1 00:00:07,080 --> 00:00:10,560 Speaker 1: Bad seeds make bad apples, and bad apples make good 2 00:00:10,560 --> 00:00:14,119 friends little sour to the taste. 3 00:00:14,160 --> 00:00:15,599 Speaker 2: But at least you don't pretend. 4 00:00:16,559 --> 00:00:20,120 Speaker 3: Because we've all got our share of trouble coming around 5 00:00:20,280 --> 00:00:20,719 the bench. 6 00:00:21,600 --> 00:00:24,920 Speaker 4: So won't you keep your round chin running. 7 00:00:26,519 --> 00:00:30,199 Speaker 3: The way you look around the room, playing you get away, 8 00:00:31,559 --> 00:00:35,560 comforting your trouble, letting your eyes ready take. 9 00:00:36,200 --> 00:00:41,320 Speaker 5: To devil, leave your details, miss Entison steak, and the 10 00:00:41,399 --> 00:00:46,560 truth has been a long time cold. We're all bound 11 00:00:46,600 --> 00:00:47,759 from one big sleet. 12 00:00:48,079 --> 00:00:51,719 Speaker 6: Hence the car the new weekie. Hen it s easy's 13 00:00:51,759 --> 00:00:52,799 to forget that. 14 00:00:52,960 --> 00:00:59,600 Speaker 5: You're life looking miles. That's we op hand a thousand stalls. 15 00:01:00,079 --> 00:01:03,840 Oh we get lost, we get that. Yeah, we justen 16 00:01:04,000 --> 00:01:05,760 to you times rolls. 17 00:01:25,200 --> 00:01:28,719 Speaker 7: I'm looking for a train wreck, just someone off the 18 00:01:28,879 --> 00:01:33,359 man so I can know that damage is quotes. 19 00:01:33,120 --> 00:01:37,280 Speaker 5: Friends for a friend, that seeds make bad apples. 20 00:01:37,319 --> 00:01:43,239 Speaker 3: So let me recommend you stick around and see what's coming. 21 00:01:44,959 --> 00:01:48,359 Speaker 5: In your touch. Mistaken earth for dirt that makes a 22 00:01:48,480 --> 00:01:52,040 sweet in your eyes, forgiving. 23 00:01:51,680 --> 00:01:53,000 Speaker 6: Skies, allowing me. 24 00:01:54,599 --> 00:01:55,640 Speaker 5: The spines like. 25 00:01:55,760 --> 00:01:57,560 Speaker 6: Commercial thing looks. 26 00:01:57,319 --> 00:02:02,640 Speaker 5: Too much to you see make in here the songwhere. 27 00:02:04,000 --> 00:02:08,280 Speaker 7: We're abound one mix me HiT's the come the New Week. 28 00:02:08,360 --> 00:02:11,080 Speaker 5: He head and says it to forgat it. 29 00:02:11,319 --> 00:02:12,280 Speaker 8: You're mine. 30 00:02:13,840 --> 00:02:14,919 Speaker 5: Looking, Miles. 31 00:02:15,080 --> 00:02:18,560 Speaker 1: That's we half a thousand scouts. 32 00:02:18,199 --> 00:02:21,960 Speaker 5: Grow, we get lost, we get found here we just 33 00:02:22,159 --> 00:02:23,199 continue town. 34 00:02:23,360 --> 00:02:25,319 Speaker 2: He grows. 35 00:02:43,280 --> 00:02:46,719 Speaker 5: Pro bout for one mixed me hex a com the 36 00:02:46,840 --> 00:02:50,360 New Week. He can it, says it too, gap and 37 00:02:50,560 --> 00:02:54,840 chill n cooking. Biles, that's re o. 38 00:02:55,479 --> 00:03:00,560 Speaker 7: Half a thousand scouts throw, we get lost, he get found. Yeah, 39 00:03:00,599 --> 00:03:04,520 we just continued down up one minute. 40 00:03:05,319 --> 00:03:07,479 Speaker 5: Hence the come to be weak. 41 00:03:07,719 --> 00:03:15,360 Speaker 9: Tenancy easy yet you get Miles's we old hand a 42 00:03:15,520 --> 00:03:19,520 thousand stones throw, we get lost, we get back. 43 00:03:19,960 --> 00:03:23,400 Speaker 10: Yeh, we just continue down these ways. 44 00:03:46,800 --> 00:03:49,240 Speaker 11: I love that that is new from Narley Darling. The 45 00:03:49,319 --> 00:03:51,439 track is Bad Apples and we're going to talk to 46 00:03:51,520 --> 00:03:54,479 Nary Darling in just a moment. They are with us. 47 00:03:55,039 --> 00:03:57,240 Jenny is here, of course, at the news table, present 48 00:03:57,879 --> 00:04:00,159 four and let me get these mics up here. We've 49 00:04:00,159 --> 00:04:02,840 got Narley Darling for the members here with us, and 50 00:04:02,840 --> 00:04:04,840 they're gonna play live in just a couple of minutes. 51 00:04:04,840 --> 00:04:07,159 Speaker 4: But also what I'd like to do, let's start in 52 00:04:07,159 --> 00:04:07,840 this corner of the room. 53 00:04:07,840 --> 00:04:10,319 Speaker 11: You can each introduce yourselves, tell us who you are, 54 00:04:10,400 --> 00:04:11,759 what you do in the band also gives me a 55 00:04:11,840 --> 00:04:14,319 chance to kind of check the MIC's before you play live. 56 00:04:14,360 --> 00:04:16,120 Speaker 4: But we'll start with you, sir, alrighty. 57 00:04:16,199 --> 00:04:20,160 Speaker 12: My name is Gary, Gary A Goodman. I live in Portsmouth, 58 00:04:20,240 --> 00:04:23,079 New Hampshire. I'm the drummer. Yes do we have my 59 00:04:23,120 --> 00:04:26,279 bomb goes, but I normally do play on a full kit. Okay, 60 00:04:26,360 --> 00:04:30,199 and going on four years now with Gnarly Darling. 61 00:04:30,319 --> 00:04:31,720 Speaker 4: Excellent, excellent, all right? 62 00:04:31,759 --> 00:04:37,360 Speaker 13: And you Hi, I'm Jesse Jesse rigordo Eva and I'm 63 00:04:37,360 --> 00:04:40,160 a vocalist for the band. I sing some leads and 64 00:04:40,199 --> 00:04:41,759 then some harmonies for Ryan. 65 00:04:42,199 --> 00:04:42,519 Speaker 4: Okay. 66 00:04:42,759 --> 00:04:45,240 Speaker 14: I've been with the band for about three years. 67 00:04:45,480 --> 00:04:47,399 Speaker 4: Excellent, excellent, all right, and you Ryan. 68 00:04:47,680 --> 00:04:51,600 Speaker 15: I am Ryan Peey and I play guitar and sing 69 00:04:51,800 --> 00:04:55,040 and I'm the songwriter in the group. And the group, 70 00:04:55,079 --> 00:04:58,199 I guess has been together in some form for going 71 00:04:58,240 --> 00:05:01,000 on six years now. But this okay, this current group 72 00:05:01,040 --> 00:05:03,120 of five, we're missing one today with a car. Group 73 00:05:03,120 --> 00:05:06,199 of five is pushing four years and we're having a 74 00:05:06,199 --> 00:05:06,639 great time. 75 00:05:06,800 --> 00:05:09,120 Speaker 4: Gotcha, gotcha? Okay? And you sure. 76 00:05:09,120 --> 00:05:11,759 Speaker 16: My name's Pete Lassie. I live in Kenny Bunk, Main. 77 00:05:11,920 --> 00:05:15,360 I play harmonica. I've been playing really since the beginning 78 00:05:15,360 --> 00:05:19,920 with Ryan. We're colleagues, we're both educators and just really 79 00:05:19,920 --> 00:05:20,319 happy to. 80 00:05:20,319 --> 00:05:20,879 Speaker 15: Be here today. 