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<v Speaker 1>A Boundless Authenticity podcast. Thanks for tuning in to the

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<v Speaker 1>Boundless Authenticity Podcast, where we discuss everything related to the

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<v Speaker 1>evolution of human consciousness. I need your help with something.

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<v Speaker 1>According to the latest statistics, sixty eight percent of listeners

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<v Speaker 1>are not following or subscribers to the show. And if

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<v Speaker 1>you want me to be able to reach a larger

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<v Speaker 1>audience so that I can get even more of the

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<v Speaker 1>guests you want, we have to take action and like,

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<v Speaker 1>subscribe and follow wherever possible. Tell that freaking algorithm that

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<v Speaker 1>Boundless Authenticity means business. You can find all of the

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<v Speaker 1>episodes on spreaker, but you can also find some on Spotify, Apple,

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<v Speaker 1>rumble Bit, shoot, YouTube, or anywhere else you'd like to

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<v Speaker 1>listen to podcasts anyways. Today's guest is Chris Matthew, a filmmaker, researcher,

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<v Speaker 1>and the creator of the documentary A Cult Louisiana, which

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<v Speaker 1>delves into the rich, mystical and paranormal tradition of Louisiana,

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<v Speaker 1>examining topics like voodoo, magic, and the supernatural phenomena that

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<v Speaker 1>are deeply woven into the state's cultural fabric. Chris is

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<v Speaker 1>also the host of Forbidden Knowledge News on Spreaker, where

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<v Speaker 1>I've also been featured as a guest. Links to that

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<v Speaker 1>will be included, Chris, what's going on? Hey man? Thank

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<v Speaker 1>you so much for having me on.

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<v Speaker 2>I really enjoyed our discussion when you were on my show,

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<v Speaker 2>and I'm looking forward to this one as well.

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<v Speaker 1>Let's get weird. Yeah, we definitely have to continue that discussion.

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<v Speaker 1>There's so much more that we could get into with

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<v Speaker 1>that stuff. But anyways, this is about you. So yeah,

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<v Speaker 1>anybody that knows me or listens to this show knows

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<v Speaker 1>that I hate watching television. I just I'm against it.

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<v Speaker 1>You know what I talk about because we spoke about that.

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<v Speaker 1>But it's a big deal for me to be like, hey,

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<v Speaker 1>you know what, I'm going to check out this documentary.

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<v Speaker 1>And I watched it. It was a ten out of

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<v Speaker 1>ten solid. I was very interested in the information and

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<v Speaker 1>it reminded me of stuff that I even heard of

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<v Speaker 1>when I was studying Caribbean history, like Joing Lafeete and whatnot.

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<v Speaker 1>But I'll let you take over. What was you know,

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<v Speaker 1>what really made you decide screw it, I'm going to

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<v Speaker 1>make a documentary on this. Well, thank you again for

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<v Speaker 1>having me.

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<v Speaker 2>I was born and raised in Louisiana, South Louisiana, a

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<v Speaker 2>small town called Homa. It's about an hour south of

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<v Speaker 2>New Orleans, and I lived there until I was.

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<v Speaker 1>About twenty three years old.

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<v Speaker 2>I moved to Florida for about ten years, and then

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<v Speaker 2>I moved back to Louisiana for another few years.

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<v Speaker 1>I don't live there right now.

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<v Speaker 2>I moved to Colorado a few years ago and started

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<v Speaker 2>Forbidden Knowledge News out here.

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<v Speaker 1>But excuse me.

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<v Speaker 2>I was just always interested in mysteries, paranormal, the unexplained,

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<v Speaker 2>the occult conspiracies, and that's the whole reason I started

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<v Speaker 2>Forbidden Knowledge News. And I was inspired, after a few

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<v Speaker 2>psychedelic experiences, actually to start producing films and documentaries. I have,

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<v Speaker 2>you know, I've been involved with editing for my local

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<v Speaker 2>news station a long time ago. I went to school

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<v Speaker 2>for digital production, and I'm very familiar with editing and

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<v Speaker 2>the whole process of filmmaking. And I decided, you know,

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<v Speaker 2>why not. And the question was what would I make

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<v Speaker 2>my documentary film about?

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<v Speaker 1>And I knew I.

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<v Speaker 2>Wanted to do a series of them, and there's so

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<v Speaker 2>many topics that I cover, honing in on the first one.

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<v Speaker 2>I couldn't really think of anything until Like I said,

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<v Speaker 2>I had inspiration through a magic mushroom experience to make

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<v Speaker 2>a film about my home state, which is full of

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<v Speaker 2>mystery and paranormal events and a rich history and all

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<v Speaker 2>kinds of hidden information that I was and even aware

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<v Speaker 2>of until I started researching. So I made a trip

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<v Speaker 2>back to Louisiana. It was in I think April of

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<v Speaker 2>twenty twenty three, or yeah, I think it was in

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<v Speaker 2>April twenty twenty three or maybe twenty two, and I

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<v Speaker 2>started filming. I started doing interviews and talking with different

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<v Speaker 2>people and learning about all the local history and legends,

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<v Speaker 2>at least what I didn't already know, And there was

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<v Speaker 2>a lot that I didn't already know about my own

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<v Speaker 2>state's history. So I took a deep dive into everything,

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<v Speaker 2>found some incredible people with incredible experiences, and learned as

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<v Speaker 2>much as I could about it. And the film covers

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<v Speaker 2>everything from the hidden history behind Marty Gras, We get

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<v Speaker 2>into a little bit of the jfk assassination and some

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<v Speaker 2>of the inner workings that took place in New Orleans.

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<v Speaker 2>We also into the history of Jean Lafitte and pirates,

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<v Speaker 2>voodoo and Marie Leveaux, and a large portion of It

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<v Speaker 2>is focused on one of my friends, Scott Pace's experiences.

