WEBVTT

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<v Speaker 1>It's oh they piggy. Now, we got reels to get

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<v Speaker 1>to our good friend Tristana, always dropping them crazy reels, right,

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<v Speaker 1>the great Bigot of the Internet, the secret King Bigot

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<v Speaker 1>of the Internet, Tristana. We've got so many reels I

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<v Speaker 1>want to get to even get to these dudes people

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<v Speaker 1>hipping me to these bad boys right here on the

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<v Speaker 1>Light Working team. There's too much stuff to make fun of. Dude,

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<v Speaker 1>I don't know where to start the light Lords. I

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<v Speaker 1>didn't know there was light Lords, did y'all? They got

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<v Speaker 1>music too, Doctor Steve Greer gonna teach us how to

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<v Speaker 1>channel raw raw. We can learn how to make money

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<v Speaker 1>with donal Le Prix. That's also an option. Do y'all

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<v Speaker 1>want to make money? Get and learn how to get paid? Uh?

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<v Speaker 1>Do y'all want to see some of the the crazy reels?

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<v Speaker 1>Or do y'all want to get into my philosophy ruminations

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<v Speaker 1>about the back rooms? Tonight? What's what is on your mind?

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<v Speaker 1>We've also got this awesome stuff, right, we got VHS

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<v Speaker 1>movies to watch. What do y'all want to talk about first? Tonight?

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<v Speaker 1>Do y'all want to get into Light Workers VHS movies?

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<v Speaker 1>My back room's philosophy, some of the liminal space. Son,

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<v Speaker 1>do y'all want to get into uh light working channeling?

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<v Speaker 1>Raw y'all want a chakra Max? Y'all know O show

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<v Speaker 1>can get up in that chockra Do y'all want to

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<v Speaker 1>talk about David Wood? What y'all want to talk about?

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<v Speaker 1>Everybody want to talk about back rooms? A lot of

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<v Speaker 1>y'all gay is hell talking about the back door because

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<v Speaker 1>of my scandal video you just watch right, that's that's

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<v Speaker 1>within the alien sphere, that's adjacent to aliens, faking aliens.

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<v Speaker 1>Everybody wants talk about the back rooms. All right? Look,

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<v Speaker 1>I wrote some notes because I was thinking about this.

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<v Speaker 1>I watched some good videos and I've been thinking that

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<v Speaker 1>about this for a while. What is up with the

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<v Speaker 1>back rooms? Right now? We got this movie coming out,

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<v Speaker 1>which I'm actually excited about. I think it's gonna be

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<v Speaker 1>a really good movie. And I am impressed with Caine

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<v Speaker 1>and his skills. Caine Parsons, your boy, Caine Parsons. Listen,

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<v Speaker 1>you got Billy Corson and you got Caane Parson, Caine Parson,

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<v Speaker 1>Billy Corson. Okay, that's how I feel. This trailer was awesome.

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<v Speaker 1>I have to say, and I mean even watching Caine

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<v Speaker 1>Parson's clips and videos, I was super impressed. I was like,

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<v Speaker 1>this dude is skilled. Do got a skill set? You

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<v Speaker 1>know what I'm saying. And so I'll show you real quick. Yeh,

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<v Speaker 1>something's wrong with the wall. Right, he's doing a late

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<v Speaker 1>night clean up. He looks over there and there's a

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<v Speaker 1>hole in the wall, and uh, don't don't get upset.

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<v Speaker 1>This black man works there. He's not there illegally, he's

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<v Speaker 1>a he's an employee. I know what you racist people

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<v Speaker 1>already thinking, what is this black man doing on the

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<v Speaker 1>security is he on the security camps? He gets in

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<v Speaker 1>there and he finds a hole in the wall and

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<v Speaker 1>then he walks through it and lo and behold, it's

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<v Speaker 1>the back room. It's the liminal space. Son, what's the

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<v Speaker 1>liminal space? The liminal space evolved out of creepy pastas

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<v Speaker 1>and this idea on four chan read at this kind

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<v Speaker 1>of stuff, that there were spaces that you could no

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<v Speaker 1>clip into, you could glitch out of reality into some

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<v Speaker 1>alternate infinite hell world, a sort of labyrinth, right of

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<v Speaker 1>the corporate nihilistic empty space between worlds or between realities.

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<v Speaker 1>The liminal space is from a Latin word that has

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<v Speaker 1>to do with threshold, so an in between. I think

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<v Speaker 1>also simultaneously with that kind of its own Internet lore

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<v Speaker 1>taken on a life of its own, you also had

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<v Speaker 1>other films and popular books and things that popularize the

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<v Speaker 1>liminal space, right, Stranger Things or Stranger's Thing, if you

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<v Speaker 1>watched the last season, and that popularized the upside down. Right,

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<v Speaker 1>this other world, this other dimension, this other reality that

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<v Speaker 1>is the negative space. It is a you know, perhaps

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<v Speaker 1>a purgatorial sort of idea. There's a lot of parallels, right,

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<v Speaker 1>And I also think it resonates with everyone because well,

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<v Speaker 1>I've got a whole list of reasons of my thoughts

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<v Speaker 1>on it. It also resonates because of the emptiness of

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<v Speaker 1>the corporate world, the cold, calculated corporate world, and it's nihilistic,

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<v Speaker 1>abandoned and the meaninglessness of a corporate lifestyle to attain

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<v Speaker 1>corporate products that ultimately go out of style within five

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<v Speaker 1>to ten years anyway. So it's a sort of meaningless

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<v Speaker 1>oral buros eating its own meaningless tale. And then the

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<v Speaker 1>idea becomes, what if you entered that space of something

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<v Speaker 1>like a stock footage video. What if you went into

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<v Speaker 1>the world where stock footage was reality, but not stock

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<v Speaker 1>footage of today, not a present day reality, but for

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<v Speaker 1>some reason, always connected to always grasping back to the

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<v Speaker 1>eighties and the nineties. For some reason, everyone felt that

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<v Speaker 1>the lore of the back rooms in the liminal space

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<v Speaker 1>was necessarily connected to the eighties and nineties. Why is that?

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<v Speaker 1>Here are my theories, This is my thoughts. It is

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<v Speaker 1>resonating with people because we are at a threshold of

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<v Speaker 1>generations where people like myself on the cusp of Gen

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<v Speaker 1>X and millennial. As a zennial, I remember the world

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<v Speaker 1>prior to Internet. Okay, prior to internet everywhere. The generations

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<v Speaker 1>under me do not know that world, and that world

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<v Speaker 1>was still essentially primarily human. I met tech was obviously

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<v Speaker 1>beginning to invade our life with vhs, CDs, DVDs, et cetera.

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<v Speaker 1>MP three began to be popular in the late nineties

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<v Speaker 1>early two thousands, but your day to day did not

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<v Speaker 1>include significant amounts of Internet at all unless you have

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<v Speaker 1>some lame ass dialogue and then you could wait twenty

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<v Speaker 1>minutes for a low resolution picture to load up right. Otherwise,

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<v Speaker 1>you didn't spend a whole lot of time on the

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<v Speaker 1>Internet until the early two thousands. Right, So we are

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<v Speaker 1>remembering there is still in the collective unconscious this memory

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<v Speaker 1>of a time when there was a human realm. Even

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<v Speaker 1>at work, the corporate work part of your life, there

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<v Speaker 1>was still this human element to where you had a

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<v Speaker 1>limited time there. You went to a physical location, you

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<v Speaker 1>had your own office, you had your own desk, et cetera. Right,

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<v Speaker 1>even when you got started having cubicles, right, you still

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<v Speaker 1>had your own space. You decorated it the way you wanted,

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<v Speaker 1>et cetera. And even office space changed with the times

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<v Speaker 1>to where you didn't have your own office. Everyone worked

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<v Speaker 1>in an open space in the cubicles, and then the

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<v Speaker 1>cubicles went away and you went into having open spaces,

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<v Speaker 1>and then you have shared desks that you do like

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<v Speaker 1>at Verizon or whatever. Right, So you've seen less and

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<v Speaker 1>less individualism even within the workspace. It's all been homogenized

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<v Speaker 1>and corporatized and made linear and made flat. And because

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<v Speaker 1>the back rooms are a labyrinth that has no resolution,

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<v Speaker 1>that immediately expresses the nihilism of the modern corporate mindset

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<v Speaker 1>in corporate world. But it's frozen in the eighties and

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<v Speaker 1>the nineties because that was the period when there's the

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<v Speaker 1>last remembrances of it being still human. Right, So you

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<v Speaker 1>have people's desks, people's property, their own expressions now completely erased,

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<v Speaker 1>and in the back rooms there's no people. So a

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<v Speaker 1>human being is actually out of place in the corporate

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<v Speaker 1>world or in this corporate dystopian hell dimension because it's

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<v Speaker 1>anti human. The corporate world had as it's underlying engine

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<v Speaker 1>and ethos and anti human idea the entire time, because

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<v Speaker 1>the logic of it was everything is quantified, everything is quantifiable.

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<v Speaker 1>It's inherently nihilistic and anti natalists and anti human, so

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<v Speaker 1>it must, of its own logic, eventually eliminate all of

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<v Speaker 1>the human and all of the particular and all of

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<v Speaker 1>the individual to eventually just propagate itself as negating any

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<v Speaker 1>of the commodities that it produced. And so the corporate

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<v Speaker 1>space exists eventually to only perpetuate an anti human, non

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<v Speaker 1>human corporate space with no objects or no products. Why

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<v Speaker 1>because the ultimate goal of the monopoly attitude is actually

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<v Speaker 1>to destroy all competition and thus the products that it sells.

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<v Speaker 1>Even after it's gotten rid of the humans, the products

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<v Speaker 1>are no longer necessary. And other was products were an end.

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<v Speaker 1>What it means to an end? It was never about

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<v Speaker 1>creating a better product. It was about creating the end

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<v Speaker 1>of humanity. Thus, we look back on the threshold of

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<v Speaker 1>a time to a time when it was still human.

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<v Speaker 1>We look back to the liminal spaces of the shopping mall. Right,

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<v Speaker 1>perhaps shopping mall back rooms and liminal spaces are even

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<v Speaker 1>more telling in this regard. Right. I also have some

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<v Speaker 1>theories to as to why this has become so popular online.

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<v Speaker 1>I actually think the Internet is itself the liminal space

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<v Speaker 1>as well. I'll show you what I mean here with

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<v Speaker 1>a couple of examples of this dead malls. Right. The

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<v Speaker 1>dead mall, as we like to call it, is an eerie,

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<v Speaker 1>corporate liminal space with its own esthetic and vibe that

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<v Speaker 1>now has no people and has no product and becomes

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<v Speaker 1>this sort of ideological museum to a forgotten time and

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<v Speaker 1>a forgotten way of being that we can remember, but

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<v Speaker 1>also we can't remember because when you look at it

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<v Speaker 1>without any people, and the purpose of the shopping mall

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<v Speaker 1>was to sell the products, right, So to see it

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<v Speaker 1>without humans and without products, it almost seems like a

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<v Speaker 1>dystopian healthscape, where what if the purpose of all this

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<v Speaker 1>and its purpose less ness was actually to produce a

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<v Speaker 1>kind of purposelessness in the humans themselves. I'm not saying

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<v Speaker 1>that every mall owner, and I'm not trying to make

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<v Speaker 1>some Marxist socialist critique or something like That's not what

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<v Speaker 1>I'm saying, or I'm not a Marxist or a socialist.

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<v Speaker 1>But I'm saying when you have a materialist capitalist society,

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<v Speaker 1>and the same goes for Sovietism too, because they're both

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<v Speaker 1>materialists atheistic presuppositions. If you have a monopoly capitalistic societies,

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<v Speaker 1>presupposition by the attainment of meaningless corporate goods that also

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<v Speaker 1>become meaningless within a few years because they're no longer

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<v Speaker 1>trendy and they're not actually made to last, they're actually

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<v Speaker 1>made to through planned obso lessons go away. It speaks

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<v Speaker 1>to the emptiness of the cycle. Right. Yeah, I've seen

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<v Speaker 1>im think I've seen all of Kine Caine's videos. Yeah,

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<v Speaker 1>I think Day of the Dead and Chopping Mall. Although

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<v Speaker 1>they're goofy b movies, they actually have some of these

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<v Speaker 1>deeper philosophic themes in them. And we did a whole

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<v Speaker 1>analysis of Chopping Mall. If you didn't ever watch that

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<v Speaker 1>back in the in the old days, we actually hit

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<v Speaker 1>on some of that back when we did Chopping Mall,

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<v Speaker 1>because if you don't remember, the villain in Chopping Mall

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<v Speaker 1>is like a Robbie the Robot version. It's like a terminator,

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<v Speaker 1>but it's like a B movie version a terminator, so

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<v Speaker 1>it's like, yeah, here we go. See now. I hate

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<v Speaker 1>it when it doesn't come up because we did a

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<v Speaker 1>whole stream on it. Anyway, I can't think of the

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<v Speaker 1>name of our stream, but yes, we did. We did

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<v Speaker 1>do Chopping Mall. I have to find it later. But so,

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<v Speaker 1>the liminal space speaks to all of these realities, and

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<v Speaker 1>some philosophers have called it. I watched the guy's video

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<v Speaker 1>on this that was pretty good. I'll give you a

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<v Speaker 1>link to that video in a second, where it's just

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<v Speaker 1>a guy who does sort of philosophical ruminations on YouTube,

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<v Speaker 1>and I have disagreements with some of his assessments. He

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<v Speaker 1>comes off as kind of an existentialist, sort of agnostic

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<v Speaker 1>sort of character, but I did like some of his

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<v Speaker 1>takes on the liminal space in the mall, and he

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<v Speaker 1>noted that it's almost like as some philosophers are calling it,

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<v Speaker 1>a existential How did he put it? He said, it's

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<v Speaker 1>industrial Gothic or corporate Gothic, So you know, go back

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<v Speaker 1>to Gothic literature in the UK and then in Victorian era,

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<v Speaker 1>and then we have in the US Southern Gothic with

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<v Speaker 1>people like you know, Flannery O'Connor and whatnot, and Cormack

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<v Speaker 1>McCarthy as well. But with the liminal Space, you have

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<v Speaker 1>a modernized version of corporate industrial Gothic where the great

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<v Speaker 1>horror is the meaninglessness of what was so meaningful apparently

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<v Speaker 1>at the time, right in the nineteen eighties and in

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<v Speaker 1>the nineteen nineties. And the mall ones are really interesting.

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<v Speaker 1>And again remember Stranger Things also, I think played a

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<v Speaker 1>huge role in this because what was the season three,

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<v Speaker 1>The whole season was about the mall, right, the Dead

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<v Speaker 1>Mall being this sort of portal to the in between,

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<v Speaker 1>to the hell world, and so it becomes its own esthetic,

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<v Speaker 1>its own vibe. And this is Caine's channel, who originally

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<v Speaker 1>sort of popularized a lot of these and his videos,

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<v Speaker 1>his you know, film school stuff was so good and

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<v Speaker 1>it became such a viral sensation over the last several

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<v Speaker 1>years that they actually made him the director. So I

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<v Speaker 1>think he's going to do well. I'm expecting it to

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<v Speaker 1>be really cool. But if you go back to his

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<v Speaker 1>older videos, and I think I've watched most of these

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<v Speaker 1>when he was doing film school stuff, he did one here.

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<v Speaker 1>This was the original back Rooms that's had like eighty

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<v Speaker 1>million views, which is crazy. And it was a genius idea,

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<v Speaker 1>right to just kind of play around with looking into

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<v Speaker 1>abandoned buildings or abandoned cargo stuff, and then you walk

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<v Speaker 1>in and you find another reality, another dimension. And then

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<v Speaker 1>people started getting more and more philosophical with it, and

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<v Speaker 1>he was filming it with this sort of old school

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<v Speaker 1>VHS look. But also people helped contribute to the lore.

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<v Speaker 1>Right you had Reddit people, creepypasta people telling their own

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<v Speaker 1>versions of the back rooms, and then on top of that,

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<v Speaker 1>you had TV shows that came out probably also influenced

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<v Speaker 1>by this, even though I know this was from a book,

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<v Speaker 1>but Severance, everybody said, what about Severance, Severance, Severance. I've

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<v Speaker 1>been meaning to get to Severance for so long, But

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<v Speaker 1>the reason that I haven't got to it is because

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<v Speaker 1>I think there's so many other things that it ties

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<v Speaker 1>in with, like the back rooms of the liminal space,

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<v Speaker 1>that it makes sense to kind of talk about them altogether.

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<v Speaker 1>Because in Severance, the premise is that you have an

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<v Speaker 1>intentional process that you can go through where they split

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<v Speaker 1>your consciousness so that you are mpdd ID to have

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<v Speaker 1>in any in and outy any being the person that

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<v Speaker 1>is at the work world, and they have their own

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<v Speaker 1>life in the work world, and they are split so

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<v Speaker 1>that they don't know the life of the person outside

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<v Speaker 1>of work. So it's actual like split, you know, multiple

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<v Speaker 1>personality disorder, but it's engineered by a mega corporation that

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<v Speaker 1>does it to benefit supposedly the workers and to help

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<v Speaker 1>production and all this kind of stuff. And I've seen

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<v Speaker 1>season one. I thought it was really good, and I'm

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<v Speaker 1>about halfway through season two and it's it's interesting, But

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<v Speaker 1>it also I think speaks to probably unknowingly the elements

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<v Speaker 1>of the actual mkulture projects and how they were studied

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<v Speaker 1>and by how they were perfected by entities actually working

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<v Speaker 1>for corporate structure, corporate interests. In other words, the Tavistock Institute,

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<v Speaker 1>which was the first to really study mpdd ID through

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<v Speaker 1>studying shell shock and then got all this money put

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<v Speaker 1>into it through the Rockefellers. They brought in Carl Jung,

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<v Speaker 1>brought in all kinds of people over the years to

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<v Speaker 1>study and perfect social engineering and human control. That's ultimately

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<v Speaker 1>what Tavistok is about, and what began as World War

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<v Speaker 1>One wartime psychological operations actually turned into an entire global

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<v Speaker 1>institute connected to MK Ultra intent on engineering the human

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<v Speaker 1>mind to be obedient and to be involved in groupthink.

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<v Speaker 1>So they really pioneered and mastered groupthink. And they did

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<v Speaker 1>it they were contracted out by not just the CAA,

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<v Speaker 1>not just the US government of the Pentagon, but the

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<v Speaker 1>Fortune one hundred, Fortune five hundred. So, for example, when

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<v Speaker 1>you see people like Peter Drucker who comes up with

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<v Speaker 1>the business church model of Ruslan and all these other

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<v Speaker 1>people from Rick Warren to Rick Warren to Rouselan business

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<v Speaker 1>church model is this. It is Tavistock social engineering groupthink

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<v Speaker 1>models of how to streamline the business side of the

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<v Speaker 1>church to make it more efficient, Taylorism, et cetera. All

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<v Speaker 1>the above, right, But to get back to the back

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<v Speaker 1>rooms and to Severance, which because I haven't finished season two,

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<v Speaker 1>I don't exactly know where Severance is going to go.

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<v Speaker 1>But it is also consciously alluding to the corporate k

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<v Speaker 1>culture elements within the show and in the course that

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<v Speaker 1>you can imagine in the story. It's a question of, well,

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<v Speaker 1>do we really want to be divided against ourselves? Which

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<v Speaker 1>is probably a kind of a Marxist line of augmentation,

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<v Speaker 1>because Marx's whole theory of alienation includes the idea that

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<v Speaker 1>you're divided against yourself and against your product and against

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<v Speaker 1>nature through the corporate world. I'm not a Marxist, but

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<v Speaker 1>I do think at times Carl Marx said some things

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<v Speaker 1>that were correct, and I do think that at times

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<v Speaker 1>if you commodify everything, that would be the natural result, right,

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<v Speaker 1>you would have man divided not just against other men,

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<v Speaker 1>but also alienated from the work that he produces from

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<v Speaker 1>his hands and also from nature.

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<v Speaker 2>Us.

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<v Speaker 1>You'll notice in the back rooms, the healthscape, the hell

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<v Speaker 1>world of the back rooms, there's never anything typically nature related.

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<v Speaker 1>There might here there be a plastic palm tree or

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<v Speaker 1>a plastic tree, but usually it's there's not. Usually there's

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<v Speaker 1>just variations on the corporate scape, and that corporate healthscape

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<v Speaker 1>or the patterned versions of the way that they do

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<v Speaker 1>hotels now, which are becoming more and more if you

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<v Speaker 1>haven't noticed, like hospitals, and the same with and I

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<v Speaker 1>know this because we've traveled a whole lot in the

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<v Speaker 1>last five years, and we've stayed everywhere coast to coast

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<v Speaker 1>countless times. Hotels are they don't have any flavor to them, right,

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<v Speaker 1>the corporate ones, they all become a kind of representation

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<v Speaker 1>of the exact same thing that you've get in a hotel,

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<v Speaker 1>in a hospital, and in a hospice, in an all

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<v Speaker 1>folks home, and then also perhaps in a bank. And

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<v Speaker 1>that's why you, guys, we've all noticed this with McDonald's too, Right,

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<v Speaker 1>Suddenly all of the corporate businesses out there are gray.

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<v Speaker 1>McDonald's is gray. Tons of fast food restaurants they all

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<v Speaker 1>have the same gray look. We went by a Barnes

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<v Speaker 1>and Noble, the other bookstores, it looked no different than

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<v Speaker 1>a McDonald's with corporate Soviet gray. Isn't that interesting that

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<v Speaker 1>what was Soviet brutalist architecture supposedly the opposite of capitalism, right,

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<v Speaker 1>the opposite of capitalism. Let's look up Soviet brutalist architecture,

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<v Speaker 1>and it's like all giant concrete, you know, it looks

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<v Speaker 1>like nuclear concrete, the you know, bomb refuge type stuff

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<v Speaker 1>like Turnobyl. Is no different than the freaking hotel, right,

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<v Speaker 1>Like this, what was supposed to be a you know,

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<v Speaker 1>chernobyl structure is basically the same thing as the hotel

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<v Speaker 1>Soviet brutal brutalism in terms of architecture. Right, everything is gray,

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<v Speaker 1>everything is ugly, and there's a reason for that because

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<v Speaker 1>it expresses the philosophy of everything being streamlined and homogenized.

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<v Speaker 1>Because anything that's not streamlined for efficiency is purposeless. So

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<v Speaker 1>to have decor to have you know, neoclassical baroque styles,

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<v Speaker 1>that would be a waste of money. It's inefficient. So

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<v Speaker 1>you notice that corporate megastructure, monopoly capitalism's ethos is exactly

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<v Speaker 1>the same as the Soviet brutalist ethos. Isn't the fast

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<v Speaker 1>and if you watch, I mean look, that was like

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<v Speaker 1>a damn death star or some shit, just hideous. Right,

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<v Speaker 1>it's brutalist, it's dystopian. Now let's look at what does

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<v Speaker 1>every McDonald's look like. Now, this the same thing, a

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<v Speaker 1>giant concrete block where you get your soy slopol soyslap,

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<v Speaker 1>just hideous, colorless, worthless looking slop out of a giant

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<v Speaker 1>concrete block. Come to the dystopian concrete block where all

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<v Speaker 1>of the bipoc persons will serve you your slop. And

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<v Speaker 1>by the way, this is what boomers think you should

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<v Speaker 1>go die for in other countries, So go die for

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<v Speaker 1>Israel in the Middle East to get this, to make

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<v Speaker 1>sure that we can put a McDonald's on every corner

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<v Speaker 1>of Tehran. I don't know, maybe Teyran already has McDonald's.

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<v Speaker 1>But you see that this end goal of the corporate

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<v Speaker 1>sphere is indistinguishable from the Soviet brutalist atheist because they're

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<v Speaker 1>all nihilistic, they're all atheistic in their vibe, in their ethos,

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<v Speaker 1>and the black rooms are basically expressing the same type

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<v Speaker 1>of critique. Also, I think that if you remember vapor wave,

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<v Speaker 1>right synth wave as synth it became popular, you know,

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<v Speaker 1>ten fifteen years ago, synth wave is expressing an innate

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<v Speaker 1>dystopian idea within it because a lot of the art,

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<v Speaker 1>a lot of the vibe of the synth wave was

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<v Speaker 1>dystopian in the nineteen eighties and nineties were hosts of

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<v Speaker 1>dystopian films, so they kind of became attached. They're adjacent

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<v Speaker 1>to the milieu, the ethos of the nineteen eighties, of

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<v Speaker 1>its zeitgeist, and then it's only natural that what develops

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<v Speaker 1>out of synth wave as a kind of first phase

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<v Speaker 1>critique of corporate nihilism would develop Vaporwave right. And vapor

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<v Speaker 1>Wave gave us a critique of mall music right, corporate

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<v Speaker 1>meaningless overproduced muzak. If you don't know because you're young

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<v Speaker 1>or something, in the nineteen eighties and nineties, when you

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<v Speaker 1>go to the mall or when you're an elevator, they

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<v Speaker 1>would have these specific types of stations or boxes called

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<v Speaker 1>muzak zak right, And it was the corporate way to

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<v Speaker 1>have all of your favorite songs in a non copyrighted way.

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<v Speaker 1>So it was like elevator music, and you might hear

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<v Speaker 1>Kenny G, but it's the muzak version of Kenny G.

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<v Speaker 1>So it's not the actual song. It's a voiceless, corporate

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<v Speaker 1>version of an actual pop song. Now, musak existed earlier

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<v Speaker 1>in the sixties and seventies, but I'm saying by the

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<v Speaker 1>nineteen eighties muzak was doing you know, I don't know.

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<v Speaker 1>You would hear Go West, but it would be the

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<v Speaker 1>muzak version of Go West, right, So sounds for the supermarket, right.

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<v Speaker 1>And so vapor wave was a layer of parodying all

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<v Speaker 1>of this by turning it into a critique of itself.

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<v Speaker 1>Right and probably everybody's heard of the Macintosh plus, right,

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00:29:15.480 --> 00:29:20.000
<v Speaker 1>this was probably the biggest hit from this era of

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<v Speaker 1>vapor wave, critiquing this type of nihilistic, meaningless s mall

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<v Speaker 1>culture or corporate culture. And if you grew up in

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<v Speaker 1>the eighties, you resonated with this very well, right, It

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<v Speaker 1>hits you somehow, there's something about it that makes sense

381
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<v Speaker 1>because you're reminiscing and remembering a time when it was

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00:29:41.480 --> 00:29:47.119
<v Speaker 1>a very different world. So again, liminal space is hitting

383
00:29:47.160 --> 00:29:51.200
<v Speaker 1>everybody so hard, not just because of nostalgia, but because

384
00:29:51.240 --> 00:29:54.119
<v Speaker 1>we are on a threshold of moving into a world

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00:29:54.359 --> 00:30:00.000
<v Speaker 1>where the dystopia is actually rolling out. All of those eighties,

386
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<v Speaker 1>these movies, all of those dystopian films and stories and

387
00:30:03.480 --> 00:30:09.240
<v Speaker 1>novels and comic books, there was within the zeitgeist a

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00:30:09.440 --> 00:30:14.200
<v Speaker 1>prophetic sense that this is coming, that this will arrive. Now,

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00:30:14.200 --> 00:30:17.519
<v Speaker 1>you could say maybe there was an actual prophetic gift

390
00:30:17.880 --> 00:30:20.680
<v Speaker 1>that art usually has oftentimes has We've talked about them

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00:30:20.680 --> 00:30:23.960
<v Speaker 1>many times, or perhaps it was seated propaganda and some

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00:30:24.000 --> 00:30:28.680
<v Speaker 1>of the blockbusters and productions. Who knows what the real

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00:30:28.799 --> 00:30:33.680
<v Speaker 1>total explanation was. But we are resonating with it, not

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<v Speaker 1>just because of nostalgia, not just because of the past.

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<v Speaker 1>But this is something that I've heard no one else say,

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<v Speaker 1>And this is my thought. What if what if the controllers,

397
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<v Speaker 1>the social engineers, the technocrats, what if they've realized that

398
00:30:53.640 --> 00:30:58.599
<v Speaker 1>to really destroy the peoples and the people groups, to

399
00:30:58.759 --> 00:31:04.200
<v Speaker 1>corral them into the tech skynet dystopia. What if the

400
00:31:04.200 --> 00:31:07.599
<v Speaker 1>best thing to destroy. Obviously I'm saying this includes God,

401
00:31:07.720 --> 00:31:10.799
<v Speaker 1>the exists of God, all that stuff. Sure, and yeah,

402
00:31:10.839 --> 00:31:13.000
<v Speaker 1>they want to destroy the nuclear family. Hey, I get it,

403
00:31:13.039 --> 00:31:15.640
<v Speaker 1>I know all that, but nobody has talked about what

404
00:31:15.759 --> 00:31:20.319
<v Speaker 1>about destroying the past? What about wiping out and destroying

405
00:31:20.960 --> 00:31:27.119
<v Speaker 1>the idea of the past. To have the dystopia, to

406
00:31:27.200 --> 00:31:34.720
<v Speaker 1>have it successful, you must also wipe away any rootedness

407
00:31:34.839 --> 00:31:38.599
<v Speaker 1>or groundedness of the past. And I don't just mean, oh, yeah,

408
00:31:38.599 --> 00:31:41.039
<v Speaker 1>the global elites go into a city, a place they

409
00:31:41.079 --> 00:31:43.000
<v Speaker 1>bomb in the Middle East, they wipe out the past

410
00:31:43.359 --> 00:31:46.160
<v Speaker 1>and they set up you know, the McDonald's dystopia. I

411
00:31:46.240 --> 00:31:51.119
<v Speaker 1>know that, But what about on an individual level. On

412
00:31:51.200 --> 00:31:55.119
<v Speaker 1>an individual level, say a person who goes tr A

413
00:31:55.279 --> 00:31:58.599
<v Speaker 1>and Z. A person who goes tr A and Z

414
00:31:58.920 --> 00:32:02.720
<v Speaker 1>say they're you know, hitting the era of puberty or

415
00:32:03.400 --> 00:32:15.680
<v Speaker 1>God forbid, even before. What is part of that ideology.

