Speaker 1: You see, something's going to happen. What?
Speaker 2: What's going to happen?
Speaker 1: What?
Speaker 3: Welcome to the Occult Rejects. Today we have pyramid researcher
Speaker 3: Ronnie with me and Nick. Ronnie, go ahead and introduce yourself.
Speaker 1: Well the folks, good, even, how are you guys doing well?
Speaker 1: Us happening off where you guys are? But then, oh yeah,
Speaker 1: my name is Karen or Ronnie is a nickname because
Speaker 1: Karen's lawyer's name and he began to struggle with it,
Speaker 1: so we just go with Ronnie for the time being.
Speaker 1: I started my YouTube channel Welcome to the Abyss, and
Speaker 1: what the intention of it was was to talk about
Speaker 1: ancient history and then particularly around Oris metology. But the
Speaker 1: other thing you wanted to talk about was I have
Speaker 1: My actual background is refrigerating and air condition and service engineer.
Speaker 1: So with that, I've been looking at infrastructures like the
Speaker 1: likes of dormans and stuff in the looks of Ordlent.
Speaker 1: But more so I've been looking at the Great Pyramids
Speaker 1: because I would have been a big suppose fan of
Speaker 1: Tesla or a follower of Tesla, and then.
Speaker 4: The likes of Walter Russell Headless you and I've talked
Speaker 4: about this before, and there's there's a and the likes
Speaker 4: of other researchs Thomas Murray and stuff like that, and
Speaker 4: what we're saying to you, what we're saying, what I've
Speaker 4: saying is.
Speaker 1: With the Pyramids is like the thing is a joint
Speaker 1: machane and you could actually apploy working principles from what
Speaker 1: I do every day to these actual machines and from
Speaker 1: There's some stuff that's come out recently since I published
Speaker 1: the pyamitery online and other people, which will describe in
Speaker 1: the slides that other people have sent me to say, look,
Speaker 1: this is legit, like there's something here, you know, and
Speaker 1: it's it's worth as I had a lot of pushback
Speaker 1: in regards to get peer reviewed. So my issue with
Speaker 1: what I figured out, my peer review issue was is
Speaker 1: that nobody accepted that the Pyramids were anything other than tombs.
Speaker 1: But when I how I have actually approached the thirty
Speaker 1: is is like, well, it's got this, it's got that,
Speaker 1: it's got this, it does that, and you're telling me
Speaker 1: it's a tomb. To me does not make sense. And
Speaker 1: as it says, when I what I did was what
Speaker 1: I wanted to do, was I wanted to put it
Speaker 1: out online so other people could see it and hopefully
Speaker 1: take from it and then develop it, you know, And
Speaker 1: as it says, we're like, we're all about chair knowledge
Speaker 1: here and hopefully that the likes of this stuff can
Speaker 1: maybe take it to the next step in the world.
Speaker 1: Who knows, you know, maybe being egotistical saying that I
Speaker 1: don't know, but we'll give it a back and anyway.
Speaker 1: You know.
Speaker 3: Now, this is the perfect subject because I think a
Speaker 3: lot of people are ready to find out how the
Speaker 3: Earth is really working, how these giant monuments are really working,
Speaker 3: how the domains work, all the rest of these things
Speaker 3: can be explained today with the science that we have,
Speaker 3: but nobody's really trying because in doing so they might
Speaker 3: jeopardize some tenured professor's career talking about all of the
Speaker 3: things that it's not. So yeah, let's let's get right
Speaker 3: into the slides then.
Speaker 1: Yeah. So the force Floyd here for me is so
Speaker 1: what I'm doing is is just I want to come
Speaker 1: to show people give it a bit of a rundown.
Speaker 1: And so the main focus of this is the Kufi
Speaker 1: period are great perniment and sayingy, what I'm going to
Speaker 1: do is is just descroy of it based off my
Speaker 1: own experiences every engine, and then we can we can
Speaker 1: take it from there. So if you want to go
Speaker 1: to the next load there, please sure so and OI
Speaker 1: formulated is thirty in twenty seventeen, I think it was.
Speaker 1: I was in second year for our college for a
Speaker 1: refrigeration and what happened was how we actually caught this
Speaker 1: was I was obviously fan of Tesla and stuff, and
Speaker 1: I was looking at it and I was like, well,
Speaker 1: while these thirty is about power generation and stuff like that,
Speaker 1: the it's it's missing something, you know, and it's like, well,
Speaker 1: in the future sloughd you're going to see Canter bringing
Speaker 1: stars and it's going to be two copper colors. There
Speaker 1: are two copper prongs which are conductors, but they actually
Speaker 1: give some credence to an actual thirty is. So this
Speaker 1: around just after i'd kind of figured out what I
Speaker 1: was talking what I was thinking there with this, I
Speaker 1: found this a study being released from physics dot org.
Speaker 1: Now people can google the stuff like this is all
Speaker 1: available information online. But as you can see that it
Speaker 1: says as prob the article of June thirty first, twenty eighteen,
Speaker 1: the Pyramids do focus electromagnetic energy. So like, as I
Speaker 1: say here, it's like well and and according to Martin Academia,
Speaker 1: and they're saying no, they were just too These slaves
Speaker 1: for the crack built this joint HILM, and it had
Speaker 1: all these alignments, this this massive engineering they did it
Speaker 1: were copper two and would. So I don't think any
Speaker 1: of us sitting here probably watching this are going to think, well,
Speaker 1: that's how he did it, because I was actually it
Speaker 1: was actually in Egypt May of last year, and I
Speaker 1: remember looking at that. At the first time I actually
Speaker 1: set eyes on him, I was like, WHOA. I was like,
Speaker 1: these things are spaceships. Is Like. I looked at it
Speaker 1: and I was like, there's no way, There's no way
Speaker 1: humans built these things. Is It's It's like I've been
Speaker 1: to a couple of different sites around the world and
Speaker 1: seen some pretty interesting machines, and the time on the job,
Speaker 1: I've never seen end there's like looking at that as
Speaker 1: like their tombs. I don't that like, it's it's crazy.
Speaker 1: It's guys, what I said. When people start looking at it,
Speaker 1: and hopefully based on some of the stuff we're going
Speaker 1: to present here today, that it's going to really start
Speaker 1: getting people that ask questions to say, hold on empire
Speaker 1: minutes here, this does not make sense, you.
Speaker 3: Know you next time?
Speaker 1: Yeah, please? So as we can see here, so there's
Speaker 1: there's any original paper, so this is kind of new
Speaker 1: information from the from the original post. So I couldn't
Speaker 1: I couldnt actually physically test this up until I did
Speaker 1: ask the question and I did think, well, this could
Speaker 1: possibly work. So when when you think of power generation,
Speaker 1: you're thinking of like say three phase or three phase electricity.
Speaker 1: So you've got signed waves. So if you have, say
Speaker 1: and the sil scope, you can actually see why I'm
Speaker 1: trying to do it on the on the screen here,
Speaker 1: it's waves. So when you have a single phase electricity,
Speaker 1: what's happening is, say that's our alt and out and current.
Speaker 1: You've got a zero line here, and what's happening is
Speaker 1: the wave is just going up and down, right, So
Speaker 1: that would be single phase. But the kind of show
Speaker 1: three phase electricity you're going to have imagine it's partly
Speaker 1: to deal with with geometry as well. So it's three
Speaker 1: hundred and sixty degrees of a circle, right, But each
Speaker 1: phase in three phase power production is say what one
Speaker 1: hundred and twenty vaults in your guy's case. From what
Speaker 1: I remember, right, so sorry, it's one hundred and twenty
Speaker 1: degrees arc of separation. So you've got three hundred and
Speaker 1: sixty degrees of a circle each each of those each
Speaker 1: of those waves from phase one, two, and three are
Speaker 1: separated by one hundred and twenty degrees because that out
Speaker 1: of sync. But this is all to do with the
Speaker 1: geometry of power generation. It's all relative from a lot
Speaker 1: of stuff. You'd see the say geometry the more you're looking,
Speaker 1: how Yeah, this is universal law, is what these guys
Speaker 1: are talking and like you, I think we talked about
Speaker 1: this head. It's the last time, is what was Mammy
Speaker 1: p Hall that said that that once humans understand learn
Speaker 1: the language of symbolism, are great valilably little from humanity.
Speaker 1: And then when you think of what the ancients like,
Speaker 1: if this the ancients knew their way is shown as
Speaker 1: was these images, but it's obviously that they've been cooperted
Speaker 1: by some force. One could argue with, you know, but
Speaker 1: in relation to alignments, it says when I researched this,
Speaker 1: so earth, so Earth wabbles on its rotational axis right,
Speaker 1: and Earth has its equator but what's happening is is
Speaker 1: the Earth. Obviously the Earth is going to be your constant,
Speaker 1: but it's the it's the the axis is going to move.
Speaker 1: But where the actual alignment is from from what I've
Speaker 1: seen there now and as it says, the runs through
Speaker 1: the AI and it says yes, it says where that
Speaker 1: is on the in the alignment and the actual Earth.
Speaker 1: This says quite possible that it could actually that is
Speaker 1: where that tody degree line is along with the true
Speaker 1: north alignment that's going to be in this next next
Speaker 1: Loyd that it's it's it's perfect for power generation or
Speaker 1: induction of power rather, you know, so.
Speaker 3: The thirty degree parallel that is that represents its relationship
Speaker 3: to the north pole.
Speaker 1: So in the next Loyds you're going to see so
Speaker 1: the pyramids are aligning to say true not okay, So
Speaker 1: that's one part of the power generation. But the second
Speaker 1: part is actually where the the the perramid actually sits
Speaker 1: in regards to the alignment on Earth. So that proorty
Speaker 1: degree is said to be the best thing, the best,
Speaker 1: the best angle for this induction, I suppose you know
Speaker 1: what I mean. So when we go forward into the Floyds,
Speaker 1: you'll see what I mean about the copper conductor where
Speaker 1: it's placed on why it's doing it. So again, if
Speaker 1: these these these slaves who had copper cheeses and wooden
Speaker 1: pulleys and wouldn't all starts right? These people were able
Speaker 1: to along the periments the true not so like when
Speaker 1: when was when was the earth found to be round?
Speaker 1: Was it Galileolo?
Speaker 3: Well, they had experiments in Greece where a guy in
Speaker 3: Alexandria I believe, put holes in the ground or sticks right,
Speaker 3: and then he separated right. They separated these two people
Speaker 3: by a large margin. Then they measured the uh, the
Speaker 3: the shadows at the same time. And the idea was
Speaker 3: if the if the earth is round, then you're gonna
Speaker 3: have different shadows in different areas, but if the earth
Speaker 3: is flat, then you're gonna have the same shadows.
Speaker 1: But like to actually aligned to true not the way
Speaker 1: they did is crazy because like when when you think
Speaker 1: of you've got true not, you've got magnetic nort and
Speaker 1: then today we have grid nort. So the fact that
Speaker 1: they are able to align the pyramids the way they
Speaker 1: did would indicate as a hold on a second like that,
Speaker 1: like when I looked at that, and I was like,
Speaker 1: that has to be a reason why they did that.
Speaker 1: But as it says, it was only recly when I
Speaker 1: ran out through, I just put the When I don't
Speaker 1: the AI, I says, do not film me full of rubbish.
Speaker 1: I says, I want, I want this with full logic,
Speaker 1: And as it says, I apployed. The other part of
Speaker 1: the theory says, Look, it says it's this, it's doing this,
Speaker 1: it's doing that, it's doing this, and it says, I'm
Speaker 1: my logic was is that that true kN alignment is
Speaker 1: going to be key to power generation because as a
Speaker 1: cult there, like he you would have done the electrical
Speaker 1: theory yourself. Yeah, so the the not sell poles in
Speaker 1: power generation, it's going to be sami to be your
Speaker 1: state or your roter. But as we go forward through
Speaker 1: the slides, we're going to say is like the like
Speaker 1: the sense of what the Pyramives were doing was just
Speaker 1: inducing it's natural current, like just its natural magnetic field.
Speaker 1: So where it is and where it's been placed, it's
Speaker 1: all been deliberately done from maximum efficiency, you know. And
Speaker 1: then as you can see here says aarth is a
Speaker 1: giant magnet. All the electrical theory is based in related
Speaker 1: to the airth mcanal field as well as magnez in general.
