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Speaker 1: W m N H rips the normals. We're back from the.

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Speaker 2: Break, wide awake, but my mind's in pieces, trying to

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slow down my stride.

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Speaker 3: I can't believe all the thoughts that film my sides.

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Gotta feeling bout a chance escape raising deep in my mind. Baby,

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I don't want to nor more. It's wasted too much time,

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And it's.

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Speaker 4: All the times I shake, And it's all the fears

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I fake, And it's all the towns I make it

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all right, And it's all the times I shake, And

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it's all the fears I fake, And it's all the towns.

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Speaker 5: I make it.

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Speaker 6: All the terms of shaking, the fierce of faking.

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Speaker 1: The jumps, I make it.

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Speaker 4: Quite awake. But I'm trying to eat silence. I can't confide.

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I can't believe when my thoughts a twisted right.

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Speaker 1: Well frozen. No, I'm caught inside. It can't see past

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the lights. Maybe I don't want to no more.

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Speaker 4: It's wasted too much time, And it's all the times

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I shake, and it's all ears I think.

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Speaker 1: It's all the towns.

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Speaker 4: I make it all right, And it's all the times

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I shake get it's all the fierce I think And

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It's all the touchside, make its all.

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Speaker 7: Times. I shake.

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Speaker 1: The fierce, I fake the toutside, make it all.

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Speaker 8: That is all the times. Temple Mountain who is here

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with us in studio. We have Eric with from Temple

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Mountain with us in studio. Here we have entered our

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number three New Marrow trace of Matt Connorton unleashed and

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we are live from the studios of w m n

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H ninety five point three FM in Glorious Manchester, New Hampshire.

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Of course, you can stream the show from anywhere. Go

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to Matt connorton dot com slash live for all your

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live streaming options, social media links, contact info, show archives,

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et cetera, et cetera. It's our first show of the

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new year. Happy New Year, everybody. January third, twenty twenty six.

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Jenny is here, of course at the news tablet for

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I really love that song. I really I do too. Yes, Yes,

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we have Eric, Eric Eric Hannings now Eric Hanning. I

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was I was, I was saying off air when you

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got here. I said, I finally learned how to say

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your your last name, and then you changed it.

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Speaker 9: Fat a last name in Palamini many PALOMENI you didn't

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get it.

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Speaker 8: It's all right, well never.

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Speaker 9: Mind, everyone says, mean it should be Meani. Oh yeah, yeah.

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Speaker 8: Oh okay, all right, well never mind.

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Speaker 9: Then I feel bad I corrected you on air.

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Speaker 8: That's okay. I mean I kind of set myself up

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for that.

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Speaker 9: Ah you know what that's That's all that means is

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I took the right name.

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Speaker 5: Yeah, I mean.

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Speaker 8: Yes, yeah, I remember you saying before on the show,

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because I think the last time you were on you

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you were not wedded yet. No, you were engaged, yeh,

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but but you would talked about that, how you were

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going to take her last name, which is unusual in

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our in our culture. But you you didn't really like

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your name.

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Speaker 9: No, and I liked I know how much she liked

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her name. Yeah, and uh oh it just felt right. Yeah,

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I felt right. And technically I'm still I'm not I'm

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techly handings now, but I'm technically in Polmonte still, I

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have my We were just on our honeymoon and I

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didn't want to have to deal with changing my name

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and then the passport stuff.

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Speaker 8: Oh yeah yeah.

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Speaker 9: So we ended up going I have my appointment with

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the Social Security this Monday. Okay, that's the first step. Okay, yeah, yeah.

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Speaker 8: Is that a is it a hassle? It must be.

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Speaker 4: Yeah, yeah, well when you get married, it's not.

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Speaker 9: So it's on my document. It's on my marriage certificate.

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So at least I have that as proof for change. Okay,

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but then I have to do Social Security, and then

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I have to do my driver's license, and then from

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what I've understood, I have to do my bank accounts.

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And that's actually where it's like the most pain in the.

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Speaker 8: Butt, is it.

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Speaker 2: Yeah?

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Speaker 9: Yeah yeah, and now you have to prove so much more.

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Speaker 8: Yeah, it's a little harder.

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Speaker 9: But you know it's worth it.

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Speaker 5: Yeah.

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Speaker 8: Well there you go.

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Speaker 7: Well I don't blame you.

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Speaker 8: I don't blame you.

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Speaker 9: Yeah, thank you.

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Speaker 8: So we should talk about so the new EP dress sharp.

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Yeah this this is really new, right, this just came out,

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came out on New Year's Eve. Oh so this this

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is as new as a guest.

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Speaker 9: Oh yeah it was, you know, only twenty five was

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literally the best year of my life. Yeah, no, I

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normally don't say that, but it was just I mean,

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I saw both Paul Simon and Paul McCartney in one year, Like, yeah,

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you can't really get much better than that. Yeah, but

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so I just wanted to end the year on a

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high note. And this is an album I was working

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with with a producer. His name's Andrew Morrissey, OK, and

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I've it was something that I always wanted to try

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and go out of my comfort zone, especially compared to

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my last album, which was much more of a low

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fi kind of organic produced album. This is kind of

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the exact opposite where it's like, how how much layer

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can we add to it? How much gloss can we

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put on the song? I'm really proud of it, to

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be honest with you.

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Speaker 8: Yeah, yeah, no, I love that song all the times.

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It's kind of you know, it's pop, but it's like

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it's like alternative pop. It's like you know, yeah, it's

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it's it's interesting. It's a surprise, first of all because

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when I when I played it the first time, I

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was like, oh, this is different for him. But also

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this is really interesting. The production is really interesting, and

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I did want to ask you about that especially. I

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love I love what happens when the guitar comes in

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at the end the solo.

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Speaker 9: Yeah yeah, yeah, I had you know. There was a

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while where I was purchasing from Manchester Music Mill sponsor

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and not sponsored. I was really getting like a bunch

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of used here. And I had this less Paul with

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Demarcio pickups that I don't have anymore. And what's funny

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is the guitar actually had a malfunction on it, like

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there was some circuit or ground that wasn't attached to it, right, Yeah,

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So it just had this weird trebly in and out

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kind of sound, and I just I stacked it with

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some uh, I forget what overdrive I used, but I

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just I had this marshal and overdrive and we cranked

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it up in the studio. Yeah, and I just kind

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of played a guitar solo over and that's what you hear.

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That's why that huge feedbacks.

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Speaker 8: At the end.

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Speaker 9: It was so it was just so loud. The other

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thing I'll say about that song is it was actually

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I wrote it because I I have an obsession with

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like Eurodrans tracks from the early two thousands really, yeah,

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like a Scatta's every time we touch and stuff like that,

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and I was like, I want to write a song

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like that on the acoustic guitar. And that's what we were,

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you know, I don't know if we necessarily got there yeah,

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but that was what your initial inspiration was.

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Speaker 8: Okay, Okay, is that is that the case with all

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these on the EP? You you write them on the

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on the guitar first.

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Speaker 9: Sure they're all they're all on guitar first. Okay, I can't.

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I wouldn't. I wouldn't do it otherwise. So the way

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that worked was I would send him Andrew the songs

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and then he would kind of layer it with production.

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Then I would go in one day and we would

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do vocal layers together and create all these kind of

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stacks on them.

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Speaker 8: Okay.

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Speaker 9: So it was a real collaboration, and uh, it was

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a It's a beautiful rapport and relationship that I'm so

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grateful to have. So shout out to Andrew. He's an

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amazing man.

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Speaker 8: Yeah. No, he did did a great job. Now how

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did you connect with him? As far as I'm producing

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the EP?

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Speaker 7: Uh?

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Speaker 9: I think I posted on Facebook saying like I'm looking

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for and then Dan Fallon. I don't know if you

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know that name. Great man. He he's Andrews Dan drummer.

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Andrew's a multi instrumentalist, the guy. Okay, I can play

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drums like. He's so talented that everything he does and

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I sent him a song, the first song that we recorded,

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which is called the Crowd, and I wanted like a

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no Such Thing by John Mayer kind of song, and

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it in my opinion.

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Speaker 8: And yeah, yeah, Dan Fallon he's been oh run like

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thieves yeaheah. They were on the show. Yeah, and Jenny

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and I went to see them live too. Yeah, really

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really good?

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Speaker 9: Was that at the BNH stage? Yes, yeah, I missed

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that show unfortunately, but I really I'm a huge fan

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of Dan.

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Speaker 8: So yeah, yeah, all very talented. Yeah, yeah absolutely. And

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then why why an EP? Because Schema was your previous

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release was a full album, so why now? Why the

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choice to do an EP this time? I'm always curious

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about because there's so many different ways to approach it now.

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Speaker 9: Yeah, it's just cost Yeah. In fact, if I've the

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reason why I released it an EP and not as

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individual singles, it is because I was so burnt out

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from this year that I kind of needed to. I've

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been taking a break, Like I came on here as

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kind of like it was a spontaneous women. I was like,

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I can't not go it's quit. Like if the timing's

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just right, I had an EP release let's do this.

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Speaker 10: Yeah.

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Speaker 9: Yeah, but the truth is is like I haven't been

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really very musically pushed okay lately. Yeah, And so I

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just wanted to release it because I knew if I

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didn't release it, then it would always be out there

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and there's like geist then I would be thinking about

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all the time. So yeah, decided to push it out there.

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And uh, but you know, the record songs with higher

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production means there's also a higher cost when it comes

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to mastering and mixing. And I don't know, like albums

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aren't are kind of a thing of the past, aren't they.

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You know, I don't know to a third degree.