416
00:32:16.319 --> 00:32:20.839
<v Speaker 1>Part of that ideology is there was no past. You

417
00:32:20.920 --> 00:32:25.240
<v Speaker 1>were not actually born a man or a woman, you

418
00:32:25.279 --> 00:32:27.759
<v Speaker 1>didn't actually have the upbringing that you had. You can

419
00:32:27.880 --> 00:32:33.039
<v Speaker 1>erase all of that and immediately create a new identity

420
00:32:33.079 --> 00:32:38.039
<v Speaker 1>for the here and the now. So the presupposition of

421
00:32:38.119 --> 00:32:44.200
<v Speaker 1>all of the dystopia has to be a Maoist idea

422
00:32:44.559 --> 00:32:48.119
<v Speaker 1>of erasing all the past. And this is something that

423
00:32:48.160 --> 00:32:50.880
<v Speaker 1>they got from the Communists and the Maoists and the Marxists.

424
00:32:51.519 --> 00:32:55.119
<v Speaker 1>You must destroy the past. It must all come down.

425
00:32:56.240 --> 00:32:58.680
<v Speaker 1>It is like the Giver. Yeah, all of the dystopian

426
00:32:58.759 --> 00:33:02.519
<v Speaker 1>stories all so do you usually have some We've hidden

427
00:33:02.559 --> 00:33:04.960
<v Speaker 1>the past, right, which is a version of destroying the past.

428
00:33:06.200 --> 00:33:09.759
<v Speaker 1>But I'm just saying, whether it's the back rooms and

429
00:33:10.079 --> 00:33:14.359
<v Speaker 1>the idea that, oh you don't need books anymore, just

430
00:33:14.519 --> 00:33:16.640
<v Speaker 1>watch the YouTube videos. Oh you don't need to watch

431
00:33:16.640 --> 00:33:20.200
<v Speaker 1>YouTube video, just watch the shorts and the TikTok brain rot.

432
00:33:21.079 --> 00:33:24.119
<v Speaker 1>What is all of that about. It's all about squeezing

433
00:33:24.160 --> 00:33:29.279
<v Speaker 1>the time frame smaller and smaller so that there's no past.

434
00:33:29.359 --> 00:33:31.559
<v Speaker 1>In other words, within a video, you're not even remembering

435
00:33:31.640 --> 00:33:34.359
<v Speaker 1>what you saw twenty minutes earlier. In the video, you're

436
00:33:34.359 --> 00:33:37.680
<v Speaker 1>only remembering a sixty minute clip, and you perhaps you

437
00:33:37.680 --> 00:33:39.799
<v Speaker 1>even forgot what the sixty minute clip was saying, or

438
00:33:39.839 --> 00:33:41.440
<v Speaker 1>sixty second clip what it was saying in the first

439
00:33:41.440 --> 00:33:45.799
<v Speaker 1>few seconds. So the squeezing of the time scale smaller

440
00:33:45.799 --> 00:33:54.680
<v Speaker 1>and smaller is also concurrent with nobody has a pass.

441
00:33:54.799 --> 00:33:58.519
<v Speaker 1>The pass is being squeezed into the right now, just

442
00:33:58.640 --> 00:34:01.599
<v Speaker 1>the now. The entire tech world and all of this

443
00:34:01.720 --> 00:34:08.440
<v Speaker 1>is built on immediacy, efficiency and immediacy. Why read a

444
00:34:08.440 --> 00:34:12.639
<v Speaker 1>book when you could ask the AI to summarize it

445
00:34:12.679 --> 00:34:18.920
<v Speaker 1>and give you a one sentence a five sentence summary.

446
00:34:19.519 --> 00:34:24.960
<v Speaker 1>Why do anything that isn't efficient? Why write a letter?

447
00:34:25.000 --> 00:34:28.360
<v Speaker 1>You have an email. I'm not saying the tech itself

448
00:34:28.400 --> 00:34:31.440
<v Speaker 1>is the problem. The problem is the more that everyone

449
00:34:31.480 --> 00:34:37.519
<v Speaker 1>gets addicted to the ease and the immediacy, then the

450
00:34:37.519 --> 00:34:41.280
<v Speaker 1>more that they begin to operate like an algorithm as

451
00:34:41.360 --> 00:34:47.519
<v Speaker 1>human beings, refining everything down to what's efficient what's not efficient.

452
00:34:52.719 --> 00:34:57.199
<v Speaker 1>That I think is something that I've not heard anyone

453
00:34:57.239 --> 00:34:59.639
<v Speaker 1>talk about in terms of and I know it's malis

454
00:35:00.039 --> 00:35:07.719
<v Speaker 1>saying that there's not Other people have talked about wiping

455
00:35:07.719 --> 00:35:10.599
<v Speaker 1>away the past, but I'm saying it's not just wiping

456
00:35:10.599 --> 00:35:15.000
<v Speaker 1>away the past from a culture or a person. It's

457
00:35:15.039 --> 00:35:21.320
<v Speaker 1>wiping away the past for individuals, your own past, and

458
00:35:21.360 --> 00:35:25.480
<v Speaker 1>there is no future. So we talk about, for example,

459
00:35:25.519 --> 00:35:30.360
<v Speaker 1>God being an eternal present, right, There's no past or

460
00:35:30.400 --> 00:35:33.119
<v Speaker 1>future with God, There's only the eternal. Now, this is

461
00:35:33.239 --> 00:35:39.360
<v Speaker 1>like a synthetic tech version of God giving you a godmind,

462
00:35:39.760 --> 00:35:43.679
<v Speaker 1>a fake mimicked, faking gay godmind, where you believe that

463
00:35:43.800 --> 00:35:47.079
<v Speaker 1>you're like the deity that only lives in the immediate present.

464
00:35:49.480 --> 00:35:54.360
<v Speaker 1>And they have studied the communist dictators and their strategies

465
00:35:54.400 --> 00:36:00.159
<v Speaker 1>for wiping away the past in the physical world. But

466
00:36:00.239 --> 00:36:04.599
<v Speaker 1>what if they're wiping away the past from everybody in

467
00:36:04.639 --> 00:36:10.760
<v Speaker 1>the mental world and in their own family world. Because families,

468
00:36:10.760 --> 00:36:13.239
<v Speaker 1>for example, they have a story, they have a past,

469
00:36:13.519 --> 00:36:15.360
<v Speaker 1>have a present, and a future goals that they have

470
00:36:15.400 --> 00:36:19.159
<v Speaker 1>as a family. A nation has a past, a present,

471
00:36:19.280 --> 00:36:23.079
<v Speaker 1>and future goals as a nation state. But if everyone

472
00:36:23.159 --> 00:36:27.400
<v Speaker 1>lives online in the virtual, and the virtual denigrates the

473
00:36:27.440 --> 00:36:31.159
<v Speaker 1>past and tries to erase it and wipe it away

474
00:36:31.239 --> 00:36:34.679
<v Speaker 1>and to make everyone only focused on the immediate through

475
00:36:34.719 --> 00:36:40.000
<v Speaker 1>the dopamine addictions of the scrolling, then what happens is

476
00:36:41.000 --> 00:36:46.440
<v Speaker 1>everyone has a false godlike status of only living in

477
00:36:46.480 --> 00:36:52.719
<v Speaker 1>the present. Right, And as the back room story progressed,

478
00:36:52.800 --> 00:36:58.199
<v Speaker 1>as Caine made his videos, he started bringing in these

479
00:36:59.599 --> 00:37:03.239
<v Speaker 1>hooded sort of science dudes, right, because that's exactly what

480
00:37:03.480 --> 00:37:07.000
<v Speaker 1>happened in today's world. If there was some portal to

481
00:37:07.039 --> 00:37:10.159
<v Speaker 1>another world or something like this discovered, why immediately the

482
00:37:10.239 --> 00:37:12.280
<v Speaker 1>science men would come to try to explain it, and

483
00:37:12.320 --> 00:37:14.119
<v Speaker 1>they would do their tests, and they would begin to

484
00:37:14.119 --> 00:37:19.480
<v Speaker 1>investigate the you know, early layers of the back rooms

485
00:37:19.920 --> 00:37:24.760
<v Speaker 1>and where they go, which is to say they go nowhere.

486
00:37:25.840 --> 00:37:31.119
<v Speaker 1>They lead to loops of meaninglessness. In fact, the back

487
00:37:31.199 --> 00:37:35.280
<v Speaker 1>rooms like a labyrinth or like the you know THESEUS

488
00:37:35.280 --> 00:37:40.400
<v Speaker 1>minotaur story, they actually change. They're not logical, they are illogical,

489
00:37:41.760 --> 00:37:45.840
<v Speaker 1>and they're more like prisons that trap you in a

490
00:37:45.960 --> 00:37:52.199
<v Speaker 1>sort of nihilistic meaninglessness, perhaps expressing the way everyone feels

491
00:37:52.239 --> 00:37:56.280
<v Speaker 1>that they're trapped in a nihilistic meaninglessness today. And he

492
00:37:56.679 --> 00:38:00.440
<v Speaker 1>really kept building on the architecture of the original idea

493
00:38:01.280 --> 00:38:05.960
<v Speaker 1>by people finding other doorways into the back rooms. Right.

494
00:38:06.000 --> 00:38:09.960
<v Speaker 1>So here's another one where this guy starts exploring, he

495
00:38:10.000 --> 00:38:13.559
<v Speaker 1>finds a door, and then he the deeper he goes

496
00:38:13.599 --> 00:38:16.480
<v Speaker 1>into the back rooms, and of course eventually gets lost.

497
00:38:17.280 --> 00:38:21.440
<v Speaker 1>He starts finding these sort of hellscapes that are like

498
00:38:22.239 --> 00:38:27.199
<v Speaker 1>fake model houses that are for sale. Right, and if

499
00:38:27.199 --> 00:38:29.599
<v Speaker 1>I remember, in this one, he kind of hears the

500
00:38:29.719 --> 00:38:32.440
<v Speaker 1>voices of like his sister through the wall or something.

501
00:38:32.480 --> 00:38:34.239
<v Speaker 1>This one's really good, it's pretty. This one was really

502
00:38:34.280 --> 00:38:38.800
<v Speaker 1>genuinely creepy. But you can never really get anywhere in

503
00:38:38.840 --> 00:38:42.000
<v Speaker 1>the back rooms. And just like in the story of

504
00:38:42.800 --> 00:38:46.639
<v Speaker 1>theseus in the Labyrinth and the minotaur right at at

505
00:38:47.000 --> 00:38:50.239
<v Speaker 1>at the heart of the of the labyrinth is a monster,

506
00:38:51.119 --> 00:38:54.440
<v Speaker 1>and you can never really defeat the monster. Right, I

507
00:38:54.480 --> 00:38:57.440
<v Speaker 1>don't know what the monster might be. And I mean

508
00:38:57.440 --> 00:39:02.400
<v Speaker 1>people have positive different ideas, like it's the corporate monopoly

509
00:39:02.480 --> 00:39:08.639
<v Speaker 1>capital system itself that is the monster. And here, for example,

510
00:39:08.679 --> 00:39:12.679
<v Speaker 1>he gives he did some videos where he kind of

511
00:39:12.679 --> 00:39:16.920
<v Speaker 1>puts a animatronic sort of monster in the back rooms.

512
00:39:17.800 --> 00:39:22.400
<v Speaker 1>He called it the rolling Giant. And then he did

513
00:39:22.400 --> 00:39:23.840
<v Speaker 1>another one where there was a guy thing out in

514
00:39:23.840 --> 00:39:26.840
<v Speaker 1>the woods and he found this out in the middle

515
00:39:26.840 --> 00:39:31.079
<v Speaker 1>of nowhere, like a pothole or something, or like a

516
00:39:32.079 --> 00:39:34.440
<v Speaker 1>stairs near a tree. Yeah, here it is, there's these

517
00:39:34.480 --> 00:39:40.920
<v Speaker 1>stairs near a tree. And then even out in nature, right,

518
00:39:40.920 --> 00:39:44.800
<v Speaker 1>what's underneath nature, according to this version of the back

519
00:39:44.840 --> 00:39:53.039
<v Speaker 1>rooms is actually also this fake world of endless corporate

520
00:39:53.239 --> 00:40:03.760
<v Speaker 1>back room creepiness. Right. Thus, all of reality itself via

521
00:40:03.840 --> 00:40:10.400
<v Speaker 1>the videos is thus the upper layer of an infinite

522
00:40:13.400 --> 00:40:17.639
<v Speaker 1>it's infinite turtles all the way down of a fake reality.

523
00:40:17.800 --> 00:40:21.320
<v Speaker 1>What does this mean in my view? Because the back

524
00:40:21.360 --> 00:40:23.960
<v Speaker 1>rooms are really also kind of fake. In other words,

525
00:40:23.960 --> 00:40:27.679
<v Speaker 1>there's nothing actually and then that's useful or substantial or meaningful.

526
00:40:27.719 --> 00:40:34.000
<v Speaker 1>It's all just like worthless corporate desks, furniture, et cetera.

527
00:40:35.480 --> 00:40:42.199
<v Speaker 1>Then perhaps reality itself in the postmodern corporate world is

528
00:40:42.239 --> 00:40:48.440
<v Speaker 1>itself a meaningless virtual reality. Thus it speaks to all

529
00:40:48.440 --> 00:40:50.599
<v Speaker 1>the people who think that we live in a simulation, right,

530
00:40:50.599 --> 00:40:54.199
<v Speaker 1>they buy into this very easily. What if reality itself

531
00:40:54.239 --> 00:40:57.039
<v Speaker 1>is meaningless? Right, that's ultimately what this means. And if

532
00:40:57.119 --> 00:41:01.639
<v Speaker 1>you have this worldview, then real is meaningless, right, because

533
00:41:02.159 --> 00:41:07.039
<v Speaker 1>you're in this corporate viper system that makes you work

534
00:41:07.079 --> 00:41:09.960
<v Speaker 1>for it your whole life and then you die, and

535
00:41:10.000 --> 00:41:13.039
<v Speaker 1>so you're essentially like the office furniture. You're just another

536
00:41:13.079 --> 00:41:15.960
<v Speaker 1>piece of the office furniture that gets replaced once you're

537
00:41:16.000 --> 00:41:20.840
<v Speaker 1>no longer useful to human resources, and even human resources

538
00:41:20.880 --> 00:41:26.079
<v Speaker 1>itself is a denegrating, dehumanizing title because you're not actually

539
00:41:26.119 --> 00:41:30.840
<v Speaker 1>a person. You are a battery, a resource, a limited resource,

540
00:41:30.960 --> 00:41:35.519
<v Speaker 1>or perhaps not limited, because you can easily just be replaced.

541
00:41:36.239 --> 00:41:38.559
<v Speaker 1>And thus the logic of the corporate world is just

542
00:41:38.599 --> 00:41:43.920
<v Speaker 1>simply to reproduce the meaningless corporate world that is it,

543
00:41:44.519 --> 00:41:47.719
<v Speaker 1>But included within that is getting rid of the humans. Right,

544
00:41:48.400 --> 00:41:51.199
<v Speaker 1>And thus people see, then what if all of reality

545
00:41:51.320 --> 00:41:56.800
<v Speaker 1>is really just this world, this healscape, And that, I

546
00:41:56.840 --> 00:42:01.960
<v Speaker 1>think is what is the power of the film I

547
00:42:02.000 --> 00:42:05.559
<v Speaker 1>Suspect and the the art films and the project here, right,

548
00:42:06.760 --> 00:42:09.400
<v Speaker 1>is that this is speaking to everyone in some deep

549
00:42:09.559 --> 00:42:13.760
<v Speaker 1>archetypal level and in some deep deep archetypeal way that

550
00:42:15.400 --> 00:42:20.480
<v Speaker 1>all of modernity, because it's all premised on this ideology,

551
00:42:20.599 --> 00:42:25.480
<v Speaker 1>something is wrong. It's off, it's all upside down, and

552
00:42:25.559 --> 00:42:31.000
<v Speaker 1>of course many of the elements in layers and levels

553
00:42:31.039 --> 00:42:35.840
<v Speaker 1>are upside down within the back rooms, so much like

554
00:42:35.880 --> 00:42:39.079
<v Speaker 1>an mcsher painting, you're stuck in a strange loop, right,

555
00:42:39.159 --> 00:42:40.800
<v Speaker 1>and go back to our old talks and our old

556
00:42:40.880 --> 00:43:01.880
<v Speaker 1>videos on the strange loops, watch some of this. I'll

557
00:43:01.920 --> 00:43:06.639
<v Speaker 1>be back. I love the Spell of Bright Palm in

558
00:43:06.639 --> 00:43:07.079
<v Speaker 1>the morning.

559
00:43:09.480 --> 00:43:12.639
<v Speaker 3>Don't take this the wrong way. But you're a little strange.

560
00:43:12.920 --> 00:43:13.400
<v Speaker 1>So am I.

561
00:43:13.760 --> 00:43:17.039
<v Speaker 3>So is everyone. And that's because day in and day out,

562
00:43:17.199 --> 00:43:19.679
<v Speaker 3>we believe in ourselves. I don't mean it in a

563
00:43:19.719 --> 00:43:23.440
<v Speaker 3>motivational way. I'm talking about believing in the self as identity,

564
00:43:23.519 --> 00:43:26.480
<v Speaker 3>the capital I, the home of our hopes and dreams,

565
00:43:26.519 --> 00:43:29.159
<v Speaker 3>our thoughts and feelings. It may feel perfectly ordinary to

566
00:43:29.159 --> 00:43:31.480
<v Speaker 3>be a conscious experiencing being, but it's that very sense

567
00:43:31.519 --> 00:43:34.679
<v Speaker 3>of ordinariness which is itself extraordinary. Here's why our cognitive

568
00:43:34.719 --> 00:43:36.480
<v Speaker 3>abilities have evolved to such a high level. That, in

569
00:43:36.480 --> 00:43:38.400
<v Speaker 3>addition to perceiving the world around us like a lot

570
00:43:38.440 --> 00:43:39.039
<v Speaker 3>of other species.

571
00:43:39.519 --> 00:43:41.320
<v Speaker 1>All right, so we're gonna talk a little bit about

572
00:43:41.320 --> 00:43:43.960
<v Speaker 1>philoshop perception right here. And for those that don't know,

573
00:43:44.559 --> 00:43:47.679
<v Speaker 1>a strange loop is this idea from a real one

574
00:43:47.719 --> 00:43:51.400
<v Speaker 1>of these sort of genius type characters a Douglas Hofstetter.

575
00:43:51.440 --> 00:43:54.519
<v Speaker 1>He wrote Gardell esher Bach. You guys know, we've talked

576
00:43:54.519 --> 00:43:58.440
<v Speaker 1>about the loops that Gardell talked about in terms of

577
00:43:58.480 --> 00:44:02.800
<v Speaker 1>set theory, and Hofstatter got the Nobel Prize for writing

578
00:44:02.840 --> 00:44:05.840
<v Speaker 1>that book because he noticed patterns with the way that

579
00:44:05.920 --> 00:44:11.320
<v Speaker 1>sets work, the way that music works, particularly certain Bach

580
00:44:11.360 --> 00:44:15.440
<v Speaker 1>and Beethoven symphonies the way they're written, and also with

581
00:44:16.000 --> 00:44:19.760
<v Speaker 1>mc usher's art, with the dimensionality that exists within his

582
00:44:19.920 --> 00:44:22.239
<v Speaker 1>art because it's two D, but it shows all these

583
00:44:23.519 --> 00:44:27.760
<v Speaker 1>three D images right and sometimes, especially within the labyrinth paintings,

584
00:44:27.800 --> 00:44:31.239
<v Speaker 1>you find these infinite loops. And so he formulated this

585
00:44:31.320 --> 00:44:37.519
<v Speaker 1>connection between language, perception, set, theory, music, all these different

586
00:44:37.960 --> 00:44:42.159
<v Speaker 1>domains and how there is this repeated pattern of the loop,

587
00:44:42.760 --> 00:44:46.880
<v Speaker 1>and nobody else has noticed the back rooms also being

588
00:44:46.920 --> 00:44:48.320
<v Speaker 1>the same type of a strange loop.

589
00:44:48.360 --> 00:44:51.119
<v Speaker 3>Now watch this to perceive ourselves as well, which means

590
00:44:51.159 --> 00:44:53.760
<v Speaker 3>we perceive ourselves perceiving. This, in turn gives rise to

591
00:44:53.800 --> 00:44:55.559
<v Speaker 3>the self the conviction that there's something in your brain

592
00:44:55.639 --> 00:44:58.920
<v Speaker 3>having ideas, forming opinions, making decisions, and commanding the body. Now,

593
00:44:58.920 --> 00:45:00.599
<v Speaker 3>if I were to ask you who doing all that,

594
00:45:00.639 --> 00:45:02.840
<v Speaker 3>you'd probably answer me, I am. But what exactly do

595
00:45:02.880 --> 00:45:04.760
<v Speaker 3>we mean when we say I consider this? You're the

596
00:45:04.760 --> 00:45:06.159
<v Speaker 3>realist thing in your life. You're at the center of

597
00:45:06.159 --> 00:45:08.480
<v Speaker 3>every experience you've ever had. Every site, smell, taste, feeling,

598
00:45:08.519 --> 00:45:10.440
<v Speaker 3>and memory has been mediated by your senses. And yet

599
00:45:10.440 --> 00:45:12.199
<v Speaker 3>when we start to investigate what exactly is going on

600
00:45:12.239 --> 00:45:14.360
<v Speaker 3>in the mind. When we say I, something trippy happens,

601
00:45:14.400 --> 00:45:16.519
<v Speaker 3>the concrete conviction of who you are, who I is

602
00:45:16.639 --> 00:45:18.840
<v Speaker 3>starts to crumble. Not only that, but the very reality

603
00:45:18.840 --> 00:45:21.079
<v Speaker 3>of I comes into question. Follow this thread far enough

604
00:45:21.079 --> 00:45:22.920
<v Speaker 3>and you run smack into a paradox. This is known

605
00:45:22.960 --> 00:45:25.079
<v Speaker 3>as the paradox of self, and its conclusion is equal

606
00:45:25.079 --> 00:45:27.559
<v Speaker 3>parts fascinating and unsettling. It argues that although we.

607
00:45:27.599 --> 00:45:31.960
<v Speaker 1>Know now Just a little side note, this is relevant

608
00:45:31.960 --> 00:45:34.519
<v Speaker 1>to what we argue when we talk about the transcendental argument. Right,

609
00:45:35.079 --> 00:45:38.280
<v Speaker 1>and the transfient argument for God is specifically a theological

610
00:45:38.320 --> 00:45:42.719
<v Speaker 1>type of argument, but the transcendental argument history also relates

611
00:45:42.719 --> 00:45:44.760
<v Speaker 1>to all kinds of other things. Right, You could do

612
00:45:44.800 --> 00:45:47.880
<v Speaker 1>a transcendental argument for the self. Right, In other words,

613
00:45:48.079 --> 00:45:49.639
<v Speaker 1>how do I know that there's a self? Well, there

614
00:45:49.719 --> 00:45:53.800
<v Speaker 1>must be some perceiver to have knowledge. Right, Having knowledge

615
00:45:53.800 --> 00:45:56.360
<v Speaker 1>for the presupposes a no werre. And so Kant argued

616
00:45:56.400 --> 00:45:58.880
<v Speaker 1>that to make a knowledge claim at all is a

617
00:45:58.920 --> 00:46:03.920
<v Speaker 1>presubositional type of art argument for a transcendental unity of

618
00:46:03.960 --> 00:46:06.880
<v Speaker 1>apperception concept and all that that's just fancy terminology for

619
00:46:07.119 --> 00:46:09.719
<v Speaker 1>the self, that there is some sort of conscious self

620
00:46:10.079 --> 00:46:13.000
<v Speaker 1>that is the har of the experiences or a har

621
00:46:13.079 --> 00:46:16.360
<v Speaker 1>of the knowledge, right. And so that's kind of touching

622
00:46:16.400 --> 00:46:16.920
<v Speaker 1>on this here.

623
00:46:17.159 --> 00:46:19.639
<v Speaker 3>Intuitively, that there's an eye, we can't empirically prove it

624
00:46:19.679 --> 00:46:21.679
<v Speaker 3>without referring back to ourselves yourself.

625
00:46:21.719 --> 00:46:25.320
<v Speaker 1>So, in other words, referring to the self presupposes the self,

626
00:46:25.360 --> 00:46:28.280
<v Speaker 1>because there's a self having the experience of self. Right.

627
00:46:28.760 --> 00:46:31.960
<v Speaker 1>So there's this strange loop here. And this is why

628
00:46:32.360 --> 00:46:37.039
<v Speaker 1>I've always argued that Girdel's incompleteness theorem is a kind

629
00:46:37.079 --> 00:46:40.519
<v Speaker 1>of loose, adjacent type of thing to a transcendental argument.

630
00:46:40.400 --> 00:46:42.400
<v Speaker 3>Of your eye, whatever you want to call it, confirms

631
00:46:42.400 --> 00:46:45.000
<v Speaker 3>and reinforces its own realness. But if the reality of

632
00:46:45.000 --> 00:46:47.039
<v Speaker 3>the self is founded upon a recursive logic, you have

633
00:46:47.039 --> 00:46:49.079
<v Speaker 3>to wonder how reasonable is it to believe in the self?

634
00:46:49.079 --> 00:46:50.800
<v Speaker 3>How real are you? Who are you? Do you exist

635
00:46:50.840 --> 00:46:51.119
<v Speaker 3>at all?

636
00:46:59.199 --> 00:47:01.719
<v Speaker 1>And this is just an our introductory video. I think

637
00:47:01.760 --> 00:47:04.280
<v Speaker 1>this guy's like a YouTube philosophy dude. This is an

638
00:47:04.280 --> 00:47:06.800
<v Speaker 1>introductory video to what the Hofstatter book is about. And

639
00:47:06.840 --> 00:47:08.639
<v Speaker 1>you will see very soon. I'm not gonna play the

640
00:47:08.639 --> 00:47:12.519
<v Speaker 1>whole thing, but you'll see how this relates back to backrooms.

641
00:47:12.559 --> 00:47:14.920
<v Speaker 3>There are literally thousands of ways to answer these questions.

642
00:47:14.960 --> 00:47:17.519
<v Speaker 3>It's why neuroscientist Todd Finberg begins his book From Axons

643
00:47:17.559 --> 00:47:19.719
<v Speaker 3>to Identity by writing, there are nearly as many conceptions

644
00:47:19.719 --> 00:47:21.480
<v Speaker 3>of the self as there are writers on the subject,

645
00:47:21.559 --> 00:47:23.960
<v Speaker 3>and to complicate matters even more, ideas generated from these

646
00:47:24.000 --> 00:47:26.920
<v Speaker 3>diverse viewpoints are often unrelated or mutually incompatible. So you

647
00:47:26.960 --> 00:47:29.760
<v Speaker 3>can turn to neuroscience or cognitive science, or philosophy or religion.

648
00:47:29.760 --> 00:47:31.760
<v Speaker 3>But whichever you choose, you're bound to draw complaints that

649
00:47:31.760 --> 00:47:34.159
<v Speaker 3>you ignored or misinterpreted or flat out didn't understand some

650
00:47:34.199 --> 00:47:36.280
<v Speaker 3>crucial aspect of the self, which is basically my way

651
00:47:36.320 --> 00:47:38.159
<v Speaker 3>of saying sorry in advance if I ruffle some feathers.

652
00:47:38.199 --> 00:47:40.239
<v Speaker 3>The best approach draws from as many fields as possible,

653
00:47:40.280 --> 00:47:42.559
<v Speaker 3>all of which have something useful to contribute to our understanding.

654
00:47:42.599 --> 00:47:45.000
<v Speaker 3>That's why in this video I rely heavily on Douglas Hofstadters.

