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<v Speaker 1>Chapter thirteen of Amusement Only. This is a LibriVox recording.

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<v Speaker 1>All LibriVox recordings are in the public domain. For more

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<v Speaker 1>information or to volunteer, please visit LibriVox dot org. Recording

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<v Speaker 1>by Christine g. Amusement Only by Richard marsh A Vision

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<v Speaker 1>of the Night Chapter one, Asleep, Charley, do you believe

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<v Speaker 1>in Dreams? It was in the Great Hall of the

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<v Speaker 1>Pure Spring at spa. The band was playing. The Motley crowd,

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<v Speaker 1>which gathers in the seasoned spa to drink or not

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<v Speaker 1>to drink. The waters were talking, smoking, drinking coffee something stronger,

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<v Speaker 1>looking at the papers, or listening to the music. Among

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<v Speaker 1>the crowd were Dreerald Lovell and his friend Charles Warren.

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<v Speaker 1>At the particular moment in which mister Lovell put his question,

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<v Speaker 1>mister Warren was puffing rings of cigarette smoke into the air.

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<v Speaker 1>Ask me, he said, with distinct irreverence. Another a queer

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<v Speaker 1>thing happened to me last night. If you have any

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<v Speaker 1>malicious intention of inflicting on me a dream, young man,

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<v Speaker 1>there'll be a row. I have an aunt too, dreams.

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<v Speaker 1>She's a dreaming thought. She's always dreaming. As she tells

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<v Speaker 1>her dreams such dreams, ye goths, the men mention of

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<v Speaker 1>the word dreams. The nightmare figure of my aunt writes

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<v Speaker 1>to my mind's eye, So beware. But I'm not sure

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<v Speaker 1>that this was a dream anyhow. Just listen if I must,

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<v Speaker 1>said mister Warren, And he sighed. I dreamt that a

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<v Speaker 1>woman kissed me. If only I could dream such a thing,

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<v Speaker 1>some men have all the luck. The queer thing was

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<v Speaker 1>that it was so real. I dreamt that a woman

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<v Speaker 1>came into my room. She came to my bedside. She

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<v Speaker 1>stood looking down upon me as I slept. Suddenly she

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<v Speaker 1>stooped and kissed me. That same instant I awoke. I

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<v Speaker 1>felt her kiss still tingling on my lips. I could

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<v Speaker 1>have sworn that some one had just kissed me. I

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<v Speaker 1>sat up in bed and called out to know if

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<v Speaker 1>any one was there. I got up and lit the

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<v Speaker 1>gas and searched the room. There was nothing and no one.

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<v Speaker 1>It was a dream. If it was, it was the

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<v Speaker 1>most vivid dream I remember to have heard of. Certainly

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<v Speaker 1>the most vivid dream I ever dreamt. I saw the

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<v Speaker 1>woman so distinctly, and her face as she stooped over me,

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<v Speaker 1>with laughter in her eyes. To begin with, it was

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<v Speaker 1>the most beautiful face I ever saw, and hers were

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<v Speaker 1>the most beautiful eyes. The whole thing had impressed me

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<v Speaker 1>so intensely that I took my sketchbook and made a

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<v Speaker 1>drawing of her. Then and there, I have my sketch

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<v Speaker 1>book in my pocket. Here is a drawing. Mister Lovell

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<v Speaker 1>handed his open sketchbook to his friend. It was open

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<v Speaker 1>at the page on which was the drawing of a

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<v Speaker 1>woman's face. When mister Warren's eyes fell on thistraying, he

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<v Speaker 1>sat up in his chair with a show of sudden interest. Gerald,

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<v Speaker 1>I say, you'll excuse me saying so, But I didn't

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<v Speaker 1>think you were capable of anything so good as this.

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<v Speaker 1>Do you know that this is the best drawing of

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<v Speaker 1>yours I have ever seen? Young man? I believe it is.

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<v Speaker 1>It looks to me. I don't want to flatter you,

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<v Speaker 1>Goodness knows you can set enough already, But it looks

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<v Speaker 1>to me as though it were a genuine bit of inspiration.

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<v Speaker 1>Joking apart, it seems to me almost as if it

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<v Speaker 1>were an inspiration. I wish an inspiration of the same

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<v Speaker 1>kind would come to me. I'd be considerably grateful even

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<v Speaker 1>for a nightmare. Do you know what I should do this.

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<v Speaker 1>I should use it for a picture. I thought of

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<v Speaker 1>doing something of the kind myself, just the study of

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<v Speaker 1>a woman's face, and you might call it. The title

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<v Speaker 1>would be Upper Site, A vision of the night. A

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<v Speaker 1>good idea I will. And mister Lovell did when he

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<v Speaker 1>returned to his Chelsea studio. He chose a moderate sized canvas,

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<v Speaker 1>and he began to paint on it a woman's face,

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<v Speaker 1>just a woman's face and nothing more. She was looking

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<v Speaker 1>a little downwards, as a woman might look who was

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<v Speaker 1>about to stoop to kiss some one lying asleep on bed,

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<v Speaker 1>say a sleeping child, And she glanced from the canvas

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<v Speaker 1>with laughing eyes. Mister Warren came in to look at

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<v Speaker 1>it several times while it was progressing. When it was finished,

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<v Speaker 1>he regarded it for some moments in silent contemplation. I

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<v Speaker 1>call that, he declared, sentiously with what he supposed, perhaps errendiously,

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<v Speaker 1>to be a Yankee twoe, a genuine work of art.

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<v Speaker 1>I do the thing, young man. If you poll were

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<v Speaker 1>that were your compliments or without em to the President,

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<v Speaker 1>fellows and assachates of the Royal Academy, I'll bet you

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<v Speaker 1>five to one. It hung his prediction was verified. It

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<v Speaker 1>was hung. It was the first of mister Lovell's pictures

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<v Speaker 1>which ever had been hung, which made the fact none

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<v Speaker 1>the less gratifying to mister Lovell. It was hung very well, too, considering,

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<v Speaker 1>and it attracted quite a considerable amount of attention in

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<v Speaker 1>its way. It was sold on the opening day. That

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<v Speaker 1>fact was not displeasing to mister Lovell. One morning, about

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<v Speaker 1>the middle of June, a card was brought in to

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<v Speaker 1>mister Lovell while he was working in his studio. On

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<v Speaker 1>it was inscribed a name VI Conte de Mierret. The

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<v Speaker 1>card was immediately followed by its owner, a tall, slightly built,

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<v Speaker 1>a gentleman, unmistakably a foreigner. He saluted mister Lovell with

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<v Speaker 1>a bow which was undoubtedly Parisian, mister Gerard Leven. The

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<v Speaker 1>accent was French, but for a Frenchman the English was fair.

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<v Speaker 1>I am Gerald Lovell. Ah, that is good. You are

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<v Speaker 1>a gentleman, mister Lovell, whom I particularly wished to see.

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<v Speaker 1>The stranger had been carrying his stick in one hand,

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<v Speaker 1>and he sat in the other. These he now deposited

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<v Speaker 1>upon one chair, himself replaced upon a second. Uninvited, he

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<v Speaker 1>crossed his legs. He folded his black cloved hands in

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<v Speaker 1>front of him. I believe, mister Horlovell, that we are

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<v Speaker 1>not strangers, you and I. Mister Lovell glanced at the card,

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<v Speaker 1>which he still was holding. You are there, vicomte de miriere.

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<v Speaker 1>I am I am afraid it is unpardonable remissnance on

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<v Speaker 1>my part. But I am afraid that if I have

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<v Speaker 1>ever had the pleasure of meeting you before, it is

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<v Speaker 1>a pleasure which has escaped my memory. It is not

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<v Speaker 1>that we have ever met before. No, it is not

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<v Speaker 1>that it is my name to which you are not

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<v Speaker 1>a stranger. Mister Lovell glanced again at the card your name.

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<v Speaker 1>I am afraid, vicomte, that I do not remember having

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<v Speaker 1>ever heard your name before. Ah? Is that so? The

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<v Speaker 1>stranger regarded his polished boots. He spoke as if he

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<v Speaker 1>were addressing himself to them. Is it possible that she

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<v Speaker 1>can have given another name? No, it is not possible.

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<v Speaker 1>She is capable of many things. I do not believe

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<v Speaker 1>she is capable of that. He looked up again at

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<v Speaker 1>mister Lovell. My business with you, mister Lovell, is of

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<v Speaker 1>rather a peculiar kind. You will think, perhaps that mine

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<v Speaker 1>is rather a singular Errand I have come to ask

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<v Speaker 1>you to acquaint me with the resident of my wife.

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<v Speaker 1>Whether did you say, with the residence of your wife?

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<v Speaker 1>That is what I said. I have come to ask

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<v Speaker 1>you to acquaint me with the residence of my wife.

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<v Speaker 1>The artist stared. But so far as I am aware,

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<v Speaker 1>I do not know your wife. That is absurd. I

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<v Speaker 1>do not say, mister Lovell, that you are conscious of

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<v Speaker 1>the absurdity. But still it is a I was not

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<v Speaker 1>aware that you are acquainted with my wife until I

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<v Speaker 1>learned the fact this morning at your academy, at our academy,

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<v Speaker 1>precisely upon the worlds of your academy of painting, mister Lovell.