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Speaker 8: It depends. I mean, it's all perspective sometimes because you know,

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a lot of our guests a lot of them do

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some of them, some of them just you know, there's

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a sort of it's different from how I was growing up,

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where you know, like an album would be coming out

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for single goes to radio six eight weeks, and then

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the album comes out and if it all goes well,

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you might get a second single, a third single, Whereas

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now what a lot of artists are doing is, you know,

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they call it the waterfall effect. They're releasing a series

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of singles that eventually become an album. Yeah, it was

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just kind of the inversion of that. But but I

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don't know. Some of the guests we have, they really

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feel like like it has to be an album because

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that's what they grew up with or that's what.

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Speaker 9: It's the art.

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Speaker 8: Yeah, yeah, yeah, well.

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Speaker 9: And also it's important to mention, like I think all

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lot of artists, including myself who have done it, we

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don't do the waterfall effects because that's how we want

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to release music. We do it because we live in

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a time of algorithmic pace production and apps, and that's

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how you can get your voice out there. And you know,

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when you see more than a thousand likes on your song,

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you get a dopamine high. Of course, of course, yeah,

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that's why we do it.

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Speaker 8: Well, I feel like that that's probably one of the

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hardest things about if you're if you're someone who writes

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a lot of music, or if you or if you

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write and record music and then you want to you

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want to share it with the world as soon as possible, right,

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that's there has to be you know, there's a certain

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discipline when you're a when you're a musician where you

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have to nobody ever talks about this part. But for

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some reason, I've been thinking about this lately a lot

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where you you have to you know, you create something

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and and if you're proud of it, you want to

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share it with everybody, but you can't. You have to wait,

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you have to be you have to be strategic about it.

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I mean you don't have to be. I mean you can.

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You can just put whatever is you know, you can

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do it that way, and there's nothing wrong with that.

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But if you want to get the most out of it,

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it's like you because not only do you want people

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to hear it, but you want as many people as

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possible to hear it. You want to share it with

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as many people as possible, which means you do have

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to be strategic about it. And there is a disciplan

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that comes with that, you know.

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Speaker 9: Yeah, And there's also an ego that comes with that,

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isn't there? Yeah, Because you know where is the Catharsis.

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It's the Catharsis in the making of the music, or

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is the Catharsis in the population of ears?

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Speaker 8: You know, right? Right?

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Speaker 9: Yeah, absolutely think about that. I mean, I've been kind

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of transitioning. I'm almost done with grad school. So I've

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been transitioning into.

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Speaker 8: My job of oh therapist, congratulations.

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Speaker 9: And so I think about this stuff a lot now, Like, yeah,

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one of the reasons why I slowed down was because

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I had to ask myself, like, how good, how healthy

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is this for me to like do like three shows

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a week and like, yes, the crowds are so happy

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to giving you all this positive feedback, but it's like

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it's hard to explain, but there there's a structural balance

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that could be a little bit tricky with that, you know,

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especially with someone like myself who can have an ego

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and I mean we all do and maybe has an

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awareness of it and wants to keep it in check, right.

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Speaker 8: Right, Yeah? Absolutely? Are you Have you been surprised at

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all about the end result of this, because this is

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a this is a departure for you the ep like

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going into these songs, any of these songs. Did you

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at the end of it, did you go, Wow, that

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turned out different than I I mean, I assume you

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were happy with how they all turned out or you

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wouldn't put them out, But but were you surprised at

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at what they turned out to be?

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Speaker 9: No, I'm really proud because I think I always wanted

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to do music like this, like again, like kind of poppy,

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kind of not overproduced but very produced. Yeah, and I

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feel like that I always had this insecurity of I

286
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can't do this, I'm really Yeah. So I think that

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doing it was a real again cathartic moment, allowing myself

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to say, you know, you can do whatever voice you

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want to have in this world. Yeah, and you can

290
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talk about whatever you want. Yeah, and you could have

291
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opinions and think about these things. Yeah. I think I

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went into it knowing this is the sound I wanted

293
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to have, which was like a John Mayer meets Dave

294
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Matthews meets like kind of like in sync kind of thing.

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And you know it, I like it And if people

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don't like it, not that I have been getting really

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great positive response, yeah, but it's like I just don't

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care anymore.

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Speaker 8: Yeah. Well that's the best way to approach it, right.

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Speaker 9: I Mean it's nice though, because when you play a

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lot of gigs you don't feel that way. Sometimes you

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are basing your life on like, oh, I hope the

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audience likes me.

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Speaker 8: Well, there is that idea too. I've heard Billy Joel

305
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say this, and I think I've heard Trent Reznor say

306
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this too in different ways, but the idea that when

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you're creating the music in the studio, you got to

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create it for yourself. You can't do it to please

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anybody else. You have to make music that you're passionate about.

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But then when you go to play live, that that's

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then you got to be thinking about the the other way.

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You gotta be thinking about what's going to make the

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audience happy.

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Speaker 9: Yeah, and I agree with that. I think the difference

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between myself and those artist is when the reason why

316
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they feel that way is because people pay like three

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hundred dollars a ticket, right where when I'm at a bar,

318
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I mean there, I'm getting paid just to be there.

319
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So it's it's complicated my point.

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Speaker 8: Yeah yeah, absolutely absolutely. But but so you always wanted

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to do an EP like this or or something like this.

322
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Speaker 9: Yeah, absolutely, I always wanted to do it like an

323
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early two thousands pop record, No kidding, Yeah, still do.

324
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I mean I'm actually going back into the studio next month,

325
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and oh wow, yeah I want it. Uh. It's funny

326
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as I get older because and I'm not like an

327
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amazing guitar player by any means, but like I have

328
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my finesse, yeah, yeah, And I find that my writing

329
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becomes less focused on that as I get older, Like

330
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I'm much more interested in, like, how can I use

331
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the Cowboy chords in a way that's kind of new

332
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and refreshing but still like very relaxing. Yeah, to do

333
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it for me?

334
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Speaker 8: Yeah, what's interesting about to your earlier work, you know,

335
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because we've well you've played live in Studio two, but

336
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we've also played studio tracks from Schema and and at

337
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that time you were going for that kind of lo fi,

338
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which is not easy to pull off necessarily because when

339
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you know, when we say lo fi, you know, it

340
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doesn't just mean you know, because someone who hasn't heard

341
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it might think, oh, so, what is it just demos

342
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that don't sound that great or whatever, But no, there's

343
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an art to getting that sound too, to actually doing

344
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it right. And I always thought that was you know, ambitious,

345
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you know, on your part to do that and and

346
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and the result was great, you know.

347
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Speaker 9: You know, I always liked like artists like Elliott Smith, who, like,

348
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you know, his first three albums are very low fi,

349
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but then he did Figure eight and he did XO

350
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and those are highly produced records. Yeah, you know, I

351
00:18:58,519 --> 00:19:01,039
didn't want to do the same thing twice. Yeah, And

352
00:19:01,359 --> 00:19:03,400
I actually tried doing that. I went to a studio

353
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and I recorded. I tried to do another schema, and

354
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it just felt it. It's not that I felt ingenuine.

355
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It just felt very repetition.

356
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Speaker 8: Really.

357
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Speaker 9: Yeah, like I felt like, oh, I'm here before one

358
00:19:14,559 --> 00:19:16,079
of the things that there was a song that came

359
00:19:16,079 --> 00:19:17,880
out of that, which is called Stacy's Song that's on

360
00:19:18,000 --> 00:19:21,160
Spotify and that I'm I love that song. But yeah,

361
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I don't know. I it's like, you know, once you

362
00:19:26,440 --> 00:19:29,319
now that I've tasted production, it's hard to go back

363
00:19:29,359 --> 00:19:31,359
from it, right right, it'd be hard for me to

364
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make a lo fi album now now that I know

365
00:19:33,240 --> 00:19:36,559
what my voice sounds like with you know, orchestration.

366
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Speaker 8: Yeah. Yeah, well we should play another track from this

367
00:19:40,200 --> 00:19:42,240
of course, should we play, well, we could play the

368
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next one in the EPU the crowd.

369
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Speaker 9: Uh do you want to have about there's a song

370
00:19:46,880 --> 00:19:48,559
I did. You've actually had her on the show. Her

371
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name's cat Ivy.

372
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Speaker 5: Yeah.

373
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Speaker 9: We did a song to get her on the EP

374
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It's called No collect Calls.

375
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Speaker 8: Oh yeah, oh oh yeah. She was great. Yeah, that

376
00:19:57,440 --> 00:19:59,319
was that was a while ago? What was maybe a

377
00:19:59,359 --> 00:20:01,680
year ago? She was? Yeah, she was fantastic. So I

378
00:20:01,680 --> 00:20:04,279
didn't realize that was her on this track with you.

379
00:20:04,319 --> 00:20:06,799
Oh very cool. Yeah, let's give this a spin. Excellent.

380
00:20:06,880 --> 00:20:10,680
So this is kat Ivy? Is she the only sort

381
00:20:10,720 --> 00:20:12,440
of a guest artist on the EP? Yeah?

382
00:20:12,519 --> 00:20:12,599
Speaker 6: Uh?

383
00:20:13,640 --> 00:20:17,359
Speaker 9: On my song Prozac, I have a guitar solo that

384
00:20:17,480 --> 00:20:20,440
was done by the Whole Loafs band, a band called

385
00:20:20,480 --> 00:20:23,400
the Whole Loaf their guitar player Kyle on the show. Yeah, yeah,

386
00:20:23,519 --> 00:20:25,160
Kyle the guitar player crosskey.

387
00:20:25,319 --> 00:20:25,440
Speaker 5: Uh.

388
00:20:25,599 --> 00:20:27,880
Speaker 9: He played the guitar solo on pros That. Oh very cool.

389
00:20:27,920 --> 00:20:30,440
Speaker 8: We'll have to spend that one later too, but great.

390
00:20:30,440 --> 00:20:34,000
So this is uh, this is Temple Mountain with kat Ivy.