655
00:47:45.039 --> 00:47:47.639
<v Speaker 3>I am a strangely an ambitious, creative, beautiful attempt to

656
00:47:47.639 --> 00:47:50.199
<v Speaker 3>answer these questions by drawing from math, art, music, science,

657
00:47:50.199 --> 00:47:52.960
<v Speaker 3>philosophy and personal experience. Howstadter, who won the Politzer Prize

658
00:47:52.960 --> 00:47:54.880
<v Speaker 3>in nineteen seventy nine for his book Girdle usher Bach

659
00:47:54.920 --> 00:47:57.159
<v Speaker 3>as a knack for interdisciplinary study. He boast the background

660
00:47:57.199 --> 00:48:00.000
<v Speaker 3>in math, physics, cognitive science, computer science, and artificial intelligen

661
00:48:00.239 --> 00:48:03.000
<v Speaker 3>He composes music. He speaks several languages. He translated Alexander

662
00:48:03.000 --> 00:48:05.760
<v Speaker 3>Pushkin's novel Eugene Oegan. This guy is a polymath. He

663
00:48:05.800 --> 00:48:07.719
<v Speaker 3>sees patterns and parallels where the rest of us would

664
00:48:07.719 --> 00:48:09.320
<v Speaker 3>never have thought to look, which makes him the perfect

665
00:48:09.320 --> 00:48:11.760
<v Speaker 3>guide through the treacherous paradox of self. Hofstadta defines the

666
00:48:11.760 --> 00:48:13.480
<v Speaker 3>problem as a rift between two levels of being that

667
00:48:13.480 --> 00:48:15.920
<v Speaker 3>the self seems to occupy simultaneously. On the one hand,

668
00:48:15.960 --> 00:48:18.360
<v Speaker 3>I is an expression denoting a set of very high abstractions,

669
00:48:18.400 --> 00:48:19.519
<v Speaker 3>a life story, a set of tape.

670
00:48:19.639 --> 00:48:22.800
<v Speaker 1>I note also these two levels and how this could appeal,

671
00:48:23.920 --> 00:48:27.079
<v Speaker 1>how this could have applied to the show's severance, or

672
00:48:27.079 --> 00:48:29.920
<v Speaker 1>how this could also apply to the idea of the

673
00:48:29.960 --> 00:48:32.800
<v Speaker 1>back rooms. Right this world where you enter and you

674
00:48:32.840 --> 00:48:34.920
<v Speaker 1>can't really get out of it. It's almost like an

675
00:48:34.960 --> 00:48:39.679
<v Speaker 1>internal psychological structure where you're stuck inside a loop versus

676
00:48:39.719 --> 00:48:42.559
<v Speaker 1>the exterior world, which makes sense and is rational.

677
00:48:42.320 --> 00:48:44.000
<v Speaker 3>A bundle of hopes and fears, this one we know

678
00:48:44.079 --> 00:48:46.559
<v Speaker 3>intuitively through daily experience. And yet on the other hand,

679
00:48:46.599 --> 00:48:48.800
<v Speaker 3>eye is an expression denoting a physical object made of

680
00:48:48.800 --> 00:48:50.679
<v Speaker 3>trillions of cells, each of which is doing its own

681
00:48:50.719 --> 00:48:52.760
<v Speaker 3>thing without the slightest regard for the supposed hole of

682
00:48:52.800 --> 00:48:54.679
<v Speaker 3>which it is but an infintesimal part. This one we've

683
00:48:54.679 --> 00:48:56.880
<v Speaker 3>discovered through scientific observation, but it is not part of

684
00:48:56.880 --> 00:48:58.920
<v Speaker 3>our lived experience. Is one level of the eye the

685
00:48:58.960 --> 00:49:01.400
<v Speaker 3>correct real interpret or can both be real at the

686
00:49:01.440 --> 00:49:01.880
<v Speaker 3>same time?

687
00:49:01.920 --> 00:49:04.559
<v Speaker 1>And this is also the question of consciousness, right, there's

688
00:49:04.599 --> 00:49:10.239
<v Speaker 1>something beyond just the physical material substrate that holds you know,

689
00:49:10.280 --> 00:49:14.440
<v Speaker 1>the body together, the atoms and the bones and all that,

690
00:49:14.559 --> 00:49:17.800
<v Speaker 1>the molecules. There's something else beyond that that is the

691
00:49:17.840 --> 00:49:19.360
<v Speaker 1>eye that's having the experiences.

692
00:49:19.559 --> 00:49:21.800
<v Speaker 3>So how to begin answering these questions. Let's take a

693
00:49:21.800 --> 00:49:23.840
<v Speaker 3>look at the architecture of the self, or that am

694
00:49:23.880 --> 00:49:27.480
<v Speaker 3>I consciousness in the self don't just switch on like

695
00:49:27.480 --> 00:49:29.559
<v Speaker 3>a light when you're born. It's not delivery. It's to Jorno.

696
00:49:29.679 --> 00:49:31.280
<v Speaker 3>Some of the ingredients are there, but it takes about

697
00:49:31.320 --> 00:49:33.480
<v Speaker 3>five years to metaphorically bake in consciousness.

698
00:49:34.360 --> 00:49:36.280
<v Speaker 1>This just gets into the question of consciousness. I'm going

699
00:49:36.320 --> 00:49:38.519
<v Speaker 1>to skip past this and move a little bit further

700
00:49:38.639 --> 00:49:41.960
<v Speaker 1>up to like descartes of the philosophical questions, it.

701
00:49:41.920 --> 00:49:44.159
<v Speaker 3>Is sprinkled all over your brain, or maybe, like Descartes,

702
00:49:44.199 --> 00:49:45.559
<v Speaker 3>you could believe that the seat of the soul is

703
00:49:45.599 --> 00:49:48.199
<v Speaker 3>located here in the panal gland. If so, then you're wrong,

704
00:49:48.239 --> 00:49:50.079
<v Speaker 3>not only because that's been disproven, but because this isn't

705
00:49:50.079 --> 00:49:50.719
<v Speaker 3>the panal gland.

706
00:49:50.880 --> 00:49:51.159
<v Speaker 4>This is.

707
00:49:51.239 --> 00:49:53.000
<v Speaker 3>But from what we can tell empirically, it appears that

708
00:49:53.039 --> 00:49:54.960
<v Speaker 3>the self resides within the structure of the brain. A

709
00:49:54.960 --> 00:49:56.880
<v Speaker 3>reasonable course of action might be to break everything down

710
00:49:56.920 --> 00:49:59.199
<v Speaker 3>into its most basic parts. This is called the reductionist view,

711
00:49:59.239 --> 00:50:00.960
<v Speaker 3>which argues that the entire fire system that adds up

712
00:50:00.960 --> 00:50:02.760
<v Speaker 3>to the eye can be explained by zooming into the

713
00:50:02.760 --> 00:50:04.880
<v Speaker 3>lowest informational level. For example, if you wanted to know

714
00:50:04.880 --> 00:50:05.360
<v Speaker 3>why we.

715
00:50:05.400 --> 00:50:07.679
<v Speaker 1>All know the problems with the materialist productionist to you,

716
00:50:07.760 --> 00:50:10.000
<v Speaker 1>so I'm gonna skip ahead little bit more sheer volume.

717
00:50:10.079 --> 00:50:12.679
<v Speaker 3>Instead, we shift up several informational levels, from binary pass

718
00:50:12.719 --> 00:50:14.920
<v Speaker 3>pixels and sound waves to the abstract level of images

719
00:50:14.960 --> 00:50:16.800
<v Speaker 3>and words. The same issue crops up when we're trying

720
00:50:16.800 --> 00:50:19.000
<v Speaker 3>to understand the consciousness. You could reduce it as roboticis

721
00:50:19.039 --> 00:50:21.280
<v Speaker 3>Hans Morovic does, to a bunch of squirting chemicals, and

722
00:50:21.360 --> 00:50:23.159
<v Speaker 3>it is that. But it would be meaningless. We have

723
00:50:23.199 --> 00:50:25.519
<v Speaker 3>to simplify and abstract to jump up levels because our

724
00:50:25.519 --> 00:50:28.480
<v Speaker 3>brains can't handle the information overload otherwise, trickle not fire hose.

725
00:50:28.519 --> 00:50:30.239
<v Speaker 3>Remember it's why we talk about wars in terms of

726
00:50:30.360 --> 00:50:32.760
<v Speaker 3>armies instead of each individual soldier, or hurricanes instead of

727
00:50:32.800 --> 00:50:34.400
<v Speaker 3>rain drops. Like it or not, we're bound to these

728
00:50:34.480 --> 00:50:37.079
<v Speaker 3>higher levels. There's another problem though. If consciousness is at

729
00:50:37.079 --> 00:50:38.760
<v Speaker 3>its most basic level, the result of a bunch of

730
00:50:38.800 --> 00:50:40.719
<v Speaker 3>atoms randomly bumping into each other, then why does it

731
00:50:40.719 --> 00:50:42.360
<v Speaker 3>feel like you're Does that mean?

732
00:50:42.480 --> 00:50:44.960
<v Speaker 1>Well? All right, now, let's move up to the connection

733
00:50:45.039 --> 00:50:47.239
<v Speaker 1>to the esher part, because that's where it gets really

734
00:50:47.280 --> 00:50:50.960
<v Speaker 1>fascinating in terms of the loops within, say the labyrinths

735
00:50:50.960 --> 00:50:51.880
<v Speaker 1>the Esher would draw.

736
00:50:52.039 --> 00:50:53.519
<v Speaker 3>You know what a loop is, the water cycle, the

737
00:50:53.519 --> 00:50:55.960
<v Speaker 3>circulatory system, night and day. In each case you eventually

738
00:50:56.000 --> 00:50:57.639
<v Speaker 3>end up where you began. But a strange loop is

739
00:50:57.639 --> 00:50:59.639
<v Speaker 3>a lot Stranger hosted or explains it as not a

740
00:50:59.639 --> 00:51:02.000
<v Speaker 3>physical circuit but an abstract loop in which, in the

741
00:51:02.000 --> 00:51:04.400
<v Speaker 3>series of stages that constitute the cycling around, there's a

742
00:51:04.400 --> 00:51:07.000
<v Speaker 3>shift from one level of abstraction to another, which feels.

743
00:51:06.800 --> 00:51:09.440
<v Speaker 1>Like an upper by the way, which refutes materialism because

744
00:51:09.440 --> 00:51:13.199
<v Speaker 1>you couldn't do these abstractions if everything were just base matter.

745
00:51:13.440 --> 00:51:15.719
<v Speaker 3>This movement in a hierarchy, and yet somehow the successive

746
00:51:15.800 --> 00:51:18.239
<v Speaker 3>upward shifts turn out to give rise to a closed cycle.

747
00:51:18.280 --> 00:51:20.519
<v Speaker 3>That is, despite one sense of departing ever further from

748
00:51:20.559 --> 00:51:23.239
<v Speaker 3>one's origin, one winds up to one shock exactly where

749
00:51:23.239 --> 00:51:25.280
<v Speaker 3>one had started out. In short, a strange loop is

750
00:51:25.280 --> 00:51:28.079
<v Speaker 3>a paradoxical level crossing feedback loop. That's a lot to

751
00:51:28.159 --> 00:51:29.960
<v Speaker 3>chew on at once, so let's break it down into

752
00:51:29.960 --> 00:51:32.360
<v Speaker 3>smaller bites. Some of the most popular visual representations of

753
00:51:32.400 --> 00:51:34.119
<v Speaker 3>a strange loop come from the work of mc escher.

754
00:51:34.239 --> 00:51:36.519
<v Speaker 3>Like drawing hands, here we have a simple two level paradox.

755
00:51:36.519 --> 00:51:38.199
<v Speaker 3>We see an upward shift from two D to three

756
00:51:38.239 --> 00:51:40.280
<v Speaker 3>D from drawn to draw, and yet there's a violation

757
00:51:40.320 --> 00:51:41.880
<v Speaker 3>in this upwardness since but.

758
00:51:41.880 --> 00:51:45.679
<v Speaker 1>Remember the drawing itself is two D. So it's matta

759
00:51:45.920 --> 00:51:50.639
<v Speaker 1>because it's a two D drawing representing two D transitioning

760
00:51:50.679 --> 00:51:53.280
<v Speaker 1>into three D right, which shows us that there are

761
00:51:53.360 --> 00:51:54.679
<v Speaker 1>other dimensions.

762
00:51:54.199 --> 00:51:56.119
<v Speaker 3>By the way each hand owes its existence to the

763
00:51:56.119 --> 00:51:58.360
<v Speaker 3>work of the other. Or consider the paradox of waterfall.

764
00:51:58.360 --> 00:52:00.599
<v Speaker 3>The water flows down a course before pouring. Oh the waterfall,

765
00:52:00.639 --> 00:52:02.360
<v Speaker 3>only to wind up where it began. Once again, the

766
00:52:02.440 --> 00:52:05.440
<v Speaker 3>hierarchy of levels has been violated. These sketches are helpful analogies,

767
00:52:05.440 --> 00:52:07.559
<v Speaker 3>but they're not full fledged strange loops, because well, they're

768
00:52:07.599 --> 00:52:10.039
<v Speaker 3>not real. There are, however, two real life examples. One

769
00:52:10.079 --> 00:52:12.920
<v Speaker 3>is mathematician Kirt Girdle's in completeness theorrem which contains self

770
00:52:12.920 --> 00:52:14.760
<v Speaker 3>referential proofs. But I was in the lowest level math

771
00:52:14.800 --> 00:52:16.480
<v Speaker 3>class in school, so I'm not going to attempt to

772
00:52:16.480 --> 00:52:18.159
<v Speaker 3>explain it. The other real life strange loop is you

773
00:52:18.159 --> 00:52:20.519
<v Speaker 3>guessed it the self. According to Hofstatter, there are two.

774
00:52:20.440 --> 00:52:22.960
<v Speaker 1>Crudible well in regard to the in completeness theorems. Basically,

775
00:52:23.039 --> 00:52:26.519
<v Speaker 1>this was a dispute with bertrand Russell that focused on

776
00:52:26.599 --> 00:52:29.559
<v Speaker 1>the question of whether or not, as Russell thought, mathematics

777
00:52:29.559 --> 00:52:34.960
<v Speaker 1>could be a complete explanation of all reality, and Gridell's

778
00:52:34.960 --> 00:52:39.360
<v Speaker 1>response was I can prove from mathematics itself that mathematics

779
00:52:39.400 --> 00:52:42.639
<v Speaker 1>cannot explain all reality and use set theory to say

780
00:52:42.679 --> 00:52:44.440
<v Speaker 1>that you can never have a complete set because a

781
00:52:44.480 --> 00:52:48.519
<v Speaker 1>set would also at some point necessarily refer outside of itself.

782
00:52:49.039 --> 00:52:53.960
<v Speaker 1>Thus set theory refutes the reductionist idea of a completely

783
00:52:54.000 --> 00:52:56.760
<v Speaker 1>logical explication of all reality. Thus you could see why

784
00:52:56.760 --> 00:52:58.480
<v Speaker 1>it relates to transcendental type of argument.

785
00:52:58.519 --> 00:53:00.639
<v Speaker 3>Actual elements that make the self a ste loop. The

786
00:53:00.639 --> 00:53:02.719
<v Speaker 3>first is an ability, the ability to think. We don't

787
00:53:02.760 --> 00:53:05.199
<v Speaker 3>just passively receive input, we perceive, and in doing so

788
00:53:05.280 --> 00:53:07.880
<v Speaker 3>we distill a dizzying amount of raw information into abstract

789
00:53:07.880 --> 00:53:10.119
<v Speaker 3>symbols in our minds. The second element is an inability,

790
00:53:10.199 --> 00:53:12.639
<v Speaker 3>namely the inability to peer below the level of symbols.

791
00:53:12.679 --> 00:53:14.800
<v Speaker 3>Our innate blindness to the world of the tiny forces

792
00:53:14.840 --> 00:53:17.199
<v Speaker 3>us to hallucinate a profound schism between the goal lacking

793
00:53:17.320 --> 00:53:19.840
<v Speaker 3>material world of balls and sticks and sounds and lights

794
00:53:19.880 --> 00:53:22.000
<v Speaker 3>on the one hand, and a goal pervaded abstract world

795
00:53:22.079 --> 00:53:24.159
<v Speaker 3>of hopes and beliefs and joys and fears on the other,

796
00:53:24.159 --> 00:53:26.480
<v Speaker 3>in which radically different sorts of causality seem to rain.

797
00:53:26.519 --> 00:53:28.880
<v Speaker 1>Although it so this gets into like free will and

798
00:53:28.920 --> 00:53:30.559
<v Speaker 1>all that too. I'll give you guys this full video

799
00:53:30.559 --> 00:53:32.679
<v Speaker 1>if you want to watch it later but don't want to

800
00:53:32.719 --> 00:53:34.199
<v Speaker 1>get back to the back rooms, because that's really all

801
00:53:34.239 --> 00:53:36.559
<v Speaker 1>that was relevant to the back rooms in that discussion

802
00:53:37.320 --> 00:53:40.280
<v Speaker 1>and that helpful little video there. But we've talked about

803
00:53:40.320 --> 00:53:45.719
<v Speaker 1>that for a good while. Now, with regard to Cane's presentations,

804
00:53:47.519 --> 00:53:50.400
<v Speaker 1>there's also these pitfalls in these areas where it can

805
00:53:50.440 --> 00:53:53.760
<v Speaker 1>get worse for you. Right, you can fall into places

806
00:53:53.760 --> 00:53:56.000
<v Speaker 1>where you feel like you're back to normal reality, but

807
00:53:56.000 --> 00:53:58.920
<v Speaker 1>you're actually just in another version of the hell world.

808
00:53:59.000 --> 00:54:02.079
<v Speaker 1>Right movies have done this too, Right, This is kind

809
00:54:02.079 --> 00:54:04.960
<v Speaker 1>of a recurring presentation where you come out, you think

810
00:54:05.000 --> 00:54:07.880
<v Speaker 1>that you're back to your your neighborhood, you're actually just

811
00:54:07.920 --> 00:54:12.039
<v Speaker 1>in like a worse, uh you know, demonic version of

812
00:54:12.079 --> 00:54:16.239
<v Speaker 1>your neighborhood. So really cool stuff. I do expect the

813
00:54:16.280 --> 00:54:19.000
<v Speaker 1>back Rooms trailer or the Backrooms film to be really good,

814
00:54:19.719 --> 00:54:23.079
<v Speaker 1>and it looks like people are going to explore it further.

815
00:54:23.119 --> 00:54:26.400
<v Speaker 1>They're going to get lost, probably what will happen, And usually,

816
00:54:26.440 --> 00:54:28.000
<v Speaker 1>I mean, I don't know, maybe not, but usually in

817
00:54:28.000 --> 00:54:31.599
<v Speaker 1>horror films, what's going on is that you're the cause

818
00:54:31.639 --> 00:54:33.719
<v Speaker 1>of your own prison, and so you have to confront

819
00:54:33.719 --> 00:54:36.119
<v Speaker 1>your own trauma to get out of the horror of

820
00:54:36.159 --> 00:54:41.079
<v Speaker 1>the back Rooms. But that's my thoughts on the liminal

821
00:54:41.119 --> 00:54:43.320
<v Speaker 1>space in the back Rooms. What do you guys think?

822
00:54:43.360 --> 00:54:46.400
<v Speaker 1>Do you think that I'm wrong in my analysis? Do

823
00:54:46.400 --> 00:54:49.239
<v Speaker 1>you think that my thoughts, missing my notes, trying to

824
00:54:49.239 --> 00:54:50.440
<v Speaker 1>make sure I got up to all the points I

825
00:54:50.440 --> 00:54:56.960
<v Speaker 1>wanted to get to to recap. It's erasing the past.

826
00:54:57.719 --> 00:55:00.760
<v Speaker 1>There is no past, present, or future in the back rooms.

827
00:55:00.840 --> 00:55:07.239
<v Speaker 1>There's just wandering to an infinite bunch of meaninglessness. It's

828
00:55:07.280 --> 00:55:12.880
<v Speaker 1>existential dread and corporate nihilism. Corporatism is innately thus in

829
00:55:12.960 --> 00:55:17.760
<v Speaker 1>the presentation of the back rooms, anti human. The liminal

830
00:55:17.840 --> 00:55:21.039
<v Speaker 1>space is typically harkening back to the eighties and the nineties,

831
00:55:21.079 --> 00:55:24.480
<v Speaker 1>which was the last of the pre virtual, pre Internet era,

832
00:55:24.760 --> 00:55:29.719
<v Speaker 1>so we are longing for the human realm. The liminal

833
00:55:29.760 --> 00:55:33.039
<v Speaker 1>space is also very much like the Internet in that

834
00:55:33.519 --> 00:55:36.679
<v Speaker 1>it doesn't have a lot of meaning. The meaning can

835
00:55:36.840 --> 00:55:40.360
<v Speaker 1>very quickly be replaced and forgotten. Nobody remembers the news

836
00:55:40.400 --> 00:55:45.079
<v Speaker 1>stories online from five years ago right. For example, search

837
00:55:45.119 --> 00:55:49.000
<v Speaker 1>engines have recently been retooled to where you really can't

838
00:55:49.039 --> 00:55:51.679
<v Speaker 1>find old archived stuff anymore, and that was all by design.

839
00:55:51.719 --> 00:55:54.000
<v Speaker 1>That's a version of erasing the past so that you

840
00:55:54.039 --> 00:55:59.920
<v Speaker 1>only live in the immediate. It's industrial Gothic or instant

841
00:56:00.000 --> 00:56:05.760
<v Speaker 1>tutional gothic. It's the updated version of Gothic horror. Even

842
00:56:05.760 --> 00:56:08.760
<v Speaker 1>the idea of no clipping into the back rooms shows

843
00:56:08.800 --> 00:56:12.400
<v Speaker 1>the gamification of all reality. Reality is now seen like

844
00:56:13.079 --> 00:56:15.880
<v Speaker 1>the virtual, like the like the Internet world. So the

845
00:56:15.920 --> 00:56:19.599
<v Speaker 1>simulacra has replaced the simulation, which is the point of

846
00:56:19.639 --> 00:56:22.760
<v Speaker 1>Baudriard's whole essays right almost again a kind of a

847
00:56:22.840 --> 00:56:26.639
<v Speaker 1>prophetic warning even in films like The Matrix, and the

848
00:56:26.679 --> 00:56:31.360
<v Speaker 1>Matrix is ultimately sort of gnostic. It's a neo gnostic presentation,

849
00:56:31.440 --> 00:56:34.039
<v Speaker 1>but there's still some truths within the idea of the Matrix,

850
00:56:34.199 --> 00:56:38.119
<v Speaker 1>like what if we live so much in the virtual

851
00:56:38.239 --> 00:56:43.239
<v Speaker 1>that the real world actually just gets replaced and becomes

852
00:56:43.239 --> 00:56:46.760
<v Speaker 1>the virtual as well. And there was a guy who

853
00:56:46.840 --> 00:56:50.639
<v Speaker 1>made a videos. I think he's an Orthodox Seraphim Wirch.

854
00:56:50.880 --> 00:56:53.159
<v Speaker 1>I forget his exact name. I'd not seen his stuff before.

855
00:56:53.199 --> 00:56:54.719
<v Speaker 1>I'd heard of him before, but I never really watched

856
00:56:54.719 --> 00:56:56.519
<v Speaker 1>his videos. He did a good video on this the

857
00:56:56.519 --> 00:57:02.119
<v Speaker 1>other day where he argued that the the virtual world

858
00:57:02.199 --> 00:57:04.400
<v Speaker 1>doesn't have to even be a thing that you always

859
00:57:04.480 --> 00:57:09.199
<v Speaker 1>live in perpetually, like in some compod because if you

860
00:57:09.199 --> 00:57:12.639
<v Speaker 1>spend all of your time in the virtual world online,

861
00:57:12.760 --> 00:57:15.960
<v Speaker 1>if you you know, significant amounts of time, and it

862
00:57:16.199 --> 00:57:19.400
<v Speaker 1>actually programs you to act more like an algorithm like

863
00:57:19.440 --> 00:57:21.920
<v Speaker 1>a total spurg, like a spur of God five thousand,

864
00:57:22.840 --> 00:57:27.760
<v Speaker 1>spurg Lord five thousand. Then you're already almost a virtual person,

865
00:57:28.320 --> 00:57:33.119
<v Speaker 1>and you will already reinterpret the external real world as

866
00:57:33.159 --> 00:57:35.960
<v Speaker 1>a virtual world. You're going to treat it the same

867
00:57:36.000 --> 00:57:38.719
<v Speaker 1>way as the Internet world. So the Internet world already

868
00:57:39.440 --> 00:57:42.960
<v Speaker 1>is the simulaca replacing the simulation or the fake world.

869
00:57:43.760 --> 00:57:47.360
<v Speaker 1>So you might not even need simulation theory because people

870
00:57:47.440 --> 00:57:50.480
<v Speaker 1>are already going to read all of reality as like

871
00:57:51.159 --> 00:57:58.320
<v Speaker 1>the simulation or like the virtual. We mentioned severance, We

872
00:57:58.440 --> 00:58:01.559
<v Speaker 1>mentioned the in between upside down, We mentioned vapor wave,

873
00:58:01.599 --> 00:58:07.760
<v Speaker 1>synth wave. What if reality itself is breaking and bending?

874
00:58:08.119 --> 00:58:10.559
<v Speaker 1>Are we seeing all reality as virtual? So it might

875
00:58:10.599 --> 00:58:12.760
<v Speaker 1>not be like some sort of cosmic horror in the

876
00:58:12.800 --> 00:58:16.199
<v Speaker 1>sense of you know, Cthulhu, or then the sense of

877
00:58:16.280 --> 00:58:21.800
<v Speaker 1>like HP Lovecraft, where metaphysical reality itself begins to break down,

878
00:58:21.800 --> 00:58:23.760
<v Speaker 1>although who knows, maybe is maybe at the end of

879
00:58:23.800 --> 00:58:26.159
<v Speaker 1>the world metaphysics itself starts breaking. I don't know, but

880
00:58:26.400 --> 00:58:33.400
<v Speaker 1>like what if, what if the bleeding and breaking of

881
00:58:33.480 --> 00:58:37.840
<v Speaker 1>reality isn't the actual external world but the way that

882
00:58:38.000 --> 00:58:43.679
<v Speaker 1>everybody's internal world and their worldview, their paradigm gets reprogrammed

883
00:58:43.679 --> 00:58:47.360
<v Speaker 1>and restructured through the symbiotic loop of the Internet. What

884
00:58:47.400 --> 00:58:52.159
<v Speaker 1>if that retooling of the inner world of people then

885
00:58:52.320 --> 00:58:57.800
<v Speaker 1>basically just makes them interpret the external world in these

886
00:58:58.079 --> 00:59:00.920
<v Speaker 1>mind controlled hellish ways. Do you see what I'm saying?

887
00:59:01.239 --> 00:59:03.320
<v Speaker 1>So you don't have to actually change the world, like

888
00:59:04.039 --> 00:59:06.679
<v Speaker 1>well we're gonna, you know, turn on CERN to make

889
00:59:06.719 --> 00:59:09.920
<v Speaker 1>it like fuck up metaphysics and reality. Well, all you

890
00:59:09.920 --> 00:59:12.480
<v Speaker 1>have to do is like rech tool and re imprint

891
00:59:13.119 --> 00:59:17.599
<v Speaker 1>the mind of the humans to misinterpret reality itself. And

892
00:59:17.599 --> 00:59:19.880
<v Speaker 1>then you you don't have You don't need a CERN

893
00:59:19.960 --> 00:59:23.159
<v Speaker 1>machine that makes time go backwards or some crazy shit, right.

894
00:59:23.440 --> 00:59:27.719
<v Speaker 1>You just need dummies to be reprogrammed to interpret reality wrongly.

895
00:59:28.679 --> 00:59:32.880
<v Speaker 1>And that's much more hellish and possible than turning on

896
00:59:33.039 --> 00:59:36.639
<v Speaker 1>CERN and making the past be erased or make Donald

897
00:59:36.679 --> 00:59:42.280
<v Speaker 1>Trump time trout whatever bullshit people think about CERN. There

898
00:59:42.280 --> 00:59:44.239
<v Speaker 1>was a novel about this which I had not heard of,

899
00:59:44.800 --> 00:59:49.840
<v Speaker 1>called House of Leaves, And I'll find the guy's video.

900
00:59:49.920 --> 00:59:54.480
<v Speaker 1>Let's see who was that guy. I have to think

901
00:59:54.519 --> 01:00:03.880
<v Speaker 1>of this guy's video. I should have saved it, but

902
01:00:04.000 --> 01:00:18.400
<v Speaker 1>I don't think I remember it too. This is it?

