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<v Speaker 1>Hello, everybody, Welcome to That's not Matt. We're all weekly

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<v Speaker 1>rocking heavy music podcast and welcome here this Friday to

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<v Speaker 1>another edition of Hyperblast, where we are with you every Friday,

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<v Speaker 1>and we are letting you know what has been going

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<v Speaker 1>on for the last seven days or so in the

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<v Speaker 1>world of riffs and just plain old rocking out. Really,

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<v Speaker 1>we are going to let you know the news stories

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<v Speaker 1>that you're going to want to hear about our takes

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<v Speaker 1>on them. We're going to give you the releases of

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<v Speaker 1>the week as well, and a little bit later into

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<v Speaker 1>this show, I'm also going to be talking about my

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<v Speaker 1>adventures over the weekend where I went down to London

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<v Speaker 1>for Incineration Festival, one of the big staple event in

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<v Speaker 1>the calendar if you are into extreme and blast beats

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<v Speaker 1>and the like. So that is what's on today's agenda.

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<v Speaker 1>My name is Paren haysh across from me a real

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<v Speaker 1>motley crew today. Hopefully you know more more I llegally

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<v Speaker 1>abiding than that lot. Sam Dignon and Mark Sanderson, Hello,

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<v Speaker 1>how are we doing?

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<v Speaker 2>Yeah?

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<v Speaker 1>All good.

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<v Speaker 3>I haven't been to you know first, but I did

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<v Speaker 3>see Sin against Sin last week.

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<v Speaker 4>That was a fun, scary, hardcore gig where we were

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<v Speaker 4>dodging blows to the head and people were getting knocked

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<v Speaker 4>out in the second support band.

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<v Speaker 1>Oh good time, very very good.

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<v Speaker 2>OHI captain, how are you doing?

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<v Speaker 1>Yes, very very good. Let us we'll get to you know,

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<v Speaker 1>all the live music antics and all that a little

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<v Speaker 1>bit later on in the show, but first of all,

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<v Speaker 1>we're just going to kick it out with the news

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<v Speaker 1>first of all, and topping us off on this this

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<v Speaker 1>new story, we are going to talk about some new

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<v Speaker 1>records that have been announced. I for you new tracks.

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<v Speaker 1>First of all, I've definitely got the you know, the

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<v Speaker 1>right crew here for it. There is the news that

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<v Speaker 1>there is a new Cancer Bats album coming later this year.

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<v Speaker 1>It's called Give Me Dirt. Which that's really what the

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<v Speaker 1>Cancer Bats have been doing for the last like twenty

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<v Speaker 1>years at this stage, right, They've given us a whole

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<v Speaker 1>lot of dirt. It's coming out on August the seventh

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<v Speaker 1>on Marshall Records, and there's a new track from it

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<v Speaker 1>out as well, called Stay Stuck. It's their first album

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<v Speaker 1>in four years Psychic Jail Break in twenty twenty two,

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<v Speaker 1>which it does, you know, Countabats maybe feel like they're

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<v Speaker 1>operating at a slightly slower based pace than they did,

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<v Speaker 1>you know, in the twenty ten at their real peak

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<v Speaker 1>of activity. But I remember that twenty twenty two album.

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<v Speaker 1>I haven't gone back to it in a long time,

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<v Speaker 1>but I remember being pretty fun and you know, like

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<v Speaker 1>again exactly really what you'd be wanting Cantabats to be

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<v Speaker 1>doing these days. As I said, I've definitely got I've

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<v Speaker 1>got the counterbats contingent here to talk about this, so

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<v Speaker 1>excited for four new Bats based off this particular.

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<v Speaker 3>Track, Oh hell yeah.

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<v Speaker 4>I hit player on this and I was like, oh, yeah, cool,

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<v Speaker 4>this is Cancerbats doing what I want Cantabats to do.

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<v Speaker 4>I actually went back and listened to that last album

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<v Speaker 4>off the back of this track, and I was like, ah,

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<v Speaker 4>that this album was a ripper. All Cansabats albums are rippers,

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<v Speaker 4>and going off this track, I think this new one

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<v Speaker 4>might be a ripper, like they're on those bands that.

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<v Speaker 2>Because they have.

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<v Speaker 4>Slowed down now, I don't maybe spend as much time

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<v Speaker 4>with them as you know in the twenty tens, where

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<v Speaker 4>I was seeing them every six months and like just

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<v Speaker 4>having the like all cant Bats all the time, and

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<v Speaker 4>I kind of do miss that. But at the same

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<v Speaker 4>time them kind of being away a bit more speraically,

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<v Speaker 4>it means when they come back, I really appreciate them again.

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<v Speaker 4>So I'm like, ah, it's Cancer backs again and they're

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<v Speaker 4>doing this song. Got you know, a big, bouncy fun

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<v Speaker 4>Cansabats core has got a nasty sort of dirty riff.

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<v Speaker 4>It's hard but fun and just live wire and it

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<v Speaker 4>is exactly what I want Cansabats to do.

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<v Speaker 2>Yeah, it's it's funny because when they do come around, though,

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<v Speaker 2>it feels like a little tweat because I feel like

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<v Speaker 2>Cancer Bats are a band who we sort of take

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<v Speaker 2>for granted or definitely you know, we're beginning to take

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<v Speaker 2>for granted when they were just always around. But yeah,

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<v Speaker 2>new song, great classic, you know, heavy, low end, punky,

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<v Speaker 2>Cancer Bats and banger. Liam though has like an almost

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<v Speaker 2>like aged, like more grit in his voice. There's something

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<v Speaker 2>more rusty in his voice.

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<v Speaker 1>Now as as possible.

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<v Speaker 2>Yeah, yeah, Corus, it is big and catchy. Like have

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<v Speaker 2>we been listening to Cancer Bats since the last week pairing, Like,

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<v Speaker 2>I was just so in the headspace for this and

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<v Speaker 2>I've been listening to this lot.

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<v Speaker 1>Yeah, they have come out with the right time a

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<v Speaker 1>maybe you know, I don't want to do down counter

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<v Speaker 1>Bats because you know, damn look foot that record, but

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<v Speaker 1>maybe slightly more interesting or you know, you just discuss

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<v Speaker 1>in terms of, you know, what we might expect from

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<v Speaker 1>this band. Album also comes from Turnover, who have got

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<v Speaker 1>a very quick turnaround on their album, which is kind

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<v Speaker 1>of nice compared to getting, you know, seven singles from

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<v Speaker 1>an album before it comes out. Turnover I have announced

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<v Speaker 1>that their new record is gonna be coming at the

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<v Speaker 1>end of this month, on May the twenty ninth. It's

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<v Speaker 1>called Down on Earth, and there's two songs out from

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<v Speaker 1>that called night Jar and I See You and Realize

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<v Speaker 1>and Turnover. I think there was maybe a little bit

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<v Speaker 1>in the air when last year they were doing the

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<v Speaker 1>ten year anniversary run for perf Vision, and it felt

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<v Speaker 1>like maybe if interest had, you know, for some fans

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<v Speaker 1>gone elsewhere during the kind of interim years with Turnover

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<v Speaker 1>while they explored more kind of experimental music and stuff

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<v Speaker 1>like that. You know, it resurfaced last year a lot

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<v Speaker 1>of time as people went down memory lane with with

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<v Speaker 1>Peripheral Vision, and sometimes you kind of get that feeling

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<v Speaker 1>that like those stars are going to align and I

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<v Speaker 1>don't know, people are going to you know, all come

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<v Speaker 1>back together again. And so I was curious, and I

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<v Speaker 1>was like, is that going to you know, feed its

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<v Speaker 1>way into the new Turnover record, Cause that was kind

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<v Speaker 1>of the vibe of the game. And based on these

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<v Speaker 1>two tracks that have come in from the New Turnover record,

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<v Speaker 1>this is you know again, whether it's going to exactly

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<v Speaker 1>hit people in the way that that you know, semin

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<v Speaker 1>or one of those beloved records of its era will

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<v Speaker 1>at the very least. These songs you stick them on

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<v Speaker 1>and it feels like the Turnover that people immediately first

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<v Speaker 1>think of when you say the word turnover are kind

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<v Speaker 1>of clear an emo band. They're coming back.

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<v Speaker 3>They're an emo band again.

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<v Speaker 1>I can believe it.

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<v Speaker 4>When I saw Hit playing these songs, I was because

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<v Speaker 4>I quite like the kind of lounge music, like easy

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<v Speaker 4>listening Turnover.

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<v Speaker 3>I think that there's some cool stuff on there.

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<v Speaker 4>But when you hear this and it's it does sound

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<v Speaker 4>kind of like a sort of cozy, like nice pair

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<v Speaker 4>of jeans that you just like comforting to put on

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<v Speaker 4>and you just feel good in, and like, yeah, it

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<v Speaker 4>kind of slips so easily back into that like really

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<v Speaker 4>somber warm emo tone that they're doing.

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<v Speaker 3>I think these two songs are are great.

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<v Speaker 4>I'm like cool Turnover like, I mean, clearly they wanted to,

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<v Speaker 4>you know, express themselves in different ways, experiment and try

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<v Speaker 4>different things. I think that's great and potentially is that

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<v Speaker 4>sort of thing where Revision prefer Vision got them in

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<v Speaker 4>the headspace to sort of write that kind of music again.

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<v Speaker 4>And what I think is nice about these songs is

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<v Speaker 4>it doesn't just kind of feel like chasing for at Vision,

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<v Speaker 4>even if it is kind of moving back in that direction,

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<v Speaker 4>it still feels like kind of like a current Turnover

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<v Speaker 4>sort of take on that that more emo sound. So

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<v Speaker 4>I think these two songs are really cool.

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<v Speaker 2>Yeah I have I definitely listen to every Turnover album,

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<v Speaker 2>but I don't remember what they sound like at all.

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<v Speaker 2>I just remember how sort of relaxed and sleepy they

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<v Speaker 2>made me. So when I put these songs on and

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<v Speaker 2>I was like, yeah, yeah, that's Turnover whatever completely forgetting

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<v Speaker 2>what they sounded like a few years ago. They've just

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<v Speaker 2>got a consistent sort of ability to soothe I guess,

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<v Speaker 2>you know, I don't think it's not peripheral Vision sort

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<v Speaker 2>of level of songwriting or hookiness, but it's a classic

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<v Speaker 2>Turnover relaxing Listen. I think they're pretty good.

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<v Speaker 1>Yeah. I think the song night Jar definitely off the

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<v Speaker 1>two of them that feels like classic, reliable, you know what,

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<v Speaker 1>you're a member of them. Turn Out It basically sounds

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<v Speaker 1>like they're picking up exactly where you know, the last

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<v Speaker 1>record in that style, Good Nature, really left off. It's

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<v Speaker 1>the second of the two tracks that's really up my

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<v Speaker 1>alley with that kind of like more like slightly peppy

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<v Speaker 1>eighties guitar line. It hasn't it. That is a flavor.

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<v Speaker 1>I really like this kind of thing. So you know,

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<v Speaker 1>the combination of those things together are very reliable, you know,

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<v Speaker 1>as you say, cozy, nice pair of Jeenes type turn

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<v Speaker 1>of a track and then one that ears again in

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<v Speaker 1>this kind of you know, emo rock vein but with

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<v Speaker 1>a little bit more spark in it maybe has been

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<v Speaker 1>like really, you know, I was curious. Now I am

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<v Speaker 1>looking forward to the turnover because you know, this band,

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<v Speaker 1>when they were in this kind of era are one

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<v Speaker 1>of my favorites of like that era and that lane

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<v Speaker 1>of you know, emo and alternative rock and stuff, and

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<v Speaker 1>you know, I don't get many records a year in

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<v Speaker 1>that style that really do you know, tickle my fancy

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<v Speaker 1>so much, so absolutely, hell yeah, I'll welcome Turnover, you know,

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<v Speaker 1>walking back into that lane. And I think both these

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<v Speaker 1>tracks are very promising for that And like I said,

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<v Speaker 1>it's coming out right at end this month, May twenty nine. Weirdly, Sam,

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<v Speaker 1>like you're about to go away for a little bit,

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<v Speaker 1>and all the alternative rock bands that we would norbably

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<v Speaker 1>be talking about, they're all choosing to release their records

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<v Speaker 1>like in this window. So we'll have to see which

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<v Speaker 1>ones we do in your absence and which ones we

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<v Speaker 1>like put on the boiler until they come back.

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<v Speaker 4>In fairness, the turn On coming right at the end

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<v Speaker 4>of the month means it probably would land in the.

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<v Speaker 1>Next It does likely. It's just that the next few

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<v Speaker 1>weeks they are you know, quite quite actually, you know,

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<v Speaker 1>sometime we go through dry spells with this stuff. But

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<v Speaker 1>the next few weeks do have like you know, some

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<v Speaker 1>emo may yeah, absolutely ema very you know again a

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<v Speaker 1>nice lot of promising run if that's what you're into.

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<v Speaker 1>But yeah, Turnover end of the month, and I would

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<v Speaker 1>start getting excited about now if you are like a

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<v Speaker 1>classic era Turnover fan, because that like looks what it's

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<v Speaker 1>going to be dialing into there is another new track

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<v Speaker 1>that I just thought I would, you know, throw a

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<v Speaker 1>mention here because I was curious about it. Emotionless in

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<v Speaker 1>White but a song this week featuring at Corey Taylor

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<v Speaker 1>on a guest vocal. Not a you know, any stranger

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<v Speaker 1>to guest vocals, but I do always like to check

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<v Speaker 1>them out, even sometimes when it's bands I don't care

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<v Speaker 1>about at all, like when he features on a tonight

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<v Speaker 1>a live song or whatever. I'd be like our Corey

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<v Speaker 1>Taylor's appeared or peppin obviously at the real great at

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<v Speaker 1>that end of that, you've got you know, the likes

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<v Speaker 1>of the code or in songs and stuff that he's

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<v Speaker 1>been on. But Mostless in White, one of the you know,

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<v Speaker 1>biggest metical bands of their era, Corey Taylor appears on

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<v Speaker 1>the track. The track is called Playing God. This song

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<v Speaker 1>made me laugh in the first five seconds of it

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<v Speaker 1>because I'm not a Boatless and White fan. And as

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<v Speaker 1>we have discussed, I remember we did an album Roulette

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<v Speaker 1>thingla Halloween one and new picked like was it Carny

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<v Speaker 1>Sam Like I know that people readly like the first

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<v Speaker 1>couple of Mostless and White records. I'm like you know,

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<v Speaker 1>I'm sort of indifferent on them, but for the last

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<v Speaker 1>like ten going on fifteen years now, Mostless and White

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<v Speaker 1>are the impersonation jukebox band. And that's particularly true when

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<v Speaker 1>they have guest vocals. Like there's the song with Danny

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<v Speaker 1>Filth where they go and do their Cradle of Filth.

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<v Speaker 1>There's just recently on the Corn special we were doing,

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<v Speaker 1>we checked into there's a Motionless and White song which

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<v Speaker 1>has Jonathan Davis when guest vocals, and it's like, oh,

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<v Speaker 1>we have to do a Corn song, and this like

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<v Speaker 1>weird instinct they do of like do they target the

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<v Speaker 1>guest vocalist first and then write a song based around them,

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<v Speaker 1>or do they just do a very flavored impersonation and go, oh,

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<v Speaker 1>we know it sounds like this, we might as well,

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<v Speaker 1>you know, make it extra redundant by getting the person involved.

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<v Speaker 1>Emoses of White Corey Taylor song and I put it on.

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<v Speaker 1>In the second those breakbeats came in. I just it

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<v Speaker 1>fully got me because like, you cheeky fuckers, you've done

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<v Speaker 1>it again. And then the slip stomp that dude dad

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<v Speaker 1>comes in, and without fail, every time they are just

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<v Speaker 1>like the fancy dress band.

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<v Speaker 4>It cracked me up when that when that happened hit playing,

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<v Speaker 4>I was and I said, the break beats and the

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<v Speaker 4>slip not riff of the stomp and all that. Like,

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<v Speaker 4>I was like, oh, yeah, you still you're still doing

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<v Speaker 4>this because again I have largely been checked out with

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<v Speaker 4>Most and White ever since you know, puts on the

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<v Speaker 4>fourth or fifth album when they started to give it

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<v Speaker 4>rubbish and and like particularly redundant. I do still like

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<v Speaker 4>the first three records, but here in this and then

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<v Speaker 4>just doing a slip of song but then kind of

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<v Speaker 4>getting Corey tailored to sing a lump and modern metal

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<v Speaker 4>court octane chorus.

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<v Speaker 3>I was like, ah, this is really good.

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<v Speaker 4>Like Cory Taylor one, like the verses when he's going

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<v Speaker 4>hard sounds like you know what you want to kind

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<v Speaker 4>of a hard Corey.

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<v Speaker 3>Taylor vocaling to do.

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<v Speaker 4>But that on top of this being another melkor song

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<v Speaker 4>about being mad at Twitter and online critics, I was like, guys,

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<v Speaker 4>you've got to get over it, all of these medical bands,

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<v Speaker 4>get over what people winge about online because you just

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<v Speaker 4>look gotten to and that's that.

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<v Speaker 3>That's just the vibe of this song.

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<v Speaker 4>It's a carry Oki slip knock kind of like track

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<v Speaker 4>that's got a couple of decent moments, but for the

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<v Speaker 4>most part just doesn't sound ever particularly convincing to me.

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<v Speaker 2>No, this this song would go hard on a Call

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<v Speaker 2>of Duty trailer from fifteen years ago, Like this song

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<v Speaker 2>is so wang. It's like and not that motionless and

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<v Speaker 2>white or you know, bastions of lyrical quality, but half

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<v Speaker 2>the song being like fuck off, just fuck right off.

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<v Speaker 2>I hate you, fuck off. I'm really cross at you.

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<v Speaker 2>It's so like, are you a toddler? Like, I don't know.

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<v Speaker 2>I put this song on and it is just like

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<v Speaker 2>listening to an AI generated slipknot song, and before Corey

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<v Speaker 2>Taylor came in, I was like, why am I listening

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<v Speaker 2>to this? I'm already bored. And then Corey Taylor comes

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<v Speaker 2>in and it sounds like a real song for a second,

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<v Speaker 2>Like I don't know most of this and white. I

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<v Speaker 2>really like Creatures because I'm shameless and from twenty twenty

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<v Speaker 2>to ten. But they're one of the worst bands, right,

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<v Speaker 2>They're so bad.

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<v Speaker 1>They're one of the worst bands to be as big

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<v Speaker 1>as they are. But just yeah, it's just amused me

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<v Speaker 1>to no end when they do the karaoke is exactly

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00:13:12.320 --> 00:13:14.559
<v Speaker 1>the right term Sam and you know what happens then

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<v Speaker 1>is they take whatever impersonation they're doing and then they

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<v Speaker 1>stick a motionless in white chorus in the middle of it,

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<v Speaker 1>and you remember why you don't listen to them. But

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<v Speaker 1>the rest of it is just so like blatant that,

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<v Speaker 1>like I said, the second those breakdoaughs came in, I

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<v Speaker 1>just started just chuckling because it's just so funny. And

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<v Speaker 1>elsewhere you might be interested. The sludge metal band Gut,

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<v Speaker 1>who are like a you know, longtime part of the

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<v Speaker 1>UK scene. They're like a party sludge band and you're

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<v Speaker 1>prety frivolous. But they have put out featuring none other

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<v Speaker 1>than Black Myst from the Hell, a cover of the

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<v Speaker 1>nineties dance classic No Limit by two Unlimited. So if

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<v Speaker 1>you wanted to hear Black Mys going no no, no, no,

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<v Speaker 1>no no, it's not available to you.

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<v Speaker 4>I couldn't believe it's taken this long for this to happen.

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<v Speaker 4>When plan exactly what like a kind of like party

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<v Speaker 4>sludge metal version of No Limit would sound like with Hell,

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00:14:06.480 --> 00:14:08.519
<v Speaker 4>I was like, yeah, coll this is like again the

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<v Speaker 4>Noven kind of wore by about two minutes in. But

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<v Speaker 4>I did I did get didn't get a chuckle out

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<v Speaker 4>of me on the first listen.

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<v Speaker 1>Yeah, so right, some lineup band news. This is the

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<v Speaker 1>we've got, you know, someone coming to a band and

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<v Speaker 1>someone leaving a band. The former part is the stranger one.

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<v Speaker 1>Maybe that's maybe more go a. Dragon Force have added

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<v Speaker 1>a new addition to their lineup, a new vocalist, and

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00:14:31.840 --> 00:14:33.480
<v Speaker 1>this made me kind of turn my head at first,

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<v Speaker 1>car I was like, what happened to the last guy,

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<v Speaker 1>Mark Cuttoner, But he's still there, right, They've now got

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<v Speaker 1>two vocalists. So alongside Mark, they have added a Lissa

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<v Speaker 1>White Glues, the until recently Arch Enemy singer who also

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<v Speaker 1>you know, after leaving Arch Enemy, has launched like a

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<v Speaker 1>solo career. You's got some other bands and stuff going on.

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<v Speaker 1>But out of the blue, she is apparently joining Dragon Force,

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<v Speaker 1>and I can't I'm not entirely if this is like

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<v Speaker 1>a run where she's going to just do like guest

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<v Speaker 1>vocals for like this particular run, because I think they're

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<v Speaker 1>about to embark on a twentieth half Anniverse three in

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<v Speaker 1>human rampage right now. I don't know, she's just like

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<v Speaker 1>appearing to add extra vocals to that or something or

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<v Speaker 1>if how like how long for the foreseeable this would

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<v Speaker 1>be but really really bizarre news. Didn't know where to

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00:15:12.480 --> 00:15:14.759
<v Speaker 1>kind of start with. It turns out I had missed this.

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<v Speaker 1>But Dragon Force's most recent album, which mark you will

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<v Speaker 1>remember with her much fondness, Like, at some point after that,

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00:15:21.879 --> 00:15:23.879
<v Speaker 1>they put out like a deluxe special edition as bands

336
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<v Speaker 1>sometimes do with extra songs, and there's a version of

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00:15:25.840 --> 00:15:28.559
<v Speaker 1>a song from that, unfortunately not the Space Marion's one,

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00:15:28.960 --> 00:15:30.639
<v Speaker 1>but they put but they put out a version of

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00:15:30.679 --> 00:15:34.000
<v Speaker 1>a song featuring Alyssa on it. Yeah, but now like

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<v Speaker 1>a year after that, she's randomly joining the band fully.

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<v Speaker 2>I guess I think that is fully because she's been

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<v Speaker 2>talking about like the writing a record, So I guess

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<v Speaker 2>like she's just mad in dragon Force. If dragon Force

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<v Speaker 2>one really bad now and that would be more in well,

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<v Speaker 2>I don't know. Maybe because I did listen to that,

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<v Speaker 2>I am intrigued. Yeah, I did listen to the song

347
00:16:00.279 --> 00:16:03.639
<v Speaker 2>that she was on previously, and it does inject a

348
00:16:03.679 --> 00:16:06.480
<v Speaker 2>bit more energy and a bit more bite, as it

349
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<v Speaker 2>would having someone who's got such a great harsh full call.

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<v Speaker 2>Maybe you know, dragon Force been really bad at writing

351
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<v Speaker 2>hooks and choruses, recently. So if they just sort of

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<v Speaker 2>flip the other way and go, well, we're just going

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<v Speaker 2>to be more extreme and more heavy, maybe that's I

354
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<v Speaker 2>don't know, that's kind of cool.

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<v Speaker 4>You know the That's what I would hope if they're

356
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<v Speaker 4>going to do an album, is they go down a

357
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<v Speaker 4>sort of a bit more of a harsher kind of

358
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<v Speaker 4>like route, because you'd make that makes it a listed

359
00:16:36.000 --> 00:16:38.360
<v Speaker 4>being in the band. But yeah, to me, Dragon Force

360
00:16:38.399 --> 00:16:41.000
<v Speaker 4>have kind of like fallen into like novelty.

361
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<v Speaker 3>Band that I just don't care about in recent years.

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<v Speaker 4>And this is the first bit of Dragon Force news

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<v Speaker 4>I've gone, Wow, that that's that's That's not the kind

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<v Speaker 4>of shit I expect from them.

365
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<v Speaker 1>Yeah, And I don't know if this and I say

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<v Speaker 1>this with no judgment because you know, it is what

367
00:16:52.480 --> 00:16:55.600
<v Speaker 1>it is. I don't know if having left Arch Enemy,

368
00:16:55.960 --> 00:16:59.000
<v Speaker 1>she needs like a regular touring gig right to you know,

369
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<v Speaker 1>pay the bill and all that. I don't know whether

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<v Speaker 1>it is just like this weird happenstance of like you

371
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<v Speaker 1>get this really random, amazing opportunity to join Dragon Force

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<v Speaker 1>for however long she decided to be in the band.

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<v Speaker 1>I definitely I would be curious about a record to

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<v Speaker 1>year they're not would you know, putting stock into that

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<v Speaker 1>suddenly being like, oh my god, it's gonna be the

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<v Speaker 1>best Dragon Force album in twenty years or some shit.

377
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<v Speaker 1>But just to be curious is what the results of

378
00:17:20.599 --> 00:17:22.079
<v Speaker 1>it are, because it does again out of all the

379
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<v Speaker 1>things where you go, oh list is out of arch enemy.

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<v Speaker 1>Very low on the bingo card of things to do

381
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<v Speaker 1>afterwards would be joining Dragon Force as not even a

382
00:17:31.079 --> 00:17:32.960
<v Speaker 1>primary you know, for a woman, but a co Vocalist's

383
00:17:33.039 --> 00:17:36.200
<v Speaker 1>very strange, but again head turning news nonethelesson I guess

384
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<v Speaker 1>we'll stay tuned. And also again on the flip side

385
00:17:38.559 --> 00:17:40.640
<v Speaker 1>of someone leaving a band solitude of turners who are

386
00:17:40.680 --> 00:17:45.920
<v Speaker 1>the very legendary cult but super influential. I regularly name

387
00:17:46.000 --> 00:17:48.519
<v Speaker 1>drop when we're reviewing basically trad doom records, so when

388
00:17:48.559 --> 00:17:51.759
<v Speaker 1>we talk about Spirit a Drift recently or like crypt Sermon,

389
00:17:51.759 --> 00:17:53.119
<v Speaker 1>these type bands as you turn as along with a

390
00:17:53.119 --> 00:17:55.119
<v Speaker 1>candle mass, so maybe a little bit more internationally famous.

