1
00:00:01,760 --> 00:00:04,759
Speaker 1: This is Chuck and Matt with a cinematic flashback podcast

2
00:00:04,839 --> 00:00:08,320
where we cover all seventies movies all the time.

3
00:00:08,320 --> 00:00:09,800
Speaker 2: And the weather on the tens.

4
00:00:10,119 --> 00:00:12,839
Speaker 1: Hey, Matt, do you know what another brick in the wall,

5
00:00:13,160 --> 00:00:16,199
crazy little thing called love and rock with you all

6
00:00:16,239 --> 00:00:17,000
have in common?

7
00:00:17,359 --> 00:00:18,839
Speaker 2: Oh? Yeah, I remember those?

8
00:00:19,519 --> 00:00:23,320
Speaker 1: They were written by that band you know.

9
00:00:23,440 --> 00:00:25,679
Speaker 2: I don't know you were so close.

10
00:00:25,839 --> 00:00:29,199
Speaker 1: But actually these are all songs that were released in

11
00:00:29,239 --> 00:00:31,640
the seventies but charted in the eighties.

12
00:00:31,920 --> 00:00:33,439
Speaker 2: Surely you can't be serious?

13
00:00:33,840 --> 00:00:36,320
Speaker 1: I am. And you know who else is Jason and

14
00:00:36,439 --> 00:00:39,200
d and they're about to give you their top five

15
00:00:39,280 --> 00:00:43,560
songs of nineteen eighty. You're listening to the Surely you

16
00:00:43,600 --> 00:00:45,320
Can't Be Serious podcast?

17
00:00:45,719 --> 00:01:12,840
Speaker 3: Okay, ready, ready, ready, Freddy Oh Freddy.

18
00:01:12,599 --> 00:01:16,040
Speaker 2: Yeah, Okay. Open letter to the Shirley fans out there.

19
00:01:16,599 --> 00:01:20,959
Babe Nice, You're my shining star. You might be sailing

20
00:01:21,079 --> 00:01:24,599
right now, but probably most of you are in your

21
00:01:24,840 --> 00:01:30,680
cars cruising Nice, but you're listening to us on the radio.

22
00:01:31,079 --> 00:01:35,719
So escape maybe with the Pina Colada. Yes, with us,

23
00:01:35,840 --> 00:01:39,480
as we steal away, we ride like the wind, back

24
00:01:39,519 --> 00:01:44,719
to the pop music of nineteen eighty. Nineteen eighty. What

25
00:01:44,760 --> 00:01:48,040
can I say about nineteen eighty I wish I didn't

26
00:01:48,079 --> 00:01:52,040
know now what I didn't know then? Nice? Nice, Welcome

27
00:01:52,079 --> 00:01:54,920
back to thank you, Welcome back to the Shirley Podcast. Everybody,

28
00:01:54,959 --> 00:01:58,120
good job you. Yeah, well thanks. I was waiting while

29
00:01:58,120 --> 00:02:02,120
you updated your list. Jason comes in Sweaty from the Road,

30
00:02:02,159 --> 00:02:03,840
and it's like, I heard a song the day that

31
00:02:03,879 --> 00:02:06,439
has to be on the list. So I so researching.

32
00:02:06,480 --> 00:02:09,479
He's doing researching, and I'm writing you all a love letter.

33
00:02:10,039 --> 00:02:12,439
So we are here today to do the top five

34
00:02:12,560 --> 00:02:17,159
songs of nineteen eighty. Now, there were some great songs

35
00:02:17,280 --> 00:02:19,439
in nineteen eighty and most of them were on Back

36
00:02:19,439 --> 00:02:23,280
in Black, That's right, which we've covered already, and so

37
00:02:23,520 --> 00:02:25,680
none of those Back in Black songs will be on

38
00:02:25,719 --> 00:02:29,240
our list now without Back in Black. Now it's a

39
00:02:29,280 --> 00:02:31,840
little more sparse than some of the years that we've

40
00:02:31,879 --> 00:02:36,039
covered one. Yeah, like nineteen eighty was a transitional year

41
00:02:36,280 --> 00:02:38,800
in music, and I don't think everybody really knew what

42
00:02:38,840 --> 00:02:39,960
they wanted to be listening to.

43
00:02:40,639 --> 00:02:45,039
Speaker 4: It was a year between classic rock and MTV YEP,

44
00:02:45,159 --> 00:02:48,719
when like pop country was trying to dominate.

45
00:02:48,919 --> 00:02:52,800
Speaker 2: Yeah, maybe little yacht rock punk rock was a rage

46
00:02:52,840 --> 00:02:56,080
around some folks. But it certainly wasn't pop music talk about.

47
00:02:56,360 --> 00:03:07,800
Speaker 4: Yeah, so there was some important pop culture moments from

48
00:03:07,879 --> 00:03:09,879
nineteen eighty. I wanted to kind of set the stage

49
00:03:09,879 --> 00:03:10,319
real quick.

50
00:03:10,360 --> 00:03:12,560
Speaker 2: I feel like we're going back to our original format,

51
00:03:12,560 --> 00:03:14,120
like we used to do this every year. We used

52
00:03:14,159 --> 00:03:16,039
to do this. Yeah, tell me what was going on

53
00:03:16,080 --> 00:03:17,039
in nineteen.

54
00:03:16,960 --> 00:03:20,280
Speaker 4: So, like you said, I don't think the music was

55
00:03:20,719 --> 00:03:23,439
particularly strong. In fact, I would say it's pretty weak

56
00:03:23,919 --> 00:03:26,039
in nineteen eighty, but I think we did find some

57
00:03:26,159 --> 00:03:27,319
good songs from nineteen eighty.

58
00:03:27,360 --> 00:03:29,400
Speaker 2: Yeah, pop culture moments. Yeah.

59
00:03:29,599 --> 00:03:33,479
Speaker 4: Darth Vader looked at Luke Skywalker and told him, look,

60
00:03:34,319 --> 00:03:36,240
we would never told you what happened.

61
00:03:35,919 --> 00:03:38,719
Speaker 2: To your father. It is the truth. No spoilers, right,

62
00:03:40,360 --> 00:03:42,360
no spoilers for the forty five year old.

63
00:03:42,360 --> 00:03:46,120
Speaker 4: I mean it's forty five years old. Yeah. Jack Nicholson

64
00:03:46,199 --> 00:03:49,039
whacked a door with an axe and said, here's Johnny.

65
00:03:49,199 --> 00:03:51,439
Speaker 2: Yeah, right, that's a good one. I do have.

66
00:03:51,560 --> 00:03:54,520
Speaker 4: Back in Black came out, maybe maybe the best selling

67
00:03:54,560 --> 00:03:57,719
album of all time, one of those in the conversation,

68
00:03:57,960 --> 00:04:01,680
you know, John Lennon was and killed tragic.

69
00:04:01,439 --> 00:04:04,000
Speaker 2: Okay, December of that year, right, Yeah.

70
00:04:03,719 --> 00:04:07,759
Speaker 4: Pac Man, Rubik's Cube and post it notes came out

71
00:04:07,759 --> 00:04:11,560
in nineteen eighty. Wow, the Miracle on Ice happened in

72
00:04:11,639 --> 00:04:12,840
nineteen eighty great.

73
00:04:13,360 --> 00:04:14,560
Speaker 2: I love the movie too.

74
00:04:14,479 --> 00:04:17,000
Speaker 4: Yes, very good. And then Mount Saint Helens blew its

75
00:04:17,000 --> 00:04:18,079
top in nineteen eighty.

76
00:04:18,120 --> 00:04:21,000
Speaker 2: That was. That was a big eruption. It was.

77
00:04:21,360 --> 00:04:23,519
Speaker 4: It was some important moments in nineteen eighty.

78
00:04:23,560 --> 00:04:25,360
Speaker 2: Now. I don't think we did a good.

79
00:04:25,240 --> 00:04:27,439
Speaker 4: Job of explaining this in our Best of seventy five,

80
00:04:27,480 --> 00:04:28,839
which we dropped a few weeks ago.

81
00:04:28,920 --> 00:04:30,680
Speaker 2: Okay, you mean like how our format and what we

82
00:04:30,720 --> 00:04:32,439
do and how we're doing this. Okay.

83
00:04:32,560 --> 00:04:35,639
Speaker 4: Yeah, So if we've covered a song I e. Back

84
00:04:35,720 --> 00:04:38,240
in Black, we've already gone track by track through that album. Yep,

85
00:04:38,439 --> 00:04:39,920
all of those songs are ineligible.

86
00:04:40,040 --> 00:04:40,319
Speaker 2: Yes.

87
00:04:40,759 --> 00:04:42,519
Speaker 4: Also, if we've covered a song on.

88
00:04:42,600 --> 00:04:45,439
Speaker 2: Patreon Patreon, I'm gonna have to go get a Patreon

89
00:04:45,480 --> 00:04:46,600
membership to hear those songs.

90
00:04:46,639 --> 00:04:49,399
Speaker 4: That's right. So I just did a song with Brad.

91
00:04:49,160 --> 00:04:50,879
Speaker 2: Moore nineteen eighty that.

92
00:04:50,920 --> 00:04:53,040
Speaker 4: I don't really want to tell you what it was.

93
00:04:53,279 --> 00:04:54,360
Speaker 2: Nope, but it won't make.

94
00:04:54,279 --> 00:04:55,920
Speaker 4: Our list because it's ineligible.

95
00:04:56,000 --> 00:04:58,240
Speaker 2: Sure, all the songs that we're going to cover this

96
00:04:58,439 --> 00:05:00,920
later on this season are off the table as well.

97
00:05:01,319 --> 00:05:05,600
Which includes Christopher Cross. Christopher Cross, I've was huge in

98
00:05:05,680 --> 00:05:06,360
nineteen eighty.

99
00:05:06,439 --> 00:05:08,959
Speaker 4: He is on the floor. Officially I dropped him.

100
00:05:09,959 --> 00:05:12,279
Speaker 2: So no Christopher Cross, and he may have made a

101
00:05:12,319 --> 00:05:16,319
loud sound when he.

102
00:05:15,519 --> 00:05:20,879
Speaker 4: Okay, so we've covered the song. We've covered the album ineligible.

103
00:05:20,399 --> 00:05:22,519
Speaker 2: Right now, and then the rest of this. If this

104
00:05:22,560 --> 00:05:25,399
is your first time joining us for a Top five episode,

105
00:05:25,439 --> 00:05:27,759
we don't tell you what the song is until we've

106
00:05:27,800 --> 00:05:31,240
teased it up. Basically, I will describe things about each

107
00:05:31,279 --> 00:05:33,560
of my songs and Jason has to try to figure

108
00:05:33,560 --> 00:05:35,560
out which song it is, and you see if you

109
00:05:35,560 --> 00:05:37,600
can try to figure it out before he figures it out,

110
00:05:37,639 --> 00:05:40,319
and then the same thing in reverse, right, and then

111
00:05:40,360 --> 00:05:42,680
what we'll do is we'll give you our top four songs.

112
00:05:42,720 --> 00:05:45,399
We'll give you two honorable and mentions. I have a

113
00:05:45,439 --> 00:05:47,959
new discovery that I'm gonna mention just briefly. I don't

114
00:05:47,959 --> 00:05:49,680
know if Jason has a new discovery or not. But

115
00:05:50,079 --> 00:05:52,519
after that, we'll give you our number one choice, and

116
00:05:52,560 --> 00:05:54,959
you guys can decide did Jason get it right? Did

117
00:05:54,959 --> 00:05:57,079
I get it right? And all of these episodes, we've

118
00:05:57,079 --> 00:06:00,879
only arrived on the same number one song one time,

119
00:06:01,360 --> 00:06:05,319
and that was a year full of good music. That's right, Yeah,

120
00:06:05,319 --> 00:06:08,120
that's right. All right, you ready, I'm ready. Let's okay,

121
00:06:08,199 --> 00:06:11,279
here we go, Jason's number five.

122
00:06:13,920 --> 00:06:17,759
Speaker 4: Five all right, so for my number five. This song

123
00:06:18,000 --> 00:06:21,920
was released in May of nineteen eighty. It hit number

124
00:06:22,120 --> 00:06:25,720
one in August of nineteen eighty. Now, my wife and

125
00:06:25,759 --> 00:06:29,720
I have kind of a semi informal list of movies

126
00:06:29,920 --> 00:06:33,560
with songs where the songs are better than the movie. Okay,

127
00:06:33,959 --> 00:06:36,879
I would say this happens in this instance. So this

128
00:06:37,040 --> 00:06:40,759
song is better than the movie that it had been

129
00:06:40,800 --> 00:06:44,079
released for. Okay, okay, now, then this was number one

130
00:06:44,160 --> 00:06:48,560
for four weeks. It actually knocked out Christopher Cross's Sailing

131
00:06:48,600 --> 00:06:51,079
out of the number one spot. Billboard ranked this as

132
00:06:51,120 --> 00:06:54,680
the number three most popular song of nineteen eighty. Shortly

133
00:06:54,759 --> 00:06:58,079
before his death in nineteen eighty, John Lennon told Newsweek

134
00:06:58,399 --> 00:06:59,759
that he enjoyed this song.