391
00:20:34,400 --> 00:20:37,359
On this track from the new EP, Dress Sharp, This

392
00:20:37,400 --> 00:20:38,839
is called No collect Call.

393
00:21:00,799 --> 00:21:03,759
Speaker 11: I have a dream to make again, but this feeling

394
00:21:03,920 --> 00:21:12,519
I can't shake today. With every step I make, there's

395
00:21:12,599 --> 00:21:14,519
always something new in.

396
00:21:14,480 --> 00:21:15,599
Speaker 9: My way.

397
00:21:19,119 --> 00:21:20,559
Speaker 1: With the future to home.

398
00:21:21,400 --> 00:21:29,480
Speaker 12: Nigga's words are nonstin what if I was to let

399
00:21:29,480 --> 00:21:32,200
it go, then is truly learning?

400
00:21:32,599 --> 00:21:41,839
Speaker 1: Like, Well, I guess I'll find my.

401
00:21:42,119 --> 00:21:49,480
Speaker 7: Way on my own.

402
00:21:49,839 --> 00:21:56,400
Speaker 13: I'll find the way.

403
00:21:57,839 --> 00:22:03,440
Speaker 1: All your words day of it's amptually all pray.

404
00:22:07,039 --> 00:22:08,279
Speaker 7: With the slight f.

405
00:22:33,000 --> 00:22:42,240
Speaker 12: Have a mother monacle, but my mother's a sent This

406
00:22:42,480 --> 00:22:45,119
one is your host to mo Oh you.

407
00:22:45,240 --> 00:22:47,640
Speaker 7: Want to do it straight?

408
00:22:51,160 --> 00:22:57,359
Speaker 13: I'm not try try trucks.

409
00:23:00,400 --> 00:23:02,960
Speaker 14: And I try to try to shout.

410
00:23:05,039 --> 00:23:14,079
Speaker 6: As he stops, well, I guess, so fine.

411
00:23:13,960 --> 00:23:24,279
Speaker 15: Come away.

412
00:23:20,880 --> 00:23:23,359
Speaker 7: On my own, No fine.

413
00:23:23,200 --> 00:23:35,720
Speaker 15: Go away all your ways, and they tempted to pay.

414
00:23:39,279 --> 00:24:01,240
Speaker 1: When the snag? When will that guess?

415
00:24:02,240 --> 00:24:14,839
Speaker 7: Oh? Fight will that guess? Oh fight? Oh way?

416
00:24:18,839 --> 00:24:19,720
Speaker 14: Will that ess?

417
00:24:20,759 --> 00:24:28,960
Speaker 7: Oh fine? Uh? Will that ess?

418
00:24:30,000 --> 00:24:31,279
Speaker 1: Oh fine?

419
00:24:32,200 --> 00:24:33,400
Speaker 15: The way?

420
00:24:39,319 --> 00:24:42,400
Speaker 14: Will I guess some fine way?

421
00:24:48,599 --> 00:24:48,799
Speaker 7: Oh?

422
00:24:48,920 --> 00:24:49,279
Speaker 5: No, no.

423
00:24:50,960 --> 00:24:58,039
Speaker 7: Go away? Oh?

424
00:24:58,160 --> 00:24:58,720
Speaker 5: No words?

425
00:25:18,839 --> 00:25:19,680
Speaker 7: What that guess?

426
00:25:21,759 --> 00:25:30,200
Speaker 6: Find why that guess? Ah?

427
00:25:31,000 --> 00:25:33,640
Speaker 7: Find my way?

428
00:25:36,279 --> 00:25:37,920
Speaker 8: Oh that is really nice?

429
00:25:39,200 --> 00:25:39,440
Speaker 9: Thank you?

430
00:25:39,599 --> 00:25:44,319
Speaker 8: Really nice. Temple Mountain with cat Ivy on that one. Yeah,

431
00:25:44,640 --> 00:25:46,920
how did that come about? You're you're collaborating with her

432
00:25:46,960 --> 00:25:47,440
on that song?

433
00:25:47,920 --> 00:25:49,880
Speaker 9: We've been We just hit it off right away.

434
00:25:50,160 --> 00:25:50,359
Speaker 8: Yeah.

435
00:25:51,559 --> 00:25:55,839
Speaker 9: We Where did we first meet? I have no memory

436
00:25:55,880 --> 00:25:57,920
of how we first met. I'm sure she does. But

437
00:25:58,759 --> 00:26:02,359
we did a show together there in Wilton, New Hampshire,

438
00:26:02,359 --> 00:26:05,039
at place called the Listening Room with Darling Hill. Yes, yes,

439
00:26:05,680 --> 00:26:09,440
and we just we've started. I was like I loved

440
00:26:09,440 --> 00:26:14,079
her voice to me, it's original and really kind of

441
00:26:14,160 --> 00:26:18,240
complimentary towards my own kind of style. And I asked

442
00:26:18,240 --> 00:26:19,759
if she would do and she said of course, and

443
00:26:20,599 --> 00:26:23,119
she was. She helped write it with me. We did

444
00:26:23,200 --> 00:26:29,759
some like webcam sessions together to kind of discuss certain arrangements,

445
00:26:29,839 --> 00:26:32,720
and she came to the she came to Andrew's place,

446
00:26:32,799 --> 00:26:37,200
and we really just banged it out and lyrically. It

447
00:26:37,279 --> 00:26:39,359
had to be about something that we both kind of

448
00:26:41,519 --> 00:26:44,880
agree with, and the songs kind of about our dislike

449
00:26:44,960 --> 00:26:47,039
for certain things in the music business.

450
00:26:47,839 --> 00:26:49,599
Speaker 8: So interesting, yeah, yeah, So.

451
00:26:52,119 --> 00:26:54,279
Speaker 9: The I'm not I won't explain it on there, but

452
00:26:54,400 --> 00:26:56,680
all I'll say is the title of the song is

453
00:26:56,680 --> 00:26:57,799
a bit of a hidden message.

454
00:26:58,079 --> 00:27:02,200
Speaker 8: Okay, okay, when you talk about like things that that

455
00:27:02,400 --> 00:27:04,359
you both don't like in the music business, like what

456
00:27:04,400 --> 00:27:04,799
do you mean?

457
00:27:04,960 --> 00:27:05,519
Speaker 5: Like what? Uh?

458
00:27:05,960 --> 00:27:09,279
Speaker 9: I think both of us were really frustrated with the

459
00:27:09,359 --> 00:27:12,319
fact that, you know, as a musician, especially in a

460
00:27:12,400 --> 00:27:15,720
local town, I want to if I'm booking a show

461
00:27:15,799 --> 00:27:18,920
with someone, I want to have a relationship with the venue,

462
00:27:19,480 --> 00:27:23,880
and unfortunately you can't do that with a lot of

463
00:27:23,920 --> 00:27:26,880
places around here because they work with other people. Right,

464
00:27:27,039 --> 00:27:31,039
So it's like there's a middleman, and then you're giving

465
00:27:31,079 --> 00:27:34,359
this middleman some money and for what why am I

466
00:27:34,440 --> 00:27:37,200
giving you money? I don't understand that it was about

467
00:27:37,279 --> 00:27:39,720
that and things that I've done, you know, so like

468
00:27:40,359 --> 00:27:42,359
it was just it was a song about frustration.

469
00:27:42,680 --> 00:27:45,000
Speaker 8: Okay, okay, that makes sense. By the way, I just

470
00:27:45,279 --> 00:27:46,680
as you were talking to it just occurred to me

471
00:27:47,119 --> 00:27:49,680
because we had had kat Ivy on the show. I

472
00:27:49,759 --> 00:27:51,759
think we met her through you, right or did we

473
00:27:51,839 --> 00:27:54,640
mean or something I like to get I like to

474
00:27:54,720 --> 00:27:56,960
send people your way because does she kind of live

475
00:27:57,000 --> 00:27:58,200
out your way too? Isn't she from that?

476
00:27:58,559 --> 00:28:01,759
Speaker 9: She lives actually close to here Lounderry?

477
00:28:01,960 --> 00:28:04,519
Speaker 8: Oh okay, oh yeah, very okay, Yeah, but I think

478
00:28:04,559 --> 00:28:08,680
we met her through you. Yeahah so that makes sense. Yeah, yeah, absolutely,

479
00:28:09,359 --> 00:28:13,599
No that that came out great, that's that's yeah, that's

480
00:28:13,640 --> 00:28:17,359
a that's a wonderful song. Thank you, absolutely absolutely. Now,

481
00:28:17,559 --> 00:28:20,440
So what's like, what does this next year look like

482
00:28:20,519 --> 00:28:22,440
for you as far as playing shows? Are you're gonna

483
00:28:22,440 --> 00:28:24,559
be uh, you're gonna be doing a lot of shows

484
00:28:24,680 --> 00:28:27,000
or isn't that yeah, because you mentioned you were a

485
00:28:27,039 --> 00:28:29,200
little burnt out this past year.

486
00:28:29,319 --> 00:28:31,920
Speaker 9: Yeah, I did like one hundred and sixty shows last year. Yeah,

487
00:28:32,119 --> 00:28:35,039
like two three hours shows. Wow, I did there. There

488
00:28:35,079 --> 00:28:36,720
was one day where I had four shows in a row,

489
00:28:36,839 --> 00:28:38,799
and I think most of them are three hours long.

490
00:28:39,200 --> 00:28:43,240
Speaker 8: Wait for four shows in one day or yeah, four

491
00:28:43,240 --> 00:28:44,839
shows and four shows in one day.

492
00:28:44,920 --> 00:28:46,799
Speaker 9: Yeah, like two farmers' markets in the morning and then

493
00:28:46,839 --> 00:28:48,759
two shows in the afternoon. Good lord.

