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Speaker 1: There is a song.

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Speaker 2: I want to tell him.

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Speaker 3: Frum way back deep like a well. There is a

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song I need to sing.

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Speaker 2: It seems it somehow God out of work.

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Speaker 4: I'm just killing time until time kills me.

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Speaker 5: A coin for the Ferryman, A ring for the sea.

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Give light to darkness, give life fun to claim until

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time kills me.

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Speaker 6: I'm killing time today.

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Speaker 3: There is a story from the distant past, before the first.

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Speaker 2: Became the last.

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Speaker 5: There is a story I need to share. Came from

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no place and it's going normal way.

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Speaker 4: I'm just killing time until time kills me.

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Speaker 5: A coin for the ferry Man, A ring for the sea.

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Give light to darkness, give light fun to clay until

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time kills me.

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Speaker 6: I'm killing time today.

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Speaker 5: There is a message that must be conveyed.

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Speaker 2: From whatever place you have me. There was a.

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Speaker 5: Message I needed to pass on. But it's gone. It's gone.

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It's gone gone, No, gone, No.

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Speaker 4: I'm just killing time until time kills me.

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Speaker 5: A coin for the Ferryman, a ring for the sea.

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Give light to darkness, give life unto clay.

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Speaker 2: Until time kills me.

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Speaker 6: Killing time today, I'm.

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Speaker 4: Just killing time until time kills me.

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Speaker 5: A coin for the ferry Man, A ring fun see,

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give light to Darkness, Give life unto Clay.

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Speaker 2: Till Sam kills me.

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Speaker 5: Killing time today.

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Speaker 2: I'm chilling time today.

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Speaker 7: I'm killing time today.

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Speaker 8: That is beautiful. That is killing time.

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Speaker 9: The band is Jam Tomorrow, and we're going to talk

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to these guys in just a moment and they're going

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to play live for us this morning. We have a

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very busy show for you. We've got Jam Tomorrow here.

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In the second hour, we have ever Felt skyping in

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from Chicago, and we're going to talk a little bit

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about our new partnership with Paper Jam Magazine, which we're

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very excited about. Third hour, we have doctor Bethany Billido

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who's going to be returning to the show in studio

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and I am not alone. Whoops, Jenny, your song won't play.

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Speaker 8: That's that's so weird. This is all I get. Yeah,

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that's so bizarre. I don't know why. I don't know

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why that is. I don't know what's going on with that. Well,

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I'm here, good morning. This is going to bother me. Now,

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let me figure something out here. Let me see if

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I loaded into the other.

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Speaker 10: Deckre we go. Good morning, sunshine.

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Speaker 8: Jenny is here at the news table.

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Speaker 1: I am president and accounted ball.

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Speaker 8: Yes, yes, welcome, of course.

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Speaker 9: Out Today is Saturday, September twenty eight, twenty twenty four.

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This is Matt Connorton Unleashed and we are live from

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the studios of wm NH ninety five point three FM

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and Glorious Manchester, New Hampshire. And I'm gonna go ahead

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and bring the MIC's up for these guys. We have

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jam tomorrow in studio with us. Welcome, gentlemen, thank you, Yes, yes,

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Mike and Gary. Why don't you guys introduce yourselves for

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the uninitiated, and then one of you can introduce this

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fine gentleman who is not on a mic.

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Speaker 11: I'll all start. My name is Gary Smith. I play

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h string guitar mostly for these guys.

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Speaker 8: Which which I love to watch you do. By the way,

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it's fascinating to me.

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Speaker 11: Yeah, it's you don't see a.

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Speaker 1: Lot of them, no, no, but yeah, yeah.

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Speaker 11: And then I've known MHP for whoever six years at least.

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Speaker 1: I'm MHP.

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Speaker 12: Thank you for having us. Matt, always good to be here,

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always good to see you, and of course joining us

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here standing up on beautiful six string acoustic is Mark Vadney.

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Speaker 1: Actually there's a mic right there, you can.

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Speaker 12: Yeah, he just wanted to do he doesn't want to

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His lawyers suggested he not say anything.

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Speaker 13: It's all about today there.

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Speaker 8: I love that track Killing Time that we opened with.

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Speaker 1: Thank You.

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Speaker 12: That's we had fun right in that. That's got some

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real sort of mythic themes to it. My wife actually

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helped me write that one. But oh okay, I got

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allusions to like Old Testament and Greek myths and Roman myths,

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and it kind of ties it all together. Coin for

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the ferryman, you know, for Kiiren crossing the river sticks

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into hades, and a ring for the sea from uh,

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the story of the Minotaur and it.

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Speaker 1: It kind of it brings.

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Speaker 12: It brings a lot of I don't know, a lot

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of nerdy mythic concepts together, which is sort of.

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Speaker 9: What I like to do when I write yes, yes, no,

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that's really good. You guys are gonna play a few

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songs live for us. Maybe we should just jump into

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the first one because I want to. I want to

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make sure we have plenty of time, and I love

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to hear you guys play.

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Speaker 1: Cool all right.

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Speaker 12: I think we're gonna open with a song called Don't

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Ask Alice I'm a big Lewis Carroll fan. In fact,

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the name of the band Jam Tomorrow comes from a

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reference from Through the Looking Glass where the Red Queen

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and Alice are having tea and Alice asked if she

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can have some jam, and the Red Queen says, you

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can have jam yesterday, you can have jam tomorrow, but

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never jam today, and it kind of became a political

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play on unfulfilled political promises. It's also kind of a

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play on the Latin for to be I am, but

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also on the fact that when Mark and I started,

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we had a hard time lining up days to practice,

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always like, oh no, we can jam tomorrow, but we

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can't jam today. So it's kind of multifaceted. But as

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I said, I'm a big Lewis Carrol fan. This is

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sort of if you took Alice in Wonderland and Through

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the looking Glass and you put them in a blender

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with about a half a bottle of single mal poured

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it out into about a five minute song, this is

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what you'd get.

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Speaker 1: And this one's called don't ask.

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Speaker 8: Alice all right, Jam Tomorrow Live in studio.

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Speaker 2: Felt down.

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Speaker 5: And I somehow lost my kitten like a misplaced.

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Speaker 1: So these words were never written. Landed underground.

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Speaker 5: With the fantasy of strangers, strangeness compound a rabid warning

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of danger. What does it hit mean? What does it

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really matter? At a tea party with the march Hare

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and the Mad Hatter?

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Speaker 1: What does it hit mean?

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Speaker 5: As we slash through the ocean of Geeve? What does

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it hiddn't matter?

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Speaker 14: After all the easy.

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Speaker 5: In a game of cards and I somehow lost my ace,

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I let down my guard.

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Speaker 2: And now I've lost my place. Landed in court against

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the Queen of Hearts, I had to retort as she

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tore my world apart? What does it hit me?

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Speaker 5: What does it really matter? At a tea party with

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the march Hare and the Mad Hatter? What does it

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hit me? As I cut through the death? Why does

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it hind feel? The arts stacked against my name? Running

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as fast as I can, Running as fast as.

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Speaker 14: I can.

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Speaker 5: On a checker board upon who's lost her plan? Like

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a night without a sword, working from I might to

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I can.

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Speaker 2: Landed on the square just to run the red.