Speaker 1: And then the next thing is that this this stuff
Speaker 1: that's coming out there like you were talking about with
Speaker 1: eric energy and stuff like that. Head this is that
Speaker 1: Earth is a giant magnet. Right, we know the Earth
Speaker 1: has volted in the atmosphere, and then we also know
Speaker 1: it has a magnetic field. So we got voltage and
Speaker 1: he got current, so that you are U I. And
Speaker 1: then in regards to Alma's law the pyramids, I say,
Speaker 1: is the actual resistor. And then in relation to the
Speaker 1: placement of the love of the pyramids, that would be
Speaker 1: in relation to Faraday's law, which is your with your
Speaker 1: right hand, it might it's you were left, but the
Speaker 1: right right right hand will be right field induction. So
Speaker 1: this is all about everything seems to be in relation
Speaker 1: to just inducing current. And then as it says, hey,
Speaker 1: it says we've gone foldage, we've got current. And what
Speaker 1: we're seeing with the lights of Nicke what Nicola Tesla
Speaker 1: was that people say he was transmitting energy. And then
Speaker 1: if if I was looking at the books upstairs from
Speaker 1: Tesla and I would have done a lot of research
Speaker 1: on him. And obviously he's the father of all the courts,
Speaker 1: so we have done that in college. So when I
Speaker 1: was looking at this and na, he wasn't transmitting energy,
Speaker 1: is like, it's there, everything is already there. It says
Speaker 1: all he was doing was is hard as in that
Speaker 1: you know, and like when people like like this. The
Speaker 1: simple way of proven this is like if if anyone
Speaker 1: ever goes to a building and you see a copper
Speaker 1: conductor running down the building, the reason why that is there,
Speaker 1: it's because it's electrical safety. So you're saying, a lightning
Speaker 1: strike or whatever hits the building, what will happen is
Speaker 1: it will hit that. It will hit the building, and
Speaker 1: the copper electricity naturally wants to go to earth. So
Speaker 1: earth is your negative and then the atmosphere is your
Speaker 1: positively charged and positively charged elections. So what it wants
Speaker 1: to do is it wants to go to ground. So
Speaker 1: the copper conductor two ground gives it the safest possible rule.
Speaker 2: You know, it's gonna be attracted to the cover, it
Speaker 2: become grounded.
Speaker 1: Yeah, well, it's saying, but if this say there's a thunderstorm,
Speaker 1: it's gonna say it's the build because of the concrete,
Speaker 1: because they've got all this all this electronics and stuff
Speaker 1: going on. The strike, the lightning strike would be attracted
Speaker 1: to that, and then what what the actual copper ground
Speaker 1: bar would do is to give it that safe path
Speaker 1: to Earth so it doesn't kill anybody in the actual building.
Speaker 5: You know.
Speaker 1: But this is this is just easy ways to just
Speaker 1: shown to people as you see this every day without
Speaker 1: actually realizing it.
Speaker 3: With the magnetic induction of the pyramids, they would be
Speaker 3: more trying to uh collect the ambient magnetic energy.
Speaker 1: Correct, Let's see, it's it's constantly there. So in in
Speaker 1: in the atmospheric electricity, you're going to have a desert, right,
Speaker 1: So the two examples they use is in a f
Speaker 1: the sea and in a desert, you've got you've got nothing,
Speaker 1: you've got a flat surface, you've got nothing else out there.
Speaker 1: So the the voltage is there the same thing. It's
Speaker 1: always got to be present for or the the the
Speaker 1: figures that they use for atmospheric electricity. So for every meter,
Speaker 1: for every meter you go off ground, it's a potential
Speaker 1: difference of one hundred volts or it's thirty I think
Speaker 1: it's thirty three vaults per foot and one hundred vaults
Speaker 1: per meter, so when you're one meter on the ground,
Speaker 1: there's a potential difference there. It's just you can't use it. There.
Speaker 1: The reason you can't use it because we're at the
Speaker 1: massive Earth. We're at Earth, so it's already being dischid
Speaker 1: so that's why we can't use it. And in the
Speaker 1: actual there's e ey Tricity video where I've linked to
Speaker 1: the other posts. They they were applying the same principles,
Speaker 1: but they what they were using was they were using radio.
Speaker 1: They were hards in radio ways for power. But in
Speaker 1: my example, what I'm using is I'm using Earth's resonant
Speaker 1: harmonic with the seven point d three hurts. So my
Speaker 1: reckoning is is you get you you you get the
Speaker 1: resonant harmonic, and obviously you start fiber out and rye
Speaker 1: and then this kind of goes into PS that just
Speaker 1: this is a PS electric as well, your drawn straw
Speaker 1: energy from the natural harmonic, you know, and then the
Speaker 1: the what was the point previous to that, I was
Speaker 1: saying that the it's the yeah, the resonant harmonic. So
Speaker 1: all it is to doing is just like in this circuit,
Speaker 1: we're just giving it a control path, if that makes sense.
Speaker 1: So what we're doing is just that's seven point of
Speaker 1: day hate, three hurts. That's the power you tap into.
Speaker 1: That power is everything. So I reckon in the grand
Speaker 1: scheme of things with the pyramid. When this pyramid was
Speaker 1: fully operational, that voltage ground is usual, but it's safety
Speaker 1: use because it's it's natural. Like when you think about it,
Speaker 1: we are energet, we're elect you boy, mechanical beings itself,
Speaker 1: like like your you, you get a bang off a conductor, right,
Speaker 1: I think it's a twenty million scull across your heart
Speaker 1: and kill you. Because what's happening is it's your it's
Speaker 1: your rhythm. It's your heart rhythm or your pulse essentially.
Speaker 1: So what will happen is the the million answer, the
Speaker 1: con will affected the signal to your heart. It's not
Speaker 1: giving me the I think it's defibrillation is the.
Speaker 2: Term for us.
Speaker 1: But that's that's what that's where where you lent with
Speaker 1: like we're about seventy percent water bones paho electric. You know,
Speaker 1: everything like this goes back. I can't give everything as energy, you.
Speaker 3: Know, right, So when we're talking about the acoustic harmonics, right,
Speaker 3: so what you're saying is that the pyramids themselves are
Speaker 3: tuned to seven point eight. I believe.
Speaker 1: Yeah, So what what what my my my theory is
Speaker 1: saying is that so with the with so there's going
Speaker 1: to be just two sets that there's a two sets
Speaker 1: of prongs in there in the hidden chamber, and that's
Speaker 1: the copper conductor. So what I'm saying is that this
Speaker 1: copper conductor is actually a coil. So this coil is
Speaker 1: what is inducing it's natural current. Okay, but the other
Speaker 1: part is in the Queen's chamber. So we know that
Speaker 1: the CIA manics and acoustics in the pyramid via the
Speaker 1: Grand Gallery. Okay, so all that testa has been done.
Speaker 1: So when my logic was, it's like, well, it's a
Speaker 1: joint accust the chamber. So all's missing is an accusing material.
Speaker 1: So there's there's a whole like function to this. It's
Speaker 1: it's pretty nuts how they've done it. So I reckon
Speaker 1: that when when the pyramid had started, so when the
Speaker 1: pyramid actually heats up, it heats the internal chamber, it
Speaker 1: boils the water. Water in the subterranean chamber don't boil.
Speaker 1: Water becomes steam the west internal granite. But with heat
Speaker 1: you've got obviously energy, right, but what's happening is at
Speaker 1: the same time it's terminal expansion. So this is another
Speaker 1: key point about the engineer behind the pyramids, is that
Speaker 1: this terminal expansion happening. So what people say about the
Speaker 1: King's chamber being it's something to do with earthquakes, I
Speaker 1: disagree with that. I actually reckon it's for terminal expansion.
Speaker 1: So as the chamber heat, it expands. And what you
Speaker 1: were saying earlier on Header's about page electricity is that
Speaker 1: so for players electric effect to take place in each
Speaker 1: mechanical stress. So as the chamber heated, the copper coil
Speaker 1: is inducing currents, so you've got heat there, You've got
Speaker 1: heat being drawn in from the top of the gold
Speaker 1: cast on. So as the as a heats, you're getting
Speaker 1: your praage electric effect because it's it's that internal expansion.
Speaker 1: But with the copper bronze oscillating mechanism within the Queen's chamber,
Speaker 1: it's creating like a like a spark gap like I'm
Speaker 1: trying to think of, like no that you got your
Speaker 1: spark for your spark clubs, Like now that goes This
Speaker 1: is samelar principle it's just a lett. It's like the permit.
Speaker 1: Like I'm trying to describe the pyramives the sensely your fuse.
Speaker 1: This mechanism is essentially diffuse that you're missing. It's like
Speaker 1: a fuse and the plug. So say something something pops bump,
Speaker 1: that's your fuse. That's how it gets that it starts running.
Speaker 1: So the bronze o slighting mechanism to me, is that fuse.
Speaker 1: But what as as that's happening, So all this stuff
Speaker 1: is going on, this spark is arcing across in the
Speaker 1: Queen's chamber and it starts to vibrate. And then as
Speaker 1: this arc is happening, it's a tune. So it goes
Speaker 1: so as it heats. As it heats and cools throwing
Speaker 1: as it warms up during the day, it starts, and
Speaker 1: then as it stops at night time because it gets
Speaker 1: cold and the sun goes down, it turns itself off.
Speaker 1: It's a joint machine. It's like you would have done
Speaker 1: clicks and and stuff and trying to think it essentially,
Speaker 1: you know, as it says, if you look at the
Speaker 1: materials made up of it on a second, that's what
Speaker 1: it's doing.
Speaker 6: You know, one thing that you did mention. I just
Speaker 6: want to bring up before we go forward. You mentioned
Speaker 6: the seven point eight if I remember correctly, he was
Speaker 6: seven point eight or seven point three or maybe seven
Speaker 6: point three to seven point something like. Yeah, yeah, I
Speaker 6: that is in the Gateway documents when when we covered
Speaker 6: the Gateway Project on the coal rejects years ago, they
Speaker 6: were saying something that you had to I think get
Speaker 6: your body into that kind of like field of residence
Speaker 6: or whatever before you could even do anything.
Speaker 2: And the tapes I think kind of helped you do that.
Speaker 1: Hm.
Speaker 2: It didn't mention that, it did mention that I think
Speaker 2: seven point eight or something like that.
Speaker 1: Yeah, but natural let's take a like, let's say let's
Speaker 1: take a again. It's it's just natural harmonics. It's like
Speaker 1: the resin harmonic audience. Uh.
Speaker 3: Piaso electricity is an electric electric current that didn't do
Speaker 3: used from pressure onto a material. So if if you've
Speaker 3: ever taken two big old chunks of quartz into a
Speaker 3: dark room and rob when we getst each other, you're
Speaker 3: going to see that that paso electric effect happening right
Speaker 3: there on those two rocks that are going to start
Speaker 3: to spark the entire pyramid is made up of stone
Speaker 3: that is so full of quartz that if you're pushing
Speaker 3: on it, it's going to create that piezo electric charge.
Speaker 3: Another interesting thing about the pie's electric charge is that
Speaker 3: your bones are piso electric and your hair is paso
Speaker 3: electric too, So if you can vibrate at the right frequency,
Speaker 3: you can actually get a lot of electricity out of
Speaker 3: your bones, which is crazy. I mean, it almost sounds like,
Speaker 3: you know, maybe we are being harvested almost in a
Speaker 3: literal way, like the matrix. You know, all the bones
Speaker 3: and all of the stress that we put on ourselves
Speaker 3: is creating electrical charge.
Speaker 1: Yeah, yeah, yeah, it's it's like when the more you
Speaker 1: look into the stuff, the more you're thinking. It's like
Speaker 1: well as like the magics is definitely telling the future,
Speaker 1: you know what I mean. But the it's it is,
Speaker 1: it is pretty nuts. Like as they say, is when
Speaker 1: you like this this new technology has come out now
Speaker 1: where they're there the last couple of years is body heat.
Speaker 1: So what they're doing is so again heat eats energy,
Speaker 1: and the the they reckon that the charges they can
Speaker 1: actually use and body movement and then actual heat from
Speaker 1: your body to actually power your own devices. Right, you know,
Speaker 1: and then in the grand scheme of things, like when
Speaker 1: you talk about what we're talking about here, it's like, well,
Speaker 1: why not not use the whole system the Earth grade?
Speaker 2: You know.
Speaker 1: It's it's just it's this like I be a follower
Speaker 1: of the electric universe theory and the electric when you
Speaker 1: think like they think of everything as energy, everything is electric,
Speaker 1: you know. It's just al different principles of how you
Speaker 1: play it. But when you go back to basics, it's
Speaker 1: all the same, absolutely.