81 00:05:21,120 --> 00:05:23,000 Speaker 11: Excellent. Well, I'm happy to have the four of you here. 82 00:05:23,360 --> 00:05:26,720 And how long, by the way, has this been? Well, 83 00:05:26,759 --> 00:05:28,360 you mentioned how long the band has been around, but 84 00:05:28,480 --> 00:05:29,879 how many times have you been on the show? 85 00:05:29,920 --> 00:05:30,040 Speaker 17: Now? 86 00:05:30,040 --> 00:05:31,639 Speaker 4: Has it been? Is this your third? 87 00:05:32,120 --> 00:05:32,439 Speaker 15: Second? 88 00:05:32,519 --> 00:05:32,720 Speaker 5: Only? 89 00:05:32,759 --> 00:05:34,920 Speaker 4: Second? Okay? For some reason I thought it'd have been more. 90 00:05:35,759 --> 00:05:37,920 Speaker 11: But I love the I love the studio tracks, by 91 00:05:37,920 --> 00:05:39,920 the way, And is this part of a new new 92 00:05:39,959 --> 00:05:41,720 album that's just come out or is coming out or 93 00:05:41,759 --> 00:05:43,079 what's what's the status of that? 94 00:05:43,240 --> 00:05:46,360 Speaker 15: It is? It's our our debut album. We recorded it 95 00:05:46,720 --> 00:05:48,240 just over a year ago and spent a lot of 96 00:05:48,240 --> 00:05:52,560 time doing the mixing and planning processes, and we've released 97 00:05:52,600 --> 00:05:55,199 four of the tracks already over the last month or so, 98 00:05:55,360 --> 00:05:57,120 but the full album is going to be coming out 99 00:05:57,120 --> 00:05:58,519 on Friday, this coming Friday. 100 00:05:58,560 --> 00:05:59,920 Speaker 4: Outstanding, And what's it called? 101 00:06:00,360 --> 00:06:02,519 Speaker 15: It's a self titled album, So Narley Darling. 102 00:06:02,360 --> 00:06:05,160 Speaker 4: Okay, perfect? Is this the first official album that you've 103 00:06:05,160 --> 00:06:06,639 put out here? It is? Okay? 104 00:06:06,720 --> 00:06:10,600 Speaker 11: Okay, wow, Well congratulations that's amazing. Yeah, absolutely, I'm dying 105 00:06:10,600 --> 00:06:13,279 to hear you play live if you are just joining us. 106 00:06:13,360 --> 00:06:15,600 Narley Darling is here with us, live in studio, and 107 00:06:15,800 --> 00:06:17,600 they're gonna do a couple of songs live for us, 108 00:06:17,639 --> 00:06:19,160 and what are you all gonna play? 109 00:06:19,240 --> 00:06:21,079 Speaker 15: We're gonna do a song that hasn't been released yet, 110 00:06:21,079 --> 00:06:23,199 but it'll be out on Friday when the album drops on. 111 00:06:23,279 --> 00:06:25,319 This is called words Carry Over the Water. 112 00:06:25,240 --> 00:06:28,000 Speaker 4: Words carry Over the Water, Narley Darling live in studio. 113 00:06:28,120 --> 00:06:42,879 Speaker 18: All right, I've done a key amount dreams and smoking 114 00:06:43,040 --> 00:06:51,759 in loaning loadin oxygen guarantee, tell. 115 00:06:56,240 --> 00:06:59,279 Speaker 5: Thank you get locked. 116 00:07:01,360 --> 00:07:05,879 Speaker 18: Horne shouldn't know the stairs would come away. 117 00:07:06,199 --> 00:07:07,759 Speaker 19: I've seen this movie. 118 00:07:11,319 --> 00:07:14,639 Speaker 18: Go to Finna, see Harbor from the out and away 119 00:07:15,240 --> 00:07:16,879 and my pencil father and Rihys. 120 00:07:16,959 --> 00:07:19,560 Speaker 5: It's just like every breath with the know to die. 121 00:07:19,879 --> 00:07:23,199 Speaker 18: I'll never capture all the light in the sky or 122 00:07:23,279 --> 00:07:26,800 that hesitating rhythm and stumbled through to die. 123 00:07:27,480 --> 00:07:29,439 Speaker 17: What the thinks you say? 124 00:07:30,000 --> 00:07:33,480 Speaker 5: I'm telling you worse scary over the water. 125 00:07:35,360 --> 00:07:40,079 Speaker 19: One thing certain, thank God certain, And I worry scary 126 00:07:40,240 --> 00:07:41,600 over the water. 127 00:07:43,399 --> 00:07:53,759 Speaker 18: And only heaven can hear. I've learned a lot of 128 00:07:53,920 --> 00:08:00,759 bit and most sweeter than the happy. So is all 129 00:08:01,199 --> 00:08:05,279 so one listens, not silting strings along. 130 00:08:08,720 --> 00:08:10,240 Speaker 19: You say, all comes downs? 131 00:08:10,279 --> 00:08:12,480 Speaker 5: Who happens? Half spinning to lie? 132 00:08:15,680 --> 00:08:18,040 Speaker 14: Holy chemistry is so easy. 133 00:08:17,839 --> 00:08:24,160 Speaker 18: And there's boulle try and watching them now you can 134 00:08:24,360 --> 00:08:27,800 call it a bell just a little the same, And 135 00:08:27,959 --> 00:08:30,720 that haden mean you're tired. I mean nothing in the 136 00:08:31,120 --> 00:08:34,360 final and then and words can cut the socking knife 137 00:08:34,440 --> 00:08:37,840 over pen. But I can tell you're dying just to 138 00:08:38,000 --> 00:08:41,960 say them again. Why the things you say? 139 00:08:42,559 --> 00:08:49,200 Speaker 19: I'm telling you, word scary over the water, one thing certain, 140 00:08:49,320 --> 00:08:51,399 thank God for a certain man. 141 00:08:51,559 --> 00:08:54,039 Speaker 6: A word scarry over the water. 142 00:08:55,960 --> 00:09:15,039 Speaker 20: And only Heaven can hear. Watch the things you say. 143 00:09:15,639 --> 00:09:19,120 I'm telling you words carry over the water. 144 00:09:20,919 --> 00:09:25,200 Speaker 19: One thing certain than God, A certain and a worst 145 00:09:25,320 --> 00:09:26,879 carry over the water. 146 00:09:28,679 --> 00:09:30,600 Speaker 17: Watch the things you say. 147 00:09:31,200 --> 00:09:37,000 Speaker 5: I'm telling you words carry over the water, one. 148 00:09:36,960 --> 00:09:40,200 Speaker 18: Thing certain than God, the certain. 