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<v Speaker 1>Join us on the Poetic Odyssey, a celebration of voices, cultures,

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<v Speaker 1>and the power of words. I'm Amanda Ecking. Welcome to

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<v Speaker 1>the poet Speaks, where every syllable ignites inspiration for get,

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<v Speaker 1>involve with what stories are on these tracks?

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<v Speaker 2>This idea of the Bronx. Now, boogie down Bronx.

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<v Speaker 3>That's what people say, right, Don't become someone's subway story.

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<v Speaker 4>Medicate me with a lick of the like, I am

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<v Speaker 4>not afraid to love you.

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<v Speaker 5>All of us have a story.

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<v Speaker 4>Microphone magnifying.

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<v Speaker 3>No one want to listen, So I think that's what made.

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<v Speaker 5>Me in writing the writing disco.

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<v Speaker 2>You ready amazing poetry always.

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<v Speaker 4>Hello everyone, and welcome back to the poet Speaks podcast.

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<v Speaker 4>Now our next guest is an award winning spoken word poet, artist, educator,

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<v Speaker 4>and motivational speaker performing in locations such as New Zealand, Mexico, Canada,

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<v Speaker 4>in thirty six states around the country. Known for his

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<v Speaker 4>dark Side Towards fromont his first ever poetry chat book,

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<v Speaker 4>and his Crown Jeweled Deficiency A Tale from My dark

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<v Speaker 4>Side album, Root and Transparency, as well as healing.

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<v Speaker 2>Also the founder and CEO of Called to Move CTM.

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<v Speaker 4>And Artistry organization with the pursuit of aiding youth and

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<v Speaker 4>self actualizing and personally developing.

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<v Speaker 2>Through the art of poetry.

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<v Speaker 4>Oh and yes, he's also the season fifteen winner of

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<v Speaker 4>America's Got Talent.

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<v Speaker 2>Everybody, Welcome to the Poet.

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<v Speaker 4>Speaks podcast, Brandon Leak, Brandon, how are you today?

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<v Speaker 3>Ah?

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<v Speaker 5>Very well, thank you for the invites. Very happy to

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<v Speaker 5>be here, very happy to be here.

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<v Speaker 4>Absolutely absolutely When you even just now, when you hear

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<v Speaker 4>someone reading your bio, do you still blush? Do you

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<v Speaker 4>still you get a little goose mumpy believing all the

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<v Speaker 4>things that you've been able to do.

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<v Speaker 3>Not really fam I'll be honest, I hate my bio.

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<v Speaker 3>That's just but that's just like a personal thing.

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<v Speaker 5>I just hate.

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<v Speaker 3>Like I'm trying to get better at being okay with

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<v Speaker 3>hearing my accolades and like being able to enjoy the.

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<v Speaker 5>Hard work I put in.

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<v Speaker 3>I'm a real futurist at heart, and so I constantly

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<v Speaker 3>am just looking forward, very rarely looking back at the

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<v Speaker 3>things I've already done. Yeah.

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<v Speaker 4>No's that's something so futurists. So you look forward, you

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<v Speaker 4>never look back or stay in the present. Is that

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<v Speaker 4>what you mean by that?

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<v Speaker 3>Yeah, I'm trying. God's really working on you with that though.

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<v Speaker 3>God's like ao soun like, I gave you a testimony,

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<v Speaker 3>so you got to you gotta use it. So I'm

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<v Speaker 3>trying to take a bit more care of that these days.

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<v Speaker 3>Still a work in progress, for sure.

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<v Speaker 2>For sure, let's kind of go back, go back a bit.

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<v Speaker 4>You know a lot of people, you know, they know

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<v Speaker 4>you for your accolades, but you know, tell us a

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<v Speaker 4>bit about where did you grow up and kind of

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<v Speaker 4>tell us how your childhood affected your journey to become

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<v Speaker 4>the writer, the poet that you are today.

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<v Speaker 2>So where did you grow up? Were you born and

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<v Speaker 2>bred anywhere? Tell us?

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<v Speaker 3>Yeah, so I'm a Cali kid Worner raised in Stockton, California.

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<v Speaker 3>That's actually where I still reside now. And yeah, like

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<v Speaker 3>writing was never my first love. I enjoyed drawing and

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<v Speaker 3>like making comic books as a kid because I used

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<v Speaker 3>to go to the Maya Angelou Library, which is, you know,

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<v Speaker 3>real poetic considering what I do for a living now,

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<v Speaker 3>But I used to go to the Maya Angelou Library

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<v Speaker 3>just up the street from my house, and I would

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<v Speaker 3>go get these Dragon ball Z manga comics and I

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<v Speaker 3>would like trace them with trace paper and then add

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<v Speaker 3>my own words to their speech bubbles. But before that,

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<v Speaker 3>it was it was just basketball. Like basketball was the passion,

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<v Speaker 3>Basketball was the drive. Basketball was the whole dream all

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<v Speaker 3>the way through my first two years of college. So like,

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<v Speaker 3>I played basketball for about like sixteen years since I

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<v Speaker 3>was four, and so that was the whole Like, hey, like,

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<v Speaker 3>what do you want to be when you grow up?

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<v Speaker 3>Kobe Bryant? Like that was that was the answer, full

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<v Speaker 3>and complete.

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<v Speaker 4>That's kind of crazy. I mean, so you were you

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<v Speaker 4>were a baller growing up. That was really the dream.

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<v Speaker 4>How did you then shift? Because I'm Cali native myself,

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<v Speaker 4>I'm from Sacramento, I can say Northern California is definitely

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<v Speaker 4>a place I had. I had dreams of sports, whether

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<v Speaker 4>it be track, basketball, of course, But I wonder, how

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<v Speaker 4>then did you make this shift to becoming a writer,

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<v Speaker 4>becoming a poet spoken word poetry, especially performing.

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<v Speaker 3>I wrote poems in like middle school and high school

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<v Speaker 3>for girls who I thought were cute. But like in

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<v Speaker 3>my freshman year of college, my best friend, Bernard Daniels,

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<v Speaker 3>he died due to some gang violence that was happening

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<v Speaker 3>in the city. He had actually drowned in a levee

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<v Speaker 3>down the street from where we grew up. And I

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<v Speaker 3>used to just take them all on my pain out

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<v Speaker 3>on the court. It used to just be like my

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<v Speaker 3>one place of solitude. If I was calling through something,

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<v Speaker 3>I could just let it all out there. This is

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<v Speaker 3>one of those pains where releasing it on the court

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<v Speaker 3>didn't do nothing for me, didn't help me in any way,

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<v Speaker 3>didn't free me anyway.

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<v Speaker 5>And I really prayed.

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<v Speaker 3>And I was like, hey, God, like, like Jesus, what

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<v Speaker 3>are you wanting me to do with this?

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<v Speaker 4>Like?

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<v Speaker 3>What are you asking me to do with this pain?

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<v Speaker 3>I saw a sign for an open mic and it

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<v Speaker 3>was the first time that I had seen and open

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<v Speaker 3>mic functioning at my school, and I was like, man,

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<v Speaker 3>maybe that's it. Maybe I write about it. And so

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<v Speaker 3>I wrote a poem, went and shared it. And that

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<v Speaker 3>was kind of like the first experience that gave me

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<v Speaker 3>any inclination that poetry could be like the vessel for me,

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<v Speaker 3>that it could be a place where me and God

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<v Speaker 3>could meet for the sake of the healing that I

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<v Speaker 3>needed to do.

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<v Speaker 5>So yeah, I would say that that was like probably like.

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<v Speaker 3>The capstone marker change for me artistically.

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<v Speaker 4>Yeah, and you know, I'm curious, you know, being familiar

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<v Speaker 4>to someone that grew up in northern California, stock then

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<v Speaker 4>you know it has such variables in terms of the

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<v Speaker 4>gang violence, safety that's all around that city. How much

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<v Speaker 4>of your life was affected, Like you said, you know,

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<v Speaker 4>you had a friend that you know, may they're so

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<v Speaker 4>rest in peace that passed away due.

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<v Speaker 2>To that violence. How much of your.

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<v Speaker 4>Life and your youth was affected by that, by those

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<v Speaker 4>outer influences of violence and maybe just the community.

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<v Speaker 2>That you were of Stockton.

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<v Speaker 3>Yeah, I think it's actually highly overstated how violent Stockton is,

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<v Speaker 3>just because it's not like when I think of any city,

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<v Speaker 3>like if you go to the wrong neighborhood, then you

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<v Speaker 3>have the unfortunate opportunity to be met with violence or

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<v Speaker 3>you know, gangs or drugs or whatever. Like I know

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<v Speaker 3>Sacramento is being gentrified as we speak, but like there

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<v Speaker 3>was a period of time where being in oak Park

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<v Speaker 3>was you know past a certain time would resulting you

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<v Speaker 3>not being the most safe individual, you know what I mean.

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<v Speaker 3>We know what happens in places like Oakland right now

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<v Speaker 3>you go to certain parts of us, So like it's

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<v Speaker 3>I think it's overstated, but.

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<v Speaker 5>Like, I would say I was fairly shielded.

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<v Speaker 3>Interestingly enough, I was at a Bible study yesterday and

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<v Speaker 3>one of the people was like, man.

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<v Speaker 5>Like, like God has really graced.

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<v Speaker 3>Your life, Like as I hear your story, like God

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<v Speaker 3>is really like put a head around you. And I'm like,

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<v Speaker 3>man like, as I reflect on it, God really has.

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<v Speaker 3>I didn't go to the public school in my neighborhood.

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<v Speaker 3>My mom tested me for a magnet school that I

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<v Speaker 3>was able to go to that you know, was probably

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<v Speaker 3>about like four or five miles away from my neighborhood,

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<v Speaker 3>closer to the downtown area, where I got like a

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<v Speaker 3>really high quality education. I grew up in a Baptist

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<v Speaker 3>amme churt where like I had a church family everywhere

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<v Speaker 3>select no matter where I went, I always had somebody

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<v Speaker 3>who either had an eye out on me or for me.

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<v Speaker 3>So yeah, I would say I was fortunate in a

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<v Speaker 3>lot of ways to avoid the pitfalls of what normally

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<v Speaker 3>comes especially a lot to a lot of young black men.

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<v Speaker 3>Like I've been immensely blessed in that regard. So I

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<v Speaker 3>would say it's it's impacted me on on the outer

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<v Speaker 3>scale of like seeing things and witnessing them and like

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<v Speaker 3>being impacted by people who've been directly hit by them.

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<v Speaker 3>Like I attended eighteen funerals by eighteen, Right, many of

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<v Speaker 3>them were like family who were like elderly and older,

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<v Speaker 3>but like I would say a solid seven to eight

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<v Speaker 3>of them were people either my age, slightly younger.

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<v Speaker 5>Or just slightly older.

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<v Speaker 3>And so like that does impact you, you know, like

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<v Speaker 3>death does touch me differently because I've had so many

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<v Speaker 3>engagements with it. I would say, God really really blessed

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<v Speaker 3>me to not have to endure as much as that.