135
00:07:00,360 --> 00:07:00,879
Speaker 2: Okay.

136
00:07:01,160 --> 00:07:04,399
Speaker 4: Now, then, this was written and produced by a guy

137
00:07:04,439 --> 00:07:07,920
we've talked about. His name is John Ferrar. It makes

138
00:07:07,959 --> 00:07:15,199
me think of Steve Martin's character the Man with two Brains. Yeah, okay,

139
00:07:15,959 --> 00:07:17,759
so do you remember when we talked about him?

140
00:07:18,199 --> 00:07:19,839
Speaker 2: No, all right, So.

141
00:07:19,800 --> 00:07:24,040
Speaker 4: This dude named John Ferrar wrote, hopelessly devoted to you,

142
00:07:24,439 --> 00:07:29,079
and you're the one that I want from from Greece.

143
00:07:29,519 --> 00:07:29,959
That's right.

144
00:07:30,040 --> 00:07:30,680
Speaker 2: Yeah.

145
00:07:30,759 --> 00:07:33,879
Speaker 4: So John Ferrar wrote those two major hit songs that

146
00:07:33,920 --> 00:07:38,360
we covered in detail on our Grease soundtrack crack by track. Okay,

147
00:07:39,160 --> 00:07:40,839
what do you think I'm giving it to you on

148
00:07:40,879 --> 00:07:41,759
a platter right here?

149
00:07:41,879 --> 00:07:45,360
Speaker 2: Okay. So those songs were both sung by Olivia Newton

150
00:07:45,399 --> 00:07:51,519
Shawn Yes. And so this song must be magic, Yes,

151
00:07:51,560 --> 00:08:07,759
all right, you have away.

152
00:08:10,160 --> 00:08:14,279
Speaker 4: So this song Magic comes from the movie Xanadude. Right,

153
00:08:14,439 --> 00:08:17,399
it is a it's a cult classic. I realized probably

154
00:08:17,439 --> 00:08:19,639
the Melissa Mingles of the world are out there, like

155
00:08:20,160 --> 00:08:22,600
that movie is awesome. Jason, what are you talking about?

156
00:08:22,959 --> 00:08:23,720
That movie sucks.

157
00:08:24,279 --> 00:08:25,680
Speaker 2: Yeah, I'm gonna have to agree with Jason.

158
00:08:26,519 --> 00:08:31,800
Speaker 4: Sorry, it's it's ridiculous. It's a roller skating Olivia Newton

159
00:08:31,879 --> 00:08:35,440
John movie. But this song was great. It did hit

160
00:08:35,559 --> 00:08:39,159
number one. I will say it's the only number one

161
00:08:39,279 --> 00:08:42,240
song to have the word magic in the title.

162
00:08:42,639 --> 00:08:44,399
Speaker 2: Oh okay, interesting, which is.

163
00:08:44,320 --> 00:08:46,320
Speaker 4: Crazy because we talked about magic about the cars. I

164
00:08:46,320 --> 00:08:50,840
think that hit number four. And a song called Magic

165
00:08:50,919 --> 00:08:55,000
stick by fifty cent hit number two. Okay, and Puff

166
00:08:55,120 --> 00:08:58,919
the Magic Dragon hit number two. Wow, do you want

167
00:08:58,919 --> 00:09:01,639
to hear the top five for August second, nineteen eighty

168
00:09:01,639 --> 00:09:02,080
real quick?

169
00:09:02,200 --> 00:09:03,879
Speaker 2: No, because I think if you do that, you're going

170
00:09:03,919 --> 00:09:06,559
to give away some of my songs. Okay, normally the

171
00:09:06,600 --> 00:09:08,960
answer is yes, right, but I literally I even put

172
00:09:08,960 --> 00:09:10,679
together a list, and I'm like, I can't do this.

173
00:09:10,759 --> 00:09:12,960
Some of these songs maybe Jason songs. So I couldn't.

174
00:09:13,039 --> 00:09:15,080
I can't say it. Good point, all right, all right?

175
00:09:15,120 --> 00:09:15,879
Speaker 4: To your number five?

176
00:09:16,000 --> 00:09:20,480
Speaker 2: Yep? Okay, now this my number five is also from

177
00:09:20,480 --> 00:09:23,759
a movie. The actor who played the lead in this

178
00:09:23,919 --> 00:09:26,960
movie before this movie had been in one episode of

179
00:09:26,960 --> 00:09:29,840
The Rockford Files, which was you go back to our

180
00:09:30,159 --> 00:09:32,840
top TV theme songs? That was Jason one of Jason's

181
00:09:32,840 --> 00:09:33,320
top picks.

182
00:09:33,399 --> 00:09:37,039
Speaker 4: Right, I love the Rockford Files. James Garner yep, Norman Native.

183
00:09:37,399 --> 00:09:40,480
Speaker 2: He was not the lead, but he was an actor

184
00:09:40,639 --> 00:09:44,799
in The Electric Horseman, which was Robert Redford movie. Jane Fonda.

185
00:09:44,879 --> 00:09:45,039
Speaker 4: Yeah.

186
00:09:45,120 --> 00:09:48,200
Speaker 2: Yeah. Then in this movie he had a starring role

187
00:09:48,440 --> 00:09:52,519
as Buck Bonham. Okay, okay, Now, when I was looking

188
00:09:52,519 --> 00:09:55,639
at this, it turns out that there is a possibility

189
00:09:55,639 --> 00:09:58,440
that he's going to reprise this role because there is

190
00:09:58,480 --> 00:10:01,559
a movie in pre production and called My Cricket and

191
00:10:01,679 --> 00:10:06,000
Me And it's basically forty five years later after his

192
00:10:06,240 --> 00:10:10,799
role in this nineteen eighty movie. It's it's set to

193
00:10:10,919 --> 00:10:16,919
star Paul Williams, who we've talked about multiple times smoking band. Yeah, yeah,

194
00:10:16,960 --> 00:10:21,080
because he's thirsty dummy. Yes, Little Enis, who also wrote

195
00:10:21,159 --> 00:10:23,120
Rainbow Connection, is going to be in it, and he

196
00:10:23,200 --> 00:10:25,600
was in the original as well. With this guy is

197
00:10:25,639 --> 00:10:32,240
so ugly so in this nineteen eighty movie that I

198
00:10:32,279 --> 00:10:35,320
would be surprised if you've heard of or any of

199
00:10:35,399 --> 00:10:36,879
our listeners have heard of.

200
00:10:37,039 --> 00:10:37,279
Speaker 3: Wow.

201
00:10:37,399 --> 00:10:42,559
Speaker 2: Okay, we had Diane Cannon and Amy Irving and Slim Pickens,

202
00:10:43,000 --> 00:10:45,960
the first two of which were in their hottest moments.

203
00:10:46,440 --> 00:10:47,879
Slim always looks good, you.

204
00:10:47,840 --> 00:10:50,720
Speaker 4: Know, stud always.

205
00:10:50,840 --> 00:10:53,080
Speaker 2: So. The director of this movie is a guy named

206
00:10:53,159 --> 00:10:57,120
Jerry Schetzburg. Schatsburg, that's right, I said, Schatzburg.

207
00:10:57,200 --> 00:10:58,399
Speaker 4: That's an unfortunate name.

208
00:10:58,720 --> 00:11:00,960
Speaker 2: Now, he had been a grand prize Winter at the

209
00:11:01,240 --> 00:11:05,919
con Film Festival early seventies. Ok he's now directing this movie,

210
00:11:05,919 --> 00:11:08,720
which didn't do badly. I mean, it's okay, I just

211
00:11:08,879 --> 00:11:10,679
I had never heard of it before, right as a

212
00:11:10,799 --> 00:11:14,200
song from this movie. Okay, So he calls the star

213
00:11:14,519 --> 00:11:17,279
and says, why don't you write a song for this movie. Now,

214
00:11:17,360 --> 00:11:19,759
the star of the movie did have a career in

215
00:11:19,879 --> 00:11:22,600
music before he was in this movie, little tiny career

216
00:11:22,679 --> 00:11:25,559
in music for this and he's on an airplane and

217
00:11:25,600 --> 00:11:28,679
he writes this entire song on the back of a barfbag.

218
00:11:28,879 --> 00:11:32,919
Now in the movie, he's portraying a musician who's traveling

219
00:11:33,000 --> 00:11:38,480
around and he has adventures, and this song ends up

220
00:11:38,480 --> 00:11:40,440
being quite a bit more famous than the movie. It

221
00:11:40,519 --> 00:11:43,639
peaks at number twenty on November eighth, nineteen eighty, which

222
00:11:43,679 --> 00:11:46,240
was a shock to me since it came out, And

223
00:11:46,279 --> 00:11:49,600
I mean it was everywhere in nineteen eighty, but country

224
00:11:49,679 --> 00:11:53,039
hadn't quite hit the top one hundred as much yet.

225
00:11:53,080 --> 00:11:56,360
But it's been in South Park, It's been used in Shrek,

226
00:11:56,440 --> 00:11:59,519
It's been used in Shameless, and Family Guy and Forrest Gump.

227
00:11:59,840 --> 00:12:03,000
The star of this movie was not much of an actor,

228
00:12:03,039 --> 00:12:06,200
even though since it all included, he's had one hundred

229
00:12:06,200 --> 00:12:10,360
and forty three film and TV appearances. But you will

230
00:12:10,360 --> 00:12:16,000
probably best know him from his habitual beard and braided pigtails.

231
00:12:16,279 --> 00:12:20,080
Mister Willie Nelson, and this song is called on the

232
00:12:20,120 --> 00:12:27,440
Road Again. Got it Yes on the road again. Just

233
00:12:27,519 --> 00:12:29,600
gave to get on the road again.

234
00:12:31,600 --> 00:12:34,519
Speaker 5: My my love is making music with my friend.

235
00:12:35,600 --> 00:12:37,559
Speaker 2: Gave way to a road again.

236
00:12:39,919 --> 00:12:42,480
Speaker 4: I had no idea this is from a movie.

237
00:12:42,600 --> 00:12:46,600
Speaker 2: What's the movie? The movie is called Honeysuckle Rose Rose.

238
00:12:47,120 --> 00:12:48,720
Speaker 4: Okay, I've never seen that movie.

239
00:12:48,879 --> 00:12:49,080
Speaker 2: Yep.

240
00:12:49,279 --> 00:12:52,759
Speaker 4: But as a kid, I studied the HBO guide Okay,

241
00:12:52,919 --> 00:12:56,200
and so even movies I didn't watch or didn't care about,

242
00:12:56,360 --> 00:12:59,080
I would just like read the HBO Guide, so I

243
00:12:59,120 --> 00:13:00,759
recognize the title on they Suckle Rose.

244
00:13:00,840 --> 00:13:04,000
Speaker 2: There you go on the road again. It's fantastic. I

245
00:13:04,039 --> 00:13:05,919
had no idea it was from a movie either. But

246
00:13:06,200 --> 00:13:08,960
and I would like to shout out to Arlen Bullard.

247
00:13:09,000 --> 00:13:10,720
He was the one who mentioned that that song was

248
00:13:10,799 --> 00:13:13,919
nineteen eighty. It had flown under the radar for me.

249
00:13:13,960 --> 00:13:15,519
But when I heard that, I was like, oh crap,

250
00:13:15,559 --> 00:13:17,159
that's I mean, that's got to be on the list.

251
00:13:17,240 --> 00:13:19,919
Did that hit? Where was that on the charts? Number

252
00:13:19,960 --> 00:13:22,240
twenty November eighth, nineteen eighty.

253
00:13:22,840 --> 00:13:25,919
Speaker 4: Wow, only hit number twenty at a time when country

254
00:13:26,000 --> 00:13:28,840
music could have hit number one. Really, yeah, fantastic, that's

255
00:13:28,879 --> 00:13:30,879
a good one that flew under my radar as well.

256
00:13:31,159 --> 00:13:32,759
Speaker 2: All right, we're under your number four, all.

257
00:13:32,720 --> 00:13:34,320
Speaker 4: Right, my number four.

258
00:13:36,559 --> 00:13:36,840
Speaker 3: Four.

259
00:13:37,480 --> 00:13:41,240
Speaker 4: Let's pull up to the sailboat with our doctor shoes on.

260
00:13:41,399 --> 00:13:42,480
Speaker 2: Okay, okay.

261
00:13:42,879 --> 00:13:46,399
Speaker 4: This was released March nineteenth, nineteen eighty. This hit number

262
00:13:46,559 --> 00:13:49,279
three on the Hot one hundred. It was nominated for

263
00:13:49,279 --> 00:13:51,519
a Grammy for Best Pop.

264
00:13:51,279 --> 00:13:53,519
Speaker 2: Vocal by a Group of duo. Okay.