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<v Speaker 1>Mister Lovell began to wonder if his visitor was not

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<v Speaker 1>an amiable French lunatic. Is that not rather a singular

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<v Speaker 1>place in which to learn such a fact. It is

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<v Speaker 1>a singular place. It is a very singular place, indeed.

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<v Speaker 1>But that has nothing to do with the matter. It is,

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<v Speaker 1>as I say, you have a picture, mister Lovell, at

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<v Speaker 1>the academy I have it is a portrait. Pardon me,

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<v Speaker 1>it is not a portrait. Pardon me, mister Lovell. In

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<v Speaker 1>my turn, it is a portrait. As a portrait, it

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<v Speaker 1>is a perfect portrait. It is a portrait of my wife,

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<v Speaker 1>of your wife. You are dreaming, you flatter me, mister Lovell.

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<v Speaker 1>Is it that you suppose I am an embathy? I'm

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<v Speaker 1>not a feature of a wife familiar to her husband,

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<v Speaker 1>very good, I am the husband of my wife. Your picture,

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<v Speaker 1>mister Lovell, is a portrait of my wife. I cannot

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<v Speaker 1>but think you have mistaken some other picture for mine.

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<v Speaker 1>Mine is simply a study of a woman's faith. It

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<v Speaker 1>is called a vision of the night precisely, and the

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<v Speaker 1>vision of the night is my wife. It is impossible,

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<v Speaker 1>do I understand you to say, mister Lovell, of a

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<v Speaker 1>thing which I say, is so that it is impossible?

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<v Speaker 1>The Vicomte rose, His voice had a very significant intonation.

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<v Speaker 1>Mister Lovell resented it. I do not know, Vicomte, that

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<v Speaker 1>I am called upon to explain to you, But in

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<v Speaker 1>faith of your remarkable statement, I will volunteer an explanation.

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<v Speaker 1>I saw the faith which I have painted in a dream. Indeed,

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<v Speaker 1>is that so? What sort of dream was it in

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<v Speaker 1>which you saw my wife's face? Mister Lovell? The young

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<v Speaker 1>man flushed the strangest tone was distinctly offensive. It was

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<v Speaker 1>in a dream which I dreamed last August at Spa. Ah,

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<v Speaker 1>this is crees. At what hotel were you stopping last

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<v Speaker 1>August at Spa at the Hotel de Flandre. Though I

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<v Speaker 1>don't know why you ask, so we approached your point.

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<v Speaker 1>At last last August, my wife and I we were

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<v Speaker 1>at Spa. We stayed my wife and I at the

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<v Speaker 1>Hotel de Flandre. It was at the Hotel de Flandrey

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<v Speaker 1>my wife left me. I have never seen her since. Perhaps,

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<v Speaker 1>mister Gerald Blauvel, you will be so good as to

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<v Speaker 1>inform me what sort of dream it was in which

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<v Speaker 1>she saw my wife's face at the Hotel la Flandre

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<v Speaker 1>last August at Spa. Mister Lovell hesitated. He perceived that

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<v Speaker 1>caution was advisable. He felt that if he entered into

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<v Speaker 1>minute particulars of his dream there might be a misunderstanding

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<v Speaker 1>with the vicomte. So he temporized, or he endeavored to.

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<v Speaker 1>I have already he told you that I saw the

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<v Speaker 1>face in my picture in a dream. It is the

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<v Speaker 1>simple fact that I have no other explanation to offer.

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<v Speaker 1>Is that, sir? That is so very good so far,

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<v Speaker 1>mister Gerald Lovell, I thought it possible that you might

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<v Speaker 1>have some explanation of this kind to offer. I was

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<v Speaker 1>at the academy with a friend when I perceived my

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<v Speaker 1>wife's portrait on the wolves, and that is what painted

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<v Speaker 1>by a mister Gerald Lovell. I said to my friend,

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<v Speaker 1>I will go to this mister Lovell, and I will

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<v Speaker 1>ask him, among other things, who authorized him to exhibit

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<v Speaker 1>my wife's portrait in the absence of a husband in

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<v Speaker 1>a place of public resort, as if it were an advertisement.

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<v Speaker 1>My friend proposed to accompany me, but I said no,

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<v Speaker 1>I will go first of all alone. I will see

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<v Speaker 1>what sort of explanation mister gerald Lovell has to offer.

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<v Speaker 1>If it is not a satisfactory explanation, then we will

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<v Speaker 1>go together. You and I. I go to seek my friend,

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<v Speaker 1>mister Lovell. He is not very far away. Shortly we

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<v Speaker 1>will return. Then I will request of your courtesy and

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<v Speaker 1>explanation of that very curious dream in which you saw

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<v Speaker 1>my wife's face at the Hotel de Flandres. Mister Lovell,

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<v Speaker 1>I wish you in till then good day. The vicomte

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<v Speaker 1>withdrew with the same extremely courtious salutation with which she

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<v Speaker 1>had entered the artist left alone, looked at his visitor's card,

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<v Speaker 1>which he still retained in his hand, with a very

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<v Speaker 1>puzzled expression of countenance. If the Vicomte de me Rey returns,

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<v Speaker 1>it strikes me, there'll be a little interesting conversation. He

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<v Speaker 1>laid down the card. He resumed the work which had

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<v Speaker 1>been interrupted, But the work hung fire. Paint to paint,

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<v Speaker 1>not only with his hand, but with his brain. Mister

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<v Speaker 1>Lovell's brain was just then preoccupied. It was a dream.

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<v Speaker 1>And yet, as I told Warren at a time, it

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<v Speaker 1>certainly was the most vivid dream I ever dreamt. Deserting

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<v Speaker 1>his canvas, began to move about the room, Supposing it

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<v Speaker 1>wasn't a dream, and the woman was a creature of

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<v Speaker 1>flesh and blood, and she must have come into my

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<v Speaker 1>room and kissed me while I slept. I'll swear that

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<v Speaker 1>some one kissed me. By jove, the Vicomte won't like

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<v Speaker 1>to be all a tale like that, as he says,

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<v Speaker 1>a man ought to know his own wife's face when

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<v Speaker 1>he sees it, even in a portrait. And if the

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<v Speaker 1>picture is a portrait of his wife, then it was

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<v Speaker 1>his wife who came into my room and kissed me.

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<v Speaker 1>But whatever made her do a thing like that. There's

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<v Speaker 1>no knowing what things some woman will do. I rather

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<v Speaker 1>fancy that I ought to have made a few inquiries

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<v Speaker 1>before I took it for granted that there was nothing

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<v Speaker 1>but a dream. They would have been able to tell

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<v Speaker 1>me at the hotel if the original of my dream

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<v Speaker 1>had been staying there as it is. Unless her mind

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<v Speaker 1>my peace and cues, I rather fancy there'll be a

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<v Speaker 1>row ador, may I enter? Mister Lovell was standing with

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<v Speaker 1>his back to the door. The inquiry, therefore, was addressed

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<v Speaker 1>to him from behind. The voice in which was uttered

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<v Speaker 1>was feminine, and the accent foreign. The artist turned and stared,

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<v Speaker 1>for there, peeping through the partly open door was the

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<v Speaker 1>woman of his dream. There cannot be the slightest doubt

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<v Speaker 1>about it. Although the head was covered with the latest

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<v Speaker 1>thing in Parisian hats, there was no mistaking when one

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<v Speaker 1>once had seen it, as he had seen it, that

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<v Speaker 1>lovely face, those laughing eyes. He stared and gaped. The

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00:14:26.879 --> 00:14:30.080
<v Speaker 1>lady seemed to take his silence to imply consent. She

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00:14:30.120 --> 00:14:34.679
<v Speaker 1>advanced into the room. You are, mister gerald loovl. As

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00:14:34.720 --> 00:14:37.279
<v Speaker 1>she came into the room, he perceived that she was

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<v Speaker 1>not only most divinely fair, but most divinely tall. Her figure,

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00:14:42.600 --> 00:14:45.600
<v Speaker 1>clad in the most recent coquetries of Paris, was the

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00:14:45.639 --> 00:14:49.519
<v Speaker 1>most exquisite thing in figures he had lately seen. So

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00:14:49.679 --> 00:14:53.080
<v Speaker 1>completely had she taken his faculties of astonishment by storm

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00:14:53.480 --> 00:14:56.679
<v Speaker 1>that he could only stammer a response, you are the

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<v Speaker 1>painter of my portrait. For the life of him, not

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00:15:00.360 --> 00:15:03.879
<v Speaker 1>what to say. But if you are, mister Gierolovell, it

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00:15:03.960 --> 00:15:06.879
<v Speaker 1>is certain that you are. Besides, I see it in

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<v Speaker 1>your faith that I s a genius in your eyes,

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<v Speaker 1>mister Lovell, how a might you thank you for the

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00:15:12.559 --> 00:15:15.960
<v Speaker 1>honor you have done me. Moving to him, she held

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<v Speaker 1>out to him her hand. He gave her his. She

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<v Speaker 1>retained it, or rather part of it, in her small palm.