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<v Speaker 4>Yeah, my goodness, eighteen funerals by the time you're eighteen

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<v Speaker 4>is wild. I mean, that is really definitely life changing,

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<v Speaker 4>and we really appreciate you for sharing that. So tell

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<v Speaker 4>me a little bit about now, you know, you went

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<v Speaker 4>from a former athlete to becoming a writer. Tell us

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<v Speaker 4>about how that kind of evolved for you to now

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<v Speaker 4>becoming the career that you've had. I mean, tell us

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<v Speaker 4>about how that trajectory kind of slowly or maybe it

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<v Speaker 4>happened fast for you. How did that trajectory happen to

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<v Speaker 4>now this became a professional life's work.

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<v Speaker 3>Yeah, I mean, like I was an English major in

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<v Speaker 3>college for my first year and a half and What

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<v Speaker 3>ended up happening was I had a teacher who talked

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<v Speaker 3>like the viazine man. For all the young folk who

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<v Speaker 3>are watching this, they have no idea what I'm talking about.

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<v Speaker 3>But he had a very monotone, boring voice. It was

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<v Speaker 3>really really not fun to listen to. I remember falling

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<v Speaker 3>asleep in this class for like the third time in

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<v Speaker 3>the same day and just thinking to myself like, oh, yeah, like,

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<v Speaker 3>I can't I can't stay here, Like I can't stay

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<v Speaker 3>in this classity board. I am going to lose my

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<v Speaker 3>mind if I stay here any longer. I went and

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<v Speaker 3>switched to become a psychology major that same day. I

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<v Speaker 3>already had enough courses to qualify for an English minor,

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<v Speaker 3>so I was like, hey, I got my minor. I'm

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<v Speaker 3>going to be a psych major. I'm going to become

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<v Speaker 3>a psychologist, or I'm going to become like a psychiatrist,

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<v Speaker 3>or I get the chance to like work with people

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<v Speaker 3>who need mental help. And I quickly realized that that

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<v Speaker 3>type of one on one relationship where it's only like

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<v Speaker 3>one person talking, would leave me really drained. And I'm like, oh,

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<v Speaker 3>I won't be helpy doing this, so let's not do

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<v Speaker 3>that either. So I'm like, God, what do you want

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<v Speaker 3>me to do? And it's around this same time that

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<v Speaker 3>poetry starts taking a more prevalent place in my life.

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<v Speaker 5>I made a poet by the name of Michael Bourney from.

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<v Speaker 3>Long Beach, and I'm like, oh, man, like I want

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<v Speaker 3>to do that, like I want to be a professional artist.

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<v Speaker 3>And I over spiritualize it, like super deeply. I'm like, yo,

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<v Speaker 3>God's calling me to be an artist. And then the

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<v Speaker 3>poet who I looked up to, Micah, He's like, hey,

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<v Speaker 3>whoa whoa, whoa, whoa, whoa whoa before you put a

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<v Speaker 3>whole lot on it, do you like it? And I'm

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<v Speaker 3>like yes. He was like, do you do you hear

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<v Speaker 3>God telling you no, Mike No, He's like, is it unbiblical?

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<v Speaker 5>I'm like no, He's like, and just go for it.

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<v Speaker 3>Operate in freedom until you get told otherwise. And so

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<v Speaker 3>like that happens sophomore year, and from that point on,

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<v Speaker 3>I was getting my degree because I knew I was

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<v Speaker 3>going to have to have a regular job at some point.

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<v Speaker 3>But I had been just like slowly and surely making

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<v Speaker 3>my way into the idea of like, hey, art is

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<v Speaker 3>going to be a very big part of my life,

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<v Speaker 3>I'm going to be doing this. And what ended up

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<v Speaker 3>happening was after graduating college, I had a whole slew

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<v Speaker 3>of issues occur. We can talk about that another time

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<v Speaker 3>or in another question, but I was a divine intervention

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<v Speaker 3>brought me back home. I worked a job as a

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<v Speaker 3>paraprofessional at a school with a student who had a

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<v Speaker 3>mental disability, and then I got a job working at

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<v Speaker 3>the county for a group called Black Health.

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<v Speaker 5>And all the while while I was doing this, I

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<v Speaker 5>was running.

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<v Speaker 3>From my city in Stockton up to Sacramento, where you're

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<v Speaker 3>from like three to four days a week, performing at

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<v Speaker 3>places like Mahogany, places like Shine Cafe, places like brick House,

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<v Speaker 3>places like Luna's Cafe, random open mics that would just

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<v Speaker 3>kind of pop up here and there, and I was

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<v Speaker 3>just like, Oh, this is it, Like this is what

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<v Speaker 3>I'm going to do. This is like I'm going to

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<v Speaker 3>chase after this. And then I ended up joining the

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<v Speaker 3>Sacramento Slam team and performing alongside them in the year

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<v Speaker 3>twenty fifteen, which was really eye opening experience at not

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<v Speaker 3>just like the quality of poetry, but the dedication required

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<v Speaker 3>to be able to make that type of quality poetry

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<v Speaker 3>and all the while I was still working these jobs,

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<v Speaker 3>got fired from a couple of them because I was

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<v Speaker 3>doing way too much poetry stuff and you know, took

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<v Speaker 3>my ls, learned how to make those under dubs. Yeah,

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<v Speaker 3>it wasn't until twenty seventeen, twenty eighteen that I really

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<v Speaker 3>took the plunge to become a full time poet. Traveling

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<v Speaker 3>touring for my album Deficiencies. I did one hundred and

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<v Speaker 3>fifty shows over the course of ten months, went to,

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<v Speaker 3>as you mentioned, like three or four different countries, thirty

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<v Speaker 3>six states, and that number has just grown over time. Yeah,

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<v Speaker 3>So that's that's kind of been the trajectory and the

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<v Speaker 3>road that we've taken to get here so far.

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<v Speaker 4>No, that's you know, that is when you really kind

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<v Speaker 4>of put that into perspective. That is wild, the amount

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<v Speaker 4>of footwork and the amount of hustle that you've really

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<v Speaker 4>put in there, especially within that ten months over one

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<v Speaker 4>hundred shows that you've done. So that's quite a testament

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<v Speaker 4>to the passion and dedication. Tell us a bit about

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<v Speaker 4>I do kind of want to hit a point yours.

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<v Speaker 4>You seem very rooted in your religion and your spirituality

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<v Speaker 4>and your religious religionosity, tell us a bit about if

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<v Speaker 4>you feel comfortable obviously, tell us a bit about how

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<v Speaker 4>much of that guiding force has been kind of trajecting

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<v Speaker 4>your career in terms of we'll get into it later,

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<v Speaker 4>but you know the industry. Tell us how much of

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<v Speaker 4>that guiding force of your spirituality and your relationship with

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<v Speaker 4>a higher power, because you know you've mentioned it several times,

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<v Speaker 4>how much does that influence so much of where you've

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<v Speaker 4>taken your life stack?

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<v Speaker 3>Yeah, I mean it's a it's the life source behind

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<v Speaker 3>it all. You know, it's the guiding force behind the

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<v Speaker 3>decisions I make. I could likely be very much farther

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<v Speaker 3>in my career if I was willing to sacrifice a

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<v Speaker 3>lot of the morals, values, and principles by which I

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<v Speaker 3>hold most ferment deer in my life. But you know,

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<v Speaker 3>you got a question like, hey, at what cost do

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<v Speaker 3>you want to go up just for them to tear

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<v Speaker 3>you back down? Because that's how society functions, right, Like

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<v Speaker 3>we build heroes and then make them villains the moment

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<v Speaker 3>that we feel like they got too high, you know

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<v Speaker 3>what I mean. Like we see it all the time

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<v Speaker 3>in sports, you know, like we build up these people

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<v Speaker 3>like a person like Patrick Mahomes. Everybody loved him on

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<v Speaker 3>the rise. Everybody was like super happy to see him

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<v Speaker 3>win the first and the second. But then it's like, oh,

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<v Speaker 3>you're winning too much now, like let somebody else get there.

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<v Speaker 5>Type of a thing.

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<v Speaker 3>You see it with celebrity all the time, like with

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<v Speaker 3>musicians who we prop up and be like oh.

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<v Speaker 5>Yo, like look at them, look at all this stuff

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<v Speaker 5>that's happening.

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<v Speaker 3>Then they have their fall from grace and everybody it's like, yeah,

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<v Speaker 3>they deserved it, and some of it rightfully so, without

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<v Speaker 3>a question. But no, like my faith informs the art

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<v Speaker 3>that I make, It informs the decisions I make, It

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<v Speaker 3>informs the people who I associate with and the things

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<v Speaker 3>that I would like to do moving forward. And I

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<v Speaker 3>can't say I've always made that my priority, because there

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<v Speaker 3>most certainly been seasons, especially shortly after winning the show,

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<v Speaker 3>where I allowed my ambition to be my guide versus

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<v Speaker 3>the guiding principles that I have. Yeah, that was not

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00:15:25.320 --> 00:15:28.120
<v Speaker 3>a good season of life. That was not a good

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<v Speaker 3>season of life.

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<v Speaker 4>Well, first off, I want to hit a point that

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<v Speaker 4>you just said I think is huge there.

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<v Speaker 2>You said I could be much.

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<v Speaker 4>Higher if I was if I didn't let kind of

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<v Speaker 4>my greater core of spirituality.

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<v Speaker 2>Lead my life.

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<v Speaker 4>I think that's such a big thing to admit. A

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<v Speaker 4>lot of people wouldn't say that. A lot of people

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<v Speaker 4>would not admit I could be so much farther in

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<v Speaker 4>my career, you know, or whatever a career looks like

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<v Speaker 4>to you, that looks so different for each person. A

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<v Speaker 4>lot of people just wouldn't admit my success could be

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<v Speaker 4>maybe more fun, whatever it is, financially, whatever it is.

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<v Speaker 4>If I would to kind of let go of some

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<v Speaker 4>of those principles.

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<v Speaker 2>What did it take? And I think a lot of

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<v Speaker 2>people don't admit it because it takes a lot to

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<v Speaker 2>admit what that means.

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<v Speaker 4>What did it take for you to kind of really

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<v Speaker 4>get to that point where you can only admit that

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<v Speaker 4>but also still have that integrity and be proud that, hey,

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<v Speaker 4>I'm still happy where I'm at.

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<v Speaker 3>Yeah, humility is part of the call, right, and not

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<v Speaker 3>just humility and like oh yeah, like I'm humble, I

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00:16:27.399 --> 00:16:29.519
<v Speaker 3>do these things, but humility and the fact that like,

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<v Speaker 3>oh yeah, like I'm not the MC for all who

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00:16:33.080 --> 00:16:33.799
<v Speaker 3>don't know what that means?

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<v Speaker 5>Like main character. And I think in the West, we.