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Speaker 5: Queen's race, Never getting there can be a daunting pace.

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What does it hit mean? What does it really matter?

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At a tee party with the march hare and the man?

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Speaker 2: What does they hit me as I sweep the mirror?

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Peace is the side?

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Speaker 5: What does the hidden match to the people on the uh?

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The side on the uh the side on the the

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side on the uh.

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Speaker 2: The side.

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Speaker 1: At least?

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Speaker 2: I try?

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Speaker 8: Very nice, very nice.

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Speaker 9: If you are just joining us, Jam tomorrow is here

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with us live in studio on this Saturday morning.

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Speaker 8: Now you gotta sound amazing? Now?

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Speaker 1: Is that one?

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Speaker 2: Is that one new?

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Speaker 15: No?

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Speaker 12: We wrote that a couple couple of years ago, three

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years ago. Probably, Oh, okay, okay, we've got about twenty

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five originals.

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Speaker 8: Oh wow, you've got a lot. So I didn't realize

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you had that many.

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Speaker 12: Yeah, we've only got a few recorded studio wise, we're

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working on that. We actually spent three days in the

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studio in the last month chipping away at that.

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Speaker 8: Okay, and where are you recording?

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Speaker 1: Uh? Board House Studio? Is that right?

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Speaker 11: You have Board's House Production uh in Brookline. H Pete,

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the same guy who does Fox and Flamengos. Oh okay, yeah,

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like Roots of Creation some other some other different guys.

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Speaker 8: I was gonna say, yeah, that's very familiar. Yeah, yeah,

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very cool. How many songs?

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Speaker 9: How many songs have you recorded. At this point, you've

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got twenty five originals. How many songs have.

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Speaker 1: You in various stages?

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Speaker 12: I think Gary and I have one that we wrote

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sort of independent of Mark. After Gary had a car accident.

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We spent some time when he was laid up with

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some hardware and some traction. I wrote a couple of songs.

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We recorded one of them, and then we've got We

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actually recorded Sign of the Times, which we did chemical

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distance and actually traces all the way back to my

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early hip hop project, Lidman's Load. Then we recorded that.

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That'll be the third time I've recorded that in the studio.

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And then we've got five originals that are unique to

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this project.

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Speaker 9: I'm particularly Yeah, I'm particularly curious. Here a Sign of

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the Times. When it's ready, that'll be that'll be very interesting. Yeah,

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we've got jam Tomorrow's here with us in studio playing

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some songs. Plus we opened with a new studio track too.

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Uh killing time.

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Speaker 8: And uh, do you guys want to go and play

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another one?

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Speaker 1: I'm not sure what do you want? We got plenty.

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Speaker 12: This next one's called Life with the Side of Death.

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This one's a This goes back to kind of the

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beginning of our project as well. Okay, this is uh,

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this is about three friends of mine.

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Speaker 8: All right, jam Tomorrow live in studio.

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Speaker 2: M Well JC. He had.

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Speaker 5: Restaurant on Elm Street. He built it at twenty four

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with about thirty two seats. Yeah, the drink sand, the

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dishes wild perfects. But the world got in the way.

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Speaker 2: When it was too late to rehearse it.

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Speaker 5: You could hear that beautiful man say, got paid.

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Speaker 2: Life with the sight of that.

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Speaker 8: A small.

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Speaker 2: But I'm crying on to leeds my breath as the

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context hole.

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Speaker 5: I try to remember everything.

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Speaker 2: I'll take the life with the side of day.

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Speaker 7: Now.

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Speaker 2: Mister Dave he had he had a stone factory, stone factory.

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Speaker 5: He built a land out of locks, but he never

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found the key. Gather rocks and receipts were for her offense.

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Speaker 2: But the past got in the way when there was

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no one.

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Speaker 5: Left to endorse him. You knew there was no net play,

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but you could hear him saying, I'll.

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Speaker 7: Take life with the sight.

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Speaker 2: A side, but I'm dying under he's my bread.

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Speaker 5: As the cold takes home and not try to remember

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any day.

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Speaker 16: I'll take the life with the side of that and

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ac he help he.

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Speaker 5: Helped Cord on the Street of the King, giving smiles

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to the little people. Handy were hunching over everything. Dazzle music,

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gaslition were perfect, but reality it got in the way.

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And as the vinyl flipped over, I could hear my

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dear friends got take life with the sight of death.

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The music, it gets paid, but I'm gone. As the

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cold takes home. I try to remember, just one day, you'll.

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Speaker 2: Take the line with that day. Yes, you don't see line.

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Speaker 5: With a sad.

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Speaker 9: Wow, Jim Tomorrow is here with us live in studio.

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You guys sound amazing. Thank you, absolutely fantastic. Like I

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could listen to you guys all day. I don't I

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don't remember you played that one before. I don't think

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I've heard that one.

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Speaker 1: No, no, I'm trying to.

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Speaker 12: We try to switch it up every time we come

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in and bring a different studio tracks and play different

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stuff live.

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Speaker 8: Yeah, this is my new favorite.

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Speaker 2: Well thank you.

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Speaker 8: Yeah, that's a great, great song.

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Speaker 1: We haven't played that in a little while.

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Speaker 12: And those are actually each of those are stories about

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people that I know. Yeah, I'm not going to tell

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you who they are, but they're uh, they're all represented, right, So.

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Speaker 8: Angreen yes, very good, very good. Now for a whole

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wi the whole wide world. Is that the name of

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the track?

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Speaker 9: Yeah, did you guys want to play that one live?

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Or are we gonna play the studio track?

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Speaker 1: Why don't you play the studio track?

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Speaker 12: Okay, I'm pretty happy with how it came out. There's

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uh marked an amazing job tracking harmonies on that. It

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probably took us three hours to double track the harmonies

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on that because I kind of wandered timing wise. Yeah,

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I sort of took some theater prerogative on that little jazzy.

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Backstory on that is my wife's cousin, Rachel Corey, went

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to do some piece work in Palestine twenty two years ago.

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She was like twenty or twenty one years old, and

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she ended up losing her life in an altercation, just

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trying to help some people protect a water well, yeah,

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protect their home.

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Speaker 1: It's a sad story. There's a lot of sides to

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every story.

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Speaker 12: I'm not trying to take a side on this story,

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but that's sort of the background for this story.

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Speaker 9: Yeah, I remember you guys played this. I think the

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first time you were on the show as a band,

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you guys played this and really really great tracks, so

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thank you.

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Speaker 12: Most of the chorus and some of the lyrics actually

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come from her journals. She was an amazing journalist. I

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remember as she was out there, we were getting journal

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entries from her emailed almost every day to sort of

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follow her progress. And after her passing, Alan Rickman Snape

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actually took her journals and turned them into a play.

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And that play actually played on Broadway and then oh

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kind of got kicked off of Broadway, and we saw

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it in Boston and we saw it in Long Island.

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Speaker 1: And it's an amazing play. It's a woman in play.

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Speaker 12: She's just on stage, just essentially sharing her journal with

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the audience over the course of almost two hours.

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Speaker 1: Wow.

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Speaker 12: Very moving story. If you've got some time to look

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up Rachel Corey. It's not a happy tale, but it's

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a it's a powerful it's a powerful simple indeed.

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Speaker 1: And so this is sort of my take.