149 00:09:39,960 --> 00:09:45,120 Speaker 8: And a words carry over the water. The words carry 150 00:09:45,320 --> 00:09:50,519 over the water. The words carry over the water. 151 00:09:52,639 --> 00:09:54,559 Speaker 5: In heaven. 152 00:09:57,200 --> 00:10:07,399 Speaker 4: In Oh my God, that's so good. Oh yeah, really good, 153 00:10:07,960 --> 00:10:08,399 really good. 154 00:10:08,519 --> 00:10:08,720 Speaker 15: Yeah. 155 00:10:08,879 --> 00:10:09,080 Speaker 4: Yeah. 156 00:10:10,080 --> 00:10:11,960 Speaker 11: If you are just joining us, we have Narley Darling 157 00:10:12,000 --> 00:10:15,000 here in studio with us, playing live. And uh is 158 00:10:15,080 --> 00:10:17,639 that kind of the secret weapon? Is your voices together? 159 00:10:17,799 --> 00:10:20,080 I mean you just sounds so good together, You really 160 00:10:20,159 --> 00:10:25,159 do absolutely absolutely. Is that is that kind of what 161 00:10:25,559 --> 00:10:28,320 what makes us all work? I mean obviously everyone's you know, 162 00:10:28,480 --> 00:10:30,440 the four of you sound great. And you've got another 163 00:10:30,519 --> 00:10:32,159 member too, right, the bass player. 164 00:10:32,000 --> 00:10:34,080 Speaker 15: Too, Eric, our bass player couldn't be here today, but yeah, 165 00:10:34,200 --> 00:10:35,559 he definitely adds a lot to the group. 166 00:10:35,759 --> 00:10:39,440 Speaker 11: Yeah, yeah, but I mean the just the like the 167 00:10:39,519 --> 00:10:41,799 harmonies of the two of you, is that something that 168 00:10:42,000 --> 00:10:44,039 that was there right from the start, like or is 169 00:10:44,080 --> 00:10:45,600 that something you had to kind of develop over. 170 00:10:45,600 --> 00:10:47,440 Speaker 15: Time or I think we've put some some work and 171 00:10:47,519 --> 00:10:48,080 time into it. 172 00:10:48,519 --> 00:10:52,840 Speaker 11: Yeah, yeah, yeah, no, it's so good, so good. Now 173 00:10:53,440 --> 00:10:55,879 the studio tracks that we're playing today, where were these recorded? 174 00:10:55,919 --> 00:10:57,399 Because everything sounds amazing. 175 00:10:57,639 --> 00:10:57,840 Speaker 19: Yeah. 176 00:10:57,919 --> 00:11:00,799 Speaker 15: We ended up recording these with a guy name Brian Kombs. 177 00:11:01,039 --> 00:11:03,559 He's got a place called Rocking Horse Studio in Gittsfield 178 00:11:04,080 --> 00:11:06,600 and went in there just about a year ago. Actually, 179 00:11:07,200 --> 00:11:09,200 it's spent a couple of days. We weren't sure how 180 00:11:09,279 --> 00:11:10,480 many songs we were going to be able to lay 181 00:11:10,480 --> 00:11:12,480 down in two days, but yeah, we did a lot 182 00:11:12,519 --> 00:11:14,440 of prep to be ready and we ended up recording 183 00:11:14,480 --> 00:11:16,759 eight songs and then you know a couple of times 184 00:11:16,840 --> 00:11:18,799 going back to kind of tweak some things and do 185 00:11:18,919 --> 00:11:21,600 some fine tuning. But it was a great experience working 186 00:11:21,600 --> 00:11:22,000 with Brian. 187 00:11:22,200 --> 00:11:23,840 Speaker 4: Yeah, I interviewed Brian. 188 00:11:24,799 --> 00:11:27,200 Speaker 11: Jeez, it was a long time ago. Now I should 189 00:11:27,279 --> 00:11:28,600 we should get him back on the show. It's been 190 00:11:28,639 --> 00:11:30,559 a long time. But yeah, he's amazing and everything that 191 00:11:30,639 --> 00:11:32,240 comes out of there is really good. Everything that comes 192 00:11:32,279 --> 00:11:34,879 out of Rocking Horse is really good. And then did 193 00:11:34,919 --> 00:11:36,879 you do a it's a full album, right, it is 194 00:11:36,960 --> 00:11:39,360 eight songs total, eight songs, Yeah, And what went into 195 00:11:39,360 --> 00:11:40,919 the decision to make a full album? Because you know, 196 00:11:41,000 --> 00:11:43,759 you've got so many options, especially today. You can do EPs, 197 00:11:43,840 --> 00:11:46,279 you can do a series of singles that maybe eventually 198 00:11:46,320 --> 00:11:48,799 become an album. But what went into the decision to 199 00:11:49,120 --> 00:11:50,480 go in and do a full album? 200 00:11:51,279 --> 00:11:52,840 Speaker 15: I mean, for me, I think, you know, we've been 201 00:11:52,879 --> 00:11:55,080 together for a number of years, and you know, I've 202 00:11:55,159 --> 00:11:57,639 got probably fifty songs and we don't do all of 203 00:11:57,679 --> 00:12:01,000 those as a band, but we've played probably consistently, maybe 204 00:12:01,080 --> 00:12:03,519 fifteen or so. And wow, so we had this backlog 205 00:12:03,600 --> 00:12:05,519 of songs and I was just excited to record as 206 00:12:05,559 --> 00:12:07,679 many as we could. Yeah, So we went into the 207 00:12:07,720 --> 00:12:10,919 studio trying to be, you know, really prepared to optimize 208 00:12:10,960 --> 00:12:13,159 our time in the studio and kind of felt like 209 00:12:13,200 --> 00:12:15,440 if we can get five done, six done, that would 210 00:12:15,440 --> 00:12:19,120 be great, and maybe you know, we have this amazing 211 00:12:19,320 --> 00:12:21,039 two days where we can do all eight and that's 212 00:12:21,080 --> 00:12:21,559 what happened. 213 00:12:21,679 --> 00:12:22,440 Speaker 4: Yeah, so it was great. 214 00:12:22,519 --> 00:12:24,639 Speaker 16: Yeah, And the short answer is it took about two 215 00:12:24,720 --> 00:12:25,720 years of talking about it. 216 00:12:25,799 --> 00:12:26,120 Speaker 5: And then. 217 00:12:27,559 --> 00:12:31,159 Speaker 11: Yeah, yeah, all these things take time, right, especially like 218 00:12:31,200 --> 00:12:33,000 when you've got a backlog of songs, you got to 219 00:12:33,080 --> 00:12:36,080 really consider, you know, what what you want to record 220 00:12:36,240 --> 00:12:38,000 because you know, especially if you know you're just going 221 00:12:38,039 --> 00:12:39,759 in there for a couple of days and trying to 222 00:12:39,799 --> 00:12:40,600 do as much as you can. 223 00:12:40,799 --> 00:12:42,919 Speaker 15: Right, So totally totally. We've got, you know, a couple 224 00:12:42,919 --> 00:12:44,679 of new ones we've been working on, and so I 225 00:12:44,720 --> 00:12:47,240 think our next plan is over the next maybe three 226 00:12:47,320 --> 00:12:48,879 four months, is to get and then maybe just do 227 00:12:49,159 --> 00:12:51,399 two or three or you know, maybe an EP, maybe 228 00:12:51,440 --> 00:12:54,240 a single even, Yeah, just to kind of keep it going. Yeah, 229 00:12:54,320 --> 00:12:56,799 because it's been such a great experience recording and going 230 00:12:56,799 --> 00:12:57,519 through this process. 