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<v Speaker 1>You see, something's going to happen. What's going to happen?

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<v Speaker 2>What?

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<v Speaker 1>Welcome back to the occult Rejects. Today we're joined by

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<v Speaker 1>Enid Baxter Rice, author of Ancient Spells and Incantations Echoes

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<v Speaker 1>of Magic through the Ages and Across Cultures. This is

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<v Speaker 1>a book that reaches into one of the oldest magical

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<v Speaker 1>technologies human beings ever used the spoken word, before printing presses,

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<v Speaker 1>before modern psychology, before spell books became esthetic objects on

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<v Speaker 1>a shelf. People whispered, sang, carved, paryed, cursed, healed, protected,

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<v Speaker 1>and commanded through language. The spell was not just a sentence.

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<v Speaker 1>It was breath, rhythm, memory, intention, fear, hope, and authority

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<v Speaker 1>shaped in words. What makes these subjects so powerful is

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<v Speaker 1>that these old incantations were not always preserved in clean

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<v Speaker 1>or comfortable places. Some survived in grimars, some survived in

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<v Speaker 1>paptery letters, manuscripts, charms, pottery, fragments, medical texts, and ritual records.

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<v Speaker 1>Others survived because enemies of magic wrote them down inquisitors,

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<v Speaker 1>church courts, colonizers, prosecutors, skeptics, and authorities trying to document

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<v Speaker 1>what they wanted to control or destroy. So when we

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<v Speaker 1>look at ancient spells, we are not only looking at magic.

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<v Speaker 1>We are looking at survival. We are looking at voices

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<v Speaker 1>that pass through persecution, translation, misunderstanding, and time. And that

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<v Speaker 1>is why this conversation matters. Modern people often reduced spells

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<v Speaker 1>to fantasy or entertainment, but in the ancient and folk worlds,

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<v Speaker 1>incantations were part of life. People used them for sickness, childbirth, love, protection, enemies, ghosts, animals, harvests, weather, grief, fear, justice,

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<v Speaker 1>and revenge. They were not separate from daily existence. They

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<v Speaker 1>belonged to the body, the home, the field, the sick

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<v Speaker 1>bed and threshold, the grave, and the sacred space. Today

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<v Speaker 1>we're going to ask what these words meant, how they worked,

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<v Speaker 1>why they lasted, and what they can still teach us

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<v Speaker 1>about human relationship to language, power, spirit and reality. But

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<v Speaker 1>before we introduce the guests, I also want to remind

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<v Speaker 1>people about the website. If you're into reading, we have

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<v Speaker 1>tons of information by multiple contributors, and we got t

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<v Speaker 1>shirts up on the site if you're interested fun fact,

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<v Speaker 1>the art is all based on the eyeball. Now let

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<v Speaker 1>me introduce the guest eating back to the rice. Please

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<v Speaker 1>let everybody know what is up with you and where

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<v Speaker 1>they can find all of your amazing stuff, your books

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<v Speaker 1>or anything you like to promote.

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<v Speaker 2>Thank you. First of all, that was such a beautiful introduction.

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<v Speaker 2>It's kind of like marveling. I love the way you

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<v Speaker 2>described that history and the amazing weird way that these

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<v Speaker 2>things survive. This is the book. It's out, you can

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<v Speaker 2>get it anywhere books are solds and I wrote and

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<v Speaker 2>illustrated it.

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<v Speaker 1>Yeah, the illustrations are amazing in my opinion, Like that

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<v Speaker 1>really quote my attention. When I was going through the book,

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<v Speaker 1>I was like, Yo, he's a wild And I be

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<v Speaker 1>completely honest, I had to check to see if they

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<v Speaker 1>were like originals or if you droom because I was like, Yo,

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<v Speaker 1>these things actually look like they're old. So your reconstruction

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<v Speaker 1>of them like really made me think I was looking

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<v Speaker 1>at the originals stuff.

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<v Speaker 2>Oh that's exciting. Well, some of them are drawings of

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<v Speaker 2>the originals and manuscripts, and then some of them are

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<v Speaker 2>me doing stuff like this where basically I paint with

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<v Speaker 2>water and write words into the bottom, so the title

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<v Speaker 2>of the book is actually in the bottom of the

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<v Speaker 2>forest on the ghost farest. Some that cover and then

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<v Speaker 2>some I just soaked watercolor paper and dropped ink on

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<v Speaker 2>it and saw what emerged and then kind of pulled

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<v Speaker 2>it out. Those are those weird characters all the way

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<v Speaker 2>through it.

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<v Speaker 1>So that was fine, nice, nice. So I guess I

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<v Speaker 1>kind of where I ask all, like, you know most

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<v Speaker 1>people that come on the show for this type of stuff,

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<v Speaker 1>what got you into this? Like how did you fund yourself?

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<v Speaker 1>I guess into magic, the occult, whatever you call it, witchcraft.

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<v Speaker 2>So definitely in my family there's a tradition of herbalism, which, oh,

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<v Speaker 2>you know, in the Middle Ages, there was no difference

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<v Speaker 2>between magic, science art, you.

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<v Speaker 1>Know, cooking, it was all the same.

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<v Speaker 2>Yeah. Yeah, So it was all this these kind of

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<v Speaker 2>predictive arts, these things that were mysterious, like how do

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<v Speaker 2>you transform a vegetable into a great soup? How do

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<v Speaker 2>you transform a vegetable into a poultice to heal someone?

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<v Speaker 2>Maybe you can use it to transform anything. So I

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<v Speaker 2>was working on this book which came out in July,

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<v Speaker 2>and it's a plant magic at home, and I was like,

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<v Speaker 2>during the pandemic, I was trying to get my kids

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<v Speaker 2>outside like crazy, and I was like, hey, guys, let's

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<v Speaker 2>do this thing I used to do when I was

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<v Speaker 2>a child, which was to go out and collect herbs

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<v Speaker 2>and plants and berries and bark, and we would make

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<v Speaker 2>dyes for my mother's weavings. And so I got my

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<v Speaker 2>kids into sort of this process, which it's weirdly like

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<v Speaker 2>exciting and relaxing, and that's so I started. I was like, Okay,

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<v Speaker 2>I want to write this book that tells all about

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<v Speaker 2>how to do that, but also has the history of

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<v Speaker 2>each plant and what it was used for in magic

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<v Speaker 2>medicine folklore. And as I was researching that, I started

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<v Speaker 2>finding these amazing incantations connected in these old texts with

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<v Speaker 2>the plants and started writing them down. And then I realized, like,

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<v Speaker 2>this would be a really fun book. And you know,

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<v Speaker 2>there's this access that I have to libraries because I'm

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<v Speaker 2>a professor that you know, most people don't really get

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<v Speaker 2>access to. And it's it's very like dark academia. Like

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<v Speaker 2>I put in the request and I get an email

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<v Speaker 2>and it's in a blocker, and I go to the

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<v Speaker 2>locker and I open it up and there's the book.

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<v Speaker 2>It smells awesome, and I take it home and I

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<v Speaker 2>have one of these things where you actually have it

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<v Speaker 2>right here, where you like set the book in the.

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<v Speaker 1>Use that library. Yeah, when I've gone there to get

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<v Speaker 1>some of the old books. Yeah, they give you a

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<v Speaker 1>thing and they give you like, yeah, they weighted. It's

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<v Speaker 1>like a weighted sock.

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<v Speaker 2>Yeah wait yeah, yeah, yeah, it's totally. It's a it's

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<v Speaker 2>one of those things you heat up like if you

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<v Speaker 2>want to, you're done, you can you.

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<v Speaker 1>Know, to your Yeah, they want you to use that

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<v Speaker 1>to hold the page down instead of your hands. Yeah yeah.

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<v Speaker 2>Yeah. So so I get these books and typically when

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<v Speaker 2>they're written about by professors, it's scholarly, which is pouring.

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<v Speaker 2>And I wanted to make a fun book that you

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<v Speaker 2>could actually play with and use the incantations and kind

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<v Speaker 2>of reveal some of this old stuff. So that was

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<v Speaker 2>I had a ball with that.

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<v Speaker 1>That is awesome. That is really cool. That's also what

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<v Speaker 1>you did with the herbs too. I have to get

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<v Speaker 1>you back on maybe to talk about that. I'm pretty

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<v Speaker 1>interested in herbs and that stuff.

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<v Speaker 2>Yeah, me too. I don't know where that history comes

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<v Speaker 2>all the way down from. My mother was from a

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<v Speaker 2>Celtic and Sephardic background, and I remember that, you know,

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<v Speaker 2>when I was little, she was always planting marigolds next

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<v Speaker 2>to the tomatoes, and I was like, why are you

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<v Speaker 2>doing that? She said, to protect them? And I thought, oh,

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<v Speaker 2>maybe it's like the smell you know of marigolds is

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<v Speaker 2>really strong, like as an insecticide or something like that.

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<v Speaker 2>But it turns out there's this like micro biology reason

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<v Speaker 2>that marigolds intertwine with tomato roots and protect them from

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<v Speaker 2>this micro organism called nematotes. And you know, my didn't

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<v Speaker 2>go to school for biology. And I called her. I

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<v Speaker 2>was like, how did you know about this thing? And

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<v Speaker 2>she was like, your grandma told me. And I don't

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<v Speaker 2>know that. My grandma got past eighth grade. So I

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<v Speaker 2>you know, it's just wild, right people know, right? Like,

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<v Speaker 2>And then you look across cultures and there's some plants

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<v Speaker 2>that just show up everywhere as being magical. Mugwort is

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<v Speaker 2>one all around the world. Mugwort is magical, yarrow is

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<v Speaker 2>magical anywhere you go, South America, China, everywhere.

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<v Speaker 1>That is really interesting. Actually, that says something I think.

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<v Speaker 2>I think so too. It's really cool.

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<v Speaker 1>I ended up doing a I haven't finished it. I

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<v Speaker 1>have a five part series of maybe the six I

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<v Speaker 1>think it's only five, and I have like six or

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<v Speaker 1>seven done ready to record it. I did magical herbs

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<v Speaker 1>and the way they affect your twelve cranial nerves, and

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<v Speaker 1>even that was so interesting realizing like what are they

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<v Speaker 1>like what they do to your you know a lot

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<v Speaker 1>of them will affect your vegas nerve and your old factory,

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<v Speaker 1>and like how it actually does start. Some of the

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<v Speaker 1>interesting things that I thought was, you know that I

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<v Speaker 1>found that kind of surprised me is that it almost

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<v Speaker 1>seems like what they were using these herbs for, in

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<v Speaker 1>a sense, it was doing in your physically right. And

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<v Speaker 1>it's like did they know that? Like somehow they just

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<v Speaker 1>knew that and maybe didn't know how it worked, But

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<v Speaker 1>I wonder if they actually understood, like when you smell

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<v Speaker 1>this one, it's going to slow your vegas nerve down,

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<v Speaker 1>so now your stomach will start to feel better, or

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<v Speaker 1>your throat because it connects from here down to there.

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<v Speaker 1>It's just like, did they know that?

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<v Speaker 2>It's amazing When I go to work with schools, like

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<v Speaker 2>school children, I grow a lot of lavender in my

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<v Speaker 2>yard because you know, I always bring it and we

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<v Speaker 2>make like fairy houses and stuff. But the kids get

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<v Speaker 2>like really calm because it calms them down, and it's

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<v Speaker 2>just suthing you can do, yeah, to take care of,

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<v Speaker 2>you know, people when you're working with them.

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<v Speaker 1>I love lavender for that reason. I always I use

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<v Speaker 1>a lot of it. Well, not a lot of it,

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<v Speaker 1>but I do use it often for that reason. I

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<v Speaker 1>have like a wax burner. I put it like lavender

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<v Speaker 1>oil in it to try to.

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<v Speaker 2>Like, you know, I guess I'm like, I harvested the

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<v Speaker 2>early summer lavender. It's like drying. But yeah, it's like.

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<v Speaker 1>All over my g It's one of my favorite I

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<v Speaker 1>love this smelly too, very good. So uh yeah, I guess.

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<v Speaker 1>So when it comes to uh, what kind of sources actually,

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<v Speaker 1>let me let me ask you something else first. Uh,

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<v Speaker 1>was there a moment during the research where you felt

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<v Speaker 1>like this is not just folklore, there is something like

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<v Speaker 1>there is someone's real fear, real grief, real hope or

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<v Speaker 1>attempt at like a real attempt to survive.

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<v Speaker 2>Yeah, definitely, And that was the thing I think that

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<v Speaker 2>also drew me to it, like over the past few

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<v Speaker 2>years with you know, all the conflicts in the world

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<v Speaker 2>and you know, the first chapter of the book talks

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<v Speaker 2>about incantation bulls, which everybody was living together in you know,

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<v Speaker 2>the ancient world in the Middle East, and nobody was

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<v Speaker 2>supposed to be going to the scribe to get magic spells.

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<v Speaker 2>But the scribe, who is writing spelling incursive, like it's

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<v Speaker 2>even in our language, right, you know, he was kind

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<v Speaker 2>of code switching to whoever the customer was. So if

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<v Speaker 2>it was a Jewish person, you know, he'd write the

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<v Speaker 2>spell and then be like in the name of Abraham

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<v Speaker 2>at the end. And if it was you know, a

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<v Speaker 2>Zoroastrian person or a Coptic person, they'd switch. And then

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<v Speaker 2>later when Muslim people were there, the same thing it

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<v Speaker 2>would be, you know, oriented towards them. So I was like, oh,

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<v Speaker 2>well everybody has in common that we sneak off and

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<v Speaker 2>do taboo things, you know. And then as you read

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<v Speaker 2>the spells, you read like, wow, we all have this

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<v Speaker 2>the same vulnerabilities over thousands of years, Like we all

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<v Speaker 2>want love, we all want protection, we all want health,

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<v Speaker 2>we all want to make stuff happen, we all get

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<v Speaker 2>angry and want revenge, you know, and it's just so like,

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<v Speaker 2>like the the cursed tablets from ancient Rome are so petty.

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<v Speaker 2>Let me see if I can find one. You know,

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<v Speaker 2>when you're reading it and you're like, oh my gosh,

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<v Speaker 2>this is this is wild. You know, like this is

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<v Speaker 2>so reality TV moment.

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<v Speaker 1>You know, it's like, wow, there was they're the way

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<v Speaker 1>we are now. They've somehow managed to be like that

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<v Speaker 1>back then. Way right. Yeah.

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<v Speaker 2>Yeah. This Pella Cursed tablet, it's like big and it's

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<v Speaker 2>it's funny. The woman who wrote it says, I bind

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<v Speaker 2>to prohibit marriage for Dionosapon. By this written spell. I

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<v Speaker 2>prohibit all other women, be they widows or maidens, but

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<v Speaker 2>prohibit Fetima in particular. I didn't like that's you and

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<v Speaker 2>the spell to the spirit of my friend Macron. I

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<v Speaker 2>leave it at her grave so she may bring it

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<v Speaker 2>to you, Damons, only when I dig it up, unroll

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<v Speaker 2>and reread. Might a woman wed Dionysophon, but not before,

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<v Speaker 2>for I wish for him to take no other woman

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<v Speaker 2>than me. I wish to grow old with Dionysophon and

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<v Speaker 2>no one else. I plead with you. Have pity on me,

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<v Speaker 2>dear Damons, for I have no one. My family belittles me.

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<v Speaker 2>I feel abandoned by all my friends. Protect this spell

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<v Speaker 2>for my sake, so that their marriage does not happen

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<v Speaker 2>and wretched, horrible Fetuma perishes and misery, while I become

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<v Speaker 2>happy and blessed.

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<v Speaker 1>Yo. That is like so real and personal, like you

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<v Speaker 1>know what I'm saying, like wow.

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<v Speaker 2>Yeah, yeah, you're also like calm down.

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<v Speaker 1>Yeah yeah yeah right, but like the person was like

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<v Speaker 1>really like so honest in that thing. It's really cool

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<v Speaker 1>to see that.

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<v Speaker 2>So there's that vulnerability, Yeah, there is that vulnerability and longing,

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<v Speaker 2>and you know when it reminds you that when you

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<v Speaker 2>feel lonely, you are not alone, right like that is that.

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<v Speaker 1>Was that was actually really cool to hear because it

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00:14:13.759 --> 00:14:15.639
<v Speaker 1>makes it sound like it's real, you know what I'm saying,

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<v Speaker 1>Like that's things everybody thinks, you know.

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<v Speaker 2>Yeah. And then the you know, the crazy part is

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<v Speaker 2>some of the places I was finding these things as

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<v Speaker 2>you mentioned, you know, witch trial transcripts or you know

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00:14:29.080 --> 00:14:32.240
<v Speaker 2>the Tattletale monk who's writing back to the pope and

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00:14:32.679 --> 00:14:37.840
<v Speaker 2>telling on everyone's nahuattles spells and what's now Mexico, and

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<v Speaker 2>he becomes the best record of the stuff that we have. Right,

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<v Speaker 2>So I was joking with like snitches get witches.

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<v Speaker 1>You know what I had covered myself. I covered a

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<v Speaker 1>Valentinis and then I covered I covered some other group

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<v Speaker 1>of like kind of like Gnostic Christians and it's kind

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<v Speaker 1>of funny how like sometimes you have to like kind

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<v Speaker 1>of you'll take there'll be a lot of actually on

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00:15:06.120 --> 00:15:08.399
<v Speaker 1>those people. There was a lot of hostile as you'd

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<v Speaker 1>call it to where it's like you're reading people that

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<v Speaker 1>critique them or didn't like them, and it's just funny

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<v Speaker 1>sometimes even seeing it from that angle, it's just like

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<v Speaker 1>it's kind of silly, but it is interesting how like

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<v Speaker 1>that sometimes that's the way you even got to learn

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<v Speaker 1>about people is from reading like didn't they? And then that,

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<v Speaker 1>to me, that proves that they must have been important

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<v Speaker 1>enough for these important people in the Catholic Church to

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<v Speaker 1>start condemning them one hundred percent.

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<v Speaker 2>There's this like indigenous magic practice from England that there's

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<v Speaker 2>this book called It's like got one of those medieval

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<v Speaker 2>titles that's like a paragraph there.