494
00:28:48,960 --> 00:28:50,599
Speaker 8: Yeah it must have been in the summertime, right, it

495
00:28:50,640 --> 00:28:51,119
was summer time.

496
00:28:51,200 --> 00:28:51,359
Speaker 2: Yeah.

497
00:28:51,400 --> 00:28:52,839
Speaker 8: Yeah, that's the only time that would happen.

498
00:28:52,960 --> 00:28:53,119
Speaker 7: Yeah.

499
00:28:53,160 --> 00:28:53,359
Speaker 5: Yeah.

500
00:28:53,799 --> 00:28:57,640
Speaker 9: Wow, it's hard. You know, the music industry, the music,

501
00:28:57,720 --> 00:29:01,680
but the scene is shane even I've only been doing

502
00:29:01,720 --> 00:29:05,480
it for two years and I'm noticing differences. And there's

503
00:29:05,519 --> 00:29:07,680
a huge saturation of artists at the moment, which is

504
00:29:07,720 --> 00:29:11,480
a really beautiful thing, like anyone can do this, but

505
00:29:11,640 --> 00:29:13,680
it just means that you have to really hustle to

506
00:29:13,759 --> 00:29:16,720
get gigs. Oh yeah, I have a job at the moment.

507
00:29:16,799 --> 00:29:20,200
I'm an intern for a therapy agency, and it's like,

508
00:29:21,160 --> 00:29:24,440
when I get home, there's other things in my life

509
00:29:24,559 --> 00:29:26,599
that I want to make sure that I'm doing, which

510
00:29:26,720 --> 00:29:30,359
is spend time with family and my cats and make

511
00:29:30,400 --> 00:29:32,400
sure I'm taking better care of my health, which I've

512
00:29:32,480 --> 00:29:37,079
started doing about two months ago, So I don't know yet.

513
00:29:37,200 --> 00:29:41,799
I think I am limiting myself to gigs. I have gigs.

514
00:29:41,799 --> 00:29:43,160
I have a show tonight, for example.

515
00:29:43,759 --> 00:29:45,640
Speaker 8: But where you playing tonight? We should plug that.

516
00:29:46,160 --> 00:29:48,119
Speaker 9: At the Whiskey Tavern in Laconia.

517
00:29:48,279 --> 00:29:50,039
Speaker 8: Okay, okay, excellent.

518
00:29:50,000 --> 00:29:55,119
Speaker 9: But I'm kind of willing to diminish playing live. I'm

519
00:29:55,160 --> 00:29:57,240
going to go into the studio and record some songs

520
00:29:58,000 --> 00:30:00,039
and focus on that for a little bit and and

521
00:30:00,839 --> 00:30:01,759
see where that takes me.

522
00:30:02,000 --> 00:30:02,240
Speaker 5: Yeah.

523
00:30:02,480 --> 00:30:05,359
Speaker 9: I've done almost everything I wanted to do musically in

524
00:30:05,480 --> 00:30:07,640
this state, and I'm very proud of that. Yeah, and

525
00:30:07,799 --> 00:30:10,240
so I don't mind taking a bit of a break.

526
00:30:10,559 --> 00:30:15,119
Speaker 8: Yeah, yeah, absolutely. The songs that are on the CP,

527
00:30:16,319 --> 00:30:19,079
will you be? I mean, how does the what's the

528
00:30:19,160 --> 00:30:21,680
process of sort of translating those two Like if it

529
00:30:21,720 --> 00:30:25,000
says you and a guitar live, is that easy to.

530
00:30:26,200 --> 00:30:30,880
Speaker 9: I think so? Yeah, because they were written originally, Like

531
00:30:30,960 --> 00:30:32,880
you've seen my guitar playing. I'm not someone that just

532
00:30:33,000 --> 00:30:36,359
like drums the chord. So for example, that song has

533
00:30:36,359 --> 00:30:38,160
a lot of two hands happing in it. Yeah, so

534
00:30:38,480 --> 00:30:43,039
I do that live, and the arrangement is based on

535
00:30:43,160 --> 00:30:48,400
the guitar riffs first and foremost, so you're you know,

536
00:30:48,839 --> 00:30:52,319
because the foundation is already there, it's kind of easy

537
00:30:52,359 --> 00:30:53,079
to emulate it.

538
00:30:53,359 --> 00:30:53,759
Speaker 8: Yeah, so.

539
00:30:55,440 --> 00:30:57,480
Speaker 9: Now to a certain degree. So for example, I think

540
00:30:57,519 --> 00:30:59,599
my favorite song on the album is a song called Prozac.

541
00:31:00,119 --> 00:31:01,599
And if you listen to the song, it has a

542
00:31:01,680 --> 00:31:04,119
bit of a I don't know if Caribbean is the

543
00:31:04,200 --> 00:31:06,000
right word, but like it reminds me of like Little

544
00:31:06,039 --> 00:31:08,559
Mermaid under the Sea. Yeah, it has that kind of

545
00:31:08,640 --> 00:31:11,720
sound to it. When you play it live, it sounds

546
00:31:11,799 --> 00:31:14,839
more like John Mayer's Neon. Okay, but I think they

547
00:31:14,960 --> 00:31:18,079
translate still like you wouldn't You wouldn't be like, oh,

548
00:31:18,119 --> 00:31:20,279
that's a totally different song. Okay, it's still the same

549
00:31:20,400 --> 00:31:21,880
song because is still there?

550
00:31:22,119 --> 00:31:25,440
Speaker 8: Yeah? Yeah, should we? Maybe we should play that one next?

551
00:31:25,480 --> 00:31:27,119
You want to want to give that one a spence? Sure,

552
00:31:27,839 --> 00:31:30,279
if you're just joining us, Temple Mountain is here, Eric

553
00:31:30,319 --> 00:31:32,720
from Temple Mountain. We should clarify too for a new

554
00:31:32,920 --> 00:31:34,400
You've been on the show a bunch now. But for

555
00:31:34,599 --> 00:31:36,200
but for people who don't know, why are you called

556
00:31:36,200 --> 00:31:36,880
Temple Mountain?

557
00:31:37,599 --> 00:31:37,720
Speaker 1: Uh?

558
00:31:38,279 --> 00:31:40,559
Speaker 9: Because I say, but at the time, I was a

559
00:31:40,680 --> 00:31:44,240
case manager and I just don't you know, you don't

560
00:31:44,279 --> 00:31:47,119
want you want to be able to separate your life

561
00:31:47,160 --> 00:31:49,559
a little bit. Yeah, so having and you know, I

562
00:31:49,640 --> 00:31:51,559
grew up watching a lot of Power Rangers, so I

563
00:31:51,640 --> 00:31:53,839
always have been into like alter egos.

564
00:31:53,880 --> 00:31:56,880
Speaker 8: I guess, yeah, yeah, yeah, all right, well, very good,

565
00:31:57,039 --> 00:31:58,599
very good. All right. So this is from the new

566
00:31:58,640 --> 00:32:00,880
ep Dress Sharp. This is this Temple Mountain in this

567
00:32:00,960 --> 00:32:02,079
track is called Prozac.

568
00:32:21,640 --> 00:32:23,160
Speaker 7: This song has.

569
00:32:23,319 --> 00:32:26,000
Speaker 1: Lost its way in the words.

570
00:32:30,400 --> 00:32:38,440
Speaker 4: Shouting round, run but I can't be here? Did I

571
00:32:38,759 --> 00:32:44,079
fall for those magic curves? Did not get all that?

572
00:32:44,599 --> 00:32:45,039
Speaker 9: Artist?

573
00:32:46,920 --> 00:32:59,920
Speaker 14: Jeous sure plants to all around my mind.

574
00:33:01,519 --> 00:33:01,759
Speaker 5: Said?

575
00:33:01,759 --> 00:33:03,480
Speaker 1: The voices were so loud.

576
00:33:06,000 --> 00:33:09,079
Speaker 7: Now I don't sill dear my eyes.

577
00:33:10,559 --> 00:33:12,160
Speaker 1: I don't want to any help.

578
00:33:14,200 --> 00:33:17,240
Speaker 14: Choices cute made.

579
00:33:18,599 --> 00:33:29,440
Speaker 13: Now all that you say, I'm not oh okay. No,

580
00:33:29,599 --> 00:33:39,200
I'm not oh okay. I'm not oh okay, fat.

581
00:33:39,039 --> 00:33:43,119
Speaker 1: You without you, I'm not okay.

582
00:33:52,880 --> 00:33:55,319
Speaker 14: I think your motion in words.

583
00:33:57,119 --> 00:34:03,680
Speaker 3: Simultaneously outside, separated from my body.

584
00:34:06,079 --> 00:34:08,039
Speaker 7: I'm struggling to rise.

585
00:34:09,559 --> 00:34:11,159
Speaker 13: The choices you.

586
00:34:14,159 --> 00:34:16,599
Speaker 1: Now allah do you say?

587
00:34:20,639 --> 00:34:23,480
Speaker 7: I am not Jay?

588
00:34:25,039 --> 00:34:25,559
Speaker 6: I not.

589
00:34:27,679 --> 00:34:35,079
Speaker 1: Ja, I am not old JA, catch.

590
00:34:36,599 --> 00:34:37,079
Speaker 9: Cat you.

591
00:34:37,360 --> 00:34:39,199
Speaker 14: I'm not okay.

592
00:34:51,599 --> 00:35:23,079
Speaker 7: Later okay.

593
00:35:34,039 --> 00:35:36,519
Speaker 8: That is Brozac. That is from the new EP from

594
00:35:36,599 --> 00:35:40,719
Temple Mountain called a dress sharp and very very catchy.

595
00:35:40,800 --> 00:35:43,440
I like that a lot, Thank you. So what's the

596
00:35:43,599 --> 00:35:46,519
genesis of the uh? Why is it called dress sharp?