265
00:13:53,720 --> 00:13:55,720
Speaker 4: The creation of this song cracks me up because I

266
00:13:55,759 --> 00:13:58,000
know you've done stuff like this. I've done stuff like this.

267
00:13:58,120 --> 00:13:58,480
Speaker 2: Okay.

268
00:13:58,720 --> 00:14:00,519
Speaker 4: So you know how you get ready to go on

269
00:14:00,559 --> 00:14:03,120
a trip or you've got something planned, and you're waiting

270
00:14:03,159 --> 00:14:06,080
on your family right right, and you're in the garage

271
00:14:06,120 --> 00:14:08,360
and you're packed. You're like, where the crap is, everybody,

272
00:14:08,960 --> 00:14:11,600
Let's get this show on the road, right right. So

273
00:14:11,759 --> 00:14:14,200
he's waiting on his family to get in the car

274
00:14:14,320 --> 00:14:17,960
to go to a Fourth of July event. Okay, all right,

275
00:14:18,320 --> 00:14:21,039
So they're taking too long, and then so he's sitting there,

276
00:14:21,039 --> 00:14:24,360
He's like, oh, yeah, I've got some equipment down in

277
00:14:24,399 --> 00:14:26,639
my studio. I need to go turn that off and

278
00:14:26,679 --> 00:14:29,559
make sure that's all sealed up. And I didn't forget anything.

279
00:14:29,600 --> 00:14:32,360
And so he goes down there and he's like, I'll

280
00:14:32,399 --> 00:14:34,039
sit at the piano for a few minutes, just see

281
00:14:34,039 --> 00:14:38,240
what happens. And it's like one note leads to another note,

282
00:14:38,320 --> 00:14:41,279
which leads to another note, and he comes up with

283
00:14:41,320 --> 00:14:44,840
the bones in about ten minutes. Okay, okay, keep in mind,

284
00:14:44,840 --> 00:14:47,440
this is a number three hit, all right, all right, this.

285
00:14:47,320 --> 00:14:49,279
Speaker 2: Could be I'm not saying it is, but it could

286
00:14:49,320 --> 00:14:50,159
be the only.

287
00:14:50,000 --> 00:14:56,600
Speaker 4: Song to rhyme the words horizon, horizon and realizing in

288
00:14:56,679 --> 00:14:58,919
the same song. Now, the singer of this thought that

289
00:14:59,000 --> 00:15:01,919
might be too hoke, he might be too Hallmark kardish,

290
00:15:02,159 --> 00:15:05,159
all right, And so he calls his buddy Michael McDonald,

291
00:15:05,480 --> 00:15:07,799
uh huh, and he says, what do you think. Michael

292
00:15:07,840 --> 00:15:11,519
McDonald listened and said, nope, that song is great.

293
00:15:11,759 --> 00:15:12,840
Speaker 2: You need to go with that.

294
00:15:13,799 --> 00:15:19,039
Speaker 4: And so he did, and and yours no, okay, keep going,

295
00:15:19,840 --> 00:15:23,039
all right. The name of the group, if you paid

296
00:15:23,039 --> 00:15:25,399
me one thousand dollars, I could not tell you one

297
00:15:25,480 --> 00:15:27,840
other song by this group. Now I don't mean they

298
00:15:27,840 --> 00:15:29,120
didn't have other hits that just.

299
00:15:29,080 --> 00:15:33,399
Speaker 2: Before my time. Okay. The name of the group is Ambrosia. Okay.

300
00:15:33,440 --> 00:15:36,080
I recognize the name of the group, okay. And I

301
00:15:36,120 --> 00:15:38,600
remember seeing them in passing as I was going through

302
00:15:38,600 --> 00:15:40,679
the songs of nineteen eighty, but I do not recall

303
00:15:40,720 --> 00:15:41,480
the name of the song.

304
00:15:41,519 --> 00:15:43,440
Speaker 4: You have already mentioned the name of the song in

305
00:15:43,480 --> 00:15:47,919
our intro. Okay, part of the hooky chorus is a

306
00:15:47,960 --> 00:15:52,799
real high falsetto where a guy says, make a wish, babe,

307
00:15:54,279 --> 00:15:55,120
there there you go.

308
00:16:00,720 --> 00:16:09,799
Speaker 5: Faver, well, that'll make a color make well the thanks,

309
00:16:09,879 --> 00:16:18,840
I'll let the ring down on you so we could

310
00:16:18,919 --> 00:16:19,320
dot you.

311
00:16:21,159 --> 00:16:28,200
Speaker 2: So that's based on here's big spart of me. There

312
00:16:28,240 --> 00:16:30,039
you go. I just had to hear that. I had

313
00:16:30,039 --> 00:16:37,679
to hear those beautiful melodic chords keys, I mean you

314
00:16:37,720 --> 00:16:39,639
love it. I love it. This is a making out

315
00:16:39,639 --> 00:16:41,000
of nineteen eighty playlist.

316
00:16:41,120 --> 00:16:47,000
Speaker 4: Right the sea wind in your Hair, Yes, the biggest

317
00:16:47,000 --> 00:16:49,840
part of Me by Ambrosia Nice. I love it, classic

318
00:16:49,919 --> 00:16:50,600
yacht rock song.

319
00:16:50,720 --> 00:16:52,600
Speaker 2: Right there, very good, very good? Okay, Ready for my

320
00:16:52,679 --> 00:16:53,080
number four?

321
00:16:53,159 --> 00:16:53,679
Speaker 4: Number four?

322
00:16:53,799 --> 00:16:56,039
Speaker 2: Okay, let me just say this before I keep on

323
00:16:56,120 --> 00:16:58,519
going here. One of our dear friends and listeners the

324
00:16:58,639 --> 00:17:00,519
last episode that we did, which I won't say the

325
00:17:00,559 --> 00:17:02,639
name of the song, he was like, I can't believe

326
00:17:02,639 --> 00:17:04,640
I live in a world where you put the song

327
00:17:04,720 --> 00:17:07,079
above that song when you get to top five level,

328
00:17:07,359 --> 00:17:09,599
like any one of these songs can be number one

329
00:17:09,640 --> 00:17:11,599
for me any day of the week. So it just

330
00:17:11,640 --> 00:17:13,759
depends on how burnt out I am on the other

331
00:17:13,880 --> 00:17:16,920
songs or what mood I'm in. You just never know.

332
00:17:17,480 --> 00:17:20,400
So number five for me could easily be number one

333
00:17:20,559 --> 00:17:22,640
on a different week. Just keep that in mind, all right,

334
00:17:22,720 --> 00:17:26,400
So to mine number four? Ready, yes, okay, So this

335
00:17:26,519 --> 00:17:30,000
song is from this artist's debut album, which was released

336
00:17:30,039 --> 00:17:35,599
in nineteen seventy nine. Now, she had been initially a

337
00:17:36,279 --> 00:17:39,160
She was going to be what's called a coloratura is

338
00:17:39,279 --> 00:17:43,079
kind of something to do with opretick singing at Juilliard,

339
00:17:43,200 --> 00:17:46,240
got accepted to that and decided instead to go study

340
00:17:46,240 --> 00:17:50,960
health education at Stony Brook University. Okay, Sure. She marries

341
00:17:51,000 --> 00:17:55,839
her high school sweetheart and her maiden name was Andrew's

342
00:17:56,200 --> 00:18:00,559
Juice Ski. I'm doing my best to pronounce that right, whiskey,

343
00:18:00,720 --> 00:18:04,640
It's easy for me to say. But her she ends

344
00:18:04,720 --> 00:18:07,759
up taking the name her married name of her first husband,

345
00:18:07,839 --> 00:18:09,720
and that's what you're going to know her by. But

346
00:18:09,759 --> 00:18:11,759
I won't give that to you yet. All Right after

347
00:18:11,759 --> 00:18:13,960
they get married, he's in the military, so they end

348
00:18:14,039 --> 00:18:17,759
up in Richmond, Virginia. Ay, Chuck, how you doing, Buddy Chuck?

349
00:18:18,000 --> 00:18:23,920
And she's a bank teller. This future pop goddess is

350
00:18:23,920 --> 00:18:26,240
a bank teller or maybe rock goddess, depending on you

351
00:18:26,279 --> 00:18:27,240
know what.

352
00:18:27,759 --> 00:18:31,319
Speaker 4: Stories like this. So somebody got their check stamped by

353
00:18:31,319 --> 00:18:33,359
this girl and didn't realize that she's.

354
00:18:33,200 --> 00:18:37,720
Speaker 2: A future correct. Yes, she told somebody they were over dreamed.

355
00:18:38,519 --> 00:18:41,759
Speaker 4: So do you have sixteen dollars in your account?

356
00:18:42,039 --> 00:18:46,640
Speaker 2: So she goes to Eliza Minelli concert and is inspired

357
00:18:46,839 --> 00:18:50,519
to start singing again. Ends up moving back to New York,

358
00:18:51,079 --> 00:18:54,000
works in a holiday inn, singing at the club and

359
00:18:54,039 --> 00:18:56,960
the holiday Inn, and also as a singing waitress at

360
00:18:57,000 --> 00:19:02,400
a nightclub. Later on Halloween nineteen seventy seven, she's dressed

361
00:19:02,480 --> 00:19:05,160
up in kind of some sort of spandex Halloween costume.

362
00:19:05,279 --> 00:19:07,480
Ends up performing in that costume and that gets her

363
00:19:07,720 --> 00:19:09,680
noticed in a big way and her career starts to

364
00:19:09,839 --> 00:19:12,400
take off. After that, she gets signed, and as I said,

365
00:19:12,559 --> 00:19:14,160
this is the song that I'm talking about is from

366
00:19:14,200 --> 00:19:17,480
her debut album nineteen seventy nine. The first single off

367
00:19:17,519 --> 00:19:19,640
that album does not do very well. I don't think

368
00:19:19,680 --> 00:19:23,039
it even charts. Okay. This song is the second single

369
00:19:23,079 --> 00:19:25,519
off this album, and it's a cover of another song

370
00:19:25,759 --> 00:19:29,880
released earlier by a lady named Jenny Darren. She's from

371
00:19:29,920 --> 00:19:31,839
the UK. Let me ask you this. Yeah, this is

372
00:19:31,839 --> 00:19:35,680
a little pint size powerhouse. Yes, indeed, okay, keep going, okay,

373
00:19:35,799 --> 00:19:38,640
so just for our for our listeners. The first song

374
00:19:38,680 --> 00:19:40,799
that failed a chart was called if You Think You

375
00:19:40,960 --> 00:19:43,319
Know How to Love Me, which I couldn't have told

376
00:19:43,319 --> 00:19:45,200
you I had ever heard of before that. Nope, right,

377
00:19:45,279 --> 00:19:47,680
this is what we call a This song I'm talking

378
00:19:47,680 --> 00:19:50,119
about is what we call a sleeper hit. It peaked

379
00:19:50,200 --> 00:19:54,119
in March of nineteen eighty at number twenty three. Now

380
00:19:54,240 --> 00:19:57,480
later that year, there might This is one of two

381
00:19:57,559 --> 00:20:00,720
songs that you might call her signature songs. The other

382
00:20:00,799 --> 00:20:04,759
one from her second album Hits Big. It's number nine

383
00:20:05,000 --> 00:20:10,720
on December twentieth of nineteen eighty. Does it hits Big? Yes?

384
00:20:10,799 --> 00:20:12,039
Speaker 4: All right, good keep going.

385
00:20:13,240 --> 00:20:16,079
Speaker 2: When she did the cover of this song from this

386
00:20:16,240 --> 00:20:18,759
UK artist, they had to change some of the lyrics,

387
00:20:19,079 --> 00:20:22,039
which included a to z which wouldn't make any sense

388
00:20:22,519 --> 00:20:26,559
and moonraker, which wouldn't make any sense to the American audiences. Yes,

389
00:20:26,680 --> 00:20:30,119
and if you hear the word moonraker, you probably can

390
00:20:30,160 --> 00:20:32,200
figure out what we rhymed it. Up with to get

391
00:20:32,200 --> 00:20:32,640
this song.

392
00:20:32,720 --> 00:20:37,279
Speaker 4: I guys, okay, Moonreaker, heartbreaker.

393
00:20:37,960 --> 00:21:08,759
Speaker 6: This is Pad Bennattar very good.

394
00:21:13,680 --> 00:21:16,599
Speaker 4: That's a great one man. In fact, it got bummed

395
00:21:17,400 --> 00:21:19,279
for the song I came in and did at the

396
00:21:19,359 --> 00:21:20,039
last minute.

397
00:21:20,119 --> 00:21:21,000
Speaker 2: Yeah, it's a good one.

398
00:21:21,039 --> 00:21:23,240
Speaker 4: So I love it. I love it in fact, I believe,

399
00:21:23,599 --> 00:21:26,279
in fact, I would bet my paycheck. Pat Benintar had

400
00:21:26,319 --> 00:21:30,559
the second video played on MTV right after the Buggles yep,

401
00:21:30,599 --> 00:21:32,400
and it was you Better Run, And it was a

402
00:21:32,400 --> 00:21:34,920
statement from MTV to all its competitors.