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00:16:36.840 --> 00:16:38.840
<v Speaker 3>Have a lot of people who deal with like main

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<v Speaker 3>character syndrome, who feel like the world revolves around them

341
00:16:42.840 --> 00:16:45.360
<v Speaker 3>everything needs to be about them. You'll see it in

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00:16:45.399 --> 00:16:48.159
<v Speaker 3>the way people think or talk, Like I know in

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<v Speaker 3>my own inner head. I've had to really work on

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<v Speaker 3>this voice where I hear where I think that people

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<v Speaker 3>are constantly looking at me, perceiving what I'm doing, perceiving

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<v Speaker 3>what I like, what I'm wearing, or all these other things,

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00:17:00.879 --> 00:17:04.960
<v Speaker 3>and by humbling myself from that stature to being like, oh, yeah,

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<v Speaker 3>like I am just continuing. I am just another part

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<v Speaker 3>of this ongoing story that's already happening, and everybody else

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00:17:13.799 --> 00:17:16.680
<v Speaker 3>is just as busy and involved in not thinking about

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<v Speaker 3>me as I am about them. It really helped me

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<v Speaker 3>be able to not care about the status because I

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<v Speaker 3>think most people don't share it because they're afraid of

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<v Speaker 3>what that would do to the status that they feel.

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<v Speaker 3>People think of the ass they think about their highest

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<v Speaker 3>point and they're like, oh, people still look at me there,

357
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<v Speaker 3>and it's like, Oh, who cares? Who cares what they say?

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<v Speaker 3>Who cares how they feel? Who cares what they see?

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<v Speaker 3>At the end of the day, are you Are you

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<v Speaker 3>proud of the decisions you've made. Are you proud of

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<v Speaker 3>the life you've built? In my worst season where I

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<v Speaker 3>was like so hell bent on trying to prove something,

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<v Speaker 3>my mentor he was like Brandon considered is people who

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<v Speaker 3>win shows like these are usually bankrupt within two years

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<v Speaker 3>after winning the show. People who win the lottery are

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<v Speaker 3>usually bankrupt within two years. And you have built a

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<v Speaker 3>lasting career that is still ongoing with still more story

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<v Speaker 3>to tell. How awesome is that?

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<v Speaker 2>Yeah?

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<v Speaker 5>When all you see are the things that have gone wrong,

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<v Speaker 5>you are ignoring all the things that have been built

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<v Speaker 5>up right for you. So yeah, I think that answers

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<v Speaker 5>the question.

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<v Speaker 2>Sorry, no, you're good for sure.

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<v Speaker 4>Well, you know, Brandon, let's get into it. You know,

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<v Speaker 4>we've already made hints to it. You know, winning America's

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<v Speaker 4>Got Talent obviously, you know that was such a huge achievement.

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<v Speaker 2>What was it?

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<v Speaker 4>You were the first person as a spoken word poet

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<v Speaker 4>artist to win a show. When that talent show tell

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<v Speaker 4>us about how that experience changed your life, you know,

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<v Speaker 4>both good, both bad and what are still those ripple

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<v Speaker 4>effects that you have, maybe whether it be career wise

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00:18:47.920 --> 00:18:49.319
<v Speaker 4>but also mentally emotionally.

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<v Speaker 2>Was as we've kind of hinted that a little bit too.

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<v Speaker 4>Yeah, tell us the process. What was the process to

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<v Speaker 4>even audition? Most people? I don't even know how does

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<v Speaker 4>someone even get that in their viewpoint to even get

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<v Speaker 4>into TV like that to audition for a show.

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<v Speaker 3>So I actually auditioned back in twenty seventeen. Originally, my homegirl,

391
00:19:11.119 --> 00:19:15.480
<v Speaker 3>Courtney was like, Hey, Agt's coming to San Jose.

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<v Speaker 5>They never go to the Bay Area. This is our time.

393
00:19:18.160 --> 00:19:18.759
<v Speaker 5>We need to go.

394
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<v Speaker 3>And I'm like, hey, you said no but a word.

395
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<v Speaker 3>So I went and picked her up, but she wasn't there,

396
00:19:26.519 --> 00:19:28.559
<v Speaker 3>she wasn't at her house. I was super mad at her.

397
00:19:28.559 --> 00:19:30.920
<v Speaker 3>She was like, I'm too afraid. I can't go, like,

398
00:19:31.160 --> 00:19:34.240
<v Speaker 3>just just go without me. And I'm like, Bam, you're

399
00:19:34.279 --> 00:19:36.319
<v Speaker 3>the one who gave me the idea. I don't want

400
00:19:36.319 --> 00:19:39.279
<v Speaker 3>to go do this whole thing solo, but I go

401
00:19:39.359 --> 00:19:42.119
<v Speaker 3>do it. And this is the moment where I realized

402
00:19:42.160 --> 00:19:45.440
<v Speaker 3>that like I loved poetry, I just did not respect poetry.

403
00:19:46.440 --> 00:19:50.759
<v Speaker 3>And the reason why I learned that was they clearly

404
00:19:50.799 --> 00:19:53.759
<v Speaker 3>gave me rules. They told me that you have ninety

405
00:19:53.799 --> 00:19:57.839
<v Speaker 3>seconds to be able to share a whatever work of

406
00:19:57.960 --> 00:20:01.400
<v Speaker 3>art that you're going to be sharing in this ninety seconds.

407
00:20:01.519 --> 00:20:03.680
<v Speaker 3>You're not going to get any more time, and you're

408
00:20:03.720 --> 00:20:06.799
<v Speaker 3>not going to get any less time, right. I showed

409
00:20:06.880 --> 00:20:10.039
<v Speaker 3>up prideful, like, man, I have this really good three

410
00:20:10.079 --> 00:20:12.559
<v Speaker 3>minute poem. It kills every time I go perform it.

411
00:20:12.680 --> 00:20:15.160
<v Speaker 3>Everybody loves it, so they're gonna love it and then

412
00:20:15.200 --> 00:20:17.240
<v Speaker 3>they're gonna let me finish it. And that's how I

413
00:20:17.279 --> 00:20:20.240
<v Speaker 3>know I'll make the show. And what I learned was

414
00:20:20.519 --> 00:20:24.319
<v Speaker 3>if you don't prepare for the call that you've been given,

415
00:20:24.640 --> 00:20:27.680
<v Speaker 3>you can miss it. Because they for sure stopped me,

416
00:20:28.599 --> 00:20:32.319
<v Speaker 3>they for sure stopped be it, told me, hey, yeah,

417
00:20:32.319 --> 00:20:36.960
<v Speaker 3>thank you, You're all good, and then I had to

418
00:20:37.000 --> 00:20:39.519
<v Speaker 3>make my way back and go sit down with the

419
00:20:39.559 --> 00:20:41.640
<v Speaker 3>rest of the acts who were waiting for an opportunity

420
00:20:41.680 --> 00:20:43.759
<v Speaker 3>to get on the show. And I realized in that moment,

421
00:20:43.799 --> 00:20:46.480
<v Speaker 3>I'm like, oh, I didn't make it. I didn't get

422
00:20:46.519 --> 00:20:49.599
<v Speaker 3>the call to go do that this time. And it

423
00:20:49.680 --> 00:20:52.440
<v Speaker 3>really sat with me that I had messed up. And

424
00:20:52.559 --> 00:20:56.160
<v Speaker 3>that's actually what sparked my tour in twenty eighteen for

425
00:20:56.279 --> 00:20:59.440
<v Speaker 3>deficiencies to be able to like dedicate myself to the craft,

426
00:20:59.480 --> 00:21:02.400
<v Speaker 3>to learn it, to be able to like practice and

427
00:21:03.160 --> 00:21:06.839
<v Speaker 3>prepare for the moment. And then twenty nineteen rolls around

428
00:21:07.279 --> 00:21:09.759
<v Speaker 3>and my wife is pregnant, and I'm like.

429
00:21:09.839 --> 00:21:11.920
<v Speaker 5>Oh, I got to go back to a regular.

430
00:21:11.759 --> 00:21:15.200
<v Speaker 3>Job because this doesn't come with health insurance. And so

431
00:21:16.039 --> 00:21:18.839
<v Speaker 3>I go work the regular job, go back to being

432
00:21:18.839 --> 00:21:22.319
<v Speaker 3>a full time teacher, and then AGT pops back up

433
00:21:22.319 --> 00:21:24.880
<v Speaker 3>on my Facebook feed and I'm like, you know what,

434
00:21:25.519 --> 00:21:28.079
<v Speaker 3>I'm gonna try it, Like, let's use this as a

435
00:21:28.119 --> 00:21:31.799
<v Speaker 3>litmus test, because I was already going to a poetry

436
00:21:31.799 --> 00:21:34.200
<v Speaker 3>competition called Eyewhips, and I was like, Hey, I'm going

437
00:21:34.279 --> 00:21:37.119
<v Speaker 3>to use this to test and see how much better

438
00:21:37.160 --> 00:21:39.799
<v Speaker 3>I've gotten, and we'll see how I do. So I'll

439
00:21:39.880 --> 00:21:43.920
<v Speaker 3>use AGT as a similar thing. So I go try out,

440
00:21:44.000 --> 00:21:46.400
<v Speaker 3>but this time I have a poem that I've worked

441
00:21:46.640 --> 00:21:50.920
<v Speaker 3>on for two months. I had taken it to fifteen

442
00:21:51.240 --> 00:21:56.079
<v Speaker 3>or twenty different open mics. I had edited it, reworked it,

443
00:21:56.279 --> 00:21:58.599
<v Speaker 3>worked on the performance of it, and I was ready,

444
00:21:59.039 --> 00:22:02.279
<v Speaker 3>and I showed up to Los Angeles at this random

445
00:22:02.319 --> 00:22:06.039
<v Speaker 3>casino in the middle of the desert. I remember I

446
00:22:06.200 --> 00:22:08.880
<v Speaker 3>was the tenth act to perform in my group of ten,

447
00:22:09.359 --> 00:22:12.319
<v Speaker 3>and I looked not only at the acts who were performing,

448
00:22:12.359 --> 00:22:15.079
<v Speaker 3>but the person who was judging us, and I said,

449
00:22:15.480 --> 00:22:19.039
<v Speaker 3>he's checking out after ten seconds. After ten seconds, if

450
00:22:19.079 --> 00:22:23.119
<v Speaker 3>they're not gathering his attention, he's gone. So I'm like,

451
00:22:23.279 --> 00:22:26.119
<v Speaker 3>I only got ten seconds to catch him, so let's

452
00:22:26.160 --> 00:22:29.039
<v Speaker 3>make sure we catch the poem. I did capture his

453
00:22:29.079 --> 00:22:33.880
<v Speaker 3>attention in those ten seconds, and from there it's all history.

454
00:22:35.039 --> 00:22:37.759
<v Speaker 2>Absolutely absolutely. I love what you said there.

455
00:22:37.839 --> 00:22:40.680
<v Speaker 4>You said sometimes you know, when you're not ready for

456
00:22:40.720 --> 00:22:43.680
<v Speaker 4>your call, you can miss the opportunity.