391
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<v Speaker 1>I want to let the real like standard bearers of

392
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<v Speaker 1>that there frontman Rob Low, who was also was weirdly

393
00:18:00.720 --> 00:18:02.160
<v Speaker 1>the frontman in can Master for a little wile, but

394
00:18:02.319 --> 00:18:05.680
<v Speaker 1>he's been maybe removed I don't know, from the band,

395
00:18:05.960 --> 00:18:07.799
<v Speaker 1>and that is strange because he's like their guy, He's

396
00:18:07.839 --> 00:18:10.240
<v Speaker 1>like the main vocals they've had. So very curious and

397
00:18:10.319 --> 00:18:13.000
<v Speaker 1>unfortunately Solciter Turners don't really appear over here, so I

398
00:18:13.039 --> 00:18:14.839
<v Speaker 1>don't know if we'll ever get to see that, but yeah,

399
00:18:14.880 --> 00:18:17.759
<v Speaker 1>just curious. Strange news goes on in the in the

400
00:18:17.880 --> 00:18:21.160
<v Speaker 1>underground of you know, lineups coming and going. Let's talk

401
00:18:21.160 --> 00:18:24.559
<v Speaker 1>a little bit about Scowl who. I saw this headline

402
00:18:24.640 --> 00:18:26.119
<v Speaker 1>and I kind of had a moment of realization. I

403
00:18:26.160 --> 00:18:27.720
<v Speaker 1>was like, oh, yeah, you haven't been around, like for

404
00:18:27.759 --> 00:18:31.119
<v Speaker 1>whatever reason, I because there was so maybe it's because

405
00:18:31.160 --> 00:18:34.119
<v Speaker 1>the first half of last year obviously, Yeah, when they

406
00:18:34.119 --> 00:18:37.039
<v Speaker 1>put the record out, the next album, they were as

407
00:18:37.039 --> 00:18:38.640
<v Speaker 1>you'd expect on the band Who's You were released in

408
00:18:38.680 --> 00:18:40.880
<v Speaker 1>a really hotly tipped album. They were very much around

409
00:18:40.960 --> 00:18:43.640
<v Speaker 1>and they were everywhere. But I kind of didn't twig

410
00:18:43.920 --> 00:18:47.039
<v Speaker 1>that for the last sort of six months or so

411
00:18:47.359 --> 00:18:49.880
<v Speaker 1>they'd gone completely a woll and we hadn't you know,

412
00:18:49.960 --> 00:18:53.680
<v Speaker 1>his complete radio silence basically, But Scowl have come out

413
00:18:53.680 --> 00:18:55.279
<v Speaker 1>and Cap Moss, the front woman, has come out basically

414
00:18:55.359 --> 00:18:56.960
<v Speaker 1>saying that they are currently on a you know we

415
00:18:56.960 --> 00:18:58.759
<v Speaker 1>don't know how long it will be, but they are

416
00:18:58.759 --> 00:19:02.359
<v Speaker 1>certainly on for the moment a break and she's describing

417
00:19:02.359 --> 00:19:05.240
<v Speaker 1>that as kind of basically a result of emotional burnout,

418
00:19:05.279 --> 00:19:08.799
<v Speaker 1>which sometimes when bands get as big as quickly as

419
00:19:08.799 --> 00:19:10.480
<v Speaker 1>Scowl did. I think you can understand that. You know,

420
00:19:10.519 --> 00:19:13.599
<v Speaker 1>it's quite a lot to adjust to suddenly being propelled

421
00:19:13.640 --> 00:19:15.160
<v Speaker 1>to you know, having so many eyes on you and

422
00:19:15.200 --> 00:19:17.200
<v Speaker 1>all of that, and you know, some other stuff going

423
00:19:17.200 --> 00:19:19.480
<v Speaker 1>on in their personal lives as well. But yeah, again,

424
00:19:19.559 --> 00:19:20.920
<v Speaker 1>because there was a moment of realization for me, like,

425
00:19:20.960 --> 00:19:24.039
<v Speaker 1>oh yeah, Scowl like it did after the initial role

426
00:19:24.079 --> 00:19:26.119
<v Speaker 1>out of the album kind of did disappear for the

427
00:19:26.200 --> 00:19:28.680
<v Speaker 1>like the second half of last year obviously the beginning

428
00:19:28.720 --> 00:19:29.079
<v Speaker 1>of this one.

429
00:19:30.079 --> 00:19:32.440
<v Speaker 4>Yeah, it was when they started canceling like a lot

430
00:19:32.480 --> 00:19:34.519
<v Speaker 4>of European and UK too, Like they poured out of

431
00:19:34.559 --> 00:19:35.319
<v Speaker 4>Outbreak this year.

432
00:19:35.319 --> 00:19:37.480
<v Speaker 3>I was kind of like, yeah, thinking someone was up.

433
00:19:37.480 --> 00:19:39.400
<v Speaker 4>I think they pulled out of two thousand Trees as

434
00:19:39.440 --> 00:19:42.480
<v Speaker 4>well that but like they were they were like dropping

435
00:19:42.480 --> 00:19:44.559
<v Speaker 4>off dates and and I think it's a thing where

436
00:19:44.599 --> 00:19:48.720
<v Speaker 4>like they've been on tour kind of endlessly since everything

437
00:19:48.720 --> 00:19:51.440
<v Speaker 4>came back from COVID, Like, yeah, twenty twenty two. They've

438
00:19:51.480 --> 00:19:53.759
<v Speaker 4>been over here every year like every couple, like every

439
00:19:53.839 --> 00:19:55.559
<v Speaker 4>so many months, and that enclosed you know, concent trolling

440
00:19:55.599 --> 00:19:58.079
<v Speaker 4>in the US. So I think that that that combine

441
00:19:58.079 --> 00:19:59.680
<v Speaker 4>them with, as I say, some of the other more

442
00:19:59.680 --> 00:20:01.720
<v Speaker 4>person things that Kat kind of goes into on this

443
00:20:01.759 --> 00:20:05.400
<v Speaker 4>podcast you did where like that is going to you know,

444
00:20:05.480 --> 00:20:06.880
<v Speaker 4>take its toll, And I think it's one of the

445
00:20:06.960 --> 00:20:09.960
<v Speaker 4>things that rather than kind of burn the band out completely,

446
00:20:10.119 --> 00:20:12.599
<v Speaker 4>it's it's a good idea to hit the brakes. I

447
00:20:12.680 --> 00:20:14.200
<v Speaker 4>think it's shame it's off the back of like say,

448
00:20:14.240 --> 00:20:16.680
<v Speaker 4>my favorite record from last year, one of my favorite

449
00:20:16.720 --> 00:20:18.599
<v Speaker 4>kind of like Amazon Musy is just an amazing sort

450
00:20:18.599 --> 00:20:20.839
<v Speaker 4>of punk rock record to sort of not be able

451
00:20:20.880 --> 00:20:24.160
<v Speaker 4>to really keep that momentum going. But for the hope,

452
00:20:24.200 --> 00:20:26.200
<v Speaker 4>for the for the good of the band, they can

453
00:20:26.279 --> 00:20:29.799
<v Speaker 4>kind of like like refocus, kind of refresh themselves and

454
00:20:30.079 --> 00:20:30.799
<v Speaker 4>come back better.

455
00:20:31.400 --> 00:20:34.240
<v Speaker 1>Yeah, yeah, very much with for all the reasons involved

456
00:20:34.240 --> 00:20:37.119
<v Speaker 1>that everyone like you know, takes the right reasons to

457
00:20:37.279 --> 00:20:38.440
<v Speaker 1>be like, okay, step back for a little bit. But

458
00:20:38.480 --> 00:20:40.119
<v Speaker 1>I do hope that you know, maybe in a I

459
00:20:40.160 --> 00:20:41.480
<v Speaker 1>don't want to put any time frame on it, but

460
00:20:41.480 --> 00:20:43.839
<v Speaker 1>you maybe done next year or something. We could be

461
00:20:43.880 --> 00:20:47.839
<v Speaker 1>seeing Scout resurface. But yeah, again, they have vanished from

462
00:20:47.839 --> 00:20:50.440
<v Speaker 1>the limelight for now, but we'll see when they return.

463
00:20:51.000 --> 00:20:53.559
<v Speaker 1>Torn News Live News of five Things that bunch have

464
00:20:53.720 --> 00:20:57.400
<v Speaker 1>added a big UK and a European arena run. The

465
00:20:57.400 --> 00:20:59.160
<v Speaker 1>support bill is what maybe the T and M faith

466
00:20:59.160 --> 00:21:01.000
<v Speaker 1>will be the most interested here. Lamb of God and

467
00:21:01.039 --> 00:21:05.640
<v Speaker 1>belief within opening them which is a very hearty, meaty

468
00:21:06.240 --> 00:21:08.880
<v Speaker 1>sledgehammer opening to If I think a Death Pinch show,

469
00:21:08.920 --> 00:21:13.960
<v Speaker 1>isn't it? Oh that'd be so good, Like you'd be

470
00:21:14.000 --> 00:21:15.079
<v Speaker 1>having a great time the whole way.

471
00:21:15.160 --> 00:21:19.559
<v Speaker 2>Yeah, exactly. There's been so much horrible stuff going on

472
00:21:20.039 --> 00:21:22.920
<v Speaker 2>in the discord, lots of slander against five figure Death

473
00:21:22.960 --> 00:21:26.200
<v Speaker 2>Punch as if they're not as sick as hell live band,

474
00:21:26.839 --> 00:21:28.559
<v Speaker 2>you cannot like they're recorded.

475
00:21:29.440 --> 00:21:32.440
<v Speaker 1>I've never seen them live, so you know the squid.

476
00:21:32.759 --> 00:21:35.160
<v Speaker 2>I know the squid. Honestly, mate, you'd be a knucklehead

477
00:21:35.160 --> 00:21:36.079
<v Speaker 2>within seconds.

478
00:21:37.960 --> 00:21:38.279
<v Speaker 1>Really.

479
00:21:38.680 --> 00:21:42.200
<v Speaker 2>I went into the metallgashow skeptical and I came out

480
00:21:42.200 --> 00:21:44.960
<v Speaker 2>and being like, yeah, fuck it, cam me, knucklehead, you

481
00:21:44.960 --> 00:21:47.319
<v Speaker 2>know you can.

482
00:21:47.240 --> 00:21:50.839
<v Speaker 4>Suck my I just can't believe they're still doing you know,

483
00:21:50.839 --> 00:21:51.920
<v Speaker 4>the Otero arena over here.

484
00:21:51.960 --> 00:21:54.720
<v Speaker 3>I genuinely thought, like their present over in the UK

485
00:21:55.319 --> 00:21:55.920
<v Speaker 3>did any uctually?

486
00:21:55.920 --> 00:21:57.680
<v Speaker 4>Can I know they've got you know, a big supporting

487
00:21:57.680 --> 00:22:00.599
<v Speaker 4>bills that's probably gonna help. But I was like, like,

488
00:22:00.720 --> 00:22:02.759
<v Speaker 4>does the UK still care about five things as much

489
00:22:02.799 --> 00:22:05.039
<v Speaker 4>and that much? Because you know, they don't get booked

490
00:22:05.039 --> 00:22:08.079
<v Speaker 4>for download anymore. They're not you know, the eternal second

491
00:22:08.160 --> 00:22:09.960
<v Speaker 4>or third from the top of the main stage download

492
00:22:09.960 --> 00:22:11.839
<v Speaker 4>band that they were in this sort of twenty ten

493
00:22:11.920 --> 00:22:13.680
<v Speaker 4>students or of the peak of their popularity.

494
00:22:14.079 --> 00:22:16.599
<v Speaker 3>But maybe there's still that that knucklehead.

495
00:22:16.079 --> 00:22:20.359
<v Speaker 4>Silent majority over here, that mark is proudly like banging

496
00:22:20.359 --> 00:22:20.960
<v Speaker 4>the drum.

497
00:22:20.759 --> 00:22:22.839
<v Speaker 2>For when is the last time they were over here?

498
00:22:24.079 --> 00:22:25.759
<v Speaker 1>That's sadly not information that I kept.

499
00:22:27.799 --> 00:22:29.599
<v Speaker 4>This is you You would have to tell us that, yeah,

500
00:22:29.880 --> 00:22:32.559
<v Speaker 4>I feel like download not around here.

501
00:22:33.720 --> 00:22:36.839
<v Speaker 1>Apparently the last time they played Download Festival was in

502
00:22:36.920 --> 00:22:41.960
<v Speaker 1>twenty seventeen, which is nearly ten years ago. That's mad.

503
00:22:42.039 --> 00:22:43.920
<v Speaker 1>How when did they vanish from that bill without the

504
00:22:44.039 --> 00:22:45.599
<v Speaker 1>ever you know, tweaking on too, the fact that they

505
00:22:45.640 --> 00:22:47.559
<v Speaker 1>weren't there anymore, That's what I'm saying.

506
00:22:47.720 --> 00:22:49.200
<v Speaker 3>They used to always do that.

507
00:22:50.000 --> 00:22:53.920
<v Speaker 2>Dang, there's time to come back. This is the big comeback.

508
00:22:54.119 --> 00:22:56.759
<v Speaker 2>Maybe a play for the top of the stage.

509
00:22:57.559 --> 00:22:59.359
<v Speaker 1>Maybe it's a renaissance. I don't know, but there you go.

510
00:22:59.440 --> 00:23:01.680
<v Speaker 1>Lamb good andre with enjoying that that's happened in January

511
00:23:01.799 --> 00:23:04.880
<v Speaker 1>of twenty twenty seven. Of course, later in this year,

512
00:23:04.960 --> 00:23:08.319
<v Speaker 1>Devin Townsend is also returning to the touring circuit. He said,

513
00:23:08.359 --> 00:23:09.839
<v Speaker 1>I think maybe a little bit of a year ago

514
00:23:11.079 --> 00:23:13.400
<v Speaker 1>that he was kind of taking a break from touring,

515
00:23:13.440 --> 00:23:15.000
<v Speaker 1>and I guess that maybe this is just like sometimes

516
00:23:15.039 --> 00:23:17.680
<v Speaker 1>you your year passes and you don't think about someone,

517
00:23:17.799 --> 00:23:19.720
<v Speaker 1>but in their life, taking a year off is a really,

518
00:23:19.799 --> 00:23:21.519
<v Speaker 1>really long time. I don't know, but Devin towns enough

519
00:23:21.519 --> 00:23:23.519
<v Speaker 1>to say that he was stepping out from touring, is

520
00:23:23.680 --> 00:23:27.200
<v Speaker 1>re emerging to tour in the UK and Europe later

521
00:23:27.359 --> 00:23:29.920
<v Speaker 1>this year September into October. This is for his The

522
00:23:30.039 --> 00:23:32.480
<v Speaker 1>Moth album that's coming out. I think at the end

523
00:23:32.519 --> 00:23:35.200
<v Speaker 1>of this month in the UK is it's kind of,

524
00:23:35.200 --> 00:23:37.559
<v Speaker 1>you know, the European dates like take up the middle

525
00:23:37.599 --> 00:23:42.440
<v Speaker 1>chunk of this tour. But in the UK he's playing Birmingham, Bath, Southampton, Exeter, London,

526
00:23:42.640 --> 00:23:44.440
<v Speaker 1>and then like a month later when he reappears in

527
00:23:44.440 --> 00:23:48.640
<v Speaker 1>the UK Brighton, Cardiff, Glasgow, Manchester and Leeds and really

528
00:23:48.640 --> 00:23:51.279
<v Speaker 1>strange tour annoucement. It says it's from it's doing stuff

529
00:23:51.319 --> 00:23:55.960
<v Speaker 1>from all of his projects, from Punky Brewster through all

530
00:23:56.000 --> 00:23:59.680
<v Speaker 1>the way through to modern day Devin Townsend. This sounds

531
00:23:59.720 --> 00:24:02.880
<v Speaker 1>actually mental when you look at the the bands are

532
00:24:02.880 --> 00:24:05.000
<v Speaker 1>listed right. Obviously we all know the different bands have

533
00:24:05.000 --> 00:24:07.480
<v Speaker 1>been in strapping Young lad Casualties of Cool get a

534
00:24:07.559 --> 00:24:10.920
<v Speaker 1>mentioned here like if this is a proper like cross

535
00:24:11.000 --> 00:24:15.480
<v Speaker 1>project career spanning Devin's set list, that sounds fucking mad.

536
00:24:16.200 --> 00:24:19.240
<v Speaker 1>Punky Brewster getting a mention in twenty twenty six, there's

537
00:24:19.240 --> 00:24:21.039
<v Speaker 1>not something I think anyone what we're gonna happen.

538
00:24:21.039 --> 00:24:22.960
<v Speaker 2>I wonder if you'll do any of his dark ambient

539
00:24:23.119 --> 00:24:24.920
<v Speaker 2>songs from the two dozen.

540
00:24:26.119 --> 00:24:28.400
<v Speaker 1>I hope so I take a half hour detour to

541
00:24:28.400 --> 00:24:30.200
<v Speaker 1>turn into like a Boris set. That would be good.

542
00:24:30.559 --> 00:24:33.039
<v Speaker 1>But yeah, late late this year September October, Devin Towns

543
00:24:33.039 --> 00:24:36.960
<v Speaker 1>are returning to touring. Very you know, interesting announcement here.

544
00:24:37.079 --> 00:24:40.000
<v Speaker 1>Olivia Rodrigo, not someone that we usually tend to talk about.

545
00:24:40.400 --> 00:24:43.759
<v Speaker 1>She has added like fucking I think by the time

546
00:24:43.799 --> 00:24:46.279
<v Speaker 1>this podcast goes out a thousand more will have been added.

547
00:24:46.799 --> 00:24:50.720
<v Speaker 1>Dates at the London's O tem Arena and nowhere else,

548
00:24:51.039 --> 00:24:54.319
<v Speaker 1>and my like you know, social media timeline had been

549
00:24:54.359 --> 00:24:58.720
<v Speaker 1>full of Olivia Rodriguez fans like absolutely fucking livid that

550
00:24:59.519 --> 00:25:02.279
<v Speaker 1>upon repeatedly selling out the O to Arena, she is

551
00:25:02.359 --> 00:25:05.119
<v Speaker 1>just adding more and more dates rather than going anywhere

552
00:25:05.200 --> 00:25:07.480
<v Speaker 1>else in the UK. Legitimately, I think at this stage

553
00:25:07.480 --> 00:25:11.680
<v Speaker 1>there are nine dates across about fifteen days in just

554
00:25:11.759 --> 00:25:13.640
<v Speaker 1>the O two arena, adding a new and every time

555
00:25:13.640 --> 00:25:16.680
<v Speaker 1>it sells out, and never adding anything in any other city.

556
00:25:16.759 --> 00:25:18.880
<v Speaker 1>And to all those people who are that angry, I

557
00:25:18.960 --> 00:25:23.160
<v Speaker 1>completely concur with you. I think it's genuinely disgraceful, shameful

558
00:25:23.200 --> 00:25:28.279
<v Speaker 1>behavior to expect fans from all like you're the fucking multimillionaire,

559
00:25:29.200 --> 00:25:31.799
<v Speaker 1>like you go to them, Go book the co Op

560
00:25:31.799 --> 00:25:35.480
<v Speaker 1>in Manchester, go play Glasgow, go somewhere else, and don't

561
00:25:35.519 --> 00:25:39.200
<v Speaker 1>expect fans from you know, everywhere, from like Wales to

562
00:25:39.240 --> 00:25:42.680
<v Speaker 1>Scotland to you know, fucking the Southwest whatever to pay

563
00:25:43.000 --> 00:25:44.960
<v Speaker 1>hundreds of pounds that for you are just like a

564
00:25:45.119 --> 00:25:48.839
<v Speaker 1>drop in the fucking ocean to go and you know,

565
00:25:48.920 --> 00:25:51.160
<v Speaker 1>go to the big city and fucking buy trains of commodation.

566
00:25:51.240 --> 00:25:53.640
<v Speaker 1>It is genuinely this trend that's happening. I've seen it

567
00:25:53.640 --> 00:25:56.160
<v Speaker 1>happen with pop artists a lot of just adding these

568
00:25:56.200 --> 00:26:00.839
<v Speaker 1>like residencies in London and going nowhere else is so fun, lame,

569
00:26:01.119 --> 00:26:04.960
<v Speaker 1>absolute poser, bitch ass behavior. But the reason we're talking

570
00:26:04.960 --> 00:26:07.400
<v Speaker 1>about this at all is that the main support act

571
00:26:07.440 --> 00:26:10.880
<v Speaker 1>for Olivia Drigo has announced is Dishpits, the kind of

572
00:26:10.920 --> 00:26:13.799
<v Speaker 1>alternative rock band who we review their album last year,

573
00:26:13.920 --> 00:26:15.559
<v Speaker 1>and since we reviewed that record at the end of

574
00:26:15.640 --> 00:26:18.799
<v Speaker 1>last year, sometime they have like popped up a lot.

575
00:26:19.079 --> 00:26:21.519
<v Speaker 1>They played I think they played Corchella, didn't they, which

576
00:26:21.559 --> 00:26:25.000
<v Speaker 1>isn't necessarily too you know, unusual for a popular rock band,

577
00:26:25.000 --> 00:26:25.680
<v Speaker 1>but they were there.

578
00:26:25.599 --> 00:26:27.400
<v Speaker 3>A trendy rock band to do that. Yeah, that may it.

579
00:26:27.440 --> 00:26:30.079
<v Speaker 1>Yeah, they're also supporting the Foo Fighters on their dates

580
00:26:30.119 --> 00:26:33.319
<v Speaker 1>over here and now being added as the support act

581
00:26:33.400 --> 00:26:34.759
<v Speaker 1>for like one of the as I say, the main

582
00:26:34.799 --> 00:26:39.759
<v Speaker 1>pop girls, right, Dishbits are a pretty heavy band for

583
00:26:39.880 --> 00:26:42.400
<v Speaker 1>that kind of thing. Like when we reviewed it, we

584
00:26:42.400 --> 00:26:44.519
<v Speaker 1>were like, these are songs outsword that have mastered on

585
00:26:44.559 --> 00:26:47.359
<v Speaker 1>rifts in them. Why have they been given like the

586
00:26:47.440 --> 00:26:49.759
<v Speaker 1>keys to the Kingdom. This happens where you get these

587
00:26:49.799 --> 00:26:53.519
<v Speaker 1>like corporately. I don't want to say a point, you know, creative,

588
00:26:53.920 --> 00:26:56.160
<v Speaker 1>they are, but anointed where it's like you are one

589
00:26:56.160 --> 00:26:57.920
<v Speaker 1>who are allowed to play everything like you for some

590
00:26:58.000 --> 00:27:00.000
<v Speaker 1>reason in a world that people don't really care about,

591
00:27:00.039 --> 00:27:03.359
<v Speaker 1>certainly sludge metal. Right, we're gonna like the bands get

592
00:27:03.359 --> 00:27:06.799
<v Speaker 1>given the keys to appear on everything. But it's happening

593
00:27:06.880 --> 00:27:09.599
<v Speaker 1>this time with a band who I said are genuinely

594
00:27:09.640 --> 00:27:12.279
<v Speaker 1>capable of being quite gutta really heavy, and it's really

595
00:27:12.319 --> 00:27:14.960
<v Speaker 1>weird that it's now going this far wherey're supporting Olivia Rodrigo.

596
00:27:15.799 --> 00:27:19.680
<v Speaker 1>It's not even like it like metal. It's like swords

597
00:27:19.759 --> 00:27:22.079
<v Speaker 1>and sludge riffs like metal.

598
00:27:22.960 --> 00:27:23.160
<v Speaker 3>Yeah.

599
00:27:23.160 --> 00:27:25.440
<v Speaker 4>The thing is obviously the bigger pill of them is

600
00:27:25.440 --> 00:27:26.759
<v Speaker 4>that is that with the kind of like the pop

601
00:27:26.799 --> 00:27:28.359
<v Speaker 4>and the alt rock kind of like vocals and all

602
00:27:28.400 --> 00:27:30.319
<v Speaker 4>that stuff. And that's the thing that again really made

603
00:27:30.400 --> 00:27:32.079
<v Speaker 4>us quite fond of the album, was this cool blend

604
00:27:32.079 --> 00:27:35.079
<v Speaker 4>of ideas. But like again I could I could understand

605
00:27:35.119 --> 00:27:36.920
<v Speaker 4>them spoiling food fires. I'm pretty sure you know, Like

606
00:27:37.079 --> 00:27:39.119
<v Speaker 4>obviously like gouge Way did that Mannekin pussy.

607
00:27:39.119 --> 00:27:40.119
<v Speaker 3>I think I've done that before.

608
00:27:40.160 --> 00:27:42.759
<v Speaker 4>Like that, there's a TSI fans to get that sort

609
00:27:42.799 --> 00:27:45.119
<v Speaker 4>of thing, but this is like a step further of

610
00:27:45.240 --> 00:27:47.640
<v Speaker 4>like I say, going out with one of the big

611
00:27:47.640 --> 00:27:50.000
<v Speaker 4>pop girlies, Like who knows, you might see just spits

612
00:27:50.000 --> 00:27:50.880
<v Speaker 4>on the next Taylor Swift.

613
00:27:51.400 --> 00:27:52.400
<v Speaker 3>I would love that, Like.

614
00:27:53.920 --> 00:27:56.119
<v Speaker 2>This is mad. Like I saw the food Floaters thing

615
00:27:56.640 --> 00:27:59.200
<v Speaker 2>and I was like, oh, yeah, yeah, that makes sense.

616
00:27:59.519 --> 00:28:02.200
<v Speaker 2>And then when you can see it Olivia Rodrigo one

617
00:28:02.359 --> 00:28:04.799
<v Speaker 2>was announced, I was like, hold on if I confused

618
00:28:05.480 --> 00:28:09.839
<v Speaker 2>this band with another one? Like I was like, did

619
00:28:09.839 --> 00:28:13.119
<v Speaker 2>I get them confused with Venona Fighter? Like but though

620
00:28:13.160 --> 00:28:16.960
<v Speaker 2>it is the same, you know, slodgie riffs, heavy band,

621
00:28:17.240 --> 00:28:20.839
<v Speaker 2>Like I don't know if they're gonna go over well

622
00:28:21.240 --> 00:28:24.359
<v Speaker 2>with Olivia Rodrigal fans, but that doesn't even matter to me,

623
00:28:24.519 --> 00:28:26.440
<v Speaker 2>just the fact that they're there and being put in

624
00:28:26.519 --> 00:28:29.799
<v Speaker 2>front of them. It's really Yeah, it's really cool.

625
00:28:30.720 --> 00:28:33.079
<v Speaker 1>And like Olivia Rodrigo of all the you know, big

626
00:28:33.240 --> 00:28:36.200
<v Speaker 1>like proper major league pop stars, she does have like

627
00:28:36.240 --> 00:28:39.799
<v Speaker 1>a very there's a nineties rock sort of slant in

628
00:28:39.880 --> 00:28:42.640
<v Speaker 1>nostalgia to like Naughty's rock you know when Good for

629
00:28:42.680 --> 00:28:44.200
<v Speaker 1>You as massive and it was just a parabole song,

630
00:28:44.200 --> 00:28:47.480
<v Speaker 1>you know what I mean, Like there is so if

631
00:28:47.519 --> 00:28:49.559
<v Speaker 1>anyone is gonna do it of those, you know, it

632
00:28:49.599 --> 00:28:51.519
<v Speaker 1>makes more sense doing it Olivia Drigo than it would

633
00:28:51.880 --> 00:28:55.799
<v Speaker 1>Taylor Swift for example, or fucking Lady Garca or whatever. Right,

634
00:28:55.880 --> 00:28:59.160
<v Speaker 1>I'm not like, if it's gonna have to happen for someone,

635
00:28:59.160 --> 00:29:01.799
<v Speaker 1>I'm not stunned, see Olivia Drigo. Of all people pick

636
00:29:01.839 --> 00:29:04.720
<v Speaker 1>a band like Dispits, But like I said, it's just

637
00:29:06.160 --> 00:29:07.799
<v Speaker 1>who are the fan base for this band? This is

638
00:29:07.799 --> 00:29:09.480
<v Speaker 1>really curious me because like we review the album, we're like,

639
00:29:09.519 --> 00:29:11.799
<v Speaker 1>this is good, like for again, a band who are

640
00:29:11.799 --> 00:29:14.400
<v Speaker 1>getting these kind of you know, uh, this kind of

641
00:29:14.480 --> 00:29:16.799
<v Speaker 1>hype and this buzz around them in like more than

642
00:29:16.880 --> 00:29:19.839
<v Speaker 1>just our scene, Like this one does seem pretty credible

643
00:29:20.000 --> 00:29:23.680
<v Speaker 1>musically and pretty legit. But I am fascinated so like

644
00:29:23.720 --> 00:29:25.960
<v Speaker 1>the people who they've been put in front of what

645
00:29:26.319 --> 00:29:29.279
<v Speaker 1>other things that Dispits fans are into, you know, because

646
00:29:29.440 --> 00:29:31.799
<v Speaker 1>they don't seem to outside of the Foo fighters, right,

647
00:29:31.839 --> 00:29:36.079
<v Speaker 1>they don't seem to be playing that many major rock tours.