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<v Speaker 1>Yeah, that is like the Renaissance time. It's like, yeah,

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<v Speaker 1>you get like the whole page is the title of

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<v Speaker 1>the book. You're like, come on, I guess since you

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<v Speaker 1>had the paper, you're going to use it up right.

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<v Speaker 2>Yeah. So these two schools heart Leave and Mulatories and

277
00:16:04.840 --> 00:16:09.039
<v Speaker 2>they write Hazards of the Dark Arts Advice for Medieval

278
00:16:09.080 --> 00:16:12.799
<v Speaker 2>Princes on witchcraft and magic, but it's really one prince.

279
00:16:12.840 --> 00:16:15.080
<v Speaker 2>They're writing too, like they're really worried that this one

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<v Speaker 2>Germanic prince in fourteen fifty six is going to get

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<v Speaker 2>you know, interested in magic. But this spell, there are

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<v Speaker 2>people who conjure a loaf of bread and stick three

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<v Speaker 2>knives into it, making three crosses, and attach a spindle

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<v Speaker 2>to a spindle wheel, and two persons hold it on

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<v Speaker 2>their ring fingers and they conjure the Holy Apostles and

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<v Speaker 2>so you know, it's a it sounds almost like an unoffering, right,

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00:16:40.360 --> 00:16:43.480
<v Speaker 2>like a bread offering to the poly Apostles. But they're

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00:16:43.519 --> 00:16:48.240
<v Speaker 2>writing this as like critical, you know, like yeah, yeah,

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00:16:48.240 --> 00:16:51.360
<v Speaker 2>exactly help with these people. But like so the whole

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00:16:51.399 --> 00:16:55.480
<v Speaker 2>book becomes this really neat way to look at spells

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<v Speaker 2>from that era.

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<v Speaker 1>Yeah, it's just I thought it was funny, like the

293
00:17:00.279 --> 00:17:03.279
<v Speaker 1>was telling on the other people. It's like I noticed

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<v Speaker 1>that in the Catholic Church all of a sudden they

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00:17:05.640 --> 00:17:07.440
<v Speaker 1>sort of telling on the Gnostics that I guess hit

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<v Speaker 1>him like and it's like so silly.

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00:17:11.359 --> 00:17:14.880
<v Speaker 2>Yeah, the Gnostics you know, were not into Empire. They

298
00:17:14.920 --> 00:17:17.799
<v Speaker 2>were into sort of.

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00:17:19.759 --> 00:17:22.799
<v Speaker 1>I think they just wanted to from the material world.

300
00:17:22.920 --> 00:17:26.000
<v Speaker 1>Yeah all that too, Yeah, oh huge, yeah, yeah, and so.

301
00:17:26.119 --> 00:17:29.960
<v Speaker 2>That's that's a little threatening to the Roman Empire version

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00:17:30.039 --> 00:17:31.200
<v Speaker 2>of Christianity.

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<v Speaker 1>It's really fascinating, Yeah, the history of it. I covered

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00:17:34.160 --> 00:17:35.599
<v Speaker 1>that recently too, and I had to get off the

305
00:17:35.599 --> 00:17:36.880
<v Speaker 1>topic and we'll get back to your book. I just

306
00:17:36.880 --> 00:17:38.960
<v Speaker 1>found that so interesting. When I started looking into the

307
00:17:39.039 --> 00:17:42.000
<v Speaker 1>history of Christianity, I was like, wow, I did not

308
00:17:42.079 --> 00:17:43.160
<v Speaker 1>know it went down like that.

309
00:17:44.119 --> 00:17:45.200
<v Speaker 2>It's so fascinating.

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<v Speaker 1>It's like true and I find it funny though, like

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00:17:48.960 --> 00:17:51.200
<v Speaker 1>a lot of Christians are against the Catholic Church, but

312
00:17:51.240 --> 00:17:52.680
<v Speaker 1>it's like, yo, they're the ones who told you what

313
00:17:52.720 --> 00:18:00.359
<v Speaker 1>to believe. It's like, so you actually listen to them anyway. Yeah,

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<v Speaker 1>not to get controversial.

315
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<v Speaker 2>I've been writing. I've been writing about early Christians in

316
00:18:05.279 --> 00:18:09.759
<v Speaker 2>Ireland because they're so it's so fascinating. It's, you know,

317
00:18:10.319 --> 00:18:16.359
<v Speaker 2>Christianization without Romanization, and it made me understand why that

318
00:18:16.440 --> 00:18:19.440
<v Speaker 2>was such a special belief system. You know, I'm Jewish,

319
00:18:19.480 --> 00:18:23.839
<v Speaker 2>so I am not an insider. But this idea that

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00:18:23.880 --> 00:18:26.880
<v Speaker 2>you could have your saint Patrick who was born who

321
00:18:27.000 --> 00:18:31.680
<v Speaker 2>was a slave, right this religion where he's in a

322
00:18:31.920 --> 00:18:35.599
<v Speaker 2>region where everyone's doing human sacrifice all the time, everywhere,

323
00:18:35.680 --> 00:18:38.440
<v Speaker 2>all over the ancient world, people are just human sacrificing.

324
00:18:38.480 --> 00:18:41.640
<v Speaker 2>Like there's you know, it's just a great fat thing.

325
00:18:44.039 --> 00:18:48.039
<v Speaker 2>Lynton comes along and says, hey, no more human sacrifice needed.

326
00:18:48.160 --> 00:18:51.319
<v Speaker 2>This guy already did it for everybody, you know, just

327
00:18:51.359 --> 00:18:54.119
<v Speaker 2>work on being nice to each other. And he dies

328
00:18:54.200 --> 00:18:57.559
<v Speaker 2>the death of a slave, right, That crucifixion was a

329
00:18:57.680 --> 00:19:00.839
<v Speaker 2>death of a slave death. And then that walks around

330
00:19:00.839 --> 00:19:04.279
<v Speaker 2>and says, in this religion, anyone is you know, a

331
00:19:04.400 --> 00:19:06.880
<v Speaker 2>child of God. That's pretty revolutionary and cool.

332
00:19:07.880 --> 00:19:10.079
<v Speaker 1>Oh yeah, yeah, yeah, for sure, yeah sure.

333
00:19:10.319 --> 00:19:12.759
<v Speaker 2>And wild that that was happening.

334
00:19:13.119 --> 00:19:15.480
<v Speaker 1>So oh yeah, you know, that's what I even thought too,

335
00:19:15.640 --> 00:19:18.039
<v Speaker 1>just even like just seeing like all the ideas and

336
00:19:18.079 --> 00:19:20.839
<v Speaker 1>thoughts and even some of the differences between some Gnostic sex.

337
00:19:20.920 --> 00:19:23.599
<v Speaker 1>It's it's very interesting. It's very interesting.

338
00:19:23.279 --> 00:19:24.920
<v Speaker 2>Though, super fascinating.

339
00:19:25.039 --> 00:19:27.559
<v Speaker 3>I agree, yeah, and like, and you know what the

340
00:19:28.119 --> 00:19:31.440
<v Speaker 3>interesting thing is too, it seemed like the Gnostic sex,

341
00:19:32.440 --> 00:19:36.799
<v Speaker 3>even if they had different ideas on certain things, they

342
00:19:36.839 --> 00:19:39.680
<v Speaker 3>all still had no problem like kind of coming together

343
00:19:40.160 --> 00:19:42.160
<v Speaker 3>or being around each other and accepting each other.

344
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<v Speaker 1>It just seemed like the Church had a problem with

345
00:19:45.640 --> 00:19:49.000
<v Speaker 1>all that. I guess I don't know, but it was

346
00:19:49.039 --> 00:19:51.000
<v Speaker 1>interesting to see if that's true. What I was reading,

347
00:19:51.119 --> 00:19:52.920
<v Speaker 1>I was like, wow, that's pretty interesting that they all

348
00:19:53.000 --> 00:19:55.039
<v Speaker 1>still kind of colm mingled and I didn't have a

349
00:19:55.039 --> 00:19:58.599
<v Speaker 1>problem with each other's other ideas, they just didn't acknowledge it.

350
00:20:00.079 --> 00:20:03.519
<v Speaker 2>Yeah. I love that history, and there is a thread

351
00:20:03.519 --> 00:20:06.720
<v Speaker 2>of that all the way through human history where we can, uh,

352
00:20:07.759 --> 00:20:10.559
<v Speaker 2>you know, have strongly held beliefs and still love people

353
00:20:10.599 --> 00:20:16.039
<v Speaker 2>who don't share them. Yeah, what happened crazy the internet?

354
00:20:16.279 --> 00:20:23.680
<v Speaker 1>Crazy? Did the research make historical magic look more organized

355
00:20:23.720 --> 00:20:25.960
<v Speaker 1>or did it make it look messier, maybe more local,

356
00:20:26.200 --> 00:20:29.039
<v Speaker 1>more personal, and more human when you started researching all

357
00:20:29.039 --> 00:20:29.480
<v Speaker 1>this stuff.

358
00:20:30.319 --> 00:20:32.920
<v Speaker 2>Yeah, it definitely seems that's a really good question. It

359
00:20:33.000 --> 00:20:37.960
<v Speaker 2>definitely seemed very like local and then it also is

360
00:20:38.039 --> 00:20:41.480
<v Speaker 2>so connected to language that that makes sense. Right, So

361
00:20:41.559 --> 00:20:46.079
<v Speaker 2>like the spells, the cadence of them, the materials they reference,

362
00:20:46.160 --> 00:20:49.680
<v Speaker 2>the plants they reference, but also the rhythms of them,

363
00:20:49.720 --> 00:20:53.440
<v Speaker 2>like the stuff from you know, I'm just looking down

364
00:20:53.440 --> 00:20:56.759
<v Speaker 2>at the book, but like things from the pow Wows,

365
00:20:57.279 --> 00:21:00.720
<v Speaker 2>which is a book you know, from folk America, they

366
00:21:00.720 --> 00:21:04.720
<v Speaker 2>have such a different rhythm than things from maybe even

367
00:21:04.880 --> 00:21:09.680
<v Speaker 2>like like some of the African spare spells in the book.

368
00:21:10.240 --> 00:21:16.240
<v Speaker 2>And then there's also this sense of I guess like

369
00:21:16.440 --> 00:21:19.759
<v Speaker 2>things bubble up and go underground. So there's like every

370
00:21:19.759 --> 00:21:23.880
<v Speaker 2>now and then this language, this practice surfaces, and then

371
00:21:23.920 --> 00:21:25.680
<v Speaker 2>it goes the way again. So it like services in

372
00:21:25.720 --> 00:21:28.799
<v Speaker 2>the nineteen seventies for sure, and then you seet service

373
00:21:28.839 --> 00:21:30.799
<v Speaker 2>again in the nineteen twenties, and then we're back in

374
00:21:30.839 --> 00:21:34.160
<v Speaker 2>the eighteen eighties, and it's just like where things, you know,

375
00:21:34.240 --> 00:21:37.359
<v Speaker 2>go underground and come back up, and that definitely affects,

376
00:21:37.400 --> 00:21:40.319
<v Speaker 2>you know, the translations or the recitations of them.

377
00:21:40.680 --> 00:21:42.799
<v Speaker 1>I feel like I've even seen that happen in the

378
00:21:42.839 --> 00:21:46.039
<v Speaker 1>witch craft the ceremonial community in like the last fifteen years.

379
00:21:46.039 --> 00:21:48.240
<v Speaker 1>I feel like I've seen things get popular, de popular

380
00:21:48.319 --> 00:21:49.759
<v Speaker 1>die in that time too.

381
00:21:50.599 --> 00:21:53.680
<v Speaker 2>It makes sense. Yeah, I mean I'm not definitely not

382
00:21:53.720 --> 00:21:57.279
<v Speaker 2>an expert on that community, but that's that's really interesting.

383
00:21:57.440 --> 00:21:57.640
<v Speaker 2>You know.

384
00:21:57.680 --> 00:21:59.960
<v Speaker 1>I've even seen that with like when I first got

385
00:22:00.079 --> 00:22:02.319
<v Speaker 1>into it, all of a sudden seemed like chaos. Magic

386
00:22:02.480 --> 00:22:04.720
<v Speaker 1>was like boom, it was the thing, and I'm kind

387
00:22:04.720 --> 00:22:06.759
<v Speaker 1>of seeing that again, or maybe it would just passed again,

388
00:22:06.839 --> 00:22:09.440
<v Speaker 1>but it seemed like ten years later, all of a sudden,

389
00:22:09.480 --> 00:22:11.359
<v Speaker 1>it was the end thing to do again. I was like, oh,

390
00:22:11.359 --> 00:22:13.960
<v Speaker 1>that's interesting. Now these ideas cycle.

391
00:22:14.880 --> 00:22:19.839
<v Speaker 2>Definitely, yeah, and then you know the it all reflects

392
00:22:19.839 --> 00:22:23.000
<v Speaker 2>the importance of language, right. All of these are incantations,

393
00:22:23.039 --> 00:22:25.599
<v Speaker 2>so there are things that you speak, and you know,

394
00:22:25.759 --> 00:22:29.319
<v Speaker 2>the even the Bible starts with like the Lord said,

395
00:22:29.400 --> 00:22:32.079
<v Speaker 2>let there be light, and then light is there, So

396
00:22:32.119 --> 00:22:36.200
<v Speaker 2>we speak things into existence. So it makes sense that

397
00:22:36.279 --> 00:22:38.960
<v Speaker 2>the spells would relate to the like time and place,

398
00:22:38.960 --> 00:22:40.880
<v Speaker 2>the language people were speaking.

399
00:22:40.559 --> 00:22:44.359
<v Speaker 1>Oh for sure, especially when folk tradition, that's so regional

400
00:22:44.440 --> 00:22:46.599
<v Speaker 1>kind of I feel like, you know right, that's why

401
00:22:46.640 --> 00:22:48.559
<v Speaker 1>when you said local, I thought that right away. I

402
00:22:48.559 --> 00:22:49.920
<v Speaker 1>was like, when you get into that stuff, a lot

403
00:22:49.920 --> 00:22:52.240
<v Speaker 1>of it, especially even like you said, with the language,

404
00:22:52.319 --> 00:22:53.119
<v Speaker 1>it could be so local.

405
00:22:53.200 --> 00:22:56.319
<v Speaker 2>Yeah, and folk, you know, is is kind of a

406
00:22:56.359 --> 00:23:01.240
<v Speaker 2>Northern Hemisphere way of saying indigenous, right, like like that's

407
00:23:01.319 --> 00:23:03.519
<v Speaker 2>the stuff that belonged to a place.

408
00:23:04.480 --> 00:23:05.240
<v Speaker 1>I like that a lot.

409
00:23:06.160 --> 00:23:10.559
<v Speaker 2>Yeah. And the thing that it points to too is

410
00:23:10.559 --> 00:23:13.400
<v Speaker 2>like right now we're going into the realm of Ai,

411
00:23:14.119 --> 00:23:16.200
<v Speaker 2>which is a large language model.

412
00:23:16.279 --> 00:23:16.400
<v Speaker 1>Right.

413
00:23:16.440 --> 00:23:20.279
<v Speaker 2>So I've learned how we think by learning how we speak.

414
00:23:20.440 --> 00:23:23.759
<v Speaker 2>So there's something you know, we know from cognitive behavioral

415
00:23:23.839 --> 00:23:28.720
<v Speaker 2>therapy to religion, like the way that we speak affects

416
00:23:28.720 --> 00:23:32.799
<v Speaker 2>the way that we perceive and experience the world. Oh yeah,

417
00:23:32.119 --> 00:23:35.799
<v Speaker 2>it must be why these things exist.

418
00:23:35.559 --> 00:23:38.920
<v Speaker 1>Right exactly. Yeah, you mentioned something about cadence, and that

419
00:23:38.960 --> 00:23:43.200
<v Speaker 1>made me wonder if you happen to realize if any

420
00:23:43.279 --> 00:23:46.200
<v Speaker 1>of that stuff I'm not expecting you that you even

421
00:23:46.240 --> 00:23:48.480
<v Speaker 1>thought about checking. Did you happen to notice if any

422
00:23:48.480 --> 00:23:51.920
<v Speaker 1>of it was like ever in like pentameter or hexameter specifically?

423
00:23:54.359 --> 00:23:55.720
<v Speaker 1>That's quite a right. I thought I saw a walk

424
00:23:55.759 --> 00:23:57.480
<v Speaker 1>by before before we record it. I was like, was

425
00:23:57.480 --> 00:23:57.880
<v Speaker 1>that a cat?

426
00:23:58.039 --> 00:24:03.759
<v Speaker 2>She being on camera? Otherwise very grumpy the.

427
00:24:06.119 --> 00:24:06.359
<v Speaker 3>Yeah.

428
00:24:06.440 --> 00:24:09.839
<v Speaker 2>So part of that project for me was paying a

429
00:24:09.880 --> 00:24:13.720
<v Speaker 2>lot of attention to cadence and when things needed also

430
00:24:13.839 --> 00:24:20.640
<v Speaker 2>to rhyme or even doing non literal translations, like in

431
00:24:20.640 --> 00:24:23.279
<v Speaker 2>an academic text we might have it like word for word,

432
00:24:23.680 --> 00:24:29.240
<v Speaker 2>but then we lose the experience of this of the words, right, yeah,

433
00:24:29.279 --> 00:24:32.839
<v Speaker 2>So like is it supposed to be lyrical or rhythmic?

434
00:24:33.279 --> 00:24:35.240
<v Speaker 2>Is it supposed to be sparse? Is it supposed to

435
00:24:35.279 --> 00:24:36.880
<v Speaker 2>be like a brag of words?

436
00:24:36.960 --> 00:24:37.079
<v Speaker 3>Like?

437
00:24:37.759 --> 00:24:39.920
<v Speaker 2>So I was paying a lot of attention to that

438
00:24:40.160 --> 00:24:46.000
<v Speaker 2>and wanting to translate them in a way that brought

439
00:24:46.319 --> 00:24:49.240
<v Speaker 2>not just the like literal like word for word, but

440
00:24:49.279 --> 00:24:52.799
<v Speaker 2>the essence of the experience of it. So there's one

441
00:24:52.880 --> 00:24:55.920
<v Speaker 2>that's like really well known called the nine wort spell.

