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Speaker 1: Oh and now mystery theater, come in.

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Speaker 2: Welcome. I'm e. G. Marshall.

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Speaker 3: They say they do be girls in Galway that are

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the fairest in the world.

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Speaker 4: Of course, there are other things in Galway all Ireland

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for that matter, that you don't find anywhere else. Cluricons

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and banshees, the little folk, and of course the Leprechawn himself,

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Blarnie and the Blarnie Stone itself.

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Speaker 2: So many things that are hard to credit.

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Speaker 4: That the only way is to make a trip there

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for yourselves, as we are now going to do.

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Speaker 2: Mother of Heaven.

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Speaker 3: He's at it again, Mary, uncle tarn who else Ragland

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is portrayed against the chimney stones and weighing like the banshee.

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Speaker 5: Well, Sean, you know what he's after.

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Speaker 6: Turn the picture face to the wall and give the

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poor man the chance to dress himself in privacy.

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Speaker 3: All right, very Oh, but where would he want to

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be off to today? There's no wake or wedding or

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holy day to celebrate if he's.

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Speaker 5: Taken advantage of the Lefflcuans. Promise there's something special in

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the wind.

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Speaker 2: Now, you, being the man.

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Speaker 6: Take we peep there and see if he's gone.

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Speaker 2: He's gone the canvas is there as a turnip?

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Speaker 6: Then mark my words, shanday, We're in for some excitement

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in Glenfort.

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Speaker 5: I wonder what will be this time.

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Speaker 4: Our mystery drama The Wakeful Ghost was written especially for

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the Mystery Theater by Ian Martin and stars Paul Hecht.

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Brian Mackin finished his last year of med school and

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found himself with a thousand dollars left of his inheritance

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and two weeks before he began his internship. He was

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weary from the long struggle for his medical degree because,

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in spite of scholarships, he had to work outside to

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raise money for the six years of study.

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Speaker 2: Both his parents were dead so far as he knew,

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he was alone in the world.

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Speaker 4: But his background was Irish and he had some vague

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memory that an aunt and uncle were living still in

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the old country. So he decided to spend the two

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weeks on a vacation which was to.

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Speaker 2: Change his whole life.

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Speaker 3: Nobody's going to believe this, but it's exactly what happened

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to me in Ireland. After roaming around a few days

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in Dublin, I took a train for Balinaslow in Galway.

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Speaker 2: To the west.

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Speaker 3: The only clue I had to my uncle and aunt

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was an old postcard with that postmark and their names.

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Speaker 2: Sean and Mary Daily, which is sort of equivalent to

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John and Mary Smith.

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Speaker 3: I didn't have much hope of finding them, but it

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was a joy just to have nothing to do with

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my last three days playing detective. No one was more

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surprised than I when a ruddy faced little gentleman walked

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up to me at the Nation. Sure, now I couldn't

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be mistaken, but just for the politeness of the thing

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and observing the formalities at twelve. But you wouldn't be

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Brian Mackin from America. Yes, that's exactly who I would be.

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Speaker 2: And now your baby wondering who I well, Yes I am.

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I am sure, I'm.

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Speaker 3: Your great uncle Terence on your mother's side, once or

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twice removed, for I was born on the wrong side

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of the blanket.

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Speaker 2: They say, Oh, I don't know myself nor kay for sure.

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In my own opinion he was a changeling, which accounts.

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Speaker 3: For my close association with the way. That's of no

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matter for the moment. Terrence Krusky is the name Terrence

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Kinseta clonme cruse Kain.

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Speaker 2: But your uncle Terrance will serve, which is the way

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most people know me. Well, I'm still puzzled. How did

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you know me?

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Speaker 3: I've a little cat and the pony waiting, and if

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we want to get to your aunt and uncles before dark,

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I'm thinking we'd best get along and I tell you.

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Speaker 2: All on the way.

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Speaker 3: I don't mean to be root serve, but I still

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would like to know how you knew I was coming

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here today. I only made up my mind on the

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spur of the moment this morning. Now that's where you're wrong.

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Do you see?

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Speaker 2: What do you mean or why we're writing along?

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Speaker 3: Would you like to get a dash of poustine to

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warm the cockles.

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Speaker 2: Of your heart?

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Speaker 3: Is that the Irish whisky you make out of bog

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water that's about one hundred and eighty proof the same?

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Speaker 7: No?

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Speaker 3: Thanks, No, that's the stuff I had last night in

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Dublin that knocked me.

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Speaker 2: Out like a mickey. It was still not over it.

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Speaker 3: Well, now, then, to answer your question, yeah, how I

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knew to expect you. Do you remember the little chap

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in the green bowler you met at the snoke last night?

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Speaker 2: Oh? Yeah, I remember him. He introduced me to this nectar.

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When now mcdrush is a friend of mine, and.

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Speaker 3: That's nobody said last night was a friend? No, I

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mean that that wasn't his name. Oh he probably called

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himself Michael Mahon or some such.

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Speaker 2: Yeah, that's right, sure, that's what.

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Speaker 3: He uses us as a cover when he's out and

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about the town.

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Speaker 2: What is he a secret agent Ira or something? Aren't him?

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He's all peace and good will.

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Speaker 3: He's a leprechaun, a leprechaun, that's right. God, come on,

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uncle Chesy, stop hauling my leg. Michael Mahon was no leprechaun.

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Did he have a little green bowler? Well, I don't

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know if you could call it green, it was green.

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And did he have pointed little ears just under his

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oprim at the top lay well, as a matter of fact,

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medically I was interested because the auricular cartilage was strangely

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shaped at the top of his ears.

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Speaker 2: Dear, dear there, dear there, you see did you see?

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Speaker 3: There's your answer enough to convince an American anyway, Your

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friend the.

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Speaker 2: Eprechaun sent me a message in a way.

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Speaker 3: That we have and that's how Ei the Greatest put

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on a all time. You're not going to tell me

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you're a leprechaun too. Oh no, oh no, no, I'm

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more of a banshee you might call me, but with

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special privileges. Oh, yes, quite spiritual, but that can wait.

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Oh ooh, is this where my aunt and uncle? If

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it is Sean and Mary Daily, that's who they are.

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They expecting me, not blessure. No, but you'll be welcome, son,

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as welcome as the flowers in may he here.

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Speaker 2: Take your bags and jump on down, won't you coming

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in with me to introduce me.

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Speaker 3: We'll sure you're a nice, well maned ladd and your

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manage by yourself. But it's time enough to put Mareen

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and the cat and myself away. Tidania, this is needed.

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Speaker 2: God hold you in his pocket till we meet again.

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We are going to angry.

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Speaker 3: Oh yes, indeed, I don't know how to be arranged,

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but I have plans for you as the future of

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more than one. At the moment he was calling his

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back to me, the twilight was upon us. It must

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have been some trick of the rising evening, miss, but

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I swear before he reached the corner of the building,

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Uncle Terence, the old fashioned cart and marine who pulled

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it seemed to disappear in the gathering gloom.

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Speaker 8: Good evening to you, young gentlemen.

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Speaker 3: Excuse me, are you by any chance missus Seawan Daily?

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Speaker 2: I am that did you have a brother who emigrated

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to America called Thomas Mackham?

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Speaker 5: I did, and you're from America. You couldn't hear issus Bryan?

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Speaker 6: You are Bryan Markin whose mother is large as dean Eise.

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Speaker 7: That's me I had married, Oh Briant, Oh with Darling's

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form with Darlan forget me?

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Speaker 5: Comes a twin, Sean, Sean, Will you look who's here?

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It's Tommy's son and Margarets.

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Speaker 2: This is your uncle, Sean. It's a pleasure to meet you.

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Speaker 5: And sit down, Sean, take the boy's bag. Yes, how

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did you ever find us?

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Speaker 1: Oh?

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Speaker 5: It's been years since we lost track.

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Speaker 6: Sean and me had to move some sudden like and

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our letters seem to go a straight Now, tell me.

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Speaker 2: About tom and mine. Mother and dad both died suddenly

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within a month of each other.

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Speaker 3: I've been so busy burying myself in schoolwork, I didn't well,

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I let everything else go.

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Speaker 5: Oh you poor dad, and oh if i'd known. Oh,

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you must tell us all about.

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Speaker 2: Can I get you a wee nip. Oh no, no,

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no thanks, I'm learning to be careful of Irish nips. Well,

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then I get you something to eat.

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Speaker 5: Now you'll stay the night with us on a few days.

