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<v Speaker 1>That just gang yours. You gave him myself to the nation.

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<v Speaker 2>Hold baby the.

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<v Speaker 1>Name, be strong, your sobey you are. Want to be

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<v Speaker 1>the best moneless and be the one acer always. Don't

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<v Speaker 1>worry about me. I'm five, Ma, don't hurry about him.

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<v Speaker 1>She got up me. That's why I love her. He's

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<v Speaker 1>Andrew so easy lady. Single a single just puts a

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<v Speaker 1>man of your head. And see you gotta be tell

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<v Speaker 1>me I said be longer. Love me for saying gotta

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<v Speaker 1>be off. No so such it's gonna ray.

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<v Speaker 2>But baby can be made good. I made that just

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<v Speaker 2>for you. Nico glitzaid that for reality quality. Man, that's dope. Yeah,

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<v Speaker 2>what about it?

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<v Speaker 3>Do you like?

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<v Speaker 2>Right?

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<v Speaker 3>Is?

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<v Speaker 2>I know that's like a like a walk down memory lane,

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<v Speaker 2>memory lane for you, right? And definitely you know I

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<v Speaker 2>look back at the catalog, indeed, from from the past

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<v Speaker 2>on into the future. Yeah, yeah, man. And and then

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<v Speaker 2>the mix. The mix was dope for sure.

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<v Speaker 3>And there's so many more hits though, bro, yeah, so

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<v Speaker 3>many more could have been could have been a lot longer.

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<v Speaker 2>Work to hit part two. He only gave me a minute.

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<v Speaker 2>It's I was like, bro, I can't fit all these

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<v Speaker 2>You made it work. Made it work, man, Yo, show

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<v Speaker 2>Me is out now, you know, Neo show Me right,

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<v Speaker 2>crazy single? I love it right? But what else does

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<v Speaker 2>Neo need to see? Neil, You've seen it all man.

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<v Speaker 3>You know what show me is, the metaphor of it

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<v Speaker 3>is I was I was complaining, you know, is recently

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<v Speaker 3>about the state of R and B and just the

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<v Speaker 3>stuff that I miss from R and B. You know,

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<v Speaker 3>everybody just got real tough all of a sudden in

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<v Speaker 3>R and B, and it has never made any sense

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<v Speaker 3>to me. An R and B thug has never made

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<v Speaker 3>sense to me. I'm sorry, I just don't. So I decided,

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<v Speaker 3>as opposed to complaining, I'm gonna just beat a change

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<v Speaker 3>I want to see.

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<v Speaker 2>I'm gonna bring back the romance.

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<v Speaker 3>I'm gonna bring back the sensuality of it as opposed

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<v Speaker 3>to the just just nastiness of it.

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<v Speaker 2>You know what I mean.

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<v Speaker 3>It's one thing to be nasty, it's another thing to

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<v Speaker 3>be sensual. Sure, I'm trying to trying to bring that back.

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<v Speaker 1>You know.

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<v Speaker 3>It's one thing to just say it. It's another thing

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<v Speaker 3>to find a poetic and interesting way to say it.

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<v Speaker 3>Make us think, stimulate a mind as well as a body,

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<v Speaker 3>that's that's what I'm.

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<v Speaker 2>Saying to now. Listen, you've gone viral on the show,

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<v Speaker 2>you know when you said, uh, you know with songs

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<v Speaker 2>of bitching and women dancing to it, and you know

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<v Speaker 2>it's kind of their fault too, you know what I

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<v Speaker 2>mean that you know it is what it is? Yeah, right,

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<v Speaker 2>what it is?

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<v Speaker 3>Right?

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<v Speaker 2>But yo, like yeah, like, there's a lot of music

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<v Speaker 2>out there that has just gotten very rawnchy, and it

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<v Speaker 2>is what it is, you feel me and love No,

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<v Speaker 2>doesn't really exist in a lot of music.

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<v Speaker 3>That is the unfortunate true right now. And I'm trying

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<v Speaker 3>to be again, I'm trying to be the change I

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<v Speaker 3>want to see. You know, love is an energy, and

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<v Speaker 3>it's an energy, and energy can't be destroyed. You know,

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<v Speaker 3>it can be forgotten, but it can't be destroyed. I'm

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<v Speaker 3>trying to trying to remind people that that love is

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<v Speaker 3>one of the most powerful energies on the face of

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<v Speaker 3>this planet, and that it is important and it needs

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<v Speaker 3>to be incorporated in your everyday life, including your musical selection.

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<v Speaker 2>Yeah right. And love is not just loving someone or something, right,

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<v Speaker 2>You have to love yourself first. At first. We're programmed

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<v Speaker 2>not to necessarily do that or wired. We're wired that way.

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<v Speaker 2>The sad place we live, right It's a sad place

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<v Speaker 2>we live right now.

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<v Speaker 3>Everybody is is uh, this, this acceptance from strangers is

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<v Speaker 3>just a weird thing.

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<v Speaker 1>You know.

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<v Speaker 3>I have seven beautiful children, and yes, yes, man, My

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<v Speaker 3>oldest is fourteen. My youngest just turned two about three

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<v Speaker 3>days ago. And you know, it's just sad that they

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<v Speaker 3>have to grow up in a time where everything is

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<v Speaker 3>about clout and and and if you don't have this

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<v Speaker 3>many followers and all that, and it's like like nobody

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<v Speaker 3>is preaching about the importance of what it is to

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<v Speaker 3>love you first.

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<v Speaker 2>Like I don't.

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<v Speaker 3>I don't give a damn how many mind. I love

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<v Speaker 3>all my followers because they're real. I didn't buy them,

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<v Speaker 3>you know what I'm saying, They're real. But at the

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<v Speaker 3>same time, if nobody followed me, I follow me. And

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<v Speaker 3>that's the part, that's the part that needs to be

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<v Speaker 3>that's the part that we need to put the spotlight on.

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<v Speaker 2>You know, love you first.

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<v Speaker 3>You ain't gonna love nobody the right way, and nobody's

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<v Speaker 3>gonna love you the right way if you don't love

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<v Speaker 3>you first. That's what it is.

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<v Speaker 2>Seven children, You love your babies. Indeed, do you see

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<v Speaker 2>talent there? Oh?

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<v Speaker 3>Hell yeah, yeah, and listen, I was, I was totally

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<v Speaker 3>prepared to be Hollywood dad, and like you know, Joe

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<v Speaker 3>Jackson forced them into music.

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<v Speaker 1>I was.

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<v Speaker 2>I was prepared to be that dude. I don't have

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<v Speaker 2>to They have it, they do.

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<v Speaker 3>Everybody has perfect pitch, everybody writes, everybody sings on their own.

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<v Speaker 2>Oh yeah, all on their own.

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<v Speaker 3>They sit at the breakfast table and make songs about

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<v Speaker 3>how they don't want to go to school and all

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<v Speaker 3>all they long to do.

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<v Speaker 4>Yeah, they make a song good enough that they don't

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<v Speaker 4>want to go to school. Do you let them be?

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<v Speaker 2>Like, like, that's dope, son, I finished the cheerios. Let's

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<v Speaker 2>get out of there. I'll take that. I'll take that.

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<v Speaker 3>I like it. I like it.

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<v Speaker 2>You're gonna sing, You're gonna be the best. Indeed, Now, yeah,

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<v Speaker 2>we kind of had that rule with Mike. I only

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<v Speaker 2>have two kids, right, I'm way behind you. But but yeah,

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<v Speaker 2>like yeah, with my kids, like, if it's funny, you're

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<v Speaker 2>not in trouble. But we all got to be laughing,

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<v Speaker 2>not just you. Indeed, you feel mean. I like that rule. Yeah,

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<v Speaker 2>so you can cuss at the house don't don't cuss

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<v Speaker 2>in for any teachers, right right, right right? Your kids

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<v Speaker 2>are singing, right do you help them or are you?

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<v Speaker 2>Are you writing with the don't.

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<v Speaker 3>Have to like like I thought that I was gonna have,

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<v Speaker 3>you know, all right, all right son? You a little flat,

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<v Speaker 3>you a little sharp? No, they all have perfect They

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<v Speaker 3>sing better than I do, the better I had to

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<v Speaker 3>work to get mine.

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<v Speaker 2>They just they just have it. I'm a little jealous

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<v Speaker 2>light way. You're not long stage? No, no, no, I

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<v Speaker 2>don't think anybody is ready for stage yet.

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<v Speaker 3>But you know, I I like the fact that that

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<v Speaker 3>they gravitated to music on their own, because again, the

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<v Speaker 3>importance of just for one music for me was like

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<v Speaker 3>an outlet, you know what I mean. I grew up

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<v Speaker 3>in a house full of women. I'm becoming a young man,

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<v Speaker 3>and I ain't got nobody to bounce these emotions off

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<v Speaker 3>of us. So I started just doing stupid stuff like

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<v Speaker 3>you know, get in trouble and whatnot, and music, you know,

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<v Speaker 3>for lack of a better way to save it, to say,

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<v Speaker 3>it saved my life because without it, you know, if

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<v Speaker 3>my mom didn't hand me that pad and say write

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<v Speaker 3>it down, you know, I wouldn't be doing this, you know,

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<v Speaker 3>y'a'll be talking to me through some glass or something.