Speaker 5: Uh.
Speaker 3: I think there's also the idea that the thermal expansion
Speaker 3: can be used for electricity as well, So you've got
Speaker 3: two forms sort of playing off of each other because
Speaker 3: the thermal electric effect is uh uh pretty So you
Speaker 3: know all about that because that's what refrigeration.
Speaker 1: Is, you know. Yeah, yeah, but even there there was
Speaker 1: there's a guy called Danny from Testa Pyramids. He he's
Speaker 1: done some good work on thermo acoustics, and it's the
Speaker 1: same thing. It's getting heat and heat energy from an
Speaker 1: acoustic driver. It's like there's lots of stuff available online
Speaker 1: about this, but it's like there's it's like even it's
Speaker 1: like even like the same acoustic energy. You know, it's
Speaker 1: like it's to have there could be a way of
Speaker 1: how we can actually draw energy from acoustics, and that
Speaker 1: kind of goes to megalis. It's like, how did they
Speaker 1: draw accused it? How did they draw this energy with
Speaker 1: accused of energy as well? If a dominant is made
Speaker 1: out of granne there's this quart within grannite. All you
Speaker 1: have to do is employ an oscillating mechanism. Look going
Speaker 1: to describe it for the periament to draw that charge
Speaker 1: because with pa is electricity. The other thing is it's
Speaker 1: it's the harmonics. It's then it's it's it's it's resonant
Speaker 1: harmonic is how you get the charge as well, So
Speaker 1: as it says within within the pyramid with that terminal
Speaker 1: expansion within a when you you have charge there and
Speaker 1: then obviously you've got the atmospheric charge. But it's the
Speaker 1: oscillating mechanism of the It's the natural harmonic is what it's.
Speaker 1: It's what so imagine you've got your crystalline structure and
Speaker 1: when it's under stress, when it's under stress in in
Speaker 1: the likes of the pyramid or whatever it's in as
Speaker 1: it's ready to do something. But it's the oscillator from
Speaker 1: the actual driver from the thing. It's I'd like them
Speaker 1: to a frequency drive. So it's you employ the signal.
Speaker 1: The signal is the frequency, you know, and I says
Speaker 1: you you know, nik yourself. So you ever went to
Speaker 1: look at the more. So we've got power to the more.
Speaker 1: What's the next thing you check? Doesn't have the signal
Speaker 1: to start running, you know, And then that's the same.
Speaker 1: That's there's still foil employ to it, you know. But
Speaker 1: it could be it could be totally wrong. But at
Speaker 1: the same time, it's it seems to check. It's it's
Speaker 1: checking out on different things right well.
Speaker 3: On the thermo electric tip, a thermal electric generator in
Speaker 3: a refrigerator, once you reverse the flow in it, it's
Speaker 3: generating electricity and so h it's a solid state thing.
Speaker 3: So you could you could just think of the entire
Speaker 3: pyramid as a thermo electric generator because once you have
Speaker 3: it set up with the internal mechanism, you're you're generating
Speaker 3: electricity just from heat.
Speaker 1: So yeah, but even this this it's exciting, even your
Speaker 1: standing more so, what people don't really a power generations
Speaker 1: this thing. So you can have a star and motor
Speaker 1: that runs you just rewire on motor and torn it
Speaker 1: that generates power. It's like there's a lot of stuff
Speaker 1: onnying from you know, like homesteaders and stuff for they
Speaker 1: do with their own power. So what they actually have
Speaker 1: done is they've taken like a washing machine room like
Speaker 1: a for doing laundry, and he's rewired it. He's ran
Speaker 1: water through with via a natural stream and as the
Speaker 1: as the drum is torn and it's actually power DC
Speaker 1: voltage back to is you is only with the powers
Speaker 1: of system. It's like when because it says when you
Speaker 1: actually start learning about this stuff, like it's not It's
Speaker 1: like when I started originally it's like electric it's magic
Speaker 1: pixies in this machine. I don't know how this works.
Speaker 1: But then when they actually started getting into it and
Speaker 1: I was like wow, it was like it's it's easy.
Speaker 1: It's it's once say it's easy, but it's like that's
Speaker 1: how that's how they've done it, you know, And then
Speaker 1: like it's amazing.
Speaker 3: Well, the the electrical components really match up with how
Speaker 3: it works in occultism, Like you've got the same principles
Speaker 3: of polarity, you've got the same principles of pressure and
Speaker 3: all the rest of these things. Really matching up really
Speaker 3: well to electromagnetic theory heating.
Speaker 2: I mean, it's all like we're all talking, it's.
Speaker 1: All relative and like even like even in this slid
Speaker 1: here where we're talking about power generation. So the example
Speaker 1: I'm using is just copper coiled magnetic field. You're just
Speaker 1: just once that thing is torn, you're getting power because
Speaker 1: all it is just it's just moving electrons in the
Speaker 1: direction is Faraday's law. But then as you can see
Speaker 1: here I go back in this slide the show as
Speaker 1: I say, the toty degree alignment is it's the magnetic
Speaker 1: and inclination angle. It's not too statement, it's not too shallow,
Speaker 1: it's just it's just perfect. It's just the right thing
Speaker 1: for the induction in the in the induction of the conductor.
Speaker 1: And then voice various with the true north point. So
Speaker 1: I I like an Earth too, And as I suppose
Speaker 1: the suppose the stat or right, So imagine Earth is
Speaker 1: the state the stat are it's almost the opposite with
Speaker 1: the Earth. So Earth is your constant. Okay, So with
Speaker 1: the perramitive being aligned to the north south, the true
Speaker 1: not sout of the Earth where that pylimid sits with
Speaker 1: its copper russellate and mechanism as the as magnetic field
Speaker 1: is is rotating, it's it's the it's the coil is
Speaker 1: actually picking that up. It's like like a sense of
Speaker 1: device is sentially and then as it says with the
Speaker 1: I actually do a little spoiler. And so with modern
Speaker 1: actually an engineering, a conductor must be probably are in
Speaker 1: relative to a magnetic field to induce current. In its case,
Speaker 1: the air to acts as the stat are station in
Speaker 1: source whether it's magnetic field acts as the router a principal.
Speaker 1: Seeing the modern electro manic generators, the pynimi is the line,
Speaker 1: the true not series the device and used the want
Speaker 1: amplifying natural electrical forces and creating a localized energy field.
Speaker 1: So that's where I'm going with the this this bronze
Speaker 1: oscillate mechanism, because it's it's such a machine that like
Speaker 1: this when you every time you look at someone that matters,
Speaker 1: there's there's a reason. It's like even the air shafts
Speaker 1: because I didn't put the air shafts in the the
Speaker 1: the original paper, the original paper, I don't I put
Speaker 1: in the air shafts. But then in the last time
Speaker 1: I put out I didn't put it in because it's
Speaker 1: the I focused in with the king Chamber termin expansion.
Speaker 1: But that fed air into the system. So you've got
Speaker 1: air water. You know that steam, so is the is
Speaker 1: the You've got steam and Tesla also work with steam.
Speaker 1: In regards to was it the Manhattan steam What was
Speaker 1: the Manhattan Steam project? I'm not sure. Yeah, I know, yeah, Manhattan.
Speaker 3: He had a huge pet underhill is a New Jersey factor, Well.
Speaker 1: Yeah, that's the aquifer. But there's this there's some sort
Speaker 1: of steam. I can't remember the full details of when.
Speaker 1: I now it's in Manhattan, but it's how it's how
Speaker 1: he heated Manhattan, and it was true with the steam principal.
Speaker 2: You know something I do want to just pusus in there.
Speaker 2: It's just an interesting thing. Crawley. He did use a
Speaker 2: wand did actually have copper running down the middle of it. Yeah.
Speaker 1: Yeah, it's like it's like as I said, it's everything.
Speaker 1: Like there's there's some stories of Irish like chiefs and
Speaker 1: they talk about the staffs. Like if you see some
Speaker 1: of the stuff from ORed and you see crowdiers and stuff,
Speaker 1: and the old monks have these staffs. Well, if you
Speaker 1: actually actually see these things, they're like dragons and they're
Speaker 1: like all carved into a when you're thinking the mare
Speaker 1: spirits of sense, what is what is the what is
Speaker 1: the old order? That's the dragon, and it's like the
Speaker 1: the Federal serpent, you know, like he's the federer. And
Speaker 1: then relation to two this energy, I think, like the
Speaker 1: way I see it, anything is possible. Like I know,
Speaker 1: I'm putting out this pyramitery as I see I put
Speaker 1: I put my hands up to it, I'd be totally wrong,
Speaker 1: but it's still it's still the stuff here that it works.
Speaker 1: And then at the same time it could be it
Speaker 1: could be put to other people. Other people could use it, you.
Speaker 2: Know, absolutely, go on to the next slide.
Speaker 1: We'll go to the next one. Yeah, so this is
Speaker 1: this is where I'm talking about the gant Brenstar. So
Speaker 1: that's not a great image of the bottom there, but
Speaker 1: this is where I'm saying about this. None of the
Speaker 1: other theories I had seen around the Parliament focused on
Speaker 1: these these there's two sets of these copper conductors. There's
Speaker 1: two sets of then copper conductors. One is in it's
Speaker 1: in the Queen's Chamber. In the next lide, you'll see
Speaker 1: the kind of image and describing, so the Queen's chamber
Speaker 1: is where the bronze are like the bronze mechanism sat
Speaker 1: and then from that the copper conductors were attached to it,
Speaker 1: and this is this is the machine. But as it says,
Speaker 1: it will require a bit more work on it. But
Speaker 1: like as it says, you've got a copper conductor and
Speaker 1: you've got two sets of prongs like that, you've a
Speaker 1: copper conductor running through the pyramid. That's the key to
Speaker 1: power generation. That is the that is as far as
Speaker 1: I'm concerned, that is key for all this the work.
Speaker 1: I can see that. And then as it says with
Speaker 1: this with my with my thirty is so what I'm
Speaker 1: saying here was the the Great Pyramid was induced current
Speaker 1: through earth natchal magnetic field at which essentially coupling as well,
Speaker 1: and describing so using the Gamda brings the our copper mechanism,
Speaker 1: my bronze oscillate mechanism explained for the here. So in
Speaker 1: the context of a expo systems, coupling refers to a
Speaker 1: connection or link between two circuits. The voices are systems
Speaker 1: that allowed to transfer leccal energy your signals signals from
Speaker 1: one or the other. It can be direct like a
Speaker 1: wire connection, or indirect through electromagnetic fields as in transformers
Speaker 1: or indockers during the previous lige mod example, a coupling
Speaker 1: couver frair to how the magnetic field of the router
Speaker 1: interacts with the stay or coils to transfer energy enabling
Speaker 1: need a power generation a motor operation. Excuse me, and
Speaker 1: as I said, they don't like assume the Earth is
Speaker 1: your primary coil. And that image here with the pyramid
Speaker 1: onto the right hand side there, that's our secondary coil.
Speaker 1: The pyramids secondary coil induced the Earth's primary coil. That
Speaker 1: makes sense.
Speaker 3: So in twenty twenty three they found a new nine
Speaker 3: meter long corridor in the Great Pyramid.
Speaker 1: So that's above the King's chimber.
Speaker 5: Yeah.
Speaker 3: Yeah, we might be getting close to actually, you know,
Speaker 3: seeing on the inside, knowing what's going on, because they
Speaker 3: haven't opened the door yet. You know, they've drilled through
Speaker 3: all these other things. But now they're like, no, we
Speaker 3: don't want to disturb it. It's like you've got a
Speaker 3: whole chamber waiting for you on the other side of
Speaker 3: the door. Let's take it so long.
Speaker 1: Well, if you think about this, so we're going to
Speaker 1: see that this like one of these lighter slides about
Speaker 1: the point about the King's chamber, and like I say,
Speaker 1: with terminal expansion, now, if it expanded, did it opened
Speaker 1: something else that it's it's not that we can't access
Speaker 1: right now. And again, this thing was working, so as
Speaker 1: it says, when they heat it up, and the mechanism
Speaker 1: was working, so you got you got termat energy and
Speaker 1: you've got acoustic energy. You know, so when when they
Speaker 1: heat it up, it expanded. So when it expanded, is
Speaker 1: there something else that opened to get access into that chamber?