442
00:24:56.000 --> 00:24:58.279
<v Speaker 2>Let me so I can find it. But I think

443
00:24:58.319 --> 00:25:02.400
<v Speaker 2>I really did that translation thanks to my poor editor

444
00:25:03.319 --> 00:25:06.200
<v Speaker 2>like seven or eight times. Not I didn't send it

445
00:25:06.240 --> 00:25:07.680
<v Speaker 2>to a seven or eight times. I send it to

446
00:25:07.720 --> 00:25:11.440
<v Speaker 2>a three that you know, the nine words spell is

447
00:25:11.480 --> 00:25:14.559
<v Speaker 2>pretty well known. It's you know, wart means plant in

448
00:25:15.680 --> 00:25:18.559
<v Speaker 2>so it's nine plants. And as I was reading it

449
00:25:18.599 --> 00:25:21.079
<v Speaker 2>and reading the old translations of it too, because that's

450
00:25:21.119 --> 00:25:23.000
<v Speaker 2>part of the thing, is like you try to do

451
00:25:23.039 --> 00:25:25.920
<v Speaker 2>your own, but you look at other people's translations and

452
00:25:26.000 --> 00:25:29.000
<v Speaker 2>see you know where you're at in relation to them.

453
00:25:29.200 --> 00:25:33.839
<v Speaker 2>And so I began to realize, like this is more

454
00:25:33.880 --> 00:25:37.720
<v Speaker 2>than just a spell. This is a pneumonic device to

455
00:25:37.799 --> 00:25:42.400
<v Speaker 2>remember a recipe for a poultice, right that's made with

456
00:25:42.599 --> 00:25:46.480
<v Speaker 2>nine plants. And if you memorize the spell, you memorize

457
00:25:46.920 --> 00:25:49.880
<v Speaker 2>the plants, the order they go in and the process,

458
00:25:51.039 --> 00:25:53.680
<v Speaker 2>and it sort of also works as a transmitter, Like

459
00:25:54.319 --> 00:25:56.839
<v Speaker 2>I can tell my daughter this and then she'll know

460
00:25:56.960 --> 00:26:01.599
<v Speaker 2>these plants relate to each piece of this poultice and

461
00:26:01.680 --> 00:26:07.359
<v Speaker 2>why right? And then so then I, once I understood that,

462
00:26:08.559 --> 00:26:12.119
<v Speaker 2>I translated it again in a different way, and then

463
00:26:12.160 --> 00:26:15.480
<v Speaker 2>it made sense to me like that that unlocked the spell.

464
00:26:16.200 --> 00:26:21.759
<v Speaker 1>Wow, that is really well really yeah yeah, yeah right,

465
00:26:23.240 --> 00:26:25.519
<v Speaker 1>even saying back then they understood like ways of like

466
00:26:25.519 --> 00:26:27.079
<v Speaker 1>implanting stuff into your mind.

467
00:26:28.160 --> 00:26:31.759
<v Speaker 2>Yeah, it's almost like they understood it, you know, better

468
00:26:31.799 --> 00:26:32.519
<v Speaker 2>than we.

469
00:26:34.640 --> 00:26:38.200
<v Speaker 1>It' it's weird you still thinking that. Yeah, that is

470
00:26:38.240 --> 00:26:41.119
<v Speaker 1>really cool. I know the reason why I asked about

471
00:26:41.119 --> 00:26:44.039
<v Speaker 1>the pentameter and hexameter is because I think the oracles

472
00:26:44.039 --> 00:26:47.640
<v Speaker 1>at DELFI, if they were to say anything, I think

473
00:26:47.680 --> 00:26:50.400
<v Speaker 1>they wanted it supposedly a way of like saying it

474
00:26:50.440 --> 00:26:54.200
<v Speaker 1>was genuine or not, it would be an hexameter. And

475
00:26:54.279 --> 00:26:58.319
<v Speaker 1>I know that we had somebody on. I don't know

476
00:26:58.359 --> 00:27:00.160
<v Speaker 1>if it was the author that knew or maybe we

477
00:27:00.200 --> 00:27:02.119
<v Speaker 1>looked into it after that we had the author run,

478
00:27:02.160 --> 00:27:05.799
<v Speaker 1>but we had somebody on who covered Jim Morrison, and

479
00:27:05.880 --> 00:27:07.519
<v Speaker 1>I do think he was in I think he was

480
00:27:07.519 --> 00:27:09.119
<v Speaker 1>in the occult and a lot of his stuff was

481
00:27:09.119 --> 00:27:11.480
<v Speaker 1>actually in pat Tabita as well. And we wonder is

482
00:27:11.480 --> 00:27:15.039
<v Speaker 1>that is that is that kind of you know, like

483
00:27:15.559 --> 00:27:18.519
<v Speaker 1>a call back to back then or was that an influence?

484
00:27:18.720 --> 00:27:22.640
<v Speaker 2>Yeah, I think it is, and I think that so

485
00:27:22.720 --> 00:27:24.799
<v Speaker 2>we look at like a lot of bluegrass music is

486
00:27:24.799 --> 00:27:28.640
<v Speaker 2>in pentameter, and that's like you know, aspirational music by

487
00:27:28.759 --> 00:27:33.279
<v Speaker 2>man to God. Right, and so there's that old thing

488
00:27:33.400 --> 00:27:36.039
<v Speaker 2>like if you were a Fixies fan, like Man is five,

489
00:27:36.119 --> 00:27:38.799
<v Speaker 2>the devil is six and God is seven. That is

490
00:27:38.839 --> 00:27:43.119
<v Speaker 2>something that's in music, and it's also something that's in

491
00:27:43.480 --> 00:27:46.519
<v Speaker 2>you know, different ancient practices of numerology.

492
00:27:47.440 --> 00:27:47.640
<v Speaker 3>You know.

493
00:27:48.079 --> 00:27:50.200
<v Speaker 2>Again I said I was. I mentioned I was Jewish

494
00:27:50.240 --> 00:27:52.799
<v Speaker 2>and Jewish history and Kabbalah and all that.

495
00:27:52.960 --> 00:27:56.359
<v Speaker 1>Oh oh yeah, it's a.

496
00:27:56.279 --> 00:28:02.200
<v Speaker 2>Big deal, right. So and there's numbers in bedded in

497
00:28:02.279 --> 00:28:03.759
<v Speaker 2>everything that's written.

498
00:28:04.200 --> 00:28:04.960
<v Speaker 1>It's like a cod.

499
00:28:06.319 --> 00:28:09.839
<v Speaker 2>It is. And it also is thought to in in

500
00:28:09.880 --> 00:28:14.400
<v Speaker 2>the magical thinking of that it's thought to imbue words

501
00:28:14.480 --> 00:28:17.880
<v Speaker 2>with with you know, different kind of essences or powers

502
00:28:17.920 --> 00:28:19.200
<v Speaker 2>as well. Yeah.

503
00:28:19.240 --> 00:28:22.839
<v Speaker 1>I love it. Yeah, I know. I'm really big into Jamatrim,

504
00:28:22.839 --> 00:28:25.759
<v Speaker 1>big into well the her medica Bala put it that way.

505
00:28:25.960 --> 00:28:26.720
<v Speaker 1>It's not your.

506
00:28:26.920 --> 00:28:33.359
<v Speaker 2>Cabala, but you know, not like Madonnacabla. I don't know.

507
00:28:33.680 --> 00:28:36.119
<v Speaker 1>Yeah, I know anybody who res web bread bracelet is

508
00:28:36.119 --> 00:28:37.720
<v Speaker 1>supposedly practicing some sort.

509
00:28:37.519 --> 00:28:43.200
<v Speaker 2>Of Yeah, you definitely know more about it than I do.

510
00:28:46.799 --> 00:28:49.359
<v Speaker 1>Yeah, go ahead, did you have anything else? I'm sorry,

511
00:28:48.720 --> 00:28:49.599
<v Speaker 1>you know.

512
00:28:49.680 --> 00:28:53.720
<v Speaker 2>I just found that nine Worts spell and the plants

513
00:28:53.720 --> 00:29:00.599
<v Speaker 2>in it are mugwort, fennel or sam bucas way bread

514
00:29:00.680 --> 00:29:08.680
<v Speaker 2>or plantain soon which is also called Lamb's cress, and

515
00:29:08.720 --> 00:29:14.160
<v Speaker 2>then like cocksburg or glack grass, mayweed or camma meal.

516
00:29:14.680 --> 00:29:17.240
<v Speaker 2>So it actually has like you can use one or

517
00:29:17.279 --> 00:29:24.680
<v Speaker 2>the other, which is amazing, nettle, crab, apple, fennyl. So

518
00:29:24.720 --> 00:29:28.960
<v Speaker 2>those are the plants and they're all like medicinal, So.

519
00:29:30.640 --> 00:29:36.279
<v Speaker 1>It was really cool. Yeah, it's funny. When you were

520
00:29:36.319 --> 00:29:39.000
<v Speaker 1>answered this question, the last one I asked you, you actually

521
00:29:39.039 --> 00:29:41.000
<v Speaker 1>did kind of answer like one or two other ones

522
00:29:41.000 --> 00:29:43.000
<v Speaker 1>that I had, kind of like the translation and stuff.

523
00:29:44.640 --> 00:29:46.799
<v Speaker 1>So I can skip forward. Do you think a spell

524
00:29:46.880 --> 00:29:49.039
<v Speaker 1>can be taken out of its original culture and still

525
00:29:49.079 --> 00:29:51.160
<v Speaker 1>remain as spell? It does become something else?

526
00:29:52.640 --> 00:29:58.119
<v Speaker 2>I think it must. I think context is important, right, Yeah,

527
00:29:58.200 --> 00:30:04.400
<v Speaker 2>so I mean the true answers, I don't know. But

528
00:30:04.559 --> 00:30:10.640
<v Speaker 2>then the other answer is, you know, things mean different things.

529
00:30:10.680 --> 00:30:14.119
<v Speaker 2>I mean, you know, going back again to Judaism, like

530
00:30:14.200 --> 00:30:17.799
<v Speaker 2>you read the Talmud every year, the Torah every year

531
00:30:18.279 --> 00:30:21.799
<v Speaker 2>all year long, over and over again. And it's because

532
00:30:21.839 --> 00:30:24.880
<v Speaker 2>as you change, the meaning of the words changes, right,

533
00:30:25.440 --> 00:30:28.599
<v Speaker 2>the words don't change, but the meaning changes. If there's

534
00:30:28.599 --> 00:30:31.400
<v Speaker 2>something about the interaction. So if we're talking about an

535
00:30:31.440 --> 00:30:36.839
<v Speaker 2>interaction between words, me reading that ancient Roman spell, you know,

536
00:30:37.319 --> 00:30:42.519
<v Speaker 2>on a electronic media form, you know, on May twelfth,

537
00:30:42.759 --> 00:30:47.200
<v Speaker 2>twenty twenty six, as opposed to someone carving it into

538
00:30:47.279 --> 00:30:50.200
<v Speaker 2>brass and rolling it and placing it in an ancient

539
00:30:50.319 --> 00:30:54.039
<v Speaker 2>Roman grave of someone they love, I mean, one hundred percent,

540
00:30:54.279 --> 00:30:58.680
<v Speaker 2>Like there has to be a different meaning there.

541
00:30:59.240 --> 00:31:02.720
<v Speaker 1>Yeah, I thought that, especially about like very localized stuff.

542
00:31:02.839 --> 00:31:05.160
<v Speaker 1>It's like the language I think might matter even the

543
00:31:05.720 --> 00:31:07.319
<v Speaker 1>full you know, it could be the sound that the

544
00:31:07.480 --> 00:31:09.960
<v Speaker 1>language even makes that's different than the other language. And

545
00:31:10.200 --> 00:31:13.519
<v Speaker 1>the specific stuff too, like if they're working with stuff

546
00:31:13.519 --> 00:31:16.720
<v Speaker 1>that's literally only in their area, you know, sometimes I

547
00:31:16.720 --> 00:31:18.799
<v Speaker 1>wonder if that will you know, makes a difference.

548
00:31:19.599 --> 00:31:22.279
<v Speaker 2>Yeah, And it's a tricky thing about cross cultural work.

549
00:31:22.319 --> 00:31:25.799
<v Speaker 2>Like my next book is about prayers. So again, like

550
00:31:26.279 --> 00:31:31.759
<v Speaker 2>nic language transforming things, and you know, it's important to

551
00:31:34.000 --> 00:31:37.240
<v Speaker 2>read things from other cultures and you know and and

552
00:31:37.440 --> 00:31:41.160
<v Speaker 2>ask questions about them and you know, try to understand them.

553
00:31:41.240 --> 00:31:43.839
<v Speaker 2>But you know, it's that balance of also not being

554
00:31:43.960 --> 00:31:48.519
<v Speaker 2>like giving a false impression or appropriating stuff in a

555
00:31:48.559 --> 00:31:52.720
<v Speaker 2>way that's like not that's denigrating. So it's it's it's

556
00:31:52.720 --> 00:31:57.519
<v Speaker 2>a balancing act. But I think it's important to talk

557
00:31:57.559 --> 00:31:59.440
<v Speaker 2>about our shared humanity.

558
00:32:00.680 --> 00:32:09.920
<v Speaker 1>M Yeah, what did you learn about curses? Where they

559
00:32:10.079 --> 00:32:15.319
<v Speaker 1>mostly revenge fantasies, legal tools for powerlessness, emotional release, or

560
00:32:15.480 --> 00:32:18.759
<v Speaker 1>genuine spiritual warfare in the minds of the people using them,

561
00:32:19.279 --> 00:32:20.799
<v Speaker 1>or is it a combination of all of them.

562
00:32:21.680 --> 00:32:23.680
<v Speaker 2>I think it's a combination of all. I mean, of course,

563
00:32:23.759 --> 00:32:26.119
<v Speaker 2>like if I wanted to just write this book and

564
00:32:26.160 --> 00:32:30.559
<v Speaker 2>be just all right, curses and negative stuff, that's the

565
00:32:30.599 --> 00:32:32.839
<v Speaker 2>stuff that got recorded the most because of who was

566
00:32:32.839 --> 00:32:36.480
<v Speaker 2>doing the recording, right, Like putting crosses into bread and

567
00:32:36.559 --> 00:32:39.839
<v Speaker 2>culturing an apostle is not really you know, as cautionary.

568
00:32:39.839 --> 00:32:45.559
<v Speaker 2>It's like, this is a cune air form of Luenian

569
00:32:46.240 --> 00:32:50.839
<v Speaker 2>incantation from the second BC, second millennium BC, and it

570
00:32:50.880 --> 00:32:55.319
<v Speaker 2>says he spat curses and lies like sour fruit. May

571
00:32:55.440 --> 00:32:58.319
<v Speaker 2>they smash him and deliver him to the goddess of

572
00:32:58.480 --> 00:33:03.720
<v Speaker 2>malediction and perjury. He spoke the evil into being. That

573
00:33:03.920 --> 00:33:08.119
<v Speaker 2>was like a countercurse. It was written on clay cuffs

574
00:33:08.480 --> 00:33:14.319
<v Speaker 2>that someone could wear. It's not a trip. So yeah there,

575
00:33:15.039 --> 00:33:19.440
<v Speaker 2>I mean it definitely is like you know, I there's

576
00:33:19.440 --> 00:33:23.039
<v Speaker 2>this guy says, make her. This is from Macedonia in

577
00:33:23.079 --> 00:33:27.960
<v Speaker 2>the fourth century. Just an excerpt to Anubis. Make her

578
00:33:28.000 --> 00:33:31.200
<v Speaker 2>attracted to me, Bring her to supplicate herself to me,

579
00:33:31.359 --> 00:33:35.000
<v Speaker 2>to roll at my feet with passionate desire, melting at

580
00:33:35.079 --> 00:33:38.119
<v Speaker 2>every hour of every day, unable to stop thinking of me,

581
00:33:39.160 --> 00:33:39.960
<v Speaker 2>gets like burying.

582
00:33:41.599 --> 00:33:44.799
<v Speaker 1>Yeah, wow, he was thirsty.

583
00:33:45.839 --> 00:33:51.920
<v Speaker 2>Yeah. Yeah, here's a I cast see thou, damned and

584
00:33:51.960 --> 00:33:55.400
<v Speaker 2>cursed spirit into that lake of fire, which is prepared

585
00:33:55.440 --> 00:33:58.640
<v Speaker 2>for these spirit and there to remain forgotten. So that's

586
00:33:58.680 --> 00:34:06.519
<v Speaker 2>a spirit casting out. Yeah, it's it's pretty it's pretty wild.

587
00:34:06.599 --> 00:34:10.920
<v Speaker 2>Like the language gets really delicious though in these things.

588
00:34:11.000 --> 00:34:12.480
<v Speaker 1>Yeah, that sounds crazy.

589
00:34:12.760 --> 00:34:17.079
<v Speaker 2>Fragments that people have saved. So oh, there's a lot

590
00:34:17.079 --> 00:34:23.800
<v Speaker 2>of these ancient Roman spells. A bunch of them all

591
00:34:23.840 --> 00:34:28.679
<v Speaker 2>are really uh cursing. Venusta slave of Rufus. I don't

592
00:34:28.679 --> 00:34:30.639
<v Speaker 2>know what he what she was up to, but she

593
00:34:30.920 --> 00:34:32.079
<v Speaker 2>puts somebody off.

594
00:34:32.519 --> 00:34:36.000
<v Speaker 1>Wow, Yeah, that's funny.

595
00:34:36.960 --> 00:34:42.440
<v Speaker 2>There's one for catching a thief. Lady Nemesis got us

596
00:34:42.440 --> 00:34:44.920
<v Speaker 2>of revenge. I offer you a stolen cloak and a

597
00:34:44.920 --> 00:34:48.239
<v Speaker 2>pair of boots. Let him who wore them not nor

598
00:34:48.880 --> 00:34:52.840
<v Speaker 2>recover them except with his life with his spilled blood.

599
00:34:54.320 --> 00:34:57.440
<v Speaker 1>Oh, I got serious.