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Speaker 12: I dug into her journals really deep, and I sang

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it in the first person, trying to really be representative

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of first story.

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Speaker 8: Yeah, all right, so we'll give this a spin. This

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is really really good. This is whole wide world, and

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the band is Jam Tomorrow.

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Speaker 5: A child of the huge. It sound a dove in

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the town parade, raised by caring parents.

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Speaker 2: Beware of the world. They in me. Dad went to theio.

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Now you can't come back the same.

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Speaker 5: I grew up with the sands of calm.

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Speaker 2: And burning flame.

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Speaker 5: Let me stand alone out of the edge of the

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ear and look at it honestly. Maybe my worst swirls

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around me. But one thing is stationary. If the words

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I use by the away from my left meaningless sea,

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let them hang.

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Speaker 7: In the air.

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Speaker 5: For a while. Look at the monest leave. My name

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is Rachel, trying to bridge the distance between the moon

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and the star. I flew across the world to Rafa,

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and it seemed so far. Sometimes you work for the world,

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sometimes for yourself. Sometimes you can't see.

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Speaker 2: What is hiding on the high shell.

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Speaker 5: Let me stand alone at the edge of the earth

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and look at it honestly. Maybe my world swirls around me.

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But one thing is stationary. If the words I use

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buzz away from my legs, meaning with thee, let them

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hang in the air for a while. Look at the

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monest thee. My name is Rachel. Houses demolish dance, who

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oranges on and alle machine gun fired sunset more to

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blast at John.

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Speaker 2: Who are they? Why are they here? They asked me,

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hiding now that.

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Speaker 5: We came from America to stop these attacks.

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Speaker 2: Let me stand.

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Speaker 5: Alone at the edge of the earth and look at

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it honestly. Maybe my world swels around me, but one

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00:27:42,960 --> 00:27:50,079
thing is stationary. If the word I use buzz away

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from my lefts meaningless, thee let them hang in the air.

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Speaker 2: For a while and look at the man at me.

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Speaker 5: My name is Rachel, greeting people, happy, baby, beloved, showing love,

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thinking back when I was a child, breading as it does.

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We have to protect the word welse needwe you survive,

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building towards the moment.

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Speaker 2: I have never felt so live.

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Speaker 5: Let me stand alone at the end ju here and

349
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look at it honest. Maybe my world swells around me,

350
00:29:06,680 --> 00:29:10,240
but one thing is stationary.

351
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Speaker 2: In the worlds.

352
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Speaker 5: I use us away from my els meaningless. Thee let

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that hang in the air for a while and look

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at them honest the.

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Speaker 17: My name is Rachel. My name is Rachel. My name

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is Rachel. Her name is Rachel.

357
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Speaker 8: I just wanted to let that ring out at the end.

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That is powerful, That is whole wide world.

359
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Speaker 9: The band is Jam tomorrow and Jam tomorrow is here

360
00:30:15,440 --> 00:30:17,480
with us live in studio. By the way, in the

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chat room, I think Auto, our friend Auto Kinsel, whom some.

362
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Speaker 8: Chemical distance that is in the chat room.

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Speaker 9: It's actually the Dust Profit official account that's in there,

364
00:30:27,000 --> 00:30:29,079
but he says, but I assume is Auto. He says,

365
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I don't know how you can sing sitting down. I

366
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could never do it. Yeah, that's interesting, Is that?

367
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Speaker 2: Is that?

368
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Speaker 8: Does that come easy to you sitting down while stinging?

369
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Speaker 12: Or I've got huge theater lums so I can hold

370
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a note and hit it harder when I'm standing up,

371
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but I can I can sing, okay.

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Speaker 9: So yeah, yeah, you seem pretty comfortable with it, and

373
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he appreciated the kem d reference. Spelfy from of course

374
00:30:50,680 --> 00:30:54,000
Terminus and the Midnight Creatives Collective is in the chat room.

375
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She mentions They've got a big show tonight, Vigil Swarm

376
00:30:57,920 --> 00:31:03,039
of Eyes, Tex Slaves and Dead Harrison tonight at Terminus

377
00:31:03,039 --> 00:31:05,279
in Nashua. Great great venue.

378
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Speaker 7: Woo woo.

379
00:31:07,079 --> 00:31:09,119
Speaker 9: Our friend Miriam vanishes in the chat room. She says,

380
00:31:09,160 --> 00:31:10,839
I'm listening in the car and had to pull into

381
00:31:10,880 --> 00:31:14,359
a parking lot to say something. I know this story

382
00:31:14,480 --> 00:31:17,799
and though I didn't see the play. I remembered when

383
00:31:17,799 --> 00:31:21,480
it was on Broadway, people were critical of Alan Rickman,

384
00:31:22,079 --> 00:31:24,039
but he saw a story that needed to be told.

385
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Speaker 1: Indeed, there's there's a lot of baggage there entrenched.

386
00:31:30,200 --> 00:31:34,119
Speaker 12: Yeah, yeah, yeah, I won't even dive down that rabbit hole,

387
00:31:34,160 --> 00:31:35,799
but there was. It was very controversial.

388
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Speaker 8: Yeah, no doubt, no doubt.

389
00:31:37,440 --> 00:31:41,640
Speaker 9: Well that Miriam also, Hans Smith of course from the

390
00:31:41,680 --> 00:31:44,240
band Sepsis, is in the chat room and says, hey

391
00:31:44,359 --> 00:31:48,279
metal Matt Hello, of course got Swarmy Fest coming up

392
00:31:48,319 --> 00:31:50,960
November two now at Taffada in Lowell.

393
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Speaker 2: Yes, I am looking forward.

394
00:31:52,920 --> 00:31:56,000
Speaker 9: Looking forward to that, absolutely absolutely. Well do you guys

395
00:31:56,000 --> 00:31:58,160
want to you want to play another live one for us?

396
00:31:58,359 --> 00:32:00,440
Speaker 1: Yeah? Absolutely you.

397
00:32:00,440 --> 00:32:03,279
Speaker 12: You said some very kind words about this song on

398
00:32:03,400 --> 00:32:05,960
social media recently, Gary shared it with me because.

399
00:32:06,119 --> 00:32:06,960
Speaker 1: I've been banned.

400
00:32:07,039 --> 00:32:11,400
Speaker 12: Yes, I've been deemed a menace to society in violation.

401
00:32:11,039 --> 00:32:12,559
Speaker 1: Of community standards.

402
00:32:12,079 --> 00:32:13,839
Speaker 9: As is this, by the way, what I believe the

403
00:32:13,880 --> 00:32:16,039
young people refer to as a perma band.

404
00:32:16,160 --> 00:32:17,759
Speaker 1: Oh yeah, it's deleted. I'm gone.

405
00:32:17,839 --> 00:32:18,319
Speaker 11: Wow.

406
00:32:19,279 --> 00:32:21,480
Speaker 12: I've been in jail many times before, but i'd always

407
00:32:21,480 --> 00:32:22,000
broken out.

408
00:32:22,200 --> 00:32:24,319
Speaker 8: Wow, And yeah, you've been naughty.

409
00:32:24,960 --> 00:32:26,680
Speaker 1: I guess I gave the zucker butt hurt.