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<v Speaker 2>Wrong lock company. Yeah, man, might would have been it

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<v Speaker 2>would have been another way. Yeah right. We we know

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<v Speaker 2>right as fans, what you've been through and what you've

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<v Speaker 2>gone through to get to this point. Right? Do your

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<v Speaker 2>kids know? Just do they know what it takes? The

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<v Speaker 2>apollo the groove? They are so low aware of every

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<v Speaker 2>radio station working at McDonald's. Man, man, they're they're aware

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<v Speaker 2>of it.

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<v Speaker 3>But it's it's like, I mean, telling somebody about something

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<v Speaker 3>and experiencing, and it's two totally different things. You know,

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<v Speaker 3>none of my children will ever have to work in

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<v Speaker 3>me Donald's, you know. So I could tell him what

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<v Speaker 3>it was and they go, oh wow, that was cool.

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<v Speaker 3>Uh yeah, past the great pulpaond like they do.

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<v Speaker 2>They don't, don't you in the way wants them to

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<v Speaker 2>work at McDonald's, So they understand. I wouldn't mind.

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<v Speaker 3>But at the same time, I worked as hard as

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<v Speaker 3>I did so that my kids wouldn't have to suffer

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<v Speaker 3>the way that I did. You know what I mean,

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<v Speaker 3>mind you, I understand that you know, there's a there's

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<v Speaker 3>a slippery slope there because you don't want to raise,

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<v Speaker 3>you know, little helliens that don't appreciate nothing. But at

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<v Speaker 3>the same time, I'm not gonna I'm not gonna have

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<v Speaker 3>them suffer the way that I did.

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<v Speaker 2>Man and McDonald's. Were you at the fries? Were you

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<v Speaker 2>at the burger? Actually got fired at the fries? Yeah?

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<v Speaker 3>Man, well, I mean well I got fired and quit

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<v Speaker 3>at the same time. The dude yelled at me on

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<v Speaker 3>the fries, and I'm like, bro, listen, you ain't gonna

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<v Speaker 3>yell at me. Take this little name tag, take this

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<v Speaker 3>at him out. I worked there long enough to get

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<v Speaker 3>two pay checks. Yeah, my man, before I quit, did

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<v Speaker 3>you steal nuggets?

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<v Speaker 2>I did. That's what Farrell used to do. Nuggets. If

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<v Speaker 2>any of my friends came, they got free for all. Yeah,

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<v Speaker 2>that was that was It was a thing.

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<v Speaker 3>How you work at a fast rest runt your friends

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<v Speaker 3>can't get free for Come on, man, did you ever figure.

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<v Speaker 5>Out what was wrong with the ice cream machines?

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<v Speaker 1>No? Was it working?

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<v Speaker 5>Then?

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<v Speaker 2>You never touched the ice cream machine?

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<v Speaker 1>And no, no.

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<v Speaker 4>There.

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<v Speaker 2>It's crazy.

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<v Speaker 4>When it comes to writing. You mentioned that you know,

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<v Speaker 4>your mom put a notepad in front of you, and

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<v Speaker 4>you're she was just like write this down. Do you

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<v Speaker 4>still hold the value of writing things down or do

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<v Speaker 4>you now use voice notes or do you put things

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<v Speaker 4>on your phone.

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<v Speaker 3>Now just for the sake of time and keeping things together?

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<v Speaker 3>Is you know, I lose stuff, you know, so I

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<v Speaker 3>write in my notes now. But there's definitely something to

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<v Speaker 3>be said about putting pen to pad like this.

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<v Speaker 2>If I'm in the.

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<v Speaker 3>Studio and I know that I'm gonna beat it for

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<v Speaker 3>a little while and ain't going nowhere, I'll get some

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<v Speaker 3>paper and independ.

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<v Speaker 2>And do it that way. There's something to that though, right,

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<v Speaker 2>psychologically right, it's something.

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<v Speaker 3>It's something I can't even explain what it is, but

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<v Speaker 3>it's it's this versus this. It's a lot from what

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<v Speaker 3>I understand writing it down gestures like we're not on.

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<v Speaker 2>Radio, but yeah they can see okay, okay, cool.

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<v Speaker 3>Cool writing it down versus doing it in the in

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<v Speaker 3>the phone. It's it's there's a there's an organicness that that.

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<v Speaker 3>I don't know, it just it just feels better.

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<v Speaker 5>Well, some of people just punch in now, you know

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<v Speaker 5>what I mean.

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<v Speaker 2>They don't even write. They just I tried that. Yeah,

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<v Speaker 2>I can't do that.

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<v Speaker 3>No, not disrespecting anybody that does do that. I've actually

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<v Speaker 3>been in studio and saw people do that before and

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<v Speaker 3>just sat there amazed, like, Bro, you didn't even think

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<v Speaker 3>you just you just said said something.

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<v Speaker 2>That's dope.

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<v Speaker 3>I got to sit down and like really calculate what

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<v Speaker 3>I want to do. And I think that I think

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<v Speaker 3>that that's why my music comes out the way it does.

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<v Speaker 2>That's right. Maybe blame it on public school. I don't know.

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<v Speaker 2>I'm thankful for public school.

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<v Speaker 1>Me too.

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<v Speaker 2>I went to public school. Turned out right, Yeah I didn't.

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<v Speaker 2>But we're here, We're here, my guy. Listen, Neil Manda, Man,

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<v Speaker 2>you give a really good hug. You walked in here

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<v Speaker 2>and we hugged it out and there was a tightness there,

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<v Speaker 2>and uh, it didn't didn't feel funny. It felt right.

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<v Speaker 2>It felt like two bros, like two men. You know

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<v Speaker 2>that that have gone on, you know that that have

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<v Speaker 2>come a long way. Indeed, gave each other a nice hug,

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<v Speaker 2>a nice embrace. There's nothing wrong with its, nothing wrong

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<v Speaker 2>with embracing your brother. Ain't nothing wrong, no, man, that

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<v Speaker 2>loving that hug. Thank you. Maybe I needed it, you

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<v Speaker 2>know what I mean. It's good, happy to be that

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<v Speaker 2>for you. But I appreciate that. Thank you very much.

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<v Speaker 2>You know, Coaches joined the show and he is geeked

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<v Speaker 2>out that you're here. I am geeked.

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<v Speaker 5>Ain't know why because like you know, so, I'm Filipino

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<v Speaker 5>and Filipinos love Neo man. Filipinos love you, bro.

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<v Speaker 2>I was. I was not aware. I appreciate it. You

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<v Speaker 2>the Philippines I have. Do you know what I have? Yeah?

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<v Speaker 2>They do love me. Wow. No, I know, it's bringing

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<v Speaker 2>it's bringing back.

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<v Speaker 3>We just we was out there just uh just reason

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<v Speaker 3>like the end of the year, and I took a

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<v Speaker 3>picture with every single person in the airport and people

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<v Speaker 3>that worked there, the security that do like it might

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<v Speaker 3>have been bombs that got through there because.

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<v Speaker 2>People were taking pictures.

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<v Speaker 3>It was it was all work, all all works stopped. Yes, yes,

258
00:11:03.120 --> 00:11:08.440
<v Speaker 3>flights was missed, luggage was lost. I took pictures with everybody,

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<v Speaker 3>and it was it was. It was. It was a

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<v Speaker 3>really dope and it's like genuine love. It's not that

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<v Speaker 3>you know what I mean, It's it's like they really

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<v Speaker 3>can't like that's dope.

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<v Speaker 2>That's dope. Yeah, shout out to shout out to the Philippines.

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<v Speaker 2>They're not taking pictures with you and then asking you

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<v Speaker 2>who are you? Yeah, that thing. No, they know who

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<v Speaker 2>you are. You're famous. Can I get a picture? What's

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<v Speaker 2>your name again?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah, I mean I take those pictures too, though, I do.

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<v Speaker 2>That's okay.

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<v Speaker 4>Something that I do appreciate, like you said, is that

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<v Speaker 4>you took a picture with every single person and all

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<v Speaker 4>it takes is for fifteen seconds for a picture. If

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<v Speaker 4>that like, to make someone's day true, to make someone a.

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<v Speaker 3>Three hour situation and that yeah, particular cations a million, Yeah,

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<v Speaker 3>but no, but I prod myss up on that. I've

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<v Speaker 3>never grasped the concept of an artist that would disrespect

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<v Speaker 3>the people who literally put you where you are, Like,

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00:11:57.679 --> 00:11:59.960
<v Speaker 3>if not for your fans, who are you? These are

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<v Speaker 3>the people that buy the concert tickets, These are the

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<v Speaker 3>people that download the music, requesting music on the radio.

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<v Speaker 3>So why would you be Why would you Why would

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00:12:06.879 --> 00:12:08.879
<v Speaker 3>you be mean to them? You know that that doesn't

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<v Speaker 3>make any They put you on the pedalstal you're on.

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<v Speaker 3>You're gonna look down on that.

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<v Speaker 2>That's stupid. You're human. You're a good human, my man.