403
00:21:35,240 --> 00:21:37,599
Speaker 2: Nice, I like it. Okay, okay, We're ready for your

404
00:21:37,640 --> 00:21:41,079
number three, sir, three.

405
00:21:41,400 --> 00:21:45,440
Speaker 4: My number three. All right. So this song was released

406
00:21:45,480 --> 00:21:49,799
February eighth of nineteen eighty. It reached number eight, which

407
00:21:49,839 --> 00:21:52,720
is a crime because to me, even though I don't

408
00:21:52,720 --> 00:21:54,720
have this ranked as my number one song, it has

409
00:21:54,799 --> 00:21:58,440
the most nostalgic feel of nineteen eighty for me personally,

410
00:21:58,559 --> 00:22:01,359
of all the songs, of all the song all right now.

411
00:22:01,480 --> 00:22:04,039
It was written as an R and B song for

412
00:22:04,160 --> 00:22:08,880
a group who has wide range of music. They've done

413
00:22:09,039 --> 00:22:12,079
R and B, they've done rock, they've done.

414
00:22:11,880 --> 00:22:13,759
Speaker 2: Country, not expecting that one.

415
00:22:15,000 --> 00:22:18,160
Speaker 4: So when the singer brought this song to a couple

416
00:22:18,200 --> 00:22:21,160
of other prominent members of the band. He said, hey,

417
00:22:21,160 --> 00:22:24,079
I've been working on this. What do you think And

418
00:22:24,279 --> 00:22:27,400
the two members listened to it, and one in particular,

419
00:22:27,440 --> 00:22:31,000
who you know well, said, I think that's your first hit.

420
00:22:32,440 --> 00:22:36,119
The person who wrote and sings this song. Okay, the

421
00:22:36,319 --> 00:22:39,119
other prominent member of the band told him, listen, when

422
00:22:39,160 --> 00:22:40,920
you sing this, I want you to sing it like

423
00:22:41,000 --> 00:22:43,680
Smokey Robinson. So I'm trying to I'm trying to dance

424
00:22:43,720 --> 00:22:45,720
around it because you know, all the members that I'm

425
00:22:45,759 --> 00:22:48,720
talking about. The first guy, the one who said, hey,

426
00:22:48,759 --> 00:22:50,680
I think this is your first hit. First time you

427
00:22:50,720 --> 00:22:56,480
heard it, he said, Now that's baby making music. Okay,

428
00:22:56,640 --> 00:22:59,160
all right, and when you listen to it, you're gonna

429
00:22:59,160 --> 00:23:01,680
be like, heck, yeah, yeah, man, that's that's baby making

430
00:23:01,759 --> 00:23:02,400
music right there.

431
00:23:02,400 --> 00:23:02,720
Speaker 2: Okay.

432
00:23:03,359 --> 00:23:07,480
Speaker 4: Rolling Stone listed this as this group's number eleven song.

433
00:23:07,880 --> 00:23:10,599
Speaker 2: Okay, big catalog, Okay, all right.

434
00:23:10,799 --> 00:23:15,039
Speaker 4: In fact, this guy was hired to replace a person

435
00:23:15,119 --> 00:23:20,000
in this group Okay, that we've talked extensively about. Okay,

436
00:23:20,200 --> 00:23:22,680
So every person that I've brought up so far, we

437
00:23:22,759 --> 00:23:24,279
have talked extensively about.

438
00:23:24,319 --> 00:23:27,960
Speaker 2: Okay, did we talk about them this year? We did okay, okay, yeah,

439
00:23:28,039 --> 00:23:28,440
all right.

440
00:23:28,599 --> 00:23:30,720
Speaker 4: Now, then this person was added to the group in

441
00:23:30,799 --> 00:23:34,559
nineteen seventy seven because the former person in his position

442
00:23:34,640 --> 00:23:37,880
would refuse to play a song during an encore. I

443
00:23:37,880 --> 00:23:40,200
got in a fistfight with one of the main band

444
00:23:40,240 --> 00:23:42,240
leaders of this band.

445
00:23:42,960 --> 00:23:46,640
Speaker 2: Oh okay, I've switched bands. And now we know which

446
00:23:46,680 --> 00:23:49,440
band you're talking about. Okay, that's interesting, Okay, all right,

447
00:23:49,720 --> 00:23:52,000
all right, so who's the band? So this has got

448
00:23:52,039 --> 00:23:55,119
to be the Eagles. It is the Eagles, okay. And

449
00:23:55,319 --> 00:24:00,759
if we're talking about the person's first hit was nineteen

450
00:24:01,079 --> 00:24:03,599
eighty so this was Timothy B. Schmidt.

451
00:24:03,880 --> 00:24:04,720
Speaker 4: It's Timothy B.

452
00:24:04,839 --> 00:24:05,359
Speaker 2: Schmidt.

453
00:24:05,599 --> 00:24:08,160
Speaker 4: I'll tell you this. Yes, So this is off a

454
00:24:08,240 --> 00:24:11,720
nineteen seventy nine album by this group. Yeah, their last

455
00:24:11,880 --> 00:24:14,799
album as a group for decades.

456
00:24:14,400 --> 00:24:15,880
Speaker 2: Fourteen years, fourteen years.

457
00:24:15,960 --> 00:24:18,480
Speaker 4: Yes, I think it Flies under the Raider. I think

458
00:24:18,519 --> 00:24:22,920
this album is excellent. Okay, but it's shadowed by the.

459
00:24:23,200 --> 00:24:28,359
Speaker 2: Previous song that they've had. Yeah, okay, I can't remember

460
00:24:28,359 --> 00:24:29,880
what Timothy B. Schmidt's song is.

461
00:24:30,039 --> 00:24:32,319
Speaker 4: Okay, let me play it for you, yes, please, all right,

462
00:24:32,519 --> 00:24:33,559
see if you get it here?

463
00:24:33,920 --> 00:25:01,599
Speaker 2: Okay, got it? That was, like, I can't tell you, Why.

464
00:24:55,079 --> 00:25:01,400
Speaker 5: Tell you? Tell you?

465
00:25:01,799 --> 00:25:06,759
Speaker 1: What tell you?

466
00:25:12,839 --> 00:25:16,160
Speaker 2: Man? I geez that song title? Even though you every

467
00:25:16,160 --> 00:25:17,920
time it comes on, I can sing every word to it.

468
00:25:17,880 --> 00:25:19,359
Speaker 4: That you were singing, all the lyrics.

469
00:25:19,519 --> 00:25:22,160
Speaker 2: It just was, it just was out of my brain. Yeah.

470
00:25:22,279 --> 00:25:24,880
Speaker 4: I think it's a beautiful song. It is baby making music.

471
00:25:26,799 --> 00:25:29,319
When I looked at the top eight songs, and I

472
00:25:29,359 --> 00:25:32,759
don't want to steal anything from you, but some of

473
00:25:32,759 --> 00:25:38,160
the ones in front of it are undeniable, massive icon songs. Yeah,

474
00:25:38,200 --> 00:25:39,960
and then the rest of them, I'm like, what song

475
00:25:40,079 --> 00:25:43,920
is that? Okay, Like half and half I see it,

476
00:25:43,960 --> 00:25:45,559
and half of them I'm like, I don't remember that

477
00:25:45,599 --> 00:25:48,200
one at all. Right, all right, you're number three, sir,

478
00:25:48,359 --> 00:25:50,039
all right, my number three.

479
00:25:50,279 --> 00:25:53,759
Speaker 2: Now. This is a well known band, a very well

480
00:25:53,759 --> 00:25:58,079
known band. Okay, Power Trio, Okay. This is their seventh

481
00:25:58,480 --> 00:26:02,359
studio album. They are a Canadian band. Their first album

482
00:26:02,640 --> 00:26:06,119
did moderately well. Their second album did so badly the

483
00:26:06,119 --> 00:26:10,480
record label almost dropped them. Their third album is what

484
00:26:10,480 --> 00:26:13,920
I would describe as an iconic game changer, not just

485
00:26:14,000 --> 00:26:17,000
for them but for music in general. All Right, and

486
00:26:17,039 --> 00:26:19,240
you're going to be very familiar with at least the

487
00:26:19,279 --> 00:26:26,480
title of that album. Okay, this this song hit number three. Sorry,

488
00:26:26,519 --> 00:26:29,839
not this song. This album hit number three. Seventh album

489
00:26:29,920 --> 00:26:32,680
hit number three in Canada and the UK and number

490
00:26:32,759 --> 00:26:36,400
four in the US. This song, however, didn't even crack

491
00:26:36,440 --> 00:26:39,119
the top fifty. It was number fifty one at its highest,

492
00:26:39,279 --> 00:26:43,920
which is, given the iconic nature of this band, a surprise.

493
00:26:44,000 --> 00:26:46,200
It was their biggest hit to date, and they had

494
00:26:46,240 --> 00:26:48,599
one more coming on the album after this, and it

495
00:26:48,640 --> 00:26:51,960
only hit number forty four. So this iconic band, as

496
00:26:52,000 --> 00:26:53,839
far as I know, never had a top forty hit.

497
00:26:53,880 --> 00:26:55,720
I haven't researched that to death, but I don't think

498
00:26:55,720 --> 00:26:58,880
they have, and I don't think they care because they're

499
00:26:58,920 --> 00:27:01,599
not really They weren't too con learned about having hits. Okay,

500
00:27:01,640 --> 00:27:06,559
all right now, this song is from a musical standpoint,

501
00:27:06,880 --> 00:27:11,200
as many of their songs, incredible and complex and without

502
00:27:11,240 --> 00:27:14,640
getting too detailed. You've got a guitar riff playing in

503
00:27:14,680 --> 00:27:17,880
an E major scale. The bass is playing in an

504
00:27:17,960 --> 00:27:21,359
E mix Olidion scale, and then switches to a D

505
00:27:21,720 --> 00:27:25,880
Mixolidian scale before it finally switches to the E major scale. Yes,

506
00:27:25,920 --> 00:27:29,200
I'm sorry, a little too complex, but it's freaking awesome.

507
00:27:29,400 --> 00:27:31,680
I mean, the intro to The song is forty seconds

508
00:27:31,720 --> 00:27:35,000
long and I'm hooked from second two. Okay, okay, okay.

509
00:27:35,039 --> 00:27:36,960
And they did this play in it live because they

510
00:27:36,960 --> 00:27:40,039
are not master recording. I mean, they probably are master recording,

511
00:27:40,279 --> 00:27:42,079
but that's not what this was. This was the fact

512
00:27:42,079 --> 00:27:45,119
that they are master musicians. Okay. Many of our Shirley

513
00:27:45,160 --> 00:27:48,839
fans are fans of this band. This song. The title

514
00:27:48,920 --> 00:27:56,599
was inspired by Brampton, Ontario's CFN y FM's slogan okay, okay.

515
00:27:56,400 --> 00:27:58,480
Speaker 4: That's the curveball for me, right Okay, though I was

516
00:27:58,519 --> 00:27:59,599
tracking and now I'm off.

517
00:27:59,920 --> 00:28:03,160
Speaker 2: Their first top thirty in Canada, only reached number fifty

518
00:28:03,200 --> 00:28:06,599
one in the US got thirteen in the UK singles charts.

519
00:28:06,799 --> 00:28:09,359
The opening gives you a what they're trying to do

520
00:28:09,440 --> 00:28:12,279
is give you a sense of static and to make

521
00:28:12,519 --> 00:28:14,640
the band members, they said, we did this to make

522
00:28:14,720 --> 00:28:18,240
us smile and have fun. In this song, they explore reggae,

523
00:28:18,279 --> 00:28:21,279
specifically at the end of the song, where then they

524
00:28:21,440 --> 00:28:24,920
reference the sound of Silence by Simon and Garfunkel, a

525
00:28:24,960 --> 00:28:28,359
line from that song Okay. The reggae sound would come

526
00:28:28,440 --> 00:28:31,720
up much in more detail in their next three albums,

527
00:28:31,799 --> 00:28:34,880
and the lyrics of this song are a lament about

528
00:28:34,880 --> 00:28:38,599
the change of FM radio from the free form to

529
00:28:38,680 --> 00:28:41,960
the commercial format in the late nineteen seventies. You have

530
00:28:42,079 --> 00:28:43,160
any idea at all.

531
00:28:43,799 --> 00:28:46,960
Speaker 4: Well, I think this is Rush correct, and I know

532
00:28:47,079 --> 00:28:47,720
Tom Sawyer.

533
00:28:47,880 --> 00:28:50,319
Speaker 2: That's from the next album. Is this one called free form?

534
00:28:50,519 --> 00:28:50,599
Speaker 6: No?

535
00:28:51,000 --> 00:29:23,240
Speaker 2: Play it for you, Okay, play it for me. Tell

536
00:29:23,279 --> 00:29:24,599
me that's not a banger.

537
00:29:24,519 --> 00:29:27,920
Speaker 4: That starts off just like full throttle out of the gate.