457
00:22:43.200 --> 00:22:45.880
<v Speaker 2>Of your life. And that is very, very.

458
00:22:45.920 --> 00:22:49.319
<v Speaker 4>True, and that's very factual, and it's a great thing.

459
00:22:49.359 --> 00:22:51.359
<v Speaker 4>You know that second call and you were able to

460
00:22:51.480 --> 00:22:51.920
<v Speaker 4>catch it.

461
00:22:52.039 --> 00:22:53.200
<v Speaker 2>So take us through that.

462
00:22:53.359 --> 00:22:56.400
<v Speaker 4>Now, Okay, you go through the ranks of America's got talent.

463
00:22:56.519 --> 00:22:59.799
<v Speaker 4>Obviously it's a couple a couple of rounds. Here you

464
00:22:59.839 --> 00:23:03.599
<v Speaker 4>do and you're now you're at your final. I mean you,

465
00:23:04.000 --> 00:23:06.279
<v Speaker 4>I believe they do the gold buzzer. Right, You passed

466
00:23:06.319 --> 00:23:08.960
<v Speaker 4>through all that and now you get to the final.

467
00:23:08.720 --> 00:23:12.160
<v Speaker 2>That final night. Tell us what's your stomach like, what's

468
00:23:12.160 --> 00:23:12.960
<v Speaker 2>your mental health?

469
00:23:13.079 --> 00:23:13.160
<v Speaker 5>Like?

470
00:23:13.400 --> 00:23:17.039
<v Speaker 2>Most people can't even process something like that. That night

471
00:23:17.119 --> 00:23:20.279
<v Speaker 2>you win? What is that hole leading up to everything?

472
00:23:20.359 --> 00:23:22.880
<v Speaker 4>What was that feeling like to find out you became

473
00:23:22.920 --> 00:23:23.440
<v Speaker 4>the winner.

474
00:23:24.039 --> 00:23:26.559
<v Speaker 5>Man, I'll give you kind of like the brief run

475
00:23:26.599 --> 00:23:27.160
<v Speaker 5>through of it all.

476
00:23:27.480 --> 00:23:29.480
<v Speaker 3>So like the day that I get my golden buzzer

477
00:23:29.519 --> 00:23:31.519
<v Speaker 3>is the day that California shuts down due.

478
00:23:31.440 --> 00:23:32.240
<v Speaker 5>To COVID.

479
00:23:33.400 --> 00:23:35.880
<v Speaker 2>Wow no way wow wow.

480
00:23:36.160 --> 00:23:38.839
<v Speaker 3>So like they had called me because I was working

481
00:23:38.880 --> 00:23:40.359
<v Speaker 3>and I was supposed to I was supposed to come

482
00:23:40.400 --> 00:23:42.720
<v Speaker 3>down on a Monday, and I'd already gotten the day

483
00:23:42.759 --> 00:23:45.079
<v Speaker 3>off of work and out They're like, hey, if you're

484
00:23:45.079 --> 00:23:47.960
<v Speaker 3>not here tomorrow by eight am, then you can't perform.

485
00:23:48.279 --> 00:23:52.839
<v Speaker 3>So I my wife just had our first child thirteen

486
00:23:52.920 --> 00:23:53.920
<v Speaker 3>days before.

487
00:23:54.240 --> 00:23:56.680
<v Speaker 5>So I was like, hey, babe, if you say.

488
00:23:56.519 --> 00:23:59.799
<v Speaker 3>No, I completely understand, like you are still recouping from

489
00:23:59.799 --> 00:24:03.400
<v Speaker 3>like giving birth. But my mother in law came down,

490
00:24:03.480 --> 00:24:05.880
<v Speaker 3>took care of my wife, and I went down. So

491
00:24:06.000 --> 00:24:08.680
<v Speaker 3>I get my golden buzzer that day, and I'm like,

492
00:24:09.599 --> 00:24:11.400
<v Speaker 3>oh my god, like what am I going to do?

493
00:24:12.119 --> 00:24:13.960
<v Speaker 3>I get my call to come back, so that way

494
00:24:13.960 --> 00:24:16.480
<v Speaker 3>I can go back down to LA but my family

495
00:24:16.519 --> 00:24:19.519
<v Speaker 3>can't come because I have to be quarantined in a

496
00:24:19.559 --> 00:24:22.759
<v Speaker 3>hotel for the next four months to be a part

497
00:24:22.799 --> 00:24:24.920
<v Speaker 3>of the show for as long as I'm on the show.

498
00:24:25.319 --> 00:24:27.240
<v Speaker 5>The next poem I do is a poem called Pooky.

499
00:24:27.680 --> 00:24:29.599
<v Speaker 5>And the way that like my poems were.

500
00:24:29.440 --> 00:24:31.799
<v Speaker 3>Selected for the show was I had to like send

501
00:24:31.799 --> 00:24:34.400
<v Speaker 3>the poem ahead of time, or send them two poems

502
00:24:34.400 --> 00:24:36.880
<v Speaker 3>ahead of time, and then they selected which one they wanted.

503
00:24:37.400 --> 00:24:39.640
<v Speaker 3>And so I sent them a poem about my wife

504
00:24:39.640 --> 00:24:41.720
<v Speaker 3>and I sent them Pooky. And I was like, Hey,

505
00:24:41.759 --> 00:24:43.680
<v Speaker 3>they're going to pick the poem about my wife because

506
00:24:43.680 --> 00:24:47.920
<v Speaker 3>Pooky's a little edgy, not really, but like for national television,

507
00:24:47.960 --> 00:24:50.440
<v Speaker 3>I don't know how they'll do. And when they picked Pooky,

508
00:24:50.440 --> 00:24:52.920
<v Speaker 3>I'm like, oh, I'm gonna get eliminated.

509
00:24:53.039 --> 00:24:53.400
<v Speaker 2>Dog.

510
00:24:53.680 --> 00:24:56.599
<v Speaker 3>Like we already got all the Black Lives Matter protests

511
00:24:56.599 --> 00:24:59.000
<v Speaker 3>going on. The main people who watch this show are

512
00:24:59.039 --> 00:25:01.359
<v Speaker 3>middle of americle, white folks that is not going to

513
00:25:01.519 --> 00:25:05.000
<v Speaker 3>like this com right, And so I'm like damn. But

514
00:25:05.079 --> 00:25:07.799
<v Speaker 3>then I make it to the next round. I'm like, oh, snap,

515
00:25:07.880 --> 00:25:11.880
<v Speaker 3>let's go, and then I have my worst mental breakdown

516
00:25:12.079 --> 00:25:15.079
<v Speaker 3>of the entire show during this portion. My daughter's like

517
00:25:15.200 --> 00:25:17.920
<v Speaker 3>six months old at this point, yeah, and I haven't

518
00:25:17.920 --> 00:25:21.160
<v Speaker 3>been home in a couple months because I've been here

519
00:25:21.200 --> 00:25:24.200
<v Speaker 3>at the show, quarantine in the hotel and everything.

520
00:25:24.240 --> 00:25:26.759
<v Speaker 5>And I'm like, man, what is going on?

521
00:25:27.079 --> 00:25:29.720
<v Speaker 3>Like I want to go home, and they tell me

522
00:25:29.799 --> 00:25:32.240
<v Speaker 3>I can't go home, even when they promised that I

523
00:25:32.240 --> 00:25:34.279
<v Speaker 3>would be able to. And I'm in the middle of

524
00:25:34.359 --> 00:25:37.839
<v Speaker 3>an interview and I'm like, yo, I'm really done with this,

525
00:25:38.200 --> 00:25:40.519
<v Speaker 3>and I just take off all my stuff and they

526
00:25:40.559 --> 00:25:42.519
<v Speaker 3>try to get me to stay, and I just walk

527
00:25:42.640 --> 00:25:44.880
<v Speaker 3>up to my room and I kind of just I

528
00:25:44.920 --> 00:25:48.160
<v Speaker 3>shed my tears, send up my prayer, and I fall asleep.

529
00:25:48.519 --> 00:25:50.079
<v Speaker 3>And then I don't know how long I was out,

530
00:25:50.079 --> 00:25:52.160
<v Speaker 3>but then I hear the banging on my door and

531
00:25:52.200 --> 00:25:55.400
<v Speaker 3>it's my producer, who's technically not allowed in the hotel,

532
00:25:55.720 --> 00:25:58.880
<v Speaker 3>but he was there, and he's like, Brandon, I talked

533
00:25:58.880 --> 00:26:01.839
<v Speaker 3>to the team. If you drive, you can go home,

534
00:26:01.880 --> 00:26:04.359
<v Speaker 3>but you can only go straight home and straight back.

535
00:26:04.400 --> 00:26:06.200
<v Speaker 3>You can't go see anybody else. You can't go to

536
00:26:06.240 --> 00:26:09.119
<v Speaker 3>grocery stores, you can't stop for food, you can't do anything.

537
00:26:09.160 --> 00:26:13.039
<v Speaker 3>And I'm like, no, it's three days ago is when

538
00:26:13.039 --> 00:26:16.119
<v Speaker 3>I needed to go home. I'm locked in to get

539
00:26:16.119 --> 00:26:21.480
<v Speaker 3>this performance done now. So no, like, if I make

540
00:26:21.519 --> 00:26:24.880
<v Speaker 3>it to the next round, I'm going home for a

541
00:26:24.960 --> 00:26:27.640
<v Speaker 3>week and then I will be back a week before

542
00:26:27.680 --> 00:26:28.759
<v Speaker 3>I need to be on stage.

543
00:26:29.160 --> 00:26:31.359
<v Speaker 5>And so that was the agreement, and then that's when

544
00:26:31.400 --> 00:26:31.799
<v Speaker 5>I did my.

545
00:26:31.799 --> 00:26:34.960
<v Speaker 3>Poem Letters to my Father, which was super nerve wracking

546
00:26:34.960 --> 00:26:37.440
<v Speaker 3>because that poem was originally six and a half minutes

547
00:26:38.119 --> 00:26:41.079
<v Speaker 3>and then I had to condense it down to three

548
00:26:41.119 --> 00:26:43.920
<v Speaker 3>and a half minutes. So the hardest part was not

549
00:26:44.000 --> 00:26:46.759
<v Speaker 3>reverting back to the old version of the poems. I

550
00:26:46.839 --> 00:26:49.839
<v Speaker 3>rocked that poem out. The next day they announced the

551
00:26:49.880 --> 00:26:53.039
<v Speaker 3>winners and who's going to the final They announced my name.

552
00:26:53.359 --> 00:26:54.440
<v Speaker 5>I walk off stage.

553
00:26:54.599 --> 00:26:58.240
<v Speaker 3>I walked clear past the like the interview part portion

554
00:26:58.279 --> 00:27:00.480
<v Speaker 3>where they're trying to, like, you know, get to like

555
00:27:00.559 --> 00:27:03.240
<v Speaker 3>talk with the media. I just point to my producer

556
00:27:03.680 --> 00:27:05.920
<v Speaker 3>and he's like, oh, yeah, no, no, no, he doesn't

557
00:27:05.920 --> 00:27:06.680
<v Speaker 3>have media.