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<v Speaker 2>All How great is it running into specifically women right

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<v Speaker 2>that didn't give you the time of day back in

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00:12:21.120 --> 00:12:24.080
<v Speaker 2>the day, and they see you now? How how great

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00:12:24.200 --> 00:12:24.360
<v Speaker 2>is that?

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<v Speaker 3>So? Uh, the last show we did was the last

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<v Speaker 3>show we did was here, But then before that, we

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<v Speaker 3>did a show in Vegas. And every time I perform

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<v Speaker 3>in Vegas, I kid you not, I run into at

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00:12:34.440 --> 00:12:37.279
<v Speaker 3>least four girls that I went to high school with

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<v Speaker 3>that would not spit in my face if my eyebrowsers

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<v Speaker 3>on fire at that point in time. Every single time

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<v Speaker 3>we go back and yeah, it's it's definitely a yeah,

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<v Speaker 3>it's a beautiful experience. It is.

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<v Speaker 2>It's beautiful situation. It feels like revenge. Almost nothing wrong

301
00:12:51.440 --> 00:12:56.480
<v Speaker 2>with that. You're not hurting anyone. Almost, it's definitely you're

302
00:12:56.519 --> 00:12:57.320
<v Speaker 2>not hurting anyone.

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00:12:59.159 --> 00:13:01.559
<v Speaker 3>I would get hurt. Front row tickets so that she

304
00:13:01.639 --> 00:13:04.440
<v Speaker 3>can see everything she missed, right up close. Right.

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<v Speaker 2>That's when city boys up. We're here, Ladies and gentlemen,

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00:13:10.120 --> 00:13:14.039
<v Speaker 2>we're here. What's up? Garcia? Oh yeah, sorry, sorry, show

307
00:13:14.039 --> 00:13:14.519
<v Speaker 2>it's up. Jack.

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<v Speaker 4>You know you said three times in your career there's

309
00:13:17.039 --> 00:13:21.000
<v Speaker 4>songs that were one hundred percent ahead and everyone's like yes,

310
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<v Speaker 4>And one of those was so sick? What were the

311
00:13:23.399 --> 00:13:23.759
<v Speaker 4>other two?

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<v Speaker 3>Uh? So sick was one because of you was one.

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00:13:31.559 --> 00:13:34.080
<v Speaker 3>Marios let Me Love You was the other one. Where

314
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<v Speaker 3>everybody in the room was like, that's one. Yeah, it

315
00:13:37.320 --> 00:13:39.559
<v Speaker 3>doesn't it doesn't happen like that. Like, you know, I

316
00:13:39.679 --> 00:13:44.399
<v Speaker 3>have roughly four to five opinions that I respect, you know.

317
00:13:44.519 --> 00:13:46.480
<v Speaker 3>So these are the people that I do a song,

318
00:13:46.799 --> 00:13:49.159
<v Speaker 3>I run it by them, and you know what they say,

319
00:13:49.320 --> 00:13:53.320
<v Speaker 3>I take take the hit, take the heart. And normally

320
00:13:53.480 --> 00:13:55.279
<v Speaker 3>it's you know, three people like this one, two people

321
00:13:55.360 --> 00:13:57.320
<v Speaker 3>like this one, or four people like this, one person

322
00:13:57.440 --> 00:13:59.799
<v Speaker 3>like that one. Only those three times has it ever

323
00:13:59.840 --> 00:14:03.039
<v Speaker 3>been everybody like, yep, that's one. That's just the only time,

324
00:14:03.039 --> 00:14:03.840
<v Speaker 3>the only three times.

325
00:14:03.720 --> 00:14:07.679
<v Speaker 4>That do you because you've like hit those like three

326
00:14:07.799 --> 00:14:11.320
<v Speaker 4>times already, do you constantly like just be like all right,

327
00:14:11.360 --> 00:14:13.960
<v Speaker 4>I'm gonna try like so hard, or you just wait

328
00:14:14.000 --> 00:14:14.840
<v Speaker 4>for it to come naturally.

329
00:14:14.879 --> 00:14:16.679
<v Speaker 2>You gotta wait for it to come naturally. It's gotta

330
00:14:16.679 --> 00:14:17.159
<v Speaker 2>be magic.

331
00:14:17.360 --> 00:14:20.919
<v Speaker 3>I can't even tell you why those it happened that

332
00:14:20.960 --> 00:14:23.320
<v Speaker 3>way those three times, you know, because in the first,

333
00:14:23.360 --> 00:14:24.960
<v Speaker 3>the first couple of times it happened, it's like, all right,

334
00:14:25.039 --> 00:14:27.679
<v Speaker 3>now I'm gonna try to write it in the similar

335
00:14:27.759 --> 00:14:29.720
<v Speaker 3>vein of this to see if that happens again, and

336
00:14:29.840 --> 00:14:31.879
<v Speaker 3>it never. It never does, so you kind of just

337
00:14:31.919 --> 00:14:36.240
<v Speaker 3>gotta do what feels good and you know, hope that

338
00:14:36.320 --> 00:14:38.960
<v Speaker 3>people agree. Have you ever written a pile of songs

339
00:14:39.000 --> 00:14:41.320
<v Speaker 3>for specific artists and they chose none of them? Yes,

340
00:14:42.200 --> 00:14:44.399
<v Speaker 3>oh yeah, yeah that that that happens, and you gotta

341
00:14:44.440 --> 00:14:44.799
<v Speaker 3>go home.

342
00:14:44.759 --> 00:14:45.480
<v Speaker 2>With all these songs.

343
00:14:45.559 --> 00:14:48.279
<v Speaker 3>Like but see, the thing can be used for something

344
00:14:48.480 --> 00:14:53.559
<v Speaker 3>like Okay, so for example, uh, make me better fabulous myself.

345
00:14:54.120 --> 00:14:56.720
<v Speaker 3>I wrote that originally for jay Z. Yeah, that that

346
00:14:57.000 --> 00:14:59.399
<v Speaker 3>that track would shout out to simular and did the track.

347
00:15:00.240 --> 00:15:01.759
<v Speaker 3>That was my first time going to the studio with

348
00:15:01.879 --> 00:15:04.240
<v Speaker 3>jay Z and also my first time seeing jay Z

349
00:15:04.399 --> 00:15:07.559
<v Speaker 3>and Beyonce, you know, out of the public eye, you know.

350
00:15:07.720 --> 00:15:10.360
<v Speaker 3>So I'm sitting there with the track and I'm supposed

351
00:15:10.360 --> 00:15:12.600
<v Speaker 3>to be writing the hook for j and like Jay

352
00:15:12.679 --> 00:15:14.240
<v Speaker 3>and b are over in the corner just kind of

353
00:15:14.279 --> 00:15:15.879
<v Speaker 3>in their own world, hugged up, you know what I'm saying,

354
00:15:15.919 --> 00:15:16.960
<v Speaker 3>Like no one else exists.

355
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<v Speaker 2>So I'm like, all right, this was early on. Yeah yeah,

356
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<v Speaker 2>it's like kind of puppy love.

357
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<v Speaker 3>So I'm like, all right, Jay is clearly a movement

358
00:15:25.039 --> 00:15:29.200
<v Speaker 3>by itself, but them together is like a force. Like

359
00:15:30.240 --> 00:15:33.120
<v Speaker 3>I'm a movement by myself, but I'm a force when

360
00:15:33.120 --> 00:15:35.480
<v Speaker 3>we're together. Maybe I'm good a by myself, but you

361
00:15:35.480 --> 00:15:38.080
<v Speaker 3>you make me okay?

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<v Speaker 2>I wrote it, killed that man. I wrote it. I

363
00:15:43.120 --> 00:15:43.759
<v Speaker 2>played it for him.

364
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<v Speaker 3>He loved it that night, but then like two days

365
00:15:45.720 --> 00:15:47.679
<v Speaker 3>later heard me and said, this kind of feels more

366
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<v Speaker 3>like an R and B record, So I want you

367
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<v Speaker 3>to have it.

368
00:15:49.799 --> 00:15:51.720
<v Speaker 2>So he gave it to me, and I'm like, all right, cool.

369
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<v Speaker 3>So I wrote versus to it in the whole nine uh,

370
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<v Speaker 3>And it's sat in the archives for a few months,

371
00:15:56.919 --> 00:15:59.320
<v Speaker 3>like just because what I wound up doing it kind

372
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<v Speaker 3>of didn't match the format. So again, you know situation

373
00:16:02.519 --> 00:16:05.200
<v Speaker 3>where everything can be used for something. I'm just randomly

374
00:16:05.279 --> 00:16:06.879
<v Speaker 3>in the studio playing stuff for fab.

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<v Speaker 2>I play that. He's like, bro, what are you doing

376
00:16:08.960 --> 00:16:10.919
<v Speaker 2>with that? I'm like, well, nothing, to be honest, let

377
00:16:10.960 --> 00:16:11.840
<v Speaker 2>me get that all right?

378
00:16:11.919 --> 00:16:12.120
<v Speaker 4>Cool?