538
00:29:28,559 --> 00:29:31,160
That song is called the Spirit of Radio. Yes, now

539
00:29:31,359 --> 00:29:33,559
I recognize it. I think. I tell you this. We

540
00:29:33,640 --> 00:29:36,000
used to listen to classic rock, well the football players

541
00:29:36,119 --> 00:29:39,039
we lifted weights because our coaches liked classic rock. Yeah,

542
00:29:39,200 --> 00:29:40,839
that was where I was exposed to that song.

543
00:29:40,880 --> 00:29:44,680
Speaker 2: Oh dude, it's a great weightlifting song for sure. Yes, right, yes.

544
00:29:44,920 --> 00:29:47,680
And the line from Sound of Silence that they've modified

545
00:29:47,680 --> 00:29:49,559
a little bit. They said, the words of the prophet

546
00:29:49,680 --> 00:29:51,200
are written on the studio walls.

547
00:29:51,799 --> 00:29:53,640
Speaker 4: Excellent. No, that's a banger.

548
00:29:53,680 --> 00:29:54,119
Speaker 2: I love it.

549
00:29:54,240 --> 00:29:56,200
Speaker 4: Yeah, that one flew under my radar, for sure.

550
00:29:56,240 --> 00:29:58,119
Speaker 2: That's a great one. By the way, never had a

551
00:29:58,200 --> 00:30:01,759
video for this song until twenty twenty, and then they

552
00:30:01,880 --> 00:30:05,440
made an animated video presenting the band as they were

553
00:30:05,480 --> 00:30:07,720
back in nineteen eighty so you can go check that.

554
00:30:07,680 --> 00:30:10,640
Speaker 4: One fun And why wouldn't you do it in twenty twenty?

555
00:30:10,680 --> 00:30:14,359
You know we're not doing anything anyway, right, right, very good?

556
00:30:14,400 --> 00:30:19,200
Speaker 2: Okay to my number two number two two? All right.

557
00:30:19,240 --> 00:30:22,839
Speaker 4: I want to remind everybody that one of the albums

558
00:30:22,920 --> 00:30:25,640
that had some songs that chart that we didn't mention

559
00:30:25,839 --> 00:30:29,000
was ineligible was Super Tramp.

560
00:30:29,240 --> 00:30:31,400
Speaker 2: Right. We covered them last season, right.

561
00:30:31,400 --> 00:30:34,680
Speaker 4: That surprising to me is kind of a just kind

562
00:30:34,680 --> 00:30:36,759
of hovers at the top of our download list.

563
00:30:37,000 --> 00:30:39,119
Speaker 2: It's a great Yeah, go back and check out our

564
00:30:39,160 --> 00:30:42,559
Breakfast in America episode. We compared them to Yes, nine.

565
00:30:42,440 --> 00:30:45,400
Speaker 4: Oh two one, nine O one too Fun nine O

566
00:30:45,680 --> 00:30:46,559
two one Fun.

567
00:30:47,359 --> 00:30:49,759
Speaker 2: That's the number worst album title of all time.

568
00:30:49,599 --> 00:30:52,039
Speaker 4: But it is it's a great album, that's right. We

569
00:30:52,119 --> 00:30:54,599
talk about that number when we talk about that. Yeah,

570
00:30:54,680 --> 00:30:57,799
not eligible for this list, yep, all right, but I'll

571
00:30:57,799 --> 00:31:00,599
tell you what is eligible. Songs that made me dance

572
00:31:00,640 --> 00:31:02,519
and boogie When I was seven years old run around,

573
00:31:02,559 --> 00:31:05,359
listened to my parents' radio, Okay, okay, yeah, sounds good,

574
00:31:05,400 --> 00:31:08,359
particularly my mom listened to kind of pop radio. All right,

575
00:31:08,440 --> 00:31:10,400
and so hi, Mom, this one's for you.

576
00:31:10,640 --> 00:31:10,839
Speaker 2: Right.

577
00:31:10,960 --> 00:31:15,240
Speaker 4: This song was released October of nineteen eighty reached number

578
00:31:15,319 --> 00:31:17,480
one February seventh of nineteen eighty one.

579
00:31:17,759 --> 00:31:18,039
Speaker 2: Okay.

580
00:31:18,640 --> 00:31:20,920
Speaker 4: It was there for two weeks and was actually knocked

581
00:31:20,920 --> 00:31:23,400
out by one of my honorable mentions, which I'll talk

582
00:31:23,400 --> 00:31:24,200
about here in a second.

583
00:31:24,240 --> 00:31:24,920
Speaker 2: All right, Okay.

584
00:31:24,960 --> 00:31:28,160
Speaker 4: This was from their twelfth album, and it's their first

585
00:31:28,240 --> 00:31:31,240
number one and only. We talked about them a little

586
00:31:31,279 --> 00:31:35,960
bit on our Saturday Night Fever episode. Okay, now here's

587
00:31:36,000 --> 00:31:38,920
the cool thing about this, Okay. The initial idea for

588
00:31:39,119 --> 00:31:41,720
this song came from one of the co founders of

589
00:31:41,759 --> 00:31:44,880
this band. He's also the sax player in this band,

590
00:31:45,119 --> 00:31:48,960
and he got the idea from the Koran. Okay, all right, now,

591
00:31:49,160 --> 00:31:52,279
he was reading a passage in the Koran that was

592
00:31:52,319 --> 00:31:55,759
talking about the creation when God created Adam, and when

593
00:31:55,799 --> 00:31:59,920
God created Adam, the angels were singing praises to God

594
00:32:00,119 --> 00:32:01,400
in honor of his creation.

595
00:32:01,559 --> 00:32:02,440
Speaker 2: Okay, all right.

596
00:32:02,519 --> 00:32:04,559
Speaker 4: This reached number one on the R and B the

597
00:32:04,720 --> 00:32:07,319
Dance and the Hot one hundred. You will still hear

598
00:32:07,359 --> 00:32:10,920
this song played at weddings parties. It was the theme

599
00:32:11,000 --> 00:32:13,359
song for the nineteen eighty two Saint Louis Cardinals.

600
00:32:13,519 --> 00:32:14,400
Speaker 2: Hello Jim Butler.

601
00:32:14,599 --> 00:32:18,079
Speaker 4: It was played when the US Hostages were released from Iran.

602
00:32:18,480 --> 00:32:21,519
We hear all the time at football, baseball, soccer games.

603
00:32:21,880 --> 00:32:26,759
And at the end of this band's nineteen seventy nine hit,

604
00:32:27,160 --> 00:32:30,920
they give a forward throwing nod to this song.

605
00:32:31,240 --> 00:32:33,720
Speaker 2: Do you want Okay? Yeah, I've got nothing. I've got

606
00:32:33,720 --> 00:32:35,000
to zero at this point. Okay.

607
00:32:35,640 --> 00:32:38,720
Speaker 4: So the nineteen seventy nine hit by this same band

608
00:32:39,200 --> 00:32:40,359
was called Ladies' Night.

609
00:32:40,720 --> 00:32:41,200
Speaker 2: Okay.

610
00:32:41,319 --> 00:32:44,680
Speaker 4: So at the end of Ladies' Night they say, come on,

611
00:32:44,960 --> 00:32:46,839
let's celebrate, okay.

612
00:32:47,039 --> 00:33:12,599
Speaker 2: Is the song celebration, Yes, okay, So it's cool in

613
00:33:12,640 --> 00:33:12,960
the gang.

614
00:33:13,079 --> 00:33:15,759
Speaker 4: This is cool in the gang. Celebration.

615
00:33:16,640 --> 00:33:20,039
Speaker 2: Wooo, celebrate good times, man, I love it.

616
00:33:20,240 --> 00:33:22,119
Speaker 4: Celebrate good times, man, love it?

617
00:33:22,319 --> 00:33:22,680
Speaker 2: All right?

618
00:33:23,000 --> 00:33:23,839
Speaker 4: That was my number two.

619
00:33:24,079 --> 00:33:26,559
Speaker 2: Yep, all right, number two, my number two. All right.

620
00:33:26,599 --> 00:33:30,200
This song was released May twelfth, nineteen eighty. It hit

621
00:33:30,359 --> 00:33:33,839
number one on July nineteenth, nineteen eighty and was there

622
00:33:33,960 --> 00:33:37,839
for two weeks. It is regarded as the seventh biggest

623
00:33:37,920 --> 00:33:40,480
hit of the year, only two weeks to number one,

624
00:33:40,480 --> 00:33:42,519
but it was on the charts a lot. Okay. It

625
00:33:42,599 --> 00:33:47,079
was written as a response to critics calling this artist's

626
00:33:47,160 --> 00:33:51,720
music quote adult contemporary, middle of the road pop. Okay,

627
00:33:52,039 --> 00:33:56,720
in this song references a road is in Manhasset and

628
00:33:56,759 --> 00:33:59,599
Great Neck Long Island that is full of different stores.

629
00:34:00,440 --> 00:34:04,480
He references products that you would buy at a place

630
00:34:04,519 --> 00:34:09,119
called Best Tire or Berliner Stereo, both of which were

631
00:34:09,119 --> 00:34:11,719
in the neighborhood that he grew up in. And there's

632
00:34:11,760 --> 00:34:14,639
a lyric in this song that I couldn't even say

633
00:34:14,639 --> 00:34:16,239
I misheard it. I just didn't know what they were

634
00:34:16,280 --> 00:34:19,719
saying until maybe a year ago. And then, of course,

635
00:34:19,800 --> 00:34:22,000
once I figured out what it was a year ago,

636
00:34:22,039 --> 00:34:24,079
I went down that rabbit hole. But the line I

637
00:34:24,119 --> 00:34:29,559
misheard refers to a fashion icon born in seventeen seventy

638
00:34:29,760 --> 00:34:36,800
eight who ultimately died of syphilis. The fashion icon's name

639
00:34:37,079 --> 00:34:41,400
is Bo brummel Ka. Not ringing a bell for you.

640
00:34:41,719 --> 00:34:45,480
No Weird Al parodied this song in nineteen eighty as well,

641
00:34:45,480 --> 00:34:47,199
but this was back when he was still just on

642
00:34:47,239 --> 00:34:51,000
the Doctor Demento Show. Okay, the products that you might

643
00:34:51,079 --> 00:34:54,960
get at Best Tire would be whitewall tires. What you

644
00:34:55,039 --> 00:34:58,559
might do with those white wall tires is cruise the

645
00:34:58,679 --> 00:35:03,480
Miracle Mile, which is that road in Great Neck Long Island,

646
00:35:04,440 --> 00:35:08,079
and you might get a brand new set of speakers

647
00:35:08,239 --> 00:35:12,960
from Berlin or stereo. It's cars. No, the name of

648
00:35:13,000 --> 00:35:17,199
the weird ol song is it's still Billy Joel to me.

649
00:35:21,159 --> 00:35:24,360
Speaker 4: Okay, this song is it's still rock and roll to me.

650
00:35:24,519 --> 00:35:24,920
Speaker 2: There you go.

651
00:35:26,280 --> 00:35:30,199
Speaker 7: What's the matter with the can't you tell that your

652
00:35:30,239 --> 00:35:35,800
ties too wide? Maybe I should buy some fool tab college.

653
00:35:35,880 --> 00:35:40,639
Welcome back to the edge of Jibe where if you

654
00:35:40,800 --> 00:35:44,760
been hiding out and you cant Frances Ashy till you

655
00:35:44,880 --> 00:35:48,559
spending the light upon it. Everybody's talking about the new

656
00:35:48,800 --> 00:35:51,199
South Funy Bondy is still rocking.

657
00:35:51,000 --> 00:35:51,719
Speaker 2: Olden me.

658
00:35:56,760 --> 00:35:59,840
Speaker 4: Come football.

659
00:36:00,920 --> 00:36:03,639
Speaker 2: This one was it was neck and neck with you.

660
00:36:03,719 --> 00:36:06,000
Maybe right. I may be crazy love that one off

661
00:36:06,159 --> 00:36:09,440
of glass Houses as well, But this one I don't know.

662
00:36:09,719 --> 00:36:12,920
Just I had to talk about bo Brummel. Oh Brummel,

663
00:36:12,960 --> 00:36:15,719
I don't, but should I get you could really be

664
00:36:16,039 --> 00:36:18,960
a bull brummer baby if you just give it half

665
00:36:19,039 --> 00:36:21,159
the chance. Wow, I says bul Brummel.

666
00:36:21,239 --> 00:36:23,519
Speaker 4: That's crazy. I'd never heard that before this. Gay our

667
00:36:23,599 --> 00:36:27,679
buddy Doug Gray Patreon member Doug Gray, Yes, would love

668
00:36:27,719 --> 00:36:30,519
for us to cover glasshouses at some point. Sure, And

669
00:36:30,719 --> 00:36:32,480
I know he's disappointed that it took me a long

670
00:36:32,559 --> 00:36:34,280
time to figure that one out. I'm sorry, Doug.