600
00:34:57.920 --> 00:35:02.960
<v Speaker 2>To bring back my boots.

601
00:35:03.079 --> 00:35:05.519
<v Speaker 1>Want of people someone stole the boots and stolen boots.

602
00:35:08.800 --> 00:35:13.039
<v Speaker 1>When it came to like healing charms and stuff, looking

603
00:35:13.039 --> 00:35:15.519
<v Speaker 1>into them in like your research, did they feel closer

604
00:35:15.559 --> 00:35:19.639
<v Speaker 1>to medicine, prayer, folk psychology or magic or you know.

605
00:35:19.639 --> 00:35:25.880
<v Speaker 2>Again, Yeah, the the curses feel like like, you know,

606
00:35:27.239 --> 00:35:34.840
<v Speaker 2>maybe not the best choices, and the the the healing

607
00:35:34.960 --> 00:35:38.840
<v Speaker 2>terms are so beautiful, like this is from ancient Greece,

608
00:35:39.320 --> 00:35:43.639
<v Speaker 2>Flee Biting Fly a wild wolf, wolf seeks your blood.

609
00:35:45.280 --> 00:35:49.360
<v Speaker 2>And then this one is Lakota Sunrise, May you behold

610
00:35:49.840 --> 00:35:53.880
<v Speaker 2>a dawn appears, behold it So it's like praying for

611
00:35:53.920 --> 00:35:58.280
<v Speaker 2>someone to wake in the morning again and they're they're

612
00:35:58.320 --> 00:36:04.920
<v Speaker 2>beautiful and all. So you know, there's this one from

613
00:36:05.119 --> 00:36:11.519
<v Speaker 2>ancient Mexico. You know, it really is addressing a specific illness,

614
00:36:11.559 --> 00:36:14.079
<v Speaker 2>you know, and talks about how to heal it. So

615
00:36:14.159 --> 00:36:20.239
<v Speaker 2>again that kind of mnemonic device, and the early American

616
00:36:20.400 --> 00:36:23.800
<v Speaker 2>one is to stop bleeding. I walk through a green forest,

617
00:36:24.360 --> 00:36:28.320
<v Speaker 2>there I find three wells, cool and cold. The first

618
00:36:28.599 --> 00:36:32.679
<v Speaker 2>is called courage, the second is called good, and the

619
00:36:32.719 --> 00:36:36.760
<v Speaker 2>third is called stop the blood. And then you're supposed

620
00:36:36.760 --> 00:36:40.639
<v Speaker 2>to cross yourself a couple of times. So there's that mentioned.

621
00:36:42.440 --> 00:36:45.960
<v Speaker 1>That's really interesting. Thanks, love. I love hearing like the

622
00:36:45.960 --> 00:36:49.840
<v Speaker 1>way that they spoke back then. You know, it's like, damn,

623
00:36:49.840 --> 00:36:53.480
<v Speaker 1>they spoke better than we do now, more eloquently.

624
00:36:55.320 --> 00:36:58.880
<v Speaker 2>Yeah, it's it's pretty fun.

625
00:37:00.000 --> 00:37:02.239
<v Speaker 1>That's really interesting just hearing you. When you hear that stuff,

626
00:37:02.239 --> 00:37:03.400
<v Speaker 1>it kind of puts you in the mind of the

627
00:37:03.400 --> 00:37:04.079
<v Speaker 1>people then too.

628
00:37:04.119 --> 00:37:09.079
<v Speaker 2>I guess, yeah, I think that that's that's the you know,

629
00:37:09.199 --> 00:37:13.760
<v Speaker 2>language is just so important for us, and it makes

630
00:37:14.079 --> 00:37:17.519
<v Speaker 2>a huge difference in in the way the world exists

631
00:37:17.519 --> 00:37:20.639
<v Speaker 2>for us is how we speak to it and about it,

632
00:37:21.440 --> 00:37:23.480
<v Speaker 2>which is good news because that means we have a

633
00:37:23.480 --> 00:37:27.239
<v Speaker 2>lot of power in our lives to make our lives

634
00:37:27.280 --> 00:37:28.920
<v Speaker 2>feel better.

635
00:37:30.039 --> 00:37:31.840
<v Speaker 1>That's true. Oh no, yeah, I think we have a

636
00:37:31.880 --> 00:37:36.519
<v Speaker 1>lot more control and power it. Yes, for sure. Did

637
00:37:36.559 --> 00:37:40.760
<v Speaker 1>you notice like repeated ritual patterns across cultures and stuff like,

638
00:37:40.800 --> 00:37:43.840
<v Speaker 1>you know, binding, loosening, ceiling commanding, breathing.

639
00:37:44.119 --> 00:37:55.840
<v Speaker 2>Oh yeah, ceiling binding, summoning, vanishing, Yeah.

640
00:37:53.559 --> 00:37:55.880
<v Speaker 1>The normal type thing. Yeah, how it is now too

641
00:37:55.960 --> 00:37:57.480
<v Speaker 1>you see stuff like that still.

642
00:37:58.239 --> 00:38:02.960
<v Speaker 2>Yeah, yeah, there's the summoning makes me really nervous. You know.

643
00:38:03.320 --> 00:38:05.719
<v Speaker 2>I'm like, oh, man, like they're just going for did

644
00:38:05.760 --> 00:38:10.000
<v Speaker 2>you not watch a B movie in the ages stuff.

645
00:38:09.760 --> 00:38:14.480
<v Speaker 1>Like okay, yeah you didn't watch like Army of Darkness

646
00:38:14.599 --> 00:38:19.280
<v Speaker 1>or Word later the Ecronomicon.

647
00:38:20.679 --> 00:38:24.079
<v Speaker 2>But yeah, so, and you know, there's this attraction to

648
00:38:24.119 --> 00:38:30.320
<v Speaker 2>stuff like mirrors, moves of water, fire, smoke, ash, like

649
00:38:30.599 --> 00:38:33.599
<v Speaker 2>just really like you know, consistent.

650
00:38:34.039 --> 00:38:39.199
<v Speaker 1>That's really interesting. I recently started a series and I

651
00:38:39.239 --> 00:38:41.000
<v Speaker 1>called it like the Mechanics of Magic, and I was

652
00:38:41.039 --> 00:38:43.320
<v Speaker 1>like looking at certain basic things that kind of been

653
00:38:43.440 --> 00:38:45.800
<v Speaker 1>used like over time, like you know, from the beginning

654
00:38:45.840 --> 00:38:49.119
<v Speaker 1>that we still incorporate now and like the things that

655
00:38:49.159 --> 00:38:51.679
<v Speaker 1>you just said. It was all things that are so

656
00:38:51.679 --> 00:38:57.960
<v Speaker 1>so far have covered flames, mirrors, smoke, and when you

657
00:38:58.039 --> 00:39:01.119
<v Speaker 1>start using like the whole mirror thing, if you're doing

658
00:39:01.159 --> 00:39:03.159
<v Speaker 1>it like in a dark room or it's like even

659
00:39:03.159 --> 00:39:05.719
<v Speaker 1>in an obsidian mirror, you're you know, however, you're using

660
00:39:05.760 --> 00:39:08.800
<v Speaker 1>it and it's not a clear enough image, and you

661
00:39:08.840 --> 00:39:12.639
<v Speaker 1>can use smoke to help make this happen. Your brain

662
00:39:13.079 --> 00:39:17.960
<v Speaker 1>will actually fill in the gaps itself and create an

663
00:39:18.000 --> 00:39:21.800
<v Speaker 1>image for you to see, and it may not be correct. Yeah,

664
00:39:21.840 --> 00:39:24.119
<v Speaker 1>and like there were certain things that I that they've

665
00:39:24.119 --> 00:39:26.639
<v Speaker 1>showed in scientific studies that when the flame like if

666
00:39:26.679 --> 00:39:29.880
<v Speaker 1>you're especially if you're like looking put it this way.

667
00:39:29.960 --> 00:39:33.159
<v Speaker 1>They've found now that they think that the way of

668
00:39:33.199 --> 00:39:35.639
<v Speaker 1>flame flickers in certain caves when they drew on the wall,

669
00:39:35.679 --> 00:39:38.760
<v Speaker 1>it actually would animate it if the if the flicker

670
00:39:38.880 --> 00:39:39.599
<v Speaker 1>was correct.

671
00:39:40.079 --> 00:39:40.800
<v Speaker 2>That makes sense.

672
00:39:40.840 --> 00:39:43.719
<v Speaker 1>And they've also noticed now that if with your if

673
00:39:43.760 --> 00:39:46.119
<v Speaker 1>you stare at a candle long enough, they did the

674
00:39:46.159 --> 00:39:51.400
<v Speaker 1>experiments on people with your eyes closed, it doesn't matter

675
00:39:51.400 --> 00:39:53.360
<v Speaker 1>if your male, female, where you're from, what part of

676
00:39:53.400 --> 00:39:57.519
<v Speaker 1>the world you're from, everybody starts sharing the same exact visuals.

677
00:39:58.880 --> 00:40:01.159
<v Speaker 1>So I'm wondering again, I know this sounds crazy, but

678
00:40:01.199 --> 00:40:04.559
<v Speaker 1>it's like, did they catch onto this back then and

679
00:40:04.599 --> 00:40:07.559
<v Speaker 1>they knew that these were ways that would change your

680
00:40:07.599 --> 00:40:09.199
<v Speaker 1>actual perception in your world?

681
00:40:09.639 --> 00:40:10.599
<v Speaker 2>This?

682
00:40:10.760 --> 00:40:13.559
<v Speaker 1>Yeah, like did they realize these tactics worked? Maybe didn't

683
00:40:13.599 --> 00:40:16.119
<v Speaker 1>understand the science, but notice this does.

684
00:40:17.079 --> 00:40:20.159
<v Speaker 2>I absolutely believe that, I mean think about how much

685
00:40:20.199 --> 00:40:23.199
<v Speaker 2>more time people spent around of fire, you know in

686
00:40:23.320 --> 00:40:28.159
<v Speaker 2>Celtic hearth culture or here in the US, or you

687
00:40:28.159 --> 00:40:34.159
<v Speaker 2>know ancient people. Just that's just part of the experience

688
00:40:34.320 --> 00:40:36.280
<v Speaker 2>right of the world, Like you need the fire to cook,

689
00:40:36.280 --> 00:40:38.960
<v Speaker 2>you need the fire to keep the animals away, and

690
00:40:39.000 --> 00:40:42.639
<v Speaker 2>then fire also becomes this magical experience we all have

691
00:40:42.800 --> 00:40:44.760
<v Speaker 2>when we just go camping and you sit next to

692
00:40:44.800 --> 00:40:48.320
<v Speaker 2>it and you feel transported and you're concentrating on that

693
00:40:48.400 --> 00:40:52.119
<v Speaker 2>and closing your eyes or using reflective surfaces. Of course,

694
00:40:52.159 --> 00:40:55.960
<v Speaker 2>that's going to be amazing. I bring in. I have

695
00:40:56.039 --> 00:41:00.599
<v Speaker 2>an obsidian mirror. I teach college, and I one of

696
00:41:00.599 --> 00:41:02.679
<v Speaker 2>the things I teach students a little bit is about

697
00:41:02.719 --> 00:41:08.039
<v Speaker 2>like tonal variation and drawing. It's like visual storytelling and

698
00:41:08.119 --> 00:41:10.519
<v Speaker 2>the black mirror. In the Victorian times, they used to

699
00:41:10.639 --> 00:41:13.880
<v Speaker 2>use it to draw, you know, landscapes and stuff, because

700
00:41:13.880 --> 00:41:15.960
<v Speaker 2>when you look at the landscape, you know, if I

701
00:41:16.000 --> 00:41:19.480
<v Speaker 2>was drawing, I'd hold it and then look at it

702
00:41:19.519 --> 00:41:23.119
<v Speaker 2>while I'm drawing this landscape over here, because it reduces

703
00:41:23.159 --> 00:41:27.239
<v Speaker 2>it down to just the tones and gradations, and so

704
00:41:27.360 --> 00:41:30.000
<v Speaker 2>it's like a neat way to kind of make a

705
00:41:30.280 --> 00:41:33.000
<v Speaker 2>They knew it was very atmospheric looking, right, and it

706
00:41:33.119 --> 00:41:37.360
<v Speaker 2>helped them to wild. Isn't that wild? To reduce things

707
00:41:37.400 --> 00:41:41.039
<v Speaker 2>down to elements? And the other day I was, you know,

708
00:41:41.039 --> 00:41:43.719
<v Speaker 2>I have this mirror and I have like fifty students,

709
00:41:43.760 --> 00:41:45.760
<v Speaker 2>and I'm talking to them about it, and then we

710
00:41:45.920 --> 00:41:49.079
<v Speaker 2>look up and you know, we're outside. I always teach outside,

711
00:41:49.320 --> 00:41:53.719
<v Speaker 2>and there the whole building has like the tinted windows,

712
00:41:54.400 --> 00:41:57.760
<v Speaker 2>and it's functioning literally like a black mirror, like we

713
00:41:57.800 --> 00:42:01.920
<v Speaker 2>can see the sky behind in just tonal variations. So

714
00:42:02.000 --> 00:42:03.280
<v Speaker 2>that's what we started using.

715
00:42:03.800 --> 00:42:10.719
<v Speaker 1>Oh wow, that is why. That's pretty cool. Nice. There's

716
00:42:10.760 --> 00:42:13.599
<v Speaker 1>something weird with that stuff, very interesting, very interesting.

717
00:42:14.639 --> 00:42:14.840
<v Speaker 2>Yeah.

718
00:42:15.800 --> 00:42:16.000
<v Speaker 3>Yeah.

719
00:42:17.480 --> 00:42:22.599
<v Speaker 1>Do you think modern witches sometimes lose something when spells,

720
00:42:22.880 --> 00:42:27.159
<v Speaker 1>when spell words are separated from the old physical ritual context.

721
00:42:28.159 --> 00:42:31.719
<v Speaker 2>I assume so, but I don't know. I mean, I

722
00:42:31.719 --> 00:42:36.119
<v Speaker 2>think I believe that, Like, I really believe that anything

723
00:42:36.280 --> 00:42:43.320
<v Speaker 2>you set an intention for and pay attention to, especially

724
00:42:43.360 --> 00:42:46.280
<v Speaker 2>if you said it using words or eat written or spoken,

725
00:42:46.840 --> 00:42:49.519
<v Speaker 2>and if you like go into a practice of paying

726
00:42:49.559 --> 00:42:52.519
<v Speaker 2>attention to it, that you will manifest that like that

727
00:42:52.519 --> 00:42:55.679
<v Speaker 2>that will happen in your life. And I believe that

728
00:42:55.760 --> 00:42:59.639
<v Speaker 2>things you withdraw your attention from like that person you

729
00:42:59.719 --> 00:43:03.519
<v Speaker 2>keep the office or whatever, like if you withdraw attention

730
00:43:03.639 --> 00:43:07.280
<v Speaker 2>from that whole thing, it will wither and die. So

731
00:43:07.920 --> 00:43:12.280
<v Speaker 2>you know, I'm sure that there's differences, and but also

732
00:43:12.480 --> 00:43:17.440
<v Speaker 2>we we make meaning with our intentions and with our

733
00:43:18.199 --> 00:43:21.599
<v Speaker 2>commitment to shifting things.

734
00:43:23.360 --> 00:43:26.679
<v Speaker 1>I like that. I think as well, say thank you,

735
00:43:26.840 --> 00:43:30.320
<v Speaker 1>thank you. I kind of wanted to go like a

736
00:43:30.360 --> 00:43:33.360
<v Speaker 1>little bit into I guess like maybe your art and

737
00:43:33.480 --> 00:43:36.840
<v Speaker 1>your art background film, your background isnt art, film and

738
00:43:36.960 --> 00:43:40.840
<v Speaker 1>historical storytelling. Did that change the way you saw these

739
00:43:40.840 --> 00:43:44.760
<v Speaker 1>spells almost like scenes or little voices or ritual performances,

740
00:43:44.840 --> 00:43:46.039
<v Speaker 1>kind of in snippets of time.

741
00:43:47.840 --> 00:43:52.599
<v Speaker 2>I think, so, I mean I didn't start writing. I

742
00:43:53.960 --> 00:43:59.800
<v Speaker 2>was really I loved writing a lot, and I when

743
00:43:59.840 --> 00:44:02.960
<v Speaker 2>I was in to get into college, the thing that

744
00:44:03.000 --> 00:44:05.880
<v Speaker 2>got me a scholarship to go to college was visual art.

745
00:44:06.360 --> 00:44:09.119
<v Speaker 2>And I was kind of uncomfortably in the visual art

746
00:44:09.159 --> 00:44:11.239
<v Speaker 2>world for it because I thought like, Okay, this is

747
00:44:11.280 --> 00:44:14.360
<v Speaker 2>what I'm supposed to do. But my dream was always

748
00:44:14.360 --> 00:44:17.880
<v Speaker 2>to write and illustrate, and I love research and history

749
00:44:17.920 --> 00:44:22.599
<v Speaker 2>and old books. And it wasn't until the pandemic that

750
00:44:22.719 --> 00:44:25.679
<v Speaker 2>I kind of like, you know, we all sat still

751
00:44:25.760 --> 00:44:27.119
<v Speaker 2>for a minute, and I was like, you know what,

752
00:44:27.760 --> 00:44:29.400
<v Speaker 2>I don't want to I don't want to be in

753
00:44:29.440 --> 00:44:33.639
<v Speaker 2>the art world. It's weird. And you know, the film

754
00:44:33.800 --> 00:44:36.719
<v Speaker 2>being a film professor is so funny because like I

755
00:44:37.800 --> 00:44:40.480
<v Speaker 2>never have taken a film class. But what I started doing.

756
00:44:41.440 --> 00:44:44.000
<v Speaker 2>I had this longing still to tell stories even though

757
00:44:44.039 --> 00:44:46.760
<v Speaker 2>I was a painter. So I started making films because

758
00:44:46.800 --> 00:44:50.719
<v Speaker 2>they were images or I could tell stories. And and

759
00:44:50.800 --> 00:44:53.000
<v Speaker 2>I was like in a lot of bands so I

760
00:44:53.000 --> 00:44:56.440
<v Speaker 2>could like do the music. And then so this is

761
00:44:56.480 --> 00:45:01.039
<v Speaker 2>like a real return to my heart's joy, Like I

762
00:45:01.079 --> 00:45:05.320
<v Speaker 2>am happier than I've ever been writing books and illustrating them.

