:57.600 of these programs to private companies and private contractors and 198 00:12:57.879 --> 00:13:04.279 private government contractors so that they wouldn't have to reveal 199 00:13:04.919 --> 00:13:07.879 that they were doing these experiments, right because it's from 200 00:13:07.919 --> 00:13:11.320 a private company, and a private company is not beholding 201 00:13:11.320 --> 00:13:15.840 to the same laws that the government is beholden to. 202 00:13:16.679 --> 00:13:18.720 So they would use like hospital Wings. They would open 203 00:13:18.840 --> 00:13:22.320 up a giant hospital Wings to just test MK ultra 204 00:13:22.399 --> 00:13:24.879 mind control stuff. And they had this big hospital in 205 00:13:24.919 --> 00:13:28.919 Canada and several of the people from Canada that was 206 00:13:29.000 --> 00:13:31.960 experimented on by you and Cameron actually sued the Canadian 207 00:13:32.000 --> 00:13:35.360 government for it and they won. But the thing that 208 00:13:35.399 --> 00:13:42.080 he was doing was there's a process to this. There's depatterning. 209 00:13:42.200 --> 00:13:45.879 So you depattern the mind of your subject, so you 210 00:13:45.960 --> 00:13:50.840 essentially erase all of their cognitive behavior. You kind of 211 00:13:50.879 --> 00:13:55.480 erase their memories, you erase what they think is actually 212 00:13:55.679 --> 00:14:00.519 going on, any of their previous ideas of what happening 213 00:14:00.639 --> 00:14:06.840 like there the critical thinking and their awareness around something, 214 00:14:06.840 --> 00:14:10.240 and that's normally done through trauma. So you traumatize somebody, 215 00:14:10.960 --> 00:14:15.679 you're essentially deep patterning them. So after they traumatize them, 216 00:14:16.399 --> 00:14:22.279 they can then drug them and then use a technique 217 00:14:22.279 --> 00:14:26.519 that's called psychic driving, which psychic driving is implanting a 218 00:14:26.559 --> 00:14:30.960 thought or an idea into somebody's head. And some of 219 00:14:31.000 --> 00:14:36.639 their original outlook of what psychic driving was, the original 220 00:14:36.679 --> 00:14:38.840 definition of how they did it was is they would 221 00:14:38.840 --> 00:14:44.279 take in a tape recorder, a repeated audio looped tape recorder, 222 00:14:44.840 --> 00:14:48.120 and they would play it repeatedly to these patients that 223 00:14:48.159 --> 00:14:53.840 they had been deppatterned and druggy. Now, as we talk 224 00:14:53.879 --> 00:14:57.159 about in the documentary at Clockwork Shining, there's a whole 225 00:14:57.360 --> 00:15:00.559 list of drugs. Whenever Kathy O'Brien is talking about her 226 00:15:00.600 --> 00:15:04.879 experiences within the mk Ultra Monarch program, we show a 227 00:15:04.960 --> 00:15:08.320 list of all the drugs that were used by the 228 00:15:08.320 --> 00:15:11.240 CIA and the mk Ultra programs, and it's hundreds of drugs, 229 00:15:11.240 --> 00:15:16.960 from caffeine to adderall to weed, thenphetamine, the nicotine. They 230 00:15:17.159 --> 00:15:21.159 used all of it. So it's not just LSD, and 231 00:15:21.200 --> 00:15:25.399 that's a common misconception within the mk Ultra programs. They think, oh, 232 00:15:25.480 --> 00:15:27.320 while they were just using some LSD, they were just 233 00:15:27.320 --> 00:15:32.000 making people trip, which can put people out of their mind. 234 00:15:32.240 --> 00:15:34.559 We talk about that too within the documentary. If you're 235 00:15:34.639 --> 00:15:38.720 unknowingly dosed with LSD, you have no idea what drug 236 00:15:38.759 --> 00:15:41.000 that you You're going to think that you're losing your mind. 237 00:15:41.320 --> 00:15:45.960 It's going to put you a psychoss if you're dosed 238 00:15:45.960 --> 00:15:48.000 with a high amount of LSD. And there's proof of 239 00:15:48.039 --> 00:15:52.759 that with several people being unknowingly dosed with LSD. I mean, 240 00:15:52.840 --> 00:15:56.360 Project Midnight Climax was all about that. 241 00:15:56.360 --> 00:15:58.720 They were just stuff. 