648
00:29:36.079 --> 00:29:39.119
<v Speaker 1>They are peering at all these like fucking enormous major

649
00:29:39.200 --> 00:29:44.559
<v Speaker 1>label type you know showcases, which is just yeah, doing

650
00:29:44.599 --> 00:29:45.759
<v Speaker 1>it with their riffs is bizarre.

651
00:29:46.119 --> 00:29:48.920
<v Speaker 4>I mean, they're selling out their own shows, like like

652
00:29:48.960 --> 00:29:51.039
<v Speaker 4>they will do in the Underward and that got upgraded

653
00:29:51.119 --> 00:29:53.599
<v Speaker 4>and so they are like do they have people are

654
00:29:53.599 --> 00:29:55.559
<v Speaker 4>like going to see them at their own things. So

655
00:29:56.079 --> 00:29:59.279
<v Speaker 4>perhaps they are winning people over at these as you say,

656
00:29:59.319 --> 00:30:02.759
<v Speaker 4>the anointed, big yeah, big shows.

657
00:30:02.440 --> 00:30:02.799
<v Speaker 3>That them on.

658
00:30:02.920 --> 00:30:05.039
<v Speaker 2>Maybe it'll work out well for them if they're playing

659
00:30:05.079 --> 00:30:08.519
<v Speaker 2>in front of pissed off people who've traveled four hundred

660
00:30:08.519 --> 00:30:13.079
<v Speaker 2>miles to go to London. Absolutely human and then you

661
00:30:13.160 --> 00:30:14.960
<v Speaker 2>hear those riffs, that'd be perfect.

662
00:30:16.039 --> 00:30:18.759
<v Speaker 1>Yeah, absolutely. If we can create some kind of pipeline

663
00:30:18.960 --> 00:30:21.160
<v Speaker 1>to get the you know, despitz fans at the live

664
00:30:21.240 --> 00:30:24.480
<v Speaker 1>Rodrigue shows into I don't know, the acid bath shows

665
00:30:24.720 --> 00:30:27.480
<v Speaker 1>that are happening, Like somewhere there is a line that

666
00:30:27.559 --> 00:30:31.160
<v Speaker 1>makes some weird musical hets there get them really into

667
00:30:31.240 --> 00:30:32.799
<v Speaker 1>high on fire. Well, let's see where it goes. I'm

668
00:30:32.839 --> 00:30:34.599
<v Speaker 1>very curious of again, how where there's oldershpits you know,

669
00:30:35.000 --> 00:30:37.880
<v Speaker 1>Saga carries them. But they are currently going to be

670
00:30:37.880 --> 00:30:41.880
<v Speaker 1>spotting a Lidia Rodrigo at the twelve thousand dates exclusively

671
00:30:41.920 --> 00:30:46.400
<v Speaker 1>happening inside the capital of this country. Right. Steve Evatts,

672
00:30:46.640 --> 00:30:50.200
<v Speaker 1>the producer producer Extrawsannair has done everything from Dead Guy

673
00:30:50.240 --> 00:30:51.799
<v Speaker 1>to the Wonder Years. He's one of the most like

674
00:30:52.279 --> 00:30:54.839
<v Speaker 1>regularly you see his name pop up all the time

675
00:30:54.880 --> 00:30:57.799
<v Speaker 1>just on sick bands records really unfortunately use that his

676
00:30:58.119 --> 00:31:02.160
<v Speaker 1>studio Belleville, His studio is unfortunately burned down in a

677
00:31:02.200 --> 00:31:04.599
<v Speaker 1>really large fire in New Jersey. I know there's a

678
00:31:04.599 --> 00:31:06.000
<v Speaker 1>go fund me up there and stuff like that, but

679
00:31:06.240 --> 00:31:09.720
<v Speaker 1>you know, again, someone who has worked on many, many records,

680
00:31:09.720 --> 00:31:13.079
<v Speaker 1>I guarantee you have enjoyed so you know, well wishes

681
00:31:13.079 --> 00:31:14.319
<v Speaker 1>to him in terms of getting back up on his

682
00:31:14.319 --> 00:31:17.000
<v Speaker 1>feet and see more records from his studio when it

683
00:31:17.079 --> 00:31:20.640
<v Speaker 1>is you know, back in action hopefully coming through. But

684
00:31:21.079 --> 00:31:23.119
<v Speaker 1>if there is some bad news, there's also some potentially

685
00:31:23.160 --> 00:31:25.240
<v Speaker 1>good news. People think Greta van Fleet is going to

686
00:31:25.279 --> 00:31:27.640
<v Speaker 1>be splitting up because Greta van Fleet have put out

687
00:31:27.680 --> 00:31:31.319
<v Speaker 1>a like teaser post that just says thanks for the

688
00:31:31.359 --> 00:31:35.519
<v Speaker 1>wild ride with all of their names listening underneath them,

689
00:31:35.599 --> 00:31:37.519
<v Speaker 1>and people are like, oh, apparently they've been doing like

690
00:31:37.519 --> 00:31:39.200
<v Speaker 1>side projects stuff the last couple years. It does feel

691
00:31:39.200 --> 00:31:41.000
<v Speaker 1>like it's been kind of quiet on the you know

692
00:31:41.039 --> 00:31:43.920
<v Speaker 1>them being you know, pushed in front of everyone's fate front.

693
00:31:44.079 --> 00:31:47.640
<v Speaker 1>But people have a theory think possibly the Greavan Fleet

694
00:31:47.720 --> 00:31:50.519
<v Speaker 1>might be calling it a day, and like I, I

695
00:31:50.559 --> 00:31:53.039
<v Speaker 1>even like the odd Gretavanthleet song like Highway Tune is

696
00:31:53.079 --> 00:31:55.759
<v Speaker 1>a tune. I'm not a monster, but I think probably

697
00:31:55.759 --> 00:31:59.319
<v Speaker 1>for the wider good of the world, it's probably for

698
00:31:59.359 --> 00:32:00.519
<v Speaker 1>the best that they disappear.

699
00:32:02.559 --> 00:32:04.680
<v Speaker 3>This is how I found out they hadn't already broken

700
00:32:04.799 --> 00:32:05.880
<v Speaker 3>up again.

701
00:32:06.119 --> 00:32:08.759
<v Speaker 4>I'd not thought about gret Van Fleet for so long,

702
00:32:08.759 --> 00:32:12.039
<v Speaker 4>it's been a minute. They were not they Like we

703
00:32:12.119 --> 00:32:15.680
<v Speaker 4>reviewed that last out, that horrible last album again earlier

704
00:32:15.680 --> 00:32:17.880
<v Speaker 4>in my time on the podcast, and I have not

705
00:32:17.960 --> 00:32:20.160
<v Speaker 4>thought about them since then. I thought they were because

706
00:32:20.200 --> 00:32:22.720
<v Speaker 4>no one talks about it anymore, that kind of led

707
00:32:22.839 --> 00:32:26.279
<v Speaker 4>Zeppelin worships or thing. It's so not the flavor anymore.

708
00:32:26.680 --> 00:32:28.119
<v Speaker 4>I thought they were done. And this is how I

709
00:32:28.160 --> 00:32:31.079
<v Speaker 4>find out. No, they they were actually still going this

710
00:32:31.119 --> 00:32:33.039
<v Speaker 4>whole time, and they might be finally splitting up like

711
00:32:33.559 --> 00:32:34.119
<v Speaker 4>we can hard.

712
00:32:34.839 --> 00:32:37.400
<v Speaker 2>I don't know, knowing our lock, they'll be aping the

713
00:32:37.480 --> 00:32:40.480
<v Speaker 2>seventies band so hard that they'll do an Aerosmith esque

714
00:32:40.720 --> 00:32:43.680
<v Speaker 2>ten year of farewell to They'll just keep.

715
00:32:43.519 --> 00:32:48.599
<v Speaker 1>Extending yeah, repeatedly, do kisses and just like emerge again

716
00:32:48.799 --> 00:32:50.000
<v Speaker 1>and again and again.

717
00:32:50.079 --> 00:32:55.000
<v Speaker 2>But this is our last show to dolphins.

718
00:32:56.559 --> 00:33:00.720
<v Speaker 1>They're all enjoying it. They're clapping their flippers like squeaking

719
00:33:00.799 --> 00:33:03.480
<v Speaker 1>at the response. And then we're going to move on

720
00:33:03.519 --> 00:33:05.799
<v Speaker 1>to the Chipmunk, so we will not stop until we

721
00:33:05.839 --> 00:33:08.759
<v Speaker 1>have done our Anyway, there you go, let's move on

722
00:33:09.720 --> 00:33:15.160
<v Speaker 1>Patreon over on. That's this week upcoming. We are going

723
00:33:15.200 --> 00:33:17.519
<v Speaker 1>to be continuing. I mentioned our corn special earlier. Part

724
00:33:17.519 --> 00:33:18.839
<v Speaker 1>one has been up there for a couple weeks, but

725
00:33:18.880 --> 00:33:20.440
<v Speaker 1>we are going to be The next thing on our

726
00:33:20.440 --> 00:33:23.440
<v Speaker 1>horizon is we will be doing part two, moving into

727
00:33:23.640 --> 00:33:26.319
<v Speaker 1>the real peak new metal years of them being like

728
00:33:26.359 --> 00:33:30.480
<v Speaker 1>fucking superstars and everything with that middle run of late

729
00:33:30.559 --> 00:33:35.240
<v Speaker 1>nineties into the early noughties records. But in between these parts,

730
00:33:35.319 --> 00:33:38.920
<v Speaker 1>we have just done our latest album, club Pack, which

731
00:33:40.119 --> 00:33:42.759
<v Speaker 1>saw a little of contentious discussion between you, you and

732
00:33:42.799 --> 00:33:46.359
<v Speaker 1>I Sam based on some of the greatest music ever.

733
00:33:47.200 --> 00:33:51.920
<v Speaker 1>But we also spoke about the likes of Brimie, the Rises,

734
00:33:52.000 --> 00:33:54.480
<v Speaker 1>count Your Blessings, reassessing that after twenty years and the

735
00:33:54.640 --> 00:33:57.680
<v Speaker 1>again the ups and downs of just its reputation over

736
00:33:57.680 --> 00:33:59.759
<v Speaker 1>the years. Very fascinating to talk that about. I Am

737
00:33:59.759 --> 00:34:01.319
<v Speaker 1>really plays about how when we did the art party,

738
00:34:01.319 --> 00:34:02.599
<v Speaker 1>and what I was secretly hoping with this, and it

739
00:34:02.599 --> 00:34:04.400
<v Speaker 1>does seem to be the case, is that going back

740
00:34:04.440 --> 00:34:06.720
<v Speaker 1>to municipal waste the art partying, people would just start

741
00:34:06.720 --> 00:34:09.679
<v Speaker 1>thinking about all those neo retro thrash bands in general

742
00:34:09.719 --> 00:34:11.880
<v Speaker 1>and digging up bands being I haven't listened to that,

743
00:34:12.199 --> 00:34:14.440
<v Speaker 1>you know, that Havoc record or that Gamma Bomb record

744
00:34:14.519 --> 00:34:17.320
<v Speaker 1>since twenty eleven or whatever, And at least in terms

745
00:34:17.320 --> 00:34:18.960
<v Speaker 1>of our discord, that does seem to be the discussion

746
00:34:19.000 --> 00:34:21.039
<v Speaker 1>right now. It's just people reliving all of those memories

747
00:34:21.039 --> 00:34:23.880
<v Speaker 1>and that era, which was again maybe a formative era

748
00:34:23.960 --> 00:34:26.760
<v Speaker 1>for some good times, had their really fun discussing that record,

749
00:34:27.000 --> 00:34:29.639
<v Speaker 1>and we also spoke about the debut rolative Massy Records

750
00:34:29.639 --> 00:34:32.559
<v Speaker 1>became more going about down memory lane with Nintendo since

751
00:34:32.599 --> 00:34:35.239
<v Speaker 1>and the like. Again, ups and downs in the in

752
00:34:35.320 --> 00:34:39.320
<v Speaker 1>the podcast itself, but I think it was a rewarding

753
00:34:39.440 --> 00:34:42.800
<v Speaker 1>and enjoyable, entertaining journey for us all to go down

754
00:34:42.840 --> 00:34:43.519
<v Speaker 1>in the end, Wasn't it?

755
00:34:44.400 --> 00:34:46.199
<v Speaker 4>Only one of us got personal, It's all I'm going

756
00:34:46.239 --> 00:34:48.400
<v Speaker 4>to say, one of us trying to keep there. Chris

757
00:34:48.599 --> 00:34:54.599
<v Speaker 4>was entirely professional and just and just be honest, And.

758
00:34:53.119 --> 00:34:54.559
<v Speaker 1>I'm just trying to hold up a mirror. I'm just

759
00:34:54.559 --> 00:34:58.360
<v Speaker 1>trying to hold up a mirror. Yeah, no, I was.

760
00:34:58.519 --> 00:35:01.800
<v Speaker 3>It was like, I am happy for you and Elliott.

761
00:35:01.840 --> 00:35:04.920
<v Speaker 4>That was a rewarding discussion on that front, hearing you

762
00:35:04.960 --> 00:35:09.199
<v Speaker 4>two get to be so enthusiastic about that music and like,

763
00:35:10.360 --> 00:35:12.440
<v Speaker 4>to be fair, the Municipal Race one was such a

764
00:35:12.559 --> 00:35:16.199
<v Speaker 4>fun just kind of like, ah, this album is such

765
00:35:16.320 --> 00:35:19.199
<v Speaker 4>a like twenty first century classic to me, I can

766
00:35:19.239 --> 00:35:20.840
<v Speaker 4>get in trouble for the list of fresh albums.

767
00:35:20.840 --> 00:35:22.159
<v Speaker 3>I think that album is better.

768
00:35:21.920 --> 00:35:24.239
<v Speaker 1>Than Yeah, I'd probably agree with you.

769
00:35:24.280 --> 00:35:29.000
<v Speaker 4>A lot of fun, fun discussions, you know, dissecting pray

770
00:35:29.039 --> 00:35:32.000
<v Speaker 4>for plagues and like count your Blessings and all that

771
00:35:32.039 --> 00:35:35.000
<v Speaker 4>shit and the magic of like pray for plagues on

772
00:35:35.039 --> 00:35:37.920
<v Speaker 4>that album alongside some of the other mental shit.

773
00:35:37.800 --> 00:35:40.280
<v Speaker 3>That happens with that album. Just good times.

774
00:35:41.079 --> 00:35:43.400
<v Speaker 2>Yeah, I really enjoyed listening to this pack. I though

775
00:35:43.400 --> 00:35:47.519
<v Speaker 2>it was really great all four records. I have some

776
00:35:47.559 --> 00:35:49.440
<v Speaker 2>sort of foddenness for it and my fun for cop

777
00:35:49.519 --> 00:35:55.400
<v Speaker 2>Your Blessings, I guess I am. But yeah, I usually

778
00:35:55.400 --> 00:35:58.880
<v Speaker 2>I love going along with you, Sam when you rally

779
00:35:58.920 --> 00:36:03.480
<v Speaker 2>against something that's paranor Eliot love. But I listened to

780
00:36:03.679 --> 00:36:06.360
<v Speaker 2>Wild Autumn Winds the other day and I genuinely tear

781
00:36:06.360 --> 00:36:06.639
<v Speaker 2>it up.

782
00:36:07.760 --> 00:36:09.039
<v Speaker 1>That's that's the one.

783
00:36:09.079 --> 00:36:11.559
<v Speaker 4>Like I did say, that's the one, you know, pretty

784
00:36:11.559 --> 00:36:13.360
<v Speaker 4>good song on the record, probably IDENTI if I said

785
00:36:13.360 --> 00:36:15.360
<v Speaker 4>those words exactly, but it's one of our most most

786
00:36:15.360 --> 00:36:16.440
<v Speaker 4>positive about that.

787
00:36:16.480 --> 00:36:20.679
<v Speaker 1>You have it fine, Yeah, it's absolutely magic. Go and

788
00:36:20.760 --> 00:36:23.840
<v Speaker 1>check out that record and our chats on them. Patron

789
00:36:23.840 --> 00:36:25.440
<v Speaker 1>of the comm Slash that's the way to be. Like

790
00:36:25.480 --> 00:36:28.880
<v Speaker 1>I said, Corn Special Part two coming soon, let's end them.

791
00:36:29.000 --> 00:36:32.519
<v Speaker 1>Primary first leg of this hyperblasts with the release roundup

792
00:36:32.719 --> 00:36:36.239
<v Speaker 1>for this week eighth of May. And there are a

793
00:36:36.280 --> 00:36:38.320
<v Speaker 1>few records here. I think people would have been looking

794
00:36:38.320 --> 00:36:40.920
<v Speaker 1>forward to whether you are in you know, one sub

795
00:36:40.960 --> 00:36:43.920
<v Speaker 1>scene of the T and M universe or another sub scene.

796
00:36:44.280 --> 00:36:47.079
<v Speaker 1>Maybe one of them is Black Belt Brid's album Vindicate,

797
00:36:47.199 --> 00:36:49.000
<v Speaker 1>which we did discuss a single on the show a

798
00:36:49.000 --> 00:36:50.800
<v Speaker 1>few weeks ago. We will you know what, Blackvelt Bride's

799
00:36:51.119 --> 00:36:54.199
<v Speaker 1>holding it down pretty well in the scheme of you know,

800
00:36:54.599 --> 00:36:57.840
<v Speaker 1>metalcore bands of their generation still doing all right. So

801
00:36:57.880 --> 00:36:59.199
<v Speaker 1>I hope that's the case for the rest of the album.

802
00:36:59.239 --> 00:37:02.440
<v Speaker 1>Vindicate by blackfl Brides out now. Then, Speaking of the

803
00:37:02.599 --> 00:37:07.760
<v Speaker 1>you know the big very you know, well loved alternative

804
00:37:07.840 --> 00:37:11.400
<v Speaker 1>rock bands of their generation. Basement are Final laid back

805
00:37:11.679 --> 00:37:13.719
<v Speaker 1>with their album that's been like eight years and the

806
00:37:13.760 --> 00:37:17.920
<v Speaker 1>making or something. Their new record Wired is out. Then

807
00:37:18.079 --> 00:37:20.400
<v Speaker 1>there is Koyo, who are about who have you emerged

808
00:37:20.400 --> 00:37:22.760
<v Speaker 1>in the years since then? But kind of on like

809
00:37:22.800 --> 00:37:24.719
<v Speaker 1>the I know a lot of hardcore fans like them,

810
00:37:24.719 --> 00:37:25.960
<v Speaker 1>but they're kind of on the pop punk end of

811
00:37:26.000 --> 00:37:26.960
<v Speaker 1>the spectrum. Is that right, Sam?

812
00:37:28.159 --> 00:37:30.679
<v Speaker 4>Yeah, they are kind of one of the pop punk

813
00:37:30.719 --> 00:37:32.400
<v Speaker 4>emos or bands that I've sort of been grace at

814
00:37:32.440 --> 00:37:35.119
<v Speaker 4>themselves into hardcore. I might have more to say about

815
00:37:35.159 --> 00:37:37.159
<v Speaker 4>them in a not too distant future.

816
00:37:37.239 --> 00:37:39.440
<v Speaker 1>Okay, well, there you go. Their album Barely Here is

817
00:37:39.440 --> 00:37:42.360
<v Speaker 1>out today, and then moving backwards in time through the

818
00:37:42.360 --> 00:37:45.280
<v Speaker 1>punk world Social Distortion a back they got a record

819
00:37:45.320 --> 00:37:47.719
<v Speaker 1>called Born to Kill. And there is also the flat

820
00:37:47.760 --> 00:37:50.840
<v Speaker 1>Liners with Cold any flat Liners fans here, I know

821
00:37:50.840 --> 00:37:52.599
<v Speaker 1>that they're one those bands that again people have like

822
00:37:52.639 --> 00:37:55.480
<v Speaker 1>their very cult specific relationship with I like.

823
00:37:55.480 --> 00:37:58.039
<v Speaker 4>The flat Liners. They when I was like massively getting

824
00:37:58.039 --> 00:38:00.760
<v Speaker 4>into the Mensingers and then basically every kind of like

825
00:38:01.519 --> 00:38:03.880
<v Speaker 4>punk band like that. Flat Liners were one of the

826
00:38:03.880 --> 00:38:05.599
<v Speaker 4>bands I sort of got into around that time. They

827
00:38:05.639 --> 00:38:07.840
<v Speaker 4>were never like the biggest, but they were like a nice, real,

828
00:38:07.880 --> 00:38:08.840
<v Speaker 4>like dedicated cold.

829
00:38:08.639 --> 00:38:11.000
<v Speaker 1>Following Yeah, there you go the flat Liners with the

830
00:38:11.000 --> 00:38:14.320
<v Speaker 1>record Cold World. Then there is Haggard Cat of course,

831
00:38:14.360 --> 00:38:17.480
<v Speaker 1>the band featuring former members of Heck still going strong

832
00:38:17.559 --> 00:38:21.480
<v Speaker 1>today their record The Pain that Orbit's Life Is Out.

833
00:38:22.000 --> 00:38:25.480
<v Speaker 1>Jeff Tait, the former Queen's Right, the singer who has

834
00:38:25.880 --> 00:38:27.719
<v Speaker 1>been up and up to all sorts over the years

835
00:38:27.719 --> 00:38:29.960
<v Speaker 1>since he left Queen's Right. Really he's got a record

836
00:38:29.960 --> 00:38:32.159
<v Speaker 1>app which made me laugh when I saw the title,

837
00:38:32.199 --> 00:38:38.639
<v Speaker 1>because it's Operation Mind Crime three making sequeled still to

838
00:38:39.199 --> 00:38:41.679
<v Speaker 1>Queen's Rights to finding record, one of the great concept

839
00:38:41.719 --> 00:38:44.320
<v Speaker 1>albums of the eighties, Operation Mine Crime. There's a third

840
00:38:44.360 --> 00:38:51.000
<v Speaker 1>one on from the classic form from mister Jeff Taits.

841
00:38:51.320 --> 00:38:55.519
<v Speaker 1>Let's move into extreme metal, Frozen Soul, the cold school

842
00:38:55.559 --> 00:38:58.599
<v Speaker 1>death metalers. There I believe third Studio alb at this point,

843
00:38:58.639 --> 00:39:01.880
<v Speaker 1>isn't it their record No Play of Warmth Is Out?

844
00:39:01.960 --> 00:39:03.840
<v Speaker 1>Will probably have that in the next reviews bad because

845
00:39:03.880 --> 00:39:05.760
<v Speaker 1>I know that they are again one of the more

846
00:39:05.760 --> 00:39:08.480
<v Speaker 1>popular bands of the current death metal wave in the UK.

847
00:39:08.719 --> 00:39:12.679
<v Speaker 1>There is Ingested the long going Brutal death Metal as

848
00:39:12.960 --> 00:39:15.880
<v Speaker 1>their record Denigration is out. I know that the things

849
00:39:15.880 --> 00:39:17.159
<v Speaker 1>have been kind of thrown up in the air and

850
00:39:17.400 --> 00:39:19.400
<v Speaker 1>around for them recently, with them like swapping singers and

851
00:39:19.400 --> 00:39:20.880
<v Speaker 1>stuff like that. I don't know what that means for

852
00:39:20.920 --> 00:39:23.159
<v Speaker 1>this specific record and you know who is on it

853
00:39:23.239 --> 00:39:26.280
<v Speaker 1>or whatever. But the latest record from Ingested is out today, Denigration.

854
00:39:26.960 --> 00:39:29.480
<v Speaker 1>Speaking of going back in time, Dark Throne are back

855
00:39:29.480 --> 00:39:32.400
<v Speaker 1>once again with their you know, bi annual record, and

856
00:39:32.440 --> 00:39:37.159
<v Speaker 1>this one is called Prehistoric Metal and the album cover

857
00:39:37.559 --> 00:39:41.199
<v Speaker 1>is a wonderful photo of Fenris throwing the claw and

858
00:39:41.239 --> 00:39:45.639
<v Speaker 1>holding a pitchfork, just like really taken in. I don't

859
00:39:45.639 --> 00:39:50.159
<v Speaker 1>know his his farm shed or something, but I imagine this

860
00:39:50.159 --> 00:39:51.760
<v Speaker 1>will probably be based on what I've heard, you know,

861
00:39:51.840 --> 00:39:55.760
<v Speaker 1>continuing along the kind of very like rusty vibe of

862
00:39:55.840 --> 00:39:58.000
<v Speaker 1>like their last like three or four records or something.

863
00:39:58.039 --> 00:39:59.840
<v Speaker 1>But I will always check out Darth Throwne records. So

864
00:40:00.000 --> 00:40:04.239
<v Speaker 1>Prehistoric Metal is out going into bounds. Who still remained

865
00:40:04.320 --> 00:40:07.760
<v Speaker 1>to this day being black metal bands Pernopticon the great

866
00:40:08.159 --> 00:40:11.400
<v Speaker 1>classic at this stage, I would say us black metal

867
00:40:11.400 --> 00:40:16.000
<v Speaker 1>band Appalachian folk tinged American black metal. Their record with

868
00:40:16.119 --> 00:40:18.400
<v Speaker 1>a title that's in Norwegian for some reason, it's debt

869
00:40:18.559 --> 00:40:21.599
<v Speaker 1>heumsucked hill TETs is my attempt at that, but the

870
00:40:21.639 --> 00:40:23.800
<v Speaker 1>letric of a Panopticon. I know that they've released quite

871
00:40:23.800 --> 00:40:25.840
<v Speaker 1>a bit of music recently in terms of like digging

872
00:40:25.920 --> 00:40:28.599
<v Speaker 1>up old recordings and stuff like that, but I believe

873
00:40:28.639 --> 00:40:30.679
<v Speaker 1>that this is like the first, like you know, current

874
00:40:30.920 --> 00:40:33.880
<v Speaker 1>studio Peranopticon album since the one that came up like

875
00:40:33.960 --> 00:40:36.320
<v Speaker 1>two three years ago. And if it is, you know

876
00:40:36.440 --> 00:40:38.280
<v Speaker 1>that record in question, I'm thinking of that record is

877
00:40:38.320 --> 00:40:40.639
<v Speaker 1>fucking fantastic and generally one of their best ever. So

878
00:40:40.760 --> 00:40:42.920
<v Speaker 1>if this is again a proper new not studio record,

879
00:40:42.960 --> 00:40:44.920
<v Speaker 1>but I believe it is, then I will definitely checking

880
00:40:44.960 --> 00:40:49.119
<v Speaker 1>out with interest. There is yof Area, the band featuring

881
00:40:49.639 --> 00:40:52.320
<v Speaker 1>you know, some long time legends of the Greek black

882
00:40:52.360 --> 00:40:54.519
<v Speaker 1>metal scene but have kind of evolved into like a

883
00:40:54.599 --> 00:40:57.360
<v Speaker 1>just a very epic, stirring heavy metal band, basically along

884
00:40:57.360 --> 00:41:01.119
<v Speaker 1>the lines of if you like extreme but kind of

885
00:41:01.119 --> 00:41:03.480
<v Speaker 1>epic heavy metal, along the lines of I'm thinking you're

886
00:41:03.480 --> 00:41:05.519
<v Speaker 1>like a mono moth, right, that kind of vibe of

887
00:41:05.559 --> 00:41:07.400
<v Speaker 1>like it's heavy and it's modern, but it's also just

888
00:41:07.519 --> 00:41:10.039
<v Speaker 1>very classic and fist pumpy. Your theorya in the same

889
00:41:10.079 --> 00:41:12.440
<v Speaker 1>way that Rotten christ can be a lot of the time. Ah,

890
00:41:12.480 --> 00:41:14.519
<v Speaker 1>the sort of band who you know they're supplying that thing.