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Speaker 3: Sure, I got till the weekend before I have to

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catch my plane home. Oh, anyway, I'll wait to have

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dinner with all of you, Aunt Mary, Uncle Sean and

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Uncle Tara. Uncle Terence. He met me at the station,

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brought me here. I'd never found you without him. He

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just went to put the horse and cart away.

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Speaker 2: A little mayor with one black eye and one white.

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Yeah that's Maureen.

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Speaker 5: And did you expect to meet him at the station?

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Speaker 2: Oh no? He absolutely floored me.

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Speaker 3: I mean, the only reason I came to bal and

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asked what was because I found an old card from

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you to mother, who was a postmark. I was just

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taking while stav in the dark, that someone might know about.

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Speaker 2: You or where you live. I wanted to well, I mean,

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as far as I know, you are my only living relatives.

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Speaker 5: Oh we and we are well.

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Speaker 2: I didn't know about Uncle Terence, and and what byan

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you can be free with that? Well, I don't know

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what to say. He talked about leprechawns and Bansheese, you

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know that sort of thing.

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Speaker 3: I might have thought he was a little I guess

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you'd say touched, except for well, I shouldn't talk this way.

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Speaker 2: I loved him. He was fun and.

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Speaker 3: Amusing, full of a wonderful zest for life. It's sort

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of scary too. Is he the same at home here? Oh?

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Speaker 6: He can be all of those, though we don't see

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much of it anymore. Uncle Terence is a great problem.

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Speaker 3: Oh I'm sorry, nothing to do with you. I hope

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you won't tell him some of the things I just

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said or intimated when he comes in for dinner.

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Speaker 2: I mean, hey, he won't be here for dinner. Oh oh,

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I thought he lived here. Well, so he does in

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in a sort of way. I think it's time that

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we told the boy the truth.

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Speaker 5: Shan is beast.

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Speaker 2: We care.

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Speaker 3: Yes, well you.

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Speaker 9: You had a good long look at Uncle Terence. He

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wouldn't forget it.

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Speaker 2: Oh no, no, never look behind the picture and make sure. Yeah, yes,

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he's back again. Now came here. You see this portrait, Bryan,

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Now would that be Uncle tarn Oh? Yeah, yeah, that's him.

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That's him to the life.

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Speaker 9: You're not exactly the gentleman you are looking at has

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been dead these thirty five years. What the only problem

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is that he won't stay decently in his grave.

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Speaker 4: So Brian mackin has come all the way to Ireland

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to find a real uncle and aunt, and in addition

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a quite unreal uncle, a man who appears to be

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able to rise from the grave full bodied by the

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mere device of having his portrait turn to the wall.

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Speaker 2: No wonder.

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Speaker 4: Brian is convinced that it's all illusionary, a pipe dream

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programmed by that popt potine.

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Speaker 2: And yet this is only the beginning. I'll be back

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shortly with that too.

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Speaker 4: Back again to our world of fantasy, and a young

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American trapped in a web of superstition, illusion, or perhaps

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just the spell the Emerald Island can weave so.

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Speaker 2: Easily about any visitor to its chores. Still, whatever doubts.

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Speaker 4: And fears he may have taken to bed with him,

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they are all dispelled by a glorious sunrise that wakes

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him up with cockcow.

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Speaker 3: My window faced to the east, with the sun streaming

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in and striking shafts.

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Speaker 2: Of golden light from a blue river a few miles away.

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Speaker 3: I climbed out of the host of warm blankets and

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quilt that covered my bed. They're almost cold enough for

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me to seek the sun's warmth directly, and it was

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there at the window I first saw Sheila.

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Speaker 2: She was not a small girl. She was tall and sturdy,

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but she walked as though each footfall was no heavier

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than a feather landing on the ground. She had long

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brown hair and purple eyes, with a wide.

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Speaker 3: Mouth that well, once I saw it break in a smile,

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made me make up my mind this was going to

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be my gal. Well, since she was approaching the house

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carrying a basket, I don't suppose I ever dressed faster

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in my life to get down in time, not to

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mis meeting her.

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Speaker 2: Good morning, Brian, and did just sleep well? Oh, yes,

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a best sleep I've had since I can remember.

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Speaker 5: Sure it was a short enough one.

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Speaker 2: And you so so t You know that cock was

253
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crawing and ah, that's old rooster.

254
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Speaker 5: He's no fake smile.

255
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Speaker 6: Use is to hens anymore, his best days being over

256
00:14:53,639 --> 00:14:57,080
never a chick in the last two years, there's not

257
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over four or five layers we have left.

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Speaker 5: So Sheila, here me, we have a bargain.

259
00:15:04,440 --> 00:15:10,159
Speaker 6: Oh you're not omit, Sheila Shaughnessy from the next firm over, Sheila,

260
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This is my nephew, all the way from the United

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States of America.

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Speaker 10: It's a pleasure to make your acquaintance, mister Mackin.

263
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Speaker 2: Brian macken.

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Speaker 5: Oh, it's a good West Country name, mister Mackin.

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Speaker 3: Well, my grandfather came from here from Galway. I mean

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they say he was quite a bully boy.

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Speaker 5: Hi, Well those days are past.

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Speaker 10: Praisebe still the way things are, we were better off

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with the schile than the gun.

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Speaker 2: I couldn't agree with you more. Anyone who plans to

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be a doctor, is it what your way to be?

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Speaker 3: Well, I already am. I mean I've graduated and had

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my license. Now I have to intern and be a

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hospital resident for a few years till I start out

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on my own.

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Speaker 5: Oh that's grand. I have a great admiration for doctor. No. No,

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then this'll have told or the bread will burn.

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Speaker 6: Up on us, and I want you to get it

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home with a little heat left in us.

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Speaker 5: This is missus Daily's bargain with me.

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Speaker 10: I bring her a basket of eggs, and she bakes

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the most delicious bread this side.

283
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Speaker 5: Of heav Ah. Here, No, here's the basket. Keep the

284
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towel tucky in good and tight man, never fear.

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Speaker 2: That's a heavy basket. Why don't I carry it for

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00:16:25,000 --> 00:16:25,679
you to your house?

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Speaker 5: I was going to give you your break.

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Speaker 2: Well, it'll wait. I always like a little exercise before

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I eat.

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Speaker 10: Uh, well, you'll be aftergetting that, all right.

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Speaker 5: It's a good mile and a half to Sheila's place,

292
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and a road like a switchback all the way. Oh,

293
00:16:40,080 --> 00:16:41,840
the basket is nothing. It's light as a feather.

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Speaker 3: I really would like a walk, if you don't object,

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I don't object.

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Speaker 10: I have a curious turn of mind, and i'd like

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to hear all about America.

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Speaker 2: I'd really like you to be able to do is

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00:16:54,879 --> 00:16:57,960
to show it to you. But don't you show me?

300
00:16:58,080 --> 00:17:04,440
Ireland hurt? Yeah? Was that sheer roll sharotty?

301
00:17:04,519 --> 00:17:05,599
Speaker 5: Then the same?

302
00:17:05,880 --> 00:17:06,559
Speaker 3: Or no? Dammit?

303
00:17:07,680 --> 00:17:07,799
Speaker 5: Oh?

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00:17:08,000 --> 00:17:10,519
Speaker 9: Why didn't she wait long enough for me to get

305
00:17:10,559 --> 00:17:13,359
down and get my little morning pack on the cheek?

306
00:17:14,880 --> 00:17:15,720
Speaker 10: Sure she has.

307
00:17:15,640 --> 00:17:19,720
Speaker 6: Little interest in an old gaffer like you, but you

308
00:17:19,880 --> 00:17:24,200
should have seen her reaction to Brian and his her.

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Speaker 2: Well, would y'all look at the two of them. She's

310
00:17:28,720 --> 00:17:32,200
over he shoulder eye to him. Oh what a fine

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00:17:32,359 --> 00:17:33,319
couple they'd.

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Speaker 10: Make, don't I know?

313
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Speaker 6: It, And don't her know just as well, I should

314
00:17:37,960 --> 00:17:40,440
never let the boy go off with even a pinch

315
00:17:40,519 --> 00:17:41,720
of hope in his heart.

316
00:17:42,680 --> 00:17:52,279
Speaker 5: No, and she can't ever be for him. And he's

317
00:17:52,400 --> 00:17:55,680
really true that in Chicago they have a building.

318
00:17:55,480 --> 00:17:57,559
Speaker 10: That's ninety six whole stories high in here?