242 00:15:59.240 --> 00:16:02.960 Yeah, Frank Olsen he was unknowingly dosed with LSD and 243 00:16:03.080 --> 00:16:05.600 jumped out of the what was it the thirteenth or 244 00:16:05.600 --> 00:16:06.639 the fourteenth through. 245 00:16:06.840 --> 00:16:10.559 A closed window, no less, with a big concussion on 246 00:16:10.639 --> 00:16:13.759 his head. So he somehow hid himself over the head, 247 00:16:13.879 --> 00:16:18.000 gave himself a deadly injection of something I think it 248 00:16:18.039 --> 00:16:22.440 was LSD, and then it jumped out of closed window. 249 00:16:22.480 --> 00:16:26.399 I mean, the amount of like craziness that goes in 250 00:16:27.120 --> 00:16:31.799 this documentary a clockwork shining, you touch on so many 251 00:16:31.840 --> 00:16:34.360 there's so much to unpact because it is the Frank 252 00:16:34.399 --> 00:16:38.320 Olsen LSD stuff, Monarch stuff. Stanley was friends with a 253 00:16:38.360 --> 00:16:43.919 lot of higher up uppity people at NASA, and it 254 00:16:44.000 --> 00:16:47.600 is about stuff like that Laurel Canyon big part of it. 255 00:16:48.639 --> 00:16:51.399 And then it's like there are so many layers, it's 256 00:16:51.480 --> 00:16:55.440 like a five layer burrito, really. And one of the 257 00:16:55.480 --> 00:16:59.440 things that caught my attention to is that you mentioned 258 00:16:59.440 --> 00:17:02.679 this Mimoi. I think it was to the President talking 259 00:17:02.679 --> 00:17:07.640 about how Stanley Kubrick was the most promising something or other, 260 00:17:09.240 --> 00:17:14.400 and I think that he was working for the government 261 00:17:14.480 --> 00:17:18.000 in some unspecified capacity, Like do you think that's part 262 00:17:18.039 --> 00:17:19.000 of the MK thing. 263 00:17:21.119 --> 00:17:23.599 Yeah, we don't know exactly what that project was because 264 00:17:23.599 --> 00:17:26.480 it doesn't state it in the document, but the document 265 00:17:26.519 --> 00:17:30.039 states that there are five film directors that are being 266 00:17:30.039 --> 00:17:33.480 looked at for some unknown government project, with Stanley Kubrick 267 00:17:33.559 --> 00:17:36.240 being looked at as the most promising. And we know 268 00:17:36.279 --> 00:17:39.599 that Stanley Kubrick's had ties to the government because the 269 00:17:39.680 --> 00:17:44.039 Air Force came to the set of Doctor Strangelove. Whenever 270 00:17:44.200 --> 00:17:47.920 he did the he made a model of the inside 271 00:17:47.960 --> 00:17:51.079 of the B two stealth bomber, and he'd asked the government, 272 00:17:51.240 --> 00:17:56.039 the Air Force, for if he could use like if 273 00:17:56.039 --> 00:17:57.759 he could see the inside of a B two stealth 274 00:17:57.759 --> 00:17:59.799 bomber so they can get the inside of it. 275 00:18:00.160 --> 00:18:00.599 Correct. 