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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Big Story.

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But I want to encourage you to check out our

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other podcasts, and today I'm highlighting the great Adventurers of

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Old time Radio. We're some of old time radio's most

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daring adventure heroes. Currently we are featuring Tours and and

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Counterspot and you can check that out at Great Adventures

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Dot impo or wherever you get your podcast from. But now,

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from June eighth, nineteen forty nine, here is the bitterest

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man on Earth.

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Speaker 2: Hell now present The Big Story.

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Speaker 3: Good he did?

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Speaker 4: Sweet baby?

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Speaker 3: Oh man? Yeah, hey baby, you ain't got your mind

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on it. Come on, we dance know what.

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Speaker 4: Oh listen to?

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Speaker 3: Don't that send you?

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Speaker 4: No, that just get you.

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Speaker 5: That's him right there, sitting there.

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Speaker 4: See he's getting up.

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Speaker 6: Now stop that man, stop him.

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Speaker 5: Get killed my best friend. That man wanted for murder.

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That's him.

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Speaker 2: The Big Story here is America. It's sound and its fury,

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its joy and its sorrow, as faithfully reported by the

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men and women of the Great American newspapers, Richmond, Virginia.

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The story of a murder and of a man convicted

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for that murder, who became the bitterest man on earth,

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for his contribution not only in writing a great story,

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but in reaffirming a great truth, that every person on

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earth is a human being and has a right to

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human dignity to report a Julian C. Housman of the Richmond,

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Virginia Newsleader, for his big story goes the Pellmell Award.

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Now the story as it actually happened. Reporter Julian Husband's

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story as he lived it, Richmond, Virginia.

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Speaker 7: It began with a letter from a woman in Harlem

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at twenty five eighty one, Saint Nicholas Avenue, New York

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to the postmaster at Brodnack's in Mecklenburg County, Virginia.

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Speaker 8: Dear mister Dawson, Sir, I got to make myself known

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to you, and maybe you remember me Daniel Greene's daughter,

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Mamie now name of Goodwin. Since I'm married, I hope

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you'll not think me beIN forward to write, sir, mister Dawson.

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But my son Jamie got himself in trouble. He's in Richmond,

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in the Henricot County Jail accused of murder and sent

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us to forty year hard labor. Now the man who

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did that crime is name Author Tenney, and some swear

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as my Jamie is at Author Tenney, which he is

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not here is my son and never might have know one. Now,

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mister Dawson, you know my family when I wait for

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your wife twenty years ago and then moved from broad

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Axe to New York and Jamie come with me. He

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never killed no one, But I can't come and prove it.

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Speaker 9: So would you please I.

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Speaker 8: Get in touch with the sheriff, mister Rae and tell

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them that Jamie ain't this Author Tenney and help him

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get off. I'd be so grateful, mister Dawson, sir, and

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thank you in advance your humble servants.

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Speaker 9: Maymick Grain goodn.

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Speaker 4: It began for you.

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Speaker 7: Julian Housmann, reporter for the Richmond knows lad when Postmaster

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Dawson of Broadnax happened to have some business in Richmond,

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happened to have a spare half hour, and happened by

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accident to walk into the newspaper office.

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Speaker 10: Mister Housman, Yeah, that's right. Her name's Dawson, Postmash and

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broad Knights. I got something here might be of interest.

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The girl outside it says that you handle this kind

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of thing.

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Speaker 9: What is the crime story? I don't know.

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Speaker 10: Is it any kind of story? Just the letter I

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got old woman he used to know twenty odd years

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ago up Mecklenburg County where Broaden Axes I used to

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do washing for my wife.

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Speaker 9: Well, I'm on a story right now, mister Dorston.

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Speaker 10: That's all right, It won't take your time. Just why

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don't I leave the letter? You think it's anything where,

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go ahead and do what you like. If not, it

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gets the wastebaskets, go to place as any place.

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Speaker 7: Three hours later, after you've finished work, you read the letter.

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It moves you strongly. The woman's plight, her dependence on Dawson,

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the helplessness, and every line. Could it be as she

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had written? You call Sheriff Jeff Ray a good friend

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out at Henrico Cardy prison.