319
00:17:58,039 --> 00:17:58,960
Speaker 2: Is that's true enough?

320
00:18:00,119 --> 00:18:01,880
Speaker 3: So damn high that half a time the people on

321
00:18:01,960 --> 00:18:04,079
the top floors can't tell what to wear when they

322
00:18:04,160 --> 00:18:04,480
go out.

323
00:18:04,759 --> 00:18:05,119
Speaker 5: How is that?

324
00:18:05,319 --> 00:18:08,079
Speaker 3: Well, you see, it's air conditioned, and when the cloud

325
00:18:08,160 --> 00:18:10,359
cover is low, they can't see down to the street,

326
00:18:10,720 --> 00:18:12,920
so they don't know if it's raining or snowing, or

327
00:18:13,039 --> 00:18:13,960
cold or hot or what.

328
00:18:15,079 --> 00:18:18,359
Speaker 10: Will you just imagine that now, living above the clouds

329
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be a sort of fairy.

330
00:18:20,720 --> 00:18:24,480
Speaker 2: Lad nothing like the one you live in here right

331
00:18:24,559 --> 00:18:25,079
on the ground.

332
00:18:26,319 --> 00:18:30,559
Speaker 10: Sure, ELL's lovely, but there are other lovely places in

333
00:18:30,599 --> 00:18:30,920
the world.

334
00:18:30,960 --> 00:18:31,680
Speaker 5: I'd want to see.

335
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Speaker 2: You know a lot about America, anyway?

336
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Speaker 10: Will I watch to tell you know?

337
00:18:35,480 --> 00:18:36,400
Speaker 5: And I read a lot?

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00:18:36,799 --> 00:18:37,079
Speaker 3: And I.

339
00:18:39,119 --> 00:18:42,440
Speaker 5: Here it's winded you. I'll slow down a bit.

340
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Speaker 2: I says, Damn hills up and down like a roller coaster.

341
00:18:46,279 --> 00:18:48,359
Speaker 5: That's what it is daily meant by a switchback.

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00:18:48,799 --> 00:18:51,119
Speaker 2: I'm surprised to find myself, so out of condition?

343
00:18:52,440 --> 00:18:54,359
Speaker 5: Will you be staying with the dailies forty while?

344
00:18:55,279 --> 00:18:56,119
Speaker 2: On one condition?

345
00:18:57,079 --> 00:18:57,440
Speaker 8: What's that?

346
00:18:57,880 --> 00:19:01,319
Speaker 2: And she'll take another walk with me Tomorrow's Saturday. We

347
00:19:01,680 --> 00:19:03,920
could take a picnic lunch along and I climb that

348
00:19:04,039 --> 00:19:04,839
mountain over there.

349
00:19:06,880 --> 00:19:08,000
Speaker 5: I'm afraid I couldn't do that.

350
00:19:08,960 --> 00:19:10,759
Speaker 2: You have another date? No, it's not that.

351
00:19:11,000 --> 00:19:13,240
Speaker 5: It's oh, you.

352
00:19:13,279 --> 00:19:16,920
Speaker 10: See, my dad's dead and it's just my mother and me,

353
00:19:17,039 --> 00:19:20,559
and she's half crippled with rheumatism. H I couldn't be

354
00:19:20,640 --> 00:19:22,200
leaving her hard at Noe all that time.

355
00:19:22,319 --> 00:19:25,759
Speaker 2: And then there's the farm choice to be I could

356
00:19:25,799 --> 00:19:27,559
I could come over and help you get.

357
00:19:27,480 --> 00:19:30,599
Speaker 10: Those out of the way, Doctor Mackinburg.

358
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Speaker 2: Bryan, Well, it's a bit sooner.

359
00:19:34,160 --> 00:19:39,200
Speaker 10: Hour, but if you want, Brian, Oh, it's just no good.

360
00:19:39,799 --> 00:19:40,839
Speaker 5: It's not the way it should be.

361
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Speaker 2: You don't want to go with me, is that it? Sheila?

362
00:19:46,640 --> 00:19:50,079
Speaker 5: Sheila? I do want to, Brian, I do?

363
00:19:50,319 --> 00:19:53,759
Speaker 2: Oh, well, then come it'd be my only chance.

364
00:19:54,039 --> 00:19:59,400
Speaker 10: Now I'll need you here by this brig you're about

365
00:19:59,400 --> 00:20:02,039
to cross, and before dawn to morrow, so we'll not

366
00:20:02,160 --> 00:20:06,279
be seen. We'll spend a whole long, lovely day together

367
00:20:07,400 --> 00:20:08,319
with no one arises.

368
00:20:08,440 --> 00:20:11,960
Speaker 2: But can I tell Uncle Shaan and Aunt Mary, or.

369
00:20:11,960 --> 00:20:15,640
Speaker 5: Don't tell any one? It's our secret. But the picnic,

370
00:20:15,720 --> 00:20:16,400
I'll take care of that.

371
00:20:17,359 --> 00:20:17,480
Speaker 8: Now.

372
00:20:17,559 --> 00:20:21,480
Speaker 10: You leave me here till to morrow at say four thirty.

373
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Speaker 2: Well, whatever you say, she learnt I know, so do I.

374
00:20:32,559 --> 00:20:33,880
Speaker 5: God hit the both of us.

375
00:20:37,680 --> 00:20:38,720
Speaker 2: She was gone in a.

376
00:20:38,799 --> 00:20:43,200
Speaker 3: Second, with that light, loping stride, that covered ground almost.

377
00:20:42,880 --> 00:20:44,359
Speaker 2: As fast as a man running.

378
00:20:45,599 --> 00:20:48,119
Speaker 3: I watched her as long as I could, away down

379
00:20:48,200 --> 00:20:53,799
that dusty, twisting, hilly road, appearing and disappearing, till at

380
00:20:53,880 --> 00:20:57,400
last she was out of sight, but not out of mine,

381
00:20:58,920 --> 00:21:03,839
never out of mine. Shela, just her name was a

382
00:21:04,000 --> 00:21:13,079
song of love. I walked back on the air, but fortunately,

383
00:21:13,240 --> 00:21:16,240
as it turned out, as I came back in the house.

384
00:21:16,400 --> 00:21:18,599
Speaker 2: The first thing my eye fell on was the portrait

385
00:21:18,680 --> 00:21:22,440
of Uncle Terence, and for the moment, Sheila was out

386
00:21:22,480 --> 00:21:23,119
of my mind.

387
00:21:24,759 --> 00:21:28,079
Speaker 3: Oh no, no, no, no, thanks. I really I couldn't

388
00:21:28,079 --> 00:21:29,680
need another thing now.

389
00:21:29,799 --> 00:21:33,279
Speaker 2: The only thing I'm hungry for now is information about Sheila.

390
00:21:33,640 --> 00:21:35,759
Is that you need Sheila?

391
00:21:36,680 --> 00:21:41,319
Speaker 9: No, no, I'd rather find out about her directly, Brian, I.

392
00:21:43,359 --> 00:21:46,799
Speaker 2: About Sheila. Maybe I ought to tell yourself.

393
00:21:47,000 --> 00:21:50,799
Speaker 3: No, Uncle I'd rather for the moment stick to Uncle Terrance.

394
00:21:51,279 --> 00:21:54,720
Speaker 2: Now you said he's been dead for nearly thirty five years.

395
00:21:54,880 --> 00:21:57,279
Speaker 9: Oh yeah, that's who years I lost to the day

396
00:21:57,440 --> 00:21:59,039
before that portrait was painted.

397
00:22:00,079 --> 00:22:02,240
Speaker 2: Died in nineteen forty. Are you sure that?

398
00:22:02,640 --> 00:22:03,480
Speaker 5: Oh sure?

399
00:22:03,559 --> 00:22:03,960
Speaker 10: I know it.

400
00:22:04,079 --> 00:22:06,880
Speaker 5: Well. I was just a slip of a girl, not

401
00:22:07,079 --> 00:22:08,119
married to Sean yet.

402
00:22:08,960 --> 00:22:09,720
Speaker 2: But it was the.

403
00:22:09,839 --> 00:22:12,640
Speaker 5: Biggest week this part of gallery has ever seen.

404
00:22:13,279 --> 00:22:16,440
Speaker 2: Ah tis a pity. He couldn't have enjoyed it for himself.

405
00:22:17,000 --> 00:22:18,039
He always was the.