276 00:18:01.200 --> 00:18:04.119 The military said, no, you can't do that because it's 277 00:18:04.319 --> 00:18:07.640 top secret classified information. If we let you do that, 278 00:18:07.759 --> 00:18:10.960 then when other countries, this film is going to be 279 00:18:10.960 --> 00:18:14.240 distributed in other countries, and if other countries see what 280 00:18:14.279 --> 00:18:16.319 the inside of the B two stealth bomber looks like 281 00:18:16.359 --> 00:18:18.599 and all of its gadgets and how it all works 282 00:18:18.640 --> 00:18:21.680 and everything, then they can replicate it. Right. So they 283 00:18:21.759 --> 00:18:27.200 said no, And then Kubrick's project designer, his producer, which 284 00:18:27.200 --> 00:18:32.400 we have talking about it in the documentary, he cut 285 00:18:32.440 --> 00:18:39.880 out all of these like magazines and looked at models 286 00:18:39.920 --> 00:18:41.559 of what people thought that the inside of a B 287 00:18:41.640 --> 00:18:43.920 too Stealth bomber looked like. And they compiled all this 288 00:18:44.039 --> 00:18:48.640 information and then they recreated what they believed the inside 289 00:18:48.640 --> 00:18:50.400 of the B too Stealth bomber looked like. So then 290 00:18:50.400 --> 00:18:52.119 when the Air Force came to visit the side of 291 00:18:52.119 --> 00:18:57.160 Doctor Strangelove and they watched the movie, they're like, what's 292 00:18:57.200 --> 00:18:59.720 that going on here? We said no, that you couldn't 293 00:19:00.039 --> 00:19:02.000 see the inside of this B two stealth bomber, but 294 00:19:02.079 --> 00:19:05.480 yet you have what the inside of a B two 295 00:19:05.480 --> 00:19:10.200 stealth bomber looks like. Almost perfectly. Ok So we believe 296 00:19:10.240 --> 00:19:15.799 that that was the inception of Qubricks starting to work 297 00:19:15.960 --> 00:19:20.440 with the government and these three letter organizations and the military. 298 00:19:20.440 --> 00:19:22.880 And then if you fast forward into two thousand and one, 299 00:19:22.920 --> 00:19:25.960 A Space Odyssey, at the end of that movie, there 300 00:19:26.039 --> 00:19:28.359 was credits there that he was thinking all of these 301 00:19:28.400 --> 00:19:35.480 big corporations like lockeed Martin Air Force Intelligence, Langley Air 302 00:19:35.519 --> 00:19:40.440 Force Base, all these big military contractors and these three 303 00:19:40.519 --> 00:19:45.160 letter organizations, right, and that all those credits ended up 304 00:19:45.160 --> 00:19:48.240 getting cut out in the final run of the movie 305 00:19:48.240 --> 00:19:50.880 because I'm sure that one of these military people came 306 00:19:50.920 --> 00:19:52.720 to him and was like, Hey, you can't be thinking 307 00:19:52.920 --> 00:19:55.079 all of us in the credits of this movie, because 308 00:19:55.119 --> 00:19:57.440 then people are going to know that we're involved. 309 00:19:57.200 --> 00:20:00.960 With the production exactly NASA. 310 00:20:01.200 --> 00:20:04.079 The cameras that he used for filming two thousand and 311 00:20:04.079 --> 00:20:10.359 one Space Honesty came from NASA. Okay. So there's connections 312 00:20:10.400 --> 00:20:15.519 all over the place here between military organizations, three letter organizations, 313 00:20:15.599 --> 00:20:18.480 and direct ties with Stanley Kubrick. And we also show 314 00:20:18.519 --> 00:20:24.680 within the documentary how many other movies have been had 315 00:20:24.920 --> 00:20:28.480 production and has ties in the military industrial complex. Die 316 00:20:28.480 --> 00:20:32.119 another Day, the James Bond movies transformers movies, which all 317 00:20:32.160 --> 00:20:35.920 those came out way later than what. We didn't know 318 00:20:35.960 --> 00:20:39.920 about that until the four year request came back and 319 00:20:39.960 --> 00:20:43.400 then