231 00:12:57,679 --> 00:13:00,279 Speaker 11: Yeah, yeah, excellent, Well we should play in others studio 232 00:13:00,360 --> 00:13:03,080 track what we played Bad Apples? So was what was 233 00:13:03,120 --> 00:13:04,440 the other one you wanted to make sure we got in? 234 00:13:04,559 --> 00:13:06,480 Speaker 15: I think it'd be great to play Little Fences, little 235 00:13:06,519 --> 00:13:07,799 one that hasn't been released. 236 00:13:07,600 --> 00:13:10,360 Speaker 4: Yet, Okay, anything we should know about this before we 237 00:13:10,440 --> 00:13:10,679 play it. 238 00:13:11,080 --> 00:13:13,440 Speaker 15: So this is one of the songs. I really love 239 00:13:14,039 --> 00:13:16,159 how this came together because you know, I write all 240 00:13:16,200 --> 00:13:18,559 these songs on my acoustic guitar. And then the best 241 00:13:18,559 --> 00:13:20,759 part from me is coming together with these folks and 242 00:13:21,159 --> 00:13:23,039 Eric as well and see what they can bring to 243 00:13:23,080 --> 00:13:25,759 the table. And the original the demo version of this 244 00:13:25,919 --> 00:13:28,600 is very different from where it ultimately ended up. Oh really, 245 00:13:28,639 --> 00:13:31,519 and that was a really collaborative process. There's this whole 246 00:13:31,600 --> 00:13:33,919 section at the end that we sort of jokingly and 247 00:13:34,000 --> 00:13:37,279 lovingly called the hipster whistle session that did not exist 248 00:13:37,360 --> 00:13:39,840 on the original demo. And so oh okay, I love 249 00:13:39,919 --> 00:13:41,720 the fact that it was really a group rite in 250 00:13:41,799 --> 00:13:42,320 a lot of ways. 251 00:13:42,440 --> 00:13:45,120 Speaker 11: Yeah, okay, very cool, very cool. So here it is, 252 00:13:45,120 --> 00:13:47,320 we're going to give this a spin. This is Little Fences. 253 00:13:47,399 --> 00:14:04,600 The band is Gnarley Darling, his. 254 00:14:04,759 --> 00:14:07,480 Speaker 21: Little dove and white facing in the driveway. You might 255 00:14:07,519 --> 00:14:10,159 a ension jumping up with us. Why you think you're 256 00:14:10,200 --> 00:14:12,159 answertating up among the blouse with all? 257 00:14:12,200 --> 00:14:15,039 Speaker 18: Then he was watching me from the rein box, fifty 258 00:14:15,240 --> 00:14:19,039 clean around the ball. We can find a way back 259 00:14:19,120 --> 00:14:19,559 on the b. 260 00:14:24,759 --> 00:14:29,559 Speaker 22: Twee Donald in around leaves a gutta under little fence. 261 00:14:35,240 --> 00:14:37,200 Speaker 14: You used to taking me from here to the deep. 262 00:14:37,279 --> 00:14:39,600 Speaker 21: Then you used to help me off search your bossy. 263 00:14:40,279 --> 00:14:41,840 You used to give me on the space that I 264 00:14:41,919 --> 00:14:44,759 can handle, where I can still away the back of Jackie. 265 00:14:45,320 --> 00:14:46,320 Speaker 14: All these word we. 266 00:14:46,519 --> 00:14:49,080 Speaker 18: Tensing down, got the sound. 267 00:14:54,559 --> 00:14:56,600 Speaker 5: Horrile, treating cool. 268 00:14:56,720 --> 00:15:31,600 Speaker 22: Wearing well leaves the gout under little Hello. 269 00:15:31,720 --> 00:15:34,320 Speaker 21: The papers want to look around the baby as the 270 00:15:34,399 --> 00:15:35,600 paper where you're seeing the joke. 271 00:15:36,440 --> 00:15:36,960 Speaker 5: Try to eat the. 272 00:15:36,960 --> 00:15:38,799 Speaker 18: Marcus just wanted to stand in the punchie. 273 00:15:39,120 --> 00:15:41,879 Speaker 21: Try to separating on stand from the pearl. You can 274 00:15:42,080 --> 00:15:46,559 love in all feel Start at the hold lot of kids. 275 00:15:51,480 --> 00:15:53,720 The kid's breaking steaks can burn. 276 00:15:54,000 --> 00:15:55,399 Speaker 5: But we still go on. 277 00:16:00,399 --> 00:16:46,720 Speaker 17: A hone A little fences. Oh yeah, yeah, a hone, 278 00:16:46,759 --> 00:16:47,639 A little pens to me. 279 00:16:52,000 --> 00:17:34,920 Speaker 11: Oh another great track that is Little Fences. The band 280 00:17:35,000 --> 00:17:37,599 is Narley Darling, and we've got Narley Darling here with 281 00:17:37,759 --> 00:17:40,960 us a live in studio. Oh that that is, that 282 00:17:41,119 --> 00:17:44,000 is so so good. I'm sure I asked you this 283 00:17:44,079 --> 00:17:45,880 last time we were here, but I don't remember the answer. 284 00:17:45,920 --> 00:17:47,359 And of course we have newer listeners. Where does the 285 00:17:47,400 --> 00:17:49,000 name come from? What does Narley Darling mean? 286 00:17:50,359 --> 00:17:53,240 Speaker 15: Oh gosh, there's a long story there. But the original 287 00:17:53,319 --> 00:17:56,519 name of the band was very confusing. Oh, I goes 288 00:17:56,559 --> 00:17:57,440 back five or six years. 289 00:17:57,480 --> 00:17:59,640 Speaker 4: I love rejected band names was the original name. 290 00:17:59,720 --> 00:18:01,359 Speaker 15: It was Ambulate as tolerated. 291 00:18:01,839 --> 00:18:03,640 Speaker 11: Yes, I remember you talking about that now the last 292 00:18:03,640 --> 00:18:06,279 time you're here. Yes, yes, Ambulate as tolerated. 