406
00:22:18,119 --> 00:22:20,480
Speaker 5: Life and so all of them with his stories.

407
00:22:20,519 --> 00:22:23,759
Speaker 3: And now ah yes, he does dearly love awake just

408
00:22:23,920 --> 00:22:26,079
as much as a wedding I did.

409
00:22:26,480 --> 00:22:30,440
Speaker 2: Sean did what I did, love awake. But now look

410
00:22:30,559 --> 00:22:33,640
I saw him last night. I talked to him. He

411
00:22:33,799 --> 00:22:38,240
brought me here. Now, lad, you'd have to remember you

412
00:22:38,400 --> 00:22:39,039
had a wee.

413
00:22:39,039 --> 00:22:43,000
Speaker 9: Drop taken and fourteen can scramble a man's back.

414
00:22:43,039 --> 00:22:47,400
Speaker 2: I can't believe that the how did Uncle Terence die?

415
00:22:47,680 --> 00:22:52,440
Speaker 5: A hero at Dunkerk dunker He was in the First World.

416
00:22:52,279 --> 00:22:55,799
Speaker 2: War, you know, in the Navy, and nothing would do.

417
00:22:55,960 --> 00:22:58,079
Speaker 5: But he has to have been the last big one too.

418
00:22:58,240 --> 00:23:00,880
Speaker 9: But a man sixty years old wouldn't take him all,

419
00:23:01,400 --> 00:23:04,279
so he joined up with the Home Guard when the

420
00:23:04,400 --> 00:23:07,960
retreat at Dunkirk came. With his navy experience, he was

421
00:23:08,079 --> 00:23:10,000
taking a boat back and forth the whole.

422
00:23:09,880 --> 00:23:12,400
Speaker 11: Three days, and when he saw that it would be

423
00:23:12,480 --> 00:23:15,680
his last trip, he found one of the fighting boys

424
00:23:15,799 --> 00:23:18,440
to take a ship back and gave up his own

425
00:23:18,519 --> 00:23:20,880
place to stay behind with the machine gun.

426
00:23:21,200 --> 00:23:24,359
Speaker 9: The last boat out just ahead of the Jerry's brought

427
00:23:24,440 --> 00:23:27,720
him back. Or they say he had more lead in

428
00:23:27,799 --> 00:23:30,880
him than sorting a full salt bellow, but his finger

429
00:23:31,119 --> 00:23:33,000
was still wrapped around.

430
00:23:32,759 --> 00:23:33,880
Speaker 2: The trigger of his gun.

431
00:23:34,559 --> 00:23:39,200
Speaker 3: It was a sad wake that Uncle Terence, the only

432
00:23:39,480 --> 00:23:43,160
sad one I'd ever been to, although none of them

433
00:23:43,200 --> 00:23:46,680
are the same without him to keep the jokes flying.

434
00:23:46,720 --> 00:23:46,960
Speaker 10: Ha ha.

435
00:23:47,599 --> 00:23:51,279
Speaker 6: Even macaolm mahon had noise but sorrow in him him

436
00:23:51,400 --> 00:23:54,720
always had a twinkle in his eye. I remember him

437
00:23:54,880 --> 00:23:59,519
just standing in front of the portrait there, just standing

438
00:24:00,079 --> 00:24:02,000
was he didn't drinking from his glass, And do.

439
00:24:02,039 --> 00:24:03,240
Speaker 2: You remember what he said he was?

440
00:24:04,160 --> 00:24:07,359
Speaker 9: He says a broth of a boy, Terence me bucko,

441
00:24:07,960 --> 00:24:09,720
and you should have lived a hundred years.

442
00:24:10,319 --> 00:24:13,440
Speaker 2: Or don't you worry, we'll see you do. I always

443
00:24:13,480 --> 00:24:16,519
wondered what he meant for that, don't you see if

444
00:24:16,640 --> 00:24:19,960
he was mcdruish, I mean, if Mohammed was a real

445
00:24:20,079 --> 00:24:20,440
let book.

446
00:24:20,440 --> 00:24:24,000
Speaker 9: Now us, boy, don't let her Irish fancies run off

447
00:24:24,039 --> 00:24:27,759
with you. Sure all he meant was he wouldn't be

448
00:24:27,880 --> 00:24:31,920
soon forgotten. Well, I'd have to be after work, and

449
00:24:32,119 --> 00:24:36,720
Mary has things to do, and and Brian bon't dwell

450
00:24:36,799 --> 00:24:37,720
on Uncle Terence.

451
00:24:38,880 --> 00:24:41,400
Speaker 2: Find some other thoughts to fill your head.

452
00:24:43,160 --> 00:24:52,960
Speaker 10: I have, I have, And that's the great box to

453
00:24:53,079 --> 00:24:56,359
the north. Don't ever go near their, Brian, Why not you?

454
00:24:57,359 --> 00:24:59,880
Once the pete catches you, you'll never get free.

455
00:25:00,640 --> 00:25:02,039
Speaker 5: And they say it'll swallow.

456
00:25:01,720 --> 00:25:04,599
Speaker 10: A man in less than a minute. To the southwest

457
00:25:04,640 --> 00:25:07,119
are the rest of the Schlevachti Mountains, the ones were

458
00:25:07,119 --> 00:25:10,880
in now and away down there to the southeast.

459
00:25:11,400 --> 00:25:12,279
Speaker 5: Is the River Shamon.

460
00:25:14,359 --> 00:25:16,119
Speaker 2: What's the matter? Are you cold?

461
00:25:17,599 --> 00:25:18,680
Speaker 10: How could I be cold?

462
00:25:18,920 --> 00:25:19,960
Speaker 5: With your arm about me?

463
00:25:21,359 --> 00:25:21,680
Speaker 2: Bold?

464
00:25:22,400 --> 00:25:23,160
Speaker 5: That's what I am?

465
00:25:23,559 --> 00:25:23,880
Speaker 6: Bold?

466
00:25:24,079 --> 00:25:24,880
Speaker 2: Because you love me?

467
00:25:25,640 --> 00:25:27,880
Speaker 3: And how could you be bashful with a man who

468
00:25:27,960 --> 00:25:30,640
loves you now, tomorrow and forever.

469
00:25:32,319 --> 00:25:37,039
Speaker 2: I just can't believe my luck. Don't don't what ah.

470
00:25:37,000 --> 00:25:39,319
Speaker 10: Brian Vayne, don't say anything else.

471
00:25:40,920 --> 00:25:42,680
Speaker 5: It's all been madness from the start.

472
00:25:42,920 --> 00:25:45,640
Speaker 2: Love from the start for.

473
00:25:45,839 --> 00:25:49,839
Speaker 10: Us, the same thing I should never have allowed you to,

474
00:25:51,160 --> 00:25:55,519
but I wanted, I loved. I'm sure God can't punish

475
00:25:55,599 --> 00:25:57,119
me too deep for just one day of.

476
00:25:57,160 --> 00:26:01,519
Speaker 5: All I've dreamed. Kiss me, we've got to go. AT's

477
00:26:01,559 --> 00:26:02,799
twilight already.

478
00:26:02,960 --> 00:26:07,240
Speaker 2: Just a little longer. And what about tomorrow?

479
00:26:08,319 --> 00:26:09,640
Speaker 5: We have no tomorrows.

480
00:26:10,720 --> 00:26:20,200
Speaker 10: Just kiss me, Goodbye, my love, goodbye Brian, goodbye.

481
00:26:24,079 --> 00:26:24,400
Speaker 2: Again.

482
00:26:24,559 --> 00:26:28,359
Speaker 3: She was gone from me on the wind, gliding and

483
00:26:28,519 --> 00:26:32,880
leaping down the mountain, picnic basket in hand, as sure

484
00:26:33,000 --> 00:26:34,359
footed and graceful as.

485
00:26:34,279 --> 00:26:40,400
Speaker 2: A mountain got Sheila, Sheila, Wait.

486
00:26:42,039 --> 00:26:45,400
Speaker 3: She didn't stop to look back, and I plunged down

487
00:26:45,480 --> 00:26:48,039
after her, recklessly and clumsily as a boar.

488
00:26:48,799 --> 00:26:51,279
Speaker 2: I hadn't gone fifty yards before I caught my foot

489
00:26:51,319 --> 00:26:55,119
on some trailing route, falling heavily and knocking myself stone

490
00:26:55,160 --> 00:26:56,000
cold for a moment.