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Speaker 11: Then there's nothing in it Jeff about his being Goodwin

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and not Tenny, No nothing.

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Speaker 12: I had that boy in jail one day six years ago,

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right after killed his wife.

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Speaker 9: He escaped that first day, but I remember him couldn't

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you compare his prince?

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Speaker 12: Now, I tell you a little secret, Julian, I never

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did get a chance to take his prince. I was

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going to do that second morning. But if he didn't

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escape that night, we got him. Now, had a fair trial,

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got convicted. And that's that. Ah, Julian, he ain't pulling

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the wool over your eyes now, is he with that

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story of being someone else?

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Speaker 4: Oh, Julian, you hear me.

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Speaker 9: Yeah, I hear you. Jeff No, he isn't. That's so long.

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Speaker 3: Oh that's right, mister houseman. My name is Jamie Goodwin.

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But what's the difference. Ain't nobody gonna believe me? Ain't

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nobody care? But what proof do you have proof? What's

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that proof? I say, who I am? I got papers

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from the Merchant Marine. Duriy say, that's off a tenny,

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forty years hard labor.

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Speaker 9: That's your proof. And you're not off a tenny. You're

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Jamie Goodwin.

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Speaker 3: Mister he's gone away. Who cares if a backwards boy

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like me live or die?

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Speaker 4: Going away and leave me be.

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Speaker 7: For a moment, do you think, oh, what's the difference?

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And then you stop? He's a man, his name, a

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human being, with the same hopes and desires and fears

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as you or anyone else. Do you think suppose I

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spend a little time on this find out. He starts

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with Bertha Javis, the girl who identified him.

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Speaker 9: I was up there New York visiting friends.

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Speaker 6: We went dan Soon That's where I saw him.

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Speaker 9: Tenny, You're sure it was Tenny?

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Speaker 6: Sure, I'm sure.

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Speaker 9: How do you know?

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Speaker 13: His wife was my girlfriend?

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Speaker 6: I grew up with her, my best friend. He promised

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to love honor and Cherisher Steady killed her. She was

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a good girl, Marie, and he's bad.

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Speaker 4: How I know? Well, Marie's dead.

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Speaker 6: That's how I know.

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Speaker 9: You are Marie's mother.

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Speaker 4: Who are you?

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Speaker 9: I'm a reporter. Nny was your son in law?

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Speaker 8: Right, I've got nothing to say about him except they

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should electrocuted him.

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Speaker 9: Not to give him forty years. You identified him at

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the trial, sure, saying his.

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Speaker 14: Name is Goodwin.

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Speaker 13: I ain't Kenny.

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Speaker 4: I Goodwin?

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Speaker 9: Liar? Know what a liar that boy was? Come in?

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Speaker 8: Look what's that bible? Look her here rode on the inside.

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Turned my darling sweetheart, Marie. Give it it's Tuo same

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day killed her. That's how bad he was.

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Speaker 9: Sure there couldn't be any mistake.

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Speaker 8: I swore in the courtroom, and I'll putting my hand

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on this book.

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Speaker 9: Now, God's my witness.

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Speaker 8: That boy in jail kill my daughter.

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Speaker 14: God's my witness.

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Speaker 7: You wonder about him, now, Jamie Goodwin or off At Tenny,

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You wonder that to go on? Other witnesses say the same.

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And then after searching a week, you find the Tenny family.

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A woman second bed who can't talk, and a bent

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old man who listens to your mission and shakes his head.

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Speaker 15: He's my son. But don't talk about him.

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Speaker 11: But you weren't at the trial, Well you, mister Tenny,

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you didn't see him what I wanna see.

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Speaker 15: Boy disgrace his family, mister, since he'd done that six

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years ago, his mama and me ain't been out of

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this house living disgrace, that's all. Don't want to talk

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about him.

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Speaker 9: But this man may not be your son. Killed his wife,

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that's all I know. Maybe he didn't do it.