410
00:32:26,960 --> 00:32:27,599
Speaker 8: I guess so.

411
00:32:29,079 --> 00:32:30,839
Speaker 1: That's a copyrighted phrase, by the way.

412
00:32:30,759 --> 00:32:33,720
Speaker 9: Yes, yes, trademark that you just all have to do

413
00:32:33,759 --> 00:32:34,880
is to say TM after it.

414
00:32:36,319 --> 00:32:40,759
Speaker 12: Marco Registrata for those in the new Yeah, you might

415
00:32:40,799 --> 00:32:41,400
be onto something.

416
00:32:41,440 --> 00:32:42,920
Speaker 1: You might be able to sell that on a teacher.

417
00:32:43,400 --> 00:32:45,480
Speaker 8: Yeah, all right, So you guys are gonna play falling

418
00:32:45,519 --> 00:32:47,119
into Place we are. Yeah, this is actually the.

419
00:32:47,079 --> 00:32:48,039
Speaker 1: First song that we wrote.

420
00:32:49,599 --> 00:32:51,599
Speaker 12: Mark and I actually wrote this together, which is really

421
00:32:51,599 --> 00:32:54,880
odd for me because I'm really selfish with my creative space. Generally,

422
00:32:54,880 --> 00:32:57,000
our process is that we'll be jamming at my house.

423
00:32:57,000 --> 00:32:59,039
We usually rehearse at my house, and I'll go to

424
00:32:59,079 --> 00:33:01,400
grab some beers or some and just put my phone

425
00:33:01,400 --> 00:33:04,200
on the table and leave it on record, and these

426
00:33:04,240 --> 00:33:06,720
guys Gary and Mark will just make some amazing music

427
00:33:06,759 --> 00:33:09,160
happen while I'm gone, and I'll sort of listen from

428
00:33:09,200 --> 00:33:11,400
the wing and wait until they're done and come back

429
00:33:11,440 --> 00:33:13,119
in and be like, Okay, that's our next song, and

430
00:33:13,160 --> 00:33:15,079
then you work on how we structure verse, chorus, bridge,

431
00:33:15,119 --> 00:33:16,680
all that kind of stuff, and then I'll sort of

432
00:33:16,720 --> 00:33:18,680
take it off to my lair all by myself, usually

433
00:33:18,799 --> 00:33:20,559
with a cigar on the porch after it's dark and

434
00:33:20,559 --> 00:33:22,720
the neighborhood's quiet, and I'll put some lyrics to it

435
00:33:22,759 --> 00:33:24,839
because that's really where my best headspace is. But we

436
00:33:24,880 --> 00:33:27,160
actually wrote this together. This was a COVID song, but

437
00:33:27,200 --> 00:33:29,759
I feel like it. It sort of is appropriate for

438
00:33:29,839 --> 00:33:31,759
any kind of trying time, which seems like it's the

439
00:33:31,759 --> 00:33:33,279
only kind of time that we have anyway.

440
00:33:34,480 --> 00:33:36,599
Speaker 9: All Right, I love this is falling into place jam

441
00:33:36,640 --> 00:33:38,119
Tomorrow live in studio?

442
00:33:42,519 --> 00:33:43,759
Speaker 1: Did all those mics up here?

443
00:33:43,839 --> 00:33:45,359
Speaker 3: All right?

444
00:33:49,559 --> 00:33:50,119
Speaker 8: That's weird?

445
00:33:50,359 --> 00:33:54,119
Speaker 9: Something's no I got everybody else?

446
00:33:54,200 --> 00:33:57,079
Speaker 8: Oh I can't hear you either. Oh wait a minute,

447
00:33:58,920 --> 00:34:02,640
there we go, sports giving me a little bit of trouble.

448
00:34:02,680 --> 00:34:03,480
But I think we're okay.

449
00:34:03,799 --> 00:34:51,719
Speaker 2: Sorry, Gary, amazing, Missus Smith. And I feel like things

450
00:34:51,760 --> 00:34:56,599
are falling against and I feel.

451
00:34:57,760 --> 00:34:58,960
Speaker 7: Like against the.

452
00:34:58,960 --> 00:35:04,000
Speaker 2: End of the red threes and a feeling like the star.

453
00:35:06,079 --> 00:35:11,719
Speaker 5: Are gonna change because I feel like thissmas allg.

454
00:35:13,400 --> 00:35:14,000
Speaker 14: Rerang.

455
00:35:16,719 --> 00:35:17,920
Speaker 2: As we moved.

456
00:35:17,719 --> 00:35:26,320
Speaker 5: From hugs and handshades, we must remember how our souls

457
00:35:26,599 --> 00:35:38,199
a as we move from confidant to confident, we must

458
00:35:38,239 --> 00:35:40,840
remember how our souls being.

459
00:35:44,480 --> 00:35:48,320
Speaker 2: But A feel like things are falling against.

460
00:35:48,239 --> 00:35:51,280
Speaker 7: Legs and feel.

461
00:35:52,559 --> 00:35:56,679
Speaker 5: Like against the end of the Red Queen race and

462
00:35:56,880 --> 00:35:58,800
a feeling like the star.

463
00:36:00,760 --> 00:36:06,159
Speaker 2: Are gonna change because I feel like this was all.

464
00:36:08,000 --> 00:36:19,159
Speaker 5: Reading and people take too much pride in the way

465
00:36:19,280 --> 00:36:28,960
they picked their sides split up into them and us

466
00:36:32,320 --> 00:36:37,639
besides seating on's on the bus.

467
00:36:38,960 --> 00:36:44,199
Speaker 2: But I feel like things are falling its place and

468
00:36:44,440 --> 00:36:49,280
I figure like it's the end of the Red Queen's

469
00:36:49,400 --> 00:36:53,679
raids and to feel like the stars.

470
00:36:55,119 --> 00:37:00,800
Speaker 5: Are gonna change because I feel like this was all just.

471
00:37:02,360 --> 00:37:10,320
Speaker 2: Rearay.

472
00:37:25,679 --> 00:37:33,599
Speaker 5: As our lives get more separated, well we wish they

473
00:37:33,639 --> 00:37:47,199
weren't so as things get more complicated, well we wish

474
00:37:47,360 --> 00:37:55,199
we could just know, just know. But feel like things

475
00:37:55,239 --> 00:38:02,239
are falling in place and impy like it's the m

476
00:38:02,440 --> 00:38:07,360
another Red Queen's reggaee and I feel like the stars

477
00:38:09,400 --> 00:38:15,320
are gonna change because I feel like this was Ange.

478
00:38:16,599 --> 00:38:17,519
Speaker 2: Prier Rage.

479
00:38:18,360 --> 00:38:18,639
Speaker 1: You did.

480
00:38:18,800 --> 00:38:27,880
Speaker 2: A feel like bi are falling against place and like

481
00:38:27,920 --> 00:38:28,800
against the m.

482
00:38:28,920 --> 00:38:33,519
Speaker 5: Another Red Queen's reggae and a feel like the star

483
00:38:34,760 --> 00:38:38,840
like the stars are gonna change because.

484
00:38:38,559 --> 00:38:45,159
Speaker 2: I feel like this was Orange rear Range. I said,

485
00:38:45,199 --> 00:39:00,159
I feel like this was Olga prier Rage.