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<v Speaker 2>He's a local hunter there and he's had incredible encounters

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<v Speaker 2>with what he understands is a bigfoot, dog, men, and

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<v Speaker 2>various other types of supernatural beings that could possibly exist

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<v Speaker 2>out in the swamp lands. So it's a wide variety

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<v Speaker 2>of things that interested me in my home state, and

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<v Speaker 2>I was really happy with how everything turned out as

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<v Speaker 2>an extremely low budget film. I think we made the

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<v Speaker 2>whole thing with less than a thousand dollars and I

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<v Speaker 2>used things, you know, all the equipment I already had,

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<v Speaker 2>and a lot of the interviews that I've done they

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<v Speaker 2>were done over zoom, and you know, we did as

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<v Speaker 2>many as we could in person. But it's really kind

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<v Speaker 2>of different style of filmmaking and I really.

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<v Speaker 1>Enjoyed doing this.

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<v Speaker 2>We are now working on our second film, which we're

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<v Speaker 2>hoping to have submitted by January and released by March

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<v Speaker 2>or April, and this one is going to be a

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<v Speaker 2>continuation of the Forbidden documentary series. This one will be

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<v Speaker 2>titled The Forbidden Documentary Doors of Perception. We're going to

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<v Speaker 2>have Doors of Perception Chapter one and two, and this

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<v Speaker 2>one's going to cover another wide variety of topics, but

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<v Speaker 2>not specific to a certain area. It's going to be

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<v Speaker 2>about the profound connections between near death experiences, meditative states,

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<v Speaker 2>altered states, psychedelics, and contact with other dimensional, otherworldly, non

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<v Speaker 2>human intelligences, and how it can form our material world

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<v Speaker 2>in reality if we've experienced this and change our lives

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<v Speaker 2>in very profound ways, and how all these experiences are

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<v Speaker 2>profoundly connected to each other once you start looking at

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<v Speaker 2>a bigger picture of everything. So that's the new film

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<v Speaker 2>we're working on, which we can get into a little

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<v Speaker 2>bit if you'd like as well.

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<v Speaker 1>But yeah, that's how it all got started. Man. Well yeah,

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<v Speaker 1>so less than a thousand dollars and it doesn't even

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<v Speaker 1>watch like that, you can, you know, you experience it

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<v Speaker 1>the same way you would as something on like the

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<v Speaker 1>History Channel or something. You know.

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<v Speaker 2>Yeah, the most we spent was airfare and travel and

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<v Speaker 2>food and stuff for the trip. So yeah, and this

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<v Speaker 2>one's really gonna be on a budget of about the

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<v Speaker 2>same thing. I mean, we have pretty decent cameras and

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<v Speaker 2>microphones and everything, and you know, it's really not about

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<v Speaker 2>a huge production value and eye candy and things like that.

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<v Speaker 2>It's about the information that's in it and presenting it

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<v Speaker 2>in a very entertaining way that is very engaging for

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<v Speaker 2>the audience.

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<v Speaker 1>Okay, so let's sell the listeners a little bit on this.

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<v Speaker 1>What are key aspects of Louisiana's history and culture do

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<v Speaker 1>you explore in the documentary and how exactly do they

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<v Speaker 1>connect to the occult. Well, there's several things.

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<v Speaker 2>I mean, jfk assassination is not necessarily connected to the

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<v Speaker 2>occult on the surface, but if you dig deeper, there's

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<v Speaker 2>plenty of rabbit holes that you can follow that lead

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<v Speaker 2>to occult ideologies. But that's not really what we focus

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<v Speaker 2>in the jfk assassination. That was just showing a glimpse

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<v Speaker 2>of hidden history that you don't normally hear about. And

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<v Speaker 2>occult really means hidden, So it's really about all the

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<v Speaker 2>hidden things in Louisiana that you are really that I

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<v Speaker 2>wasn't aware of, that many people aren't aware of, and

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<v Speaker 2>I thought it would be beneficial for everyone to start

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<v Speaker 2>to learn about some of this history of this magical state.

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<v Speaker 2>And you know, you can consider the voodoo practice is

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<v Speaker 2>a cult definitely, and some of the paranormal history I

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<v Speaker 2>would consider a cult as well. And this whole, the

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<v Speaker 2>whole atmosphere and the whole feeling. If you've ever been

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<v Speaker 2>to Louisiana, there's just this mystical, magical feeling, undeniable that

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<v Speaker 2>you get in certain areas and the deeper in the

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<v Speaker 2>swamps that you go, you can feel this sense of

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<v Speaker 2>actually it's like a sense of darkness and heaviness. There

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<v Speaker 2>feels like there was a lot of trauma in the

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<v Speaker 2>past of this in this state and a lot of

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<v Speaker 2>the areas, and there was it was a very bloody

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<v Speaker 2>history for Louisiana, a lot of negative and you know,

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<v Speaker 2>very anti human things like slavery took place there, so

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<v Speaker 2>that it does have a dark history, a rich history,

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<v Speaker 2>and a very occult and paranormal as well.

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<v Speaker 1>Yeah, I wasn't surprised. And when you said that it

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<v Speaker 1>has the heavy energy, it reminds me of here where

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<v Speaker 1>I live in Barbados. You go into the countryside where

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<v Speaker 1>you're on the beaches at night and you feel those

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<v Speaker 1>presences just waiting for you to kind of like talk

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<v Speaker 1>to them or something. You know, like you swear sometimes

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<v Speaker 1>something's going to jump out at you. And I've even

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<v Speaker 1>had experiences Oh yeah, it's yeah, I've had experiences with

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<v Speaker 1>like something I swear must have been like the dog

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<v Speaker 1>Man or something up in the countryside and just crossing

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<v Speaker 1>the road like normal. You know, I think this thing

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<v Speaker 1>didn't do was wave at me, and so yeah, I

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<v Speaker 1>get it, you know, and it resonated. And I know

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<v Speaker 1>that there's a very strong Caribbean presence in Louisiana as well,

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<v Speaker 1>So yeah, yeah.