Speaker 1: You know, there's there's quite like there's as it says,
Speaker 1: there's there's a lot to a Then as it says,
Speaker 1: in my opinion, is that well like as it saense
Speaker 1: when you look at it from like build an engineer,
Speaker 1: and it's like, well, if you I'm trying to think
Speaker 1: of examples, is a Costco is one of the big
Speaker 1: super Chinese supermarket change in America, and different they're they're
Speaker 1: when they're being built, they're actually designed to withstand the
Speaker 1: the the forces or saying like an airquake or something
Speaker 1: like that. But within the Great Pyramid structures, it didn't
Speaker 1: really make sense and then as a sense when I
Speaker 1: was looking at it, like I was looking at it
Speaker 1: and I was like, that's an expansive vessel or some
Speaker 1: sort of bellow the deal with pressure. And then as
Speaker 1: I said, we deal with this every day. You know,
Speaker 1: it's quite and there's quite a lot to it, like
Speaker 1: there's there's there's more, there's the more you look, there's
Speaker 1: more questions being asked. But the produce the show just
Speaker 1: a quick speil on that sloide there. It's like what
Speaker 1: I'm trying to describe is the it as I said
Speaker 1: in the previously, is that they see wy Tricity. So
Speaker 1: that is if that is a clip an example from
Speaker 1: the wy Tricity video and technology it was describing earlier
Speaker 1: on so as I says, assume the bottom copper coil
Speaker 1: attached to that generator is aert and that's where that's
Speaker 1: our charge magnetic field. And then assume the the top
Speaker 1: copper coil you can see here this is assume that's
Speaker 1: the pyramid, and then that is how it was coupled,
Speaker 1: you know, and it says it's a whole. It's like
Speaker 1: to me, it's a machine. It is quite wild.
Speaker 3: No idea like that previous that previous lines you had
Speaker 3: showing the difference between the north and the south almost
Speaker 3: lines up directly. If you're going to be using an
Speaker 3: induction coil like.
Speaker 1: That, that's an unthinking.
Speaker 2: Anyway, it looks a lot like it. I'm going to
Speaker 2: try to go back real quick. I ran right there,
Speaker 2: yeah right, mm hmm. If you had the coils, I mean.
Speaker 3: Yeah, it works.
Speaker 1: You know, as says, why did the focus electromagnetic energy?
Speaker 1: Because it had a coil? That's it. So it's maybe
Speaker 1: only being too simple. I don't know. I can't be simple,
Speaker 1: you know, but hopefully because of looking at it, it works.
Speaker 2: What's the deal with copper in this?
Speaker 6: Because, like you know, copper is I mean, I'm sure
Speaker 6: Hellis is probably thinking this already. Copper is huge when
Speaker 6: you want to play with OReGO go cloud, you know,
Speaker 6: cloud cloud busting.
Speaker 2: What what is with copper with like being used to that?
Speaker 1: I mean, what's your It's good, it's what's what Like
Speaker 1: it's a great conductor.
Speaker 2: Yes, that's all. That's all it really comes down to, right,
Speaker 2: And like.
Speaker 1: When you when you think about it like this, like
Speaker 1: it's everything, it's everything, Like what's like gold is obviously
Speaker 1: the best of the metals, and then this is why,
Speaker 1: that is why it was always mind obviously it's so
Speaker 1: such a precious metal, but copper like even you see
Speaker 1: people with copper cups, that's what they say. They drank
Speaker 1: out of copper cups because it was the charge that
Speaker 1: was within it. And then you ever see people where
Speaker 1: the copper bands, that's for energetic purposes as well. And
Speaker 1: I said, it's the availability in the material and then
Speaker 1: what it does because the agents without a the like.
Speaker 1: Even from looking at the druids from Irish culture, these lands,
Speaker 1: like I'd look at some of the stuff. There's laws
Speaker 1: called the Breton Laws, and there's a great channel called
Speaker 1: the Bretton Academy, and this guy he talks about would
Speaker 1: learned a law from him. Around Irish, the Irish culture
Speaker 1: and the the Oirish druids, what they really were doing
Speaker 1: was how to live with the land. And like you
Speaker 1: can see, you can see the comparison in the world
Speaker 1: today that we're not living with the natural order. We're
Speaker 1: really really going against it constantly. And obviously I think
Speaker 1: it's wrong, and I'm sure you guys do as well,
Speaker 1: but we've really gone away from this natural urda and
Speaker 1: in my opinion going forward in the future. It's like,
Speaker 1: why now the paper I did, it's looking to the
Speaker 1: past for future and division, like, there's nothing that we're
Speaker 1: kind of come up with that probably hasn't been spoken
Speaker 1: about in the past. It's just you need to do
Speaker 1: you're looking. And as I said in my case, the
Speaker 1: more I looked around with this stuff from my hearty,
Speaker 1: the more I got confirmation from other people like, yeah,
Speaker 1: there's there's similar principles like Thomas Murray, Niko de Tesla,
Speaker 1: and obviously Water Russell would have been on this stuff
Speaker 1: as well. It's all it's and it's all relevant.
Speaker 2: You can go to the next slide. Yeah, no, no,
Speaker 2: you're good, You're good. Here we go.
Speaker 1: So kind of showy. The so this says the key
Speaker 1: miss in Peace to the paint question is what it
Speaker 1: described as a bronze of slight mechanism, which is located
Speaker 1: in the Queen's China. As the current was being drawn
Speaker 1: from the years magnetic field, the pyramid harmonise to earth
Speaker 1: natural harmonic the seven point eight two years. So the
Speaker 1: p with sense, he sang, So the way tricity example
Speaker 1: I used previously, and this is what I was talking
Speaker 1: about eliter on. So in that video, the guy is
Speaker 1: in wait tricity. It's an actual legit technology. So they
Speaker 1: have this they are essentially like a resonator, and they
Speaker 1: pointed to whatever whatever that they're trying to draw the
Speaker 1: power from, and I was like, we can draw power
Speaker 1: from this. But as it says, my thing is is like, well,
Speaker 1: there's a harmonic that is here constantly, And I was like,
Speaker 1: why don't you just tap into that? And this all
Speaker 1: goes back to like again, PA's electric effect is it's
Speaker 1: it's the harmonic, It's is you you harmony is the
Speaker 1: natural harmonic. This is how you draw the power. And
Speaker 1: then as it says, it's the same thing, it's the
Speaker 1: same thing with myself, and it's like, well how do
Speaker 1: we how do we use er er magnetic field? We
Speaker 1: harmonize it too. Earth's natural harmonic. So it's like imagine
Speaker 1: imagine in atmospheric electricity. So imagine this is the sky
Speaker 1: and then the bottom here ground. All your positivity chards,
Speaker 1: electrons are here and they're all say different different potentials,
Speaker 1: different army. I know, one example, the hour atmosphere is
Speaker 1: like twenty three twenty four hurts Earth itself seven point
Speaker 1: day three hirts. Right. So with the likes of this
Speaker 1: theory and Warncliffe Tower, like I said, people say Tesla
Speaker 1: was transmitting energy and say, no, no, no, I disagree
Speaker 1: with that. He was harmingal isn't it? So essentially and
Speaker 1: the same Thomas Murray has a similar mechanism.
Speaker 2: So all these.
Speaker 1: Positively chards electrons are all bouncing around. And then obviously
Speaker 1: you've got your earth, which is your negative or your ground.
Speaker 1: So electricity just wants to go to ground. But you
Speaker 1: get your tower or two towers or your pyramid. You
Speaker 1: give all these this all this potential energy, you give
Speaker 1: it that part way to round which you harmonize it.
Speaker 1: So it's like, as I said, you'll have all these things.
Speaker 1: It's like again, it's like your hurts and the generator.
Speaker 1: You've got two hundred Truggy vaults, fifty hurts, and it
Speaker 1: says that's your cycle. It's everything, everything is in alignment.
Speaker 1: And then it's the same thing in everything is chaos
Speaker 1: when we're here chaos. But then senially with this machine,
Speaker 1: you give an order, you know, if you bring an aura,
Speaker 1: and then it gives it just gives control. It's almost
Speaker 1: as like your you're controlling. Yeah, you're like you you're
Speaker 1: like you're controlling the mechanism. You're using earth as your mechanism.
Speaker 1: You know it's it''s quite says Tomorrow. We've looked at it,
Speaker 1: the more kind of crazy it's gotten. But they just
Speaker 1: kind of go in the the example there of that
Speaker 1: little diagram, so point a is said to be a
Speaker 1: goal capstone. So it's it's an own fact. So there
Speaker 1: was a somebody called Seamen, say a few years ago,
Speaker 1: a client to the top of the pyramid. And how
Speaker 1: they figured out this charge is here was this guy
Speaker 1: had like a flask of wine and like a newspaper
Speaker 1: rolled up and what happened was he got a jolt,
Speaker 1: he got to like a bang off it. And what
Speaker 1: happened was he realized they called on the second I
Speaker 1: was like this this thincs charge, like this this the
Speaker 1: static electricity here, and then this is where a lot
Speaker 1: of might part might here. He came in as they
Speaker 1: called it on so point day. What they think the
Speaker 1: calculation was like eleven thousand vaults at point day and
Speaker 1: you're gonna have to point by. You still got a
Speaker 1: potential there, You've got your potential difference. You've got your
Speaker 1: measurement between two points. But they go to where point
Speaker 1: B is on that little diagram where there's two exes.
Speaker 1: Where point b is, that's your gaton brings doors. There
Speaker 1: is in each of those hidden chambers, there's a there's
Speaker 1: those copper prongs, and where that green circle is is
Speaker 1: the Queen's chamber. And that it says, I believe that
Speaker 1: that copper making not copp our bronze olcillating mechanism run
Speaker 1: through the pyrami and then that is where it induces courranth.
Speaker 1: So as it induced its natural corinth, it began to honestly,
Speaker 1: it's natural harmonic. And then this is how the machine
Speaker 1: actually started walking. You know, does that make sense?
Speaker 3: I get what you're saying, and I've seen videos of
Speaker 3: people standing on top of the pyramid holding their arms
Speaker 3: out and having plasma discharge.
Speaker 1: From their fingers.
Speaker 3: Yes, so it is a highly charged site. I mean,
Speaker 3: there's no doubt about it. And for that there is
Speaker 3: a differential again between the different layers you've got for
Speaker 3: every meter, you've got a huge differential in electricity. But
Speaker 3: again it all comes down to the not the air bridge, right,
Speaker 3: because clearly all this stuff has a really good chance
Speaker 3: of collecting a lot of voltage. But what's the flow
Speaker 3: like coming from these different sites. That's that's I think
Speaker 3: in my mind that's the real question, because that's where
Speaker 3: you're going to get the most amount of bang for
Speaker 3: your buck is once you can turn all that ambient
Speaker 3: voltage into some high average.
Speaker 1: But this is this is the thing about the placement.
Speaker 1: So to go back to the points of where the
Speaker 1: pyramid is being located at that thirty degree attitude line
Speaker 1: and then where where it is a line to true north,
Speaker 1: it is meant that is, that is where it's it's
Speaker 1: meant to be put there for drawing that current. So
Speaker 1: that's your magnetic field. You know, that is why it's there,
Speaker 1: is because it's maximum I suppose input is where that's
Speaker 1: where it's drawn all its energy from. And then at
Speaker 1: the same time the voltage is there from the altitudes.
Speaker 1: So I can't remember what the calculation I had for was.
Speaker 1: Originally I think it was like fourteen twelve or fourteen
Speaker 1: thousand point vaults to where point A is. So we
Speaker 1: know we have you know this, Nick, and you know
Speaker 1: this as well. Head that's doing that You've got you've
Speaker 1: got alms Law voltage as the pyramid is your resistor.
Speaker 1: And then what I'm describing with the sown heat and
Speaker 1: the chamber, that's your temperature. So this what almos Law
Speaker 1: has depended on temperature. So as it heats up, the
Speaker 1: internal chamber becomes wet by steam. That is what drops
Speaker 1: the resistance of the granite resistor. And then that is
Speaker 1: when the whole effects that's taking place says it's a
Speaker 1: it's a whole machine. Like there's a whole lot of
Speaker 1: stuff going on in there that like like people should
Speaker 1: be looking at and say, whoa, there's something to this.
Speaker 1: You know.
Speaker 3: Well, I pulled up a picture of Wardencliffe Tower. You
Speaker 3: guys can see, Yeah, if you notice the shape and
Speaker 3: the internal workings of this thing, it looks like, you know,
Speaker 3: again we're we're dealing with more pyramid principles using this
Speaker 3: as the as the temple.