293 00:18:06,359 --> 00:18:06,519 Speaker 19: Yeah. 294 00:18:06,559 --> 00:18:07,880 Speaker 15: And as Pete was saying, a lot of us are 295 00:18:07,960 --> 00:18:11,480 are educators, and that came from just our school nurse's 296 00:18:11,519 --> 00:18:15,519 protocol for students returning from concussions. Okay, they could ambulate 297 00:18:15,599 --> 00:18:17,640 as tolerated. Yeah, And it was kind of funny at 298 00:18:17,640 --> 00:18:19,720 the time, and you know whatever, but we found ourselves 299 00:18:19,839 --> 00:18:22,039 like a show after show and you know, people calling 300 00:18:22,119 --> 00:18:25,720 us ambulated or just confusing it. And so about three 301 00:18:25,799 --> 00:18:27,519 years ago we decided we wanted to change and we 302 00:18:27,599 --> 00:18:30,079 had this Google doc with all sorts of crazy ideas. Yeah, 303 00:18:30,160 --> 00:18:32,680 we actually did like a social media campaign to get 304 00:18:32,720 --> 00:18:35,319 people to vote, and oh really had four finalists and 305 00:18:35,400 --> 00:18:37,759 ultimately we just like, I think we like the juxtaposition 306 00:18:37,880 --> 00:18:40,519 of Gnarly and Darling. Right, So it's sort of edgy 307 00:18:40,599 --> 00:18:42,920 and a little twisted, but also sweet at the same time. 308 00:18:43,079 --> 00:18:46,839 Speaker 11: Yeah, I just imagine when when you were ambulating as tolerated, 309 00:18:46,880 --> 00:18:48,839 would like, would you would your name beyond posters for 310 00:18:48,920 --> 00:18:50,480 shows and they would screw it up like did they 311 00:18:50,519 --> 00:18:51,319 misspell things? 312 00:18:51,400 --> 00:18:52,279 Speaker 15: And yeah all the time. 313 00:18:52,279 --> 00:18:54,920 Speaker 4: I would imagine, Yeah, yeah, that's how long did you 314 00:18:55,000 --> 00:18:55,480 have that name? 315 00:18:56,359 --> 00:18:57,559 Speaker 15: What do you think, Pete? Maybe two years? 316 00:18:57,640 --> 00:18:59,880 Speaker 4: Yeah that sounds right, two years. Yeah yeah, well you 317 00:19:00,240 --> 00:19:01,759 with it for two years, that's pretty good. 318 00:19:03,160 --> 00:19:05,160 Speaker 11: So then what do you remember any of the other 319 00:19:05,240 --> 00:19:07,319 names that you considered before settling on Narley Darland? 320 00:19:07,359 --> 00:19:08,839 Speaker 4: Like I said, I love rejected band names. 321 00:19:08,920 --> 00:19:10,559 Speaker 15: Yeah, what do you remember any I know, I. 322 00:19:10,920 --> 00:19:13,960 Speaker 14: Remember the funny ones from Always Sunny in Philadelphia. 323 00:19:14,119 --> 00:19:20,640 Speaker 12: Yeah, milksteak really yeah, there was I think one was 324 00:19:20,880 --> 00:19:24,200 like the tricky pickle. Yeah, there was something to do 325 00:19:24,319 --> 00:19:26,079 with the donkey, but I don't remember. 326 00:19:27,160 --> 00:19:28,160 Speaker 5: Yeah, yeah there was. 327 00:19:28,559 --> 00:19:32,920 Speaker 15: There was a moun mouse mouse Honey was one of them. Noah, 328 00:19:33,359 --> 00:19:34,839 I wanted us there was a band, an R and 329 00:19:34,920 --> 00:19:36,880 B band back in the eighties called Tony Tony Tony, 330 00:19:37,400 --> 00:19:39,240 and I wanted us to be Gary Gary Gary. 331 00:19:39,119 --> 00:19:44,079 Speaker 4: But that I really Oh that's funny. 332 00:19:44,960 --> 00:19:47,079 Speaker 11: And then now what's your what's your live schedule, Like, 333 00:19:47,160 --> 00:19:48,839 are you playing a lot of shows? Wou'd imagine you've 334 00:19:48,880 --> 00:19:49,680 you've been busy. 335 00:19:49,559 --> 00:19:52,279 Speaker 15: Right, yeah, it has been, I mean probably twice a month, 336 00:19:52,440 --> 00:19:53,200 right something like that. 337 00:19:53,880 --> 00:19:56,559 Speaker 13: Yeah, I mean we're playing tomorrow the Blue Merrimain and 338 00:19:56,920 --> 00:20:01,480 Hittering Name, and then we have a big show for 339 00:20:01,559 --> 00:20:04,039 our album release on November twentieth. It's going to be 340 00:20:04,079 --> 00:20:06,960 at the Stone Church in Newmarket. Excellent on what deck 341 00:20:07,440 --> 00:20:08,319 on November twentieth? 342 00:20:08,599 --> 00:20:09,400 Speaker 4: Oh that's coming right out? 343 00:20:09,480 --> 00:20:11,240 Speaker 14: Yeah, yeah before Thanksgiving? 344 00:20:11,400 --> 00:20:13,160 Speaker 4: Okay, okay, excellent, excellent. 345 00:20:13,200 --> 00:20:15,440 Speaker 15: So the album comes out Friday, and then the following 346 00:20:15,519 --> 00:20:18,160 Thursdays is that show? Okay, And we've got a great 347 00:20:18,599 --> 00:20:20,559 local group called Three Great Gardens that's going to open 348 00:20:20,640 --> 00:20:22,000 up for us as well. Okay, it's gonna be a 349 00:20:22,039 --> 00:20:22,359 lot of fun. 350 00:20:22,440 --> 00:20:26,160 Speaker 11: Oh, very cool, very cool. Are you gonna play Are 351 00:20:26,240 --> 00:20:27,759 you playing the entire album that night? 352 00:20:27,960 --> 00:20:30,599 Speaker 15: Or we'll play the entire album and some new stuff 353 00:20:30,640 --> 00:20:32,440 and probably a few covers in the mix as well. 354 00:20:32,519 --> 00:20:35,680 Speaker 11: Oh excellent, excellent. Well I'm dying to hear another live 355 00:20:35,720 --> 00:20:36,960 one if you want to, you want to play another 356 00:20:37,200 --> 00:20:38,319 absolute live one for us? 357 00:20:38,640 --> 00:20:41,079 Speaker 15: So this one is from the album as well, and 358 00:20:41,160 --> 00:20:45,039 it's it's already been released, and uh, this is a song. 359 00:20:45,079 --> 00:20:49,519 I always described this as uh me getting really angry 360 00:20:49,599 --> 00:20:51,519 and frustrated with God, which I tend to do from 361 00:20:51,559 --> 00:20:54,480 time to time. Okay, but hopefully there's a little bit 362 00:20:54,480 --> 00:20:57,079 of redemption in this song as well. And this morning 363 00:20:57,119 --> 00:20:58,519 we want to dedicate this one to Kathy. 364 00:20:59,400 --> 00:21:03,400 Speaker 4: All right, ready, Gnarlie Darling live in studio. 