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<v Speaker 1>Hey kids, it is what is it Monday November eleventh?

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<v Speaker 2>It is Monday, November eleventh. We just wanted to come

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<v Speaker 2>in here before the episode and say we've gotten a

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<v Speaker 2>lot of messages this week saying that our podcast gave

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<v Speaker 2>people a little lefter, a little light, a little whatever.

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<v Speaker 1>There's a particular review we got.

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<v Speaker 2>Yep, we got a great review. This is from You

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<v Speaker 2>Must Be an Angel Food and they say look for

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<v Speaker 2>the love and they write longtime listener, first time reviewer.

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<v Speaker 2>I thoroughly enjoy that age wel podcast, particularly when they

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<v Speaker 2>discuss a beloved movie or one I've never seen, but

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<v Speaker 2>never did I realize how therapeutic it could be. I

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<v Speaker 2>listened on election day to escape the stress, and boy

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<v Speaker 2>did they deliver with some like it Hot. The Madonna

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<v Speaker 2>Bakery mashup was creative and hysterical and had me crying

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<v Speaker 2>from laughing so much. You saved me a trip to

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<v Speaker 2>the therapist and now I want to think of more

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<v Speaker 2>Madonna cake related songs. Thank you for doing what you do.

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<v Speaker 2>I can't wait to see what comes next. So this

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<v Speaker 2>is just one of the messages that we've gotten this This.

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<v Speaker 1>That's so nice. Also, can we just pour one out

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<v Speaker 1>for all of our therapists. Yeah, yeah, they're about to

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<v Speaker 1>have the fucking worst year of their lives.

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<v Speaker 2>Yeah, but we just wanted to say we're sure everyone's

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<v Speaker 2>feeling a lot of emotions.

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<v Speaker 1>Rage, we're feeling emotions. It sucks, It really fucking sucks,

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<v Speaker 1>and we're sorry. And yeah, heartbreak, we're here with you.

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<v Speaker 1>We're in it with you. The show is going to

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<v Speaker 1>continue to try to.

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<v Speaker 2>Entertain and I think entertainment is worth something these days.

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<v Speaker 2>So we hope we can keep you laughing. We hope

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<v Speaker 2>you hear the light in our voices when you listen

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<v Speaker 2>to Rope, because it was it was recorded months ago.

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<v Speaker 1>I was recorded months ago, so we just wanted to

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<v Speaker 1>acknowledge that stuff has happened since since we recorded it.

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<v Speaker 1>Thank you for listening. We really appreciate that you're here.

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<v Speaker 1>And as you must be, an angel Food says, look

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<v Speaker 1>for the love because I think we're gonna need it

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<v Speaker 1>in the next few years. So thank you for listening

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<v Speaker 1>and enjoy.

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<v Speaker 2>Rope was in LA a little while ago, visiting the

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<v Speaker 2>in laws. Had a weird thing happened.

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<v Speaker 1>In Los Angeles.

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<v Speaker 2>In Los Angeles never so we're at the hotel and

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<v Speaker 2>I always get up crazy early when I'm on the

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<v Speaker 2>West Coast because I'm an early riser here, and then

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<v Speaker 2>like for onally there for like three days, it's like

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<v Speaker 2>I don't even care, Like three in the morning. Yeah, yeah,

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<v Speaker 2>I'm up at like three or four o'clock in the morning.

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<v Speaker 2>So I'm at like three or four o'clock in the morning,

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<v Speaker 2>which means I'm like lying in bed, like doing the

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<v Speaker 2>New York Times Crossford puzzle on my phone, or my

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<v Speaker 2>husband is asleep next to me. Find whatever. I'm getting

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<v Speaker 2>up and I luckily I'm dressed at this point, and

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<v Speaker 2>someone knocks on the door, and for some reason, I'm like, oh,

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<v Speaker 2>I guess it's housekeeping. I'll just tell him to go away,

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<v Speaker 2>even though I knew we had put a do not

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<v Speaker 2>disturb on the door, and it is four four o'clock

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<v Speaker 2>in the fucking morning, and I did. I don't even look.

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<v Speaker 2>I just opened the door, and this kid is standing

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<v Speaker 2>outside the door. He's dressed in as like a teen

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<v Speaker 2>teen would be.

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<v Speaker 1>Oh okay, it.

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<v Speaker 2>Is clearly a situation where neither one of us was

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<v Speaker 2>expecting to see the other person when the door opened.

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<v Speaker 1>Wait, how old is this person?

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<v Speaker 2>I'm going to say somewhere between sixteen and twenty.

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<v Speaker 1>Oh okay, okay, okay, okay, yeah you said kid, and

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<v Speaker 1>I was concerned.

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<v Speaker 2>Oh you forgot how old we are?

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<v Speaker 1>Yeah, yeah I was. I was like, I was like,

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<v Speaker 1>this this either a child or like something sketchy is happening. Okay,

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<v Speaker 1>and like, I mean something sketchy.

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<v Speaker 2>Something sketchy is definitely happening. But so I like, look,

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<v Speaker 2>and he looks at me, and I was like, hi,

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<v Speaker 2>can I help you? And the kid just ran.

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<v Speaker 1>Away, like full ran, not.

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<v Speaker 2>Full ran, but like moved hurriedly in the other direction.

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<v Speaker 2>I do not wish to have this interaction anymore. Goodbye.

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<v Speaker 2>Like I was like, that feels like a drug delivery

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<v Speaker 2>gone incorrect.

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<v Speaker 1>Is that what you're thinking?

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<v Speaker 2>That was my thought?

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<v Speaker 1>Okay, yeah, because four am does imply a drug delivery,

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<v Speaker 1>I think because my first thot we're given the age

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<v Speaker 1>of this person is a legitimately like missus Robinson situation. Oh,

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<v Speaker 1>he's expecting his older lady lover to answer the door. Indeed, Yeah,

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<v Speaker 1>like she slipped away from her husband.

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<v Speaker 2>For the night and Bancroft is in there slowly rolling

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<v Speaker 2>down her her stocking.

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<v Speaker 1>Yeah, but again that's a that's a that's an eleven

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<v Speaker 1>PM activity, maybe even a one am activity. But four

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<v Speaker 1>ams a little.

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<v Speaker 2>Is rough for a drug thing. Frankly like, no, it's not.

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<v Speaker 1>If you have been out all night and you're like,

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<v Speaker 1>I need I need to pick me up, I need

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<v Speaker 1>to get to work. You know, you should have stopped.

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<v Speaker 1>You should have stopped. The kid been like, what do

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<v Speaker 1>you have?

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<v Speaker 2>What do you have?

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<v Speaker 1>What do you got?

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<v Speaker 2>I'm cool, I'm hip.

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<v Speaker 1>Are you selling drugs or sex?

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<v Speaker 2>Is this a cash grass or ass situation?

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<v Speaker 1>If it is sex, no, thank you, thank you, because

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<v Speaker 1>I cannot verify your age. And America and this is

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<v Speaker 1>that aged well, yesterday's culture today.

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<v Speaker 2>And we are in classics month. It is November. We

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<v Speaker 2>are doing classic movies, movies from before the eighties.

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<v Speaker 1>Yes, this is the month where you want to get

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<v Speaker 1>on the couch with a warm apple cider.

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<v Speaker 2>Yeah, a shawl, that's right. I love a shawl. I

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<v Speaker 2>love a drap. A throw for hacks, yes, a nice

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<v Speaker 2>soft throw, a nice.

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<v Speaker 1>Throw awaited blanket maybe, and just turn on turn your

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<v Speaker 1>classic movies, huh, and have yourself a day, watch something

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<v Speaker 1>in black and white.

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<v Speaker 2>That's right.

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<v Speaker 1>Either have a laugh or a cry.

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<v Speaker 2>Our younger listeners are going, wait, our eighties movies not classics. Now.

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<v Speaker 2>It's like when you turn in the classic rock station,

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<v Speaker 2>they play like Melissa Ethridge and you're like, fuck everyone.

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<v Speaker 1>The first time I turn on the classic rock station

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<v Speaker 1>and it was legitimately like Rick Astley even, I was like, whoa,

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<v Speaker 1>that's from nineteen eighty eight. That's not that old.

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<v Speaker 2>Hey now, hey, now, don't dream.

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<v Speaker 1>It's also the classic rock station.

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<v Speaker 2>You love it? You love it? Erica, we have a

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<v Speaker 2>five star Apple podcast review. Shall I read it for you?

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<v Speaker 1>Sure?

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<v Speaker 2>This is from Bizollina. Okay, okay, all right five Erica

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<v Speaker 2>hahs they right. I came upon that aged well when

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<v Speaker 2>I was looking for discussions about while you were sleeping.

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<v Speaker 2>Erica and Paul have been keeping me entertained for the

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<v Speaker 2>last few weeks while I care for plants in San

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<v Speaker 2>Francisco offices. What a cool job I've had, the exact

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<v Speaker 2>What an interesting job. Yeah, you must see an incredible

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<v Speaker 2>cross section of humanity. Many times already I have averted

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<v Speaker 2>my face to keep from being seen laughing in an office,

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<v Speaker 2>walking between accounts, or on a bart train riding two

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<v Speaker 2>slash from my car. The Bubba Gump shrimp play had

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<v Speaker 2>me losing it in front of the Salesforce tower.

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<v Speaker 1>I love the specificity of the location. I know that tower. Busilina.

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<v Speaker 1>I am visualizing you now laughing in front of that tower.

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<v Speaker 2>You know, you know what Bisilina was was at that moment,

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<v Speaker 2>they were a Bubba Gump shrimp jump.

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<v Speaker 1>I hope it was Wednesday, because then it was Gum's

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<v Speaker 1>room hump day.

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<v Speaker 2>There you go, There you go, There you go. Erica

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<v Speaker 2>and Paul, unlike other movie discussion podcasts, get detail slash

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<v Speaker 2>quotes accurately.

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<v Speaker 1>I don't know about that.

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<v Speaker 2>I correct you. I find myself correcting other podcasts thinking

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<v Speaker 2>how closely were you watching? Dummy?

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<v Speaker 1>I love this person.

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<v Speaker 2>I can identify with their cultural references, being slightly older

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<v Speaker 2>than them. They genuinely enjoy each other's company, diplomatically disagree,

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<v Speaker 2>have pleasant voices, and never stray too far from the

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<v Speaker 2>topic for too long. I've heard other podcasts repeatedly bring

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<v Speaker 2>up something completely unrelated. One podcaster constantly brings up the

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<v Speaker 2>Will Farrell movie kicking and screaming, no matter what movie

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<v Speaker 2>he's reviewing.

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<v Speaker 3>Why.

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<v Speaker 1>I am very curious as to what podcast that is.

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<v Speaker 2>If you ever do a recording tour, come to San

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<v Speaker 2>Francisco to reviews. So I married an axe murderer until

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<v Speaker 2>that happens. Thanks for keeping me entertained and loling in

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<v Speaker 2>some quiet public places.

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<v Speaker 1>Love it?

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<v Speaker 2>Yes, so much?

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<v Speaker 1>Busy already covered. So I married an axe murderer.

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<v Speaker 2>That's right.

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<v Speaker 1>If we do come to San Francisco, we will do vertigo.

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<v Speaker 1>Oh yeah, it is a classic of San Francisco cinema.

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<v Speaker 2>There you go. See you had another poll because immediately

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<v Speaker 2>was like I had that in Missus Doubtfire and I

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<v Speaker 2>can't wait another one. Uh, Basilina, this is a delightful review.

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<v Speaker 2>It's thought out, it's well reasoned. There's a thesis statement

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<v Speaker 2>and then supporting points.

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<v Speaker 1>There's a there's a sensational burn at another podcast for

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<v Speaker 1>some reason, which I fucking love.

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<v Speaker 2>I loved it. I loved it. Don't be afraid to

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<v Speaker 2>tear down other podcasts in your review lifting us up

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<v Speaker 2>just so you know.

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<v Speaker 1>Yeah, we have no qualms about making other people feel bad.

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<v Speaker 2>That's right. You know what podcasts we like, We've talked

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<v Speaker 2>about them. Anyone else's fair game, Basilina. If you would

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<v Speaker 2>like that age bel Tope Bag, please let me know.

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<v Speaker 2>I will send it off for you, Erica. What is

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<v Speaker 2>the what is the film classic we are discussing today?

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<v Speaker 1>Oh, I'm so excited. Today is the nineteen forty eight

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<v Speaker 1>psychological thriller Rope.

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<v Speaker 2>Rope was requested by Sharon ma Luis Anika and Kay,

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<v Speaker 2>Kay I want, I want, Kay, this is for you.

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<v Speaker 2>Kay has requested this movie multiple times?

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<v Speaker 1>Did he bringing it up?

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<v Speaker 2>Yeah? Request Rope yet requested in gay month, requested in

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<v Speaker 2>classics month. I think may have come through a Halloween month.

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<v Speaker 1>Once follows a lot of you can go any of those, Patty,

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<v Speaker 1>it can fit into.

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<v Speaker 2>Any of those can And Kay was like, do this

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<v Speaker 2>movie and frankly, K, you were right. This movie is fun.

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<v Speaker 1>This movie slaps yeah all right.

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<v Speaker 2>Rope was written by Arthur Lawrence, based on the nineteen

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<v Speaker 2>twenty nine play of the same name by Patrick Hamilton.

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<v Speaker 2>It was directed by A One Alfred Hitchcock and stars

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<v Speaker 2>James Stewart, John Dall, and Farley Grainger.

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<v Speaker 1>While the play on which the film is based has

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<v Speaker 1>its leads being explicitly homosexual.

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<v Speaker 2>Deep throating on stage in nineteen twenty nine, people.

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<v Speaker 1>Ha fisting all the way up to the elbows.

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<v Speaker 2>We've got bent over.

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<v Speaker 1>Loube as far as the guy see.

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<v Speaker 2>The audience had to sit on tarps.

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<v Speaker 1>The film, however, only implies their relationship still. Arthur Lawrence,

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<v Speaker 1>who the writer who is gay, has said he thought

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<v Speaker 1>their relationship was quote unquote apparent and suspected he got

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<v Speaker 1>by the censors because they just didn't have a fucking clue.

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<v Speaker 1>He didn't say the fucking part I did, but that, Yeah,

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<v Speaker 1>from what I know of.

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<v Speaker 2>Arthur Lawrence, it was definitely implied. Yeah, he said it.

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<v Speaker 1>By the way. Crazy. He used to live in the

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<v Speaker 1>West Village and I happened to have known which house

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<v Speaker 1>he was living in when he was still alive, and

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<v Speaker 1>I saw him going in and out of his house

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<v Speaker 1>every once in a while, like the guy the fucking Yeah,

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<v Speaker 1>I used to be in New York City tour guide.

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<v Speaker 1>I don't have ever mentioned that on the show.

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<v Speaker 2>He definitely have.

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<v Speaker 1>Yeah, that's it. He was on one of the streets

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<v Speaker 1>that I used to stop at.

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<v Speaker 2>Oh, that's interesting. Do you have a favorite moment of

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<v Speaker 2>homosexual implication, because I definitely do in this film.

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<v Speaker 1>In this film, the very first shot is very frankly, Yeah,

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<v Speaker 1>I'm like they are murdering their lover. That is a

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<v Speaker 1>their third, they are during their third. I'm convinced.

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<v Speaker 2>I didn't even think of that. Okay, I have a

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<v Speaker 2>different one, but I'll let you know when we get to.

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<v Speaker 1>Oh, okay, homosexual implication six years abound.

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<v Speaker 2>So Hitchcock filmed rope, using long takes and attempting to

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<v Speaker 2>disguise as many cuts as he could. To accomplish this,

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<v Speaker 2>furniture and walls were constantly being moved mid take to

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<v Speaker 2>make room for the camera. James Stewart was not a

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<v Speaker 2>fan of the process and commented the important thing being

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<v Speaker 2>rehearsed is the camera, not the actors.

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<v Speaker 1>I love James Stewart. You can't really, you can't get

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<v Speaker 1>me to not love James Stewart. I don't care.

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<v Speaker 2>I'm not trying to get you not love him. I am.

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<v Speaker 2>I have nothing against James Stewart. I am, I am not.

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<v Speaker 2>It's a wonderful life.

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<v Speaker 1>Pilm You just you just have nothing for him either.

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<v Speaker 2>Yeah, I don't think he's the most like a compelling actor.

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<v Speaker 1>Disagree. I don't think he's a good actor, but he's

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<v Speaker 1>compelling fair, he's not He's not great, but he is

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<v Speaker 1>charismatic to like tense degree.

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<v Speaker 2>Yes, that that that I agree with. Maybe I should

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<v Speaker 2>say I should say good as opposed to comp I

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<v Speaker 2>was trying to say it nicer. I don't think he's

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<v Speaker 2>a great actor. He's fine. He's not terrible at all,

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<v Speaker 2>but he's fine.

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<v Speaker 1>Okay.

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<v Speaker 2>Yeah, that's kind of my take on Jimmy Stewart.

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<v Speaker 1>It's so funny too, Like, so the movie is meant

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<v Speaker 1>to look like a play. Yeah, basically, like that's what

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<v Speaker 1>that said. Gets a gimmick that Hitchcock was going for,

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<v Speaker 1>and I think it works. It looks it doesn't feel

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<v Speaker 1>like you're watching a film.

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<v Speaker 2>Oh definitely, Yeah.

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<v Speaker 1>Quite a bit of it. It also like it takes place

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<v Speaker 1>in one location. It's extremely dialogue heavy. There's there's almost

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<v Speaker 1>no actual action in the movie.

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<v Speaker 2>Yeah, this is a bottle episode of a movie in the.

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<v Speaker 1>Story exactly like they could have filmed in other locations

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<v Speaker 1>if they wanted to, like let's go down to the garage,

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<v Speaker 1>but they didn't do that. They were like, let's lean

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<v Speaker 1>into the fact that we are filming a play. And

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<v Speaker 1>I really liked it. I think it works.

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<v Speaker 2>It also gives the air of like a pressure cooker,

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<v Speaker 2>which is what's happening, Like they can't escape this space.

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<v Speaker 2>It's no exit, but with homosexuals.

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<v Speaker 1>With more homoseexu Affair Rope has a ninety three percent

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<v Speaker 1>critical rating on Rotten Tomatoes and a ninety percent audience score.

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<v Speaker 1>I think that's fine.

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<v Speaker 2>I think it's fine. I think the movie watching it now,

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<v Speaker 2>it does come off as a little funny because the

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<v Speaker 2>performances are big, Like you mentioned this off mic that

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<v Speaker 2>they're almost pitched as if they were performing in the theater.

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<v Speaker 1>I feel like John Doll and Farley Granger were theater

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<v Speaker 1>actors and Jimmy Stewart is a movie actor, and you

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<v Speaker 1>can tell the difference. Yeah, because have you ever seen

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<v Speaker 1>a movie where Jimmy Stewart is giving the smallest performance?

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<v Speaker 2>No, visit the one.

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<v Speaker 1>I was like, man, how is Jimmy Stewart the most

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<v Speaker 1>subtle actor on my screen right now?

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<v Speaker 2>Yeah? Yeah, But I greatly enjoyed it, and it's it's

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<v Speaker 2>it's a lot of fun. Yeah. When did you first

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<v Speaker 2>see the movie, Erica?

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<v Speaker 1>I want to say I was probably in high school. Okay,

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<v Speaker 1>Paul's gonna make fun of me again. You know that thing,

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<v Speaker 1>that typical thing on a Sunday afternoon when you're seven

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<v Speaker 1>eight years old, PLoP yourself in front of the old

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<v Speaker 1>TV and watch her.

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<v Speaker 2>You get a hot mug of apple cider, and you

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<v Speaker 2>you make sure your bones are wrapped up in a

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<v Speaker 2>nice afgham.

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<v Speaker 1>So I went through a Hitchcock phase when I was

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<v Speaker 1>in high school. Apple sauce because your teeth hurt. That's right,

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<v Speaker 1>you have to take your dentures out to eat your food.

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<v Speaker 2>I went.

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<v Speaker 1>I think we talked about this in Psycho, I'm sure,

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<v Speaker 1>but I obviously love Alfred Hitchcock films, and I don't

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<v Speaker 1>remember the first one I saw. I think it was

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<v Speaker 1>probably Psycho or Rear Window. And so I went through

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<v Speaker 1>a phase where I was just watching all the Hitchcock

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<v Speaker 1>movies and obviously this is in there. Is it the

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<v Speaker 1>best Hitchcock movie? No, but it's you know, I'd make

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<v Speaker 1>it top ten. I would put it in the top

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<v Speaker 1>ten easily.

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<v Speaker 2>It's also just very like you can feel the experimentation

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<v Speaker 2>in it, like the fact that the long cuts like

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<v Speaker 2>that you can see the director trying to do something

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<v Speaker 2>interesting yep, and lots of times I don't like movies

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<v Speaker 2>where you can like feel the director's thumb. I kind

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<v Speaker 2>of feel like the director's job is to allow me

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<v Speaker 2>to fall into the story without feeling all the machinations

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<v Speaker 2>around it. But maybe because it's so much like theater,

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<v Speaker 2>which is so much less realistic than a movie is

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<v Speaker 2>meant to be or a movie can be, it didn't

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<v Speaker 2>bother me here, if that makes sense.

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<v Speaker 1>Yeah, absolutely so how about you? When did you first

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<v Speaker 1>see Rope?

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<v Speaker 2>I first saw it yesterday. This is not when I avoided.

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<v Speaker 2>This is not when I honestly hadn't heard about it.

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<v Speaker 1>Until it's a third tier or second tier Hitchcock. It's

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<v Speaker 1>not like when you think Hitchcock, you think of the Vertigo,

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<v Speaker 1>rear window, Psycho, north By Northwest, like the birds even

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<v Speaker 1>maybe and then this falls in. This falls in with

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<v Speaker 1>the other ones with notorious suspicion, like like you know,

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<v Speaker 1>Trouble with Harry, like those movies.

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<v Speaker 2>Yeah, and I had heard about it a lot. Is

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<v Speaker 2>just a queer cinema classic for lack of electorate, It

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<v Speaker 2>is definitely queer cinema. Alfred Hitchcock was, as we've discussed,

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<v Speaker 2>I believe it seemed to have an eye out for

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<v Speaker 2>the for the blonde ladies, for the blonde ladies, yes,

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<v Speaker 2>but also an interest I think in marginalized communities. I

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<v Speaker 2>think you know something there, So I like Arthur Laurence said,

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<v Speaker 2>like they knew that they were filmed. This was a

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<v Speaker 2>gay couple that was at the center of this story.

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<v Speaker 1>I'm not sure, but I think even when I was

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<v Speaker 1>a kid and I was watching this, I mean I

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<v Speaker 1>wasn't a kid kid, I was probably seventeen or whatever,

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<v Speaker 1>I was like, yeah, they're gay. Like I think, even

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<v Speaker 1>though it's not overtly experience.

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<v Speaker 2>Yeah, the only way I could think that you would

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<v Speaker 2>interpret this and not see them as gay would be

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<v Speaker 2>if you literally, I'm not even saying this to accuse

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<v Speaker 2>anyone of this, but like, if you don't view gay

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<v Speaker 2>relationships as a just a fundamental reality.

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<v Speaker 1>Of the world, as a possibility, as.

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<v Speaker 2>A possibility yet, like if you are either so sheltered

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<v Speaker 2>or whatever that you literally don't realize that a man

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<v Speaker 2>can be with a man.

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<v Speaker 1>Yeah, well it's also maybe you think because of the timeline,

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<v Speaker 1>you're like that wouldn't possibly be allowed, and like, but

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<v Speaker 1>it can be.

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<v Speaker 2>Erica. The tagline for Rope was the guest to Who's

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<v Speaker 2>dead on time? Oh? I like that. That's good.

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<v Speaker 1>It's wordplay.

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<v Speaker 2>Yeah, it's it's wordplay and it's pithy. That is six words,

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<v Speaker 2>done that, and it tells you.

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<v Speaker 1>Everything work with that hemingway.

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<v Speaker 2>Yeah, no one got paid by the word here.

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<v Speaker 1>Charles Dickens, Shall I read the synopsis?

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<v Speaker 2>Please deal?

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<v Speaker 1>James Stewart, Farley Granger, and John Dall star in this

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<v Speaker 1>Macabres spellbinder, which was inspired by a real life case of.

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<v Speaker 2>Murder murder, most foul.

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<v Speaker 1>Two thrill seeking friends Granger and Doll friends friends, quote unquote.

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<v Speaker 2>Friends, sisters, We're close, close.

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<v Speaker 1>Strangle a classmate and then hold a party for their victims,

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<v Speaker 1>family and friends, serving refreshments on a buffet table fashioned

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<v Speaker 1>from a trunk containing the lifeless body. When dinner conversation

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<v Speaker 1>revolves around talk of quote unquote, the perfect murder, their

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<v Speaker 1>former teacher, Jimmy Stewart, becomes increasingly suspicious that his students

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<v Speaker 1>have turned his intellectual theories into brutal reality.

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<v Speaker 3>Mm.

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<v Speaker 1>Excellent, that's good. Excellent, excellent, excellent. Paul, do you have

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<v Speaker 1>an actual synopsis for Rope?

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<v Speaker 2>Yes, I'm glad you asked, Erica. The actual synopsis for

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<v Speaker 2>Rope is two fancy boys attempt to plan the perfect murder,

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00:18:23.400 --> 00:18:29.119
<v Speaker 2>but they can't stop stepping on Rakes. I have to say,

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<v Speaker 2>when I first watched it, I was expecting something really

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<v Speaker 2>tense and really gripping, kind of in the way that

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<v Speaker 2>Psycho is. And the fact of the matter is these

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<v Speaker 2>two Jabbronis are terrible at this.

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<v Speaker 1>You know, they're so bad at crime that they should

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<v Speaker 1>like this is embarrassing. I'm embarrassed for book.

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<v Speaker 2>This is not their calling. This is not their calling.

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<v Speaker 2>John Dahl should be playing a gossip columnist that everybody hates,

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<v Speaker 2>and Farley Granger should just go be aiano player like

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00:19:00.720 --> 00:19:03.240
<v Speaker 2>that actually is his calling. Quietly sit in the corner

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00:19:03.400 --> 00:19:05.799
<v Speaker 2>by the piano. That's where they would be happy.

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00:19:06.599 --> 00:19:09.000
<v Speaker 1>I mean, I feel bad that they it went so

404
00:19:09.079 --> 00:19:10.720
<v Speaker 1>wrong the first time because they're never going to get

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00:19:10.759 --> 00:19:12.960
<v Speaker 1>a second shot at crime now, that's right, they're going

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<v Speaker 1>away for life. By the way, just a heads up,

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00:19:15.960 --> 00:19:19.640
<v Speaker 1>this is based loosely on Leopold and Loeb right, very loosely,

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00:19:19.839 --> 00:19:22.640
<v Speaker 1>very very loosely. But if you if you're curious about that,

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00:19:22.640 --> 00:19:24.880
<v Speaker 1>because I know it was brought up earlier, just google it.

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00:19:24.880 --> 00:19:26.240
<v Speaker 1>It's kind of a bummer of a story.

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<v Speaker 2>Yeah, I and yeah, if you don't know, maybe enjoy

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00:19:29.680 --> 00:19:31.559
<v Speaker 2>your ignorance. It's not a happy tale.

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<v Speaker 1>They were gay too, though, right they were Oh okay, so.

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<v Speaker 2>Well they were lovers. I don't know they were.

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00:19:36.480 --> 00:19:39.440
<v Speaker 1>Well, this is true, just because you never know, you

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00:19:39.480 --> 00:19:41.480
<v Speaker 1>never never know. It does make a little bit of

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<v Speaker 1>sense that the play from the jump has them as

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<v Speaker 1>lovers totally, because you know what, finally we have real

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<v Speaker 1>representation when you can show queer people being terrible.

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<v Speaker 2>Look, we cannot forget that gay people can be assholes.

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<v Speaker 1>Gay people can be bad at things too, including crime.

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<v Speaker 2>Including crime. They can be nasty bitches, and we have

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<v Speaker 2>to remember that even though they deserve equal rights. But

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<v Speaker 2>that doesn't mean they're good people.

425
00:20:07.559 --> 00:20:09.319
<v Speaker 1>Yeah, they're equally terrible.

426
00:20:09.279 --> 00:20:14.319
<v Speaker 2>From all of us. All right, everyone stick around. If

427
00:20:14.359 --> 00:20:16.680
<v Speaker 2>you are a patron, you can you're just gonna slide

428
00:20:16.759 --> 00:20:18.519
<v Speaker 2>right into the next section of the podcast. But if

429
00:20:18.559 --> 00:20:20.480
<v Speaker 2>you're not, you're gonna hear a couple of ads. If

430
00:20:20.480 --> 00:20:21.880
<v Speaker 2>you don't want to hear those ads, you can join

431
00:20:21.920 --> 00:20:24.200
<v Speaker 2>our Patreon at the three, five or ten dollars dollar

432
00:20:24.319 --> 00:20:27.720
<v Speaker 2>level and you won't have to hear them. Everyone, just

433
00:20:27.720 --> 00:20:29.480
<v Speaker 2>stick around. We're gonna come right back, and we're gonna

434
00:20:29.480 --> 00:20:42.559
<v Speaker 2>take you through rope and we're back We open with

435
00:20:42.640 --> 00:20:46.240
<v Speaker 2>a shot on a Manhattan street far below, and the

436
00:20:46.279 --> 00:20:48.400
<v Speaker 2>camera starts to pan and we realize that we're on

437
00:20:48.440 --> 00:20:51.200
<v Speaker 2>the roof of a building. And suddenly we hear a

438
00:20:51.279 --> 00:20:54.640
<v Speaker 2>scream ring out and the camera finds the covered windows

439
00:20:54.640 --> 00:20:57.680
<v Speaker 2>of a penthouse apartment. We cut inside to witness the

440
00:20:57.680 --> 00:21:01.839
<v Speaker 2>final moments of young David Kent as he strangled to

441
00:21:01.920 --> 00:21:04.240
<v Speaker 2>death with a rope by two of his former prep

442
00:21:04.279 --> 00:21:08.680
<v Speaker 2>school classmates, Brandon Shaw played by John dol and Philip

443
00:21:08.720 --> 00:21:12.759
<v Speaker 2>Morgan played by Farley Granger. Twas Philip and Brandon in

444
00:21:12.799 --> 00:21:17.480
<v Speaker 2>the penthouse with a rope, the titular rope. Yeah you will,

445
00:21:17.720 --> 00:21:21.839
<v Speaker 2>thank you. As Philip twists the rope, Brandon checks for

446
00:21:21.880 --> 00:21:26.200
<v Speaker 2>a heartbeat and feels none. David collapses and the two

447
00:21:26.440 --> 00:21:29.640
<v Speaker 2>load his body into a large antique wooden chest a

448
00:21:29.759 --> 00:21:33.559
<v Speaker 2>casone if you Will, in the center of their living

449
00:21:33.599 --> 00:21:36.359
<v Speaker 2>room slash crime scene. One of my favorite little things

450
00:21:36.359 --> 00:21:39.880
<v Speaker 2>about this movie is that it's a play, right, so

451
00:21:39.920 --> 00:21:44.200
<v Speaker 2>it's a fourth wall situation, but it seems like that

452
00:21:45.000 --> 00:21:47.839
<v Speaker 2>chest is just sitting like in the center of their

453
00:21:47.839 --> 00:21:48.359
<v Speaker 2>living room.

454
00:21:48.759 --> 00:21:53.480
<v Speaker 1>Yeah, it's against the wall at all, because people, I think, no,

455
00:21:53.480 --> 00:21:54.400
<v Speaker 1>no one crosses, no.

456
00:21:54.319 --> 00:21:55.559
<v Speaker 2>One crosses in front of it.

457
00:21:55.519 --> 00:21:57.640
<v Speaker 1>But the way it feels like you could And.

458
00:21:57.559 --> 00:22:01.039
<v Speaker 2>There's one long shot where it's held very tightly and

459
00:22:01.039 --> 00:22:04.400
<v Speaker 2>it's kind of looking past it and you can see

460
00:22:04.400 --> 00:22:07.240
<v Speaker 2>that the room continues. Yeah, so it's not there's not

461
00:22:07.279 --> 00:22:09.599
<v Speaker 2>a fourth wall there. It's not leaning up against the wall.

462
00:22:09.640 --> 00:22:13.640
<v Speaker 1>It's a loft apartment, huge space, but a giant credenza

463
00:22:13.759 --> 00:22:16.880
<v Speaker 1>in the middle of the I think anthropology Cellsy's. Actually

464
00:22:16.960 --> 00:22:19.160
<v Speaker 1>they probably give buy it with or without David Kentley's

465
00:22:19.160 --> 00:22:19.920
<v Speaker 1>body inside.

466
00:22:19.960 --> 00:22:22.519
<v Speaker 2>I frankly expect better decor from my fancy boys.

467
00:22:23.720 --> 00:22:24.440
<v Speaker 1>It is ugly.

468
00:22:24.559 --> 00:22:25.039
<v Speaker 2>It's ugly.