486
00:39:11,440 --> 00:39:15,920
Speaker 8: Just amazing and Encore, well done, guys, well done.

487
00:39:16,199 --> 00:39:18,400
Speaker 9: If you are just joining us, we have jam tomorrow

488
00:39:18,760 --> 00:39:23,159
here with us alive in studio, Mark Gary and MHP.

489
00:39:23,320 --> 00:39:24,159
Speaker 8: Is that what you were going by?

490
00:39:24,159 --> 00:39:24,199
Speaker 5: It?

491
00:39:24,280 --> 00:39:24,519
Speaker 7: Sure?

492
00:39:24,800 --> 00:39:25,880
Speaker 8: Is that your like official?

493
00:39:25,960 --> 00:39:28,679
Speaker 12: Like I didn't call myself that, but multiple circles of

494
00:39:28,760 --> 00:39:32,079
friends and acquaintances and business folks just started calling me

495
00:39:32,079 --> 00:39:34,920
that because it's easier than saying Michael Helpley Pierce just.

496
00:39:34,880 --> 00:39:39,960
Speaker 1: Ah right, right, yes, And I'm not gonna lie.

497
00:39:41,079 --> 00:39:43,119
Speaker 12: I've kind of created a brand and that was a

498
00:39:43,119 --> 00:39:45,719
beautiful way to sort of accentuate it. So whatever my

499
00:39:45,800 --> 00:39:49,519
agenda is, whether it's music or work or philanthropy or

500
00:39:49,559 --> 00:39:51,559
whatever it's it's kind of it's like, oh, there's only

501
00:39:51,599 --> 00:39:53,360
one MHP like that, you're not going to confuse me

502
00:39:53,400 --> 00:39:55,760
with somebody. Not that you would anyway, because thankfully there's

503
00:39:55,760 --> 00:39:57,679
not two of me, because we would probably hate each other.

504
00:39:57,599 --> 00:39:58,079
Speaker 2: Right right?

505
00:40:00,480 --> 00:40:00,960
Speaker 1: Do you know me?

506
00:40:01,400 --> 00:40:04,320
Speaker 8: Did you wanna were we gonna? How many live were we.

507
00:40:04,280 --> 00:40:04,599
Speaker 2: Going to do?

508
00:40:04,519 --> 00:40:05,480
Speaker 8: Do you want to do one more?

509
00:40:05,599 --> 00:40:07,519
Speaker 1: Sure? We got time for one more? Can we throw

510
00:40:07,480 --> 00:40:08,400
out a couple of shout outs?

511
00:40:08,440 --> 00:40:08,559
Speaker 5: Oh?

512
00:40:08,599 --> 00:40:11,800
Speaker 8: Absolutely, go for it, Yeah, I'll do it. Yeah, oh

513
00:40:11,840 --> 00:40:12,880
yeah please, Yeah.

514
00:40:12,800 --> 00:40:16,239
Speaker 11: I'm actually playing tonight with two of my bands who

515
00:40:16,639 --> 00:40:18,719
I don't know. I know Auto knows Bob Dwyer. Do

516
00:40:18,760 --> 00:40:19,519
you know Bob Dyer.

517
00:40:20,079 --> 00:40:23,760
Speaker 8: He's been on the show with What the Stink.

518
00:40:24,039 --> 00:40:25,239
Speaker 11: He was with them back in the day.

519
00:40:25,400 --> 00:40:27,039
Speaker 9: I don't know, but I know he's been on the

520
00:40:27,039 --> 00:40:29,039
show with another band. I can't remember who now.

521
00:40:28,920 --> 00:40:31,360
Speaker 11: But yeah, but we're opening for my other band Fox

522
00:40:31,360 --> 00:40:32,199
in the Flamingos tonight.

523
00:40:32,280 --> 00:40:33,559
Speaker 8: This show excellent, excellent.

524
00:40:33,679 --> 00:40:36,360
Speaker 11: Yeah, me and him and our drummer from Cosmic Boss

525
00:40:36,400 --> 00:40:37,000
and play together.

526
00:40:37,159 --> 00:40:37,840
Speaker 2: Oh, very good.

527
00:40:37,880 --> 00:40:39,440
Speaker 11: And I am playing a Candy Road tomorrow if you

528
00:40:39,480 --> 00:40:41,480
want to catch some solo stuff from two to five.

529
00:40:41,639 --> 00:40:45,119
Speaker 8: Outstanding, very good, very good. Yeah, you got a busy weekend,

530
00:40:46,320 --> 00:40:47,800
which is a good it's a good thing.

531
00:40:47,880 --> 00:40:48,079
Speaker 18: Yeah.

532
00:40:48,159 --> 00:40:48,679
Speaker 1: Yeah.

533
00:40:48,719 --> 00:40:50,639
Speaker 12: We don't have any gigs as Jim tomorrow coming up

534
00:40:50,679 --> 00:40:52,679
until November and then we got a really busy week

535
00:40:53,000 --> 00:40:56,039
eleven nineteen, we're playing at the Shaskine from eight to

536
00:40:56,119 --> 00:41:00,440
eleven that's a Tuesday. That Friday, eleven twenty two, we're

537
00:41:00,480 --> 00:41:03,719
playing a Strange Brew also from eight to eleven, and

538
00:41:03,760 --> 00:41:07,320
then eleven thirty, which is the Saturday after Thanksgiving, we're

539
00:41:07,320 --> 00:41:09,880
playing at Pembroke City Limits, which if you haven't been there.

540
00:41:10,239 --> 00:41:13,840
Rob az aveda amazing spot, so focused on the music,

541
00:41:14,199 --> 00:41:15,960
very cool. You feel like you're playing in a big

542
00:41:16,000 --> 00:41:19,800
living room. It's kind of like that, like that Daryl Hall,

543
00:41:20,199 --> 00:41:23,039
like the Oh Live at Daryl's South. Yeah, it kind

544
00:41:23,039 --> 00:41:25,440
of has that sort of feel to it. Yeah, there's

545
00:41:25,440 --> 00:41:27,119
always a maybe when they have their open mics. It's

546
00:41:27,199 --> 00:41:30,440
like the caliber of musicians we're playing in a spot

547
00:41:30,480 --> 00:41:31,840
you may have never heard of, in a town you

548
00:41:31,840 --> 00:41:35,719
probably couldn't find on the map, is just unbelievable. So

549
00:41:35,719 --> 00:41:37,679
we're really looking forward to that. My family's coming out,

550
00:41:37,719 --> 00:41:40,280
so all my mom's siblings are coming out for Thanksgiving

551
00:41:40,320 --> 00:41:42,039
and they're going to all be able to catch that show.

552
00:41:42,280 --> 00:41:43,280
Speaker 1: So that'll be a good time.

553
00:41:43,360 --> 00:41:44,880
Speaker 12: And then I want to give a shout out to

554
00:41:44,920 --> 00:41:46,840
my man, Jim Belile, So if you've ever seen any

555
00:41:46,840 --> 00:41:49,519
of our flyers, that all the artwork on our flyers

556
00:41:49,519 --> 00:41:51,840
are all his paintings and he's been generous enough to

557
00:41:51,920 --> 00:41:55,320
let us use his artwork and not have to pay

558
00:41:55,320 --> 00:41:57,639
for it, which is a beautiful thing. We really appreciate it.