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<v Speaker 2>And as as far as feeling presences and that there

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<v Speaker 2>is this energy around you, I touched on it briefly,

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<v Speaker 2>but I really didn't get into how much people since

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<v Speaker 2>these intelligences and spirits around them in different parts of

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<v Speaker 2>the French Quarter in New Orleans and different areas of

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<v Speaker 2>the swamp and historical places. There is a profound sense

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<v Speaker 2>that even people witnessing when going to a plantation in

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<v Speaker 2>the front courtyard, they would see apparitions of people hanging

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<v Speaker 2>in trees, slaves, and you know, some would be communicating

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<v Speaker 2>with them. There's several instances, and I talked with plenty

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<v Speaker 2>of psychics who have communicated with spirits around the area.

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<v Speaker 2>In the certain area and Pirate's Alley actually in the

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<v Speaker 2>French Quarter, there are reports that, you know, women are

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<v Speaker 2>being groped by other worldly hands and things they can't see,

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<v Speaker 2>and they're being felt up and you know, touched in

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<v Speaker 2>things like this. So there's definitely this strong presence that

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<v Speaker 2>can be felt in many places.

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<v Speaker 1>Yeah, that resonates with me. And you could tell too,

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<v Speaker 1>the footage that you took, even though it might seem

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<v Speaker 1>raw to some, it was raw enough to be authentic,

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<v Speaker 1>and you could sense exactly the vibe of the place.

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<v Speaker 1>So you know, a thousand dollars might not seem like

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<v Speaker 1>a lot, but it was more than enough actually to

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<v Speaker 1>catch the vibe, you know. Yeah, Yeah, that's how I felt.

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<v Speaker 2>I mean, I don't think it really takes a big

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<v Speaker 2>production value to bring something quality to people. And I'm

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<v Speaker 2>very excited about what's happening in the entertainment space in general.

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<v Speaker 2>People are, like you, checking out from regular TV and

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<v Speaker 2>Hollywood productions because it's not even about entertainment anymore. Hell,

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<v Speaker 2>it's not even about them making money anymore. It's about

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<v Speaker 2>propagame and virtue signaling and trying to get people brainwashed basically.

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<v Speaker 2>So people are realizing that that entertainment business, this old

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<v Speaker 2>Hollywood model and just utilizing the airwaves for mind control

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<v Speaker 2>and propaganda purposes. They're starting to see that that's what

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<v Speaker 2>it's all about. And we have this new wave of

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<v Speaker 2>independent filmmakers and podcasters, and people are starting to just

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<v Speaker 2>slide over to the more entertainment or the more independent side,

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<v Speaker 2>because it's real, it's actually enjoyable, it's informative, it's entertaining,

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<v Speaker 2>and it's not just about trying to get you to

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<v Speaker 2>see some perspective on a political candidate. Are different anti

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<v Speaker 2>human ideologies that are pushed. It's just about real things

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<v Speaker 2>that people enjoy and real information that can really benefit people.

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<v Speaker 2>And I'm really excited to see the huge way of

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<v Speaker 2>people that are starting to kind of move out of

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<v Speaker 2>that zombie mind control just TV watching couch potato phase.

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<v Speaker 1>And also there's a.

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<v Speaker 2>Huge amount of people who are just starting their own businesses,

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<v Speaker 2>starting their own production companies. And I think this is

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<v Speaker 2>the time to do things like this because the old

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<v Speaker 2>systems seem to be crumbling. People are rejecting the nonsense,

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<v Speaker 2>and they're looking for quality, and if you have anything

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<v Speaker 2>quality to offer, now's the time to just put it

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<v Speaker 2>on the table.

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<v Speaker 1>I think, yeah, you're right, and you know how I

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<v Speaker 1>feel about the whole thing. The biggest mistake they probably

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<v Speaker 1>made was making the propaganda obvious before, you know, if

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<v Speaker 1>you could see a little bits of it, but it

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<v Speaker 1>wasn't so bad. You know, stuff was wholesome. I guess

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<v Speaker 1>growing up in our generation, stuff was wholesome, so it

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<v Speaker 1>really in. But now it's just you know, Baucherie twenty

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<v Speaker 1>four to seven, and it's hard to find anything. So

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<v Speaker 1>it's a good Yeah, it's so blatant.

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<v Speaker 2>It almost seems like they're presenting this because they want

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<v Speaker 2>us to be aware of it somehow. I don't know,

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<v Speaker 2>maybe they're tired of the bullshit themselves, who knows. But

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<v Speaker 2>it's very interesting how everything is unfolding and the awareness

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<v Speaker 2>that people are having right now.

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<v Speaker 1>Yeah. So back to the film, Yeah, I mean, how

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<v Speaker 1>how does it really portray the relationship between Saint Louisiana's

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<v Speaker 1>indigenous African and you know, the French and Spanish cultures

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<v Speaker 1>with the occult practices.

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<v Speaker 2>Well, I mainly focused on Marie Levau when we touched

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<v Speaker 2>on the voodoo, but it does get into voodoo history

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<v Speaker 2>and some of the misinterpretations, some of the origins and

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<v Speaker 2>roots of voodoo. Really focus on Marie Leveau, her life

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<v Speaker 2>and some of the truer stories that have been really

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<v Speaker 2>not glamorized because they're not as exciting as some of

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<v Speaker 2>the fictional things that you hear about. So that's what

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<v Speaker 2>I really focused on. But as far as the ancient

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<v Speaker 2>history of Louisiana, I forgot to mention this whole section

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<v Speaker 2>of the film. I cover the mound builders of Louisiana,

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<v Speaker 2>and I had doctor Gregory Lttelon to discuss this part

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<v Speaker 2>of the film, and it talks about our ancient past

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<v Speaker 2>and how what we understand as the natives, there is