365 00:21:03,480 --> 00:21:33,359 Speaker 2: One, two three, four, Jesus, wherever si. 366 00:21:34,759 --> 00:21:39,960 Speaker 6: To bevel me down in my knees. Somebody somewhere, oh 367 00:21:40,160 --> 00:21:46,119 some something fish and he's collecting whatever receives, tearing his way. 368 00:21:46,039 --> 00:21:52,599 Speaker 23: Through my kitchen, rapping in closets and drawers, staring me down. 369 00:21:52,759 --> 00:21:54,319 Speaker 5: And I'm not giving him an. 370 00:21:54,279 --> 00:21:56,640 Speaker 15: Answer to the do what I'm a sufferings for? 371 00:21:57,319 --> 00:21:59,039 Speaker 6: So say my name here. 372 00:21:59,079 --> 00:22:03,680 Speaker 24: It's spoken that I'm broken, shatted like I've always deserved. 373 00:22:04,400 --> 00:22:08,599 Speaker 6: If I'm drifting on a nocean, go and through emotions, be. 374 00:22:08,759 --> 00:22:14,000 Speaker 23: Annywhere with every nerve there are answers in our silence, 375 00:22:14,880 --> 00:22:17,200 in the spaces between our sides. 376 00:22:18,160 --> 00:22:19,640 Speaker 5: It's all right there. 377 00:22:19,880 --> 00:22:22,680 Speaker 6: The beauty and a bruise if you're not afraid to 378 00:22:22,759 --> 00:22:25,960 see it. Beauty and a bruise if you're not afraid 379 00:22:26,039 --> 00:22:27,160 to open your eyes. 380 00:22:40,559 --> 00:22:42,240 Speaker 5: Very you word, sir, is fixing. 381 00:22:43,759 --> 00:22:49,200 Speaker 24: Couldn't you write down the signs the recombination of letters 382 00:22:49,279 --> 00:22:50,960 and your voice, and the hent. 383 00:22:50,799 --> 00:22:54,960 Speaker 6: Of a ghost of a line, truth in the ring. 384 00:22:55,000 --> 00:22:55,720 Speaker 5: On the table. 385 00:22:57,160 --> 00:22:58,359 Speaker 15: Don't look away. 386 00:22:58,200 --> 00:23:02,440 Speaker 5: From the light, just I can shine on a cruise 387 00:23:02,519 --> 00:23:03,160 or fixed there. 388 00:23:03,319 --> 00:23:07,359 Speaker 6: Sometimes the worst thing that happened is right. See my name, 389 00:23:07,559 --> 00:23:08,519 to hear it smoking. 390 00:23:08,680 --> 00:23:12,440 Speaker 24: Remind me that I'm broken, shining like I've always to said. 391 00:23:13,279 --> 00:23:17,839 If I'm drifting on an ocean, going through the emotions. 392 00:23:17,519 --> 00:23:21,799 Speaker 23: You ain't inwhere with every nerve there are answers, in 393 00:23:21,960 --> 00:23:27,039 a silence and in the spaces between our sides, and 394 00:23:27,200 --> 00:23:28,839 it's all right there. 395 00:23:28,880 --> 00:23:31,759 Speaker 6: The beauty and a cruise if you're not afraid to 396 00:23:31,799 --> 00:23:32,160 see it. 397 00:23:32,519 --> 00:23:34,319 Speaker 17: Beauty and a cruise. 398 00:23:34,079 --> 00:23:36,279 Speaker 6: If you're not afraid to open your eyes. 399 00:23:49,319 --> 00:23:50,680 Speaker 20: Don't call the doctor. 400 00:23:50,839 --> 00:23:54,000 Speaker 6: Let me live in the pain aches like the space 401 00:23:54,160 --> 00:23:55,519 is in a haunting refrain. 402 00:23:56,119 --> 00:23:58,960 Speaker 5: Don't call the doctor. Let me live in the pain. 403 00:23:59,480 --> 00:24:03,680 Speaker 24: Don't all the time to see my name, and here 404 00:24:03,799 --> 00:24:07,720 it's smoking. Remind me that I'm broken, shining like our owns. 405 00:24:09,119 --> 00:24:11,119 If I'm drifting holling. 406 00:24:10,839 --> 00:24:14,880 Speaker 6: Ocean, going through the motions, be learning with every ender. 407 00:24:16,079 --> 00:24:21,359 There are answers in the silence and in the spaces. 408 00:24:20,839 --> 00:24:24,920 Speaker 5: Between our sides, and it's all right down the. 409 00:24:25,039 --> 00:24:28,039 Speaker 6: Beauty and a bruise if you're not afraid to see it, 410 00:24:28,480 --> 00:24:31,400 Beauty and a bruise, if you're not afraid to see it, 411 00:24:31,880 --> 00:24:34,839 Duty and a bruise, if you're not afraid to see it, 412 00:24:35,200 --> 00:24:38,279 Beauty and a bruise, if you're not afraid to open 413 00:24:38,400 --> 00:24:38,960 your eyes. 414 00:24:51,160 --> 00:24:58,119 Speaker 18: Say my name comes down, Sam, my name, Mark, say 415 00:24:58,240 --> 00:24:58,799 my name. 416 00:25:00,839 --> 00:25:12,240 Speaker 11: Great seven there, Oh so good, so good Gnarli Darling 417 00:25:12,400 --> 00:25:15,319 live in studio. That song is called Beauty in the 418 00:25:15,359 --> 00:25:19,240 Bruise and that is that is really good? Yeah, just 419 00:25:19,519 --> 00:25:23,200 just amazing. Now when you when you play that live, 420 00:25:23,640 --> 00:25:25,400 are you on acoustic guitar, Ryan or do you play 421 00:25:25,440 --> 00:25:26,039 electric live? 422 00:25:26,119 --> 00:25:26,519 Speaker 4: Or how does that? 423 00:25:26,920 --> 00:25:29,200 Speaker 15: I play a hybrid. I've got a Fender Hybrid that has, 424 00:25:29,279 --> 00:25:30,720 you know, sort of like a five way switch. So 425 00:25:30,960 --> 00:25:32,680 some of the songs are acoustic and some I can 426 00:25:32,720 --> 00:25:34,799 switch over and get a little more crunch to it. 427 00:25:35,000 --> 00:25:37,599 Speaker 11: Yeah, yeah, yeah, I can. I can imagine that, you know, 428 00:25:37,640 --> 00:25:39,200 because that's a lot of energy to that one. I 429 00:25:39,240 --> 00:25:41,759 would imagine live it it might gets loud and I. 430 00:25:41,799 --> 00:25:43,519 Speaker 15: Mean Gary on a full drum kit on that one 431 00:25:43,640 --> 00:25:44,319 is is it to be? 432 00:25:44,440 --> 00:25:49,079 Speaker 4: I can imagine, Yeah, I can imagine. Uh, let's see, 433 00:25:49,319 --> 00:25:51,759 So now what is what is kind of the future. 434 00:25:52,359 --> 00:25:54,920 Speaker 11: So obviously we know the release party is coming up 435 00:25:54,920 --> 00:25:56,759 for this on the twentieth, and then like what's your 436 00:25:56,799 --> 00:25:58,319 play you know, a lot of bands kind of hibernate 437 00:25:58,400 --> 00:25:59,880 during the winter. I mean, are you gonna be are 438 00:25:59,880 --> 00:26:02,000 you going to continue playing live a lot or what's 439 00:26:02,119 --> 00:26:04,799 what's kind of the short term and long term trajectory 440 00:26:04,839 --> 00:26:05,200 do you think? 