903
01:00:20.320 --> 01:00:22.960
<v Speaker 1>So not really familiar with this guy's content. But I

904
01:00:22.960 --> 01:00:27.599
<v Speaker 1>did enjoy his philosophical ruminations on the back Rooms, and

905
01:00:27.679 --> 01:00:32.920
<v Speaker 1>so I'll give him some credit because his video inspired

906
01:00:32.960 --> 01:00:35.000
<v Speaker 1>me to do this video, so you could get his

907
01:00:35.039 --> 01:00:37.199
<v Speaker 1>take on it. Like, he comes off as kind of agnostic,

908
01:00:37.280 --> 01:00:39.760
<v Speaker 1>sort of atheist type dude, but he did have some

909
01:00:39.840 --> 01:00:42.599
<v Speaker 1>interesting insights. And he referenced this story House of Leaves,

910
01:00:42.760 --> 01:00:45.400
<v Speaker 1>which is also very similar to what we're talking about.

911
01:00:46.079 --> 01:00:50.239
<v Speaker 1>We mentioned the Theseus Minotaur labyrinth story. We referenced that

912
01:00:50.360 --> 01:00:54.320
<v Speaker 1>extensively in our lengthy analysis of the Shining. The Shining

913
01:00:54.360 --> 01:00:59.119
<v Speaker 1>is another presentation of the Labyrinth and the Theseus story. Jack

914
01:00:59.199 --> 01:01:05.000
<v Speaker 1>is the minataur that's all self conscious. But so yeah,

915
01:01:05.039 --> 01:01:08.159
<v Speaker 1>so that's all of my ideas on it. It's a threshold,

916
01:01:08.159 --> 01:01:12.599
<v Speaker 1>but a threshold to where a threshold to perhaps Hell

917
01:01:12.880 --> 01:01:16.320
<v Speaker 1>bleeding into hell world bleeding into our world. Perhaps a

918
01:01:16.400 --> 01:01:20.800
<v Speaker 1>threshold of the actual dystopia rolling out, the one that

919
01:01:20.960 --> 01:01:23.519
<v Speaker 1>was warned about in all of these nineteen eighties and

920
01:01:23.639 --> 01:01:29.360
<v Speaker 1>nineties fiction stories, now manifesting into reality out of the

921
01:01:29.400 --> 01:01:33.480
<v Speaker 1>collective unconscious. Right, Perhaps that's really what's going on with

922
01:01:35.119 --> 01:01:36.559
<v Speaker 1>the back Rooms. But I want to know what you

923
01:01:36.559 --> 01:01:40.639
<v Speaker 1>guys think, Michael says for five dollars nothing, thank you.

924
01:01:40.719 --> 01:01:44.360
<v Speaker 1>Michael in the field two dollars, Yo, you live homie. Yeah,

925
01:01:44.360 --> 01:01:46.360
<v Speaker 1>I got to figure out how to get restream to

926
01:01:46.440 --> 01:01:49.199
<v Speaker 1>stop automatically turn As soon as I open restream, it

927
01:01:49.199 --> 01:01:55.519
<v Speaker 1>automatically starts streaming. I got to figure that out. Y'all

928
01:01:55.559 --> 01:02:02.639
<v Speaker 1>want to go to a back rooms. The vibe is

929
01:02:02.679 --> 01:02:08.599
<v Speaker 1>definitely horrific. It's a new type of horror like none other's.

930
01:02:08.800 --> 01:02:11.880
<v Speaker 1>It's cosmic horror for sure. Squirrel two dollars. The new

931
01:02:12.159 --> 01:02:15.239
<v Speaker 1>Mormon space Wife sounds like a modern or modest mouse.

932
01:02:15.280 --> 01:02:19.440
<v Speaker 1>It does d jewels. Five dollars. Ooh you fancy now gone.

933
01:02:19.760 --> 01:02:23.239
<v Speaker 1>I'm about to ruie twenty dollars. Thank you so much, Mickey,

934
01:02:23.239 --> 01:02:26.880
<v Speaker 1>two dollars for your Indian the HydroD Crew. Zombie Hunter

935
01:02:26.960 --> 01:02:30.000
<v Speaker 1>sends a big old fat one hundred dollars. Thank you.

936
01:02:30.119 --> 01:02:31.639
<v Speaker 1>He's winning the super chest and the night and Zombie

937
01:02:31.679 --> 01:02:34.719
<v Speaker 1>Hunter says, Jay, the people crying about Massy on x

938
01:02:35.719 --> 01:02:40.000
<v Speaker 1>or cringe as fuck, especially Zionist billionaires jeff Yass who

939
01:02:40.039 --> 01:02:43.119
<v Speaker 1>also funded him. This shows the moral relativism of the

940
01:02:43.159 --> 01:02:45.760
<v Speaker 1>libertarians and how deep they are by oligarchs that fund

941
01:02:45.840 --> 01:02:48.360
<v Speaker 1>any side or every side. Can you do a Ted

942
01:02:48.400 --> 01:02:51.599
<v Speaker 1>talk on this topic. Yeah. I think it's not surprising

943
01:02:53.000 --> 01:02:57.639
<v Speaker 1>because people don't look into who fund stuff, and if

944
01:02:57.639 --> 01:03:01.079
<v Speaker 1>you've got powerful oligarchs on the both sides, this is

945
01:03:01.119 --> 01:03:06.760
<v Speaker 1>really the tale of politics for forever. Politics is always

946
01:03:07.039 --> 01:03:11.079
<v Speaker 1>a who's funding it game. It's not the rhetoric of

947
01:03:11.119 --> 01:03:14.480
<v Speaker 1>the politician, it's who's putting the money behind the person.

948
01:03:16.000 --> 01:03:20.119
<v Speaker 1>In fact, we were just watching Peaky Blinders and I'm

949
01:03:20.119 --> 01:03:23.920
<v Speaker 1>getting near the end and by the sixth season, as

950
01:03:24.000 --> 01:03:27.239
<v Speaker 1>is always the case in mafia stories, right uh Killian

951
01:03:27.360 --> 01:03:30.679
<v Speaker 1>Murphy has you know, climbed the ladder to being an

952
01:03:30.719 --> 01:03:36.559
<v Speaker 1>international corporate syndicate. And he's involved now in politics, right,

953
01:03:36.719 --> 01:03:39.360
<v Speaker 1>And he's a politician. He's part of the Labor Party,

954
01:03:39.800 --> 01:03:41.760
<v Speaker 1>and lo and behold, not only is he part of

955
01:03:41.760 --> 01:03:44.599
<v Speaker 1>the Labor Party, he's also on the down low working

956
01:03:44.639 --> 01:03:49.800
<v Speaker 1>to undermine the fascists in terms of Ian Moseley, he's

957
01:03:49.840 --> 01:03:56.639
<v Speaker 1>also working to steer the IRA right Irish Republican Army.

958
01:03:56.920 --> 01:04:01.920
<v Speaker 1>He's also working to steer and control the underworld, and

959
01:04:02.000 --> 01:04:04.280
<v Speaker 1>so he's playing all sides. In fact, there was a

960
01:04:04.440 --> 01:04:08.719
<v Speaker 1>great scene reminiscent of the famous scene in The Prisoner

961
01:04:09.079 --> 01:04:12.840
<v Speaker 1>the excellent TV show, which also illustrated this point where

962
01:04:12.840 --> 01:04:15.440
<v Speaker 1>he's explaining to the IRA girl because she's like, what

963
01:04:15.599 --> 01:04:17.599
<v Speaker 1>side are you on? Are you on the communist side?

964
01:04:17.599 --> 01:04:21.079
<v Speaker 1>Are you on the socialist Labor party side? Are you

965
01:04:21.119 --> 01:04:24.039
<v Speaker 1>on the democracy side? Are you on the organized crime side?

966
01:04:24.159 --> 01:04:26.400
<v Speaker 1>Or are you on the fascist side? And he's like,

967
01:04:27.039 --> 01:04:30.800
<v Speaker 1>there's a circle. All of these sides eventually meet. He says,

968
01:04:30.800 --> 01:04:32.599
<v Speaker 1>if you go far enough to the right, he says,

969
01:04:32.599 --> 01:04:36.920
<v Speaker 1>you'll meet the far left. And he says, I'm in

970
01:04:36.960 --> 01:04:43.960
<v Speaker 1>the middle because I am a rising corporate elite and

971
01:04:44.000 --> 01:04:47.760
<v Speaker 1>I want to use, when is necessary, all of these

972
01:04:47.800 --> 01:04:52.920
<v Speaker 1>ideologies to my own ends. I wonder if I could

973
01:04:52.960 --> 01:05:09.079
<v Speaker 1>find that Prisoner's scene that shows that, Oh, I think

974
01:05:09.079 --> 01:05:11.199
<v Speaker 1>it's the one that is it the Global Village? I

975
01:05:11.239 --> 01:05:16.239
<v Speaker 1>think it's a Global Village. I wonder if I could

976
01:05:16.239 --> 01:05:23.440
<v Speaker 1>get away with planet or will it copyright it? Yes,

977
01:05:23.519 --> 01:05:25.960
<v Speaker 1>this is it right here. So now, if you've ever

978
01:05:26.199 --> 01:05:33.519
<v Speaker 1>never watched The Prisoner, it's amazingly deep philosophical spy show.

979
01:05:34.400 --> 01:05:36.760
<v Speaker 1>There's never been a show like this. It's a spy

980
01:05:36.920 --> 01:05:42.480
<v Speaker 1>show that's also like super deep conspiracy and philosophy lore.

981
01:05:42.679 --> 01:05:45.400
<v Speaker 1>Nothing like it ever. It only went one season. But

982
01:05:46.480 --> 01:05:49.800
<v Speaker 1>if you don't know, Patrick McGowen plays the former British

983
01:05:49.840 --> 01:05:54.440
<v Speaker 1>spy who's taken off to this retirement village for former

984
01:05:54.480 --> 01:05:57.559
<v Speaker 1>spies because the spies know too much and they have

985
01:05:57.599 --> 01:05:59.920
<v Speaker 1>to send them off to this place in the middle

986
01:06:00.079 --> 01:06:02.559
<v Speaker 1>know where they don't actually know where they are. And

987
01:06:03.599 --> 01:06:05.440
<v Speaker 1>this is actually real, right, This is based on a

988
01:06:05.480 --> 01:06:09.199
<v Speaker 1>real place. Obviously this is sci fi sort of dystopian

989
01:06:10.079 --> 01:06:12.760
<v Speaker 1>version of it, but there really was a place in

990
01:06:12.800 --> 01:06:15.599
<v Speaker 1>Scotland where they would would truck these dudes off and

991
01:06:15.719 --> 01:06:17.960
<v Speaker 1>kind of keep them locked up in this like hospice

992
01:06:18.000 --> 01:06:22.920
<v Speaker 1>place in Scotland, right, So it's based in reality. I

993
01:06:22.960 --> 01:06:24.800
<v Speaker 1>read a whole bunch on this and it's it's a

994
01:06:24.800 --> 01:06:27.400
<v Speaker 1>significant section of my first book, right because it's very

995
01:06:27.440 --> 01:06:30.519
<v Speaker 1>insightful to what's going on, and it's very relevant here

996
01:06:30.519 --> 01:06:30.960
<v Speaker 1>watch this.

997
01:06:32.599 --> 01:06:35.800
<v Speaker 4>People who don't which means that there are some people

998
01:06:35.880 --> 01:06:39.519
<v Speaker 4>who leave this place and some who do not leave.

999
01:06:39.840 --> 01:06:43.800
<v Speaker 1>So Patrick mcgoon on the left there, right, he's against

1000
01:06:43.880 --> 01:06:46.800
<v Speaker 1>this whole system now because he doesn't understand why as

1001
01:06:46.840 --> 01:06:50.840
<v Speaker 1>a faithful, you know, British intelligence operative, he's been retired

1002
01:06:50.920 --> 01:06:55.079
<v Speaker 1>and sent off to this dystopian controlled village and He's

1003
01:06:55.119 --> 01:06:57.840
<v Speaker 1>talking to his sort of controller handler person who he

1004
01:06:57.840 --> 01:07:00.800
<v Speaker 1>thinks runs the village, and he is like, whose side

1005
01:07:00.800 --> 01:07:01.960
<v Speaker 1>are you on? Watch this?

1006
01:07:02.559 --> 01:07:05.920
<v Speaker 4>You are obviously staying, Has it ever occurred to you

1007
01:07:06.639 --> 01:07:08.920
<v Speaker 4>that you're just as much a prisoner as in No,

1008
01:07:09.280 --> 01:07:11.519
<v Speaker 4>my dear Jah, of course I knew too much where

1009
01:07:11.559 --> 01:07:15.480
<v Speaker 4>both lifers. I am definitely an optimist. That's why it

1010
01:07:15.480 --> 01:07:19.400
<v Speaker 4>doesn't matter who number one is. It doesn't matter which

1011
01:07:19.599 --> 01:07:23.079
<v Speaker 4>side runs the village. It's run by one side or

1012
01:07:23.079 --> 01:07:26.840
<v Speaker 4>the other, certainly, but both sides are becoming identical. What

1013
01:07:26.960 --> 01:07:30.920
<v Speaker 4>in fact has been created an international community here?

1014
01:07:31.000 --> 01:07:36.360
<v Speaker 1>That the village is an international type of community that

1015
01:07:36.440 --> 01:07:40.360
<v Speaker 1>will mirror the macrocosm of the international community coming out

1016
01:07:40.400 --> 01:07:43.159
<v Speaker 1>of the Cold War, a perfect blueprint for world order.

1017
01:07:43.519 --> 01:07:46.119
<v Speaker 4>When the sides facing each other suddenly realize that they're

1018
01:07:46.119 --> 01:07:48.639
<v Speaker 4>looking into a mirror, they will see that this is

1019
01:07:48.679 --> 01:07:50.159
<v Speaker 4>the pattern for the future the.

1020
01:07:50.119 --> 01:07:53.559
<v Speaker 1>Whole Notice how prophetic that is. The Cold War would

1021
01:07:53.599 --> 01:07:58.159
<v Speaker 1>produce a dialectic that would result in a synthesis of

1022
01:07:58.199 --> 01:08:03.000
<v Speaker 1>a perfect controlled, corporate world order. And if you don't know,

1023
01:08:03.119 --> 01:08:06.079
<v Speaker 1>the whole village is run by a kind of all

1024
01:08:06.239 --> 01:08:10.320
<v Speaker 1>seeing eye surveillance system that doesn't allow you to leave

1025
01:08:10.360 --> 01:08:11.119
<v Speaker 1>the village.

1026
01:08:12.480 --> 01:08:16.560
<v Speaker 4>As the village that is my I should.

1027
01:08:17.239 --> 01:08:21.600
<v Speaker 1>So the espionage controlled, dystopian world of the village is

1028
01:08:21.640 --> 01:08:25.000
<v Speaker 1>the model for the New World Order. And the prisoner

1029
01:08:25.039 --> 01:08:30.000
<v Speaker 1>was telling you this in nineteen sixty seven. It's a

1030
01:08:30.079 --> 01:08:33.880
<v Speaker 1>super profound show. Nobody watches it, nobody's seen it except

1031
01:08:33.920 --> 01:08:36.319
<v Speaker 1>for a handful of people. Lord Voldemart mentions it all

1032
01:08:36.359 --> 01:08:37.439
<v Speaker 1>the time. That's why I end up watching it, I

1033
01:08:37.439 --> 01:08:40.680
<v Speaker 1>think because he mentioned it all the time. But if

1034
01:08:40.680 --> 01:08:42.920
<v Speaker 1>you've never watched it, I know most people don't have

1035
01:08:42.960 --> 01:08:46.279
<v Speaker 1>the patience because it's not an action show. It's a

1036
01:08:46.399 --> 01:08:51.520
<v Speaker 1>high tier, high IQ sort of British drama almost. But

1037
01:08:51.560 --> 01:08:53.640
<v Speaker 1>if you do have the patience and the ability to

1038
01:08:53.680 --> 01:08:58.159
<v Speaker 1>watch it and the attention span, yes you would watch it.

1039
01:08:58.239 --> 01:08:59.680
<v Speaker 1>Then you would actually be able to vibe with a

1040
01:08:59.680 --> 01:09:02.760
<v Speaker 1>lot of my content if you understood what this show

1041
01:09:02.800 --> 01:09:05.399
<v Speaker 1>is about. Fallacy five dollars show a wig, A little

1042
01:09:05.439 --> 01:09:09.560
<v Speaker 1>bit of support, y'all. Y'all need to monetize this diva exactly,

1043
01:09:10.079 --> 01:09:12.800
<v Speaker 1>Scotty to Hotty ten dollars, Jay, do you have the

1044
01:09:12.840 --> 01:09:15.840
<v Speaker 1>title for the Holy ray Ban song? I actually think

1045
01:09:15.880 --> 01:09:18.760
<v Speaker 1>it's up there with Paypiggy and Quasmo Quasimoto. I'll have

1046
01:09:18.800 --> 01:09:20.840
<v Speaker 1>to put it on YouTube. It's still just on my ex.

1047
01:09:20.960 --> 01:09:24.479
<v Speaker 1>It doesn't even have a title. Zero dot ten dollars.

1048
01:09:24.560 --> 01:09:27.119
<v Speaker 1>This is in support a wig xy anthem, Thank you, biscuit.

1049
01:09:27.159 --> 01:09:30.920
<v Speaker 1>Heead five dollars. Dude evolves more and is more into

1050
01:09:30.960 --> 01:09:32.880
<v Speaker 1>Smigel as he war was against the church. You talk

1051
01:09:32.880 --> 01:09:38.880
<v Speaker 1>about Rousselaw Rousselans turning into Smigel anymous at agent tenellars. Yeah,

1052
01:09:38.880 --> 01:09:40.720
<v Speaker 1>we did that one earlier. Pop Belly got win ten dollars.

1053
01:09:40.800 --> 01:09:43.520
<v Speaker 1>Rouslan talks about marketing like he's selling rap CDs outside

1054
01:09:43.520 --> 01:09:47.239
<v Speaker 1>of a black community college, which he probably has done.

1055
01:09:47.760 --> 01:09:50.399
<v Speaker 1>Giovanni five dollars. I went to Steakhos the order of

1056
01:09:50.399 --> 01:09:54.279
<v Speaker 1>Filet Mignon. The waiter came back, I said and said,

1057
01:09:54.399 --> 01:09:57.479
<v Speaker 1>how was it? I said it was Philly okay, yeah,

1058
01:09:57.640 --> 01:09:59.680
<v Speaker 1>that people want to debate us and don't even know

1059
01:09:59.720 --> 01:10:02.159
<v Speaker 1>what p No, it's the words in Curadian ten dollars,

1060
01:10:02.279 --> 01:10:04.680
<v Speaker 1>Queen of the Wig's Antium. How do I watch more

1061
01:10:04.680 --> 01:10:10.640
<v Speaker 1>of your requiem streams? Requiem screams, oh, resident evil streams. Uh,

1062
01:10:11.079 --> 01:10:15.479
<v Speaker 1>They're the only ones I did are up. So I

1063
01:10:15.520 --> 01:10:17.239
<v Speaker 1>got to where I was so eager to play the

1064
01:10:17.279 --> 01:10:19.359
<v Speaker 1>game that I did in livestream. The whole game only

1065
01:10:19.399 --> 01:10:22.640
<v Speaker 1>live stream like twice, so sort of the cat ten dollars.

1066
01:10:23.159 --> 01:10:27.239
<v Speaker 1>Many Liminal Space videos also have the two thousands aesthetics. Yeah, okay, whatever,

1067
01:10:27.359 --> 01:10:29.159
<v Speaker 1>I mean, you know what I'm saying. It doesn't have

1068
01:10:29.199 --> 01:10:31.159
<v Speaker 1>to Actually it only doesn't have to literally only be

1069
01:10:31.199 --> 01:10:33.079
<v Speaker 1>the nineties. It can be two thousand and one or two.

1070
01:10:33.119 --> 01:10:37.319
<v Speaker 1>That's fine. Yeah, there's a Windows Vista Air aesthetics that okay,

1071
01:10:37.880 --> 01:10:39.800
<v Speaker 1>I mean, let's not nitpick, dude, but thank you for

1072
01:10:39.840 --> 01:10:42.279
<v Speaker 1>the super Jed Jamil fifty dollars. Father Hears just talked

1073
01:10:42.319 --> 01:10:44.119
<v Speaker 1>to David Wood on his stream. I did see that.

1074
01:10:44.520 --> 01:10:47.920
<v Speaker 1>I thought about doing a live stream on that, but honestly,

1075
01:10:47.920 --> 01:10:50.680
<v Speaker 1>I just wasn't in the mood to do another prot

1076
01:10:50.720 --> 01:10:53.439
<v Speaker 1>slop drama stream. I'm just like, after a while it

1077
01:10:53.439 --> 01:10:57.359
<v Speaker 1>gets old, Like I mean, we did twenty hours, thirty

1078
01:10:57.399 --> 01:10:59.840
<v Speaker 1>hours of streaming on that last week. I just need

1079
01:10:59.880 --> 01:11:03.039
<v Speaker 1>to talk about something else. Turns out Protestants needed exorcism.

1080
01:11:03.319 --> 01:11:05.760
<v Speaker 1>The chat was so wild. All they did was talk

1081
01:11:05.800 --> 01:11:09.760
<v Speaker 1>about Orthodoxy charging people for baptism, which was a lot.

1082
01:11:09.800 --> 01:11:13.039
<v Speaker 1>Well that's all they have so, but I appreciate that

1083
01:11:13.079 --> 01:11:15.600
<v Speaker 1>super chat. Maybe next week we'll review it or do

1084
01:11:15.640 --> 01:11:19.600
<v Speaker 1>a streamline. I just my mood is not prot slob.

1085
01:11:19.720 --> 01:11:22.319
<v Speaker 1>I can't talk about that for freaking forty hours straight, man.

1086
01:11:22.359 --> 01:11:25.319
<v Speaker 1>I got to take a break. Leontia is ten dollars.

1087
01:11:25.319 --> 01:11:29.920
<v Speaker 1>Somebody literally posted girdel Eshra back yesterday or earlier on X.

1088
01:11:30.079 --> 01:11:31.840
<v Speaker 1>I was reading about it for the first time. Very

1089
01:11:31.880 --> 01:11:34.640
<v Speaker 1>interesting content, very crazy that you brought. That's providence, dude.

1090
01:11:35.199 --> 01:11:38.920
<v Speaker 1>Synchronousity is really just providence, basically the same thing. JB.

1091
01:11:39.000 --> 01:11:42.239
<v Speaker 1>Five dollars. My interest in cognitive philosophy and perception specifically

1092
01:11:42.279 --> 01:11:44.680
<v Speaker 1>was intrumental, instrumental in getting me to be received into

1093
01:11:44.680 --> 01:11:48.720
<v Speaker 1>the Orthodox Neptic Tradition's that's great. Yeah, there's a lot

1094
01:11:48.760 --> 01:11:52.560
<v Speaker 1>of amazing overlaps and parallels here. In fact, I may

1095
01:11:52.640 --> 01:11:55.720
<v Speaker 1>just title this the Liminal Space stream. I've been wanting

1096
01:11:55.760 --> 01:11:59.359
<v Speaker 1>to do that for forever. I don't really want to

1097
01:11:59.359 --> 01:12:04.319
<v Speaker 1>get into the room lunch it again, but look, I

1098
01:12:04.640 --> 01:12:06.680
<v Speaker 1>just it's just so it's much more fun to do

1099
01:12:06.800 --> 01:12:10.359
<v Speaker 1>go off into these other directions. Slow boy. Ten dollars.

1100
01:12:10.399 --> 01:12:12.640
<v Speaker 1>This is my penance to the Emperor and the biggest

1101
01:12:12.680 --> 01:12:15.079
<v Speaker 1>deva of Xanthia. You know what, you know what? That's right,

1102
01:12:15.960 --> 01:12:18.640
<v Speaker 1>let's talk god f dollars. Uncanny psychological horror is very

1103
01:12:18.640 --> 01:12:22.640
<v Speaker 1>dominant modern horry. Yes, it's leaned on most in my opinion.

1104
01:12:22.920 --> 01:12:25.039
<v Speaker 1>Thus you have a win take when it comes to

1105
01:12:25.079 --> 01:12:28.800
<v Speaker 1>the backgrounds. Thank you, dog, mister fund Zerker. Ten dollars

1106
01:12:28.840 --> 01:12:32.239
<v Speaker 1>if you enjoy back rooms. Graylock is a shift towards

1107
01:12:32.239 --> 01:12:36.159
<v Speaker 1>a deeper psychological occult territory. Is that a game or

1108
01:12:36.199 --> 01:12:40.439
<v Speaker 1>is that a movie? It focuses on the human mind

1109
01:12:40.840 --> 01:12:45.920
<v Speaker 1>and it's manifesting a fake reality through occult mind control programs. Well,

1110
01:12:45.920 --> 01:12:48.199
<v Speaker 1>I did play the New Alan Wake, and a lot

1111
01:12:48.199 --> 01:12:50.560
<v Speaker 1>of people were critical of the New Allen Wake, and

1112
01:12:50.600 --> 01:12:52.680
<v Speaker 1>you guys know that we did some funny streams on that.

1113
01:12:52.840 --> 01:12:55.880
<v Speaker 1>Everybody's cracking up about those. But I beat the game

1114
01:12:55.920 --> 01:12:58.079
<v Speaker 1>and it ended up being the same type of stuff too.

1115
01:12:58.119 --> 01:13:00.760
<v Speaker 1>It was fun. It wasn't my favorite game, but it

1116
01:13:00.800 --> 01:13:03.600
<v Speaker 1>was fun. Epic skeptic ten dollars. Can we get another

1117
01:13:03.600 --> 01:13:06.079
<v Speaker 1>games room? Yeah, we will, we will. What about Knights

1118
01:13:06.119 --> 01:13:08.960
<v Speaker 1>of the Old Republic? I think I have played that,

1119
01:13:09.000 --> 01:13:11.479
<v Speaker 1>sum I just forgot about it. I got busy playing

1120
01:13:11.520 --> 01:13:14.000
<v Speaker 1>so many other other things. Tweetbon ten dollars. There's three

1121
01:13:14.039 --> 01:13:17.520
<v Speaker 1>great books that tie into your analysis about backrooms and

1122
01:13:17.600 --> 01:13:21.119
<v Speaker 1>this corporate angle amusing ourselves to death. Yes I'm familiar

1123
01:13:21.119 --> 01:13:25.399
<v Speaker 1>with that technology by a Neil Postman yep, and Technology

1124
01:13:25.520 --> 01:13:28.840
<v Speaker 1>Understanding Medium. I'm Marshall McLuhan. And then the rest of

1125
01:13:28.880 --> 01:13:31.319
<v Speaker 1>your supertest is cut off. But yes, I'm familiar with

1126
01:13:31.319 --> 01:13:34.439
<v Speaker 1>those books. Tingu ten dollars. I actually just caused a

1127
01:13:34.439 --> 01:13:37.000
<v Speaker 1>schism from rap church. I started my own church in

1128
01:13:37.039 --> 01:13:39.960
<v Speaker 1>the back rooms. Well, I guess we do need you

1129
01:13:40.039 --> 01:13:42.000
<v Speaker 1>might as well set a franchise up everywhere, So set

1130
01:13:42.000 --> 01:13:45.399
<v Speaker 1>one up in the back rooms. Oh, that would actually

1131
01:13:45.399 --> 01:13:49.840
<v Speaker 1>be pretty pretty fun. I'm gonna here's a fun use

1132
01:13:49.880 --> 01:13:54.520
<v Speaker 1>of AI. Get the AI to make a liminal space

1133
01:13:54.600 --> 01:13:57.000
<v Speaker 1>backrooms version of a church. That would be awesome because

1134
01:13:57.000 --> 01:14:00.239
<v Speaker 1>it would actually end up being like Rhythm church. Look

1135
01:14:00.399 --> 01:14:04.760
<v Speaker 1>just like these fake asked business corporate church. What is

1136
01:14:04.880 --> 01:14:09.920
<v Speaker 1>Lovecraft's cats name? Two dollars? Can you answer my question? Please? Well,

1137
01:14:09.920 --> 01:14:11.840
<v Speaker 1>you didn't ask a question, You just sent a two

1138
01:14:11.880 --> 01:14:14.560
<v Speaker 1>dollars super chat. We ain't got no question. By the

1139
01:14:14.600 --> 01:14:17.520
<v Speaker 1>way around here, it's called question be Scott five dollars.

1140
01:14:17.840 --> 01:14:21.960
<v Speaker 1>Goal for the goal that we get near the goal.

1141
01:14:22.039 --> 01:14:23.920
<v Speaker 1>We're almost at the goal. You guys want to support

1142
01:14:23.920 --> 01:14:27.520
<v Speaker 1>the stream. Help me hit that goal right now, right

1143
01:14:27.560 --> 01:14:31.520
<v Speaker 1>we're gonna hit that goal right el. We got like

1144
01:14:31.640 --> 01:14:35.279
<v Speaker 1>one super chat left to hit that goal. Although technically

1145
01:14:35.319 --> 01:14:38.920
<v Speaker 1>we have hit the goal because YouTube doesn't register the

1146
01:14:38.960 --> 01:14:43.439
<v Speaker 1>stream lab superchats. But we're almost there. Help me hit

1147
01:14:43.479 --> 01:14:45.359
<v Speaker 1>that goal right there. That's going to fund this big

1148
01:14:45.359 --> 01:14:48.640
<v Speaker 1>interview that we're doing. Y'all grant five dollars. I would

1149
01:14:48.640 --> 01:14:51.000
<v Speaker 1>love to see a reaction to the Avy Loop stuff

1150
01:14:51.039 --> 01:14:53.039
<v Speaker 1>that's going around. Oh I did watch part of that.