763
00:45:05.360 --> 00:45:09.760
<v Speaker 1>That like, that's my thanks, that's great.

764
00:45:10.440 --> 00:45:13.679
<v Speaker 2>I was like, you know, I did one last museum

765
00:45:13.719 --> 00:45:19.039
<v Speaker 2>show and then I I really don't I don't really

766
00:45:19.679 --> 00:45:22.119
<v Speaker 2>I want to make stuff people can hold in their kitchen,

767
00:45:22.280 --> 00:45:23.480
<v Speaker 2>not stuff that's.

768
00:45:25.440 --> 00:45:28.000
<v Speaker 1>I get that though. I get that it's more pressure. Yeah,

769
00:45:28.519 --> 00:45:30.639
<v Speaker 1>like they get to bring it, they bring the art

770
00:45:30.679 --> 00:45:32.920
<v Speaker 1>back home with them at least too. Yeah.

771
00:45:32.960 --> 00:45:35.840
<v Speaker 2>And so then I started, like with all my plants

772
00:45:35.840 --> 00:45:41.360
<v Speaker 2>and stuff, I've started making these textile designs. And you know,

773
00:45:41.519 --> 00:45:44.599
<v Speaker 2>last week somebody bought a shower curtain from my shop.

774
00:45:44.719 --> 00:45:47.280
<v Speaker 2>And that just I can't even tell you how delighted

775
00:45:47.320 --> 00:45:49.760
<v Speaker 2>I was. I was like, they're gonna be They're gonna

776
00:45:49.760 --> 00:45:52.000
<v Speaker 2>have this in their house like and then like it's

777
00:45:52.039 --> 00:45:54.360
<v Speaker 2>it's so great, you know. And then they're gonna move

778
00:45:54.400 --> 00:45:57.639
<v Speaker 2>it around and it's gonna make their bathroom beautiful. Like

779
00:45:58.360 --> 00:46:00.599
<v Speaker 2>that is where it's at for me right now.

780
00:46:01.079 --> 00:46:03.679
<v Speaker 1>That's great, though, I understand that big, big difference from

781
00:46:03.679 --> 00:46:06.639
<v Speaker 1>them and being I guess, yeah, like presenting something up

782
00:46:06.639 --> 00:46:08.519
<v Speaker 1>on a wall that people just get to look at.

783
00:46:09.280 --> 00:46:13.000
<v Speaker 2>Yeah, or like people who've paid admission fees and like

784
00:46:13.119 --> 00:46:16.360
<v Speaker 2>get there and know when to go, and and then

785
00:46:16.440 --> 00:46:22.440
<v Speaker 2>it goes into storage and you know it's it's it's just, yeah,

786
00:46:22.599 --> 00:46:26.280
<v Speaker 2>I don't I don't need to. I don't really want to.

787
00:46:26.559 --> 00:46:29.079
<v Speaker 2>I'm not comfortable in that world as much as I am.

788
00:46:29.559 --> 00:46:30.960
<v Speaker 2>I'd rather make shower curtains.

789
00:46:31.719 --> 00:46:37.519
<v Speaker 1>Oh guess he's to be serving people more of a

790
00:46:37.559 --> 00:46:40.480
<v Speaker 1>purpose too. I guess if you think about it, Yeah, yeah,

791
00:46:43.079 --> 00:46:45.320
<v Speaker 1>when you when you looked at some of these like

792
00:46:45.400 --> 00:46:49.880
<v Speaker 1>older I guess like some of these older spells or whatever,

793
00:46:49.960 --> 00:46:53.079
<v Speaker 1>did did they any of them feel like cinematic to you?

794
00:46:53.599 --> 00:46:57.800
<v Speaker 1>Like you could almost picture it like going on actually, oh.

795
00:46:57.679 --> 00:47:00.719
<v Speaker 2>Yeah, especially like some of the Inuit spells are so

796
00:47:00.920 --> 00:47:04.239
<v Speaker 2>lyrical at least freaking find more really quick. Well, here's

797
00:47:04.280 --> 00:47:07.880
<v Speaker 2>a mirror one. Oh my gosh. It's from the eleventh

798
00:47:07.920 --> 00:47:12.800
<v Speaker 2>century Moorish Spain, from the Pika Trix. If you have

799
00:47:12.840 --> 00:47:16.400
<v Speaker 2>a mirror, guard it well, gaze into it, knowing within

800
00:47:17.000 --> 00:47:22.320
<v Speaker 2>you will bring together winds, spirits, demons, the living and

801
00:47:22.400 --> 00:47:26.199
<v Speaker 2>the dead. All summoned shall be obedient to you and

802
00:47:26.280 --> 00:47:31.199
<v Speaker 2>heed your command. You will thereby have power over winds, spirits,

803
00:47:31.320 --> 00:47:34.159
<v Speaker 2>and demons. And so you shall do what you wish

804
00:47:34.840 --> 00:47:37.760
<v Speaker 2>over a basin full of water. When you are washed

805
00:47:37.840 --> 00:47:42.039
<v Speaker 2>and clean, call them soon. They will come to you.

806
00:47:42.519 --> 00:47:45.679
<v Speaker 2>Soon you will behold the fulfillment of what you seek.

807
00:47:47.920 --> 00:47:51.159
<v Speaker 2>That was beautiful, It's very cinematic.

808
00:47:53.000 --> 00:47:56.440
<v Speaker 1>And that you said was from the Pika Tricks, correct, Yeah, yeah,

809
00:47:56.559 --> 00:47:58.199
<v Speaker 1>you have some really great stuff in that.

810
00:47:58.199 --> 00:48:00.400
<v Speaker 2>Book, amazing stuff.

811
00:48:00.880 --> 00:48:03.239
<v Speaker 1>And that's more of Islam, isn't it.

812
00:48:04.719 --> 00:48:07.840
<v Speaker 2>So yeah, in Irish Spain, like so it's you know,

813
00:48:09.440 --> 00:48:13.960
<v Speaker 2>this is like the North African Muslim population of Spain,

814
00:48:14.039 --> 00:48:18.280
<v Speaker 2>which in fourteen ninety two Spain decides, you know, that's

815
00:48:18.280 --> 00:48:20.480
<v Speaker 2>the year Columbus sales Ocean blue. But it's also the

816
00:48:20.519 --> 00:48:24.079
<v Speaker 2>Spain decides, you know, the North African countries have too

817
00:48:24.159 --> 00:48:27.760
<v Speaker 2>much wealth and power. They want to control the trade routes,

818
00:48:28.039 --> 00:48:33.119
<v Speaker 2>and they also would like to make their population more homogeneous,

819
00:48:33.119 --> 00:48:36.039
<v Speaker 2>so they go through this thing to like expel all

820
00:48:36.199 --> 00:48:43.920
<v Speaker 2>the Moors or Muslims from Spain and to either murder

821
00:48:44.159 --> 00:48:48.559
<v Speaker 2>or convert all the Jews. And so this project is

822
00:48:48.599 --> 00:48:52.960
<v Speaker 2>really around that's the Inquisition the last three hundred fifty years,

823
00:48:53.840 --> 00:48:58.039
<v Speaker 2>and the project is around like consolidating the power for

824
00:48:58.119 --> 00:49:02.239
<v Speaker 2>the church right in Spain and eventually Portugal, like the

825
00:49:02.239 --> 00:49:06.920
<v Speaker 2>whole Iberian peninsula, and then also seizing control of those

826
00:49:07.039 --> 00:49:11.239
<v Speaker 2>like wealth creating trade routes like from North Africa. So yeah,

827
00:49:11.280 --> 00:49:15.440
<v Speaker 2>the medieval world is like so international and insane and

828
00:49:16.360 --> 00:49:19.599
<v Speaker 2>it's really interesting. But yeah, the Pika Tricks is like

829
00:49:20.679 --> 00:49:24.159
<v Speaker 2>a few centuries before that, you know, everybody's kind of

830
00:49:24.159 --> 00:49:26.360
<v Speaker 2>living in Spain, there was a period where people were

831
00:49:26.440 --> 00:49:32.280
<v Speaker 2>cohabitating and you know, equally violating their religious rules by

832
00:49:32.400 --> 00:49:33.920
<v Speaker 2>creating magic books.

833
00:49:33.559 --> 00:49:40.480
<v Speaker 1>And equally violating their religious rules. Everybody had zero fox.

834
00:49:42.440 --> 00:49:45.840
<v Speaker 2>Exactly. It's a lot more fun. We have zero fucks.

835
00:49:47.519 --> 00:49:48.920
<v Speaker 1>Everybody was getting along. You see what.

836
00:49:48.920 --> 00:49:53.559
<v Speaker 2>Happens, like, should we start a new political party, the

837
00:49:53.719 --> 00:49:54.360
<v Speaker 2>zero Fox?

838
00:49:54.840 --> 00:49:56.880
<v Speaker 1>Everybody would get along at that point, we won't be

839
00:49:56.920 --> 00:50:00.440
<v Speaker 1>on the same page. Good, I'm tired of this everything

840
00:50:00.440 --> 00:50:01.119
<v Speaker 1>everybody is.

841
00:50:02.000 --> 00:50:06.159
<v Speaker 2>Yeah. This one on the opposite page is one that

842
00:50:06.239 --> 00:50:10.480
<v Speaker 2>I had learned as a kid, and it's the Witch's Ladder,

843
00:50:10.920 --> 00:50:18.519
<v Speaker 2>which I swear it works. Oh yeah, yeah, I I do,

844
00:50:19.000 --> 00:50:23.239
<v Speaker 2>I do. This is the one that that I there. Yeah,

845
00:50:23.280 --> 00:50:23.840
<v Speaker 2>that's my thing.

846
00:50:23.880 --> 00:50:28.280
<v Speaker 1>That's nice. I like that. That's when jam that's cool.

847
00:50:28.400 --> 00:50:30.000
<v Speaker 1>That's cool that and.

848
00:50:30.119 --> 00:50:33.039
<v Speaker 2>Like, you know, I learned to read tarot cards as

849
00:50:33.079 --> 00:50:33.440
<v Speaker 2>a kid.

850
00:50:33.639 --> 00:50:35.559
<v Speaker 1>Oh really yeah.

851
00:50:35.599 --> 00:50:39.159
<v Speaker 2>So my last museum show, I actually decided, like I

852
00:50:39.719 --> 00:50:41.480
<v Speaker 2>don't want to make a painting, I want to make

853
00:50:41.519 --> 00:50:46.079
<v Speaker 2>a tarot card deck. And that ended up being my

854
00:50:46.119 --> 00:50:48.760
<v Speaker 2>first book. That's this guy, this is good.

855
00:50:50.400 --> 00:50:50.639
<v Speaker 1>Yeah.

856
00:50:50.639 --> 00:50:52.840
<v Speaker 2>I made a whole day. Me and my friend Luis

857
00:50:52.920 --> 00:50:55.920
<v Speaker 2>made a tarot card deck. That's the book, and it's

858
00:50:55.960 --> 00:50:58.679
<v Speaker 2>in English and Scottish. It's like the only bilingual one

859
00:50:58.719 --> 00:51:03.039
<v Speaker 2>out there right now. And then at the opening I

860
00:51:03.079 --> 00:51:05.320
<v Speaker 2>read cards for the first time since I was, like,

861
00:51:05.519 --> 00:51:09.960
<v Speaker 2>you know, in my teens, and it was so fun.

862
00:51:10.000 --> 00:51:12.159
<v Speaker 2>It was the most fun I've ever had an art opening.

863
00:51:12.960 --> 00:51:16.199
<v Speaker 1>That is cool. I uh, I forgot. I have questions

864
00:51:16.280 --> 00:51:19.440
<v Speaker 1>for you now since now since you you're into I

865
00:51:19.440 --> 00:51:22.000
<v Speaker 1>guess you know the Kabala, whatever you know of it.

866
00:51:22.719 --> 00:51:24.760
<v Speaker 2>Do you attribute to do you attribute to.

867
00:51:24.679 --> 00:51:25.440
<v Speaker 1>Taro to it?

868
00:51:27.639 --> 00:51:28.400
<v Speaker 2>Can? I? Can? I?

869
00:51:28.440 --> 00:51:31.360
<v Speaker 1>Do you attribute tarot cards to the to the Kabbala?

870
00:51:31.960 --> 00:51:34.800
<v Speaker 1>Because there is that that train of Actually.

871
00:51:35.000 --> 00:51:37.400
<v Speaker 2>Yeah, there's like a big discussion about that right now.

872
00:51:37.440 --> 00:51:42.800
<v Speaker 2>I guess the book came out recently that's tying transmission

873
00:51:43.039 --> 00:51:47.440
<v Speaker 2>of the Torah and Jewish culture through Tarot, and so

874
00:51:47.559 --> 00:51:56.400
<v Speaker 2>that is you know, people who have focks are displeased

875
00:51:56.440 --> 00:52:03.159
<v Speaker 2>on both sides like oh, but I mean again, we're

876
00:52:03.199 --> 00:52:09.599
<v Speaker 2>in this kind of there are things that are you

877
00:52:09.960 --> 00:52:13.679
<v Speaker 2>let me see, there's things about the numerology that of

878
00:52:13.719 --> 00:52:17.679
<v Speaker 2>course are descendants of these ancient ideas that have been

879
00:52:18.079 --> 00:52:23.639
<v Speaker 2>influencing Abrahamic cultures right forever. And then also what I

880
00:52:24.480 --> 00:52:26.320
<v Speaker 2>started writing a book about this and I kind of

881
00:52:26.320 --> 00:52:29.480
<v Speaker 2>set it aside because I started doing the plant book.

882
00:52:30.239 --> 00:52:35.079
<v Speaker 2>But is the relationship between tarot, its structure, its stories,

883
00:52:35.639 --> 00:52:41.239
<v Speaker 2>and alchemy, Like so the alchemical process in tarro, I

884
00:52:41.239 --> 00:52:47.239
<v Speaker 2>feel like that is like a really intense connection. And again,

885
00:52:47.320 --> 00:52:50.400
<v Speaker 2>of course these guys are coming from again Abrahamic traditions

886
00:52:50.440 --> 00:52:55.280
<v Speaker 2>which relate back to Kabbalah. But you know the other

887
00:52:55.360 --> 00:52:58.559
<v Speaker 2>thing is I can just read playing cards. I learned

888
00:52:58.559 --> 00:53:00.039
<v Speaker 2>to do that as a kid too, Like if you

889
00:53:00.039 --> 00:53:02.599
<v Speaker 2>give me a deck of playing cards, I can read them.

890
00:53:03.559 --> 00:53:08.039
<v Speaker 2>And playing cards have a really strange relationship to the calendar,

891
00:53:08.199 --> 00:53:11.519
<v Speaker 2>like fifty two cards fifty two weeks in a year.

892
00:53:12.039 --> 00:53:16.199
<v Speaker 2>There's four suits, there's four seasons. There's this season of

893
00:53:16.280 --> 00:53:19.480
<v Speaker 2>light and the season of dark. There's also day, which

894
00:53:19.519 --> 00:53:23.480
<v Speaker 2>is the red suits at night. And you know, of

895
00:53:23.519 --> 00:53:27.960
<v Speaker 2>course the suits relate to like hearts relates to emotions,

896
00:53:28.480 --> 00:53:33.559
<v Speaker 2>and swords relates to thoughts, you know, just like in Terror,

897
00:53:33.960 --> 00:53:37.880
<v Speaker 2>and then clubs and spades and so like it. You know,

898
00:53:37.960 --> 00:53:40.760
<v Speaker 2>clubs is the spirit or clubs is no. Clubs is

899
00:53:40.840 --> 00:53:46.400
<v Speaker 2>the worldly things like the pentacle, and then the the

900
00:53:46.440 --> 00:53:48.840
<v Speaker 2>spirit is the is the spades.

901
00:53:48.960 --> 00:53:52.440
<v Speaker 1>So I knew that stuff, but I didn't know that

902
00:53:52.519 --> 00:53:55.039
<v Speaker 1>I never realized the fifty two weeks, the four seasons.

903
00:53:55.519 --> 00:53:58.360
<v Speaker 2>Yeah, so I feel like there's a lot too hard

904
00:53:58.800 --> 00:54:03.000
<v Speaker 2>card culture, right, like cardomancy and card culture. And then

905
00:54:03.119 --> 00:54:06.880
<v Speaker 2>you know, in my weird brain, like it really works

906
00:54:06.880 --> 00:54:09.159
<v Speaker 2>for me like, I feel like I'm that's something I

907
00:54:09.159 --> 00:54:11.280
<v Speaker 2>can do. And then I did a fundraiser. I don't

908
00:54:11.280 --> 00:54:13.280
<v Speaker 2>do it for money ever, but I will go and

909
00:54:13.320 --> 00:54:16.239
<v Speaker 2>do it as a volunteer to help raise money for

910
00:54:16.320 --> 00:54:20.079
<v Speaker 2>nonprofits or something. And so I was at one raising

911
00:54:20.119 --> 00:54:24.280
<v Speaker 2>money for my friend's nonprofit for like kid's art, and

912
00:54:24.360 --> 00:54:26.800
<v Speaker 2>the lady who was supposed to read tea leaves didn't

913
00:54:26.800 --> 00:54:36.679
<v Speaker 2>show up flake and so not doing you know, a

914
00:54:36.760 --> 00:54:40.119
<v Speaker 2>service to the tea leaf reading community with that being

915
00:54:41.119 --> 00:54:42.840
<v Speaker 2>But I was like, well, I guess I could.

916
00:54:43.000 --> 00:54:43.320
<v Speaker 1>She was.

917
00:54:43.400 --> 00:54:46.159
<v Speaker 2>My friend was like so upset, and she's like, maybe

918
00:54:46.199 --> 00:54:48.199
<v Speaker 2>I got to learn how to google tea leaf read.