Speaker 1: So but there's this there's another thing there that it's
Speaker 1: it's act. It's mentioned in the original paper. But then
Speaker 1: when when it was signed with this presentation was I
Speaker 1: wanted to focus more on all this actual power stuff
Speaker 1: and then link it back to the physical stuff I observed.
Speaker 2: But your but the.
Speaker 3: The well, the ben Ben stone was made out of gold.
Speaker 1: Yeah, yeah, but there's there's, there's, there's a couple of materials.
Speaker 1: Ricardo said there was another material. I can't remember the name,
Speaker 1: and now it's it's it wasn't our child, but I
Speaker 1: can't remember the material. But he said it was either
Speaker 1: gold or it was this order material he was talking about.
Speaker 1: But then to see what you're describing about warden Cliff Tower.
Speaker 1: So when I was looking at this theory, originally the
Speaker 1: pyramid itself is the part of the Warden Cliff Tower. Well.
Speaker 1: Another one of Tesla's invention is inventions is the steam
Speaker 1: powered oscillator. So when it's his air white machine. So
Speaker 1: when Tessa started it up, he says the building started shaking.
Speaker 1: But to go back about the pas electric, So when
Speaker 1: uhe when when quartz is under that pas electric shifts
Speaker 1: and it's it's resonating and it's natural harmonic. It doesn't shatter, right,
Speaker 1: So this is where you get your charge because it's
Speaker 1: the vibrating right. But with brick, brick starts to shatter.
Speaker 1: It's the same thing with steel. If you would if
Speaker 1: you would say, if you would two say motors on
Speaker 1: that if you if you two motors on that started
Speaker 1: kind of resonating it at the same frequency it actually started.
Speaker 1: It's something to do with the start. It could shatter
Speaker 1: this this shaft, it could shutter steel because it's that
Speaker 1: it's resonant harmonic. But the key part about why quartz
Speaker 1: well more so well quarts on the granted, it's because
Speaker 1: it's your building of it on our stress. It's residant harmonic.
Speaker 1: That's why it's used because everything else is it's like
Speaker 1: it's like a glass, so if glasses, and it's basically
Speaker 1: it's brittle. So when you've got a glass, right and
Speaker 1: you start doing that, when you start doing the de
Speaker 1: choying for its harmonic and that starts, you put it
Speaker 1: beside another glass and that begins to vibrate and then
Speaker 1: once against the hind of pitch of the same pitch,
Speaker 1: it shatters. It's it's the opposite in the case of
Speaker 1: with the quarts, because that's where it draws its charge.
Speaker 1: That's why it's being used and this is why it's
Speaker 1: key to all these sights. And you can check that out.
Speaker 1: Like there's other materials that I've looked at. There's other
Speaker 1: materials I've looked at. But this unit yourself, lads, is
Speaker 1: quite a lot to all this stuff. So I've been
Speaker 1: just trying to focus on quarts. But there's other materials
Speaker 1: that are being used in these ancient structures that should
Speaker 1: be looked at harmonic because exactly, yeah.
Speaker 3: The domins, we can show it in a way to
Speaker 3: produce a resonant harmonic with drumming and other other materials
Speaker 3: based off of the air pressure inside of the chambers.
Speaker 3: So what they'll do is they'll measure the resonant harmonics
Speaker 3: inside these chambers inside the domains, and then they'll play
Speaker 3: at the same hurts frequency to see if they can
Speaker 3: produce a result in brain changes or changes in consciousness.
Speaker 3: So they'll have people inside these things drumming at the
Speaker 3: resonant frequency, and people will trip the hell out inside
Speaker 3: these chambers. And actually they were talking about talking with
Speaker 3: the dead. That's what these things were for. It wasn't
Speaker 3: necessarily a place to bury your dead, but as much
Speaker 3: to like, you know, get them on the phone.
Speaker 1: Right, Yeah, yeah, says just there's way more to ulsters
Speaker 1: human beings that the our potential it's fire gray are
Speaker 1: than what we're being told. Like there's there's there's way
Speaker 1: more going on with with with humans. Like guess it
Speaker 1: says this the potential is unlimited, but it just seems
Speaker 1: as if like everything is there is to is to
Speaker 1: keep it down. It's like what I'd be big, like
Speaker 1: Orish Republican from like we would have been all about
Speaker 1: rebellion and stuff like that. And like even then there's
Speaker 1: one of our leaders was part of Pierce and he
Speaker 1: was all about this like this this whole natural order.
Speaker 1: And he spoke about the British industrial school system. So
Speaker 1: the British industial school system was essentially just create factory workers.
Speaker 1: It didn't create people who taught, who were thinkers, you know,
Speaker 1: it wasn't for good. It was just like okay, we
Speaker 1: get you to do a job and then that is
Speaker 1: where you stay. That is your level. And then I
Speaker 1: think from everything else going into what we're talking about,
Speaker 1: it's like the whole system has been designed is to
Speaker 1: stop anybody go and achieve in any sort of potential
Speaker 1: order them. What they've said out Frost in the ground plan,
Speaker 1: I couldn't be in America.
Speaker 3: You got what they call the Prussian style education system,
Speaker 3: and that consists of the school day bells, that consists
Speaker 3: of a factory style of education where the children are
Speaker 3: separated into different classes based off of their grades and
Speaker 3: based off of their intelligence. And then at the end
Speaker 3: of the day, it's the person who complies the most
Speaker 3: with orders that ends up achieving the most in these
Speaker 3: school systems. So it's a lot less about achievement and
Speaker 3: more about how to get the people to do what
Speaker 3: they say. And that whole model in Prussia that was
Speaker 3: brought over to America was actually used to create more
Speaker 3: obedient soldiers in the Prussian Empire because one of their
Speaker 3: big exports was mercenaries, so they wanted to keep their
Speaker 3: mercenaries at the top of being compliant, and that's why
Speaker 3: they designed the school system the way they did, and
Speaker 3: then they imported it to us, and look, we've got
Speaker 3: NonStop war. Who would have figured mm hmm.
Speaker 1: But then even like you even look at like technology,
Speaker 1: you talk about what ideas today like all these like
Speaker 1: again to go back to the point about peer reviews,
Speaker 1: like because they say it's this their god, and they
Speaker 1: shut down anyone else who dare challenge it. Like as
Speaker 1: it said, it's like like myself now sort like this idea,
Speaker 1: the sound and the sound principles is what I'm apploying
Speaker 1: through my background, and they are being told, no, it's
Speaker 1: a tom, it's only a two. No matter how much
Speaker 1: information have presented to argue, hold on the seconds, something
Speaker 1: not right. It's like what you're describing here is incorrect.
Speaker 1: Is like it has to be more than this. No,
Speaker 1: it's a tom, and they won't listen to you, you know,
Speaker 1: but again this is this is the system that's been built,
Speaker 1: and it's like another Another famous Orish revolutionary was James Connolly.
Speaker 1: So he died during the nineteen sixteen rebellion and what
Speaker 1: happened was he had said that in Orton's case, he says,
Speaker 1: if Ordens didn't porge the royal institutions, the likes of
Speaker 1: the Royal Institute of History or Archaeology or whatever like that,
Speaker 1: or even business doctors, whatever the law facility, if you
Speaker 1: don't pourge them, Orton will never be free. I'm sure
Speaker 1: all these institutions are still in existence today.
Speaker 3: It was the Royal Institute of Science. That's where you
Speaker 3: got Charles Darwin. That's where you got a lot of
Speaker 3: these big you know, atheists, sort of thinkers. But really
Speaker 3: all they were trying to do is to pare down
Speaker 3: as much as possible the amount of speculation and interest
Speaker 3: in humanity. I mean, the best way that they could
Speaker 3: have done it is to make it sound the way
Speaker 3: that they make it sound. I mean, does anybody want
Speaker 3: to listen to these scientific research nature is the way
Speaker 3: they've drone on about absolutely nothing. It's it's kind of pathetic, you.
Speaker 1: Know, yeah, yeah, yeah, yeah, but just say, just give
Speaker 1: us two seconds there, right, I just want to go
Speaker 1: back to one of those sloids. So they go back
Speaker 1: to the further confirmation of this, the bronze oscillating mechanism.
Speaker 1: So this is one of the lads semi so for
Speaker 1: Cardo as a great deal, not few, I think you
Speaker 1: and I'm headless. And then he he sent me on
Speaker 1: this singing Pyramid document. They kind of confirmed the possibility
Speaker 1: that was like these these things, these machines work at
Speaker 1: some stage, so they give it the spiell a little here.
Speaker 1: So any doubts to this claim I have now been
Speaker 1: put to bed thanks to Cardo with the Institute Natural Philosophy.
Speaker 1: He said this to me out the published with here online,
Speaker 1: confirming the permits did in fact sing. So this is
Speaker 1: the this is the this mechanism, and he and he
Speaker 1: says there is non acoustic cematic phenom as there if
Speaker 1: an impairmit as Tessant's can and my argon wing to
Speaker 1: forefomingate this theory was if I had a copper conductor
Speaker 1: and it was an acca chamber, the next logical The
Speaker 1: next logical step is that it's missing an acoustic caterier
Speaker 1: like bronze. So they so this is the singing pyramid
Speaker 1: from Alan f Alfred and this is an actionent traveler
Speaker 1: across the desert would probably be beat up the sound
Speaker 1: from miles away. It was a deep base now booming
Speaker 1: over the oil valley. For perhaps the company buy another
Speaker 1: slightly higher now, the two of them forming an early
Speaker 1: resonating chord. As the sound grew loudly and more persistent
Speaker 1: than the areas, the traveler would have filled awe and wonder.
Speaker 1: It would have seemed like the voice of the great God,
Speaker 1: the Lord the Universe himself, calling to witness the miractus
Speaker 1: fact that this the sound was issuing from a vast
Speaker 1: down edifice to learn toward five hundred feet high bud
Speaker 1: the ground there on the Giza plateau, and in the
Speaker 1: language is now as Egypt. The great painter was sending
Speaker 1: out a musical message across the sands, extraordinary as the
Speaker 1: ideas it may seem. It was singing and thanks to Carlo.
Speaker 1: And to kind of go forward to that point is
Speaker 1: so there's another bloke that sent me this. So this
Speaker 1: is apparently Day and Big Pat so again saying we're
Speaker 1: talking about this stuff, and he says, further confirmation is
Speaker 1: thirty time from another account says describe, so he this document.
Speaker 1: I've never seen this document previous to this. So this
Speaker 1: guy set me this on and I was like, hold
Speaker 1: on what so when I when I spoked my college
Speaker 1: or isn't he? I tried to get this peer reviewed
Speaker 1: and I spoke my college and they said, he says,
Speaker 1: but Swart said, what's its end function? And says, this
Speaker 1: is all great, but where's the other examples? And I said,
Speaker 1: the likes of these these had pillars and stuff, and
Speaker 1: they mented other other sites around not like the Mexican
Speaker 1: pyramids and stuff, and then other other sites, the likes
Speaker 1: of anchor what I was actually there last two year
Speaker 1: as well myself, brilliant site and the what what what
Speaker 1: the tutor said? He says, well, the hell did it work.
Speaker 1: And what happened was after I kind of worked on
Speaker 1: the other two points around the the placement of the parliaments,
Speaker 1: I asked Ricardo was like, Ricardo, what do you think
Speaker 1: is is do you want to help me do if
Speaker 1: you appear with you study in this and he's like,
Speaker 1: hered on, he goes it's it's going to be difficult
Speaker 1: because he says you need to like what is its
Speaker 1: end function? So I was like okay. But in the
Speaker 1: meantime what happened was this guy apparently day with a
Speaker 1: big pantoon and sent me this document. So it's a
Speaker 1: case you b document and then I can send on
Speaker 1: the links to the guys. You can send them, you
Speaker 1: can add it to this podcast or whatever. So as
Speaker 1: it says, the pyraments were a powerful resonant, receiving the
Speaker 1: voice of constantly income and high frequency energy from outer space,
Speaker 1: which passing through them was dispersed over a wide range
Speaker 1: of ranges, exerting powerful low frequency effect on the air's care.
Speaker 1: As a result, it's realimy and stability were restored, speed
Speaker 1: of the air sortation and slow down the intensity of
Speaker 1: the induction currents accumulated the freest inside the Earth, and
Speaker 1: in the absence of the system, as a result of
Speaker 1: the constant impact of high frequency short waves and the
Speaker 1: Earth's atmosphere, the ionization and the x atmosphere and the
Speaker 1: intensity of the electric field increases, which leads to the
Speaker 1: deuislation of the rhythm of rotating the car. It gets
Speaker 1: a difitional power and the strength from exciting the currents
Speaker 1: and increases constantly which leads to so seismic and geomatic activity.