671
00:36:35,239 --> 00:36:38,360
Speaker 2: So, okay, okay, are we on honorable mentions? We are

672
00:36:38,440 --> 00:36:40,760
ready for your two honorable mentions? Sure?

673
00:36:40,960 --> 00:36:43,119
Speaker 4: Yes, So this is the song that I came in.

674
00:36:43,239 --> 00:36:45,280
I'm like, ah, this song has to be on the list, right.

675
00:36:46,280 --> 00:36:49,639
I came in today. I was mowing, and I was

676
00:36:49,679 --> 00:36:51,519
sitting on the moor, and I was listening to songs

677
00:36:51,559 --> 00:36:53,599
from nineteen eighty and I came across this one. I'm like,

678
00:36:54,079 --> 00:36:56,480
absolutely got to go on there somewhere for me. This

679
00:36:56,679 --> 00:36:59,960
song might get the nod just simply because my sister

680
00:37:00,239 --> 00:37:02,239
loved it so much. They played the heck out of it.

681
00:37:03,360 --> 00:37:07,360
They watched this movie on repeat and the song. I

682
00:37:07,440 --> 00:37:10,039
think I've mentioned to you my sisters loved this song

683
00:37:10,159 --> 00:37:10,639
and movie.

684
00:37:10,800 --> 00:37:11,079
Speaker 2: Okay.

685
00:37:11,679 --> 00:37:14,320
Speaker 4: This was released November of nineteen eighty. It reached number

686
00:37:14,360 --> 00:37:17,239
one in February of nineteen eighty one. I found this interesting.

687
00:37:17,400 --> 00:37:20,880
There's only been one, two, three, four five times in

688
00:37:21,119 --> 00:37:24,440
pop and country history where a song was at the

689
00:37:24,519 --> 00:37:26,480
top of the pop chart and the top of the

690
00:37:26,559 --> 00:37:27,559
country chart at.

691
00:37:27,519 --> 00:37:29,239
Speaker 2: The same time. Okay.

692
00:37:29,559 --> 00:37:32,679
Speaker 4: One of them was Genie c Riley in nineteen sixty

693
00:37:32,719 --> 00:37:37,079
eight with Harper Valley Pta great one the other one

694
00:37:37,639 --> 00:37:41,000
was Dolly Parton and Kenny Rodgers Islands in the Stream

695
00:37:41,079 --> 00:37:44,800
in nineteen eighty three. And then this other girl, Taylor Swift.

696
00:37:45,760 --> 00:37:47,840
Don't even know what ye not sure what happened to her,

697
00:37:47,960 --> 00:37:50,519
but she did it twice once with we Are Never

698
00:37:50,719 --> 00:37:54,000
Ever and All Too Well. And then of course this

699
00:37:54,159 --> 00:37:56,320
song was number one on the pop chart and the

700
00:37:56,519 --> 00:37:58,119
country chart at the same time.

701
00:37:58,960 --> 00:38:01,800
Speaker 2: It's just a female sing This is a female singer, okay.

702
00:38:02,039 --> 00:38:04,440
Speaker 4: In an anthem to working women everywhere?

703
00:38:04,719 --> 00:38:08,039
Speaker 2: Is this Dolly Parton? Yes? It is. Is this dun

704
00:38:08,199 --> 00:38:13,199
dun dun, dun dun dun working nine to five? Yeah,

705
00:38:13,599 --> 00:38:13,880
that's it.

706
00:38:29,360 --> 00:38:32,480
Speaker 4: You know, we haven't really broke down Dolly Parton yet

707
00:38:32,639 --> 00:38:33,719
for any song.

708
00:38:33,599 --> 00:38:36,400
Speaker 2: Or we've we've talked about her before. She came up

709
00:38:36,519 --> 00:38:36,920
in our.

710
00:38:36,920 --> 00:38:41,039
Speaker 4: Collective Soul episode because she covered Shine.

711
00:38:41,519 --> 00:38:44,360
Speaker 2: Yeah, she we've we've talked about her in other respects too,

712
00:38:44,360 --> 00:38:46,840
although I don't remember what the episode is, because I

713
00:38:46,960 --> 00:38:50,400
remember she wrote the song I Will Always Love You

714
00:38:50,679 --> 00:38:54,480
for for her like former partner manager TV guy, and

715
00:38:54,639 --> 00:38:58,239
he sued her anyway, but she like, what was that fun?

716
00:38:58,280 --> 00:39:00,920
I remember talking. She was like, I'm leaving and doing

717
00:39:00,960 --> 00:39:03,079
my own thing. Wrote that writes this, I will always

718
00:39:03,159 --> 00:39:05,079
love you for him, and he's like, I'm suing you.

719
00:39:07,239 --> 00:39:09,320
We got to cover that movie. We have to We've

720
00:39:09,320 --> 00:39:13,320
been talking about covering nine to five versus Mister Mom

721
00:39:13,599 --> 00:39:17,360
as the role reversal films of the early eighties season one. Yeah,

722
00:39:17,480 --> 00:39:19,599
we've really got to do that. We need to do that. Okay.

723
00:39:19,920 --> 00:39:22,119
Speaker 4: By the way, the rhythm at the beginning of nine

724
00:39:22,159 --> 00:39:27,079
to five typewriter, typewriter, and she was fiddling with her

725
00:39:27,159 --> 00:39:30,920
fingernails one day and then they answered the typewriter sound effects, brilliant.

726
00:39:30,639 --> 00:39:34,639
Speaker 2: Brilliant, funny movie too, oh wonderful, Dabney Coleman at his finest.

727
00:39:35,199 --> 00:39:37,079
All right, should do my other? Yeah, do your other.

728
00:39:37,320 --> 00:39:40,239
Speaker 4: Honorable mention, My second honorable mention is a cover song

729
00:39:40,360 --> 00:39:43,440
of a song originally released in nineteen sixty seven.

730
00:39:44,320 --> 00:39:45,000
Speaker 2: Okay okay.

731
00:39:45,280 --> 00:39:49,159
Speaker 4: Now then the genre of that song was called rock

732
00:39:49,239 --> 00:39:52,000
steady okay, which is a term I've heard, but I

733
00:39:52,039 --> 00:39:53,920
didn't know it was a genre of music.

734
00:39:54,519 --> 00:39:55,280
Speaker 2: No, mean neither.

735
00:39:55,320 --> 00:39:57,239
Speaker 4: It was written by a guy named John Holt and

736
00:39:57,400 --> 00:40:00,199
produced by a guy named Duke Read. I'm like there's

737
00:40:00,199 --> 00:40:02,239
not enough guys around the world today named Duke.

738
00:40:02,320 --> 00:40:02,840
Speaker 2: Du Creed.

739
00:40:03,159 --> 00:40:05,039
Speaker 4: Come on, I shouldn't named my kid duke.

740
00:40:05,199 --> 00:40:06,760
Speaker 2: You know you need a guy to help you change

741
00:40:06,800 --> 00:40:09,400
a tire, Nobody better to call it that's you.

742
00:40:09,519 --> 00:40:13,280
Speaker 4: Dude, You're man right all right. This song was released

743
00:40:13,400 --> 00:40:16,880
again by this group on Halloween of nineteen eighty It's

744
00:40:16,960 --> 00:40:20,719
number one in January of nineteen eighty one. Okay, This

745
00:40:21,320 --> 00:40:24,320
singer and guitarist of a famous group that we need

746
00:40:24,400 --> 00:40:27,400
to cover at some point were fans of ska and

747
00:40:27,559 --> 00:40:30,559
reggae okay, even though they're not known for that in

748
00:40:30,599 --> 00:40:33,280
their music. They heard the song on a compilation tape

749
00:40:33,719 --> 00:40:35,360
and so they bought it while they were in London.

750
00:40:35,519 --> 00:40:38,599
But according to the guitarist, when asked about his favorite

751
00:40:38,679 --> 00:40:42,599
song while in this group, this very prominent early eighties group,

752
00:40:43,119 --> 00:40:46,800
late seventies, early eighties, he said, it's virtually impossible to choose.

753
00:40:46,920 --> 00:40:49,199
All I can say is the only song I knew

754
00:40:49,320 --> 00:40:52,119
for sure that was going to be a hit before

755
00:40:52,320 --> 00:40:55,199
we recorded it was this song. Now, then, this song

756
00:40:55,360 --> 00:40:57,960
knocked John Lennon out of the number one spot, and

757
00:40:58,320 --> 00:41:02,239
Sean Lennon, who is John Lennon's son, mentioned that they

758
00:41:02,280 --> 00:41:03,920
had a game room and they used to have a

759
00:41:04,000 --> 00:41:06,719
jukebox that would play old music. He said they had

760
00:41:06,760 --> 00:41:08,880
tons of forty five's on there. They would play Elvis

761
00:41:09,320 --> 00:41:12,440
and the Everly Brothers, and this was the only song

762
00:41:12,519 --> 00:41:14,880
that he remembered. This was the only modern song that

763
00:41:14,960 --> 00:41:18,719
he played, and he played it all the time.

764
00:41:18,960 --> 00:41:21,800
Speaker 2: Okay, John Lennon played the song and knocked him out

765
00:41:21,800 --> 00:41:23,199
of the number one spot all the time.

766
00:41:23,320 --> 00:41:23,800
Speaker 4: That's correct.

767
00:41:23,920 --> 00:41:25,039
Speaker 2: This is a great story, But I don't know what

768
00:41:25,039 --> 00:41:25,880
it is, Okay.

769
00:41:26,519 --> 00:41:28,599
Speaker 4: My other clue for you is the name of the

770
00:41:28,679 --> 00:41:32,400
group I believe was named after the lead singer who

771
00:41:32,719 --> 00:41:36,039
was bringing the heat in the nineteen seventies and eighties.

772
00:41:36,079 --> 00:41:39,559
She's nearly eighty years old now. But okay, so this

773
00:41:40,320 --> 00:41:44,039
must be Blondie. It's Blondie, and the song has.

774
00:41:44,000 --> 00:42:02,800
Speaker 2: To be The Tide is High, very good, Okay, hell

775
00:42:02,800 --> 00:42:04,920
love it. So I didn't get a whole lot of

776
00:42:05,000 --> 00:42:07,760
songs that were released late in eighty and kind of

777
00:42:07,800 --> 00:42:10,679
peaked in eighty one. Most of my stuff was either

778
00:42:10,760 --> 00:42:12,719
released in eighty or released in seventy nine and peaked

779
00:42:12,760 --> 00:42:15,639
in eighty. So, yeah, this one kind of went by me.

780
00:42:15,760 --> 00:42:17,320
I didn't even Yeah, but it's great.

781
00:42:17,360 --> 00:42:20,199
Speaker 4: One's great one, all right to your honorable mentions.

782
00:42:20,360 --> 00:42:23,679
Speaker 2: Sir, all right, my first honorable mention, I'm a Little

783
00:42:23,679 --> 00:42:25,960
worried might be your number one. This was off this

784
00:42:26,199 --> 00:42:30,440
artist's eleventh studio album. It was the second single. It

785
00:42:30,559 --> 00:42:35,800
was released in April of nineteen eighty. The song has

786
00:42:35,880 --> 00:42:38,679
been covered by Garth Brooks and Brooks and Dune, which

787
00:42:38,719 --> 00:42:41,800
ironically were my number one and number two concerts as

788
00:42:41,880 --> 00:42:44,639
a kid. First concert was Garth Brooks, second concert was

789
00:42:44,679 --> 00:42:47,719
Brooks and Done. Okay, the artist said about this album. Now,

790
00:42:47,760 --> 00:42:51,480
this is eleventh studio album, he said he found he

791
00:42:51,719 --> 00:42:55,519
was most fulfilled as a songwriter. He had finally hit

792
00:42:55,559 --> 00:42:57,800
this point where he felt fulfilled as a songwriter. This

793
00:42:58,039 --> 00:43:02,559
song is the third part of a trilogy of songs

794
00:43:02,880 --> 00:43:06,159
on this album. It hit number five on the Billboard

795
00:43:06,199 --> 00:43:09,360
Hot one hundred on June fourteenth, nineteen eighty So middle

796
00:43:09,360 --> 00:43:12,880
of the summer song, which might be appropriate for guys

797
00:43:13,119 --> 00:43:17,000
who are running cross country in the heat of the summer,

798
00:43:17,760 --> 00:43:19,840
which this guy did when he was in high school.

799
00:43:20,519 --> 00:43:24,599
And that's where the song's title comes from. Okay. The

800
00:43:24,800 --> 00:43:28,760
lyrics are about the space between love and indifference and

801
00:43:28,920 --> 00:43:32,400
feelings we had when we were young and to throw

802
00:43:32,480 --> 00:43:36,559
back to your quote from season one exploring the mysteries

803
00:43:36,800 --> 00:43:43,039
of the broad Class, specifically Jane Dinsdale's broad Class. Janey's

804
00:43:43,079 --> 00:43:47,320
name is mentioned specifically in the song. This producer for

805
00:43:47,440 --> 00:43:56,480
this album was Bill's has no Sizimics has no there

806
00:43:56,480 --> 00:44:01,159
are no real vowel simsic. Bill Simsack, who we talked

807
00:44:01,159 --> 00:44:04,760
about when we talked about Eagles, and one of those

808
00:44:05,000 --> 00:44:09,159
guys in that band was the backing singer on this song.