919
00:54:48.239 --> 00:54:51.079
<v Speaker 2>I was like, okay, I can read tea leaves, you know,

920
00:54:51.119 --> 00:54:53.519
<v Speaker 2>I know how to do it. And so I was

921
00:54:53.559 --> 00:54:55.280
<v Speaker 2>doing it, but it wasn't. I was like, eh, I'm

922
00:54:55.320 --> 00:54:57.239
<v Speaker 2>not that good at it. So I think it's just

923
00:54:58.199 --> 00:55:01.679
<v Speaker 2>you know, for me, like focusing on a picture together

924
00:55:01.800 --> 00:55:08.519
<v Speaker 2>with someone that that taps into my empathy, my empathic skills.

925
00:55:08.599 --> 00:55:11.440
<v Speaker 2>And then I think other people have other ways of

926
00:55:11.480 --> 00:55:13.880
<v Speaker 2>tapping into their empathic skills. Yeah.

927
00:55:13.920 --> 00:55:15.960
<v Speaker 1>I think even some of us have certain triggers where

928
00:55:15.960 --> 00:55:17.760
<v Speaker 1>like you know, the card for you or he leaves

929
00:55:17.760 --> 00:55:20.119
<v Speaker 1>to somebody else might actually trigger some like you start

930
00:55:20.119 --> 00:55:22.320
<v Speaker 1>going into in depth float in the brain or something.

931
00:55:23.159 --> 00:55:23.360
<v Speaker 1>You know.

932
00:55:25.760 --> 00:55:28.360
<v Speaker 2>How you know how to read taro cars. The first

933
00:55:28.360 --> 00:55:31.000
<v Speaker 2>thing I say in my book is like, you could

934
00:55:31.039 --> 00:55:33.119
<v Speaker 2>also put this book down and never pick it up

935
00:55:33.159 --> 00:55:36.480
<v Speaker 2>again and just see what comes up for you when

936
00:55:36.480 --> 00:55:38.519
<v Speaker 2>you look at this, you know, and it's almost like

937
00:55:38.559 --> 00:55:42.800
<v Speaker 2>a rorshack, like you, it'll help you tap into whatever

938
00:55:42.960 --> 00:55:46.280
<v Speaker 2>needs to surface. Right.

939
00:55:46.280 --> 00:55:52.960
<v Speaker 1>Interesting, I like it. I like it. It's fun. What

940
00:55:53.119 --> 00:55:55.880
<v Speaker 1>is one speller incantation in the book that you think

941
00:55:55.960 --> 00:55:57.960
<v Speaker 1>reveals the most about human fear?

942
00:55:59.320 --> 00:56:12.400
<v Speaker 2>Oh, human fear? Huh hmm. There's a ruin of the well.

943
00:56:13.800 --> 00:56:18.719
<v Speaker 2>It's Scottish, it's originally was in Gaelic, and it's for

944
00:56:18.800 --> 00:56:22.639
<v Speaker 2>protection during a nighttime walk to the well, the shelter

945
00:56:22.760 --> 00:56:26.280
<v Speaker 2>of Mother Mary be nigh. Bless my hands and my

946
00:56:26.360 --> 00:56:29.320
<v Speaker 2>feet to go out to the well and to bring

947
00:56:29.360 --> 00:56:33.440
<v Speaker 2>me safely home. And to bring me safely home. May

948
00:56:33.519 --> 00:56:38.239
<v Speaker 2>Warrior Michael aid me, May bridget calm, preserve me, May

949
00:56:38.320 --> 00:56:43.320
<v Speaker 2>sweet Rihannic give me light, and marry pure be near me,

950
00:56:43.719 --> 00:56:47.960
<v Speaker 2>and marry pure be near me. And I just remember that,

951
00:56:48.039 --> 00:56:49.719
<v Speaker 2>like when I was a kid and I had to

952
00:56:49.719 --> 00:56:52.079
<v Speaker 2>go out to the well or go out, and we

953
00:56:52.119 --> 00:56:55.360
<v Speaker 2>had rabbits and we had to make sure the water

954
00:56:55.480 --> 00:56:58.360
<v Speaker 2>wasn't frozen, and you know it's night and just that

955
00:56:58.519 --> 00:57:04.760
<v Speaker 2>like profound fear like that that room calls in all

956
00:57:04.800 --> 00:57:10.679
<v Speaker 2>the big name goddesses, you know, you know, there's.

957
00:57:10.480 --> 00:57:12.719
<v Speaker 1>So many things I found about this interesting. First of all,

958
00:57:12.760 --> 00:57:14.519
<v Speaker 1>I think it's kind of interesting that you hear like

959
00:57:14.719 --> 00:57:20.159
<v Speaker 1>Michael Bridget, Mary, like they're actually incorporating like a couple

960
00:57:20.159 --> 00:57:23.000
<v Speaker 1>of Well, I just find it interesting that you got

961
00:57:23.039 --> 00:57:24.639
<v Speaker 1>Michael and Mary and then you bring in Bridget in

962
00:57:24.800 --> 00:57:27.079
<v Speaker 1>like you know that wouldn't be accepted now, Like you

963
00:57:27.079 --> 00:57:28.920
<v Speaker 1>know what I'm saying if you're a religious person.

964
00:57:29.679 --> 00:57:34.360
<v Speaker 2>Right, Well, part of that's the strategy of you know,

965
00:57:34.519 --> 00:57:38.039
<v Speaker 2>Catholicism to come on, everybody, let's get on board the

966
00:57:38.360 --> 00:57:41.440
<v Speaker 2>you know, Virgin of guadal Lupe Bridget. We can bring

967
00:57:41.480 --> 00:57:44.960
<v Speaker 2>in the same Bridget. You know. Part of it too,

968
00:57:45.039 --> 00:57:48.159
<v Speaker 2>is like why not call in your whole arsenal? Like

969
00:57:48.159 --> 00:57:52.239
<v Speaker 2>you're growing up in kind of a colonized country, right,

970
00:57:52.400 --> 00:57:54.639
<v Speaker 2>Although that I hate using that work because the meaning

971
00:57:54.679 --> 00:57:58.800
<v Speaker 2>of it has shifted so much. Yes, so you're you're

972
00:57:58.800 --> 00:58:02.400
<v Speaker 2>growing up in a country that's like where your indigenous

973
00:58:03.519 --> 00:58:07.239
<v Speaker 2>culture is. You're not supposed to talk about it because

974
00:58:07.679 --> 00:58:11.039
<v Speaker 2>that threatens the people who are in charge. But you

975
00:58:11.119 --> 00:58:13.559
<v Speaker 2>still do, and it's like part and parcel for your

976
00:58:13.639 --> 00:58:16.960
<v Speaker 2>daily life. Like I've heard things from my Irish grandma

977
00:58:17.440 --> 00:58:20.960
<v Speaker 2>that I heard them as a kid and accepted them

978
00:58:20.960 --> 00:58:22.840
<v Speaker 2>whole cloth, and then I find out later like, oh

979
00:58:22.880 --> 00:58:28.079
<v Speaker 2>that that's actually that's like a really ancient Celtic druidy thing. Cool,

980
00:58:28.360 --> 00:58:31.840
<v Speaker 2>you know, so the stuff like we we in our vernacular.

981
00:58:32.360 --> 00:58:34.639
<v Speaker 2>So then when you're scared and you're about to go

982
00:58:35.280 --> 00:58:38.519
<v Speaker 2>down to the well, why not call in everybody? You

983
00:58:38.559 --> 00:58:40.320
<v Speaker 2>know that's a loose.

984
00:58:41.719 --> 00:58:43.719
<v Speaker 1>I get that. Yeah, I just thought it was cool

985
00:58:43.760 --> 00:58:45.800
<v Speaker 1>to see that done. I was like, oh wow, that's yea,

986
00:58:45.960 --> 00:58:49.960
<v Speaker 1>I acknowledge that. And you know, something I even you

987
00:58:50.000 --> 00:58:52.199
<v Speaker 1>think about from back in the day, and like I'm

988
00:58:52.239 --> 00:58:54.119
<v Speaker 1>thinking about like you know, you know, hundreds of years

989
00:58:54.119 --> 00:58:57.679
<v Speaker 1>ago and even as a child, like how if I

990
00:58:57.760 --> 00:59:02.000
<v Speaker 1>was younger, how I experienced going outside, you know, than

991
00:59:02.000 --> 00:59:04.559
<v Speaker 1>how I look at it now. And if you were

992
00:59:04.559 --> 00:59:08.039
<v Speaker 1>to even think about like hundreds of years ago, we

993
00:59:08.079 --> 00:59:12.760
<v Speaker 1>didn't have all this artificial light. So when they went outside.

994
00:59:13.400 --> 00:59:15.320
<v Speaker 1>The only thing that was giving you any light was

995
00:59:15.360 --> 00:59:18.960
<v Speaker 1>the moon, really, right, and it just had to be

996
00:59:19.039 --> 00:59:21.599
<v Speaker 1>such a different really kind of a different world to people.

997
00:59:21.880 --> 00:59:25.719
<v Speaker 1>I would even say, because of not having that artificial light,

998
00:59:26.199 --> 00:59:29.000
<v Speaker 1>your body is going to actually your sensory in your

999
00:59:29.039 --> 00:59:33.920
<v Speaker 1>nerves actually going to respond differently. So it's just it's

1000
00:59:34.000 --> 00:59:37.400
<v Speaker 1>very interesting when you think about like how night, even

1001
00:59:37.440 --> 00:59:39.360
<v Speaker 1>as a child for me, or even back then, could

1002
00:59:39.360 --> 00:59:42.400
<v Speaker 1>be actually considered something to be scared about technically in

1003
00:59:42.400 --> 00:59:44.639
<v Speaker 1>a sense like now it's just like, oh, it's a

1004
00:59:44.639 --> 00:59:45.800
<v Speaker 1>big deal if I was to walk out in my

1005
00:59:45.840 --> 00:59:48.880
<v Speaker 1>backyard and go grab something and come back. But thinking

1006
00:59:48.880 --> 00:59:50.360
<v Speaker 1>of as a child and then thinking of as a

1007
00:59:50.440 --> 00:59:52.880
<v Speaker 1>back then when it was there was you know, no

1008
00:59:53.000 --> 00:59:55.960
<v Speaker 1>artificial light, no artificial light.

1009
00:59:56.440 --> 01:00:03.639
<v Speaker 2>There might be marauders, right who could steal you. There

1010
01:00:03.760 --> 01:00:08.280
<v Speaker 2>might be animals coming to drink from the well, right,

1011
01:00:08.440 --> 01:00:12.960
<v Speaker 2>So but yeah, it's just the unknown. And so you know,

1012
01:00:13.239 --> 01:00:16.840
<v Speaker 2>we see like the Puritans come to the US and

1013
01:00:16.880 --> 01:00:21.639
<v Speaker 2>they immediately are sure that the forest is a devil's country, right,

1014
01:00:22.519 --> 01:00:25.199
<v Speaker 2>which is so different than how people felt, like the

1015
01:00:25.199 --> 01:00:28.000
<v Speaker 2>Gnostics we were talking about earlier, where it's like the

1016
01:00:28.039 --> 01:00:31.719
<v Speaker 2>wilderness good for you, spiritual you know. So there's this

1017
01:00:32.000 --> 01:00:32.960
<v Speaker 2>fearful consumption.

1018
01:00:33.760 --> 01:00:35.679
<v Speaker 1>That is funny because I remember as a kid as

1019
01:00:35.719 --> 01:00:37.320
<v Speaker 1>like the woods as being like a scary place to

1020
01:00:37.360 --> 01:00:39.599
<v Speaker 1>go at night or like you know, just like, oh,

1021
01:00:39.639 --> 01:00:40.679
<v Speaker 1>you don't know what's in there.

1022
01:00:41.599 --> 01:00:44.440
<v Speaker 2>I grew up like really in the middle of the woods,

1023
01:00:44.480 --> 01:00:48.440
<v Speaker 2>in like very rural and I remember the first time,

1024
01:00:48.559 --> 01:00:51.280
<v Speaker 2>like I made friends with some city folks and brought

1025
01:00:51.280 --> 01:00:53.960
<v Speaker 2>them back home, and you know, we were walking around

1026
01:00:53.960 --> 01:00:55.800
<v Speaker 2>at night and they were terrified.

1027
01:00:57.760 --> 01:00:59.239
<v Speaker 1>I mean, I thought it was spooky, so I went

1028
01:00:59.239 --> 01:01:02.880
<v Speaker 1>and checked out anyone. Like I remember elementary school. It

1029
01:01:02.920 --> 01:01:04.360
<v Speaker 1>was like so creepy. I was like, oh, we got

1030
01:01:04.400 --> 01:01:06.239
<v Speaker 1>to go in this. He went in there, oh you

1031
01:01:06.320 --> 01:01:07.960
<v Speaker 1>know so, but yeah, I can see how like, yeah,

1032
01:01:08.000 --> 01:01:09.679
<v Speaker 1>you bring city folk in there, like I ain't going

1033
01:01:09.719 --> 01:01:13.920
<v Speaker 1>in there probably lines or bears or something. Yeah.

1034
01:01:14.280 --> 01:01:16.360
<v Speaker 2>Yeah, they didn't want to step off the you know,

1035
01:01:16.480 --> 01:01:18.400
<v Speaker 2>the road. Oh my god.

1036
01:01:20.280 --> 01:01:20.960
<v Speaker 1>That's funny.

1037
01:01:21.480 --> 01:01:22.760
<v Speaker 2>But I like that kind of stuff.

1038
01:01:23.039 --> 01:01:26.679
<v Speaker 1>Yeah. Yeah, yeah, that's thought that was interesting to think about.

1039
01:01:26.719 --> 01:01:29.199
<v Speaker 1>That's that in that sense, like back then and even

1040
01:01:29.239 --> 01:01:32.480
<v Speaker 1>as a child. Yeah, it's definitely a different experience.

1041
01:01:32.159 --> 01:01:36.000
<v Speaker 2>When you're a child. You you I believe when I

1042
01:01:36.079 --> 01:01:37.880
<v Speaker 2>was a child. I'll speak for myself. When I was

1043
01:01:37.880 --> 01:01:41.800
<v Speaker 2>a child, I experienced the magic of the world so intensely.

1044
01:01:41.599 --> 01:01:44.000
<v Speaker 1>Right, that's really yeah, I think we normally did.

1045
01:01:45.000 --> 01:01:48.280
<v Speaker 2>I was pretty like on my own. I spent a

1046
01:01:48.280 --> 01:01:51.519
<v Speaker 2>lot of my childhood alone in the woods, like even

1047
01:01:51.559 --> 01:01:54.079
<v Speaker 2>you know, five six years old, walking aroundside. Part of

1048
01:01:54.119 --> 01:01:57.400
<v Speaker 2>that's just feral like nineteen eighties stuff, but like part

1049
01:01:57.400 --> 01:02:03.599
<v Speaker 2>of it's my cuckoo family. But I felt, I always say,

1050
01:02:03.639 --> 01:02:06.119
<v Speaker 2>like the trees saved me. Like I felt the presence

1051
01:02:06.159 --> 01:02:09.119
<v Speaker 2>of the forest in a very positive way. But sometimes

1052
01:02:09.159 --> 01:02:11.199
<v Speaker 2>I felt like really frightening things too.

1053
01:02:11.679 --> 01:02:13.960
<v Speaker 1>Oh I remember that growing up too.

1054
01:02:14.920 --> 01:02:19.880
<v Speaker 2>Yeah, nice, what was it like? Like where what was that?

1055
01:02:20.000 --> 01:02:21.880
<v Speaker 1>Well, Like I was on Long Island, so it wasn't

1056
01:02:21.920 --> 01:02:24.920
<v Speaker 1>like the city of New York. But like, I just

1057
01:02:25.000 --> 01:02:26.599
<v Speaker 1>remember a lot as a child, Like I didn't have

1058
01:02:26.599 --> 01:02:29.000
<v Speaker 1>a brother until I was nine, so I mean there

1059
01:02:29.039 --> 01:02:31.519
<v Speaker 1>was a big difference between our age. So like there

1060
01:02:31.559 --> 01:02:33.800
<v Speaker 1>was a lot of things that like I would either

1061
01:02:33.840 --> 01:02:36.039
<v Speaker 1>do like kind of like in nature. Like again, like

1062
01:02:36.079 --> 01:02:37.679
<v Speaker 1>I even said, I had woods like next to my

1063
01:02:37.719 --> 01:02:41.239
<v Speaker 1>house sometimes I would go in there. My mom was

1064
01:02:41.400 --> 01:02:44.280
<v Speaker 1>really big, Like she had two different gardens in the yard.

1065
01:02:44.599 --> 01:02:46.360
<v Speaker 1>So I helped her. I found that stuff that I

1066
01:02:46.440 --> 01:02:47.760
<v Speaker 1>just thought it was cooler I was, you know, I

1067
01:02:47.760 --> 01:02:49.559
<v Speaker 1>guess I liked my mom, so I wanted to help her.

1068
01:02:49.880 --> 01:02:51.400
<v Speaker 1>But I have like a lot of memories of like

1069
01:02:51.599 --> 01:02:55.440
<v Speaker 1>just like dealing with like nature. Yeah, you know what

1070
01:02:55.440 --> 01:02:58.320
<v Speaker 1>I'm saying, help her garden, I had the woods. Then

1071
01:02:58.360 --> 01:02:59.840
<v Speaker 1>there was times where it's like I remember as a

1072
01:02:59.880 --> 01:03:01.480
<v Speaker 1>kid that I'd have memories where it's like I would

1073
01:03:01.519 --> 01:03:03.480
<v Speaker 1>just lay in the grace and stare at the sky

1074
01:03:04.519 --> 01:03:06.599
<v Speaker 1>and watch the clouds, and it's just like you're the shit.

1075
01:03:06.679 --> 01:03:09.719
<v Speaker 1>You didn't you just yeah, and you just looked at

1076
01:03:09.760 --> 01:03:11.480
<v Speaker 1>it with or in wonder and it's like you had

1077
01:03:11.559 --> 01:03:14.519
<v Speaker 1>no preconceived notions, but you just wondered, like what is this.