1151
01:14:54.359 --> 01:14:58.600
<v Speaker 1>Maybe we'll do that next time. So I saw this

1152
01:14:58.640 --> 01:15:03.319
<v Speaker 1>guy's video pop up, and I started watching. I watched

1153
01:15:03.319 --> 01:15:06.039
<v Speaker 1>about with no one being able to answer. I watched

1154
01:15:06.039 --> 01:15:09.800
<v Speaker 1>more than fifty seconds. I got about six minutes in,

1155
01:15:10.560 --> 01:15:14.119
<v Speaker 1>and I do intend to get to this. What time

1156
01:15:14.199 --> 01:15:15.560
<v Speaker 1>is it? We got some time, y'all want to do

1157
01:15:15.600 --> 01:15:17.159
<v Speaker 1>this right now? We might as well do this. We

1158
01:15:17.279 --> 01:15:20.199
<v Speaker 1>got some more time. We could do a reaction to

1159
01:15:20.239 --> 01:15:25.239
<v Speaker 1>Abby Loop. Grift Master, y'all, I'm the grift Master. I'm

1160
01:15:25.279 --> 01:15:31.600
<v Speaker 1>the grift master, spitting dope primes, I'm the grift Master. Dude.

1161
01:15:31.680 --> 01:15:33.920
<v Speaker 1>Rusalan is a grift Master. Can't nobody come close to

1162
01:15:34.000 --> 01:15:34.840
<v Speaker 1>Ruslan's drifting?

1163
01:15:36.079 --> 01:15:36.239
<v Speaker 4>Uh?

1164
01:15:36.359 --> 01:15:38.680
<v Speaker 1>You guys want me to keep going? Or y'all getting tired?

1165
01:15:39.159 --> 01:15:43.560
<v Speaker 1>Y'all getting tired? Because this will fit in I think

1166
01:15:43.560 --> 01:15:46.960
<v Speaker 1>with the strange or with the with the back rooms

1167
01:15:46.960 --> 01:15:50.920
<v Speaker 1>and stuff. Right, y'all want me to keep going? Hey,

1168
01:15:50.960 --> 01:15:57.000
<v Speaker 1>y'all want the good times for all? All right? Canonical

1169
01:15:57.000 --> 01:15:59.640
<v Speaker 1>Beer ten dollars, Thank you so much, Vector of Intellect

1170
01:15:59.720 --> 01:16:03.000
<v Speaker 1>I do to the goal Justice ten dollars. Thank you

1171
01:16:03.000 --> 01:16:06.880
<v Speaker 1>for your service to wig Xantheon. Thank you, dog Lab

1172
01:16:06.920 --> 01:16:10.239
<v Speaker 1>Tip five dollars. Check out the short story feather Top

1173
01:16:10.319 --> 01:16:15.560
<v Speaker 1>by Nathaniel Hawthorne. I've read Nathaniel Hawthorne. Do come on, like,

1174
01:16:15.600 --> 01:16:18.119
<v Speaker 1>I don't know who I did English Dog. He's a

1175
01:16:18.119 --> 01:16:21.359
<v Speaker 1>writer that Flannel O'Connor admired for storytelling and gothic grotesque.

1176
01:16:21.399 --> 01:16:25.119
<v Speaker 1>Feathertop's message on society intelligence the average person will hunt you.

1177
01:16:25.920 --> 01:16:27.520
<v Speaker 1>That's a really good idea. I need to do that.

1178
01:16:27.640 --> 01:16:32.840
<v Speaker 1>Let me write that down there. I also forget, dude,

1179
01:16:32.880 --> 01:16:39.119
<v Speaker 1>said Feathertop talking about Roselans Top. Yeah, but have you

1180
01:16:39.159 --> 01:16:46.640
<v Speaker 1>read Nathaniel Hawthorn's Broccoli Top, Good old Brocley Top Broccoley

1181
01:16:46.720 --> 01:16:53.039
<v Speaker 1>top ruse On. Yeah, I gotta write it down. I forget, dude,

1182
01:16:53.600 --> 01:16:58.439
<v Speaker 1>what's it called? What about Liminal Business Church? Du That

1183
01:16:58.560 --> 01:17:06.359
<v Speaker 1>is limit dude, his his church is Liminal Business Church.

1184
01:17:06.439 --> 01:17:19.399
<v Speaker 1>That's the thing. It's called feather talk. See a lot

1185
01:17:19.439 --> 01:17:22.199
<v Speaker 1>of y'all don't know. I've read a bunch of lit.

1186
01:17:24.239 --> 01:17:26.720
<v Speaker 1>I was doing a lit grad degree lit and philosophy,

1187
01:17:27.239 --> 01:17:28.760
<v Speaker 1>you know, the one that I made up that I

1188
01:17:28.840 --> 01:17:30.880
<v Speaker 1>lied about or whatever. No, I went all the way

1189
01:17:31.760 --> 01:17:38.000
<v Speaker 1>all but thesis abt H and my thesis was partly written.

1190
01:17:38.000 --> 01:17:43.840
<v Speaker 1>So I just published in peer review. But you said

1191
01:17:44.159 --> 01:17:45.960
<v Speaker 1>feather talk will haunt you. I'll check it out and

1192
01:17:45.960 --> 01:17:48.520
<v Speaker 1>then you let's say, we got gray Locks, a YouTube series.

1193
01:17:48.560 --> 01:17:51.640
<v Speaker 1>I think I've seen that. Now that you say gray Lot,

1194
01:17:51.800 --> 01:18:02.039
<v Speaker 1>I'm pretty sure i've seen that. Let me see. Yeah,

1195
01:18:02.079 --> 01:18:02.840
<v Speaker 1>I think i've seen this.

1196
01:18:09.720 --> 01:18:12.399
<v Speaker 3>These centials are not recognized.

1197
01:18:14.079 --> 01:18:17.600
<v Speaker 1>Fair believers. We've men pursue evil. It is here back

1198
01:18:17.680 --> 01:18:22.560
<v Speaker 1>in eighteen sixty four. Yeah, I think I watched this

1199
01:18:24.199 --> 01:18:27.680
<v Speaker 1>or one like it. Maybe I haven't seen Graylock. There

1200
01:18:27.720 --> 01:18:32.319
<v Speaker 1>was a YouTube horror you guys might know what I'm

1201
01:18:32.359 --> 01:18:33.880
<v Speaker 1>talking about. I don't remember the name of it, but

1202
01:18:33.920 --> 01:18:41.720
<v Speaker 1>it was like instructional tapes when the social collapse has happened.

1203
01:18:41.840 --> 01:18:44.119
<v Speaker 1>I don't know if it's like a zombie outbreak or something.

1204
01:18:44.199 --> 01:18:48.520
<v Speaker 1>It's like these videos of like into the world instructional videos.

1205
01:18:48.640 --> 01:18:49.880
<v Speaker 1>Do you all know what that one is? That was

1206
01:18:49.920 --> 01:18:53.640
<v Speaker 1>a pretty good one. I might be getting that mixed

1207
01:18:53.680 --> 01:18:56.199
<v Speaker 1>up with Greylock. I don't think I've seen this one,

1208
01:18:56.279 --> 01:18:58.640
<v Speaker 1>but there was one like this. If you guys know

1209
01:18:58.720 --> 01:19:01.800
<v Speaker 1>which one I'm talking about, mention it in the chat

1210
01:19:01.840 --> 01:19:03.239
<v Speaker 1>because I can't remember the name of that one. But

1211
01:19:03.279 --> 01:19:05.479
<v Speaker 1>it was also very popular. It had you know, million

1212
01:19:05.560 --> 01:19:08.239
<v Speaker 1>views or whatever. But I would like to get into

1213
01:19:08.279 --> 01:19:14.079
<v Speaker 1>this one if we have the time. Let's see put

1214
01:19:14.079 --> 01:19:17.520
<v Speaker 1>it on one point five. What's up, y'all? Thank you

1215
01:19:17.560 --> 01:19:19.680
<v Speaker 1>guys for the chat. Yeah, that's a great point too.

1216
01:19:19.760 --> 01:19:23.399
<v Speaker 1>David Lynch also was doing liminal space horror before everybody else,

1217
01:19:23.439 --> 01:19:27.720
<v Speaker 1>for sure. Yeah, and somebody made a video of other

1218
01:19:27.920 --> 01:19:31.720
<v Speaker 1>forgotten liminal space horrors. But a lot of them were

1219
01:19:31.840 --> 01:19:36.279
<v Speaker 1>pretty They were not very good, like B movies that

1220
01:19:36.319 --> 01:19:47.479
<v Speaker 1>were just almost unwatchable. Since we're on this theme, I'll

1221
01:19:47.479 --> 01:19:58.960
<v Speaker 1>pull it up. Yeah, this guy's channel, his name is

1222
01:19:59.279 --> 01:20:02.479
<v Speaker 1>a Nightmare Movies. I've only watched some of his videos.

1223
01:20:06.800 --> 01:20:09.239
<v Speaker 1>This one that he did was it was It was

1224
01:20:09.279 --> 01:20:12.159
<v Speaker 1>pretty good, it was okay. The name of it is

1225
01:20:13.560 --> 01:20:24.479
<v Speaker 1>some on the movie what's it called? I remember trying

1226
01:20:24.479 --> 01:20:26.279
<v Speaker 1>to figure out what the dame of the freaking movie

1227
01:20:26.319 --> 01:20:31.319
<v Speaker 1>was that they forever because it's not listed anyway, you

1228
01:20:31.359 --> 01:20:33.079
<v Speaker 1>can go find the name of this movie. Like it

1229
01:20:33.119 --> 01:20:35.960
<v Speaker 1>took me forever to figure out what it was. It

1230
01:20:36.039 --> 01:20:40.319
<v Speaker 1>was an okay, B movie. It did have some creepy vibes,

1231
01:20:41.359 --> 01:20:43.960
<v Speaker 1>but it was such a such a B movie it

1232
01:20:44.039 --> 01:20:47.880
<v Speaker 1>was hard to watch. Uh. And then he did another video,

1233
01:20:48.000 --> 01:20:53.359
<v Speaker 1>I think, listing a bunch of limon old space horrors,

1234
01:20:53.439 --> 01:20:56.760
<v Speaker 1>but they were not very good. Of course, obviously it

1235
01:20:56.840 --> 01:21:00.159
<v Speaker 1>follows that's a classic that was really good, which which

1236
01:21:00.159 --> 01:21:03.760
<v Speaker 1>I heard they're making it. It follows too. I think Silent

1237
01:21:03.880 --> 01:21:06.960
<v Speaker 1>Hill would count. I am a Silent Hill fan. Obviously,

1238
01:21:07.039 --> 01:21:12.720
<v Speaker 1>my Home Drive obviously, you know, the Shining would count.

1239
01:21:13.600 --> 01:21:17.359
<v Speaker 1>Lost Highway would count. I guess Blair Wisch Project would count.

1240
01:21:17.840 --> 01:21:20.279
<v Speaker 1>I don't like found footage horror movies. I think they sucked.

1241
01:21:20.279 --> 01:21:25.279
<v Speaker 1>They're really annoying to me. But I will say that

1242
01:21:25.319 --> 01:21:29.560
<v Speaker 1>the first one was pretty good. Twin Peaks Firewak with me.

1243
01:21:29.720 --> 01:21:33.800
<v Speaker 1>Definitely liminal horror. Pulse was pretty good. Pulse was a

1244
01:21:34.159 --> 01:21:36.399
<v Speaker 1>better than I expected. And they they even did a

1245
01:21:36.439 --> 01:21:41.000
<v Speaker 1>remake with Kristen Bell, which is not as good, but

1246
01:21:41.079 --> 01:21:47.880
<v Speaker 1>it was okay. It was definitely liminal space horror. Cube,

1247
01:21:47.880 --> 01:21:50.039
<v Speaker 1>but I don't think I've ever actually watched Cube. I've

1248
01:21:50.079 --> 01:21:51.760
<v Speaker 1>heard it's good, but I don't think I've ever got

1249
01:21:51.800 --> 01:21:56.119
<v Speaker 1>around to it. Dim Land, I don't know what dim

1250
01:21:56.159 --> 01:21:58.399
<v Speaker 1>Land is. I never heard of that one. That might

1251
01:21:58.399 --> 01:22:08.359
<v Speaker 1>be cool. I did think Vivarium was good. For some reason,

1252
01:22:08.399 --> 01:22:10.479
<v Speaker 1>we missed it. We never did a deep analysis of it.

1253
01:22:10.520 --> 01:22:12.640
<v Speaker 1>I thought it was good. It was a good liminal

1254
01:22:12.680 --> 01:22:17.319
<v Speaker 1>space horror, cosmic horrors. Of course, we've done Dark City

1255
01:22:17.560 --> 01:22:20.880
<v Speaker 1>many times. It's in Esterklawoo three. Now. Beyond the Black

1256
01:22:20.960 --> 01:22:24.439
<v Speaker 1>Rainbow definitely good. We did that. We covered that long

1257
01:22:24.479 --> 01:22:30.920
<v Speaker 1>time ago, and pretty pretty much all of the Greek

1258
01:22:31.239 --> 01:22:37.720
<v Speaker 1>just went blank on the Greek dude's name Mandy, right,

1259
01:22:37.760 --> 01:22:40.239
<v Speaker 1>obviously Mandy was he does this not have Mandy in

1260
01:22:40.279 --> 01:22:43.560
<v Speaker 1>the list? I mean, Mandy is better than Beyond Black Rainbow.

1261
01:22:45.800 --> 01:22:52.439
<v Speaker 1>Surely Mandy's in here. They didn't put Mandy. Know well,

1262
01:22:52.479 --> 01:22:56.199
<v Speaker 1>they missed They missed one of the those what's this one?

1263
01:22:59.720 --> 01:23:05.079
<v Speaker 1>Oh erink? Honestly, it looked too creepy for me to watch,

1264
01:23:06.039 --> 01:23:10.279
<v Speaker 1>Like something about being stuck in the low res for

1265
01:23:10.359 --> 01:23:12.880
<v Speaker 1>the entire movie was just a little much. I just

1266
01:23:12.880 --> 01:23:17.760
<v Speaker 1>couldn't do it. I can't believe they didn't put Mandy

1267
01:23:17.800 --> 01:23:20.840
<v Speaker 1>on here. Man, he's like the most that's like the

1268
01:23:20.880 --> 01:23:45.039
<v Speaker 1>pinnacle of all of these. I apologize I'm not being

1269
01:23:45.039 --> 01:23:46.800
<v Speaker 1>able to figure out the name of this movie, but

1270
01:23:46.840 --> 01:23:49.079
<v Speaker 1>this guy did. I think he intentionally didn't put the

1271
01:23:49.399 --> 01:23:51.119
<v Speaker 1>name of it there so that you would like hunt

1272
01:23:51.119 --> 01:23:53.079
<v Speaker 1>around and click on the video and figure out what

1273
01:23:53.079 --> 01:23:56.560
<v Speaker 1>it is, which is pretty smart actually. But what do

1274
01:23:56.560 --> 01:24:00.159
<v Speaker 1>you guys think is the best liminal horror film? I mean,

1275
01:24:00.319 --> 01:24:07.720
<v Speaker 1>definitely probably do so many of David Lynch's things are

1276
01:24:07.760 --> 01:24:10.960
<v Speaker 1>going to be up there. I mean it follows as

1277
01:24:11.000 --> 01:24:16.840
<v Speaker 1>a classic, but I probably, I want to say probably

1278
01:24:16.920 --> 01:24:19.399
<v Speaker 1>David Lynch, it follows, and Mandy would have to be

1279
01:24:21.520 --> 01:24:23.279
<v Speaker 1>have to be the best. What do you guys think

1280
01:24:23.680 --> 01:24:28.199
<v Speaker 1>what movie sucked? Yeah? I like Colorado Space. I mean

1281
01:24:28.359 --> 01:24:30.399
<v Speaker 1>Mandy was a lot better than color Out of Space though,

1282
01:24:31.520 --> 01:24:33.600
<v Speaker 1>just overall as a film. I mean, Mandy is like

1283
01:24:34.760 --> 01:24:36.960
<v Speaker 1>and there's some really intense parts that are hard to watch.

1284
01:24:37.079 --> 01:24:40.399
<v Speaker 1>But I mean that movie is just that movie blew

1285
01:24:40.439 --> 01:24:43.119
<v Speaker 1>my mind dude out in the mouth of madness. Yeah,

1286
01:24:43.119 --> 01:24:46.000
<v Speaker 1>that's that's cosmic horror. I don't know if it's liminal.

1287
01:24:46.039 --> 01:24:47.960
<v Speaker 1>It could be it's kind of liminal space. I like

1288
01:24:48.039 --> 01:24:53.239
<v Speaker 1>the triangle, I like the void. Aren't they making a

1289
01:24:53.279 --> 01:24:55.279
<v Speaker 1>part two? If it follows? Am I right about that?

1290
01:25:00.039 --> 01:25:02.239
<v Speaker 1>By the way, I have to say, uh, while we're

1291
01:25:02.239 --> 01:25:14.560
<v Speaker 1>on the on the movie tip there will be one

1292
01:25:15.800 --> 01:25:18.199
<v Speaker 1>and immediately it's like, what are you doing this?

1293
01:25:20.800 --> 01:25:24.640
<v Speaker 5>And you are, in fact, finally we're doing it next.

1294
01:25:24.720 --> 01:25:25.359
<v Speaker 1>That's the next gig.

1295
01:25:25.439 --> 01:25:27.560
<v Speaker 5>Yeah, that's the next job you said before.

1296
01:25:27.560 --> 01:25:30.399
<v Speaker 1>I've heard you talked about it. The script's pretty great.

1297
01:25:30.800 --> 01:25:33.199
<v Speaker 2>It's very it's very dark and.

1298
01:25:33.359 --> 01:25:36.600
<v Speaker 5>Oh my god, but fucked up scale what literally got

1299
01:25:36.600 --> 01:25:37.079
<v Speaker 5>once to time?

1300
01:25:37.239 --> 01:25:39.159
<v Speaker 1>It's pretty I mean, what would you put the first

1301
01:25:39.159 --> 01:25:40.560
<v Speaker 1>one at nine?

1302
01:25:40.720 --> 01:25:42.680
<v Speaker 6>You think? Yeah, I mean it's.

1303
01:25:42.560 --> 01:25:43.279
<v Speaker 1>So hard for me.

1304
01:25:44.239 --> 01:25:45.319
<v Speaker 5>It's like not scared.

1305
01:25:45.359 --> 01:25:46.560
<v Speaker 7>Of course is not scared to me.

1306
01:25:46.720 --> 01:25:50.239
<v Speaker 5>So it seems like, you know, then this would probably

1307
01:25:50.319 --> 01:25:53.119
<v Speaker 5>be like a fifteen sixt.

1308
01:25:53.399 --> 01:25:56.239
<v Speaker 1>So she's saying that it follows to will be a

1309
01:25:56.319 --> 01:26:00.479
<v Speaker 1>fifteen on the one to ten liminal scale of crazy. Oh,

1310
01:26:00.520 --> 01:26:03.119
<v Speaker 1>there's already a trailer. No, that's got to be a

1311
01:26:03.119 --> 01:26:07.000
<v Speaker 1>fake ass trailer. Dide. I hate fake trailers. They drive

1312
01:26:07.039 --> 01:26:07.560
<v Speaker 1>me crazy.

1313
01:26:07.640 --> 01:26:07.800
<v Speaker 4>Dude.

1314
01:26:07.800 --> 01:26:10.920
<v Speaker 1>There's nothing worse than freaking fake trailers because you get

1315
01:26:10.960 --> 01:26:16.800
<v Speaker 1>all excited. You're like, oh, dude, they get Oh. But anyway,

1316
01:26:18.359 --> 01:26:21.159
<v Speaker 1>I mean, I think Mandy, Mandy's got to be up there. Dude.

1317
01:26:21.199 --> 01:26:26.319
<v Speaker 1>Come on, dude, you gotta be honest. It's crazy. Event Horizon.

1318
01:26:28.640 --> 01:26:31.000
<v Speaker 1>Event Horizon is just more of a just a freaking

1319
01:26:31.359 --> 01:26:40.560
<v Speaker 1>space fake and gay space horror, dude, lawnmower Man, we've

1320
01:26:40.560 --> 01:26:45.479
<v Speaker 1>done all these, by the way, Peewee's Great Adventures. Actually,

1321
01:26:45.520 --> 01:26:47.960
<v Speaker 1>it is kind of there's elements of liminal horror and

1322
01:26:48.000 --> 01:26:52.640
<v Speaker 1>pee Wee's Great Adventures. It's definitely trippy at times. It's

1323
01:26:52.680 --> 01:26:57.479
<v Speaker 1>interesting too that along with right the back rooms vibe,

1324
01:26:57.760 --> 01:27:01.239
<v Speaker 1>in the liminal space horror vibe, that that's kind of

1325
01:27:01.279 --> 01:27:05.479
<v Speaker 1>taking over horror. Now, that is interesting. I didn't even

1326
01:27:05.479 --> 01:27:10.760
<v Speaker 1>think about that because they started trying to make horror woke, right,

1327
01:27:10.880 --> 01:27:13.600
<v Speaker 1>and that's it doesn't work. It bombs. People don't want that.

1328
01:27:14.560 --> 01:27:18.039
<v Speaker 1>So it makes sense that this would be like the

1329
01:27:18.079 --> 01:27:25.640
<v Speaker 1>next you know, trend within horror for sure, mimics that's

1330
01:27:25.680 --> 01:27:27.920
<v Speaker 1>not liminal space horror. What are you talking about? Y'all?

1331
01:27:28.000 --> 01:27:31.199
<v Speaker 1>Just playing now hell Raiser again. I don't know if

1332
01:27:31.199 --> 01:27:35.640
<v Speaker 1>hell Raiser really makes it. I mean, I think liminal

1333
01:27:35.680 --> 01:27:41.720
<v Speaker 1>Space just has to be like creepy, empty, corporate weird.

1334
01:27:42.560 --> 01:27:48.720
<v Speaker 1>You know it's David Lynch's fan turning in a room

1335
01:27:48.800 --> 01:27:52.880
<v Speaker 1>with just a lamp and a recliner, you know what

1336
01:27:52.920 --> 01:27:57.560
<v Speaker 1>I mean? Oh, I forgot you guys. Yes, I have

1337
01:27:57.640 --> 01:28:02.479
<v Speaker 1>to mention. Uh, we will be doing as above so below.

1338
01:28:02.520 --> 01:28:05.039
<v Speaker 1>And that was actually way better than I expected. Again,

1339
01:28:05.079 --> 01:28:08.000
<v Speaker 1>I absolutely hate found footage horror movies, and that's why

1340
01:28:08.000 --> 01:28:09.680
<v Speaker 1>I didn't want to watch as above so below. It

1341
01:28:09.720 --> 01:28:12.159
<v Speaker 1>was actually really good. And Jamie and I are going

1342
01:28:12.239 --> 01:28:17.319
<v Speaker 1>to be doing as above so below the Ritual and

1343
01:28:17.399 --> 01:28:22.000
<v Speaker 1>we're revisiting Eyes Wide Shut and the Ninth Gate after

1344
01:28:22.239 --> 01:28:25.359
<v Speaker 1>ten years. So let's do a little bit of this

1345
01:28:25.560 --> 01:28:27.399
<v Speaker 1>because a lot of people were talking about this now

1346
01:28:27.600 --> 01:28:30.720
<v Speaker 1>and I started it and didn't get to finish. I

1347
01:28:30.720 --> 01:28:32.399
<v Speaker 1>got distracted. So let's check this out.

1348
01:28:32.520 --> 01:28:35.199
<v Speaker 5>For a seemingly simple question, what was avy loop? And

1349
01:28:35.239 --> 01:28:37.319
<v Speaker 5>the more you search for answers, the more deranged this

1350
01:28:37.399 --> 01:28:40.119
<v Speaker 5>trail becomes this is the story of a loop, YouTube's

1351
01:28:40.159 --> 01:28:43.600
<v Speaker 5>darkest mystery, A lot more talk.

1352
01:28:45.840 --> 01:28:46.560
<v Speaker 4>So what are you waiting for?

1353
01:28:46.600 --> 01:28:51.359
<v Speaker 1>Captain? Now? I'm under the impression that this is real, Right,

1354
01:28:51.359 --> 01:28:56.279
<v Speaker 1>this is not like a totally fictional sort of marketing thing. Uh,

1355
01:28:56.760 --> 01:28:58.920
<v Speaker 1>because I haven't finished the video, so I don't exactly

1356
01:28:58.960 --> 01:29:00.560
<v Speaker 1>know where it goes, and I got a five minutes in.

1357
01:29:00.720 --> 01:29:03.520
<v Speaker 1>So am I correct those that have watched that this

1358
01:29:03.680 --> 01:29:05.079
<v Speaker 1>is purported to be a real thing.

1359
01:29:10.039 --> 01:29:13.119
<v Speaker 6>Welcome to abby Loop. You're collected by website for anything aviation.

1360
01:29:13.279 --> 01:29:15.239
<v Speaker 5>The formula for abu loops content was simple. A young

1361
01:29:15.239 --> 01:29:17.079
<v Speaker 5>woman stands in front of a static white background dressed

1362
01:29:17.079 --> 01:29:18.560
<v Speaker 5>in a flight attendants out of it. They refer to

1363
01:29:18.600 --> 01:29:20.479
<v Speaker 5>themselves as deal attendants, and their job seems to be

1364
01:29:20.520 --> 01:29:22.319
<v Speaker 5>sharing information about this new brand, avu Loop.

1365
01:29:22.439 --> 01:29:26.000
<v Speaker 7>We offer deals of flight lessons, pilot accessories, fuel fdo services,

1366
01:29:26.079 --> 01:29:27.760
<v Speaker 7>shot of flights, and even small aircraft.

1367
01:29:27.760 --> 01:29:29.359
<v Speaker 5>You don't see that very often. The brand market in

1368
01:29:29.399 --> 01:29:31.800
<v Speaker 5>a number of unique aviation related services, making them appear

1369
01:29:31.800 --> 01:29:33.319
<v Speaker 5>as a one stop shop for anyone in the industry

1370
01:29:33.399 --> 01:29:35.479
<v Speaker 5>or just anyone interested in flying. Avuloup claimed to do

1371
01:29:35.520 --> 01:29:37.520
<v Speaker 5>it all and at unbeatable prices too. Our deals are

1372
01:29:37.560 --> 01:29:39.560
<v Speaker 5>usually fifty to nine percent off. Promoting deals of fifty

1373
01:29:39.560 --> 01:29:41.199
<v Speaker 5>to ninety percent off it hard.

1374
01:29:41.399 --> 01:29:43.239
<v Speaker 1>Well, you know what this immediately reminds me of Remember

1375
01:29:43.279 --> 01:29:47.039
<v Speaker 1>the connections that Jeff Stain McCaffrey had with the women

1376
01:29:47.079 --> 01:29:49.880
<v Speaker 1>who offered to fly you on the planes. Like there

1377
01:29:49.960 --> 01:29:53.560
<v Speaker 1>was these ads and like promos of these chicks dressed

1378
01:29:53.680 --> 01:29:58.439
<v Speaker 1>like flight attendants and that was part of the deal.

1379
01:29:58.760 --> 01:30:03.239
<v Speaker 1>When you fly with Theef's time Iccairlines, Jeff's time Icairlines.

1380
01:30:02.680 --> 01:30:04.920
<v Speaker 5>It seems like anything mysterious, just your standard subpar had

1381
01:30:04.920 --> 01:30:06.600
<v Speaker 5>from the early twenty tens. But the more you watch,

1382
01:30:06.680 --> 01:30:08.960
<v Speaker 5>the less clear it becomes. What exactly Obulum did. They

1383
01:30:09.000 --> 01:30:11.680
<v Speaker 5>left their business incredibly vague. There were no prices, no locations,

1384
01:30:11.720 --> 01:30:13.680
<v Speaker 5>and rather they just listed a bunch of flying buzzwords

1385
01:30:13.720 --> 01:30:16.079
<v Speaker 5>offered at deals that seemed impossible. For example, they list

1386
01:30:16.119 --> 01:30:18.000
<v Speaker 5>fuels apply among their offerings, but how are they actually

1387
01:30:18.039 --> 01:30:19.800
<v Speaker 5>getting the fuel and providing it at fifty to ninety

1388
01:30:19.800 --> 01:30:21.439
<v Speaker 5>percent off and we're in the country or even the

1389
01:30:21.439 --> 01:30:23.640
<v Speaker 5>world are they offering it? It just doesn't seem realistic.

1390
01:30:23.840 --> 01:30:25.520
<v Speaker 5>What they're saying sounds fine on the surface, by the.