491
00:26:59,039 --> 00:27:01,920
Speaker 3: By the time I came to she was gone from sight,

492
00:27:02,759 --> 00:27:06,119
and in the gathering darkness. Limping heavily, it was all

493
00:27:06,160 --> 00:27:08,000
I could do to find my way back to the

494
00:27:08,079 --> 00:27:08,799
daily farm.

495
00:27:17,319 --> 00:27:20,880
Speaker 5: Pray and my dad, and there you are. Sure we

496
00:27:20,960 --> 00:27:22,759
thought you might be lost in the dark.

497
00:27:22,880 --> 00:27:26,319
Speaker 2: Yeah, I'm lost in the dark, all right. Anne, Mary. Look,

498
00:27:27,400 --> 00:27:29,599
I don't know if it's another of your Irish fantasies

499
00:27:29,720 --> 00:27:29,880
or what.

500
00:27:31,240 --> 00:27:32,359
Speaker 5: Where have you been all day?

501
00:27:32,440 --> 00:27:32,640
Speaker 8: Lad?

502
00:27:33,279 --> 00:27:33,440
Speaker 5: Oh?

503
00:27:33,480 --> 00:27:34,160
Speaker 3: And you hurt?

504
00:27:34,559 --> 00:27:34,880
Speaker 2: Sean?

505
00:27:35,480 --> 00:27:36,079
Speaker 5: Come in here?

506
00:27:36,359 --> 00:27:39,759
Speaker 2: Oh but I'm I'm coming Mary. Wait? But your sound

507
00:27:39,839 --> 00:27:41,880
is someone put the fear of God in you? What's

508
00:27:41,960 --> 00:27:42,519
happened at all?

509
00:27:42,799 --> 00:27:43,079
Speaker 10: Brian?

510
00:27:43,200 --> 00:27:44,400
Speaker 5: He's hurt and.

511
00:27:44,599 --> 00:27:48,519
Speaker 6: More than physically. I'm thinking, were you with Sheila or

512
00:27:48,640 --> 00:27:49,720
Shaughnessy this day?

513
00:27:49,839 --> 00:27:50,000
Speaker 2: Yes?

514
00:27:50,119 --> 00:27:50,440
Speaker 10: I was?

515
00:27:50,960 --> 00:27:53,000
Speaker 2: And I love her and I know she loves me,

516
00:27:53,559 --> 00:27:54,720
and she's told me goodbye?

517
00:27:55,359 --> 00:27:56,519
Speaker 10: Why I mean?

518
00:27:56,559 --> 00:27:59,960
Speaker 2: Am I crazy? Is she just another figment of my imagination?

519
00:28:00,039 --> 00:28:00,240
Speaker 8: Oh?

520
00:28:00,359 --> 00:28:03,359
Speaker 10: You see, Sean, I told you we should have told

521
00:28:03,440 --> 00:28:04,279
the boy the truth.

522
00:28:04,599 --> 00:28:07,079
Speaker 2: We're aware better late than never, eh.

523
00:28:08,200 --> 00:28:11,240
Speaker 9: Sheila is engaged to be married to Malachey Malloy.

524
00:28:12,000 --> 00:28:12,960
Speaker 2: Well is that all?

525
00:28:13,240 --> 00:28:13,440
Speaker 3: Eh?

526
00:28:13,720 --> 00:28:13,839
Speaker 12: Well?

527
00:28:13,880 --> 00:28:15,400
Speaker 3: And all she has to do is break you know

528
00:28:15,640 --> 00:28:18,359
she has a marriage contract. Surely that has no real

529
00:28:18,480 --> 00:28:23,200
legal standing today? No, except what do you see her?

530
00:28:23,359 --> 00:28:26,839
Speaker 9: A few years ago, Sheila's father had a heart attack.

531
00:28:27,359 --> 00:28:29,960
He got into financial difficulties.

532
00:28:29,799 --> 00:28:33,000
Speaker 2: And the only way I was through Malloy, the lone shark.

533
00:28:33,839 --> 00:28:35,200
He lent him the money in.

534
00:28:35,279 --> 00:28:39,559
Speaker 3: Exchange for his daughter when she became twenty one. Sure

535
00:28:40,119 --> 00:28:42,880
Joe thought he could have things straightened up before.

536
00:28:42,680 --> 00:28:46,440
Speaker 2: Then, but he suddenly had a second attack and died. Well,

537
00:28:46,480 --> 00:28:48,720
i'll pay the money back. Have you got it? No,

538
00:28:48,880 --> 00:28:49,319
not right now?

539
00:28:49,400 --> 00:28:51,920
Speaker 3: But no good for Malache malloy.

540
00:28:52,799 --> 00:28:56,599
Speaker 9: Besides, you make so much as one move at Sheila,

541
00:28:57,079 --> 00:28:57,440
and in this.

542
00:28:57,599 --> 00:29:00,960
Speaker 3: County he'd have his wooly boys. Or you're a second

543
00:29:01,039 --> 00:29:05,119
burry and the paid bog. And the wedding is day

544
00:29:05,160 --> 00:29:05,839
after tomorrow.

545
00:29:06,200 --> 00:29:08,599
Speaker 2: Now just wait a minute. I mean, this is crazy.

546
00:29:09,000 --> 00:29:12,119
This is the twentieth century. I'm an American citizen. Must

547
00:29:12,160 --> 00:29:16,440
be something I can do. The devil is that?

548
00:29:18,119 --> 00:29:20,400
Speaker 5: That's Uncle Terence. You want solves again?

549
00:29:21,240 --> 00:29:23,880
Speaker 2: The law knows, but you stir up this time.

550
00:29:24,440 --> 00:29:26,680
Speaker 10: But there's no way to stop the man.

551
00:29:32,279 --> 00:29:36,079
Speaker 3: So here we are back again about where we started.

552
00:29:37,079 --> 00:29:41,519
Where are we? But what can Uncle Terrence do or undo?

553
00:29:42,440 --> 00:29:47,079
Even supposing that's what he's after? Still, why couldn't it

554
00:29:47,200 --> 00:29:50,960
be since he's now well established as a denism of

555
00:29:51,039 --> 00:29:52,079
the after world.

556
00:29:53,240 --> 00:30:08,200
Speaker 2: I'll return shortly with Act three. It was W. S.

557
00:30:08,359 --> 00:30:13,240
Speaker 4: Gilbert, probably the finest lyricist of all time, who wrote

558
00:30:13,319 --> 00:30:17,599
of John Wellington Wells that he was a dealer in

559
00:30:17,720 --> 00:30:19,000
magic and spells, in.

560
00:30:19,079 --> 00:30:22,359
Speaker 2: Blessings and curses and ever filled purses and prophecies, which

561
00:30:22,440 --> 00:30:23,200
is and nells.

562
00:30:23,920 --> 00:30:26,279
Speaker 4: I mention him only because it brings us back to

563
00:30:26,400 --> 00:30:31,119
our story of magic, fantasy, and so far pleasant sorcery.

564
00:30:31,759 --> 00:30:33,640
Speaker 3: But will it remain that way?

565
00:30:34,160 --> 00:30:38,480
Speaker 4: As Uncle Terence's picture rocks on the wall, and once

566
00:30:38,559 --> 00:30:43,079
again we hear the eldritch scream of the banshee wail,

567
00:30:46,319 --> 00:30:47,119
I'll turn.

568
00:30:47,000 --> 00:30:48,039
Speaker 2: The picture to the world.

569
00:30:48,319 --> 00:30:50,839
Speaker 11: If he's going to appear to learn to be to

570
00:30:50,960 --> 00:30:53,880
the one who turns the picture, I think this time

571
00:30:54,000 --> 00:30:55,480
we'd better let it be Brian.

572
00:30:55,640 --> 00:30:58,079
Speaker 2: Look, I'm not going to ask any questions anymore. Just

573
00:30:58,240 --> 00:31:03,079
leave me alone. Turn the picture. I'm away, Mary. We're

574
00:31:03,119 --> 00:31:07,240
out of this entirely, right, Uncle.

575
00:31:07,119 --> 00:31:10,279
Speaker 3: Terence or whoever you are, I am about to turn

576
00:31:10,400 --> 00:31:14,559
the picture, and all I say is you get me Sheila,

577
00:31:15,200 --> 00:31:17,359
or show me how to get her. I don't care

578
00:31:17,440 --> 00:31:20,119
what the price is, short of my immortal soul, and

579
00:31:20,200 --> 00:31:21,279
I'll pay that gladly.