379
00:16:12.559 --> 00:16:14.320
<v Speaker 3>He took it, wrote his verses to it, and it

380
00:16:14.440 --> 00:16:17.679
<v Speaker 3>became the one that everybody knows now. But initially it

381
00:16:17.799 --> 00:16:19.919
<v Speaker 3>was supposed to be for j you know. So it

382
00:16:20.080 --> 00:16:21.960
<v Speaker 3>just because the person you wrote it for it doesn't

383
00:16:22.000 --> 00:16:24.279
<v Speaker 3>want it doesn't mean it's you scrap it. It just

384
00:16:24.399 --> 00:16:26.759
<v Speaker 3>means you you you know, you reformat it and do

385
00:16:26.799 --> 00:16:28.600
<v Speaker 3>something else with it. Yeah, I love how jay Z

386
00:16:28.759 --> 00:16:34.639
<v Speaker 3>gave you a song you wrote. That's great, fucking jay

387
00:16:34.720 --> 00:16:37.759
<v Speaker 3>Z man. Well, I bro, he gave he gave me

388
00:16:37.879 --> 00:16:42.120
<v Speaker 3>the track because the Timberland track that would have would

389
00:16:42.159 --> 00:16:44.600
<v Speaker 3>have cost me hundreds of thousands of dollars and he

390
00:16:44.679 --> 00:16:45.200
<v Speaker 3>gave it to me.

391
00:16:45.360 --> 00:16:47.360
<v Speaker 2>Okay, you know with Tim's blessing of course, of course,

392
00:16:47.399 --> 00:16:49.879
<v Speaker 2>of course, and of course your three Grammys not one speech?

393
00:16:50.440 --> 00:16:52.159
<v Speaker 2>Not one? How does that happen? Not one?

394
00:16:52.559 --> 00:16:52.679
<v Speaker 6>Uh?

395
00:16:53.200 --> 00:16:55.440
<v Speaker 3>My first time going to the Grammys is when I

396
00:16:55.519 --> 00:16:59.360
<v Speaker 3>learned that there are categories that are not televised. You know,

397
00:16:59.480 --> 00:17:01.120
<v Speaker 3>you watch the Grammys on TV, and you feel like

398
00:17:01.200 --> 00:17:03.240
<v Speaker 3>the ones that that they that they show on TV

399
00:17:03.360 --> 00:17:05.279
<v Speaker 3>are just are those are the ones? But it's like, no,

400
00:17:05.359 --> 00:17:07.599
<v Speaker 3>there's there's there's hundreds of them that and a lot

401
00:17:07.640 --> 00:17:10.039
<v Speaker 3>of them aren't televised. So I've won three times in

402
00:17:10.119 --> 00:17:11.720
<v Speaker 3>categories that were never televised.

403
00:17:12.559 --> 00:17:13.519
<v Speaker 2>Yeah, that's crazy.

404
00:17:13.799 --> 00:17:16.119
<v Speaker 3>Yeah, I mean it is, but it's it's like it's

405
00:17:16.200 --> 00:17:18.680
<v Speaker 3>like it's it's a bittersweet because it's still a Grammy.

406
00:17:18.759 --> 00:17:21.480
<v Speaker 2>You know, category. What was it?

407
00:17:21.559 --> 00:17:21.880
<v Speaker 3>What was it?

408
00:17:22.039 --> 00:17:22.160
<v Speaker 5>Uh?

409
00:17:24.240 --> 00:17:25.920
<v Speaker 2>Crap, I can't I can't think of it right off

410
00:17:25.960 --> 00:17:27.759
<v Speaker 2>the top of my hair right now. Back in the day,

411
00:17:27.839 --> 00:17:31.119
<v Speaker 2>categories used to be crazy too, Like I remember the

412
00:17:31.200 --> 00:17:34.799
<v Speaker 2>American Music Awards had like Best Black Single, Like, hey, y'all, yeah,

413
00:17:34.920 --> 00:17:38.000
<v Speaker 2>I remember that. What are we doing? I remember that? Yeah, yeah,

414
00:17:38.039 --> 00:17:44.319
<v Speaker 2>we've We've gotten a little. Actually that we haven't. I'm

415
00:17:44.319 --> 00:17:46.279
<v Speaker 2>about to give us credit that we do not desire.

416
00:17:47.119 --> 00:17:50.119
<v Speaker 2>They just worried it different now. But we know what

417
00:17:50.200 --> 00:17:52.000
<v Speaker 2>they mean. We know what they mean. It's all good.

418
00:17:52.039 --> 00:17:54.240
<v Speaker 2>But three Grammys is man, we'ren't accomplishment.

419
00:17:54.359 --> 00:17:56.559
<v Speaker 3>Man, I don't. I don't you know, it is what

420
00:17:56.680 --> 00:17:58.759
<v Speaker 3>it is. I know that this just means I got

421
00:17:58.839 --> 00:18:00.559
<v Speaker 3>more work to do, you know. I gotta the category

422
00:18:00.599 --> 00:18:01.880
<v Speaker 3>that they put on TV yo.

423
00:18:02.119 --> 00:18:03.960
<v Speaker 2>And when you do, get that grabb me where you

424
00:18:04.039 --> 00:18:06.759
<v Speaker 2>get to walk across that stage. Man, that speech. They

425
00:18:06.839 --> 00:18:08.000
<v Speaker 2>better not turn on the music on.

426
00:18:08.400 --> 00:18:11.160
<v Speaker 3>I wish they would. I'd be done to hit somebody

427
00:18:11.200 --> 00:18:17.279
<v Speaker 3>with the gred turn it off. As I was saying, mom, mom,

428
00:18:17.400 --> 00:18:20.079
<v Speaker 3>and god, mom and god it. Yeah, I'm here to

429
00:18:20.119 --> 00:18:22.480
<v Speaker 3>do four Grammy speeches. Everybody, get comfortable.

430
00:18:24.200 --> 00:18:27.759
<v Speaker 4>How many songs do you would you say if you

431
00:18:27.799 --> 00:18:29.160
<v Speaker 4>had to put a number on it? Have we not

432
00:18:29.279 --> 00:18:32.640
<v Speaker 4>heard and probably will never hearesh?

433
00:18:33.359 --> 00:18:36.000
<v Speaker 2>Yeah, that's that's a large number. So lot.

434
00:18:36.279 --> 00:18:38.880
<v Speaker 3>If you've heard a million, there's eight million, you haven't

435
00:18:39.200 --> 00:18:44.000
<v Speaker 3>easily easily yeah yeah. And then it's like bits and

436
00:18:44.119 --> 00:18:47.000
<v Speaker 3>pieces of songs like like like a line from this

437
00:18:47.160 --> 00:18:48.960
<v Speaker 3>song didn't work in this song, so I took it and.

438
00:18:48.960 --> 00:18:51.519
<v Speaker 2>Put it in that song. Anymore type situation, you know, like.

439
00:18:51.599 --> 00:18:54.319
<v Speaker 3>Again if if the world has never heard of it's

440
00:18:54.359 --> 00:18:56.519
<v Speaker 3>brand new, you know, so this all right, this, this

441
00:18:56.640 --> 00:18:59.480
<v Speaker 3>didn't work this way, so can you reformat? You You

442
00:18:59.720 --> 00:19:01.880
<v Speaker 3>switch it around like puzzle pieces and put it somewhere

443
00:19:01.920 --> 00:19:03.519
<v Speaker 3>else and it works over here and work over there,

444
00:19:03.559 --> 00:19:05.160
<v Speaker 3>like yeah, that's what That's basically how it goes.

445
00:19:05.279 --> 00:19:07.759
<v Speaker 5>You have songs in the archive, like you know, very

446
00:19:07.920 --> 00:19:11.200
<v Speaker 5>old songs that you re used for like I guess future.

447
00:19:11.720 --> 00:19:16.039
<v Speaker 3>Yeah, absolutely, Again, a bar is a bar. Just because

448
00:19:16.079 --> 00:19:17.640
<v Speaker 3>the bar didn't work for that one, don't mean it

449
00:19:17.680 --> 00:19:18.079
<v Speaker 3>don't work.

450
00:19:18.160 --> 00:19:19.279
<v Speaker 2>It just didn't work for that one.

451
00:19:19.519 --> 00:19:21.319
<v Speaker 3>So you take the same bar, you put it somewhere

452
00:19:21.359 --> 00:19:22.440
<v Speaker 3>else and it works.

453
00:19:22.680 --> 00:19:27.640
<v Speaker 2>Man. Yo, it was your MTV cribs real No no, no,

454
00:19:27.759 --> 00:19:33.160
<v Speaker 2>it was not no. Yeah, that wasn't my house. That

455
00:19:33.279 --> 00:19:34.480
<v Speaker 2>was my manager's house at the time.

456
00:19:34.640 --> 00:19:36.519
<v Speaker 3>Wow, Because I was on the road, and I hadn't

457
00:19:36.519 --> 00:19:39.720
<v Speaker 3>purchased the house yet, right right, So we used his crib.

458
00:19:39.839 --> 00:19:40.039
<v Speaker 6>Yeah.

459
00:19:40.559 --> 00:19:40.759
<v Speaker 2>Yeah.

460
00:19:41.000 --> 00:19:42.200
<v Speaker 3>I come to find out that a lot of them

461
00:19:42.279 --> 00:19:46.319
<v Speaker 3>MTV cribs wasn't real. Yeah, of the MTV cribs weren't

462
00:19:46.680 --> 00:19:47.039
<v Speaker 3>not real.