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Speaker 11: I don't say your son didn't kill his wife. I

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say maybe this man isn't your son.

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Speaker 9: What you want me to do, come down to the

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jail see him.

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Speaker 11: You may be able to set an innocent man free.

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You wouldn't want an innocent man to pay for your

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son's crime, would you.

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Speaker 15: Well enough trouble in the world at out some poor

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boy pend for something my son done. I'll go.

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Speaker 11: You know this man Jamie, No, sir, never seen him

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before in my life. Well, mister Tanney, mister Tenney, this

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is Arthur Tenny's father.

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Speaker 15: Well it looked like him, talk like him, even stand

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like Arthur. Look enough to be him. Eltis twin. He

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ain't my son, He's somebody else.

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Speaker 7: Read all about it men sentencing and Rico County Jail

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for murderers.

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Speaker 14: Arthur Tenny says, that's not his name.

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Speaker 7: Read all about it is shut down the facts as

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you've got them, the assertions and other niles. And the

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next morning you get a call the Commonwealth's Attorney, George Dallas,

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the man who tried the case, tells you to come in,

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tells you you'd better come in.

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Speaker 13: That's a great story, you wrote, great public service.

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Speaker 14: What's the matter, mister Ballas you think I try cases

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and send men to prison for forty years for the

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fun of it, I don't, But I wrote that. I

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suppose you listen, houseman and I talk eight witnesses and

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the sheriff of this county identified this man as Tenny.

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One witness, the man's father, and of course the man

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himself say he's not Tenny. Now, I ask yourself this,

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Does the Tenny family stand again by lying? Does Tenny

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stand again by sticking to his story that he's Goodwin?

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Of course?

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Speaker 9: But I saw them together, Tenny's father, and.

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Speaker 14: I saw Bertha Jarvis and the murdered girl's mother and

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all the rest. I suppose you were accused of being

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someone you're not. Could you prove who you were? Would

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it be so difficult?

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Speaker 9: And what about the papers from the Merchant Marine.

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Speaker 14: Look I walk into a shipping office in New York

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and say my name is Goodwin. Do they ask for proof? No,

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they issue papers in the name of Goodwin. Does that

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make me Goodwin?

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Speaker 9: No? No? I see all that. But there are no butts.

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Speaker 14: No, if Sir Anne's are butts. That boy raised the

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noise that he was Goodwin.

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Speaker 9: In court we proved who he was.

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Speaker 14: Now, if he hadn't raised that doubt that he was

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someone else, he'd have been sentenced to death, not forty years,

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instead of an innocent man being unjustly jailed. I tell

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you a guilty man has gotten off easy.

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Speaker 9: You think that I know it?

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Speaker 14: Now, Why don't you go back to your paper and

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write the second part of that story that Tenny is

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Kenny No ifs and buts.

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Speaker 9: No.

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Speaker 11: I can't do that, mister Bout. I can't because after

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all you've said, and all the other witnesses have said, I.

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Speaker 9: Think I'm right. I think I can prove that Jamie

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Goodwin is not the murderer.

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Speaker 16: This is Si Harris returning you to your narrator and

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the big story of Julian Houseman as he lived it

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and brought it.

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Speaker 7: The fact seem all against you, Julian Housman, reporter for

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the Richmond Newsleader. Witnesses swear that the man who says

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he's Jamie Goodwin is really off Tenny murderer. The sheriff

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says so, Commonwealth's attorney Ballast insists so. And all you

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have to go on is the word of the man himself,

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the murderer's father, and your own stubborn belief. You go

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back to Henrik Cardie jail, to the innocent man or

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the murderer.

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Speaker 9: And talk Jamie. I need to know more. I've got

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to know more about you now, you've got to talk

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to me. What for, mister horsman, don't sit there like

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that so we can free you. Don't you want to

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get out of prison?

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Speaker 3: Don't I want to get out? Don't I want to Breathe? Look, mister,

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you've been good, real good, taking time, but nobody cares.

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What happens to me? That old man say I wasn't

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his son? Anybody listen to him? The sheriff listen, mister Ballace,

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he listened.