597
00:35:47,360 --> 00:35:47,480
Speaker 7: Uh?

598
00:35:47,679 --> 00:35:51,199
Speaker 9: It's asked. So there's a line in the crowd that's

599
00:35:51,239 --> 00:35:52,760
on the crowd that says press sharp. But that's not

600
00:35:52,840 --> 00:35:55,719
why I called it that. I asked a friend of

601
00:35:55,760 --> 00:35:58,440
mine to do the album. Artworker names Casey Arnold. She's

602
00:35:58,440 --> 00:36:01,599
an incredible local artist. Uh strong shout out to her.

603
00:36:01,840 --> 00:36:04,000
I we met at a gig. Actually she did the

604
00:36:04,760 --> 00:36:08,039
She did the audio for me at a place called

605
00:36:08,159 --> 00:36:13,239
Madhouse Coffee mad River Coffee House in Campton, New Hampshire,

606
00:36:13,719 --> 00:36:15,320
and her art was on the walls and I was like,

607
00:36:15,480 --> 00:36:17,679
I'm in love with this. So she did the art

608
00:36:17,719 --> 00:36:20,760
for another song of mine called Bend and Uh, which

609
00:36:20,840 --> 00:36:23,920
isn't on Spotify anymore. But uh, when this album came out,

610
00:36:23,960 --> 00:36:25,920
I knew she was who I wanted to do, and

611
00:36:26,039 --> 00:36:28,199
I told her just listen to the album and paint

612
00:36:28,280 --> 00:36:31,519
whatever you feel. And she painted this with the album

613
00:36:31,679 --> 00:36:34,840
the uh the image that you see, and I just

614
00:36:34,960 --> 00:36:37,400
it was like, oh, drush sharp, okay, okay.

615
00:36:37,400 --> 00:36:40,079
Speaker 8: Very good, very good. Oh you sound something interesting just

616
00:36:40,159 --> 00:36:41,639
now too, you said, so you had you had a

617
00:36:41,679 --> 00:36:44,119
song called Bend that's not on Spotify anymore, did you

618
00:36:44,280 --> 00:36:44,679
remove it?

619
00:36:44,840 --> 00:36:45,039
Speaker 5: Yeah?

620
00:36:45,039 --> 00:36:48,239
Speaker 9: I removed that song, a song called Grateful, and a

621
00:36:48,320 --> 00:36:50,599
song called Lonely because I just couldn't stand the production

622
00:36:50,760 --> 00:36:50,960
on it.

623
00:36:51,159 --> 00:36:52,119
Speaker 8: Really it was.

624
00:36:52,639 --> 00:36:55,039
Speaker 9: It was when I in between Schema and this album,

625
00:36:55,079 --> 00:36:57,760
I went into a different studio to record some stuff. Yeah,

626
00:36:57,960 --> 00:37:00,519
and I didn't know what I was doing, okay, but

627
00:37:01,639 --> 00:37:05,039
it was too unproduced. So like it was cool, they're

628
00:37:05,079 --> 00:37:08,559
great songs, but like they were double voiced and the

629
00:37:09,360 --> 00:37:12,559
audios and it was pitchy and it just didn't feel

630
00:37:12,599 --> 00:37:13,800
like I was representing myself.

631
00:37:13,840 --> 00:37:18,199
Speaker 8: Well okay, yeah, what was it? Was it a situation

632
00:37:18,239 --> 00:37:22,079
where like the engineer there didn't h wasn't helpful in

633
00:37:22,159 --> 00:37:23,159
capturing your sound or.

634
00:37:24,639 --> 00:37:27,079
Speaker 9: Yeah, I think he understood that I liked low five.

635
00:37:27,360 --> 00:37:29,480
He's a great engineer. So it's like I don't want

636
00:37:29,480 --> 00:37:31,760
to diminish his thing.

637
00:37:33,239 --> 00:37:35,519
Speaker 8: But that's why, that's why I'm not asking you who

638
00:37:35,559 --> 00:37:37,280
it is. I know you don't want to throw anybody

639
00:37:37,360 --> 00:37:37,800
under the bus.

640
00:37:37,960 --> 00:37:40,199
Speaker 9: Now I could say what his name, rhyme's with Now,

641
00:37:44,760 --> 00:37:46,920
I just say it just didn't feel right, and I think, uh,

642
00:37:47,599 --> 00:37:49,519
I think I knew I wanted to head into the

643
00:37:49,599 --> 00:37:52,679
direction of address sharp, which is why I entered the studio. Yeah,

644
00:37:53,000 --> 00:37:54,920
and instead I just it was like I was taking

645
00:37:54,960 --> 00:37:57,519
a step back instead of going forward. Okay, it's funny

646
00:37:57,519 --> 00:38:00,480
because those songs actually performed really well on Spotify. Oh,

647
00:38:00,599 --> 00:38:02,920
interesting because I did the waterfall effect on them and

648
00:38:03,280 --> 00:38:07,559
my views get my numbers went up. I just, you know,

649
00:38:07,639 --> 00:38:09,920
if you're not proud of something you shouldn't. I didn't

650
00:38:09,920 --> 00:38:10,880
want to do keep it there.

651
00:38:11,159 --> 00:38:12,719
Speaker 8: Yeah, was that a hard decision?

652
00:38:13,079 --> 00:38:16,480
Speaker 9: No, No, it was really really Yeah, I've been I

653
00:38:16,519 --> 00:38:18,039
knew I was going to do it for a while.

654
00:38:18,119 --> 00:38:18,599
Speaker 8: Okay.

655
00:38:18,599 --> 00:38:21,559
Speaker 9: And it's funny because and I forget how to play

656
00:38:21,599 --> 00:38:24,360
a lot of my songs sometimes. Yeah, it's really unhealthy.

657
00:38:24,679 --> 00:38:27,360
But uh, I totally forgot how to play Ben's. And

658
00:38:27,599 --> 00:38:29,719
there's another song called Lonely which I actually really like

659
00:38:29,800 --> 00:38:31,760
that song, but I can't play. Every time I try

660
00:38:31,760 --> 00:38:34,000
to pick up the guitar, I'm like, what are these chords?

661
00:38:34,440 --> 00:38:34,880
Speaker 8: Interesting?

662
00:38:35,079 --> 00:38:37,400
Speaker 9: Yeah, because I try, I don't normally use like theory

663
00:38:37,480 --> 00:38:40,039
or anything like that. Yea, like use my ear and

664
00:38:40,159 --> 00:38:44,159
try to find these patterns and motifs, and eventually, like

665
00:38:44,280 --> 00:38:46,000
then I have to learn the song again, and it's

666
00:38:46,039 --> 00:38:47,440
like I can't figure, I can't do it.

667
00:38:47,639 --> 00:38:48,159
Speaker 8: No kidding.

668
00:38:48,599 --> 00:38:50,760
Speaker 9: That's interesting all the time, does it really?

669
00:38:50,840 --> 00:38:51,000
Speaker 8: Yeah?

670
00:38:51,039 --> 00:38:53,440
Speaker 9: Yeah, I can only play like four songs on Schema

671
00:38:53,559 --> 00:38:54,960
still no Kenning.

672
00:38:55,239 --> 00:38:56,159
Speaker 8: Yeah, that's interesting.

673
00:38:56,440 --> 00:38:58,760
Speaker 9: By the way, this isn't something I recommend other people

674
00:38:58,840 --> 00:39:02,199
to do. Learn your music, right right? Yeah? But you

675
00:39:02,280 --> 00:39:04,239
know I can play wonder Wall like it's no tomorrow.

676
00:39:04,440 --> 00:39:07,400
So it's I don't know, Maybe it's a maybe it's

677
00:39:07,400 --> 00:39:09,719
an insecurity thing towards my own music where I purposely

678
00:39:09,760 --> 00:39:10,159
forget it.

679
00:39:10,480 --> 00:39:12,960
Speaker 8: Yeah, like I wonder if subconsciously or maybe you just

680
00:39:13,000 --> 00:39:15,719
get bored with the songs and so your brain, the

681
00:39:15,880 --> 00:39:17,639
part of your brain kind of says, eh, we're done

682
00:39:17,679 --> 00:39:18,119
with this one.

683
00:39:18,199 --> 00:39:20,920
Speaker 9: I feel like that's what Alfred Adler, a psychotherapist, would say.

684
00:39:21,199 --> 00:39:24,199
Speaker 8: Yeah, well, there you go, there you go. There's a

685
00:39:24,199 --> 00:39:28,599
reason for everything. Yeah, do you have any you plan

686
00:39:28,679 --> 00:39:30,320
to do any music videos for these or.

687
00:39:30,800 --> 00:39:34,039
Speaker 9: I have an idea for prozac du Yeah, but just

688
00:39:34,800 --> 00:39:36,400
I don't know if I will. I have an idea

689
00:39:36,440 --> 00:39:39,039
of me like being in a relationship with someone that's

690
00:39:39,079 --> 00:39:40,400
in like a pill bottle costume.

691
00:39:41,199 --> 00:39:42,599
Speaker 8: Oh, that's a cool idea.

692
00:39:42,760 --> 00:39:44,559
Speaker 9: And then like at the end it would be me

693
00:39:44,719 --> 00:39:49,480
like dancing with a bunch of pill bottles. But that

694
00:39:49,559 --> 00:39:52,400
could maybe that could sound a little what you might

695
00:39:52,480 --> 00:39:54,800
call it, maybe that would provide the wrong image of

696
00:39:54,840 --> 00:39:56,559
what I'm trying to get with the song, because the

697
00:39:56,639 --> 00:40:00,800
song's about the benefits of how it's helped changed my life.

698
00:40:00,920 --> 00:40:05,039
Yeah yeah, but you know again it's I would do it.