469
00:22:25.119 --> 00:22:27.160
<v Speaker 1>It's maybe look, maybe it's an antique.

470
00:22:27.480 --> 00:22:29.279
<v Speaker 2>Sure, you know he does say found it while he

471
00:22:29.319 --> 00:22:30.200
<v Speaker 2>was antique in Italy.

472
00:22:30.359 --> 00:22:32.400
<v Speaker 1>You know, you know how the sissies love antique.

473
00:22:36.759 --> 00:22:38.839
<v Speaker 2>If you have it, if you have an antique shop

474
00:22:38.839 --> 00:22:41.000
<v Speaker 2>and a Nancy is inside of it, it's actually not

475
00:22:41.000 --> 00:22:41.559
<v Speaker 2>an antique shop.

476
00:22:41.599 --> 00:22:42.559
<v Speaker 1>It's not even an antique shop.

477
00:22:42.599 --> 00:22:43.279
<v Speaker 2>You need one of us.

478
00:22:44.920 --> 00:22:47.680
<v Speaker 1>Okay, So you asked me earlier, what's the most overtly

479
00:22:47.720 --> 00:22:50.039
<v Speaker 1>homosexual moment in the movie. I am telling you this.

480
00:22:50.599 --> 00:22:54.079
<v Speaker 1>The look of ecstasy on their faces, even the look

481
00:22:54.119 --> 00:22:56.519
<v Speaker 1>of ecstasy on David the victim's face.

482
00:22:56.559 --> 00:22:59.319
<v Speaker 2>Oh you think it's an autoerotic asphyxiation. No, I don't.

483
00:22:59.359 --> 00:23:02.640
<v Speaker 1>I really really don't. Although I'm sure Hitchcock knew his

484
00:23:02.680 --> 00:23:06.240
<v Speaker 1>way around that too, I wouldn't be surprised. But it's

485
00:23:06.319 --> 00:23:11.240
<v Speaker 1>almost like an act of like sexual arousal gone crazy.

486
00:23:11.559 --> 00:23:13.200
<v Speaker 2>Ah okay, I think.

487
00:23:13.039 --> 00:23:15.200
<v Speaker 1>There's something there. I don't know if I'm making it up,

488
00:23:15.200 --> 00:23:17.680
<v Speaker 1>but I feel like less so Philip. But Brandon and

489
00:23:17.759 --> 00:23:21.920
<v Speaker 1>David look like they are in a moment of ecstasy.

490
00:23:21.640 --> 00:23:22.799
<v Speaker 2>Like they're coming locked.

491
00:23:23.359 --> 00:23:28.480
<v Speaker 1>I'm being classic, I'm not, and they're shooting ropes, and

492
00:23:35.079 --> 00:23:38.920
<v Speaker 1>so to me, it's so funny. Like again, seventeen year

493
00:23:38.920 --> 00:23:39.640
<v Speaker 1>old me is like.

494
00:23:40.200 --> 00:23:42.000
<v Speaker 2>Huh huh, that's interesting.

495
00:23:42.039 --> 00:23:43.720
<v Speaker 1>I'm picking up on some I'm picking up on a

496
00:23:43.799 --> 00:23:44.720
<v Speaker 1>vibe here, you guys.

497
00:23:45.039 --> 00:23:48.000
<v Speaker 2>Wow, Okay, because you definitely get it from Brandon. Like

498
00:23:48.359 --> 00:23:52.079
<v Speaker 2>Brandon spends the majority of this movie painfully erect, Like

499
00:23:52.119 --> 00:23:52.759
<v Speaker 2>he should.

500
00:23:52.559 --> 00:23:55.519
<v Speaker 1>Call a doctor into that his erection has lasted more

501
00:23:55.519 --> 00:23:56.119
<v Speaker 1>than four hours.

502
00:23:56.160 --> 00:24:00.200
<v Speaker 2>Yeah, he has to contact his PCP immediately. But like,

503
00:24:00.240 --> 00:24:03.440
<v Speaker 2>I didn't get that from I mean, I didn't really

504
00:24:03.480 --> 00:24:05.599
<v Speaker 2>look at deep not out of To be clear, this

505
00:24:05.680 --> 00:24:07.920
<v Speaker 2>is not gory. It's not realistic looking, like it's not

506
00:24:08.519 --> 00:24:09.720
<v Speaker 2>it's not scary, it's.

507
00:24:09.599 --> 00:24:12.119
<v Speaker 1>So unrealistic looking that I swear to god, David looks

508
00:24:12.160 --> 00:24:15.279
<v Speaker 1>alive until the moment he like he falls limp.

509
00:24:15.279 --> 00:24:18.359
<v Speaker 2>He's like, oh yeah, yeah. But I didn't get that

510
00:24:18.440 --> 00:24:22.559
<v Speaker 2>so much from Philip, who is who looks almost horrified

511
00:24:22.960 --> 00:24:25.839
<v Speaker 2>while he's doing it, like he can't.

512
00:24:24.680 --> 00:24:31.039
<v Speaker 1>If you don't look horrified, are you even doing it right?

513
00:24:31.319 --> 00:24:32.799
<v Speaker 2>Why else do you keep the lights out?

514
00:24:34.359 --> 00:24:38.160
<v Speaker 1>If you don't look deeply ashamed, then what are we

515
00:24:38.200 --> 00:24:38.920
<v Speaker 1>even doing here?

516
00:24:39.440 --> 00:24:41.440
<v Speaker 2>Oh that's really interesting. I'm going to think about that

517
00:24:41.480 --> 00:24:43.359
<v Speaker 2>as we as we chatt.

518
00:24:43.799 --> 00:24:46.480
<v Speaker 1>I mean, there are others, for sure, but I get

519
00:24:46.480 --> 00:24:50.000
<v Speaker 1>there's something about this opening tableau that just screams sure

520
00:24:50.240 --> 00:24:53.359
<v Speaker 1>eroticism in a way that it's not supposed to be,

521
00:24:53.680 --> 00:24:55.799
<v Speaker 1>like like you know, like an old painting of a

522
00:24:55.839 --> 00:24:59.200
<v Speaker 1>fucking like saint being like torture. You always have this

523
00:24:59.240 --> 00:25:01.400
<v Speaker 1>look of face on their face like they're coming yeah,

524
00:25:01.440 --> 00:25:03.799
<v Speaker 1>and it's like the ecstasy of Saint Aloysius or.

525
00:25:03.799 --> 00:25:07.000
<v Speaker 2>Whatever it's it's it's uh, it's Margaret White and Carrie one.

526
00:25:07.000 --> 00:25:09.799
<v Speaker 1>Hundred and so it has that. And so I got that,

527
00:25:09.880 --> 00:25:10.440
<v Speaker 1>like kind of.

528
00:25:10.920 --> 00:25:14.039
<v Speaker 2>David came for a petite more and he got a big, more, deeply.

529
00:25:13.920 --> 00:25:16.200
<v Speaker 1>Catholic take on all of this nonsense.

530
00:25:16.240 --> 00:25:18.319
<v Speaker 2>Gotcha, gotcha.

531
00:25:18.480 --> 00:25:24.319
<v Speaker 1>In the immediate aftermath of the murder murder, a division

532
00:25:24.400 --> 00:25:28.359
<v Speaker 1>between the two immediately shows Brandon is exhilarated. He lights

533
00:25:28.400 --> 00:25:29.519
<v Speaker 1>up a cigarette again.

534
00:25:29.440 --> 00:25:35.039
<v Speaker 2>I mean again, I one on Brandon, brash.

535
00:25:34.720 --> 00:25:37.680
<v Speaker 4>Brandon, he lights a cigarette. He's like, oh, I've never

536
00:25:37.680 --> 00:25:41.480
<v Speaker 4>felt so Alie. Yeah, Philip is anxious. He's like, can

537
00:25:41.559 --> 00:25:43.400
<v Speaker 4>can can we stay hidden in the dark for a

538
00:25:43.400 --> 00:25:45.799
<v Speaker 4>few more minutes because Brandon wants to open the windows

539
00:25:45.880 --> 00:25:48.480
<v Speaker 4>right away, and Brandon gives him a moment, and then

540
00:25:48.480 --> 00:25:51.880
<v Speaker 4>he opens the penthouse curtains, letting the sunshine in this

541
00:25:51.960 --> 00:25:52.920
<v Speaker 4>set is stunning.

542
00:25:53.240 --> 00:25:55.519
<v Speaker 1>It's not real. I understand, it's not even filmed in

543
00:25:55.559 --> 00:25:58.000
<v Speaker 1>New York now till my brain just went, oh, I

544
00:25:58.039 --> 00:25:58.880
<v Speaker 1>want that apartment.

545
00:25:59.200 --> 00:26:02.319
<v Speaker 2>There's such a painted backdrop. Because the clouds don't move

546
00:26:02.359 --> 00:26:03.119
<v Speaker 2>the entire.

547
00:26:02.920 --> 00:26:05.279
<v Speaker 1>Time, the clouds that move, the buildings are not where

548
00:26:05.279 --> 00:26:07.559
<v Speaker 1>they're supposed to be. The Empire State Building is not

549
00:26:07.799 --> 00:26:12.079
<v Speaker 1>in the right place, and I'm like, I don't care.

550
00:26:12.759 --> 00:26:14.880
<v Speaker 1>Brandon goes on to talk about how they should make

551
00:26:15.039 --> 00:26:17.319
<v Speaker 1>the glass that David took his last drink from a

552
00:26:17.400 --> 00:26:20.240
<v Speaker 1>museum piece. I guess if you're going to commit a murder,

553
00:26:20.240 --> 00:26:21.359
<v Speaker 1>be excited about it.

554
00:26:21.440 --> 00:26:23.519
<v Speaker 2>I didn't think I could nut again this quickly, But

555
00:26:23.559 --> 00:26:25.559
<v Speaker 2>here I am nutting in my pants.

556
00:26:27.319 --> 00:26:31.640
<v Speaker 1>Two nut boys. I'm gonna invent newgates Lang today, nut

557
00:26:31.640 --> 00:26:34.599
<v Speaker 1>boys works. Two nut boys. These two, these two nut boys,

558
00:26:34.599 --> 00:26:40.279
<v Speaker 1>these Macadamias are out here committing murders. But like, you know,

559
00:26:40.440 --> 00:26:42.720
<v Speaker 1>it would be insulting if you murdered me and weren't

560
00:26:42.759 --> 00:26:46.680
<v Speaker 1>and weren't like this, This is the last soda Erica drank.

561
00:26:46.880 --> 00:26:49.799
<v Speaker 2>Yeah, I bet I better not fucking be an incidental murder.

562
00:26:49.880 --> 00:26:54.960
<v Speaker 1>Yeah, okay, this is Paul's last toothpick. You can still

563
00:26:55.000 --> 00:26:57.519
<v Speaker 1>see the food he picked out of his teeth with it.

564
00:26:57.799 --> 00:27:00.720
<v Speaker 1>There's a great line here where where He's like, this

565
00:27:00.759 --> 00:27:02.559
<v Speaker 1>is his last whiskey glass, and Brandon's like it was

566
00:27:02.559 --> 00:27:05.039
<v Speaker 1>out of character for Javid to drink whiskey. It's almost

567
00:27:05.079 --> 00:27:07.160
<v Speaker 1>as if he knew, and then Philip just chimes in

568
00:27:07.200 --> 00:27:09.039
<v Speaker 1>with was also out of character for him to be

569
00:27:09.119 --> 00:27:12.000
<v Speaker 1>murdered too. Best line in the movie.

570
00:27:11.960 --> 00:27:13.279
<v Speaker 2>Philip's a real Debbie Downer.

571
00:27:13.480 --> 00:27:15.920
<v Speaker 1>The best line in the movie is wasted in the

572
00:27:15.960 --> 00:27:20.759
<v Speaker 1>first minute. It's excellent. Yeah, he really has a you mind.

573
00:27:20.799 --> 00:27:22.319
<v Speaker 1>I'm trying to enjoy my murder here.

574
00:27:23.119 --> 00:27:27.440
<v Speaker 2>So Philip can basically only stare at the makeshift coffin

575
00:27:27.480 --> 00:27:29.599
<v Speaker 2>in the center of their room. He laments that the

576
00:27:29.680 --> 00:27:31.839
<v Speaker 2>lock on the chest doesn't work. He wishes they had

577
00:27:31.920 --> 00:27:36.880
<v Speaker 2>chosen a different victim. Okay, so these performances are big. Yeah,

578
00:27:36.920 --> 00:27:40.160
<v Speaker 2>I don't think they're bad. I think they're big. I

579
00:27:40.240 --> 00:27:43.000
<v Speaker 2>prefer the Philip performance because I think he kind of

580
00:27:43.079 --> 00:27:48.839
<v Speaker 2>like finds a slightly different mode the branded performance. John

581
00:27:48.880 --> 00:27:53.480
<v Speaker 2>Doll is playing so evil. It is doctor Doom at

582
00:27:53.480 --> 00:27:57.480
<v Speaker 2>all time. He is ready to like Monola is Magneto

583
00:27:57.880 --> 00:28:01.720
<v Speaker 2>like like it is, it's Miranda Priestley. It is comic

584
00:28:01.720 --> 00:28:05.680
<v Speaker 2>book super villain level of evil. He's so happy. And

585
00:28:05.880 --> 00:28:08.640
<v Speaker 2>John Dahl has resting villain face like he just has.

586
00:28:08.759 --> 00:28:11.680
<v Speaker 2>He has those high arched yeah, and he looks the

587
00:28:11.680 --> 00:28:15.640
<v Speaker 2>part and he is so delighted in himself. Yeah, it's fun.

588
00:28:16.039 --> 00:28:17.960
<v Speaker 1>I think before we started, I knew you hadn't seen

589
00:28:17.960 --> 00:28:20.920
<v Speaker 1>the movie before, so I was like, Farley Granger Warning

590
00:28:21.000 --> 00:28:23.880
<v Speaker 1>gives a terrible performance. And then I watched it again

591
00:28:23.920 --> 00:28:26.880
<v Speaker 1>this week. I watched this movie recently. I probably watched

592
00:28:26.880 --> 00:28:28.960
<v Speaker 1>it maybe six eight months ago or something like that,

593
00:28:29.440 --> 00:28:32.079
<v Speaker 1>and I just remembered Farley Granger not being good in it,

594
00:28:32.119 --> 00:28:34.440
<v Speaker 1>And then I watched it again, like yesterday for this

595
00:28:34.599 --> 00:28:38.480
<v Speaker 1>and I was like, I'm wrong. He's jarringly over the

596
00:28:38.519 --> 00:28:40.359
<v Speaker 1>top in the first five minutes of the movie. But

597
00:28:40.400 --> 00:28:43.079
<v Speaker 1>then I feel like he finds a rhythm because I

598
00:28:43.079 --> 00:28:45.599
<v Speaker 1>think as a consequence of the style in which it's filmed,

599
00:28:45.640 --> 00:28:48.880
<v Speaker 1>it's filmed in order, and so I think he settles

600
00:28:48.880 --> 00:28:51.079
<v Speaker 1>into the performance. It's almost like it really is a

601
00:28:51.160 --> 00:28:54.680
<v Speaker 1>theatrical performance they're giving, and so he's pitched it like

602
00:28:54.720 --> 00:28:57.079
<v Speaker 1>the cheap seats for the first minutes of the movie,

603
00:28:57.359 --> 00:28:59.480
<v Speaker 1>and then he pulls it back. I don't know. I'm

604
00:28:59.519 --> 00:29:01.799
<v Speaker 1>not a hundred percent on John Dahl, but I know

605
00:29:01.839 --> 00:29:05.000
<v Speaker 1>Farley Granger came from theater. Yeah, so it was is

606
00:29:05.039 --> 00:29:07.000
<v Speaker 1>shocking because he's so beautiful. I'm like, you have a

607
00:29:07.000 --> 00:29:07.680
<v Speaker 1>face for movies.

608
00:29:07.720 --> 00:29:09.279
<v Speaker 2>Yeah, what are you doing? He's gorgeous?

609
00:29:09.279 --> 00:29:12.359
<v Speaker 1>Are you wasting your time in the theater? But I

610
00:29:12.400 --> 00:29:14.839
<v Speaker 1>agree with you. I think he gives an excellent performance.

611
00:29:14.920 --> 00:29:18.559
<v Speaker 1>I remembered it wrong. I remembered it as like terrible,

612
00:29:18.640 --> 00:29:20.480
<v Speaker 1>and I'm like, no, it's actually quite good.

613
00:29:20.640 --> 00:29:22.880
<v Speaker 2>Yeah, all right, So Philip laments he wishes they had

614
00:29:22.920 --> 00:29:26.400
<v Speaker 2>chosen different victim, and Brandon sneers, and Phillip says, maybe

615
00:29:26.400 --> 00:29:29.200
<v Speaker 2>it should have been you, Brandon, and the look on

616
00:29:29.319 --> 00:29:33.599
<v Speaker 2>Brandon's face it makes him back off this position immediately.

617
00:29:35.079 --> 00:29:38.519
<v Speaker 2>He stammers an apology. He protests that he was always

618
00:29:38.559 --> 00:29:41.839
<v Speaker 2>scared of Brandon, even when they first met in prep school,

619
00:29:42.240 --> 00:29:44.160
<v Speaker 2>and he asks if he can have a drink. He

620
00:29:44.200 --> 00:29:47.440
<v Speaker 2>asks permission to have a drink from Brandon, and Brandon says,

621
00:29:47.599 --> 00:29:50.720
<v Speaker 2>by all means this is an occasion it calls for champagne.

622
00:29:50.839 --> 00:29:53.400
<v Speaker 1>Wit way. This is their shared apartment. Yeah, it makes

623
00:29:53.440 --> 00:29:55.160
<v Speaker 1>it very clear from the beginning these two are quote

624
00:29:55.200 --> 00:29:56.599
<v Speaker 1>unquote their roommates, Paul.

625
00:29:56.359 --> 00:29:58.839
<v Speaker 2>Their roommates, their roommates. They are roomies.

626
00:29:59.000 --> 00:30:02.839
<v Speaker 1>There are roomies the one bedroom apartment. But like it's

627
00:30:02.839 --> 00:30:05.039
<v Speaker 1>so in his own apartment. He's like, may I have

628
00:30:05.079 --> 00:30:05.920
<v Speaker 1>a cocktail please?

629
00:30:06.000 --> 00:30:09.000
<v Speaker 2>Yeah.

630
00:30:09.039 --> 00:30:11.160
<v Speaker 1>The two of them head into the kitchen to retrieve

631
00:30:11.160 --> 00:30:14.000
<v Speaker 1>a bottle, and the camera follows them. I love the

632
00:30:14.039 --> 00:30:16.920
<v Speaker 1>camera work in this. Its like you can they don't

633
00:30:16.920 --> 00:30:19.160
<v Speaker 1>have steady cams back then. You can literally see it

634
00:30:19.200 --> 00:30:20.960
<v Speaker 1>bounce a little bit as the camera guy has to

635
00:30:21.000 --> 00:30:24.359
<v Speaker 1>like move it across the track. Brandon wax is on

636
00:30:24.440 --> 00:30:26.799
<v Speaker 1>about he always wished for a more artistic talent, the

637
00:30:26.799 --> 00:30:29.640
<v Speaker 1>way the way Philip has later Philip is a great

638
00:30:29.759 --> 00:30:33.960
<v Speaker 1>classical pianist. Right, he's a real pianist. I knew that

639
00:30:33.960 --> 00:30:36.319
<v Speaker 1>would make you laugh. I knew it. It's so dumb,

640
00:30:36.640 --> 00:30:40.079
<v Speaker 1>It's so dumb. Is that another euphemism for gay?

641
00:30:40.200 --> 00:30:42.319
<v Speaker 2>Is there a real pianist.

642
00:30:42.039 --> 00:30:47.640
<v Speaker 1>A classical pianist, Yeah, classical classical pianist. If you're by

643
00:30:47.799 --> 00:30:48.960
<v Speaker 1>you're a jazz pianist.

644
00:30:50.480 --> 00:30:52.599
<v Speaker 2>Which way it's gonna go? Aventure?

645
00:30:52.920 --> 00:30:54.240
<v Speaker 1>It uses all of the notes.

646
00:30:54.079 --> 00:30:57.799
<v Speaker 2>Yes, right at the same time. So he says, if

647
00:30:57.799 --> 00:31:07.759
<v Speaker 2>you're straight, vagina.

648
00:31:07.440 --> 00:31:14.720
<v Speaker 1>If you're straight, you're a kazoo. You just have one note.

649
00:31:14.759 --> 00:31:15.359
<v Speaker 2>Not so.

650
00:31:16.000 --> 00:31:18.279
<v Speaker 1>Brandon's like, I wish I'd always had a more artistic talent.

651
00:31:18.319 --> 00:31:20.640
<v Speaker 1>But maybe this is it. Maybe my my talent for

652
00:31:20.759 --> 00:31:23.519
<v Speaker 1>killing is just as satisfying as a talent for creating.

653
00:31:23.920 --> 00:31:26.119
<v Speaker 1>It's basically the same thing. It's like I gave birth

654
00:31:26.119 --> 00:31:27.440
<v Speaker 1>to David, but in reverse.

655
00:31:29.400 --> 00:31:36.960
<v Speaker 2>Okay, surege Anne spinning. Brandon is a sociopath and so entertaining,

656
00:31:37.160 --> 00:31:41.279
<v Speaker 2>a completely unrepentant sociopath in every way.

657
00:31:41.160 --> 00:31:45.000
<v Speaker 1>In every way, and so bad at it. That's that's

658
00:31:45.079 --> 00:31:48.599
<v Speaker 1>why it's funny. He would be terrifying if he was

659
00:31:48.640 --> 00:31:51.759
<v Speaker 1>good at it, if he was, but he's bad at it.

660
00:31:51.839 --> 00:31:53.599
<v Speaker 2>I was, we were talking. I was like, if they

661
00:31:53.720 --> 00:31:57.720
<v Speaker 2>pitched these performances down, the movie could get really scared.

662
00:31:57.759 --> 00:32:01.559
<v Speaker 2>What happens in this movie is horror, Like, like, ye,

663
00:32:01.640 --> 00:32:03.319
<v Speaker 2>what the plans?

664
00:32:03.480 --> 00:32:05.200
<v Speaker 1>They actually do an.

665
00:32:05.039 --> 00:32:10.039
<v Speaker 2>Act absolutely stomach churningly horrifying. And I don't know if

666
00:32:10.039 --> 00:32:12.160
<v Speaker 2>this is maybe a consequence of the style or the

667
00:32:12.160 --> 00:32:15.119
<v Speaker 2>performances or certain choices being made. If they took these

668
00:32:15.200 --> 00:32:18.519
<v Speaker 2>down and made these two good at crime and good

669
00:32:18.559 --> 00:32:20.640
<v Speaker 2>at covering this up, they would be two of the

670
00:32:20.640 --> 00:32:23.240
<v Speaker 2>most terrifying characters ever put on screen. Yeah.

671
00:32:23.319 --> 00:32:25.319
<v Speaker 1>I would have loved to have seen Hitchcock do a

672
00:32:25.359 --> 00:32:27.680
<v Speaker 1>second version of this without the gimmick of the one

673
00:32:27.720 --> 00:32:30.559
<v Speaker 1>shot where he actually uses cuts and he gets in

674
00:32:30.640 --> 00:32:33.319
<v Speaker 1>close ups and like, really he does use close ups here,

675
00:32:33.319 --> 00:32:37.079
<v Speaker 1>but like using all your usual tricks of the trade,

676
00:32:37.559 --> 00:32:40.119
<v Speaker 1>like not hamstringing himself with this. Again, I like that

677
00:32:40.160 --> 00:32:41.839
<v Speaker 1>it's filmed this way, but I think you're right I

678
00:32:41.839 --> 00:32:44.960
<v Speaker 1>think it's a different movie if they're given an opportunity

679
00:32:45.000 --> 00:32:46.119
<v Speaker 1>to play small.

680
00:32:45.960 --> 00:32:48.559
<v Speaker 2>And to be good, to be good at crime. Yeah,

681
00:32:48.599 --> 00:32:51.079
<v Speaker 2>but like, I wouldn't be against a remake of this

682
00:32:51.119 --> 00:32:53.640
<v Speaker 2>movie with a really strong different take on it. To

683
00:32:53.720 --> 00:32:55.480
<v Speaker 2>make these two.

684
00:32:55.640 --> 00:33:00.200
<v Speaker 1>Good lesbians, I want lesbian Oh my god, and.

685
00:33:00.319 --> 00:33:02.759
<v Speaker 2>Stuart and Sarah Paulson.

686
00:33:03.400 --> 00:33:06.680
<v Speaker 1>Oh no, Sarah Paulson has to play the Jimmy Stewart part.

687
00:33:07.000 --> 00:33:07.640
<v Speaker 2>Oh, that's right.

688
00:33:07.640 --> 00:33:09.720
<v Speaker 1>She would be she would be amazing in the Jimmy

689
00:33:09.720 --> 00:33:10.240
<v Speaker 1>Stewart part.

690
00:33:10.319 --> 00:33:11.680
<v Speaker 2>Yeah. Yeah, you're right, you're right.

691
00:33:11.839 --> 00:33:16.319
<v Speaker 1>Ariana Debo's perfect. And Kristin Stewart uh huh. It's the

692
00:33:16.359 --> 00:33:18.200
<v Speaker 1>problem with the David role as there's no you don't

693
00:33:18.200 --> 00:33:20.039
<v Speaker 1>get a line. But I think you could have really

694
00:33:20.079 --> 00:33:21.200
<v Speaker 1>fun stunt casting here.

695
00:33:21.279 --> 00:33:22.640
<v Speaker 2>Yeah they kill Drew Barrymore.

696
00:33:24.960 --> 00:33:27.440
<v Speaker 1>Yeah, I think you could you get really fun stunt

697
00:33:27.480 --> 00:33:29.279
<v Speaker 1>casting here. They killed Rene.

698
00:33:29.000 --> 00:33:31.079
<v Speaker 2>Rap Yeah, something like that.

699
00:33:31.839 --> 00:33:35.839
<v Speaker 1>An all lesbian production, yeah, of rope, Please God make

700
00:33:35.920 --> 00:33:38.119
<v Speaker 1>this happen. Please. I don't ask for much.

701
00:33:38.400 --> 00:33:38.759
<v Speaker 2>I don't.

702
00:33:38.880 --> 00:33:41.400
<v Speaker 1>I really don't, I really don't. But but I want

703
00:33:41.400 --> 00:33:44.680
<v Speaker 1>an all female just a gender swapped rope, yes, but

704
00:33:44.799 --> 00:33:48.000
<v Speaker 1>also actually queer actresses in every role.

705
00:33:48.079 --> 00:33:50.319
<v Speaker 2>Give it to Luca Guadanino or something like or give

706
00:33:50.359 --> 00:33:53.559
<v Speaker 2>it to Brian fall Yes, yeah, it would be the

707
00:33:53.559 --> 00:33:55.119
<v Speaker 2>most fucked up thing you ever saw.

708
00:33:55.240 --> 00:33:59.079
<v Speaker 1>Give it. Give it to Lisa Chilladenko. Sure, get her,

709
00:33:59.200 --> 00:34:02.079
<v Speaker 1>get her filthy omits on this. I want I want

710
00:34:02.079 --> 00:34:02.519
<v Speaker 1>to see it.

711
00:34:02.640 --> 00:34:03.759
<v Speaker 2>I want to see it.

712
00:34:04.279 --> 00:34:06.759
<v Speaker 1>You know what, I'm breaking my rule. If Kate Blanchette

713
00:34:06.759 --> 00:34:07.799
<v Speaker 1>wants to be in it, she's allowed.

714
00:34:07.920 --> 00:34:09.719
<v Speaker 2>Kate Blanchett is always allowed to be in it.

715
00:34:09.840 --> 00:34:11.679
<v Speaker 1>Always a looved she is an honorary lesbian.

716
00:34:11.880 --> 00:34:15.480
<v Speaker 2>Yeah, so we're about to hit Erica. My favorite gay implication,

717
00:34:15.599 --> 00:34:19.679
<v Speaker 2>homosexual implication of the movie. They get the champagne bottle

718
00:34:20.119 --> 00:34:21.880
<v Speaker 2>and they're just standing and because of the way it's

719
00:34:21.880 --> 00:34:24.239
<v Speaker 2>shot and it's it's a tight frame, all of these

720
00:34:24.280 --> 00:34:26.039
<v Speaker 2>conversations that we're going to describe for the rest of

721
00:34:26.039 --> 00:34:27.559
<v Speaker 2>the movie. The people are going to be so close

722
00:34:27.559 --> 00:34:30.280
<v Speaker 2>to each other but they're talking, but they're they're standing

723
00:34:30.320 --> 00:34:32.519
<v Speaker 2>like shoulder to shoulder, and in between them is this

724
00:34:32.639 --> 00:34:36.400
<v Speaker 2>champagne bottle. And Brandon John Doll is just like fondling

725
00:34:36.440 --> 00:34:42.199
<v Speaker 2>this and down. I mean he's quote unquote trying to

726
00:34:42.320 --> 00:34:45.440
<v Speaker 2>open it. I've never seen anything look less likely to

727
00:34:45.480 --> 00:34:48.599
<v Speaker 2>open a champagne bottle. He's he's jerking off that champagne.

728
00:34:48.679 --> 00:34:50.960
<v Speaker 1>At one point, Farley Grainger grabs it from it. It's like,

729
00:34:51.000 --> 00:34:54.960
<v Speaker 1>I'll open this, wasting everyone's time. No, you are one

730
00:34:55.039 --> 00:34:58.360
<v Speaker 1>hundred percent right, he is. So he's so aroused. Hitchcock

731
00:34:58.519 --> 00:35:02.639
<v Speaker 1>was like, how far we go with like the implications

732
00:35:02.679 --> 00:35:05.480
<v Speaker 1>and the like insinuations before I have to pull it

733
00:35:05.519 --> 00:35:07.519
<v Speaker 1>back where I'm like, well, now we're gonna get shut down.

734
00:35:07.599 --> 00:35:07.920
<v Speaker 2>Yeah.

735
00:35:07.960 --> 00:35:12.559
<v Speaker 1>So he fondles the champagne and celebrates the murder. They've

736
00:35:12.639 --> 00:35:15.119
<v Speaker 1>just killed David for the sake of danger and killing,

737
00:35:15.360 --> 00:35:18.800
<v Speaker 1>and it came off perfectly. Sure did, Bob, Sure did.

738
00:35:19.039 --> 00:35:20.599
<v Speaker 2>I don't know if you ever heard that saying about

739
00:35:21.519 --> 00:35:24.079
<v Speaker 2>putting the cart before the horse. Uh huh yeah, counting

740
00:35:24.119 --> 00:35:26.280
<v Speaker 2>your chickens prior to them breaking out of their shells,

741
00:35:27.320 --> 00:35:27.960
<v Speaker 2>all that stuff.

742
00:35:28.000 --> 00:35:31.519
<v Speaker 1>All that, Oh that, all that is happening. Brandon asks

743
00:35:31.559 --> 00:35:34.440
<v Speaker 1>Philip if he's still frightened, and Philip says no. Then

744
00:35:34.440 --> 00:35:40.840
<v Speaker 1>the champagne pops release and they toast, and Brandon says

745
00:35:41.039 --> 00:35:44.280
<v Speaker 1>to David, of course, with a gleeful smile on his face,

746
00:35:44.880 --> 00:35:47.679
<v Speaker 1>I'm really into this movie. I like these evil queers.

747
00:35:47.800 --> 00:35:52.519
<v Speaker 2>Me too, Philip, And this is a real twist. Philip asks,

748
00:35:52.679 --> 00:35:54.199
<v Speaker 2>do you think the party is a mistake?

749
00:35:54.320 --> 00:35:54.480
<v Speaker 3>Now?

750
00:35:54.519 --> 00:35:57.800
<v Speaker 1>I think they might be straight. This might be, he

751
00:35:57.880 --> 00:35:59.440
<v Speaker 1>might be. He's wait, you don't want to have a party.

752
00:35:59.480 --> 00:36:01.599
<v Speaker 1>Hang on, hang on, there's a theme and everything.

753
00:36:02.440 --> 00:36:04.360
<v Speaker 2>We have a we have we built the whole day

754
00:36:04.400 --> 00:36:08.760
<v Speaker 2>around it. A Brandon assures Philip that having it is

755
00:36:08.840 --> 00:36:11.960
<v Speaker 2>like the signature of the artist, but he does lament

756
00:36:12.079 --> 00:36:14.679
<v Speaker 2>how boring the party guests are. But they had to

757
00:36:14.719 --> 00:36:17.360
<v Speaker 2>invite the kent Ley's. They are, after all, David's mother

758
00:36:17.400 --> 00:36:19.480
<v Speaker 2>and father, and David is the guest of honor.

759
00:36:19.639 --> 00:36:21.920
<v Speaker 1>Amazing, right, that line is so chilling.