463
00:19:47.720 --> 00:19:56.440
<v Speaker 2>Everything childhood Yeah yeah, Yo, it's cousin's sleeping on the floor.

464
00:19:56.519 --> 00:20:01.119
<v Speaker 2>That's real ship right there, that's it's crazy. Man. I

465
00:20:01.160 --> 00:20:03.039
<v Speaker 2>can do it now, I mean the show. Oh no,

466
00:20:03.200 --> 00:20:04.759
<v Speaker 2>we can do it now. Yeah, we can definitely pick

467
00:20:04.799 --> 00:20:07.119
<v Speaker 2>a house. Yeah, you still got a house in Vegas.

468
00:20:07.400 --> 00:20:09.160
<v Speaker 2>I do not no, no, no, no no.

469
00:20:09.279 --> 00:20:11.759
<v Speaker 3>Now, I'm in Atlanta. I got a little spot in

470
00:20:11.920 --> 00:20:14.880
<v Speaker 3>l A. And uh, I got a couple, a couple

471
00:20:14.920 --> 00:20:15.759
<v Speaker 3>of condos in Atlanta.

472
00:20:15.759 --> 00:20:18.400
<v Speaker 2>Actually I had a boy. But Vegas is near and deer, right,

473
00:20:18.480 --> 00:20:20.440
<v Speaker 2>I mean that's that's where I first met you. You

474
00:20:20.519 --> 00:20:23.000
<v Speaker 2>were first getting your start. Indeed, you would come to

475
00:20:23.079 --> 00:20:27.079
<v Speaker 2>the radio station and hang out. Yea, and yeah, I

476
00:20:27.160 --> 00:20:28.799
<v Speaker 2>know that the you know, seven oh two means a

477
00:20:28.839 --> 00:20:30.920
<v Speaker 2>lot to you. Still absolutely went to high school there.

478
00:20:30.960 --> 00:20:32.960
<v Speaker 2>Seven o two made me who I am, you know,

479
00:20:33.079 --> 00:20:36.400
<v Speaker 2>as an entertainer. My first taste of the stage, I

480
00:20:36.599 --> 00:20:39.279
<v Speaker 2>was an understudy for a show on a strip called

481
00:20:39.319 --> 00:20:43.079
<v Speaker 2>EFX that it was David Cassidy was the start of

482
00:20:43.079 --> 00:20:45.440
<v Speaker 2>the show. And uh, the guy that I was understudying

483
00:20:45.480 --> 00:20:48.240
<v Speaker 2>for his wife got pregnant, so he was gone that

484
00:20:48.319 --> 00:20:50.519
<v Speaker 2>whole summer. So it was just me on stage every

485
00:20:50.640 --> 00:20:53.200
<v Speaker 2>night doing this this this big show of the MGM

486
00:20:53.279 --> 00:20:55.359
<v Speaker 2>Grand And yeah, that's that's kind of where I got

487
00:20:55.400 --> 00:20:58.160
<v Speaker 2>my show legs at ye. Man, that's crazy, that's great.

488
00:20:58.480 --> 00:21:01.880
<v Speaker 2>And look at it now, man, so many, so many projects,

489
00:21:02.440 --> 00:21:06.039
<v Speaker 2>so many songs written for other artists. D what a career.

490
00:21:06.160 --> 00:21:09.200
<v Speaker 3>I've been blessed. Man, I've been blessed. I have zero

491
00:21:09.359 --> 00:21:12.240
<v Speaker 3>complaint the good things that happened, to bad things. This happened,

492
00:21:12.279 --> 00:21:12.799
<v Speaker 3>you know what I'm saying.

493
00:21:12.880 --> 00:21:13.160
<v Speaker 2>I don't.

494
00:21:13.160 --> 00:21:15.799
<v Speaker 3>I live with no regrets because even the bad stuff

495
00:21:15.839 --> 00:21:16.720
<v Speaker 3>that happened led me to.

496
00:21:16.759 --> 00:21:18.559
<v Speaker 2>Hear you know what I mean? And I am. I

497
00:21:18.599 --> 00:21:21.079
<v Speaker 2>can honestly say I'm happier now than I have ever

498
00:21:21.240 --> 00:21:23.400
<v Speaker 2>been in life. Like things are really really good. And

499
00:21:23.440 --> 00:21:25.400
<v Speaker 2>it sounds and it looks like you're making a lot

500
00:21:25.440 --> 00:21:28.640
<v Speaker 2>of happy decisions, indeed, decisions that make you happy.

501
00:21:28.920 --> 00:21:31.880
<v Speaker 3>And that's the important part. I'm not living this life

502
00:21:31.880 --> 00:21:34.359
<v Speaker 3>for nobody but myself and maybe my kids that's it.

503
00:21:34.680 --> 00:21:36.880
<v Speaker 2>But you but you have in the past, we all have.

504
00:21:37.039 --> 00:21:39.599
<v Speaker 2>I mean, of course I am right, like you know,

505
00:21:39.680 --> 00:21:42.759
<v Speaker 2>we're wired as as as kids are, right because of

506
00:21:42.839 --> 00:21:45.200
<v Speaker 2>what we see. All Right, You're supposed to grow up,

507
00:21:45.279 --> 00:21:49.720
<v Speaker 2>get a job, be successful, one wife, have children, pick

508
00:21:49.759 --> 00:21:53.160
<v Speaker 2>a fence house. That's what a man should do, right

509
00:21:53.400 --> 00:21:54.960
<v Speaker 2>and crazy for everybody.

510
00:21:55.039 --> 00:21:57.799
<v Speaker 3>You never question it, right, you go, this is what

511
00:21:57.920 --> 00:21:59.279
<v Speaker 3>is This is how supposed to happen.

512
00:21:59.599 --> 00:22:02.000
<v Speaker 2>This is what it's supposed to be. No one ever goes, well,

513
00:22:02.039 --> 00:22:04.200
<v Speaker 2>why why is it supposed to be that? Why does

514
00:22:04.240 --> 00:22:06.960
<v Speaker 2>it have to be that? Well, because it does. That's

515
00:22:07.039 --> 00:22:10.039
<v Speaker 2>just what it's that's just well, it says who says

516
00:22:10.680 --> 00:22:11.200
<v Speaker 2>the world?

517
00:22:11.440 --> 00:22:13.319
<v Speaker 3>Oh okay, So my living is for me or my

518
00:22:13.400 --> 00:22:15.839
<v Speaker 3>living is for the world, right, because if I can't

519
00:22:15.839 --> 00:22:17.359
<v Speaker 3>pay my bills, the world ain't gonna pay them.

520
00:22:17.880 --> 00:22:18.039
<v Speaker 2>Right.

521
00:22:18.400 --> 00:22:20.319
<v Speaker 3>If I'm depressed, the world ain't gonna cheer me up

522
00:22:20.440 --> 00:22:22.920
<v Speaker 3>like I got it. So I've got to start making

523
00:22:22.960 --> 00:22:24.880
<v Speaker 3>some decisions that makes sense for me. And that's what

524
00:22:25.000 --> 00:22:25.559
<v Speaker 3>I started doing.

525
00:22:25.640 --> 00:22:28.559
<v Speaker 2>Yeah. And if you have desires as a man, right, uh,

526
00:22:28.839 --> 00:22:32.359
<v Speaker 2>and you fulfill those desires behind people's backs. Now you're

527
00:22:32.440 --> 00:22:35.279
<v Speaker 2>hurting people true when all you have to do is

528
00:22:35.319 --> 00:22:37.519
<v Speaker 2>make yourself happy first, to be honest? Is that what

529
00:22:37.640 --> 00:22:39.519
<v Speaker 2>it is? Honesty? Honesty?

530
00:22:39.640 --> 00:22:42.160
<v Speaker 3>I know that's that's a beautiful segue. I like what

531
00:22:42.200 --> 00:22:50.279
<v Speaker 3>you're doing there, lovely transition. Sure, No, you know what

532
00:22:50.400 --> 00:22:52.920
<v Speaker 3>what I what I've realized now is that there was

533
00:22:53.000 --> 00:22:56.039
<v Speaker 3>a lot of a lot of time, a lot of energy,

534
00:22:56.039 --> 00:22:58.839
<v Speaker 3>a lot of money wasted on just being dishonest, when

535
00:22:58.920 --> 00:23:01.319
<v Speaker 3>in actuality, I could have kept a rail from the

536
00:23:01.440 --> 00:23:03.200
<v Speaker 3>jump and save myself a lot of headache, a lot

537
00:23:03.200 --> 00:23:05.960
<v Speaker 3>of heartache, just a lot of I gotta go back

538
00:23:06.000 --> 00:23:06.279
<v Speaker 3>to money.

539
00:23:06.319 --> 00:23:08.200
<v Speaker 2>It's so much money, God, so much money.