558
00:27:06.759 --> 00:27:07.279
<v Speaker 5>He's good.

559
00:27:07.680 --> 00:27:09.680
<v Speaker 3>And I walk straight to my rental car and go home.

560
00:27:10.319 --> 00:27:12.480
<v Speaker 3>And then I do my final poem for my daughter.

561
00:27:13.079 --> 00:27:16.440
<v Speaker 3>And then the day that they're announcing the winner, I

562
00:27:16.440 --> 00:27:19.559
<v Speaker 3>didn't think I won. I did not think I want

563
00:27:19.759 --> 00:27:22.319
<v Speaker 3>because I remember the producers being like, are you sure

564
00:27:22.359 --> 00:27:24.079
<v Speaker 3>you want to do a poem for your daughter as

565
00:27:24.119 --> 00:27:26.640
<v Speaker 3>your last piece. I'm like yeah, I mean, like, I

566
00:27:26.720 --> 00:27:29.480
<v Speaker 3>just did a poem about being a fatherless child. What

567
00:27:29.640 --> 00:27:32.039
<v Speaker 3>better way than to show that the fatherless kid became

568
00:27:32.079 --> 00:27:35.000
<v Speaker 3>the better father. I was like, yo, I'll be top five,

569
00:27:35.440 --> 00:27:37.680
<v Speaker 3>but I'm not gonna win. And so I'm like thinking

570
00:27:37.720 --> 00:27:39.680
<v Speaker 3>about all these things in my head, kind of plotting

571
00:27:39.680 --> 00:27:41.599
<v Speaker 3>it out. And then when i make it to top three,

572
00:27:41.680 --> 00:27:44.200
<v Speaker 3>I'm like, okay, Christina raised next to me and Broken

573
00:27:44.279 --> 00:27:46.519
<v Speaker 3>Roots are next to me. I know Broken Roots did

574
00:27:46.519 --> 00:27:49.240
<v Speaker 3>not win, but Christina Rays she was killer, so she

575
00:27:49.359 --> 00:27:51.519
<v Speaker 3>probably picked up the win. And then when they knocked

576
00:27:51.599 --> 00:27:54.759
<v Speaker 3>Christina Ray off at third, I'm like, I just want

577
00:27:54.960 --> 00:27:57.480
<v Speaker 3>I just won this show, and like you'll see it

578
00:27:57.519 --> 00:27:59.839
<v Speaker 3>on my face while I go like, that's me realize

579
00:28:00.240 --> 00:28:02.599
<v Speaker 3>what just happened. When they announced my name, I just

580
00:28:02.720 --> 00:28:05.839
<v Speaker 3>dropped to my knees. The confetti rains.

581
00:28:06.039 --> 00:28:08.960
<v Speaker 5>Yeah it was. It was amazing.

582
00:28:10.000 --> 00:28:11.279
<v Speaker 2>Yeah yeah.

583
00:28:11.319 --> 00:28:14.920
<v Speaker 4>My goodness though, oh my gosh, that journey to get there,

584
00:28:15.519 --> 00:28:18.279
<v Speaker 4>that is that is a lot. I mean, the birth

585
00:28:18.319 --> 00:28:20.599
<v Speaker 4>of a child, you know, shout outs to your wife,

586
00:28:20.680 --> 00:28:23.839
<v Speaker 4>that is no joke, My goodness to get there, the

587
00:28:24.079 --> 00:28:26.559
<v Speaker 4>kind of toll and stress of that, you know, so

588
00:28:26.720 --> 00:28:30.279
<v Speaker 4>honoring that is so key. So now okay, so you win,

589
00:28:31.200 --> 00:28:33.720
<v Speaker 4>that is that is huge? Tell us again, what was

590
00:28:33.759 --> 00:28:36.960
<v Speaker 4>the kind of winner? What does that package now look like?

591
00:28:37.240 --> 00:28:39.680
<v Speaker 4>You know, especially you wake up the next day after

592
00:28:39.720 --> 00:28:41.160
<v Speaker 4>you win something as big as that.

593
00:28:41.599 --> 00:28:44.480
<v Speaker 2>You're You're on GMA, You're on all the morning talk shows.

594
00:28:44.880 --> 00:28:46.039
<v Speaker 2>You know, isn't it you? Really?

595
00:28:46.079 --> 00:28:48.640
<v Speaker 4>You win like a show in Vegas, you win money? Obviously,

596
00:28:48.720 --> 00:28:51.880
<v Speaker 4>what is that next day, the day after, after that

597
00:28:52.039 --> 00:28:55.279
<v Speaker 4>huge dopamine that's just been put on you, But it's

598
00:28:55.319 --> 00:28:58.200
<v Speaker 4>also that huge kind of release of energy from what

599
00:28:58.279 --> 00:29:00.480
<v Speaker 4>you had to do to finally get there.

600
00:29:00.920 --> 00:29:02.599
<v Speaker 2>What is thou when you wake up the next day?

601
00:29:02.640 --> 00:29:03.440
<v Speaker 2>What does that look like?

602
00:29:03.640 --> 00:29:07.880
<v Speaker 3>Well? No interviews actually, at least in terms of in

603
00:29:07.920 --> 00:29:12.039
<v Speaker 3>person simply because it was still COVID, so like nothing

604
00:29:12.160 --> 00:29:14.839
<v Speaker 3>like that was happening. That I had probably about like

605
00:29:15.160 --> 00:29:19.799
<v Speaker 3>wenty phone to zoom interviews, like just back to back

606
00:29:19.839 --> 00:29:24.039
<v Speaker 3>to back to back, you know, signing paperword, clearing myself

607
00:29:24.079 --> 00:29:26.599
<v Speaker 3>out of the hotel because one thing that they for

608
00:29:26.720 --> 00:29:29.960
<v Speaker 3>sure did was get us out that hotel by noon

609
00:29:30.079 --> 00:29:31.039
<v Speaker 3>the next day.

610
00:29:31.480 --> 00:29:37.000
<v Speaker 5>Wow, So we d am They like, hey, dog, we

611
00:29:37.079 --> 00:29:38.960
<v Speaker 5>appreciate you. Head on home.

612
00:29:39.720 --> 00:29:41.880
<v Speaker 3>We've been paying for this hotel and your food for

613
00:29:41.920 --> 00:29:44.160
<v Speaker 3>the last three and a half four months. You're gonna

614
00:29:44.200 --> 00:29:46.720
<v Speaker 3>have to get up out of here. And so but

615
00:29:46.799 --> 00:29:49.799
<v Speaker 3>my family was there with me. We kind of illegally

616
00:29:49.839 --> 00:29:52.319
<v Speaker 3>snuck them in, which was fun, but no, it was

617
00:29:52.799 --> 00:29:54.920
<v Speaker 3>it was like for me, the biggest part was just

618
00:29:54.960 --> 00:29:57.599
<v Speaker 3>saying goodbye to all of my fellow acts, who I

619
00:29:57.720 --> 00:30:01.839
<v Speaker 3>built like real friendships with. It a point because we

620
00:30:01.920 --> 00:30:04.920
<v Speaker 3>had been going through this really unique experience of being

621
00:30:05.039 --> 00:30:07.759
<v Speaker 3>trapped in a hotel together when we were the only

622
00:30:07.799 --> 00:30:10.880
<v Speaker 3>ones in the hotel, and week after week it becomes

623
00:30:10.960 --> 00:30:14.200
<v Speaker 3>less and less people. Yeah, that was kind of the

624
00:30:14.200 --> 00:30:17.000
<v Speaker 3>weirdest part. It was like being in college again. But

625
00:30:17.079 --> 00:30:20.279
<v Speaker 3>you know that, like come next week, twelve, we y'all

626
00:30:20.279 --> 00:30:21.759
<v Speaker 3>aren't going to be here next week.

627
00:30:22.200 --> 00:30:25.480
<v Speaker 4>Yeah, so you okay, So now we're at that stage.

628
00:30:25.559 --> 00:30:27.799
<v Speaker 2>So you you've won it.

629
00:30:28.000 --> 00:30:30.240
<v Speaker 4>It's a billion in one interviews. Obviously we're still in

630
00:30:30.240 --> 00:30:33.799
<v Speaker 4>the pandemic. Tell us now, kind of what has been

631
00:30:33.880 --> 00:30:37.480
<v Speaker 4>the kind of after you achieve something like that, winning

632
00:30:37.640 --> 00:30:40.839
<v Speaker 4>America's Got Talent, What now what happens to you then?

633
00:30:41.039 --> 00:30:44.079
<v Speaker 4>How was your career Did you see like an immediate.

634
00:30:43.880 --> 00:30:47.400
<v Speaker 2>Just overnight trajectory upwards?

635
00:30:47.519 --> 00:30:49.599
<v Speaker 4>What was that like in terms of your career now

636
00:30:49.640 --> 00:30:53.079
<v Speaker 4>that long lasting effects? How did that experience of winning

637
00:30:53.119 --> 00:30:54.279
<v Speaker 4>truly change your life?

638
00:30:54.400 --> 00:30:55.839
<v Speaker 5>Well, even before Ringing.

639
00:30:56.039 --> 00:31:00.240
<v Speaker 3>Things change fairly dramatically off the strength that like had

640
00:31:00.240 --> 00:31:03.599
<v Speaker 3>way more opportunities, so that that would probably be the

641
00:31:03.599 --> 00:31:08.119
<v Speaker 3>most significant change is just visibility and people being willing

642
00:31:08.200 --> 00:31:12.119
<v Speaker 3>to accept like, oh, yeah, like he's really good, because

643
00:31:12.720 --> 00:31:14.839
<v Speaker 3>it's like you, what's fort did you play?

644
00:31:16.319 --> 00:31:16.519
<v Speaker 5>Right?

645
00:31:16.680 --> 00:31:18.680
<v Speaker 3>So you and I both played basketball, You and I

646
00:31:18.799 --> 00:31:21.880
<v Speaker 3>understand what that is. And so like when somebody tell

647
00:31:21.960 --> 00:31:25.640
<v Speaker 3>you like, oh yeah, Daul like they nice, you'd be like, yeah,

648
00:31:26.240 --> 00:31:26.839
<v Speaker 3>they might be.

649
00:31:27.000 --> 00:31:28.680
<v Speaker 5>I gotta see it though. I got to see that

650
00:31:28.720 --> 00:31:29.200
<v Speaker 5>they're good.

651
00:31:29.519 --> 00:31:32.079
<v Speaker 3>And then when you see that they're good, now it's like, oh,

652
00:31:32.400 --> 00:31:33.880
<v Speaker 3>respect Like I feel it.

653
00:31:34.079 --> 00:31:36.000
<v Speaker 5>I feel like that was kind of what happened with

654
00:31:36.039 --> 00:31:36.400
<v Speaker 5>the show.