760
00:36:22.119 --> 00:36:24.840
<v Speaker 2>Yeah, you're like, what the fuck? Plus they invited Janet,

761
00:36:24.840 --> 00:36:27.960
<v Speaker 2>who has set her sights on marrying David, and Brandon

762
00:36:27.960 --> 00:36:30.199
<v Speaker 2>can barely contain his laughter when he comments that he

763
00:36:30.199 --> 00:36:36.960
<v Speaker 2>doesn't think she's gonna succeed in getting him. Now, I'm

764
00:36:36.960 --> 00:36:39.400
<v Speaker 2>doing my Prince John laugh from animated Robin Hood. You

765
00:36:39.440 --> 00:36:40.880
<v Speaker 2>won't get this, but the listeners will.

766
00:36:41.039 --> 00:36:45.800
<v Speaker 1>Ah ah, I am still amused, thank you.

767
00:36:46.280 --> 00:36:48.639
<v Speaker 2>And then he has an idea he hasn't. He's like,

768
00:36:48.679 --> 00:36:51.760
<v Speaker 2>oh my god, just got better. I'm gonna I'm gonna

769
00:36:51.880 --> 00:36:52.599
<v Speaker 2>nut again.

770
00:36:54.400 --> 00:36:56.320
<v Speaker 1>I'm gonna cash you all over this place.

771
00:36:57.679 --> 00:37:00.519
<v Speaker 2>He tells Philip to take the other candlog u and

772
00:37:00.599 --> 00:37:03.079
<v Speaker 2>follow him. That may be the gayest sentence I've ever

773
00:37:03.079 --> 00:37:07.519
<v Speaker 2>said in my life. Take the other candelabra and follow me.

774
00:37:13.199 --> 00:37:14.920
<v Speaker 1>Oh my god, you're absolutely right.

775
00:37:15.159 --> 00:37:17.360
<v Speaker 2>Everyone grab the candelabra.

776
00:37:20.840 --> 00:37:25.800
<v Speaker 1>I don't. I don't think even ever said that these

777
00:37:25.840 --> 00:37:30.440
<v Speaker 1>men are gayer than Liberaci. Brandon leeds Philip back to

778
00:37:30.519 --> 00:37:37.079
<v Speaker 1>the main room, and they set the two candelabras on

779
00:37:37.159 --> 00:37:41.239
<v Speaker 1>the wood chest that contains David's corpse on the west elm,

780
00:37:42.320 --> 00:37:47.159
<v Speaker 1>on the anthropology off oak chest that contains their best

781
00:37:47.199 --> 00:37:50.639
<v Speaker 1>friend slash slaves corpse. This is my canon.

782
00:37:50.920 --> 00:37:56.039
<v Speaker 2>David was their slave, gotcha sex slaves save to be clear, consensually.

783
00:37:56.480 --> 00:38:00.079
<v Speaker 1>Until then it went, it went. How how long do

784
00:38:00.159 --> 00:38:02.519
<v Speaker 1>you think David was like? Okay, when they were like,

785
00:38:02.559 --> 00:38:04.079
<v Speaker 1>we're just gonna put this rope around your neck.

786
00:38:04.159 --> 00:38:06.079
<v Speaker 2>Okay, Well, I'm gonna tell you Erica, it was a

787
00:38:06.079 --> 00:38:09.079
<v Speaker 2>long time because he screams and then he's dead in

788
00:38:09.119 --> 00:38:10.440
<v Speaker 2>the space of five seconds.

789
00:38:10.559 --> 00:38:10.800
<v Speaker 3>Yeah.

790
00:38:10.920 --> 00:38:12.760
<v Speaker 1>They put on gloves and he's like, this is gonna

791
00:38:12.800 --> 00:38:13.159
<v Speaker 1>be fun.

792
00:38:13.280 --> 00:38:16.639
<v Speaker 2>This is gonna be awesome. This The marks all over

793
00:38:16.679 --> 00:38:18.920
<v Speaker 2>my body for me smacking me are gonna be so

794
00:38:19.079 --> 00:38:20.800
<v Speaker 2>much better with Swede.

795
00:38:20.519 --> 00:38:24.840
<v Speaker 1>If you think about it, truly, this man, sorry what

796
00:38:24.920 --> 00:38:25.599
<v Speaker 1>you said.

797
00:38:25.400 --> 00:38:32.039
<v Speaker 2>Just hit me. Spanking is so underrated these days.

798
00:38:32.960 --> 00:38:35.840
<v Speaker 1>Just just like just hitting himself with a Swede cat

799
00:38:35.880 --> 00:38:39.960
<v Speaker 1>of nine tails, just if you think about it. David

800
00:38:40.000 --> 00:38:43.199
<v Speaker 1>walked into this apartment where the blinds were all closed

801
00:38:43.239 --> 00:38:46.599
<v Speaker 1>and these two put gloves on, and he was like, yes,

802
00:38:47.079 --> 00:38:51.519
<v Speaker 1>let's party. He definitely was there for sex.

803
00:38:51.800 --> 00:38:55.440
<v Speaker 2>Yeah, honestly, you're selling me on it. You are selling

804
00:38:55.440 --> 00:38:56.320
<v Speaker 2>me on it for.

805
00:38:57.800 --> 00:39:01.840
<v Speaker 1>So okay, Brandon is now is sexually aroused by another idea.

806
00:39:01.880 --> 00:39:03.480
<v Speaker 1>He's like, oh my god, oh my god, oh my god,

807
00:39:03.480 --> 00:39:07.719
<v Speaker 1>Phil up, let's serve dinner on the chest with the

808
00:39:07.719 --> 00:39:12.480
<v Speaker 1>corpse on it. Philip is like that's gross, but he's like,

809
00:39:12.519 --> 00:39:14.880
<v Speaker 1>at least it will reduce the likelihood of someone opening

810
00:39:14.920 --> 00:39:17.400
<v Speaker 1>the chest during the party, being like what's in here,

811
00:39:17.480 --> 00:39:20.159
<v Speaker 1>and like wa, He's like, fine, we'll put the fucking

812
00:39:20.159 --> 00:39:23.119
<v Speaker 1>dinner on the chest, even though that is the grossest

813
00:39:23.119 --> 00:39:28.280
<v Speaker 1>thing ever. And Brandon's like, I'm coming, shut the fuck up, wait,

814
00:39:28.360 --> 00:39:31.320
<v Speaker 1>give you a second. Okay, Yeah, the two hurry and move

815
00:39:31.400 --> 00:39:32.280
<v Speaker 1>things into the living room.

816
00:39:32.280 --> 00:39:34.119
<v Speaker 2>I'm about to blow the back out of these pants.

817
00:39:40.599 --> 00:39:43.480
<v Speaker 1>I'm about to almond joy all over this place. I'm

818
00:39:43.519 --> 00:39:46.199
<v Speaker 1>gonna stick with this nut name until please do.

819
00:39:47.239 --> 00:39:47.400
<v Speaker 2>Yeah.

820
00:39:47.400 --> 00:39:49.360
<v Speaker 1>Okay, So they're like, we have to hurry before missus

821
00:39:49.360 --> 00:39:52.320
<v Speaker 1>Wilson gets back right now, we're hearing about a lady,

822
00:39:52.880 --> 00:39:56.079
<v Speaker 1>Missus Wilson. Brandon says, they'll layout the books, which was

823
00:39:56.119 --> 00:39:59.199
<v Speaker 1>the excuse they had for inviting mister Kentley over anyway,

824
00:39:59.239 --> 00:40:02.599
<v Speaker 1>dog David's father a bunch of antique books. They are

825
00:40:02.719 --> 00:40:04.159
<v Speaker 1>in their house. Not gay man at all, you know,

826
00:40:04.519 --> 00:40:06.480
<v Speaker 1>not gay at all, not gay at all, just but

827
00:40:06.679 --> 00:40:09.119
<v Speaker 1>just two guys living together, two bachelors or.

828
00:40:09.119 --> 00:40:10.960
<v Speaker 2>A collection of first editions.

829
00:40:10.559 --> 00:40:12.239
<v Speaker 1>With the collection of antique books.

830
00:40:12.239 --> 00:40:17.440
<v Speaker 2>And that's what's behind the candelabra set of antique fucking books.

831
00:40:17.440 --> 00:40:20.119
<v Speaker 1>Haha. So they put the books on the dining table

832
00:40:20.159 --> 00:40:21.239
<v Speaker 1>and the food on the chest.

833
00:40:21.360 --> 00:40:23.880
<v Speaker 2>Yep, the bell rings. Brandon goes to answer it while

834
00:40:23.920 --> 00:40:27.119
<v Speaker 2>Philip gathers the books, and while gathering them, he sees

835
00:40:27.280 --> 00:40:31.360
<v Speaker 2>the murder weapon, the titular rope is hanging out of

836
00:40:31.400 --> 00:40:35.280
<v Speaker 2>the chests. This is the first rate. You're like, Okay,

837
00:40:35.599 --> 00:40:38.360
<v Speaker 2>you didn't think this through. Why Why is the murder

838
00:40:38.360 --> 00:40:39.519
<v Speaker 2>weapon still with the corpse?

839
00:40:39.880 --> 00:40:41.320
<v Speaker 1>Yeah, like around his neck.

840
00:40:41.559 --> 00:40:44.920
<v Speaker 2>The number one you would think, where's the murder weapon?

841
00:40:45.159 --> 00:40:48.719
<v Speaker 2>That's like problem Numero uno. After you murdered someone, how

842
00:40:48.719 --> 00:40:50.920
<v Speaker 2>did we do it? Let's figure out how to clean.

843
00:40:50.719 --> 00:40:52.480
<v Speaker 1>That up, how to get rid of that murder weapon.

844
00:40:52.639 --> 00:40:54.119
<v Speaker 2>Yeah. I don't know if you ever played the game

845
00:40:54.119 --> 00:40:56.519
<v Speaker 2>Clue or seen the movie Erica I am, but the

846
00:40:56.599 --> 00:40:58.840
<v Speaker 2>murder weapons play an enormous role.

847
00:41:01.519 --> 00:41:04.519
<v Speaker 1>So it's missus Wilson in the kitchen with a candilabra.

848
00:41:04.760 --> 00:41:08.880
<v Speaker 2>Candelabra gay clue one of the the murder movie a kindleabra.

849
00:41:09.519 --> 00:41:13.760
<v Speaker 1>I think actually in regular clue, that's a candlestick. It's oh,

850
00:41:13.880 --> 00:41:16.639
<v Speaker 1>let's gay understood. Yeah, gay clue would have a kind

851
00:41:16.639 --> 00:41:18.960
<v Speaker 1>of labra. The wrench would be.

852
00:41:19.360 --> 00:41:22.320
<v Speaker 2>The lead pipe is a dildo. The wrench is a

853
00:41:22.320 --> 00:41:24.599
<v Speaker 2>butt plug. Uh huh uh huh right. I don't know

854
00:41:24.639 --> 00:41:26.519
<v Speaker 2>why people reduce gay people to the sex they have.

855
00:41:26.719 --> 00:41:30.079
<v Speaker 2>I don't know. So it's so like basic.

856
00:41:30.760 --> 00:41:34.320
<v Speaker 1>I think the wrench is a Stanley cup, the pistol

857
00:41:34.400 --> 00:41:35.679
<v Speaker 1>is a thoroughgun.

858
00:41:35.519 --> 00:41:38.039
<v Speaker 2>And the rope is a golden girl's throw.

859
00:41:42.280 --> 00:41:44.960
<v Speaker 1>The rope is a boa used once back in Pee

860
00:41:45.000 --> 00:41:49.119
<v Speaker 1>Town during that party.

861
00:41:49.360 --> 00:41:50.679
<v Speaker 2>Will do lesbian clue later.

862
00:41:50.800 --> 00:41:53.199
<v Speaker 1>The lesbian clue is still a lead pipe and a wrench.

863
00:41:54.360 --> 00:41:55.400
<v Speaker 2>That's true, that's true.

864
00:41:55.519 --> 00:42:01.159
<v Speaker 1>The rope is a tool belt, the gun is a dildo.

865
00:42:01.360 --> 00:42:02.320
<v Speaker 2>That's right. Yeah, that's right.

866
00:42:02.400 --> 00:42:03.400
<v Speaker 1>It all still kind of trucks.

867
00:42:03.480 --> 00:42:06.320
<v Speaker 2>It works, it works, yeah, okay. So Philip sees the

868
00:42:06.400 --> 00:42:09.199
<v Speaker 2>rope hanging out of the of the cassone and he

869
00:42:09.239 --> 00:42:11.360
<v Speaker 2>starts to panic. He is holding on by a thread.

870
00:42:11.400 --> 00:42:14.199
<v Speaker 2>Brandon stalks over. He yanks the rope out of the

871
00:42:14.280 --> 00:42:16.360
<v Speaker 2>chest and he tells Philip to get a hold of himself.

872
00:42:16.559 --> 00:42:20.320
<v Speaker 2>He reminds Philip that they agreed the only crime either

873
00:42:20.360 --> 00:42:23.039
<v Speaker 2>of them could commit would be making a mistake, and

874
00:42:23.119 --> 00:42:26.000
<v Speaker 2>weakness is a mistake. And Philip asks, is that because

875
00:42:26.000 --> 00:42:29.679
<v Speaker 2>it's human? And Brandon snaps back, no, because it's ordinary.

876
00:42:30.840 --> 00:42:34.280
<v Speaker 2>I love that exchange. Excellent, That like shows you everything.

877
00:42:34.719 --> 00:42:39.559
<v Speaker 2>Brandon genuinely believes he is a superior being. Uh huh,

878
00:42:39.599 --> 00:42:43.239
<v Speaker 2>and Philip is so enthrall of him that he just

879
00:42:43.280 --> 00:42:46.760
<v Speaker 2>wants to live up to this person who has enraptured him.

880
00:42:46.880 --> 00:42:49.199
<v Speaker 1>Yeah, yeah, I bet you. Ten minutes before the murder,

881
00:42:49.239 --> 00:42:50.360
<v Speaker 1>Philip was all in.

882
00:42:50.519 --> 00:42:50.719
<v Speaker 2>Yeah.

883
00:42:50.719 --> 00:42:52.960
<v Speaker 1>Philip was like, this is great. We are better than everyone.

884
00:42:52.960 --> 00:42:56.639
<v Speaker 1>We're smarter, yeah, we're you know, we were just fundamentally

885
00:42:56.679 --> 00:42:59.239
<v Speaker 1>better than our idiot friends. And then the minute it

886
00:42:59.280 --> 00:43:01.719
<v Speaker 1>was over, he was like, well, that didn't feel as

887
00:43:01.760 --> 00:43:03.800
<v Speaker 1>good as I thought it would. Frankly, title of My

888
00:43:03.840 --> 00:43:09.880
<v Speaker 1>Sex Safe. Missus Wilson played by Edith Evanson, the men's housekeeper.

889
00:43:10.639 --> 00:43:13.039
<v Speaker 1>Very cool housekeeper, it's.

890
00:43:12.800 --> 00:43:15.800
<v Speaker 2>So chill cool. She knows they're living together, and she

891
00:43:15.960 --> 00:43:19.239
<v Speaker 2>must be aware of the bedroom situation. Fine, yeah, they

892
00:43:19.320 --> 00:43:21.639
<v Speaker 2>because they later referred to it, the phone is in

893
00:43:21.679 --> 00:43:22.320
<v Speaker 2>the bedroom.

894
00:43:22.519 --> 00:43:24.519
<v Speaker 1>Really, I did not.

895
00:43:24.199 --> 00:43:27.119
<v Speaker 2>Catch that my bedroom. It's not in Phillip's bedroom. It's

896
00:43:27.159 --> 00:43:29.079
<v Speaker 2>in the bedroom the bedroom.

897
00:43:29.400 --> 00:43:33.119
<v Speaker 1>Interesting. So Missus Wilson enters. She's completed an errand they

898
00:43:33.159 --> 00:43:35.760
<v Speaker 1>sent her off on the errand was to buy pet.

899
00:43:37.039 --> 00:43:39.599
<v Speaker 2>She she keeps calling Patty, which I'm I'm assuming is

900
00:43:39.639 --> 00:43:40.599
<v Speaker 2>just how they said it back then.

901
00:43:41.079 --> 00:43:43.760
<v Speaker 1>Sure, yeah, yeah, yeah. She's like, I went to that

902
00:43:43.760 --> 00:43:47.039
<v Speaker 1>good Jewish bakery downtown, Jewish jelly downtown to get it right.

903
00:43:47.360 --> 00:43:49.679
<v Speaker 1>She is none too pleased to see that her carefully

904
00:43:49.760 --> 00:43:52.239
<v Speaker 1>laid table has been moved to an antique chest in

905
00:43:52.280 --> 00:43:54.920
<v Speaker 1>the living room. She says, it now looks just downright peculiar.

906
00:43:55.199 --> 00:43:59.199
<v Speaker 1>A buffet in the living room, a buffet growth gross.

907
00:43:58.719 --> 00:44:01.639
<v Speaker 2>Pete, pete, and the certainly not.

908
00:44:01.719 --> 00:44:04.239
<v Speaker 1>Brandon is basically mister Burns at this point, right, he

909
00:44:04.320 --> 00:44:06.840
<v Speaker 1>is like rubbing his hands together and being like, it

910
00:44:06.920 --> 00:44:12.480
<v Speaker 1>looks like a ceremonial altar for I don't know, sacrificial feasts,

911
00:44:13.119 --> 00:44:17.719
<v Speaker 1>and Missus Wilson's like, I guess, okay. She goes off

912
00:44:17.719 --> 00:44:20.159
<v Speaker 1>to complete her pre party tasks while Brandon takes the

913
00:44:20.239 --> 00:44:23.239
<v Speaker 1>murder weapon, the rope, and stores it in the kitchen drawer.

914
00:44:23.280 --> 00:44:24.639
<v Speaker 1>This is my favorite shot in the movie.

915
00:44:24.639 --> 00:44:25.320
<v Speaker 2>Incredible shot.

916
00:44:25.400 --> 00:44:28.559
<v Speaker 1>It is so cool. So the camera follows Brandon as

917
00:44:28.599 --> 00:44:30.920
<v Speaker 1>he walks into the kitchen. The kitchen has a swinging door.

918
00:44:31.440 --> 00:44:33.639
<v Speaker 1>He goes into the kitchen and he's talking to Missus

919
00:44:33.679 --> 00:44:36.960
<v Speaker 1>Wilson the whole time. The door's kind of closed, and

920
00:44:37.000 --> 00:44:40.719
<v Speaker 1>then it swings open. Only the audience can see it,

921
00:44:40.960 --> 00:44:43.880
<v Speaker 1>and we see Brandon just like dropping the rope into

922
00:44:43.880 --> 00:44:46.639
<v Speaker 1>a kitchen drawer and closing the drawer. So he's not

923
00:44:46.679 --> 00:44:48.360
<v Speaker 1>like he was holding the rope in front of Missus Wilson.

924
00:44:48.400 --> 00:44:51.800
<v Speaker 1>He had it in his pocket, and so you know this,

925
00:44:51.800 --> 00:44:53.800
<v Speaker 1>this slight crisis has been now been averted.

926
00:44:53.880 --> 00:44:56.679
<v Speaker 2>Oh, he's not in his pocket. He's swinging around. Well,

927
00:44:56.719 --> 00:44:57.480
<v Speaker 2>he's talking to her.

928
00:44:57.480 --> 00:44:59.960
<v Speaker 1>You're absolutely right, Yeah, he is. Of course, why would

929
00:45:00.199 --> 00:45:02.159
<v Speaker 1>hid it? He doesn't have to hide it. He's committed

930
00:45:02.400 --> 00:45:03.679
<v Speaker 1>the perfect crime, Paul.

931
00:45:03.880 --> 00:45:07.440
<v Speaker 2>Of course. Missus Wilson is surprised that they're putting out

932
00:45:07.440 --> 00:45:11.000
<v Speaker 2>the champagne. After all, they only have champagne at mister

933
00:45:11.079 --> 00:45:14.400
<v Speaker 2>Cadell's at very high occasions. So that this a little

934
00:45:14.440 --> 00:45:16.840
<v Speaker 2>more backstory. She used to work for a man named

935
00:45:16.840 --> 00:45:20.239
<v Speaker 2>mister Cadell, and now she works for Brandon and Philip. Right,

936
00:45:21.000 --> 00:45:23.960
<v Speaker 2>Brandon says that mister Cadell is actually joining them that evening,

937
00:45:24.039 --> 00:45:28.039
<v Speaker 2>and Missus Wilson, oh, she is excited. She loves mister Cadell.

938
00:45:28.119 --> 00:45:29.719
<v Speaker 1>Everyone loves mister Cadell. He's a hoot.

939
00:45:29.800 --> 00:45:33.280
<v Speaker 2>He's a hoot. Philip, on the other hand, is not pleased.

940
00:45:33.760 --> 00:45:36.400
<v Speaker 2>The two men carry plates into the living room, and

941
00:45:36.400 --> 00:45:40.880
<v Speaker 2>Philip chides Brandon for inviting Rupert Cadell, the person most

942
00:45:41.000 --> 00:45:45.159
<v Speaker 2>likely to suspect them, and brand responds that actually Rupert

943
00:45:45.199 --> 00:45:47.159
<v Speaker 2>is the person most likely to see the events of

944
00:45:47.199 --> 00:45:50.159
<v Speaker 2>the day from their perspective. He even thought of inviting

945
00:45:50.199 --> 00:45:53.000
<v Speaker 2>Rupert on their little adventure, but eventually concluded that he

946
00:45:53.039 --> 00:45:56.000
<v Speaker 2>didn't have the courage to carry it through like they did.

947
00:45:56.639 --> 00:45:57.119
<v Speaker 1>Interesting.

948
00:45:57.280 --> 00:45:59.840
<v Speaker 2>Interesting, who is this Rupert? Who is this Rupert Cadell?

949
00:46:01.360 --> 00:46:05.440
<v Speaker 1>The bell rings and Brandon in tones? Now the fun begins.

950
00:46:06.000 --> 00:46:08.679
<v Speaker 2>Okay, if I got murdered and someone later was like,

951
00:46:08.800 --> 00:46:10.440
<v Speaker 2>now the fun, he wasn't fun.

952
00:46:10.639 --> 00:46:11.599
<v Speaker 1>You didn have fun before?

953
00:46:12.039 --> 00:46:12.400
<v Speaker 2>Fuck you?

954
00:46:12.480 --> 00:46:13.679
<v Speaker 1>We're having fun now, aren't we.

955
00:46:13.760 --> 00:46:15.079
<v Speaker 2>Oh, I'm gonna haunt your ass.

956
00:46:16.760 --> 00:46:20.519
<v Speaker 1>First to arrive is Kenneth Lawrence, played by aptly named

957
00:46:20.559 --> 00:46:21.280
<v Speaker 1>Douglas Dick.

958
00:46:22.880 --> 00:46:24.920
<v Speaker 2>There's a few shots in this where I know it's

959
00:46:25.000 --> 00:46:28.079
<v Speaker 2>it's not the actor. It's it's like the technicolor, the hair,

960
00:46:28.280 --> 00:46:30.599
<v Speaker 2>the hair, and like his skin tone. I think it

961
00:46:30.639 --> 00:46:32.280
<v Speaker 2>happens when he's in shadow. I don't know if he

962
00:46:32.320 --> 00:46:34.079
<v Speaker 2>has like maybe he has like a really olive skin

963
00:46:34.119 --> 00:46:36.480
<v Speaker 2>tone or something, but he almost looks.

964
00:46:36.280 --> 00:46:38.920
<v Speaker 1>Gold yes gray or gray.

965
00:46:39.159 --> 00:46:41.480
<v Speaker 2>Yeah. Yeah, like like the skin tone is wrong, and

966
00:46:41.559 --> 00:46:43.320
<v Speaker 2>it's not all the time. There are times where he

967
00:46:43.400 --> 00:46:46.599
<v Speaker 2>just looks like a normal blonde boy. Yeah, it's totally fine,

968
00:46:46.599 --> 00:46:49.119
<v Speaker 2>but sometimes the color just goes off and also.

969
00:46:48.920 --> 00:46:52.440
<v Speaker 1>The hair turns like orange in certain lighting is not

970
00:46:52.519 --> 00:46:55.679
<v Speaker 1>good for poor Douglas Dick this film. I mean, I

971
00:46:55.679 --> 00:46:57.880
<v Speaker 1>get it, like they had to light everyone right, It's

972
00:46:57.880 --> 00:46:59.920
<v Speaker 1>not like they had specific lighting to make certain skin

973
00:47:00.079 --> 00:47:02.440
<v Speaker 1>tones and like certain air colors look good. And he

974
00:47:02.559 --> 00:47:05.079
<v Speaker 1>is the only like blonde ginger guy in the whole.

975
00:47:04.880 --> 00:47:06.480
<v Speaker 2>Movie, and he's paying the price.

976
00:47:09.559 --> 00:47:12.320
<v Speaker 1>So Kenneth is an old classmate of theirs. He's also

977
00:47:12.360 --> 00:47:15.119
<v Speaker 1>surprised at the champagne and asks if someone is celebrating

978
00:47:15.119 --> 00:47:19.760
<v Speaker 1>a birthday, and Brandon says, it's almost just the opposite. Excellent.

979
00:47:21.719 --> 00:47:24.119
<v Speaker 1>He covers it by saying, fill up. The pianist is

980
00:47:24.119 --> 00:47:26.440
<v Speaker 1>headed upstate for a while to rehearse in peace for

981
00:47:26.480 --> 00:47:28.760
<v Speaker 1>a big concert he has coming up. So it's a

982
00:47:28.800 --> 00:47:31.360
<v Speaker 1>going away party that we're having today for Philip. Yeah,

983
00:47:31.360 --> 00:47:34.440
<v Speaker 1>that's why hence the champagne and the revelry. Kenneth asks

984
00:47:34.480 --> 00:47:37.119
<v Speaker 1>who else is coming, and Brandon liss off David Kentley,

985
00:47:37.239 --> 00:47:40.480
<v Speaker 1>his parents, and Janet Walker.

986
00:47:40.840 --> 00:47:42.760
<v Speaker 2>And he practically looks at him and he's like, do

987
00:47:42.800 --> 00:47:48.159
<v Speaker 2>you have your response to that? But Janet Walker, this

988
00:47:48.320 --> 00:47:50.880
<v Speaker 2>is a messy bit. This is the apotheosis of a

989
00:47:50.880 --> 00:47:53.599
<v Speaker 2>messy bitch who loves drama. It is not enough for

990
00:47:53.679 --> 00:47:57.639
<v Speaker 2>him to murder somebody and then like gleefully have people eat.

991
00:47:58.079 --> 00:48:00.320
<v Speaker 1>Like his parents eat off the and.

992
00:48:00.360 --> 00:48:04.079
<v Speaker 2>He has to stir the pot to entertain himself additionally

993
00:48:04.119 --> 00:48:04.800
<v Speaker 2>on top of that.

994
00:48:05.000 --> 00:48:09.039
<v Speaker 1>Yeah, So Kenneth gets very sober, very quickly, and Brandon's like,

995
00:48:09.119 --> 00:48:11.920
<v Speaker 1>what's wrong, Kenneth, don't you I thought you'd be excited

996
00:48:11.960 --> 00:48:12.679
<v Speaker 1>to see Janet.

997
00:48:12.800 --> 00:48:15.440
<v Speaker 2>He strokes his chin, and Kenneth is like, yeah.

998
00:48:15.360 --> 00:48:17.360
<v Speaker 1>Did you know that Janet and I are in fact

999
00:48:17.440 --> 00:48:20.280
<v Speaker 1>broken up, We're no longer seeing each other, and and that,

1000
00:48:20.440 --> 00:48:23.119
<v Speaker 1>in fact she is now seeing David the other person

1001
00:48:23.159 --> 00:48:27.239
<v Speaker 1>coming to this party. And Brandon is like, WHOA, I

1002
00:48:27.320 --> 00:48:30.960
<v Speaker 1>had no idea, but I have an odd feeling your

1003
00:48:31.039 --> 00:48:33.960
<v Speaker 1>chances are going to improve with Janet after tonight.

1004
00:48:34.760 --> 00:48:37.719
<v Speaker 2>Can't help him, cannot help him, sir. If he's not

1005
00:48:37.719 --> 00:48:39.519
<v Speaker 2>stepping on a rake. He takes a rake, he puts

1006
00:48:39.519 --> 00:48:42.840
<v Speaker 2>it down, he steps on it, the worst criminal. But

1007
00:48:43.559 --> 00:48:45.360
<v Speaker 2>as we're talking about it, it does kind of make

1008
00:48:45.400 --> 00:48:49.000
<v Speaker 2>sense because arrogance is his is his fatal hill. Heels

1009
00:48:49.159 --> 00:48:51.239
<v Speaker 2>right like because he actually some of the things he

1010
00:48:51.239 --> 00:48:53.800
<v Speaker 2>says is right. He's like when Philip is freaking out

1011
00:48:53.800 --> 00:48:55.639
<v Speaker 2>about the rope. He's like, why would we worry about

1012
00:48:55.639 --> 00:48:57.000
<v Speaker 2>the rope. It's just a piece of rope. It's a

1013
00:48:57.000 --> 00:48:59.000
<v Speaker 2>perfectly normal thing to have in the house. It's not

1014
00:48:59.039 --> 00:48:59.880
<v Speaker 2>like a gun.

1015
00:49:00.079 --> 00:49:03.440
<v Speaker 1>Yeah, it wasn't fastens into a noose. By the way,

1016
00:49:03.480 --> 00:49:04.639
<v Speaker 1>It's just a piece of rope.

1017
00:49:04.679 --> 00:49:07.719
<v Speaker 2>It's just a piece of rope. So it he's some

1018
00:49:07.800 --> 00:49:10.039
<v Speaker 2>of his instincts aren't bad, but he can't stop bragging

1019
00:49:10.079 --> 00:49:13.159
<v Speaker 2>about what he did. He wants people to know that

1020
00:49:13.199 --> 00:49:15.960
<v Speaker 2>he's pulling it off. And that's like the fatal flaw. Anyway.

1021
00:49:16.039 --> 00:49:17.400
<v Speaker 1>It's like when you walk into a party with a

1022
00:49:17.480 --> 00:49:19.599
<v Speaker 1>terrible outfit. No one says anything you like, but I'm

1023
00:49:19.599 --> 00:49:20.239
<v Speaker 1>pulling it off.

1024
00:49:20.320 --> 00:49:20.639
<v Speaker 2>Look.

1025
00:49:21.159 --> 00:49:24.239
<v Speaker 1>So anyway, Oh, this this thing, this whole thing. I

1026
00:49:25.079 --> 00:49:27.920
<v Speaker 1>got it at a consignment shop. I think it used

1027
00:49:27.960 --> 00:49:33.239
<v Speaker 1>to belong to Jackie, Oh, Jackie O'Leary.

1028
00:49:33.800 --> 00:49:37.599
<v Speaker 2>Perhaps perhaps if you're lucky. All right, So, next to

1029
00:49:37.719 --> 00:49:41.719
<v Speaker 2>arrive is Janet Walker played by Joan Chandler. Joan Chandler

1030
00:49:41.880 --> 00:49:45.239
<v Speaker 2>is in the dress. The color of the dress stunning

1031
00:49:45.280 --> 00:49:50.840
<v Speaker 2>on her maroon claret. It has big shoulder ruffles, which

1032
00:49:50.880 --> 00:49:51.920
<v Speaker 2>I actually will allow.

1033
00:49:52.079 --> 00:49:53.280
<v Speaker 1>It's nineteen forty eight.

1034
00:49:53.360 --> 00:49:55.920
<v Speaker 2>Yeah, it's totally fine. I have to draw the line

1035
00:49:55.920 --> 00:49:58.119
<v Speaker 2>at the elbow ruffles. It's too much.

1036
00:49:58.239 --> 00:50:01.039
<v Speaker 1>It's a lot of ruffles. Ruffle. She is also it

1037
00:50:01.440 --> 00:50:05.119
<v Speaker 1>is like a high neck tight dress. Like poor woman

1038
00:50:05.159 --> 00:50:07.400
<v Speaker 1>probably was sweating balls off in this.

1039
00:50:07.440 --> 00:50:08.239
<v Speaker 2>Absolutely.

1040
00:50:08.440 --> 00:50:11.639
<v Speaker 1>This is a famous costume designer. His name is Adrian.

1041
00:50:11.719 --> 00:50:17.119
<v Speaker 1>He specifically made like glamorous gowns for films for leading actresses.

1042
00:50:17.119 --> 00:50:18.000
<v Speaker 1>That was his whole thing.

1043
00:50:18.119 --> 00:50:19.239
<v Speaker 2>What a fantastic job.

1044
00:50:19.360 --> 00:50:22.039
<v Speaker 1>I know. He yeah, like Edith Head, but a guy

1045
00:50:22.480 --> 00:50:25.760
<v Speaker 1>and specifically just like glamorous gowns. It's like, okay, kid,

1046
00:50:26.079 --> 00:50:27.360
<v Speaker 1>he didn't do all the costumes.