891
00:41:14.559 --> 00:41:16.360
<v Speaker 1>So they've got a record called Gone with the Devil,

892
00:41:16.519 --> 00:41:18.840
<v Speaker 1>more into the underground of black metal. Perhaps the record

893
00:41:18.840 --> 00:41:21.639
<v Speaker 1>that I am most looking forward to this week is

894
00:41:21.760 --> 00:41:25.079
<v Speaker 1>the return of the UK black metal as a Forest

895
00:41:25.119 --> 00:41:28.159
<v Speaker 1>of Stars, with their first album in like coming up

896
00:41:28.199 --> 00:41:29.840
<v Speaker 1>to maybe about ten years, about eight years or something

897
00:41:29.920 --> 00:41:32.079
<v Speaker 1>like that, a band I have a real place in

898
00:41:31.920 --> 00:41:35.159
<v Speaker 1>my heart for. They've got a record called stack Overflowing

899
00:41:35.239 --> 00:41:40.280
<v Speaker 1>corpse Pile Interference, which or sorry interface, because that definitely

900
00:41:40.360 --> 00:41:42.039
<v Speaker 1>makes as much sense as the thing that I said.

901
00:41:42.079 --> 00:41:43.760
<v Speaker 1>But I'm looking for to find out what the fuck

902
00:41:43.760 --> 00:41:45.960
<v Speaker 1>any of that refers to, because I love of Forest

903
00:41:46.000 --> 00:41:50.519
<v Speaker 1>of Stars really eccentric, progressive, wild UK black metal into

904
00:41:50.639 --> 00:41:53.400
<v Speaker 1>kind of death doom, gothic death doom, you know, very

905
00:41:53.599 --> 00:41:55.440
<v Speaker 1>like I am drinking my red wine and being sad

906
00:41:55.480 --> 00:41:58.360
<v Speaker 1>about it vibes the band Draconian. I've got a record

907
00:41:58.400 --> 00:42:02.159
<v Speaker 1>called insomnolent Ruin, and then at end on some EPs

908
00:42:02.679 --> 00:42:06.800
<v Speaker 1>in the hardcore world, we have Forced Order with Undying Spirit,

909
00:42:06.800 --> 00:42:09.400
<v Speaker 1>which I believe is that on Triple B Records.

910
00:42:09.360 --> 00:42:13.800
<v Speaker 4>Sam Forced Order, Yeah, crossover sort of frashy hardcore.

911
00:42:14.320 --> 00:42:15.360
<v Speaker 3>This EP is really fun.

912
00:42:15.400 --> 00:42:17.079
<v Speaker 4>It's got solos on it, which is always nice when

913
00:42:17.079 --> 00:42:19.639
<v Speaker 4>the hardcore band aren't scared to solo. Agree, but if

914
00:42:19.639 --> 00:42:21.239
<v Speaker 4>you if you want, if you want your hardcore to

915
00:42:21.239 --> 00:42:23.800
<v Speaker 4>be a bit like pacer and frashier, give the CPS spin.

916
00:42:23.840 --> 00:42:26.239
<v Speaker 1>It's really cool, very nice. And there's also crow Quill,

917
00:42:26.360 --> 00:42:29.599
<v Speaker 1>who I remember they wasn't maybe last year put out

918
00:42:29.760 --> 00:42:33.480
<v Speaker 1>one of the more hypie again EP short form releases

919
00:42:33.519 --> 00:42:36.039
<v Speaker 1>to come out of the whole, like you know, Circle

920
00:42:36.119 --> 00:42:40.159
<v Speaker 1>the Millennium metalcore revival stuff basically, So they're following up

921
00:42:40.159 --> 00:42:41.679
<v Speaker 1>that with another EP called Erase the File.

922
00:42:42.519 --> 00:42:45.719
<v Speaker 4>Yeah, you know, coming strike that kind of vein of yeah,

923
00:42:45.760 --> 00:42:47.880
<v Speaker 4>like throwback metal corp. The I lap up and you know,

924
00:42:47.920 --> 00:42:49.679
<v Speaker 4>we get a new EP from these sort of bands

925
00:42:50.119 --> 00:42:52.320
<v Speaker 4>every couple of weeks. I will probably really enjoy this.

926
00:42:52.440 --> 00:42:53.880
<v Speaker 4>If this is as good as the last crow Call

927
00:42:53.920 --> 00:42:55.840
<v Speaker 4>EP was that like that is one of the better

928
00:42:55.880 --> 00:42:57.159
<v Speaker 4>ones of this sort of style of thing.

929
00:42:57.519 --> 00:42:58.679
<v Speaker 1>Yeah, I know that they are one of the bands

930
00:42:58.679 --> 00:43:01.119
<v Speaker 1>again who do have more of the what seemed to

931
00:43:01.159 --> 00:43:04.000
<v Speaker 1>be like you know, extensive praise around them, So I

932
00:43:04.000 --> 00:43:07.239
<v Speaker 1>would be curious seeing where the whole Croquil thing goes

933
00:43:07.239 --> 00:43:09.280
<v Speaker 1>with their new EP is that today, and then moving

934
00:43:09.280 --> 00:43:11.840
<v Speaker 1>on to the extreme side. For the EPs, We've got Scarab,

935
00:43:11.960 --> 00:43:17.159
<v Speaker 1>the Egyptian death metal band obviously very well named Transmutation

936
00:43:17.280 --> 00:43:20.320
<v Speaker 1>of Fate. And there is also the returning grindcore band

937
00:43:20.440 --> 00:43:24.079
<v Speaker 1>Gadget with their record called co Earth. So there you go.

938
00:43:24.119 --> 00:43:27.880
<v Speaker 1>That's the releases for today. Sam, you are about to

939
00:43:27.920 --> 00:43:31.360
<v Speaker 1>embark on a trip across Asia for a little while. Yeah,

940
00:43:31.360 --> 00:43:33.440
<v Speaker 1>this is going to be your last appearance on the

941
00:43:33.440 --> 00:43:35.239
<v Speaker 1>show for about a month and a half, six weeks

942
00:43:35.239 --> 00:43:35.719
<v Speaker 1>something like that.

943
00:43:36.360 --> 00:43:37.119
<v Speaker 3>Yeah, five weeks.

944
00:43:37.199 --> 00:43:40.039
<v Speaker 4>I'm off traveling through Asia, hin Up, Thailand, Vietnam to

945
00:43:40.079 --> 00:43:41.480
<v Speaker 4>do like historical cultural stuff.

946
00:43:41.519 --> 00:43:43.000
<v Speaker 3>Then I'm landing in Japan to.

947
00:43:43.000 --> 00:43:44.320
<v Speaker 4>Just do a load of nerdy shit and watch a

948
00:43:44.360 --> 00:43:47.480
<v Speaker 4>bunch of hardcore like primarily the Japan because built around

949
00:43:47.519 --> 00:43:50.960
<v Speaker 4>going to blood Axe Festival, which is sort of Japan's

950
00:43:51.000 --> 00:43:53.880
<v Speaker 4>kind of like primary hardcore metalcore festival. It's headline this

951
00:43:53.960 --> 00:43:56.480
<v Speaker 4>year by Speed and Poison The Well, we've been a

952
00:43:56.519 --> 00:43:58.599
<v Speaker 4>lot of time Koyo. As I just mentioned, they are

953
00:43:58.639 --> 00:44:02.159
<v Speaker 4>playing that alongside a bunch of like Japanese bands Numb,

954
00:44:02.199 --> 00:44:05.079
<v Speaker 4>Loyal to the Grave, view from the Sawyers, who I've

955
00:44:05.119 --> 00:44:06.239
<v Speaker 4>been you know, raving about.

956
00:44:06.320 --> 00:44:07.320
<v Speaker 3>Very excited to see them.

957
00:44:07.599 --> 00:44:09.119
<v Speaker 4>So I'll be hitting up that and you know some

958
00:44:09.199 --> 00:44:11.960
<v Speaker 4>of the side shows around that. So when I'm back,

959
00:44:12.000 --> 00:44:14.440
<v Speaker 4>I'll probably have a bit of a report on what's

960
00:44:14.440 --> 00:44:16.639
<v Speaker 4>going on in like Japanese hardcore on the like.

961
00:44:16.679 --> 00:44:18.360
<v Speaker 3>But yeah, I will be like absent.

962
00:44:18.400 --> 00:44:20.519
<v Speaker 4>I'm looking forward to hearing the rest of your corn

963
00:44:20.559 --> 00:44:22.760
<v Speaker 4>special that you record in my absence and keeping up

964
00:44:22.760 --> 00:44:25.280
<v Speaker 4>with I hope to hear the Jeff Ta album gets

965
00:44:25.320 --> 00:44:30.719
<v Speaker 4>reviewed when I'm you and Elliott dissecting Operation Mine Crime Free.

966
00:44:30.719 --> 00:44:33.559
<v Speaker 4>I think would be a wonderful listen as I'm sort

967
00:44:33.559 --> 00:44:35.880
<v Speaker 4>of like, don't promise the people that, don't promise the

968
00:44:35.920 --> 00:44:40.840
<v Speaker 4>people you know to put it out there, it could

969
00:44:40.880 --> 00:44:44.679
<v Speaker 4>be worthwhile. Yes, I'll miss you know coming on here

970
00:44:44.719 --> 00:44:46.880
<v Speaker 4>to chat about stuff. I will I will have some

971
00:44:47.000 --> 00:44:48.760
<v Speaker 4>like stuff to talk about when I'm back, and it's

972
00:44:48.760 --> 00:44:50.039
<v Speaker 4>going to be a fun little trip.

973
00:44:50.360 --> 00:44:52.159
<v Speaker 1>Yeah, the rest of us will be holding the thought

974
00:44:52.159 --> 00:44:54.519
<v Speaker 1>while you're gone, but yeah, we will see you when

975
00:44:54.519 --> 00:44:55.800
<v Speaker 1>you're back here and I get a bit over a

976
00:44:55.840 --> 00:44:58.679
<v Speaker 1>month go and enjoy Japan and Asia. Mark and I

977
00:44:58.679 --> 00:45:00.159
<v Speaker 1>are going to continue on for a little bit. We're

978
00:45:00.159 --> 00:45:02.800
<v Speaker 1>going to talk about Incineration Festival, which mark you, we're

979
00:45:02.800 --> 00:45:04.800
<v Speaker 1>not even at, but you did go and see one

980
00:45:04.800 --> 00:45:07.280
<v Speaker 1>of these Cineitar shows on their UK tour, so we

981
00:45:07.320 --> 00:45:09.119
<v Speaker 1>can chat about that a little bit. And otherwise I

982
00:45:09.159 --> 00:45:12.199
<v Speaker 1>am going to reel off my experiences at, as I say,

983
00:45:12.199 --> 00:45:14.679
<v Speaker 1>one of the big extreme metal events that pops up

984
00:45:14.719 --> 00:45:18.119
<v Speaker 1>every year in the UK, you know, live music calendar.

985
00:45:18.519 --> 00:45:20.440
<v Speaker 1>I don't go to a seration every single year, but

986
00:45:20.480 --> 00:45:22.599
<v Speaker 1>I do like to try and make it out when

987
00:45:22.639 --> 00:45:25.800
<v Speaker 1>there is something particularly spicy on the lineup that really

988
00:45:25.800 --> 00:45:28.760
<v Speaker 1>makes me go, I can't miss that. And as we

989
00:45:28.760 --> 00:45:30.599
<v Speaker 1>will get onto, there were certain things that were an

990
00:45:30.599 --> 00:45:32.760
<v Speaker 1>ounced for this that very much pulled that trigger for me.

991
00:45:32.800 --> 00:45:34.239
<v Speaker 1>I didn't expect to go about so soon after I

992
00:45:34.239 --> 00:45:37.239
<v Speaker 1>was their last year obviously. Last year was sensational with

993
00:45:37.639 --> 00:45:40.000
<v Speaker 1>the trip to con Celtic Frost Set where they played

994
00:45:40.000 --> 00:45:41.760
<v Speaker 1>a Dying God Company to Human Flesh for the first

995
00:45:41.800 --> 00:45:45.599
<v Speaker 1>time ever, and Blood Incantation premiering absolutely elsewhere the album's

996
00:45:45.599 --> 00:45:48.320
<v Speaker 1>set in the UK, all that good stuff. But this year,

997
00:45:48.320 --> 00:45:49.920
<v Speaker 1>like I said, even though there was nothing that maybe

998
00:45:50.199 --> 00:45:52.920
<v Speaker 1>you know, grabs the headlines as much as those things

999
00:45:53.000 --> 00:45:55.239
<v Speaker 1>there were again things on the lineup where I go, okay,

1000
00:45:55.559 --> 00:45:58.360
<v Speaker 1>I guess I'm coming back straight away. It takes place

1001
00:45:58.400 --> 00:46:00.360
<v Speaker 1>as you know, if you know, if you have been

1002
00:46:00.400 --> 00:46:02.880
<v Speaker 1>to the Festival four it's one of those cross Camden

1003
00:46:03.159 --> 00:46:06.800
<v Speaker 1>type events, often in the Electric Ballroom, the Underworld, the

1004
00:46:06.840 --> 00:46:09.199
<v Speaker 1>black Heart, really small venue around the corner Call to

1005
00:46:09.199 --> 00:46:10.920
<v Speaker 1>the dev as well the really tiny like pub stuff,

1006
00:46:11.559 --> 00:46:14.519
<v Speaker 1>but also on some years where they go particularly big.

1007
00:46:14.559 --> 00:46:15.679
<v Speaker 1>This is two years in a row and they have

1008
00:46:15.719 --> 00:46:18.280
<v Speaker 1>done it. They also book the Roundhouse and fill that

1009
00:46:18.360 --> 00:46:21.760
<v Speaker 1>with big stuff. That does add the kind of slightly

1010
00:46:21.800 --> 00:46:23.199
<v Speaker 1>annoying on it into the next veris of the Roundhouse

1011
00:46:23.239 --> 00:46:25.719
<v Speaker 1>is about a ten minute walk away from all those

1012
00:46:25.719 --> 00:46:29.840
<v Speaker 1>other venues in question, So there is Trekking and I

1013
00:46:29.840 --> 00:46:31.719
<v Speaker 1>don't know, this year, for whatever it isn't I felt

1014
00:46:31.760 --> 00:46:34.760
<v Speaker 1>it less like even though this year I did do

1015
00:46:34.840 --> 00:46:37.159
<v Speaker 1>with the back and forth track more than any last year.

1016
00:46:37.199 --> 00:46:38.519
<v Speaker 1>Like last year, I mainly went to the Electric Boor

1017
00:46:38.559 --> 00:46:40.599
<v Speaker 1>and watch stuff there, walked to the Roundhouse watch stuff there.

1018
00:46:40.639 --> 00:46:43.119
<v Speaker 1>This year I did go back and forth like several times.

1019
00:46:43.360 --> 00:46:45.280
<v Speaker 1>But for whatever maybe my legs are just stronger, I

1020
00:46:45.280 --> 00:46:46.960
<v Speaker 1>don't know, Like, for whatever reason, it didn't feel as

1021
00:46:47.000 --> 00:46:50.920
<v Speaker 1>bad this year, so giving people tips and describing how

1022
00:46:50.960 --> 00:46:53.480
<v Speaker 1>the festival works is quite hard because I myself feel

1023
00:46:53.519 --> 00:46:56.400
<v Speaker 1>nebulously about it. Where my experience seems to change from

1024
00:46:56.440 --> 00:46:58.400
<v Speaker 1>year to year. I don't know, but you know, it

1025
00:46:58.559 --> 00:47:01.280
<v Speaker 1>is what it is. It can still be an annoying

1026
00:47:01.280 --> 00:47:04.639
<v Speaker 1>festival to like, you know, watch bands timing wise, when

1027
00:47:04.679 --> 00:47:07.079
<v Speaker 1>something ends in one corner of Camden basically, and then

1028
00:47:07.119 --> 00:47:08.960
<v Speaker 1>you're a trek to the other corner when the band

1029
00:47:09.039 --> 00:47:10.559
<v Speaker 1>is immediately starting. But like I said, this year, I

1030
00:47:10.559 --> 00:47:14.800
<v Speaker 1>didn't actually have many problems and I saw lots of

1031
00:47:14.800 --> 00:47:17.599
<v Speaker 1>good stuff For me. It also turned into kind of

1032
00:47:17.599 --> 00:47:20.559
<v Speaker 1>an extended weekend deal because it basically became a three

1033
00:47:20.639 --> 00:47:25.719
<v Speaker 1>day run of shows all centering around the Incineration weekend.

1034
00:47:25.760 --> 00:47:27.880
<v Speaker 1>So I guess I'll go through them chronologically and New

1035
00:47:27.920 --> 00:47:30.800
<v Speaker 1>Marcus can chime in when when it's appropriate. The thing

1036
00:47:30.840 --> 00:47:34.480
<v Speaker 1>that kicked off that for me is around Incineration dragged

1037
00:47:34.519 --> 00:47:37.679
<v Speaker 1>into Sunlight who had been booked for it. They added

1038
00:47:37.719 --> 00:47:39.559
<v Speaker 1>like basically a bit of a UK tour around it,

1039
00:47:39.599 --> 00:47:42.840
<v Speaker 1>with like three or four extra shows, and they also

1040
00:47:42.840 --> 00:47:44.280
<v Speaker 1>brought along with them other bands who were on the

1041
00:47:44.280 --> 00:47:49.519
<v Speaker 1>Incineration bill. Vacuous and Plague Pit as the support for it,

1042
00:47:49.840 --> 00:47:53.920
<v Speaker 1>and I knew. I looked at Incineration the poster. This

1043
00:47:53.960 --> 00:47:55.400
<v Speaker 1>is before the times had gone out, but I was like,

1044
00:47:55.440 --> 00:47:57.039
<v Speaker 1>I knew, I've been said before. I know it can

1045
00:47:57.079 --> 00:48:00.440
<v Speaker 1>be difficult, clashes are going to be annoying. So I

1046
00:48:00.480 --> 00:48:02.159
<v Speaker 1>was like, I am going to go because I can

1047
00:48:02.679 --> 00:48:04.679
<v Speaker 1>and see all of these bands a couple of nights

1048
00:48:04.719 --> 00:48:06.960
<v Speaker 1>before basically, and therefore I've ticked them off before I've

1049
00:48:06.960 --> 00:48:10.280
<v Speaker 1>even gotten to Incineration, and I can allocate myself more

1050
00:48:10.280 --> 00:48:12.679
<v Speaker 1>appropriately with that in mind. So I got to see

1051
00:48:12.719 --> 00:48:14.480
<v Speaker 1>Dragon sun Light along with those other bands Vacuous and

1052
00:48:14.480 --> 00:48:17.840
<v Speaker 1>Plaue Pits before Insinration even arrived. I did not see

1053
00:48:17.880 --> 00:48:20.280
<v Speaker 1>them at Incineration itself. For this reason. I got to

1054
00:48:20.320 --> 00:48:22.199
<v Speaker 1>go do other things. But I heard from you know,

1055
00:48:22.239 --> 00:48:23.880
<v Speaker 1>the people who did go see drag de sun Like

1056
00:48:23.920 --> 00:48:27.039
<v Speaker 1>at the main incineration that basically they were as devastating

1057
00:48:27.039 --> 00:48:29.239
<v Speaker 1>as ever, because that's what they are. Like, I don't

1058
00:48:29.239 --> 00:48:31.880
<v Speaker 1>think there is such a thing as any Dragon to

1059
00:48:31.960 --> 00:48:34.039
<v Speaker 1>Sunlight shower, that there is any you know, less intense

1060
00:48:34.440 --> 00:48:37.719
<v Speaker 1>than the average level that they exist. That but there

1061
00:48:37.719 --> 00:48:40.239
<v Speaker 1>you go. Plague bit, I guess as the opening band

1062
00:48:40.239 --> 00:48:43.199
<v Speaker 1>of the whole experience. I wasn't really familiar with them,

1063
00:48:43.199 --> 00:48:45.400
<v Speaker 1>but from what I gathered from watching them is it's

1064
00:48:45.480 --> 00:48:49.039
<v Speaker 1>kind of sort of sludgy, maybe slightly bolt throwery hardcore

1065
00:48:49.079 --> 00:48:51.199
<v Speaker 1>death metal, basically that kind of realm of stuff, you know,

1066
00:48:51.639 --> 00:48:54.320
<v Speaker 1>decent enough stuff, but Vacuous as the main support on

1067
00:48:54.320 --> 00:48:56.519
<v Speaker 1>this drag thing. They were also headlining the Black Heart

1068
00:48:56.880 --> 00:48:59.199
<v Speaker 1>in the Incineration main day, which meant they were on

1069
00:48:59.440 --> 00:49:02.880
<v Speaker 1>during Blue via Death headline in the Roundhouse. That's a

1070
00:49:03.000 --> 00:49:05.880
<v Speaker 1>rough slot to get, but I heard from them that

1071
00:49:05.880 --> 00:49:08.280
<v Speaker 1>that was a packed enough slot for them anyway in

1072
00:49:08.320 --> 00:49:09.880
<v Speaker 1>the Black Cart and so they had the good headlining

1073
00:49:09.880 --> 00:49:12.639
<v Speaker 1>slot in there. Was really looking forward to seeing Vacuous

1074
00:49:12.679 --> 00:49:16.079
<v Speaker 1>and made sure to again do so here because their

1075
00:49:16.199 --> 00:49:19.239
<v Speaker 1>record from the last year, in His Blood, is I

1076
00:49:19.239 --> 00:49:20.880
<v Speaker 1>think one of the better death metal records to have

1077
00:49:20.880 --> 00:49:22.719
<v Speaker 1>come out in the last like eighteen months or so,

1078
00:49:23.519 --> 00:49:25.719
<v Speaker 1>and was looking forward to getting to Hoster seeing that material.

1079
00:49:25.760 --> 00:49:27.559
<v Speaker 1>And they are fucking wicked, Like I think that they

1080
00:49:27.599 --> 00:49:30.159
<v Speaker 1>are probably the best deaf not band in the UK

1081
00:49:30.639 --> 00:49:35.360
<v Speaker 1>right now, Like really a mixture of really powerful live

1082
00:49:35.480 --> 00:49:38.880
<v Speaker 1>presence from you know, the vocalist has this really strong

1083
00:49:38.920 --> 00:49:41.440
<v Speaker 1>live presence, but also the drummer Max, who is the

1084
00:49:41.559 --> 00:49:44.039
<v Speaker 1>also the drummer who plays in hell Ripper is I

1085
00:49:44.039 --> 00:49:48.079
<v Speaker 1>think one of like the hardest hitting extreme metal drummers

1086
00:49:48.159 --> 00:49:50.599
<v Speaker 1>certainly in this country. Right now. We're just watching him

1087
00:49:50.800 --> 00:49:54.440
<v Speaker 1>smack the fuck out of that on these Like you know,

1088
00:49:54.639 --> 00:49:56.320
<v Speaker 1>it's good enough the hell Ripper doing like really far

1089
00:49:56.400 --> 00:49:57.840
<v Speaker 1>thrash stuff, but when you go into the death metal

1090
00:49:57.880 --> 00:50:00.719
<v Speaker 1>realm and you have like these wild intens blast passages

1091
00:50:00.719 --> 00:50:02.840
<v Speaker 1>and stuff. But also on that last Vacuous record, So

1092
00:50:02.880 --> 00:50:04.519
<v Speaker 1>the stuff that I really liked and that really turned

1093
00:50:04.559 --> 00:50:06.800
<v Speaker 1>my head with it is they've kind of started introducing

1094
00:50:06.800 --> 00:50:09.760
<v Speaker 1>more ideas than just you're playing every death of stuff, right,

1095
00:50:09.800 --> 00:50:11.840
<v Speaker 1>and they started adding in like post punk and these

1096
00:50:11.880 --> 00:50:14.159
<v Speaker 1>like big heavy pounding rhythms and kind of some like

1097
00:50:14.199 --> 00:50:16.639
<v Speaker 1>more spooky ambient elements and stuff like that. And that's

1098
00:50:16.639 --> 00:50:18.760
<v Speaker 1>why I think makes that set of set of songs really,

1099
00:50:18.840 --> 00:50:21.599
<v Speaker 1>like again stand out, really cool hearing that stuff in

1100
00:50:21.639 --> 00:50:24.079
<v Speaker 1>the live setting. Really good stuff from Vacuous. I hope

1101
00:50:24.079 --> 00:50:26.119
<v Speaker 1>to see them several more times before this cycle is out,

1102
00:50:26.119 --> 00:50:28.519
<v Speaker 1>but definitely a band that I would recommend catching if

1103
00:50:28.719 --> 00:50:29.960
<v Speaker 1>if you can around them, And like I said, if

1104
00:50:29.960 --> 00:50:32.440
<v Speaker 1>you missed their record last year and you're into underground

1105
00:50:32.480 --> 00:50:34.559
<v Speaker 1>death metal that just has a little bit more going

1106
00:50:34.599 --> 00:50:38.519
<v Speaker 1>for it than your average band, Definitely recommend it. Dragging

1107
00:50:38.559 --> 00:50:41.960
<v Speaker 1>to Sunlight, as I say, it kind of feels like

1108
00:50:42.000 --> 00:50:44.639
<v Speaker 1>the victory lap basically, for like when they came back

1109
00:50:44.760 --> 00:50:46.519
<v Speaker 1>after having not played a show in five or the

1110
00:50:46.559 --> 00:50:49.480
<v Speaker 1>years whatever it was for Damnation again about eighteen months ago,

1111
00:50:49.679 --> 00:50:53.239
<v Speaker 1>and that Damnation set just like it kind of escaped

1112
00:50:53.280 --> 00:50:55.840
<v Speaker 1>containment of just the Damnation people who were there, Like

1113
00:50:55.880 --> 00:50:57.639
<v Speaker 1>I think it made the rounds people like this set

1114
00:50:57.719 --> 00:51:01.079
<v Speaker 1>was fucking bonkers, and the way that they have like

1115
00:51:02.320 --> 00:51:04.760
<v Speaker 1>built up this sort of demand and legend around them

1116
00:51:04.760 --> 00:51:06.760
<v Speaker 1>in their absence, and then it all just came flooding

1117
00:51:06.760 --> 00:51:10.559
<v Speaker 1>back of that Damnation set, this Incineration run. Like I said,

1118
00:51:10.559 --> 00:51:12.679
<v Speaker 1>it's basically like the victory lap for it, and maybe

1119
00:51:12.679 --> 00:51:16.000
<v Speaker 1>people who heard about that Damnation set that weren't there

1120
00:51:16.039 --> 00:51:17.920
<v Speaker 1>for it will have, you know, bought a ticket to

1121
00:51:17.960 --> 00:51:19.519
<v Speaker 1>Incineration or one of these other dates to be like

1122
00:51:19.559 --> 00:51:20.559
<v Speaker 1>I want to get a piece of that. And I

1123
00:51:20.599 --> 00:51:21.880
<v Speaker 1>was saying to people, I was like, if you've not

1124
00:51:21.960 --> 00:51:24.480
<v Speaker 1>seen Dragon to Sunlight before, then they are the band

1125
00:51:24.519 --> 00:51:26.840
<v Speaker 1>you have to see at the risk of missing absolutely

1126
00:51:26.840 --> 00:51:29.039
<v Speaker 1>everything else, Like you just have to go to experiences

1127
00:51:29.039 --> 00:51:32.559
<v Speaker 1>for yourself. I've been you know, privileged enough to see them,

1128
00:51:32.599 --> 00:51:34.400
<v Speaker 1>I think like six times or something like that, but

1129
00:51:34.920 --> 00:51:38.239
<v Speaker 1>every single time without fail, just the I've said it,

1130
00:51:38.239 --> 00:51:40.239
<v Speaker 1>when we spoke about Damnation, it was essentially the same set,

1131
00:51:40.239 --> 00:51:42.840
<v Speaker 1>like they're still doing Hatred for Mankind, which is interesting

1132
00:51:42.840 --> 00:51:46.760
<v Speaker 1>because when that Damnation thing happened there with that awful clash,

1133
00:51:46.800 --> 00:51:49.559
<v Speaker 1>and I've now had the opportunity to see this set

1134
00:51:49.599 --> 00:51:53.039
<v Speaker 1>basically like several times after that thing, But I still

1135
00:51:53.039 --> 00:51:54.559
<v Speaker 1>don't regret that clash and what I did with it,

1136
00:51:54.559 --> 00:51:57.400
<v Speaker 1>because it feels like that Damnation set was the the one,

1137
00:51:57.599 --> 00:51:59.880
<v Speaker 1>right that's the one that kind of goes down in history,

1138
00:51:59.880 --> 00:52:02.760
<v Speaker 1>and people still talk about that, but you know, still

1139
00:52:02.760 --> 00:52:05.599
<v Speaker 1>by some playing all the Heterrochmankind, which is just fucking venomous,

1140
00:52:05.840 --> 00:52:09.480
<v Speaker 1>and it never gets old seeing a stage like kind

1141
00:52:09.480 --> 00:52:12.800
<v Speaker 1>of you know, decked out in these fucking deer antler

1142
00:52:12.880 --> 00:52:16.440
<v Speaker 1>skulls and the massive candle larbra and then being absolutely

1143
00:52:16.480 --> 00:52:19.119
<v Speaker 1>brutalized by that like strobe lighting and just the fact

1144
00:52:19.159 --> 00:52:21.760
<v Speaker 1>that they are the most heavy, intense life band you

1145
00:52:21.760 --> 00:52:25.079
<v Speaker 1>could possibly expect to see like unlocking some extra level

1146
00:52:25.360 --> 00:52:29.400
<v Speaker 1>of frying you alive when they play that has no

1147
00:52:29.559 --> 00:52:32.960
<v Speaker 1>bad they've ever seen have quite achieved that level. Yeah,

1148
00:52:33.519 --> 00:52:36.639
<v Speaker 1>essentially this was a round two after the Damnation experience

1149
00:52:36.679 --> 00:52:40.559
<v Speaker 1>and maybe slightly less sweaty and slightly less like close

1150
00:52:40.639 --> 00:52:44.599
<v Speaker 1>quarters terrifying, but just a reminder of everything that is

1151
00:52:44.599 --> 00:52:46.320
<v Speaker 1>brilliant about Drandon. Something like they've said that they're going

1152
00:52:46.400 --> 00:52:48.639
<v Speaker 1>to do like they did a social media post and

1153
00:52:48.639 --> 00:52:50.320
<v Speaker 1>they were like, we're going to do one more run

1154
00:52:50.320 --> 00:52:52.360
<v Speaker 1>of shows. And I don't know if that means that

1155
00:52:52.400 --> 00:52:53.840
<v Speaker 1>they are going to that they just want to do

1156
00:52:53.840 --> 00:52:55.719
<v Speaker 1>another Runner shows and then maybe they'll go into hibernation

1157
00:52:55.760 --> 00:52:58.920
<v Speaker 1>for a while. Maybe they are you know, disappearing permanently.