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<v Speaker 2>older civilizations and possibly very advanced civilizations that were in

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<v Speaker 2>this area that could have been part of a global civilization,

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<v Speaker 2>and he believes it may even be a precursor to

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<v Speaker 2>the pyramid builders advanced builders that build these mound structures

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<v Speaker 2>across the Americas. They were used for astronomical ceremonial purposes

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<v Speaker 2>and now if you look at them, they just look

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<v Speaker 2>like little hills or mounds, but it is speculated that

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<v Speaker 2>back during those times, they were very sophisticated construction and

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<v Speaker 2>they served dual purposes that were beyond what we thought

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<v Speaker 2>humans were capable of at that time. He also believes

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<v Speaker 2>that they could be they could have been connected to

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<v Speaker 2>the ancient giants, the nepheleme, and these could have been

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<v Speaker 2>responsible for building these structures. There's connections with the elongated

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<v Speaker 2>skulls as well, and I go into how there were

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<v Speaker 2>multiple giant bones excavated from these sites in the late

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<v Speaker 2>eighteen hundreds, and you won't hear about it from any

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<v Speaker 2>mainstream but there's tons of newspaper articles that were found

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<v Speaker 2>that are stating that these ten to fifteen foot skeletons

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<v Speaker 2>were found, and the tallest you'll hear from mainstream accounts

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<v Speaker 2>is maybe six seven seven and a half feet tall,

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<v Speaker 2>but they were much larger. They were finding much larger

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<v Speaker 2>skeletons all over the Americas associated with these specific mound sites.

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<v Speaker 2>And that is what we really focused on when we

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<v Speaker 2>go really far back into Louisiana history. And this is

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<v Speaker 2>something else I consider is occulted and hidden because our

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<v Speaker 2>mainstream archaeology and our mainstream science is really having a

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<v Speaker 2>tough time admitting how old some of these things are

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<v Speaker 2>and the possibilities that are being discovered by independent researchers.

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<v Speaker 2>The mounds at LSU campus were recently redated and they

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<v Speaker 2>could be over I believe it's twelve thousand years old

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<v Speaker 2>and could possibly pre date some of the Egyptian megaliths.

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<v Speaker 2>So it's very, very fascinating some of the information that

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<v Speaker 2>I've uncovered and shared in this documentary about the ancient past.

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<v Speaker 1>Yeah, and the whole documentary really does have this atmosphere

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<v Speaker 1>of mystery and intrigue. And when you talk about things

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<v Speaker 1>like the connection with the jfk assassination, it gets even

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<v Speaker 1>harrier because who would have thought. I mean, mainstream ideas

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<v Speaker 1>that are typically considered conspiracy theory don't go that direction.

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<v Speaker 1>But then you see the connection to like the mob

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<v Speaker 1>and all that, and you get documented all that stuff,

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<v Speaker 1>and then you know the things about the mounds and whatnot.

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<v Speaker 1>It brings you, It sucks you into that reality and

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<v Speaker 1>it makes you question things because who would have thought?

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<v Speaker 1>And nobody can deny it because you have the footage

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<v Speaker 1>and it's like right there in your face too, you know.

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<v Speaker 1>So it's not like they can say, oh, that's not real,

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<v Speaker 1>they made that up. It's right there in front of

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<v Speaker 1>your face. Yeah.

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<v Speaker 2>The problem is people are so programmed to bow to authority,

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<v Speaker 2>to believe the quote unquote experts out there, and they

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<v Speaker 2>it's hard for them to understand how controlled these institutions

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<v Speaker 2>are and the foundation the information is so bad in

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<v Speaker 2>the end, it's been altered so many times over the years.

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<v Speaker 2>But it's hard for people, a lot of people to

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<v Speaker 2>see that because they don't want to think that their

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<v Speaker 2>whole life is a lie, that everything that they've been

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<v Speaker 2>programmed to believe is a falsehood, and that our history

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<v Speaker 2>is maybe completely different than we understand from mainstream academia.

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<v Speaker 2>More and more, like Graham Hancock, different wonderful researchers are,

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<v Speaker 2>you know, Matt Lacroix, many others that are really uncovering

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<v Speaker 2>truths about the possibilities with our ancient past. And I

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<v Speaker 2>don't think that in our near future the old information

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<v Speaker 2>can hold as much weight anymore. And I don't see

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<v Speaker 2>that it could stand, as you know, for too much

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<v Speaker 2>longer with all the wonderful independent research that's coming out.

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<v Speaker 1>Yeah, you're right about that. And Matt Lacroi is definitely

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<v Speaker 1>genius level and he's a very believable character too. So

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<v Speaker 1>it's a good thing that you have people like him

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<v Speaker 1>that are out there that are being genuine and honest.

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<v Speaker 1>And it's crazy because then you find out exactly how

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<v Speaker 1>much stuff has just been destroyed and then when you

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<v Speaker 1>hear that, you're like, okay, so, yeah, they're hiding something,

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<v Speaker 1>because what is somebody that doesn't want to be found out?

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<v Speaker 1>Do they want to cover their tracks? And a lot

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<v Speaker 1>of times it's done sloppily in a hurry, so you

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00:22:03.119 --> 00:22:05.160
<v Speaker 1>can still find those little bits and pieces, you know,

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00:22:05.240 --> 00:22:06.920
<v Speaker 1>that kind of so well.