1047
00:50:27.480 --> 00:50:30.519
<v Speaker 2>Yeah. So this miss Chandler's gown. I saw that credit.

1048
00:50:30.639 --> 00:50:34.400
<v Speaker 2>Yeah yeah, okay. So she comes in. She's thrilled to

1049
00:50:34.440 --> 00:50:37.639
<v Speaker 2>meet her favorite gaze until she spots Kenneth and her

1050
00:50:37.679 --> 00:50:41.199
<v Speaker 2>face drops. The two exes attempt to make small talk

1051
00:50:41.320 --> 00:50:44.320
<v Speaker 2>until Janet has a chance to pull Brandon into the

1052
00:50:44.360 --> 00:50:46.400
<v Speaker 2>foyer and she snaps at him that his sense of

1053
00:50:46.480 --> 00:50:49.639
<v Speaker 2>humor is malicious. He knew very well that she was

1054
00:50:49.679 --> 00:50:52.000
<v Speaker 2>no longer dating Kenneth and is now dating his best

1055
00:50:52.039 --> 00:50:57.119
<v Speaker 2>friend David, and Brandon just smiles that evil devil grin

1056
00:50:57.159 --> 00:50:59.039
<v Speaker 2>and he says, well, it's hard to keep up with

1057
00:50:59.079 --> 00:51:01.559
<v Speaker 2>your romances now, Eric, I don't know if you know this,

1058
00:51:01.639 --> 00:51:04.519
<v Speaker 2>but that is how you say your being a whore

1059
00:51:04.559 --> 00:51:07.239
<v Speaker 2>is not my problem, and frankly, it's exhausting. In nineteen

1060
00:51:07.280 --> 00:51:11.519
<v Speaker 2>forty eight, your horrors ways are your problem.

1061
00:51:11.679 --> 00:51:14.400
<v Speaker 1>Yeah, that's yeah. You're being a whore is simply not

1062
00:51:14.599 --> 00:51:17.159
<v Speaker 1>my concern. Yeah, frankly, yeah.

1063
00:51:17.159 --> 00:51:19.360
<v Speaker 2>He asks her why she dumped Kenneth, and she said

1064
00:51:19.440 --> 00:51:23.039
<v Speaker 2>David was nicer and Brandon sneers he certainly was richer,

1065
00:51:23.239 --> 00:51:25.559
<v Speaker 2>Which is how you say you being a cheap whore

1066
00:51:26.760 --> 00:51:29.239
<v Speaker 2>is exhausting and not my problem. In nineteen forty eight, did.

1067
00:51:29.079 --> 00:51:31.280
<v Speaker 1>You catch in this scene that these two used to

1068
00:51:31.360 --> 00:51:32.199
<v Speaker 1>date for a minute?

1069
00:51:32.280 --> 00:51:32.960
<v Speaker 2>Yep, for a minute.

1070
00:51:33.000 --> 00:51:34.599
<v Speaker 1>For a minute. She's like, He's like, well, how can

1071
00:51:34.639 --> 00:51:38.320
<v Speaker 1>I recall you threw you threw me over for Kenneth,

1072
00:51:38.360 --> 00:51:40.639
<v Speaker 1>and then Kenneth over for David, who can keep tracked.

1073
00:51:40.760 --> 00:51:43.039
<v Speaker 1>And then she keeps calling everyone in this film chum.

1074
00:51:43.199 --> 00:51:45.800
<v Speaker 1>She's like, Hi, chum, I chum this bitch.

1075
00:51:45.880 --> 00:51:46.119
<v Speaker 2>Nos.

1076
00:51:46.239 --> 00:51:49.679
<v Speaker 1>Yeah, she's just out here like bearding for the bearding

1077
00:51:49.719 --> 00:51:50.480
<v Speaker 1>for the whole crew.

1078
00:51:50.599 --> 00:51:52.960
<v Speaker 2>She is an asexual woman who just wants to marry

1079
00:51:52.960 --> 00:51:54.679
<v Speaker 2>a rich gay man who will never bother her, So

1080
00:51:54.760 --> 00:51:55.280
<v Speaker 2>we'll let.

1081
00:51:55.159 --> 00:51:57.639
<v Speaker 1>Her live in her beautiful designer addresses forever.

1082
00:51:57.760 --> 00:52:02.199
<v Speaker 2>Yeah, that's fine. Uh so, Janet says, that's a new

1083
00:52:02.400 --> 00:52:05.760
<v Speaker 2>low chum even for you, and she stalks back into

1084
00:52:05.800 --> 00:52:06.360
<v Speaker 2>the living room.

1085
00:52:06.440 --> 00:52:09.480
<v Speaker 1>Meanwhile, back in the living room, the four discuss Rupert Cadell.

1086
00:52:09.559 --> 00:52:12.840
<v Speaker 1>They're housemaster from prep school who is now a publisher.

1087
00:52:12.880 --> 00:52:15.639
<v Speaker 2>He's a publisher of philosophy. Oh, small print, big words,

1088
00:52:15.679 --> 00:52:18.960
<v Speaker 2>no sales, excellent, much.

1089
00:52:18.880 --> 00:52:22.760
<v Speaker 1>Is made over. I don't know Brandon's relationship to Rupert

1090
00:52:22.800 --> 00:52:26.320
<v Speaker 1>at this point, and how much in Rupert's thrall Brandon

1091
00:52:26.559 --> 00:52:30.800
<v Speaker 1>was while in school, so clearly in love. Yeah with

1092
00:52:30.920 --> 00:52:34.039
<v Speaker 1>this Rupert Jenneral, it's older, brilliant man.

1093
00:52:33.920 --> 00:52:36.519
<v Speaker 2>And this is a this is this is when I'm like, okay,

1094
00:52:36.599 --> 00:52:39.079
<v Speaker 2>that's the third. There's there's a line in here that

1095
00:52:39.159 --> 00:52:41.480
<v Speaker 2>no gay man is going to write unintentionally where they

1096
00:52:41.480 --> 00:52:45.760
<v Speaker 2>say he would spend all night at his master's feet. Yes, yes, yeah,

1097
00:52:45.800 --> 00:52:48.960
<v Speaker 2>And I'm like, okay, yes, yes, yes, there's not a

1098
00:52:49.000 --> 00:52:51.480
<v Speaker 2>gay man in the world who would write that. There

1099
00:52:51.519 --> 00:52:53.519
<v Speaker 2>are gay priests who would write that and know exactly

1100
00:52:53.519 --> 00:52:54.199
<v Speaker 2>what they were writing.

1101
00:52:54.440 --> 00:52:57.679
<v Speaker 1>Yeah, he's submissive. I see it. I see it now too,

1102
00:52:57.800 --> 00:53:00.800
<v Speaker 1>I see it. So Brandon tells them how talked about

1103
00:53:00.800 --> 00:53:03.639
<v Speaker 1>how murder is a crime for most men, and then

1104
00:53:03.639 --> 00:53:07.039
<v Speaker 1>he looks meaningfully at Philip and then Philip finishes the sentence,

1105
00:53:07.360 --> 00:53:11.199
<v Speaker 1>but a privilege for the few. Just like that. Philip's

1106
00:53:11.199 --> 00:53:16.039
<v Speaker 1>like not having it. He's like, stop playing this game somehow.

1107
00:53:16.119 --> 00:53:18.159
<v Speaker 2>Neither Kenneth nor Janet is like, you know what, you

1108
00:53:18.159 --> 00:53:19.960
<v Speaker 2>two are weird? Yeah, we're gonna go.

1109
00:53:20.440 --> 00:53:23.039
<v Speaker 1>There's a vibe, right, this is a weird vibe. There's

1110
00:53:23.079 --> 00:53:25.400
<v Speaker 1>a vibe at this party and I hate it.

1111
00:53:26.000 --> 00:53:27.760
<v Speaker 2>The two of you need to go into the bedroom

1112
00:53:27.760 --> 00:53:29.400
<v Speaker 2>and fuck it out and then come back so you

1113
00:53:29.440 --> 00:53:30.119
<v Speaker 2>can be fun again.

1114
00:53:30.239 --> 00:53:32.199
<v Speaker 1>Yeah, OK, because this is awful.

1115
00:53:32.360 --> 00:53:35.480
<v Speaker 2>Yeah. The buzzer sounds again and Brandon welcomes in mister

1116
00:53:35.559 --> 00:53:39.400
<v Speaker 2>Henry Kentley, who's played by Sir Cedric Hardwick, and Missus

1117
00:53:39.440 --> 00:53:43.840
<v Speaker 2>Anita Atwater played by Constance Collier. It turns out that

1118
00:53:43.960 --> 00:53:46.800
<v Speaker 2>Missus Kentley isn't feeling well, so Kentley brought his sister

1119
00:53:46.880 --> 00:53:49.440
<v Speaker 2>and said, so this is this is David's father and

1120
00:53:49.480 --> 00:53:54.199
<v Speaker 2>his aunt. Yes. They head in, and Missus Atwater immediately

1121
00:53:54.239 --> 00:53:57.719
<v Speaker 2>mistakes Kenneth for David, which causes Philip to squeeze the

1122
00:53:57.760 --> 00:54:00.960
<v Speaker 2>glass he's holding so hard it breaks and cuts his hand.

1123
00:54:02.039 --> 00:54:04.760
<v Speaker 1>Be cool, Philip, Be cool, buddy.

1124
00:54:06.880 --> 00:54:09.480
<v Speaker 2>The two newcomers also get to go to Greek Janet,

1125
00:54:09.599 --> 00:54:13.039
<v Speaker 2>who Missus Atwater excitedly tells about how she's saw on

1126
00:54:13.119 --> 00:54:16.480
<v Speaker 2>Janet's horoscope that a marriage was just around the corner.

1127
00:54:17.079 --> 00:54:19.440
<v Speaker 2>There is a line in the scene where someone, I

1128
00:54:19.440 --> 00:54:21.960
<v Speaker 2>think Brandon or Philip, asks shall I get you some

1129
00:54:22.079 --> 00:54:25.599
<v Speaker 2>champagne Missus Atwater, and Missus Atwater says, oh, I should

1130
00:54:25.599 --> 00:54:28.239
<v Speaker 2>have done some. Daddy used to have a glass every

1131
00:54:28.280 --> 00:54:29.239
<v Speaker 2>morning at eleven.

1132
00:54:30.440 --> 00:54:35.119
<v Speaker 1>Love, okay, love everything about your life. Lady, lady, teach

1133
00:54:35.199 --> 00:54:37.960
<v Speaker 1>me will I will be at this master's feet forever?

1134
00:54:38.159 --> 00:54:39.039
<v Speaker 2>Yeah, forever and ever.

1135
00:54:39.159 --> 00:54:40.639
<v Speaker 1>She's my favorite character in the movie.

1136
00:54:40.719 --> 00:54:41.199
<v Speaker 2>She's fun.

1137
00:54:41.280 --> 00:54:42.440
<v Speaker 1>She's so much fun.

1138
00:54:42.519 --> 00:54:45.559
<v Speaker 2>She's also playing enormously big for the cheap seats, but

1139
00:54:45.639 --> 00:54:48.159
<v Speaker 2>the character definitely calls for it. Yes, so it kind

1140
00:54:48.199 --> 00:54:50.519
<v Speaker 2>of even though it's big, it feels a little more

1141
00:54:50.559 --> 00:54:51.880
<v Speaker 2>realistic than some of the other stuff.

1142
00:54:51.960 --> 00:54:54.519
<v Speaker 1>Yeah, she's the fun party and she came to have

1143
00:54:54.599 --> 00:54:56.760
<v Speaker 1>parties and to like look the other way while the

1144
00:54:56.800 --> 00:54:59.880
<v Speaker 1>kids smokes cigarettes. You know, what I'm saying. Yeah, she's delightful.

1145
00:55:00.000 --> 00:55:01.880
<v Speaker 1>And I was wondering at first, I'm like, why did

1146
00:55:01.880 --> 00:55:04.519
<v Speaker 1>they Why did the writer have like the ant and

1147
00:55:04.559 --> 00:55:06.599
<v Speaker 1>not the mother show up? And I realized it's because

1148
00:55:07.039 --> 00:55:09.400
<v Speaker 1>for so long, the aunt is going to be this

1149
00:55:09.559 --> 00:55:13.440
<v Speaker 1>like buoyant character in this even when things get weird,

1150
00:55:13.719 --> 00:55:15.679
<v Speaker 1>and I think a mom would have picked up on

1151
00:55:15.760 --> 00:55:18.840
<v Speaker 1>things a lot faster. I think that's maybe why the

1152
00:55:18.920 --> 00:55:20.760
<v Speaker 1>character was made the aunt instead of the mother.

1153
00:55:21.000 --> 00:55:24.639
<v Speaker 2>And I also think it's it's too it's gruesome already.

1154
00:55:25.199 --> 00:55:27.159
<v Speaker 2>You have to you need some like if it's the

1155
00:55:27.159 --> 00:55:29.960
<v Speaker 2>mother and the father there and like they're getting more

1156
00:55:30.000 --> 00:55:31.719
<v Speaker 2>and more worried, and like they also have the father

1157
00:55:31.840 --> 00:55:33.519
<v Speaker 2>be like the voice of reason, like I'm sure he's

1158
00:55:33.519 --> 00:55:36.960
<v Speaker 2>fine the whole time, Like he doesn't ever really dip

1159
00:55:36.960 --> 00:55:39.719
<v Speaker 2>into really worried. So they have the mom off screen

1160
00:55:39.840 --> 00:55:42.960
<v Speaker 2>worrying deeply about where the where their son is, but

1161
00:55:43.000 --> 00:55:45.320
<v Speaker 2>the father is being like the stoic ones. So it

1162
00:55:45.440 --> 00:55:50.000
<v Speaker 2>allows the movie to float above the the gruesome horror

1163
00:55:50.039 --> 00:55:50.719
<v Speaker 2>of what's going on.

1164
00:55:50.920 --> 00:55:53.480
<v Speaker 1>Yep, absolutely absolutely, And it also it gives you an

1165
00:55:53.519 --> 00:55:57.119
<v Speaker 1>excuse to have this very fun, like effervescent female character

1166
00:55:57.679 --> 00:56:00.800
<v Speaker 1>that's like, oh wait, who's missing? Was how Yah, I've

1167
00:56:00.920 --> 00:56:03.119
<v Speaker 1>cheered for a party. I'm just trying to hit on

1168
00:56:03.199 --> 00:56:04.840
<v Speaker 1>Jimmy Stewart. I don't know what the rest of you

1169
00:56:04.880 --> 00:56:08.440
<v Speaker 1>are doing. Mister Kentley asks if David is already there,

1170
00:56:08.519 --> 00:56:10.920
<v Speaker 1>and Brandon's like, wait, I was expecting him to come

1171
00:56:10.960 --> 00:56:14.119
<v Speaker 1>with you. Mister Kentley responds that David had phoned him

1172
00:56:14.159 --> 00:56:16.719
<v Speaker 1>earlier to say he would meet him here at the party,

1173
00:56:17.519 --> 00:56:20.440
<v Speaker 1>and that his mother wants him to call her. Janet

1174
00:56:20.480 --> 00:56:23.039
<v Speaker 1>decides to phone missus Kentley to let her know that

1175
00:56:23.159 --> 00:56:26.119
<v Speaker 1>David has been detained. Right, so there's a little bit

1176
00:56:26.159 --> 00:56:28.079
<v Speaker 1>of like just table setting here.

1177
00:56:29.360 --> 00:56:30.280
<v Speaker 2>Yes. Yeah.

1178
00:56:30.400 --> 00:56:34.000
<v Speaker 1>Brandon sends her to the bedroom as Paul right here,

1179
00:56:34.559 --> 00:56:36.960
<v Speaker 1>I did not clock that well done the bedroom to

1180
00:56:37.079 --> 00:56:39.559
<v Speaker 1>use the phone, and he pours her a refill and

1181
00:56:39.639 --> 00:56:42.159
<v Speaker 1>sends Kenneth to deliver it. Why don't you go send

1182
00:56:42.199 --> 00:56:44.239
<v Speaker 1>Why don't you go into the bedroom with Janet and

1183
00:56:44.239 --> 00:56:45.280
<v Speaker 1>give her this champagne.

1184
00:56:45.400 --> 00:56:47.719
<v Speaker 2>Yeah, there's a great line here where Kenneth is like,

1185
00:56:47.760 --> 00:56:49.599
<v Speaker 2>I know what you're doing and Brendon's like what am

1186
00:56:49.599 --> 00:56:51.199
<v Speaker 2>I doing? He's like, you want me to take this

1187
00:56:51.280 --> 00:56:53.760
<v Speaker 2>drink into Janet in the bedroom and then you want

1188
00:56:53.840 --> 00:56:56.360
<v Speaker 2>David to walk in, and Brenda says, oh no, that

1189
00:56:56.360 --> 00:56:57.519
<v Speaker 2>would be too much of a shock.

1190
00:56:59.039 --> 00:57:02.920
<v Speaker 1>Funny, Dave Brandon is having the best day of his life.

1191
00:57:03.119 --> 00:57:03.840
<v Speaker 2>Yeah.

1192
00:57:03.880 --> 00:57:07.760
<v Speaker 1>Meanwhile, Missus Atwater talks to Philip about his horoscope and

1193
00:57:07.880 --> 00:57:11.519
<v Speaker 1>he asks about the upcoming concert, his big debut, and

1194
00:57:11.639 --> 00:57:13.639
<v Speaker 1>she says she looks at his hands, and she goes,

1195
00:57:13.920 --> 00:57:17.559
<v Speaker 1>these hands will bring you great fame. She's not wrong,

1196
00:57:17.639 --> 00:57:18.960
<v Speaker 1>She's wrong, not wrong about that.

1197
00:57:19.159 --> 00:57:23.320
<v Speaker 2>Nope. Philippears the potential double meaning and starts to play

1198
00:57:23.320 --> 00:57:25.519
<v Speaker 2>the piano nervously. Right, he just needs to do something

1199
00:57:25.519 --> 00:57:27.679
<v Speaker 2>because why are we doing this? Why are we doing this?

1200
00:57:27.719 --> 00:57:30.639
<v Speaker 2>Why was this the plan? Right? Just in time for

1201
00:57:30.800 --> 00:57:34.360
<v Speaker 2>Rupert cadell One mister James Stewart to make his entrance

1202
00:57:34.519 --> 00:57:38.119
<v Speaker 2>and to compliment his playing. Rupert makes his way through

1203
00:57:38.159 --> 00:57:40.960
<v Speaker 2>the room. He's greeting everyone and when he comes to Brandon,

1204
00:57:41.159 --> 00:57:44.360
<v Speaker 2>who brings him champagne. We see Brandon nervous for the

1205
00:57:44.400 --> 00:57:47.760
<v Speaker 2>first time. He starts stammering and stuttering through his greeting.

1206
00:57:47.960 --> 00:57:51.199
<v Speaker 2>He starts nervously fondling the champagne bottle again. The way

1207
00:57:51.199 --> 00:57:54.599
<v Speaker 2>he interacts with Rupert is wildly different from the way

1208
00:57:54.599 --> 00:57:58.320
<v Speaker 2>he interacts with everybody else. Yeah, these two absolutely were fucking.

1209
00:57:58.320 --> 00:58:03.239
<v Speaker 1>These are two brazil nuts if I ever. I don't

1210
00:58:03.239 --> 00:58:05.239
<v Speaker 1>know much Paul, but I know two pecans when I

1211
00:58:05.239 --> 00:58:05.599
<v Speaker 1>see one.

1212
00:58:06.880 --> 00:58:07.360
<v Speaker 2>Haha.

1213
00:58:10.239 --> 00:58:12.880
<v Speaker 1>Missus Wilson brings out the final bit of food, and

1214
00:58:13.199 --> 00:58:17.079
<v Speaker 1>dinner is served just on top of the corpse. As

1215
00:58:17.119 --> 00:58:19.760
<v Speaker 1>everyone starts to like get some food, fix a plate,

1216
00:58:19.840 --> 00:58:22.679
<v Speaker 1>find a place to sit, Philip mentions to Janet that

1217
00:58:22.719 --> 00:58:25.639
<v Speaker 1>he doesn't eat chicken, and she wonders why, and he

1218
00:58:25.719 --> 00:58:28.559
<v Speaker 1>insists there's no reason, no reason at all. Janet, stop

1219
00:58:28.559 --> 00:58:32.880
<v Speaker 1>asking such dumb questions. Philip, you have to chill.

1220
00:58:33.079 --> 00:58:33.280
<v Speaker 2>Yeah.

1221
00:58:33.519 --> 00:58:36.800
<v Speaker 1>Ruper comments that he remembers the funny story about Philip

1222
00:58:37.239 --> 00:58:39.760
<v Speaker 1>and his reason for not eating chicken, and Brandon's like,

1223
00:58:39.800 --> 00:58:42.920
<v Speaker 1>that's right, there is a great story, and then Brandon

1224
00:58:43.039 --> 00:58:45.440
<v Speaker 1>starts to relate a story about how once Philip was

1225
00:58:45.480 --> 00:58:48.519
<v Speaker 1>trying to, you know, strangle a chicken for dinner like

1226
00:58:48.559 --> 00:58:52.920
<v Speaker 1>a normal person, and then like Lazarus, the chicken rose

1227
00:58:53.039 --> 00:58:53.440
<v Speaker 1>from that.

1228
00:58:53.440 --> 00:58:59.679
<v Speaker 2>That's a lie. They're so chill, they're keeping their cool perfectly.

1229
00:59:00.199 --> 00:59:02.119
<v Speaker 1>No one in the rest of the party thought, even

1230
00:59:02.159 --> 00:59:04.719
<v Speaker 1>though the story is weird, and macabre. Everyone was going

1231
00:59:04.760 --> 00:59:07.280
<v Speaker 1>with it, yeah, even smiling, and then Philip was like,

1232
00:59:07.599 --> 00:59:08.920
<v Speaker 1>shop lying about me.

1233
00:59:09.440 --> 00:59:12.239
<v Speaker 2>Monster. To be clear, in this story, they are on

1234
00:59:12.400 --> 00:59:14.639
<v Speaker 2>like a farm with chickens for dinner. He's not just

1235
00:59:14.920 --> 00:59:16.800
<v Speaker 2>you know, running out, running out with a live chicken

1236
00:59:16.800 --> 00:59:18.039
<v Speaker 2>strangled on Fifth Avenue.

1237
00:59:18.119 --> 00:59:20.719
<v Speaker 1>He's thirty first Street, to be like anyone wants chicken.

1238
00:59:22.199 --> 00:59:24.159
<v Speaker 1>The two of them start sniping at each other, and

1239
00:59:24.239 --> 00:59:26.840
<v Speaker 1>Rupert is looking on with interests because Rupert is a

1240
00:59:26.880 --> 00:59:27.559
<v Speaker 1>smart man.

1241
00:59:27.639 --> 00:59:29.800
<v Speaker 2>And he wants to fuck both of them, so we're told.

1242
00:59:29.800 --> 00:59:32.440
<v Speaker 1>And so he yeah, he's like, what's happening here? How

1243
00:59:32.440 --> 00:59:35.159
<v Speaker 1>can I use this to my advantage? The moment is

1244
00:59:35.159 --> 00:59:38.079
<v Speaker 1>broken when Janet laughs about how silly they're all being

1245
00:59:38.599 --> 00:59:42.679
<v Speaker 1>acting out about an old, dead chicken. God bless you, Janet. Yeah,

1246
00:59:43.320 --> 00:59:46.119
<v Speaker 1>let's move on because this party is awful. Yeah, and

1247
00:59:46.159 --> 00:59:47.960
<v Speaker 1>I need this to not be as awful as it

1248
00:59:48.039 --> 00:59:48.800
<v Speaker 1>is being right now.

1249
00:59:49.599 --> 00:59:52.039
<v Speaker 2>Rupert comments that it seems like the two of them

1250
00:59:52.119 --> 00:59:54.480
<v Speaker 2>might have been strangling each other in a few more moments,

1251
00:59:54.519 --> 00:59:56.360
<v Speaker 2>but he supposes that a chicken is as good a

1252
00:59:56.360 --> 00:59:58.519
<v Speaker 2>reason for murder as a mattressful of money or a

1253
00:59:58.519 --> 01:00:01.880
<v Speaker 2>beautiful woman. What a fun party guest.

1254
01:00:02.360 --> 01:00:04.960
<v Speaker 1>Actually, I think it is fun. The writing is a

1255
01:00:04.960 --> 01:00:07.239
<v Speaker 1>little on the nose here, but like everyone loves that

1256
01:00:07.280 --> 01:00:11.119
<v Speaker 1>party guest that's like, okay, would you rather, and then

1257
01:00:11.280 --> 01:00:12.760
<v Speaker 1>just comes up with something weird.

1258
01:00:12.960 --> 01:00:15.280
<v Speaker 2>I will give Jimmy Stewart this. I think in the

1259
01:00:15.320 --> 01:00:17.840
<v Speaker 2>beginning of the scene he does an excellent job of

1260
01:00:18.039 --> 01:00:21.000
<v Speaker 2>kind of pitching this, so you're like, oh, he is

1261
01:00:21.079 --> 01:00:24.440
<v Speaker 2>trying to be funny. Maybe he's a little socially awkward

1262
01:00:24.519 --> 01:00:28.400
<v Speaker 2>or whatever, but he has an incredibly incredibly dry sense

1263
01:00:28.400 --> 01:00:31.639
<v Speaker 2>of humor. Yes, and he's pitching it that way. It

1264
01:00:31.639 --> 01:00:35.480
<v Speaker 2>it flips soon and I have thoughts later, But in

1265
01:00:35.760 --> 01:00:38.519
<v Speaker 2>this case I will give him like this, does I

1266
01:00:38.559 --> 01:00:40.199
<v Speaker 2>think come off like he's kind of joking.

1267
01:00:40.639 --> 01:00:42.800
<v Speaker 1>I think he comes off as joking the whole time.

1268
01:00:43.039 --> 01:00:43.960
<v Speaker 2>I disagree.

1269
01:00:44.000 --> 01:00:45.119
<v Speaker 1>Oh okay, let's get to it.

1270
01:00:45.960 --> 01:00:48.920
<v Speaker 2>So Janet scoffs that he can't really approve a murder,

1271
01:00:49.119 --> 01:00:51.119
<v Speaker 2>and he says he does think of the problems it

1272
01:00:51.119 --> 01:00:54.639
<v Speaker 2>would solve, unemployment, poverty, standing in line for theater tickets.

1273
01:00:54.719 --> 01:00:56.880
<v Speaker 1>Your husband has said almost the exact same thing to me,

1274
01:00:56.960 --> 01:01:02.360
<v Speaker 1>by the way, fair, Yeah, so don't go saying you

1275
01:01:02.400 --> 01:01:08.239
<v Speaker 1>wouldn't want this guy at your party, you fucking married him.

1276
01:01:08.400 --> 01:01:12.880
<v Speaker 2>The party enjoys his dry macab humor, and then eventually

1277
01:01:12.880 --> 01:01:15.840
<v Speaker 2>Missus Atwater wonders if this would not just mean that

1278
01:01:15.880 --> 01:01:18.000
<v Speaker 2>everybody would be murdering each other all at the time,

1279
01:01:18.320 --> 01:01:20.639
<v Speaker 2>and Rupert assure so that murder would be an art

1280
01:01:20.760 --> 01:01:23.639
<v Speaker 2>and as such the privilege of committing it should be

1281
01:01:23.679 --> 01:01:27.880
<v Speaker 2>reserved to only a few superior individuals. Basically, Missus Atwater

1282
01:01:27.960 --> 01:01:29.840
<v Speaker 2>is like, we're not gonna do a purge, right, we

1283
01:01:29.880 --> 01:01:30.360
<v Speaker 2>don't want.

1284
01:01:30.239 --> 01:01:35.800
<v Speaker 1>People invented the perge. Yes, canonically, Rupert invented the purge,

1285
01:01:35.800 --> 01:01:38.599
<v Speaker 1>and everyone seems to be pretty much on board with it. Yeah,

1286
01:01:38.679 --> 01:01:41.840
<v Speaker 1>it's nineteen forty eight, by the way, mm hmmm, I'm

1287
01:01:41.880 --> 01:01:44.360
<v Speaker 1>just saying World War two has happened. Yeah, so this

1288
01:01:44.480 --> 01:01:47.599
<v Speaker 1>particular talk at a party seems dicey.

1289
01:01:47.800 --> 01:01:51.719
<v Speaker 2>Yeah, And to the movie's credit, it does call it out.

1290
01:01:51.800 --> 01:01:54.800
<v Speaker 1>If this party were nineteen twenty eight, or or nineteen

1291
01:01:54.840 --> 01:01:58.679
<v Speaker 1>eighteen or nineteen fucking eighteen thirty two, it would be

1292
01:01:58.760 --> 01:02:01.440
<v Speaker 1>a little less like, Okay, didn't we just all have

1293
01:02:01.559 --> 01:02:05.159
<v Speaker 1>this happen? Like, could we just like stop this conversation.

1294
01:02:05.320 --> 01:02:07.760
<v Speaker 2>It's interesting because the play where it came from was

1295
01:02:07.760 --> 01:02:10.679
<v Speaker 2>written in nineteen twenty nine. Yes, so it was before

1296
01:02:10.760 --> 01:02:12.880
<v Speaker 2>all of that, and now this is adapted after that,

1297
01:02:12.960 --> 01:02:14.960
<v Speaker 2>and they call it out they have to, they have to.

1298
01:02:15.119 --> 01:02:17.440
<v Speaker 1>Yeah, so how could you know it was even in

1299
01:02:17.480 --> 01:02:19.920
<v Speaker 1>my head into twenty twenty four. I can't imagine an

1300
01:02:19.960 --> 01:02:23.000
<v Speaker 1>audience in nineteen forty eight not being like, I feel

1301
01:02:23.039 --> 01:02:24.480
<v Speaker 1>really uncomfortable with all of this.

1302
01:02:24.679 --> 01:02:28.639
<v Speaker 2>Yeah, Brandon, who he can only get so erect, and

1303
01:02:28.719 --> 01:02:32.119
<v Speaker 2>this is he is at the apex.

1304
01:02:31.599 --> 01:02:35.760
<v Speaker 1>Of erections, this full champagne bottle. It is, it is is, yeah,

1305
01:02:35.800 --> 01:02:36.800
<v Speaker 1>Shandon and Moway.

1306
01:02:37.000 --> 01:02:40.360
<v Speaker 2>It is straining to unzip the zipper by itself from

1307
01:02:40.400 --> 01:02:41.039
<v Speaker 2>the inside.

1308
01:02:41.119 --> 01:02:45.440
<v Speaker 1>Haha. He chies is boof click going all over the room.

1309
01:02:48.679 --> 01:02:50.880
<v Speaker 1>His dam isn't pairing you, you know what I mean.

1310
01:02:55.519 --> 01:03:00.840
<v Speaker 2>He's pro sechoing. Brandon chimes in with his agreement. He

1311
01:03:00.920 --> 01:03:04.239
<v Speaker 2>says the victims should be inferior beings whose lives don't

1312
01:03:04.320 --> 01:03:07.239
<v Speaker 2>matter anyway, and Rupert agrees. So this is where it

1313
01:03:07.320 --> 01:03:13.920
<v Speaker 2>loses me, Like Brandon is not kidding, and Rupert continuing

1314
01:03:13.920 --> 01:03:15.639
<v Speaker 2>to agree with him, is where I'm like.

1315
01:03:15.920 --> 01:03:19.639
<v Speaker 1>Hey, I because there's no situation in which none of

1316
01:03:19.679 --> 01:03:22.840
<v Speaker 1>these people could conceive of what has actually happened, so

1317
01:03:23.039 --> 01:03:27.440
<v Speaker 1>they think they're just playing along to Brandon also playing

1318
01:03:27.480 --> 01:03:30.320
<v Speaker 1>along to Rupert's joke. He's less good at it.

1319
01:03:31.559 --> 01:03:34.320
<v Speaker 2>Sure, I actually agree. I think that's what the movie intends.

1320
01:03:34.719 --> 01:03:37.079
<v Speaker 2>I don't think it does not play for me, oh really,

1321
01:03:37.360 --> 01:03:40.639
<v Speaker 2>because it's like someone has to someone will eventually call

1322
01:03:40.679 --> 01:03:42.039
<v Speaker 2>a stop to this and call it out for being

1323
01:03:42.079 --> 01:03:46.960
<v Speaker 2>as deeply unsettling as it is. But Brandon is not

1324
01:03:47.199 --> 01:03:50.079
<v Speaker 2>attempting to joke, and he's not even trying to pretend

1325
01:03:50.119 --> 01:03:54.280
<v Speaker 2>like he's joking. He is practically jerking himself awfull. He

1326
01:03:54.360 --> 01:03:57.199
<v Speaker 2>talks about this and maybe, look, maybe that's an actor.