1158
00:52:58.960 --> 00:53:02.320
<v Speaker 1>I don't know, but it certainly feels like again the

1159
00:53:02.360 --> 00:53:05.280
<v Speaker 1>legend has reawoken after Damnation, and right now we're in

1160
00:53:05.280 --> 00:53:08.000
<v Speaker 1>this period of like as many people as possible should

1161
00:53:08.000 --> 00:53:11.440
<v Speaker 1>be trying to see this while it you know, it exists.

1162
00:53:11.639 --> 00:53:16.000
<v Speaker 1>So again great like kicking off to the Incineration weekender

1163
00:53:16.239 --> 00:53:20.159
<v Speaker 1>totally day after that, I went down to London and

1164
00:53:20.280 --> 00:53:22.440
<v Speaker 1>in the Black Heart there was what was labeled as

1165
00:53:22.480 --> 00:53:26.119
<v Speaker 1>the Incineration pre party, put on by the record store

1166
00:53:26.159 --> 00:53:28.920
<v Speaker 1>slash label Crypt of the Wizard, who put out the

1167
00:53:28.960 --> 00:53:30.800
<v Speaker 1>record of the band question about to talk about a

1168
00:53:30.840 --> 00:53:34.000
<v Speaker 1>couple of support acts at the London show for this

1169
00:53:34.519 --> 00:53:37.239
<v Speaker 1>there was a just a full on noiseet like just

1170
00:53:37.280 --> 00:53:40.000
<v Speaker 1>a guy you know, squawking into a micing causing a

1171
00:53:40.000 --> 00:53:42.360
<v Speaker 1>big old racket with his noise rig under the name

1172
00:53:42.440 --> 00:53:44.880
<v Speaker 1>Lover's Leap. And also a band called Fields of Agony,

1173
00:53:44.920 --> 00:53:48.000
<v Speaker 1>which I believe members features members of Final Dose, but

1174
00:53:48.000 --> 00:53:53.000
<v Speaker 1>it's much more like straightforward like atmospheric black metal. Sort's fair.

1175
00:53:53.960 --> 00:53:56.719
<v Speaker 1>But then the main app who you also mark as

1176
00:53:56.760 --> 00:53:59.599
<v Speaker 1>they added a full on UK tour you also went

1177
00:53:59.599 --> 00:54:01.559
<v Speaker 1>out to see up in your area. We went to

1178
00:54:01.559 --> 00:54:03.199
<v Speaker 1>see Cimitar separately, didn't we?

1179
00:54:04.199 --> 00:54:07.719
<v Speaker 2>Oh yeah, this is my first gig since Home Front

1180
00:54:07.880 --> 00:54:11.480
<v Speaker 2>with you. Oh yes, I was as soon as it

1181
00:54:11.519 --> 00:54:13.800
<v Speaker 2>was announ so I was just like, I need to

1182
00:54:13.800 --> 00:54:16.639
<v Speaker 2>go to like it was one of my favorite records

1183
00:54:16.639 --> 00:54:20.920
<v Speaker 2>of last year doing my new favorite band, like favorite

1184
00:54:20.960 --> 00:54:21.519
<v Speaker 2>new band.

1185
00:54:22.440 --> 00:54:23.079
<v Speaker 1>I just this.

1186
00:54:23.280 --> 00:54:25.840
<v Speaker 2>The second this was available to be I was like, okay,

1187
00:54:25.880 --> 00:54:27.760
<v Speaker 2>I'm breaking my cold streak, you know what.

1188
00:54:28.360 --> 00:54:32.000
<v Speaker 1>Yeah, yeah, I was really amped when they added UK shows.

1189
00:54:32.000 --> 00:54:33.079
<v Speaker 1>If you don't know the band in question, then you

1190
00:54:33.079 --> 00:54:36.239
<v Speaker 1>obviously didn't listen to our end of year episodes at

1191
00:54:36.239 --> 00:54:37.800
<v Speaker 1>the end of last year, obviously because you know, we

1192
00:54:37.880 --> 00:54:40.639
<v Speaker 1>both mentioned them to various degrees across things like the

1193
00:54:40.679 --> 00:54:42.119
<v Speaker 1>Award show and the Albums of the Year shows and

1194
00:54:42.159 --> 00:54:45.400
<v Speaker 1>stuff like that. Based on their record Cinmitar Cemetarium one

1195
00:54:45.440 --> 00:54:48.119
<v Speaker 1>that came out last year, they have very swiftly in

1196
00:54:48.119 --> 00:54:51.280
<v Speaker 1>the ARKU points. They followed up with Cemetary two and

1197
00:54:51.320 --> 00:54:53.679
<v Speaker 1>then adding a UK tour for this. They're from Denmark,

1198
00:54:53.760 --> 00:54:55.760
<v Speaker 1>so you know they're not always it's not always guaranteed

1199
00:54:55.800 --> 00:54:58.079
<v Speaker 1>that small heavy metal bands from abroad will appear in

1200
00:54:58.119 --> 00:55:00.079
<v Speaker 1>the UK. So I was very stoked that they I

1201
00:55:00.079 --> 00:55:02.760
<v Speaker 1>did not only like one show, but like a genuine tour, right,

1202
00:55:03.159 --> 00:55:05.239
<v Speaker 1>and they aligned with Incineration for me, you could go

1203
00:55:05.320 --> 00:55:06.880
<v Speaker 1>to this, so this was like one of the things

1204
00:55:06.880 --> 00:55:08.480
<v Speaker 1>I was looking forward to most out of the whole

1205
00:55:08.559 --> 00:55:14.039
<v Speaker 1>festival experience, right and Scimitar in again a small upstairs

1206
00:55:14.079 --> 00:55:18.719
<v Speaker 1>pub venue which is the Black Cart. There are on record.

1207
00:55:18.920 --> 00:55:20.920
<v Speaker 1>They are an assault on the senses. As we are

1208
00:55:20.920 --> 00:55:22.440
<v Speaker 1>going to talk about soon, we're going to review the

1209
00:55:22.480 --> 00:55:25.599
<v Speaker 1>new record that's just come out. But seeing that translated

1210
00:55:25.599 --> 00:55:27.559
<v Speaker 1>to the live experience, not even just musically, but also

1211
00:55:27.679 --> 00:55:32.280
<v Speaker 1>visually where they stylistically like kind of how they present themselves.

1212
00:55:32.760 --> 00:55:37.039
<v Speaker 1>They there's an odd mismatch about them which I find

1213
00:55:37.159 --> 00:55:40.760
<v Speaker 1>really kind of intriguing, and that there's not a lot

1214
00:55:40.800 --> 00:55:44.000
<v Speaker 1>of like thought put into the image necessarily. They do

1215
00:55:44.039 --> 00:55:47.159
<v Speaker 1>just feel like a bunch of kind of eccentrics from

1216
00:55:47.159 --> 00:55:49.199
<v Speaker 1>different walks of life who have just sort of like

1217
00:55:49.280 --> 00:55:51.840
<v Speaker 1>vomited themselves up on the stage. And like, I can't

1218
00:55:51.840 --> 00:55:53.519
<v Speaker 1>remember what show it was, but I saw on again

1219
00:55:53.559 --> 00:55:55.039
<v Speaker 1>like an Instagram story one of these other dates. I'm

1220
00:55:55.039 --> 00:55:57.119
<v Speaker 1>pretty sure the one of the guitarists was wearing like

1221
00:55:57.400 --> 00:56:02.039
<v Speaker 1>basically shirtless while wearing like leopard print legs, because you've

1222
00:56:02.079 --> 00:56:04.400
<v Speaker 1>got like guitarists who look like they've walked out the

1223
00:56:04.440 --> 00:56:08.199
<v Speaker 1>seventies like full on you know, scandy rock star sort

1224
00:56:08.199 --> 00:56:12.320
<v Speaker 1>of vibes. But then this, you know, quite diminutive singer

1225
00:56:12.400 --> 00:56:14.960
<v Speaker 1>in this, you know, wearing like a floral skirt or

1226
00:56:15.000 --> 00:56:20.440
<v Speaker 1>something going fucking like just so intense and like flailing

1227
00:56:20.480 --> 00:56:23.599
<v Speaker 1>around and waving our arms around and like staring down

1228
00:56:23.599 --> 00:56:26.480
<v Speaker 1>the front door of the audience so intensely wailing like

1229
00:56:26.480 --> 00:56:28.840
<v Speaker 1>a motherfucker, like a real I mean, did you find

1230
00:56:28.840 --> 00:56:31.960
<v Speaker 1>this as well in terms of just like the clattering

1231
00:56:32.480 --> 00:56:37.159
<v Speaker 1>assault that is their records hit in the live environment

1232
00:56:37.199 --> 00:56:38.360
<v Speaker 1>in a way where it's like I don't quite know

1233
00:56:38.400 --> 00:56:38.880
<v Speaker 1>where to look.

1234
00:56:40.079 --> 00:56:43.679
<v Speaker 2>Yeah, because like like you say, they have a guitarist

1235
00:56:43.840 --> 00:56:47.000
<v Speaker 2>is slightly more fancy, they have really just sort of

1236
00:56:47.039 --> 00:56:51.559
<v Speaker 2>like seventies hard rock and guitarists. They're bassist looks so

1237
00:56:51.760 --> 00:56:55.480
<v Speaker 2>much like Cliff Burton. It was so distracting. I was like,

1238
00:56:55.599 --> 00:56:58.800
<v Speaker 2>what the hell, Like they're just bassists have to look

1239
00:56:58.920 --> 00:57:07.000
<v Speaker 2>like this like and yeah, they're The vocalist is just

1240
00:57:07.119 --> 00:57:08.719
<v Speaker 2>such a presence.

1241
00:57:08.800 --> 00:57:11.000
<v Speaker 1>It's so mad, like she's fucking great. But it was

1242
00:57:11.039 --> 00:57:14.800
<v Speaker 1>like just wild run Shielder just like then trail off

1243
00:57:14.840 --> 00:57:19.119
<v Speaker 1>and start screaming and screech elsewhere wild like really like

1244
00:57:19.239 --> 00:57:20.360
<v Speaker 1>unterrible as the word.

1245
00:57:21.239 --> 00:57:24.719
<v Speaker 2>Her arms flying around like currmit the Frog, like she

1246
00:57:24.880 --> 00:57:28.039
<v Speaker 2>is amazing and like I put up a video on

1247
00:57:28.679 --> 00:57:32.239
<v Speaker 2>my Instagram story and one of my not metal friends

1248
00:57:32.920 --> 00:57:35.719
<v Speaker 2>I was like, this is giving like scary.

1249
00:57:35.800 --> 00:57:41.760
<v Speaker 1>Florence Welsh fan would say that kind of thing.

1250
00:57:41.840 --> 00:57:47.159
<v Speaker 2>Yeah, yeah, that sort of whaling witch thing. Yeah there.

1251
00:57:48.079 --> 00:57:50.320
<v Speaker 2>I mean, such an exciting band and that's sort of

1252
00:57:51.679 --> 00:57:53.840
<v Speaker 2>you'll you'll talk about it in the review. The second

1253
00:57:53.880 --> 00:57:57.320
<v Speaker 2>record is so so intense.

1254
00:57:57.480 --> 00:57:58.599
<v Speaker 1>It's just like.

1255
00:57:58.719 --> 00:58:04.079
<v Speaker 2>Blaring, but in the live environment that really like where

1256
00:58:04.079 --> 00:58:08.559
<v Speaker 2>it's not as production wise suffocating, and you do you

1257
00:58:08.639 --> 00:58:10.639
<v Speaker 2>can pick out the bass parts and you can pick

1258
00:58:10.639 --> 00:58:14.199
<v Speaker 2>out like the actual guitar lines. It was wicked, like

1259
00:58:14.360 --> 00:58:16.119
<v Speaker 2>just being able to be like, oh yeah, these are

1260
00:58:16.159 --> 00:58:21.199
<v Speaker 2>recognizaboy songs when they're played by poor people like five people.

1261
00:58:21.920 --> 00:58:26.079
<v Speaker 1>Yeah, just genuine just freak energy being applied to the

1262
00:58:26.079 --> 00:58:30.639
<v Speaker 1>instruments that like the drummer just going completely out of control. Yeah,

1263
00:58:31.039 --> 00:58:34.679
<v Speaker 1>two guitarists like basically thrusting their instruments into like the

1264
00:58:34.719 --> 00:58:37.480
<v Speaker 1>front row with the audience, like trying to impale people

1265
00:58:37.519 --> 00:58:42.119
<v Speaker 1>with them, like really wild, really intense. Super happy that

1266
00:58:42.119 --> 00:58:44.519
<v Speaker 1>they added Ukhaers and got to see them because that again,

1267
00:58:44.559 --> 00:58:47.000
<v Speaker 1>these they are I think one of the most exciting

1268
00:58:47.320 --> 00:58:51.280
<v Speaker 1>new heavy metal bands to emerge in this decade.

1269
00:58:51.320 --> 00:58:54.840
<v Speaker 2>You know, Oh yeah, they have a genuine just like

1270
00:58:56.559 --> 00:59:00.000
<v Speaker 2>it's live wire, you know, to use sort of a cliche,

1271
00:59:00.159 --> 00:59:04.840
<v Speaker 2>this is like it's just proper live exciting heavy music.

1272
00:59:05.079 --> 00:59:08.360
<v Speaker 1>Yeah, basically it's not put on either, Like it doesn't

1273
00:59:08.360 --> 00:59:11.599
<v Speaker 1>feel like they've oh no, crafted like some heavy bands,

1274
00:59:11.599 --> 00:59:13.320
<v Speaker 1>and sometimes these are bands that I really like as well,

1275
00:59:13.320 --> 00:59:14.800
<v Speaker 1>but it's just very deliberate in terms of, like, this

1276
00:59:14.880 --> 00:59:16.400
<v Speaker 1>is the kind of band we are going to be.

1277
00:59:16.840 --> 00:59:20.599
<v Speaker 1>We are fitting into this certain mold. We are borrowing

1278
00:59:20.599 --> 00:59:23.000
<v Speaker 1>our iconography and how we play and everything off of

1279
00:59:23.239 --> 00:59:26.320
<v Speaker 1>pre established you know, molds what heavy metal band is.

1280
00:59:26.559 --> 00:59:29.559
<v Speaker 1>Whereas this they do feel like on record and visually

1281
00:59:29.840 --> 00:59:32.880
<v Speaker 1>and when they play live, people who have almost stumbled

1282
00:59:32.920 --> 00:59:34.599
<v Speaker 1>into making this insane fucking maeah.

1283
00:59:36.440 --> 00:59:39.480
<v Speaker 2>When I was doing my Albums of the Year, something

1284
00:59:40.239 --> 00:59:45.199
<v Speaker 2>I mentioned as a positive is that there's like it

1285
00:59:45.280 --> 00:59:48.960
<v Speaker 2>sounds like three different members are on different songs. During songs,

1286
00:59:49.039 --> 00:59:52.199
<v Speaker 2>like the instrumental will be one thing and then the

1287
00:59:52.280 --> 00:59:56.400
<v Speaker 2>vocalist will be doing a completely different song, like and

1288
00:59:56.440 --> 00:59:58.599
<v Speaker 2>like you're saying, just everything about them visually, the way

1289
00:59:58.599 --> 01:00:01.519
<v Speaker 2>they move, the way they interact. One of the guitarists

1290
01:00:01.559 --> 01:00:03.960
<v Speaker 2>was just like not on stage for half of it

1291
01:00:04.360 --> 01:00:07.159
<v Speaker 2>because he was just wandering about and that just back

1292
01:00:07.199 --> 01:00:10.480
<v Speaker 2>to the audience a bunch, and that's not planned, Like

1293
01:00:10.559 --> 01:00:13.719
<v Speaker 2>you can't plan. Oh, what I'm gonna do is have

1294
01:00:14.000 --> 01:00:16.360
<v Speaker 2>my back to the audience for half the set because

1295
01:00:16.400 --> 01:00:20.679
<v Speaker 2>I'm trying to figure out where to walk next. And yeah,

1296
01:00:21.159 --> 01:00:26.159
<v Speaker 2>I mean the spontaneity and sort of ramsackle nature of

1297
01:00:26.199 --> 01:00:31.119
<v Speaker 2>it even meant that I only saw like half a set.

1298
01:00:31.559 --> 01:00:33.760
<v Speaker 1>Oh yeah, they broke the electrics in Glasgow, didn't they.

1299
01:00:34.400 --> 01:00:38.199
<v Speaker 2>Yeah, they blew something. It was just like they were

1300
01:00:38.199 --> 01:00:41.679
<v Speaker 2>at the end of the first song on Cementarium one.

1301
01:00:42.320 --> 01:00:45.079
<v Speaker 2>Luckily it was at the end, otherwise i'd be furious.

1302
01:00:45.679 --> 01:00:47.679
<v Speaker 1>Yeah, I think after that. I think the play song

1303
01:00:47.679 --> 01:00:49.679
<v Speaker 1>they played after that was like one of the really

1304
01:00:49.719 --> 01:00:52.079
<v Speaker 1>fucking long like ten there's a slower one I think

1305
01:00:52.119 --> 01:00:54.119
<v Speaker 1>on the second record, it's like a ten minute long

1306
01:00:54.119 --> 01:00:56.519
<v Speaker 1>song or something. Yeah, they played that after that song,

1307
01:00:56.559 --> 01:00:57.440
<v Speaker 1>and that was the end of set.

1308
01:00:57.679 --> 01:01:01.079
<v Speaker 2>So okay, okay, it's not as bad as I imagine

1309
01:01:01.079 --> 01:01:04.119
<v Speaker 2>that that would have been really cool to see. But

1310
01:01:04.159 --> 01:01:08.599
<v Speaker 2>it was just like you're watching this crazy, wild, fiery

1311
01:01:09.159 --> 01:01:13.480
<v Speaker 2>heavy metal band. There's a bright, bright light and then

1312
01:01:13.559 --> 01:01:19.599
<v Speaker 2>suddenly darkness for like a minute where everyone's so just confused.

1313
01:01:20.119 --> 01:01:22.000
<v Speaker 2>But what I love about it is the band seems

1314
01:01:22.039 --> 01:01:25.840
<v Speaker 2>so unbothered and so casual about it, where I'm like,

1315
01:01:25.920 --> 01:01:28.280
<v Speaker 2>does this happen all the time? They just did not.

1316
01:01:31.159 --> 01:01:36.199
<v Speaker 1>Leaving a trail of broken fruises across Europe. Yeah yeah,

1317
01:01:36.199 --> 01:01:38.920
<v Speaker 1>one of the more metal baby absolutely one of the

1318
01:01:38.960 --> 01:01:42.960
<v Speaker 1>more unpredictable you can live wire live experiences in like

1319
01:01:43.159 --> 01:01:46.599
<v Speaker 1>heavy metal. I think right now I'm really excitedly Scimitar.

1320
01:01:47.079 --> 01:01:49.000
<v Speaker 1>Hope they come over again soon and this isn't the

1321
01:01:49.039 --> 01:01:51.519
<v Speaker 1>last we see them, because they are again. It's quite

1322
01:01:51.559 --> 01:01:54.480
<v Speaker 1>a exciting band right now. Onto the incineration day proper

1323
01:01:54.639 --> 01:01:57.199
<v Speaker 1>for me, this Saturday just gone, like I said, across

1324
01:01:57.199 --> 01:02:01.719
<v Speaker 1>several venues in the London Camden area. The first band

1325
01:02:01.719 --> 01:02:03.559
<v Speaker 1>that I made sure to get out and see is

1326
01:02:03.599 --> 01:02:06.840
<v Speaker 1>de Vegina fry Height. Concideration for me because again it's

1327
01:02:06.960 --> 01:02:09.039
<v Speaker 1>it's across several venues, You've got your clashes and stuff.

1328
01:02:09.159 --> 01:02:11.760
<v Speaker 1>I'm usually very good at being able to basically curate

1329
01:02:11.800 --> 01:02:13.960
<v Speaker 1>a day of going back and forth where I only

1330
01:02:14.000 --> 01:02:16.280
<v Speaker 1>see bands I'm just like really fucking jazzed about, you know,

1331
01:02:16.360 --> 01:02:18.840
<v Speaker 1>like I can always fill a day with just like

1332
01:02:18.920 --> 01:02:22.320
<v Speaker 1>bands I love, so the case in point. First thing

1333
01:02:22.400 --> 01:02:24.199
<v Speaker 1>de Vegana fry Height, who are one of the best

1334
01:02:24.199 --> 01:02:27.599
<v Speaker 1>black meltal bands the last ten years or so in

1335
01:02:27.760 --> 01:02:30.960
<v Speaker 1>the tri Borum first of all, Wicked, like I was

1336
01:02:31.000 --> 01:02:32.599
<v Speaker 1>trying to sell them to someone, and I'd describe them

1337
01:02:32.639 --> 01:02:34.559
<v Speaker 1>as like post black metal, but they haven't forgotten how

1338
01:02:34.599 --> 01:02:37.079
<v Speaker 1>to be evil in that like it's it needs post

1339
01:02:37.119 --> 01:02:40.400
<v Speaker 1>black metal that is fucking intense and dark at the

1340
01:02:40.400 --> 01:02:42.880
<v Speaker 1>same time, and it will be soaring and stirring as

1341
01:02:43.000 --> 01:02:45.880
<v Speaker 1>much as it is like scathing, and that is a

1342
01:02:46.480 --> 01:02:49.000
<v Speaker 1>flavor that I love in their records. I've seen them

1343
01:02:49.000 --> 01:02:50.480
<v Speaker 1>a few times. I would say this is maybe one

1344
01:02:50.519 --> 01:02:51.880
<v Speaker 1>of the better times I've seen them live, because I

1345
01:02:51.880 --> 01:02:53.960
<v Speaker 1>do sometimes associate them with being a band who like

1346
01:02:54.440 --> 01:02:57.559
<v Speaker 1>tech issues and sound wise and stuff. It hasn't always

1347
01:02:57.599 --> 01:03:00.960
<v Speaker 1>like sound systems haven't always gotten there, you know, clause

1348
01:03:00.960 --> 01:03:03.840
<v Speaker 1>around it completely in the way that you would hope

1349
01:03:03.840 --> 01:03:06.199
<v Speaker 1>in these times that I've seen them, But this one

1350
01:03:06.239 --> 01:03:08.079
<v Speaker 1>was pretty good in that regard, Like, you know, again

1351
01:03:08.199 --> 01:03:09.840
<v Speaker 1>having the keyboard tracks and stuff like that, they were

1352
01:03:09.840 --> 01:03:12.039
<v Speaker 1>coming through pretty well, along with obviously the pure for

1353
01:03:12.079 --> 01:03:14.760
<v Speaker 1>oce intensity of the band, like playing confrontly on stage

1354
01:03:14.800 --> 01:03:18.719
<v Speaker 1>with the nut so blasting drummer and all that stuff.

1355
01:03:18.760 --> 01:03:20.559
<v Speaker 1>And they played, you know, quite a bit off the

1356
01:03:20.599 --> 01:03:22.559
<v Speaker 1>most recent record, which I liked very much. When they

1357
01:03:22.559 --> 01:03:24.800
<v Speaker 1>came out into last year, they specific I remember them.

1358
01:03:24.840 --> 01:03:27.159
<v Speaker 1>They played that song Aos of It, which is the

1359
01:03:27.159 --> 01:03:29.079
<v Speaker 1>one that has like basically the behemoth riff, like the

1360
01:03:29.199 --> 01:03:34.360
<v Speaker 1>most like blackened evil, furious riff on that that song

1361
01:03:34.480 --> 01:03:38.000
<v Speaker 1>really hit like a tree. And then as they have

1362
01:03:38.079 --> 01:03:40.320
<v Speaker 1>kind of a chosen to, you know, fall back onto

1363
01:03:40.320 --> 01:03:43.000
<v Speaker 1>doing generally closing on the track alf Brook, which is

1364
01:03:43.039 --> 01:03:44.760
<v Speaker 1>the first song on Finished Deer, which is like their

1365
01:03:44.880 --> 01:03:48.039
<v Speaker 1>classic record. I think I'm never mad about seeing that live,

1366
01:03:48.119 --> 01:03:50.760
<v Speaker 1>like the journey that takes you on the choirs that

1367
01:03:50.800 --> 01:03:53.760
<v Speaker 1>they layer in and this like just ten minute, sprawling,

1368
01:03:53.840 --> 01:03:56.199
<v Speaker 1>fucking rocket to the moon. You know that you're just

1369
01:03:56.239 --> 01:03:59.119
<v Speaker 1>sat atop when that song's playing out, fucking wicked. And

1370
01:03:59.159 --> 01:04:00.920
<v Speaker 1>again they had a really good and people who are

1371
01:04:00.960 --> 01:04:03.079
<v Speaker 1>visibly like they're for them and into it and even

1372
01:04:03.119 --> 01:04:05.000
<v Speaker 1>singing it along and stuff during those choir wald parts.

