1
00:00:00,840 --> 00:00:03,359
Speaker 1: One thousand first Dates. Portrait of a Palm Beach Player,

2
00:00:03,439 --> 00:00:06,200
Part four. When I make my move on a woman,

3
00:00:06,240 --> 00:00:10,279
she's often surprised, seldom offended, and almost always receptive. Women

4
00:00:10,359 --> 00:00:13,000
want to be pursued, desired, taken by a man who

5
00:00:13,039 --> 00:00:16,120
knows what he's doing. The hesitation they show at first

6
00:00:16,160 --> 00:00:19,719
isn't resistance. It's anticipation. They're waiting to see if I

7
00:00:19,760 --> 00:00:22,960
have the confidence to take the lead, and I do.

8
00:00:23,239 --> 00:00:25,280
I have a saying. When a woman agrees to get

9
00:00:25,320 --> 00:00:27,480
in my car, I own her. She's already mine. She

10
00:00:27,600 --> 00:00:30,280
just doesn't know it yet. I can't tell you how

11
00:00:30,320 --> 00:00:33,200
many times I've gotten a woman's panties down, her legs,

12
00:00:33,200 --> 00:00:36,679
her bra unhooked, her body shivering under my touch, all

13
00:00:36,719 --> 00:00:39,799
inside the tight space of a car. There's something about

14
00:00:39,840 --> 00:00:44,240
that setting, something primal, something raw. It strips away the

15
00:00:44,280 --> 00:00:48,320
pretense of the dinner table, the carefully curated conversation, the

16
00:00:48,359 --> 00:00:52,439
calculated pacing of traditional courtship. It brings us straight to

17
00:00:52,479 --> 00:00:55,520
the moment, to the desire that's been simmering just below

18
00:00:55,560 --> 00:00:59,039
the surface. Maybe it's the enclosed space. Maybe it's the

19
00:00:59,119 --> 00:01:01,880
rush of knowing with somewhere we shouldn't be maybe it's

20
00:01:01,920 --> 00:01:05,840
the feeling of surrendering to an impulse instead of overthinking it.

21
00:01:06,159 --> 00:01:09,079
But when a woman steps into my car, something changes.

22
00:01:09,640 --> 00:01:12,239
It's as if all the social conditioning, all the rules,

23
00:01:12,239 --> 00:01:16,040
all the self imposed barriers dissolve, leaving only raw attraction.

24
00:01:17,040 --> 00:01:20,200
And let's be real, most women have never really let

25
00:01:20,239 --> 00:01:24,120
go like that before. They've spent their lives suppressing their urges,

26
00:01:24,400 --> 00:01:28,000
waiting for permission, over analyzing whether they should, instead of

27
00:01:28,040 --> 00:01:31,359
surrendering to what they want. But in that moment, in

28
00:01:31,400 --> 00:01:33,680
the dim light of a street lamp, with my hands

29
00:01:33,719 --> 00:01:37,400
in the right place at the right time, they finally do.

30
00:01:38,319 --> 00:01:42,159
They let themselves be taken, be desired, be free, And

31
00:01:42,239 --> 00:01:44,680
I know exactly how to guide them there. It's not

32
00:01:44,840 --> 00:01:47,920
just about physicality. It's about the lead up, the pacing,

33
00:01:48,359 --> 00:01:50,760
the moment where a simple touch on the thigh turns

34
00:01:50,760 --> 00:01:54,959
into something electric. It's about reading her, feeling the tension build,

35
00:01:55,159 --> 00:01:57,200
knowing exactly when to pull her in and when to

36
00:01:57,280 --> 00:02:00,840
let her come to me. Fortunately, I've never been caught.

37
00:02:01,680 --> 00:02:04,680
I guess I've just been lucky. But that's the thrill,

38
00:02:04,760 --> 00:02:09,000
isn't it, That delicate balance between risk and reward, between

39
00:02:09,039 --> 00:02:12,879
hesitation and surrender between the moment she steps into my

40
00:02:12,960 --> 00:02:16,120
car and the moment she realizes she doesn't want to leave,

41
00:02:16,560 --> 00:02:18,520
because by then she's already mine.