559
00:41:57,719 --> 00:41:59,119
So if you dig any of the art you've ever

560
00:41:59,119 --> 00:42:01,320
seen in any of our fly go to www.

561
00:42:01,440 --> 00:42:02,679
Speaker 1: Dot Belile Art.

562
00:42:02,719 --> 00:42:05,519
Speaker 12: That's E L L I s L E A r

563
00:42:05,679 --> 00:42:08,639
T dot com and he's got both paintings and prints

564
00:42:08,679 --> 00:42:11,960
available for sale. Support a local artist. It's really what

565
00:42:12,079 --> 00:42:14,199
makes your community matter.

566
00:42:14,599 --> 00:42:15,519
Speaker 8: Very nice, very nice.

567
00:42:15,559 --> 00:42:18,239
Speaker 9: Oh by the way, too, because you you mentioned him

568
00:42:18,360 --> 00:42:21,119
and Gary you had played at Pembroke City Limits recently too, Right.

569
00:42:21,320 --> 00:42:25,519
Speaker 11: Yeah, I do a pretty much bi weekly solo jazz thing,

570
00:42:25,559 --> 00:42:28,199
and then I do a Gary's musical gathering where everything

571
00:42:28,239 --> 00:42:30,519
Oh yeah, one Thursday month, I let I invite a

572
00:42:30,559 --> 00:42:33,159
bunch of my musician friends to come and too long

573
00:42:33,199 --> 00:42:36,440
sets sit in jam. It's like kind of a you know,

574
00:42:36,639 --> 00:42:38,320
I'm in a few bands at this point, probably like

575
00:42:38,360 --> 00:42:40,719
six different bands. Yeah, yeah, I have different people can

576
00:42:40,760 --> 00:42:43,360
come in and it's it's always been good. There's been

577
00:42:43,480 --> 00:42:47,119
just such a crazy caliber of musicians like Jordan Quinn

578
00:42:47,159 --> 00:42:50,039
shows off, like all these like just crazy musicians, Sarah

579
00:42:50,039 --> 00:42:53,280
Bird and like all these great great people show up

580
00:42:53,320 --> 00:42:55,440
and ye do some jazz stuff and then people sit

581
00:42:55,519 --> 00:42:56,599
in with my jazz. It's great.

582
00:42:56,679 --> 00:42:56,840
Speaker 19: Yeah.

583
00:42:56,880 --> 00:42:59,480
Speaker 9: I love Rob's place I live in, Oh perfect, Yeah,

584
00:42:59,480 --> 00:43:02,159
it doesn't get my Rob has a great show here

585
00:43:02,159 --> 00:43:03,159
too at WM and H.

586
00:43:03,199 --> 00:43:04,320
Speaker 8: You've you've probably been on it.

587
00:43:04,320 --> 00:43:06,320
Speaker 11: Right, Yeah, I was on it a couple months ago.

588
00:43:06,559 --> 00:43:08,760
Speaker 8: Ran a state of mind. Yeah, Fridays at six.

589
00:43:08,920 --> 00:43:10,880
Speaker 11: I'll be back with you in two weeks sek two.

590
00:43:10,920 --> 00:43:14,159
Speaker 8: That's right, yes, yes, very good. Well before we run

591
00:43:14,199 --> 00:43:17,119
out of time, let's let's go ahead and I'm dying here.

592
00:43:17,159 --> 00:43:18,119
One more, all.

593
00:43:18,079 --> 00:43:21,079
Speaker 12: Right, this is This one's a little bit different. This

594
00:43:21,119 --> 00:43:24,400
one's the story about Alistair Crowley. Uh, not a very

595
00:43:24,519 --> 00:43:27,960
nice man, but a very interesting dude, fascinating life. I've

596
00:43:27,960 --> 00:43:30,360
read a bunch of his biographies, read a bunch of

597
00:43:30,400 --> 00:43:33,360
his works. Ozzie did a song about him, but I

598
00:43:33,400 --> 00:43:35,320
felt like it really didn't tell much of a tale.

599
00:43:35,519 --> 00:43:35,760
Speaker 8: True.

600
00:43:35,800 --> 00:43:40,679
Speaker 12: So this one is pretty much a story of his

601
00:43:40,760 --> 00:43:44,000
life up to about age twenty seven. And it's it's

602
00:43:44,079 --> 00:43:46,239
seven versus long, because that's why I had to cut

603
00:43:46,239 --> 00:43:48,000
it off at age twenty seven. But this sort of

604
00:43:48,079 --> 00:43:50,880
leads up to the big formative moment of his life

605
00:43:50,880 --> 00:43:53,719
in nineteen oh seven. Okay, So this one's called Babes

606
00:43:53,760 --> 00:43:56,519
in the Abyss. All right, jam bro Elemites out there,

607
00:43:56,760 --> 00:43:57,159
all right.

608
00:43:57,159 --> 00:44:31,199
Speaker 5: Very good, Just the boy with the bad will rich

609
00:44:31,360 --> 00:44:37,440
parents didn't understand. Had to get my bad Bill by

610
00:44:37,599 --> 00:44:44,960
spelling blood upon the land, unbeloved by the brethren. A

611
00:44:45,159 --> 00:44:51,320
beats on Mommy's cheet, fathers the reverence with.

612
00:44:51,480 --> 00:44:57,159
Speaker 2: A hand that had to beat. We are but dwell

613
00:44:57,760 --> 00:45:02,280
on rashel. Babes in the Abyss.

614
00:45:02,679 --> 00:45:07,519
Speaker 5: We sell up sealers coming until it can't be mad.

615
00:45:09,599 --> 00:45:13,119
Speaker 2: We are but teller long thresholds.

616
00:45:14,079 --> 00:45:19,079
Speaker 5: Babes in the Abyss, we sell them see us coming

617
00:45:19,400 --> 00:45:24,480
until it can't be missed. Just a man with the

618
00:45:24,559 --> 00:45:31,239
mission to bring the truth to light, A twenty four

619
00:45:31,679 --> 00:45:38,159
maid of decisions to search throughout the night. The town

620
00:45:38,519 --> 00:45:41,320
was golden, but I rushed.

621
00:45:41,719 --> 00:45:44,000
Speaker 2: Too far, too fast.

622
00:45:44,639 --> 00:45:49,639
Speaker 5: The orders boned my borders, my future, and my pasts.

623
00:45:51,559 --> 00:45:57,480
We are but tweller on the threshold. Babes in the Abyss.

624
00:45:58,400 --> 00:46:03,280
We set up, seal us coming until it can't be mad.

625
00:46:05,400 --> 00:46:11,480
Speaker 2: We are but twelve song the threshold. Babes in the abit.

626
00:46:12,280 --> 00:46:17,800
Speaker 5: We set up sewants coming until it can't be mad.

627
00:46:19,039 --> 00:46:24,519
Just the spirit on seventh in search of some hounty.

628
00:46:25,920 --> 00:46:30,760
Been months since surreal bath, in need of a Truio game,

629
00:46:32,800 --> 00:46:33,599
three years with.

630
00:46:33,800 --> 00:46:39,960
Speaker 2: The Master in the blink of Mathred, I on the

631
00:46:40,119 --> 00:46:42,159
last faster.