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<v Speaker 1>If I am ever destined to attain immortality, it is

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<v Speaker 1>to your brush it will be owing, monsieur, permit me

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<v Speaker 1>to salute the master. Before he had an inkling of

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<v Speaker 1>her intention, she raised his hand and touched it with

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<v Speaker 1>her lips. He withdrew it quickly, Madame, She exhibited no

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<v Speaker 1>signs of discomposure. I was at your academy with a

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<v Speaker 1>friend not half an hour ago. I beheld mylds of

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00:15:50.600 --> 00:15:55.559
<v Speaker 1>me deo crecy. Suddenly I saw my face, my own faith,

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00:15:56.080 --> 00:16:00.279
<v Speaker 1>glancing at me from the walls ah culples, Sire, But

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00:16:00.360 --> 00:16:04.240
<v Speaker 1>my face, how many times more lovely, how many times

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00:16:04.279 --> 00:16:07.879
<v Speaker 1>more beautiful? My face depicted by the hand of a

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00:16:07.919 --> 00:16:13.440
<v Speaker 1>great artist, by the brush of a poet. Indeed, Genius, monsieur,

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00:16:13.600 --> 00:16:18.440
<v Speaker 1>you have placed only ten thousand obligations. She gave him

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00:16:18.440 --> 00:16:22.039
<v Speaker 1>the most sweeping courtesy with which she ever had been favored,

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00:16:22.360 --> 00:16:25.759
<v Speaker 1>and in her eyes was laughter. All the time he

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<v Speaker 1>was recovering his presence of mind. He felt that it

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00:16:29.279 --> 00:16:31.399
<v Speaker 1>was time to put a stop to the lady's flow

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<v Speaker 1>of flowery language. He was about to do so when

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<v Speaker 1>a question she put to him again sent half his

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00:16:37.200 --> 00:16:40.639
<v Speaker 1>sense's flying. There is one thing which I wished to

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00:16:40.679 --> 00:16:43.759
<v Speaker 1>ask you, monsieur, When and where did I see to

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00:16:43.840 --> 00:16:46.879
<v Speaker 1>you for my portrait. I do not remember to have

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00:16:46.919 --> 00:16:49.559
<v Speaker 1>had the pleasure and the honor of meeting you before.

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<v Speaker 1>The lady's laughing eyes were fixed intently on his face.

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<v Speaker 1>And yet as I look at you, a sort of

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00:16:57.000 --> 00:17:00.799
<v Speaker 1>chadwy recollections come to me of a previous encounter. It

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00:17:00.879 --> 00:17:05.400
<v Speaker 1>is very strange, monsieur, Where was it we encountered you?

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00:17:05.519 --> 00:17:10.599
<v Speaker 1>And I, madam, Seeing how evidently he was at a

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<v Speaker 1>loss of four words, she put out her hand to him,

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00:17:13.279 --> 00:17:17.279
<v Speaker 1>as if to give him courage. Do not be afraid.

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<v Speaker 1>Tell me where was it that you saw me? I

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00:17:21.839 --> 00:17:26.480
<v Speaker 1>saw you in a dream, A dream, monsieur. To hear

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00:17:26.559 --> 00:17:30.079
<v Speaker 1>you speak, it is like a poem. Monsieur, Why did

285
00:17:30.119 --> 00:17:32.359
<v Speaker 1>you dream this dream in which you dreamt of me?

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00:17:32.960 --> 00:17:38.079
<v Speaker 1>It was last year at Spa. It spar that horrible place.

287
00:17:39.440 --> 00:17:43.240
<v Speaker 1>I did not find it a horrible place. No, was

288
00:17:43.240 --> 00:17:45.240
<v Speaker 1>it that dream which you dreamt of me? When she

289
00:17:45.319 --> 00:17:48.839
<v Speaker 1>rubbed it of its aura, he did not speak. He

290
00:17:48.880 --> 00:17:51.440
<v Speaker 1>allowed her to infair a compliment, but he did not

291
00:17:51.559 --> 00:17:56.160
<v Speaker 1>profer one. But Monsieur, I was only at Spa one afternoon,

292
00:17:56.200 --> 00:17:59.799
<v Speaker 1>in a single night. It was that night I dreamed

293
00:17:59.839 --> 00:18:03.920
<v Speaker 1>of you you dreamed. How tell me about this dream?

294
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<v Speaker 1>I dreamed that she came into my room while I

295
00:18:08.759 --> 00:18:12.680
<v Speaker 1>was asleep in bed and kissed me. She continued to

296
00:18:12.720 --> 00:18:15.799
<v Speaker 1>look at him intently a moment longer, as if she

297
00:18:15.799 --> 00:18:19.160
<v Speaker 1>did not recognize the full meaning of his words. Then

298
00:18:19.720 --> 00:18:23.519
<v Speaker 1>let us do her justice. The blood rushed to her face,

299
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<v Speaker 1>her cheeks flamed fiercely red. With her hands, she wheeled

300
00:18:27.880 --> 00:18:32.000
<v Speaker 1>her eyes. She gave a little cry, Ah, mon dieu,

301
00:18:32.640 --> 00:18:37.640
<v Speaker 1>it was you, I remember, kill aaurere. There was silence

302
00:18:38.079 --> 00:18:41.240
<v Speaker 1>before she removed her hands from her eyes. She turned away.

303
00:18:42.279 --> 00:18:44.640
<v Speaker 1>She stood with her back towards him, trifling with a

304
00:18:44.680 --> 00:18:47.880
<v Speaker 1>brush which she had placed upon the table. She spoke

305
00:18:47.960 --> 00:18:52.799
<v Speaker 1>scarcely above a whisper, Monsieur, I thought you were asleep.

306
00:18:53.839 --> 00:18:57.119
<v Speaker 1>I was asleep. I saw you in a dream. Then

307
00:18:57.160 --> 00:19:01.119
<v Speaker 1>did did I wake you? You must have done. I

308
00:19:01.240 --> 00:19:04.200
<v Speaker 1>woke you. Must forgive me, saying so with a kiss

309
00:19:04.240 --> 00:19:07.960
<v Speaker 1>tingling on my lips, the lady put her hands off

310
00:19:07.960 --> 00:19:11.720
<v Speaker 1>to her eyes again. The dream had been so vivid

311
00:19:11.759 --> 00:19:14.079
<v Speaker 1>I could not understand it. I got up to see

312
00:19:14.119 --> 00:19:16.920
<v Speaker 1>if any one was in the room, if you had

313
00:19:17.079 --> 00:19:21.039
<v Speaker 1>caught me. There was no one. But so acutely had

314
00:19:21.039 --> 00:19:23.920
<v Speaker 1>your face impressed itself on my imagination that I took

315
00:19:23.960 --> 00:19:26.400
<v Speaker 1>my sketch book and made a drawing of it. Then

316
00:19:26.440 --> 00:19:29.400
<v Speaker 1>then there in the morning I showed this drawing to

317
00:19:29.440 --> 00:19:32.240
<v Speaker 1>a friend. He advised me to use it for a picture.

318
00:19:32.680 --> 00:19:35.759
<v Speaker 1>I did. That picture is a vision of the night.

319
00:19:36.599 --> 00:19:40.519
<v Speaker 1>It is the most extraordinary thing, monsieur. You will suppose

320
00:19:40.599 --> 00:19:43.519
<v Speaker 1>I am a very peculiar person. It is but a

321
00:19:43.640 --> 00:19:46.559
<v Speaker 1>lame explanation I have to offer of that I am

322
00:19:46.599 --> 00:19:50.480
<v Speaker 1>but too conscious. But such as it is, I entreat

323
00:19:50.519 --> 00:19:53.559
<v Speaker 1>that you will suffer me to give it to you. Monsieur.

324
00:19:53.640 --> 00:19:57.319
<v Speaker 1>I am married. Mister Lovell bowed. He did not mention

325
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<v Speaker 1>that he was aware of that already to the most

326
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<v Speaker 1>capricious husband in the world, to a husband to my love,

327
00:20:04.079 --> 00:20:07.880
<v Speaker 1>but whom I cannot respect. Mister Lovell thought that that

328
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<v Speaker 1>was good from her. He is a man who is

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<v Speaker 1>extremely deficile. Monsieur. I do not think you have a

330
00:20:15.200 --> 00:20:18.599
<v Speaker 1>word which expresses what I would say in English. He

331
00:20:18.680 --> 00:20:22.400
<v Speaker 1>is extremely jealous. He is enraged that his wife should

332
00:20:22.480 --> 00:20:25.200
<v Speaker 1>use the eyes which are in her head. The very

333
00:20:25.279 --> 00:20:27.359
<v Speaker 1>day in which we arrived at Spa, we had a

334
00:20:27.480 --> 00:20:30.799
<v Speaker 1>dreadful quarrel. I will not speak of the treatment to

335
00:20:30.839 --> 00:20:33.720
<v Speaker 1>which I was subjected. It is enough to say that

336
00:20:33.799 --> 00:20:36.319
<v Speaker 1>he locked the door so that I should not leave

337
00:20:36.319 --> 00:20:40.039
<v Speaker 1>the room. He wished to make of me a prisoner, Monsieur.