1327
01:03:57.360 --> 01:04:01.000
<v Speaker 2>That's an actor problem. Maybe that's a Johnt or a hitchcut. Like, no, John,

1328
01:04:01.079 --> 01:04:03.079
<v Speaker 2>you have to, like, you have to at least pretend

1329
01:04:03.119 --> 01:04:06.840
<v Speaker 2>that you're joking. You have to soften it, because to me,

1330
01:04:07.280 --> 01:04:09.920
<v Speaker 2>it's like it's him being an open sociopath and no one.

1331
01:04:09.760 --> 01:04:12.960
<v Speaker 1>Being like, well, maybe that's part of it too. For

1332
01:04:13.039 --> 01:04:15.000
<v Speaker 1>the movie, what you see in front of you, and

1333
01:04:15.639 --> 01:04:18.840
<v Speaker 1>like the daily evils you witness and choose to ignore

1334
01:04:19.400 --> 01:04:22.360
<v Speaker 1>or choose to like, No, that can't possibly be what

1335
01:04:22.480 --> 01:04:22.800
<v Speaker 1>I thought.

1336
01:04:22.840 --> 01:04:23.119
<v Speaker 2>It was.

1337
01:04:23.159 --> 01:04:26.360
<v Speaker 1>The denial of evil right in front of you. I mean,

1338
01:04:26.400 --> 01:04:29.280
<v Speaker 1>I'm giving the movie a lot of credit. I agree

1339
01:04:29.280 --> 01:04:31.480
<v Speaker 1>with you. If I were directing the film, I would

1340
01:04:31.519 --> 01:04:34.280
<v Speaker 1>tell him to like back it down, attach Yeah, because

1341
01:04:34.559 --> 01:04:38.480
<v Speaker 1>what I think is happening is he's being extra and

1342
01:04:38.519 --> 01:04:42.199
<v Speaker 1>everyone thinks he's joking because he's being so extra and

1343
01:04:42.239 --> 01:04:45.599
<v Speaker 1>they're they're going along with it. The performance isn't quite

1344
01:04:46.000 --> 01:04:46.440
<v Speaker 1>right for that.

1345
01:04:46.679 --> 01:04:48.880
<v Speaker 2>Yeah, Jimmy Stewart manages it in the first half of

1346
01:04:48.880 --> 01:04:51.199
<v Speaker 2>the scene, and this half for me, it doesn't work.

1347
01:04:51.280 --> 01:04:53.039
<v Speaker 1>Oh see for me, Jimmy, I can still see a

1348
01:04:53.039 --> 01:04:55.920
<v Speaker 1>smile on Jimmy Stewart's face. He is joking, and it's

1349
01:04:55.920 --> 01:04:57.880
<v Speaker 1>to me very clear he is joking.

1350
01:04:58.039 --> 01:04:58.360
<v Speaker 2>Okay.

1351
01:04:58.480 --> 01:05:01.480
<v Speaker 1>He's also kind of flirting with missus Atwater in that

1352
01:05:01.519 --> 01:05:02.039
<v Speaker 1>way that.

1353
01:05:02.039 --> 01:05:04.920
<v Speaker 2>Like gay men flirt with older women to give themselves

1354
01:05:04.920 --> 01:05:05.280
<v Speaker 2>a beard.

1355
01:05:05.360 --> 01:05:08.159
<v Speaker 1>Whatever, whatever I do to get through the weekends, all

1356
01:05:08.199 --> 01:05:11.199
<v Speaker 1>that is none of your goddamn business. But no, he

1357
01:05:11.360 --> 01:05:14.480
<v Speaker 1>is like he is. He's flirting with her in a

1358
01:05:14.519 --> 01:05:17.559
<v Speaker 1>way that like he's a younger man too than she is,

1359
01:05:17.599 --> 01:05:19.280
<v Speaker 1>not much, but like he is a younger man, like

1360
01:05:19.320 --> 01:05:21.880
<v Speaker 1>the way like some men flirt with older women because

1361
01:05:21.880 --> 01:05:24.360
<v Speaker 1>you're being fun and charming you're a party. So he's

1362
01:05:24.360 --> 01:05:26.079
<v Speaker 1>got this kind of like thing going.

1363
01:05:26.440 --> 01:05:29.559
<v Speaker 2>I see your point. I think he to me, there's

1364
01:05:29.599 --> 01:05:31.639
<v Speaker 2>an element missing. It doesn't play like that for me

1365
01:05:31.880 --> 01:05:35.199
<v Speaker 2>at this point. Once once Brandon chimes in, it just

1366
01:05:35.239 --> 01:05:40.320
<v Speaker 2>gets weird real fast, and anyone with any kind of

1367
01:05:41.239 --> 01:05:44.480
<v Speaker 2>brain would be like, okay, thank you, moving on.

1368
01:05:44.719 --> 01:05:49.039
<v Speaker 1>Ahha, No I disagree, okay, fair enough, free to disagree.

1369
01:05:49.119 --> 01:05:52.480
<v Speaker 2>Yep. Mister Kentley finally speaks up and he says he

1370
01:05:52.519 --> 01:05:55.840
<v Speaker 2>doesn't find the conversation amusing. Thank you, mister Kentley, and

1371
01:05:55.920 --> 01:05:59.960
<v Speaker 2>Rupert says any humor was unintentional, and mister Kentley doesn't

1372
01:06:00.079 --> 01:06:03.639
<v Speaker 2>believe they're serious. But Brandon wonders, why wouldn't we be serious?

1373
01:06:04.039 --> 01:06:06.360
<v Speaker 2>And kent Lee wonders, who is going to decide who

1374
01:06:06.440 --> 01:06:09.000
<v Speaker 2>is superior and who is inferior? And Brandon says the

1375
01:06:09.039 --> 01:06:12.039
<v Speaker 2>privileged few who get to commit murder, and would decide

1376
01:06:12.199 --> 01:06:16.320
<v Speaker 2>himself Philip possibly Rupert the three gay men in the room.

1377
01:06:16.840 --> 01:06:18.719
<v Speaker 1>Do you think that was intentional?

1378
01:06:19.159 --> 01:06:23.079
<v Speaker 2>I think it is a rightly choice to list those three.

1379
01:06:23.920 --> 01:06:28.199
<v Speaker 2>And my interpretation of the film was like, those three

1380
01:06:28.239 --> 01:06:31.519
<v Speaker 2>men are gay. You were kind of joking about You're

1381
01:06:31.559 --> 01:06:34.360
<v Speaker 2>thinking maybe David and kind of joking also about maybe Kenneth, Like, like,

1382
01:06:34.400 --> 01:06:36.679
<v Speaker 2>all four of these men are just having a good

1383
01:06:36.719 --> 01:06:37.320
<v Speaker 2>time with each other.

1384
01:06:37.639 --> 01:06:39.039
<v Speaker 1>What a lucky dorm room that was.

1385
01:06:39.199 --> 01:06:43.519
<v Speaker 2>Yeah, truly, Oh God, the dream. But I didn't view

1386
01:06:43.559 --> 01:06:46.239
<v Speaker 2>those two as as gay because they because they were

1387
01:06:46.280 --> 01:06:50.079
<v Speaker 2>looked down upon so much by the other three, not

1388
01:06:50.119 --> 01:06:53.719
<v Speaker 2>so much Rupert, but by the two the two confirmed homosexuals.

1389
01:06:53.840 --> 01:06:57.599
<v Speaker 1>Yeah. Do you think Brandon's conception of superiority comes from

1390
01:06:57.639 --> 01:06:59.360
<v Speaker 1>the fact that he's gay? Ye?

1391
01:06:59.679 --> 01:07:01.280
<v Speaker 2>Other he is not ordinary?

1392
01:07:01.840 --> 01:07:06.000
<v Speaker 1>Oh that's interesting. Yeah, that's fucking evil.

1393
01:07:06.199 --> 01:07:10.239
<v Speaker 2>Yeah, yeah, and that is what we all think.

1394
01:07:11.199 --> 01:07:15.679
<v Speaker 1>That is why all Disney villains are gay? Are gay men?

1395
01:07:16.280 --> 01:07:19.800
<v Speaker 1>I can see that because the one absolutely right, those

1396
01:07:19.840 --> 01:07:21.599
<v Speaker 1>three are the three that he names. He's not like

1397
01:07:21.679 --> 01:07:22.440
<v Speaker 1>missus Wilson.

1398
01:07:22.599 --> 01:07:26.199
<v Speaker 2>Yeah, and he's. One of the truest lines he says

1399
01:07:26.199 --> 01:07:28.960
<v Speaker 2>in the movie is when Philip says, why because being

1400
01:07:29.000 --> 01:07:31.280
<v Speaker 2>weak as human? He becays, no, because it's ordinary, Like

1401
01:07:31.320 --> 01:07:33.599
<v Speaker 2>he does not want to be ordinary. Yeah, he wants

1402
01:07:33.639 --> 01:07:35.800
<v Speaker 2>an artistic talent. He wants people to know he pulled

1403
01:07:35.840 --> 01:07:37.920
<v Speaker 2>off this perfect crime. He wants all of this, and

1404
01:07:37.960 --> 01:07:41.000
<v Speaker 2>he wants being ordinary is the worst thing so being normal,

1405
01:07:41.360 --> 01:07:44.719
<v Speaker 2>being straight. You listen to me straight people.

1406
01:07:46.280 --> 01:07:48.519
<v Speaker 1>We're coming for You're coming for you. We're coming for

1407
01:07:48.559 --> 01:07:49.079
<v Speaker 1>you straight.

1408
01:07:49.320 --> 01:07:53.039
<v Speaker 2>Yeah, that was how I interpreted it. But I can't

1409
01:07:53.039 --> 01:07:54.679
<v Speaker 2>remember if you said this on micro off Mike. No

1410
01:07:54.719 --> 01:07:57.159
<v Speaker 2>one knows. There's no like like it could be anything

1411
01:07:57.320 --> 01:07:59.679
<v Speaker 2>any how anyone interprets it like what you're saying about

1412
01:08:00.079 --> 01:08:03.039
<v Speaker 2>about like all four of them being like, I mean.

1413
01:08:02.960 --> 01:08:06.719
<v Speaker 1>There's really no there's nothing in the film to back

1414
01:08:06.800 --> 01:08:09.920
<v Speaker 1>up my claim on Kenneth. Frankly, I think there's a

1415
01:08:09.920 --> 01:08:11.960
<v Speaker 1>little bit more to back up my claim on David Well.

1416
01:08:11.920 --> 01:08:13.920
<v Speaker 2>When you lay it out, like what did he think

1417
01:08:14.039 --> 01:08:15.760
<v Speaker 2>was happening like ecstasy of.

1418
01:08:15.760 --> 01:08:17.640
<v Speaker 1>The last of his last moment in life. But like,

1419
01:08:17.720 --> 01:08:20.680
<v Speaker 1>that is such an interesting interpretation. I'm going to think

1420
01:08:20.680 --> 01:08:23.760
<v Speaker 1>about that. I'm gonna marinate on that because I think

1421
01:08:23.800 --> 01:08:27.199
<v Speaker 1>you're right. I think that I think Arthur Lawrence maybe

1422
01:08:27.279 --> 01:08:28.479
<v Speaker 1>slip some of that in there too.

1423
01:08:28.680 --> 01:08:29.239
<v Speaker 2>Yeah.

1424
01:08:29.399 --> 01:08:29.880
<v Speaker 1>Interesting.

1425
01:08:30.920 --> 01:08:33.800
<v Speaker 2>So basically he lists off these three people, Brandon and

1426
01:08:33.840 --> 01:08:36.319
<v Speaker 2>he says we are people so superior to the average

1427
01:08:36.359 --> 01:08:40.279
<v Speaker 2>man that we are above basic moral concepts, and Kentley

1428
01:08:40.319 --> 01:08:43.239
<v Speaker 2>comments that Brandon's words of Oke Hitler and Brandon says

1429
01:08:43.279 --> 01:08:46.640
<v Speaker 2>Hitler's a paranoid savage, and kent Ley finally shuts him

1430
01:08:46.680 --> 01:08:48.840
<v Speaker 2>down by saying, I don't want to hear any more

1431
01:08:48.880 --> 01:08:50.279
<v Speaker 2>of your contempt for humanity.

1432
01:08:50.439 --> 01:08:55.600
<v Speaker 1>This party sucks. Imagine going to a party. Someone's like,

1433
01:08:56.000 --> 01:09:01.520
<v Speaker 1>Someone's like, there is an uberman, Jesus Christ. I just

1434
01:09:01.560 --> 01:09:03.079
<v Speaker 1>wanted to talk about theater.

1435
01:09:03.319 --> 01:09:08.399
<v Speaker 2>Are there tostitos anywhere? Is there a Check's party mix

1436
01:09:08.479 --> 01:09:10.880
<v Speaker 2>that I can just dive face first into and get

1437
01:09:10.920 --> 01:09:12.039
<v Speaker 2>the fuck out of this room?

1438
01:09:12.159 --> 01:09:17.399
<v Speaker 1>Can someone put the game on tv? This is the

1439
01:09:17.399 --> 01:09:19.439
<v Speaker 1>worst Super Bowl party I've ever been to.

1440
01:09:19.680 --> 01:09:26.600
<v Speaker 2>I'm dying for nachos. Can we order nachos? Brandon apologizes

1441
01:09:26.640 --> 01:09:29.039
<v Speaker 2>for getting carried away, and most of the party departs

1442
01:09:29.079 --> 01:09:31.800
<v Speaker 2>the living room to see the books in the dining room. Man,

1443
01:09:32.119 --> 01:09:36.199
<v Speaker 2>we were short on entertainment in nineteen forty eight. Let's

1444
01:09:36.239 --> 01:09:40.840
<v Speaker 2>go look at books at this party. That'll be fun.

1445
01:09:41.319 --> 01:09:44.880
<v Speaker 1>This party is so bad. Let's go look at books,

1446
01:09:44.960 --> 01:09:46.800
<v Speaker 1>not open them, just look at them.

1447
01:09:46.840 --> 01:09:49.359
<v Speaker 2>And Brenda's like they're candelabras too. Follow me.

1448
01:09:53.279 --> 01:09:56.760
<v Speaker 1>This is the word party ever. Okay, we've talked about

1449
01:09:56.760 --> 01:09:58.239
<v Speaker 1>this a lot. You know that game we play with

1450
01:09:58.439 --> 01:10:01.159
<v Speaker 1>where we're like which party. Are you movie history would

1451
01:10:01.159 --> 01:10:01.840
<v Speaker 1>you want to join?

1452
01:10:02.439 --> 01:10:03.520
<v Speaker 2>Not this one?

1453
01:10:04.399 --> 01:10:06.279
<v Speaker 1>Possibly dead fucking last.

1454
01:10:09.359 --> 01:10:12.880
<v Speaker 2>So most of the people depart, leaving Janet and Kenneth alone.

1455
01:10:13.560 --> 01:10:15.800
<v Speaker 1>Janet and Kenneth have a heart to heart where we

1456
01:10:15.880 --> 01:10:19.079
<v Speaker 1>learned that, despite Brandon accusing Janet of dumping Kenneth for

1457
01:10:19.199 --> 01:10:24.039
<v Speaker 1>David's money, Kenneth actually broke up with her. Yeah, okay,

1458
01:10:24.079 --> 01:10:24.920
<v Speaker 1>my case is building.

1459
01:10:25.399 --> 01:10:26.520
<v Speaker 2>Is building again, Katies.

1460
01:10:26.279 --> 01:10:28.239
<v Speaker 1>And gentlemen of the jury.

1461
01:10:29.279 --> 01:10:34.439
<v Speaker 2>In the case of Kenneth v. Homosexual in the case

1462
01:10:34.479 --> 01:10:35.359
<v Speaker 2>of Kenneth v.

1463
01:10:35.520 --> 01:10:37.000
<v Speaker 1>Friends of Dorothy.

1464
01:10:39.760 --> 01:10:42.439
<v Speaker 2>In the case of the heaviness of Kenneth's loafers.

1465
01:10:46.239 --> 01:10:49.439
<v Speaker 1>So Janet wishes that Kenneth and David could be friends again,

1466
01:10:49.680 --> 01:10:52.279
<v Speaker 1>just as they were before romance got in the way.

1467
01:10:53.279 --> 01:10:54.439
<v Speaker 1>I'm not even to touch that one.

1468
01:10:54.560 --> 01:10:54.760
<v Speaker 2>Yeah.

1469
01:10:55.479 --> 01:10:58.239
<v Speaker 1>They quickly realized that Brandon was playing dumb about not

1470
01:10:58.359 --> 01:11:01.439
<v Speaker 1>knowing about their whole situation to inviting them both to

1471
01:11:01.479 --> 01:11:04.199
<v Speaker 1>the party, right, So she's like that son of a

1472
01:11:04.199 --> 01:11:06.560
<v Speaker 1>bitch is just stirring the pot for no fucking reason.

1473
01:11:06.880 --> 01:11:09.359
<v Speaker 1>Of course, they know something that even Brandon doesn't know,

1474
01:11:09.439 --> 01:11:14.159
<v Speaker 1>right that, like Kenneth dumped Janet. Yeah, Janet's being slutshamed

1475
01:11:14.439 --> 01:11:17.439
<v Speaker 1>for no fucking reason. She's not about to have it.

1476
01:11:18.079 --> 01:11:20.640
<v Speaker 1>She calls Brandon in and asks, what the fuck is

1477
01:11:20.680 --> 01:11:22.920
<v Speaker 1>your game? I wish they could curse in this movie.

1478
01:11:23.000 --> 01:11:24.760
<v Speaker 1>She can't, So she just asked what his game is?

1479
01:11:26.079 --> 01:11:28.920
<v Speaker 2>I wrote down the response. Can I give it to you?

1480
01:11:28.960 --> 01:11:31.439
<v Speaker 1>Brandon? What the fuck is your game?

1481
01:11:32.119 --> 01:11:35.359
<v Speaker 2>Some women are quite charming when they're angry, Janet, Unfortunately

1482
01:11:35.520 --> 01:11:47.079
<v Speaker 2>you're not. That is varsity level hunch. I'm sorry. It's

1483
01:11:47.239 --> 01:11:50.079
<v Speaker 2>like he knows why he's angry and he's still gonna

1484
01:11:50.119 --> 01:11:51.840
<v Speaker 2>just like Shanker in the stomach.

1485
01:11:51.920 --> 01:11:54.319
<v Speaker 1>I feel like Sasha Valor just called me a whore,

1486
01:11:56.000 --> 01:11:59.880
<v Speaker 1>not in a good way. So Janet snaps that she

1487
01:12:00.039 --> 01:12:02.760
<v Speaker 1>doesn't think David is coming after all, and she doesn't

1488
01:12:02.760 --> 01:12:03.319
<v Speaker 1>even think.

1489
01:12:03.119 --> 01:12:06.800
<v Speaker 2>He Oh he came. He wasn't the only one.

1490
01:12:07.239 --> 01:12:10.760
<v Speaker 1>Who if when we turn on the black light, this

1491
01:12:10.880 --> 01:12:14.399
<v Speaker 1>room is a fucking painting Jackson Pollock painting.

1492
01:12:14.640 --> 01:12:15.720
<v Speaker 2>Yeah.

1493
01:12:15.800 --> 01:12:18.840
<v Speaker 1>She's like, did you even invite David to this party?

1494
01:12:18.920 --> 01:12:20.640
<v Speaker 1>Or did you set all of this up just to

1495
01:12:20.640 --> 01:12:24.079
<v Speaker 1>get me and Kenneth back together? And Brandon's like, I

1496
01:12:24.119 --> 01:12:28.680
<v Speaker 1>have bigger fish to fry, yeah than your whole drama. Uh,

1497
01:12:28.720 --> 01:12:30.039
<v Speaker 1>don't worry about it.

1498
01:12:30.039 --> 01:12:33.279
<v Speaker 2>So Janet and Kenneth stalk away, and Rupert approaches to

1499
01:12:33.399 --> 01:12:36.000
<v Speaker 2>also wonder where could David be.

1500
01:12:36.239 --> 01:12:37.680
<v Speaker 1>David must be fascinating.

1501
01:12:37.760 --> 01:12:38.199
<v Speaker 2>Yeah.

1502
01:12:38.279 --> 01:12:41.079
<v Speaker 1>Can you imagine a party where like someone's ten minutes

1503
01:12:41.159 --> 01:12:42.399
<v Speaker 1>late and everyone's like, where are they?

1504
01:12:42.520 --> 01:12:45.359
<v Speaker 2>Where I hear you? I presume that's what happens when

1505
01:12:45.359 --> 01:12:46.399
<v Speaker 2>I'm ten minutes late to a party.

1506
01:12:46.439 --> 01:12:48.279
<v Speaker 1>Is that You've never been ten minutes late to a party?

1507
01:12:48.359 --> 01:12:48.520
<v Speaker 2>Yeah?

1508
01:12:48.600 --> 01:12:51.479
<v Speaker 1>If you do have me there, I dare you to

1509
01:12:51.560 --> 01:12:53.560
<v Speaker 1>be thirty minutes late to something one day.

1510
01:12:54.319 --> 01:12:58.159
<v Speaker 2>I would literally show up and I would have sweat

1511
01:12:58.239 --> 01:13:01.199
<v Speaker 2>all the way down. You know those tank tops where

1512
01:13:01.239 --> 01:13:04.199
<v Speaker 2>like they like the sweat stain. I cannot handle being late.

1513
01:13:04.279 --> 01:13:06.760
<v Speaker 1>I understand because when I'm late for something with you,

1514
01:13:06.880 --> 01:13:09.439
<v Speaker 1>which is often most of the time, when I'm late

1515
01:13:09.479 --> 01:13:11.159
<v Speaker 1>to something, I don't care. But when I'm late to

1516
01:13:11.199 --> 01:13:15.119
<v Speaker 1>something with you, I get nervous on your behalf. I'm like,

1517
01:13:15.199 --> 01:13:18.039
<v Speaker 1>he is going to be so nervous that I am late.

1518
01:13:18.840 --> 01:13:22.960
<v Speaker 1>I'm sorry, this is somehow your anxiety has hit me.

1519
01:13:23.600 --> 01:13:24.960
<v Speaker 2>I'm sorry. That's awful.

1520
01:13:26.359 --> 01:13:28.720
<v Speaker 1>It's not awful, you know what, bitch, Beyond time of things,

1521
01:13:30.039 --> 01:13:32.840
<v Speaker 1>that's my problem for being ten minutes late to everything.

1522
01:13:34.199 --> 01:13:37.720
<v Speaker 2>All right, So Brandon says, I'm also wondering, and he

1523
01:13:37.840 --> 01:13:39.920
<v Speaker 2>just goes to get dessert, leaving Rupert alone in the

1524
01:13:39.960 --> 01:13:42.239
<v Speaker 2>living room. Rupert, by the way, is carrying the most

1525
01:13:42.279 --> 01:13:46.479
<v Speaker 2>fifty dessert fifties dessert ever, which is like ice cream

1526
01:13:46.600 --> 01:13:51.560
<v Speaker 2>pyramids with chocolate sauce on them and a Maraschino cherry

1527
01:13:51.640 --> 01:13:54.239
<v Speaker 2>and then I guess maybe a piece of short bread.

1528
01:13:54.319 --> 01:13:56.880
<v Speaker 1>I think it's merangue, is it morene? I thought they

1529
01:13:56.880 --> 01:14:00.760
<v Speaker 1>were like merengue puffs like pre funerals, but the ice

1530
01:14:00.800 --> 01:14:02.760
<v Speaker 1>cream is on the outside for some reason.

1531
01:14:02.640 --> 01:14:05.119
<v Speaker 2>Or maybe that was whipped cream. It's wild whipped cream.

1532
01:14:05.119 --> 01:14:07.720
<v Speaker 1>It's probably whippcream because obviously it's a movie, so most

1533
01:14:07.720 --> 01:14:09.760
<v Speaker 1>people aren't eating their food, and so it has to

1534
01:14:09.800 --> 01:14:11.720
<v Speaker 1>sit out for a while and it doesn't quite melt.

1535
01:14:11.960 --> 01:14:15.199
<v Speaker 1>Yeah yeah, yeah, yeah, okay, so maybe those are like mringe.

1536
01:14:15.279 --> 01:14:17.560
<v Speaker 2>It's probably actually shaving cream or something to make it

1537
01:14:17.560 --> 01:14:18.840
<v Speaker 2>make it total had because.

1538
01:14:18.640 --> 01:14:19.760
<v Speaker 1>Actors are eating, oh they are.

1539
01:14:19.840 --> 01:14:20.880
<v Speaker 2>Actors are eating during the.

1540
01:14:20.800 --> 01:14:24.039
<v Speaker 1>Show during the movie. There's some Instagram account that I

1541
01:14:24.079 --> 01:14:26.640
<v Speaker 1>follow called seventies Cookbook, which is one of my favorite

1542
01:14:26.680 --> 01:14:30.600
<v Speaker 1>Instagram accounts, and it's just someone posting about horrible old

1543
01:14:30.760 --> 01:14:38.279
<v Speaker 1>cookbook recipes like hot dog salado, which is basically hot

1544
01:14:38.319 --> 01:14:41.399
<v Speaker 1>dogs in a gell mold with like I don't know

1545
01:14:41.760 --> 01:14:44.039
<v Speaker 1>sour cream on it. I don't even know what it is. Yeah,

1546
01:14:44.079 --> 01:14:45.880
<v Speaker 1>but like it's that kind of shit. This is You're

1547
01:14:45.880 --> 01:14:49.199
<v Speaker 1>absolutely right. This is so nineteen fifties terrible.

1548
01:14:49.159 --> 01:14:53.079
<v Speaker 2>All right. So missus Wilson enters and she confides in Rupert.

1549
01:14:53.119 --> 01:14:55.439
<v Speaker 2>Remember we learned earlier that missus Wilson like used to

1550
01:14:55.479 --> 01:14:57.720
<v Speaker 2>work for Rupert before she worked for Brandon and fell up.

1551
01:14:58.000 --> 01:15:00.479
<v Speaker 2>She's just flitting from gay.

1552
01:15:00.680 --> 01:15:02.720
<v Speaker 1>Look, she's got a niche and she's filling it. That's right,

1553
01:15:04.600 --> 01:15:05.920
<v Speaker 1>just like David and brand just like.

1554
01:15:06.800 --> 01:15:10.760
<v Speaker 2>It's like Philip and Brent. So she comments to him

1555
01:15:10.760 --> 01:15:13.640
<v Speaker 2>immediately starts gossiping, right, the help always has all the

1556
01:15:13.640 --> 01:15:17.000
<v Speaker 2>best gossip, right, And she says, Brandon and Philip have

1557
01:15:17.119 --> 01:15:19.520
<v Speaker 2>been worked up all day. There was a last minute

1558
01:15:19.560 --> 01:15:21.600
<v Speaker 2>change in the dinner setting, and now I have to

1559
01:15:21.640 --> 01:15:24.319
<v Speaker 2>clean off this wooden chest and replace the books inside

1560
01:15:24.359 --> 01:15:26.319
<v Speaker 2>of it where they originally were stored, rather than just

1561
01:15:26.319 --> 01:15:28.640
<v Speaker 2>simply having them on the chest in the first place,

1562
01:15:28.680 --> 01:15:30.439
<v Speaker 2>and eating in a dining room like a civilized blah

1563
01:15:30.479 --> 01:15:33.359
<v Speaker 2>blah blah blah blah. And Philip hears her complaining and

1564
01:15:33.399 --> 01:15:35.760
<v Speaker 2>he tried her to serve the guests and don't lecture.

1565
01:15:36.199 --> 01:15:37.920
<v Speaker 2>Philip says that not Brandon.

1566
01:15:37.560 --> 01:15:40.560
<v Speaker 1>No I know, because Phillip's like, do not shut up,

1567
01:15:40.640 --> 01:15:43.399
<v Speaker 1>shut up, shut up, You're blowing up our spot. He

1568
01:15:43.479 --> 01:15:46.880
<v Speaker 1>says it in the worst way. He's like, servant girl,

1569
01:15:47.079 --> 01:15:49.000
<v Speaker 1>continue to serve and don't keep your mouth.

1570
01:15:49.199 --> 01:15:54.600
<v Speaker 2>Excuse me, beer wench. So Rupert takes all of this

1571
01:15:54.680 --> 01:15:57.640
<v Speaker 2>in with a contemplative expression. He's gathering information.

1572
01:15:58.239 --> 01:16:01.439
<v Speaker 1>Philip flounces over to the piano and starts to play

1573
01:16:01.640 --> 01:16:02.800
<v Speaker 1>a flounce of gaze.

1574
01:16:02.880 --> 01:16:03.760
<v Speaker 2>A flounce of gaze.

1575
01:16:03.840 --> 01:16:08.479
<v Speaker 1>Oh, this movie features a flounce of gays. Rupert follows

1576
01:16:08.479 --> 01:16:10.640
<v Speaker 1>and asks him what's going on. He's like, why is

1577
01:16:10.720 --> 01:16:14.319
<v Speaker 1>the vibe so fucking weird at this party? What is happening?

1578
01:16:14.800 --> 01:16:17.000
<v Speaker 1>This is the worst Christening I've ever been to.

1579
01:16:17.920 --> 01:16:19.920
<v Speaker 2>I know that a brisk can sometimes be a little

1580
01:16:19.920 --> 01:16:22.239
<v Speaker 2>bit weird, okay, but this is odd.

1581
01:16:22.359 --> 01:16:25.399
<v Speaker 1>This is the this is heavy. It's a heavy brisk.

1582
01:16:25.479 --> 01:16:27.439
<v Speaker 2>If there's too many boys at the brist they get

1583
01:16:27.479 --> 01:16:28.640
<v Speaker 2>real squirreling. Ah.

1584
01:16:30.760 --> 01:16:33.760
<v Speaker 1>Philip tries to avoid the question, But then Rupert presses

1585
01:16:33.840 --> 01:16:36.079
<v Speaker 1>and he and Philip snaps on him. He's like, say

1586
01:16:36.079 --> 01:16:39.319
<v Speaker 1>what you mean, Rupert? Yeah, and Rupert goes, where's David?

1587
01:16:39.399 --> 01:16:42.279
<v Speaker 1>Point blank? Philip says, I don't know, how would I

1588
01:16:42.319 --> 01:16:45.520
<v Speaker 1>know what? I'm just like the piano party? What my

1589
01:16:45.600 --> 01:16:46.479
<v Speaker 1>David's keepert.

1590
01:16:46.239 --> 01:16:48.960
<v Speaker 2>I would say that they had him keep playing faster

1591
01:16:49.039 --> 01:16:50.479
<v Speaker 2>and faster, like by the end he's doing like the

1592
01:16:50.520 --> 01:16:51.319
<v Speaker 2>Flight of the Bumblebee.

1593
01:16:53.399 --> 01:16:56.399
<v Speaker 1>Rupert is like, what is Brandon trying to accomplish with

1594
01:16:56.520 --> 01:16:59.199
<v Speaker 1>Janet and Kenneth? So I like that they get that

1595
01:16:59.359 --> 01:17:02.960
<v Speaker 1>something's a fo they're so so deeply wrong about what

1596
01:17:03.000 --> 01:17:09.000
<v Speaker 1>it is. Philip laughs. He's like, oh, okay, okay, So

1597
01:17:09.119 --> 01:17:12.680
<v Speaker 1>you think it's about nothing's going on, don't worry about it.

1598
01:17:12.680 --> 01:17:14.680
<v Speaker 2>It's just normal Brandon shit, just.

1599
01:17:14.760 --> 01:17:17.760
<v Speaker 1>Normal Brandon trying to set people up. Don't worry about it.

1600
01:17:18.199 --> 01:17:20.399
<v Speaker 1>And then Rupert comments that this is the second time

1601
01:17:20.439 --> 01:17:23.159
<v Speaker 1>you've lied to me tonight, Philip, and the first time

1602
01:17:23.199 --> 01:17:27.319
<v Speaker 1>is when it said you never strangled chicken. Philip's like what,

1603
01:17:28.000 --> 01:17:31.920
<v Speaker 1>and Rupert's like, I remembered the story about you strangling

1604
01:17:31.960 --> 01:17:34.760
<v Speaker 1>the chicken. You've told it before. And then Philip stops

1605
01:17:34.800 --> 01:17:36.880
<v Speaker 1>playing and turns away in a burst of anxiety.

1606
01:17:37.039 --> 01:17:40.199
<v Speaker 2>Unfortunately, the first thing and already flustered Philip sees when

1607
01:17:40.199 --> 01:17:43.319
<v Speaker 2>he turns away is Kentley leaving with some books tied

1608
01:17:43.359 --> 01:17:48.199
<v Speaker 2>together with the titular rope. Ouch Brandon is such a

1609
01:17:48.199 --> 01:17:54.680
<v Speaker 2>fuck wad, just the worst. He goes white as a sheet.

1610
01:17:55.039 --> 01:17:58.119
<v Speaker 2>Philip to be clear, and Rupert presses him as to

1611
01:17:58.199 --> 01:18:00.039
<v Speaker 2>what's wrong, and he just says, well, I just I

1612
01:18:00.039 --> 01:18:01.680
<v Speaker 2>think it's a clumsy way to type those books.

