1
00:00:51,079 --> 00:00:57,600
Speaker 1: Jobs on a summer day, trying to take my heart.

2
00:00:58,399 --> 00:01:06,840
Bakey some okay in my my start bringing me down,

3
00:01:07,799 --> 00:01:10,280
think come by, drop.

4
00:01:11,959 --> 00:02:09,120
Speaker 2: Stick wait for me, my dear.

5
00:02:10,120 --> 00:02:16,400
Speaker 1: Won't you take me back and we can disappear, but

6
00:02:16,719 --> 00:02:23,479
you a car back. It's breaking me down, thinking.

7
00:02:23,439 --> 00:02:25,120
Speaker 3: My die.

8
00:02:26,800 --> 00:02:33,280
Speaker 4: Su I'm saying, oh my god, I hate boys, show

9
00:02:33,520 --> 00:02:39,960
I have back, chops might come back here. Oh my god,

10
00:02:42,039 --> 00:02:46,960
oh my god, out here by saying how I have back,

11
00:02:48,520 --> 00:02:50,479
shouts ing on black l.

12
00:02:51,360 --> 00:02:53,360
Speaker 3: On my copy, said.

13
00:03:45,639 --> 00:03:53,280
Speaker 1: Jack on a summerday, trying to take my heart, make

14
00:03:53,360 --> 00:03:57,560
me insuper cake in my mind.

15
00:03:59,120 --> 00:03:59,439
Speaker 5: Side.

16
00:04:00,080 --> 00:04:03,199
Speaker 6: Ain't getting me down thinking of my.

17
00:04:04,199 --> 00:04:07,560
Speaker 3: Job, stick me down.

18
00:04:08,199 --> 00:04:11,560
Speaker 6: I say, oh my god, I hate good.

19
00:04:12,120 --> 00:04:16,920
Speaker 4: I'm singing out about half batate rain chops might come

20
00:04:17,120 --> 00:04:22,800
back with you. Oh my god, he sick, Oh my god,

21
00:04:22,959 --> 00:04:28,199
out hate bois. I'm singing out loud, half baculated rain

22
00:04:28,360 --> 00:04:29,600
chops might come.

23
00:04:29,519 --> 00:04:33,519
Speaker 3: Back with you. Oh my god. We say ba.

24
00:06:11,519 --> 00:06:14,040
Speaker 7: Hmmm, that's a nice sound. I like that. A lot

25
00:06:14,120 --> 00:06:16,639
that is called rain Drops. The band is Veil's End,

26
00:06:16,680 --> 00:06:18,360
and they're here with us in studio. We're going to

27
00:06:18,839 --> 00:06:20,600
speak with them in just a moment, and they're gonna

28
00:06:20,600 --> 00:06:22,360
play live for us, so really looking forward to that.

29
00:06:22,439 --> 00:06:24,639
But yeah, that's a great song, very very catchy. And

30
00:06:24,800 --> 00:06:26,560
I'm gonna go ahead and bring these mics up and

31
00:06:27,279 --> 00:06:33,600
we will introduce Veil's end. Welcome everybody. Let's see Emma,

32
00:06:33,720 --> 00:06:35,759
let's start with you, and we'll go around the room

33
00:06:35,800 --> 00:06:38,319
and you can each tell us who you are and

34
00:06:38,680 --> 00:06:39,519
what you do in the band.

35
00:06:40,000 --> 00:06:42,759
Speaker 8: So my name is Emma Marianni. I am the lead

36
00:06:42,879 --> 00:06:43,839
singer of the band.

37
00:06:44,279 --> 00:06:45,040
Speaker 7: Okay, welcome.

38
00:06:45,439 --> 00:06:48,519
Speaker 9: I am Nick Marianni. I play guitar and sing in

39
00:06:48,560 --> 00:06:48,879
the band.

40
00:06:49,079 --> 00:06:49,959
Speaker 7: All right, welcome.

41
00:06:50,360 --> 00:06:52,360
Speaker 10: I'm Joey Marianni. I play bass in the band.

42
00:06:52,439 --> 00:06:53,160
Speaker 7: All right, welcome.

43
00:06:54,160 --> 00:06:56,519
Speaker 11: I am clearly not a Mariannis. You can tell. I'm

44
00:06:56,560 --> 00:06:58,680
Cam Robertson. I'm the drummer in the band.

45
00:06:59,040 --> 00:07:04,160
Speaker 7: Now that song drops, Now, that's that's an unmixed version.

46
00:07:04,199 --> 00:07:05,160
That's a rough mix or.

47
00:07:05,439 --> 00:07:08,480
Speaker 9: Yeah, rough mix of it. Should have a mixed version

48
00:07:08,560 --> 00:07:10,600
soon and we're planning to release it around April.

49
00:07:10,920 --> 00:07:12,920
Speaker 7: You know, it sounds really good though. I like the

50
00:07:14,279 --> 00:07:16,839
even you know, unmixed. It's like it's it's got a

51
00:07:16,920 --> 00:07:19,040
cool like it gives it a kind of a low

52
00:07:19,160 --> 00:07:21,519
fi vibe, you know. I really like that a lot.

53
00:07:22,199 --> 00:07:24,879
I don't know if you know Temple Mountain, Eric and

54
00:07:24,959 --> 00:07:28,279
PALAMEDI yeah, I'm saying his last name correctly. He goes

55
00:07:28,360 --> 00:07:30,759
for that kind of lo fi thing with his music,

56
00:07:30,839 --> 00:07:32,920
and it's and it's cool. So I like the astatic

57
00:07:32,959 --> 00:07:35,120
of it. It's very very catchy. I love that song,

58
00:07:36,160 --> 00:07:40,480
the vocals. Who sings again, Amma, you singing to have

59
00:07:40,519 --> 00:07:43,079
you sing together? Yeah? I love your vocals on that together?

60
00:07:43,240 --> 00:07:45,319
And I love the solo and appreciate that.

61
00:07:46,199 --> 00:07:46,360
Speaker 11: Is it?

62
00:07:46,600 --> 00:07:47,399
Speaker 10: Is it just a four of you?

63
00:07:47,560 --> 00:07:49,240
Speaker 7: Is there anybody else in the band who's not here?

64
00:07:49,360 --> 00:07:54,000
Speaker 9: Or our guitar player Ryan unfortunately last night was his

65
00:07:54,079 --> 00:07:56,079
last show with this Oh no, so he.

66
00:07:56,160 --> 00:07:58,480
Speaker 12: Wasn't on the recording, and we had one of our friends,

67
00:07:58,720 --> 00:08:00,160
the lovely Sarah Bird, to.

68
00:08:00,199 --> 00:08:01,639
Speaker 8: Play keys on the track.

69
00:08:01,800 --> 00:08:04,920
Speaker 7: Okay you're okay, give me a favorite, Emma, can you

70
00:08:05,000 --> 00:08:07,240
pull that just pull that mic up a little? Yeah? Perfect?

71
00:08:07,439 --> 00:08:11,759
Oh yeah, yeah. These these mics are super uh uni directional.

72
00:08:12,120 --> 00:08:15,240
Uh some of them are those who aren't, but very cool.

73
00:08:15,319 --> 00:08:15,439
Speaker 4: Now.

74
00:08:15,560 --> 00:08:17,639
Speaker 7: Is that the first song that you've recorded as a band,

75
00:08:17,680 --> 00:08:18,439
the first original?

76
00:08:18,720 --> 00:08:19,959
Speaker 9: Yeah, that's the first one that we did.

77
00:08:20,120 --> 00:08:22,600
Speaker 7: Okay, okay, do you have others that you just haven't

78
00:08:22,639 --> 00:08:24,680
recorded yet, or I know you mainly do covers. You're

79
00:08:24,680 --> 00:08:26,600
gonna do some covers for us here today, but we're.

80
00:08:26,480 --> 00:08:29,399
Speaker 9: Working on a couple excellent, just some ideas that we

81
00:08:29,519 --> 00:08:32,879
gotta you know, nail down and get finished up before

82
00:08:32,879 --> 00:08:34,120
we head into the studio with them.

83
00:08:34,399 --> 00:08:34,639
Speaker 2: Cool.

84
00:08:34,720 --> 00:08:36,200
Speaker 7: Where did you record rain Drops?

85
00:08:36,320 --> 00:08:40,200
Speaker 9: We recorded it at a Boardhouse Productions in Hollis or

86
00:08:40,240 --> 00:08:40,720
in Brooklyn.