699
00:40:05,360 --> 00:40:07,840
I have people that I could use that I I

700
00:40:07,880 --> 00:40:11,039
would do, but I don't know if I'm interested. Yeah, yeah,

701
00:40:11,519 --> 00:40:13,400
Like what's the point of doing the music video just

702
00:40:13,519 --> 00:40:17,760
from I guess maybe for my own catharsis but yeah, yeah,

703
00:40:18,000 --> 00:40:19,519
And I feel like I sound like it to be

704
00:40:19,599 --> 00:40:21,880
downer at the moment, but you know, not like people

705
00:40:21,920 --> 00:40:24,599
should do music videos. But I just if I would

706
00:40:24,639 --> 00:40:25,559
do it if I felt.

707
00:40:25,360 --> 00:40:27,800
Speaker 8: The need to, right right, Yeah at the moment. I

708
00:40:27,880 --> 00:40:30,519
do like your idea, though, I think that's.

709
00:40:30,559 --> 00:40:33,280
Speaker 9: I've looked up on Amazon for pill bottle costumes and

710
00:40:33,480 --> 00:40:35,400
I haven't found the one that like in my he

711
00:40:36,280 --> 00:40:39,960
you know, the CVS pill bottle. Yeah, it requires like

712
00:40:40,239 --> 00:40:43,440
instructions to open. Yeah that's the bottle, and I can't

713
00:40:43,480 --> 00:40:46,840
find one. I found one, but it was it's like

714
00:40:46,920 --> 00:40:50,559
a cannabis costume. So it shows like, uh shows buds

715
00:40:50,719 --> 00:40:51,840
in the I don't know if I'm not to sit

716
00:40:51,920 --> 00:40:55,440
on the radio. Yeah, it shows like buds in the

717
00:40:55,719 --> 00:40:57,920
in the bottle and it's like, no, that's not that's

718
00:40:57,920 --> 00:41:00,400
not what I'm right, right, So I have to be

719
00:41:00,519 --> 00:41:04,239
creative and yeah no, not yet maybe someday.

720
00:41:04,400 --> 00:41:09,079
Speaker 8: But you can't order a pill bottle, uh costume? Interesting? Yeah, yeah,

721
00:41:09,719 --> 00:41:11,400
I guess you can get just about anything on animals.

722
00:41:11,440 --> 00:41:13,719
Speaker 9: You type in anything on Amazon, well, yeah.

723
00:41:16,239 --> 00:41:18,840
Speaker 8: Just about Yeah. So you did mention. So so you've

724
00:41:18,840 --> 00:41:20,840
got new music that you're going to be working on

725
00:41:21,039 --> 00:41:21,920
as far as uh.

726
00:41:22,079 --> 00:41:24,119
Speaker 9: Yeah, it's very this is a very recent thing, like

727
00:41:24,199 --> 00:41:28,079
two days ago when when the album I was burnt

728
00:41:28,159 --> 00:41:31,239
out until I released this album, like yeah, And I mean,

729
00:41:31,440 --> 00:41:33,920
like you ask anyone that was that saw me there

730
00:41:34,159 --> 00:41:36,199
at gigs and stuff like that. They could tell like, uh,

731
00:41:36,559 --> 00:41:39,440
kat Ivy, Actually we had a show, our last show

732
00:41:39,599 --> 00:41:42,440
was together at a place called the Francistown Coffee House

733
00:41:42,599 --> 00:41:46,519
yea in Francis Down, New Hampshire. And she went up

734
00:41:46,559 --> 00:41:49,039
to me, She's like are you are you okay? I

735
00:41:49,159 --> 00:41:50,760
just didn't want to be there. I really wanted to

736
00:41:50,800 --> 00:41:52,880
be home, you know. Yeah, Yeah, I just I couldn't

737
00:41:52,880 --> 00:41:55,880
take it anymore. And uh when I released this album

738
00:41:56,599 --> 00:41:58,159
and I could. I haven't been able to write a

739
00:41:58,239 --> 00:42:01,239
song since May, let's say, which for me, that's a

740
00:42:01,320 --> 00:42:06,360
long time. Yeah, and uh, two days ago something happened.

741
00:42:07,199 --> 00:42:07,400
Speaker 8: Yeah.

742
00:42:07,840 --> 00:42:10,880
Speaker 9: I've written a few songs in the past couple of days,

743
00:42:10,920 --> 00:42:12,719
and one of them I really like, and I reached

744
00:42:12,760 --> 00:42:14,280
out to Andrew and I showed it to him, and

745
00:42:14,480 --> 00:42:14,920
we're going.

746
00:42:14,840 --> 00:42:15,079
Speaker 5: To do it.

747
00:42:15,320 --> 00:42:17,360
Speaker 8: Excellent, I'm excited. Excellent, you're gonna do it as a

748
00:42:17,400 --> 00:42:17,880
single or.

749
00:42:18,079 --> 00:42:20,320
Speaker 9: I think I think I'm gonna do. I think I'll

750
00:42:20,360 --> 00:42:23,079
record two or three songs this year and I'll release

751
00:42:23,159 --> 00:42:27,960
them individually, and I don't know if I'll promote them

752
00:42:28,079 --> 00:42:30,599
very much. I think it's just not about that anymore.

753
00:42:30,599 --> 00:42:32,719
I just wanna you know, I say that now and

754
00:42:32,760 --> 00:42:34,440
then you're gonna see me. I'll do an interview in

755
00:42:34,559 --> 00:42:36,880
like a few months, and I'm like working harder than ever.

756
00:42:37,000 --> 00:42:39,239
Speaker 8: But yeah, yeah, I think all I think musicians go

757
00:42:39,360 --> 00:42:42,199
through this, of course, yeah, oh absolutely.

758
00:42:42,480 --> 00:42:44,880
Speaker 9: In fact, you know, there are people and I mean

759
00:42:44,920 --> 00:42:46,960
this is the coup, like Katie Dobbs is a great

760
00:42:46,960 --> 00:42:49,119
example where I don't think she gets like she's just

761
00:42:49,360 --> 00:42:52,400
she's a power horse, keeps going and going and going. Yeah,

762
00:42:52,639 --> 00:42:56,039
so inspiring, and I'm I can't do that really, Yeah,

763
00:42:56,360 --> 00:42:58,639
I mean I did, and then I need a you

764
00:42:58,760 --> 00:42:59,960
need a few months off sometime.

765
00:43:00,239 --> 00:43:03,159
Speaker 8: Yeah, well you also have a career. Yeah, you know,

766
00:43:03,440 --> 00:43:05,119
so it's it's hard.

767
00:43:05,480 --> 00:43:08,480
Speaker 9: I appreciate that empathy. Yeah, I to hear that it's hard.

768
00:43:08,719 --> 00:43:11,320
Speaker 8: It's hard to do like everything that you want to do,

769
00:43:11,440 --> 00:43:11,639
you know.

770
00:43:11,840 --> 00:43:12,039
Speaker 7: Yeah.

771
00:43:12,199 --> 00:43:14,360
Speaker 9: All at once I was I was, I know, like

772
00:43:14,440 --> 00:43:16,559
I'm looking at the time, but I was really curious

773
00:43:16,559 --> 00:43:17,880
about how you got this job.

774
00:43:18,920 --> 00:43:22,000
Speaker 8: Well, so this show actually started as a podcast in

775
00:43:22,079 --> 00:43:25,480
twenty eleven, although I was doing podcasts way but I'm

776
00:43:25,519 --> 00:43:28,519
like an og podcaster. But I started out doing podcasts

777
00:43:28,599 --> 00:43:31,480
and then but I had a I used to do.

778
00:43:31,840 --> 00:43:35,320
Actually I did multiple television shows at because you know

779
00:43:35,440 --> 00:43:38,079
this is owned by Manchester Public Television, so on the

780
00:43:38,599 --> 00:43:41,559
channel twenty three I did shows and but then I

781
00:43:41,639 --> 00:43:44,559
had an opportunity I was invited to uh bring my

782
00:43:44,719 --> 00:43:48,400
podcast to WM and H And it was April of

783
00:43:48,480 --> 00:43:51,920
twenty seventeen, so coming up on nine years.

784
00:43:52,320 --> 00:43:55,400
Speaker 9: So is in terms of like careers in this field,

785
00:43:55,639 --> 00:43:56,920
Is this been the one that you have the most

786
00:43:56,960 --> 00:43:58,239
longevity with? Is this show?

787
00:43:59,079 --> 00:44:01,360
Speaker 8: No, because I've been doing I've been doing uh like

788
00:44:01,400 --> 00:44:03,400
I'm a hypnotherapist, as you know, I've great, I've been

789
00:44:03,440 --> 00:44:06,039
doing that for more than twenty years.

790
00:44:06,199 --> 00:44:10,159
Speaker 9: Yeah, I'm I'm so upset we didn't discuss that. Now,

791
00:44:10,239 --> 00:44:14,159
I'm like, I have so many questions. Yeah, yeah, so funny.

792
00:44:14,320 --> 00:44:16,280
Yeah yeah, has that been good?

793
00:44:16,719 --> 00:44:19,000
Speaker 8: Good? Well, you know it's January, it's you know, New

794
00:44:19,079 --> 00:44:20,119
Year's resolution time.

795
00:44:20,239 --> 00:44:21,199
Speaker 3: So uh.

796
00:44:22,840 --> 00:44:25,639
Speaker 9: So you don't have like necessarily do you have consistent clients?

797
00:44:25,679 --> 00:44:25,840
Speaker 8: Hell?

798
00:44:25,960 --> 00:44:28,480
Speaker 9: Or is it always uh, new people?

799
00:44:28,719 --> 00:44:31,079
Speaker 8: There's always new people because the thing about hypnotherapy is

800
00:44:31,079 --> 00:44:32,960
if I'm doing a really good job one and done,

801
00:44:33,039 --> 00:44:35,199
they don't come back. Yeah, they don't need to fascinate.