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<v Speaker 2>Even unfortunately, the best independent researchers have limited information to

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<v Speaker 2>go off of, especially with anything having to do with

338
00:22:16.200 --> 00:22:21.359
<v Speaker 2>our past. The origins of the information is usually written

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<v Speaker 2>by the leaders are the most powerful of that era

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<v Speaker 2>and are the victors of the era, and the stories

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<v Speaker 2>are written to suit them. But you know, there is

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<v Speaker 2>plenty of true and information out there, but it's getting

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<v Speaker 2>harder and harder to access some of these things just

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<v Speaker 2>because of our cancel culture, the way the Internet has

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<v Speaker 2>been just deleting random things. So I think that it's

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<v Speaker 2>you know, even the best independent researcher has limited information

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<v Speaker 2>to go off of, and we have to take every

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<v Speaker 2>thing with a grain of salt. But I do believe

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<v Speaker 2>it's important to present all the possibilities because it's like

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<v Speaker 2>a puzzle. You can't really put anything together unless you

351
00:23:10.440 --> 00:23:13.400
<v Speaker 2>see what the big what the outcomes should be and

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<v Speaker 2>a bigger picture of everything. And I think that right

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<v Speaker 2>now we're starting to see a bigger picture of a

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<v Speaker 2>lot of these things. But we have to get past

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<v Speaker 2>the programming part and the blind trust of people that

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<v Speaker 2>don't have our best interest in mind.

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<v Speaker 1>Yeah. I can't stress enough to people the importance of

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<v Speaker 1>turning off the television and actually having a life, have

359
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<v Speaker 1>an interest in things. Everybody's interested in something, and the

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<v Speaker 1>thing about it is that there are so many people

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<v Speaker 1>out there that they come to me, for example, and

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<v Speaker 1>then they realize, Wow, so now I have all this

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<v Speaker 1>time I've started reading and I just realized that stuff

364
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<v Speaker 1>that I was into when I was a kid, or

365
00:23:57.480 --> 00:23:59.559
<v Speaker 1>stuff that I read about, I'm still interested in that,

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<v Speaker 1>and it takes send down these rabbit holes and it's

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<v Speaker 1>a beautiful thing. That's how you get involved in actually

368
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<v Speaker 1>living your life by becoming an investigator. And I think that,

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<v Speaker 1>like you said, with the cancel culture and all the

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<v Speaker 1>scare tactics that the media has, they try to make

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<v Speaker 1>you feel bad if you are interested in anything other

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<v Speaker 1>than what they say. You know, but all of that's

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<v Speaker 1>going to fall away soon because fortunately there's people like

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<v Speaker 1>me out there, and people like you that are asking

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<v Speaker 1>questions and encourage people to just go take a look,

376
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<v Speaker 1>you know, but you got to be like, just you know,

377
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<v Speaker 1>aren't you ever curious about what's under that rock over there?

378
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<v Speaker 1>Let's just go take a look. You know, you got

379
00:24:39.200 --> 00:24:41.720
<v Speaker 1>to egg people on a little bit because they're afraid

380
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<v Speaker 1>that something's going to happen. But trust me, nothing's going

381
00:24:44.799 --> 00:24:48.599
<v Speaker 1>to happen by just being interested, you know, one hundred percent.

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<v Speaker 1>And it's very encouraging. There's more and more people that

383
00:24:53.079 --> 00:24:57.640
<v Speaker 1>are breaking out of that programming and starting to explore

384
00:24:57.680 --> 00:25:01.519
<v Speaker 1>other possibilities. I think it's a lot more people than

385
00:25:03.359 --> 00:25:07.480
<v Speaker 1>the establishment would like the world to know. I think

386
00:25:07.519 --> 00:25:10.599
<v Speaker 1>more and more are popping in there every day, and

387
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<v Speaker 1>you know, I'm very encouraged by the awareness that's kind

388
00:25:14.559 --> 00:25:20.240
<v Speaker 1>of washing over everyone right now. Yeah, so very quickly,

389
00:25:20.319 --> 00:25:24.240
<v Speaker 1>let's get into Scott Pace and his experiences, because that's

390
00:25:24.279 --> 00:25:26.200
<v Speaker 1>a very interesting part and I'm sure there's more you

391
00:25:26.200 --> 00:25:29.359
<v Speaker 1>could say about that than even what's in the documentary.

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<v Speaker 2>I mean, oh yeah, Scott Pace. So, Scott Pace is

393
00:25:34.960 --> 00:25:40.640
<v Speaker 2>a great guy. He is from a small town South Louisiana.

394
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<v Speaker 2>He's got a wife, he's got dogs, and he's a

395
00:25:45.480 --> 00:25:50.039
<v Speaker 2>normal dude. He doesn't do drugs, he doesn't even drink.

396
00:25:50.599 --> 00:25:55.359
<v Speaker 2>He goes and he enjoys hunting and fishing, and that

397
00:25:55.559 --> 00:25:59.640
<v Speaker 2>was his life. He's never really been interested in anything paranormal,

398
00:25:59.720 --> 00:26:04.160
<v Speaker 2>never did research, never thought about bigfoot or anything until

399
00:26:05.119 --> 00:26:08.720
<v Speaker 2>this one experience that led to many others. And he

400
00:26:08.839 --> 00:26:13.119
<v Speaker 2>was out in hunting one day and in his hunting blind,

401
00:26:13.200 --> 00:26:18.759
<v Speaker 2>which is just like a little elevated space for that's

402
00:26:18.960 --> 00:26:22.119
<v Speaker 2>enclosed for you to wait for deer to appear, and

403
00:26:22.480 --> 00:26:25.440
<v Speaker 2>that's what he was doing. And he looks out and

404
00:26:25.480 --> 00:26:28.640
<v Speaker 2>then I forget how far away it was. It wasn't

405
00:26:28.680 --> 00:26:31.640
<v Speaker 2>too far. But he sees a figure moving in the

406
00:26:31.680 --> 00:26:35.319
<v Speaker 2>woods and it looks all black and he can't really

407
00:26:35.319 --> 00:26:37.039
<v Speaker 2>make out what it is. So he picks up his

408
00:26:37.279 --> 00:26:39.640
<v Speaker 2>rifle and he looks through the scope at what the

409
00:26:39.680 --> 00:26:41.400
<v Speaker 2>hell this is and it.

410
00:26:41.400 --> 00:26:43.400
<v Speaker 1>Stands up and he says it's huge.