they got all that information. So now the cat 320 00:20:43.480 --> 00:20:45.920 is out of the bag that the three letter organizations 321 00:20:45.920 --> 00:20:49.920 in the military is involved with film production, and then 322 00:20:49.960 --> 00:20:53.319 that ties into the Laurel Canyon stuff. Okay, So Laurel Canyon, 323 00:20:53.720 --> 00:20:56.200 there was a military base called Lookout mount on top 324 00:20:56.359 --> 00:20:59.920 right outside of la on top of Laurel Kenyon called 325 00:21:00.000 --> 00:21:04.119 Lookout Mountain Air Force Base. There's a huge facility. They 326 00:21:04.160 --> 00:21:08.960 had sound stages, they had movie sets. They that's where 327 00:21:09.000 --> 00:21:15.720 the miniature bomb, the nuclear bomb explosions all took place there. 328 00:21:15.839 --> 00:21:18.799 That was filmed on miniature sets, Okay, And there was 329 00:21:19.079 --> 00:21:21.480 thousands and thousands of films that were made there. And 330 00:21:21.519 --> 00:21:24.240 it's just a coincidence that this is right beside la 331 00:21:24.400 --> 00:21:27.680 where Hollywood is, where all these films are being made. Like, 332 00:21:27.799 --> 00:21:31.440 you got to be using mental gymnastics to not think 333 00:21:31.480 --> 00:21:34.200 that the military is involved and is making films to 334 00:21:34.240 --> 00:21:38.799 put out to the public. And also how much of 335 00:21:38.839 --> 00:21:41.680 the stuff that we think is actually real footage of 336 00:21:41.759 --> 00:21:45.680 real events happening were actually staged events film that Lookout 337 00:21:45.720 --> 00:21:47.680 Mountain because if they were doing this way back when, 338 00:21:47.720 --> 00:21:51.359 and Jared Leto now owns the Lookout Mountain Air Force Base. 339 00:21:51.319 --> 00:21:55.599 Yeah, he just does thirty the Mars and the cult 340 00:21:55.640 --> 00:21:59.160 that Jared Leto is supposedly all involved with, the White 341 00:21:59.440 --> 00:22:01.519 Road cult is what they call it. 342 00:22:02.319 --> 00:22:05.240 And if they were doing it back then, and they 343 00:22:05.279 --> 00:22:09.200 were so involved in making films, right and we don't 344 00:22:09.240 --> 00:22:13.240 know what all those films were because it's still all classified, 345 00:22:13.359 --> 00:22:17.960 we don't know what any of that was. So again, 346 00:22:18.000 --> 00:22:20.359 you'd have to be using mental gymnastics to think that 347 00:22:20.400 --> 00:22:24.079 they're still not doing that, right. That brings in the 348 00:22:24.160 --> 00:22:27.759 question like all this stuff, it brings in, brings nine 349 00:22:27.799 --> 00:22:32.359 to eleven into question. It brings in, like the jfk assassination, 350 00:22:32.519 --> 00:22:36.039 all of it into question because they can literally just 351 00:22:36.240 --> 00:22:43.240 film something on a military soundstage and then set off 352 00:22:43.240 --> 00:22:44.880 as something real in the public. They just got to 353 00:22:44.880 --> 00:22:49.119 put it everywhere, right, and now they don't necessarily that's 354 00:22:49.160 --> 00:22:51.920 evolved now they don't even have to use real people. 