1391
01:30:25.520 --> 01:30:28.319
<v Speaker 1>Way, it's really fun to revisit because a lot of

1392
01:30:28.319 --> 01:30:32.119
<v Speaker 1>these movie podcasts. You know, we did a lot of

1393
01:30:32.119 --> 01:30:36.239
<v Speaker 1>these analyzes back when we had like twenty thousand subscribers,

1394
01:30:36.279 --> 01:30:38.359
<v Speaker 1>you know what I mean we did. We had thirty thousand,

1395
01:30:38.439 --> 01:30:43.840
<v Speaker 1>twenty thousand, and I mean we've got you know, ten

1396
01:30:43.920 --> 01:30:46.840
<v Speaker 1>times the subscribers now that we had back when we

1397
01:30:46.840 --> 01:30:49.359
<v Speaker 1>were doing all of those. So maybe we need to

1398
01:30:49.439 --> 01:30:53.640
<v Speaker 1>like review and revisit a lot of these movies that

1399
01:30:53.680 --> 01:30:56.560
<v Speaker 1>we did, you know, before we had a larger audience.

1400
01:30:56.760 --> 01:30:58.039
<v Speaker 5>But the more you think about it, the less sense

1401
01:30:58.039 --> 01:30:59.880
<v Speaker 5>it really makes. It just seems too good to be true.

1402
01:31:00.000 --> 01:31:01.079
<v Speaker 5>I have to mention how biz already is that this

1403
01:31:01.119 --> 01:31:03.119
<v Speaker 5>unknown company could come in and offer literally anything you

1404
01:31:03.119 --> 01:31:06.159
<v Speaker 5>could want that's flying related with such exorbitant deals. Admittedly,

1405
01:31:06.199 --> 01:31:07.880
<v Speaker 5>though this is easy enough to ignore and playoff is

1406
01:31:07.920 --> 01:31:10.359
<v Speaker 5>an ineffective or even deceitful advertisement, But there was something

1407
01:31:10.359 --> 01:31:12.399
<v Speaker 5>else that was much harder to ignore about these commercials,

1408
01:31:12.960 --> 01:31:15.159
<v Speaker 5>with that being the deal attendants themselves.

1409
01:31:15.800 --> 01:31:19.159
<v Speaker 1>So you guys are saying, I'm already nailed it, dude. Listen,

1410
01:31:19.720 --> 01:31:24.199
<v Speaker 1>when Jamie and I watch movies, I'm I'm like expert

1411
01:31:24.239 --> 01:31:28.680
<v Speaker 1>movie detective. Now Jamie's like, I'll solve it like that, dude.

1412
01:31:28.680 --> 01:31:30.600
<v Speaker 1>I'll be like, well, like we'll be like ten minutes,

1413
01:31:30.600 --> 01:31:32.000
<v Speaker 1>and then five ten minutes in the movie, I'm like,

1414
01:31:32.039 --> 01:31:35.279
<v Speaker 1>oh it's They're like, oh, yep, that's it. Now. Every

1415
01:31:35.279 --> 01:31:37.279
<v Speaker 1>now and then I'm wrong, because that's why the only

1416
01:31:37.319 --> 01:31:39.279
<v Speaker 1>movies I like nowadays are the ones that can actually

1417
01:31:39.319 --> 01:31:41.720
<v Speaker 1>trip me up, which is it's got to be like

1418
01:31:41.760 --> 01:31:44.159
<v Speaker 1>some crazy shit, right, like, oh, that was actually a

1419
01:31:44.199 --> 01:31:47.319
<v Speaker 1>synthoid from another dimension. It wasn't that guy, right. Otherwise,

1420
01:31:47.359 --> 01:31:48.880
<v Speaker 1>like I'm going to figure out the movie right away.

1421
01:31:49.640 --> 01:31:51.800
<v Speaker 5>Just ye of you claiming to be a professional aviation business,

1422
01:31:51.800 --> 01:31:54.159
<v Speaker 5>it's difficult not to notice how cheap these women's outfits appear.

1423
01:31:54.159 --> 01:31:56.560
<v Speaker 5>They're clearly costumes rather than real flight attendant uniforms.

1424
01:31:56.600 --> 01:32:00.399
<v Speaker 1>Now, that's what I'm saying, tinguz, like Jamie's like, Jamie

1425
01:32:00.439 --> 01:32:03.279
<v Speaker 1>got me. This is the best example of this. I'd

1426
01:32:03.359 --> 01:32:10.560
<v Speaker 1>never seen Usual Suspects, right, And within the first minute

1427
01:32:10.760 --> 01:32:13.079
<v Speaker 1>or two minutes of the movie, I knew it was

1428
01:32:13.159 --> 01:32:16.199
<v Speaker 1>Kevin Spacey because in the shadow, the way that he

1429
01:32:16.199 --> 01:32:18.960
<v Speaker 1>held the cigar is the gate and the stance that

1430
01:32:19.039 --> 01:32:22.760
<v Speaker 1>Kevin Spacey has, It's Kevin Spacey movie ruined within two

1431
01:32:22.760 --> 01:32:25.560
<v Speaker 1>minutes right away, because this shows you the shadow of

1432
01:32:25.600 --> 01:32:27.640
<v Speaker 1>the villain in the first two minutes, like that's obviously

1433
01:32:27.720 --> 01:32:29.079
<v Speaker 1>Kevin space you could tell the way stance.

1434
01:32:29.319 --> 01:32:31.920
<v Speaker 5>And they're clearly over sexualized too. They're essentially dressed as

1435
01:32:31.960 --> 01:32:34.319
<v Speaker 5>fetishized versions of actual flight attendants, which is bizarre as

1436
01:32:34.359 --> 01:32:36.119
<v Speaker 5>one of the services that obviously claims to provide is

1437
01:32:36.119 --> 01:32:38.920
<v Speaker 5>staffing for flight crews, which would include actual flight attendants. Yet,

1438
01:32:39.000 --> 01:32:40.600
<v Speaker 5>for whatever reason, they chose to address these girls in

1439
01:32:40.600 --> 01:32:43.199
<v Speaker 5>seductive costumes. If they were trying to make these advertisements

1440
01:32:43.239 --> 01:32:45.279
<v Speaker 5>look professional, they were failing miserably. And it wasn't only

1441
01:32:45.279 --> 01:32:46.319
<v Speaker 5>the outfits that had a strength.

1442
01:32:46.359 --> 01:32:48.720
<v Speaker 1>They all it looks kind of AI though, but they

1443
01:32:48.720 --> 01:32:51.039
<v Speaker 1>didn't have AI back then, right, So it's weird because

1444
01:32:51.039 --> 01:32:53.000
<v Speaker 1>the way it looks now it's kind of like creepy

1445
01:32:53.000 --> 01:32:53.840
<v Speaker 1>and AI fake.

1446
01:32:53.680 --> 01:32:56.079
<v Speaker 5>Looking sexual undertone to them. It was also the script

1447
01:32:56.079 --> 01:32:58.399
<v Speaker 5>that the girls were reading, whether you want to learn.

1448
01:32:58.239 --> 01:33:00.760
<v Speaker 7>To fly chartered airplane, I see girls like me or

1449
01:33:00.760 --> 01:33:01.600
<v Speaker 7>to see more girls like me?

1450
01:33:01.800 --> 01:33:03.920
<v Speaker 6>Abubup can help, abulup can help. So what are you

1451
01:33:03.960 --> 01:33:06.800
<v Speaker 6>waiting for? Captain any remember talk gun. Clearly you're attracted No.

1452
01:33:06.920 --> 01:33:10.880
<v Speaker 1>I don't mean to be too dismissive here because I

1453
01:33:10.880 --> 01:33:13.760
<v Speaker 1>don't know where this is going to go. But I mean,

1454
01:33:13.840 --> 01:33:19.880
<v Speaker 1>is this video just about ladies of the evening Because

1455
01:33:20.960 --> 01:33:22.800
<v Speaker 1>I'm not saying that that's right, but I'm saying, like,

1456
01:33:23.920 --> 01:33:27.880
<v Speaker 1>I mean, isn't that the second oldest profession. It's got

1457
01:33:27.920 --> 01:33:29.840
<v Speaker 1>to be something crazier than that, Like maybe they're trafficked

1458
01:33:29.920 --> 01:33:32.199
<v Speaker 1>or something like that, or they're they're not of age.

1459
01:33:32.199 --> 01:33:34.399
<v Speaker 1>I don't know, but I mean, it's got to be

1460
01:33:34.439 --> 01:33:38.760
<v Speaker 1>more than just you know, three oh four's right, that's

1461
01:33:38.840 --> 01:33:41.920
<v Speaker 1>not that's exists since the beginning.

1462
01:33:41.520 --> 01:33:42.000
<v Speaker 2>Of the world.

1463
01:33:42.119 --> 01:33:43.800
<v Speaker 7>This increases with every flight under your belt.

1464
01:33:43.960 --> 01:33:46.439
<v Speaker 5>Bizarrely, the videos themselves were filled with sexual innuendos.

1465
01:33:46.560 --> 01:33:48.600
<v Speaker 3>Anyone who claims that humans were not meant to fly

1466
01:33:48.800 --> 01:33:50.920
<v Speaker 3>never experienced the thrill of their own successful landing get

1467
01:33:50.920 --> 01:33:52.079
<v Speaker 3>Ready to Fly big Boy Airplane.

1468
01:33:52.239 --> 01:33:53.920
<v Speaker 5>They were clearly trying to be more than a little flirty,

1469
01:33:54.000 --> 01:33:55.399
<v Speaker 5>which goes hand in hand with the outfits that they

1470
01:33:55.399 --> 01:33:57.159
<v Speaker 5>were donning. Now, some might argue that this was a

1471
01:33:57.199 --> 01:33:59.399
<v Speaker 5>sign of times. In twenty eleven, edgy and over sexualized

1472
01:33:59.399 --> 01:34:01.079
<v Speaker 5>marketing was still very much in the norm, with several

1473
01:34:01.119 --> 01:34:03.199
<v Speaker 5>major companies building their entire brands around the approach. But

1474
01:34:03.239 --> 01:34:04.720
<v Speaker 5>the only problem here is that the videos made it

1475
01:34:04.800 --> 01:34:06.520
<v Speaker 5>unclear what ovul Loop was even supposed to be offering.

1476
01:34:06.600 --> 01:34:08.119
<v Speaker 5>Despite saying a lot, the lack of details made it

1477
01:34:08.239 --> 01:34:10.520
<v Speaker 5>entirely and ineffective, like the business itself was an afterthought,

1478
01:34:10.600 --> 01:34:12.520
<v Speaker 5>with the focus instead being on these women. In fact,

1479
01:34:12.520 --> 01:34:14.760
<v Speaker 5>even in the channel's description, they simply wrote meet avy

1480
01:34:14.800 --> 01:34:16.920
<v Speaker 5>Loop deal Attendants. This is the official page for a

1481
01:34:16.920 --> 01:34:18.920
<v Speaker 5>brand new company trying to promote it services, and that's

1482
01:34:18.960 --> 01:34:20.439
<v Speaker 5>all they had to say. That's how they marketed their

1483
01:34:20.560 --> 01:34:23.039
<v Speaker 5>entire company, making some wonder what was actually the role

1484
01:34:23.079 --> 01:34:25.039
<v Speaker 5>of these deal attendants and what was actually the purpose

1485
01:34:25.079 --> 01:34:27.920
<v Speaker 5>of avul Loop. The first and most likely theory at

1486
01:34:27.920 --> 01:34:29.880
<v Speaker 5>this point is that Avyloop was an overambitious company that

1487
01:34:29.960 --> 01:34:32.159
<v Speaker 5>used over sexualized marketing to build intrigue around its brand

1488
01:34:32.159 --> 01:34:33.479
<v Speaker 5>at a time when others were doing the same thing

1489
01:34:33.520 --> 01:34:35.680
<v Speaker 5>to great success. Maybe they weren't even off the ground.

1490
01:34:35.920 --> 01:34:42.239
<v Speaker 1>This just seems like of right of style arrangements before

1491
01:34:42.279 --> 01:34:47.119
<v Speaker 1>of is that what it is? Yeah? Like Girls Gone

1492
01:34:47.119 --> 01:34:51.159
<v Speaker 1>Wild but private Jet edition. I'm not trying to downplay

1493
01:34:51.319 --> 01:34:55.159
<v Speaker 1>like that. That's creeper, but you know there is there

1494
01:34:55.159 --> 01:34:58.640
<v Speaker 1>something more in terms of illegality going on here yea.

1495
01:34:58.600 --> 01:35:00.359
<v Speaker 5>And over promising on services that they ho to one

1496
01:35:00.439 --> 01:35:01.840
<v Speaker 5>day to be able to provide, but for the time

1497
01:35:01.880 --> 01:35:03.199
<v Speaker 5>being we're just throwing out there to get more people

1498
01:35:03.239 --> 01:35:05.119
<v Speaker 5>to visit their website. But with such a focus on

1499
01:35:05.159 --> 01:35:07.520
<v Speaker 5>these deal attendants and just how strange these videos come across,

1500
01:35:07.640 --> 01:35:09.399
<v Speaker 5>some were left with a different theory that rather than

1501
01:35:09.399 --> 01:35:11.880
<v Speaker 5>ovul Loop using sex to sell their service, maybe sex

1502
01:35:12.159 --> 01:35:15.840
<v Speaker 5>was their service. The theory goes that Ovyloop was affront

1503
01:35:15.880 --> 01:35:18.319
<v Speaker 5>for pornography or even prostitution, poorly hidden under the guise

1504
01:35:18.319 --> 01:35:20.439
<v Speaker 5>of this fake aeronautics company. This would explain the prominence

1505
01:35:20.439 --> 01:35:22.039
<v Speaker 5>of these deal attendants, as they themselves may have been

1506
01:35:22.039 --> 01:35:24.119
<v Speaker 5>the actresses or prostitutes, and it also explains the lack

1507
01:35:24.119 --> 01:35:25.880
<v Speaker 5>of information about the company itself as the reason their

1508
01:35:25.920 --> 01:35:27.560
<v Speaker 5>deals and services don't seem to make any sense.

1509
01:35:27.680 --> 01:35:32.960
<v Speaker 1>Jeff Steime Mcarolines. I like that one, Jeff Steme mcgaerlines.

1510
01:35:32.680 --> 01:35:34.479
<v Speaker 5>Was because they weren't actually offering them. It was all

1511
01:35:34.560 --> 01:35:36.479
<v Speaker 5>just to cover up and honestly, just going off the

1512
01:35:36.520 --> 01:35:38.479
<v Speaker 5>eye test. This is how the page comes across. But

1513
01:35:38.479 --> 01:35:40.039
<v Speaker 5>there are other details that make this theory a lot

1514
01:35:40.039 --> 01:35:42.600
<v Speaker 5>more compelling for starters. In numerous videos, they mention an

1515
01:35:42.720 --> 01:35:44.920
<v Speaker 5>unusual feature of their website that users can vote for

1516
01:35:44.920 --> 01:35:47.000
<v Speaker 5>their favorite deal attendant and win prizes as a result.

1517
01:35:47.159 --> 01:35:48.920
<v Speaker 6>You can even vote for your favorite deal attendant and win.

1518
01:35:48.840 --> 01:35:51.199
<v Speaker 5>Special prizes, with one of these special prizes later being

1519
01:35:51.239 --> 01:35:52.640
<v Speaker 5>revealed to be a one on one video call with

1520
01:35:52.680 --> 01:35:54.640
<v Speaker 5>one of these deal attendants. This show is that the

1521
01:35:54.680 --> 01:35:56.479
<v Speaker 5>deal attendants weren't just for marketing. They were a core

1522
01:35:56.520 --> 01:35:58.520
<v Speaker 5>part of the services offered to ovul Loop users, making

1523
01:35:58.520 --> 01:36:00.680
<v Speaker 5>one wonder what was actually happening on those video calls

1524
01:36:00.720 --> 01:36:03.359
<v Speaker 5>and was it perhaps something sexual? And it goes even deeper.

1525
01:36:03.199 --> 01:36:06.039
<v Speaker 1>Than that, uh duh, look, I mean obviously by now

1526
01:36:06.079 --> 01:36:07.159
<v Speaker 1>we can tell it is what do you.

1527
01:36:07.159 --> 01:36:09.279
<v Speaker 5>Mean, loud enough or even the dealer tendant to take notice.

1528
01:36:09.439 --> 01:36:11.359
<v Speaker 5>It's very unusual and certainly not a sound that could

1529
01:36:11.359 --> 01:36:13.279
<v Speaker 5>just accidentally happen on a typical film set, which makes

1530
01:36:13.279 --> 01:36:15.159
<v Speaker 5>it all the stranger that another inexplicable noise was heard

1531
01:36:15.199 --> 01:36:16.760
<v Speaker 5>in the background of a different video, and this one

1532
01:36:16.840 --> 01:36:18.239
<v Speaker 5>left viewers far more distressed.

1533
01:36:18.920 --> 01:36:20.960
<v Speaker 7>You want to learn to fly, shot an airplane, or

1534
01:36:21.000 --> 01:36:23.079
<v Speaker 7>to see more girls like me? Abi look can help,

1535
01:36:24.079 --> 01:36:26.239
<v Speaker 7>or to see more girls like me? Abi look can help?

1536
01:36:27.159 --> 01:36:30.960
<v Speaker 7>Or to see more girls like me? Abi look can help.

1537
01:36:32.640 --> 01:36:36.399
<v Speaker 1>Yeah, we've reached the point where I start calf maxon.

1538
01:36:37.119 --> 01:36:39.199
<v Speaker 1>Y'all know we at that point when I'm putting the

1539
01:36:39.239 --> 01:36:42.439
<v Speaker 1>calves up with cal maxin. So y'all help me out here.

1540
01:36:42.920 --> 01:36:44.479
<v Speaker 1>Let's get to the did we get to the goal?

1541
01:36:45.800 --> 01:36:47.800
<v Speaker 1>We're one super shot away from the goal? Y'all? Come

1542
01:36:47.840 --> 01:36:53.239
<v Speaker 1>on now? Yea all got a help? Oliga help me

1543
01:36:53.279 --> 01:36:53.560
<v Speaker 1>out right.

1544
01:36:54.840 --> 01:36:56.800
<v Speaker 5>Some believe that this is yet another sexual mom while

1545
01:36:56.800 --> 01:36:59.680
<v Speaker 5>others swear they can hear a specific word, the word help.

1546
01:37:03.000 --> 01:37:05.680
<v Speaker 5>It's incredibly concerning, especially if this prostitution theory is true.

1547
01:37:05.680 --> 01:37:07.439
<v Speaker 5>I mean, there's just so many implications to it given

1548
01:37:07.479 --> 01:37:07.720
<v Speaker 5>the link.

1549
01:37:07.960 --> 01:37:09.560
<v Speaker 1>Oh interesting, Okay, So I was wondering if it was

1550
01:37:09.560 --> 01:37:12.920
<v Speaker 1>going to get into like a trafficking angle. Let me

1551
01:37:12.960 --> 01:37:15.239
<v Speaker 1>hear that again, because to me it didn't sound like

1552
01:37:15.279 --> 01:37:17.119
<v Speaker 1>they were saying that, but also was sped up. So

1553
01:37:17.199 --> 01:37:18.279
<v Speaker 1>let's hear it. Let's see.

1554
01:37:20.399 --> 01:37:23.319
<v Speaker 5>Especially if this prostitution theory is true, I mean, there's

1555
01:37:23.359 --> 01:37:26.079
<v Speaker 5>just so many implications to it. All others swear they

1556
01:37:26.079 --> 01:37:29.640
<v Speaker 5>can hear a specific word, the word help.

1557
01:37:34.560 --> 01:37:38.319
<v Speaker 1>Maybe it's incredibly it was, it was kind of maybe

1558
01:37:38.439 --> 01:37:40.479
<v Speaker 1>we'll see. It's hard to.

1559
01:37:40.439 --> 01:37:43.920
<v Speaker 5>Tell concerning especially if this prostitution theory is true. I mean,

1560
01:37:43.920 --> 01:37:45.760
<v Speaker 5>there's just so many implications to it, given the link

1561
01:37:45.760 --> 01:37:48.600
<v Speaker 5>between prostitution and human trafficking. But again, this could all

1562
01:37:48.600 --> 01:37:49.840
<v Speaker 5>be part of the marketing. Maybe this was all just

1563
01:37:49.880 --> 01:37:51.840
<v Speaker 5>employe to get people to visit their website, roping you

1564
01:37:51.840 --> 01:37:54.199
<v Speaker 5>in with these sexualized, creepy, and even concerning videos that

1565
01:37:54.319 --> 01:37:56.159
<v Speaker 5>almost demand that you dig deeper. Well, if this is

1566
01:37:56.199 --> 01:37:58.359
<v Speaker 5>the case, then surely visiting their website would help put

1567
01:37:58.359 --> 01:37:59.039
<v Speaker 5>this mystery to ben.

1568
01:38:01.600 --> 01:38:05.239
<v Speaker 1>Oh is this going to go to Jeff Stin mcgaffrey. Yeah,

1569
01:38:05.239 --> 01:38:07.199
<v Speaker 1>so there's a whole section of the video about Jeff

1570
01:38:07.239 --> 01:38:11.159
<v Speaker 1>Stime mcgirlines. Well I already knew about this. Did we

1571
01:38:11.159 --> 01:38:13.920
<v Speaker 1>already know this or did this guy just make a

1572
01:38:14.039 --> 01:38:15.880
<v Speaker 1>more in depth video? I thought we already all knew

1573
01:38:15.880 --> 01:38:17.079
<v Speaker 1>this At.

1574
01:38:17.000 --> 01:38:18.680
<v Speaker 5>The time these videos were uploaded back in twenty eleven,

1575
01:38:18.760 --> 01:38:20.359
<v Speaker 5>those visiting the ovo loop website would be met with

1576
01:38:20.359 --> 01:38:22.640
<v Speaker 5>the rather of mackluster experience. The whole page was dull

1577
01:38:22.680 --> 01:38:24.359
<v Speaker 5>and uninviting. It seem about as vaga as the video

1578
01:38:24.359 --> 01:38:26.119
<v Speaker 5>is promoting it. However, they did have an about section

1579
01:38:26.159 --> 01:38:28.600
<v Speaker 5>that attempted to describe the service more in depth. There

1580
01:38:28.640 --> 01:38:30.640
<v Speaker 5>they mentioned that the primary goal of ovy loop was safety,

1581
01:38:30.720 --> 01:38:32.640
<v Speaker 5>as they believe that making training and other aeronautic services

1582
01:38:32.720 --> 01:38:34.039
<v Speaker 5>more accessible could in turn, what.

1583
01:38:34.000 --> 01:38:36.000
<v Speaker 1>Do you mean it's all fake? It's there was a

1584
01:38:36.039 --> 01:38:42.239
<v Speaker 1>whole jeff Stein Airlines saying that came out. I don't

1585
01:38:42.239 --> 01:38:44.439
<v Speaker 1>know if this is that, but that wasn't fake.

1586
01:38:44.520 --> 01:38:46.920
<v Speaker 5>What do you mean help prevent accidents? Which strangely was

1587
01:38:46.960 --> 01:38:48.600
<v Speaker 5>never even hinted at in their videos and it's never

1588
01:38:48.600 --> 01:38:50.399
<v Speaker 5>mentioned again on any other portion of the website. But

1589
01:38:50.399 --> 01:38:51.760
<v Speaker 5>it was in this about tame that they listed even

1590
01:38:51.760 --> 01:38:55.159
<v Speaker 5>more services that they claimed to provide, services like navigation equipment, headsets,

1591
01:38:55.199 --> 01:38:58.159
<v Speaker 5>and pilot vacations, among many other things. Basically, anything even

1592
01:38:58.199 --> 01:39:00.600
<v Speaker 5>remotely related to flying they sold it, at least claim to,

1593
01:39:00.680 --> 01:39:02.359
<v Speaker 5>and they consisted that they did so cheaper than anywhere

1594
01:39:02.359 --> 01:39:04.359
<v Speaker 5>else by using collective bargaining, a process that they would

1595
01:39:04.359 --> 01:39:06.720
<v Speaker 5>go into greater detail about. Basically, Abyloop acts as a

1596
01:39:06.760 --> 01:39:09.119
<v Speaker 5>third party partnering with aviation businesses to promote unique deals

1597
01:39:09.119 --> 01:39:10.600
<v Speaker 5>on their sites. Each of these deals as a quote,

1598
01:39:10.640 --> 01:39:10.880
<v Speaker 5>I mean.

1599
01:39:10.840 --> 01:39:14.159
<v Speaker 1>The websites definitely look super frickin cheap and fake as hell.

1600
01:39:14.600 --> 01:39:17.960
<v Speaker 1>Look at that, dude? Is that there is that the

1601
01:39:18.000 --> 01:39:22.199
<v Speaker 1>website or like their fake ass fakebook Facebook profile, that's ridiculous.

1602
01:39:22.279 --> 01:39:23.640
<v Speaker 5>That must be hit for it to actually go through.

1603
01:39:23.680 --> 01:39:25.039
<v Speaker 5>So if enough people buy the deal, the quote has

1604
01:39:25.039 --> 01:39:26.640
<v Speaker 5>reached and everyone gets a voutcher to do or receive

1605
01:39:26.680 --> 01:39:28.239
<v Speaker 5>whatever they paid for. But if the deal doesn't reach

1606
01:39:28.279 --> 01:39:29.760
<v Speaker 5>its quota, then everyone is refunded and the deal is

1607
01:39:29.800 --> 01:39:31.640
<v Speaker 5>avoided without any cost to the users or the business.

1608
01:39:31.800 --> 01:39:33.880
<v Speaker 5>Avyloup was the middleman, which could explain how they managed

1609
01:39:33.880 --> 01:39:36.359
<v Speaker 5>to offer such impressive deals in such diverse services, though

1610
01:39:36.399 --> 01:39:38.600
<v Speaker 5>again this is just what they were saying begging the question.

1611
01:39:38.840 --> 01:39:42.079
<v Speaker 5>Was anything actually being sold on pavylup dot com. Well,

1612
01:39:42.079 --> 01:39:44.399
<v Speaker 5>there actually was. The deals were sorted by general locations,

1613
01:39:44.399 --> 01:39:46.640
<v Speaker 5>and most consisted of flying lessons, museum trips, or even

1614
01:39:46.640 --> 01:39:49.640
<v Speaker 5>temporary tattoos. However, there was something unusual about these lips.

1615
01:39:49.680 --> 01:39:52.920
<v Speaker 1>I mean they're selling the chicks, dude, looks like obvious.

1616
01:39:52.960 --> 01:39:56.359
<v Speaker 1>Now what do you mean? What's y'all a.

1617
01:40:02.399 --> 01:40:02.800
<v Speaker 2>Stings.

1618
01:40:02.960 --> 01:40:05.159
<v Speaker 5>Bizarrely, almost every deal on the site was markedez completed,

1619
01:40:05.279 --> 01:40:08.479
<v Speaker 5>each having ended in nineteen sixty nine, which obviously was impossible.

1620
01:40:08.680 --> 01:40:10.279
<v Speaker 5>There were only a select few deals throughout the entire

1621
01:40:10.279 --> 01:40:12.439
<v Speaker 5>website's history that were ever even active, and even then

1622
01:40:12.520 --> 01:40:13.439
<v Speaker 5>there didn't seem to be aware.

1623
01:40:13.680 --> 01:40:15.399
<v Speaker 1>I must get ahead a little bit. This website part

1624
01:40:15.479 --> 01:40:16.439
<v Speaker 1>is boring supposure.

1625
01:40:16.439 --> 01:40:18.039
<v Speaker 5>Adding a deal attendant has the potential of making it

1626
01:40:18.119 --> 01:40:20.319
<v Speaker 5>viral on social media sites. Promotions that include a video

1627
01:40:20.319 --> 01:40:22.560
<v Speaker 5>tend to be extra successful. There's a lot to impact

1628
01:40:22.560 --> 01:40:24.760
<v Speaker 5>here for starters. This explains how ovulop makes their money.