87
00:08:40,960 --> 00:08:42,600
Speaker 7: That that's a name that's come up.

88
00:08:43,159 --> 00:08:43,360
Speaker 9: Yeah.

89
00:08:43,399 --> 00:08:44,519
Speaker 8: Yeah, he does an awesome job.

90
00:08:44,799 --> 00:08:45,440
Speaker 11: He's incredible.

91
00:08:45,519 --> 00:08:47,080
Speaker 7: Yeah that names that name has come up a bunch

92
00:08:47,120 --> 00:08:48,759
of times. Yeah, no, it sounds really good.

93
00:08:48,919 --> 00:08:49,279
Speaker 13: Thank you.

94
00:08:50,799 --> 00:08:53,399
Speaker 7: And then, oh, by the way, so Philip from Glitter Tooth,

95
00:08:53,440 --> 00:08:56,840
he's in the chat room. He's been in the chat room.

96
00:08:56,840 --> 00:08:59,080
He's very excited about today. Yeah, glitter Tooth, they were

97
00:08:59,120 --> 00:09:02,279
great on the show there. We love that absolutely. Yeah,

98
00:09:02,320 --> 00:09:03,679
that was play. That was a couple of years ago

99
00:09:03,720 --> 00:09:06,200
now at least. Yeah, are they still playing?

100
00:09:06,399 --> 00:09:06,679
Speaker 13: They are?

101
00:09:06,919 --> 00:09:07,000
Speaker 11: Ye?

102
00:09:07,480 --> 00:09:08,600
Speaker 7: Good, good, excellent.

103
00:09:09,000 --> 00:09:09,159
Speaker 14: Ya.

104
00:09:10,159 --> 00:09:11,879
Speaker 7: Do you all want to play something for us? Something

105
00:09:12,679 --> 00:09:15,279
something dying to hear you play live? Yeah, if you

106
00:09:15,320 --> 00:09:16,960
are just joining us, that veils End is here with

107
00:09:17,080 --> 00:09:21,440
us live in studio and uh here yeah, no, very glad,

108
00:09:21,559 --> 00:09:22,399
very glad that you're here.

109
00:09:24,519 --> 00:09:25,639
Speaker 9: Let's start, James.

110
00:09:52,440 --> 00:09:57,919
Speaker 1: She grew up in an Indiana town, had up oostenim around.

111
00:09:58,320 --> 00:10:02,720
She gow upjush you up. Ride with Miniana boys on

112
00:10:02,879 --> 00:10:18,000
an Indiana night. She moved down there at the age

113
00:10:18,039 --> 00:10:20,799
of eighteen. She blew them boys away. It was more

114
00:10:20,919 --> 00:10:23,240
than they see. I was introducing.

115
00:10:23,360 --> 00:10:25,679
Speaker 6: We boys started groom and shit said, I didn't you.

116
00:10:25,759 --> 00:10:40,559
Speaker 1: Baby, But I gotta keep moving, Keep moving on, lads,

117
00:10:40,960 --> 00:10:42,559
dance and Mary Jane.

118
00:10:43,200 --> 00:10:45,679
Speaker 6: One more time to kill the past.

119
00:10:52,360 --> 00:11:16,360
Speaker 1: I feel summer creeping in and out sides tid case. Well,

120
00:11:16,440 --> 00:11:20,000
I don't know, but I been so you left soap

121
00:11:20,120 --> 00:11:24,120
down you never go or tied scun now tired of

122
00:11:24,240 --> 00:11:27,840
going down, tired of myself and tired of this town

123
00:11:28,600 --> 00:11:32,080
or my mind. Oh hell is you gotta put on

124
00:11:32,519 --> 00:11:37,799
a party dresss buy me a drink, send me a song, Take.

125
00:11:37,679 --> 00:11:39,919
Speaker 6: Me as a concause I can't stay long.

126
00:11:40,519 --> 00:11:45,200
Speaker 1: That's stands some marry Jane. What't more time to kill

127
00:11:45,399 --> 00:11:56,519
the past? I feel summer creeping in and out, tired

128
00:11:56,720 --> 00:12:42,440
of It's time to can the bicheons down on my

129
00:12:42,600 --> 00:12:43,279
key square.

130
00:12:43,639 --> 00:12:46,240
Speaker 6: She's standing in her I'm doing.

131
00:12:46,840 --> 00:12:52,240
Speaker 1: Looking down from old cell room, not four, he'll be coming.

132
00:12:51,960 --> 00:12:56,320
Speaker 6: Zome on my mind old hell as you gotta b

133
00:12:56,559 --> 00:12:59,799
on that party dressing and see what you call the cow?

134
00:13:00,080 --> 00:13:03,879
Speaker 2: And I woke along. I am my last time walked.

135
00:13:03,639 --> 00:13:08,840
Speaker 1: To the road, last Dans Mammy Jay one, My time

136
00:13:08,960 --> 00:13:10,159
to kill the Pin.

137
00:13:16,919 --> 00:13:22,240
Speaker 6: I feel sum creeping in time? Is time a game?

138
00:13:34,120 --> 00:13:36,960
Speaker 7: Great job, great job. That sounded really good if you

139
00:13:37,039 --> 00:13:38,840
are just joining us, we have Veil's End here with

140
00:13:39,000 --> 00:13:42,039
us alive in studio. How long has VAL's End existed?

141
00:13:42,519 --> 00:13:44,919
Is this a relatively new project.

142
00:13:44,639 --> 00:13:48,919
Speaker 9: Or it'll be It was two years in December since

143
00:13:48,960 --> 00:13:50,000
the start of the band.

144
00:13:50,159 --> 00:13:52,919
Speaker 7: Okay, so new kind of new new is new ish?

145
00:13:53,000 --> 00:13:53,159
Speaker 1: Yeah?

146
00:13:55,000 --> 00:13:57,519
Speaker 7: And then that h the track that we played earlier,

147
00:13:58,279 --> 00:14:00,919
rain Drops. Who wrote that? Did you all write that together?

148
00:14:01,000 --> 00:14:01,360
Or was that.

149
00:14:04,080 --> 00:14:06,159
Speaker 15: He just showed up one day of practice and was like, hey, guys,

150
00:14:06,200 --> 00:14:09,080
I wrote this song and we just started damning on it.

151
00:14:09,279 --> 00:14:12,519
Speaker 7: Yeah, oh that's cool. That's cool. And then for covers, like,

152
00:14:12,559 --> 00:14:14,080
how many covers do you know as a band?

153
00:14:16,840 --> 00:14:20,639
Speaker 9: At least one hundred or more. I think that's a lot.

154
00:14:20,960 --> 00:14:23,679
We've done a couple of five hour shows where we've

155
00:14:23,679 --> 00:14:25,200
had to learn a lot of material at once.

156
00:14:25,399 --> 00:14:29,159
Speaker 7: Oh my god, five hour shows like where, like tell

157
00:14:29,200 --> 00:14:29,600
me about that.

158
00:14:29,720 --> 00:14:33,240
Speaker 9: We did one at Sahegan Valley Motorsports. They were doing

159
00:14:33,360 --> 00:14:35,559
like an event there, So then we ended up playing

160
00:14:36,279 --> 00:14:38,720
for the five hours of that event, and then the

161
00:14:38,840 --> 00:14:42,240
other time was around six hours. It was Pumpkin Fest

162
00:14:42,720 --> 00:14:44,399
in Milford two years ago.

163
00:14:44,519 --> 00:14:47,519
Speaker 12: Now, wow, the band had canceled because of the rain,

164
00:14:47,679 --> 00:14:50,399
so we ended up playing through the first second.

165
00:14:50,679 --> 00:14:52,840
Speaker 7: Oh wow, Yeah, that's what I was going to ask, like,

166
00:14:53,080 --> 00:14:54,879
was it supposed to be that way or did something

167
00:14:57,799 --> 00:15:01,840
weather we're going to Yeah? Wow?

168
00:15:02,440 --> 00:15:02,919
Speaker 1: Was was that?

169
00:15:03,120 --> 00:15:03,240
Speaker 9: Uh?

170
00:15:03,559 --> 00:15:05,960
Speaker 7: Was that challenging? I would imagine it would.

171
00:15:05,799 --> 00:15:06,879
Speaker 14: Be a little bit.