Speaker 1: So with my with my description, I'm saying, I'm I'm
Speaker 1: using as resonant harmonic. So it's it's seven pointy day
Speaker 1: three hurts. So what test like Like Tesla was said
Speaker 1: to work with high frequencies, and my logs is it
Speaker 1: is like Bell and specificity the Grand Gallery of the
Speaker 1: Primid Chamber is that it amplified the signal from the
Speaker 1: Queen's Chamber. So with tok at seven point of day
Speaker 1: three hurts and the Grand the Grand Gallery amplified that signal.
Speaker 1: You know, as it says, it was a huge, just
Speaker 1: a massive, massive machine. And as I said, it's like
Speaker 1: what I I describe as coupling and the interaction with
Speaker 1: the electric unit. Us this this this document pretty much
Speaker 1: says the same thing I do. They're like several principles,
Speaker 1: you know. Well, as I said this, this is why
Speaker 1: I wanted to I'm going to try and get this
Speaker 1: peer reviewed. There with this additionentally information because now with
Speaker 1: something else to say, there's another document to say it
Speaker 1: did this. And then, as I said, is the another
Speaker 1: factor I had was the bronze mechanism. But is there
Speaker 1: any record that's sang I have it there now like
Speaker 1: it's like the stuff is there. I've just applied my
Speaker 1: own logic to it and it looks the work, you know,
Speaker 1: and as it says, but my description would make that work.
Speaker 3: Is uh bronze uh special in regards to uh current conduction.
Speaker 3: I know copper is used in current conduction a lot,
Speaker 3: but bronze, if I remember right, it has a lot
Speaker 3: more resistance than.
Speaker 1: Let's see, it's there's two kind of there's there's kind
Speaker 1: of multiple functions going on. So the copper, the copper,
Speaker 1: the copper of the Ganta Bringstar is one part of
Speaker 1: the mechanism. So that helped. That is where it draws
Speaker 1: the courn but it's the it's the bronze is the oscillator.
Speaker 1: So this is then that's where it starts. Suppose oscillating
Speaker 1: to its natural harmonic it goes because that's it's arc
Speaker 1: and it's kind of doing that, and then that's where
Speaker 1: you're getting your sound as previously described with the singing
Speaker 1: part of it.
Speaker 5: It's like like the either of you guys play guitar.
Speaker 5: I think you had to play with the guitar. Yeah,
Speaker 5: so see with you.
Speaker 1: So you've so you've a electric guitar, right, you have
Speaker 1: a E, A, D, G V E strings, they're all
Speaker 1: your notes, they're all tuning the four hundred and forty hertz.
Speaker 1: So what what happens when an electric guitarity is you're
Speaker 1: you have a pick up on it and it's it's
Speaker 1: like a coil. It's essentially coil. Yes, exactly. So it's
Speaker 1: exactly the same principles. Everything is relative everything, and yes,
Speaker 1: that's it, that's it. But the amplifier takes that signal
Speaker 1: and amplifies it. The pralimd is doing the same. It's
Speaker 1: the same principles.
Speaker 2: That's what I wish you would have said this earlier,
Speaker 2: but I understood this.
Speaker 1: Yeah, yeah, yeah, no, it's just that it's just that
Speaker 1: because it happens see. What I wanted to do was
Speaker 1: to show the electrical stuff and then bringing in the
Speaker 1: singing stuff, because as says, there's days where he was
Speaker 1: sitting in college and and the cheer was doing is
Speaker 1: like telling us and would be sitting there and.
Speaker 2: Holy ship, this is it.
Speaker 1: This makes so much sense. Well, as I said, it's,
Speaker 1: it's it's as I said, it's like i'd say it
Speaker 1: from from my perspective, and then as it says musically,
Speaker 1: because it's like that, what's that band, the New Radicals?
Speaker 1: You got the music in you don't let go. That's it,
Speaker 1: that's it, you know what I mean? Well, as I said, it's, it's, it's, it's, it's. It's.
Speaker 1: It's like it's it's it's. It's like even you think
Speaker 1: about the human body, it's like we're we're machines within ourselves.
Speaker 1: So how like we're speaking here right, how does your
Speaker 1: body work? So you've got your direpram full of very
Speaker 1: You've got your vocal cards, your vocal cards, your speech
Speaker 1: is the validrating from your vocal cards is what's making
Speaker 1: that sound? How do you hear? You hear because of
Speaker 1: these l qcy vibrations and bouncing off your ear drum,
Speaker 1: you know what I mean? How do you see you
Speaker 1: see on the electromagnetic light spectrum as it hurts, hurts
Speaker 1: its color, it's all everything is rather than this all
Speaker 1: goes back though, like when I seeing some of the
Speaker 1: stuff from Walter Russell, and this is how we got
Speaker 1: talking headless as well as a well as a everything
Speaker 1: is connected. It's like it's it's music, it's light, it's
Speaker 1: it's energy, it's it's like when you see all these
Speaker 1: different fields from all these different heads that we were
Speaker 1: talking about earlier on with all these different scientists and
Speaker 1: all these all these different people, like the Grand Scheme
Speaker 1: of things, they all are related in the Grand Scheme
Speaker 1: of things, but we've all got different different methods of
Speaker 1: applying it. But like the mind, body and spirit are
Speaker 1: not Stepper, they're all one. We all walk in conjunction
Speaker 1: with each other now. And this is like I think
Speaker 1: the likes of what we're discussing here now and as
Speaker 1: our previous chats as well head as that like this,
Speaker 1: there's something to this and and as I said, like
Speaker 1: resonant harmonics, I take is it really is going to
Speaker 1: be the future for for all all our needs?
Speaker 3: Right, Well, especially in the ancient world, because in addition
Speaker 3: to you know, all of these different electromagnetic components, it's
Speaker 3: the it's the really the subtle energies that you're getting
Speaker 3: from these structures as as they're produced in this way,
Speaker 3: is has the far more beneficial effect on the person
Speaker 3: in terms of medicinal effects, in terms of changing one's consciousness.
Speaker 3: So when when all of these factors are taken together,
Speaker 3: it really does show it was a much more human
Speaker 3: centric device than what a lot of people are willing
Speaker 3: to accept. Because this was working on a subtle frequency
Speaker 3: that could impact and change internal systems in the body.
Speaker 3: I mean that's huge. And for that understanding to be
Speaker 3: transferred that far back in time and for us to
Speaker 3: lose it is like a crimic humanity.
Speaker 1: Really yeah, well it's been stolen. It's it's being stolen.
Speaker 1: But like even what we're describing here, like you think
Speaker 1: about brain waves, like like you've got the altabated gam out.
Speaker 1: All these ways are different levels of the consciousness. Like
Speaker 1: as I'm mad, my paw, im my hand, these are
Speaker 1: electrical signals. My brain is sending a electrical signal for
Speaker 1: I suppose expansion and contraction. You you get you say
Speaker 1: you got electricuted? What does your body do? You know
Speaker 1: what I mean? Because it's it's the electrical pools because
Speaker 1: you're doing that. It's it's it's all the same, it's
Speaker 1: all relative, it's it's it's crazy. But I'm just going
Speaker 1: to pop onto one of these next lives because I
Speaker 1: actually talk about this, the thing about how how if
Speaker 1: you want to kind of hear how I really came
Speaker 1: up when I came up with this teary there was
Speaker 1: there was more. There was another part how I came
Speaker 1: up with it. So just to kind of give the rundown,
Speaker 1: so to kind of descroy if the Queen's chamber, So
Speaker 1: that image on the left is the queen. So this
Speaker 1: is from the original paper. So the Queen's chamber, I
Speaker 1: actually reckon see that bronze point cone and those two
Speaker 1: there's two peacocks, and that's actually a fountain. I reckon
Speaker 1: that is what was the main That was the key
Speaker 1: missing piece. This seems to be what the fuse or
Speaker 1: the frequency drive. So if just to see the spill
Speaker 1: I have there. So it was figure one man in
Speaker 1: sie Queen's chamber. As a reference, the Vatican point com
Speaker 1: will not looking out of place in here. This is
Speaker 1: where the bronze oscillated mechanism or frequency drive would sit.
Speaker 1: What is happening is the electrical act from the copper
Speaker 1: bronze mechanism dy is to spark the drive the reaction
Speaker 1: within the chamber. So makes one thing when we talk
Speaker 1: about human consciousness, it was the divine, but is that
Speaker 1: in the physical representation the bronze point cone opinion on
Speaker 1: the gland. The point of the gland is from the
Speaker 1: corner understanding the seat of human consciousness too is the
Speaker 1: bronze point cone. So is the is the bronze point
Speaker 1: come the failed the arc of the covenant because it's
Speaker 1: not an electrical act. It's not an actual act, but
Speaker 1: an electrical act, you know, as you describing, like imagine
Speaker 1: your sparklug when you employ or even the you're clicker
Speaker 1: on the lawyer. Now it's got the pushdown button. What
Speaker 1: you're doing with that spark is you're playing mechanical stress
Speaker 1: and that spark, that spark is generated from the it's okay,
Speaker 1: like a crystal, like a Quarts crystal. That's what's happening.
Speaker 1: But the show the example, so it says the staff
Speaker 1: of the Sawyers is the point cone and they say
Speaker 1: it's serpents. When you actually look closer to that, to
Speaker 1: the two serpents, then to me they look like two boards,
Speaker 1: you know. And then even when you think of a peacock,
Speaker 1: what the peacock have? But that was like weird antennae
Speaker 1: on our heads, you know. And then and then as
Speaker 1: it says the I reckon that the Vatican, and this
Speaker 1: kind of goes into the cold stuff, so like you
Speaker 1: wuld think of it. So it's actually go back about
Speaker 1: how so when I was looking at the the pyramid,
Speaker 1: it was the copper conductors. But part of how up
Speaker 1: with It's like if you've anyone ever done psychedelics like
Speaker 1: d m T, so I do, any of this isn't nuts.
Speaker 1: So when I don't the m T right, I the
Speaker 1: force major breakthrough to another part before I forget. So
Speaker 1: it's going to be explained it before in here. So
Speaker 1: as the other part of the pyramid is the it's electrolysis.
Speaker 1: So as you're you've got a copper conductor, the arts
Speaker 1: magnetic field is running through that.
Speaker 3: So part of part of.
Speaker 1: The function was electrolysis. So it's a hydrogen so you
Speaker 1: you run current. You run electrical current thry water. It's
Speaker 1: it's a it creates it's a great electrolysis. The effect
Speaker 1: is electrolysis. So it's separating hydrogen Knox from water. So
Speaker 1: I reckon that in part the machine was a hydrogen
Speaker 1: generator and then it's ionized in the atmosphere. But the
Speaker 1: when I don't d m T and when you think
Speaker 1: about the heat within the chamber and stuff like that
Speaker 1: as well. So the I've done it, and I'm not
Speaker 1: too sure you guys have ever done this. Both the
Speaker 1: all I could say was pressure or he would fill
Speaker 1: up through my body through the bottom ride and I
Speaker 1: got into my head and in the meantime my head
Speaker 1: is going and then bang. And then what actually happened
Speaker 1: was where the bronze point count inspiration came from. That
Speaker 1: I actually seen the point coun in the trip and
Speaker 1: I was like, and this is party where Welcome to
Speaker 1: the Abyss comes from, because where I went was the
Speaker 1: Abyss and I seen this point calling. And then this
Speaker 1: is when I seen eventually came back and they seeing
Speaker 1: this point calling, I was like, what happened was when
Speaker 1: I was trying to figure out so I had the
Speaker 1: copper conductor, and I was looking for this bronze. I
Speaker 1: need something bronze. And then sure enough, I've seen this
Speaker 1: bronze point call from the Vatican. And then I was like,
Speaker 1: wells a is this like regardless of it if it's
Speaker 1: actually that, But there is there is an interesting part
Speaker 1: the slowly that it's going to come up. There's a
Speaker 1: there's a boot. I'm going to show it to you
Speaker 1: now in a second. So see what what he was
Speaker 1: saying about the frequency in the head. So I White said,
Speaker 1: let's describe the previous sections as the steam power of us.