441 00:26:05,279 --> 00:26:07,039 Speaker 15: I think I think it'll be. You know, we'll continue 442 00:26:07,039 --> 00:26:08,799 to play. I think January can kind of be a 443 00:26:08,880 --> 00:26:11,359 slower time for a lot of people. Yeah, you know, 444 00:26:11,480 --> 00:26:14,039 people are doing dry January and just you know, it's 445 00:26:14,119 --> 00:26:15,920 not as much as going on. But we'll probably have 446 00:26:15,960 --> 00:26:17,960 a couple here and there. I know we've got the 447 00:26:18,079 --> 00:26:20,440 end of January, we're playing at the Word Barn in Exeter, 448 00:26:21,440 --> 00:26:23,839 doing a double bill with a great bluegrass band called 449 00:26:23,880 --> 00:26:26,160 The Mountain. Okay, so looking forward to that, and then 450 00:26:26,480 --> 00:26:28,279 we've got some stuff already lined up in the spring 451 00:26:28,359 --> 00:26:29,240 and early summer as well. 452 00:26:29,400 --> 00:26:29,640 Speaker 5: Yeah. 453 00:26:29,799 --> 00:26:31,319 Speaker 4: Yeah, so you're keeping plenty busy. 454 00:26:31,519 --> 00:26:31,759 Speaker 5: Yeah. 455 00:26:32,839 --> 00:26:37,720 Speaker 12: Also in the January February March timeframe. It's a it's 456 00:26:37,759 --> 00:26:40,440 a great time to learn new music. Oh yeah, yeah, 457 00:26:40,480 --> 00:26:43,200 so we we get prepared for the spring. 458 00:26:43,359 --> 00:26:44,839 Speaker 4: But yeah, yeah, we're pretty busy. 459 00:26:45,039 --> 00:26:50,720 Speaker 11: Excellent, outstanding, outstanding, So we should uh. I think we're 460 00:26:50,720 --> 00:26:53,720 gonna end the segment with I'm gonna play this, uh, 461 00:26:54,000 --> 00:26:57,039 this song drift. But so this is not one of 462 00:26:57,039 --> 00:26:58,720 the ones that you had asked me to play, but 463 00:26:58,880 --> 00:27:00,799 this is the one that connected really connected with me 464 00:27:00,839 --> 00:27:02,200 the most. And by the way, I love the whole album. 465 00:27:02,480 --> 00:27:04,519 All the songs are really good, but what can you 466 00:27:04,559 --> 00:27:06,359 tell us about this? So kind of selfishly, I guess 467 00:27:06,400 --> 00:27:08,000 in a way because this is my favorite, But then 468 00:27:08,279 --> 00:27:10,279 so this is your favorite too, It turns out right 469 00:27:10,519 --> 00:27:10,799 it is. 470 00:27:10,960 --> 00:27:13,359 Speaker 15: Yeah, yeah, this is the one for me that I'll 471 00:27:13,440 --> 00:27:15,720 use your word. It really resonates for me as well. Yeah, 472 00:27:16,160 --> 00:27:18,400 I think you know, for me as a songwriter, I 473 00:27:18,599 --> 00:27:21,519 love and it doesn't always happen, but every now and 474 00:27:21,559 --> 00:27:24,319 then you get this magical moment where you write a 475 00:27:24,400 --> 00:27:28,920 lyric that is not a cliche, that feels unique and different, 476 00:27:29,480 --> 00:27:32,000 but at the same time it's something that feels that 477 00:27:32,160 --> 00:27:35,160 people can relate to. And this is somehow universal in 478 00:27:35,279 --> 00:27:37,880 some way. And you know, I was thinking about this 479 00:27:37,960 --> 00:27:39,799 on the drive over, and this would be a good 480 00:27:39,799 --> 00:27:41,799 project if anybody has nothing better to do. But if 481 00:27:41,799 --> 00:27:43,440 you look at the lyrics to all of our songs, 482 00:27:44,440 --> 00:27:46,400 I don't use the word love in any song, and 483 00:27:46,839 --> 00:27:49,319 I feel like the word love is so overused and 484 00:27:49,480 --> 00:27:51,519 it's kind of hollow at this point. Yeah, I would 485 00:27:51,599 --> 00:27:54,680 rather have a lyric that sort of expresses love in 486 00:27:54,759 --> 00:27:57,240 a unique way and you still have that emotional sentimental 487 00:27:57,279 --> 00:27:59,839 connection to it without using kind of a trite phrase. 488 00:28:00,039 --> 00:28:00,240 Speaker 5: Sure. 489 00:28:00,359 --> 00:28:03,240 Speaker 15: Sure, So that's a big part of a song like Drift, 490 00:28:03,319 --> 00:28:05,359 I think, is you know those moments where there's these 491 00:28:05,519 --> 00:28:08,119 these unique images, but ultimately there's a universal truth in 492 00:28:08,160 --> 00:28:10,720 there somewhere. And for me, it's it's at the end, 493 00:28:10,880 --> 00:28:14,359 there's a line setting fire to all that we've built 494 00:28:14,400 --> 00:28:16,920 so we can build it again. It's about, you know, 495 00:28:17,079 --> 00:28:19,000 all of the struggles that we all go through. People 496 00:28:19,039 --> 00:28:21,119 in our band right now are going through them, and 497 00:28:21,319 --> 00:28:23,240 yet we find a way to sort of keep going 498 00:28:23,319 --> 00:28:26,200 forward and rebuilding from the wreckage along the way. 499 00:28:26,359 --> 00:28:26,559 Speaker 8: Yeah. 500 00:28:26,759 --> 00:28:29,079 Speaker 4: Yeah, Yeah, Like I said, this one really connected with me. 501 00:28:29,200 --> 00:28:31,400 Speaker 11: So we'll play that in a moment I also want 502 00:28:31,440 --> 00:28:34,039 to know too, like, well, let's remind people about the 503 00:28:34,559 --> 00:28:36,799 CD release show coming up the twentieth, because that's coming 504 00:28:36,880 --> 00:28:37,160 right up. 505 00:28:37,319 --> 00:28:37,519 Speaker 8: Yeah. 506 00:28:37,640 --> 00:28:40,480 Speaker 13: So it's at the Stone Church in Newmarket, New Hampshire. 507 00:28:40,519 --> 00:28:43,480 It's gonna be on Thursday, November twentieth at eight pm. Okay, 508 00:28:43,559 --> 00:28:46,599 got support from three great gardens and we're gonna have 509 00:28:46,680 --> 00:28:49,240 some merch and we're gonna have a great time. Yeah, 510 00:28:49,240 --> 00:28:51,000 we're gonna do everything from the album and then also 511 00:28:51,119 --> 00:28:53,880 some covers as well. So come on out on November twentieth. 