172
00:15:07,039 --> 00:15:09,720
Speaker 9: There's like a point where you're just kind of having

173
00:15:09,799 --> 00:15:12,200
to like learn songs super quick on the fly before

174
00:15:12,240 --> 00:15:12,879
we played them.

175
00:15:13,120 --> 00:15:16,120
Speaker 7: Oh wow, yeah, could you have to repeat some stuff.

176
00:15:16,240 --> 00:15:18,240
Speaker 9: A little bit? But you know, at that point it

177
00:15:18,320 --> 00:15:20,360
had been enough time that it didn't really matter.

178
00:15:20,559 --> 00:15:21,600
Speaker 10: People kind of cycled through.

179
00:15:21,919 --> 00:15:25,200
Speaker 7: Yeah, yeah, no, that makes sense. That makes sense. Oh,

180
00:15:25,279 --> 00:15:26,840
you know a lot of songs. So do you play

181
00:15:26,840 --> 00:15:28,039
out a lot? Are you doing a lot of shows?

182
00:15:28,039 --> 00:15:28,120
Speaker 3: Oh?

183
00:15:28,159 --> 00:15:31,519
Speaker 9: Yeah, yeah, primarily like three times a month right now?

184
00:15:31,840 --> 00:15:34,039
Speaker 7: Okay, okay, good, just about do.

185
00:15:34,039 --> 00:15:37,720
Speaker 12: You have some favorite places to play, probably so our

186
00:15:37,759 --> 00:15:40,919
big places are Station Station one on one in Milford,

187
00:15:41,360 --> 00:15:44,120
Brick House in Milford, Riley's Place in Milford.

188
00:15:44,360 --> 00:15:45,519
Speaker 8: They all do an awesome job.

189
00:15:45,600 --> 00:15:47,960
Speaker 12: We just played at Old Town Tavern in Milford for

190
00:15:48,039 --> 00:15:49,159
the first time last night.

191
00:15:49,320 --> 00:15:50,840
Speaker 8: Okay, they were an awesome place.

192
00:15:51,159 --> 00:15:53,799
Speaker 7: Okay, ye. Playing a lot of shows in Milford. Are

193
00:15:53,799 --> 00:15:54,559
you all from that area?

194
00:15:54,840 --> 00:15:55,000
Speaker 6: Yeah?

195
00:15:55,639 --> 00:15:58,600
Speaker 7: Yeah, Okay. It's funny because it's not Milford's not like

196
00:15:58,679 --> 00:16:00,320
a big city or anything, and yet it's sounds like

197
00:16:00,360 --> 00:16:02,200
they've got a lot of really good venues.

198
00:16:01,919 --> 00:16:03,919
Speaker 12: There, a lot of amazing venues, a lot of amazing

199
00:16:04,039 --> 00:16:06,360
musicians from the area that play in the area.

200
00:16:06,679 --> 00:16:09,039
Speaker 7: Yeah, that's really cool. It's funny because now that I'm

201
00:16:09,080 --> 00:16:11,799
thinking about it, Milford does come up a lot on

202
00:16:11,879 --> 00:16:15,000
the show when people talking about venues where they play.

203
00:16:15,039 --> 00:16:18,279
And again, it's a small it's not technically a city, right,

204
00:16:18,320 --> 00:16:20,320
it's a it's a small place.

205
00:16:20,360 --> 00:16:22,399
Speaker 15: It's changed a lot. It used to be really small

206
00:16:22,440 --> 00:16:24,519
and now it's like it's it's definitely got a lot

207
00:16:24,559 --> 00:16:24,960
of venues.

208
00:16:25,080 --> 00:16:27,039
Speaker 7: It sounds like, yeah, there's a lot going on there.

209
00:16:27,159 --> 00:16:30,000
That's that's really cool. That's very cool. Jeez, you could

210
00:16:30,039 --> 00:16:32,000
just play play Milford all the time.

211
00:16:32,919 --> 00:16:33,600
Speaker 8: To go anywhere else.

212
00:16:33,720 --> 00:16:35,879
Speaker 7: Yeah, that's awesome.

213
00:16:37,919 --> 00:16:38,759
Speaker 4: Have you uh?

214
00:16:39,559 --> 00:16:41,399
Speaker 7: Has it always been really busy, like right from the

215
00:16:41,440 --> 00:16:43,600
beginning with a spand or did it take some time.

216
00:16:43,559 --> 00:16:45,759
Speaker 12: To It took a little bit of time. It really

217
00:16:45,799 --> 00:16:48,120
started at Riley's place. That was really where we got

218
00:16:48,159 --> 00:16:51,240
our following, got our start. Yeah, and then slowly started

219
00:16:51,279 --> 00:16:53,799
branching out to other open mics, and through there met

220
00:16:53,879 --> 00:16:57,519
people found out about other places that have live music.

221
00:16:57,759 --> 00:17:01,840
Speaker 7: Yeah, yeah, excellent. Do you want to play another one?

222
00:17:02,240 --> 00:17:02,679
Speaker 9: Are you playing?

223
00:17:02,960 --> 00:17:05,680
Speaker 7: You sound great, dying to hear your dining to hear more.

224
00:17:06,000 --> 00:17:07,680
If you are just joining us, we have veils End

225
00:17:07,759 --> 00:17:11,839
with us live in studio. Uh, sounding amazing. They're gonna

226
00:17:11,839 --> 00:17:13,480
play another one for us. All right, very good to you.

227
00:17:30,200 --> 00:17:36,599
Speaker 16: I'm practice Santoria. I ain't got no crystal ball. I

228
00:17:36,920 --> 00:17:42,119
had a million dollars, but I I stand it off.

229
00:17:42,480 --> 00:17:46,839
Speaker 17: If I could find at Hannah in that Sancho, She's

230
00:17:47,000 --> 00:17:51,720
found at Boba Captain Sancho, and that's that.

231
00:17:55,640 --> 00:17:55,799
Speaker 3: Oh.

232
00:17:55,920 --> 00:17:57,559
Speaker 14: I really want to know.

233
00:17:59,039 --> 00:17:59,720
Speaker 12: My baby.

234
00:18:01,480 --> 00:18:07,079
Speaker 17: Oh, I really want to say God, Canty Spine.

235
00:18:07,680 --> 00:18:09,519
Speaker 14: It's love Sandy.

236
00:18:12,079 --> 00:18:18,720
Speaker 17: Oh my soul has to eat jacket back by the Hannah,

237
00:18:19,240 --> 00:18:24,400
by own God, he's gonna love one and all.

238
00:18:26,720 --> 00:18:30,960
Speaker 14: I feel a break, feel a break, the breaking.

239
00:18:31,119 --> 00:18:37,160
Speaker 17: I gotta live it up. Oh a huh, well that's

240
00:18:37,240 --> 00:18:41,519
where it I had. Oh I really want to know

241
00:18:42,880 --> 00:18:50,400
my baby. Oh I really want to see Canty spine

242
00:18:51,119 --> 00:18:53,519
that love making fun.

243
00:18:55,799 --> 00:18:58,599
Speaker 14: Oh my soul has to.

244
00:19:20,880 --> 00:19:28,839
Speaker 17: Oh ah, I really want to say my baby. All

245
00:19:29,000 --> 00:19:34,920
I really want to say is I got mine. I'm

246
00:19:35,000 --> 00:19:41,480
making a time coming up. Oh tell Santi too that

247
00:19:41,759 --> 00:19:45,599
it knows what it's good star and me best goar

248
00:19:45,759 --> 00:19:46,599
running heart.

249
00:19:48,000 --> 00:19:54,279
Speaker 14: God he's got a new forty five and I won't

250
00:19:54,400 --> 00:19:58,039
think twice too sick. I felt straight down, Sancho, so

251
00:19:59,079 --> 00:20:03,559
believe me. You and I say that I got something

252
00:20:03,799 --> 00:20:10,200
for Pompka. But I really want to know my baby.

253
00:20:11,880 --> 00:20:17,079
Speaker 17: But I really you want to say, there's just one

254
00:20:17,920 --> 00:20:19,279
way back, and.

255
00:20:22,279 --> 00:20:25,920
Speaker 14: Yeah, I have to way.

256
00:20:37,759 --> 00:20:41,839
Speaker 7: There outstanding, outstanding If you're just joining us, we have

257
00:20:41,960 --> 00:20:45,359
veils end here with us alive in studio sounding great.