Speaker 1: Later it's the same vein as the frequency drive. The
Speaker 1: frequency is driven, but the heat has son the chemical
Speaker 1: re action winn. The chamber is driven by the bronze
Speaker 1: point call. The chamber heats, the higher the frequency. As
Speaker 1: the chamber cools, the frequency is lord. The human conscience
Speaker 1: is said to be driven by the penoil gland. The
Speaker 1: pen oil gland is the point call the big boy,
Speaker 1: the ancient stair for did the agents leave his clues
Speaker 1: to how to operate the power plant? And then as
Speaker 1: it says down the bottom there it says, as we
Speaker 1: stand and there is a resonant frequency and it says,
Speaker 1: I reckon, this is the the the oscillating mechanism. But
Speaker 1: what happened was four or two the the bronze point
Speaker 1: called Penliland Point. I have a book and it's called
Speaker 1: The Irish Wisdom in the Pyramids. And I'm kind of
Speaker 1: sick and that I didn't read this book years ago,
Speaker 1: because everything I was saying the likes of my channel
Speaker 1: is there's information relating to that in this book. So
Speaker 1: why talk a lot about the Phoenicians, the Druids, the
Speaker 1: different orders. There's a lot. There's a lot of connections
Speaker 1: in this book. But what happened was when I was
Speaker 1: on the way over to Egypt, I says, I want
Speaker 1: to read this so as it says, it was as
Speaker 1: you can see here. It says Irish wisdom preserved in
Speaker 1: the Pyramid's comic gardy in nineteen twenty three. So it
Speaker 1: was on the way into It was on the way
Speaker 1: that Egypt May twenty four. I got to see the pyramids,
Speaker 1: looks artctera and honor glory. Was on the fight over.
Speaker 1: I read a book I had not about and found
Speaker 1: the presence of produce. So this is near the end.
Speaker 1: It says the fondest teary. In twenty seventeen college learning
Speaker 1: the electrical thirty, I figured out for all the permit
Speaker 1: periods to walk, all they needed was a colored conductor.
Speaker 1: And this is the ganther rings the and accused of
Speaker 1: Marya being bronze, which Levity identified the bronze punk cone
Speaker 1: as the missing peace. So this I've actually to see
Speaker 1: where the red marks are, says the physical spirituality the pyramid,
Speaker 1: the vius. It represents the region of the head, for
Speaker 1: here is located the brain, which is the seat of
Speaker 1: the rational intelligence. And also it contains closes the groups
Speaker 1: in their centers which went aroused and vitolated, but a
Speaker 1: vitalized by the periods of aurigence and conscious effort of
Speaker 1: the ashburn gives them light and wisdom through the medium
Speaker 1: with which they finally attains the spiritual perfection royals at
Speaker 1: the fullness in his godlike powers. These their centers in man,
Speaker 1: which is spiritual potencies slumbering, and he said to be
Speaker 1: dead or asterified astropheed, such as the penal gland back
Speaker 1: in the front battle on the forehead. And it says
Speaker 1: when this gland, when it is awakened, it becomes the
Speaker 1: spiritual lawyer, this seer. So when I read this book,
Speaker 1: I was like, what are the chances that two warriors
Speaker 1: may one hundred years apart come up with what he
Speaker 1: says that the pyramid is represented the the human brain.
Speaker 1: And then the key part of my here is it's
Speaker 1: the human brain is representative of the pyramid, you know
Speaker 1: what I mean?
Speaker 3: And if you did of a brain, you know, side
Speaker 3: by side the pyramid, you might actually find that where
Speaker 3: the queen's chamber is would line up where the gland is.
Speaker 1: Yeah, yeah, yeah, Like as it says, it's it's like
Speaker 1: the more you look at this stuff, the more crazy
Speaker 1: it gets. And as it says, only for the I
Speaker 1: couldn't believe when I read that book, and I was like, damn,
Speaker 1: It's like if I had read this six months ago
Speaker 1: before I started making videos, I could have actually used
Speaker 1: it as a reference. But this is one of those
Speaker 1: books that I was like, it's not accepted by Mountstream signs,
Speaker 1: so it's not accepted by peer review, blah blah blah.
Speaker 1: But there's like, well, as it says, two worsemen one
Speaker 1: hundred years apart are saying the same thing, Like what
Speaker 1: are the chances yeah, and I know it's pretty crazy
Speaker 1: to say that, but it's not. And then I think
Speaker 1: this might be the last load here now, So to
Speaker 1: kind of show you what the what was meaning by
Speaker 1: the King's Chamber, it says that the its an interesting
Speaker 1: nominee that can be sently proven for the observation is
Speaker 1: the king Chamber. It was originally figured It was figured
Speaker 1: originally that the King's Chamber was designed to make the
Speaker 1: structure aircrepproof. But given evidence presented in this paper, one
Speaker 1: could argue the king Chamber was designed the fact to
Speaker 1: be an expansion joint the voice to count our act
Speaker 1: the heat pressure generated from the term of action in
Speaker 1: the previous discroup points, and then a chance in that
Speaker 1: chamber as well. So you could argue that's an intake
Speaker 1: or exhaust or some form of pressure relief of. And
Speaker 1: then I'll kind of give a spell here. So I
Speaker 1: just wanted to I think this is the last load now. So,
Speaker 1: so the missing piece of the puzzle as not with
Speaker 1: a bove about the acoustic phenomenal within the structure. The
Speaker 1: key missing piece to complete would necessarily be an electrical
Speaker 1: circuit within the pyramid. Given the evidence we have before,
Speaker 1: a slogy will be bronze. This is the key piece
Speaker 1: that will make the pyramid. That says, the ring like
Speaker 1: a belt similar to an os layer acting like a
Speaker 1: spark gap, which is what Tessa was utilizing regards to
Speaker 1: a steam powered US layer. So as I said, I
Speaker 1: describe of all this has passed through point the points B, A,
Speaker 1: B and right in the couple of wrongs are copper
Speaker 1: coiled mechanism. This indicates the mechanism for incustance to using
Speaker 1: age magnetic field as well as the internal grantited chamber
Speaker 1: and bronze last line acting as a resistor. The chamber
Speaker 1: begins the heat and range due to you action taking
Speaker 1: place inside the chamber. I think of the process as
Speaker 1: a tungst filament in the light bulb heating and giving
Speaker 1: off light, and same thing with the as the the
Speaker 1: pas electric effect when the pressure is increased in in
Speaker 1: the chamber. As you describe Headless, it was the cold
Speaker 1: light or tribal luminescent effect from striking the two two
Speaker 1: two stones together. So the same degree what we hear
Speaker 1: in regard to the quartz and bronze giving off light.
Speaker 1: So the other point is the subterranean chamber. So I
Speaker 1: argue with that because they're the the rip where it
Speaker 1: was placed on the Akafa on the Giza Plateau was
Speaker 1: built the as water flowed. I reckon that the they
Speaker 1: you were using blocks to actually control the flow water.
Speaker 1: If you you've ever worked on chillers and stuff like that,
Speaker 1: you probably know what I'm talking about, Nick, But there's
Speaker 1: a I reckon water. I reckon that they control the
Speaker 1: flow water to keep the internal reaction, to keep this
Speaker 1: system cool, but keep it with a constant stream of
Speaker 1: fresh water as well for the reaction of electrolysis. So
Speaker 1: they're going to to give the point is is in
Speaker 1: previous point I mentioned use of tensive steam powered us.
Speaker 1: Latter we have the oscillator, but where's the steam. The
Speaker 1: steam comes from the subterranean chamber. At one stage in history,
Speaker 1: the river oil was at a much higher level than
Speaker 1: seeing today. The Silterrange chadber was filled with water which
Speaker 1: is now be drained, which means the water from the
Speaker 1: noil could not only be acting as a condenser which
Speaker 1: projects set for the internal reaction, but the fuel at
Speaker 1: the same time. What we're saying here is the current
Speaker 1: being passed through the earth of water the crater and
Speaker 1: let ractioning on is atolysis. This is the key production
Speaker 1: of hydrogen. So the pyramid is heat with the sun.
Speaker 1: The internal chamber heats, causing of water in the souterraine
Speaker 1: chamber the heat and evaporate. This essentially latent heat given
Speaker 1: off the pais the electric fat to take place as
Speaker 1: heat increases, as is the pressure boilers law. This is
Speaker 1: the mechanical stress needed to squeeze energy from the quants crystals.
Speaker 1: The voles is employed from the air too on atmophere,
Speaker 1: but it's electrical corn flows in the chamber due to
Speaker 1: steam wet and the stone granne A lowering its resistance
Speaker 1: element the spark cap paction for the copper bronze on
Speaker 1: sline mechanism or resist or to rink within the chamber,
Speaker 1: generating a frequency that resonates within there on magnetic field,
Speaker 1: which leads into Testa's other great infens in Boarder Cliff Tower.
Speaker 1: The end of the invents was to use Airth's own
Speaker 1: field to transmit energy words and as the mechanism begins
Speaker 1: to os like to harmonize the positively charge electrons and
Speaker 1: gives them a path safe path Earth and this essential
Speaker 1: leads to the realm of carmo acoustics. So that is
Speaker 1: the last of the slowest there, lads. Oops, didn't mean
Speaker 1: to deal with that. So that's the last of slows
Speaker 1: And sorry.
Speaker 2: You're good. You're good, yo.
Speaker 1: You know.
Speaker 6: I feel like this thing is like one big alchemical change. Yeah,
Speaker 6: that's all that's going on in there is And like
Speaker 6: it's like every time it goes from like a different
Speaker 6: pathway or chamber or whatever, it changes, like kind of
Speaker 6: changes form in a sense, right, it was just changing.
Speaker 1: Well do you think about it? Like it's like what
Speaker 1: is what is electricity? Electricity is a chemical reaction, you know.
Speaker 1: So when you think of alchemy, all chemical, everything's chemical.
Speaker 1: You think about the human buddy, internal chemical reactions like
Speaker 1: what is your body contained? Oiron, potassium, all these like
Speaker 1: different chemicals. It's all a reaction within us. And it's
Speaker 1: the same thing when you look at buildings. To me,
Speaker 1: it's the same thing you look at bilding like that.
Speaker 1: It's all reactions and they guess it says it's like
Speaker 1: the no you do like Bilin and Woken, that's how
Speaker 1: you do what you have to keep an eye and
Speaker 1: that need to be monitraing this it's all because say
Speaker 1: it's all, this stuff is relative. If fact was in
Speaker 1: so much for.
Speaker 3: Anybody doubting the precision that it would take and planning
Speaker 3: it would take. For the Egyptians or whoever built this,
Speaker 3: they need to look into the case or the Tomb
Speaker 3: of the birds. Have you heard about the Tomb of the.
Speaker 1: Birds, Ronnie, I don't think so.
Speaker 4: So this was a.
Speaker 3: Relatively recent recent fine on the Giza plateau. It was
Speaker 3: unheard of chamber, right, So no mention of the tomb appears.
Speaker 3: Instead reference work Porter and Moss Topographical Bibliography, Volume three,
Speaker 3: which includes the moments of information on Giza. So the
Speaker 3: measurements of these uh these chambers in the Tomb of
Speaker 3: the Birds is very interesting because they actually have a
Speaker 3: bunch of chambers that are correspondent to the shape and
Speaker 3: UH and distance on certain points on the Earth. And
Speaker 3: so as you're mapping out this cave to the birds,
Speaker 3: you'll start to find all these recognizable ratios that they
Speaker 3: included into the work. Now, if you're not measuring this
Speaker 3: stuff out and you're looking for decorations, you'll never find it.
Speaker 3: But they had this thing down so completely that it
Speaker 3: was in the measurements themselves that they were putting their artwork.
Speaker 7: You know, yeah, it's not it's it's like it's all
Speaker 7: like it's all relative, like the like when I was
Speaker 7: in Egypt, I'm a lot talking did this Heroguardians like, oh,
Speaker 7: they did it this way, and it was they did
Speaker 7: it because of this.
Speaker 1: And then as it says, obviously doing this still fun.
Speaker 1: I was like, I'd say, there's a different explanation to
Speaker 1: what they're saying. And then what you just said there
Speaker 1: had this lightly the real case. It's like Ricardo, that
Speaker 1: guy we kind of the issue of national philosophy. He
Speaker 1: doing some excellent work on the the Assaire shaft and
Speaker 1: how that was water and frequency was actually a healing chamber.