1373
01:04:05.320 --> 01:04:07.880
<v Speaker 1>Stuff as well was really really good. So enjoyable start

1374
01:04:07.960 --> 01:04:10.719
<v Speaker 1>to day with deveg Fry. Then I did my first

1375
01:04:10.719 --> 01:04:12.719
<v Speaker 1>of several, as I said, runs back and forth because

1376
01:04:12.719 --> 01:04:14.079
<v Speaker 1>I went from the electric boar room up to the

1377
01:04:14.159 --> 01:04:16.559
<v Speaker 1>roundhouse because I wanted to see what it's like seeing

1378
01:04:16.599 --> 01:04:21.679
<v Speaker 1>in the roundhouse. Grave miasthma, who are if you are

1379
01:04:21.719 --> 01:04:23.920
<v Speaker 1>a real underground death metal ahead, then you might well

1380
01:04:23.960 --> 01:04:26.079
<v Speaker 1>be familiar with Graving Asthma because they are one of

1381
01:04:26.119 --> 01:04:30.039
<v Speaker 1>the more important bands from the late noughties going into

1382
01:04:30.119 --> 01:04:33.440
<v Speaker 1>twenty ten's in terms of helping to really, you know,

1383
01:04:34.000 --> 01:04:38.480
<v Speaker 1>set up this kind of cavernous, evil, esoteric, really underground

1384
01:04:38.519 --> 01:04:41.599
<v Speaker 1>death metal movement. Like they're a quite seminal band for

1385
01:04:41.760 --> 01:04:45.719
<v Speaker 1>a small sub sector of death metal basically, and you know,

1386
01:04:45.719 --> 01:04:47.280
<v Speaker 1>they are a UK band, so they are they do

1387
01:04:47.400 --> 01:04:50.039
<v Speaker 1>be about, but they're not meant to play the Roundhouse.

1388
01:04:50.239 --> 01:04:53.400
<v Speaker 1>That's fucking weird. Like they are a two hundred cap

1389
01:04:54.000 --> 01:04:56.880
<v Speaker 1>venue band. And when I saw that they were opening

1390
01:04:56.880 --> 01:04:59.199
<v Speaker 1>the main stage in the Roundhouse, like that is so strange.

1391
01:04:59.440 --> 01:05:01.840
<v Speaker 1>I have to say that because you're never I don't

1392
01:05:01.840 --> 01:05:03.320
<v Speaker 1>know if they've ever had the opportunity to play a

1393
01:05:03.360 --> 01:05:05.760
<v Speaker 1>venue like that before. They certainly won't be playing the

1394
01:05:05.800 --> 01:05:08.000
<v Speaker 1>Roundhouse again, imagine unless they get But for an insinuation

1395
01:05:08.440 --> 01:05:11.519
<v Speaker 1>in a future year, seeing Grave of Aasma in the Roundhouse,

1396
01:05:11.719 --> 01:05:13.960
<v Speaker 1>it was what I imagined in that they're not meant

1397
01:05:14.000 --> 01:05:18.440
<v Speaker 1>to play the Roundhouse because big massive venue again sort

1398
01:05:18.440 --> 01:05:21.159
<v Speaker 1>of obviously in the round type sound for what is

1399
01:05:21.760 --> 01:05:23.679
<v Speaker 1>one of the mustiest death metal bands I think you

1400
01:05:23.679 --> 01:05:27.760
<v Speaker 1>could imagine right then it doesn't. It's not a perfect translation, right,

1401
01:05:27.800 --> 01:05:30.000
<v Speaker 1>So you know it was this as good as when

1402
01:05:30.000 --> 01:05:32.280
<v Speaker 1>I've seen Gravey Asba playing a more appropriate venue. No,

1403
01:05:32.360 --> 01:05:34.719
<v Speaker 1>it wasn't, but it was really novel being like, that's

1404
01:05:34.760 --> 01:05:38.119
<v Speaker 1>fucking grave miasthma. What are they doing playing this stage

1405
01:05:38.119 --> 01:05:41.400
<v Speaker 1>that I associate with against bands like I don't know,

1406
01:05:41.519 --> 01:05:44.360
<v Speaker 1>fucking architects or whatever in the twenty tens playing places

1407
01:05:44.360 --> 01:05:47.280
<v Speaker 1>like the Roundhouse, like really wild, very cool to see

1408
01:05:47.639 --> 01:05:51.079
<v Speaker 1>ran back because when I said that, there were things

1409
01:05:51.159 --> 01:05:54.920
<v Speaker 1>that got added to this that made it unmissible for me. Really,

1410
01:05:55.039 --> 01:05:58.480
<v Speaker 1>the thing that made it so was when they added

1411
01:05:58.480 --> 01:06:03.039
<v Speaker 1>A Feather and Bone onto bill, which talking about the

1412
01:06:03.079 --> 01:06:05.119
<v Speaker 1>greatest death metal bands of the last like ten to

1413
01:06:05.199 --> 01:06:08.320
<v Speaker 1>fifteen years, I would put a Feather and Bone based

1414
01:06:08.360 --> 01:06:10.599
<v Speaker 1>on their two albums that are actually death metal album

1415
01:06:10.639 --> 01:06:12.719
<v Speaker 1>which are their latest two albums, I would put them

1416
01:06:12.760 --> 01:06:15.679
<v Speaker 1>in that category. I love this band and you know,

1417
01:06:15.960 --> 01:06:18.079
<v Speaker 1>long time listeners. I spoke to a couple at the

1418
01:06:18.079 --> 01:06:20.599
<v Speaker 1>festival may remember back in kind of my early days

1419
01:06:20.599 --> 01:06:22.320
<v Speaker 1>a team, and I'm really talking about the record that

1420
01:06:22.320 --> 01:06:23.800
<v Speaker 1>they put in twenty eighteen and just be like this

1421
01:06:23.880 --> 01:06:28.320
<v Speaker 1>band fucking rip. They're so insane. And the followup record

1422
01:06:28.360 --> 01:06:30.480
<v Speaker 1>that came out in twenty twenty, like Peak Covid, really

1423
01:06:30.480 --> 01:06:36.000
<v Speaker 1>fucking awesome as well, but Feather and Bone vanished basically

1424
01:06:36.760 --> 01:06:39.159
<v Speaker 1>where again they put out that record like Peak Covid,

1425
01:06:40.000 --> 01:06:42.360
<v Speaker 1>so obviously weren't playing live for support or anything like that,

1426
01:06:42.679 --> 01:06:45.639
<v Speaker 1>and then just seemed to like just disappear into hibernation

1427
01:06:45.960 --> 01:06:47.760
<v Speaker 1>for a while while you know, the first half of

1428
01:06:47.800 --> 01:06:52.000
<v Speaker 1>the twenty twenties played out, and this is their first

1429
01:06:52.039 --> 01:06:54.559
<v Speaker 1>like reappearance really certainly over here on the side of

1430
01:06:54.559 --> 01:06:57.000
<v Speaker 1>the Atlantic in kind of that time. And I have

1431
01:06:57.039 --> 01:07:00.679
<v Speaker 1>also a personal like cross to bear with this. In

1432
01:07:00.719 --> 01:07:03.480
<v Speaker 1>the in twenty nineteen, so off the back of the

1433
01:07:03.559 --> 01:07:06.880
<v Speaker 1>Bethel Hymns of Perversion record, they played what I think

1434
01:07:06.920 --> 01:07:11.440
<v Speaker 1>is their only UK show prior to this, which is

1435
01:07:11.480 --> 01:07:14.440
<v Speaker 1>they played in London with Too Mold and another death

1436
01:07:14.440 --> 01:07:17.960
<v Speaker 1>metabow called ritual Necremancy. And I was going to that show,

1437
01:07:18.239 --> 01:07:21.960
<v Speaker 1>but unfortunately my bus I think it was London Fashion

1438
01:07:21.960 --> 01:07:25.440
<v Speaker 1>Week or something something. There was really fucking heavy traffic

1439
01:07:25.519 --> 01:07:27.519
<v Speaker 1>in the London area and my bus got stuck in

1440
01:07:27.559 --> 01:07:31.000
<v Speaker 1>traffic for ages, so much so that I got to

1441
01:07:31.039 --> 01:07:33.599
<v Speaker 1>the show late and missed a Feather and Bone and

1442
01:07:33.960 --> 01:07:35.559
<v Speaker 1>I got there for two mold and I watched it

1443
01:07:35.639 --> 01:07:38.519
<v Speaker 1>Ritual Necromancy as well, but I had missed arguably the

1444
01:07:38.599 --> 01:07:40.840
<v Speaker 1>band I was like most excited to see on that show.

1445
01:07:41.280 --> 01:07:43.800
<v Speaker 1>And then like six months later COVID happened, and Feather

1446
01:07:43.840 --> 01:07:47.039
<v Speaker 1>and Boats vanished from existence for a while basically, and

1447
01:07:47.159 --> 01:07:51.360
<v Speaker 1>this seven years almost after that show, is the first

1448
01:07:51.360 --> 01:07:55.440
<v Speaker 1>time I have had to rectify that that horrible experience

1449
01:07:55.440 --> 01:07:57.639
<v Speaker 1>of missing that band. So as soon as they got

1450
01:07:57.679 --> 01:07:59.639
<v Speaker 1>adit Incineration, but I was like, Okay, I have to go, like,

1451
01:07:59.639 --> 01:08:01.880
<v Speaker 1>that's the thing that they're not adding any shows around it,

1452
01:08:01.960 --> 01:08:03.159
<v Speaker 1>so that's the thing I've got to be there for.

1453
01:08:03.519 --> 01:08:08.400
<v Speaker 1>And my god, those seven years of waiting after that,

1454
01:08:08.519 --> 01:08:13.320
<v Speaker 1>you know, mishap experience very very very much paid off

1455
01:08:13.679 --> 01:08:16.079
<v Speaker 1>here because this is and it's not just me as well,

1456
01:08:16.119 --> 01:08:17.880
<v Speaker 1>because I have that particular sort of relationship with it

1457
01:08:17.920 --> 01:08:19.439
<v Speaker 1>where they are a bound who I've really championed and

1458
01:08:19.439 --> 01:08:21.359
<v Speaker 1>then unfortunately missed all this kind of stuff. But I

1459
01:08:21.479 --> 01:08:24.119
<v Speaker 1>kind of heard mutterings after the fact where I think

1460
01:08:24.159 --> 01:08:27.119
<v Speaker 1>they went down as one of the like bands of

1461
01:08:27.159 --> 01:08:29.399
<v Speaker 1>the weekend who stole it. Really like Dragon to Sun

1462
01:08:29.520 --> 01:08:31.520
<v Speaker 1>Like are what Dragon to Sun Like are, and people

1463
01:08:31.560 --> 01:08:34.039
<v Speaker 1>will reliably be wowed by that. But I don't think

1464
01:08:34.079 --> 01:08:37.640
<v Speaker 1>people quite knew how sick a feather Abote were going

1465
01:08:37.680 --> 01:08:39.399
<v Speaker 1>to because they've not been around here, right, people haven't

1466
01:08:39.399 --> 01:08:43.520
<v Speaker 1>built up the relationship. This was fucking insane, like they

1467
01:08:43.640 --> 01:08:47.760
<v Speaker 1>were so genuinely I think one of the fastest, heaviest

1468
01:08:47.760 --> 01:08:51.039
<v Speaker 1>death metal shows I've ever seen. Like it was so

1469
01:08:51.199 --> 01:08:54.000
<v Speaker 1>it was like being saort aid. It was so intense,

1470
01:08:54.359 --> 01:08:58.479
<v Speaker 1>considering like a gravenasthma in the roundhouse, not you know,

1471
01:08:58.680 --> 01:09:02.039
<v Speaker 1>necessarily equipped for a death metal type show sound system

1472
01:09:02.079 --> 01:09:05.720
<v Speaker 1>in the underworld for a feather and bone right close quarters,

1473
01:09:05.760 --> 01:09:08.039
<v Speaker 1>just being beaten into a pulp by a band who

1474
01:09:08.079 --> 01:09:10.399
<v Speaker 1>I have again when we spoken about their records, spoken

1475
01:09:10.439 --> 01:09:13.000
<v Speaker 1>about them how they are kind of a band where

1476
01:09:13.319 --> 01:09:15.800
<v Speaker 1>they play and you go, oh, other death metal bands

1477
01:09:15.800 --> 01:09:18.600
<v Speaker 1>are pussies, like they're just they're just like no one.

1478
01:09:18.840 --> 01:09:21.760
<v Speaker 1>No one is playing as like fast and hard as

1479
01:09:21.760 --> 01:09:23.720
<v Speaker 1>they are playing outside of a pisc Grave, right, who

1480
01:09:23.760 --> 01:09:25.439
<v Speaker 1>are now? You know? Now pis Grave seem to have

1481
01:09:25.439 --> 01:09:27.359
<v Speaker 1>you know, sailed off into the great death metal beyond

1482
01:09:27.359 --> 01:09:30.079
<v Speaker 1>a Feather and Bone arguably the hardest death thattal band

1483
01:09:30.119 --> 01:09:31.760
<v Speaker 1>in the world right now, I would say, And the

1484
01:09:31.840 --> 01:09:37.119
<v Speaker 1>live performance for me perfectly translated that three piece with

1485
01:09:37.520 --> 01:09:43.319
<v Speaker 1>this like really powerful stance, imposing bassist, vocalist at the front,

1486
01:09:43.439 --> 01:09:45.560
<v Speaker 1>a guitarist on the side, and then a drummer at

1487
01:09:45.600 --> 01:09:49.000
<v Speaker 1>the back. Who, my fucking god, that man can blast

1488
01:09:49.319 --> 01:09:52.479
<v Speaker 1>like full on ear is exploding with every stroke of

1489
01:09:52.479 --> 01:09:54.640
<v Speaker 1>that snare drum, and he was hitting it probably damn fast.

1490
01:09:54.880 --> 01:09:58.359
<v Speaker 1>It was so brutalizing, Like these are a set mixed

1491
01:09:58.399 --> 01:10:01.079
<v Speaker 1>off thegue and the latest two records, which are both

1492
01:10:01.119 --> 01:10:03.560
<v Speaker 1>just so intense and so fast. And it was one

1493
01:10:03.600 --> 01:10:05.279
<v Speaker 1>of those where you know, with the people I was with,

1494
01:10:05.319 --> 01:10:07.600
<v Speaker 1>and even in just the crowd in general, just every

1495
01:10:07.600 --> 01:10:09.439
<v Speaker 1>time they were kicking to something, you look back and

1496
01:10:09.479 --> 01:10:12.199
<v Speaker 1>forth and go, oh, how fucking sick is this? Just

1497
01:10:12.600 --> 01:10:16.079
<v Speaker 1>so everyone could just sense that again, many people have

1498
01:10:16.159 --> 01:10:18.359
<v Speaker 1>seen many many death metal shows, right that occasionally you

1499
01:10:18.399 --> 01:10:19.880
<v Speaker 1>see a band who are a step above just in

1500
01:10:19.920 --> 01:10:22.359
<v Speaker 1>terms of that fucking turn of pace and that agro,

1501
01:10:22.520 --> 01:10:26.520
<v Speaker 1>that vitriolic aggression, And that's what I connected within the

1502
01:10:26.520 --> 01:10:29.680
<v Speaker 1>featherumone records, and it is so so they're in the

1503
01:10:29.720 --> 01:10:33.840
<v Speaker 1>live show as well. They were fucking so good, like sober,

1504
01:10:33.920 --> 01:10:35.279
<v Speaker 1>Like I said, Dragon to some lightter a band who

1505
01:10:35.279 --> 01:10:38.119
<v Speaker 1>you expect that level of brilliance from. But in terms

1506
01:10:38.159 --> 01:10:41.199
<v Speaker 1>of like coming away going, oh my god, did you

1507
01:10:41.239 --> 01:10:42.680
<v Speaker 1>see that? A Feather and Bone for me was like

1508
01:10:42.680 --> 01:10:45.680
<v Speaker 1>the set of the Weekend. It was just so furious

1509
01:10:46.039 --> 01:10:49.079
<v Speaker 1>as well as again the latest two records, which fucking

1510
01:10:49.560 --> 01:10:54.159
<v Speaker 1>baptized in boiling flen right, the hardest, sickest like shit

1511
01:10:54.439 --> 01:10:56.479
<v Speaker 1>to go along with what they're doing. They played a

1512
01:10:56.520 --> 01:10:59.720
<v Speaker 1>new song as well, and so they're like, you know,

1513
01:11:00.000 --> 01:11:02.600
<v Speaker 1>becoming record. I imagine is now the death metal record

1514
01:11:02.600 --> 01:11:04.600
<v Speaker 1>that I am like most looking forward to for the

1515
01:11:04.640 --> 01:11:07.560
<v Speaker 1>foreseeable future, you know, And I hope that when that

1516
01:11:07.600 --> 01:11:11.159
<v Speaker 1>comes they can kind of re enter the conversation basically

1517
01:11:11.159 --> 01:11:13.439
<v Speaker 1>because like I said, they had that sick record in

1518
01:11:13.439 --> 01:11:16.319
<v Speaker 1>the late twenty tens dropped another record mid COVID, but

1519
01:11:16.359 --> 01:11:18.079
<v Speaker 1>things got lost because that's kind of what happens in

1520
01:11:18.159 --> 01:11:21.039
<v Speaker 1>mid COVID, right, But now you know, so much has

1521
01:11:21.039 --> 01:11:24.359
<v Speaker 1>happened in death metal in the last six seven years,

1522
01:11:24.960 --> 01:11:29.720
<v Speaker 1>and if they emerge with another record, I really hope

1523
01:11:29.760 --> 01:11:31.720
<v Speaker 1>that that puts them more more people's radars who have

1524
01:11:31.720 --> 01:11:33.199
<v Speaker 1>maybe come to death metal in the last like, you know,

1525
01:11:33.239 --> 01:11:37.600
<v Speaker 1>handful of years, because this felt like a really big

1526
01:11:37.640 --> 01:11:40.680
<v Speaker 1>like welcome back, you know, like a band who basically

1527
01:11:40.720 --> 01:11:44.279
<v Speaker 1>disappeared during the COVID time, but in terms of reinserting

1528
01:11:44.279 --> 01:11:47.680
<v Speaker 1>themselves into the death motal conversation, this was fucking awesome.

1529
01:11:47.960 --> 01:11:50.119
<v Speaker 1>Cannot wait for the record A Feather and Bone. If

1530
01:11:50.119 --> 01:11:51.439
<v Speaker 1>you don't know them, if this is your first time

1531
01:11:51.479 --> 01:11:53.279
<v Speaker 1>hearing about them, because maybe you didn't hear that record

1532
01:11:53.279 --> 01:11:56.279
<v Speaker 1>from six years ago, just this is the time to

1533
01:11:56.319 --> 01:12:01.319
<v Speaker 1>get on board because it's so intense, so brilliant. I

1534
01:12:01.359 --> 01:12:03.039
<v Speaker 1>went from there. I tried to go and watch a

1535
01:12:03.079 --> 01:12:06.680
<v Speaker 1>bit a Final Dose because they were in the black Heart,

1536
01:12:06.720 --> 01:12:08.680
<v Speaker 1>and that I stayed to the very end of Feather

1537
01:12:08.680 --> 01:12:10.199
<v Speaker 1>and Bog, because of course I did. That was what

1538
01:12:10.279 --> 01:12:13.000
<v Speaker 1>I was really there for. Ran as soon as they

1539
01:12:13.000 --> 01:12:14.479
<v Speaker 1>were you know, maybe I didn't run, but you know

1540
01:12:14.479 --> 01:12:16.680
<v Speaker 1>I walked with swiftness as soon as they were done

1541
01:12:16.680 --> 01:12:18.239
<v Speaker 1>around the corner to the black Heart, and it had

1542
01:12:18.279 --> 01:12:20.319
<v Speaker 1>immediately filled up and become like a one in one

1543
01:12:20.319 --> 01:12:23.319
<v Speaker 1>out situation with the que So I did not see

1544
01:12:23.479 --> 01:12:26.039
<v Speaker 1>Final Dose. I'm gonna I know that they've got several

1545
01:12:26.079 --> 01:12:27.520
<v Speaker 1>shows lined up over the course of the year, so

1546
01:12:27.520 --> 01:12:29.439
<v Speaker 1>I'm sure I can catch them elsewhere, But like, I

1547
01:12:29.439 --> 01:12:31.920
<v Speaker 1>think they've got a real you know, in this type crowd,

1548
01:12:32.000 --> 01:12:34.159
<v Speaker 1>there's buzz that's built with Final Dose based on the

1549
01:12:34.199 --> 01:12:35.479
<v Speaker 1>kind of thing that we were talking about last year,

1550
01:12:35.479 --> 01:12:38.600
<v Speaker 1>So I think, you know, they were definitely drawing crowds

1551
01:12:38.800 --> 01:12:40.399
<v Speaker 1>and drawing haird nothing in a small venue like the

1552
01:12:40.439 --> 01:12:42.960
<v Speaker 1>black Heart that filled up very quickly, but you know,

1553
01:12:43.159 --> 01:12:45.840
<v Speaker 1>it's nice to see people being so into them, right,

1554
01:12:46.039 --> 01:12:48.079
<v Speaker 1>particularly when you think about you we've got Damnation coming up,

1555
01:12:48.079 --> 01:12:50.520
<v Speaker 1>and they're supporting Wolf and the Thrown Room and Worm

1556
01:12:50.560 --> 01:12:52.560
<v Speaker 1>on that tour around dan Dation, Like that's fucking cool.

1557
01:12:52.960 --> 01:12:55.119
<v Speaker 1>So I didn't see any Final Dose sadly. I'm definitely

1558
01:12:55.159 --> 01:12:57.079
<v Speaker 1>gonna make sure I can at another show later in

1559
01:12:57.079 --> 01:12:58.760
<v Speaker 1>the year, but it was nice to see that the

1560
01:12:58.840 --> 01:13:00.960
<v Speaker 1>room filled up so quickly for them. I suppose the

1561
01:13:01.079 --> 01:13:03.800
<v Speaker 1>upside of missing Final Doses. I got to make sure

1562
01:13:03.840 --> 01:13:05.880
<v Speaker 1>I got to the Browndhouse, you know, fully there to

1563
01:13:06.000 --> 01:13:08.039
<v Speaker 1>see two molds you know about who I had seen

1564
01:13:08.079 --> 01:13:12.359
<v Speaker 1>before based on that twenty nineteen show, but another rare appearance.

1565
01:13:12.399 --> 01:13:15.000
<v Speaker 1>I think this might be their first UK show post COVID,

1566
01:13:15.159 --> 01:13:18.439
<v Speaker 1>which is pretty wild, like when you consider the the

1567
01:13:18.520 --> 01:13:21.239
<v Speaker 1>regularity that about like Blood and Cantation now come over

1568
01:13:21.239 --> 01:13:22.560
<v Speaker 1>to the UK with And I think you know that

1569
01:13:22.600 --> 01:13:24.880
<v Speaker 1>they're basically who Too Mold just like kind of second

1570
01:13:24.880 --> 01:13:26.560
<v Speaker 1>in line to in terms of the current you know,

1571
01:13:27.720 --> 01:13:30.600
<v Speaker 1>proggy death metal sort of stakes and popularity and stuff

1572
01:13:30.640 --> 01:13:33.920
<v Speaker 1>like that. They're much much rareer appearance. And I think

1573
01:13:33.960 --> 01:13:35.520
<v Speaker 1>that they were one where they got added to Incineration.

1574
01:13:35.600 --> 01:13:37.479
<v Speaker 1>Lots of people bought their ticket to see that, because

1575
01:13:37.560 --> 01:13:40.439
<v Speaker 1>how often see you tod Too Mold, right? And I

1576
01:13:40.479 --> 01:13:42.119
<v Speaker 1>know that again this was the slot where Dragon Sunlight

1577
01:13:42.159 --> 01:13:43.279
<v Speaker 1>had played just before, and I think there were a

1578
01:13:43.279 --> 01:13:44.479
<v Speaker 1>lot of people were like om and aar and like

1579
01:13:44.520 --> 01:13:46.359
<v Speaker 1>do I see Dragon Sunlight or do I, you know,

1580
01:13:46.760 --> 01:13:48.439
<v Speaker 1>run and get in there for Two Mold. I think

1581
01:13:48.479 --> 01:13:50.800
<v Speaker 1>there were probably some intentional crowd splitting going on, because

1582
01:13:50.800 --> 01:13:53.000
<v Speaker 1>those are arguably the two most like popular bands of

1583
01:13:53.039 --> 01:13:56.239
<v Speaker 1>at least the mid card of what Incineration was this year,

1584
01:13:56.279 --> 01:13:58.439
<v Speaker 1>So trying to not crowd everyone into one venue, I

1585
01:13:58.439 --> 01:14:01.960
<v Speaker 1>suppose I obviously, I I said, saw Drag already, so

1586
01:14:01.960 --> 01:14:05.399
<v Speaker 1>I went over and saw Two Mold and again a

1587
01:14:05.399 --> 01:14:08.079
<v Speaker 1>band I had seen before, but they have released one

1588
01:14:08.199 --> 01:14:10.359
<v Speaker 1>record since then. It was that very the most proggy

1589
01:14:10.359 --> 01:14:12.359
<v Speaker 1>one they'd done right a couple of years ago. I

1590
01:14:12.359 --> 01:14:14.479
<v Speaker 1>imagine we probably must be due with two Mold record

1591
01:14:15.119 --> 01:14:16.840
<v Speaker 1>within the next couple of years because it's been like

1592
01:14:16.880 --> 01:14:19.560
<v Speaker 1>three years at this stage. And it's nicely them back

1593
01:14:19.560 --> 01:14:23.760
<v Speaker 1>in the live environment, but really fun time seeing took

1594
01:14:23.760 --> 01:14:27.319
<v Speaker 1>again in the roundhouse. Pretty cool to see a band

1595
01:14:27.479 --> 01:14:30.399
<v Speaker 1>of this, you know statue in the underground film that place.