540
00:23:09.440 --> 00:23:12.440
<v Speaker 3>But yeah, man, I've I decided after my divorce that

541
00:23:12.480 --> 00:23:16.559
<v Speaker 3>I wasn't gonna lie to anybody anymore, and it including favor,

542
00:23:16.640 --> 00:23:18.880
<v Speaker 3>including myself. Be honest with myself, be honest with the

543
00:23:18.920 --> 00:23:21.599
<v Speaker 3>people around me, and you know, let the chips forward,

544
00:23:21.599 --> 00:23:24.400
<v Speaker 3>they will, And I can, honestly, I can genuinely say

545
00:23:24.440 --> 00:23:27.960
<v Speaker 3>that honesty is the best policy. Let her choose, let

546
00:23:28.000 --> 00:23:30.559
<v Speaker 3>her decide. You never know, you know what I'm saying.

547
00:23:30.799 --> 00:23:33.000
<v Speaker 3>She might be with it and she might not. But

548
00:23:33.119 --> 00:23:35.559
<v Speaker 3>either way, you slice it if you lie and she

549
00:23:35.680 --> 00:23:39.200
<v Speaker 3>catches you because she's gonna catch you, fellas, I don't

550
00:23:39.200 --> 00:23:41.519
<v Speaker 3>care how smooth you think you are, don't care how

551
00:23:41.559 --> 00:23:45.319
<v Speaker 3>player you think you are. She's gonna catch you. Okay,

552
00:23:45.720 --> 00:23:47.960
<v Speaker 3>you're gonna fall asleep and she's gonna get in your phone.

553
00:23:48.200 --> 00:23:50.279
<v Speaker 3>Are you gonna forget the lie you told? Are you

554
00:23:50.759 --> 00:23:53.039
<v Speaker 3>the apple tea is? It's something? She gonna catch you? Bruh,

555
00:23:53.079 --> 00:23:55.279
<v Speaker 3>She's gonna catch you. You're better off just keeping it

556
00:23:55.400 --> 00:23:57.160
<v Speaker 3>the buck and letting the ones that rock the way

557
00:23:57.200 --> 00:23:59.920
<v Speaker 3>you rock gravitate to you. It's easier, it's easy.

558
00:24:02.319 --> 00:24:05.480
<v Speaker 2>Well, are you poligical?

559
00:24:05.559 --> 00:24:10.039
<v Speaker 3>It's not polygamy, right, it's poly polygamy, polyamory, polyamory.

560
00:24:10.200 --> 00:24:12.920
<v Speaker 2>Yes, basically it's all of that, right yeah, yeah yeah,

561
00:24:13.799 --> 00:24:15.519
<v Speaker 2>m hmm, Jack, it could never be you. Huh.

562
00:24:16.079 --> 00:24:17.319
<v Speaker 4>I'm not saying it could never.

563
00:24:17.480 --> 00:24:22.079
<v Speaker 2>I just that's not they're engaged. Congratulations.

564
00:24:22.599 --> 00:24:26.440
<v Speaker 3>Listen, don't don't don't think that I'm saying that monogamy

565
00:24:26.519 --> 00:24:29.640
<v Speaker 3>don't work. Monogamy didn't work for me for you, sure

566
00:24:30.279 --> 00:24:33.319
<v Speaker 3>that I know people that have been married for years happily.

567
00:24:33.440 --> 00:24:36.440
<v Speaker 3>It's it's definitely a real thing. I just it just

568
00:24:36.519 --> 00:24:40.440
<v Speaker 3>did personally didn't work for me. Polyamorous relationships work for me.

569
00:24:41.160 --> 00:24:41.599
<v Speaker 2>Don't don't.

570
00:24:41.640 --> 00:24:44.160
<v Speaker 3>Don't go and ask your girlfriend for a girlfriend to

571
00:24:44.200 --> 00:24:45.440
<v Speaker 3>say what Nel said, don't do that.

572
00:24:46.720 --> 00:24:48.960
<v Speaker 2>I'm gonna say my wife, can you talk to her

573
00:24:49.000 --> 00:24:52.480
<v Speaker 2>for me? Absolutely, babe, you're on with Neil. I'm kidding.

574
00:24:54.680 --> 00:24:56.880
<v Speaker 2>Just the other day and I was like, hey, like,

575
00:24:57.039 --> 00:24:58.319
<v Speaker 2>have you ever heard story Time?

576
00:24:58.440 --> 00:24:59.640
<v Speaker 5>And she was like, no, what's that?

577
00:25:00.160 --> 00:25:01.160
<v Speaker 2>Wow? Let me just play it?

578
00:25:01.759 --> 00:25:03.559
<v Speaker 5>And then so she's getting ready in one night it's

579
00:25:03.559 --> 00:25:05.039
<v Speaker 5>bumping on my speakers and she was like.

580
00:25:05.200 --> 00:25:09.000
<v Speaker 2>Yo, this song is nut. What Storytime a cry or

581
00:25:09.079 --> 00:25:12.400
<v Speaker 2>like a cry out? Were you trying to get out

582
00:25:12.440 --> 00:25:12.960
<v Speaker 2>of a box?

583
00:25:13.160 --> 00:25:18.359
<v Speaker 3>No? Storytime was a real situation that happened, And I actually, yeah,

584
00:25:18.359 --> 00:25:20.359
<v Speaker 3>I actually got caught behind that situation.

585
00:25:20.519 --> 00:25:23.359
<v Speaker 2>Yeah yeah, because I introduced it and she.

586
00:25:23.480 --> 00:25:25.119
<v Speaker 3>Was like, well maybe, And I'm like, oh cool, So

587
00:25:25.200 --> 00:25:29.119
<v Speaker 3>I just call her now. She was like caller, Oh damn,

588
00:25:32.480 --> 00:25:33.480
<v Speaker 3>how did you get her number?

589
00:25:35.160 --> 00:25:35.480
<v Speaker 1>She was.

590
00:25:37.200 --> 00:25:39.319
<v Speaker 2>She would be down with someone you guys met together,

591
00:25:39.559 --> 00:25:41.480
<v Speaker 2>not someone you were meeting behind her back.

592
00:25:43.319 --> 00:25:45.400
<v Speaker 5>Also in real life, she was down to bring in

593
00:25:45.480 --> 00:25:46.079
<v Speaker 5>another guy.

594
00:25:47.000 --> 00:25:50.039
<v Speaker 3>She know what. She wasn't down to bringing another guyte

595
00:25:50.079 --> 00:25:52.400
<v Speaker 3>she said, she said, all right, well you so you

596
00:25:52.480 --> 00:25:54.119
<v Speaker 3>so gung ho about another girl. What if I said

597
00:25:54.160 --> 00:26:01.400
<v Speaker 3>I wanted another dude, and I'm like, hell no, absolutely not, no, thank.

598
00:26:01.240 --> 00:26:05.119
<v Speaker 2>You, very selfish of you. Man is good.

599
00:26:05.200 --> 00:26:08.759
<v Speaker 3>The other side, well, here's here's the reality of it.

600
00:26:09.279 --> 00:26:12.799
<v Speaker 3>I do partnership, not ownership. You're not my property. I

601
00:26:12.839 --> 00:26:14.559
<v Speaker 3>don't even want I don't even want to own you.

602
00:26:14.759 --> 00:26:18.880
<v Speaker 3>I want a partner in this situation. I don't demand exclusivity.

603
00:26:18.920 --> 00:26:21.720
<v Speaker 3>I don't ask for it, nothing like that. If you

604
00:26:21.920 --> 00:26:24.599
<v Speaker 3>offer it and I accept, there are rules to follow.

605
00:26:25.119 --> 00:26:27.440
<v Speaker 3>Now on the same side of that, nothing is above

606
00:26:27.480 --> 00:26:29.559
<v Speaker 3>a conversation as long as we're being honest.

607
00:26:30.000 --> 00:26:30.480
<v Speaker 2>You know what I mean.

608
00:26:30.559 --> 00:26:34.079
<v Speaker 3>Nothing is above a conversation. But again, if you did,

609
00:26:34.160 --> 00:26:37.839
<v Speaker 3>if you offer exclusivity meaning just me and only me,

610
00:26:38.519 --> 00:26:40.759
<v Speaker 3>and I say, I you sure you understand that your

611
00:26:40.799 --> 00:26:43.279
<v Speaker 3>exclusivity to me doesn't mean exclusivity to you. This is

612
00:26:43.440 --> 00:26:45.839
<v Speaker 3>a decision that you're making on your own. If you

613
00:26:45.960 --> 00:26:48.400
<v Speaker 3>make that decision, and I say, all right, cool, cool,

614
00:26:48.440 --> 00:26:50.079
<v Speaker 3>Well here's the rules. Here's the rules that I need

615
00:26:50.160 --> 00:26:52.359
<v Speaker 3>you to follow. And if you're cool with that, then

616
00:26:52.400 --> 00:26:54.640
<v Speaker 3>we rock. If you're not, we don't and no love loss.

617
00:26:54.640 --> 00:26:56.119
<v Speaker 3>You go your way, I go mine, and it's all good.

618
00:26:56.160 --> 00:27:00.599
<v Speaker 2>Sounds like a partnership that works, reached out to you

619
00:27:01.039 --> 00:27:07.200
<v Speaker 2>with support in this judgmental space. You know what's crazy.