580
00:31:22,920 --> 00:31:27,920
Speaker 2: Here you go, Ah, who wants you're immortal soul? Where

581
00:31:28,000 --> 00:31:31,400
are you? Turn around? You have eyes? Haven't you sitting

582
00:31:31,480 --> 00:31:34,680
right here in the fireplace? And look, oh, what are

583
00:31:34,759 --> 00:31:35,920
you factor fiction.

584
00:31:36,640 --> 00:31:39,720
Speaker 3: Why now in a manner of speaking, I say, somewhere

585
00:31:39,920 --> 00:31:42,720
in between? Or does it make any sense to talk

586
00:31:42,759 --> 00:31:45,720
to you all the sense and the word? Even suppose

587
00:31:45,880 --> 00:31:48,279
I believe if you're a banshee?

588
00:31:48,400 --> 00:31:50,839
Speaker 2: Now, what's the matter with a banjie? What's evil? Isn't it?

589
00:31:51,079 --> 00:31:55,720
Speaker 3: Ah to the abysmal ignorance of the world, A banshee,

590
00:31:55,920 --> 00:31:59,960
young man is a domestic spirit devoted to the cave

591
00:32:00,400 --> 00:32:03,480
of its own particular family. Well are you going to

592
00:32:03,559 --> 00:32:05,319
help Sheila and me? I'm sure I'm going to do

593
00:32:05,440 --> 00:32:08,640
my best, but I'm not infallible. We'd have to be

594
00:32:08,759 --> 00:32:10,799
quick and nimble as the divil on this.

595
00:32:11,160 --> 00:32:14,519
Speaker 2: Why can't I just go to this Malachy Maloyan straighten

596
00:32:14,559 --> 00:32:17,640
it out in the middle? Who to begin with? Did

597
00:32:17,680 --> 00:32:18,480
you ever see him?

598
00:32:18,640 --> 00:32:18,680
Speaker 10: No?

599
00:32:19,119 --> 00:32:23,279
Speaker 2: Oh, he's formidable, lad, No doubt of that. The man

600
00:32:23,519 --> 00:32:26,759
is a giant, and he's made of steam. Well, look

601
00:32:26,759 --> 00:32:27,640
whose side are you on?

602
00:32:27,880 --> 00:32:28,079
Speaker 10: Mine?

603
00:32:28,119 --> 00:32:28,640
Speaker 2: Are easy?

604
00:32:28,799 --> 00:32:29,440
Speaker 3: Lad? Easy?

605
00:32:29,839 --> 00:32:31,240
Speaker 2: Am I not the banshee?

606
00:32:31,279 --> 00:32:34,279
Speaker 3: And aren't you One of the family says he's a

607
00:32:34,319 --> 00:32:37,400
black Irish er if there ever was one. But I've

608
00:32:37,440 --> 00:32:39,400
got to take heart on us. If you had to

609
00:32:39,480 --> 00:32:41,480
have the chance, I brought you here for in the

610
00:32:41,519 --> 00:32:43,599
first place, you brought me here.

611
00:32:43,839 --> 00:32:44,400
Speaker 10: For sure, you.

612
00:32:44,480 --> 00:32:46,920
Speaker 3: Didn't think as an American you'd have enough sense to

613
00:32:47,039 --> 00:32:51,119
get here and pick the right Irish schedule for yourself. Now,

614
00:32:51,720 --> 00:32:54,200
let me go on back up to my frame and

615
00:32:54,359 --> 00:32:56,519
get everything ship shape and squared away.

616
00:32:57,480 --> 00:33:02,119
Speaker 2: I'd see you on the morrow and watch your step.

617
00:33:05,839 --> 00:33:08,079
Uncle Sean and Mary were off to bed by the

618
00:33:08,200 --> 00:33:11,240
time our conference was through. I was grateful.

619
00:33:12,000 --> 00:33:14,559
Speaker 3: I didn't want to talk about Sheila or her intended

620
00:33:14,640 --> 00:33:15,440
husband anymore.

621
00:33:15,519 --> 00:33:19,440
Speaker 2: That night, I hoped to sleep, but I tossed and

622
00:33:19,599 --> 00:33:22,680
turned till morning, and then made the mistake of stepping

623
00:33:22,759 --> 00:33:28,279
outside the house for breath of their coming down the

624
00:33:28,359 --> 00:33:30,720
road towards me. It was a great mountain of a man,

625
00:33:31,160 --> 00:33:34,559
all covered with black hair wherever his clothes didn't conceal it.

626
00:33:35,400 --> 00:33:37,880
The one thing his clothes could not conceal, with a

627
00:33:37,960 --> 00:33:38,920
bulging muscles that.

628
00:33:39,039 --> 00:33:42,400
Speaker 3: Strained at every seam. It was a good five inches

629
00:33:42,480 --> 00:33:44,799
taller than I wasn't thirty pounds heavier.

630
00:33:45,599 --> 00:33:50,400
Speaker 2: And would you will be the American Brian Mackins, Yeah, Yeah,

631
00:33:50,480 --> 00:33:53,519
that's my name. I'm Madachie Marooy.

632
00:33:54,240 --> 00:33:58,000
Speaker 3: I kind of guess that I'm on the understanding that

633
00:33:58,200 --> 00:34:01,599
you took my intended Brian him the mountain yesterday. Well,

634
00:34:01,680 --> 00:34:03,759
she was kind enough to take me up for a

635
00:34:03,839 --> 00:34:08,000
picnic and show me the countryside. That picnic wasn't and

636
00:34:08,159 --> 00:34:11,559
the grass stands out of her dress. I should have

637
00:34:11,599 --> 00:34:14,920
brought a whip, but instead I'm going to beat you

638
00:34:15,079 --> 00:34:16,199
with my bare hands.

639
00:34:16,679 --> 00:34:18,199
Speaker 2: Manicky, don't.

640
00:34:20,360 --> 00:34:21,599
Speaker 5: What's going on, Brian.

641
00:34:21,880 --> 00:34:24,800
Speaker 2: It's just just a little something between me and mister Malone.

642
00:34:24,880 --> 00:34:27,800
Oh the Lord be praised, Keep them apast and kill him.

643
00:34:27,920 --> 00:34:28,800
Speaker 5: Don't touch him nothing.

644
00:34:28,840 --> 00:34:32,079
Speaker 3: I just hey, man, woman around him, now, put your

645
00:34:32,159 --> 00:34:37,960
hands up. Man, if God always defends the right. He

646
00:34:38,119 --> 00:34:41,039
was out for breakfast that morning. Now, I'm not exactly

647
00:34:41,119 --> 00:34:44,760
at Patsy, and I usually can take care of you

648
00:34:45,440 --> 00:34:49,559
myself in a fighting, but this was a Willie carved

649
00:34:50,000 --> 00:34:55,400
against a marciano. He just made hamburger me until his

650
00:34:55,519 --> 00:34:59,679
style and turned with me lying at his feet. Have

651
00:34:59,840 --> 00:35:02,360
you I learned a lesson as well as him, she

652
00:35:02,599 --> 00:35:05,800
the girl. If you haven't that, I'll beat.

653
00:35:05,679 --> 00:35:08,239
Speaker 2: Him to death. I'll make sure he never rises again.

654
00:35:09,840 --> 00:35:13,280
Speaker 5: In Sweet Mary's name. Leave him be, Malki. I'll marry

655
00:35:13,320 --> 00:35:15,320
no one but you if you'll just leave him be.

656
00:35:15,440 --> 00:35:17,880
Speaker 3: All right, so be it now'll get out of this

657
00:35:18,000 --> 00:35:21,880
country life, matten or I'll wring your neck like a chickens.

658
00:35:31,920 --> 00:35:32,360
Speaker 5: Who's that?

659
00:35:33,159 --> 00:35:35,719
Speaker 2: Open the window and let me in quick. How I'm

660
00:35:35,800 --> 00:35:36,679
pagan in the day?

661
00:35:38,400 --> 00:35:44,480
Speaker 3: Oh goodness, watch let me in there, and I'm close

662
00:35:44,559 --> 00:35:46,480
those cuttings before I disappear entirely.

663
00:35:48,280 --> 00:35:50,760
Speaker 2: Hey, sure that's better, better, better?

664
00:35:50,840 --> 00:35:51,119
Speaker 10: That is?

665
00:35:51,880 --> 00:35:54,880
Speaker 5: What are you? You're just a portrait? And how could

666
00:35:54,880 --> 00:35:55,800
you get to the second floor?