258
00:20:45,599 --> 00:20:47,759
Are there any are there any covers that y'all do

259
00:20:47,880 --> 00:20:51,119
that are that are challenging, particularly like what what are

260
00:20:51,160 --> 00:20:53,119
some things that have been hard to learn? I mean

261
00:20:53,200 --> 00:20:56,240
with with that many songs because you said over one hundred.

262
00:20:56,240 --> 00:20:57,640
I mean, there's gotta be something that really give you

263
00:20:58,039 --> 00:20:59,519
give you a problem or maybe not.

264
00:20:59,680 --> 00:21:03,240
Speaker 10: I don't I remember. One for me in particular was

265
00:21:03,319 --> 00:21:03,799
The Trooper.

266
00:21:05,759 --> 00:21:09,640
Speaker 7: Oh really yeah, something like no kidding.

267
00:21:10,079 --> 00:21:11,799
Speaker 10: Yeah, that was definitely a bit challenging.

268
00:21:12,440 --> 00:21:13,680
Speaker 11: I don't know, it's kind of hard to say.

269
00:21:13,759 --> 00:21:16,240
Speaker 15: For like drums, I remember when I first joined because

270
00:21:16,240 --> 00:21:18,799
I originally was I played rhythm when I first joined,

271
00:21:19,240 --> 00:21:22,039
and it was like crazy training. I drove myself literally

272
00:21:22,079 --> 00:21:23,319
crazy trying to learn that song.

273
00:21:23,640 --> 00:21:23,920
Speaker 7: Kidding.

274
00:21:25,079 --> 00:21:26,960
Speaker 11: But drums wise, i'd probably.

275
00:21:26,720 --> 00:21:29,200
Speaker 15: Say a lot of the like we play like a

276
00:21:29,279 --> 00:21:31,240
lot of a big mix of like you know, metal

277
00:21:31,359 --> 00:21:33,920
to like like low fi indie music and a lot

278
00:21:34,000 --> 00:21:37,000
of the like the slow indie stuff is a little

279
00:21:37,000 --> 00:21:38,720
bit harder for me because I used I'm I come

280
00:21:38,759 --> 00:21:41,400
from just like raw punk drumming. You know, I'm not

281
00:21:41,519 --> 00:21:44,400
really that technical, but like so it's kind of hard

282
00:21:44,440 --> 00:21:47,079
for me to play like the slower vibe stuff.

283
00:21:47,200 --> 00:21:49,319
Speaker 7: Oh interesting, interesting, Yeah.

284
00:21:49,400 --> 00:21:50,359
Speaker 10: I definitely agree with that.

285
00:21:50,519 --> 00:21:52,519
Speaker 5: Sometimes I do want to get carried away and just

286
00:21:52,720 --> 00:21:55,200
rock out and we're playing the Beatles.

287
00:21:55,279 --> 00:21:58,759
Speaker 7: We should, Yeah, it's funny.

288
00:21:59,119 --> 00:22:01,880
Speaker 10: The Beatles jam oh no, for sure. For sure.

289
00:22:02,519 --> 00:22:04,480
Speaker 7: Is there anything that you've learned as a band that

290
00:22:04,759 --> 00:22:06,319
turned out to be easier than you thought it was

291
00:22:06,359 --> 00:22:08,279
going to be, Like something that you thought was going

292
00:22:08,319 --> 00:22:09,240
to be really challenging that.

293
00:22:09,720 --> 00:22:13,039
Speaker 5: I think when it comes to like the instrumentals, like

294
00:22:13,119 --> 00:22:16,839
for making music, I feel like every practice we come

295
00:22:16,920 --> 00:22:19,200
up with five new like little jams that oh yeah,

296
00:22:19,200 --> 00:22:21,240
we could start working on. I definitely thought that was

297
00:22:21,240 --> 00:22:23,279
gonna be a lot more challenging, I guess getting into it.

298
00:22:23,640 --> 00:22:27,400
Speaker 15: Yeah, yeah, yeah, I definitely think, like the chemistry with

299
00:22:27,559 --> 00:22:30,000
us is like it's unreal. I mean, obviously they're they're

300
00:22:30,039 --> 00:22:31,839
all brothers and sisters, but like I grew up with

301
00:22:31,880 --> 00:22:35,119
them too, so like whenever we play together, it's like, yeah,

302
00:22:35,200 --> 00:22:37,440
literally every time we even whether it's jamming a song,

303
00:22:37,559 --> 00:22:39,680
like we like to make our stuff our own, Like, yeah,

304
00:22:39,960 --> 00:22:43,119
we don't play songs one to one usually we kind

305
00:22:43,160 --> 00:22:44,759
of like to make it our own a little bit, sure,

306
00:22:46,119 --> 00:22:47,920
but yeah, we just always throw something on there and

307
00:22:47,960 --> 00:22:50,359
we're just like, it's ridiculous. We've got this song we're

308
00:22:50,359 --> 00:22:52,920
writing that it's like it's almost twelve minutes long. Now,

309
00:22:53,000 --> 00:22:54,880
it's just really the jam doesn't end. It doesn't it

310
00:22:55,000 --> 00:22:56,279
just we just keep adding stuff to it.

311
00:22:56,599 --> 00:23:00,440
Speaker 7: Yeah, So is that how it happens with the writing

312
00:23:00,480 --> 00:23:04,160
You're you're well, you wrote rain Drops is yours, but

313
00:23:04,240 --> 00:23:06,160
it sounds like you're working on new stuff where it's

314
00:23:06,160 --> 00:23:07,759
all of you together. Yeah. Yeah, okay.

315
00:23:07,920 --> 00:23:10,000
Speaker 9: Usually we'll just kind of like he'll play like a

316
00:23:10,119 --> 00:23:12,200
riff on the bass, or I'll play something on guitar

317
00:23:12,240 --> 00:23:14,319
and we kind of just jam it and write as

318
00:23:14,400 --> 00:23:16,839
we are jamming on and figure out different parts and

319
00:23:16,880 --> 00:23:17,400
stuff like that.

320
00:23:17,839 --> 00:23:19,640
Speaker 7: Yeah, it's we have time. You want to you want

321
00:23:19,640 --> 00:23:20,319
to play another.

322
00:23:20,119 --> 00:23:21,240
Speaker 8: One, sure's send it.

323
00:23:21,440 --> 00:23:23,079
Speaker 7: If you're just joining us. A Veil's End is here

324
00:23:23,119 --> 00:23:25,599
with us live in studio. I can attests they sound

325
00:23:25,599 --> 00:23:27,920
great because I really enjoyed Santoria and I've never liked

326
00:23:27,960 --> 00:23:30,640
that song, but but I liked it, no for real,

327
00:23:30,720 --> 00:23:32,359
but I like hearing you all play it, so that

328
00:23:32,480 --> 00:23:35,319
was that was great. I don't I never liked Sublime.

329
00:23:35,440 --> 00:23:37,079
Speaker 8: I'm like a big Sublime.

330
00:23:37,279 --> 00:23:39,640
Speaker 7: No, I never liked I remember when I vividly remember

331
00:23:39,680 --> 00:23:42,599
when they were huge. They had that and what I

332
00:23:42,640 --> 00:23:44,240
got were the two big hits, and I never I

333
00:23:44,359 --> 00:23:45,039
just never liked them.

334
00:23:45,160 --> 00:23:47,279
Speaker 8: They definitely get better than those songs if you go

335
00:23:47,440 --> 00:23:48,200
deeper into.

336
00:23:48,079 --> 00:23:49,400
Speaker 7: Them, That's what people tell me.

337
00:23:49,559 --> 00:23:54,200
Speaker 15: Yeah, yeah, but we cover a lot of yeah, a

338
00:23:54,240 --> 00:23:55,880
lot of their B sides, though not just like we

339
00:23:56,000 --> 00:23:58,720
do Sandari obviously because everyone loves that song. But yeah, yeah,

340
00:23:58,720 --> 00:24:03,599
a lot of their early stuff is it's pretty rocket Okay, okay, interesting.

341
00:24:04,680 --> 00:24:10,200
Speaker 10: All right, boys, mm hmm my house.

342
00:24:11,680 --> 00:24:12,119
Speaker 3: M hm.

343
00:24:15,720 --> 00:24:18,759
Speaker 7: Oh yeah, no worries veils down to here with us

344
00:24:18,799 --> 00:24:21,480
live in studio on this Saturday morning. By the way,

345
00:24:21,559 --> 00:24:25,359
Miriam banished in the shat room said, uh, chill inducing voice.