411
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<v Speaker 2>It has to be like eight foot tall, covered in

412
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<v Speaker 2>black hair, black skin, and he said it looked like

413
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<v Speaker 2>the only thing he can say is a bigfoot. But

414
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<v Speaker 2>then it gets crazier. He senses something else. The pa

415
00:27:00.240 --> 00:27:06.000
<v Speaker 2>the gun over and there is another huge, massive, hairy figure.

416
00:27:06.079 --> 00:27:08.279
<v Speaker 2>This one was a little different though it had an

417
00:27:08.359 --> 00:27:14.640
<v Speaker 2>elongated snout, wasn't as bulky, a little lankier, and he

418
00:27:14.680 --> 00:27:19.160
<v Speaker 2>said it looked like a wolf man standing on two legs.

419
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<v Speaker 1>He was didn't.

420
00:27:21.440 --> 00:27:24.960
<v Speaker 2>He was, you know, freaking out, and all of a sudden,

421
00:27:25.000 --> 00:27:30.680
<v Speaker 2>he in his mind he hears speaking or communication, and

422
00:27:31.200 --> 00:27:34.559
<v Speaker 2>he just knows somehow that it's coming from the Bigfoot,

423
00:27:35.839 --> 00:27:40.400
<v Speaker 2>and the bigfoot says something like you need to put

424
00:27:40.400 --> 00:27:43.799
<v Speaker 2>the gun down, and that he can sense that the

425
00:27:43.880 --> 00:27:47.440
<v Speaker 2>dog man's also communicating. He says, put the gun down,

426
00:27:47.599 --> 00:27:49.680
<v Speaker 2>or I'm gonna go up there and tear up the

427
00:27:50.039 --> 00:27:53.359
<v Speaker 2>deer blind and kill you and all this stuff. And

428
00:27:53.680 --> 00:27:56.400
<v Speaker 2>Scott didn't know what to do, so he just tries

429
00:27:56.480 --> 00:27:59.119
<v Speaker 2>thinking back, I'm not trying to hurt you. I was

430
00:27:59.200 --> 00:28:05.000
<v Speaker 2>just looking. And apparently the bigfoot agreed, yeah, just let

431
00:28:05.119 --> 00:28:09.519
<v Speaker 2>him go. He was just looking at us. The communication continued.

432
00:28:09.559 --> 00:28:12.759
<v Speaker 2>Then he hears his other loud voice say get out now,

433
00:28:13.640 --> 00:28:16.200
<v Speaker 2>so he did. He grabbed his stuff and he ran

434
00:28:16.279 --> 00:28:18.799
<v Speaker 2>out of there. On his way out, he looks back

435
00:28:18.839 --> 00:28:23.599
<v Speaker 2>and he sees like he believes, maybe three or four figures,

436
00:28:24.160 --> 00:28:28.000
<v Speaker 2>huge massive figures following him out of the woods. He

437
00:28:28.000 --> 00:28:31.440
<v Speaker 2>hears their footsteps and he finally just makes it out

438
00:28:31.440 --> 00:28:34.160
<v Speaker 2>of there and high tails it out of there. And

439
00:28:34.240 --> 00:28:39.000
<v Speaker 2>that experience was crazy enough. But then after that he

440
00:28:39.079 --> 00:28:43.519
<v Speaker 2>starts having different different kinds of encounters.

441
00:28:44.160 --> 00:28:44.599
<v Speaker 1>At night.

442
00:28:44.680 --> 00:28:49.039
<v Speaker 2>He starts like hearing tapping on his windows. He would

443
00:28:49.039 --> 00:28:52.279
<v Speaker 2>look up and see eyes peering in at his tallest

444
00:28:52.279 --> 00:28:56.880
<v Speaker 2>windows in his house. He also heard footsteps in his house.

445
00:28:57.000 --> 00:29:00.240
<v Speaker 2>He would see footprints. Nothing would be there, things would

446
00:29:00.279 --> 00:29:05.079
<v Speaker 2>be moved around, and this just kept going, kept escalating,

447
00:29:05.119 --> 00:29:08.440
<v Speaker 2>and then he'd go out into the woods and he

448
00:29:08.480 --> 00:29:13.000
<v Speaker 2>would start getting this communication from something out there. They

449
00:29:13.000 --> 00:29:16.559
<v Speaker 2>would never really show themselves that like they did the

450
00:29:16.599 --> 00:29:18.880
<v Speaker 2>first time. Every once in a while he'd get glimpses

451
00:29:18.920 --> 00:29:22.839
<v Speaker 2>of him, he said, at night, they just appear as shadows,

452
00:29:22.920 --> 00:29:27.519
<v Speaker 2>which is very strange, and it just kind of adds

453
00:29:27.559 --> 00:29:30.480
<v Speaker 2>to the possibility that these creatures may have some sort

454
00:29:30.519 --> 00:29:34.240
<v Speaker 2>of supernatural ability, or it may be supernatural in nature.

455
00:29:34.960 --> 00:29:40.640
<v Speaker 2>I don't know. But the experiences continued, and he at

456
00:29:40.680 --> 00:29:43.839
<v Speaker 2>one point he took a trip to I forget what

457
00:29:44.039 --> 00:29:46.319
<v Speaker 2>state it is right now, it's been so long since

458
00:29:46.319 --> 00:29:50.720
<v Speaker 2>I covered it, but it was a little northern in

459
00:29:51.200 --> 00:29:54.160
<v Speaker 2>a little farther north in the United States, and I

460
00:29:54.200 --> 00:29:57.839
<v Speaker 2>think it was Dakota, one of the Dakota's. But he

461
00:29:57.920 --> 00:30:00.720
<v Speaker 2>went out there to because one of his friends out

462
00:30:00.759 --> 00:30:03.839
<v Speaker 2>there said that they're having all kinds of bigfoot experiences