809
00:44:10,119 --> 00:44:13,800
Because both of these guys grew up in Detroit.

810
00:44:15,000 --> 00:44:18,960
Speaker 4: All right, So clearly you're talking about Bob Seeger. Yes,

811
00:44:19,599 --> 00:44:22,039
And I don't think this is against the Wind.

812
00:44:22,239 --> 00:44:24,239
Speaker 2: It is Ago.

813
00:44:27,039 --> 00:44:27,320
Speaker 6: Jane.

814
00:44:27,440 --> 00:44:29,880
Speaker 5: It was as long as you was a queer my name.

815
00:44:31,480 --> 00:44:37,199
Speaker 2: Then the dogs within the radio and the secrets that.

816
00:44:39,320 --> 00:44:40,199
Speaker 4: It's against the wind.

817
00:44:40,400 --> 00:44:45,360
Speaker 2: Yes, yes, So apparently Night Moves is part one, Brave

818
00:44:45,400 --> 00:44:49,480
Struggles is part two, and Against the Wind is part three. Really,

819
00:44:49,559 --> 00:44:53,119
as I mentioned that iconic line of I wish I

820
00:44:53,199 --> 00:44:56,039
didn't know now what I didn't know then, he didn't

821
00:44:56,199 --> 00:44:58,079
like as a songwriter, but I think it's one of

822
00:44:58,119 --> 00:44:59,920
the best lines in all of music.

823
00:45:00,800 --> 00:45:03,400
Speaker 4: So I'm not a big Bob Seeker fan. He's got

824
00:45:03,440 --> 00:45:06,360
some iconic songs. In fact, I think old time rock

825
00:45:06,400 --> 00:45:10,360
and roll made your seventy eight list. I think nine

826
00:45:10,480 --> 00:45:11,039
seventy nine.

827
00:45:11,119 --> 00:45:11,320
Speaker 2: Yeah.

828
00:45:11,679 --> 00:45:15,000
Speaker 4: I was just kind of listening through a playlist of

829
00:45:15,079 --> 00:45:17,800
nineteen eighty songs and I came across a Bob Seeger

830
00:45:17,880 --> 00:45:19,840
song that I wasn't familiar with called fire Lake.

831
00:45:20,119 --> 00:45:21,679
Speaker 2: Oh yeah, that's a good one, and I was like, man,

832
00:45:21,719 --> 00:45:23,440
that's a good song. It is a good song. Sounds

833
00:45:23,480 --> 00:45:26,840
very good. All right, all right. My next honorable mention

834
00:45:27,320 --> 00:45:30,800
is another incredible group that we all know very well.

835
00:45:30,920 --> 00:45:33,960
We've talked about them many times before in the past

836
00:45:34,239 --> 00:45:37,960
for various movies and top five picks and other stuff.

837
00:45:38,800 --> 00:45:40,480
I can't believe we haven't covered him yet. I'm kind

838
00:45:40,519 --> 00:45:43,960
of surprised by this actually, all right now. This song

839
00:45:44,239 --> 00:45:48,280
was of theirs, was released December seventh, nineteen seventy nine,

840
00:45:48,880 --> 00:45:53,719
and it was their first number one single. The singer

841
00:45:54,079 --> 00:45:57,360
composed this song on a guitar, didn't really play guitar.

842
00:45:57,480 --> 00:46:00,519
He only knew a few chords, but he said this

843
00:46:00,679 --> 00:46:03,519
actually helped me, Like it limited me, and so by

844
00:46:03,599 --> 00:46:05,840
limiting myself on what I could play on the guitar,

845
00:46:06,320 --> 00:46:09,000
that's how I came up with this song. He composed

846
00:46:09,039 --> 00:46:11,760
it in five to ten minutes. They recorded it in

847
00:46:11,920 --> 00:46:15,840
less than thirty minutes. The lead guitarist said he wanted

848
00:46:15,920 --> 00:46:20,159
to emulate Rick Nelson and James Burton and his guitar playing.

849
00:46:21,079 --> 00:46:23,440
The lead singer said that this was a tribute to

850
00:46:23,800 --> 00:46:28,559
Elvis and Cliff Richard. Yes, and it is the first

851
00:46:28,639 --> 00:46:30,400
time when they performed this in concert, this is the

852
00:46:30,480 --> 00:46:33,199
first time that the lead singer actually played a guitar

853
00:46:33,559 --> 00:46:38,679
on stage played the acoustic guitar on stage. People have

854
00:46:38,760 --> 00:46:42,599
referred to this song as rockabilly, which is interesting because

855
00:46:42,679 --> 00:46:46,079
Dwight Yoakum did cover this song many years later, and

856
00:46:47,079 --> 00:46:50,360
the guys who wrote this song also composed all of

857
00:46:50,519 --> 00:46:54,679
the music to the yellow album To Your Left.

858
00:46:58,440 --> 00:47:02,400
Speaker 4: So let me ask you this. I believe this song

859
00:47:02,599 --> 00:47:04,920
was written in a bathtub in Munich.

860
00:47:06,119 --> 00:47:06,960
Speaker 2: That is the rumor.

861
00:47:07,079 --> 00:47:13,119
Speaker 4: Yes, this is crazy little thing called love Like Queen.

862
00:47:13,280 --> 00:47:13,719
Speaker 2: You got it.

863
00:47:14,079 --> 00:47:33,599
Speaker 4: Yes, I love this song. I mean it almost it

864
00:47:33,719 --> 00:47:34,480
was almost there.

865
00:47:34,800 --> 00:47:37,480
Speaker 2: Oh yeah, great song. Great, great song. Okay, and I

866
00:47:37,599 --> 00:47:39,239
just have one new discovery. I'm not going to do

867
00:47:39,320 --> 00:47:41,519
trivia on it. I just have to shout out James Buckley.

868
00:47:42,000 --> 00:47:46,559
I've gone nearly fifty years without listening to Motorhead, and

869
00:47:46,679 --> 00:47:48,119
for some reason, I don't know what the topic of

870
00:47:48,199 --> 00:47:51,840
conversation was, but James Buckley said, you got to listen

871
00:47:51,880 --> 00:47:54,079
to Ace of Spades. I checked it out. It's now

872
00:47:54,199 --> 00:47:57,400
my workout playlist and it was released in October of

873
00:47:57,519 --> 00:48:00,159
nineteen eighty. So shout out to you, James. Awesome new

874
00:48:00,159 --> 00:48:04,599
discovery Spade a spades, great really quick heavy metal song.

875
00:48:04,800 --> 00:48:05,679
Yes one.

876
00:48:07,239 --> 00:48:09,119
Speaker 4: All right, so we're to our number one.

877
00:48:09,079 --> 00:48:13,119
Speaker 2: Number one. Okay, I'm curious if if we hit an overlap,

878
00:48:13,239 --> 00:48:16,119
here's gonna be crazy. It's gonna be crazy. I don't know.

879
00:48:16,159 --> 00:48:17,000
We'll see, all right.

880
00:48:17,960 --> 00:48:20,679
Speaker 4: So I told you that I didn't really have a

881
00:48:21,199 --> 00:48:24,480
number one. I had a group of songs that I liked,

882
00:48:24,960 --> 00:48:28,599
and I had a bunch of good songs, but I

883
00:48:28,679 --> 00:48:31,800
didn't really have that number one with a with a bullet.

884
00:48:32,599 --> 00:48:34,960
And then I told you that the heavens parted.

885
00:48:35,280 --> 00:48:38,519
Speaker 2: Yes, And I was like, that's it for me.

886
00:48:39,719 --> 00:48:42,599
Speaker 4: That is the number one song of nineteen eighty, Like

887
00:48:43,320 --> 00:48:47,199
there is no question in my mind. All right, Okay, Now,

888
00:48:48,039 --> 00:48:50,440
when I'm seven years old, I told you I was

889
00:48:50,519 --> 00:48:54,519
listening to the Beaar Necessities and you know the Star

890
00:48:54,559 --> 00:48:56,360
Wars album by John Williams.

891
00:48:56,559 --> 00:49:00,559
Speaker 2: You know, right, you know the asteroid song isturing Young

892
00:49:00,719 --> 00:49:01,880
Young John Bunge of E.

893
00:49:03,559 --> 00:49:05,599
Speaker 4: R two D two Christmas album Without a Doubt.

894
00:49:05,880 --> 00:49:09,400
Speaker 2: Okay, But there is one exception, okay.

895
00:49:09,840 --> 00:49:13,599
Speaker 4: Now, then, this song was released in November of nineteen eighty.

896
00:49:14,400 --> 00:49:18,679
It hit number ten in the UK, number three in Germany,

897
00:49:18,920 --> 00:49:21,199
but only number forty two in the States.

898
00:49:21,800 --> 00:49:21,920
Speaker 2: Now.

899
00:49:22,000 --> 00:49:23,920
Speaker 4: Then, it was written by the guitarist of this.

900
00:49:24,039 --> 00:49:26,480
Speaker 2: Band okay okay for a movie. Okay.

901
00:49:27,320 --> 00:49:30,000
Speaker 4: And when he brought it to the director, like this

902
00:49:30,239 --> 00:49:32,719
song along with the you know, the other songs for

903
00:49:33,320 --> 00:49:36,119
the album, brought it to the director and the producer.

904
00:49:36,360 --> 00:49:41,079
The producer was like, and it was trying to kind

905
00:49:41,119 --> 00:49:44,079
of hide his disappointment, but he just didn't quite get it.

906
00:49:44,480 --> 00:49:46,440
Speaker 2: This is a big name producer. Okay.

907
00:49:46,920 --> 00:49:50,119
Speaker 4: Now, the director of this movie talked to the producer

908
00:49:50,159 --> 00:49:52,599
and said, you just have to trust me. This is

909
00:49:52,679 --> 00:49:53,360
going to work.

910
00:49:53,880 --> 00:49:56,719
Speaker 2: Okay, all right, you got anything yet? Nothing yet? All right.

911
00:49:58,199 --> 00:50:02,760
Speaker 4: So there's two different verse versions of this particular song okay,

912
00:50:03,119 --> 00:50:05,480
both of which I would say you're familiar with.

913
00:50:05,960 --> 00:50:06,639
Speaker 2: Okay, okay.

914
00:50:07,039 --> 00:50:11,960
Speaker 4: Included in these two different versions are some sound clips.

915
00:50:12,239 --> 00:50:15,679
Speaker 2: Are they from the movie. From the movie, Okay, do

916
00:50:15,760 --> 00:50:16,039
you know.

917
00:50:16,280 --> 00:50:21,639
Speaker 4: Who Melody Anderson is? No, she's one of the people speaking.

918
00:50:21,440 --> 00:50:22,400
Speaker 2: In in the song.

919
00:50:22,639 --> 00:50:27,599
Speaker 4: Okay, okay, you know who Brian Blessed is? Yes, Timothy

920
00:50:27,679 --> 00:50:31,280
Dalton is Yes? How about Max mounts Sidow?

921
00:50:31,880 --> 00:50:38,159
Speaker 2: Yes. So we're back to Queen and is this slash?

922
00:50:39,000 --> 00:50:39,119
Speaker 6: Uh?

923
00:50:40,440 --> 00:50:42,639
Speaker 4: Absolutely, this is Flash.

924
00:50:44,960 --> 00:50:45,440
Speaker 2: And there it is.

925
00:50:45,760 --> 00:50:46,880
Speaker 4: Would you pointed to him.

926
00:50:46,880 --> 00:51:07,239
Speaker 2: Like, crap, that's funny, that's great.

927
00:51:07,719 --> 00:51:10,719
Speaker 4: There is my name. I wrote my name on the album.

928
00:51:11,880 --> 00:51:15,519
Speaker 2: I've never seen that. That is a little Jason Colvin

929
00:51:15,599 --> 00:51:16,599
handwriting right there.

930
00:51:16,880 --> 00:51:19,840
Speaker 4: And I took it to my second grade class.

931
00:51:20,119 --> 00:51:23,000
Speaker 2: I don't want anybody stealing your album. Man, you gotta

932
00:51:23,079 --> 00:51:25,079
put your name in pin on the.

933
00:51:25,159 --> 00:51:27,079
Speaker 4: Front Flash album.

934
00:51:29,039 --> 00:51:30,239
Speaker 2: Oh that's great.

935
00:51:30,599 --> 00:51:33,480
Speaker 4: I remember when my dad asked me, keep in mind

936
00:51:33,519 --> 00:51:39,159
I'm seven in any conservative family. My dad said, we

937
00:51:39,239 --> 00:51:41,280
were filling out this like get to know Jason thing

938
00:51:41,400 --> 00:51:43,440
like what's your favorite food, what's your favorite color, what's

939
00:51:43,440 --> 00:51:46,239
your favorite what's your favorite musical group? And I was like, wow,

940
00:51:46,280 --> 00:51:51,760
I guess it's Queen. And he's like, let's come up

941
00:51:51,800 --> 00:51:52,679
with somebody else.