338
00:20:40.119 --> 00:20:42.960
<v Speaker 1>Directly he was gone, I perceived that there were two

339
00:20:43.039 --> 00:20:46.400
<v Speaker 1>doors or to the room, the one which he had locked,

340
00:20:46.640 --> 00:20:51.359
<v Speaker 1>and another which I tried. I found that it was open, Monsieur.

341
00:20:51.799 --> 00:20:54.920
<v Speaker 1>When the prisoner decides to escape. He escapes by any

342
00:20:55.039 --> 00:20:59.160
<v Speaker 1>road which offers. I was a prisoner. I desired to escape.

343
00:20:59.480 --> 00:21:01.960
<v Speaker 1>I made you of the only rod which I could find.

344
00:21:02.440 --> 00:21:05.279
<v Speaker 1>I entered the door. I found myself in a room

345
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<v Speaker 1>in which there was, how shall I say it, in

346
00:21:08.880 --> 00:21:11.519
<v Speaker 1>which there was a man asleep, Monsieur, it was you.

347
00:21:12.880 --> 00:21:15.000
<v Speaker 1>It must be owned that at this point the lady

348
00:21:15.079 --> 00:21:18.880
<v Speaker 1>certainly did look down. I was that night in a

349
00:21:18.880 --> 00:21:21.920
<v Speaker 1>wicked mood. I glanced at you. I perceive that you

350
00:21:22.000 --> 00:21:25.000
<v Speaker 1>were but a boy with the level flushed. He did

351
00:21:25.039 --> 00:21:28.640
<v Speaker 1>not consider himself a boy, but a handsome boy. She

352
00:21:28.720 --> 00:21:31.960
<v Speaker 1>peeped at him with malicious laughter in her eyes. I

353
00:21:32.039 --> 00:21:35.839
<v Speaker 1>regarded myself as your mother, or your sister, or your guardian. Angel.

354
00:21:36.440 --> 00:21:39.880
<v Speaker 1>Monsieur will perceive how much I am the elder. Again,

355
00:21:40.079 --> 00:21:44.279
<v Speaker 1>a glance of laughing malice from those bewitching eyes. I

356
00:21:44.319 --> 00:21:46.720
<v Speaker 1>am afraid it is too try that I approached the

357
00:21:46.759 --> 00:21:51.079
<v Speaker 1>sleeping lips. There was silence, then, so softly that her

358
00:21:51.079 --> 00:21:54.000
<v Speaker 1>listener was only able to catch the words. I pray

359
00:21:54.079 --> 00:21:57.240
<v Speaker 1>that Monsieur will forgive me. There is nothing for which

360
00:21:57.279 --> 00:22:02.079
<v Speaker 1>madame needs forgiveness. Monsieux, but says so to give me pleasure.

361
00:22:02.440 --> 00:22:06.000
<v Speaker 1>But one thing, Monsieur must permit me to observe. If

362
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<v Speaker 1>every woman were to be rewarded as I have been

363
00:22:08.839 --> 00:22:11.559
<v Speaker 1>for what I did, half the woman in France would

364
00:22:11.559 --> 00:22:16.200
<v Speaker 1>commit a similar little In this question, mister Lovell was silent.

365
00:22:16.599 --> 00:22:20.039
<v Speaker 1>He did not know exactly what to say. Monsieur will

366
00:22:20.079 --> 00:22:23.279
<v Speaker 1>permit me to regard him from this day forward as

367
00:22:23.319 --> 00:22:27.240
<v Speaker 1>my friend, mister a Giraard Lavelle. Permit me to introduce

368
00:22:27.240 --> 00:22:31.400
<v Speaker 1>it to you, the vicomtesse to mere re, the lady

369
00:22:31.440 --> 00:22:35.519
<v Speaker 1>favored him with another sweeping courtesy. I've already the pleasure

370
00:22:35.559 --> 00:22:39.480
<v Speaker 1>of being acquainted with Madame's name. From whom did you

371
00:22:39.599 --> 00:22:42.640
<v Speaker 1>learn it from the people at the hotel? I but

372
00:22:42.839 --> 00:22:45.480
<v Speaker 1>learned it a few minutes before Madame herself came here.

373
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<v Speaker 1>So from whom I learned it from? The Vicomte de

374
00:22:50.160 --> 00:22:55.640
<v Speaker 1>Mearet di vi Conte de Meret, my husband. Are you

375
00:22:55.680 --> 00:22:59.480
<v Speaker 1>acquainted with him? Then I can scarcely claim to be

376
00:22:59.480 --> 00:23:03.079
<v Speaker 1>acquainted with the Vicomte. It seems, Madame, that this has

377
00:23:03.119 --> 00:23:06.720
<v Speaker 1>been a morning of coincidences. It would appear that just

378
00:23:06.759 --> 00:23:09.880
<v Speaker 1>before Madame perceived my little picture at the academy, the

379
00:23:10.000 --> 00:23:15.119
<v Speaker 1>Vicomte de Meirere perceived it too, truly, but how magnificent.

380
00:23:16.000 --> 00:23:19.039
<v Speaker 1>The lady clasped her hands in a little ecstasy. The

381
00:23:19.160 --> 00:23:22.240
<v Speaker 1>Vicomte de meire Rey did not seem to consider it magnificent.

382
00:23:22.480 --> 00:23:26.640
<v Speaker 1>He took a distinctly contrary view. But that is sertain.

383
00:23:27.759 --> 00:23:30.880
<v Speaker 1>He requested me to furnish him with your address. When

384
00:23:30.880 --> 00:23:33.440
<v Speaker 1>I informed him that I was not acquainted with Madame,

385
00:23:33.759 --> 00:23:36.200
<v Speaker 1>he desired to know who had authorized me to send

386
00:23:36.279 --> 00:23:39.640
<v Speaker 1>your portrait to a public exhibition. When I informed him

387
00:23:39.640 --> 00:23:42.359
<v Speaker 1>that I was not acquainted with Madame, he desired to

388
00:23:42.440 --> 00:23:44.880
<v Speaker 1>know who had authorized me to send me your portrait

389
00:23:45.000 --> 00:23:48.440
<v Speaker 1>to a public exhibition. I observed that I was not

390
00:23:48.519 --> 00:23:50.720
<v Speaker 1>aware that it was a portrait of Madame, since the

391
00:23:50.759 --> 00:23:52.799
<v Speaker 1>face in the picture was but the study of a

392
00:23:52.880 --> 00:23:56.640
<v Speaker 1>face which I had seen in a dream, in a dream.

393
00:23:57.240 --> 00:24:01.160
<v Speaker 1>You did not tell him the little history I entered

394
00:24:01.160 --> 00:24:04.880
<v Speaker 1>into no particulars. I entreat you, monsieur, not to tell

395
00:24:04.920 --> 00:24:07.839
<v Speaker 1>in the history. There will be a scandal. He is

396
00:24:07.880 --> 00:24:14.319
<v Speaker 1>so quick to misconceive. I will endeavor to observe Madame's souchius.

397
00:24:15.119 --> 00:24:17.480
<v Speaker 1>It is like a little romance. It is not, monsieur.

398
00:24:18.279 --> 00:24:21.920
<v Speaker 1>Perhaps I should explain myself a little further. That night,

399
00:24:22.440 --> 00:24:26.319
<v Speaker 1>she emphasized that and left my husband. In effect, he

400
00:24:26.400 --> 00:24:29.839
<v Speaker 1>had become unbearable. I have seen and heard nothing of

401
00:24:29.920 --> 00:24:33.079
<v Speaker 1>him since, but I am beginning to become conscious of

402
00:24:33.079 --> 00:24:36.160
<v Speaker 1>a desire to meet him again. I know not why,

403
00:24:36.359 --> 00:24:39.640
<v Speaker 1>I suppose when one loves one's husband, truly one wishes

404
00:24:39.680 --> 00:24:43.680
<v Speaker 1>to meet him. Monseigneur, I do not wish our reconciliation

405
00:24:43.920 --> 00:24:48.720
<v Speaker 1>to be inagoiserated by a quarrel. No I entreat you, monsieur,

406
00:24:49.240 --> 00:24:52.200
<v Speaker 1>not to recount to him that little history. I should

407
00:24:52.240 --> 00:24:55.200
<v Speaker 1>inform Madame that I expect the vicomte to mearet to

408
00:24:55.279 --> 00:25:02.240
<v Speaker 1>return return where here when very shortly, with a friend.