346
00:24:26,440 --> 00:24:30,480
I assume she means that as a compliment. Chill inducene

347
00:24:30,519 --> 00:24:32,359
could be taken different ways, but I think I think

348
00:24:32,400 --> 00:24:33,359
she means it as a compliment.

349
00:24:33,759 --> 00:24:34,240
Speaker 8: They're good.

350
00:24:36,559 --> 00:24:36,839
Speaker 3: M h.

351
00:24:43,599 --> 00:24:44,119
Speaker 1: Mm hmmm.

352
00:25:14,720 --> 00:25:29,839
Speaker 14: Yes, but how the newy they called the inside then

353
00:25:30,000 --> 00:25:36,640
it's yours of many of more boys.

354
00:25:37,960 --> 00:25:38,599
Speaker 2: And die.

355
00:25:39,839 --> 00:25:42,160
Speaker 3: I know why I'm.

356
00:25:57,359 --> 00:26:02,680
Speaker 18: Mos a tailor.

357
00:26:05,319 --> 00:26:07,599
Speaker 2: She my.

358
00:26:09,319 --> 00:26:28,000
Speaker 18: Boy my the gambling man down newly.

359
00:26:40,799 --> 00:26:47,160
Speaker 17: Sallie only pay a gamble arning.

360
00:26:48,640 --> 00:26:53,880
Speaker 14: It is a suit pacing not from.

361
00:26:56,720 --> 00:26:57,039
Speaker 3: Nie.

362
00:26:58,319 --> 00:27:07,440
Speaker 17: Only time he start aspis.

363
00:27:05,160 --> 00:27:07,319
Speaker 14: Lin he's not.

364
00:27:09,039 --> 00:27:09,359
Speaker 3: Drunk.

365
00:27:24,079 --> 00:27:30,079
Speaker 14: Woman, your children.

366
00:27:31,880 --> 00:27:32,680
Speaker 1: Not to do.

367
00:27:35,599 --> 00:27:36,880
Speaker 3: I have done?

368
00:27:42,079 --> 00:28:06,359
Speaker 14: Or sincent and misery in the house suburbs signs who

369
00:28:10,960 --> 00:28:25,759
on the platform, lady the food a strain at back

370
00:28:26,680 --> 00:28:28,960
to new Lean.

371
00:28:30,920 --> 00:28:33,440
Speaker 3: Tower that bar?

372
00:28:49,279 --> 00:29:06,200
Speaker 14: Who is that ta Newlyn? They came, Oh thanks, and

373
00:29:06,519 --> 00:29:07,359
it's been.

374
00:29:08,519 --> 00:29:12,920
Speaker 17: The ruin of many of us poor boys.

375
00:29:14,519 --> 00:29:18,920
Speaker 14: And U I know I'm one.

376
00:29:58,039 --> 00:30:01,640
Speaker 7: Well done, everybody well done. Vale's End is here with us,

377
00:30:01,759 --> 00:30:05,039
alive in studio and if you are just joining us,

378
00:30:05,519 --> 00:30:06,880
they are they sound great?

379
00:30:07,359 --> 00:30:07,480
Speaker 2: Uh.

380
00:30:07,599 --> 00:30:09,920
Speaker 7: Sarah Kate in the chat room says, love, love love,

381
00:30:10,039 --> 00:30:14,200
love you. She says, Oh, Emma, Marriannie, am I saying

382
00:30:14,200 --> 00:30:18,359
your last name Chris Maryanni. She says you sound incredible. Uh,

383
00:30:18,519 --> 00:30:22,799
such a talented group of young musicians. Let's see we

384
00:30:22,920 --> 00:30:27,920
also Uh we got an instant message from uh Steve Hartwell,

385
00:30:27,960 --> 00:30:30,240
who says so proud of Vail's End.

386
00:30:30,920 --> 00:30:33,599
Speaker 8: Love you Steve and Jen and also h.

387
00:30:33,839 --> 00:30:36,400
Speaker 7: Lloyd do so Junior if I'm saying that correctly, says

388
00:30:36,440 --> 00:30:40,119
it's Lloyd from Max Sound Productions. Charlie Hill, sound engineer.

389
00:30:40,440 --> 00:30:42,039
I don't know if you if you all know Lloyd

390
00:30:42,119 --> 00:30:44,079
or that might be a reference to a conversation I

391
00:30:44,119 --> 00:30:48,279
had with a previous guest. But Charlie Hill is apparently

392
00:30:48,319 --> 00:30:50,759
a pretty incredible venue. I'm hearing a lot about them.

393
00:30:51,480 --> 00:30:52,359
Speaker 8: I have to look into it.

394
00:30:52,480 --> 00:30:54,119
Speaker 7: Yeah, that name comes up a lot on the show.

395
00:30:54,240 --> 00:30:58,039
So yeah, yeah, absolutely. Where should people go online to

396
00:30:58,079 --> 00:30:59,559
keep up with what you all are doing?

397
00:30:59,720 --> 00:31:04,319
Speaker 8: We are on Instagram and Facebook. So it's the A. L. E. S.

398
00:31:04,799 --> 00:31:08,200
And we're on Instagram, Facebook, and we are on TikTok.

399
00:31:08,559 --> 00:31:13,680
Speaker 7: Okay, very good. Did you all have a did your

400
00:31:13,680 --> 00:31:15,960
heart stop a moment when it looked like TikTok was

401
00:31:16,000 --> 00:31:17,759
gone quite lightly?

402
00:31:17,880 --> 00:31:19,920
Speaker 8: I mean Instagram reels is kind of made up for it.

403
00:31:20,039 --> 00:31:21,960
Speaker 10: Okay, Yeah, I'll be honest.

404
00:31:22,079 --> 00:31:24,240
Speaker 5: I never got into TikTok too much because I felt

405
00:31:24,279 --> 00:31:26,599
like I already had my place on Instagram.

406
00:31:26,640 --> 00:31:28,680
Speaker 10: They knew well. I was like, I don't want I

407
00:31:28,759 --> 00:31:29,960
want to have to build this back up.

408
00:31:30,160 --> 00:31:32,000
Speaker 7: Yeah, there you go. Yeah. I just I know a

409
00:31:32,039 --> 00:31:34,279
lot of people who are really upset when TikTok went dark,

410
00:31:34,319 --> 00:31:40,640
although it was very very brief, very good. So what

411
00:31:40,880 --> 00:31:43,160
is are you playing a lot of Do you have

412
00:31:43,160 --> 00:31:44,480
a lot of shows coming up? Do you have anything

413
00:31:44,519 --> 00:31:47,119
this weekend that you're uh so, we just played last night.

414
00:31:47,240 --> 00:31:49,039
Speaker 8: I think our next show is.

415
00:31:50,200 --> 00:31:53,680
Speaker 9: It'll either be February twenty first or February twenty second

416
00:31:53,720 --> 00:31:56,119
at Station one to one to celebrate four years of

417
00:31:56,160 --> 00:31:56,799
them being open.

418
00:31:56,960 --> 00:32:00,039
Speaker 7: Oh okay, and that's in Milford in Milfordham, Yeah, of

419
00:32:00,039 --> 00:32:06,680
course it is. No, that's that's cool though. Are you

420
00:32:06,839 --> 00:32:08,680
going to be Uh when is the busiest time for

421
00:32:08,720 --> 00:32:10,039
you all? Is it summer? Do you play a lot

422
00:32:10,079 --> 00:32:10,440
in the summer?

423
00:32:10,440 --> 00:32:10,720
Speaker 9: Summer?

424
00:32:10,839 --> 00:32:11,039
Speaker 14: Fall?

425
00:32:11,240 --> 00:32:13,240
Speaker 12: Yeah, best weather to be outside. That's when all the

426
00:32:13,279 --> 00:32:14,440
outdoor venues are open.

427
00:32:14,720 --> 00:32:16,119
Speaker 7: Yeah, yeah, no doubt.

428
00:32:16,240 --> 00:32:18,799
Speaker 12: Now's the time to kind of hybridate and start working

429
00:32:18,839 --> 00:32:19,799
on some more originals.

430
00:32:19,920 --> 00:32:20,279
Speaker 10: There you go.

431
00:32:20,759 --> 00:32:22,920
Speaker 7: Now, are any of you also currently in other bands

432
00:32:23,000 --> 00:32:23,160
you have?