463
00:30:03.920 --> 00:30:07.440
<v Speaker 2>and sightings, and he goes and sure enough, his friend

464
00:30:07.480 --> 00:30:11.240
<v Speaker 2>takes him out to the location. They see not only

465
00:30:11.400 --> 00:30:15.799
<v Speaker 2>a massive bigfoot like peeking out of the trees. They

466
00:30:15.799 --> 00:30:18.720
<v Speaker 2>call him Stevie Wonder because he's kind of moving his

467
00:30:18.720 --> 00:30:21.119
<v Speaker 2>head around like Stevie Wonder every time they see him

468
00:30:21.160 --> 00:30:25.799
<v Speaker 2>looking at him. There's also they saw these little hairy

469
00:30:25.920 --> 00:30:31.240
<v Speaker 2>creatures which looked like miniature bigfoots. He doesn't know if

470
00:30:31.240 --> 00:30:35.599
<v Speaker 2>they were their children or just little people, but they

471
00:30:35.680 --> 00:30:39.079
<v Speaker 2>also appeared they started actually popping their heads out of

472
00:30:39.119 --> 00:30:41.200
<v Speaker 2>the ground and crawling out of the ground. He said

473
00:30:41.200 --> 00:30:46.960
<v Speaker 2>he witnessed this. He also witnessed with other people. He

474
00:30:47.160 --> 00:30:50.680
<v Speaker 2>was out at night in one of these locations. He

475
00:30:50.799 --> 00:30:52.920
<v Speaker 2>had his cell phone in his hand that were sitting

476
00:30:52.920 --> 00:30:58.680
<v Speaker 2>in his truck, and a huge, massive, black, hairy hand

477
00:30:59.039 --> 00:31:01.799
<v Speaker 2>tried to grab his phone out of his hand. A

478
00:31:02.000 --> 00:31:05.319
<v Speaker 2>slapped the hand away, and the creature just walked off

479
00:31:05.440 --> 00:31:09.519
<v Speaker 2>like nothing. And one of the most incredible encounters he saw.

480
00:31:09.599 --> 00:31:13.240
<v Speaker 2>They were all sitting out there, and all of a sudden,

481
00:31:13.279 --> 00:31:18.200
<v Speaker 2>this beam of bright blue light shoots from the sky

482
00:31:19.160 --> 00:31:24.400
<v Speaker 2>straight down and kind of widened open like a portal,

483
00:31:24.400 --> 00:31:28.000
<v Speaker 2>I guess, And these, he said, they were about seven

484
00:31:28.119 --> 00:31:33.599
<v Speaker 2>foot tall, pure luminescent light beings just walked out of

485
00:31:33.640 --> 00:31:36.599
<v Speaker 2>the portal in front of their truck and down a

486
00:31:36.680 --> 00:31:38.640
<v Speaker 2>hill in front of them like it was nothing, and

487
00:31:38.680 --> 00:31:41.799
<v Speaker 2>they just watched this whole thing unfold him and two

488
00:31:41.920 --> 00:31:47.400
<v Speaker 2>or three other people. Again, the experiences still continue to

489
00:31:47.519 --> 00:31:52.480
<v Speaker 2>this day, and now he's experiencing what he believes are

490
00:31:52.559 --> 00:31:58.960
<v Speaker 2>extraterrestrial contact and the abduction experiences. At night, he has

491
00:31:59.039 --> 00:32:02.839
<v Speaker 2>these vivid men memories of being taken different places by

492
00:32:02.960 --> 00:32:07.240
<v Speaker 2>tall what he can only describe as gray extraterrestrial beings.

493
00:32:07.279 --> 00:32:12.160
<v Speaker 2>He's seen the praying man to his beings, he says,

494
00:32:12.160 --> 00:32:16.039
<v Speaker 2>sometimes they're doing experiments on him. Sometimes it seems like

495
00:32:16.079 --> 00:32:20.480
<v Speaker 2>they're teaching him. But these memories are not complete, and

496
00:32:21.079 --> 00:32:24.119
<v Speaker 2>he sometimes wakes up in the morning with you know,

497
00:32:24.279 --> 00:32:29.960
<v Speaker 2>blood coming out of his nose, scratches, and once he

498
00:32:30.039 --> 00:32:33.240
<v Speaker 2>wakes up, it's very difficult for him to put everything together.

499
00:32:33.279 --> 00:32:38.519
<v Speaker 2>But he does have these vivid memories, but it says

500
00:32:38.559 --> 00:32:42.559
<v Speaker 2>they're not dreams. They are more like real memories and experiences.

501
00:32:42.880 --> 00:32:46.400
<v Speaker 2>And I hear this a lot from extraterrestrial contact ees

502
00:32:46.480 --> 00:32:53.720
<v Speaker 2>and abductees, so it's very interesting and his experiences continue.

503
00:32:53.759 --> 00:32:56.480
<v Speaker 2>I have him on the podcast every once in a while.

504
00:32:57.200 --> 00:33:01.440
<v Speaker 2>He said that most of the experience has been very positive,

505
00:33:01.519 --> 00:33:05.960
<v Speaker 2>positive communication with the beings. He's a very religious man,

506
00:33:06.079 --> 00:33:09.039
<v Speaker 2>so he brings his Bible out to the swamps and

507
00:33:09.160 --> 00:33:13.640
<v Speaker 2>reads Bible verses to the Bigfoot in Sasquatch. He claims

508
00:33:13.680 --> 00:33:17.680
<v Speaker 2>they enjoy that as well. So very strange and very

509
00:33:17.720 --> 00:33:21.400
<v Speaker 2>extremely interesting and I always look forward to hearing new

510
00:33:21.440 --> 00:33:26.039
<v Speaker 2>experiences from him. So that was a very fun segment

511
00:33:26.079 --> 00:33:29.759
<v Speaker 2>to cover for the film. Wow, that's incredible. I would

512
00:33:29.839 --> 00:33:32.960
<v Speaker 2>love to interview him. Oh yeah, I'll get you. I'll

513
00:33:33.000 --> 00:33:33.599
<v Speaker 2>get you his info.