1629
01:40:24.760 --> 01:40:27.159
<v Speaker 5>They're basically charging companies to run ads using these deal attendants,

1630
01:40:27.159 --> 01:40:28.680
<v Speaker 5>and the videos on their channel are examples of what

1631
01:40:28.680 --> 01:40:30.800
<v Speaker 5>these ads would look like. Though calling them professional is

1632
01:40:30.960 --> 01:40:33.399
<v Speaker 5>extremely generous, and I can't imagine any companies actually wanting

1633
01:40:33.439 --> 01:40:34.920
<v Speaker 5>to use the service, and given that these are the

1634
01:40:34.960 --> 01:40:36.840
<v Speaker 5>only videos that they shared, I don't think many, if any,

1635
01:40:36.920 --> 01:40:39.439
<v Speaker 5>actually did extremely sexual in nature. They were meant to

1636
01:40:39.439 --> 01:40:41.359
<v Speaker 5>mimic pilot stripes and be put on your shirtless shoulders

1637
01:40:41.439 --> 01:40:43.600
<v Speaker 5>with a package reading when a uniform just won't do,

1638
01:40:43.840 --> 01:40:47.880
<v Speaker 5>and the description hadding all sorts of innuendos appears so fake,

1639
01:40:48.359 --> 01:40:50.159
<v Speaker 5>but that doesn't inherently mean that they were actually involved

1640
01:40:50.159 --> 01:40:52.680
<v Speaker 5>in pornography or prostitution. I mean, despite all these innu windos,

1641
01:40:52.720 --> 01:40:54.079
<v Speaker 5>there is no direct mention of the sale of sex

1642
01:40:54.079 --> 01:40:56.039
<v Speaker 5>anywhere on the website from what I could see, And unfortunately,

1643
01:40:56.079 --> 01:40:57.479
<v Speaker 5>much of the website is lost of time, as in

1644
01:40:57.520 --> 01:40:59.119
<v Speaker 5>twenty sixteen in the site would go down, replaced by

1645
01:40:59.119 --> 01:41:01.159
<v Speaker 5>another random URL, making it impossible to know what this

1646
01:41:01.159 --> 01:41:03.159
<v Speaker 5>platform was actually like for those who signed up for it.

1647
01:41:03.319 --> 01:41:05.279
<v Speaker 5>What were they actually being offered, what were they discussing

1648
01:41:05.319 --> 01:41:07.760
<v Speaker 5>amongst themselves, and what happened on these video calls. It's

1649
01:41:07.760 --> 01:41:09.560
<v Speaker 5>all unknown, as what I've shown is pretty much all

1650
01:41:09.600 --> 01:41:10.760
<v Speaker 5>I was able to salvage from the way back.

1651
01:41:10.840 --> 01:41:12.720
<v Speaker 1>Yeah, I mean this a merely It seems like obviously

1652
01:41:12.800 --> 01:41:16.800
<v Speaker 1>some sort of criminal operation running out of a front right,

1653
01:41:17.399 --> 01:41:18.720
<v Speaker 1>all right, let's get it to the next part.

1654
01:41:19.279 --> 01:41:21.359
<v Speaker 5>It comes across like a sham website, void of any

1655
01:41:21.399 --> 01:41:24.640
<v Speaker 5>notable information. With one exception, there was a single new

1656
01:41:24.680 --> 01:41:26.239
<v Speaker 5>addition to the site, as at the very bottom you

1657
01:41:26.239 --> 01:41:28.039
<v Speaker 5>could find a short bio not of a deal attendant,

1658
01:41:28.039 --> 01:41:31.720
<v Speaker 5>but of a legitimate pilot named Nadia Marinco, the creator

1659
01:41:31.760 --> 01:41:32.399
<v Speaker 5>of avu Loop.

1660
01:41:32.880 --> 01:41:34.760
<v Speaker 1>This is mar Senko, not Marinco.

1661
01:41:34.760 --> 01:41:36.880
<v Speaker 5>Coppilation is huge, as Nadia Moreenco was a well known

1662
01:41:36.920 --> 01:41:38.960
<v Speaker 5>and extremely successful pilot, which makes avul Loop all the

1663
01:41:38.960 --> 01:41:40.560
<v Speaker 5>more confusing, as you would think that her involvement in

1664
01:41:40.560 --> 01:41:42.239
<v Speaker 5>the company would help legitimize it and make could seem

1665
01:41:42.239 --> 01:41:44.039
<v Speaker 5>more likely that avul Loop was a real company after all,

1666
01:41:44.159 --> 01:41:47.119
<v Speaker 5>But instead it actually did the exact opposite, so that wasn't.

1667
01:41:47.159 --> 01:41:49.199
<v Speaker 1>Thus the check connected to Jeff's line.

1668
01:41:49.079 --> 01:41:51.359
<v Speaker 5>Involvement plunges this mystery into a whole new depth, a

1669
01:41:51.399 --> 01:41:56.840
<v Speaker 5>depth far darker than we've yet to discuss. Born in

1670
01:41:56.880 --> 01:41:59.239
<v Speaker 5>Czechoslovakia in nineteen eighty six, and Nadia had dedicated her

1671
01:41:59.239 --> 01:42:01.520
<v Speaker 5>younger years to model, lending multiple high profile roles in

1672
01:42:01.560 --> 01:42:03.359
<v Speaker 5>her country, and by the age of just fifteen, these

1673
01:42:03.399 --> 01:42:04.880
<v Speaker 5>roles led to her being moved to the United States

1674
01:42:05.000 --> 01:42:07.119
<v Speaker 5>to help continue this pudding career. But by twenty her

1675
01:42:07.119 --> 01:42:09.039
<v Speaker 5>interest had shifted to a different kind of runway. She

1676
01:42:09.079 --> 01:42:10.880
<v Speaker 5>became obsessed with flying and had a natural talent for

1677
01:42:10.920 --> 01:42:12.960
<v Speaker 5>it too, quickly rising through the ranks and gaining certifications

1678
01:42:12.960 --> 01:42:14.399
<v Speaker 5>faster than most others could at that age.

1679
01:42:14.439 --> 01:42:16.680
<v Speaker 1>Oh that's why I recognize her face because she's on

1680
01:42:16.720 --> 01:42:19.399
<v Speaker 1>the thumbnail of the video and she was tied to

1681
01:42:19.439 --> 01:42:20.720
<v Speaker 1>the Jeff stain McCaffrey stone.

1682
01:42:20.760 --> 01:42:22.960
<v Speaker 5>By twenty five, she was considered extremely accomplished for someone

1683
01:42:22.960 --> 01:42:24.560
<v Speaker 5>so young, and her resume would soon reach a wider

1684
01:42:24.560 --> 01:42:35.399
<v Speaker 5>audience when she began leveraging social media. She posted videos

1685
01:42:35.479 --> 01:42:37.800
<v Speaker 5>under the alias Gulf String Girl and eventually Global Girl,

1686
01:42:37.800 --> 01:42:40.159
<v Speaker 5>where she marketed herself as a supermodel turned pilot, which

1687
01:42:40.159 --> 01:42:42.319
<v Speaker 5>worked to the tune of millions of views. Natti Marinco

1688
01:42:42.359 --> 01:42:44.039
<v Speaker 5>was a star in the aviation world and on social

1689
01:42:44.079 --> 01:42:45.600
<v Speaker 5>media too, and it was during the height of the

1690
01:42:45.600 --> 01:42:48.439
<v Speaker 5>success that she started Avi Loop. It clearly wasn't meant

1691
01:42:48.479 --> 01:42:49.359
<v Speaker 5>to be something.

1692
01:42:49.119 --> 01:42:52.880
<v Speaker 1>So she started it interesting and let's get over here

1693
01:42:52.880 --> 01:42:54.760
<v Speaker 1>to the the real meat.

1694
01:42:54.600 --> 01:42:57.399
<v Speaker 5>Of the video listening and for curing miners for prostitution.

1695
01:42:57.520 --> 01:43:02.079
<v Speaker 1>She was involved in trafficking women and children over to

1696
01:43:02.079 --> 01:43:03.000
<v Speaker 1>Little Saint James.

1697
01:43:03.920 --> 01:43:06.000
<v Speaker 5>In case you're somehow unaware, Jeffrey Epstein is the most

1698
01:43:06.039 --> 01:43:08.359
<v Speaker 5>prolific pedophile and human trafficker, maybe of all time. He

1699
01:43:08.359 --> 01:43:10.720
<v Speaker 5>carried out a large scale human trafficking operation, bringing children

1700
01:43:10.760 --> 01:43:12.560
<v Speaker 5>to his private islands that he and other elites exploited

1701
01:43:12.560 --> 01:43:15.319
<v Speaker 5>in horrific ways. It's considered one of Epstein's victims. He

1702
01:43:15.319 --> 01:43:16.880
<v Speaker 5>found her through her modeling job when she was just

1703
01:43:16.880 --> 01:43:18.399
<v Speaker 5>a teenager, and she didn't just come to the United

1704
01:43:18.439 --> 01:43:20.279
<v Speaker 5>States for work, Epstein himself brought her.

1705
01:43:20.560 --> 01:43:24.279
<v Speaker 1>I knew it so just like a movie, solved the

1706
01:43:24.319 --> 01:43:29.479
<v Speaker 1>case within two minutes. Uh, what do you guys think? Hot?

1707
01:43:29.600 --> 01:43:31.119
<v Speaker 1>Y'all were like, how do you know he already knew?

1708
01:43:31.159 --> 01:43:32.800
<v Speaker 1>I didn't ean what I promise I didn't watched the yet.

1709
01:43:32.800 --> 01:43:35.520
<v Speaker 5>After allegedly purchasing her from her father, what followed was

1710
01:43:35.560 --> 01:43:38.840
<v Speaker 5>Nadia becoming his self described sex slave. It's a horrible

1711
01:43:38.880 --> 01:43:41.000
<v Speaker 5>and unimaginable fate. But while Nadia appeared to have been

1712
01:43:41.039 --> 01:43:43.159
<v Speaker 5>a victim of Epstein, that wasn't all she was, as

1713
01:43:43.199 --> 01:43:48.159
<v Speaker 5>after becoming an adult, she also became Epstein's accomplice. When

1714
01:43:48.159 --> 01:43:49.960
<v Speaker 5>Epstein was first investigated by all Deny back in the

1715
01:43:49.960 --> 01:43:51.960
<v Speaker 5>two thousands, many of his victims came forward and claimed

1716
01:43:52.000 --> 01:43:53.800
<v Speaker 5>that Nadio was not only present for their use, but

1717
01:43:53.880 --> 01:43:56.600
<v Speaker 5>she was a willing participant there too, satisfy Epstein's criminal

1718
01:43:56.600 --> 01:43:59.720
<v Speaker 5>sexual desires by on occasion, directly participating as a US

1719
01:44:00.000 --> 01:44:02.800
<v Speaker 5>Prussian of the minor girls. Now, Epstein was eventual given

1720
01:44:02.840 --> 01:44:04.399
<v Speaker 5>a sweetheart deal for these crimes in two thousand and eight,

1721
01:44:04.439 --> 01:44:06.159
<v Speaker 5>which led to him serving just thirteen months in prison,

1722
01:44:06.159 --> 01:44:07.399
<v Speaker 5>and as part of that deal, Na he was given

1723
01:44:07.399 --> 01:44:08.800
<v Speaker 5>complete immunity, meaning she never.

1724
01:44:09.439 --> 01:44:12.600
<v Speaker 1>I think, and she disappeared like she's probably a witness

1725
01:44:12.600 --> 01:44:13.079
<v Speaker 1>production or.

1726
01:44:13.079 --> 01:44:14.960
<v Speaker 5>Something, faced any sort of free perussions for her use

1727
01:44:15.000 --> 01:44:16.800
<v Speaker 5>of children. But despite being a free woman, by the

1728
01:44:16.800 --> 01:44:18.640
<v Speaker 5>time that Epstein was thrown in jail, she stood by

1729
01:44:18.640 --> 01:44:20.399
<v Speaker 5>a side living in his New York City home, waiting

1730
01:44:20.399 --> 01:44:22.600
<v Speaker 5>for his release, and while he was behind bars, Nadia

1731
01:44:22.600 --> 01:44:26.720
<v Speaker 5>would visit him roughly seventy times. These two were deeply connected, so.

1732
01:44:26.680 --> 01:44:29.479
<v Speaker 1>She was still like running the running shit that he

1733
01:44:29.520 --> 01:44:30.760
<v Speaker 1>couldn't run while he was in there.

1734
01:44:32.279 --> 01:44:35.039
<v Speaker 5>Well after she was his slave, with naughty, even making

1735
01:44:35.079 --> 01:44:37.399
<v Speaker 5>a scrap book for Epstein, which is just so terrifying

1736
01:44:37.399 --> 01:44:38.760
<v Speaker 5>that I had to at least mention it in this video.

1737
01:44:42.960 --> 01:44:44.720
<v Speaker 5>It would be several years later, in twenty twelve, a

1738
01:44:44.760 --> 01:44:46.600
<v Speaker 5>time when Nadia had long since left Epstein's home and

1739
01:44:46.640 --> 01:44:49.199
<v Speaker 5>his control, that Nadia would rejoin his operation, this time

1740
01:44:49.199 --> 01:44:52.439
<v Speaker 5>with a brand new role. She became one of Epstein's pilots,

1741
01:44:52.640 --> 01:44:55.000
<v Speaker 5>taking victims and perpetrators alike to and from the island

1742
01:44:55.119 --> 01:44:58.399
<v Speaker 5>on the plane they dubbed the Lolita Express, what happened

1743
01:44:58.399 --> 01:44:58.680
<v Speaker 5>on the.

1744
01:44:58.760 --> 01:45:01.520
<v Speaker 6>Later express everything, what happened on the Express and his

1745
01:45:01.560 --> 01:45:03.439
<v Speaker 6>other plans was the same thing that happened in his

1746
01:45:03.479 --> 01:45:05.680
<v Speaker 6>bedrooms and the massage rooms. The abuse did not stop

1747
01:45:05.720 --> 01:45:07.479
<v Speaker 6>because we're in the air. Jeffy couldn't take a two

1748
01:45:07.479 --> 01:45:09.720
<v Speaker 6>hour flight without having to ejaculate. Like, that's how sick

1749
01:45:09.760 --> 01:45:10.279
<v Speaker 6>this man was.

1750
01:45:11.680 --> 01:45:14.560
<v Speaker 5>Nadia Marinco was directly trafficking children for Epstein. And she

1751
01:45:14.640 --> 01:45:16.880
<v Speaker 5>was doing this in twenty twelve, mere months after she

1752
01:45:16.880 --> 01:45:18.479
<v Speaker 5>started Abby Loop, which.

1753
01:45:18.399 --> 01:45:20.640
<v Speaker 1>R Yeah, I knew it. I knew this was exactly

1754
01:45:20.680 --> 01:45:24.920
<v Speaker 1>where I was going to go. Did we hit the

1755
01:45:25.079 --> 01:45:27.760
<v Speaker 1>goal yet? Yeah? Come on, now we're almost to the goal.

1756
01:45:27.840 --> 01:45:29.279
<v Speaker 1>Y'all would help me get that goal or not? We're

1757
01:45:29.359 --> 01:45:32.680
<v Speaker 1>like one superjet away from the goal. I'll read a

1758
01:45:32.680 --> 01:45:36.479
<v Speaker 1>couple more super jets here. Fernando five dollars. W what

1759
01:45:36.560 --> 01:45:39.520
<v Speaker 1>do you think about Liminal business church? That's already Rouselan's church,

1760
01:45:39.560 --> 01:45:45.079
<v Speaker 1>it exists, Barrangos. When is Jolo church pot Loco? Yeah,

1761
01:45:45.119 --> 01:45:49.319
<v Speaker 1>we don't have pot lucksure Potloco Tingo ten dollars. We

1762
01:45:49.399 --> 01:45:54.119
<v Speaker 1>do phronsie wine in back room communion. Yes, correct, that's

1763
01:45:54.199 --> 01:45:58.720
<v Speaker 1>corporate fake one fallacy five dollars. That could actually be

1764
01:45:58.760 --> 01:46:01.760
<v Speaker 1>a good idea for a short film. You find a

1765
01:46:01.840 --> 01:46:05.760
<v Speaker 1>church in the back room. It's a burst of beauty

1766
01:46:05.760 --> 01:46:09.279
<v Speaker 1>in the nightmare. That would be weird. D Jewels ten dollars,

1767
01:46:09.439 --> 01:46:13.560
<v Speaker 1>Jay Dizzel. Watch Under the Banner of Heaven. A Mormon

1768
01:46:13.600 --> 01:46:20.039
<v Speaker 1>detective investigates an unalive Mormon woman and her child that

1769
01:46:20.079 --> 01:46:27.399
<v Speaker 1>are mixed up in FDLS cult. Is that a documentary

1770
01:46:27.439 --> 01:46:32.000
<v Speaker 1>or a movie? What's it called Banner of Heaven?

1771
01:46:32.079 --> 01:46:49.239
<v Speaker 2>Let's see.

1772
01:46:49.760 --> 01:46:51.960
<v Speaker 1>Oh it's a drama mini series. Oh yeah, I heard

1773
01:46:52.000 --> 01:46:56.119
<v Speaker 1>about this with Andrew Garfield. I think Jamie watched this.

1774
01:46:56.880 --> 01:46:58.680
<v Speaker 1>I'm pretty sure Jamie watched it. She was saying I

1775
01:46:58.680 --> 01:47:03.399
<v Speaker 1>need to watch it. Pantausand and five dollars. My first

1776
01:47:03.439 --> 01:47:06.039
<v Speaker 1>super chat, My first time ever seeing your stream. This

1777
01:47:06.159 --> 01:47:12.720
<v Speaker 1>is great, awesome. Guess what you got archive of You

1778
01:47:12.840 --> 01:47:17.840
<v Speaker 1>got a lot of work to do, Son, You got shit?

1779
01:47:17.880 --> 01:47:22.600
<v Speaker 1>What do we got now? One six hundred videos to

1780
01:47:22.640 --> 01:47:25.680
<v Speaker 1>get to start working? He best to get the work, Son,

1781
01:47:26.640 --> 01:47:29.840
<v Speaker 1>since you're new around here, but welcome, Fernando. So for

1782
01:47:29.880 --> 01:47:36.439
<v Speaker 1>ten dollars. Besides Pasco, what's your favorite service Sunday or

1783
01:47:36.520 --> 01:47:43.039
<v Speaker 1>Saint Gregory Palamas in Lent, he says Dormian Vesper's goat

1784
01:47:43.680 --> 01:47:48.279
<v Speaker 1>minus Nativity Dormion, I like the trim of Orthodoxy too,

1785
01:47:48.640 --> 01:47:53.119
<v Speaker 1>Peter White five dollars. It's quite sus that the Protestant

1786
01:47:54.039 --> 01:47:57.680
<v Speaker 1>grifters know more about Islam than they do about Christianity. Ooh,

1787
01:47:57.720 --> 01:48:02.560
<v Speaker 1>that's a great point, real quick, while I'm while I'm

1788
01:48:02.600 --> 01:48:05.640
<v Speaker 1>on the subject, and shout out to some of my

1789
01:48:05.720 --> 01:48:11.760
<v Speaker 1>friends for hitting me to this point. I didn't realize

1790
01:48:11.960 --> 01:48:14.399
<v Speaker 1>if someone believed what might be going on. And now

1791
01:48:14.439 --> 01:48:17.319
<v Speaker 1>I think this makes perfect sense. So the question is

1792
01:48:18.199 --> 01:48:21.800
<v Speaker 1>what made Rouselan suddenly so fussy about all of this? Right,

1793
01:48:21.840 --> 01:48:28.520
<v Speaker 1>Because Rouselan himself admits that he had a change of

1794
01:48:28.560 --> 01:48:34.359
<v Speaker 1>mind in the last month, right, and that's what spurned

1795
01:48:34.600 --> 01:48:38.640
<v Speaker 1>the Catechumen being pitted against the you know, Gavin Ortland

1796
01:48:38.680 --> 01:48:44.479
<v Speaker 1>and Trent Horn. But what exactly caused the change in

1797
01:48:44.560 --> 01:48:47.800
<v Speaker 1>Ruslan's mind to be going in this direction? And I

1798
01:48:47.840 --> 01:48:51.279
<v Speaker 1>think we figured it out. So it turns out that

1799
01:48:52.760 --> 01:48:56.399
<v Speaker 1>every time that he's had Orthodox people on, and that

1800
01:48:56.439 --> 01:48:59.960
<v Speaker 1>includes he's had me, he said Neil and Jonathan Page,

1801
01:49:00.319 --> 01:49:02.800
<v Speaker 1>he said, Father Desiah, He's had Father Peter hears On.

1802
01:49:03.880 --> 01:49:06.840
<v Speaker 1>He's not realized until after having all of us on,

1803
01:49:07.119 --> 01:49:13.560
<v Speaker 1>that we're not an ecumenist church. Okay, I don't think

1804
01:49:13.640 --> 01:49:16.600
<v Speaker 1>Rouzlan originally thought that. His thought was, how can I

1805
01:49:16.640 --> 01:49:21.159
<v Speaker 1>increase my market reach. Oh, here's this whole group of orthos.

1806
01:49:21.239 --> 01:49:23.840
<v Speaker 1>I'll reach out to them and then they'll be part

1807
01:49:23.840 --> 01:49:25.600
<v Speaker 1>of my audience as well. So he's thinking about it

1808
01:49:25.600 --> 01:49:28.079
<v Speaker 1>as we all know as a marketer. Right. Well, he

1809
01:49:28.119 --> 01:49:30.479
<v Speaker 1>starts having all the orthos on, and he realizes that

1810
01:49:30.520 --> 01:49:34.760
<v Speaker 1>they don't teach a humanist, lowest common denominator Christianity. They

1811
01:49:34.760 --> 01:49:37.960
<v Speaker 1>don't teach mere Christianity. So then he realized that, wait

1812
01:49:38.000 --> 01:49:41.000
<v Speaker 1>a minute, their exclusivity claims are not going to work

1813
01:49:41.039 --> 01:49:45.520
<v Speaker 1>with my marketing approach. But that's not all. He realized

1814
01:49:45.520 --> 01:49:48.399
<v Speaker 1>that when you go to the comments of the videos

1815
01:49:48.399 --> 01:49:53.359
<v Speaker 1>with the Orthodox, all of the comments are how they're

1816
01:49:53.479 --> 01:49:59.479
<v Speaker 1>becoming Orthodox. Let's look at these comments. It's about becoming

1817
01:50:00.960 --> 01:50:03.960
<v Speaker 1>This is the best line in this video. I'm being

1818
01:50:04.039 --> 01:50:07.920
<v Speaker 1>baptized in Orthodox Church next month. I left Protestantism one

1819
01:50:07.920 --> 01:50:11.239
<v Speaker 1>thousand and three. Inner likes Orthodox is so deep. I'm

1820
01:50:11.239 --> 01:50:15.039
<v Speaker 1>becoming Orthodox. I'm former Presbyterian becoming Orthodox. I'm becoming Orthodox

1821
01:50:16.119 --> 01:50:20.760
<v Speaker 1>like the first fifty comments are about becoming Orthodox. I

1822
01:50:20.800 --> 01:50:32.920
<v Speaker 1>would say, right, I converted Orthodoxy. I love it. I

1823
01:50:33.039 --> 01:50:40.239
<v Speaker 1>just became a catechumen Right. Orthodoxy has the best misunderstanding. Greetings,

1824
01:50:40.239 --> 01:50:44.479
<v Speaker 1>I'm a Greek Orthodox Orthodox Orthodox Orthodox Orthodox Orthodox Orthodox

1825
01:50:44.560 --> 01:50:53.800
<v Speaker 1>Orthodox Right. Rouslan realized that the comments are not amenable

1826
01:50:53.880 --> 01:50:59.720
<v Speaker 1>to what he wants. The comments are about Orthodoxy. Let's

1827
01:50:59.720 --> 01:51:17.880
<v Speaker 1>see if if it's the same on Rouselm with Father Trenham.

1828
01:51:17.920 --> 01:51:19.760
<v Speaker 1>So if you're come into the church, you're gonna see

1829
01:51:19.960 --> 01:51:27.119
<v Speaker 1>hundreds of thousands. I'm a new Orthodox convert. I'm fifty

1830
01:51:27.199 --> 01:51:35.600
<v Speaker 1>years old. I'm on my way to Orthodoxy out of atheism.

1831
01:51:35.760 --> 01:51:40.880
<v Speaker 1>I'm becoming Orthodox. More and more people are coming to Orthodoxy.

1832
01:51:40.920 --> 01:51:47.720
<v Speaker 1>These are the top comments. I was Protestant, now I'm Orthodox.

1833
01:51:56.600 --> 01:52:01.279
<v Speaker 1>So I think my thesis now. And this is a

1834
01:52:01.319 --> 01:52:03.720
<v Speaker 1>shout out to my friends who hit me. To this point,

1835
01:52:04.279 --> 01:52:06.880
<v Speaker 1>Rouselan realized all the times that he bought brought the

1836
01:52:06.960 --> 01:52:11.680
<v Speaker 1>Orthodox people on, and they went against his dumb assumption

1837
01:52:11.840 --> 01:52:17.439
<v Speaker 1>that we all would say, you know, an acumenist yed bro,

1838
01:52:17.520 --> 01:52:19.079
<v Speaker 1>we all got to just get along, dude, it's all

1839
01:52:19.079 --> 01:52:22.520
<v Speaker 1>the same church. He realized, Oh, they don't believe that

1840
01:52:23.119 --> 01:52:25.279
<v Speaker 1>and even their top dudes that I bring on don't

1841
01:52:25.279 --> 01:52:29.840
<v Speaker 1>believe that, and they don't support my marketing goals. That

1842
01:52:30.439 --> 01:52:33.479
<v Speaker 1>is why he has now decided that all the Orthos

1843
01:52:33.520 --> 01:52:38.279
<v Speaker 1>are actually bad. I've also been told from some inside

1844
01:52:38.319 --> 01:52:43.920
<v Speaker 1>sources that these Goobers are all coordinating. They have either

1845
01:52:44.000 --> 01:52:47.560
<v Speaker 1>telegram or discord groups, and all the Goobers are working

1846
01:52:47.600 --> 01:52:51.960
<v Speaker 1>together now to fight the Orthodox. Now wait a minute.

1847
01:52:52.760 --> 01:52:56.079
<v Speaker 1>If you are an Acumenist and a Lowest Common Denominator believer,

1848
01:52:57.520 --> 01:53:00.680
<v Speaker 1>then you have to believe that Orthodoxy is also part

1849
01:53:00.800 --> 01:53:04.560
<v Speaker 1>of the Lowest Common Denominator church, right, Because they're saying

1850
01:53:04.600 --> 01:53:07.359
<v Speaker 1>you can go to the Messianic Synagogue, right, Well, if

1851
01:53:07.359 --> 01:53:11.560
<v Speaker 1>the Messianic Synagogue counts in their lcdview, obviously Orthodoxy counts.

1852
01:53:12.239 --> 01:53:17.039
<v Speaker 1>So even if Orthodoxy is exclusivist, it shouldn't matter to them, right.

1853
01:53:19.079 --> 01:53:21.600
<v Speaker 1>But then we start to realize the fact that it

1854
01:53:21.600 --> 01:53:25.560
<v Speaker 1>does matter to them shows that they are actually exclusivists themselves.

1855
01:53:28.680 --> 01:53:34.720
<v Speaker 1>So we have figured we have solved the mystery. Rouselan

1856
01:53:34.880 --> 01:53:39.800
<v Speaker 1>realizes that the comments are all pro Orthodox, So that's

1857
01:53:39.840 --> 01:53:42.840
<v Speaker 1>why he had to switch away from having Orthodox people

1858
01:53:42.880 --> 01:53:49.359
<v Speaker 1>come on to Christian TMZ. Literally his whole channel is

1859
01:53:49.600 --> 01:53:55.079
<v Speaker 1>Christian TMZ. Rousselan quit having Orthodox people on. Did you

1860
01:53:55.119 --> 01:54:00.600
<v Speaker 1>notice that after who is al? I don't know who

1861
01:54:00.640 --> 01:54:06.520
<v Speaker 1>The last one was. It was either me or maybe

1862
01:54:06.920 --> 01:54:09.239
<v Speaker 1>I don't know. No, it wasn't Pagoe. And by the way,

1863
01:54:09.239 --> 01:54:13.680
<v Speaker 1>I don't count the This dude is Orthodox, right, So

1864
01:54:14.359 --> 01:54:17.880
<v Speaker 1>Rouselan is still presenting the Orientals as if they're Orthodox,

1865
01:54:19.319 --> 01:54:23.760
<v Speaker 1>and they're not, so I don't count that dude. Instead,

1866
01:54:23.840 --> 01:54:27.600
<v Speaker 1>what he's done is his fake panel of Orthodox versus.

1867
01:54:28.159 --> 01:54:31.640
<v Speaker 1>Notice this. Remember it wasn't a debate, according to Ruslan,

1868
01:54:32.279 --> 01:54:36.199
<v Speaker 1>and now he's got it tagged as versus, so we believe.

1869
01:54:36.319 --> 01:54:38.520
<v Speaker 1>I thought it wasn't a debate though, but now it's

1870
01:54:38.600 --> 01:54:44.199
<v Speaker 1>Klok versus Orthodox versus Protestant. That's adversarial language Rusalan. So

1871
01:54:44.399 --> 01:54:48.399
<v Speaker 1>notice this actually shows that the truth is out and

1872
01:54:48.479 --> 01:54:51.479
<v Speaker 1>Rouselan actually was lying it was a debate because now

1873
01:54:51.479 --> 01:54:56.000
<v Speaker 1>he's got the adversarial language up Catholic versus Orthodox versus Protestant.