409
00:25:02.519 --> 00:25:07.000
<v Speaker 1>In fact, unless I am mistaken, he comes already. The

410
00:25:07.119 --> 00:25:11.079
<v Speaker 1>lady listened. It is Philippe's voice, mon dieu. He must

411
00:25:11.160 --> 00:25:15.559
<v Speaker 1>not find me here, but madame ah the screen. It

412
00:25:15.720 --> 00:25:18.359
<v Speaker 1>is like a face at the pelais royal? Is it

413
00:25:18.400 --> 00:25:21.200
<v Speaker 1>not the fact? I will be your model, monsieur behind

414
00:25:21.200 --> 00:25:26.119
<v Speaker 1>the screen, madame. Before he could interpose to prevent her,

415
00:25:26.279 --> 00:25:29.279
<v Speaker 1>the lady vanished behind the screen. The door of the

416
00:25:29.279 --> 00:25:33.599
<v Speaker 1>studio opened, and the Vicomte de Mireraa entered, accompanied by

417
00:25:33.599 --> 00:25:37.799
<v Speaker 1>his friend. End of Chapter one, of A Vision of

418
00:25:37.839 --> 00:25:42.720
<v Speaker 1>the Night recording by Christine G in Oslong, Norway, the

419
00:25:42.799 --> 00:25:52.720
<v Speaker 1>twenty first of January two thousand and twelve, Chapter fourteen

420
00:25:53.079 --> 00:25:57.920
<v Speaker 1>of Amusement Only. This is a LibriVox recording. All LibriVox

421
00:25:57.960 --> 00:26:01.839
<v Speaker 1>recordings are in the public domain. For more information or

422
00:26:01.839 --> 00:26:08.440
<v Speaker 1>to volunteire, please visit Librivok's Daughter Org recording by Christine g.

423
00:26:09.799 --> 00:26:13.640
<v Speaker 1>Amusement Only by Richard marsh A Vision of the Night,

424
00:26:14.079 --> 00:26:20.200
<v Speaker 1>Chapter two and Awake. The Vicomte's friend was a gentleman,

425
00:26:20.319 --> 00:26:23.440
<v Speaker 1>of a figure which is not uncommon in France even

426
00:26:23.480 --> 00:26:28.559
<v Speaker 1>to day. His attitude suggested that Ramrod he breathed powder

427
00:26:28.640 --> 00:26:32.359
<v Speaker 1>and shot, and he bristled. What shall we say with

428
00:26:32.480 --> 00:26:35.720
<v Speaker 1>Bayonet's the last person in the world with whom a

429
00:26:35.759 --> 00:26:39.880
<v Speaker 1>modern Briton should have a serious difference of opinion? The

430
00:26:40.000 --> 00:26:43.119
<v Speaker 1>ideas of that sort of person upon matters which involve

431
00:26:43.160 --> 00:26:46.799
<v Speaker 1>a difference of opinion are in such contrast to ours.

432
00:26:47.400 --> 00:26:51.880
<v Speaker 1>The Vicomte performed the ceremony of introduction, mister Gerald Blauvel,

433
00:26:52.200 --> 00:26:56.640
<v Speaker 1>permit me to introduce you to your courtiers consideration, my friend,

434
00:26:56.799 --> 00:27:03.519
<v Speaker 1>Monsieur Victor Berigny. Monsieur Beerigny bowed sremoniously. Mister Lowell only nodded.

435
00:27:04.319 --> 00:27:08.839
<v Speaker 1>His thoughts were behind the screen. The Vicomte turned to

436
00:27:08.880 --> 00:27:12.440
<v Speaker 1>his friend, Victor. I have explained to you that I

437
00:27:12.480 --> 00:27:15.480
<v Speaker 1>have already had the pleasure of an interview with mister

438
00:27:15.759 --> 00:27:20.359
<v Speaker 1>Gerald Lavelle Monsieur Brigny Bowed. I have also explained to

439
00:27:20.440 --> 00:27:23.640
<v Speaker 1>you that I have desired him to inform me by

440
00:27:23.640 --> 00:27:26.839
<v Speaker 1>whose authority he exhibits a portrait of my wife in

441
00:27:26.880 --> 00:27:30.759
<v Speaker 1>a public exhibition. To that he has replied that his picture,

442
00:27:30.920 --> 00:27:33.440
<v Speaker 1>A Vision of the Knight, is not a portrait of

443
00:27:33.480 --> 00:27:37.160
<v Speaker 1>my wife. I request you, Victor, to state, in mister

444
00:27:37.240 --> 00:27:41.440
<v Speaker 1>gerald Lovell's presence, whether that picture, in your opinion, is

445
00:27:41.599 --> 00:27:46.160
<v Speaker 1>or is not a portrait of my wife. Certainly it

446
00:27:46.279 --> 00:27:50.119
<v Speaker 1>is a portrait. Mister Beerygney's accent was more marked than

447
00:27:50.119 --> 00:27:54.039
<v Speaker 1>the Vicomte's, but still he did speak English. I thank you, Victor.

448
00:27:54.400 --> 00:27:57.720
<v Speaker 1>It remains from me to once more request, in your presence,

449
00:27:57.799 --> 00:28:00.839
<v Speaker 1>mister gerald Lovell to explain saining how it was that

450
00:28:00.920 --> 00:28:02.960
<v Speaker 1>he happened to dream of the face of my wife

451
00:28:03.039 --> 00:28:07.200
<v Speaker 1>lost August in the Hotel de Flandre et Spa. Mister

452
00:28:07.319 --> 00:28:10.400
<v Speaker 1>Gierraald Blovel, I have the honor to wait your explanation.

453
00:28:12.000 --> 00:28:15.160
<v Speaker 1>The Vicomte, his aunts crossed upon his chest, his left

454
00:28:15.200 --> 00:28:19.000
<v Speaker 1>foot a little protruding, his head thrown back, awaited the explanation.

455
00:28:20.359 --> 00:28:24.799
<v Speaker 1>Mister Lovell's thoughts ran screenwards. What a deuce shall I

456
00:28:24.839 --> 00:28:28.319
<v Speaker 1>do if he discovers her behind the screen, Monsieur, I

457
00:28:28.359 --> 00:28:31.960
<v Speaker 1>am waiting. If he does discover her, there'll be a row.

458
00:28:32.720 --> 00:28:36.960
<v Speaker 1>I am still waiting, mister Geraldlovell. With each repetition of

459
00:28:37.000 --> 00:28:41.599
<v Speaker 1>the statement, the Vicomte's tone became more assidulated. The artist

460
00:28:41.680 --> 00:28:44.920
<v Speaker 1>arrived at a sudden resolution. Then I am afraid, the

461
00:28:44.960 --> 00:28:49.240
<v Speaker 1>Vicomte that you will have to wait. The Vicomte looked

462
00:28:49.240 --> 00:28:51.839
<v Speaker 1>at the artist with an evident inclination to add a

463
00:28:51.880 --> 00:28:55.160
<v Speaker 1>cubit to his own stature. Is it possible that I

464
00:28:55.240 --> 00:29:00.319
<v Speaker 1>understand your meaning, mister Gerald loovel My language is sufficiently

465
00:29:00.440 --> 00:29:05.960
<v Speaker 1>simple in France, Monsieur Gerald Lavelle, and archrist is supposed

466
00:29:06.000 --> 00:29:10.519
<v Speaker 1>to be a gentleman, and so in England, Vicomte. And therefore,

467
00:29:10.720 --> 00:29:14.200
<v Speaker 1>when an artist is interrupted at his work by another gentleman,

468
00:29:14.599 --> 00:29:18.160
<v Speaker 1>he feels himself at liberty to beg that other gentleman

469
00:29:18.519 --> 00:29:23.799
<v Speaker 1>to excuse him. Mister Lovell, waved his hand affably in

470
00:29:23.880 --> 00:29:27.680
<v Speaker 1>the direction of the door. The vicomte's countenance assumed a

471
00:29:27.680 --> 00:29:33.400
<v Speaker 1>peculiar pallor you are racurious person, mister Gerald levelle his

472
00:29:33.480 --> 00:29:36.799
<v Speaker 1>friend in the post Philip, you have better leave the

473
00:29:36.839 --> 00:29:41.319
<v Speaker 1>matter to me, Monsieur Berigny approached the painter with a

474
00:29:41.400 --> 00:29:45.400
<v Speaker 1>ramrod down his back. They have the honor, monsieur, your

475
00:29:45.440 --> 00:29:49.519
<v Speaker 1>request for you the name of a frant o a friend?

476
00:29:50.000 --> 00:29:56.599
<v Speaker 1>What for ah, Monsieur to arrange the preliminaries? What preliminaries?

477
00:29:57.599 --> 00:30:02.039
<v Speaker 1>Is it that Monsieur amuses himself? Is it possible that

478
00:30:02.160 --> 00:30:04.279
<v Speaker 1>you suppose that I am going to fight a duel?

479
00:30:05.359 --> 00:30:10.000
<v Speaker 1>Monsieur intends then to offer an explanation to my friend,

480
00:30:10.000 --> 00:30:12.519
<v Speaker 1>Monsieur Brigny. I do not wish to say to you

481
00:30:12.640 --> 00:30:16.960
<v Speaker 1>anything uncourteous, for anything unworthy an English gentleman. But I

482
00:30:17.000 --> 00:30:19.640
<v Speaker 1>do beg you to believe that because you choose to

483
00:30:19.640 --> 00:30:21.960
<v Speaker 1>be an idiot and your friend chooses to be an idiot,

484
00:30:22.359 --> 00:30:24.160
<v Speaker 1>it does not follow that I choose to be an

485
00:30:24.160 --> 00:30:29.160
<v Speaker 1>idiot too, Monsieur. One other observation, I have not seen

486
00:30:29.240 --> 00:30:32.039
<v Speaker 1>much of you, Monsieur Brigny, but that little has not

487
00:30:32.119 --> 00:30:34.920
<v Speaker 1>disposed me to see more. May I therefore ask you

488
00:30:35.160 --> 00:30:39.839
<v Speaker 1>to leave my studio, monsieur, or must I turn you out?