1078
01:03:15.159 --> 01:03:17.039
<v Speaker 1>I think that's like as a child, how it seems

1079
01:03:17.119 --> 01:03:20.440
<v Speaker 1>magical because you haven't been programmed enough yet to start

1080
01:03:20.519 --> 01:03:22.960
<v Speaker 1>making decisions, so you're just like, wow, I don't it

1081
01:03:23.119 --> 01:03:25.559
<v Speaker 1>just seems magical. You don't have a way to explain it,

1082
01:03:25.599 --> 01:03:27.960
<v Speaker 1>and you're open to it, I think, and it is.

1083
01:03:28.400 --> 01:03:31.320
<v Speaker 2>I mean, it is so beautiful. It's such a miracle.

1084
01:03:31.519 --> 01:03:34.199
<v Speaker 2>Like one of my best memories is just laying in

1085
01:03:34.320 --> 01:03:37.440
<v Speaker 2>the backyard, backyard and looking straight up. And I know

1086
01:03:37.719 --> 01:03:42.960
<v Speaker 2>my mom was probably happiest when she was in the garden.

1087
01:03:43.119 --> 01:03:45.480
<v Speaker 2>That those are my best memories of her, and so

1088
01:03:45.559 --> 01:03:47.559
<v Speaker 2>that's probably why I love plants. This is the other cat.

1089
01:03:48.199 --> 01:03:51.400
<v Speaker 2>I did not intentionally adopt two black cats. They both

1090
01:03:51.519 --> 01:03:52.119
<v Speaker 2>just showed up.

1091
01:03:53.280 --> 01:03:54.639
<v Speaker 1>I was just thinking. I was like, wasn't the other

1092
01:03:54.679 --> 01:03:55.400
<v Speaker 1>one black too?

1093
01:03:56.360 --> 01:04:00.599
<v Speaker 2>Yeah? Yeah, Actually when this lady showed up, she was

1094
01:04:01.360 --> 01:04:03.840
<v Speaker 2>the other one. And then I was like like, open

1095
01:04:03.960 --> 01:04:04.280
<v Speaker 2>the door.

1096
01:04:07.239 --> 01:04:11.280
<v Speaker 1>Yeah, wow, that's funny. Maybe she thought she'd dupious she

1097
01:04:11.320 --> 01:04:12.840
<v Speaker 1>saw the other one go in there, She's like, maybe

1098
01:04:12.840 --> 01:04:13.239
<v Speaker 1>I could.

1099
01:04:14.519 --> 01:04:18.280
<v Speaker 2>And she did, and then she said. My husband was like, okay, well,

1100
01:04:18.320 --> 01:04:20.480
<v Speaker 2>we're gonna have to take her somewhere, you know. And

1101
01:04:20.559 --> 01:04:23.599
<v Speaker 2>then I noticed him walking around the kitchen. He's carrying

1102
01:04:23.679 --> 01:04:25.800
<v Speaker 2>her while he's doing stuff, and I was like, we're

1103
01:04:25.880 --> 01:04:26.239
<v Speaker 2>keeping her.

1104
01:04:26.400 --> 01:04:29.360
<v Speaker 1>Yeah, yeah, oh yeah yeah. If he's already picking up

1105
01:04:29.360 --> 01:04:31.920
<v Speaker 1>the cat and being nice, do you know what. Yeah,

1106
01:04:32.360 --> 01:04:34.920
<v Speaker 1>that's a good way to tell if the guy's going

1107
01:04:34.960 --> 01:04:36.840
<v Speaker 1>to keep the animal. That's pretty funny. Yeah.

1108
01:04:36.960 --> 01:04:39.599
<v Speaker 2>My son is now and he's turning My youngest is

1109
01:04:39.639 --> 01:04:43.760
<v Speaker 2>turning twelve, and he's he's got a PowerPoint presentation he's

1110
01:04:43.800 --> 01:04:46.440
<v Speaker 2>going to do to try and convince everyone that we

1111
01:04:46.599 --> 01:04:50.199
<v Speaker 2>need a dog. So I'm wondering how that's going.

1112
01:04:50.119 --> 01:04:55.000
<v Speaker 1>To go over. Yo, that is that is funny.

1113
01:04:56.280 --> 01:04:56.760
<v Speaker 2>We'll see.

1114
01:04:57.000 --> 01:05:02.199
<v Speaker 1>Yeah, that is great. I got like two more questions.

1115
01:05:02.239 --> 01:05:06.280
<v Speaker 1>Will you If someone today wants to approach ancient spells

1116
01:05:06.320 --> 01:05:10.360
<v Speaker 1>respectively without treating them like toys or aesthetic objects, where

1117
01:05:10.400 --> 01:05:11.119
<v Speaker 1>should they begin?

1118
01:05:13.320 --> 01:05:16.199
<v Speaker 2>I mean, I think just and I say this in

1119
01:05:16.280 --> 01:05:20.800
<v Speaker 2>the book too, it's like just to be reverent of words.

1120
01:05:21.599 --> 01:05:23.519
<v Speaker 2>You know, the way that we speak to each other,

1121
01:05:23.800 --> 01:05:25.559
<v Speaker 2>the way that we speak about our children, and the

1122
01:05:25.599 --> 01:05:28.679
<v Speaker 2>way we speak about the people we care about. The

1123
01:05:28.760 --> 01:05:33.320
<v Speaker 2>stories we tell ourselves have a massive effect on our

1124
01:05:33.400 --> 01:05:36.559
<v Speaker 2>mental health. And there was just this really big longitudinal

1125
01:05:36.760 --> 01:05:38.559
<v Speaker 2>study that came out two years ago. I think that

1126
01:05:38.920 --> 01:05:42.559
<v Speaker 2>they had like forty five thousand subjects where they, you know,

1127
01:05:42.760 --> 01:05:47.840
<v Speaker 2>really determined that being able to tell your story is

1128
01:05:48.199 --> 01:05:52.199
<v Speaker 2>incredibly beneficial to your mental health. So that means that

1129
01:05:52.239 --> 01:05:54.599
<v Speaker 2>when you pick up, you know, an incantation, it's something

1130
01:05:54.599 --> 01:05:57.760
<v Speaker 2>you're going to say and give your your power of

1131
01:05:57.880 --> 01:06:01.760
<v Speaker 2>your words to you know, you want to be reverent

1132
01:06:01.840 --> 01:06:03.719
<v Speaker 2>of that and be careful with it.

1133
01:06:04.719 --> 01:06:08.480
<v Speaker 1>I like that, I as well said no, especially when

1134
01:06:08.480 --> 01:06:09.880
<v Speaker 1>you're second personal and stuff too.

1135
01:06:09.960 --> 01:06:11.719
<v Speaker 2>You. Yeah.

1136
01:06:13.599 --> 01:06:18.159
<v Speaker 1>And finally, after writing ancient spells and incantations, do you

1137
01:06:18.280 --> 01:06:21.880
<v Speaker 1>believe the old words are dead history or are they

1138
01:06:22.000 --> 01:06:23.960
<v Speaker 1>still waiting for breath that they're still good?

1139
01:06:25.280 --> 01:06:31.440
<v Speaker 2>I think they're still alive. And I think I'm working

1140
01:06:31.480 --> 01:06:35.400
<v Speaker 2>on a new project right now I'm thinking about. This

1141
01:06:35.559 --> 01:06:38.280
<v Speaker 2>is going to sound weird, but like setting boundaries and

1142
01:06:38.400 --> 01:06:44.320
<v Speaker 2>like protecting yourself and like again reorienting the way you

1143
01:06:44.519 --> 01:06:48.360
<v Speaker 2>tell your own story to yourself and having that help you,

1144
01:06:49.559 --> 01:06:54.880
<v Speaker 2>you know, figure out your boundaries with others. And I've

1145
01:06:54.920 --> 01:06:58.559
<v Speaker 2>been going back to the stoics a lot, and I

1146
01:06:58.679 --> 01:07:00.719
<v Speaker 2>find the stoics to be really interesting. And I know

1147
01:07:00.840 --> 01:07:04.079
<v Speaker 2>they're kind of like they've been kind of appropriated by

1148
01:07:04.159 --> 01:07:08.360
<v Speaker 2>like the menosphere, but there's actually really deep feeling there,

1149
01:07:08.519 --> 01:07:10.199
<v Speaker 2>you know, because that's what they're talking about, is like

1150
01:07:10.280 --> 01:07:13.280
<v Speaker 2>how do I grapple with my feelings? And I found

1151
01:07:13.360 --> 01:07:19.840
<v Speaker 2>this one stoic who all his work is gone. His

1152
01:07:20.000 --> 01:07:25.440
<v Speaker 2>name is Hecatoau of Rhodes, and we have forty nine

1153
01:07:25.599 --> 01:07:29.039
<v Speaker 2>fragments I think it's forty seven or fort of stuff

1154
01:07:29.119 --> 01:07:34.320
<v Speaker 2>he said, and they exist in Seneca's work, and in

1155
01:07:34.480 --> 01:07:36.760
<v Speaker 2>other stoics who are like, let me tell you, like

1156
01:07:36.920 --> 01:07:39.639
<v Speaker 2>Seneca's writing has this pen pal and he's like a

1157
01:07:39.719 --> 01:07:41.719
<v Speaker 2>famous Stoic and he's writing to his pen pal and

1158
01:07:41.800 --> 01:07:43.599
<v Speaker 2>he's like, oh, and let me tell you this one

1159
01:07:43.679 --> 01:07:46.400
<v Speaker 2>cool thing that Hecato said to me one time and

1160
01:07:46.480 --> 01:07:50.679
<v Speaker 2>then he writes it out. My favorite is Hekato's says

1161
01:07:52.320 --> 01:07:56.960
<v Speaker 2>something I've done for that's changed me is I have

1162
01:07:57.159 --> 01:08:02.519
<v Speaker 2>become a friend to myself. And that's like the theme

1163
01:08:02.559 --> 01:08:05.400
<v Speaker 2>of this whole book. And because I read that fragment

1164
01:08:06.039 --> 01:08:08.320
<v Speaker 2>and you know, and then I went through and I

1165
01:08:08.440 --> 01:08:13.960
<v Speaker 2>translated all of Hakato's fragments into English, which hasn't been done,

1166
01:08:14.239 --> 01:08:18.039
<v Speaker 2>you know, and collected yet. And I was thinking about

1167
01:08:18.119 --> 01:08:21.920
<v Speaker 2>him because of the fire at the Alexandria Library, or

1168
01:08:22.000 --> 01:08:25.840
<v Speaker 2>the destruction of the Library of Alexandria, like many fires,

1169
01:08:25.960 --> 01:08:28.199
<v Speaker 2>much in a gle act, we lost like ninety percent

1170
01:08:28.319 --> 01:08:31.960
<v Speaker 2>of ancient knowledge. And this guy only exists in these fragments.

1171
01:08:32.479 --> 01:08:35.720
<v Speaker 2>And so what happens when we like wake him back

1172
01:08:35.800 --> 01:08:39.319
<v Speaker 2>up again, right, and we say, like, have you decided

1173
01:08:39.399 --> 01:08:43.960
<v Speaker 2>to befriend yourself? You know? Here he's back again.

1174
01:08:45.000 --> 01:08:46.840
<v Speaker 1>That is actually I mean that could be magic in

1175
01:08:46.920 --> 01:08:51.359
<v Speaker 1>itself right there, right, I actually say friends with yourself.

1176
01:08:52.960 --> 01:08:55.920
<v Speaker 2>One hundred percent, and that's from five hundred BC.

1177
01:08:57.520 --> 01:08:58.479
<v Speaker 1>Drop jewels back then.

1178
01:08:58.600 --> 01:09:01.319
<v Speaker 2>Like that then right right, my kids we're putting on

1179
01:09:01.359 --> 01:09:03.640
<v Speaker 2>the kids table. I'm like, oh my gosh, my kids

1180
01:09:03.680 --> 01:09:06.800
<v Speaker 2>are like what I'm like, this is thousands of years old.

1181
01:09:06.960 --> 01:09:10.880
<v Speaker 1>It's like, wow, yeah, that's stuff that you know. Content

1182
01:09:10.960 --> 01:09:13.720
<v Speaker 1>creator isn't basically kind of spitting out themselves now something

1183
01:09:13.760 --> 01:09:17.079
<v Speaker 1>along those line. It's true when you see old ideas

1184
01:09:17.159 --> 01:09:20.760
<v Speaker 1>like actually, uh kind of reshaped in history.

1185
01:09:21.640 --> 01:09:23.760
<v Speaker 2>Yeah, I think we're gonna need it. The world is

1186
01:09:25.159 --> 01:09:27.439
<v Speaker 2>I'm sure everyone all through time is felt like the

1187
01:09:27.520 --> 01:09:30.239
<v Speaker 2>world was changing and moving really fast. But the world

1188
01:09:30.359 --> 01:09:31.640
<v Speaker 2>is changing and moving very fast.

1189
01:09:31.760 --> 01:09:35.359
<v Speaker 1>Oh no, it is. It is especially right now, even

1190
01:09:35.439 --> 01:09:38.560
<v Speaker 1>with technology and AI you know all that stuff. I'll

1191
01:09:38.600 --> 01:09:41.279
<v Speaker 1>see it firsthand because I use chat ept for some

1192
01:09:41.399 --> 01:09:43.680
<v Speaker 1>stuff and it's just what I've seen change in the

1193
01:09:43.760 --> 01:09:45.680
<v Speaker 1>last few months is actually wild.

1194
01:09:46.239 --> 01:09:48.680
<v Speaker 2>I was like, yeah, I really love it as a

1195
01:09:48.760 --> 01:09:50.479
<v Speaker 2>research Yeah, yeah.

1196
01:09:50.359 --> 01:09:52.840
<v Speaker 1>Oh it's great for that. You could yeah you might.

1197
01:09:53.159 --> 01:09:54.840
<v Speaker 1>For me, I'll have to ask it five times to

1198
01:09:54.960 --> 01:09:56.960
<v Speaker 1>keep checking for this to see if there's any academia

1199
01:09:57.000 --> 01:09:58.640
<v Speaker 1>on it. It will keep pulling stuff. I mean I

1200
01:09:58.720 --> 01:10:01.239
<v Speaker 1>find it all at once. But yeah, it is great

1201
01:10:01.439 --> 01:10:04.520
<v Speaker 1>for academic studies and history and science.

1202
01:10:04.920 --> 01:10:08.239
<v Speaker 2>It is. And then it's also like really bad for

1203
01:10:08.479 --> 01:10:10.279
<v Speaker 2>you if you let it write for you.

1204
01:10:10.600 --> 01:10:13.279
<v Speaker 1>Oh yeah, you have to go through that ship and

1205
01:10:13.560 --> 01:10:14.359
<v Speaker 1>yeah you have to.

1206
01:10:14.399 --> 01:10:17.680
<v Speaker 2>Rec every time like someone starts. It's like you can

1207
01:10:17.720 --> 01:10:20.479
<v Speaker 2>spot it immediately, and you know at some point you're

1208
01:10:20.520 --> 01:10:23.399
<v Speaker 2>gonna I knew this guy who's a great writer, and

1209
01:10:23.479 --> 01:10:26.880
<v Speaker 2>I loved his books, and he then got really into

1210
01:10:27.000 --> 01:10:30.439
<v Speaker 2>like Twitter when Twitter was Twitter, you know, and he

1211
01:10:30.920 --> 01:10:33.800
<v Speaker 2>was writing these like one hundred and seventy character tweets,

1212
01:10:33.960 --> 01:10:36.520
<v Speaker 2>like over and over and over again. And it changed

1213
01:10:36.920 --> 01:10:41.119
<v Speaker 2>his writing, right because that's he repeated that training for

1214
01:10:41.239 --> 01:10:45.239
<v Speaker 2>his brains. Yes, I love it for research. Don't love

1215
01:10:45.319 --> 01:10:49.920
<v Speaker 2>it for writing. My students seem like they have brain damage.

1216
01:10:52.640 --> 01:10:55.560
<v Speaker 1>Yeah, it's very weird. Yeah, it's a fine line. I

1217
01:10:55.680 --> 01:10:58.359
<v Speaker 1>think to walk with that thing where I think it

1218
01:10:58.399 --> 01:11:00.359
<v Speaker 1>could be very useful, and then you can also actually,

1219
01:11:00.960 --> 01:11:02.479
<v Speaker 1>you know, kind of be negative.

1220
01:11:03.680 --> 01:11:05.760
<v Speaker 2>I think the thing that I say about it is

1221
01:11:06.000 --> 01:11:08.600
<v Speaker 2>like I enjoy drinking chardonay, but I don't give it

1222
01:11:08.680 --> 01:11:10.920
<v Speaker 2>to my kids. So I feel like it's more for

1223
01:11:11.039 --> 01:11:14.079
<v Speaker 2>like a grown up not because that thing we were

1224
01:11:14.159 --> 01:11:18.319
<v Speaker 2>just talking about laying under the trees. We're building architecture

1225
01:11:18.359 --> 01:11:20.880
<v Speaker 2>in our minds that helps us to be able to

1226
01:11:20.960 --> 01:11:25.640
<v Speaker 2>discern all all kinds of things about life. And so

1227
01:11:25.680 --> 01:11:29.279
<v Speaker 2>if we remove those experiences from childhood, which we've kind

1228
01:11:29.319 --> 01:11:33.720
<v Speaker 2>of done, that is why we're seeing anxiety, a lack

1229
01:11:33.760 --> 01:11:36.239
<v Speaker 2>of resilience, and a lack of cognitive function.

1230
01:11:36.720 --> 01:11:42.840
<v Speaker 1>So yeah, well that's really it's really interesting. I like that.

1231
01:11:42.920 --> 01:11:43.239
<v Speaker 2>I like that.