942
00:51:53,039 --> 00:51:53,639
Speaker 2: Oh wow.

943
00:51:53,920 --> 00:51:57,639
Speaker 4: So not comfortable with seven year old Jason liking Queen

944
00:51:57,679 --> 00:51:58,000
too much.

945
00:51:58,679 --> 00:52:02,519
Speaker 2: That's great. Well, by the way, we we discussed that

946
00:52:02,719 --> 00:52:05,199
movie and that song, but not in as much detail

947
00:52:05,840 --> 00:52:10,159
when I remember the producer though, do you know dealer?

948
00:52:12,039 --> 00:52:15,519
But we covered the flash Gordon versus Highlander back in

949
00:52:15,599 --> 00:52:19,639
I think maybe season two. I think season two. So

950
00:52:19,760 --> 00:52:21,239
go back and check out that one. That's a good

951
00:52:21,400 --> 00:52:24,719
that's a good episode. I love those. Okay you ready,

952
00:52:24,880 --> 00:52:27,400
I'm ready, there we go. I cannot believe this song

953
00:52:27,559 --> 00:52:31,679
was not somewhere on your radar. But I've got I've

954
00:52:31,679 --> 00:52:34,159
got some teasing up to do. Okay, so this will

955
00:52:34,159 --> 00:52:38,719
be this will be fun, all right, Okay. Now, interestingly

956
00:52:38,840 --> 00:52:40,880
about this song, this is my number one song. The

957
00:52:41,039 --> 00:52:44,559
backup singers in this song, the band which is I

958
00:52:44,599 --> 00:52:46,480
mean the band had been making music for a while.

959
00:52:46,480 --> 00:52:49,519
They're not a new band. They didn't know that the

960
00:52:49,719 --> 00:52:53,320
producers were going to record backup singers for this song.

961
00:52:53,480 --> 00:52:56,000
They were kind of surprised by it, actually, And even

962
00:52:56,079 --> 00:52:59,280
though the backup singers and the producer and the engineer

963
00:52:59,360 --> 00:53:01,719
worked with them that well, they gave them the song,

964
00:53:01,800 --> 00:53:04,079
gave them a week to practice it, but they only

965
00:53:04,159 --> 00:53:06,920
had forty minutes to record their entire part, and then

966
00:53:06,960 --> 00:53:09,960
they were done, and all they got is payment was

967
00:53:10,480 --> 00:53:14,199
concert tickets to this band, this album and this single,

968
00:53:14,360 --> 00:53:16,360
and that's it. That's it, that's it. That's all they

969
00:53:16,440 --> 00:53:20,000
got until two thousand and four. In two thousand and four,

970
00:53:20,119 --> 00:53:22,800
they finally they got tracked down by somebody and finally

971
00:53:22,840 --> 00:53:27,800
started getting royalties for this song. Okay thirty four, twenty

972
00:53:27,920 --> 00:53:31,599
four years after it had been released. Okay, right, this

973
00:53:31,840 --> 00:53:36,119
is the first single of this band since nineteen sixty eight.

974
00:53:36,320 --> 00:53:40,199
It's been twelve years between singles for this band. Okay,

975
00:53:40,480 --> 00:53:40,800
wait a.

976
00:53:40,800 --> 00:53:44,679
Speaker 4: Minute, Okay, singles, but they had other music available.

977
00:53:44,679 --> 00:53:47,079
Speaker 2: They had lots of music. Okay, all right, keep going right.

978
00:53:47,360 --> 00:53:50,519
So this song was written by the bassist. It hit

979
00:53:50,800 --> 00:53:54,920
number one March twenty second of nineteen eighty. The producer

980
00:53:55,320 --> 00:54:00,440
was Bob Ezren and Bob Ezren, as they're recording this song,

981
00:54:01,119 --> 00:54:03,679
he tells the guitarist, I want you to go to

982
00:54:03,760 --> 00:54:06,639
the disco and I want you to incorporate that sound

983
00:54:06,960 --> 00:54:10,199
into this song. And the guitarist is like, buddy, hell

984
00:54:11,360 --> 00:54:15,719
what So I'm going to read your quote here, Billy Hill,

985
00:54:16,159 --> 00:54:20,880
he said. The producer, Ezren said to him, go to

986
00:54:20,960 --> 00:54:23,159
a couple of clubs and listen to what's happening with

987
00:54:23,239 --> 00:54:27,559
disco music. So I forced myselfself out and listened to

988
00:54:28,360 --> 00:54:32,119
four to the bar, bass drums and stuff, and I thought,

989
00:54:32,440 --> 00:54:37,760
God awful. And then we went back and we tried

990
00:54:37,800 --> 00:54:40,119
to turn one of the parts, because this is a

991
00:54:40,199 --> 00:54:43,960
part of a bigger song, into one of those so

992
00:54:44,119 --> 00:54:47,360
it would be catchy. Okay. Now, I have never in

993
00:54:47,599 --> 00:54:50,400
my life once thought of disco music when I was

994
00:54:50,480 --> 00:54:54,920
listening to this song. Sure, but after learning this particular fact,

995
00:54:55,679 --> 00:54:57,599
I listened to it on the way on the drive

996
00:54:57,639 --> 00:55:03,039
over here today and I'm like, Holy, this is I

997
00:55:03,079 --> 00:55:04,760
can hear it. I mean, if you put a little

998
00:55:04,800 --> 00:55:07,280
bit of if you put a little wah on the guitar,

999
00:55:07,960 --> 00:55:11,159
it is a freaking disco drum beat, and the guitar

1000
00:55:11,400 --> 00:55:14,280
has a rhythm like a disco song. But I would

1001
00:55:14,320 --> 00:55:19,519
say I am in the mass majority millions of people

1002
00:55:19,599 --> 00:55:22,159
who never in a million years would have thought that

1003
00:55:22,239 --> 00:55:24,679
there's any disco influence on this song. But if you

1004
00:55:24,760 --> 00:55:27,199
go and you listen to it right now, you're gonna go, Wow,

1005
00:55:27,320 --> 00:55:28,440
there it is. I can hear it.

1006
00:55:28,840 --> 00:55:29,440
Speaker 4: I can see that.

1007
00:55:29,639 --> 00:55:33,400
Speaker 2: Okay, I can see that. Now those backup singers that

1008
00:55:33,519 --> 00:55:36,679
I was talking about earlier. The choir were a choir

1009
00:55:37,719 --> 00:55:41,760
and they were from the Islington Green School and they

1010
00:55:41,800 --> 00:55:44,639
only had forty minutes to record because they recorded it

1011
00:55:44,960 --> 00:55:48,800
at the school. There were twenty three students that had

1012
00:55:48,840 --> 00:55:52,719
that week to practice. The head of music was called

1013
00:55:52,960 --> 00:55:56,280
a lum Renshaw, and he was very excited because he

1014
00:55:56,400 --> 00:55:59,239
was thought the boys would be excited about music. Instead

1015
00:55:59,239 --> 00:56:02,880
of having to listen to Tchaikovsky, they get to sing

1016
00:56:03,119 --> 00:56:08,320
songs about not needing an education. The headmaster was not

1017
00:56:08,519 --> 00:56:11,239
happy when she found out out that that's what the

1018
00:56:11,360 --> 00:56:15,119
lyrics to the song were, we don't need no So

1019
00:56:15,280 --> 00:56:15,960
I think you got it.

1020
00:56:16,159 --> 00:56:19,360
Speaker 4: Yes, this is another brick in the Wall by Pink Floyd,

1021
00:56:56,239 --> 00:57:00,760
undeniable iconic song. Yeah, I thought that my number one.

1022
00:57:00,960 --> 00:57:02,920
Speaker 2: Yeah. I want you to listen to this and think

1023
00:57:03,000 --> 00:57:07,239
about if it was just a little more discos discoie sounding.

1024
00:57:16,639 --> 00:57:16,920
Speaker 7: Twitch.

1025
00:57:17,280 --> 00:57:19,480
Speaker 2: Yeah, I can say that.

1026
00:57:25,679 --> 00:57:30,840
Speaker 4: The symbols, the guitar, the beat, I cannot believe it.

1027
00:57:32,400 --> 00:57:34,760
Speaker 2: So when I was in nineteen eighty, when I was

1028
00:57:35,039 --> 00:57:37,039
when I was a little four or five year old

1029
00:57:37,320 --> 00:57:43,480
Dee Graves, this song and dream On were guaranteed plays

1030
00:57:43,719 --> 00:57:46,119
on the jukebox whenever I went to whenever the family

1031
00:57:46,159 --> 00:57:48,480
went out to go get pizza. I like it, guaranteed,

1032
00:57:48,599 --> 00:57:49,000
I like it.

1033
00:57:49,199 --> 00:57:53,840
Speaker 4: Yeah, that completes nineteen eighty for us. We've done seventy five,

1034
00:57:54,719 --> 00:58:01,199
seventy eight, seventy nine, eighty, We've done eighty three, eighty four,

1035
00:58:01,480 --> 00:58:04,440
eighty five, eighty nine, ninety four.

1036
00:58:05,119 --> 00:58:07,960
Speaker 2: We haven't got very many years in the eighties left

1037
00:58:08,000 --> 00:58:12,159
to hit. We haven't. It's crazy. Good job us. Thanks, Well, guys,

1038
00:58:12,280 --> 00:58:13,960
what do you think did we miss one? Were you

1039
00:58:14,039 --> 00:58:16,039
mad that I didn't say he stopped loving her today?

1040
00:58:16,280 --> 00:58:18,440
If you were into country music. I'm trying to convince

1041
00:58:18,559 --> 00:58:20,519
Jason that we need to do a little country episode

1042
00:58:21,039 --> 00:58:24,519
for the future, maybe about ten years later on the timeline.

1043
00:58:24,599 --> 00:58:26,000
Speaker 4: Hey, Dolly Parton made my list.

1044
00:58:26,159 --> 00:58:28,599
Speaker 2: That's true. I got some cred man, that's true.

1045
00:58:29,320 --> 00:58:32,960
Speaker 4: All right, guys, So next week the YEP, we are

1046
00:58:33,079 --> 00:58:36,920
starting our comparison that our patreons have given to us.

1047
00:58:37,159 --> 00:58:37,320
Speaker 2: YEP.

1048
00:58:37,400 --> 00:58:39,119
Speaker 4: We put it out there. We say, Hey, which matchup

1049
00:58:39,159 --> 00:58:41,599
do you guys want to see? They said this one.

1050
00:58:42,199 --> 00:58:47,960
So we're doing Chicago seventeen by Chicago YEP versus vital Signs.

1051
00:58:47,920 --> 00:58:52,800
Speaker 2: By survivor by survivor. Very excited about that episode. I'm anxious.

1052
00:58:52,880 --> 00:58:54,880
I'm not super familiar with either one of the albums,

1053
00:58:55,239 --> 00:58:57,719
but I know these bands, and I know some of

1054
00:58:57,800 --> 00:58:59,800
the songs on the albums, and I'm super excited to

1055
00:58:59,800 --> 00:59:00,880
hear what the whole album sounds.

1056
00:59:00,880 --> 00:59:04,599
Speaker 4: There's some Mount rush More makeout songs on these albums.

1057
00:59:04,719 --> 00:59:09,639
Speaker 2: So absolutely, guys, come hang with us for that episode.

1058
00:59:09,679 --> 00:59:11,440
And if you made it this far, you're probably gonna

1059
00:59:11,480 --> 00:59:14,760
enjoy our Patreon episodes. Go to patreon dot com slash

1060
00:59:14,880 --> 00:59:17,960
Shirly Podcast. You can join for free. You can hear

1061
00:59:18,159 --> 00:59:21,239
the one Hit Wonder episodes for as little as five

1062
00:59:21,320 --> 00:59:23,079
bucks a month, and you become a part of the

1063
00:59:23,119 --> 00:59:25,320
Shirley family. Don't pass it up. And by the way,

1064
00:59:25,360 --> 00:59:28,199
if you're watching us on YouTube, get that little subscribe

1065
00:59:28,239 --> 00:59:30,199
button down there, and if you're listening to us on

1066
00:59:30,280 --> 00:59:32,079
the podcast at the follow button.

1067
00:59:32,800 --> 00:59:35,000
Speaker 4: Hey, we are so close to having five hundred followers

1068
00:59:35,000 --> 00:59:35,400
on YouTube.

1069
00:59:35,440 --> 00:59:36,480
Speaker 2: I know, right, it's crazy.

1070
00:59:36,599 --> 00:59:38,280
Speaker 4: Help us out. Go subscribe.

1071
00:59:38,840 --> 00:59:41,000
Speaker 2: All right, we will see you guys next week. I guys,