Speaker 1: And if you've ever seen is it John Anthony West
Speaker 1: he I've seen one or two. He is a documentary
Speaker 1: on magical leaders. Only seen this. And then I related
Speaker 1: to the perimetery, is like all these buildings are actually
Speaker 1: designed with a grand or form in in in mind,
Speaker 1: and I guess I said, like there's a there was
Speaker 1: another Have you ever heard of c. Fats or Charlie Fapps.
Speaker 1: He had a he had a theory on the Earth
Speaker 1: all the quite are. So see that KGB document where
Speaker 1: it says that when not the the payer machine worked,
Speaker 1: I had Earth in line. Well, what see Fabs actually
Speaker 1: describes is that the Earth's equator. So say that's Earth's
Speaker 1: rotating right right now, and you have Earth's equator. Is
Speaker 1: this line here? But what sea Fabs actually reckoned? All
Speaker 1: these ancient sites are actually on Earth's all equator, and
Speaker 1: he reckons that was actually this this power system. And
Speaker 1: as I say, is like when you look at the
Speaker 1: likes of the sacred geometry stuff and like this is
Speaker 1: all relative. Like when you when people look at these ancients,
Speaker 1: they like as like in the other's case they talk
Speaker 1: about the druids, is these I don't know, like like
Speaker 1: old men in robes and they they'd no knowledge and
Speaker 1: they didn't have forms of writing. But then when you
Speaker 1: actually think about it, like well was they these people
Speaker 1: were way way, way way more and heads than anybody
Speaker 1: could ever know. And then as it says that ancient history,
Speaker 1: the Irish Wisdom and the Puriples bill talks about these connections,
Speaker 1: you know, and as it says, there's like I'm fully
Speaker 1: of the belief that where possibly the Eppes from the
Speaker 1: Planet of the Apes. You know what I mean, because
Speaker 1: there's there's something that's happened here and it does not
Speaker 1: make sense. And I'm actually saying recently like it's it's
Speaker 1: it's it's good that I see the Tartaria. Like if
Speaker 1: you hear people talking about Tartarian, it's like, it's the
Speaker 1: same principles of what I describe, you know what I mean.
Speaker 1: It's like the people I think people are seen what
Speaker 1: I posted and said, look amopheric electricity.
Speaker 5: This is it?
Speaker 3: This is cooled, you know.
Speaker 1: And then as it says, once people start talking and
Speaker 1: start thinking, you're like that that is how you can
Speaker 1: really ask for.
Speaker 3: If you think about the past as being this sort
Speaker 3: of undiscovered country, and so as we're looking back, we
Speaker 3: we sort of think about technology one way, But how
Speaker 3: many other different ways could there be to think about
Speaker 3: technology from the perspective of ancient human beings who are
Speaker 3: more in tune with their ambient energies, you know, I mean,
Speaker 3: just the development and the process and the community that
Speaker 3: would be involved in that that creation would be a
Speaker 3: completely different way of thinking than what we're used to today.
Speaker 1: Yeah, kids said, like you see some you see some
Speaker 1: megaliths and stuff like that. You see all these like
Speaker 1: mad sites, and like how did they deal with that?
Speaker 1: How did they how did they lift this, I don't know,
Speaker 1: twenty ton block on top of this when they were
Speaker 1: running around in loin cloths and they they couldn't speak
Speaker 1: to each other and all that. It's like this something
Speaker 1: doesn't make sense. And now, but again you're a pseudo
Speaker 1: historian or a pseudo scientist or a pseudo fucking as
Speaker 1: the back of the botics, like, but it's it's it's
Speaker 1: it's crazy when they I suppose it's it's from a
Speaker 1: modern sense. It's that they almost a lack of imagination.
Speaker 1: It's like the other thing is like how much has
Speaker 1: been hidden? Boy, these people who say this doesn't matter,
Speaker 1: this doesn't make sense. Yeah, you know.
Speaker 3: Absolutely. I'm trying to pull up a picture of one
Speaker 3: of these ancient holy men with their crazy hat. So
Speaker 3: I saw this recently. It was a druid type character.
Speaker 3: But they have these gold hats of conductive foil just
Speaker 3: on the outside of it, and they also had gold
Speaker 3: in their shoes. And you're telling me they didn't understand electricity.
Speaker 3: They've got gold in their hat, gold in their shoes
Speaker 3: and these are ceremonial garb for doing rituals. And you're
Speaker 3: telling me they're not using electricity even though they're making
Speaker 3: their bodies into conductives.
Speaker 2: Yeah.
Speaker 1: Yeah, But it's like you look at a lot of
Speaker 1: stuff like this, this like, oh, you're argue, Like in
Speaker 1: Orleans case, it seems as if like the break and
Speaker 1: the Roman establishment of essentially made they've they've they've sentially
Speaker 1: stolen our history and just made us out to be animals,
Speaker 1: you know, but like there's there's so much history there.
Speaker 1: And I said, I'm looking at him like this doesn't
Speaker 1: make sense, but I'm just going to dig up one
Speaker 1: one one interesting what appeared to be a machine.
Speaker 3: Look at the size of that fucking hat. And he's
Speaker 3: got gold on the bottom of his shoes too.
Speaker 1: So yeah, what's that on his staff? You know? I
Speaker 1: mean that's the staff. That's the good of staff I
Speaker 1: was talking about earlier on the crowsiers, like they reckon
Speaker 1: that the monks also had bells. I'll show you to
Speaker 1: you now in a second. I'm going to show you
Speaker 1: these two images if you can see them right. So
Speaker 1: there's this joke. It's called Saint Manchin's shrilling. So this
Speaker 1: thing has it's got four spheres and each of these
Speaker 1: like little individual characters have a have have eat hold
Speaker 1: in this sphere. But if you notice that there's other
Speaker 1: there's other countries. I think Costa Rega has these spheres.
Speaker 1: So it's it's so strange that it's like it doesn't
Speaker 1: make sense that it's there, but there's other I'm just
Speaker 1: gonna see Oirish belts, I Irish belts.
Speaker 2: Same Patrick, what's the significance with the bills.
Speaker 1: It's acoustics. It's all acoustics.
Speaker 2: Mm hmm.
Speaker 1: And the same thing there's Preven from Tartarian. All have
Speaker 1: said the same thing. It's like it's it's it's everything
Speaker 1: is all about harmonics. The key to all these is
Speaker 1: resonant harmonics. Like again, it's like what you said Nick
Speaker 1: earlier on about the same point day three hear it's
Speaker 1: it's like it's there's something I actually wanted to do.
Speaker 1: Is I'm going to go to like an ancient site
Speaker 1: in Orland somewhere and I gonna ground myself. We're not barefoot,
Speaker 1: and I'm going to play seven point day three here.
Speaker 1: I'm going to play with some freedomcies just to see
Speaker 1: if there's any reactions. Just it's just out curiosity because
Speaker 1: there's I've got I've got sights all around me, you know,
Speaker 1: like the I live in the midlands of Ireland and
Speaker 1: the party. About twenty minutes from my house is a
Speaker 1: place called the Hill of nak So it was not
Speaker 1: is the spiritual center of Ireland and it's not one
Speaker 1: of the it's it's known as where all a lot
Speaker 1: of the roads connected. It's been key to a lot
Speaker 1: of the old orders. But like I can go throw
Speaker 1: a stone and I can find this really old short
Speaker 1: of really all cathedral and they've made too so of
Speaker 1: these sites and like like you can feel the energy,
Speaker 1: you know what I mean. You can fail stuff there
Speaker 1: and like I don't know why to describe it, but
Speaker 1: you can. There's soap, something is there and I think
Speaker 1: this is the knowledge that it's been hidden. And again
Speaker 1: I think it's all harmonics. It's it's it seems to
Speaker 1: be it's all residant harmonics. But I just want to
Speaker 1: show you the lights of these bells is and I
Speaker 1: think this is Saint Patrick's bell. If you can see that,
Speaker 1: you see that, Yeah, yeah, there's there's mad stuff. You
Speaker 1: see and like even the likes of them hats and
Speaker 1: all that. There's mad stuff in order, and it.
Speaker 8: Just it just like I look at the like some
Speaker 8: of the art and stuff like that, Like they'll actually
Speaker 8: show you the booker Keels, like when you look at
Speaker 8: some like the latter.
Speaker 2: Hey, sorry about that, and yeah, trying to fix the screen.
Speaker 2: Go ahead, but.
Speaker 1: There's just I'm just trying to say the booker Keels.
Speaker 1: So there's there's just like you can like you'll see
Speaker 1: the artwork. This is probably not going to be a
Speaker 1: great picture, but this is this is from the Booker Helds.
Speaker 1: But you if you google the Booker Helds, you can
Speaker 1: actually see like all these different spoils and stuff like that.
Speaker 1: Like when you look at me, look deep into that stuff. Really,
Speaker 1: these guys knew something, they knew about circuitry and stuff
Speaker 1: like that. Well it's they're showing it how they you
Speaker 1: could explain it to the future generations and then I
Speaker 1: think it's up to the legs of us to figure
Speaker 1: it out.
Speaker 3: Right. Well, now, quick tip here, So this is how
Speaker 3: you measure a room's resident harmonic acoustic frequency. First, you
Speaker 3: measure the room's dimensions, and then you calculate the fundamental frequency.
Speaker 3: The fundamental frequency of a room can be calculated using
Speaker 3: the formula F over zero C over t L, where
Speaker 3: the c is the speed of sound in the air
Speaker 3: approximately eleven thirty feet per second at room temperature, and
Speaker 3: L is the longest dimension of the room. Pretty simple, right.
Speaker 3: The harmonics of the room are multiple of the fundamental frequency.
Speaker 3: For a room with fixed boundaries like walls, the harmonics
Speaker 3: are given F over end equals and where f is
Speaker 3: the integer one, two, three, and four whatever the length
Speaker 3: of the walls are. Then the room modes. What you
Speaker 3: do is room modes, or frequencies at which standing waves
Speaker 3: form in the room. These modes can be axial between
Speaker 3: two parallel walls and tangential between the other surfaces. So
Speaker 3: that's another factor to bring in. But once you've got
Speaker 3: these fundamental frequencies and understand how to generate them in
Speaker 3: these different spaces, you can actually find the fundamental You
Speaker 3: can play the notes that would work within that fundamental
Speaker 3: and then you can change the frequency based off of
Speaker 3: where you put the speaker. So based off of all
Speaker 3: of these different measurements, you could actually produce the same
Speaker 3: type of sound that was probably being produced there to
Speaker 3: begin with, or you know it's something new do you know,
Speaker 3: entirely different. But once you find those things, it's I mean,
Speaker 3: like this is what they do to get the cimatics
Speaker 3: inside of a church. Is they're using these uh spatial
Speaker 3: harmonics to develop a frequency and then play that frequency
Speaker 3: over again.
Speaker 1: Yeah. Yeah, I'll built with tuning in them. But there
Speaker 1: was something else is going to say there there was
Speaker 1: like you like even go back to what I was saying,
Speaker 1: you think of your your body as an instrument. Like
Speaker 1: again you think of your vocal parts. This is where
Speaker 1: they get the arm, This is where you get it
Speaker 1: from there. I think the likes of that and the
Speaker 1: way it's said, it's it's like when you speak, is
Speaker 1: is you got your frequency or your your your note
Speaker 1: or your tone. It's how you use your body, like
Speaker 1: how you use your doyer from how you how you breathe,
Speaker 1: you know, breathe not breathe, but see the see the
Speaker 1: like the the way you know you can use your
Speaker 1: throw and and you like your mouth may not sound
Speaker 1: it's like that is a key parent hew, they don't
Speaker 1: it again, It's like speech is power. You speak it
Speaker 1: into existence, you know, it's I think there's so much more. Again,
Speaker 1: was talking here. We know there's so much more. It's
Speaker 1: just trying to get everyone else to go hello with this, Wakey, wakey,
Speaker 1: you know, couldn't agree more.
Speaker 2: Yeah, was there anything else that you wanted to cover
Speaker 2: it on this or anything you wanted to say? Hitless?
Speaker 3: I think I'm good.
Speaker 2: Yeah, yeah, I think maybe we can wrap it up here.
Speaker 3: Yeah, absolutely so.
Speaker 1: Uh.
Speaker 3: This has been our discussion about the possible uses of
Speaker 3: the pyramid and our guest Roddy here has joined us
Speaker 3: from Ireland and we've talked a little bit about everything.
Speaker 3: So uh, this has been the Occult Rejects. This is
Speaker 3: headless Chiet and next signing out.
Speaker 1: Thanks trying Adads, Thank you very much.