355 00:22:52.079 --> 00:22:53.920 Now they don't even have to film it. They can 356 00:22:54.039 --> 00:22:57.680 just use AI. And if anybody thinks that they don't, 357 00:22:57.960 --> 00:23:01.480 if they haven't perfected the technology of AI, the military 358 00:23:01.480 --> 00:23:04.400 hasn't perfected it to where you legitimately cannot tell the 359 00:23:04.400 --> 00:23:06.680 difference between if it's real or if it's one hundred 360 00:23:06.680 --> 00:23:10.240 percent fake, just because we don't have that technology yet, 361 00:23:10.319 --> 00:23:13.559 then you're only kidding yourself, right, hundred percent have it 362 00:23:13.839 --> 00:23:18.960 and they been using it for decades now. There's dual 363 00:23:19.119 --> 00:23:22.000 use for all of these things. There's dual use. There's 364 00:23:22.039 --> 00:23:25.319 the military use, and then there's the public use. They 365 00:23:25.640 --> 00:23:27.880 figure it all out within the military how they can 366 00:23:28.000 --> 00:23:30.359 use it for their operations and what they're doing, and 367 00:23:30.400 --> 00:23:32.400 then later on they released it to the public. I mean, 368 00:23:32.440 --> 00:23:35.359 how long do we have drones? How long were military 369 00:23:35.440 --> 00:23:38.519 drones a thing before we got these little tiny public 370 00:23:38.599 --> 00:23:43.519 drones that people can use. Hey, they've been using drones 371 00:23:44.079 --> 00:23:48.160 or freaking decades, years and years and years, way before 372 00:23:48.680 --> 00:23:51.920 the public ever knew that the military had unmanned drones. 373 00:23:53.160 --> 00:23:56.319 So if you use that same logic with AI and 374 00:23:56.359 --> 00:24:02.079 with these soundstage military bases, then they're still doing the 375 00:24:02.119 --> 00:24:05.759 exact same thing today. It's like a it's like a 376 00:24:05.920 --> 00:24:08.079 mission of what they were doing before, so that they 377 00:24:08.119 --> 00:24:09.720 can kind of come out and be like, oh, well, 378 00:24:10.079 --> 00:24:12.200 we stopped doing this. Is like the MK Ultra programs 379 00:24:12.200 --> 00:24:14.000 when they shut when they disclose it to the public 380 00:24:14.000 --> 00:24:16.160 in nineteen eighty five. Right, they kind of had to 381 00:24:16.160 --> 00:24:18.039 do that so that the CIA would take the fall 382 00:24:18.079 --> 00:24:20.000 for it and take the bad rap while all the 383 00:24:20.079 --> 00:24:24.599 other all the other three letter organizations were also doing 384 00:24:24.640 --> 00:24:27.279 the exact same thing. But it gets all of those 385 00:24:27.359 --> 00:24:29.119 off of the hook. I mean, the Air Force has 386 00:24:29.119 --> 00:24:33.799 been running MK ultra programs almost since its inception. Right. 387 00:24:34.400 --> 00:24:38.839 Walter Bosley, the AFOSI Special Air Force agent within our documentary, 388 00:24:38.960 --> 00:24:41.200 says that the Air Force, he worked for the Air Force, 389 00:24:41.680 --> 00:24:43.920 they said that the Air Force, out of all of 390 00:24:43.960 --> 00:24:48.039 the military branches, was the most interested in MK ultra. 391 00:24:50.279 --> 00:24:51.440 So they're all doing it. 392 00:24:52.000 --> 00:24:55.240 Yeah, I mean I think that they're up to something 393 00:24:55.279 --> 00:24:58.519 else too with Lookout Mountain, because if you look at 394 00:24:58.599 --> 00:25:01.680 who had top secrets clearance to get into that place, 395 00:25:01.720 --> 00:25:04.680 It's like Marilyn Monroe, Why the fuck does she have 396 00:25:04.799 --> 00:25:07.640 top secret anything to get in there? They're filming, like 397 00:25:07.720 --> 00:25:12.359 what nuclear test footage? Why does Marilyn Monroe need to 398 00:25:12.359 --> 00:25:14.599 be up in there. I mean, it's just it's odd 399 00:25:14.640 --> 00:25:18.799 to me. And then I spoke with a woman. She's 400 00:25:18.839 --> 00:25:22.799 a doctor, she's a psychiatrist. Now her name is doctor 401 00:25:22.880 --> 00:25:26.920