620
00:27:07.440 --> 00:27:10.640
<v Speaker 2>It's one of those situations where men reach out in secret.

621
00:27:12.519 --> 00:27:15.039
<v Speaker 6>Yeah, honey, I would never a bro congratulations. Yeah, I

622
00:27:15.039 --> 00:27:18.480
<v Speaker 6>would never do that, babe. Just me and you, babe, Bro,

623
00:27:18.720 --> 00:27:21.359
<v Speaker 6>you living life? Yeah, yeah, no, No, it's a lot

624
00:27:21.440 --> 00:27:23.920
<v Speaker 6>of that. It's a lot of which I honestand you

625
00:27:23.960 --> 00:27:26.880
<v Speaker 6>know I saying I to be completely honest. I'm not

626
00:27:27.039 --> 00:27:29.119
<v Speaker 6>tripping either way. If you with it, cool, if you're

627
00:27:29.119 --> 00:27:31.319
<v Speaker 6>not with it cool, like I'm again because I'm not

628
00:27:31.400 --> 00:27:34.079
<v Speaker 6>doing it for y'all. I'm doing it for me.

629
00:27:34.880 --> 00:27:37.680
<v Speaker 3>You know, you wouldn't even have known had had Shade

630
00:27:37.720 --> 00:27:39.599
<v Speaker 3>Room not picked up on a post from one of

631
00:27:39.640 --> 00:27:41.880
<v Speaker 3>the girls, like I don't. I wasn't posting initially, like

632
00:27:41.920 --> 00:27:44.119
<v Speaker 3>because again, it's not life, y'all.

633
00:27:44.400 --> 00:27:44.880
<v Speaker 1>You know what I mean.

634
00:27:44.960 --> 00:27:46.279
<v Speaker 2>But you know it is what it is, and now

635
00:27:46.359 --> 00:27:49.000
<v Speaker 2>here we are bringing it. Yeah, yeah, great, I don't mind.

636
00:27:49.720 --> 00:27:50.200
<v Speaker 2>I don't mind.

637
00:27:50.400 --> 00:27:51.960
<v Speaker 3>We can talk about it because because again I have

638
00:27:52.039 --> 00:27:53.440
<v Speaker 3>nothing to hide, because I don't feel like I'm doing

639
00:27:53.480 --> 00:27:53.799
<v Speaker 3>nothing wrong.

640
00:27:53.960 --> 00:27:55.039
<v Speaker 2>Yeah, just being in.

641
00:27:55.200 --> 00:28:02.200
<v Speaker 4>Multiple partnerships now, I guess give you more, not ammo.

642
00:28:02.359 --> 00:28:04.920
<v Speaker 4>But like does it help more with writing songs?

643
00:28:05.240 --> 00:28:07.519
<v Speaker 3>Well, yeah, yeah, I can't write about life a fan

644
00:28:07.599 --> 00:28:12.880
<v Speaker 3>living it absolutely and it allows me to write from

645
00:28:12.920 --> 00:28:13.839
<v Speaker 3>different perspectives.

646
00:28:13.920 --> 00:28:14.519
<v Speaker 2>You know what I'm saying.

647
00:28:14.559 --> 00:28:18.440
<v Speaker 3>It's it's there's there's the monogamous perspective, there's a polyamorous perspective.

648
00:28:18.480 --> 00:28:21.240
<v Speaker 3>There's a perspective of the woman who is curious but

649
00:28:21.480 --> 00:28:23.720
<v Speaker 3>you know, can't get over her jealousy. Mind you, we

650
00:28:23.799 --> 00:28:26.160
<v Speaker 3>talk about all of that. Like, the only way this

651
00:28:26.279 --> 00:28:28.400
<v Speaker 3>works is if everything is laid out on the table.

652
00:28:28.559 --> 00:28:32.960
<v Speaker 3>You know, there's there's four women, right, It's four individuals,

653
00:28:33.119 --> 00:28:35.720
<v Speaker 3>four different personalities, four different outlooks out of you know

654
00:28:35.759 --> 00:28:36.079
<v Speaker 3>what I mean.

655
00:28:36.440 --> 00:28:39.119
<v Speaker 4>Yeah, because it's also an experience for people too who

656
00:28:39.640 --> 00:28:42.519
<v Speaker 4>maybe are curious about it and just want to know

657
00:28:42.680 --> 00:28:45.039
<v Speaker 4>about it, and they learn that through your music.

658
00:28:45.279 --> 00:28:47.519
<v Speaker 3>Indeed, see people get caught up on the sexual element

659
00:28:47.599 --> 00:28:50.640
<v Speaker 3>of it. It's more than if the only reason you're

660
00:28:50.640 --> 00:28:52.319
<v Speaker 3>doing it is for the sexual part of it, You're

661
00:28:52.400 --> 00:28:55.079
<v Speaker 3>you're bound to fail. Well, that's that's an orgy, that's swinging,

662
00:28:55.200 --> 00:28:58.759
<v Speaker 3>that's there's there's something, it's something something totally different. This

663
00:28:58.839 --> 00:28:59.359
<v Speaker 3>is community.

664
00:28:59.480 --> 00:28:59.960
<v Speaker 2>This is a tea.

665
00:29:00.400 --> 00:29:02.519
<v Speaker 3>We are we are partners in this situation. You know,

666
00:29:03.119 --> 00:29:06.759
<v Speaker 3>four women, five people including me, five different incomes. You

667
00:29:06.799 --> 00:29:09.599
<v Speaker 3>know what I'm saying. I have seven children, but they

668
00:29:09.880 --> 00:29:12.839
<v Speaker 3>help with the kids. My mom knows everybody, loves everybody,

669
00:29:12.920 --> 00:29:15.079
<v Speaker 3>My sister knows everybody. The baby mamaus have met him.

670
00:29:15.119 --> 00:29:16.799
<v Speaker 3>Like it's like it's a community thing.

671
00:29:17.200 --> 00:29:17.359
<v Speaker 2>You know.

672
00:29:17.440 --> 00:29:20.119
<v Speaker 3>It's more than just uh an orgy every night. You know,

673
00:29:20.799 --> 00:29:23.680
<v Speaker 3>it happens, but it's not the focal point.

674
00:29:24.079 --> 00:29:29.839
<v Speaker 2>It's not. I'm over here trying to make it sound

675
00:29:29.880 --> 00:29:31.440
<v Speaker 2>as normal as possible.

676
00:29:32.759 --> 00:29:35.599
<v Speaker 4>With the village aspect, you know, like you're it takes

677
00:29:35.599 --> 00:29:36.359
<v Speaker 4>a village.

678
00:29:36.160 --> 00:29:39.519
<v Speaker 3>It definitely, especially with seven and me being busy as

679
00:29:39.559 --> 00:29:42.240
<v Speaker 3>I am, I'm rarely home. I can keep that real,

680
00:29:42.599 --> 00:29:45.480
<v Speaker 3>you know. And my kids, you know, thank God bless

681
00:29:45.559 --> 00:29:48.319
<v Speaker 3>my kids for them being understanding. You know, if you

682
00:29:48.440 --> 00:29:51.319
<v Speaker 3>want your Roebucks and your v Bucks and you and them,

683
00:29:51.440 --> 00:29:54.359
<v Speaker 3>Jordan's daddy gotta go to work, and why daddys at work?

684
00:29:54.759 --> 00:29:56.920
<v Speaker 3>You know, Uh, this was gonna cook your dinner, and

685
00:29:57.000 --> 00:29:59.319
<v Speaker 3>this is gonna make breakfast, and it's gonna get you

686
00:29:59.359 --> 00:29:59.920
<v Speaker 3>ready for school.

687
00:30:00.079 --> 00:30:02.559
<v Speaker 2>And you know, is it confusing for your kids?

688
00:30:02.799 --> 00:30:06.200
<v Speaker 3>No, no, because there's conversation right now. Kids understand what

689
00:30:06.279 --> 00:30:10.720
<v Speaker 3>you explain, understand what you explain. If if I make

690
00:30:10.799 --> 00:30:12.079
<v Speaker 3>it confusing, then it's confusing.

691
00:30:12.759 --> 00:30:16.119
<v Speaker 2>Well you have we have more than one girlfriend? Yeah, yeah,

692
00:30:17.039 --> 00:30:21.440
<v Speaker 2>how very simple, son. I mean, yeah, I explained it.

693
00:30:21.480 --> 00:30:23.720
<v Speaker 2>Then they get it. They understand that's right, Neil.

694
00:30:24.359 --> 00:30:26.599
<v Speaker 4>That also just shows to you as a father how

695
00:30:26.839 --> 00:30:28.880
<v Speaker 4>open your kids are to accepting that too.

696
00:30:29.480 --> 00:30:31.880
<v Speaker 2>I mean, they're so understanding of my kids.