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Speaker 11: No, Oh, what's a good I tell you, if we

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can get profe, you can be free.

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Speaker 3: They put me away. They treat me good in here,

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and I ain't complaining. Food's good and all like it.

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But they put me away and they ain't gonna bother

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take me out.

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Speaker 9: I tell you you're wrong. Ballas is an honest man.

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Speaker 3: I ain't say he's not honest.

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Speaker 17: I oh, mister, look, I want to get out, getting

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the sun, get on a ship, maybe see a girl,

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get married, have kids.

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Speaker 4: Sure, sure I.

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Speaker 3: Want that, But I ain't gonna let you come in

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here and stuff my hopes and made me get me

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to think that that's what I'm gonna have. I ain't

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gonna let you do that. I'm gonna run in here.

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It ain't nothing you know, nobody in the whole world can

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do to help me. That's why I say leave me alone. Please,

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I'm begging you. Leave me alone, mess me up, and

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then dash me down more hard than before.

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Speaker 9: You're wrong, Jenny, You're wrong? How can I make you

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believe you're wrong? Jamie?

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Speaker 11: I'm gonna write a story about what you just told me.

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Maybe somebody will read it and come forward and say

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who you really are? What else should I say in

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that story?

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Speaker 4: I told you all?

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Speaker 3: I'm gonna say you.

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Speaker 9: Asked who cares?

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Speaker 11: I care, Jamie, and I think others will care when

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they hear your story.

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Speaker 9: The truth, honest, the true Jamie.

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Speaker 3: All right, say this, Jamie Goodwin's got a bad name,

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Jamie Goodwin Robert Carr and stole money for food. But

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he didn't kill no woman.

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Speaker 4: He didn't kill no wife. He never was married. Say that.

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Speaker 3: Say if he got married, he treated this woman right.

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You ain't gonna help maybe, but.

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Speaker 4: That's the truth.

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Speaker 9: Anything else, Yeah, yeah, you know, mister Haan.

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Speaker 3: Say that. Say Jamie Goodman worked lots of places Broad

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n Next, Detroit, Baltimore, Boston. There must be some folks

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knowing must be one man somewhere stop what he do

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and take a day out and come down here to

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prove I ain't no murderer. Prove I just claimed, Jamie Goodwin.

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Speaker 14: Reg your story. Mister tim thought. Maybe I knew that

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man you wrote about two years ago. Let him seventy

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five dollars he paid me back to here's the newdy sign. Heee,

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Jamie Goodwin, maybe you can use it.

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Speaker 15: I just come from the jail, mister haslan Well. I

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saw that man. The man they says author Tenny Funny.

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I remember when I talked to Tenny, knew him years ago.

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He used to have to look up to that man tall.

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This one I didn't have to look up to. Now

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he must have got shorter, because I ain't got no

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taller less, of course, like I think, he ain't author Tenny,

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but someone else.

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Speaker 9: You're a houseman, that's right.

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Speaker 4: My name C. B. Sega. I'm a planter broad next way.

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You had not in the paper. I read it.

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Speaker 12: I spoke the postmaster in our town about this good Win.

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Tenny Feller says, come see you say here I am.

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Speaker 9: What do you think about it?

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Speaker 12: Thinking something? I don't go in for much here is.

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I'll tell you what I believe in. I believe in facts.

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I live in broad Next all my life. Know everyone

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man worked for me. Name a Goodwin years back. Maybe

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that's the boy you've got in jail here. If it is,

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i'll prove it. I'll ask that boy six questions about Broadnecks.

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He answers him he's a Goodwin. He don't let him

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stay in jail. I ain't got all day.

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Speaker 4: Let's go.

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Speaker 9: I stand still, you man, what's this?

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Speaker 4: What you got all these men here for?

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Speaker 9: Can you pick out one you ever saw before? Mister

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Sega testing me?

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Speaker 4: Eh? Well, I'll be sure there he is. You're Goodwin? Right, yes?

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Chasing me? All right?