667
00:35:55,880 --> 00:35:56,159
Speaker 3: Wish you?

668
00:35:56,400 --> 00:35:59,840
Speaker 2: The only trouble I ever found with a girdle? Is

669
00:36:00,039 --> 00:36:03,239
I talk too much? The answer to it all is

670
00:36:03,639 --> 00:36:06,679
I'm a band see and I look out for my own.

671
00:36:07,400 --> 00:36:08,519
Brian is one of them?

672
00:36:09,360 --> 00:36:10,599
Speaker 5: How is he was?

673
00:36:10,639 --> 00:36:13,000
Speaker 3: He saw her talk a few bruises and maybe he

674
00:36:13,119 --> 00:36:14,960
lost a tooth or cracked.

675
00:36:14,599 --> 00:36:17,800
Speaker 2: Her rib, But what's that to a broken heart? You

676
00:36:17,960 --> 00:36:20,159
should know? Am I right?

677
00:36:21,239 --> 00:36:22,480
Speaker 5: If you mean the way I feel?

678
00:36:23,719 --> 00:36:25,800
Speaker 10: I was getting ready to tie a sack of potatoes

679
00:36:25,800 --> 00:36:28,199
around my neck throw myself in the Shannon.

680
00:36:28,480 --> 00:36:32,360
Speaker 2: Well, now that'll be a whole lot of help. Now

681
00:36:32,920 --> 00:36:34,039
I have a better idea.

682
00:36:34,880 --> 00:36:37,840
Speaker 3: How would you like to meet Brian at Tronmelli's Gate

683
00:36:38,320 --> 00:36:41,000
on the way into the Great Bog tonight?

684
00:36:41,360 --> 00:36:41,960
Speaker 2: At midnight.

685
00:36:42,679 --> 00:36:46,280
Speaker 5: I can't, I can't do it. I owe my father

686
00:36:46,400 --> 00:36:48,239
his debts and besides.

687
00:36:47,960 --> 00:36:50,599
Speaker 3: Malachie would kill him at all right, all right, spare

688
00:36:50,679 --> 00:36:54,199
me all the melodramatics. What I mean is, how would

689
00:36:54,239 --> 00:36:58,559
you like to convince that hickory headed lame brain mallaghy,

690
00:36:59,199 --> 00:37:00,960
that's what she plan to do?

691
00:37:01,880 --> 00:37:02,079
Speaker 5: Why?

692
00:37:02,719 --> 00:37:04,880
Speaker 2: Now, what is a banchie for? Would you let me

693
00:37:05,000 --> 00:37:06,400
take care of the arrangements from then on?

694
00:37:07,320 --> 00:37:09,559
Speaker 5: I will, Uncle Terrence, I will.

695
00:37:10,320 --> 00:37:14,880
Speaker 3: And if I'm successful, will you let me give you

696
00:37:14,960 --> 00:37:16,440
away when you marry Ryan?

697
00:37:17,000 --> 00:37:18,239
Speaker 5: How could a band she do that?

698
00:37:19,760 --> 00:37:23,000
Speaker 2: You let me handle that too, you see?

699
00:37:23,119 --> 00:37:23,320
Speaker 13: Yes?

700
00:37:24,559 --> 00:37:28,480
Speaker 5: Yes, oh yes, yes, yes, yes.

701
00:37:28,639 --> 00:37:41,639
Speaker 14: Yes, hit up the band chips?

702
00:37:43,519 --> 00:37:46,280
Speaker 2: Is it the Leprechaun? God save him?

703
00:37:46,280 --> 00:37:49,760
Speaker 5: A groush, God save you? Carriage? Could keep?

704
00:37:50,880 --> 00:37:51,599
Speaker 13: Come here, brilliant?

705
00:37:51,880 --> 00:37:53,559
Speaker 2: Gi us a firefly there so we can see what

706
00:37:53,639 --> 00:37:58,800
we're at there? Know that's better? Do you see what

707
00:37:59,000 --> 00:37:59,920
mallocated to the land?

708
00:38:02,320 --> 00:38:03,679
Speaker 5: You were great? Blow you?

709
00:38:03,920 --> 00:38:06,679
Speaker 2: Yeah? Well I I took a good beating with I'll live.

710
00:38:06,719 --> 00:38:10,119
It's it's nice to see you again, mister. Yeah, no, no,

711
00:38:10,239 --> 00:38:12,639
now we all know what to do.

712
00:38:12,840 --> 00:38:15,239
Speaker 3: Yeah, I just show myself in the moonlight with you

713
00:38:15,440 --> 00:38:18,239
in that cape and hood and and then and then

714
00:38:18,440 --> 00:38:22,960
mcgrushill de materialize you back to the far and Malickie

715
00:38:22,960 --> 00:38:25,800
would have knowne to chase, but me thinking I'm she

716
00:38:26,559 --> 00:38:28,199
I'll tell you all the rest later.

717
00:38:29,519 --> 00:38:33,960
Speaker 2: You you have the shoes, just the one you know,

718
00:38:34,159 --> 00:38:38,119
we lift a one stepper beat but what BANGI shoe? Wait?

719
00:38:38,239 --> 00:38:39,159
We wait, no matter.

720
00:38:39,320 --> 00:38:41,760
Speaker 3: I can harp like a toad long enough until he's

721
00:38:41,800 --> 00:38:42,760
wed and the bogged.

722
00:38:45,199 --> 00:38:45,840
Speaker 2: This is my night.

723
00:38:46,360 --> 00:38:52,719
Speaker 13: Here he comes, said Brian homewush, Then give me the

724
00:38:52,760 --> 00:38:56,800
shoe and off I go, la.

725
00:38:58,000 --> 00:39:02,760
Speaker 12: Shell, I warrior wait for me. Hey, so you tried

726
00:39:02,840 --> 00:39:06,159
to slip away with your life and love, eh, but

727
00:39:06,280 --> 00:39:10,679
you won't get away from me so easy. Hey, where

728
00:39:10,679 --> 00:39:11,320
are you leading me?

729
00:39:11,760 --> 00:39:12,000
Speaker 13: Wow?

730
00:39:12,400 --> 00:39:14,239
Speaker 2: You put in the bog. I'm caught.

731
00:39:14,559 --> 00:39:18,440
Speaker 3: I'm sinking, Sheila, Sheila, have me. I'm I'm sinking in

732
00:39:18,519 --> 00:39:24,400
the bark. Now come back, come back, come back, pah Pine.

733
00:39:24,519 --> 00:39:27,519
Now there's a darling girl. You wouldn't let me go

734
00:39:27,679 --> 00:39:30,519
down to a dark, merchy death. Your the nose every

735
00:39:30,719 --> 00:39:37,119
path and that that's not you, that's can't be the

736
00:39:37,239 --> 00:39:43,039
bozzles of a horse on me. It's Karen Christine. Who's

737
00:39:43,079 --> 00:39:46,760
that wee man beside you, Oh waity to friend, what

738
00:39:47,039 --> 00:39:50,639
is the wee green man here? We are your nemesis

739
00:39:50,800 --> 00:39:53,239
or your saviors? And which what you want is to be?

740
00:39:53,400 --> 00:39:55,760
Oh love, live, save me.

741
00:39:56,679 --> 00:39:59,239
Speaker 2: Come up to my waist already, there's no problem.

742
00:40:00,039 --> 00:40:02,199
Speaker 3: A little piece of paper, and since it's hard to

743
00:40:02,280 --> 00:40:04,840
read in the moonlight, I'd give you the gist. As

744
00:40:04,880 --> 00:40:09,559
they say, I American, I here by legally and completely

745
00:40:09,760 --> 00:40:13,639
accept the fact that all deaths are claims against Thomas

746
00:40:13,719 --> 00:40:17,039
O'shannessy are revoked and considered now.

747
00:40:17,199 --> 00:40:21,840
Speaker 2: And nos n so was what you did to my friend?

748
00:40:22,440 --> 00:40:25,800
Speaker 3: And your bog is even blacker and you're sinking even deeper?

749
00:40:26,159 --> 00:40:30,039
Speaker 2: Right, all right, I'll sign, I'll sign. There's a wee

750
00:40:30,239 --> 00:40:30,960
bit more.