697
00:30:32.359 --> 00:30:35.400
<v Speaker 3>Understand that my kids understand that they are loved, that

698
00:30:35.480 --> 00:30:37.319
<v Speaker 3>they are loved, that they are caring for, and that

699
00:30:37.519 --> 00:30:39.559
<v Speaker 3>is what matters at the end of the day, no

700
00:30:39.680 --> 00:30:42.000
<v Speaker 3>matter how you you know what I'm saying, I've I've

701
00:30:42.079 --> 00:30:46.160
<v Speaker 3>embraced you know, Moneta Shop for example, her her new

702
00:30:46.240 --> 00:30:48.599
<v Speaker 3>husband Keith, who I love. I almost love him more

703
00:30:48.640 --> 00:30:51.839
<v Speaker 3>than her. He's a great, great guy and I've completely

704
00:30:51.920 --> 00:30:54.519
<v Speaker 3>embraced him. And it's it's again, it's what you explain

705
00:30:54.680 --> 00:30:56.319
<v Speaker 3>to the kids in the way that you explain it

706
00:30:56.400 --> 00:30:58.119
<v Speaker 3>and accept it as long as it's love.

707
00:30:58.160 --> 00:31:01.400
<v Speaker 2>At the end of the day, how you get there

708
00:31:01.480 --> 00:31:05.160
<v Speaker 2>doesn't man. And they see love, Ye show them love,

709
00:31:05.400 --> 00:31:08.960
<v Speaker 2>and that's it. That's understand that it's love of course,

710
00:31:09.079 --> 00:31:17.559
<v Speaker 2>yeah there man. Absolutely, you get to the point where

711
00:31:19.160 --> 00:31:25.000
<v Speaker 2>exactly and then you can spread that around. Yeah, it's

712
00:31:25.039 --> 00:31:27.640
<v Speaker 2>a it's a contagious energy. Yeah man. And one thing

713
00:31:27.680 --> 00:31:30.079
<v Speaker 2>I believe is like, your children have to see you happy.

714
00:31:30.119 --> 00:31:32.440
<v Speaker 2>I don't think I ever saw my parents truly happy,

715
00:31:33.119 --> 00:31:35.240
<v Speaker 2>right because of how we grew up. Right, But like

716
00:31:35.400 --> 00:31:39.319
<v Speaker 2>my kids have to see their parents happy. It's extremely important. Definitely,

717
00:31:39.480 --> 00:31:41.720
<v Speaker 2>it's not fake happy. It's got to be genuinely happy.

718
00:31:41.880 --> 00:31:44.599
<v Speaker 3>Because they could tell the kids. Kids are not stupid

719
00:31:45.559 --> 00:31:48.839
<v Speaker 3>what you say versus what's what's really going on? Like

720
00:31:49.279 --> 00:31:50.880
<v Speaker 3>the way you put it, like they can feel it,

721
00:31:51.440 --> 00:31:53.799
<v Speaker 3>you know, daddy, Daddy says he's happy. But okay, that's

722
00:31:53.839 --> 00:31:55.599
<v Speaker 3>why daddy walking around with his shoulders up in his

723
00:31:55.680 --> 00:31:57.079
<v Speaker 3>head down all the time because he's happy.

724
00:31:57.200 --> 00:31:59.440
<v Speaker 2>No, they understand what's going on. I want to get

725
00:31:59.440 --> 00:32:04.440
<v Speaker 2>it quick. What's the internet's obsession with Beyonce not performing Irreplaceable?

726
00:32:04.640 --> 00:32:06.640
<v Speaker 3>I have no idea what is that? I have zero,

727
00:32:08.440 --> 00:32:10.480
<v Speaker 3>zero concern. Like I mean, if the song is what

728
00:32:10.599 --> 00:32:12.799
<v Speaker 3>it is, it's done what it's done, and yeah, a

729
00:32:12.880 --> 00:32:14.759
<v Speaker 3>monster and there always will be whether she performs it

730
00:32:14.880 --> 00:32:15.000
<v Speaker 3>or not.

731
00:32:15.640 --> 00:32:17.039
<v Speaker 2>Uh, I don't know.

732
00:32:17.200 --> 00:32:20.559
<v Speaker 3>I mean Beyonce has a ridiculous catalog, and if she

733
00:32:20.640 --> 00:32:22.720
<v Speaker 3>chooses not to sing that song, that's that's her pariorative.

734
00:32:22.759 --> 00:32:23.359
<v Speaker 2>It's all good.

735
00:32:24.160 --> 00:32:26.480
<v Speaker 3>The Internet always wants something to be beef. I don't

736
00:32:26.519 --> 00:32:29.599
<v Speaker 3>have time to beef. I have four girlfriends and seven kids.

737
00:32:29.640 --> 00:32:34.480
<v Speaker 3>I don't have time to beef anyway, zero time. I'm sorry, Beyonce,

738
00:32:34.680 --> 00:32:35.240
<v Speaker 3>love you to death.

739
00:32:35.400 --> 00:32:37.039
<v Speaker 2>Come on, man, is what it is. We're good.

740
00:32:37.240 --> 00:32:37.680
<v Speaker 3>We're good.

741
00:32:37.799 --> 00:32:41.000
<v Speaker 2>I'm good. I'll stop just because you'all mad. Stop trying

742
00:32:41.000 --> 00:32:43.400
<v Speaker 2>to make everybody else mad. I'm not mad for the

743
00:32:43.480 --> 00:32:46.880
<v Speaker 2>internet to look in the mirror, you know what I mean? Like,

744
00:32:46.960 --> 00:32:47.400
<v Speaker 2>come on, man.

745
00:32:48.200 --> 00:32:51.480
<v Speaker 5>Something I found on the internet was actually, uh, you're

746
00:32:51.640 --> 00:32:52.720
<v Speaker 5>super into moy Thai?

747
00:32:53.279 --> 00:32:53.519
<v Speaker 3>Yeah?

748
00:32:53.759 --> 00:32:54.880
<v Speaker 2>Man, how did you get into that?

749
00:32:55.480 --> 00:32:55.640
<v Speaker 5>Who?

750
00:32:57.160 --> 00:32:59.759
<v Speaker 3>A friend of mine? It was boxing first. I started

751
00:32:59.799 --> 00:33:02.960
<v Speaker 3>doing boxing training and we happened to be in Tiland.

752
00:33:03.039 --> 00:33:05.039
<v Speaker 3>He was like, bro, you want a real workout.

753
00:33:05.240 --> 00:33:05.640
<v Speaker 2>Come with me.

754
00:33:05.960 --> 00:33:07.440
<v Speaker 3>So we went to the We went to the place,

755
00:33:08.000 --> 00:33:13.759
<v Speaker 3>and uh yeah, I died like times, like four separate deaths,

756
00:33:14.000 --> 00:33:16.480
<v Speaker 3>came back to life, died again like four different times.

757
00:33:16.519 --> 00:33:19.200
<v Speaker 3>It was insane that I and mind you those so

758
00:33:19.960 --> 00:33:21.680
<v Speaker 3>you know, I don't I don't know how to say this.

759
00:33:21.759 --> 00:33:24.000
<v Speaker 3>What iout was sounded crazy, but like the guys are

760
00:33:24.079 --> 00:33:28.359
<v Speaker 3>like really small but strong as hell, like a dude

761
00:33:29.400 --> 00:33:32.039
<v Speaker 3>not not even half your size, will kick you through

762
00:33:32.079 --> 00:33:34.440
<v Speaker 3>that wall like nuts, how strong they are.

763
00:33:34.519 --> 00:33:38.880
<v Speaker 2>It's crazy, King, I get it. I get it.

764
00:33:40.480 --> 00:33:43.519
<v Speaker 3>It's I mean, mind you from the spiritual element of it.

765
00:33:43.599 --> 00:33:45.200
<v Speaker 3>And and you know that the warriors spar and all that.

766
00:33:45.559 --> 00:33:49.079
<v Speaker 3>That's but above that, I do not think that you

767
00:33:49.119 --> 00:33:51.799
<v Speaker 3>can get in there and just throw kick with the dudes. Man, No,

768
00:33:53.160 --> 00:33:57.759
<v Speaker 3>you will die bro like oh yeah, oh yeah yeah.

769
00:33:59.200 --> 00:34:01.200
<v Speaker 3>The strongest when they're was a girl. Not the girls

770
00:34:01.240 --> 00:34:04.240
<v Speaker 3>can't be shown. But like the hardest kick I experienced

771
00:34:04.279 --> 00:34:05.920
<v Speaker 3>came from the smallest woman in the place.

772
00:34:06.119 --> 00:34:09.320
<v Speaker 2>Wow, it was nothing. A little bit, a little bit,

773
00:34:09.760 --> 00:34:13.320
<v Speaker 2>a little bit, a little bit, YO, show me quality

774
00:34:13.480 --> 00:34:15.159
<v Speaker 2>R and B music. Nichil, thank you very much for

775
00:34:15.239 --> 00:34:17.960
<v Speaker 2>your time and then appreciate the love your honesty always

776
00:34:18.079 --> 00:34:19.719
<v Speaker 2>Neil Man, It's always appreciated.

777
00:34:19.800 --> 00:34:19.920
<v Speaker 3>Man.

778
00:34:20.320 --> 00:34:23.079
<v Speaker 2>Ud you to Lamar chilling with my boy Cruise the

779
00:34:23.239 --> 00:34:25.760
<v Speaker 2>Cruise Show. You did what I'm talking about The Cruise

780
00:34:25.800 --> 00:34:27.280
<v Speaker 2>Show on Real ninety two to three,