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Speaker 11: The rest of you, man can go, Jamie, this man

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is Let me do the talking, son, Okay, I look

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at me, Jamie.

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Speaker 4: Where am i?

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Speaker 3: I remember? You say you mister sake?

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Speaker 4: That's right now? Where am I from? By broad Next?

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When did you last see me?

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Speaker 9: Let me see seven years ago?

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Speaker 4: So last July?

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Speaker 14: Why did you say July when.

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Speaker 3: You fired me July the first and then you hired

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me back July to fourth?

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Speaker 4: He says he was being patriotic about how I never mind?

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What's my brother in law's name.

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Speaker 9: What is the doctor, doctor Payne?

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Speaker 4: What did he tell you last time he saw you?

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He said, I think it was the last time.

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Speaker 3: He says, don't you go walking on no more rules,

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because next time you fall off, you and I might

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not be lucky and.

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Speaker 4: Just break one lead.

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Speaker 12: That's him, that's him, that's Jamie with no furious facts.

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I swear for heck, I don't need to swear now, Jamie.

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When he let you out, you come on back to

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broad next. I got a good job with him.

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Speaker 7: But it's not so simple. There are eight witnesses and

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a sheriff to shake. There's a decision of a judge

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and a jury the reverse, and there's an attorney Ballast,

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the commonwealth attorney. You bring the new information to him.

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He looks it over lessons, then says, I take back

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some of what I said. Housman, your story was not irresponsible.

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Speaker 9: Thank you.

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Speaker 14: I take back some of what I said. There's still

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the testimony of eight enough. But you think, nevertheless, that

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this information warrants a new trial.

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Speaker 9: Yes, mister Ballas I do. What do you think, husband?

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I want you to know I'll fight you.

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Speaker 14: I mean you and Tenny or a Goodwin and his attorney.

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I'll fight you with all I've got. You know I'm

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a funny duck. I'm one of those throwbacks to another

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period when people had a sense of duty and a

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sense of honesty. If you win this case, you'll know

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you've been in a fight.

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Speaker 13: You'll get a new trial, as the lord's my witness.

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Speaker 4: Jedge.

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Speaker 6: That man sitting right over there was married to my

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girlfriend Marie.

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Speaker 13: That man is author Tenny. I swear he killed my daughter.

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Speaker 9: That Tenny, I swear he don't decide to live.

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Speaker 15: Yes, So mister lawyer us respects what that foreman said

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about Marie, and I ain't forgetting Marie was my daughter

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in law. But that man sitting down ain't my son.

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He looked like him, all right, but he ain't my boy.

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Speaker 12: My name is Sega, I say, any man answer my

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six questions? Way that boy done? I know he's who

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I say is? He's Jamie Goodwin.

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Speaker 8: I'm the boy's mother, Sir, Yes, sir, No matter what

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I say, I know few people ain't gonna think I

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ain't sticking up for my son.

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Speaker 4: I am. But I said this.

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Speaker 8: How come that poor woman understand whose daughter got killed?

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Speaker 4: N't know me.

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Speaker 8: How come the man who say he's author to his

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father never seen me before? If I'm the mother of

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this man, then there's my kinfold. And how come my

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kinfolks don't know me? Reason Neils, he's Jamie Goodman.

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Speaker 9: That's why I am a handwriting expert.

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Speaker 10: I've testified in many trials in professional capacity, including the

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Lindbergh case. I have also examined a sheet of paper

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00:23:26,759 --> 00:23:28,920
torn from a Bible on which Arthur Tenny wrote a

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00:23:28,960 --> 00:23:32,799
few words. I have also examined a note admittedly signed

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by Jamie Goodwin. In my honest and positive opinion, the

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possibility of Tenny writing like Goodwin or Goodwin writing like

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00:23:40,200 --> 00:23:43,240
Tenny is so highly unlikely that it becomes almost a

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practical certainty that they are very different people. In short,

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that's Goodwin your honor, not Tenny.

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Speaker 4: Jamie Goodwin.

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Speaker 9: Yes, so your honor.

399
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Speaker 15: He's dismissed.