489
00:30:40.759 --> 00:30:43.640
<v Speaker 1>Turn me out? The Vicomte had been listening to this

490
00:30:43.720 --> 00:30:48.079
<v Speaker 1>little dialog. He now turned towards his friend. Ah, my friend,

491
00:30:48.319 --> 00:30:51.039
<v Speaker 1>it is as he says, you will tearn you out

492
00:30:51.200 --> 00:30:54.160
<v Speaker 1>necking crop, as the English say, he will throw you

493
00:30:54.240 --> 00:30:56.960
<v Speaker 1>down the stairs. You will give half a bricket your

494
00:30:56.960 --> 00:30:59.960
<v Speaker 1>head to help you on your way. Then when you

495
00:31:00.160 --> 00:31:04.400
<v Speaker 1>require satisfaction, you will reserve you to a magistrate. You

496
00:31:04.440 --> 00:31:07.319
<v Speaker 1>will summon him. It will be in the papers. He

497
00:31:07.400 --> 00:31:10.079
<v Speaker 1>will be fined half a crown. That is how they

498
00:31:10.119 --> 00:31:15.079
<v Speaker 1>managed this affairs in England. It is true, but among gentlemen,

499
00:31:16.079 --> 00:31:19.880
<v Speaker 1>ah Madame fou La in England nowadays. De Renald gentleman,

500
00:31:21.079 --> 00:31:24.440
<v Speaker 1>mister Lovell moved a step towards Monsieur Burigny. I have

501
00:31:24.519 --> 00:31:28.359
<v Speaker 1>asked you, asked the gentleman to leave my studio, monsieur,

502
00:31:28.519 --> 00:31:32.480
<v Speaker 1>your coward. The painter's eyes gleamed, but he kept his

503
00:31:32.519 --> 00:31:36.680
<v Speaker 1>temper pretty well. Considering you appear to have been taught

504
00:31:36.799 --> 00:31:39.920
<v Speaker 1>singularly ill manners in your native country, sir, I will

505
00:31:40.000 --> 00:31:42.519
<v Speaker 1>endeavor to teach you better man as hair. Are you

506
00:31:42.599 --> 00:31:47.640
<v Speaker 1>going or must I eject you Polisson? That was Monsieur

507
00:31:47.680 --> 00:31:52.319
<v Speaker 1>Burigny's answer. There was just a momentary hesitation. Then, grasping

508
00:31:52.359 --> 00:31:56.880
<v Speaker 1>Monsieur Burigny firmly by the shoulders, mister Lovell began to

509
00:31:56.920 --> 00:32:00.039
<v Speaker 1>move him more rapidly than gently in the direction of

510
00:32:00.079 --> 00:32:04.400
<v Speaker 1>the door. The Vicomte came forward with the evident intention

511
00:32:04.519 --> 00:32:08.559
<v Speaker 1>of interposing. There would probably have been a slightly undignified

512
00:32:08.640 --> 00:32:11.880
<v Speaker 1>scramble had not a diversion been created by the opening

513
00:32:11.880 --> 00:32:15.200
<v Speaker 1>of the door and the entrance of mister Warren. That

514
00:32:15.279 --> 00:32:20.119
<v Speaker 1>gentleman glanced from one person to another. I beg your pardon,

515
00:32:20.400 --> 00:32:24.799
<v Speaker 1>he observed. I hope I don't intrude. Mister Lovell laughed

516
00:32:24.960 --> 00:32:30.039
<v Speaker 1>a little forcidly. His complexion was distinctly ruddy. Not at all.

517
00:32:30.119 --> 00:32:32.720
<v Speaker 1>I wish you had come in sooner. The most ridiculous

518
00:32:32.759 --> 00:32:37.240
<v Speaker 1>thing has happened. Indeed, I have an eye for the ridiculous.

519
00:32:37.759 --> 00:32:39.880
<v Speaker 1>You know that picture of mine a vision of the

520
00:32:40.000 --> 00:32:43.920
<v Speaker 1>night I've heard of it. This gentleman says that it's

521
00:32:43.920 --> 00:32:47.640
<v Speaker 1>a portrait of his wife. Mister Lovell pointed to the

522
00:32:47.720 --> 00:32:52.279
<v Speaker 1>Vicomte de mire Rey. No, then in that case, this

523
00:32:52.519 --> 00:32:54.960
<v Speaker 1>gentleman's wife came into your bedroom in the middle of

524
00:32:54.960 --> 00:32:58.599
<v Speaker 1>the night and kissed you. Wasn't it, mister Warren spoke

525
00:32:58.640 --> 00:33:01.640
<v Speaker 1>in the innocence of his heart. But at that moment

526
00:33:01.799 --> 00:33:05.160
<v Speaker 1>mister Lovell could have struck his boyhood's friend. There was

527
00:33:05.160 --> 00:33:09.279
<v Speaker 1>a listener behind the screen. The young gentleman's cheeks grew crimson,

528
00:33:09.559 --> 00:33:12.240
<v Speaker 1>as the ladies had done a few minutes ago. He

529
00:33:12.359 --> 00:33:15.279
<v Speaker 1>was conscious, too, that the vicomte's unfriendly eyes were fixed

530
00:33:15.319 --> 00:33:20.440
<v Speaker 1>upon his face. So that is it you you? The

531
00:33:20.519 --> 00:33:24.200
<v Speaker 1>vicomte moved a step forward, then checked himself. Tell me,

532
00:33:24.359 --> 00:33:28.039
<v Speaker 1>we'll raise my wife. At this instant, mister Lovell could

533
00:33:28.039 --> 00:33:31.680
<v Speaker 1>have told him, but he refrained. I declined to give

534
00:33:31.720 --> 00:33:36.599
<v Speaker 1>you any information of any kind. Whatever you decline. The

535
00:33:36.680 --> 00:33:39.720
<v Speaker 1>Vicomte raised his hand. He would have struck the artist.

536
00:33:40.319 --> 00:33:44.279
<v Speaker 1>Mister Warren interposed to avert a blow. He declines, for

537
00:33:44.319 --> 00:33:46.920
<v Speaker 1>a very simple reason that he has never seen your wife.

538
00:33:47.319 --> 00:33:51.839
<v Speaker 1>Isn't that so? Gerald? Mister Lovell hesitated. He scarcely saw

539
00:33:51.880 --> 00:33:53.960
<v Speaker 1>his way to a denial while the lady was behind

540
00:33:53.960 --> 00:33:57.720
<v Speaker 1>the screen. You see he does not even direre to lie.

541
00:33:58.359 --> 00:34:02.440
<v Speaker 1>Don't talk nonsense, Gerald, Why don't you tell the man

542
00:34:02.440 --> 00:34:05.359
<v Speaker 1>that you have never seen the woman in your life.

543
00:34:05.720 --> 00:34:08.039
<v Speaker 1>I repeat that I declined to give this person any

544
00:34:08.039 --> 00:34:14.079
<v Speaker 1>information of any kind. Whatever you decline. The vicomte uttered

545
00:34:14.079 --> 00:34:17.840
<v Speaker 1>the words in a kind of strangled screech. His patience

546
00:34:17.920 --> 00:34:20.599
<v Speaker 1>was exhausted. He seemed to think that he was being

547
00:34:20.639 --> 00:34:23.239
<v Speaker 1>subjected to treatment which was more than flesh and blood

548
00:34:23.280 --> 00:34:27.199
<v Speaker 1>could bear. He rushed at mister Lovell. Mister Lovell, probably

549
00:34:27.199 --> 00:34:29.960
<v Speaker 1>forgetting himself on the impulse of the moment, or he

550
00:34:30.000 --> 00:34:33.199
<v Speaker 1>would have been more careful, swung the vicomte round against

551
00:34:33.199 --> 00:34:37.800
<v Speaker 1>the screen. It tottered, reeled, and raising a cloud of dust.

552
00:34:37.880 --> 00:34:40.719
<v Speaker 1>It fell with a bang to the floor. It was

553
00:34:40.760 --> 00:34:44.519
<v Speaker 1>a leaf out of Sheridan. For an instant the several

554
00:34:44.559 --> 00:34:47.880
<v Speaker 1>members of that little party did not distinctly realize what

555
00:34:47.920 --> 00:34:51.239
<v Speaker 1>it was that had happened. Then they saw there was

556
00:34:51.280 --> 00:34:55.400
<v Speaker 1>a pause, a curious pause. Their attitudes betrayed a charming

557
00:34:55.400 --> 00:35:00.000
<v Speaker 1>diversity of emotions. The Vicomte, his coat a little disarrange,

558
00:35:00.480 --> 00:35:03.519
<v Speaker 1>owning to the somewhat rough handling which he had just received,

559
00:35:04.119 --> 00:35:09.039
<v Speaker 1>stood and glared Monsieur Berrigny more ramrody than ever. Stad

560
00:35:09.760 --> 00:35:14.239
<v Speaker 1>Mister Warren gasped mister Lovell's quickened, breathing, crimson cheeks and

561
00:35:14.320 --> 00:35:17.400
<v Speaker 1>flashing eyes seemed to suggest that his breast was a

562
00:35:17.440 --> 00:35:22.079
<v Speaker 1>tumult of conflicting feelings. The lady, whose present had been

563
00:35:22.119 --> 00:35:26.039
<v Speaker 1>so unexpectedly revealed, stood behind the fallen screen with the

564
00:35:26.039 --> 00:35:29.280
<v Speaker 1>most charming air of innocence in the world, and she smiled.