655
00:31:37.039 --> 00:31:39.920
<v Speaker 3>Was like I had always been nice, but folks now

656
00:31:39.960 --> 00:31:42.640
<v Speaker 3>are like, oh, like I can respect it because like

657
00:31:42.680 --> 00:31:44.359
<v Speaker 3>I didn't seen it up close.

658
00:31:44.480 --> 00:31:45.559
<v Speaker 5>I didn't seen it for real.

659
00:31:46.039 --> 00:31:49.839
<v Speaker 3>And so like people in the industry, businesses and corporations,

660
00:31:50.160 --> 00:31:53.720
<v Speaker 3>like making believers of people who you know, didn't always

661
00:31:53.720 --> 00:31:56.920
<v Speaker 3>see poetry as a as a valuable art form then

662
00:31:57.039 --> 00:32:00.200
<v Speaker 3>became the goal in the and the reach that we

663
00:32:00.240 --> 00:32:02.880
<v Speaker 3>pulled off, which was beautiful. I'm still longing for the

664
00:32:02.960 --> 00:32:06.079
<v Speaker 3>day where America's got talent le's another poet back on

665
00:32:06.119 --> 00:32:09.880
<v Speaker 3>their stage, because lord knows it's a it's about time

666
00:32:09.920 --> 00:32:11.359
<v Speaker 3>that another one gets a shot at it.

667
00:32:11.720 --> 00:32:13.759
<v Speaker 2>Sure short, No, that's such a huge point.

668
00:32:13.839 --> 00:32:18.039
<v Speaker 4>The idea of poetry, spoken word, the art oral traditions, that's.

669
00:32:17.839 --> 00:32:20.519
<v Speaker 2>Still not a valued art form. So it is that

670
00:32:20.680 --> 00:32:22.240
<v Speaker 2>idea of being able.

671
00:32:22.039 --> 00:32:25.200
<v Speaker 4>To win such a huge on a huge platform like that,

672
00:32:25.359 --> 00:32:27.599
<v Speaker 4>being able to bring that to the world, that that

673
00:32:27.640 --> 00:32:30.680
<v Speaker 4>makes a difference, just even even in your presence. Still,

674
00:32:30.720 --> 00:32:32.160
<v Speaker 4>you know, I kind of want to move on a bit,

675
00:32:32.440 --> 00:32:35.079
<v Speaker 4>tell us about I mean, do you still face challenges

676
00:32:35.160 --> 00:32:37.799
<v Speaker 4>in the industry, Like you said, spoken word poetry.

677
00:32:37.880 --> 00:32:41.400
<v Speaker 2>You were the first and still only person.

678
00:32:41.440 --> 00:32:44.960
<v Speaker 4>Especially on a public platform, to really to win a

679
00:32:45.000 --> 00:32:47.039
<v Speaker 4>show like that. But also, you know, I think about

680
00:32:47.319 --> 00:32:50.680
<v Speaker 4>obviously HBO had that Deaf Jam poetry. You know, we

681
00:32:50.799 --> 00:32:52.759
<v Speaker 4>have the Posts Speaks, podcasts of Demand to Acha on

682
00:32:52.880 --> 00:32:55.279
<v Speaker 4>Archaeology Channel. You know, we do have a lot of

683
00:32:55.559 --> 00:32:58.359
<v Speaker 4>there's still a bit of a lacking of poetry in

684
00:32:58.480 --> 00:32:59.400
<v Speaker 4>public spaces.

685
00:32:59.640 --> 00:33:02.160
<v Speaker 2>I mean, do you still face challenges in the industry.

686
00:33:02.200 --> 00:33:05.039
<v Speaker 4>You know, obviously you won an Emmy, did right You

687
00:33:05.119 --> 00:33:07.559
<v Speaker 4>want to tell you you know, you've really expanded your

688
00:33:07.599 --> 00:33:09.599
<v Speaker 4>reach with poetry. But do you still feel like there's

689
00:33:09.640 --> 00:33:13.160
<v Speaker 4>still a challenge for you in this industry as a

690
00:33:13.240 --> 00:33:14.160
<v Speaker 4>spoken word artist?

691
00:33:14.440 --> 00:33:14.559
<v Speaker 3>Oh?

692
00:33:14.640 --> 00:33:15.119
<v Speaker 5>Big time.

693
00:33:15.200 --> 00:33:18.640
<v Speaker 3>I mean the reality is you get up there and

694
00:33:18.920 --> 00:33:21.319
<v Speaker 3>you realize, oh, the work that it took to get

695
00:33:21.400 --> 00:33:24.759
<v Speaker 3>here is less work than it is to stay here,

696
00:33:25.119 --> 00:33:27.440
<v Speaker 3>and way less work than it is to continue to

697
00:33:27.480 --> 00:33:32.039
<v Speaker 3>go up. So yeah, like Hollywood, or you know, the

698
00:33:32.440 --> 00:33:35.920
<v Speaker 3>industry as people want to call it, it has short memories.

699
00:33:36.319 --> 00:33:38.119
<v Speaker 3>They have short memories, you know, Like I was on

700
00:33:38.240 --> 00:33:41.680
<v Speaker 3>the show four years ago now, and that's a lifetime

701
00:33:41.759 --> 00:33:45.440
<v Speaker 3>ago for this industry, right, Like somebody who started a

702
00:33:45.519 --> 00:33:48.839
<v Speaker 3>movie four years ago, people may not really remember them

703
00:33:48.960 --> 00:33:52.359
<v Speaker 3>anymore now, simply because you're out of sight, out of mind.

704
00:33:53.000 --> 00:33:55.519
<v Speaker 3>Not to you know, throw shade on nobody's career or

705
00:33:55.519 --> 00:33:57.599
<v Speaker 3>nothing like that, because I actually really like this actress.

706
00:33:57.680 --> 00:34:00.720
<v Speaker 3>But like the woman who started the diver Urgent films

707
00:34:00.920 --> 00:34:03.240
<v Speaker 3>went through a very similar thing. People thought that she

708
00:34:03.440 --> 00:34:06.480
<v Speaker 3>was going to go on this like massive run, similar

709
00:34:06.680 --> 00:34:08.599
<v Speaker 3>to Jennifer.

710
00:34:08.320 --> 00:34:10.159
<v Speaker 5>Lawrence after she got done with a.

711
00:34:11.639 --> 00:34:15.519
<v Speaker 3>Series and she took a break, and that break afterwards,

712
00:34:16.480 --> 00:34:21.760
<v Speaker 3>momentum died down. People kind of forgot and then all

713
00:34:21.840 --> 00:34:24.760
<v Speaker 3>of a sudden she was now doing television versus doing movies,

714
00:34:25.440 --> 00:34:28.440
<v Speaker 3>which some people perceive as a downgrade, may have been

715
00:34:28.519 --> 00:34:31.360
<v Speaker 3>exactly what she wanted to do instead. I couldn't tell you,

716
00:34:32.079 --> 00:34:34.960
<v Speaker 3>but I know this. Two years of distance between your

717
00:34:35.039 --> 00:34:39.239
<v Speaker 3>most successful film and the next project will do a

718
00:34:39.400 --> 00:34:42.320
<v Speaker 3>lot against you unless you've built a fan base that

719
00:34:42.360 --> 00:34:45.639
<v Speaker 3>will find you the way that like you know, like

720
00:34:45.760 --> 00:34:49.960
<v Speaker 3>for comparison's sake, let's use comedy. Dave Chappelle can disappear

721
00:34:50.079 --> 00:34:54.599
<v Speaker 3>for years and then reappear and nothing happened because his

722
00:34:54.760 --> 00:34:55.920
<v Speaker 3>fan base is built for that.

723
00:34:56.280 --> 00:34:56.880
<v Speaker 5>He made that.

724
00:34:57.480 --> 00:34:59.880
<v Speaker 3>Kevin Hart can't do that, and that's why Kevin Hart

725
00:35:00.119 --> 00:35:03.360
<v Speaker 3>stays in the face of everybody all the time, Similark,

726
00:35:03.559 --> 00:35:07.480
<v Speaker 3>like Drake and Kendrick Lamar. If Drake disappeared for five years,

727
00:35:07.559 --> 00:35:10.360
<v Speaker 3>like Kendrick, people would be like what now? Would they

728
00:35:10.400 --> 00:35:13.039
<v Speaker 3>be exciting when Drake reappeared? Sure, but there'd be some

729
00:35:13.159 --> 00:35:15.760
<v Speaker 3>people who had been lost in the shuffle. Hendrick does

730
00:35:15.840 --> 00:35:18.639
<v Speaker 3>not have that problem. But that's because he's built and

731
00:35:18.760 --> 00:35:21.280
<v Speaker 3>trained his fan base for that. So in our modern

732
00:35:21.360 --> 00:35:25.840
<v Speaker 3>time where quick fast media is the norm, you have

733
00:35:26.119 --> 00:35:27.960
<v Speaker 3>to learn how to be able to adjust to that.

734
00:35:28.880 --> 00:35:31.400
<v Speaker 2>No, yeah, you make such a good point.

735
00:35:31.519 --> 00:35:35.440
<v Speaker 4>Yeah. One of my heroes, heroes, favorite artists of all

736
00:35:35.519 --> 00:35:36.280
<v Speaker 4>time is Shade.

737
00:35:36.840 --> 00:35:38.719
<v Speaker 2>Remember she did an interview back in the day and.

738
00:35:38.800 --> 00:35:41.679
<v Speaker 4>She said, and she has one of those fan bases, right,

739
00:35:42.159 --> 00:35:44.840
<v Speaker 4>she could go away for years, people will still celebrate

740
00:35:44.920 --> 00:35:47.039
<v Speaker 4>Shade as one of the greatest. And I remember she

741
00:35:47.119 --> 00:35:49.679
<v Speaker 4>gave a quote one day, she said, you know, people

742
00:35:49.679 --> 00:35:50.920
<v Speaker 4>are scared to go away.

743
00:35:51.480 --> 00:35:52.280
<v Speaker 2>People as artists.

744
00:35:52.320 --> 00:35:55.199
<v Speaker 4>They're scared to not be in everyone's face all the time.

745
00:35:55.239 --> 00:35:57.639
<v Speaker 4>They're scared to take time off to go away to

746
00:35:57.760 --> 00:36:02.280
<v Speaker 4>recoup and create something better. But do I understand where

747
00:36:02.280 --> 00:36:04.599
<v Speaker 4>you're coming from a lot of the modern gust that

748
00:36:04.679 --> 00:36:09.159
<v Speaker 4>we live in art artists. Unfortunately, you know the world

749
00:36:09.239 --> 00:36:12.519
<v Speaker 4>we live in with money, money making, you can't go away.

750
00:36:13.280 --> 00:36:15.639
<v Speaker 2>You have to be there twenty four to seven.