433
00:32:24,039 --> 00:32:26,519
Speaker 9: I played drums in the Kale and Costello band.

434
00:32:26,799 --> 00:32:32,160
Speaker 7: Oh okay, not familiar Hale and Costello Tale and Costelo band.

435
00:32:32,319 --> 00:32:33,000
Speaker 2: Yeah what what?

436
00:32:33,359 --> 00:32:34,240
Speaker 7: What kind of music is it?

437
00:32:34,440 --> 00:32:36,200
Speaker 9: It's a female front and punk band.

438
00:32:36,519 --> 00:32:39,039
Speaker 7: Oh, very cool. Well we got to get you on

439
00:32:39,160 --> 00:32:40,200
with yeah.

440
00:32:40,279 --> 00:32:43,240
Speaker 12: Yeah, and then I'm in a band, the Twos, with

441
00:32:43,359 --> 00:32:47,400
my boyfriend Philip Grecos. Okay, very an the area too.

442
00:32:47,880 --> 00:32:49,440
Speaker 7: Well, we've got to get you on with the Twos,

443
00:32:49,519 --> 00:32:54,240
I know. And what about uh just just.

444
00:32:56,119 --> 00:32:57,920
Speaker 15: I mean me and him, Me and me and Joey

445
00:32:57,960 --> 00:33:00,880
go way back. We actually like made a rap album

446
00:33:00,920 --> 00:33:01,920
together when we were younger.

447
00:33:02,039 --> 00:33:02,400
Speaker 14: For real.

448
00:33:02,720 --> 00:33:03,960
Speaker 11: Yeah, yeah it was.

449
00:33:04,200 --> 00:33:07,039
Speaker 15: It was actually kind of professionally produced and stuff. I mean,

450
00:33:07,079 --> 00:33:07,920
this kid's amazing.

451
00:33:08,079 --> 00:33:08,759
Speaker 7: Is it online?

452
00:33:08,960 --> 00:33:09,119
Speaker 3: Yeah?

453
00:33:09,160 --> 00:33:09,359
Speaker 11: It is.

454
00:33:09,480 --> 00:33:11,880
Speaker 15: Yeah, what's it called. It's actually me and my other

455
00:33:11,960 --> 00:33:14,720
friend Cam. It's called Nasty Habits Double Up. It's the

456
00:33:14,759 --> 00:33:15,400
name of the album.

457
00:33:15,799 --> 00:33:17,680
Speaker 11: It's kind of like we kind of do this like battling,

458
00:33:17,799 --> 00:33:18,720
you know, back and forth thing.

459
00:33:18,759 --> 00:33:20,880
Speaker 15: But oh he produced most of the album and yeah,

460
00:33:20,920 --> 00:33:23,279
it's that's kind of where I like, I mean, we

461
00:33:23,400 --> 00:33:28,759
spent hours together doing that then, like yeah, oh my god,

462
00:33:29,240 --> 00:33:30,200
so many hours doing that.

463
00:33:30,279 --> 00:33:31,039
Speaker 11: It was ridiculous.

464
00:33:31,079 --> 00:33:33,359
Speaker 15: But that's that's when like they started playing music too,

465
00:33:33,440 --> 00:33:35,160
So then I was like, okay, you know, I've been

466
00:33:35,200 --> 00:33:35,799
playing guitar my.

467
00:33:35,839 --> 00:33:37,880
Speaker 11: Whole life, but I started playing drums recently.

468
00:33:37,640 --> 00:33:41,319
Speaker 15: So yeah yeah, but yeah, like we've we've got a

469
00:33:41,440 --> 00:33:45,039
music history for that goes way back before this.

470
00:33:45,359 --> 00:33:45,559
Speaker 1: Yeah.

471
00:33:45,720 --> 00:33:48,039
Speaker 7: Well that that helps, right because that then there's something

472
00:33:48,079 --> 00:33:51,960
almost intuitive about what you're doing, you know. Yeah, yeah,

473
00:33:52,319 --> 00:33:54,079
very cool. Yeah, I'll have to check that out. I'm

474
00:33:54,119 --> 00:33:56,759
curious now, like is it good? Are you happy with it?

475
00:33:56,880 --> 00:33:57,000
Speaker 18: Oh?

476
00:33:57,119 --> 00:33:57,279
Speaker 7: Yeah?

477
00:33:57,440 --> 00:33:59,759
Speaker 15: Honestly, like what it comes on shuffle sometimes and I

478
00:33:59,839 --> 00:34:01,799
I can't believe that made it.

479
00:34:01,920 --> 00:34:03,480
Speaker 11: Sometimes it's it's kind of crazy.

480
00:34:03,440 --> 00:34:05,880
Speaker 7: Oh, very cool, very cool, because sometimes I'll talk to

481
00:34:06,000 --> 00:34:08,679
musicians who you know, did something really different, like early

482
00:34:08,760 --> 00:34:11,559
in their career, and they're like, who is the band?

483
00:34:13,079 --> 00:34:16,760
I had a band on? Oh a Scarecrow Hill, and uh,

484
00:34:17,320 --> 00:34:19,400
I don't know if you know them, but they've been

485
00:34:19,400 --> 00:34:21,800
around for a really long time. And I was actually

486
00:34:21,880 --> 00:34:24,039
surprised when they told me that, like some of their

487
00:34:24,119 --> 00:34:27,400
early stuff, they they like have suppressed it, like they've

488
00:34:27,440 --> 00:34:30,199
tried to have it removed from everything. They don't they

489
00:34:30,239 --> 00:34:32,280
don't want it out there because they feel like they've

490
00:34:32,320 --> 00:34:35,480
evolved so much. They're actually like, like they didn't use

491
00:34:35,519 --> 00:34:38,000
the word embarrassed, but they were like, we don't want

492
00:34:38,000 --> 00:34:40,079
any of the old stuff out there, which which I

493
00:34:40,519 --> 00:34:42,280
think would be like if I were in that position,

494
00:34:42,320 --> 00:34:44,840
I would be frustrated. Like I would want like if

495
00:34:44,880 --> 00:34:47,760
I made something, even if I wasn't the best or

496
00:34:47,800 --> 00:34:49,559
didn't represent what I was currently doing, I would still

497
00:34:49,559 --> 00:34:50,679
want people to be able to hear it, you know

498
00:34:50,719 --> 00:34:51,000
what I mean.

499
00:34:51,079 --> 00:34:52,960
Speaker 10: Yeah, I can kind of see the progression of yeah,

500
00:34:53,000 --> 00:34:53,840
that's what you've come.

501
00:34:53,920 --> 00:34:57,159
Speaker 7: Exactly exactly, but yeah, they have a different mindset about it.

502
00:34:57,199 --> 00:35:00,800
Which I found really interesting, and they they actually try

503
00:35:00,840 --> 00:35:03,639
to suppress what they did. But yeah, well, do you

504
00:35:03,719 --> 00:35:04,400
want to play one more?

505
00:35:04,480 --> 00:35:05,519
Speaker 13: For ye more?

506
00:35:05,800 --> 00:35:08,360
Speaker 7: If you're just joining us, we have veils End rather

507
00:35:08,440 --> 00:35:09,840
here with us in studio. Oh by the way, where

508
00:35:09,840 --> 00:35:11,360
does the name come from? As long as I'm tripping

509
00:35:11,400 --> 00:35:13,880
on the name, it's a good time now you Nick actually.

510
00:35:13,639 --> 00:35:17,840
Speaker 12: Named the band after a cemetery in Wilton, New Hampshire

511
00:35:17,920 --> 00:35:20,880
called veil End Cemetery. Okay, if you're from New Hampshire,

512
00:35:20,920 --> 00:35:22,960
you probably heard of the Blue Lady and that's where.

513
00:35:22,920 --> 00:35:23,719
Speaker 7: She is buried.

514
00:35:24,079 --> 00:35:24,760
Speaker 9: Yeah, I have not.

515
00:35:24,960 --> 00:35:26,320
Speaker 7: I don't know this the Blue Lady.

516
00:35:26,440 --> 00:35:28,599
Speaker 12: Yeah, so I guess the just is a woman that

517
00:35:28,760 --> 00:35:31,239
died in Wilton and she haunts a cemetery. People will

518
00:35:31,280 --> 00:35:33,159
go there at night and see like a blue orb

519
00:35:33,519 --> 00:35:34,960
really sign that she's there.