751
00:40:32,119 --> 00:40:36,400
Speaker 3: I also canceled the marriage contract between myself and Shido O'Shaughnessy,

752
00:40:36,800 --> 00:40:39,960
and in consequence of my breach of promise, I award

753
00:40:40,079 --> 00:40:43,880
her the sum of two thousand powers to see her

754
00:40:44,000 --> 00:40:48,519
and her mother started off in a new country. In exchange,

755
00:40:48,800 --> 00:40:51,360
I would accept the farm, no mortgage.

756
00:40:50,960 --> 00:40:51,199
Speaker 10: To be.

757
00:40:55,440 --> 00:40:58,679
Speaker 2: Come up to my chest already. I'll sign and sign anything,

758
00:40:59,400 --> 00:41:01,480
but would you live up to it?

759
00:41:01,679 --> 00:41:01,800
Speaker 3: Now?

760
00:41:02,199 --> 00:41:03,480
Speaker 2: There's the reason.

761
00:41:04,960 --> 00:41:07,800
Speaker 3: You wouldn't have any idea now of at talking young

762
00:41:07,920 --> 00:41:08,880
Brian again?

763
00:41:09,000 --> 00:41:15,519
Speaker 2: Oh no, should should we trust them? They get think

764
00:41:15,679 --> 00:41:16,119
the grose.

765
00:41:16,960 --> 00:41:21,119
Speaker 14: Sure he's an Irish, but after all I get what

766
00:41:21,320 --> 00:41:22,119
in trouble enough?

767
00:41:22,519 --> 00:41:33,039
Speaker 2: But you never have to worry. Good I have if

768
00:41:33,079 --> 00:41:35,679
you also get the sense pictures of a wagon?

769
00:41:36,119 --> 00:41:36,639
Speaker 5: Goodbye?

770
00:41:37,199 --> 00:41:39,119
Speaker 2: Sorry I have to leave. I have to get back

771
00:41:39,159 --> 00:41:39,800
from my job.

772
00:41:40,079 --> 00:41:41,119
Speaker 15: We're sorry, but.

773
00:41:41,239 --> 00:41:43,239
Speaker 5: We'll take care of another a shase in.

774
00:41:43,320 --> 00:41:44,039
Speaker 2: You're married and.

775
00:41:44,159 --> 00:41:45,400
Speaker 5: Have a place to stay.

776
00:41:47,920 --> 00:41:52,639
Speaker 2: Well, Mary, all's well, that ends well? But who the part.

777
00:41:54,000 --> 00:41:56,280
Speaker 5: You said? They made a wonderful top.

778
00:41:57,679 --> 00:42:01,119
Speaker 2: I never understand how Malch is sudden he got so generous.

779
00:42:01,440 --> 00:42:05,360
Speaker 5: I'll never understand why, but I can guess how.

780
00:42:06,360 --> 00:42:07,119
Speaker 10: What do you mean?

781
00:42:07,519 --> 00:42:10,760
Speaker 5: Take a look. We're going to have to get a

782
00:42:10,880 --> 00:42:13,039
new picture to hang over the fireplace.

783
00:42:13,840 --> 00:42:16,679
Speaker 2: Oh now, what's it doing? Turn to the wall again?

784
00:42:16,800 --> 00:42:18,000
What's he up to now?

785
00:42:20,039 --> 00:42:23,599
Speaker 5: Doesn't turn to the waw, it's just a blank canvas.

786
00:42:23,880 --> 00:42:24,559
Speaker 3: What do you mean?

787
00:42:24,880 --> 00:42:26,000
Speaker 5: Have a look for yourself?

788
00:42:27,920 --> 00:42:32,400
Speaker 2: Holy mother, it's blank on both sides. Where's Uncle Terrence?

789
00:42:32,679 --> 00:42:36,440
Speaker 8: I have a feeling he's off to America. He always

790
00:42:36,559 --> 00:42:41,280
did want to see the United States. We can leave

791
00:42:41,280 --> 00:42:44,519
it up to Sheila and Brian to worry about him.

792
00:42:44,599 --> 00:42:44,719
Speaker 13: Now.

793
00:42:50,599 --> 00:42:52,760
Speaker 3: You can believe it or not, but to the best

794
00:42:52,840 --> 00:42:56,639
of my knowledge, that's the way it happened. And if

795
00:42:56,719 --> 00:42:59,320
there was a lot of magic in it, there's just

796
00:42:59,559 --> 00:43:04,119
as my in love. The exact quote doesn't spring to

797
00:43:04,280 --> 00:43:06,719
mind for the moment, but the burden of it is

798
00:43:07,280 --> 00:43:10,119
that no matter what happens, love.

799
00:43:10,840 --> 00:43:11,639
Speaker 2: Will find a way.

800
00:43:12,800 --> 00:43:27,480
Speaker 3: I'll be back shortly. Bryan and Sheila were married a

801
00:43:27,559 --> 00:43:31,000
month later in the States. Everyone who was there agreed

802
00:43:31,119 --> 00:43:31,599
they were.

803
00:43:31,440 --> 00:43:33,440
Speaker 2: As handsome a couple as you could ask for.

804
00:43:34,400 --> 00:43:37,519
Speaker 3: But the real hit of the celebration was a shortish,

805
00:43:37,679 --> 00:43:41,400
ruddy faced little gentleman with an Irish accent to go

806
00:43:41,599 --> 00:43:45,440
with his Irish face and his Irish wit. It was

807
00:43:45,559 --> 00:43:47,880
sad that he died so soon after.

808
00:43:47,760 --> 00:43:50,320
Speaker 2: The wedding, but it was hard to cry for him,

809
00:43:50,960 --> 00:43:53,960
remembering all the last he brought with him.

810
00:43:55,199 --> 00:43:59,960
Speaker 3: Our cast included Paul Hect, Virginia Payne, Jadderoland, Leon Janny,

811
00:44:00,440 --> 00:44:01,320
and Ian Martin.

812
00:44:02,079 --> 00:44:05,360
Speaker 2: The entire production was under the direction of Hymond Brown.

813
00:44:06,239 --> 00:44:08,760
Speaker 3: This is inviting you to return to our Mystery Theater

814
00:44:09,159 --> 00:44:11,400
for another adventure in the macabre.

815
00:44:12,679 --> 00:44:17,079
Speaker 2: Until next time, Pleasant Scream.

816
00:45:02,800 --> 00:45:07,000
Speaker 16: Serving the Southern Tier and Northern Pennsylvania. We're your AM

817
00:45:07,159 --> 00:45:10,920
stereo station twenty four hours a day, fourteen to ten

818
00:45:11,199 --> 00:45:14,679
w E LM Elmira Oh Robert Putner Group station.

819
00:45:20,039 --> 00:45:24,159
Speaker 17: Growing pre election tensions in South Africa and usaight arriving

820
00:45:24,239 --> 00:45:27,679
in Columbia with mutual PM. I'm Carrie Moran in Los Angeles.

821
00:45:28,159 --> 00:45:31,760
With South Africa's whites only national elections just two days away,

822
00:45:31,880 --> 00:45:35,000
there was another anti apartheid protest in Cape Town, this

823
00:45:35,239 --> 00:45:39,039
time resulting in the arrests of Anglican Archbishop Desmond Tutu.

824
00:45:39,079 --> 00:45:40,239
Speaker 5: And other activists.

825
00:45:40,519 --> 00:45:41,880
Speaker 17: Reporter Chris Gibbons.

826
00:45:41,679 --> 00:45:44,239
Speaker 5: Was asked if Tutu will be charged with any crime.

827
00:45:44,559 --> 00:45:47,679
Speaker 15: The official response to that question is that the police

828
00:45:47,719 --> 00:45:51,480
are still investigating, but in practice THEYONSWA is now the

829
00:45:51,599 --> 00:45:54,159
South African government. In the days after the coming election,

830
00:45:54,400 --> 00:45:56,360
we'll be looking to prove to the outside world that

831
00:45:56,440 --> 00:46:00,559
it's new leader. Mister the cleft is refull minded. Archbiship

832
00:46:00,599 --> 00:46:03,119
Tutu on trial is not likely to help him get

833
00:46:03,239 --> 00:46:04,239
that message across.

834
00:46:04,400 --> 00:46:06,639
Speaker 17: Today's incident was the latest in a series of pre

835
00:46:06,760 --> 00:46:10,639
election protests that have become increasingly oppressive. Despite Acting President

836
00:46:10,760 --> 00:46:13,599
FW de Claric's call today for an end of racial

837
00:46:13,639 --> 00:46:15,400
separation in South Africa.