1596
01:14:30.439 --> 01:14:32.960
<v Speaker 1>The way they did was it as perfect sound wise

1597
01:14:33.000 --> 01:14:34.479
<v Speaker 1>as for example, seeing a feather and bone in the

1598
01:14:34.520 --> 01:14:37.199
<v Speaker 1>underweld because it's not built for it. No, it wasn't,

1599
01:14:37.399 --> 01:14:40.760
<v Speaker 1>but you did get enough of those like cavernous grooves

1600
01:14:40.840 --> 01:14:43.159
<v Speaker 1>from some of the earlier two more stuff like they

1601
01:14:43.159 --> 01:14:45.800
<v Speaker 1>played at least one song from the debut two Old record,

1602
01:14:45.800 --> 01:14:47.000
<v Speaker 1>which is like when I got into them, it was like,

1603
01:14:47.039 --> 01:14:48.840
<v Speaker 1>oh this band who they sound like Demelich right, and

1604
01:14:48.840 --> 01:14:51.439
<v Speaker 1>they've got that weird wonkey finish nature for it and

1605
01:14:51.680 --> 01:14:53.479
<v Speaker 1>going super old school with that was really nice. But

1606
01:14:53.520 --> 01:14:55.600
<v Speaker 1>then also the stuff I think really shone in this

1607
01:14:55.640 --> 01:14:59.079
<v Speaker 1>set considering the setting, was when they really let the

1608
01:14:59.119 --> 01:15:01.920
<v Speaker 1>prog go and Derek, who is one of the most

1609
01:15:01.960 --> 01:15:04.520
<v Speaker 1>expressive like death metal guitar players in the world right

1610
01:15:04.560 --> 01:15:07.159
<v Speaker 1>now doing those like sitting he's like the fucking I

1611
01:15:07.199 --> 01:15:09.680
<v Speaker 1>don't know, like the Joe Satriani of current death metal

1612
01:15:09.720 --> 01:15:12.439
<v Speaker 1>right the way he just turns up and lets these incredible,

1613
01:15:12.960 --> 01:15:17.079
<v Speaker 1>beautiful flourishes of like clean guitar work and stuff like

1614
01:15:17.119 --> 01:15:19.159
<v Speaker 1>that come out of the death metal songs. Was like

1615
01:15:19.479 --> 01:15:22.920
<v Speaker 1>really like sumptuous and absolutely music to the years, really

1616
01:15:22.960 --> 01:15:25.279
<v Speaker 1>really lovely, like it was the only music I heard

1617
01:15:25.319 --> 01:15:28.920
<v Speaker 1>all weekend, really incineration that I would describe as nice,

1618
01:15:29.239 --> 01:15:31.720
<v Speaker 1>like it was a nice time. And that's from the

1619
01:15:31.760 --> 01:15:34.359
<v Speaker 1>band called two Mold. You know, Two Molt. Whole thing

1620
01:15:34.479 --> 01:15:36.640
<v Speaker 1>is that they basically don't look cool like they are,

1621
01:15:36.800 --> 01:15:40.800
<v Speaker 1>like they are very lovably just a bunch of guys,

1622
01:15:40.920 --> 01:15:43.319
<v Speaker 1>kind of a bunch of kind of dorky looking guys, basically

1623
01:15:43.399 --> 01:15:46.720
<v Speaker 1>to the extent that when some people may remembered this

1624
01:15:46.880 --> 01:15:48.840
<v Speaker 1>when their last record came out, they were on the

1625
01:15:48.880 --> 01:15:51.920
<v Speaker 1>cover of Decibel for that record, and it's just these

1626
01:15:51.920 --> 01:15:55.720
<v Speaker 1>three guys all wearing like tiny little shorts and wearing like,

1627
01:15:56.720 --> 01:15:59.399
<v Speaker 1>you know, video game t shirts or whatever. And it

1628
01:15:59.479 --> 01:16:01.560
<v Speaker 1>kind of started discourse in certain death metal because of

1629
01:16:01.560 --> 01:16:02.920
<v Speaker 1>the people like, is this what we're allowing? There's death

1630
01:16:02.960 --> 01:16:05.520
<v Speaker 1>metal bands these days, like these guys who put no

1631
01:16:06.039 --> 01:16:09.479
<v Speaker 1>presentation into like looking tough or whatever. And you know,

1632
01:16:09.600 --> 01:16:12.680
<v Speaker 1>here no shots unfortunately this time, which was genuinely unusual,

1633
01:16:12.800 --> 01:16:16.439
<v Speaker 1>but like Derek was wearing a sting T shirt, I'm

1634
01:16:16.479 --> 01:16:18.720
<v Speaker 1>pretty sure. And then just like you know, jumping up

1635
01:16:18.760 --> 01:16:21.000
<v Speaker 1>and down with his little fucking bottle haircut and stuff.

1636
01:16:21.000 --> 01:16:24.199
<v Speaker 1>But like, really you can letting those incredible parts fly

1637
01:16:24.560 --> 01:16:27.479
<v Speaker 1>Canadian to the point that so too Mold have a

1638
01:16:27.520 --> 01:16:29.960
<v Speaker 1>singing drummer, which I don't know how many people who

1639
01:16:29.960 --> 01:16:31.520
<v Speaker 1>haven't seen them live are actually aware of that, but like

1640
01:16:31.560 --> 01:16:33.479
<v Speaker 1>the frontmount of two Mold is the drummer, which is

1641
01:16:33.520 --> 01:16:37.000
<v Speaker 1>you know, obviously always intensely impressive. And then he got

1642
01:16:37.000 --> 01:16:39.520
<v Speaker 1>these amazing guitarists and a bassis on either side of him,

1643
01:16:39.560 --> 01:16:43.720
<v Speaker 1>just you know, fully fucking virtuo sewing out. But when

1644
01:16:43.720 --> 01:16:45.399
<v Speaker 1>he was you know, singing and playing drums, he had

1645
01:16:45.520 --> 01:16:47.239
<v Speaker 1>some problem with like one of his symbols. They kept

1646
01:16:47.239 --> 01:16:50.119
<v Speaker 1>like falling down and he was visibly struggling with it

1647
01:16:50.119 --> 01:16:51.560
<v Speaker 1>a little bit in terms of like trying to continue

1648
01:16:51.560 --> 01:16:53.279
<v Speaker 1>the song, but also you know, fix what was going

1649
01:16:53.319 --> 01:16:54.680
<v Speaker 1>wrong with a kit, and so when one of the

1650
01:16:54.680 --> 01:16:57.039
<v Speaker 1>stage hands ran out and fixed it, he's like mid

1651
01:16:57.079 --> 01:17:00.000
<v Speaker 1>growl and playing these like intense tech tech death parts

1652
01:17:00.039 --> 01:17:02.039
<v Speaker 1>to be like you and just immediately let's out a

1653
01:17:02.039 --> 01:17:05.840
<v Speaker 1>Canadian thank you. Well continued back. It's like so Canadian.

1654
01:17:06.119 --> 01:17:09.159
<v Speaker 1>Even playing hyper intense technical death metal and growling at

1655
01:17:09.159 --> 01:17:10.960
<v Speaker 1>the same time will not stop you from thanking the

1656
01:17:10.960 --> 01:17:16.760
<v Speaker 1>stage hand who fixed your symbolstand But yeah, nice again

1657
01:17:17.319 --> 01:17:19.520
<v Speaker 1>reminder of how good Too Mold are Because you know,

1658
01:17:19.520 --> 01:17:21.239
<v Speaker 1>I hadn't seen them live in seven years. I'm sure

1659
01:17:21.319 --> 01:17:23.520
<v Speaker 1>for most people probably that was their first time seeing

1660
01:17:23.520 --> 01:17:26.279
<v Speaker 1>Two Old. I would hope if we get a record soon,

1661
01:17:26.319 --> 01:17:28.680
<v Speaker 1>I would hope they also returned to the UK with

1662
01:17:28.720 --> 01:17:31.479
<v Speaker 1>more regularity, because I can understand maybe again during the

1663
01:17:31.520 --> 01:17:34.279
<v Speaker 1>earlier half of this decade when we had the after

1664
01:17:34.319 --> 01:17:36.680
<v Speaker 1>effects of COVID and everything not appearing so much. But

1665
01:17:36.680 --> 01:17:38.600
<v Speaker 1>it'd be nice if, you know, more people got to

1666
01:17:38.600 --> 01:17:40.399
<v Speaker 1>see two more because they are such a popular band

1667
01:17:40.399 --> 01:17:43.199
<v Speaker 1>of that again kind of current demographic of death metal

1668
01:17:43.600 --> 01:17:47.600
<v Speaker 1>from there. Hung around in the roundhouse actually, and I

1669
01:17:47.600 --> 01:17:50.600
<v Speaker 1>saw the band Grave no Miasthma this time, just plain

1670
01:17:50.680 --> 01:17:53.760
<v Speaker 1>Old Grave, which is the Swedish death metal band, one

1671
01:17:53.800 --> 01:17:56.800
<v Speaker 1>of the original Swedish death metal bands, along with the

1672
01:17:56.840 --> 01:18:00.479
<v Speaker 1>likes of Entombed and Dismember and Unleashed and Grave aboud

1673
01:18:00.520 --> 01:18:02.359
<v Speaker 1>I've long been fond of They've never gotten as like

1674
01:18:02.399 --> 01:18:04.479
<v Speaker 1>you know, they've never had the crossover moment that for example,

1675
01:18:04.600 --> 01:18:07.920
<v Speaker 1>Entombed had, But I've always felt that Grave are maybe

1676
01:18:07.920 --> 01:18:10.760
<v Speaker 1>the most consistent of those bands, Like they just reliably

1677
01:18:10.760 --> 01:18:13.960
<v Speaker 1>released records that are fun and sick and deliver those

1678
01:18:14.119 --> 01:18:17.479
<v Speaker 1>that start of riff basically all the way through their career.

1679
01:18:17.600 --> 01:18:20.000
<v Speaker 1>But this time it was the I think the original

1680
01:18:20.039 --> 01:18:22.119
<v Speaker 1>lineup had, Like you know, they've had a few lineup

1681
01:18:22.159 --> 01:18:23.800
<v Speaker 1>change with people disappearing and whatnot, and the sort of

1682
01:18:23.840 --> 01:18:25.319
<v Speaker 1>the knock on effect of this, and they end up

1683
01:18:25.319 --> 01:18:27.880
<v Speaker 1>just getting the original lineup from like the late eighties

1684
01:18:28.439 --> 01:18:31.760
<v Speaker 1>back together, and so they were just playing an original

1685
01:18:31.800 --> 01:18:34.439
<v Speaker 1>lineup like early Years thing. And bizarrely, the one other

1686
01:18:34.479 --> 01:18:37.319
<v Speaker 1>time I've seen Grave was at the Netherlands Death Fest

1687
01:18:37.359 --> 01:18:40.960
<v Speaker 1>in twenty eighteen, when they also then had built it

1688
01:18:41.000 --> 01:18:44.760
<v Speaker 1>as a special Early Years like demos up to the

1689
01:18:44.760 --> 01:18:47.399
<v Speaker 1>first album set. So I've seen Grave twice and both

1690
01:18:47.520 --> 01:18:50.039
<v Speaker 1>times I've only seen music from up to about nineteen

1691
01:18:50.079 --> 01:18:52.000
<v Speaker 1>ninety two, right, And like I said, they are a

1692
01:18:52.079 --> 01:18:53.760
<v Speaker 1>very consistent band that I like some of their later records,

1693
01:18:53.760 --> 01:18:55.520
<v Speaker 1>but there is something just so sick about going back

1694
01:18:55.560 --> 01:18:57.159
<v Speaker 1>in time. But like, yeah, this is like the original

1695
01:18:57.600 --> 01:19:02.039
<v Speaker 1>Swedish death metal. No, you know, no non essential material,

1696
01:19:02.159 --> 01:19:06.039
<v Speaker 1>no excess anything like that, just like raw, fucking pomping, ripping,

1697
01:19:06.640 --> 01:19:10.159
<v Speaker 1>early hn two Swedish death metal. And they're fucking great

1698
01:19:10.039 --> 01:19:11.359
<v Speaker 1>at that, you know. Again, just basically a bunch of

1699
01:19:11.359 --> 01:19:13.039
<v Speaker 1>Swedish dads. But they're playing in the BrownHouse and they've

1700
01:19:13.039 --> 01:19:15.560
<v Speaker 1>got some pyros and that kind of starting to go up.

1701
01:19:16.359 --> 01:19:18.399
<v Speaker 1>And like I said, tracks from the first couple of albums,

1702
01:19:18.520 --> 01:19:22.000
<v Speaker 1>even the demos preceding the first album, which is to

1703
01:19:22.079 --> 01:19:24.399
<v Speaker 1>some filthy material. If you're into bands like either like

1704
01:19:24.439 --> 01:19:26.880
<v Speaker 1>Repugnant or whatever in like the last you know, twenty

1705
01:19:26.920 --> 01:19:30.520
<v Speaker 1>first century, then the early grave stuff is definitely to

1706
01:19:30.640 --> 01:19:33.239
<v Speaker 1>to go back for and enjoy. So a nice walk

1707
01:19:33.279 --> 01:19:35.680
<v Speaker 1>down memory lane once again to another early Year's Grave

1708
01:19:35.720 --> 01:19:37.560
<v Speaker 1>set from one of the great early death metal bands

1709
01:19:37.960 --> 01:19:40.720
<v Speaker 1>I did end up catching. I don't normally go incineration

1710
01:19:40.800 --> 01:19:43.159
<v Speaker 1>to the Electric Ballroom headliner because it happens right before

1711
01:19:43.159 --> 01:19:44.800
<v Speaker 1>the Rounhouse headliner and you know you have to run

1712
01:19:44.800 --> 01:19:47.079
<v Speaker 1>that kind of thing. I did end up seeing Plan To,

1713
01:19:47.119 --> 01:19:51.079
<v Speaker 1>but I saw a bit of hypocrisy Peter Tagrin's melodic

1714
01:19:51.119 --> 01:19:54.119
<v Speaker 1>death metal band, who were again in that slot. I've

1715
01:19:54.159 --> 01:19:56.319
<v Speaker 1>never been. This might be surprising. I've never been like

1716
01:19:56.359 --> 01:19:58.880
<v Speaker 1>a huge hypocrisy guy. Like. I think that they are

1717
01:19:59.479 --> 01:20:02.640
<v Speaker 1>a like Fie, a pretty fine band, like I always

1718
01:20:02.840 --> 01:20:04.479
<v Speaker 1>if they're on, I'm not mad about it. I think

1719
01:20:04.479 --> 01:20:07.039
<v Speaker 1>they've got a bunch of good material, good records they

1720
01:20:07.119 --> 01:20:09.960
<v Speaker 1>don't have. I would say a single record that I

1721
01:20:10.039 --> 01:20:11.920
<v Speaker 1>am like all in order and a door like one

1722
01:20:11.960 --> 01:20:15.079
<v Speaker 1>that I look at and go, that's an absolute fucking

1723
01:20:15.239 --> 01:20:18.520
<v Speaker 1>you know, extreme metal, underground metal classic. They've never connected

1724
01:20:18.520 --> 01:20:21.119
<v Speaker 1>with me quite in that way, but I will say,

1725
01:20:21.279 --> 01:20:24.159
<v Speaker 1>I mean considering again Peter as a as a producer

1726
01:20:24.199 --> 01:20:26.800
<v Speaker 1>and a thing. He's the vocalist on my favorite blood

1727
01:20:26.800 --> 01:20:28.880
<v Speaker 1>Bath album. Like, he does have his fingers in things

1728
01:20:28.880 --> 01:20:32.960
<v Speaker 1>that I absolutely love. But his actual main bands, like

1729
01:20:32.960 --> 01:20:36.760
<v Speaker 1>I've never been a fanatic about. But I like a

1730
01:20:36.800 --> 01:20:38.520
<v Speaker 1>POxy well enough. I know that I can catching a

1731
01:20:38.560 --> 01:20:39.840
<v Speaker 1>little bit of it, and I'm glad that I did because,

1732
01:20:39.960 --> 01:20:41.319
<v Speaker 1>like you know, again, not a band I would necessarily

1733
01:20:41.319 --> 01:20:42.760
<v Speaker 1>always be going to see, but like it was nice

1734
01:20:42.760 --> 01:20:45.039
<v Speaker 1>to tick them off essentially as a very long running

1735
01:20:45.239 --> 01:20:47.880
<v Speaker 1>respect to extream metal band. And they do have amongst

1736
01:20:47.880 --> 01:20:51.239
<v Speaker 1>the like Swedish melodic death metal bands, which is what

1737
01:20:51.279 --> 01:20:53.680
<v Speaker 1>they are. They don't really sound like the other ones,

1738
01:20:53.680 --> 01:20:55.279
<v Speaker 1>like they do have their own weird brand of it,

1739
01:20:55.319 --> 01:20:57.840
<v Speaker 1>Like they don't sound like in Flames or at the Gates,

1740
01:20:58.039 --> 01:21:01.039
<v Speaker 1>They don't sound like a moder math or Enemy or whatever.

1741
01:21:01.079 --> 01:21:03.520
<v Speaker 1>They have their own particular brand of it based around

1742
01:21:03.680 --> 01:21:08.680
<v Speaker 1>Peter's like very distinctive kind of barbed production sound that

1743
01:21:08.760 --> 01:21:12.680
<v Speaker 1>makes guitars sound really like mechanical and nechanized, but also

1744
01:21:13.039 --> 01:21:16.800
<v Speaker 1>it brings this like vastness and this kind of epic flavor,

1745
01:21:17.560 --> 01:21:20.399
<v Speaker 1>not in again a monomath like particularly like you know,

1746
01:21:20.560 --> 01:21:24.319
<v Speaker 1>heroic way, but just more like this kind of imposing

1747
01:21:24.439 --> 01:21:27.000
<v Speaker 1>grandeur about it with the extra layers of keyboards and

1748
01:21:27.000 --> 01:21:30.000
<v Speaker 1>stuff like that, and like it's very like reliably decent stuff.

1749
01:21:30.520 --> 01:21:32.159
<v Speaker 1>And I saw you know, maybe four or five songs

1750
01:21:32.159 --> 01:21:33.720
<v Speaker 1>of Hypoposim was like, okay, cool, like this is the

1751
01:21:33.800 --> 01:21:38.560
<v Speaker 1>Hypoxy live experience. Did that wandered back to the Roundhouse

1752
01:21:38.560 --> 01:21:41.720
<v Speaker 1>for the main proper headliner, which was Blood Fire Death,

1753
01:21:41.960 --> 01:21:45.560
<v Speaker 1>which is the all star you know black metal lineup

1754
01:21:45.640 --> 01:21:48.720
<v Speaker 1>Batha Retribute experience that has basically, you know, started up

1755
01:21:49.159 --> 01:21:52.039
<v Speaker 1>two or three years ago, you know, Norwegian festivals and

1756
01:21:52.159 --> 01:21:54.439
<v Speaker 1>Sandinnaviian festivals, the Imagine It world, and it has gradually

1757
01:21:54.479 --> 01:21:56.840
<v Speaker 1>been going everywhere else. I have discussed this on the

1758
01:21:56.840 --> 01:21:58.600
<v Speaker 1>show before because I saw it for the first time

1759
01:21:58.640 --> 01:22:00.920
<v Speaker 1>at Mystic Festival last year when I went to Poland.

1760
01:22:01.279 --> 01:22:03.159
<v Speaker 1>It was one of the things there that seemed the

1761
01:22:03.199 --> 01:22:06.199
<v Speaker 1>most almost kind of out of the ordinary, and that

1762
01:22:06.239 --> 01:22:08.479
<v Speaker 1>it wasn't playing in the UK right Like there was like,

1763
01:22:08.520 --> 01:22:10.840
<v Speaker 1>oh my god, you know this this big bath retribute

1764
01:22:10.840 --> 01:22:12.399
<v Speaker 1>thing is happening when I'm at this foreign festival. So

1765
01:22:12.439 --> 01:22:14.199
<v Speaker 1>I saw it there and I spoke about it there.

1766
01:22:14.840 --> 01:22:17.840
<v Speaker 1>We're going to revisit a discussion unfortunately we had there,

1767
01:22:18.880 --> 01:22:22.119
<v Speaker 1>which is the the lineup of the Blood Fire Death again.

1768
01:22:22.239 --> 01:22:24.039
<v Speaker 1>It's it's a bunch of people who have played in

1769
01:22:24.199 --> 01:22:28.199
<v Speaker 1>legendary black metal bands from from over the years. The

1770
01:22:28.239 --> 01:22:31.920
<v Speaker 1>lineup includes Eric from Latin as the vocalist. It includes

1771
01:22:32.159 --> 01:22:36.720
<v Speaker 1>Blasphema formerly of Mayhem on guitars, Ivar from Enslaved on guitars,

1772
01:22:37.119 --> 01:22:39.359
<v Speaker 1>Apollon who used being the More and also or a

1773
01:22:39.439 --> 01:22:42.840
<v Speaker 1>Noir and these type bands on bass. It has several

1774
01:22:43.159 --> 01:22:46.119
<v Speaker 1>revolving guest vocalists who also appear. So when I saw

1775
01:22:46.159 --> 01:22:47.880
<v Speaker 1>him last year, they had like Nurgel there, but also

1776
01:22:47.880 --> 01:22:51.399
<v Speaker 1>they frequently have Attila Chiha from Mayhem. Gruteal from enslaved

1777
01:22:52.159 --> 01:22:54.199
<v Speaker 1>Gal was there for this one which which was cool,

1778
01:22:54.239 --> 01:22:55.880
<v Speaker 1>which was again he wasn't there when I saw it

1779
01:22:55.920 --> 01:23:00.000
<v Speaker 1>last year. The drummer of this is Faust, the original

1780
01:23:00.119 --> 01:23:03.560
<v Speaker 1>old drummer of Emperor, has been around in many bands

1781
01:23:03.600 --> 01:23:07.479
<v Speaker 1>over the last couple of decades and again last year

1782
01:23:07.520 --> 01:23:10.239
<v Speaker 1>when we spoke about the Mystic Festival thing, I was,

1783
01:23:10.279 --> 01:23:12.560
<v Speaker 1>you know, I was very tentative, right, and I was

1784
01:23:12.640 --> 01:23:16.399
<v Speaker 1>very wary of that being such a topic that is

1785
01:23:16.439 --> 01:23:19.319
<v Speaker 1>so you know, close to the bone for so many people.

1786
01:23:19.359 --> 01:23:22.119
<v Speaker 1>If you are not aware. Faust again, the original drummer

1787
01:23:22.119 --> 01:23:24.960
<v Speaker 1>Emperor was sentenced to prison and convicted when he was

1788
01:23:24.960 --> 01:23:26.680
<v Speaker 1>about eighteen years old or something like that for the

1789
01:23:27.000 --> 01:23:29.960
<v Speaker 1>murder of a gay man. And he went to prison

1790
01:23:30.039 --> 01:23:31.800
<v Speaker 1>and served his time there and he's now like in

1791
01:23:31.840 --> 01:23:34.399
<v Speaker 1>his fifties and since his emergence he has you know,

1792
01:23:34.479 --> 01:23:36.359
<v Speaker 1>basically walked back into the button nel scene and has

1793
01:23:36.359 --> 01:23:38.960
<v Speaker 1>played in many bands, many original bands, but now he

1794
01:23:39.279 --> 01:23:42.800
<v Speaker 1>I think he most often turns up on people's radars,

1795
01:23:42.840 --> 01:23:46.439
<v Speaker 1>I suppose, and gets headlines. Sometimes he has appeared with Emperor,

1796
01:23:47.000 --> 01:23:49.159
<v Speaker 1>and he has again. He's the full time drummer here

1797
01:23:49.199 --> 01:23:52.199
<v Speaker 1>of the Blood Fire Death tribute band for Bathory. And

1798
01:23:53.239 --> 01:24:01.840
<v Speaker 1>it's such a difficult I am so so of how

1799
01:24:01.920 --> 01:24:06.319
<v Speaker 1>upsetting that is, right, because it's this difficult balance that

1800
01:24:06.399 --> 01:24:11.159
<v Speaker 1>I find talking about this kind of thing of believing

1801
01:24:11.319 --> 01:24:17.119
<v Speaker 1>and hoping for and wanting reform essentially, and the idea

1802
01:24:17.239 --> 01:24:20.800
<v Speaker 1>of someone who might well have done something terrible, like

1803
01:24:20.920 --> 01:24:24.119
<v Speaker 1>absolutely heinous, should never be allowed to forget they did

1804
01:24:24.159 --> 01:24:28.880
<v Speaker 1>that atrocious, but is then able to rehabilitate themselves. That's

1805
01:24:28.880 --> 01:24:30.520
<v Speaker 1>something that I have belief in, and that's something that

1806
01:24:30.560 --> 01:24:32.199
<v Speaker 1>I think if we don't have belief in that, then

1807
01:24:32.960 --> 01:24:34.800
<v Speaker 1>what's the point in any of it? You know, That's

1808
01:24:34.840 --> 01:24:37.640
<v Speaker 1>what all the stuff should be kind of aimed around,

1809
01:24:38.239 --> 01:24:44.279
<v Speaker 1>versus not letting people forget these crimes, right, and how

1810
01:24:44.279 --> 01:24:47.279
<v Speaker 1>that makes people feel, particularly in terms of the message

1811
01:24:47.279 --> 01:24:49.119
<v Speaker 1>that's sent out there. Because the thing with Faust is,

1812
01:24:50.119 --> 01:24:51.720
<v Speaker 1>from time to time in interviews and stuff like that

1813
01:24:51.760 --> 01:24:55.000
<v Speaker 1>he has expressed remorse for what he did, and I

1814
01:24:55.039 --> 01:24:57.960
<v Speaker 1>don't fundamentally, I don't believe Faust to be like an

1815
01:24:58.000 --> 01:25:00.720
<v Speaker 1>active danger in the current metal set right, Like he's

1816
01:25:00.720 --> 01:25:03.079
<v Speaker 1>been there for decades now basically being a pretty chill guy.

1817
01:25:03.399 --> 01:25:06.720
<v Speaker 1>But it's the I think what people might consider the

1818
01:25:06.760 --> 01:25:10.479
<v Speaker 1>appropriate gestures of like a much larger nature, like really

1819
01:25:10.520 --> 01:25:13.000
<v Speaker 1>like fully making a even if he has express remorse

1820
01:25:13.039 --> 01:25:15.760
<v Speaker 1>in you know, small fucking fans in interviews here or

1821
01:25:15.760 --> 01:25:18.079
<v Speaker 1>there or whatever, making a full on, like the public

1822
01:25:18.119 --> 01:25:22.920
<v Speaker 1>show of repenting and basically setting the standard for everyone else.

1823
01:25:23.239 --> 01:25:24.720
<v Speaker 1>You know, that's kind of what you'd hope for. I

1824
01:25:24.720 --> 01:25:26.680
<v Speaker 1>suppose it's like making sure that this kind of thing

1825
01:25:27.119 --> 01:25:30.000
<v Speaker 1>is never allowed to happen again. And so there is

1826
01:25:30.039 --> 01:25:34.560
<v Speaker 1>this struggle of again wanting to allow people to be

1827
01:25:34.560 --> 01:25:38.079
<v Speaker 1>better and to reform themselves and all of that versus

1828
01:25:38.560 --> 01:25:41.760
<v Speaker 1>what I am very very conscious of, which is people

1829
01:25:42.279 --> 01:25:46.800
<v Speaker 1>in marginalized communities who have experienced crimes like these against

1830
01:25:46.840 --> 01:25:51.600
<v Speaker 1>their communities basically being heard and being like you know,

1831
01:25:51.640 --> 01:25:54.520
<v Speaker 1>feeling seen and making sure they feel safe at these

1832
01:25:54.560 --> 01:25:56.000
<v Speaker 1>tup shows and stuff like that. And that is the

1833
01:25:56.520 --> 01:25:58.279
<v Speaker 1>that is the real struggle there. And I basically, I

1834
01:25:58.319 --> 01:26:03.039
<v Speaker 1>never want to approach anything like this and not acknowledge

1835
01:26:03.479 --> 01:26:09.319
<v Speaker 1>that conversation and acknowledge the wide breadth of feeling that

1836
01:26:09.319 --> 01:26:12.279
<v Speaker 1>there can be on that Does it change things at all?

1837
01:26:12.359 --> 01:26:15.600
<v Speaker 1>This performance also featured possibly the most prominent outwardly gay

1838
01:26:15.600 --> 01:26:19.079
<v Speaker 1>man in extreme metal, in Gull. I don't know, and

1839
01:26:19.119 --> 01:26:20.760
<v Speaker 1>it's not really for me to say. Like I said,

1840
01:26:20.760 --> 01:26:23.640
<v Speaker 1>that is just the facts of how it is. It's

1841
01:26:23.680 --> 01:26:28.319
<v Speaker 1>a very again complicated, I totally understand, very upsetting dilemma.