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Speaker 9: Sir, You're a free Jamie.

401
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Speaker 7: You're afraid, Please, mister Housman, a little respect for the

402
00:24:11,519 --> 00:24:12,559
dignity of this court.

403
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Speaker 16: Jamie Goodwin, you are free.

404
00:24:36,240 --> 00:24:38,480
Speaker 9: I don't know what the same as to help you

405
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don't have to say anything.

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Speaker 4: I got it somehow. I gotta thank you. You see,

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I learned that people don't care.

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Speaker 3: People like you and the postmaster from broad MAXI mister Sega,

409
00:24:51,039 --> 00:24:52,119
here's mister Ballast too.

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Speaker 9: Then folks on the other side they care too. What's true,

411
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countful folks don't. That's right.

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Speaker 18: It seem the something something else too, I mean something.

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00:25:04,160 --> 00:25:07,200
If you believe in something, you don't put your head

414
00:25:07,279 --> 00:25:10,599
down and say no, they can't be you. Put your

415
00:25:10,640 --> 00:25:13,920
face up and fight for what you believe. If you

416
00:25:14,039 --> 00:25:17,160
do that, people cared because they see that you kids.

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00:25:17,880 --> 00:25:19,519
And that's what this show, now it was.

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00:25:20,839 --> 00:25:24,079
Speaker 9: That's what it shows, Jamie. That's just what it shows.

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00:25:40,720 --> 00:25:42,720
Speaker 2: In just a moment, we'll read you a telegram from

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00:25:42,799 --> 00:25:45,640
Julian Sea Houseman of the Richmond, Virginia Newsleader, with a

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final outcome of tonight's big story. Now we read you

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00:25:54,799 --> 00:25:58,720
that telegram from Julian Cea Housman of the Richmond Virginia Newsleader.

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Speaker 11: Day after try Goodwin visited the paper and said, I

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00:26:02,319 --> 00:26:03,799
just wanted to come to the people who got me

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00:26:03,839 --> 00:26:06,480
out of this. Jam I needed assistant sentence to the

426
00:26:06,519 --> 00:26:09,839
Newsleader that I owe my freedom. Authorities are still searching

427
00:26:09,880 --> 00:26:13,200
for the actual murderer in Tonight's Big Story. Thanks a

428
00:26:13,240 --> 00:26:14,480
lot for Tonight's Pellmell Award.

429
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Speaker 4: Thank you, mister Hosman.

430
00:26:16,039 --> 00:26:18,559
Speaker 2: The makers of pell Mell Famous Cigarettes are proud to

431
00:26:18,640 --> 00:26:21,440
present you the pell Mell five hundred dollars Award for

432
00:26:21,559 --> 00:26:23,279
notable service in the field of Journalism.

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Speaker 16: Listen again next week, same time, same station, when pell

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00:26:27,599 --> 00:26:32,160
Mell Famous Cigarettes will present another Big Story. A big

435
00:26:32,279 --> 00:26:35,240
story from the front pages of the Columbus, Ohio Dispatch

436
00:26:35,880 --> 00:26:41,240
Byeline bill Foley, A big story about a phantom killer

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00:26:41,839 --> 00:26:44,759
and a reporter who didn't believe in ghosts.

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Speaker 2: The Big Story is produced by Bernard Parcter with music

439
00:27:00,519 --> 00:27:04,920
by Vladimtslinski. Tonight's program was written by Arnold Pearl. Your

440
00:27:05,000 --> 00:27:08,440
narrator was Bob Sloan. John Sylvester played the part of

441
00:27:08,519 --> 00:27:13,079
Julian C. Hausman, and Canada Lee played Jamie. In order

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00:27:13,160 --> 00:27:16,240
to protect the names of people actually involved in Tonight's

443
00:27:16,640 --> 00:27:19,759
authentic Big Story, the names of all characters in the

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00:27:19,839 --> 00:27:22,960
dramatization were changed, with exception of the report of mister Housman.

445
00:27:29,279 --> 00:27:31,759
This is Ernest Chappel speaking for the makers of pell Mell.