1232
01:11:44.359 --> 01:11:45.960
<v Speaker 1>When that was even bringing me back to like a kid,

1233
01:11:46.039 --> 01:11:48.159
<v Speaker 1>I remember, like it's just funny. It's like and I

1234
01:11:48.199 --> 01:11:50.960
<v Speaker 1>wonder if, like if more people live this way, would

1235
01:11:51.000 --> 01:11:54.039
<v Speaker 1>they not like put it this way? Like as a child,

1236
01:11:54.119 --> 01:11:56.000
<v Speaker 1>I would climb We had an apple tree, so a

1237
01:11:56.039 --> 01:11:57.960
<v Speaker 1>lot of times I would climb the apple tree. And

1238
01:11:58.039 --> 01:12:00.600
<v Speaker 1>then there was even like another like a pine tree

1239
01:12:00.680 --> 01:12:02.880
<v Speaker 1>or something in front of the house too. Dad would

1240
01:12:02.920 --> 01:12:05.039
<v Speaker 1>get a lot of like either squirrels or birds and

1241
01:12:05.119 --> 01:12:07.680
<v Speaker 1>they're like nesting. So I would climb these things as

1242
01:12:07.720 --> 01:12:09.279
<v Speaker 1>the case, cause I wanted to go look at this stuff.

1243
01:12:09.840 --> 01:12:11.159
<v Speaker 1>And it's like, you know, there was the fear of

1244
01:12:11.239 --> 01:12:13.920
<v Speaker 1>like falling and hurting yourself or even kind of slightly

1245
01:12:14.000 --> 01:12:15.840
<v Speaker 1>maybe thinking oh I could die if I fell from there.

1246
01:12:16.319 --> 01:12:18.159
<v Speaker 1>And it's just like I wonder if if more people

1247
01:12:18.279 --> 01:12:21.199
<v Speaker 1>did stuff like that when they were younger, would they

1248
01:12:21.279 --> 01:12:24.000
<v Speaker 1>not be so scared or I don't know, like would

1249
01:12:24.000 --> 01:12:26.520
<v Speaker 1>you end up different when you get older, like different

1250
01:12:26.560 --> 01:12:30.119
<v Speaker 1>things or a fear instead of stuff that is silly.

1251
01:12:31.000 --> 01:12:33.439
<v Speaker 2>Or just being used to doing stuff that you're scared

1252
01:12:33.479 --> 01:12:36.960
<v Speaker 2>of doing. So, like this semester, I have a class

1253
01:12:37.000 --> 01:12:43.079
<v Speaker 2>of fifty four students. They're mostly science majors, and I

1254
01:12:43.479 --> 01:12:48.239
<v Speaker 2>decided to experiment on them, and so I wrote a

1255
01:12:48.319 --> 01:12:51.479
<v Speaker 2>class where like every week, every other week, they would

1256
01:12:51.520 --> 01:12:56.439
<v Speaker 2>spend three hours outside unstructured and have to make something

1257
01:12:57.199 --> 01:13:00.359
<v Speaker 2>from stuff they found in nature around the camp. So

1258
01:13:00.479 --> 01:13:06.479
<v Speaker 2>like basically I'm making them make forts, right, And I

1259
01:13:07.079 --> 01:13:10.279
<v Speaker 2>did sort of a like an assessment before and after,

1260
01:13:10.960 --> 01:13:15.199
<v Speaker 2>and they found that there they became more resilient with

1261
01:13:15.279 --> 01:13:18.119
<v Speaker 2>being outside, which had been hard for them. They became

1262
01:13:18.199 --> 01:13:21.600
<v Speaker 2>more resilient with open ended prompts because the first day

1263
01:13:21.600 --> 01:13:23.800
<v Speaker 2>I said go make something, and they were like, but.

1264
01:13:23.880 --> 01:13:27.840
<v Speaker 1>I don't know what to do specific right, Yeah, I

1265
01:13:27.960 --> 01:13:28.800
<v Speaker 1>was like, no, just.

1266
01:13:28.920 --> 01:13:30.880
<v Speaker 2>Figure it out, Like you got to figure it out

1267
01:13:31.159 --> 01:13:36.399
<v Speaker 2>like go ahead, and and then they also became their

1268
01:13:36.560 --> 01:13:40.760
<v Speaker 2>fine motor skills, improved their hands, like physically got stronger.

1269
01:13:40.800 --> 01:13:44.279
<v Speaker 2>Because I'm seeing kids now were like colle students. I'm

1270
01:13:44.319 --> 01:13:47.399
<v Speaker 2>teaching them how to remove perforated edges from paper that

1271
01:13:47.479 --> 01:13:50.840
<v Speaker 2>I tear out of a art pad, or you know,

1272
01:13:51.000 --> 01:13:53.399
<v Speaker 2>I'm teaching them to make a pinch pot, and they

1273
01:13:53.479 --> 01:13:57.239
<v Speaker 2>don't have the fine motor skills or hand strength to

1274
01:13:57.399 --> 01:14:01.680
<v Speaker 2>manipulate clay. So this is I wanted to see if

1275
01:14:01.720 --> 01:14:08.119
<v Speaker 2>I could affect this architecture because they're still we still

1276
01:14:08.239 --> 01:14:10.920
<v Speaker 2>we all have the capacity to grow right and build.

1277
01:14:11.760 --> 01:14:12.359
<v Speaker 2>So it worked.

1278
01:14:13.039 --> 01:14:15.319
<v Speaker 1>That is awesome. That's pretty good.

1279
01:14:15.479 --> 01:14:17.560
<v Speaker 2>It was pretty cool. Like I was like, oh hooray.

1280
01:14:18.239 --> 01:14:18.520
<v Speaker 1>Nice.

1281
01:14:19.439 --> 01:14:21.319
<v Speaker 2>It was like after last semester because last Mauster, I

1282
01:14:21.439 --> 01:14:23.039
<v Speaker 2>was like, oh my god, what's wrong with these people?

1283
01:14:23.479 --> 01:14:25.960
<v Speaker 2>But it was the last semester was my first group

1284
01:14:26.119 --> 01:14:30.720
<v Speaker 2>of iPad native kids or tablet native like kids who

1285
01:14:30.800 --> 01:14:34.479
<v Speaker 2>grew up with tablets and iPads and you could eat.

1286
01:14:34.520 --> 01:14:37.119
<v Speaker 2>The drop off was profound.

1287
01:14:38.560 --> 01:14:39.079
<v Speaker 1>Oh wow.

1288
01:14:39.960 --> 01:14:43.039
<v Speaker 2>Yeah, so so just you know that thing where our

1289
01:14:43.079 --> 01:14:46.279
<v Speaker 2>parents would lock us out from after breakfast till the

1290
01:14:46.359 --> 01:14:49.399
<v Speaker 2>lights came on. It probably helped us.

1291
01:14:51.880 --> 01:14:53.760
<v Speaker 1>I remember, like me and my friends that could keep

1292
01:14:53.840 --> 01:14:56.039
<v Speaker 1>going off. But like like me and my friends we

1293
01:14:56.119 --> 01:14:57.439
<v Speaker 1>had like you know, a lot of woods by us

1294
01:14:57.479 --> 01:14:59.159
<v Speaker 1>out on Long Island, and like it was like this

1295
01:14:59.399 --> 01:15:03.439
<v Speaker 1>this reg like bike jump that we made that was

1296
01:15:03.520 --> 01:15:05.880
<v Speaker 1>like the ramp was almost going like ninety degrees. It

1297
01:15:06.000 --> 01:15:08.279
<v Speaker 1>was just like you're just shooting yourself straight up in

1298
01:15:08.319 --> 01:15:11.159
<v Speaker 1>the air. So many of us bent our bike rims

1299
01:15:11.319 --> 01:15:13.079
<v Speaker 1>jumping this thing, cause you'd go up so high by

1300
01:15:13.119 --> 01:15:15.520
<v Speaker 1>the time you came down you'd bend at tire. But

1301
01:15:15.720 --> 01:15:17.720
<v Speaker 1>like and I'm like, we would do that then like

1302
01:15:17.960 --> 01:15:20.439
<v Speaker 1>again zero Fox been like oh, let's dring out whatever.

1303
01:15:21.000 --> 01:15:23.039
<v Speaker 1>My father would be like how many how many rims

1304
01:15:23.039 --> 01:15:24.680
<v Speaker 1>are you gonna bend doing this? You know?

1305
01:15:24.920 --> 01:15:26.600
<v Speaker 2>And it hacked arc model.

1306
01:15:26.960 --> 01:15:29.720
<v Speaker 1>Yeah, it's like now I'd be like, holy shit, no way.

1307
01:15:31.119 --> 01:15:33.520
<v Speaker 2>Yeah. We just I just went back to my hometown

1308
01:15:33.600 --> 01:15:35.399
<v Speaker 2>for the first time in like thirty years. I took

1309
01:15:35.439 --> 01:15:38.439
<v Speaker 2>my family and there's this like you know, like we

1310
01:15:38.720 --> 01:15:42.279
<v Speaker 2>went down into the woods and there's this like creek

1311
01:15:42.399 --> 01:15:44.520
<v Speaker 2>and then there's this bridge and I was like, oh,

1312
01:15:44.640 --> 01:15:47.079
<v Speaker 2>me and my friends built this, and they were.

1313
01:15:47.079 --> 01:15:51.039
<v Speaker 1>Like what I was like, yeah, you mean the town

1314
01:15:51.119 --> 01:15:53.600
<v Speaker 1>didn't supply that because.

1315
01:15:53.359 --> 01:15:55.920
<v Speaker 2>We wanted we wanted to do with y'all to go

1316
01:15:56.640 --> 01:16:00.920
<v Speaker 2>down the huge hill like and then round the corner

1317
01:16:01.319 --> 01:16:03.880
<v Speaker 2>and then like Caddie style on our skateboards. So we

1318
01:16:03.960 --> 01:16:06.560
<v Speaker 2>wanted to sit like two skateboards because then you're extra heavy,

1319
01:16:06.640 --> 01:16:09.359
<v Speaker 2>so you get more distance and like sit opposite, hold

1320
01:16:09.399 --> 01:16:12.039
<v Speaker 2>on and then go and then down and then go

1321
01:16:12.479 --> 01:16:15.840
<v Speaker 2>down into the woods and across the bridge and up

1322
01:16:15.960 --> 01:16:18.560
<v Speaker 2>the side. That was the goal. So we spent a

1323
01:16:18.600 --> 01:16:21.920
<v Speaker 2>whole summer building this bridge with like stuff we stole

1324
01:16:22.000 --> 01:16:24.920
<v Speaker 2>from construction sites and and it's still.

1325
01:16:28.680 --> 01:16:32.880
<v Speaker 1>That is hilarious. That is great. Though you left the mark.

1326
01:16:34.079 --> 01:16:35.680
<v Speaker 2>Yeah, I was like, I can't believe this thing is

1327
01:16:35.720 --> 01:16:38.479
<v Speaker 2>still here. And then I started walking out on it.

1328
01:16:38.600 --> 01:16:41.079
<v Speaker 1>I was like, I don't know about that, kid, But

1329
01:16:41.239 --> 01:16:43.239
<v Speaker 1>you left play memories for other people though, who did

1330
01:16:43.399 --> 01:16:44.520
<v Speaker 1>use it. Ifty that's cool.

1331
01:16:45.479 --> 01:16:49.479
<v Speaker 2>It's wild about just like catching air on a skateboard,

1332
01:16:49.760 --> 01:16:51.800
<v Speaker 2>you know, like Loki evil style.

1333
01:16:53.600 --> 01:16:57.399
<v Speaker 1>It's just like yo, yeah, I just yeah, we're we're

1334
01:16:57.479 --> 01:16:59.960
<v Speaker 1>definitely more wild than I think, reckless and less fear

1335
01:17:00.039 --> 01:17:00.880
<v Speaker 1>of growing up and I.

1336
01:17:00.880 --> 01:17:02.560
<v Speaker 2>Mean maysually there's like a happy medium.

1337
01:17:02.880 --> 01:17:05.520
<v Speaker 1>Yeah yeah, yeah, right, that's you know, totally true. Let's

1338
01:17:05.600 --> 01:17:07.720
<v Speaker 1>find a happy medium from now until then and they'll

1339
01:17:07.720 --> 01:17:08.439
<v Speaker 1>probably be fine.

1340
01:17:08.960 --> 01:17:09.159
<v Speaker 2>Yeah.

1341
01:17:09.960 --> 01:17:13.359
<v Speaker 1>I like it. I like it. This is really awesome.

1342
01:17:13.359 --> 01:17:15.000
<v Speaker 1>I had a really good time with you. I really

1343
01:17:15.039 --> 01:17:19.680
<v Speaker 1>appreciate it. Yeah, of course, of course, and I your.

1344
01:17:19.640 --> 01:17:23.960
<v Speaker 2>Listeners should know that, like you made this happen, like

1345
01:17:24.079 --> 01:17:27.159
<v Speaker 2>I you know, there was like cross wires with getting

1346
01:17:27.239 --> 01:17:30.319
<v Speaker 2>me on and you didn't give up. And I'm so grateful.

1347
01:17:30.560 --> 01:17:32.239
<v Speaker 1>No, no, no, for sure, for sure, I see Like

1348
01:17:32.520 --> 01:17:33.840
<v Speaker 1>like I said, as soon as I saw you on

1349
01:17:33.920 --> 01:17:35.359
<v Speaker 1>social media, I was like, oh, I just got to

1350
01:17:35.359 --> 01:17:37.720
<v Speaker 1>asking myself because again I looked at the book and

1351
01:17:37.800 --> 01:17:40.399
<v Speaker 1>I you know, looked through it understood what was going on,

1352
01:17:40.479 --> 01:17:42.079
<v Speaker 1>and they looked at the illustrations and I was like, oh,

1353
01:17:42.119 --> 01:17:44.600
<v Speaker 1>this book is good. I really like it. I highly

1354
01:17:44.600 --> 01:17:47.079
<v Speaker 1>suggest this book, especially for the art itself. I think

1355
01:17:47.079 --> 01:17:47.680
<v Speaker 1>it's beautiful.

1356
01:17:48.760 --> 01:17:52.119
<v Speaker 2>And I'm a ding dong, I like, don't check the

1357
01:17:52.279 --> 01:17:56.399
<v Speaker 2>Instagram messages that are here. I'm sorry a hundred so

1358
01:17:56.520 --> 01:18:00.239
<v Speaker 2>it took me away. But yeah, it's just like when

1359
01:18:00.239 --> 01:18:02.199
<v Speaker 2>I saw this podcast, I was like, oh, this guy

1360
01:18:02.319 --> 01:18:04.239
<v Speaker 2>is so cool. I really want to go on.

1361
01:18:05.319 --> 01:18:07.560
<v Speaker 1>I'm glad you did I'm glad. I definitely and tell

1362
01:18:07.600 --> 01:18:08.720
<v Speaker 1>you the truth, I would really I to get you

1363
01:18:08.800 --> 01:18:11.199
<v Speaker 1>out in the future, probably maybe even the Taro or

1364
01:18:11.239 --> 01:18:13.479
<v Speaker 1>that of the book you wrote, So definitely keep in

1365
01:18:13.560 --> 01:18:14.279
<v Speaker 1>talking to me time.

1366
01:18:14.399 --> 01:18:16.680
<v Speaker 2>I'll just come hang out with you. I can just

1367
01:18:17.359 --> 01:18:20.720
<v Speaker 2>regular skateboarding and.

1368
01:18:23.039 --> 01:18:26.479
<v Speaker 1>Sounds good. Yeah, I love it. Awesome, Thank you so much.

1369
01:18:26.520 --> 01:18:29.640
<v Speaker 1>And let let everybody know about your book and where

1370
01:18:29.640 --> 01:18:31.119
<v Speaker 1>they can find it. You know all this and that.

1371
01:18:31.960 --> 01:18:34.840
<v Speaker 2>Okay, so this is ancient spells and incantations. It just

1372
01:18:35.000 --> 01:18:39.039
<v Speaker 2>came out in April. This guy came out in July.

1373
01:18:40.119 --> 01:18:43.199
<v Speaker 2>I'm really interested. I'm having a good run. And then

1374
01:18:43.279 --> 01:18:46.119
<v Speaker 2>last year in October was when the Tarot Carts book

1375
01:18:46.199 --> 01:18:50.239
<v Speaker 2>came out. And you can get them all anywhere books

1376
01:18:50.239 --> 01:18:55.800
<v Speaker 2>are sold, including Amazon and Barnes and Noble and bookshop

1377
01:18:55.840 --> 01:18:57.920
<v Speaker 2>dot org. If you want to support your local store

1378
01:18:57.960 --> 01:19:01.399
<v Speaker 2>without leaving your house, they would be in your local

1379
01:19:01.479 --> 01:19:04.079
<v Speaker 2>store too, and if not, ask for them. But thank you.

1380
01:19:04.239 --> 01:19:06.600
<v Speaker 2>And then if you want to get in touch with me,

1381
01:19:06.680 --> 01:19:08.920
<v Speaker 2>I have a website. It's my first name, you need

1382
01:19:09.319 --> 01:19:13.159
<v Speaker 2>my last name, Rice ryc dot com and it's real

1383
01:19:13.239 --> 01:19:15.880
<v Speaker 2>easy to find all my contacts and stuff there.

1384
01:19:16.479 --> 01:19:19.439
<v Speaker 1>Awesome great. Thank you so much. I really appreciate it.

1385
01:19:19.680 --> 01:19:21.279
<v Speaker 1>I had a great talk. I thought this was a

1386
01:19:21.319 --> 01:19:23.800
<v Speaker 1>blast and definitely looking forward to getting you back on,

1387
01:19:23.960 --> 01:19:25.840
<v Speaker 1>especially again for that planned stuff in the tower. I

1388
01:19:25.840 --> 01:19:27.159
<v Speaker 1>would really be interested in picking.

1389
01:19:28.760 --> 01:19:28.800
<v Speaker 2>It.

1390
01:19:29.560 --> 01:19:31.560
<v Speaker 1>Yeah, hopefully get more people on too, it'll be a

1391
01:19:31.600 --> 01:19:35.000
<v Speaker 1>little bit more fun. But yeah, again, this was awesome,

1392
01:19:35.039 --> 01:19:36.600
<v Speaker 1>even just the two of us. I had a great time.

1393
01:19:36.640 --> 01:19:39.319
<v Speaker 1>I had a great conversation. And that is the end

1394
01:19:39.359 --> 01:19:41.880
<v Speaker 1>of another Recult Rejects and until the next one, everybody

1395
01:19:41.960 --> 01:19:43.079
<v Speaker 1>be well later