802
00:44:35,320 --> 00:44:39,960
Speaker 9: Yeah, the opposite with I know, I know exactly exactly

803
00:44:40,079 --> 00:44:42,960
if you do one and done, Yeah, you got a

804
00:44:43,000 --> 00:44:44,960
gift if you want to know, if you.

805
00:44:46,280 --> 00:44:48,519
Speaker 8: If you want to help someone with a phobia, you

806
00:44:48,639 --> 00:44:50,880
have to take a while, you take your time with it.

807
00:44:51,320 --> 00:44:53,119
Speaker 9: Or well, it depends on what it depends on what

808
00:44:53,199 --> 00:44:55,679
you define as helping a phobia. Well true, yeah, yeah,

809
00:44:55,760 --> 00:44:58,119
I I kind of also am a part of accepting

810
00:44:58,400 --> 00:45:00,679
like the idea of can you accept your fear before

811
00:45:01,239 --> 00:45:04,559
moving on to the far right right? Yeah, that's so interesting.

812
00:45:04,760 --> 00:45:08,440
Speaker 8: Yeah, well, we are approaching the top of the hour,

813
00:45:08,559 --> 00:45:10,440
so I want to make sure because we go there's

814
00:45:10,440 --> 00:45:12,239
one more track on the EP. I want to make

815
00:45:12,239 --> 00:45:16,159
sure we play. Where should people go online to keep

816
00:45:16,239 --> 00:45:17,519
up with everything that you're doing.

817
00:45:18,119 --> 00:45:21,199
Speaker 9: As of yesterday? I just I just renewed my website.

818
00:45:21,280 --> 00:45:24,119
It turns out on my website I forgot to renew it.

819
00:45:24,360 --> 00:45:27,039
Oh so I just renewed, so Temple Mountain Music dot com. Okay,

820
00:45:28,760 --> 00:45:30,639
or you can just you know, find if you type

821
00:45:30,639 --> 00:45:32,719
in temble Mounts of Music, you'll find me reach out.

822
00:45:33,280 --> 00:45:36,480
I'm friendly and uh you know, get me a gig

823
00:45:36,800 --> 00:45:37,960
quote Jocko Pistorius.

824
00:45:38,199 --> 00:45:40,840
Speaker 8: Yeah yeah, and you don't you uh oh, you have

825
00:45:40,960 --> 00:45:42,760
something tonight too? We should for our live listen. Yes,

826
00:45:42,800 --> 00:45:43,639
we should plug that again.

827
00:45:43,760 --> 00:45:46,599
Speaker 9: We're playing at the Whiskey Tavern in Laconia. Yeah, and

828
00:45:46,760 --> 00:45:50,000
then actually I'll also promote I'm doing the Singer in

829
00:45:50,119 --> 00:45:55,280
the Rounds at Hermit Woods Winery in Meredith, New Hampshire,

830
00:45:55,280 --> 00:45:56,559
which is hosted by Katie Dobbins.

831
00:45:56,719 --> 00:45:57,360
Speaker 7: Oh very nice.

832
00:45:57,400 --> 00:45:58,880
Speaker 9: I'm doing that on the twenty ninth.

833
00:45:59,119 --> 00:46:00,840
Speaker 8: Oh excellent, yeah, excellent.

834
00:46:00,920 --> 00:46:02,880
Speaker 9: It was my two. I'm doing a couple more gigs

835
00:46:02,920 --> 00:46:05,639
throughout this month, but those are the two ones that

836
00:46:05,760 --> 00:46:07,400
I guess I'll push right now.

837
00:46:07,440 --> 00:46:09,360
Speaker 8: And you'll be playing songs from the new EP at those.

838
00:46:09,440 --> 00:46:11,480
Speaker 9: Oh yeah, very good, Yeah, very good. You're gonna play

839
00:46:11,480 --> 00:46:14,000
all four of them. Maybe I have to relearn the crowd?

840
00:46:14,360 --> 00:46:20,039
Speaker 8: Oh gotcha, gotcha? Yeah, very good, very good. So in

841
00:46:20,119 --> 00:46:22,639
a moment, we will play what's the one we didn't

842
00:46:22,639 --> 00:46:25,480
play at the crowd, the crowd, We'll play that one

843
00:46:25,519 --> 00:46:28,239
in a moment. Jenny too. We should remind people because

844
00:46:28,239 --> 00:46:31,559
you've been you've been busy as always. Oh well, let

845
00:46:31,599 --> 00:46:33,480
me get that mic on there. Sorry, well you had

846
00:46:33,480 --> 00:46:35,079
gotten up at one point I was muted. I was

847
00:46:35,199 --> 00:46:37,159
muted at when you get up course, yes.

848
00:46:37,119 --> 00:46:40,360
Speaker 9: Yes, yes, always getting into some good trouble. You can

849
00:46:40,480 --> 00:46:42,440
keep tabs on me at Gencoffee dot com.

850
00:46:42,559 --> 00:46:45,920
Speaker 8: J E N N C O F f ELI dot com. Yes,

851
00:46:46,119 --> 00:46:47,360
very good, And if you want to keep up with

852
00:46:47,360 --> 00:46:50,559
everything I'm doing, my website is Matt Connorton dot com.

853
00:46:50,679 --> 00:46:53,039
Especially if you'd like to book a hypnotherapy session, you

854
00:46:53,039 --> 00:46:55,599
can do that right through the website Matt Connorton dot com.

855
00:46:55,679 --> 00:46:57,360
You just have to figure out how to spell connorton.

856
00:46:57,519 --> 00:46:59,519
Some people struggle with it. But now if you're a

857
00:46:59,559 --> 00:47:03,199
listener show you know anyway. So this has been wonderful.

858
00:47:03,239 --> 00:47:05,800
Thank you so much, Eric, Thank you guys. What should

859
00:47:05,840 --> 00:47:07,360
we know about this song before we play it to

860
00:47:07,719 --> 00:47:08,320
close us out?

861
00:47:09,000 --> 00:47:12,119
Speaker 9: This song was about well, so this is the song

862
00:47:12,440 --> 00:47:14,440
the first song that I wrote for the album. Oh,

863
00:47:15,320 --> 00:47:17,880
it's inspired by no Such Thing, which is a song

864
00:47:17,920 --> 00:47:20,360
from John Mayer off his album Room for Squares. And

865
00:47:21,039 --> 00:47:25,800
I was really writing about my appreciation for the crowds

866
00:47:25,840 --> 00:47:28,119
that the gigs I was doing. Oh, very good, very.

867
00:47:28,000 --> 00:47:30,400
Speaker 8: Good, all right, excellent, I love it, all right, Thank

868
00:47:30,440 --> 00:47:32,320
you again. Thank you to everybody who joined us today,

869
00:47:32,360 --> 00:47:34,320
of course, and if you miss any part of today's show,

870
00:47:34,320 --> 00:47:35,800
it will be up in just a little bit at

871
00:47:35,960 --> 00:47:38,960
WM and Hradio dot orget at my website Matt Connorton

872
00:47:39,039 --> 00:47:41,760
dot com. And happy to do hear everybody, and we

873
00:47:41,760 --> 00:47:44,199
will close out today's show with this. This is the

874
00:47:44,280 --> 00:47:48,360
crowd from Temple Mountain and his new EP dress sharp.

875
00:48:00,159 --> 00:48:00,559
Speaker 1: Mm hmm.

876
00:48:06,280 --> 00:48:12,800
Speaker 10: I'll behave and try to shut watch my life o

877
00:48:13,239 --> 00:48:21,800
pot now my way keeps to find out cool world.

878
00:48:23,320 --> 00:48:29,960
Speaker 7: I have horns and my nieves. That is warm. Lets

879
00:48:30,000 --> 00:48:45,039
it be now, I wait to find out cool. I

880
00:48:45,119 --> 00:48:47,880
s have so weird joy.

881
00:48:53,480 --> 00:48:54,960
Speaker 5: I have you all.

882
00:48:58,519 --> 00:48:59,800
Speaker 10: Go to work at jo.

883
00:49:03,000 --> 00:49:07,679
Speaker 4: Away the pain and pour bad the girls own sis,

884
00:49:08,000 --> 00:49:09,119
make sound.

885
00:49:10,400 --> 00:49:38,840
Speaker 7: The crowd, the crowd. I tre spine, watch my life,

886
00:49:39,800 --> 00:49:45,239
cattle fire, no way to find um.

887
00:49:55,079 --> 00:50:04,039
Speaker 1: It's left to be a way to try as less

888
00:50:04,159 --> 00:50:06,480
you want its.

889
00:50:08,679 --> 00:50:14,000
Speaker 15: Little work that jump out, drink away the pain.

890
00:50:14,119 --> 00:50:18,280
Speaker 7: I call ide and let girls out hitches to make

891
00:50:18,519 --> 00:50:31,840
sound a crowd, the crowd. They don't have the same words.

892
00:50:34,119 --> 00:50:37,599
Speaker 14: They don't have to come mine, they don't have to come.

893
00:50:39,800 --> 00:50:43,519
Speaker 7: As read between.

894
00:50:46,840 --> 00:50:47,880
Speaker 5: Super wealth that you.

895
00:50:51,119 --> 00:50:54,800
Speaker 4: Trick away the pain, go out and let gods out.

896
00:50:55,480 --> 00:50:57,519
Speaker 1: Hitch is to make a sound.

897
00:50:58,719 --> 00:50:59,320
Speaker 7: The crowd.