632
00:46:42,760 --> 00:46:48,119
Speaker 5: Was waiting on the mountain side. We are but twelve

633
00:46:48,639 --> 00:46:54,519
song the threshold babes. In the abyss we sell off

634
00:46:54,679 --> 00:46:58,480
sealants coming until it can't be mad.

635
00:47:00,519 --> 00:47:05,559
Speaker 2: We are but twelve son threshold babes.

636
00:47:05,559 --> 00:47:10,719
Speaker 5: In the bits we sell on sewarts coming until he

637
00:47:11,079 --> 00:47:12,159
can't be mad.

638
00:47:14,280 --> 00:47:20,119
Speaker 2: Just a mate with a posse spreading the work of law,

639
00:47:21,199 --> 00:47:26,199
damages by proxy. Don't even drop my job.

640
00:47:28,280 --> 00:47:36,159
Speaker 5: Somehow, my abby weeve my book misunderstood the house of

641
00:47:36,519 --> 00:47:44,360
masonry as when bull les. We are but tweeners of

642
00:47:45,199 --> 00:47:47,440
threshold babes.

643
00:47:47,440 --> 00:47:49,360
Speaker 2: In the bit we.

644
00:47:49,559 --> 00:47:54,000
Speaker 5: Sell of sewarts coming until it can't be men.

645
00:47:56,159 --> 00:47:58,320
Speaker 2: We are but twels of.

646
00:47:58,840 --> 00:48:04,360
Speaker 5: The threshold beats in the bed we sell and see

647
00:48:04,519 --> 00:48:10,440
what's coming until a cant me man, just a soul

648
00:48:10,679 --> 00:48:11,480
in the desert.

649
00:48:13,440 --> 00:48:17,679
Speaker 2: Things did not go to plan. I brought you in

650
00:48:17,719 --> 00:48:24,079
my circle. Let you try to rule this man. We

651
00:48:24,280 --> 00:48:24,920
fosched in.

652
00:48:24,960 --> 00:48:29,159
Speaker 5: The bar as the Guards's played in the star.

653
00:48:31,119 --> 00:48:33,079
Speaker 2: You brought me higher.

654
00:48:33,559 --> 00:48:40,119
Speaker 5: Than I had ever met Mefore, we are about twelves on.

655
00:48:40,519 --> 00:48:43,199
Speaker 2: The threshold babes.

656
00:48:43,360 --> 00:48:48,559
Speaker 5: In the abusiness we sell out seats coming until he

657
00:48:48,840 --> 00:48:49,880
get me mad.

658
00:48:51,960 --> 00:48:53,599
Speaker 2: We are but twellers.

659
00:48:54,000 --> 00:48:59,559
Speaker 5: All the threshold bats in the man we sell them

660
00:49:00,079 --> 00:49:03,400
see what's coming can't mean me.

661
00:49:10,800 --> 00:49:14,599
Speaker 8: Wow, that's uh, that's pretty epic. That's great. Well, I

662
00:49:14,679 --> 00:49:18,239
love that. I love that Jam Tomorrow live in studio. Guys.

663
00:49:18,320 --> 00:49:21,119
Speaker 9: We're just about out of time in the segment, but uh,

664
00:49:21,519 --> 00:49:22,679
you guys, you sound amazing.

665
00:49:22,719 --> 00:49:24,960
Speaker 8: I always love hearing you play. Always great to have

666
00:49:25,039 --> 00:49:25,400
you here.

667
00:49:25,800 --> 00:49:28,079
Speaker 9: And where should people go onlin where's the best place

668
00:49:28,079 --> 00:49:30,159
to go online to keep up with everything Jam Tomorrow's doing?

669
00:49:30,360 --> 00:49:32,840
Speaker 12: So you go to Jam Tomorrow Dash the Band on

670
00:49:33,239 --> 00:49:35,199
Facebook so you don't confuse it with Jam Tomorrow the

671
00:49:35,239 --> 00:49:39,039
Lunchbox or Jam Tomorrow the Flamethrower. The kids love that one. Yes,

672
00:49:39,800 --> 00:49:41,800
Gary's got some sites that you can check out to.

673
00:49:42,000 --> 00:49:45,239
Speaker 11: My own website g smith music dot com that'll list

674
00:49:45,400 --> 00:49:47,880
all my shows, but it'll have a Jam Tomorrow section

675
00:49:47,960 --> 00:49:51,320
in there. It'll list our shows in there specifically too, okay,

676
00:49:51,360 --> 00:49:52,840
and you'll be able to get some media from that.

677
00:49:53,360 --> 00:49:55,360
Speaker 8: G Smith Music excellent.

678
00:49:55,000 --> 00:49:58,239
Speaker 12: And we're on all the standard streaming platforms where kids

679
00:49:58,320 --> 00:50:00,000
go to get their music. We've got two cuts out

680
00:50:00,119 --> 00:50:02,360
there right now, and we've got another five that will

681
00:50:02,400 --> 00:50:04,960
be dropping over the course of the not too distant future.

682
00:50:06,159 --> 00:50:07,480
Speaker 1: And we play local a lot.

683
00:50:08,119 --> 00:50:11,920
Speaker 12: The three venues that I listed out Strange Brew, Pembroke

684
00:50:11,960 --> 00:50:14,159
City Limits, and the Shaski and are probably our three

685
00:50:14,159 --> 00:50:17,360
most frequent haunts, so look for us there as well.

686
00:50:17,559 --> 00:50:19,920
Speaker 8: Excellent, excellent, guys, Thank you so much.

687
00:50:19,960 --> 00:50:22,800
Speaker 9: We'll actually close out the segment with another studio track

688
00:50:22,840 --> 00:50:24,800
that an older one that you had sent me, A

689
00:50:24,800 --> 00:50:28,440
Beautiful Loser. Another great song, great song. But guys, I

690
00:50:28,440 --> 00:50:31,400
appreciate you very much. Thank you again, and we'll do

691
00:50:31,480 --> 00:50:33,920
this again. So because you guys are always making more music.

692
00:50:33,960 --> 00:50:37,440
Speaker 1: So Yeahenna, Matt, thanks for having us. I really appreciate PM.

693
00:50:37,239 --> 00:50:40,960
Speaker 9: Here, absolutely absolutely, And if you're listening live on Saturday morning,

694
00:50:41,000 --> 00:50:44,960
stick around. Adam from the band ever Felt in Chicago

695
00:50:45,079 --> 00:50:46,400
is going to be skyping in at the top of

696
00:50:46,400 --> 00:50:47,639
the r so plenty more to come.

697
00:50:47,920 --> 00:50:50,519
Speaker 8: And here it is. This is Beautiful Loser jam tomorrow,

698
00:51:10,079 --> 00:51:10,800
A big.

699
00:51:10,840 --> 00:51:14,679
Speaker 5: Hole in the fabric of space and time like I

700
00:51:15,039 --> 00:51:16,639
needed a dollar.

701
00:51:16,440 --> 00:51:20,440
Speaker 4: And I had a time, A ben.

702
00:51:20,360 --> 00:51:25,440
Speaker 5: To both ends of the Mississsippi, from the Minnesota Highlands

703
00:51:25,559 --> 00:51:26,800
to the New Orleans Ocean.