1842
01:26:28.880 --> 01:26:30.600
<v Speaker 1>But I never want to speak about anything like this

1843
01:26:30.640 --> 01:26:33.680
<v Speaker 1>and as I say, not make people are really aware

1844
01:26:33.880 --> 01:26:36.560
<v Speaker 1>of it, you know, and not acknowledge it if you

1845
01:26:36.640 --> 01:26:38.920
<v Speaker 1>are able to reconcile that and how personally you feel

1846
01:26:38.920 --> 01:26:43.800
<v Speaker 1>about that dilemma. The blood Fire eth Bathory tribute experience.

1847
01:26:43.960 --> 01:26:45.600
<v Speaker 1>I did speak about it last year. This was the

1848
01:26:45.640 --> 01:26:47.760
<v Speaker 1>first UK appearance of it, so I think a lot

1849
01:26:47.760 --> 01:26:50.880
<v Speaker 1>of people who had been eyeing up these experiences, this,

1850
01:26:51.079 --> 01:26:55.600
<v Speaker 1>you know, huge spectacle essentially for the black metal world abroad.

1851
01:26:55.640 --> 01:26:58.319
<v Speaker 1>Again it places like Beyond the Gates or whatever, wondering

1852
01:26:58.359 --> 01:27:00.319
<v Speaker 1>if it could appear in the UK. This was a

1853
01:27:00.600 --> 01:27:04.199
<v Speaker 1>pretty huge get for Incineration as the first, possibly only

1854
01:27:04.520 --> 01:27:06.920
<v Speaker 1>UK appearance of this like full on Bathory experience. And

1855
01:27:06.920 --> 01:27:08.680
<v Speaker 1>what was special thing about this one is that, like

1856
01:27:08.720 --> 01:27:10.880
<v Speaker 1>I said, I'd already seen it at Mystic, but it

1857
01:27:10.960 --> 01:27:14.319
<v Speaker 1>was looking around me at people who hadn't seen it before,

1858
01:27:15.119 --> 01:27:18.000
<v Speaker 1>like just with this look of like disbelief on their

1859
01:27:18.000 --> 01:27:19.680
<v Speaker 1>face and kind of the look of magic about it.

1860
01:27:19.720 --> 01:27:23.560
<v Speaker 1>Because Bathory, by rights, we should be seeing that music

1861
01:27:23.600 --> 01:27:26.880
<v Speaker 1>on stage played by the guy who made it right

1862
01:27:26.920 --> 01:27:29.560
<v Speaker 1>and Kawforn never played Bathory live. It was a studio

1863
01:27:29.560 --> 01:27:31.960
<v Speaker 1>and experience, but there was I think at times there

1864
01:27:32.039 --> 01:27:34.000
<v Speaker 1>was talk about if they were to bring it to

1865
01:27:34.039 --> 01:27:36.479
<v Speaker 1>the stage, and that's kind of the almost the the

1866
01:27:36.520 --> 01:27:38.439
<v Speaker 1>guy that this band has like followed as like how

1867
01:27:38.479 --> 01:27:40.159
<v Speaker 1>would we present bath three music on stage if it

1868
01:27:40.239 --> 01:27:42.840
<v Speaker 1>was to go there. But in terms of like formative music,

1869
01:27:43.279 --> 01:27:46.039
<v Speaker 1>the way that you can go and see Metallica playing

1870
01:27:46.279 --> 01:27:48.720
<v Speaker 1>Kill Them All songs, and you can see Trypticon playing

1871
01:27:48.720 --> 01:27:50.800
<v Speaker 1>Celtic FROs songs, and you can go see Slayer or

1872
01:27:50.840 --> 01:27:54.960
<v Speaker 1>whatever like this is like base level formative, essential ground

1873
01:27:55.079 --> 01:27:58.199
<v Speaker 1>zero for you know, the direction that heavy metal goes

1874
01:27:58.800 --> 01:28:02.279
<v Speaker 1>type stuff. And so seeing this material that for many

1875
01:28:02.319 --> 01:28:04.399
<v Speaker 1>people is like the most formative black met material they

1876
01:28:04.399 --> 01:28:07.920
<v Speaker 1>can imagine played on stage for the first time because

1877
01:28:07.960 --> 01:28:10.279
<v Speaker 1>it's never been done before, at least to this you know,

1878
01:28:10.399 --> 01:28:13.319
<v Speaker 1>level of like legitimacy, because it's basically like, yeah, it's

1879
01:28:13.359 --> 01:28:16.560
<v Speaker 1>a tribute band, but it's like an officially licensed tribute

1880
01:28:16.560 --> 01:28:20.560
<v Speaker 1>band featuring players who are very integral to that scene. Right,

1881
01:28:20.760 --> 01:28:24.640
<v Speaker 1>So seeing it presented with this level of legitimacy, people

1882
01:28:24.680 --> 01:28:26.840
<v Speaker 1>can't quite believe it, Like it's like, what do you mean,

1883
01:28:26.880 --> 01:28:29.159
<v Speaker 1>I'm seeing Bathary songs like it's fucking crazy in a

1884
01:28:29.239 --> 01:28:31.920
<v Speaker 1>huge venue with again Pyro and all of this stuff,

1885
01:28:31.920 --> 01:28:35.239
<v Speaker 1>and it, like you material from those like classic eighties

1886
01:28:36.279 --> 01:28:38.600
<v Speaker 1>run of records that is like again ground zero black metal.

1887
01:28:39.039 --> 01:28:42.840
<v Speaker 1>It's pretty unbelievable and opening with a Fine Day to Die,

1888
01:28:42.880 --> 01:28:46.760
<v Speaker 1>as they often have been doing on this But when

1889
01:28:46.800 --> 01:28:48.920
<v Speaker 1>I saw it last year, a mystic it was the

1890
01:28:49.119 --> 01:28:50.560
<v Speaker 1>front of room and slave who sang that, But here

1891
01:28:50.560 --> 01:28:53.039
<v Speaker 1>it was Ghl, which is another wonderful thing, was girl

1892
01:28:53.119 --> 01:28:56.640
<v Speaker 1>being present, not just here but at the festival. We

1893
01:28:56.640 --> 01:28:59.439
<v Speaker 1>were stood in the alley outside the Black Heart like

1894
01:28:59.479 --> 01:29:02.000
<v Speaker 1>before the He's eventually kicked in and Gahl walked down

1895
01:29:02.000 --> 01:29:04.119
<v Speaker 1>the street and you could tense, like you could sense

1896
01:29:04.119 --> 01:29:06.239
<v Speaker 1>that everyone in this alley, was like, it is that girl,

1897
01:29:06.479 --> 01:29:11.560
<v Speaker 1>because he's this very tall, imposing, striking looking man. Just

1898
01:29:11.680 --> 01:29:14.560
<v Speaker 1>he carries this like proper level of star power around

1899
01:29:14.640 --> 01:29:17.119
<v Speaker 1>it wherever he goes. But him singing A Fine Day

1900
01:29:17.199 --> 01:29:21.279
<v Speaker 1>to Die was really intense, particularly because girl one of

1901
01:29:21.319 --> 01:29:26.960
<v Speaker 1>the most vocally capable of inhuman things black mett all singers,

1902
01:29:27.119 --> 01:29:29.119
<v Speaker 1>and he hit at one point in this what I

1903
01:29:29.119 --> 01:29:32.800
<v Speaker 1>could only describe as like a black metal Mariah whistle note,

1904
01:29:32.840 --> 01:29:35.000
<v Speaker 1>to the point where he like, you know when singers

1905
01:29:35.039 --> 01:29:37.039
<v Speaker 1>like hold their like finger to their head as if

1906
01:29:37.039 --> 01:29:39.439
<v Speaker 1>they're trying to hit a certain note. I'm not again,

1907
01:29:39.520 --> 01:29:42.039
<v Speaker 1>I'm not capable or proficient enough to really know what

1908
01:29:42.079 --> 01:29:44.520
<v Speaker 1>that is. But he did one of those and hit

1909
01:29:45.159 --> 01:29:47.680
<v Speaker 1>like a whistle scream. It was so weird, and I

1910
01:29:47.760 --> 01:29:50.159
<v Speaker 1>was like, I can't believe a man is making that noise.

1911
01:29:50.560 --> 01:29:55.640
<v Speaker 1>But girl hitting that what an absolute fucking icon incredible.

1912
01:29:56.359 --> 01:30:00.520
<v Speaker 1>But then there's deeper for real. But then you know

1913
01:30:00.680 --> 01:30:03.680
<v Speaker 1>Eric from Wattin being almost like the chair of how

1914
01:30:03.680 --> 01:30:06.840
<v Speaker 1>his experience goes, and he is I think amongst black

1915
01:30:06.840 --> 01:30:10.159
<v Speaker 1>met vocalists, he's uniquely equipped to like making you feel

1916
01:30:10.159 --> 01:30:12.720
<v Speaker 1>like this stuff is real, Basically like in how he

1917
01:30:12.760 --> 01:30:16.079
<v Speaker 1>speaks to the audience, like they played the song for

1918
01:30:16.079 --> 01:30:19.720
<v Speaker 1>those who died by Bathory obviously, and he was like,

1919
01:30:19.760 --> 01:30:21.520
<v Speaker 1>this is a song it's basically about like witch burnings

1920
01:30:21.520 --> 01:30:22.800
<v Speaker 1>and stuff like that. And he was like, this is

1921
01:30:22.840 --> 01:30:26.119
<v Speaker 1>a song for our like our mothers and sisters of

1922
01:30:26.159 --> 01:30:28.239
<v Speaker 1>the Black Hand. May we you know, it's like you

1923
01:30:28.279 --> 01:30:29.920
<v Speaker 1>may we always remember them? Like he really made a

1924
01:30:29.920 --> 01:30:33.159
<v Speaker 1>full fucking thing basically as if like we are there

1925
01:30:33.760 --> 01:30:35.640
<v Speaker 1>in that moment. Whereas for that that song and that

1926
01:30:35.720 --> 01:30:37.399
<v Speaker 1>kind of subject matter for many people could be very

1927
01:30:37.479 --> 01:30:39.119
<v Speaker 1>kitch you know what I mean, and just very sort

1928
01:30:39.159 --> 01:30:42.239
<v Speaker 1>of again sort of fantastical. But he, like Eric I think,

1929
01:30:42.319 --> 01:30:43.960
<v Speaker 1>is one of the best battle Front man at making

1930
01:30:44.000 --> 01:30:46.920
<v Speaker 1>you believe everything, just being like this is like real,

1931
01:30:47.000 --> 01:30:50.720
<v Speaker 1>you know, like this is the continuum we're in. Uh

1932
01:30:51.079 --> 01:30:54.159
<v Speaker 1>grew up from enslaved, did do you know some stuff

1933
01:30:54.159 --> 01:30:57.199
<v Speaker 1>as well. Attila Chiha from Mayhem was there as well.

1934
01:30:57.239 --> 01:31:01.760
<v Speaker 1>I'm fascinated by the logistical finances of this in terms

1935
01:31:01.840 --> 01:31:04.119
<v Speaker 1>of like when you book a band for a festival

1936
01:31:04.439 --> 01:31:07.199
<v Speaker 1>and there's five members, right, and you fly them all

1937
01:31:07.199 --> 01:31:11.119
<v Speaker 1>out and they all play at Tilla and again from

1938
01:31:11.119 --> 01:31:12.840
<v Speaker 1>a Slaves and they all seem to be like a

1939
01:31:12.840 --> 01:31:16.640
<v Speaker 1>part of this full time almost but they only appear

1940
01:31:16.680 --> 01:31:18.479
<v Speaker 1>to do a song or two. And I'm fascinated by

1941
01:31:18.520 --> 01:31:21.159
<v Speaker 1>the logistics of like who's book Like what how much

1942
01:31:21.159 --> 01:31:24.199
<v Speaker 1>do you get paid for this? Like are you booking

1943
01:31:24.199 --> 01:31:27.720
<v Speaker 1>your own flight? Like how the Bathary tribute show? Like

1944
01:31:27.880 --> 01:31:30.239
<v Speaker 1>camp of like how many people are on this rider

1945
01:31:30.600 --> 01:31:33.119
<v Speaker 1>or whatever? Because it's like ten musicians who seem to

1946
01:31:33.119 --> 01:31:34.800
<v Speaker 1>be going wherever they go, and obviously it's the big

1947
01:31:34.800 --> 01:31:36.560
<v Speaker 1>headline draw at the festival. But I am that sort

1948
01:31:36.560 --> 01:31:39.760
<v Speaker 1>of the logistics of who is who is not like

1949
01:31:39.800 --> 01:31:41.920
<v Speaker 1>a full time member of this thing where they're doing

1950
01:31:41.960 --> 01:31:44.520
<v Speaker 1>one song or two songs or whatever, is really the

1951
01:31:44.560 --> 01:31:46.079
<v Speaker 1>kind of behind the see stuff you don't think about.

1952
01:31:46.079 --> 01:31:48.039
<v Speaker 1>But I was intrigued by that. But a tilla from

1953
01:31:48.079 --> 01:31:52.319
<v Speaker 1>Mayhem Sporting, I must say at the moment one of

1954
01:31:52.359 --> 01:31:57.279
<v Speaker 1>the strangest hairstyles. It's a hairstyle that no human before

1955
01:31:57.359 --> 01:31:59.479
<v Speaker 1>him has ever had. I think, like you know the

1956
01:31:59.479 --> 01:32:02.960
<v Speaker 1>one I mean shown you. It's it's a real spectacle.

1957
01:32:03.079 --> 01:32:05.399
<v Speaker 2>This hair, oh his hair island.

1958
01:32:07.239 --> 01:32:09.439
<v Speaker 1>It's so weird. So I don't even know how to

1959
01:32:09.840 --> 01:32:11.800
<v Speaker 1>like describing it without seeing a picture. For you It's

1960
01:32:11.800 --> 01:32:13.560
<v Speaker 1>so weird because it's not like a normal haircut. Basically,

1961
01:32:13.720 --> 01:32:18.880
<v Speaker 1>he's bold apart from the hair that's like growing like

1962
01:32:19.039 --> 01:32:21.920
<v Speaker 1>above his ear basically like that level of hair line.

1963
01:32:22.520 --> 01:32:25.239
<v Speaker 1>He has let that grow and he styled it and

1964
01:32:25.359 --> 01:32:28.600
<v Speaker 1>curled it around the top of the crown of his

1965
01:32:28.680 --> 01:32:31.800
<v Speaker 1>head like imagine like a twirly mustache. But it's coming

1966
01:32:31.880 --> 01:32:35.720
<v Speaker 1>from the hair directly like that grows directly above your

1967
01:32:35.720 --> 01:32:38.800
<v Speaker 1>ear line, and he's looked it round. He looks like

1968
01:32:38.840 --> 01:32:41.359
<v Speaker 1>a monk from an alien planet. It's so insane because

1969
01:32:41.399 --> 01:32:43.159
<v Speaker 1>it's hair that no one has ever had before. And

1970
01:32:43.439 --> 01:32:46.760
<v Speaker 1>is it hair that I recommend anyone has? No But

1971
01:32:47.640 --> 01:32:49.960
<v Speaker 1>I do recommend that Attila Chiha has it because at

1972
01:32:49.960 --> 01:32:53.840
<v Speaker 1>Tilla has to look like an insane person because Attilla

1973
01:32:54.960 --> 01:33:00.000
<v Speaker 1>he carries this aura of one of the most maverick idea.

1974
01:33:00.000 --> 01:33:01.920
<v Speaker 1>I don't know what's going on in your mind, people,

1975
01:33:02.239 --> 01:33:04.479
<v Speaker 1>imaginable And do I recommend that your average lamor and

1976
01:33:04.479 --> 01:33:08.239
<v Speaker 1>sports his hairstyle. Absolutely not. It's terrible. But I am

1977
01:33:08.319 --> 01:33:10.479
<v Speaker 1>so happy and so glad that Atila has this hair

1978
01:33:10.520 --> 01:33:13.520
<v Speaker 1>because no one could rock it and get away with

1979
01:33:13.560 --> 01:33:16.960
<v Speaker 1>it the way that he does through pure freak aura.

1980
01:33:18.079 --> 01:33:21.640
<v Speaker 2>Yeah, like you say, no one else, but the guy

1981
01:33:21.680 --> 01:33:25.319
<v Speaker 2>who whenever I see pictures of him is usually screaming

1982
01:33:25.359 --> 01:33:29.039
<v Speaker 2>into a skull. Yeah that that guy have it. He

1983
01:33:29.119 --> 01:33:32.000
<v Speaker 2>should have this fucked up like coln Olver.

1984
01:33:33.079 --> 01:33:36.920
<v Speaker 1>Yeah, someone who has spent so many decades finding new

1985
01:33:37.039 --> 01:33:41.199
<v Speaker 1>weird ways to present himself and new looks and stuff

1986
01:33:41.199 --> 01:33:43.239
<v Speaker 1>like that. Like he's like, I don't know when people

1987
01:33:43.239 --> 01:33:45.319
<v Speaker 1>talk about David Bowie being a chameleon, a man of

1988
01:33:45.319 --> 01:33:46.720
<v Speaker 1>a thousand looks or whatever, like this is like that

1989
01:33:46.760 --> 01:33:49.720
<v Speaker 1>for people with like literal skeletons under their bed, Like

1990
01:33:49.880 --> 01:33:53.560
<v Speaker 1>it's and God bless him for continuing to find new

1991
01:33:53.600 --> 01:33:57.199
<v Speaker 1>ways to look and present himself as outwardly bizarre. But

1992
01:33:57.319 --> 01:33:59.239
<v Speaker 1>him singing this stuff is always incredible because he just

1993
01:33:59.279 --> 01:34:01.880
<v Speaker 1>has the most fucked up though. It's so brilliant. And

1994
01:34:02.720 --> 01:34:04.880
<v Speaker 1>there's this brilliant thing with this Bathory show where you

1995
01:34:04.920 --> 01:34:09.199
<v Speaker 1>can look around and there's so much shared history between

1996
01:34:09.239 --> 01:34:11.039
<v Speaker 1>the players as well, Like there's the fact that it's

1997
01:34:11.079 --> 01:34:13.720
<v Speaker 1>Bathory songs, which is so important, and these are songs

1998
01:34:13.720 --> 01:34:16.119
<v Speaker 1>that kind of unite everyone on stage basically in being

1999
01:34:16.239 --> 01:34:19.640
<v Speaker 1>like almost the songs that got them into this thing.

2000
01:34:19.720 --> 01:34:21.760
<v Speaker 1>Basically the songs that at least set the template for

2001
01:34:21.800 --> 01:34:24.159
<v Speaker 1>what their bands are going to do. But then there's

2002
01:34:24.199 --> 01:34:27.680
<v Speaker 1>so much individual shared history and seeing Attila from Mayhem

2003
01:34:27.720 --> 01:34:29.680
<v Speaker 1>come out and he goes over and he's danding next

2004
01:34:29.680 --> 01:34:31.800
<v Speaker 1>to Blasphema, who used to be in Mayhem, and it's

2005
01:34:31.800 --> 01:34:34.159
<v Speaker 1>like those two together, it's like, Oh, that pair those

2006
01:34:34.199 --> 01:34:37.840
<v Speaker 1>guys wrote Auto ad Ko, like that one specific weird

2007
01:34:38.039 --> 01:34:40.119
<v Speaker 1>record that I have such a love affare with, Like

2008
01:34:40.239 --> 01:34:43.920
<v Speaker 1>that's the creative pair of minds on there together that

2009
01:34:44.039 --> 01:34:46.239
<v Speaker 1>produced that record. Who are there? Played this Bathory song

2010
01:34:46.520 --> 01:34:48.760
<v Speaker 1>or Woman of Dark Desires towards the end, which is

2011
01:34:48.760 --> 01:34:50.840
<v Speaker 1>one of the big Bathory bangers, right, like the real

2012
01:34:50.960 --> 01:34:53.960
<v Speaker 1>the ones that people know the words to. Normally, Eric

2013
01:34:54.000 --> 01:34:56.039
<v Speaker 1>from Matane is the main singer for that song, but

2014
01:34:56.359 --> 01:34:58.079
<v Speaker 1>Attilla just appeared. I think I don't know if he

2015
01:34:58.159 --> 01:34:59.640
<v Speaker 1>was meant to. I think he might have just wandered out,

2016
01:34:59.680 --> 01:35:02.000
<v Speaker 1>because I hear him like off stage doing his weird gurgle.

2017
01:35:02.039 --> 01:35:04.479
<v Speaker 1>I was like, where's that coming from? But then he appeared,

2018
01:35:04.720 --> 01:35:08.039
<v Speaker 1>and there's Eric from Wattine and Attila from Mayhem, who

2019
01:35:08.039 --> 01:35:10.800
<v Speaker 1>are basically like my two favorite black metal front men

2020
01:35:11.359 --> 01:35:14.600
<v Speaker 1>standing together singing this old classic Bathory song like it's

2021
01:35:14.640 --> 01:35:18.199
<v Speaker 1>just there's there is something really magical about that. I

2022
01:35:18.239 --> 01:35:20.239
<v Speaker 1>can't express how much like how exciting is for a

2023
01:35:20.239 --> 01:35:22.079
<v Speaker 1>black metal show to be a few songs in and

2024
01:35:22.119 --> 01:35:24.239
<v Speaker 1>be like, oh my god, here's Grutle from Enslaved, you know,

2025
01:35:24.399 --> 01:35:27.479
<v Speaker 1>here's a tiller chee harm on, here's Ghal like it's

2026
01:35:27.600 --> 01:35:31.640
<v Speaker 1>it is a big spectacle in that regard, And I said,

2027
01:35:31.720 --> 01:35:34.119
<v Speaker 1>ending on as they always do the song blood Fire Death,

2028
01:35:34.119 --> 01:35:36.800
<v Speaker 1>and you get the whole full fucking like like sparklers

2029
01:35:36.840 --> 01:35:38.680
<v Speaker 1>coming from the top of the roundhouse ceiling and stuff

2030
01:35:38.720 --> 01:35:40.640
<v Speaker 1>like that. They had a few like tech problems compared

2031
01:35:40.680 --> 01:35:42.199
<v Speaker 1>to when I last saw them, where like the drum

2032
01:35:42.279 --> 01:35:44.600
<v Speaker 1>microphone just repeatedly like a few times in the set

2033
01:35:44.640 --> 01:35:46.359
<v Speaker 1>to shat it and there'd be like a minute where

2034
01:35:46.399 --> 01:35:49.119
<v Speaker 1>you would only hear like the I guess, the organic

2035
01:35:49.199 --> 01:35:51.119
<v Speaker 1>tone of the drums without the amplification. But then it

2036
01:35:51.159 --> 01:35:53.479
<v Speaker 1>would come back on and yeah, like I said, for

2037
01:35:53.520 --> 01:35:55.680
<v Speaker 1>me the second time seeing the Bathory set, a couple

2038
01:35:55.720 --> 01:35:58.960
<v Speaker 1>of different guests, a couple of different songs, you know,

2039
01:35:59.079 --> 01:36:01.439
<v Speaker 1>added and removed based from last time, based on maybe

2040
01:36:01.600 --> 01:36:03.279
<v Speaker 1>what guests are around. I don't know what they're deciding

2041
01:36:03.319 --> 01:36:05.159
<v Speaker 1>to do, but the first time in the UK, and

2042
01:36:05.199 --> 01:36:08.880
<v Speaker 1>like I said, seeing lots of people who Bathy clearly

2043
01:36:08.960 --> 01:36:11.119
<v Speaker 1>runs in their veins. Getting to see that for the

2044
01:36:11.119 --> 01:36:15.000
<v Speaker 1>first time was again quite a memorable experience in itself.

2045
01:36:15.000 --> 01:36:17.479
<v Speaker 1>And that was the end of Incineration Festival for twenty

2046
01:36:17.479 --> 01:36:19.720
<v Speaker 1>twenty six. Again, don't know what they'll have next year,

2047
01:36:19.720 --> 01:36:21.239
<v Speaker 1>who knows if our be there or not, but I'm

2048
01:36:21.239 --> 01:36:24.319
<v Speaker 1>always at least intrigued by what is appearing on Incineration.

2049
01:36:25.239 --> 01:36:27.079
<v Speaker 1>Everyone who got Sea Dragon Sunlight for the first time

2050
01:36:27.119 --> 01:36:29.239
<v Speaker 1>this weekend, I hope that it lived up to everything

2051
01:36:29.239 --> 01:36:30.720
<v Speaker 1>that we were picking it up as I can't imagine

2052
01:36:30.760 --> 01:36:32.279
<v Speaker 1>it didn't because what the fuck is wrong with you

2053
01:36:33.159 --> 01:36:35.640
<v Speaker 1>and the real again eyes on the horizon for it.

2054
01:36:35.680 --> 01:36:37.439
<v Speaker 1>For me, what comes next is a Feather and Bone

2055
01:36:37.439 --> 01:36:40.760
<v Speaker 1>with a new record like because that was just we

2056
01:36:40.760 --> 01:36:43.920
<v Speaker 1>were being cooked, we were being like absolutely meets tender eyed.

2057
01:36:43.960 --> 01:36:46.600
<v Speaker 1>It was fucking mentally. They were brilliant. So yeah, cheers

2058
01:36:46.600 --> 01:36:48.880
<v Speaker 1>for everybody go hung out over Incineration Festival. Thank you Mark

2059
01:36:48.920 --> 01:36:50.760
<v Speaker 1>for joining me here and listen to me talk a

2060
01:36:50.800 --> 01:36:53.039
<v Speaker 1>little while. I spoke about the Scimitar show that ripped

2061
01:36:53.039 --> 01:36:56.600
<v Speaker 1>in it, so good stuff there cheers everybody for listening.

2062
01:36:57.359 --> 01:37:00.960
<v Speaker 1>We will be back next week Big show Wise are

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<v Speaker 1>obviously at some point in May we'll have a reviews bag,

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<v Speaker 1>but we are going to be looking to putting together

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<v Speaker 1>our next part of our Corn Special. Over on the

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<v Speaker 1>Patreon right now you can hear our brand new album

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<v Speaker 1>Club Special, which features the likes of bringing the Horizon

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<v Speaker 1>Municipal Waste Roller to Massy and the brilliant, brilliant band

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<v Speaker 1>Caladan Brude Festival season I supposed you know, Incineration Festival

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<v Speaker 1>arriving at the very beginning of May is almost just

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<v Speaker 1>the starter of like the events coming thick and fast,

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<v Speaker 1>right So over the next few months, we've got Fortress,

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<v Speaker 1>We've got Outbreak and a new two thousand Trees will

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<v Speaker 1>come and go, download will come and go, all sorts

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<v Speaker 1>of kicking up over the twenty twenty sixth summer, but

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<v Speaker 1>we will be here to talk you through how we

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<v Speaker 1>see it. So yeah, cheers, everybody. Please leave us a

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01:37:44.520 --> 01:37:46.840
<v Speaker 1>rating and a review on your whatever you're listening to

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<v Speaker 1>us on right now, Apple, Podcast, Spotify or whatever. It

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<v Speaker 1>does help us out. It does again boost the algorithm,

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<v Speaker 1>and I know we all fucking hate algorithms. I hate

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<v Speaker 1>algorithms that we have to play and if we're going

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01:37:56.319 --> 01:37:58.399
<v Speaker 1>to at all get out there and reach people, so

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<v Speaker 1>please do leave us a nice positive rating and review.

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<v Speaker 1>If you are so inclined, it does help otherwise. We'll

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<v Speaker 1>be back next week with more of this good stuff.

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<v Speaker 1>Cheers everyone, Bye play for those Dolphins Man