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00:27:39,359 --> 00:27:43,000
Speaker 9: This is NBC the Nation, a broadcasting company.

447
00:27:49,319 --> 00:27:54,960
Speaker 1: Welcome Back. In addition to mister Sylvester and mister lay in,

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00:27:55,519 --> 00:28:03,160
tonight's cast were Pauline Myers, Georgia Bury, John Marriott, Jim Bules,

449
00:28:03,599 --> 00:28:08,960
Eric Dressler, Bill Smith, Scott Tennyson, and as usual, a

450
00:28:09,160 --> 00:28:14,359
lot of doubles, including Canada Lee. Now on the Big Story.

451
00:28:14,519 --> 00:28:18,160
It is a bit unusual for any co stars to

452
00:28:18,279 --> 00:28:22,359
make it into the closing credits, but Canada ly had

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00:28:22,519 --> 00:28:28,279
a very significant profile that merited it. Lee kind of

454
00:28:28,480 --> 00:28:32,400
stumbled into acting, I mean literally was looking for a

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00:28:32,720 --> 00:28:37,200
job as a laborer and ended up in an audition

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00:28:37,799 --> 00:28:41,039
for the Federal Theater, which was one of those sort

457
00:28:41,079 --> 00:28:45,519
of new deal projects that kept people in work by

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having them performed. According to Lee, the way he looked

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00:28:50,119 --> 00:28:53,759
at acting was this is interesting, and it's better than

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00:28:53,839 --> 00:28:59,720
going hungry. Then he got into a production of McBeth,

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00:29:00,079 --> 00:29:06,799
which we termine all black production, and Wells had them

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00:29:06,920 --> 00:29:12,039
rehearsed for six months and this just became a runaway hit.

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00:29:12,839 --> 00:29:17,640
And it really is a case where Wells's passion for

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00:29:18,319 --> 00:29:22,640
the theater and acting were caught by Lee, which I

465
00:29:22,720 --> 00:29:26,839
think is one of the more incredible things that I've

466
00:29:26,880 --> 00:29:29,839
ever read about mister Wells. Lee went on to do

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00:29:30,039 --> 00:29:33,880
a lot of stage work and in Hollywood he was

468
00:29:34,759 --> 00:29:39,799
asked in Lifeboat, and he'd also served as an narrator

469
00:29:40,160 --> 00:29:45,279
of the really interesting World War two era program New

470
00:29:45,359 --> 00:29:49,359
World A Coming, So he brought some real star power

471
00:29:49,519 --> 00:29:52,039
that you don't really hear a whole lot in the

472
00:29:52,119 --> 00:29:55,839
big story. In terms of the episode itself, I think

473
00:29:55,920 --> 00:30:00,839
it was well set out, and according to doctor Joe Webb,

474
00:30:01,319 --> 00:30:06,279
it's pretty close to the truth. The murder in question

475
00:30:07,599 --> 00:30:12,720
happened in nineteen thirty two, with the new trial occurring

476
00:30:12,839 --> 00:30:17,200
in nineteen thirty eight. I do think that, as was

477
00:30:17,319 --> 00:30:21,480
the case with other episodes in this sort of mold,

478
00:30:22,480 --> 00:30:26,480
that there may be a little bit too much credit

479
00:30:26,640 --> 00:30:31,160
being given to the prosecutors, who and I think in

480
00:30:31,319 --> 00:30:36,079
real life, continued through a lot of evidence coming forward,

481
00:30:36,319 --> 00:30:38,799
a lot of people saying this wasn't the same guy

482
00:30:39,400 --> 00:30:43,839
until they were really Finally, I think by the way

483
00:30:44,039 --> 00:30:49,480
of public relations and potential, he forced to go ahead

484
00:30:49,559 --> 00:30:52,839
and have a new trial. Now that is not to

485
00:30:53,000 --> 00:30:59,960
say in anyway that prosecutors or most prosecutors aren't concerned

486
00:31:00,440 --> 00:31:03,119
enough with justice to try to do the right thing.