514
00:33:33.640 --> 00:33:38.000
<v Speaker 1>He loves going on shows and talking about this because wow, yeah,

515
00:33:38.119 --> 00:33:42.640
<v Speaker 1>I mean, and because he's such a real run in

516
00:33:42.680 --> 00:33:47.759
<v Speaker 1>a mill character. It makes him extremely believable, you know.

517
00:33:47.839 --> 00:33:51.559
<v Speaker 2>Oh yeah, he is. He's a great the most friendliest

518
00:33:51.599 --> 00:33:54.680
<v Speaker 2>guy you ever met. He does not seem like he's

519
00:33:54.759 --> 00:33:57.559
<v Speaker 2>gotten me screws loose in his head, and just your

520
00:33:57.559 --> 00:34:01.839
<v Speaker 2>normal good old boy hunter from Louisian like I said,

521
00:34:01.920 --> 00:34:04.440
<v Speaker 2>never interested in any of this stuff, but now he

522
00:34:04.559 --> 00:34:07.599
<v Speaker 2>just got sucked into it, so he can't deny it.

523
00:34:08.800 --> 00:34:11.639
<v Speaker 1>Yeah. Well, this has been a fascinating conversation. Do you

524
00:34:11.639 --> 00:34:14.519
<v Speaker 1>have any closing thoughts, anything you want anybody to know.

525
00:34:15.320 --> 00:34:19.119
<v Speaker 2>Well, I would like to say, go watch the Forbidden

526
00:34:19.159 --> 00:34:23.719
<v Speaker 2>documentary of Cult Louisiana that's available on two b Roku

527
00:34:23.920 --> 00:34:29.320
<v Speaker 2>channel and plenty other streaming platforms. By watching this, it

528
00:34:29.480 --> 00:34:32.880
<v Speaker 2>helps us finish production of our upcoming film, the Forbidden

529
00:34:32.880 --> 00:34:36.559
<v Speaker 2>documentary Doors of Perception. Like I said, we're hoping to

530
00:34:36.599 --> 00:34:41.119
<v Speaker 2>have this release by March or April, and we really

531
00:34:41.159 --> 00:34:45.159
<v Speaker 2>appreciate everyone watching. We're thrilled with the success of the

532
00:34:45.159 --> 00:34:47.559
<v Speaker 2>film so far. And I want to thank you again

533
00:34:47.679 --> 00:34:50.679
<v Speaker 2>Jahan for having me on and I'd definitely love to

534
00:34:50.679 --> 00:34:52.960
<v Speaker 2>have more conversations in the future.

535
00:34:54.559 --> 00:34:58.440
<v Speaker 1>Fantastic Chris. Thanks for being on the Boundless Authenticity podcast

536
00:34:59.239 --> 00:35:09.599
<v Speaker 1>and hopefully we'll be talking again. Yes, sir, you're listening

537
00:35:09.639 --> 00:35:15.400
<v Speaker 1>to the Boundless Authenticity Podcast, where we discuss everything related

538
00:35:15.559 --> 00:35:18.239
<v Speaker 1>to the evolution of human consciousness.

539
00:35:18.800 --> 00:35:21.280
<v Speaker 3>At the very least, you need to understand, in the

540
00:35:21.440 --> 00:35:26.960
<v Speaker 3>United States, builds bunkers, which are basically cities on your ground.

541
00:35:26.760 --> 00:35:27.760
<v Speaker 2>Every three months.

542
00:35:27.880 --> 00:35:33.440
<v Speaker 1>Basically your dream into your subconscious cities, your loves and insolution,

543
00:35:33.599 --> 00:35:34.800
<v Speaker 1>your creativity and.

544
00:35:34.880 --> 00:35:41.400
<v Speaker 3>Imagination, unschanged, funconscious sais and Kate, all your art or

545
00:35:42.039 --> 00:35:42.440
<v Speaker 3>the soul.

546
00:35:42.559 --> 00:35:46.400
<v Speaker 2>If I have, I are culturespect cultures of Voru your author.

547
00:35:46.679 --> 00:35:49.039
<v Speaker 2>We live in a multi dimensional reality, whether it comes

548
00:35:49.159 --> 00:35:50.239
<v Speaker 2>through esitary.

549
00:35:49.920 --> 00:35:53.719
<v Speaker 1>Information in the spiritual realms or the UFO people experiences,

550
00:35:53.920 --> 00:35:56.960
<v Speaker 1>or mainstream on the physics of through matrem science. Now

551
00:35:57.039 --> 00:36:00.280
<v Speaker 1>realizing that parallel dimensions probably in this we're all actual

552
00:36:00.360 --> 00:36:02.760
<v Speaker 1>means we're all having these human experiences. We've heard that

553
00:36:02.880 --> 00:36:05.320
<v Speaker 1>phrase over and over and over, but what does that

554
00:36:05.599 --> 00:36:06.280
<v Speaker 1>really mean?

555
00:36:06.480 --> 00:36:08.000
<v Speaker 2>You know, all of the questions of why do we

556
00:36:08.239 --> 00:36:11.239
<v Speaker 2>have these answers inside of ourselves.

557
00:36:11.239 --> 00:36:13.639
<v Speaker 3>We're ultimately studying the nature of what it is to

558
00:36:13.719 --> 00:36:16.599
<v Speaker 3>be human, good enable, our psychology, how we think, and

559
00:36:16.639 --> 00:36:18.960
<v Speaker 3>our health. That's why I love Bruce Lee's great quote

560
00:36:19.000 --> 00:36:21.519
<v Speaker 3>all knowledge is ultimately self knowledge.

561
00:36:21.559 --> 00:36:24.159
<v Speaker 1>Our Foundage Authenticity Podcast