1613
01:18:01.880 --> 01:18:05.760
<v Speaker 1>It's just weird, perfect save Philip, no notes, nailed.

1614
01:18:05.399 --> 01:18:08.600
<v Speaker 2>It, just say just say that the cold pheasant isn't

1615
01:18:08.600 --> 01:18:10.920
<v Speaker 2>agreeing with me. I have to go shiit my brains out, and.

1616
01:18:11.079 --> 01:18:14.720
<v Speaker 1>Like gues you then are serving cold pheasant. That is

1617
01:18:14.760 --> 01:18:17.520
<v Speaker 1>a very easy thing to be like cold pheasant and

1618
01:18:17.520 --> 01:18:20.359
<v Speaker 1>whatever fucking dessert this is.

1619
01:18:20.399 --> 01:18:23.079
<v Speaker 2>And this gelatinous mass.

1620
01:18:22.520 --> 01:18:26.159
<v Speaker 1>Is currently creating a storm system in my lower bowels.

1621
01:18:27.199 --> 01:18:29.399
<v Speaker 2>And everyone's gonna want to leave real quick.

1622
01:18:29.279 --> 01:18:32.840
<v Speaker 1>Katee patteras look, look out, a storm's a bruin.

1623
01:18:34.960 --> 01:18:37.239
<v Speaker 2>So Philip slips away from Rupert. As the older man

1624
01:18:37.279 --> 01:18:39.279
<v Speaker 2>looks at the bundle of books, He's like.

1625
01:18:40.039 --> 01:18:42.359
<v Speaker 1>We're a weird thing to be freaked out about here's

1626
01:18:42.479 --> 01:18:45.439
<v Speaker 1>acting awful weird. We've never we should do Jimmy Stewart's

1627
01:18:45.680 --> 01:18:46.039
<v Speaker 1>fair up.

1628
01:18:46.079 --> 01:18:47.079
<v Speaker 2>Tell me what's going on?

1629
01:18:47.920 --> 01:18:49.119
<v Speaker 1>Are you acting so weird?

1630
01:18:49.199 --> 01:18:51.760
<v Speaker 2>Philip, Mine sounds like agent double panties.

1631
01:18:53.199 --> 01:18:55.560
<v Speaker 1>I don't know what mine sounds like. It's perfect.

1632
01:18:55.920 --> 01:18:57.640
<v Speaker 2>It sounds like Jimmy Stewart, the.

1633
01:18:57.520 --> 01:19:01.000
<v Speaker 1>Perfect Jimmy Stewart. I have the perfect Jimmy Stewart.

1634
01:19:01.119 --> 01:19:03.720
<v Speaker 2>That's not bad. You have watched It's a wonderful life

1635
01:19:03.720 --> 01:19:04.000
<v Speaker 2>a lot.

1636
01:19:04.079 --> 01:19:09.119
<v Speaker 1>It's terrible, thank you? Why why are you being so squorely? Brandon?

1637
01:19:09.720 --> 01:19:12.760
<v Speaker 2>You told the story about strangling the chicken before, Brandon,

1638
01:19:13.000 --> 01:19:13.359
<v Speaker 2>it was.

1639
01:19:13.319 --> 01:19:17.479
<v Speaker 1>A euphemism for masturbation. Everyone knew what we were talking about.

1640
01:19:17.479 --> 01:19:19.960
<v Speaker 2>Brandon. I love the way you fondled that champagne bottle.

1641
01:19:21.479 --> 01:19:22.720
<v Speaker 1>I think I'll stay the night.

1642
01:19:23.039 --> 01:19:24.920
<v Speaker 2>Get out the whips and change. It's gonna be a

1643
01:19:24.960 --> 01:19:25.800
<v Speaker 2>fun one kids.

1644
01:19:26.600 --> 01:19:32.399
<v Speaker 1>Welcome to Bedford Falls. Everyone. Philip and Brandon start another

1645
01:19:32.479 --> 01:19:37.000
<v Speaker 1>hushed argument. Right God, these two yeah, stepping on rates

1646
01:19:37.079 --> 01:19:42.159
<v Speaker 1>every fucking chance they get. But we committed the perfect murder.

1647
01:19:44.720 --> 01:19:46.600
<v Speaker 1>No one can hear me. I'm whispering.

1648
01:19:47.199 --> 01:19:49.680
<v Speaker 2>This living room is at least twelve by twelve.

1649
01:19:51.039 --> 01:19:54.760
<v Speaker 1>Rupert walks over and interrupts their hushed, weird fucking conversation.

1650
01:19:55.279 --> 01:19:57.920
<v Speaker 1>He says, there's something that is upsetting you both, and

1651
01:19:58.000 --> 01:20:00.079
<v Speaker 1>I am here to get to the and then he

1652
01:20:00.159 --> 01:20:03.920
<v Speaker 1>is interrupted by Missus Wilson with word that Missus Kentley

1653
01:20:03.960 --> 01:20:05.439
<v Speaker 1>is on the phone and would like to speak to

1654
01:20:05.560 --> 01:20:09.199
<v Speaker 1>any member of her family. Missus Atwater goes to take

1655
01:20:09.239 --> 01:20:11.000
<v Speaker 1>the call, and I do miss her presence when she's

1656
01:20:11.000 --> 01:20:13.760
<v Speaker 1>not in the room, as the party goers continue to

1657
01:20:13.800 --> 01:20:16.960
<v Speaker 1>talk about David's mysterious absence. Seriously, he has been gone

1658
01:20:16.960 --> 01:20:20.199
<v Speaker 1>for ten minutes. Missus Wilson, in the meantime, goes about

1659
01:20:20.239 --> 01:20:22.560
<v Speaker 1>cleaning off the wooden chest from the remains of the dinner,

1660
01:20:22.840 --> 01:20:25.079
<v Speaker 1>and she gets all the way to bringing the books

1661
01:20:25.159 --> 01:20:29.680
<v Speaker 1>back in and starts to open the chest with Rupert's help.

1662
01:20:29.680 --> 01:20:33.279
<v Speaker 1>They're carrying books back into the chest when Brandon rushes

1663
01:20:33.319 --> 01:20:36.159
<v Speaker 1>over and insists that Missus Wilson can replace the books

1664
01:20:36.199 --> 01:20:38.399
<v Speaker 1>in the morning. Do it in the morning, don't do

1665
01:20:38.479 --> 01:20:38.800
<v Speaker 1>it now.

1666
01:20:38.880 --> 01:20:40.359
<v Speaker 2>She does ow great line here. She's like, I wasn't

1667
01:20:40.359 --> 01:20:42.119
<v Speaker 2>planning on being here in the morning. He's like, bitch,

1668
01:20:42.199 --> 01:20:46.399
<v Speaker 2>change of plans one hundred percent. Missus Atwater returns with

1669
01:20:46.439 --> 01:20:49.199
<v Speaker 2>the report that Missus Kentley is now frantic about David

1670
01:20:49.239 --> 01:20:50.439
<v Speaker 2>and wants to call the police.

1671
01:20:50.840 --> 01:20:54.960
<v Speaker 1>Helicopter much David is a grown ass man. If we

1672
01:20:55.159 --> 01:20:57.640
<v Speaker 1>didn't know he was murdered, these people would seem in.

1673
01:20:57.720 --> 01:20:59.560
<v Speaker 2>Sane, insane insane.

1674
01:20:59.640 --> 01:21:03.279
<v Speaker 1>He is, He's thirty. Calm the fuck down, everybody.

1675
01:21:04.199 --> 01:21:08.000
<v Speaker 2>So mister Kentley, Missus Atwater, Janet, and Kenneth all head

1676
01:21:08.119 --> 01:21:10.439
<v Speaker 2>back to the Kentley house to wait for David, and

1677
01:21:10.560 --> 01:21:13.560
<v Speaker 2>Rupert also prepares to depart, and as everyone is saying

1678
01:21:13.560 --> 01:21:16.520
<v Speaker 2>they're goodbyes, Missus Wilson grabs Rupert's hat for him, because

1679
01:21:16.520 --> 01:21:18.720
<v Speaker 2>again she has a little crush on him, right, but

1680
01:21:18.840 --> 01:21:21.119
<v Speaker 2>she grabs the wrong one and he looks inside the

1681
01:21:21.159 --> 01:21:24.640
<v Speaker 2>hat and he sees the initials d Kay. Inside it's

1682
01:21:24.640 --> 01:21:28.840
<v Speaker 2>a Donna Karen hat. Y'all. Oo so exciting, so exciting.

1683
01:21:29.319 --> 01:21:33.319
<v Speaker 1>Okay, boys, oh Paul, I see no problem with their

1684
01:21:33.399 --> 01:21:35.680
<v Speaker 1>otherwise perfect murder.

1685
01:21:35.560 --> 01:21:39.920
<v Speaker 2>Nut boys, Listen to me. You murdered them and you

1686
01:21:40.039 --> 01:21:42.760
<v Speaker 2>didn't remember to just take all of the possessions he

1687
01:21:42.800 --> 01:21:44.239
<v Speaker 2>brought in with him and put it in the coffin

1688
01:21:44.279 --> 01:21:47.880
<v Speaker 2>with him. Come on, come on, this is basic Paul.

1689
01:21:47.920 --> 01:21:51.039
<v Speaker 1>They're geniuses. They're better than us. They don't need to

1690
01:21:51.039 --> 01:21:51.680
<v Speaker 1>be good at this.

1691
01:21:51.840 --> 01:21:52.800
<v Speaker 2>That's right, that's right.

1692
01:21:52.880 --> 01:21:56.680
<v Speaker 1>They're just a couple of pistachios murdering people at will.

1693
01:21:57.239 --> 01:22:00.520
<v Speaker 2>So missus Wilson gets him in the right, and then

1694
01:22:00.560 --> 01:22:03.560
<v Speaker 2>she heads back into the kitchen as Brandon closes the

1695
01:22:03.560 --> 01:22:06.079
<v Speaker 2>door on all of their guests and he lights another

1696
01:22:06.479 --> 01:22:10.920
<v Speaker 2>post coital cigarette. Flying high from the experience, he.

1697
01:22:10.760 --> 01:22:12.880
<v Speaker 1>Heads back to the living room, where a far more

1698
01:22:12.920 --> 01:22:16.880
<v Speaker 1>anxious Philip pours himself another drink. Very worried that Rupert's

1699
01:22:17.000 --> 01:22:19.920
<v Speaker 1>starting to suspect. Yeah, I don't know why he would suspect.

1700
01:22:20.000 --> 01:22:22.600
<v Speaker 1>You've both been acting so normal. The two of them

1701
01:22:22.640 --> 01:22:25.640
<v Speaker 1>start fighting again, with Philip snapping at Brandon he only

1702
01:22:25.640 --> 01:22:28.880
<v Speaker 1>ever thinks of himself. Brandon changes the subject and proposes

1703
01:22:28.880 --> 01:22:31.800
<v Speaker 1>a holiday for them. Once you know David's disappearance is

1704
01:22:31.960 --> 01:22:32.520
<v Speaker 1>blown over.

1705
01:22:32.680 --> 01:22:33.680
<v Speaker 2>Yeah, let's just go.

1706
01:22:33.880 --> 01:22:37.560
<v Speaker 1>Let's go to on vacation together. Nothing gay about that,

1707
01:22:37.720 --> 01:22:39.359
<v Speaker 1>not at all. By the way, we.

1708
01:22:39.359 --> 01:22:43.159
<v Speaker 2>Covered let's go to sit Let's go to Palm Springs.

1709
01:22:42.880 --> 01:22:45.039
<v Speaker 1>Way earlier in the movie, Let's go to the Pines

1710
01:22:45.520 --> 01:22:48.439
<v Speaker 1>way earlier in the movie. Philip's going away like Philip

1711
01:22:48.479 --> 01:22:50.800
<v Speaker 1>is going out to the country to go practice his

1712
01:22:50.840 --> 01:22:54.039
<v Speaker 1>piano for his big debut. Do you remember where he's going.

1713
01:22:54.079 --> 01:22:56.199
<v Speaker 2>He's going to Brandon's mother's house.

1714
01:22:56.439 --> 01:23:00.960
<v Speaker 1>Brandon's mother's house. Yeah, these two are come in law married,

1715
01:23:01.000 --> 01:23:03.840
<v Speaker 1>and everyone goes yeah. Phillips starts to saying, I keep

1716
01:23:03.840 --> 01:23:05.680
<v Speaker 1>praying that I'll just wake up and find we haven't

1717
01:23:05.720 --> 01:23:08.800
<v Speaker 1>committed the murder, that this was all a bad, horrible dream,

1718
01:23:09.119 --> 01:23:12.119
<v Speaker 1>and Brandon's like why, And Philip's like, I'm scared to

1719
01:23:12.239 --> 01:23:14.439
<v Speaker 1>death that we're gonna get cut, and Brandon assures him

1720
01:23:14.439 --> 01:23:16.039
<v Speaker 1>there's no chance of that.

1721
01:23:16.520 --> 01:23:20.119
<v Speaker 2>Yeah. Trust to me, we have this covered. We have

1722
01:23:20.239 --> 01:23:21.560
<v Speaker 2>made zero mistakes.

1723
01:23:21.760 --> 01:23:25.159
<v Speaker 1>I if I know anything, and I do, is that

1724
01:23:25.199 --> 01:23:27.840
<v Speaker 1>we have committed the perfect murder.

1725
01:23:29.720 --> 01:23:33.319
<v Speaker 2>Missus Wilson heads out and Brandon calls the garage to

1726
01:23:33.439 --> 01:23:36.560
<v Speaker 2>send their car around. Philip's hair, by the way, is

1727
01:23:36.600 --> 01:23:39.039
<v Speaker 2>now must, which in the late forties means that one

1728
01:23:39.159 --> 01:23:42.399
<v Speaker 2>single curl has escaped from the shellacking that his hair

1729
01:23:42.479 --> 01:23:44.640
<v Speaker 2>is usually done to hair on the head, and he

1730
01:23:44.680 --> 01:23:46.960
<v Speaker 2>now just looks like Superman. He's so hot, he's very,

1731
01:23:47.079 --> 01:23:50.640
<v Speaker 2>very good looking. Before they can proceed, the bell rings again. Oh,

1732
01:23:50.680 --> 01:23:53.399
<v Speaker 2>by the way, so before the bell rings, they're like

1733
01:23:53.399 --> 01:23:55.880
<v Speaker 2>getting ready to like take the body downstairs. How are

1734
01:23:55.920 --> 01:24:00.560
<v Speaker 2>these two Jabbroni's going to get the body down stairs

1735
01:24:00.600 --> 01:24:04.520
<v Speaker 2>and into their car in Manhattan without anybody seeing them?

1736
01:24:04.680 --> 01:24:07.880
<v Speaker 1>May, okay, it's nineteen forty eight. Cars are huge, Okay,

1737
01:24:08.079 --> 01:24:10.159
<v Speaker 1>do we think that trunk would fit in the car.

1738
01:24:10.279 --> 01:24:11.840
<v Speaker 2>Oh, so they're just gonna take the whole trunk out.

1739
01:24:11.920 --> 01:24:13.800
<v Speaker 1>I was okay, either they were gonna take the trunk

1740
01:24:13.800 --> 01:24:15.479
<v Speaker 1>out or they're gonna do the old roll them up

1741
01:24:15.479 --> 01:24:17.600
<v Speaker 1>in a carpet. Yeah, this is why I can't commit murder.

1742
01:24:17.600 --> 01:24:19.760
<v Speaker 1>I don't have carpet's big enough, fair enough, Oh, never

1743
01:24:19.760 --> 01:24:21.560
<v Speaker 1>mind living room carpet. You know what I can commit.

1744
01:24:22.079 --> 01:24:24.920
<v Speaker 1>I could kill a very slender person and it'll be fine.

1745
01:24:25.159 --> 01:24:26.920
<v Speaker 2>It would be fine, good, I'm safe. I forgot.

1746
01:24:27.520 --> 01:24:29.560
<v Speaker 1>That's my theory. The movie doesn't get that far. Is

1747
01:24:29.560 --> 01:24:31.640
<v Speaker 1>that they were planning something.

1748
01:24:31.840 --> 01:24:34.319
<v Speaker 2>You know, but that is that is bringing the whole

1749
01:24:34.359 --> 01:24:37.039
<v Speaker 2>chest down would be would suck. It would be very heavy,

1750
01:24:37.039 --> 01:24:39.439
<v Speaker 2>But it does make sense. Okay, So the bell rings again,

1751
01:24:39.840 --> 01:24:42.920
<v Speaker 2>sending Philip into a tailspin, and Brandon is like, answer

1752
01:24:42.960 --> 01:24:45.640
<v Speaker 2>the fucking call, and Phillip's I can't Brand's like, answer it,

1753
01:24:45.960 --> 01:24:49.680
<v Speaker 2>so he goes over there. He answers it. It's Rupert

1754
01:24:49.720 --> 01:24:52.880
<v Speaker 2>who claims he left a cigarette case there, and Philip

1755
01:24:52.920 --> 01:24:56.279
<v Speaker 2>starts to panic and Brandon slaps him, telling him shut up,

1756
01:24:56.680 --> 01:24:59.680
<v Speaker 2>and he goes over and he tells Rupert, come on up,

1757
01:25:00.039 --> 01:25:01.479
<v Speaker 2>of course, come get your cigarette case.

1758
01:25:01.720 --> 01:25:06.039
<v Speaker 1>Rupert is hearing that conversation is ring ring ring ring. Hello,

1759
01:25:06.439 --> 01:25:10.880
<v Speaker 1>Oh hi Philip, I as seem to have misplayed. Now

1760
01:25:10.880 --> 01:25:17.359
<v Speaker 1>he's a muppet, It's still better than my Michael came.

1761
01:25:17.920 --> 01:25:20.920
<v Speaker 1>Oh oh hi, Philip, I seem to have lost my

1762
01:25:21.039 --> 01:25:23.640
<v Speaker 1>cigarette case in your apartment. Can I come and pick

1763
01:25:23.640 --> 01:25:24.000
<v Speaker 1>it up?

1764
01:25:25.800 --> 01:25:26.000
<v Speaker 3>Um?

1765
01:25:28.079 --> 01:25:28.560
<v Speaker 2>Shut up?

1766
01:25:31.319 --> 01:25:32.680
<v Speaker 1>Sure, come on up.

1767
01:25:35.279 --> 01:25:36.239
<v Speaker 2>Yeah, that's accurate.

1768
01:25:36.319 --> 01:25:38.680
<v Speaker 1>That's that's what he heard. And he's like, well, they

1769
01:25:38.760 --> 01:25:39.960
<v Speaker 1>definitely committed a murder.

1770
01:25:40.039 --> 01:25:40.239
<v Speaker 2>Yep.

1771
01:25:40.680 --> 01:25:43.199
<v Speaker 1>Brandon fortifies Philip with a drink and tells him that

1772
01:25:43.319 --> 01:25:47.159
<v Speaker 1>no one, not Rupert, not even Philip, is going to

1773
01:25:47.239 --> 01:25:50.239
<v Speaker 1>get in his way or get him caught. Do you

1774
01:25:50.399 --> 01:25:54.279
<v Speaker 1>understand me. He puts a loaded pistol in his jacket

1775
01:25:54.279 --> 01:25:59.000
<v Speaker 1>pocket and he lets Rupert in. Rupert enters plans his

1776
01:25:59.039 --> 01:26:01.479
<v Speaker 1>cigarette case on the wooden chest right, because he didn't

1777
01:26:01.560 --> 01:26:03.479
<v Speaker 1>leave one behind, he should have left one behind earlier,

1778
01:26:03.520 --> 01:26:06.079
<v Speaker 1>but didn't think they are both staring right at him.

1779
01:26:06.079 --> 01:26:07.159
<v Speaker 1>I don't know how they didn't see him.

1780
01:26:07.159 --> 01:26:09.199
<v Speaker 2>It's not particularly surpitious.

1781
01:26:09.800 --> 01:26:12.560
<v Speaker 1>But the camera can see he has it behind his back,

1782
01:26:12.840 --> 01:26:15.720
<v Speaker 1>and then he asks for another drink. He heads back

1783
01:26:15.760 --> 01:26:17.680
<v Speaker 1>to the chest and he's like, where could I have

1784
01:26:17.760 --> 01:26:19.760
<v Speaker 1>put my Oh? There it is, and he find he

1785
01:26:19.960 --> 01:26:23.520
<v Speaker 1>quote unquote discovers his cigarette case. He takes the drink,

1786
01:26:23.520 --> 01:26:25.239
<v Speaker 1>and he settles down in an armchair. You know that

1787
01:26:25.319 --> 01:26:28.279
<v Speaker 1>thing of when when you have people over and you're

1788
01:26:28.640 --> 01:26:31.520
<v Speaker 1>so ready for them not to be there, and you

1789
01:26:31.680 --> 01:26:35.800
<v Speaker 1>have that one guest who just won't leave your owne

1790
01:26:36.159 --> 01:26:39.680
<v Speaker 1>deaf motherfucker who's like, well, anyway, let's just settle in

1791
01:26:39.720 --> 01:26:41.000
<v Speaker 1>for the night. Bring the bottle.

1792
01:26:42.039 --> 01:26:44.640
<v Speaker 2>I have a story about that, where our dear friend

1793
01:26:44.680 --> 01:26:47.039
<v Speaker 2>Adam and his husband Barry were staying with us and

1794
01:26:47.079 --> 01:26:49.279
<v Speaker 2>we had a friend who would not leave. And to

1795
01:26:49.439 --> 01:26:52.479
<v Speaker 2>this day Adam will be like, Barry could not believe

1796
01:26:52.560 --> 01:26:55.880
<v Speaker 2>that person would not leave the apartment. He's still offended

1797
01:26:56.319 --> 01:27:00.800
<v Speaker 2>years later. It wasn't even barry apartment. He was a

1798
01:27:00.800 --> 01:27:02.319
<v Speaker 2>stay with us, and he was like, this person's gotta

1799
01:27:02.359 --> 01:27:03.159
<v Speaker 2>go there go.

1800
01:27:04.000 --> 01:27:08.279
<v Speaker 1>They are overstaying they're welcome, So Brandon and Philip just

1801
01:27:08.319 --> 01:27:12.359
<v Speaker 1>sort of loom over Rupert like, Okay, I guess we're

1802
01:27:12.399 --> 01:27:16.479
<v Speaker 1>doing this, motherfucker, and Rupert equivocates and stalls. He slowly

1803
01:27:16.479 --> 01:27:19.279
<v Speaker 1>SIPs his drink. He says he hates to leave a party,

1804
01:27:19.399 --> 01:27:23.239
<v Speaker 1>especially when an evening has been strange. That might be

1805
01:27:23.279 --> 01:27:27.039
<v Speaker 1>the gay thing anyone, says, even gayer than.

1806
01:27:27.159 --> 01:27:29.119
<v Speaker 2>Grab the cuttle follow me.

1807
01:27:31.319 --> 01:27:34.199
<v Speaker 1>He's like, I love when the vibe is weird. Let's

1808
01:27:34.199 --> 01:27:34.960
<v Speaker 1>make it weirder.

1809
01:27:35.159 --> 01:27:35.920
<v Speaker 2>Yeah.

1810
01:27:35.960 --> 01:27:38.640
<v Speaker 1>Philip demands to know what he means, and Rupert says,

1811
01:27:38.720 --> 01:27:42.239
<v Speaker 1>it's just been the strangest evening, and isn't it queer?

1812
01:27:42.439 --> 01:27:47.199
<v Speaker 1>How David never arrived? Brandon surreptitiously moves his hand into

1813
01:27:47.199 --> 01:27:48.680
<v Speaker 1>his pocket with the gun. Yep.

1814
01:27:49.600 --> 01:27:52.640
<v Speaker 2>Rupert says Janet thought that maybe Brandon in some way

1815
01:27:52.720 --> 01:27:57.079
<v Speaker 2>kidnapped David or otherwise prevented him from attending, and Brandon says,

1816
01:27:57.239 --> 01:28:01.640
<v Speaker 2>I am not interested in Janet's prattle, but Rupert, Rupert,

1817
01:28:01.800 --> 01:28:06.079
<v Speaker 2>you're always interesting. Brandon is at this point inches away

1818
01:28:06.079 --> 01:28:09.239
<v Speaker 2>from submitting a manuscript entitled If I Did It right.

1819
01:28:09.840 --> 01:28:13.920
<v Speaker 2>He's so there, so he asks Rupert, do you think

1820
01:28:13.960 --> 01:28:16.239
<v Speaker 2>that I can nap David, and Rupert says it's the

1821
01:28:16.279 --> 01:28:18.079
<v Speaker 2>sort of thing that would have appealed to him at school.

1822
01:28:18.119 --> 01:28:20.680
<v Speaker 2>So now we know that Brandon was just always a sociopath. Yeah,

1823
01:28:20.760 --> 01:28:24.399
<v Speaker 2>always an evil, evil person. Brandon asks him what Rupert

1824
01:28:24.399 --> 01:28:26.319
<v Speaker 2>would have done if he wanted to get David out

1825
01:28:26.359 --> 01:28:29.319
<v Speaker 2>of the way, and Rupert paints quite a specific picture

1826
01:28:29.359 --> 01:28:31.640
<v Speaker 2>of what he might do. He'd greet David at the door,

1827
01:28:31.680 --> 01:28:34.039
<v Speaker 2>he'd take his hat, he'd offer small talk, he'd give

1828
01:28:34.079 --> 01:28:35.359
<v Speaker 2>him a drink, he'd knock him out.

1829
01:28:35.800 --> 01:28:39.039
<v Speaker 1>He has figured this out. It's also answers the question

1830
01:28:39.119 --> 01:28:40.439
<v Speaker 1>that I had from the beginning of the movie is

1831
01:28:40.479 --> 01:28:42.399
<v Speaker 1>what the fuck did David think he was there for? Yeah,

1832
01:28:42.439 --> 01:28:45.039
<v Speaker 1>but if he's been if he's been poisoned in some way,

1833
01:28:45.119 --> 01:28:47.560
<v Speaker 1>so he's weakened. Yeah, that makes a lot more sense.

1834
01:28:47.600 --> 01:28:50.520
<v Speaker 1>Is because even though there's two against one, how come

1835
01:28:51.039 --> 01:28:52.399
<v Speaker 1>David just dies so easily?

1836
01:28:52.560 --> 01:28:55.439
<v Speaker 2>Yeah? At this point, just you know, because I did

1837
01:28:55.520 --> 01:28:58.159
<v Speaker 2>not know how this movie ended, really, I was kind

1838
01:28:58.199 --> 01:29:00.760
<v Speaker 2>of thinking this is going to be really fucked up.

1839
01:29:00.920 --> 01:29:05.159
<v Speaker 2>If if Brandon and Rupert decide they're gonna murder Philip

1840
01:29:05.600 --> 01:29:07.600
<v Speaker 2>and run off together, and that's the end of the movie.

1841
01:29:07.680 --> 01:29:08.800
<v Speaker 1>That would be a better movie.

1842
01:29:08.840 --> 01:29:11.039
<v Speaker 2>That's a better movie, and it solves the problem the

1843
01:29:11.079 --> 01:29:13.600
<v Speaker 2>discussion we had earlier. I had one interpretation, you had

1844
01:29:13.600 --> 01:29:18.640
<v Speaker 2>the other one, because this is weird. His whole thing

1845
01:29:18.920 --> 01:29:22.239
<v Speaker 2>in this whole scene is weird because he's like I

1846
01:29:22.600 --> 01:29:25.039
<v Speaker 2>eventually be I never knew how to interact with the world,

1847
01:29:25.039 --> 01:29:29.600
<v Speaker 2>and I'm like, okay, sure, sure, jan like whatever. I

1848
01:29:29.680 --> 01:29:32.119
<v Speaker 2>actually thought that it was gonna be like He's like

1849
01:29:32.600 --> 01:29:37.560
<v Speaker 2>amazing at one point and like yeah, flow clap, yeah,

1850
01:29:37.640 --> 01:29:39.199
<v Speaker 2>that's how the lesbian version ends.

1851
01:29:39.279 --> 01:29:41.880
<v Speaker 1>Well done, boys, you've done it.

1852
01:29:42.079 --> 01:29:44.520
<v Speaker 2>But do you know a secret shared amongst three is

1853
01:29:44.560 --> 01:29:47.119
<v Speaker 2>no secret at all? And then they just both turn

1854
01:29:47.199 --> 01:29:50.000
<v Speaker 2>to Philip, and Philip tries to run.

1855
01:29:49.960 --> 01:29:52.319
<v Speaker 1>And they get you they won't, but he can't because

1856
01:29:52.319 --> 01:29:53.079
<v Speaker 1>he's been poisoned.

1857
01:29:53.159 --> 01:29:55.239
<v Speaker 2>He isn't poisoned. He falls to the ground and they

1858
01:29:55.279 --> 01:29:56.159
<v Speaker 2>both loom over him.

1859
01:29:56.159 --> 01:29:58.159
<v Speaker 1>The last thing we see is them putting gloves on.

1860
01:29:58.319 --> 01:30:01.239
<v Speaker 1>That's right, as we see from Philip's of you, everything

1861
01:30:01.319 --> 01:30:01.880
<v Speaker 1>go black.

1862
01:30:01.960 --> 01:30:03.239
<v Speaker 2>That's right. End of movie.

1863
01:30:03.520 --> 01:30:06.960
<v Speaker 1>Call us Hitchcock, we have notes, call us we'd have

1864
01:30:07.039 --> 01:30:07.960
<v Speaker 1>a better movie.

1865
01:30:08.920 --> 01:30:11.640
<v Speaker 2>Okay, sorry, back to this movie, which is also quite good.

1866
01:30:12.880 --> 01:30:15.920
<v Speaker 1>And moral and upstanding, and Jimmy Stewart can't play a killer.

1867
01:30:16.319 --> 01:30:16.880
<v Speaker 1>You just can't.

1868
01:30:17.079 --> 01:30:19.600
<v Speaker 2>So as Rupert keeps talking about how he would do it,

1869
01:30:19.640 --> 01:30:22.439
<v Speaker 2>if he was going to do it, Brandon circles around him.

1870
01:30:22.479 --> 01:30:24.479
<v Speaker 2>His hand is on the gun and the pressure is

1871
01:30:24.520 --> 01:30:27.119
<v Speaker 2>too much for Philip, who throws his drink on the

1872
01:30:27.119 --> 01:30:30.039
<v Speaker 2>ground and shouts cat and mouse, cat and mouse only,

1873
01:30:30.079 --> 01:30:32.439
<v Speaker 2>which is the cat and which is the mouse?

1874
01:30:33.000 --> 01:30:33.359
<v Speaker 1>Oh?

1875
01:30:33.439 --> 01:30:38.760
<v Speaker 2>Keep jokey given Philip state, Brandon suggests Rupert leave unless

1876
01:30:38.760 --> 01:30:40.520
<v Speaker 2>he has something else he needs to clear up.

1877
01:30:40.800 --> 01:30:46.960
<v Speaker 1>Because Philip is now turned into a deaf poet. Rupert

1878
01:30:47.000 --> 01:30:50.039
<v Speaker 1>says he doesn't think Brandon kidnapped David. He wouldn't even

1879
01:30:50.039 --> 01:30:52.000
<v Speaker 1>have mentioned it except for the fact that Brandon is

1880
01:30:52.039 --> 01:30:55.960
<v Speaker 1>carrying a gun in his pocket. Brandon laughs, He's like, oh,

1881
01:30:56.039 --> 01:30:58.359
<v Speaker 1>he takes the gun out, and he's like this old thing.

1882
01:30:59.000 --> 01:31:01.359
<v Speaker 1>So from the jump, Rupert's like, is that a gun

1883
01:31:01.399 --> 01:31:03.239
<v Speaker 1>in your pocket? Or oh, no, gun, that's a gun

1884
01:31:03.279 --> 01:31:03.720
<v Speaker 1>in your pocket.

1885
01:31:03.760 --> 01:31:04.039
<v Speaker 2>Pocket.

1886
01:31:04.079 --> 01:31:05.159
<v Speaker 1>You are not happy to see me.

1887
01:31:05.319 --> 01:31:06.680
<v Speaker 2>I know what it looks like when you're happy to

1888
01:31:06.680 --> 01:31:08.520
<v Speaker 2>see me and you actually have a curve to the left.

1889
01:31:09.279 --> 01:31:09.760
<v Speaker 2>That's not you.

1890
01:31:10.560 --> 01:31:13.520
<v Speaker 1>Brandon tosses the gun on the piano, which is not safe.

1891
01:31:13.520 --> 01:31:14.000
<v Speaker 1>Don't do that.

1892
01:31:14.039 --> 01:31:14.600
<v Speaker 2>Don't do that.