520
00:35:35,280 --> 00:35:38,599
Speaker 10: Okay, yeah, so that I remember hearing ever since like

521
00:35:38,800 --> 00:35:39,760
second grade.

522
00:35:40,159 --> 00:35:43,199
Speaker 7: No kidding. Yeah, have any of you seen the blue orb?

523
00:35:43,400 --> 00:35:44,519
Speaker 8: I've never gone at night?

524
00:35:44,880 --> 00:35:47,400
Speaker 7: Yeah, yeah, cemeteries are scary at.

525
00:35:47,440 --> 00:35:48,000
Speaker 10: Night, definitely.

526
00:35:48,000 --> 00:35:49,639
Speaker 9: I went to night once and I didn't want there

527
00:35:49,719 --> 00:35:50,119
too far.

528
00:35:50,679 --> 00:35:52,440
Speaker 10: Yeah, you gotta be careful, you know.

529
00:35:54,440 --> 00:35:54,639
Speaker 3: Yeah.

530
00:35:55,039 --> 00:35:56,880
Speaker 7: Plus if you do that, you don't see the Blue orb,

531
00:35:56,960 --> 00:35:58,039
then you're gonna be disappointed.

532
00:35:59,920 --> 00:35:59,960
Speaker 9: You.

533
00:36:00,199 --> 00:36:02,239
Speaker 7: But do any of you know people who have seen

534
00:36:02,519 --> 00:36:03,920
or have pictures of the blue work.

535
00:36:04,039 --> 00:36:06,440
Speaker 8: I've read stories about it. I wore pictures online.

536
00:36:06,480 --> 00:36:08,800
Speaker 7: Well, always curious about that.

537
00:36:08,920 --> 00:36:11,360
Speaker 5: I remember one of my oldest friends, we were convinced

538
00:36:11,360 --> 00:36:14,320
that his sister was cursed by the Blue Lady. Really, yeah,

539
00:36:14,360 --> 00:36:18,320
because she did some not respectful things in that graveyard.

540
00:36:18,440 --> 00:36:21,880
And there was always just weird stuff happening at the house.

541
00:36:21,960 --> 00:36:24,760
Like a cup would randomly like fly off the counter

542
00:36:24,840 --> 00:36:28,360
and whatnot. Yeah, a lot of weird stuff. I remember, Oh,

543
00:36:28,440 --> 00:36:29,519
that's cool, that's cool.

544
00:36:29,719 --> 00:36:30,920
Speaker 11: You don't mess with the dad. I think.

545
00:36:31,280 --> 00:36:34,199
Speaker 10: Watch keeps me in mind.

546
00:36:34,440 --> 00:36:36,199
Speaker 15: Walk the other way. Don't don't go down there at

547
00:36:36,239 --> 00:36:38,599
the scary basement. You know, I avoid that stuff.

548
00:36:39,880 --> 00:36:41,400
Speaker 7: All right, what are you? What are you gonna play

549
00:36:41,440 --> 00:36:41,719
for us?

550
00:36:41,880 --> 00:36:44,360
Speaker 9: We're gonna do our rendition of Ano Sunshine?

551
00:36:44,559 --> 00:36:46,840
Speaker 7: Oh cool, this will be great, all right, very good.

552
00:36:46,920 --> 00:36:48,559
Veils end live and studio.

553
00:37:02,480 --> 00:37:10,239
Speaker 1: In the sun show. And she's gone. It's not one here,

554
00:37:10,480 --> 00:37:12,480
she's away.

555
00:37:15,280 --> 00:37:17,639
Speaker 3: In no sun Shine. It is gone.

556
00:37:18,639 --> 00:37:27,719
Speaker 1: She's outway's gone too long. Anytime she goes away. I

557
00:37:27,840 --> 00:37:35,599
wonder this town as she's gone. I wonder if she's

558
00:37:35,840 --> 00:37:44,760
gone to stay in the sunshine is gone in this house.

559
00:37:45,000 --> 00:37:49,400
Just sta ain't no home any time she goes away.

560
00:38:17,800 --> 00:38:20,519
Speaker 13: I know, I know, I know, I know, I know,

561
00:38:20,840 --> 00:38:24,480
I know, I know no no, I no, no, no,

562
00:38:25,119 --> 00:38:27,920
no no no, I know, I know, I know.

563
00:38:28,239 --> 00:38:28,519
Speaker 3: I know.

564
00:38:30,039 --> 00:38:34,719
Speaker 1: You otta leave you thing alone. He's ain't out sunshine.

565
00:38:35,000 --> 00:38:41,000
When she's gone, it's on me darkness.

566
00:38:41,880 --> 00:38:50,039
Speaker 6: We day ain't no sunshine. It's gone, she's out.

567
00:38:50,440 --> 00:38:51,760
Speaker 2: He's gone too long.

568
00:38:52,320 --> 00:39:01,679
Speaker 1: Anytime she goes away under this time us she's gone.

569
00:39:04,760 --> 00:39:08,159
Wonder if she's gone to stay.

570
00:39:11,119 --> 00:39:14,679
Speaker 6: You no sunshine and stand in this.

571
00:39:14,880 --> 00:39:24,360
Speaker 1: House, stay no home any time she goes away, anytime

572
00:39:25,079 --> 00:39:37,719
she goes away, anytime she goes away, any time she

573
00:39:38,119 --> 00:39:45,400
goes away, anytime she goes.

574
00:39:49,440 --> 00:39:54,239
Speaker 7: Oh that sounded so good. Great job, everybody, great job.

575
00:39:54,639 --> 00:39:57,559
Veil's end live in studio with us. And by the way,

576
00:39:57,599 --> 00:40:00,679
I got a couple of more instant messages. Let's see.

577
00:40:01,559 --> 00:40:04,079
Taylor McCarthy says, I love you guys so much. You

578
00:40:04,320 --> 00:40:08,320
all you're all amazing, and I'm so proud of you. Taylor,

579
00:40:08,920 --> 00:40:12,840
very nice, very nice, And Uncle Darren says, sounds awesome.

580
00:40:13,079 --> 00:40:20,119
Bale said very nice. Yes, very cool, And we did

581
00:40:20,199 --> 00:40:22,719
have a request in the chat room. In the Facebook

582
00:40:22,760 --> 00:40:28,400
chat room, Philip from uh what's the glitter tooth? Sorry,

583
00:40:28,760 --> 00:40:33,159
says Cam spit some rhymes. You gotta you gotta give

584
00:40:33,159 --> 00:40:34,239
the people what they want. I don't know.

585
00:40:34,360 --> 00:40:40,159
Speaker 15: I don't think it's radio friendly understood, never mind. I'm

586
00:40:40,159 --> 00:40:42,320
not like Will Smith. I can't do that right right

587
00:40:42,480 --> 00:40:44,800
that we had the power off?

588
00:40:46,840 --> 00:40:48,000
Speaker 3: Is that true? Yeah?

589
00:40:48,400 --> 00:40:50,400
Speaker 15: We do a cover of Bulls arm Parade where we

590
00:40:50,440 --> 00:40:53,440
all switch around playing drums and I do the I

591
00:40:53,519 --> 00:40:54,360
do the vocals on it.

592
00:40:55,599 --> 00:40:56,239
Speaker 7: Oh that's cool.

593
00:40:56,400 --> 00:40:58,320
Speaker 11: Yeah, the power the power went.

594
00:40:58,199 --> 00:41:00,519
Speaker 8: Out lovely Brendan.

595
00:41:01,119 --> 00:41:02,440
Speaker 11: Yeah, he's awesome.

596
00:41:03,199 --> 00:41:08,360
Speaker 7: It was three o'clock in the morning, so it was okay, okay, yeah,

597
00:41:08,480 --> 00:41:09,800
Nobles on Braid at three am.

598
00:41:11,159 --> 00:41:11,320
Speaker 1: Learn.

599
00:41:12,119 --> 00:41:15,679
Speaker 7: Yeah you want to we we do have time. Do

600
00:41:15,679 --> 00:41:16,440
you want to play one more?

601
00:41:17,400 --> 00:41:18,119
Speaker 10: What do you want to do?

602
00:41:20,639 --> 00:41:23,480
Speaker 7: By bails end us here with us live in studio.

603
00:41:23,519 --> 00:41:29,199
I'm kind of putting them on the spot. But this

604
00:41:29,360 --> 00:41:31,519
just sounds so good. I selfishly want to hear another one.

605
00:41:32,079 --> 00:41:32,119
Speaker 11: You.