751
00:36:16.239 --> 00:36:19.440
<v Speaker 4>You know, it really does take a true artist, creating

752
00:36:19.519 --> 00:36:21.960
<v Speaker 4>from just the heart and soul to say I'm going

753
00:36:22.000 --> 00:36:24.599
<v Speaker 4>to step away to create even better. So for you,

754
00:36:25.000 --> 00:36:29.639
<v Speaker 4>I mean, being in the industry like this, it's very competitive,

755
00:36:29.679 --> 00:36:31.000
<v Speaker 4>it's very highly competitive.

756
00:36:31.360 --> 00:36:32.000
<v Speaker 2>How much does the.

757
00:36:32.079 --> 00:36:36.320
<v Speaker 4>Competition versus cooperation and community building do you kind of

758
00:36:36.480 --> 00:36:39.800
<v Speaker 4>seek out in terms of you know, your craft as

759
00:36:39.800 --> 00:36:42.599
<v Speaker 4>a spoken word artist, do you find yourself being in

760
00:36:42.719 --> 00:36:46.199
<v Speaker 4>more competition or creating community with your words, obviously with

761
00:36:46.320 --> 00:36:48.440
<v Speaker 4>the work you do with the youth. How much do

762
00:36:48.519 --> 00:36:52.960
<v Speaker 4>you see yourself now competition versus community building through poetry.

763
00:36:53.320 --> 00:36:53.519
<v Speaker 5>Yeah.

764
00:36:53.800 --> 00:36:57.400
<v Speaker 3>So I'm a highly competitive dude, and it's to my

765
00:36:57.559 --> 00:37:02.400
<v Speaker 3>detriment at times, solely because I can unintentionally burn bridges

766
00:37:03.400 --> 00:37:06.320
<v Speaker 3>just off the strength of like wanting to fuel my

767
00:37:06.480 --> 00:37:09.320
<v Speaker 3>own desire to be great. I feel God really has

768
00:37:09.400 --> 00:37:12.320
<v Speaker 3>called me in this season to like be the bridge

769
00:37:12.840 --> 00:37:16.280
<v Speaker 3>instead of being the fire. And so, yeah, I think

770
00:37:16.320 --> 00:37:19.559
<v Speaker 3>competition has a place because it can fuel people's capacity

771
00:37:19.679 --> 00:37:22.000
<v Speaker 3>to be better, their drive to be better. It can

772
00:37:22.119 --> 00:37:23.800
<v Speaker 3>give them the boost that they need to be able

773
00:37:23.840 --> 00:37:26.280
<v Speaker 3>to chase after excellence. But it can't come at the

774
00:37:26.360 --> 00:37:28.599
<v Speaker 3>cost of being able to build with the people alongside.

775
00:37:28.679 --> 00:37:32.239
<v Speaker 3>You can't come at that cost. Like, I love the

776
00:37:32.320 --> 00:37:35.519
<v Speaker 3>people in my craft who take it seriously, who are

777
00:37:35.599 --> 00:37:37.920
<v Speaker 3>trying to pursue excellence, who are trying to be great,

778
00:37:38.199 --> 00:37:41.960
<v Speaker 3>and who are continuing to push our culture forward predominantly

779
00:37:42.360 --> 00:37:45.639
<v Speaker 3>in healthy ways, not just like oh yeah, like great penmans,

780
00:37:45.760 --> 00:37:48.760
<v Speaker 3>but like great people, because I think great people can

781
00:37:48.840 --> 00:37:52.440
<v Speaker 3>produce the best art. But yeah, in my modern time,

782
00:37:52.599 --> 00:37:56.079
<v Speaker 3>I'm trying to be more community oriented. I'm I'm trying

783
00:37:56.119 --> 00:37:58.079
<v Speaker 3>to be a better steward of the gift that I

784
00:37:58.199 --> 00:38:00.679
<v Speaker 3>have to be able to build people upstead of saying like,

785
00:38:00.760 --> 00:38:03.280
<v Speaker 3>oh yeah, watch how I can break you down so

786
00:38:03.519 --> 00:38:04.679
<v Speaker 3>I can be seen as higher.

787
00:38:05.159 --> 00:38:08.119
<v Speaker 2>Sure sure, No, absolutely absolutely, And that's a.

788
00:38:09.760 --> 00:38:13.599
<v Speaker 4>Path that takes a lifetime to still understand what community

789
00:38:13.599 --> 00:38:14.519
<v Speaker 4>and community building is.

790
00:38:14.599 --> 00:38:14.719
<v Speaker 1>Now.

791
00:38:14.840 --> 00:38:17.400
<v Speaker 2>Thank you for sharing no moving gears here a bit.

792
00:38:17.559 --> 00:38:21.239
<v Speaker 4>You know, you've been a poet on an international scale

793
00:38:21.719 --> 00:38:24.280
<v Speaker 4>that you know most poets could only dream of having

794
00:38:24.320 --> 00:38:27.199
<v Speaker 4>that type of success, so quite naturally, you've touched a

795
00:38:27.280 --> 00:38:28.360
<v Speaker 4>lot of lives.

796
00:38:28.239 --> 00:38:29.239
<v Speaker 2>All throughout the globe.

797
00:38:29.960 --> 00:38:31.920
<v Speaker 4>Is there a story you could share, maybe even a

798
00:38:32.000 --> 00:38:35.719
<v Speaker 4>moment where you realize the impact your words of spoken

799
00:38:35.800 --> 00:38:38.679
<v Speaker 4>word of the word had on another human being.

800
00:38:39.320 --> 00:38:42.559
<v Speaker 3>There's a seventy two year old white woman in Iowa

801
00:38:42.840 --> 00:38:45.840
<v Speaker 3>who reached out to me after my poem Pooky, and

802
00:38:46.000 --> 00:38:50.119
<v Speaker 3>she told me, Brandon, thank you for opening my eyes

803
00:38:50.559 --> 00:38:54.800
<v Speaker 3>because I hated Black Lives Matter. I used to you know,

804
00:38:55.320 --> 00:38:59.519
<v Speaker 3>protest against you know, all these all this vandalism and

805
00:38:59.559 --> 00:39:02.840
<v Speaker 3>all this all these you know, all these things I

806
00:39:02.880 --> 00:39:06.039
<v Speaker 3>thought people were making. These police brutality stories up and

807
00:39:06.119 --> 00:39:08.679
<v Speaker 3>then I heard your story and I realized I'm a

808
00:39:08.760 --> 00:39:11.559
<v Speaker 3>mother of three young boys, and I would burn a

809
00:39:11.639 --> 00:39:14.679
<v Speaker 3>city down if something like that happened to them. Another

810
00:39:14.800 --> 00:39:19.440
<v Speaker 3>story of a young lady in Brazil. She told me

811
00:39:19.800 --> 00:39:22.599
<v Speaker 3>she never met her father. She didn't know the man,

812
00:39:22.679 --> 00:39:25.480
<v Speaker 3>and he had recently reached out to her, and from

813
00:39:25.559 --> 00:39:29.360
<v Speaker 3>my time on the show, she had always contemplated, because

814
00:39:29.400 --> 00:39:31.360
<v Speaker 3>she had had this letter for about a year, on

815
00:39:31.440 --> 00:39:33.639
<v Speaker 3>whether or not she should actually reach out and be

816
00:39:33.719 --> 00:39:37.199
<v Speaker 3>able to go meet him. And my poem about my

817
00:39:37.400 --> 00:39:40.679
<v Speaker 3>father and I encouraged her to actually go meet the man,

818
00:39:41.000 --> 00:39:43.719
<v Speaker 3>and now they have a I won't say a thriving relationship,

819
00:39:43.800 --> 00:39:47.280
<v Speaker 3>but they are at least cordial and he has a

820
00:39:47.400 --> 00:39:50.000
<v Speaker 3>role in not only his daughter's life, but his granddaughter's

821
00:39:50.039 --> 00:39:55.440
<v Speaker 3>life too. There's a young man who is in Australia

822
00:39:55.519 --> 00:39:59.079
<v Speaker 3>who told me, man, becoming a father is the scariest

823
00:39:59.199 --> 00:40:01.960
<v Speaker 3>thing because I don't want to make the same mistakes

824
00:40:02.000 --> 00:40:05.199
<v Speaker 3>that my father made with me. And I'm only nineteen,

825
00:40:06.079 --> 00:40:08.639
<v Speaker 3>but when I hear you talk about your daughter, I

826
00:40:08.760 --> 00:40:09.679
<v Speaker 3>want to be that guy.

827
00:40:10.079 --> 00:40:11.599
<v Speaker 5>So those are just a few instances.

828
00:40:12.480 --> 00:40:14.119
<v Speaker 2>Wow, No, that is amazing.

829
00:40:14.199 --> 00:40:16.719
<v Speaker 4>It gives you goosebumps for you as the person on

830
00:40:16.800 --> 00:40:19.760
<v Speaker 4>the receiving end, Do you even have the bandwidth to

831
00:40:19.880 --> 00:40:24.239
<v Speaker 4>even understand what that means that you've had that great

832
00:40:24.280 --> 00:40:25.639
<v Speaker 4>effect on someone's life?

833
00:40:26.000 --> 00:40:28.360
<v Speaker 2>Can it even be can you even process it fully?

834
00:40:28.639 --> 00:40:33.360
<v Speaker 3>You know? No, especially at the time being the futurist,

835
00:40:33.440 --> 00:40:36.440
<v Speaker 3>I've always been Yeah, I never really allow myself to

836
00:40:36.519 --> 00:40:39.039
<v Speaker 3>kind of just sit with it and to just be like, oh, yeah,

837
00:40:39.239 --> 00:40:41.239
<v Speaker 3>like I did really awesome work. Like I'll be there

838
00:40:41.280 --> 00:40:44.239
<v Speaker 3>in the moment as I'm messaging them back, but then

839
00:40:44.280 --> 00:40:47.199
<v Speaker 3>as soon as the message is gone, then I'm away

840
00:40:47.239 --> 00:40:47.760
<v Speaker 3>from it all.

841
00:40:48.440 --> 00:40:48.639
<v Speaker 2>Yeah.

842
00:40:48.719 --> 00:40:50.960
<v Speaker 5>So I'm trying better.

843
00:40:51.480 --> 00:40:55.840
<v Speaker 4>Yeah, absolutely so, Brandon. I mean, you've shared so many gems.

844
00:40:55.880 --> 00:40:58.639
<v Speaker 4>We really appreciate you and your time on the show today.

845
00:40:59.559 --> 00:41:01.480
<v Speaker 4>One of the things that this show really seeks to

846
00:41:01.559 --> 00:41:05.800
<v Speaker 4>do is give advice for the next generation of poets.

847
00:41:05.840 --> 00:41:08.480
<v Speaker 4>Anyone for their closet poets. They've been in the game

848
00:41:08.559 --> 00:41:10.840
<v Speaker 4>for a while, maybe they don't have to start. I mean,

849
00:41:10.960 --> 00:41:13.960
<v Speaker 4>what is just from your you know, give us some

850
00:41:14.039 --> 00:41:16.719
<v Speaker 4>free game. What advice do you give to aspiring poets

851
00:41:16.800 --> 00:41:18.639
<v Speaker 4>to look up to you and want to follow in

852
00:41:18.679 --> 00:41:23.599
<v Speaker 4>your footsteps of really making spoken word and poetry life's work.