1893
01:31:14.640 --> 01:31:17.079
<v Speaker 1>He says, Oh, I'm you know, we're driving up to

1894
01:31:17.119 --> 01:31:19.319
<v Speaker 1>the country and I need to have a gun at

1895
01:31:19.359 --> 01:31:21.479
<v Speaker 1>hand as there have been burglaries in the region and

1896
01:31:21.920 --> 01:31:24.399
<v Speaker 1>mother is quite concerned. And I'm like, you're going up

1897
01:31:24.399 --> 01:31:27.720
<v Speaker 1>to the country. Bears just say, Bears, man, why are

1898
01:31:27.760 --> 01:31:31.840
<v Speaker 1>you inventing burglaries in Connecticut? So Rupert walks to the

1899
01:31:31.840 --> 01:31:34.640
<v Speaker 1>window and says, well, I'll be going, and he pretends

1900
01:31:34.680 --> 01:31:37.479
<v Speaker 1>to gather his things, and Rupert takes the rope out

1901
01:31:37.479 --> 01:31:39.920
<v Speaker 1>of his pocket and he turns around so they can

1902
01:31:39.920 --> 01:31:43.039
<v Speaker 1>see him holding it. He's sort of swinging it around

1903
01:31:43.079 --> 01:31:46.039
<v Speaker 1>the same way Brandon was earlier in the film. Philip

1904
01:31:46.439 --> 01:31:51.680
<v Speaker 1>loses it. He shouts, he's got it, he knows. Philip

1905
01:31:51.760 --> 01:31:54.439
<v Speaker 1>grabs the gun. He lashes out at Brandon, saying he

1906
01:31:54.640 --> 01:31:56.920
<v Speaker 1>just as soon shoot him as Rupert. You got me

1907
01:31:56.960 --> 01:31:59.119
<v Speaker 1>into this, this fucking mess, and now I'm gonna get

1908
01:31:59.119 --> 01:32:01.680
<v Speaker 1>this all out of it. Brandon made me do it.

1909
01:32:01.920 --> 01:32:05.239
<v Speaker 1>I hate him. I hate both of you. Rupert grabs

1910
01:32:05.279 --> 01:32:07.119
<v Speaker 1>for the gun. The gun, the gun.

1911
01:32:07.119 --> 01:32:09.840
<v Speaker 2>The both reach the gun, the gun, the gun, the gun,

1912
01:32:09.840 --> 01:32:11.479
<v Speaker 2>the gun. The gun, the gun, the gun, the gun,

1913
01:32:11.520 --> 01:32:16.760
<v Speaker 2>the gun. Both reached for the go.

1914
01:32:20.560 --> 01:32:23.119
<v Speaker 1>Rupert grabs the gun and the two men struggle silently

1915
01:32:23.239 --> 01:32:25.840
<v Speaker 1>until Rupert manages to wrest the gun away from Philip.

1916
01:32:26.199 --> 01:32:33.680
<v Speaker 1>This is the most hilarious choreography. This fight choreo is

1917
01:32:33.880 --> 01:32:36.800
<v Speaker 1>so funny. Yeah, because it's all one shot. There are

1918
01:32:36.880 --> 01:32:41.399
<v Speaker 1>no cuts, so they have they have really pigeonholed themselves

1919
01:32:41.439 --> 01:32:44.880
<v Speaker 1>into this moment with the awkwardest fucking fight you have

1920
01:32:45.039 --> 01:32:45.880
<v Speaker 1>ever seen.

1921
01:32:45.640 --> 01:32:47.239
<v Speaker 2>And they want it there. The gun goes off and

1922
01:32:47.279 --> 01:32:49.079
<v Speaker 2>fires into the floor, so they also want a fake

1923
01:32:49.119 --> 01:32:51.039
<v Speaker 2>gun shot in the middle of it too. It's just

1924
01:32:51.039 --> 01:32:54.039
<v Speaker 2>just take out the gun, Alfred, like, it's just just

1925
01:32:54.159 --> 01:32:57.039
<v Speaker 2>let these two guys actually, because they don't speak either,

1926
01:32:57.119 --> 01:32:58.159
<v Speaker 2>it's totally silent.

1927
01:32:58.319 --> 01:33:00.760
<v Speaker 1>Yeah, yea, it is so awkward to watch.

1928
01:33:00.960 --> 01:33:01.199
<v Speaker 2>Yep.

1929
01:33:01.680 --> 01:33:04.960
<v Speaker 1>So Rupert manages to get the gun and Philip collapses

1930
01:33:04.960 --> 01:33:07.720
<v Speaker 1>on the piano bench. Yeh, he's got the vapis Why

1931
01:33:07.760 --> 01:33:09.279
<v Speaker 1>is it not a sheds when one needs one.

1932
01:33:09.520 --> 01:33:13.000
<v Speaker 2>Brandon apologizes for Philip's behavior. He says he's becoming a drunk,

1933
01:33:13.640 --> 01:33:16.439
<v Speaker 2>and Rupert holds onto the gun and tells Brandon, I'm tired.

1934
01:33:16.560 --> 01:33:20.640
<v Speaker 2>Brandon and I don't want to fence anymore. He's gonna

1935
01:33:20.640 --> 01:33:23.479
<v Speaker 2>open the chest, and Brandon snarls at him, go ahead

1936
01:33:23.479 --> 01:33:26.560
<v Speaker 2>and look. I hope you like what you see. And

1937
01:33:26.640 --> 01:33:30.520
<v Speaker 2>Rupert throws the chest open and freezes in horror. And

1938
01:33:30.560 --> 01:33:33.239
<v Speaker 2>Brandon tells Rupert to listen to him. Let me explain.

1939
01:33:33.560 --> 01:33:36.560
<v Speaker 2>You'll understand because you agreed that the lives of inferior

1940
01:33:36.600 --> 01:33:39.720
<v Speaker 2>beings are unimportant. And Rupert is all, how dare you

1941
01:33:39.760 --> 01:33:42.319
<v Speaker 2>listen to what I said and repeat my exact words

1942
01:33:42.359 --> 01:33:44.159
<v Speaker 2>back to me and then act upon the ideas that

1943
01:33:44.239 --> 01:33:46.359
<v Speaker 2>I posited in the class I was teaching you? How

1944
01:33:46.439 --> 01:33:47.199
<v Speaker 2>dare you? Sir?

1945
01:33:48.439 --> 01:33:50.359
<v Speaker 1>Also? What class was this?

1946
01:33:50.359 --> 01:33:53.079
<v Speaker 2>This? This was the class all night at his feet.

1947
01:33:52.960 --> 01:33:55.279
<v Speaker 1>Like psychopathy one on one?

1948
01:33:55.399 --> 01:33:57.760
<v Speaker 2>Look, you tell Brandon to choke on it enough, he's

1949
01:33:57.760 --> 01:34:02.520
<v Speaker 2>eventually gonna project. Okay, okay, So he tells Brandon that

1950
01:34:02.520 --> 01:34:05.039
<v Speaker 2>Brandon's given his words a meaning he never dreamed of.

1951
01:34:05.479 --> 01:34:08.479
<v Speaker 2>He twisted them into a cold, logical excuse for murder,

1952
01:34:08.560 --> 01:34:11.279
<v Speaker 2>which is exactly the thing I was doing. And you

1953
01:34:11.399 --> 01:34:14.600
<v Speaker 2>twisted them somehow into the words that I said, meaning

1954
01:34:14.640 --> 01:34:15.840
<v Speaker 2>what the words I said meant?

1955
01:34:16.039 --> 01:34:19.439
<v Speaker 1>Brandon, I never wanted you to kill anyone. I'm Jimmy Stewart.

1956
01:34:19.479 --> 01:34:22.720
<v Speaker 2>He has made Rupert ashamed of his previous concepts of

1957
01:34:22.760 --> 01:34:24.640
<v Speaker 2>superior and inferior human beings.

1958
01:34:24.720 --> 01:34:28.239
<v Speaker 1>It's almost like I was wrong, he gets. It's almost

1959
01:34:28.239 --> 01:34:29.600
<v Speaker 1>like I was I was being hitler.

1960
01:34:29.720 --> 01:34:32.439
<v Speaker 2>It's almost like this was Nazism breshed up in a

1961
01:34:32.479 --> 01:34:33.600
<v Speaker 2>Jimmy Stewart package.

1962
01:34:33.840 --> 01:34:36.439
<v Speaker 1>Like, look, do I agree with Nazis? Yes, but that

1963
01:34:36.479 --> 01:34:37.760
<v Speaker 1>doesn't make me a bad person.

1964
01:34:39.199 --> 01:34:41.840
<v Speaker 2>He gets real righteous for someone who figured this out

1965
01:34:42.000 --> 01:34:44.600
<v Speaker 2>ten seconds ago when he actually saw a murdered body.

1966
01:34:44.960 --> 01:34:47.720
<v Speaker 2>Now Rupert knows that each human is a separate being

1967
01:34:47.880 --> 01:34:51.439
<v Speaker 2>with a right to think and live and work as individuals.

1968
01:34:51.680 --> 01:34:54.680
<v Speaker 1>Unless you, I want theater tickets here, and fewer people

1969
01:34:54.680 --> 01:34:59.520
<v Speaker 1>alive would help me get them. Rupert promises both Brandon

1970
01:34:59.560 --> 01:35:02.680
<v Speaker 1>and Philip that they're going to die. I would have

1971
01:35:02.720 --> 01:35:04.399
<v Speaker 1>been great if he shot them. That's how it's about

1972
01:35:04.439 --> 01:35:08.479
<v Speaker 1>to happen. He goes to the window and fires three

1973
01:35:08.520 --> 01:35:12.159
<v Speaker 1>shots into the air. He doesn't call the police, Nope,

1974
01:35:12.199 --> 01:35:16.239
<v Speaker 1>he just fires three shots and then walks slowly to

1975
01:35:16.359 --> 01:35:19.239
<v Speaker 1>sit next to the wooden chest. So, okay, four shots

1976
01:35:19.279 --> 01:35:21.680
<v Speaker 1>have been fired, so there's two shots left in this gun.

1977
01:35:22.600 --> 01:35:25.199
<v Speaker 1>I'm liking these boys' chances if they just run for it.

1978
01:35:25.239 --> 01:35:26.680
<v Speaker 1>Here's no way he's going to hit both of them

1979
01:35:26.680 --> 01:35:28.640
<v Speaker 1>with just two two bullets left in this gun.

1980
01:35:28.800 --> 01:35:30.840
<v Speaker 2>What you don't know is that Rupert was also the

1981
01:35:30.880 --> 01:35:33.720
<v Speaker 2>advisor to the Sharpshooters Club ha ha ha at their

1982
01:35:33.760 --> 01:35:34.399
<v Speaker 2>prep school.

1983
01:35:35.399 --> 01:35:39.039
<v Speaker 1>That's not what happens. Philip stands by the piano in shock,

1984
01:35:39.520 --> 01:35:43.880
<v Speaker 1>and Brandon fixes himself one last drink before his freedom

1985
01:35:43.960 --> 01:35:49.319
<v Speaker 1>is taken away. Sirens sound, and Philip and tones, they're coming.

1986
01:35:49.880 --> 01:35:53.039
<v Speaker 1>And what's funny is you hear like adr background noises

1987
01:35:53.039 --> 01:35:53.720
<v Speaker 1>where someone's like.

1988
01:35:53.640 --> 01:35:54.119
<v Speaker 2>Was that a shot?

1989
01:35:54.159 --> 01:35:54.680
<v Speaker 1>Those were shots?

1990
01:35:54.720 --> 01:35:55.279
<v Speaker 2>Those are shots?

1991
01:35:55.279 --> 01:35:57.960
<v Speaker 1>Called the police, Someone call the police. I'm like, I

1992
01:35:58.079 --> 01:36:01.880
<v Speaker 1>have actually heard gunshots. And then like, I bet someone

1993
01:36:01.920 --> 01:36:02.479
<v Speaker 1>will call the police.

1994
01:36:02.520 --> 01:36:03.359
<v Speaker 2>I don't have to worry about that.

1995
01:36:03.600 --> 01:36:06.720
<v Speaker 1>This is not my problem, not my problem. This is

1996
01:36:06.880 --> 01:36:09.439
<v Speaker 1>absolutely I don't know where they came from. I don't

1997
01:36:09.439 --> 01:36:11.960
<v Speaker 1>know who shot what what? If I even called the police,

1998
01:36:12.000 --> 01:36:14.760
<v Speaker 1>it wouldn't fucking matter. So, you know what, not my problem.

1999
01:36:15.000 --> 01:36:20.199
<v Speaker 1>That is how New Yorkers think. So Philip sits down

2000
01:36:20.439 --> 01:36:23.319
<v Speaker 1>and he starts to plunk out notes on the piano

2001
01:36:23.760 --> 01:36:27.279
<v Speaker 1>as Brandon SIPs his cocktail end of movie.

2002
01:36:28.039 --> 01:36:30.359
<v Speaker 2>All right, I still think our ending was better.

2003
01:36:30.920 --> 01:36:34.960
<v Speaker 1>Our ending is far more interesting. Honestly, Brandon and Rupert

2004
01:36:35.079 --> 01:36:41.119
<v Speaker 1>double crossing David, sorry, double crossing Philip would have been excellent, chilling,

2005
01:36:41.279 --> 01:36:44.520
<v Speaker 1>like absolutely excellent. You know it's not gonna happen as

2006
01:36:44.520 --> 01:36:48.720
<v Speaker 1>they cast Jimmy Stewart, and Jimmy Stewart would absolutely absolutely

2007
01:36:48.760 --> 01:36:51.520
<v Speaker 1>never agree to play a homicidal homosexual.

2008
01:36:51.920 --> 01:36:55.920
<v Speaker 2>Too bad. All right, so everyone stick around. We're gonna

2009
01:36:55.920 --> 01:36:59.079
<v Speaker 2>come right back with our random observations and final rankings.

2010
01:36:58.680 --> 01:37:10.560
<v Speaker 3>For Rope, and we're back.

2011
01:37:10.720 --> 01:37:15.880
<v Speaker 1>Paul tried not to murder me for five minutes because

2012
01:37:15.920 --> 01:37:19.359
<v Speaker 1>I'll try you be you being a devious homosexual at all?

2013
01:37:19.479 --> 01:37:21.319
<v Speaker 2>Uh huh yeh.

2014
01:37:20.800 --> 01:37:24.279
<v Speaker 1>Yeh yep, but h and give me some random observations

2015
01:37:24.279 --> 01:37:25.039
<v Speaker 1>on roupe.

2016
01:37:25.399 --> 01:37:29.479
<v Speaker 2>Okay, So, when when Brandon and Rupert are having their

2017
01:37:29.520 --> 01:37:32.479
<v Speaker 2>circle jerk about how they should kill inferior beings, one

2018
01:37:32.520 --> 01:37:34.600
<v Speaker 2>of the little riffs that Rupert says, He's like, well,

2019
01:37:35.199 --> 01:37:37.239
<v Speaker 2>you know, missus atwater, is there ever a time that

2020
01:37:37.279 --> 01:37:39.239
<v Speaker 2>you want to get into a restaurant and you couldn't

2021
01:37:39.239 --> 01:37:41.640
<v Speaker 2>well think how quickly a knife could solve that problem?

2022
01:37:41.800 --> 01:37:43.159
<v Speaker 2>Just a quick flick of a knife. You just have

2023
01:37:43.199 --> 01:37:46.359
<v Speaker 2>to step over the head waiter's body. Now we have

2024
01:37:46.399 --> 01:37:49.640
<v Speaker 2>to think about these things. Murdering the headwaiter ain't gonna

2025
01:37:49.640 --> 01:37:50.279
<v Speaker 2>get you a table.

2026
01:37:50.399 --> 01:37:51.880
<v Speaker 1>Yeah, that's not gonna get your food to you.

2027
01:37:52.319 --> 01:37:57.000
<v Speaker 2>To murder a diner, the matre d perhaps, maybe maybe

2028
01:37:57.039 --> 01:37:59.119
<v Speaker 2>if they're being an asshole about it, but you're really

2029
01:37:59.279 --> 01:38:01.520
<v Speaker 2>you want to murder a patron.

2030
01:38:01.239 --> 01:38:04.520
<v Speaker 1>Yeah, murder a fellow died, obviously, obviously.

2031
01:38:04.000 --> 01:38:06.279
<v Speaker 2>The problem with that, of course they're of your class

2032
01:38:06.279 --> 01:38:07.800
<v Speaker 2>and you want to murder the lower classes.

2033
01:38:08.159 --> 01:38:12.680
<v Speaker 1>That actually goes really, I would say beautifully, but with

2034
01:38:12.720 --> 01:38:15.840
<v Speaker 1>another one of mine. Sit in that riff. He starts

2035
01:38:15.880 --> 01:38:19.079
<v Speaker 1>talking about people who deserve death by slow torture. Did

2036
01:38:19.119 --> 01:38:21.960
<v Speaker 1>you catch who they were? It's the most random fucking

2037
01:38:22.000 --> 01:38:25.000
<v Speaker 1>assortment of people. Bird lovers.

2038
01:38:25.359 --> 01:38:29.920
<v Speaker 2>Wow, Jesus, I thought, I was like, I can't believe

2039
01:38:29.960 --> 01:38:34.279
<v Speaker 2>I missed that. Well because a he kind of did famously.

2040
01:38:33.920 --> 01:38:37.520
<v Speaker 1>Did die by slow torture? No, no, no, He mentions

2041
01:38:37.760 --> 01:38:44.439
<v Speaker 1>bird lovers, small children, tap dancers, and Paul hotel employees. Wow,

2042
01:38:44.600 --> 01:38:45.640
<v Speaker 1>that hits you hard.

2043
01:38:46.239 --> 01:38:47.920
<v Speaker 2>It hurts I am both a tap dancer and a

2044
01:38:47.960 --> 01:38:51.119
<v Speaker 2>former A former tap dancer and a former hotel employer.

2045
01:38:52.159 --> 01:38:53.840
<v Speaker 1>And I was once a small child.

2046
01:38:53.760 --> 01:38:55.960
<v Speaker 2>And I actually loved birds when I was a small kid.

2047
01:38:56.000 --> 01:38:57.960
<v Speaker 1>He is coming for me, He is coming for you.

2048
01:38:58.239 --> 01:39:03.600
<v Speaker 2>Oh fuck you, Jimmy Stewart, Now to kill you, Paul Kola.

2049
01:39:04.119 --> 01:39:06.279
<v Speaker 2>This is a really short one. It just made me laugh.

2050
01:39:06.319 --> 01:39:08.880
<v Speaker 2>When Janet first walks in, she makes I can't remember

2051
01:39:08.920 --> 01:39:10.560
<v Speaker 2>what the initial line is, but she makes some comment

2052
01:39:10.600 --> 01:39:12.600
<v Speaker 2>and they all laugh. She's like, oh, I'm funny. I'm

2053
01:39:12.600 --> 01:39:15.199
<v Speaker 2>never funny when I'm trying to be, I always fail

2054
01:39:15.199 --> 01:39:17.600
<v Speaker 2>at jokes. And later I think Brandon is like, well,

2055
01:39:17.880 --> 01:39:19.800
<v Speaker 2>what would you say to some champagne? And she goes,

2056
01:39:19.960 --> 01:39:23.199
<v Speaker 2>hello champagne and no one laughs, and I'm like, that

2057
01:39:23.359 --> 01:39:27.439
<v Speaker 2>was funny. She deserved to laugh on that because Joan

2058
01:39:27.640 --> 01:39:30.600
<v Speaker 2>Chandler has this very old, tiny way of speaking. So

2059
01:39:30.600 --> 01:39:32.600
<v Speaker 2>it's like hello champagne.

2060
01:39:32.760 --> 01:39:35.399
<v Speaker 1>Yeah, and then there's like pause. She's like, see told you,

2061
01:39:35.479 --> 01:39:39.279
<v Speaker 1>I'm not I'm not funny. There's a bit of like

2062
01:39:39.359 --> 01:39:42.199
<v Speaker 1>a little easter egg that I really appreciated. They're talking

2063
01:39:42.199 --> 01:39:44.920
<v Speaker 1>about just some movie they saw, you know, something, something

2064
01:39:44.960 --> 01:39:47.520
<v Speaker 1>they don't want to name titles and like something something

2065
01:39:47.520 --> 01:39:50.560
<v Speaker 1>they had Ingrid Bergman and Carrie Grant in It Something Something,

2066
01:39:50.600 --> 01:39:52.720
<v Speaker 1>and I'm like, they are one hundred percent talking about

2067
01:39:52.800 --> 01:39:57.239
<v Speaker 1>Hitchcock's movie right before this one, Notorious, starring Ingrid Bergman

2068
01:39:57.319 --> 01:39:58.840
<v Speaker 1>and Carrie Grant, Excellent.

2069
01:39:59.239 --> 01:40:01.159
<v Speaker 2>It's a whole riff that go on with Atwater and

2070
01:40:01.239 --> 01:40:04.680
<v Speaker 2>Rupert really about like they can't remember the tell Something Something.

2071
01:40:04.720 --> 01:40:06.800
<v Speaker 2>It's the something with the Something, It's it's very it's

2072
01:40:06.840 --> 01:40:07.560
<v Speaker 2>very Who's on first?

2073
01:40:07.640 --> 01:40:10.560
<v Speaker 1>They're basically naming old Hitchcock films, And I think, because

2074
01:40:10.560 --> 01:40:12.039
<v Speaker 1>you know how he has this thing where he puts

2075
01:40:12.119 --> 01:40:15.079
<v Speaker 1>himself in his movies, there's always a cameo. He obviously

2076
01:40:15.119 --> 01:40:16.760
<v Speaker 1>can't do it in this one. Although it would have

2077
01:40:16.760 --> 01:40:21.119
<v Speaker 1>been amazing just Hitchcock walking by on the balcony for

2078
01:40:21.159 --> 01:40:24.640
<v Speaker 1>no reason, or like a Macy's Thanksgiving Day float, but

2079
01:40:24.680 --> 01:40:26.439
<v Speaker 1>it's Hitchcock flying by the way.

2080
01:40:26.560 --> 01:40:28.600
<v Speaker 2>The only opportunity have been the very first shot of

2081
01:40:28.640 --> 01:40:31.000
<v Speaker 2>the movie, when they're looking down on the street. It's

2082
01:40:31.039 --> 01:40:32.279
<v Speaker 2>the only time is.

2083
01:40:32.199 --> 01:40:35.239
<v Speaker 1>A person crossing the street. I don't. I don't think

2084
01:40:35.239 --> 01:40:37.399
<v Speaker 1>it was Hitchcock. I think it's I think it's a woman.

2085
01:40:37.520 --> 01:40:39.319
<v Speaker 1>In my brain, it's a woman with kids.

2086
01:40:39.399 --> 01:40:41.039
<v Speaker 2>I yeah, I agree, Yeah, that's it.

2087
01:40:41.399 --> 01:40:43.000
<v Speaker 1>That would have been. I think this is his way

2088
01:40:43.000 --> 01:40:44.960
<v Speaker 1>of putting himself in the movie. He's like, let's let

2089
01:40:44.960 --> 01:40:47.439
<v Speaker 1>me do self referential things about my Oh sure.

2090
01:40:47.560 --> 01:40:51.439
<v Speaker 2>Yeahh okay. So we did skip over one telling moment

2091
01:40:51.479 --> 01:40:53.359
<v Speaker 2>about Brandon. It's not really I left it out of

2092
01:40:53.359 --> 01:40:55.079
<v Speaker 2>the recap because we just need to talk about it,

2093
01:40:55.079 --> 01:40:57.560
<v Speaker 2>but I'm going to put it in here. When Rupert's like, oh,

2094
01:40:57.600 --> 01:41:01.199
<v Speaker 2>I remember you used to love to tell stories chests

2095
01:41:01.239 --> 01:41:03.800
<v Speaker 2>in school. And then they go into this like this

2096
01:41:04.039 --> 01:41:06.680
<v Speaker 2>myth about how, oh, there was this one time you

2097
01:41:06.760 --> 01:41:10.399
<v Speaker 2>loved this story, Brandon, about how this young bride as

2098
01:41:10.439 --> 01:41:13.119
<v Speaker 2>a lark locked herself in a chest, only it was

2099
01:41:13.159 --> 01:41:15.359
<v Speaker 2>a spring latch, and then fifty years later they found

2100
01:41:15.359 --> 01:41:19.119
<v Speaker 2>her skeleton. And I'm like, what you know?

2101
01:41:19.199 --> 01:41:20.840
<v Speaker 1>That hilarious story.

2102
01:41:20.640 --> 01:41:23.600
<v Speaker 2>That hilarious story, and you loved it. You would tell

2103
01:41:23.640 --> 01:41:26.319
<v Speaker 2>it every chance you got that it was so funny.

2104
01:41:26.359 --> 01:41:29.199
<v Speaker 2>This person got locked in a chest and then no

2105
01:41:29.239 --> 01:41:31.920
<v Speaker 2>one found her or smelled her or mister her until

2106
01:41:31.960 --> 01:41:34.479
<v Speaker 2>she had decomposed to a skeleton.

2107
01:41:34.279 --> 01:41:37.720
<v Speaker 1>Fifty years later, two years later. This is why we

2108
01:41:37.760 --> 01:41:39.560
<v Speaker 1>shouldn't have all boys schools.

2109
01:41:39.680 --> 01:41:40.039
<v Speaker 2>That's right.

2110
01:41:40.399 --> 01:41:43.000
<v Speaker 1>This is what happens when you send boys to prep school,

2111
01:41:43.399 --> 01:41:49.960
<v Speaker 1>they get fucking weird, correct weird? All right, there is

2112
01:41:50.000 --> 01:41:53.239
<v Speaker 1>a moment that that is very nineteen forty eight and

2113
01:41:53.359 --> 01:41:56.000
<v Speaker 1>the best way Joan Chandler, I just needed this needs

2114
01:41:56.039 --> 01:42:01.079
<v Speaker 1>to be said. Joan Chandler is a very slender, slender woman.

2115
01:42:01.520 --> 01:42:03.960
<v Speaker 1>She is. She has one hundred pounds. If she is

2116
01:42:04.000 --> 01:42:04.960
<v Speaker 1>anything at the bust.

2117
01:42:05.199 --> 01:42:07.119
<v Speaker 2>She might weigh as much as the gown she's wearing,

2118
01:42:07.119 --> 01:42:07.680
<v Speaker 2>but she might not.

2119
01:42:07.800 --> 01:42:09.800
<v Speaker 1>She it's brocaded. It weighs more than her.

2120
01:42:09.960 --> 01:42:10.359
<v Speaker 2>I know that.

2121
01:42:10.840 --> 01:42:13.479
<v Speaker 1>So she's having like a little bit of snacks at

2122
01:42:13.479 --> 01:42:16.600
<v Speaker 1>the party and Missus Wilson just walks up to her

2123
01:42:16.680 --> 01:42:21.800
<v Speaker 1>and goes go easy on the patent. Dear calories, bitch,

2124
01:42:22.640 --> 01:42:25.199
<v Speaker 1>mind your business. Let this woman needs some pataee if

2125
01:42:25.199 --> 01:42:25.640
<v Speaker 1>she wants to.

2126
01:42:25.800 --> 01:42:28.239
<v Speaker 2>But you know what, this actually dovetails perfectly into my

2127
01:42:28.279 --> 01:42:31.079
<v Speaker 2>next one, because this is a proof that bitchery trickles down.

2128
01:42:31.600 --> 01:42:35.319
<v Speaker 2>Because when missus Atwater walks in, they're talking about how

2129
01:42:35.359 --> 01:42:37.920
<v Speaker 2>missus Kentley has a cold or whatever, and Missus Wilson

2130
01:42:38.239 --> 01:42:40.199
<v Speaker 2>has the nerve to be like, oh, be careful. Having

2131
01:42:40.239 --> 01:42:43.399
<v Speaker 2>a cold in the summer is awful. And the look

2132
01:42:43.560 --> 01:42:46.279
<v Speaker 2>on Constance Collier's face or Collie. I don't know how

2133
01:42:46.279 --> 01:42:49.640
<v Speaker 2>to say her last name. That this this servant woman

2134
01:42:50.399 --> 01:42:54.600
<v Speaker 2>is offering an opinion and daring to speak to her.

2135
01:42:55.079 --> 01:43:02.399
<v Speaker 2>It's like she smells dog shit. Missus Wilson, to her credit,

2136
01:43:02.479 --> 01:43:06.800
<v Speaker 2>completely doesn't even notice. Yeah, but like the offense she

2137
01:43:06.920 --> 01:43:11.560
<v Speaker 2>is taking at this woman is hilarious. All right, Erica,

2138
01:43:11.640 --> 01:43:15.039
<v Speaker 2>how are we going to rank rope? One to ten?

2139
01:43:15.479 --> 01:43:18.239
<v Speaker 2>Fondled champagne bottles, fondled to completion?

2140
01:43:18.680 --> 01:43:21.960
<v Speaker 1>Honestly, is there a better metaphor for like male masturbation

2141
01:43:22.159 --> 01:43:24.239
<v Speaker 1>that because it's like you fondle it and then it

2142
01:43:24.319 --> 01:43:26.399
<v Speaker 1>pops and it's praise.

2143
01:43:26.159 --> 01:43:27.439
<v Speaker 2>Everywhere, praise everywhere.

2144
01:43:27.560 --> 01:43:29.039
<v Speaker 1>That is actually kind of brilliant.

2145
01:43:29.079 --> 01:43:29.600
<v Speaker 2>It's perfect.

2146
01:43:29.720 --> 01:43:34.960
<v Speaker 1>It's perfect. One to ten. You know, fruity little nut boys.

2147
01:43:35.439 --> 01:43:39.159
<v Speaker 2>There are trail mix. It's fruit and nuts, raisins and cashies.

2148
01:43:39.680 --> 01:43:41.600
<v Speaker 1>Those two little pine nuts.

2149
01:43:41.439 --> 01:43:42.840
<v Speaker 2>Those two little coca nuts.

2150
01:43:42.840 --> 01:43:44.720
<v Speaker 1>Oh, those two little coconuts.

2151
01:43:44.760 --> 01:43:45.279
<v Speaker 2>Coconuts.

2152
01:43:45.439 --> 01:43:47.079
<v Speaker 1>I know a coconut when I see one.

2153
01:43:47.800 --> 01:43:50.720
<v Speaker 2>One to ten flounces of homosexuals.

2154
01:43:51.159 --> 01:43:53.640
<v Speaker 1>That is the actual like, that is ten or more

2155
01:43:53.720 --> 01:43:55.000
<v Speaker 1>homosexuals at a party.

2156
01:43:55.199 --> 01:43:56.640
<v Speaker 2>You have a flound, you have a flounce.

2157
01:43:56.720 --> 01:44:00.199
<v Speaker 1>Yeah, one to ten perfect.

2158
01:44:00.079 --> 01:44:02.199
<v Speaker 2>Murders with no errors.

2159
01:44:01.920 --> 01:44:07.439
<v Speaker 1>Perfect crimes committed by two geniuses.

2160
01:44:06.840 --> 01:44:09.920
<v Speaker 2>Due to a perfect crime that is so perfect you

2161
01:44:09.960 --> 01:44:11.880
<v Speaker 2>can actually tell people that you did it and they

2162
01:44:11.920 --> 01:44:16.600
<v Speaker 2>still can't prove it. So perfect thought out plan to

2163
01:44:16.680 --> 01:44:18.359
<v Speaker 2>the nth degree.

2164
01:44:18.119 --> 01:44:19.920
<v Speaker 1>Absolutely flawless.

2165
01:44:20.000 --> 01:44:22.279
<v Speaker 2>Yep. One to ten candelabras.

2166
01:44:24.039 --> 01:44:26.119
<v Speaker 1>Grab a candelabra, follow me.

2167
01:44:28.399 --> 01:44:30.800
<v Speaker 2>That is that's the battle cry for a gay army

2168
01:44:31.760 --> 01:44:32.439
<v Speaker 2>the beaches.

2169
01:44:32.560 --> 01:44:38.319
<v Speaker 1>Grab a candelabra. This one, this one, this one for sure?

2170
01:44:39.840 --> 01:44:41.119
<v Speaker 2>Do you want to go first on this one? Or

2171
01:44:41.119 --> 01:44:42.239
<v Speaker 2>shall I go first on this one?

2172
01:44:42.279 --> 01:44:43.920
<v Speaker 1>Why don't you go first? Since I think this is

2173
01:44:43.920 --> 01:44:45.359
<v Speaker 1>more your milieu.

2174
01:44:45.239 --> 01:44:46.319
<v Speaker 2>My milieu, my midiu.

2175
01:44:46.439 --> 01:44:49.560
<v Speaker 1>Indeed, it certainly doesn't pass the Bechdel test.

2176
01:44:49.600 --> 01:44:50.039
<v Speaker 2>I'll give you.

2177
01:44:50.800 --> 01:44:53.199
<v Speaker 1>I will give except for that moment where she fat

2178
01:44:53.279 --> 01:44:56.279
<v Speaker 1>James were about calories. They're never not talking about David.