704
00:51:27,039 --> 00:51:32,199
Speaker 2: She grips me, and I don't know what have had

705
00:51:32,360 --> 00:51:32,639
to me.

706
00:51:34,199 --> 00:51:40,880
Speaker 5: Tweam feeling live, living free, keep walking towards where I

707
00:51:41,400 --> 00:51:51,119
think I might be. God is alive and the magic

708
00:51:51,360 --> 00:51:56,320
is afoot. Somethings just won't stay aware of that. But

709
00:51:58,199 --> 00:52:03,360
reinvention seem to my previous interntion once it was from

710
00:52:03,400 --> 00:52:05,280
those things just can't mention.

711
00:52:07,840 --> 00:52:11,039
Speaker 2: And I don't know what happened to me.

712
00:52:12,599 --> 00:52:19,280
Speaker 5: Dream feeling, live and living free, Keep walking towards where

713
00:52:19,320 --> 00:52:21,239
I think I might be.

714
00:52:22,840 --> 00:52:46,400
Speaker 13: Yeah to the bridge, and.

715
00:52:46,639 --> 00:52:49,440
Speaker 2: I don't know what happened to me.

716
00:52:51,000 --> 00:52:58,079
Speaker 5: Dream feeling, live, living free, Keep walking towards where I

717
00:52:58,159 --> 00:53:07,239
think I might be. Every time we pull back the curtain,

718
00:53:07,320 --> 00:53:09,079
we find another curtain.

719
00:53:09,440 --> 00:53:13,599
Speaker 2: But my mind is we re and my back is hurting.

720
00:53:15,039 --> 00:53:19,559
Speaker 5: The only thing I've ever known for surchon is behind

721
00:53:19,639 --> 00:53:22,920
every curtain, there's another curtain and another curtain.

722
00:53:24,679 --> 00:53:30,239
Speaker 2: And I don't know what happened to me. Scream feeling

723
00:53:30,400 --> 00:53:33,159
life and leave and free.

724
00:53:34,280 --> 00:53:37,920
Speaker 5: Keep walking to hoods where I think I might be.

725
00:53:43,880 --> 00:53:47,079
Speaker 2: And I don't know what happened to me.

726
00:53:48,559 --> 00:53:54,320
Speaker 5: Scream feeling life and live and free, Keep walking to

727
00:53:54,480 --> 00:53:56,360
hoods where I think.

728
00:53:56,239 --> 00:53:56,840
Speaker 7: I might be.

729
00:54:03,039 --> 00:54:04,000
Speaker 9: In that know.

730
00:54:06,159 --> 00:54:10,840
Speaker 2: Me jee, feel in love, live.

731
00:54:10,719 --> 00:54:15,559
Speaker 5: Be free, jeep walking told where I think I'm I

732
00:54:15,760 --> 00:54:17,320
be where I think I'm.

733
00:54:17,159 --> 00:54:17,519
Speaker 13: On be.

734
00:54:34,159 --> 00:54:36,400
Speaker 19: In times of crisis, you need a law firm that

735
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stands by your side. With over forty years of experience,

736
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Craig and Gatsulis is dedicated to fighting for your rights.

737
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As former state prosecutors, our attorneys have the knowledge and

738
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trial experience to provide an aggressive defense against any charge,

739
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from DUIs to homicides. If you've been injured, our compassionate

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team will assess your case and fight for the compensation

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you deserve. Serving all of New Hampshire. Cig get zulus

742
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is here when you need us most. Visit Craig Atzulis

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dot com or call six oh three five five five

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one two three four for a free consultation. Craigan gets zulus,

745
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your advocates, your allies.

746
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Speaker 20: Bring your kitchen to life with Queen City Cabinetry, located

747
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at eighty seven Elm Street in the historic Sunbeam Wall

748
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in Manchester, open Monday through Friday nine am to five

749
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thirty pm in Saturday's ten am to two pm. They

750
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can be reached at six oh three two two two

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to zero zero seven. We're on the web at Queen

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citycabinatree NH dot com. Come see the possibilities Queen Citycabinet Tree,

753
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another proud sponsor of w MNH.

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Speaker 21: Disney's Cafe is the place to put us a smile

755
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on your face. Judy and the crew will take care

756
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of you, bring your appetite and treat your taste buds right.

757
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Business Cafe is always a winning choice. Breakfast, lunch, or

758
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supper Disney's Cafe at eight sixty Elm Street in downtown Manchester.

759
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Dine in, take out or make a reservation call six

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O three six oh six two five three two, eat,

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drink and be happy Dizze's Cafe.

762
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Speaker 15: When it comes to keeping WMNH on the air and

763
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your own personal or business computer needs, trust growl In Computers,

764
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located on Elm Street in Manchester. Grolin handles computer repair,

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virus removal and custom built systems. Are you looking for

766
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budget friendly options, check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

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expenses here. Visit grolind dot com or call Grolling Computers

769
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at six zero three six four five zero one.

770
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Speaker 2: Zero one Your tech, your way.

771
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Speaker 15: Trust groll In Computers.

772
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Speaker 17: Seven times out of ten.

773
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Speaker 14: We listened to our music at night.

774
00:57:00,320 --> 00:57:03,719
Speaker 4: Dot con titled program Late.

775
00:57:03,599 --> 00:57:06,000
Speaker 20: Night to light with DJ mitas right here on w

776
00:57:06,320 --> 00:57:14,360
MNH Manchester because Saturdays and Sunday nights midnight to four am.

777
00:57:14,599 --> 00:57:20,079
Speaker 22: This hour on wm NH is sponsored by CGI Business Solutions,

778
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located at five Dartmouth Drive in Auburn. They serve all

779
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your business needs including employee benefits, planning, corporate design and

780
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business administration, investments and wealth management and customized business insurance solutions.

781
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Their phone number is eight sixty six eight four to

782
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one forty six hundred, or on the web at CGI

783
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business Solutions dot com.

784
00:57:46,840 --> 00:57:50,360
Speaker 18: Behold the harmony of airwaves as you immerse yourself in

785
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the captivating frequencies of w m NHLP. The Sunic card

786
00:57:54,519 --> 00:57:57,599
Beats of Manchester is the transcending through the ether right

787
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ninety five point three megahertz frequency module. Our transmissions, emanated

788
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from the zet at the one thousand Down Streets insure

789
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into the hearts of our creative realm at one nineteen

790
00:58:07,079 --> 00:58:11,320
Canal Street, where innovation and sound collage. They're the impro

791
00:58:11,440 --> 00:58:14,800
moder of Manchester Public Television Service in the venerable City

792
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of Manchester, New Hampshire, USA.

793
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Speaker 2: Enrich your auditory.

794
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Speaker 18: Journey with the depth of our license to wesidensspt your

795
00:58:21,599 --> 00:58:25,519
missives to WMNH ninety five to three at gmail dot com,

796
00:58:25,719 --> 00:58:30,199
or traverse the virtual corridors of wmnhradio dot org. Engage

797
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with our sonic vibrations by communing with us through the

798
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digital channel or radio beckons eager to enthrall you with

799
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its mesmerizing cadence and develop you with a symphony of

800
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foundless auditories.

801
00:58:40,880 --> 00:58:41,760
Speaker 2: One dude