606
00:41:32,199 --> 00:41:33,840
Speaker 8: We're going to play some Grateful Dead for you guys.

607
00:41:33,920 --> 00:41:35,400
Speaker 7: All right, very good, very good.

608
00:42:00,280 --> 00:42:06,079
Speaker 17: Long distance running now what you're standing there for. Get

609
00:42:06,280 --> 00:42:13,480
up and out out of the door. Blincol music on

610
00:42:13,800 --> 00:42:20,239
the Bardom floor. Drowns in your laughter and dead to

611
00:42:20,599 --> 00:42:21,239
the court.

612
00:42:22,840 --> 00:42:24,800
Speaker 8: There's a dragon with matches.

613
00:42:25,000 --> 00:42:29,519
Speaker 14: That's a loose on in town. It's a wool pail

614
00:42:29,599 --> 00:42:34,400
of water just to cool him down. Out usher fire,

615
00:42:36,079 --> 00:42:40,440
fire on the mountain, Fire.

616
00:42:41,719 --> 00:42:45,679
Speaker 1: Fire on the mountain, or ship fire.

617
00:42:47,360 --> 00:42:48,599
Speaker 14: Fire on the mountain.

618
00:42:50,880 --> 00:42:54,159
Speaker 6: Fire fire on the mountain.

619
00:43:08,199 --> 00:43:14,119
Speaker 17: Almost a place so you don't feel the heat. Tixs

620
00:43:14,199 --> 00:43:19,760
all you got to stay on the peak, say you

621
00:43:20,039 --> 00:43:20,719
to living.

622
00:43:21,280 --> 00:43:26,400
Speaker 14: We all gotta eat your hero long.

623
00:43:26,840 --> 00:43:32,119
Speaker 17: There's no one to come. Pete mercies a business.

624
00:43:32,599 --> 00:43:33,840
Speaker 14: I wish it for you.

625
00:43:36,199 --> 00:43:39,760
Speaker 17: More than just sashes. When your trees come true.

626
00:43:40,599 --> 00:43:50,280
Speaker 14: Russian fire, Fire on the mountain, Fire fire on the mountain.

627
00:43:51,639 --> 00:43:58,960
Speaker 6: Roussi fire, fire on the mountain, Fire.

628
00:44:00,280 --> 00:44:01,519
Speaker 14: Fire on the mountain.

629
00:44:37,159 --> 00:44:43,119
Speaker 17: Come distance, running out what you're holding out for, carding

630
00:44:43,239 --> 00:44:46,320
some mulchin and a dash for the door.

631
00:44:48,079 --> 00:44:49,159
Speaker 14: Slam from your.

632
00:44:49,159 --> 00:44:51,559
Speaker 17: Stage, has no spread to the floor.

633
00:44:53,519 --> 00:44:57,239
Speaker 14: You gave all you had. Why you want to give more?

634
00:44:59,199 --> 00:44:59,440
Speaker 1: More?

635
00:44:59,559 --> 00:45:01,559
Speaker 14: That's you. You gave the more.

636
00:45:01,639 --> 00:45:06,639
Speaker 17: I will say, do the thin line beyond which you

637
00:45:07,079 --> 00:45:08,360
really can't.

638
00:45:08,199 --> 00:45:17,760
Speaker 14: Faith, I said, fire fire on the mountain, fire, fire

639
00:45:17,880 --> 00:45:18,159
on the.

640
00:45:18,280 --> 00:45:27,360
Speaker 1: Mountain, oh sa fire, fire on the mountain, oh fire.

641
00:45:28,519 --> 00:45:30,480
Speaker 14: Or fire the mountain.

642
00:46:06,159 --> 00:46:06,599
Speaker 13: Stops.

643
00:46:21,920 --> 00:46:27,920
Speaker 7: Fantastic, fantastic, vales end live in studio. Great job everybody,

644
00:46:28,639 --> 00:46:30,800
Thank you so much, appreciate you coming on. You all

645
00:46:30,880 --> 00:46:33,599
sound great. Absolutely. Let's remind people one more time where

646
00:46:33,599 --> 00:46:35,760
should they go online to keep up with everything that

647
00:46:35,840 --> 00:46:36,239
you're doing.

648
00:46:36,480 --> 00:46:41,039
Speaker 12: Find us on Instagram, Facebook, and TikTok v A l

649
00:46:41,320 --> 00:46:43,760
E s end vales.

650
00:46:43,639 --> 00:46:46,960
Speaker 7: End Very good, very good, And when's the next show?

651
00:46:47,599 --> 00:46:50,159
Speaker 12: Our next show we'll post about it will either be

652
00:46:50,360 --> 00:46:54,039
February twenty first or twenty second at Station one on

653
00:46:54,119 --> 00:46:56,840
one in Milford celebrating their four year anniversary.

654
00:46:57,239 --> 00:46:59,639
Speaker 7: Very good, very good. By the way, Bill just sent

655
00:46:59,760 --> 00:47:02,480
us a instant message, says, great job, guys, I love you.

656
00:47:02,559 --> 00:47:06,639
Bell and Sarah Kate in the Facebook chat says, good lord,

657
00:47:06,800 --> 00:47:10,519
Nick Marianni that voice with with many many.

658
00:47:10,400 --> 00:47:13,880
Speaker 8: Hearts, many minutes, many hearts.

659
00:47:15,159 --> 00:47:17,519
Speaker 7: Very good. Well, thank you all so much, thank you,

660
00:47:17,840 --> 00:47:20,039
and uh, I think what we'll do is I think

661
00:47:20,119 --> 00:47:22,239
we'll end the segment with I'm gonna play rain drops

662
00:47:22,280 --> 00:47:23,400
one more time because I love that.

663
00:47:23,480 --> 00:47:25,000
Speaker 11: What a great Thank you so much, what a.

664
00:47:25,000 --> 00:47:30,840
Speaker 7: Great studio track. Absolutely, we will do it again in

665
00:47:30,880 --> 00:47:33,519
the future and we will leave you with this great

666
00:47:33,559 --> 00:47:36,079
studio track. This is called rain Drops from Vale's end.

667
00:48:27,840 --> 00:48:34,320
Speaker 1: Drops on a summer day, trying to take my heart,

668
00:48:35,199 --> 00:48:43,559
acle something, cake in my mind start bringing me down,

669
00:48:44,559 --> 00:48:47,119
thinking by drop.

670
00:48:48,679 --> 00:48:50,280
Speaker 3: Stick aroun.

671
00:49:41,360 --> 00:49:45,840
Speaker 2: Way for me my idea.

672
00:49:46,880 --> 00:49:53,119
Speaker 6: Won't you take me back and we can disappear, but

673
00:49:53,480 --> 00:50:00,239
you call back? Its breaking me down. I think I'm my.

674
00:50:01,280 --> 00:50:07,320
Speaker 3: Die shun No say, oh my god.

675
00:50:07,519 --> 00:50:12,599
Speaker 4: I'm saying now that have badras.

676
00:50:12,559 --> 00:50:16,679
Speaker 3: And jobs might jump back and you Oh my god,

677
00:50:16,880 --> 00:50:22,320
he say, Oh my god about had boys, saying no,

678
00:50:22,719 --> 00:50:29,840
I have bad jobs right up back, Oh my bby.

679
00:51:22,360 --> 00:51:29,960
Speaker 1: Jack on a summerday trying to take my heart make

680
00:51:30,079 --> 00:51:31,360
me in suffer.

681
00:51:31,639 --> 00:51:33,320
Speaker 14: Cake in my.

682
00:51:33,679 --> 00:51:43,719
Speaker 1: Mind s bringing me down. Think of my child sticking

683
00:51:43,920 --> 00:51:45,800
around saying.

684
00:51:46,039 --> 00:51:50,599
Speaker 3: Oh my god, I hate doing sitting out out out

685
00:51:50,760 --> 00:51:53,400
back pray and I SMA.

686
00:51:53,440 --> 00:51:55,880
Speaker 2: Coup back of the oh.

687
00:51:55,800 --> 00:52:01,920
Speaker 4: My god music, Oh my god, out hey. Theist was saying,

688
00:52:02,039 --> 00:52:05,159
I about half baculated frank.

689
00:52:05,039 --> 00:52:06,119
Speaker 2: Shops might come

690
00:52:06,280 --> 00:52:16,800
Speaker 3: Back with yoursel Oh my god, he said, s