512 00:28:54,000 --> 00:28:55,839 Speaker 4: Outstanding, it's gonna be a big old party. 513 00:28:56,039 --> 00:28:59,279 Speaker 11: Excellent, excellent. And where's the best place for people to 514 00:28:59,319 --> 00:29:01,480 go online to keep up with everything Narley Darling is doing. 515 00:29:01,559 --> 00:29:03,960 Oh and you should definitely while we're at at spell Narley. 516 00:29:06,640 --> 00:29:09,359 Speaker 14: Yeah, Narli Darling dot com. And if you didn't know, 517 00:29:09,480 --> 00:29:11,720 Narley spelled with a G in the front of it, Yes, 518 00:29:12,160 --> 00:29:12,400 n A. 519 00:29:12,680 --> 00:29:15,160 Speaker 4: R L y okay, Narlie Darling. 520 00:29:15,319 --> 00:29:17,720 Speaker 15: Yeah, and we've got social media presence too, so Narly 521 00:29:17,799 --> 00:29:20,160 Darling band on Instagram and Facebook and so people can 522 00:29:20,240 --> 00:29:22,440 follow and keep up to date with all the stuff 523 00:29:22,440 --> 00:29:22,720 we're doing. 524 00:29:22,880 --> 00:29:26,000 Speaker 11: Yeah, yeah, excellent, excellent, Well, congratulations on everything. 525 00:29:26,039 --> 00:29:26,640 Speaker 4: In the new album. 526 00:29:26,960 --> 00:29:30,039 Speaker 11: It's great, Thank you much, and I'm sure the show 527 00:29:30,079 --> 00:29:32,079 on the twentieth will go fantastic. And I'm going to 528 00:29:32,160 --> 00:29:34,079 check out that other band two three Great Gardens. Yeah, 529 00:29:35,079 --> 00:29:37,960 curious about them too, So we will end We'll end 530 00:29:38,000 --> 00:29:40,119 the segment with Drift. But yeah, thank you all so much. 531 00:29:40,200 --> 00:29:42,079 This has been amazing, Thanks so much for having us. 532 00:29:42,519 --> 00:29:44,920 Thank you absolutely we will do it again in the future. 533 00:29:45,200 --> 00:29:47,759 And if you are listening live on Saturday, stick around. 534 00:29:47,799 --> 00:29:50,319 Coming up in the third hour, we have Volley returning 535 00:29:50,359 --> 00:29:52,440 to the show today. But yeah, I love this song. 536 00:29:52,519 --> 00:29:55,200 This is Drift and the band is Nari Darling. 537 00:30:18,240 --> 00:30:22,519 Speaker 7: And then reads warning and a line down in the 538 00:30:22,640 --> 00:30:27,200 dirt for a fine conversation with the sun. 539 00:30:29,599 --> 00:30:33,720 Speaker 6: Well, there's just one wed ahead of my days to cast. 540 00:30:33,440 --> 00:30:34,440 Speaker 5: The woods aside. 541 00:30:35,720 --> 00:30:40,920 Speaker 7: The trick is to forget the things I've done, because 542 00:30:41,000 --> 00:30:42,880 everybody is God. 543 00:30:42,720 --> 00:30:46,000 Speaker 5: Of pras Somemmer line is mountain. 544 00:30:45,759 --> 00:30:50,640 Speaker 6: And adrift up to the sky, adrift. 545 00:30:50,279 --> 00:30:51,400 Speaker 5: Up to the sky. 546 00:30:52,279 --> 00:30:57,519 Speaker 7: Some are darker than the night, sery old, black and white. 547 00:30:58,079 --> 00:31:04,039 Speaker 5: They keep dragging into just keep dragging me down. Thought 548 00:31:04,160 --> 00:31:07,759 that I could use my news out on the highway. 549 00:31:09,599 --> 00:31:14,039 Speaker 3: You're the worries its appear with everybody. 550 00:31:15,319 --> 00:31:18,960 Speaker 7: And your voice just I can need a touching down 551 00:31:19,279 --> 00:31:20,759 upon the line up. 552 00:31:21,160 --> 00:31:23,839 Speaker 5: Leading Steve forgiving music. 553 00:31:23,720 --> 00:31:52,200 Speaker 1: For a while, who sat there on the back poch 554 00:31:52,680 --> 00:31:56,759 as some matches out long, trying to start a little 555 00:31:57,039 --> 00:32:04,200 five and forgive. Now the smell of distant smoke rising, 556 00:32:04,319 --> 00:32:06,039 It draws me from my sleep. 557 00:32:06,960 --> 00:32:10,440 Speaker 5: It makes me wrong and rung, like you didn't. 558 00:32:12,400 --> 00:32:16,319 Speaker 7: Open rubs and stick and treats or in these the 559 00:32:16,519 --> 00:32:22,359 change see start leaving yodic, but clouds. 560 00:32:22,039 --> 00:32:23,279 Speaker 5: Don't come through. 561 00:32:23,720 --> 00:32:28,599 Speaker 7: Sum will drift some soap black and white or stereo. 562 00:32:29,640 --> 00:32:36,440 Speaker 5: Just keep traveling, Just keep traveling about that I could 563 00:32:36,720 --> 00:32:41,839 use my woes out on the holly feel the water 564 00:32:42,119 --> 00:32:45,000 is his fill with every mindy. 565 00:32:46,799 --> 00:32:50,759 Speaker 7: And your voice just like an needle sutting down up 566 00:32:50,880 --> 00:32:55,680 upon the final being sweet forgiving music about that. 567 00:32:55,880 --> 00:32:59,680 Speaker 5: I could use my woes out on the hilly. 568 00:33:01,119 --> 00:33:04,880 Speaker 7: Florious disappear with every mile. 569 00:33:06,839 --> 00:33:09,599 Speaker 6: And your voice just like comedo. 570 00:33:09,680 --> 00:33:12,359 Speaker 2: Cut your down upon the final. 571 00:33:12,559 --> 00:33:19,599 Speaker 7: Being sweet forgive and music for why being sweet forgive, 572 00:33:19,799 --> 00:33:26,720 and music for a while being sweet forgive, and music. 573 00:33:29,440 --> 00:33:38,119 Speaker 10: Singing by glory track rag stories fy glory. 574 00:33:38,079 --> 00:33:38,720 Speaker 5: Him man. 575 00:33:40,880 --> 00:33:46,839 Speaker 9: Sitting five to all that we built, so we can building. 576 00:33:47,000 --> 00:34:01,480 Speaker 10: Gim singing y glory, trag rag stories, fy glory him man, 577 00:34:03,720 --> 00:34:08,559 sending five to all that it built, so we can 578 00:34:08,800 --> 00:34:43,519 build it again, singing glory glory the drag rad stories, 579 00:34:44,519 --> 00:34:47,280 lory glory, him man. 580 00:34:49,440 --> 00:34:54,239 Speaker 6: Setting five to all that we built so we can 581 00:34:54,480 --> 00:34:55,800 build it again 582 00:35:00,840 --> 00:35:12,679 Speaker 10: Singing lobby coy, drag rag stories, Looby corey hipper, singing 583 00:35:13,079 --> 00:35:18,800 by to old man hippo weekeing building against