898
00:51:30,079 --> 00:51:32,320
Speaker 16: It's so hard to see where we are today. It's

899
00:51:32,400 --> 00:51:35,199
like everything we wanted so far away. All our dreams

900
00:51:35,199 --> 00:51:38,079
are like disten stars of play squeezing through her fingers

901
00:51:38,159 --> 00:51:40,480
like a ball to play. Calls and say we need

902
00:51:40,559 --> 00:51:42,599
another dollar stack. We hate to holler a retch you,

903
00:51:42,679 --> 00:51:44,559
but you gotta call us back. You're pulling that you

904
00:51:44,679 --> 00:51:47,519
collar like a cardiac. You full the pressure like a

905
00:51:47,599 --> 00:51:50,159
hard attack then like a thundercrack, you could see through

906
00:51:50,199 --> 00:51:53,000
wind off past. The blunder is everything that makes you fall.

907
00:51:53,239 --> 00:51:55,559
World turn a sunder like herb and sprawl as you

908
00:51:55,639 --> 00:51:58,159
wander through the dust like air resole, as you're trying

909
00:51:58,159 --> 00:52:00,519
to put the world together again, as you put your

910
00:52:00,559 --> 00:52:03,599
soul up against the feather again, put together. So about

911
00:52:03,599 --> 00:52:05,679
the weather, and then we can talk about the rest

912
00:52:05,920 --> 00:52:07,079
forever and then whatever.

913
00:52:07,199 --> 00:52:08,920
Speaker 5: Then talk about how we treat.

914
00:52:08,639 --> 00:52:11,280
Speaker 16: Each other, to feed each other, how we beat each other.

915
00:52:11,599 --> 00:52:12,400
Speaker 5: We need each other.

916
00:52:12,519 --> 00:52:15,000
Speaker 16: We gotta plant the seed in the brotherhood, bleed for

917
00:52:15,159 --> 00:52:17,480
the common good. So when you're sitting pitched in a

918
00:52:17,559 --> 00:52:19,519
traffic jam and you can see it all around you

919
00:52:19,679 --> 00:52:21,840
like a hall of ground. But the lady in a

920
00:52:21,920 --> 00:52:24,400
way welcome mamme scene to whole. But it needs another

921
00:52:24,480 --> 00:52:27,039
burningham because I tell you the truth. So we're disen

922
00:52:27,119 --> 00:52:28,719
the lead. I don't want to sell you the roof.

923
00:52:28,800 --> 00:52:30,760
You should listen to me. The cradle fell with the

924
00:52:30,880 --> 00:52:33,559
roof ies busing and looks like youth and still were

925
00:52:33,679 --> 00:52:34,320
missing the key.

926
00:52:34,840 --> 00:52:36,880
Speaker 5: Sign of the times, just a sign of the times.

927
00:52:37,159 --> 00:52:39,800
Payin no attention, just to rhythm and riding. Put your

928
00:52:39,840 --> 00:52:40,280
hand out.

929
00:52:40,320 --> 00:52:42,360
Speaker 16: I'm gonna help you clime because I don't want to

930
00:52:42,400 --> 00:52:44,519
be another sign at the times, just a sign of

931
00:52:44,599 --> 00:52:45,920
the times, just a sign of the time.

932
00:52:46,400 --> 00:52:49,000
Speaker 5: Pay no attention, just to rhythm and ring. Put your

933
00:52:49,039 --> 00:52:49,519
hand out.

934
00:52:49,559 --> 00:52:51,559
Speaker 16: I'm gonna help you climb because I don't want to

935
00:52:51,639 --> 00:52:53,079
be another sign of the times.

936
00:52:53,440 --> 00:52:55,280
Speaker 5: We gotta bounce when we hit the ground.

937
00:52:55,599 --> 00:52:57,559
Speaker 16: Take ahead, count take a look around.

938
00:52:58,039 --> 00:53:00,719
Speaker 5: We y all amount to something I found. So help somebody.

939
00:53:00,760 --> 00:53:03,039
Speaker 16: You have to make the world go around the sound

940
00:53:03,079 --> 00:53:03,519
of one hand.

941
00:53:03,679 --> 00:53:06,400
Speaker 5: Just don't clap. We can rebuild tough with off handed.

942
00:53:06,480 --> 00:53:06,880
Wrap up.

943
00:53:07,000 --> 00:53:09,119
Speaker 1: We can't pretend this is just a mishap.

944
00:53:09,360 --> 00:53:13,440
Speaker 16: We can't defend our opinions with straps. We gotta ago solidarity,

945
00:53:13,719 --> 00:53:15,880
stay focused on freedom and cheer retea.

946
00:53:16,000 --> 00:53:18,079
Speaker 5: We gotta share. It's the key to prosperity.

947
00:53:18,280 --> 00:53:21,719
Speaker 16: Don't let fear turn into barbarity or would you care

948
00:53:21,840 --> 00:53:24,119
to be and someone else's shoes through the deal like

949
00:53:24,199 --> 00:53:26,599
hand of Heaven to choose. If everybone there's people who

950
00:53:26,800 --> 00:53:28,559
roll with the blue, say a prayer because.

951
00:53:28,400 --> 00:53:29,880
Speaker 5: This mother just just sold to lose.

952
00:53:30,960 --> 00:53:33,639
Speaker 16: I know you're feeling alone, engaged as I'm coverassing this

953
00:53:33,800 --> 00:53:36,400
microphone and range. You gotta stuptress in your craning and

954
00:53:36,480 --> 00:53:39,039
both burt caged up obsessing because you're not on your own,

955
00:53:39,639 --> 00:53:42,119
you never know when the need will appear. Trouble bruise

956
00:53:42,159 --> 00:53:44,079
as I do better. Hate what you hear a double

957
00:53:44,119 --> 00:53:44,760
true when you're.

958
00:53:44,679 --> 00:53:46,639
Speaker 5: Planning to see it's doon here because your two d

959
00:53:46,760 --> 00:53:47,280
is to let.

960
00:53:47,199 --> 00:53:50,960
Speaker 16: The world into fear. But you gotta stay clear of

961
00:53:51,079 --> 00:53:53,280
any of the negative that got you here. You gotta

962
00:53:53,320 --> 00:53:55,360
see a lot of what we see is fear, but

963
00:53:55,480 --> 00:53:58,519
you gotta rise above it, like the atmosphere inside of the.

964
00:53:58,519 --> 00:54:01,039
Speaker 5: Times, just the side of the time. Are you no attention?

965
00:54:01,199 --> 00:54:03,400
Just a rhythm and rhyme. Put your hand out.

966
00:54:03,440 --> 00:54:05,519
Speaker 16: I'm a healthy climb because I don't want to be

967
00:54:05,639 --> 00:54:06,800
another sign at the times.

968
00:54:06,800 --> 00:54:08,559
Speaker 5: It's just a sign of the times, just a sign

969
00:54:08,599 --> 00:54:10,920
of the time. Are you no attention, just a rhythm

970
00:54:11,000 --> 00:54:12,599
and rhyme. Put your hand out.

971
00:54:12,679 --> 00:54:14,760
Speaker 16: I'm a healthy climb because I don't want to be

972
00:54:14,880 --> 00:54:16,119
another sign of the times.

973
00:54:42,079 --> 00:54:44,960
Speaker 5: W m n h rip the normal sign.

974
00:54:46,679 --> 00:54:48,239
Speaker 1: We're back from the brain.

975
00:55:20,760 --> 00:55:25,639
Speaker 2: Wide awake, but my mind's in pieces, trying to slow

976
00:55:25,840 --> 00:55:27,079
down my stride.

977
00:55:29,039 --> 00:55:32,880
Speaker 3: You can't believe all the thoughts that filled my side

978
00:55:37,559 --> 00:55:42,800
gotta feeling bad. I can't escape it rising deep in

979
00:55:43,079 --> 00:55:47,920
my mind. Baby, I don't want.

980
00:55:47,800 --> 00:55:49,000
Speaker 5: To no more.

981
00:55:49,400 --> 00:55:51,840
Speaker 1: It's wasting too much time.

982
00:55:53,159 --> 00:55:54,440
Speaker 7: And it's all.

983
00:55:55,760 --> 00:56:01,280
Speaker 4: The times I shake, And it's all fears a fake,

984
00:56:01,559 --> 00:56:07,159
And it's all the dots I make it so right,

985
00:56:10,000 --> 00:56:16,840
And it's all times I shake, and it's all the

986
00:56:17,039 --> 00:56:22,280
fierce a fake get. It's all the dots I make

987
00:56:22,840 --> 00:56:51,920
song the times I shake, can't the fierce a fake,

988
00:56:54,679 --> 00:56:57,199
the chops I make it all.

989
00:57:01,800 --> 00:57:02,599
Speaker 5: W a wake.

990
00:57:02,840 --> 00:57:07,920
Speaker 4: But I'm trying to eat silence and I can't confide.

991
00:57:10,119 --> 00:57:14,039
Speaker 3: I can't believe when my thoughts a twisted right.

992
00:57:18,679 --> 00:57:19,559
Speaker 1: Well frozen.

993
00:57:19,719 --> 00:57:24,800
Speaker 4: No, I'm caught inside it can't see past the lights.

994
00:57:27,079 --> 00:57:30,119
Speaker 7: Maybe I don't want to no more.

995
00:57:30,480 --> 00:57:37,440
Speaker 4: It's wasted too much time, And it's all the times

996
00:57:37,559 --> 00:57:42,679
I shake, And it's all the fears I think, And

997
00:57:42,920 --> 00:57:51,119
it's all the times I make it all night, and

998
00:57:51,360 --> 00:57:57,920
it's all the times I shake, and it's all the

999
00:57:58,119 --> 00:58:00,880
fears I think, And it's Oh.

1000
00:58:02,079 --> 00:58:29,039
Speaker 1: The downside man gets all towns are shake.

1001
00:58:31,760 --> 00:58:32,880
Speaker 5: Sis a fake.

1002
00:58:35,760 --> 00:58:37,920
Speaker 1: The downside mag gets all