2179
01:44:56.279 --> 01:44:58.479
<v Speaker 2>Oh yeah. And I was gonna say, missus Atwater does

2180
01:44:58.600 --> 01:45:02.960
<v Speaker 2>talk to Janet about her horoscope, but that is technically

2181
01:45:03.000 --> 01:45:05.079
<v Speaker 2>about a man, because it's just about it. You're gonna

2182
01:45:05.079 --> 01:45:07.720
<v Speaker 2>marry my nephew. Yeah, yeah, so it doesn't count. It

2183
01:45:07.720 --> 01:45:10.279
<v Speaker 2>doesn't pest the Bechdel test. No one should be surprised

2184
01:45:10.279 --> 01:45:14.439
<v Speaker 2>to hear it. Okay, So again we have to kind

2185
01:45:14.439 --> 01:45:16.840
<v Speaker 2>of grin on a curve here, this is nineteen forty

2186
01:45:16.880 --> 01:45:18.800
<v Speaker 2>eight or something like that. There are no people of

2187
01:45:18.800 --> 01:45:21.680
<v Speaker 2>color in this movie. I suppose it can be viewed

2188
01:45:21.680 --> 01:45:25.039
<v Speaker 2>as maybe good that the lone person of color isn't

2189
01:45:25.119 --> 01:45:29.560
<v Speaker 2>these isn't Missus Wilson. Absolutely, yeah, it's also I will say,

2190
01:45:29.920 --> 01:45:33.279
<v Speaker 2>to the movie's credit, Missus Wilson has a character. Every

2191
01:45:33.319 --> 01:45:37.239
<v Speaker 2>single character, Every single character in this film is an

2192
01:45:37.239 --> 01:45:40.840
<v Speaker 2>individual who has their own take on things. Even Kenneth,

2193
01:45:40.880 --> 01:45:43.680
<v Speaker 2>who I think is probably the smallest role. Yeah, Like

2194
01:45:44.159 --> 01:45:46.439
<v Speaker 2>he's a real person with wants and needs. So like,

2195
01:45:46.640 --> 01:45:49.119
<v Speaker 2>if it was the case that the sole person of

2196
01:45:49.119 --> 01:45:52.720
<v Speaker 2>color was Missus Wilson, she would have stuff to play

2197
01:45:52.760 --> 01:45:54.520
<v Speaker 2>that actors would have stuff to do, and would have

2198
01:45:54.600 --> 01:45:57.000
<v Speaker 2>takes on things, and would have would get at least

2199
01:45:57.000 --> 01:45:59.680
<v Speaker 2>the chance to act, as opposed to simply be set dressing.

2200
01:46:00.239 --> 01:46:03.079
<v Speaker 2>But it's not. So this is really a hypothetical conversation

2201
01:46:03.119 --> 01:46:06.319
<v Speaker 2>that we're having. Everyone in the cast is white, white, white,

2202
01:46:06.399 --> 01:46:10.880
<v Speaker 2>except sometimes for Douglas Dick, who is gray's silver. Like

2203
01:46:10.920 --> 01:46:13.279
<v Speaker 2>he looks like one of those robot people on the street.

2204
01:46:13.319 --> 01:46:16.760
<v Speaker 2>That's like a living robot very odd. Again, it doesn't

2205
01:46:16.760 --> 01:46:19.239
<v Speaker 2>pass the Bechdel test. But the female characters I think

2206
01:46:19.279 --> 01:46:23.159
<v Speaker 2>are well drawn, and I think of the characters that

2207
01:46:23.239 --> 01:46:26.720
<v Speaker 2>aren't the three leads, Janet is actually the one who's

2208
01:46:26.760 --> 01:46:29.640
<v Speaker 2>kind of taking the most actions, Like she is confronting

2209
01:46:29.680 --> 01:46:32.520
<v Speaker 2>Brandon repeatedly. She does get to have a little hutzpah. Yeah,

2210
01:46:32.520 --> 01:46:35.239
<v Speaker 2>and Missus Atwater is really funny and very well performed.

2211
01:46:35.239 --> 01:46:37.199
<v Speaker 2>So they're not like nothing characters.

2212
01:46:37.359 --> 01:46:38.760
<v Speaker 1>No, they're great characters.

2213
01:46:38.840 --> 01:46:43.039
<v Speaker 2>Actually. The gay stuff this is interesting because we do

2214
01:46:43.159 --> 01:46:48.720
<v Speaker 2>have gay villains. The two leads of the movie are gay. Clearly,

2215
01:46:49.479 --> 01:46:52.000
<v Speaker 2>it's possible third lead is gay. I think it's I

2216
01:46:52.079 --> 01:46:54.199
<v Speaker 2>think it's very clear that the Jimmy Stewart character is

2217
01:46:54.199 --> 01:46:57.159
<v Speaker 2>also homosexual. I don't know. Other people may disagree with

2218
01:46:57.199 --> 01:47:01.560
<v Speaker 2>me on that. It is less apparent than with the

2219
01:47:01.560 --> 01:47:02.000
<v Speaker 2>other two.

2220
01:47:02.479 --> 01:47:05.920
<v Speaker 1>Wait, he's not actively living with another man, But I mean,

2221
01:47:06.159 --> 01:47:09.640
<v Speaker 1>I think I think it's pretty clear. I think it's

2222
01:47:09.640 --> 01:47:10.199
<v Speaker 1>pretty clear.

2223
01:47:10.279 --> 01:47:14.159
<v Speaker 2>Yeah, so we do have a case of like two

2224
01:47:14.279 --> 01:47:17.720
<v Speaker 2>gay men being one of them is a sociopath and

2225
01:47:17.760 --> 01:47:19.520
<v Speaker 2>the other one is just so weak that he can't

2226
01:47:19.560 --> 01:47:24.399
<v Speaker 2>stand up to his sociopathic boyfriend, essentially, which isn't a

2227
01:47:24.439 --> 01:47:28.119
<v Speaker 2>great portrayal of the gay experience, but I do think

2228
01:47:28.159 --> 01:47:31.159
<v Speaker 2>we are far enough a lot, Like I didn't watch

2229
01:47:31.159 --> 01:47:35.479
<v Speaker 2>this and feel offended because of like like this is

2230
01:47:35.479 --> 01:47:37.319
<v Speaker 2>what they're saying all gay men are like that. I

2231
01:47:37.359 --> 01:47:41.159
<v Speaker 2>didn't have any of that. And in my interpretation, Jimmy

2232
01:47:41.159 --> 01:47:43.560
<v Speaker 2>Stewart is also a gay man in this movie. I

2233
01:47:43.600 --> 01:47:45.159
<v Speaker 2>am not yes, you are, yes.

2234
01:47:45.399 --> 01:47:48.800
<v Speaker 1>Jimmy, Jimmy, Jimmy. Come on, Jimmy, come.

2235
01:47:48.680 --> 01:47:50.359
<v Speaker 2>On, Jimmy, you knew what you were doing.

2236
01:47:51.039 --> 01:47:56.159
<v Speaker 1>Swish Jimmy, swish swish bish is that how you say it?

2237
01:47:57.479 --> 01:48:00.359
<v Speaker 2>So, like the ostensible hero of the movie, he's also

2238
01:48:00.399 --> 01:48:03.079
<v Speaker 2>a gay man in that interpretation. I don't think he's

2239
01:48:03.119 --> 01:48:05.119
<v Speaker 2>a particularly intelligent gay man because he had all these

2240
01:48:05.239 --> 01:48:08.560
<v Speaker 2>lofty ideas and ideals and never once like thought about

2241
01:48:08.560 --> 01:48:11.760
<v Speaker 2>the actual like carrying out of them, and then taught

2242
01:48:11.880 --> 01:48:13.920
<v Speaker 2>kids about them and they did them, and then he

2243
01:48:14.000 --> 01:48:16.359
<v Speaker 2>was like, whoops, wasn't me? You know. So I don't

2244
01:48:16.359 --> 01:48:19.199
<v Speaker 2>think he's not a huge hero either in this film.

2245
01:48:19.279 --> 01:48:22.439
<v Speaker 2>But you know, I am certainly not left defended as

2246
01:48:22.439 --> 01:48:25.600
<v Speaker 2>a gay man. And from the movie, it's very silly

2247
01:48:25.720 --> 01:48:28.840
<v Speaker 2>at this point, like even though it is one of

2248
01:48:28.880 --> 01:48:32.439
<v Speaker 2>the most horrifying on its face things that we have

2249
01:48:32.560 --> 01:48:37.600
<v Speaker 2>ever seen. If you just say what happens the movie itself,

2250
01:48:38.319 --> 01:48:41.359
<v Speaker 2>it's so big and kind of campy and a little

2251
01:48:41.359 --> 01:48:45.560
<v Speaker 2>bit silly. The horror of that does not penetrate for

2252
01:48:45.640 --> 01:48:47.640
<v Speaker 2>me when I was watching it. At least maybe other

2253
01:48:47.640 --> 01:48:50.800
<v Speaker 2>people have a different experience. Ranking it on a curve,

2254
01:48:50.840 --> 01:48:54.520
<v Speaker 2>I'm gonna rank it fairly high. It has gay representation.

2255
01:48:54.680 --> 01:48:56.800
<v Speaker 2>It's not good gay representation, but does have it. In

2256
01:48:56.880 --> 01:49:00.119
<v Speaker 2>nineteen forty eight, we are saying these people exist and

2257
01:49:00.159 --> 01:49:03.720
<v Speaker 2>they can be accepted. They just shouldn't be because they're murderers.

2258
01:49:05.359 --> 01:49:10.079
<v Speaker 2>A six. All right, I'm gonna The funny thing is,

2259
01:49:10.119 --> 01:49:11.600
<v Speaker 2>I really don't know where Eric is gonna go with this.

2260
01:49:11.680 --> 01:49:13.039
<v Speaker 2>She may be like, two, you.

2261
01:49:13.079 --> 01:49:16.279
<v Speaker 1>Absolute monster, Are you trying to murder me?

2262
01:49:17.319 --> 01:49:20.079
<v Speaker 2>I'm gonna I'm gonna give it a six out of ten.

2263
01:49:20.760 --> 01:49:20.840
<v Speaker 3>Uh.

2264
01:49:21.079 --> 01:49:26.960
<v Speaker 2>Candelabras, candelabras. I think it's a well made movie. I

2265
01:49:27.000 --> 01:49:29.680
<v Speaker 2>wasn't offended by the gay portrayals because they are so

2266
01:49:29.760 --> 01:49:33.840
<v Speaker 2>over the top that it's fine. It's like scar like basically,

2267
01:49:34.199 --> 01:49:36.560
<v Speaker 2>which is more offensive because being pitched to kids, and

2268
01:49:36.600 --> 01:49:39.520
<v Speaker 2>it's it's under the covers kind of whereas this is

2269
01:49:39.560 --> 01:49:42.239
<v Speaker 2>I think as out of the covers as they could

2270
01:49:42.239 --> 01:49:45.199
<v Speaker 2>be in nineteen forty eight. They're not trying to hide it.

2271
01:49:44.880 --> 01:49:47.880
<v Speaker 2>It feels like a specific story about these people, not

2272
01:49:48.000 --> 01:49:51.039
<v Speaker 2>about gay men at large. Maybe the fact they never

2273
01:49:51.079 --> 01:49:53.039
<v Speaker 2>call them gay men is what's also helping with that.

2274
01:49:53.560 --> 01:49:55.199
<v Speaker 2>No one's ever like, oh my god.

2275
01:49:56.800 --> 01:49:59.800
<v Speaker 1>You know, I think in nineteen forty eight too, your

2276
01:50:00.079 --> 01:50:03.880
<v Speaker 1>average audience member would maybe not pick up on a thing.

2277
01:50:03.880 --> 01:50:06.560
<v Speaker 2>It could conceive it like like Arthur Laurence said, like

2278
01:50:06.600 --> 01:50:09.479
<v Speaker 2>the people at the rating it didn't get it. The

2279
01:50:09.520 --> 01:50:10.720
<v Speaker 2>sensors didn't get it.

2280
01:50:10.640 --> 01:50:13.800
<v Speaker 1>It flew over their heads. So I think that's possible

2281
01:50:14.239 --> 01:50:16.840
<v Speaker 1>that like, if you want to see yourself up on that.

2282
01:50:16.800 --> 01:50:19.439
<v Speaker 2>Screen, yeah, if you want to If you.

2283
01:50:19.359 --> 01:50:21.000
<v Speaker 1>Want to see yourself up on that screen like a

2284
01:50:21.079 --> 01:50:23.359
<v Speaker 1>fucking psychopath, yeah, then sure.

2285
01:50:23.560 --> 01:50:27.319
<v Speaker 2>Barley Granger is very good looking and available to you.

2286
01:50:27.600 --> 01:50:31.000
<v Speaker 1>And exactly exactly. I have a question, actually, I was

2287
01:50:31.039 --> 01:50:34.000
<v Speaker 1>just thinking about this. Would it have been more creepy

2288
01:50:34.039 --> 01:50:37.319
<v Speaker 1>if we hadn't seen David. If we hear a scream

2289
01:50:37.800 --> 01:50:40.039
<v Speaker 1>and we hear like a thump, right, and then the

2290
01:50:40.079 --> 01:50:43.199
<v Speaker 1>camera cuts it inside the apartment and you have like

2291
01:50:43.640 --> 01:50:46.680
<v Speaker 1>Brandon like like over the chest, going we've done it.

2292
01:50:46.680 --> 01:50:48.920
<v Speaker 1>We've killed him, and now we've put him in this chest.

2293
01:50:49.159 --> 01:50:52.800
<v Speaker 1>I think that the kind of goofiness of seeing the

2294
01:50:52.880 --> 01:50:54.800
<v Speaker 1>murder takes a lot of the teeth out of the movie.

2295
01:50:54.880 --> 01:50:57.199
<v Speaker 2>Yeah, because he's not that I would want to see this,

2296
01:50:57.279 --> 01:50:59.880
<v Speaker 2>but like his lips aren't blue. He looks like someone

2297
01:51:00.000 --> 01:51:01.920
<v Speaker 2>who has a tie on who fell asleep.

2298
01:51:02.159 --> 01:51:02.439
<v Speaker 3>Yeah.

2299
01:51:02.560 --> 01:51:04.560
<v Speaker 1>Yeah, And so I kind of wonder if we had

2300
01:51:04.600 --> 01:51:08.279
<v Speaker 1>never seen the dead body, if it would actually be creepier,

2301
01:51:08.399 --> 01:51:10.840
<v Speaker 1>not even if we hadn't seen the murder or whatever,

2302
01:51:11.119 --> 01:51:13.960
<v Speaker 1>if it would actually be creepier. I think it would

2303
01:51:14.399 --> 01:51:17.159
<v Speaker 1>actually one thing, also, there is something to be said

2304
01:51:17.159 --> 01:51:19.800
<v Speaker 1>for and this is very insider baseball. A lot of

2305
01:51:19.840 --> 01:51:22.239
<v Speaker 1>people who watch this movie maybe wouldn't know this, but

2306
01:51:22.279 --> 01:51:24.520
<v Speaker 1>like there's something to be said for, like understanding like

2307
01:51:24.920 --> 01:51:28.079
<v Speaker 1>who is making the project, huh, and like kind of

2308
01:51:28.079 --> 01:51:31.159
<v Speaker 1>feeling comfortable in their hands. And so we'd said Arthur Lawrence,

2309
01:51:31.199 --> 01:51:36.359
<v Speaker 1>the writer is gay. Farley Granger, the actor who plays Philip,

2310
01:51:36.760 --> 01:51:39.760
<v Speaker 1>look him up. He is a very interesting.

2311
01:51:39.439 --> 01:51:40.439
<v Speaker 2>Our bisexual King.

2312
01:51:40.560 --> 01:51:45.920
<v Speaker 1>Farley Granger, openly bisexual in the forties and fifties, did

2313
01:51:45.960 --> 01:51:50.720
<v Speaker 1>not give a fuck who knew about his proclivities. I

2314
01:51:50.840 --> 01:51:53.000
<v Speaker 1>just love everything about him. The more I read about him,

2315
01:51:53.000 --> 01:51:53.359
<v Speaker 1>the more.

2316
01:51:53.239 --> 01:51:55.159
<v Speaker 2>I'm like, oh my god, I love I agree. I

2317
01:51:55.239 --> 01:51:58.039
<v Speaker 2>enjoyed his Wikipedia page A great deal, a great deal.

2318
01:51:58.119 --> 01:52:00.640
<v Speaker 1>And he's, like I said, very very good looking. So

2319
01:52:00.680 --> 01:52:03.600
<v Speaker 1>it's it's it's just really fun. And then John Dall,

2320
01:52:03.680 --> 01:52:07.680
<v Speaker 1>the actor who plays Brandon, was closeted. Probably we don't

2321
01:52:07.720 --> 01:52:10.239
<v Speaker 1>know for sure one way or the other, Like casting

2322
01:52:10.279 --> 01:52:13.880
<v Speaker 1>them can't can't be a full accident, right, like Hitchcock

2323
01:52:14.000 --> 01:52:16.720
<v Speaker 1>and Lawrence and whoever else worked in the film produced

2324
01:52:16.760 --> 01:52:19.760
<v Speaker 1>it must have been like I want actors who kind

2325
01:52:19.800 --> 01:52:23.119
<v Speaker 1>of get it, get what we're doing, cos.

2326
01:52:22.720 --> 01:52:25.000
<v Speaker 2>Like, well, Arthur, I want to know. Arthur's like, I

2327
01:52:25.039 --> 01:52:26.520
<v Speaker 2>got it. Don't worry about I have a whole list.

2328
01:52:26.680 --> 01:52:33.560
<v Speaker 1>Actually who had a really strong British ox. It was jollyy,

2329
01:52:33.640 --> 01:52:35.439
<v Speaker 1>but it was also it was also a bit of

2330
01:52:35.439 --> 01:52:39.039
<v Speaker 1>British and so yeah, I think there is something to

2331
01:52:39.039 --> 01:52:41.279
<v Speaker 1>be said for who they cast. Now then they need

2332
01:52:41.279 --> 01:52:43.399
<v Speaker 1>a star, right, and they get Jimmy Stewart, and Jimmy

2333
01:52:43.439 --> 01:52:50.039
<v Speaker 1>Stewart's like, I will absolutely not play a homosexual. Don't

2334
01:52:50.039 --> 01:52:50.640
<v Speaker 1>worry about it.

2335
01:52:50.760 --> 01:52:51.119
<v Speaker 2>He's not.

2336
01:52:51.479 --> 01:52:55.399
<v Speaker 1>He's just a confirmed bachelor. Jimmy wink wink, and Jimmy's like, fine,

2337
01:52:55.680 --> 01:52:57.960
<v Speaker 1>I don't know. I feel really comfortable with this crew

2338
01:52:58.000 --> 01:53:00.399
<v Speaker 1>of people, and I feel like they under they get it.

2339
01:53:00.640 --> 01:53:03.239
<v Speaker 1>Very insidery baseball. Most people watching the movie would have

2340
01:53:03.239 --> 01:53:07.399
<v Speaker 1>absolutely no idea about any of that. But I'm gonna

2341
01:53:07.399 --> 01:53:10.239
<v Speaker 1>give you a five. Okay, I'm gonna give a five

2342
01:53:10.399 --> 01:53:16.720
<v Speaker 1>out of ten. Grab a Candola brun follow me. Honestly,

2343
01:53:16.800 --> 01:53:20.199
<v Speaker 1>I think our podcast age is worse than this film.

2344
01:53:20.479 --> 01:53:23.920
<v Speaker 1>I think I think I am one more gay joke. Okay,

2345
01:53:24.039 --> 01:53:25.319
<v Speaker 1>from getting canceled.

2346
01:53:25.039 --> 01:53:27.479
<v Speaker 2>We are reclaiming. We are reclaiming.

2347
01:53:29.000 --> 01:53:32.159
<v Speaker 1>I am a gay man everywhere, Like bitch, we gave

2348
01:53:32.199 --> 01:53:33.960
<v Speaker 1>you twenty and you cash them all in?

2349
01:53:36.039 --> 01:53:38.880
<v Speaker 2>No gayment everywhere? Like do more?

2350
01:53:39.159 --> 01:53:39.800
<v Speaker 3>Do more?

2351
01:53:41.560 --> 01:53:43.159
<v Speaker 1>This Valley of the dolls all over again?

2352
01:53:43.239 --> 01:53:43.800
<v Speaker 2>It sure is?

2353
01:53:44.000 --> 01:53:44.079
<v Speaker 1>It?

2354
01:53:44.159 --> 01:53:47.479
<v Speaker 2>Sure is? Do you want to offer a palate cleanse? No?

2355
01:53:47.840 --> 01:53:49.560
<v Speaker 1>I the only thing I could think of off the

2356
01:53:49.560 --> 01:53:53.199
<v Speaker 1>top of my head. It's another Hitchcock film. No gay

2357
01:53:53.680 --> 01:53:56.279
<v Speaker 1>undertones that I can think of, But Farley Granger is

2358
01:53:56.319 --> 01:53:58.159
<v Speaker 1>in it, and he's far better in it. And so

2359
01:53:58.199 --> 01:54:00.000
<v Speaker 1>if you want to just do more with Farley Green,

2360
01:54:00.279 --> 01:54:02.520
<v Speaker 1>because who wouldn't want to do? Who would want to do?

2361
01:54:02.680 --> 01:54:02.960
<v Speaker 3>All?

2362
01:54:03.000 --> 01:54:06.000
<v Speaker 1>Go all the way with Barley Granger. He's in Strangers

2363
01:54:06.000 --> 01:54:08.760
<v Speaker 1>on the Train and Strangers on a Train. Strangers on

2364
01:54:08.800 --> 01:54:12.800
<v Speaker 1>a Train is fan fucking tastic. Okay, it's a great

2365
01:54:12.920 --> 01:54:15.960
<v Speaker 1>another great. It's actually a far far better thriller than

2366
01:54:16.000 --> 01:54:18.880
<v Speaker 1>this movie. Yeah, and it's got some like actually very

2367
01:54:18.960 --> 01:54:22.159
<v Speaker 1>chilling thriller moments where you're like, what's going to happen? Okay,

2368
01:54:22.279 --> 01:54:24.199
<v Speaker 1>So would I would recommend Strangers in a Train?

2369
01:54:24.319 --> 01:54:24.680
<v Speaker 2>Fair enough?

2370
01:54:24.680 --> 01:54:25.960
<v Speaker 1>If you're into this, how about you?

2371
01:54:26.439 --> 01:54:28.279
<v Speaker 2>No, I think you can watch Rope. Hey, it's we

2372
01:54:28.319 --> 01:54:31.199
<v Speaker 2>didn't even mention this hour and twenty minutes. Yeah, in

2373
01:54:31.319 --> 01:54:34.039
<v Speaker 2>and out, bing bang boom. I love it all right,

2374
01:54:34.159 --> 01:54:37.760
<v Speaker 2>So that is Erica. As they say, the end of

2375
01:54:37.760 --> 01:54:38.159
<v Speaker 2>our show.

2376
01:54:38.239 --> 01:54:38.920
<v Speaker 1>That is the end of it.

2377
01:54:39.079 --> 01:54:41.640
<v Speaker 2>That's the end of it. Everyone listening can follow us

2378
01:54:41.640 --> 01:54:44.159
<v Speaker 2>on Twitter, on threads, and on Instagram, which is the

2379
01:54:44.159 --> 01:54:47.239
<v Speaker 2>only platform where I post the monthly themes before they

2380
01:54:47.239 --> 01:54:50.159
<v Speaker 2>come out, and we accept request specifically on those themes.

2381
01:54:50.600 --> 01:54:52.279
<v Speaker 2>We have a tea public shop you can pick up

2382
01:54:52.319 --> 01:54:55.600
<v Speaker 2>podcast swag if you are a Spotify user. Spotify now

2383
01:54:55.600 --> 01:54:59.000
<v Speaker 2>allows for comments that I can respond to, so comment away,

2384
01:54:59.279 --> 01:55:00.640
<v Speaker 2>and we would love but if you would leave a

2385
01:55:00.720 --> 01:55:02.720
<v Speaker 2>five story of you on Apple Podcasts or on any

2386
01:55:02.760 --> 01:55:05.119
<v Speaker 2>podcasting platform that you may use. If you do that,

2387
01:55:05.520 --> 01:55:08.319
<v Speaker 2>just like Bizzolina from the top of this episode, and

2388
01:55:08.399 --> 01:55:10.239
<v Speaker 2>let us know that you did, we will send you

2389
01:55:10.279 --> 01:55:12.039
<v Speaker 2>a that age Well tote bag.

2390
01:55:12.239 --> 01:55:15.239
<v Speaker 1>That age Well is produced and edited by Paul Kola.

2391
01:55:15.640 --> 01:55:18.239
<v Speaker 1>A real brazil nut if I ever saw one, that

2392
01:55:18.399 --> 01:55:20.319
<v Speaker 1>was it? That was it? Cancel buttons are being pushed

2393
01:55:20.600 --> 01:55:22.079
<v Speaker 1>like we're done. We're done with you.

2394
01:55:22.760 --> 01:55:24.359
<v Speaker 2>Only because you repeated brazil nut.

2395
01:55:24.520 --> 01:55:28.840
<v Speaker 1>That's true. If I used to say a real macademia,

2396
01:55:30.720 --> 01:55:33.680
<v Speaker 1>real cash, you are not sure real cash you have

2397
01:55:33.720 --> 01:55:34.399
<v Speaker 1>ever saw one?

2398
01:55:34.760 --> 01:55:35.039
<v Speaker 2>You know what?

2399
01:55:35.119 --> 01:55:35.600
<v Speaker 1>Canceled me.

2400
01:55:35.640 --> 01:55:36.239
<v Speaker 2>I deserve it.

2401
01:55:36.319 --> 01:55:40.520
<v Speaker 1>I deserve it. We would like to thank Sharon Kay,

2402
01:55:40.880 --> 01:55:44.279
<v Speaker 1>Matt Luis and Anika for reaching out and letting us

2403
01:55:44.319 --> 01:55:46.840
<v Speaker 1>know what they want to hear. If you want to

2404
01:55:46.840 --> 01:55:48.600
<v Speaker 1>have a say in the topics we discussed, you can

2405
01:55:48.680 --> 01:55:51.520
<v Speaker 1>join our Patreon. Every patron gets to vote in an

2406
01:55:51.520 --> 01:55:54.439
<v Speaker 1>exclusive monthly poll to determine one of our subjects. We

2407
01:55:54.600 --> 01:55:58.760
<v Speaker 1>have Diva versus a Diva up right.

2408
01:55:58.600 --> 01:56:01.399
<v Speaker 2>Now, not right now, it's already done well.

2409
01:56:01.279 --> 01:56:02.720
<v Speaker 1>But it's up there on the Patreon people could have

2410
01:56:02.760 --> 01:56:06.439
<v Speaker 1>voted for it. Yeah, yeah, I am in the past.

2411
01:56:06.479 --> 01:56:08.600
<v Speaker 1>I'm not in the future yet. I don't know who's

2412
01:56:08.600 --> 01:56:10.880
<v Speaker 1>gonna win, but I am dying to see if it's

2413
01:56:10.920 --> 01:56:12.560
<v Speaker 1>a born Burner. I think it will be.

2414
01:56:12.720 --> 01:56:13.560
<v Speaker 2>I think Saliah.

2415
01:56:13.600 --> 01:56:16.119
<v Speaker 1>So head on over to patreon dot com slash that

2416
01:56:16.199 --> 01:56:18.359
<v Speaker 1>Aged Well podcast to find out more.

2417
01:56:18.600 --> 01:56:21.920
<v Speaker 2>Speaking of which, certain tears in our Patreon come with

2418
01:56:21.960 --> 01:56:25.640
<v Speaker 2>a thanks for a podcast character and little public service announcement.

2419
01:56:25.720 --> 01:56:28.199
<v Speaker 2>If you are at the five or ten dollars level,

2420
01:56:28.199 --> 01:56:29.600
<v Speaker 2>we do owe you a thank you, and you have

2421
01:56:29.680 --> 01:56:32.000
<v Speaker 2>a message in Patreon asking you to let us know

2422
01:56:32.159 --> 01:56:34.039
<v Speaker 2>how you would like to be thanked. So please let

2423
01:56:34.119 --> 01:56:35.920
<v Speaker 2>us know what you would like so we can do

2424
01:56:35.960 --> 01:56:39.720
<v Speaker 2>that for you. But today we are hearing from a

2425
01:56:39.760 --> 01:56:43.399
<v Speaker 2>grand Dame, a figure so towering that the Tower of

2426
01:56:43.439 --> 01:56:47.119
<v Speaker 2>Babel itself crumbles at her feet. I don't know what

2427
01:56:47.159 --> 01:56:49.399
<v Speaker 2>I'm saying anymore. This is our third one in two days.

2428
01:56:49.399 --> 01:56:52.159
<v Speaker 1>Guysopy, my friend, we.

2429
01:56:52.079 --> 01:56:55.319
<v Speaker 2>Are hearing from one Miss Catherine Hepburn.

2430
01:56:55.960 --> 01:57:02.000
<v Speaker 1>Thank you, Pepe. Hello, everybody, it's me Pal Catherine Heppen.

2431
01:57:02.760 --> 01:57:07.319
<v Speaker 1>I am here to thank Jeff for listening to that age. Well,

2432
01:57:07.920 --> 01:57:12.000
<v Speaker 1>you have excellent taste in podcast, Jeff, just like I

2433
01:57:12.079 --> 01:57:16.760
<v Speaker 1>have excellent taste in cocktails. Oh, I see a cocktail

2434
01:57:16.880 --> 01:57:20.479
<v Speaker 1>being brought over to me. Now, my good friend Jimmy

2435
01:57:20.520 --> 01:57:25.359
<v Speaker 1>Stewart is here in lieu of Spencer. Spencer threw out

2436
01:57:25.479 --> 01:57:32.159
<v Speaker 1>his back and has been laying prostrate all morning. Hello Jimmy,

2437
01:57:33.239 --> 01:57:37.960
<v Speaker 1>Hi Catherine, it's me Jimmy Stuart. I've brought you a

2438
01:57:38.000 --> 01:57:42.359
<v Speaker 1>Backdoor lemonade, which is a fully real drink that Paul

2439
01:57:42.439 --> 01:57:47.239
<v Speaker 1>and Erica found on the internet. It's made with moonshine,

2440
01:57:47.319 --> 01:57:53.439
<v Speaker 1>sour mix, ginger syrup, and lemon wedges and joy. Oh,

2441
01:57:53.600 --> 01:57:57.680
<v Speaker 1>I thank you, Jimmy. This reminds me of the time

2442
01:57:57.760 --> 01:58:02.199
<v Speaker 1>we were making the Philadelphia Star and you and Folly

2443
01:58:02.319 --> 01:58:07.279
<v Speaker 1>Granger visited me and my trailer and we drank backdoor

2444
01:58:07.479 --> 01:58:11.920
<v Speaker 1>Lemonades all day long, and then you and Folly had

2445
01:58:11.960 --> 01:58:16.520
<v Speaker 1>your away with me. Catherine. Don't share that story. Oh

2446
01:58:16.600 --> 01:58:22.039
<v Speaker 1>forget it, Jimmy. It's the nineties. Anything goes. I guess

2447
01:58:22.119 --> 01:58:27.359
<v Speaker 1>Jimmy's right, It's a story for another time. Just suffice

2448
01:58:27.439 --> 01:58:31.840
<v Speaker 1>it to say that Folly really knows how to granger

2449
01:58:31.960 --> 01:58:36.520
<v Speaker 1>a gal. Well, I'm off, thank you for listening, and

2450
01:58:36.760 --> 01:58:43.680
<v Speaker 1>thank you to Jimmy for his excellent bartending. You're welcome, Catherine, Catherine,

2451
01:58:43.880 --> 01:58:45.279
<v Speaker 1>take your hand off my crotch.

2452
01:58:45.560 --> 01:58:48.000
<v Speaker 2>You know what, anytime you think you've found the bottom

2453
01:58:48.039 --> 01:58:49.000
<v Speaker 2>of her stories, you haven't.

2454
01:58:49.319 --> 01:58:53.800
<v Speaker 1>No, she is a well of history, my friend. She

2455
01:58:54.000 --> 01:58:57.520
<v Speaker 1>is a well of classic Hollywood history.

2456
01:58:57.680 --> 01:58:58.199
<v Speaker 2>True story.

2457
01:58:58.439 --> 01:59:01.720
<v Speaker 1>We will never get to the bottom of never ever, never, ever, ever,

2458
01:59:02.079 --> 01:59:03.920
<v Speaker 1>no matter how much we try.

2459
01:59:03.960 --> 01:59:07.479
<v Speaker 2>From your lips to God's ears, as they say, Erica,

2460
01:59:07.520 --> 01:59:09.880
<v Speaker 2>any final thoughts on rope, cat.

2461
01:59:09.760 --> 01:59:12.760
<v Speaker 1>And mouseball, cat and mouse.

2462
01:59:12.960 --> 01:59:15.319
<v Speaker 2>Grab your candelabrun follow me.

2463
01:59:22.960 --> 01:59:29.880
<v Speaker 1>Hey, I'm Paul and America and this is Tuberculosis Corner.

2464
01:59:32.479 --> 01:59:35.600
<v Speaker 2>This is Nicole kidman in the middle of Mulan Rouge.