487
00:31:03,480 --> 00:31:06,119
It's just kind of hard to see that this was

488
00:31:06,200 --> 00:31:09,799
the case here all right. Listener comments and feedback now

489
00:31:10,240 --> 00:31:14,279
and overall on Spotify Mechanics sixty six rights regarding the

490
00:31:14,359 --> 00:31:18,839
episode's sixteen year old misfit kills out of Fear good one.

491
00:31:19,079 --> 00:31:20,079
Speaker 3: Well, thanks so much.

492
00:31:20,599 --> 00:31:24,240
Speaker 1: Now it's time to thank our Patreon supporter of the day,

493
00:31:24,480 --> 00:31:26,599
and I wanted to go ahead and thank Die and

494
00:31:27,000 --> 00:31:33,359
Patreon supporter since July of twenty twenty three, currently supporting

495
00:31:33,440 --> 00:31:37,480
the podcast at the Detective Sergeant level of seven dollars

496
00:31:37,559 --> 00:31:40,440
and fourteen cents or more per month. Thanks so much

497
00:31:40,480 --> 00:31:43,640
for your support, Diane, and that will do it for today.

498
00:31:43,839 --> 00:31:47,519
If you're enjoying the podcast, please follow us using your

499
00:31:47,799 --> 00:31:51,440
favorite podcast software and be sure to rate and review

500
00:31:51,519 --> 00:31:54,759
the podcast wherever you download it from. We'll be back

501
00:31:54,920 --> 00:31:57,799
next Tuesday with another episode of the Big Story, but

502
00:31:58,000 --> 00:32:01,720
join us back here tomorrow for Broadways My Beat, where.

503
00:32:01,839 --> 00:32:04,000
Speaker 19: The shock was a thing composed of crowd and a

504
00:32:04,079 --> 00:32:07,400
nighttime sky lit by flame, the elements later to be

505
00:32:07,440 --> 00:32:10,400
noted in police and fire department records. Fire at Russell's

506
00:32:10,480 --> 00:32:12,799
Chemical Company time four fifteen am.

507
00:32:13,319 --> 00:32:14,960
Speaker 4: You're bringing somebody out now down.

508
00:32:15,319 --> 00:32:18,480
Speaker 19: Strange What what'd you say? Said a strange mug of

509
00:32:18,519 --> 00:32:21,400
m after four in the morning. Why should anybody be come,

510
00:32:21,519 --> 00:32:25,359
Let's see put the stretches down here.

511
00:32:25,799 --> 00:32:26,720
Speaker 9: Somebody better are they?

512
00:32:27,200 --> 00:32:27,359
Speaker 13: Oh?

513
00:32:27,519 --> 00:32:30,079
Speaker 3: Hello, Danny, he's too. I think that's always in there.

514
00:32:30,400 --> 00:32:32,319
I just started to say, somebody better get a preach.

515
00:32:32,359 --> 00:32:34,440
Speaker 4: They both said, this one is the other one.

516
00:32:34,519 --> 00:32:39,000
Speaker 9: Anny, look at him, Ed Custer, do something for him.

517
00:32:39,000 --> 00:32:43,799
Speaker 19: Don't knock Doc overhead, Ed Custer, hurry up, Doc, you

518
00:32:43,839 --> 00:32:44,400
know I'm Danny.

519
00:32:44,559 --> 00:32:45,480
Speaker 9: Yeah, he's a policeman.

520
00:32:45,640 --> 00:32:47,279
Speaker 4: Policeman, what was he doing in there?

521
00:32:47,839 --> 00:32:49,519
Speaker 9: Got do something for him.

522
00:32:49,880 --> 00:32:52,640
Speaker 1: Hope you'll be with us then in the meantime, said

523
00:32:52,720 --> 00:32:56,759
your comments to Box thirteen at Great Detectives dot man,

524
00:32:57,319 --> 00:33:00,880
follow us on Twitter at Radio Detective, and check us

525
00:33:00,920 --> 00:33:07,279
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.

526
00:33:07,559 --> 00:33:10,400
This is your host, Adam Graham. Sign and off.