565
00:35:30.719 --> 00:35:33.679
<v Speaker 1>It was she who broke the silence. She held out

566
00:35:33.679 --> 00:35:40.079
<v Speaker 1>her hand to the vicomte. Bonjour, philipp ah. The Vicomte

567
00:35:40.079 --> 00:35:43.400
<v Speaker 1>threw himself away with a sort of shuddering exclamation. Aunt

568
00:35:43.440 --> 00:35:47.360
<v Speaker 1>you and Nette, it is you. It cannot be, my

569
00:35:47.480 --> 00:35:53.440
<v Speaker 1>dear Philip. Why not? Why not? Why not? She asks?

570
00:35:53.519 --> 00:35:57.039
<v Speaker 1>Why not? The Vicomte held out his hands as though

571
00:35:57.039 --> 00:36:01.159
<v Speaker 1>he appealed to the eternal varieties. Tretre yes once more?

572
00:36:01.239 --> 00:36:05.800
<v Speaker 1>Is woman false and man betrayed? The Vicomte's gesture was

573
00:36:05.920 --> 00:36:10.000
<v Speaker 1>worthy of the tragic stage in France. The lady still

574
00:36:10.039 --> 00:36:14.280
<v Speaker 1>held out her hand, and still she smiled, My dear Philip,

575
00:36:14.800 --> 00:36:18.880
<v Speaker 1>try comedy comedy, Ah, yes, I will try comedy, the

576
00:36:18.920 --> 00:36:23.079
<v Speaker 1>comedy of a revenge. The Vicomte distinctly rolled his arse.

577
00:36:23.679 --> 00:36:26.400
<v Speaker 1>He turned to mister Lovell, I will kill you, even

578
00:36:26.440 --> 00:36:28.360
<v Speaker 1>though for killing you by the law of England. I

579
00:36:28.400 --> 00:36:32.760
<v Speaker 1>am hanged, victorch verise my hat. The vicomte put his

580
00:36:32.840 --> 00:36:36.719
<v Speaker 1>question to his friend with a peculiar coldness. Monsieur Burgny

581
00:36:36.760 --> 00:36:40.199
<v Speaker 1>shrugged his shoulders. How should I know? It is not

582
00:36:40.280 --> 00:36:43.559
<v Speaker 1>a question of a hat, as you say, It is

583
00:36:43.599 --> 00:36:45.559
<v Speaker 1>not a question of a hat, It is a question.

584
00:36:46.000 --> 00:36:50.559
<v Speaker 1>The vicomte moved towards mister Lovell. Of that he raised

585
00:36:50.599 --> 00:36:52.920
<v Speaker 1>his hand with the intention of striking the artist on

586
00:36:52.960 --> 00:36:57.199
<v Speaker 1>the cheek. Mister Lovell never flinched, but the lady, rushing forward,

587
00:36:57.320 --> 00:37:00.000
<v Speaker 1>caught her husband by the wrist. She looked at him,

588
00:37:00.119 --> 00:37:04.000
<v Speaker 1>still with laughter in her eyes. Try not to be insane.

589
00:37:04.840 --> 00:37:07.079
<v Speaker 1>The vicomte glared at her with a glare, which at

590
00:37:07.159 --> 00:37:11.480
<v Speaker 1>least was characteristic. Why do I not kill her? Why

591
00:37:12.239 --> 00:37:15.559
<v Speaker 1>the lady only smiled. They say that the woman is

592
00:37:15.599 --> 00:37:18.360
<v Speaker 1>the void of humor. How we sit then? Sometimes with

593
00:37:18.480 --> 00:37:21.840
<v Speaker 1>the man you, Philip, are always thinking of the port

594
00:37:21.880 --> 00:37:27.719
<v Speaker 1>Saint Martin I of the beuf Parisians. The Vicomte turned

595
00:37:27.719 --> 00:37:31.440
<v Speaker 1>to his friend Victor, Why do I not kill his woman?

596
00:37:31.920 --> 00:37:35.639
<v Speaker 1>Monsieur Berrigny only shrugged his shoulders, possibly because he was

597
00:37:35.679 --> 00:37:39.519
<v Speaker 1>not ready with a more adequate reply. The lady turned

598
00:37:39.559 --> 00:37:43.679
<v Speaker 1>to the artist. Monsieur, I offer you ten thousand apologies,

599
00:37:44.039 --> 00:37:46.880
<v Speaker 1>which my husband will one day offer you himself as

600
00:37:46.920 --> 00:37:53.039
<v Speaker 1>becomes a gentleman of Franz. The vicomte repeated his inquiry, Victor,

601
00:37:53.239 --> 00:37:56.760
<v Speaker 1>why do I not kill his woman? Only a shrugging reply.

602
00:37:57.239 --> 00:38:01.519
<v Speaker 1>The lady went on, you have immortal my poor face. Monsieur,

603
00:38:02.000 --> 00:38:06.039
<v Speaker 1>my husband insults you. In return, the Vicomte folded his

604
00:38:06.239 --> 00:38:09.320
<v Speaker 1>arms across his chest. It is a certain, victor that

605
00:38:09.400 --> 00:38:13.280
<v Speaker 1>she still lives. One night, monsieur, my husband locked me

606
00:38:13.320 --> 00:38:18.079
<v Speaker 1>in my room. He designed to make of me a prisoner. Why, ah,

607
00:38:18.159 --> 00:38:20.679
<v Speaker 1>do not ask me why? When he had left me,

608
00:38:20.760 --> 00:38:23.119
<v Speaker 1>I escaped not by the door which he had locked,

609
00:38:23.159 --> 00:38:26.159
<v Speaker 1>but by a door he had not noticed. This door

610
00:38:26.280 --> 00:38:29.760
<v Speaker 1>led into an apartment in which there was a stranger sleeping.

611
00:38:30.559 --> 00:38:33.400
<v Speaker 1>I was but an instant in that department, but the

612
00:38:33.480 --> 00:38:37.440
<v Speaker 1>instant in which it was necessary to paustrue. The sleeper

613
00:38:37.480 --> 00:38:39.559
<v Speaker 1>never spoke to me. He never saw me with his

614
00:38:39.639 --> 00:38:43.440
<v Speaker 1>walking eyes. But even in his sleep, my poor frightened

615
00:38:43.480 --> 00:38:46.360
<v Speaker 1>face so flushed upon his brain that even in his

616
00:38:46.440 --> 00:38:49.599
<v Speaker 1>waking hours, it haunted him, so that he made of

617
00:38:49.639 --> 00:38:52.599
<v Speaker 1>it a picture, a picture of that vision of the night.

618
00:38:53.960 --> 00:38:57.480
<v Speaker 1>The vicomte approached closer to his friend. He addressed him

619
00:38:57.519 --> 00:39:04.079
<v Speaker 1>in a sort of confidential but still distinctly ordered side Victor,

620
00:39:04.400 --> 00:39:08.480
<v Speaker 1>is it possible that this is true? I beg my

621
00:39:08.639 --> 00:39:13.039
<v Speaker 1>friend that of me, whould belosk nothing, monsieur. This morning

622
00:39:13.079 --> 00:39:15.960
<v Speaker 1>I was at your academy. I saw my own countenance

623
00:39:16.000 --> 00:39:18.960
<v Speaker 1>looking at me from the walls. For the first time,

624
00:39:19.000 --> 00:39:22.360
<v Speaker 1>I learned that my poor, frightened woman's face had repaired

625
00:39:22.440 --> 00:39:26.760
<v Speaker 1>to a sleeping stranger in the vision of the night. Oh, monsieur, monsieur.

626
00:39:28.400 --> 00:39:30.840
<v Speaker 1>The lady covered her face with her hands. It would

627
00:39:30.880 --> 00:39:33.519
<v Speaker 1>perhaps be rush to say that she cried, but at

628
00:39:33.599 --> 00:39:36.360
<v Speaker 1>least she seemed to cry, and if it was only seeming,

629
00:39:36.519 --> 00:39:40.840
<v Speaker 1>she did it very well. Victor again inquired the vicomte

630
00:39:40.880 --> 00:39:44.800
<v Speaker 1>of his friend. Is it possible that this is true? Monsieur?