853
00:41:24.559 --> 00:41:26.880
<v Speaker 5>Three pieces of advice, I'll try to make them quick.

854
00:41:27.400 --> 00:41:27.599
<v Speaker 4>One.

855
00:41:28.599 --> 00:41:32.119
<v Speaker 3>Be a healthy person before you're an awesome poet. It's

856
00:41:32.639 --> 00:41:37.159
<v Speaker 3>far more valuable that way. Lesson to write the bad poem.

857
00:41:37.880 --> 00:41:38.400
<v Speaker 5>It doesn't.

858
00:41:38.639 --> 00:41:40.480
<v Speaker 3>All of the work you make does not have to

859
00:41:40.559 --> 00:41:43.800
<v Speaker 3>be amazing. All of it does not have to be beautiful.

860
00:41:44.199 --> 00:41:46.239
<v Speaker 3>Some of it can be trash, some of it can

861
00:41:46.480 --> 00:41:49.960
<v Speaker 3>be just awful, And you will find that writing the

862
00:41:50.039 --> 00:41:52.000
<v Speaker 3>bad stuff will give you the chance to be able

863
00:41:52.039 --> 00:41:54.280
<v Speaker 3>to then write the good stuff you're hoping to get

864
00:41:54.280 --> 00:41:56.880
<v Speaker 3>out of it. And then, last, but not least, don't

865
00:41:57.039 --> 00:42:00.440
<v Speaker 3>ask for success without being willing to pay the costs

866
00:42:00.559 --> 00:42:04.400
<v Speaker 3>that it requires. Many people will get jealous, get frustrated,

867
00:42:04.440 --> 00:42:06.719
<v Speaker 3>get upset that they haven't reached the heights that they

868
00:42:06.840 --> 00:42:10.360
<v Speaker 3>desire to reach, not realizing that in order to get

869
00:42:10.480 --> 00:42:13.679
<v Speaker 3>that high, in order to get that success, there was

870
00:42:13.719 --> 00:42:17.039
<v Speaker 3>a lot of imbalance that was required. I can't tell

871
00:42:17.039 --> 00:42:20.559
<v Speaker 3>you the number of hours I sacrificed from family, from friends,

872
00:42:20.719 --> 00:42:24.679
<v Speaker 3>from people who I love and practice in my backyard

873
00:42:24.960 --> 00:42:28.159
<v Speaker 3>or in the car or at some random park, the

874
00:42:28.280 --> 00:42:30.440
<v Speaker 3>number of hours I spent on the road to go

875
00:42:30.559 --> 00:42:32.840
<v Speaker 3>to an open mic in another city so I can

876
00:42:32.920 --> 00:42:35.599
<v Speaker 3>try out and find a new scene just to get there,

877
00:42:36.199 --> 00:42:38.679
<v Speaker 3>share my poem for three minutes, and then have to

878
00:42:38.760 --> 00:42:41.079
<v Speaker 3>take another three hour drive home so I can make

879
00:42:41.119 --> 00:42:43.800
<v Speaker 3>it to work the next day on time. It's going

880
00:42:43.880 --> 00:42:48.000
<v Speaker 3>to require imbalance for a season. And if you desire excellence,

881
00:42:48.239 --> 00:42:51.119
<v Speaker 3>then go get excellent, but you also have to give it.

882
00:42:51.599 --> 00:42:53.679
<v Speaker 3>So yeah, those would be my three pieces of advice.

883
00:42:54.320 --> 00:42:57.039
<v Speaker 2>We appreciate it now. Those are excellent. Those are amazing,

884
00:42:57.280 --> 00:42:59.719
<v Speaker 2>Thank you so much. Brandon. What legacy do you hope

885
00:42:59.760 --> 00:43:01.840
<v Speaker 2>to behind through your poetry? Brandon?

886
00:43:02.199 --> 00:43:05.239
<v Speaker 3>Honestly, these days, I just want to be known as

887
00:43:05.280 --> 00:43:07.159
<v Speaker 3>somebody who loves Jesus and loved people.

888
00:43:07.760 --> 00:43:09.679
<v Speaker 5>And so if I can do those two.

889
00:43:09.599 --> 00:43:12.199
<v Speaker 3>Things really well and have people be like yo, man,

890
00:43:12.360 --> 00:43:15.320
<v Speaker 3>like he loved God well and he loved us well,

891
00:43:15.840 --> 00:43:17.400
<v Speaker 3>then I feel like I did a good job.

892
00:43:18.360 --> 00:43:21.119
<v Speaker 4>Thank absolutely all right, Brandon, last question we have for

893
00:43:21.159 --> 00:43:24.679
<v Speaker 4>you on the Post Speaks podcast today, Brandon, why do

894
00:43:24.800 --> 00:43:26.159
<v Speaker 4>you need to get your words out?

895
00:43:26.599 --> 00:43:28.519
<v Speaker 3>I get these words out, because if I did, I'd

896
00:43:28.519 --> 00:43:31.239
<v Speaker 3>probably probably go kill some of y'all from what y'all

897
00:43:31.280 --> 00:43:32.480
<v Speaker 3>be doing out here in these streets.

898
00:43:32.519 --> 00:43:35.199
<v Speaker 5>I'm just gonna be honest. So I choose a I

899
00:43:35.320 --> 00:43:36.679
<v Speaker 5>choose words instead of violence.

900
00:43:36.880 --> 00:43:40.920
<v Speaker 2>There we go, all right, y'all he would out if

901
00:43:40.960 --> 00:43:44.480
<v Speaker 2>he could shoot. All right, he chooses words my violence.

902
00:43:44.599 --> 00:43:45.559
<v Speaker 3>We love it.

903
00:43:45.639 --> 00:43:48.119
<v Speaker 2>We love it, all right, Brandon. Well, thank you so

904
00:43:48.280 --> 00:43:49.360
<v Speaker 2>much for being guest today.

905
00:43:49.440 --> 00:43:51.320
<v Speaker 4>Now before we wrap up, wrap up, just tell the

906
00:43:51.400 --> 00:43:54.000
<v Speaker 4>folks out there what's next for you in the year

907
00:43:54.119 --> 00:43:55.239
<v Speaker 4>twenty twenty five.

908
00:43:55.119 --> 00:43:56.280
<v Speaker 2>And above and beyond?

909
00:43:56.360 --> 00:43:58.800
<v Speaker 4>And where can folks find all of your amazing work

910
00:43:58.840 --> 00:44:01.360
<v Speaker 4>at any social media websites that you.

911
00:44:01.400 --> 00:44:05.440
<v Speaker 3>Want to drop For January twenty twenty five, my short

912
00:44:05.559 --> 00:44:11.000
<v Speaker 3>film Complexity, which won fifty six awards internationally and nationally,

913
00:44:11.480 --> 00:44:15.960
<v Speaker 3>will be debuting online on my YouTube page just Brandon Leak.

914
00:44:16.719 --> 00:44:19.400
<v Speaker 5>You will see me when you type it in. It's

915
00:44:19.440 --> 00:44:20.039
<v Speaker 5>my I channel.

916
00:44:20.079 --> 00:44:23.079
<v Speaker 3>I have about almost twenty thousand followers there, So yeah,

917
00:44:23.159 --> 00:44:27.639
<v Speaker 3>that'll be debuting in January. February of twenty twenty six

918
00:44:27.719 --> 00:44:29.960
<v Speaker 3>will be my return back to poetry. For all who

919
00:44:30.000 --> 00:44:32.239
<v Speaker 3>don't know, I've been on sabbatical for about a year

920
00:44:32.280 --> 00:44:35.000
<v Speaker 3>and a half now. God called me home to be

921
00:44:35.039 --> 00:44:37.320
<v Speaker 3>able to take a break, be with my family, to

922
00:44:37.480 --> 00:44:41.480
<v Speaker 3>rest and to reconnect with Him, and in that I

923
00:44:41.559 --> 00:44:45.199
<v Speaker 3>have been preparing for this next album entitled Intimacy, and

924
00:44:45.719 --> 00:44:48.239
<v Speaker 3>we will be putting on three live shows in my

925
00:44:48.440 --> 00:44:53.400
<v Speaker 3>city and then potentially a very small tour. But it's

926
00:44:53.639 --> 00:44:59.039
<v Speaker 3>me with a sixty piece orchestra, a band, and a choir,

927
00:44:59.400 --> 00:45:02.360
<v Speaker 3>so it is not just branding up there on stage.

928
00:45:02.400 --> 00:45:06.480
<v Speaker 3>You're gonna get a full on performance. You will find

929
00:45:06.880 --> 00:45:11.199
<v Speaker 3>me at Brandon l E a k E on all platforms.

930
00:45:11.280 --> 00:45:14.039
<v Speaker 3>I'm the only Brandon Leak with a check mark next

931
00:45:14.079 --> 00:45:16.519
<v Speaker 3>to his name on all these platforms, so I'm pretty

932
00:45:16.559 --> 00:45:20.239
<v Speaker 3>easy to find. Hit me up on YouTube, most importantly Instagram.

933
00:45:20.360 --> 00:45:23.039
<v Speaker 3>You'll see me every day. So yeah, just come highlight

934
00:45:23.119 --> 00:45:26.000
<v Speaker 3>a brother. I'll be around awesome. Thanks so much, Brandon.

935
00:45:26.280 --> 00:45:26.639
<v Speaker 2>Everyone.

936
00:45:26.760 --> 00:45:30.079
<v Speaker 4>Brandon's links will be down below no matter where you're

937
00:45:30.119 --> 00:45:32.599
<v Speaker 4>listening to this podcast, no matter the platform, check out

938
00:45:32.639 --> 00:45:37.440
<v Speaker 4>the detailed box detail sections below for Brandon's all his links.

939
00:45:37.679 --> 00:45:39.800
<v Speaker 2>All right, well, Brandon, we really appreciate you.

940
00:45:39.920 --> 00:45:41.400
<v Speaker 4>Thank you so much for being a guest on the

941
00:45:41.440 --> 00:45:42.800
<v Speaker 4>Polts Speaks podcast today.

942
00:45:43.320 --> 00:45:43.840
<v Speaker 5>Thank y'all.

943
00:45:44.440 --> 00:45:48.719
<v Speaker 4>Absolutely all right, everyone again, Brandon's links. Brandon Links links

944
00:45:48.880 --> 00:45:52.320
<v Speaker 4>will be down below in the description box below.

945
00:45:52.519 --> 00:45:53.480
<v Speaker 2>Everyone, thanks so much.

946
00:45:53.599 --> 00:45:55.400
<v Speaker 4>Check out the Polks Speak podcast no matter where you

947
00:45:55.440 --> 00:45:57.440
<v Speaker 4>listen to your podcast, all everyone, take care.

948
00:45:57.559 --> 00:45:57.920
<v Speaker 5>Bye bye