631
00:39:44.880 --> 00:39:49.360
<v Speaker 1>Brigny wagged his finger in the Vicomte's face. De morie

632
00:39:49.800 --> 00:39:53.639
<v Speaker 1>ig now becomes a questions of rats. The vicomte laid

633
00:39:53.639 --> 00:39:57.719
<v Speaker 1>his hand on his companion's arm. One instant tvictor still

634
00:39:57.760 --> 00:40:01.800
<v Speaker 1>one instant more. The lady uncovered her eyes, which actually

635
00:40:01.800 --> 00:40:06.480
<v Speaker 1>worth parking with tears continued to address the artist. Monsieur,

636
00:40:06.679 --> 00:40:08.320
<v Speaker 1>I will not speak to you of my love for

637
00:40:08.480 --> 00:40:11.480
<v Speaker 1>my husband, my Philip. I will not speak to you

638
00:40:11.559 --> 00:40:14.119
<v Speaker 1>of how we have been parted for a year, a

639
00:40:14.239 --> 00:40:17.760
<v Speaker 1>whole long year, mon dieu, monsieur, mon dieu. I will

640
00:40:17.800 --> 00:40:20.480
<v Speaker 1>not speak to you of how every instant of that

641
00:40:20.639 --> 00:40:23.119
<v Speaker 1>long long year I have thought of him, Of how

642
00:40:23.159 --> 00:40:25.920
<v Speaker 1>I have yearned for him, of how I have longed

643
00:40:25.960 --> 00:40:29.000
<v Speaker 1>for one touch of his hand, one verse from his lips,

644
00:40:29.320 --> 00:40:32.559
<v Speaker 1>one glance from his eyes. No, monsieur, I will not

645
00:40:32.599 --> 00:40:35.039
<v Speaker 1>speak to you of all these things, and for one

646
00:40:35.159 --> 00:40:38.920
<v Speaker 1>reason that with me all things are finished. I go,

647
00:40:39.599 --> 00:40:43.480
<v Speaker 1>never to return again. My faith you have made immortal.

648
00:40:43.840 --> 00:40:47.119
<v Speaker 1>The rest of me will perish. For the woman whose

649
00:40:47.159 --> 00:40:50.719
<v Speaker 1>heart is broken. The remains but one place, the grave.

650
00:40:51.320 --> 00:40:54.960
<v Speaker 1>It is to that place I go. The lady had

651
00:40:55.039 --> 00:40:58.119
<v Speaker 1>become as tragic as her husband, even more so in

652
00:40:58.199 --> 00:41:01.039
<v Speaker 1>her way. She moved across room with the air of

653
00:41:01.079 --> 00:41:06.239
<v Speaker 1>a tragedy. Queen Parisian the Vicomte was visibly affected, and

654
00:41:06.239 --> 00:41:10.679
<v Speaker 1>he fastened a convulsive clutch upon Monsieur, bering his arm. Victor,

655
00:41:11.639 --> 00:41:14.079
<v Speaker 1>tell me what shall I do? Advice in me? Oh,

656
00:41:14.079 --> 00:41:17.079
<v Speaker 1>my friend, this is a critical moment in my life.

657
00:41:17.320 --> 00:41:20.639
<v Speaker 1>It is impossible that I should let her go. Antjnette,

658
00:41:21.400 --> 00:41:24.679
<v Speaker 1>the vicomte advanced just in time between the lady and

659
00:41:24.719 --> 00:41:28.480
<v Speaker 1>the door. Monsieur, I entrait of you, this last boon

660
00:41:28.559 --> 00:41:31.159
<v Speaker 1>to let me go. You have insulted me in the

661
00:41:31.159 --> 00:41:35.239
<v Speaker 1>presence of a stranger for me. Therefore nothing else remains.

662
00:41:35.679 --> 00:41:38.480
<v Speaker 1>You have inquired if you should kill me. No, Philip,

663
00:41:38.880 --> 00:41:41.159
<v Speaker 1>you need not kill me. It is myself I will

664
00:41:41.280 --> 00:41:46.239
<v Speaker 1>kill Antjoonnette. I am no longer Antoinette. I am the

665
00:41:46.280 --> 00:41:49.559
<v Speaker 1>woman whose happiness you have destroyed. It is only when

666
00:41:49.599 --> 00:41:52.199
<v Speaker 1>I am dead that you will learn what is written

667
00:41:52.239 --> 00:41:58.360
<v Speaker 1>on my heart for you, Antjoonnette. The strong man's voice faltered, Antoinette,

668
00:41:58.559 --> 00:42:02.159
<v Speaker 1>and I never tend to be giving. There was a

669
00:42:02.199 --> 00:42:06.800
<v Speaker 1>moment's pause. Then the lady held out both her hands. Philip,

670
00:42:08.719 --> 00:42:12.639
<v Speaker 1>my heart, my soul, Thou treasure of my life, Thou

671
00:42:12.719 --> 00:42:15.920
<v Speaker 1>stor on my existence? Is it possible that the cloud

672
00:42:15.920 --> 00:42:19.119
<v Speaker 1>should have interposed itself between the thy path and mine.

673
00:42:20.079 --> 00:42:22.320
<v Speaker 1>He took her in his arms. He pressed her to

674
00:42:22.360 --> 00:42:26.519
<v Speaker 1>his breast. Monsieur Brigny turned away from his attitude. It

675
00:42:26.559 --> 00:42:30.000
<v Speaker 1>almost seemed as if the soldier the man of ramrods

676
00:42:30.000 --> 00:42:35.320
<v Speaker 1>who in bayonets wiped away a tear. Philip, take care,

677
00:42:35.480 --> 00:42:40.119
<v Speaker 1>or you will range my hat, and Jeunette, my beautiful

678
00:42:40.280 --> 00:42:45.119
<v Speaker 1>my own Philip, do you not think you should apologize?

679
00:42:45.480 --> 00:42:48.239
<v Speaker 1>Take care, my friend, or you certainly will arrange my

680
00:42:48.320 --> 00:42:51.320
<v Speaker 1>hat to the stranger who has made demand told the

681
00:42:51.320 --> 00:42:54.119
<v Speaker 1>face of the woman who loved you better than her life,

682
00:42:54.519 --> 00:42:58.159
<v Speaker 1>my friend, take care, who has made her repairl canvas

683
00:42:58.159 --> 00:43:02.199
<v Speaker 1>so much more beautiful than she is in life. No, Antoinette,

684
00:43:02.440 --> 00:43:05.719
<v Speaker 1>that I will not have. It is impossible beauty such

685
00:43:05.719 --> 00:43:08.960
<v Speaker 1>as yours is not to be rendered by a painter's brache.

686
00:43:10.400 --> 00:43:12.840
<v Speaker 1>If that be so, all the more reason why we

687
00:43:12.880 --> 00:43:16.599
<v Speaker 1>should be grateful to mister Lovell for endeavoring the impossible.

688
00:43:17.840 --> 00:43:20.480
<v Speaker 1>The lady peeped at mister Lovell with the quaintest malice

689
00:43:20.519 --> 00:43:24.480
<v Speaker 1>in her eyes. Certainly, Antournette, there is something in what

690
00:43:24.559 --> 00:43:27.840
<v Speaker 1>you say. And after all, it is a charming painting,

691
00:43:28.360 --> 00:43:30.800
<v Speaker 1>I say, Victor, when I saw it, there can be

692
00:43:30.880 --> 00:43:33.679
<v Speaker 1>no doubt. As a painting it is charming. Did I

693
00:43:33.760 --> 00:43:38.519
<v Speaker 1>not say so? Monsieur Burigny inclined his head with his handkerchief.

694
00:43:38.519 --> 00:43:44.000
<v Speaker 1>The vicomte smoothed his mustache. He advanced towards mister Lovell. Monsieur,

695
00:43:44.239 --> 00:43:49.639
<v Speaker 1>a Frenchman, a true Frenchman, seldom errs. On those rare

696
00:43:49.679 --> 00:43:52.840
<v Speaker 1>occasions in which he errs, he is always willing, under

697
00:43:52.880 --> 00:43:56.639
<v Speaker 1>proper conditions, to confess his error. Monsieur, I perceive that

698
00:43:56.719 --> 00:43:59.679
<v Speaker 1>I have done you an injustice. For the injustice which

699
00:43:59.679 --> 00:44:04.320
<v Speaker 1>I have done you, I desire to apologize. Mister Lovell smiled.

700
00:44:04.719 --> 00:44:08.320
<v Speaker 1>He held out his hand, My dear fellow, there's nothing

701
00:44:08.360 --> 00:44:12.239
<v Speaker 1>for which you need apologize. The Vicomte grasped the artist's

702
00:44:12.239 --> 00:44:16.360
<v Speaker 1>hand in both of his. My dear friend, he cried.

703
00:44:17.239 --> 00:44:21.519
<v Speaker 1>Philip whispered, the lady into her husband's air. Do you

704
00:44:21.599 --> 00:44:23.880
<v Speaker 1>not think that you would like mister Lovell and his

705
00:44:24.039 --> 00:44:27.519
<v Speaker 1>friend to favor us with their company at luncheon? The

706
00:44:27.599 --> 00:44:31.000
<v Speaker 1>Vicomte seemed to think you would. They lunched together all

707
00:44:31.000 --> 00:44:36.199
<v Speaker 1>the five why not? End of chapter two of A

708
00:44:36.320 --> 00:44:40.239
<v Speaker 1>Vision of the Night recording by Christine g in a

709
00:44:40.360 --> 00:44:44.639
<v Speaker 1>Slow Norway the twenty first of January two thousand and twelve,