1874
01:54:56.039 --> 01:55:00.159
<v Speaker 1>So he intentionally put a categ cumin up. Everybody's said,

1875
01:55:00.159 --> 01:55:03.600
<v Speaker 1>why are you putting catechumens against seasoned debaters. He said,

1876
01:55:03.600 --> 01:55:05.720
<v Speaker 1>it wasn't a debate. It wasn't debate. It wasn't adversarial

1877
01:55:05.760 --> 01:55:11.239
<v Speaker 1>relationship versus is adversarial, dummy, And originally it said debate

1878
01:55:11.279 --> 01:55:14.439
<v Speaker 1>and he blamed it on his employees. Remember that. So again,

1879
01:55:14.560 --> 01:55:16.800
<v Speaker 1>Ruslan is just a total liar and he's a total

1880
01:55:17.159 --> 01:55:22.399
<v Speaker 1>marketing grifter to be fair, or Rusland just had an

1881
01:55:22.439 --> 01:55:26.199
<v Speaker 1>Orthodox priest on. No, that dude is not an Orthodox priest.

1882
01:55:27.000 --> 01:55:30.920
<v Speaker 1>You're talking about this deacon. This deacon is an Oriental.

1883
01:55:31.399 --> 01:55:35.399
<v Speaker 1>He's a schismatic and Rouslan intentionally is putting the Orientals

1884
01:55:35.399 --> 01:55:38.399
<v Speaker 1>on because he thinks he's so Dummi thinks that because

1885
01:55:38.439 --> 01:55:41.560
<v Speaker 1>there's people who claim to be Orthodox, that that's a

1886
01:55:41.600 --> 01:55:44.800
<v Speaker 1>proof against Orthodoxy's exclusivity. This is how it's low tier.

1887
01:55:44.840 --> 01:55:48.279
<v Speaker 1>He is. That dude is not Orthodox. That's the schismatic

1888
01:55:48.319 --> 01:55:56.800
<v Speaker 1>deacon that confronted Philip Nectel knucklehead or whatever. Otherwise, I mean,

1889
01:55:56.920 --> 01:56:04.319
<v Speaker 1>Rouslan is basically a Christian. It's just like drama. So

1890
01:56:04.359 --> 01:56:09.960
<v Speaker 1>he had Neil and Pajoe on two years ago. He's

1891
01:56:10.000 --> 01:56:14.199
<v Speaker 1>still doing these, by the way, watch our uh we

1892
01:56:14.199 --> 01:56:17.119
<v Speaker 1>clip this. We clipped this, by the way into a

1893
01:56:17.279 --> 01:56:21.840
<v Speaker 1>full sort of documentary two hour documentary thing documenting his

1894
01:56:22.199 --> 01:56:25.319
<v Speaker 1>lives and bull crap. So here is the Downfall of

1895
01:56:25.359 --> 01:56:29.199
<v Speaker 1>rouslan video if you want the full clipped version of it.

1896
01:56:30.199 --> 01:56:32.159
<v Speaker 1>But yeah, that's what's going on. So now we know

1897
01:56:32.880 --> 01:56:38.439
<v Speaker 1>the mysteries of Ruslan Peter No Cameron, ten dollars rousselin

1898
01:56:38.520 --> 01:56:40.920
<v Speaker 1>thinking about how much church plants he could set up

1899
01:56:40.960 --> 01:56:43.920
<v Speaker 1>in the back rooms? How do I monetize these backrooms?

1900
01:56:46.760 --> 01:56:49.319
<v Speaker 1>By the way, here's the full avy loop video. Did

1901
01:56:49.359 --> 01:56:51.600
<v Speaker 1>I need to watch anything anything else in the video

1902
01:56:51.680 --> 01:56:54.119
<v Speaker 1>or did I get basically the I knew within like

1903
01:56:54.119 --> 01:56:56.399
<v Speaker 1>a minute, dude, I knew that's what it was. I'm

1904
01:56:56.399 --> 01:57:00.640
<v Speaker 1>a good detective, dude. Come on, now, I'm the movie detective. Bro.

1905
01:57:09.960 --> 01:57:12.920
<v Speaker 1>Have they made an actual good back rooms video game? Yet?

1906
01:57:14.479 --> 01:57:17.119
<v Speaker 1>That seems like it would be interesting. I know there's

1907
01:57:17.159 --> 01:57:18.880
<v Speaker 1>a bunch of I saw a bunch of like ten

1908
01:57:18.960 --> 01:57:22.640
<v Speaker 1>dollars ones on PlayStation five shop, but they look crappy.

1909
01:57:23.880 --> 01:57:25.560
<v Speaker 1>So is there any of them that are actually good?

1910
01:57:25.600 --> 01:57:40.439
<v Speaker 1>I don't know. I like how this one's like the

1911
01:57:41.079 --> 01:57:44.119
<v Speaker 1>portal to the back rooms like in Stranger Things, right,

1912
01:57:44.199 --> 01:57:47.399
<v Speaker 1>and you go in there and it's the first contact,

1913
01:57:54.800 --> 01:57:57.119
<v Speaker 1>And what's up with everybody ripping them off? To like everybody?

1914
01:57:57.159 --> 01:57:59.479
<v Speaker 1>Just I mean, you can do your own versions of it, obviously,

1915
01:57:59.479 --> 01:58:01.560
<v Speaker 1>but like there's like a million different channels that did

1916
01:58:01.600 --> 01:58:05.920
<v Speaker 1>the exact same thing that he did. The pool rooms.

1917
01:58:06.319 --> 01:58:08.439
<v Speaker 1>I saw the pool rooms? Is that actually fun? I mean,

1918
01:58:08.439 --> 01:58:11.960
<v Speaker 1>don't you just run around? You don't really it's cool? Okay,

1919
01:58:12.920 --> 01:58:14.680
<v Speaker 1>I'll check out that one. I almost played that one.

1920
01:58:14.680 --> 01:58:15.880
<v Speaker 1>I don't know if it was any good or not.

1921
01:58:18.800 --> 01:58:21.840
<v Speaker 1>So you're saying Ruseline, Yeah, I think heres was the

1922
01:58:21.880 --> 01:58:50.279
<v Speaker 1>most recent orthodox person Rousalin had on Ooh, what's creeping

1923
01:58:50.319 --> 01:58:50.560
<v Speaker 1>me out?

1924
01:58:50.640 --> 01:58:51.039
<v Speaker 2>Dude?

1925
01:58:54.800 --> 01:58:57.439
<v Speaker 1>Teen good says or fight Hours. Do anyone remember Marble Hornets?

1926
01:58:57.439 --> 01:58:59.960
<v Speaker 1>That's the slender Man series? Yeah, I remember slender Man.

1927
01:59:01.640 --> 01:59:04.760
<v Speaker 1>Ethan Goff Fight Dollars. I bought esther Hollywood, But I

1928
01:59:04.800 --> 01:59:10.159
<v Speaker 1>have a problem. I don't know how to read it's

1929
01:59:10.159 --> 01:59:13.239
<v Speaker 1>I'm the cat fight dollars. Mirror's edge is a liminal aesthetics. Okay,

1930
01:59:13.279 --> 01:59:16.520
<v Speaker 1>I've heard of that Casper Gas fight dollars. I'm a

1931
01:59:16.720 --> 01:59:19.039
<v Speaker 1>Nick Crowley fan. I watched his video on Obviuolupe. I

1932
01:59:19.039 --> 01:59:20.359
<v Speaker 1>was going to say, you need to watch it. He

1933
01:59:20.439 --> 01:59:23.039
<v Speaker 1>has several videos on liminal spaces. I didn't know that

1934
01:59:24.199 --> 01:59:28.239
<v Speaker 1>well thing had already closed out the video. What does

1935
01:59:28.279 --> 01:59:53.520
<v Speaker 1>he say about that? Dang, he's got a bunch of videos. Alright,

1936
01:59:53.560 --> 02:00:03.039
<v Speaker 1>let's see, did y'all like my philosophical uh breakdown? Oh? Okay,

1937
02:00:03.039 --> 02:00:04.840
<v Speaker 1>he does have a bunch hair. Let's say what he says.

1938
02:00:06.520 --> 02:00:10.239
<v Speaker 5>Our world truly is a terrifying place. And I don't

1939
02:00:10.279 --> 02:00:12.319
<v Speaker 5>think there's ever been a more relevant time in this

1940
02:00:12.399 --> 02:00:15.399
<v Speaker 5>channel's history to make a statement like that. But one

1941
02:00:15.399 --> 02:00:16.920
<v Speaker 5>of the things that has always scared me the most

1942
02:00:16.920 --> 02:00:19.560
<v Speaker 5>about this world is when it glitches. That plain looks

1943
02:00:19.560 --> 02:00:21.800
<v Speaker 5>like it's just what happens when you glitch out of

1944
02:00:21.800 --> 02:00:24.239
<v Speaker 5>reality completely. Well, if this happens to you, you may

1945
02:00:24.239 --> 02:00:26.439
<v Speaker 5>find yourself in a place where no man should ever go,

1946
02:00:26.640 --> 02:00:29.720
<v Speaker 5>a never ending prison of rooms that exists outside our world.

1947
02:00:29.880 --> 02:00:31.680
<v Speaker 5>That's now your new home. And if it sounds scary,

1948
02:00:31.920 --> 02:00:34.279
<v Speaker 5>maybe you'll take comfort in knowing that at least you

1949
02:00:34.319 --> 02:00:39.760
<v Speaker 5>won't be alone. To four chan, that caught the attention

1950
02:00:39.880 --> 02:00:41.760
<v Speaker 5>of many, the picture was of what we now know

1951
02:00:41.920 --> 02:00:45.119
<v Speaker 5>as the back rooms. Something about it, the emptiness, the

1952
02:00:45.199 --> 02:00:48.199
<v Speaker 5>tone just gave people bad vibes and summed up the

1953
02:00:48.199 --> 02:00:51.720
<v Speaker 5>photo was incredibly unsettling. Along with a photo, a caption

1954
02:00:51.840 --> 02:00:52.479
<v Speaker 5>was added.

1955
02:00:52.680 --> 02:00:55.359
<v Speaker 1>Isn't it crazy that just this one photo created this whole,

1956
02:00:56.600 --> 02:01:00.840
<v Speaker 1>this whole lore, and now it's like hundreds of millions

1957
02:01:00.880 --> 02:01:02.760
<v Speaker 1>of views and it's going to be a motion picture.

1958
02:01:02.800 --> 02:01:06.760
<v Speaker 1>I mean, it's just crazy that this this random image

1959
02:01:06.800 --> 02:01:07.560
<v Speaker 1>here caught on.

1960
02:01:08.079 --> 02:01:09.399
<v Speaker 5>Just give people bad vibes.

1961
02:01:09.560 --> 02:01:11.000
<v Speaker 1>By the way, I took a really I'm not saying

1962
02:01:11.039 --> 02:01:13.239
<v Speaker 1>I was. I'm not trying to do that, like I

1963
02:01:13.319 --> 02:01:16.119
<v Speaker 1>was doing this wed before anyone else. I took a

1964
02:01:16.119 --> 02:01:20.640
<v Speaker 1>really cool liminal space image a long time ago on

1965
02:01:20.640 --> 02:01:22.640
<v Speaker 1>my Instagram. I'll have to try to try to find it,

1966
02:01:22.800 --> 02:01:25.399
<v Speaker 1>try to find it, dig it up. It's pretty crazy.

1967
02:01:25.479 --> 02:01:29.920
<v Speaker 1>It was. I was driving to Texas in like twenty

1968
02:01:29.960 --> 02:01:35.239
<v Speaker 1>seventeen and there was this really really creepy looking abandoned

1969
02:01:35.960 --> 02:01:39.439
<v Speaker 1>factory and I pulled over and took a picture of it.

1970
02:01:39.439 --> 02:01:41.039
<v Speaker 1>It looks really neat, I'll say, if I can dig

1971
02:01:41.039 --> 02:01:41.760
<v Speaker 1>it up for you guys.

1972
02:01:42.119 --> 02:01:44.359
<v Speaker 5>Was added that claimed that the back rooms go on

1973
02:01:44.439 --> 02:01:47.039
<v Speaker 5>for an impossible distance in every room looks the same.

1974
02:01:47.479 --> 02:01:48.640
<v Speaker 5>It has said that there are a few ways to

1975
02:01:48.640 --> 02:01:50.760
<v Speaker 5>wind up trapped in these back rooms. Some say that

1976
02:01:50.760 --> 02:01:53.000
<v Speaker 5>they can be accessed through your dreams or even seeing

1977
02:01:53.079 --> 02:01:54.119
<v Speaker 5>envisions because of it.

1978
02:01:54.279 --> 02:01:56.680
<v Speaker 1>Well, that's by the way, why the back rooms would

1979
02:01:56.720 --> 02:02:00.800
<v Speaker 1>be associated with or connected to the collective unconscious, right,

1980
02:02:00.800 --> 02:02:03.600
<v Speaker 1>Because when you're dreaming, you're going into your inner world,

1981
02:02:03.760 --> 02:02:06.760
<v Speaker 1>your inner framework, which is I think actually kind of

1982
02:02:07.159 --> 02:02:11.359
<v Speaker 1>structured like a house, or structured like some kind of world.

1983
02:02:12.279 --> 02:02:15.319
<v Speaker 1>And I've had a theory about that for a long time.

1984
02:02:15.359 --> 02:02:18.520
<v Speaker 1>But and the reason I think that is because a

1985
02:02:18.560 --> 02:02:21.880
<v Speaker 1>lot of my dreams, especially when they're recurring dreams, there's

1986
02:02:22.000 --> 02:02:27.000
<v Speaker 1>like areas and places that you can return to and

1987
02:02:27.039 --> 02:02:30.960
<v Speaker 1>then explore new areas past those areas, right, kind of

1988
02:02:31.000 --> 02:02:33.920
<v Speaker 1>like in an open world video game when the map's

1989
02:02:34.000 --> 02:02:35.600
<v Speaker 1>gray and then you go into the new area and

1990
02:02:35.600 --> 02:02:38.920
<v Speaker 1>you've discovered new areas. My dreams are that way. So

1991
02:02:39.000 --> 02:02:45.399
<v Speaker 1>I think that there's probably something to the inner world

1992
02:02:46.000 --> 02:02:50.000
<v Speaker 1>actually structured that way, and that's why it resonates with

1993
02:02:50.439 --> 02:02:52.199
<v Speaker 1>what people see in the back rooms.

1994
02:02:52.119 --> 02:02:54.439
<v Speaker 5>This Many claim to recognize the picture and even felt

1995
02:02:54.520 --> 02:02:57.399
<v Speaker 5>some sort of nostalgic fear when seeing it, but others

1996
02:02:57.399 --> 02:02:59.359
<v Speaker 5>claim that the only true way to get there is

1997
02:02:59.439 --> 02:03:02.119
<v Speaker 5>much more difficult, and it requires a tremendous amount of luck,

1998
02:03:02.399 --> 02:03:05.720
<v Speaker 5>or perhaps, in this case, the exact opposite. It's theorized

1999
02:03:05.760 --> 02:03:08.079
<v Speaker 5>that every object we interact with in this world is

2000
02:03:08.119 --> 02:03:10.520
<v Speaker 5>clipped to our reality. So for example, when you bump

2001
02:03:10.560 --> 02:03:12.439
<v Speaker 5>into a wall, you collide with it and you bounce

2002
02:03:12.479 --> 02:03:14.520
<v Speaker 5>off of it. But going back to glitches and our reality,

2003
02:03:14.760 --> 02:03:17.039
<v Speaker 5>it is said that on occasion, objects within our world

2004
02:03:17.119 --> 02:03:19.000
<v Speaker 5>will no clip. This is something that happens often in

2005
02:03:19.079 --> 02:03:21.439
<v Speaker 5>video games where part of the map becomes no clipped

2006
02:03:21.479 --> 02:03:23.119
<v Speaker 5>and you bump into it, you go right through it,

2007
02:03:23.199 --> 02:03:25.439
<v Speaker 5>and you sometimes end up falling right off the map.

2008
02:03:25.880 --> 02:03:28.439
<v Speaker 5>There your player is stuck still inside the game, but

2009
02:03:28.560 --> 02:03:31.880
<v Speaker 5>in an endless void beneath the map. In the real world,

2010
02:03:31.960 --> 02:03:33.840
<v Speaker 5>people believe that some objects can become no coals.

2011
02:03:34.039 --> 02:03:36.000
<v Speaker 1>By the way, when you're playing a game, it sucks

2012
02:03:36.039 --> 02:03:38.359
<v Speaker 1>like it's awful when that happens because you always have

2013
02:03:38.359 --> 02:03:39.640
<v Speaker 1>to turn it off. You can never get out of

2014
02:03:39.680 --> 02:03:43.159
<v Speaker 1>that shit obviously, which is what makes it shitty, right.

2015
02:03:43.159 --> 02:03:50.039
<v Speaker 1>But check out as Liminal Lands with nextpo Was this

2016
02:03:50.119 --> 02:03:53.760
<v Speaker 1>the one the video you're talking about? No, it's not.

2017
02:03:53.840 --> 02:03:56.079
<v Speaker 1>It's a different video. Okay, I'll find that one. Next.

2018
02:03:56.920 --> 02:03:59.199
<v Speaker 1>Parker thoughts on Kadriannau. I don't know much about that.

2019
02:03:59.199 --> 02:04:00.960
<v Speaker 1>I haven't read much about it. I still haven't gotten

2020
02:04:00.960 --> 02:04:02.960
<v Speaker 1>into it, so I don't know Eugene ten dollars, Shae

2021
02:04:03.079 --> 02:04:06.960
<v Speaker 1>Dyer or Hancholo. I'm curious what you know about Ai

2022
02:04:07.119 --> 02:04:12.840
<v Speaker 1>Kodak and the end of Metal Gear Solid. It prophesied

2023
02:04:12.880 --> 02:04:15.520
<v Speaker 1>the rise of a digital censorship in this area. I've

2024
02:04:15.560 --> 02:04:18.560
<v Speaker 1>heard people saying for years that Metal Gear Solid was

2025
02:04:18.640 --> 02:04:22.039
<v Speaker 1>very prophetic. I only played part of the first one

2026
02:04:22.319 --> 02:04:25.079
<v Speaker 1>because my body that passed away. He was a big

2027
02:04:25.119 --> 02:04:28.319
<v Speaker 1>fan of it, and I played it with him a

2028
02:04:28.359 --> 02:04:31.119
<v Speaker 1>little bit, and I just never got into it beyond

2029
02:04:31.159 --> 02:04:33.520
<v Speaker 1>that game. Tiger Green Tiger twenty dollars. I got your

2030
02:04:33.520 --> 02:04:35.840
<v Speaker 1>book in the mail. I'm so excited. Do you think

2031
02:04:35.880 --> 02:04:38.119
<v Speaker 1>that the new war movies that come out, like Michael

2032
02:04:38.159 --> 02:04:40.600
<v Speaker 1>Bay's new movie and the New World War two movie

2033
02:04:40.680 --> 02:04:42.960
<v Speaker 1>or predicted programming, they could be I mean a lot

2034
02:04:42.960 --> 02:04:46.960
<v Speaker 1>of movies are I didn't I don't know what Michael

2035
02:04:46.960 --> 02:04:48.920
<v Speaker 1>Bay's new movie is or what the New World War

2036
02:04:48.920 --> 02:04:53.640
<v Speaker 1>two movie is. I will say though, that the new

2037
02:04:53.680 --> 02:04:56.880
<v Speaker 1>Resident Evil looks very fascinating. This will be the first

2038
02:04:56.880 --> 02:05:01.600
<v Speaker 1>time that perhaps the critics are going to like a

2039
02:05:01.720 --> 02:05:03.880
<v Speaker 1>Resident Evil movie. I mean, I'm a fan, just kind

2040
02:05:03.880 --> 02:05:06.159
<v Speaker 1>of a guilty pleasure. I like all the Resident Evil movies,

2041
02:05:06.159 --> 02:05:12.000
<v Speaker 1>but the new one is uh, the whitest kid, you know,

2042
02:05:12.159 --> 02:05:16.920
<v Speaker 1>guy that did weapons is doing it, and it actually

2043
02:05:16.960 --> 02:05:23.439
<v Speaker 1>looks like it's going to be like it might actually

2044
02:05:23.479 --> 02:05:28.760
<v Speaker 1>be a critically acclaimed horror movie. It looks it looks

2045
02:05:28.800 --> 02:05:31.520
<v Speaker 1>pretty good. I'd to say, the Zach Gregor guy. So

2046
02:05:33.079 --> 02:05:38.119
<v Speaker 1>I am looking forward to the new Resident Evil. All right,

2047
02:05:38.159 --> 02:05:41.479
<v Speaker 1>I gotta get these super chests going here because I'm

2048
02:05:41.520 --> 02:05:45.560
<v Speaker 1>starting to melt down and get mush minded. Josiah Mandy

2049
02:05:45.640 --> 02:05:48.840
<v Speaker 1>is the best Nick Cage film? Oh? Good? Question? Is

2050
02:05:48.840 --> 02:05:57.920
<v Speaker 1>that the best Nick Cage Maybe probably some subjectivity is

2051
02:05:57.960 --> 02:06:04.279
<v Speaker 1>going to come into that one, because it's hard to say,

2052
02:06:04.880 --> 02:06:08.960
<v Speaker 1>but it's definitely up there. It's definitely up there. I

2053
02:06:09.039 --> 02:06:10.720
<v Speaker 1>mean Bringing Out the Dead is pretty good too, though,

2054
02:06:11.520 --> 02:06:15.000
<v Speaker 1>But then so is Bad Lieutenant. I mean, he's got

2055
02:06:15.000 --> 02:06:18.439
<v Speaker 1>a lot of bangers. Man, he's he's he's really good.

2056
02:06:19.279 --> 02:06:23.399
<v Speaker 1>Storm of the Cat. The multiplayer maps in Halo Combat

2057
02:06:23.479 --> 02:06:27.079
<v Speaker 1>Evolved are liminal interesting. I haven't played Halo in like

2058
02:06:27.119 --> 02:06:30.399
<v Speaker 1>fifteen years. Dude Ethan two dollars Room fourteen oh eight, Yeah,

2059
02:06:30.399 --> 02:06:33.600
<v Speaker 1>that could be constant Dootal two dollars. Possessor was good.

2060
02:06:33.640 --> 02:06:36.640
<v Speaker 1>It was all right, I was I was expecting more

2061
02:06:36.720 --> 02:06:44.279
<v Speaker 1>Cara five dollars. The most liminal space movie is Stalker. Ooh,

2062
02:06:44.760 --> 02:06:50.000
<v Speaker 1>good point. Now, for whatever reason, I have to brag

2063
02:06:50.399 --> 02:06:54.520
<v Speaker 1>because it didn't get promoted in the algorithm. But we've

2064
02:06:54.640 --> 02:07:00.720
<v Speaker 1>done podcasts with Andre Tarkowski's son, so I've on Stalker

2065
02:07:01.079 --> 02:07:07.199
<v Speaker 1>at a in depth level and everybody forgets this and

2066
02:07:07.279 --> 02:07:11.159
<v Speaker 1>nobody watched it when it should be like of freaking

2067
02:07:11.239 --> 02:07:14.720
<v Speaker 1>zillion views, and we only got thirteen thousand views. So

2068
02:07:15.000 --> 02:07:18.600
<v Speaker 1>here's me with father Vladimir. We do an entire two

2069
02:07:18.720 --> 02:07:26.399
<v Speaker 1>hour mini documentary almost with Andre Tarkowski Junior on Stalker. Hello,

2070
02:07:26.640 --> 02:07:28.560
<v Speaker 1>this should have like a million views. It's got thirteen

2071
02:07:28.600 --> 02:07:32.319
<v Speaker 1>thousand views. But thank you for reminding me. Yes, that

2072
02:07:32.479 --> 02:07:44.359
<v Speaker 1>is definitely a liminal space horror. Great point. Tar Plants,

2073
02:07:44.720 --> 02:07:49.680
<v Speaker 1>tar Plantiffs. The Tank is an interesting movie. It's a

2074
02:07:50.079 --> 02:07:53.159
<v Speaker 1>mix of back room stuff with World War two interesting.

2075
02:07:53.319 --> 02:07:58.039
<v Speaker 1>The Tank, Brizztol Fight dollars. Jack Murphy is the The

2076
02:07:58.079 --> 02:08:01.479
<v Speaker 1>Liminal Order was my favorite horror show, not a missaut

2077
02:08:01.560 --> 02:08:04.840
<v Speaker 1>Agent ten dollars, JB five dollars. In the same vein.

2078
02:08:05.560 --> 02:08:09.279
<v Speaker 1>Is anyone watching Destiny's Schizo arc You might have covered it.

2079
02:08:09.279 --> 02:08:12.319
<v Speaker 1>It's funny I did mention that a few months ago.

2080
02:08:12.399 --> 02:08:15.079
<v Speaker 1>Is he still on that schizo arc? I don't keep

2081
02:08:15.159 --> 02:08:17.800
<v Speaker 1>up with destiny canonical ten dollars. The counter is broken.

2082
02:08:18.279 --> 02:08:24.560
<v Speaker 1>We actually broke your goal. Eight chats ago. Uh cool? Well,

2083
02:08:24.880 --> 02:08:27.319
<v Speaker 1>actually I like the idea of a broken counter because

2084
02:08:27.319 --> 02:08:33.199
<v Speaker 1>then you guys, you guys just keep doing it, y'all,

2085
02:08:33.279 --> 02:08:42.520
<v Speaker 1>just could give it some chat spot y'all. That's wild, bro. Yeah,

2086
02:08:43.039 --> 02:08:47.199
<v Speaker 1>you bring out the wig and me ten good five

2087
02:08:47.239 --> 02:08:49.520
<v Speaker 1>dollars is the goldbug? I don't know. Maybe I need

2088
02:08:49.560 --> 02:08:51.119
<v Speaker 1>to refresh on my end. Let me see what happens

2089
02:08:51.119 --> 02:08:59.680
<v Speaker 1>if I refresh it. I wonder if the goal has

2090
02:08:59.720 --> 02:09:03.439
<v Speaker 1>to do with does that actually have to be a

2091
02:09:03.479 --> 02:09:05.680
<v Speaker 1>twenty dollars like if you do nineteen ninety nine, does

2092
02:09:05.720 --> 02:09:07.600
<v Speaker 1>it not count towards the goal? I don't actually know.

2093
02:09:08.079 --> 02:09:17.079
<v Speaker 1>Maybe that's it. Armann luigo Armani, luigo Armani, lugo five dollars.

2094
02:09:17.159 --> 02:09:19.399
<v Speaker 1>I'm new to your channel. This is my tribute. I

2095
02:09:19.479 --> 02:09:22.600
<v Speaker 1>heard you were an emperor. You heard correctly. Thank you,

2096
02:09:22.680 --> 02:09:26.239
<v Speaker 1>welcome broccoli since for twelve dollars. This is my tribute

2097
02:09:26.239 --> 02:09:30.560
<v Speaker 1>to the emperor. Reque'm ten dollars, peepee cock. I love

2098
02:09:30.600 --> 02:09:33.199
<v Speaker 1>you bro appreciate that it's hot tier and I love it.

2099
02:09:34.520 --> 02:09:39.000
<v Speaker 1>See Willias five dollars. I would like to nominate riff

2100
02:09:39.079 --> 02:09:43.239
<v Speaker 1>Raff to the Wiga Senate. He's already a potentate dog.

2101
02:09:44.119 --> 02:09:46.760
<v Speaker 1>I was wondering if he was okay. If so, then

2102
02:09:46.760 --> 02:09:48.800
<v Speaker 1>I feel like we could be okay with Phil Oakway

2103
02:09:49.239 --> 02:09:53.279
<v Speaker 1>exactly math five dollars, fin five dollars. Somehow. I'm sure

2104
02:09:54.119 --> 02:09:56.319
<v Speaker 1>somebody in the Middle East is behind all this or

2105
02:09:56.640 --> 02:10:02.439
<v Speaker 1>twenty dollars mountain wallfie dollars Gaeliens. Are they allowed in Xantem?

2106
02:10:02.520 --> 02:10:05.239
<v Speaker 1>Hell no? You think we want to let them bought

2107
02:10:05.279 --> 02:10:08.560
<v Speaker 1>pyrates and hell no thought of a pilgrim five dollars.

2108
02:10:08.560 --> 02:10:12.880
<v Speaker 1>Good luck on the coming big interview. Thank you good

2109
02:10:12.880 --> 02:10:17.039
<v Speaker 1>this weekend, big one coming this weekend. Y y'all helping

2110
02:10:17.079 --> 02:10:24.479
<v Speaker 1>me pay for it right now? Nick Dick Wiener Ruslan

2111
02:10:24.720 --> 02:10:27.319
<v Speaker 1>is running the Goober industrial Complex. He part of that

2112
02:10:27.439 --> 02:10:32.359
<v Speaker 1>gic Son Jon five dollars. If all these grifters converted

2113
02:10:32.439 --> 02:10:34.520
<v Speaker 1>Orthodoxy and they came out, would you be worried that

2114
02:10:34.560 --> 02:10:36.399
<v Speaker 1>they were infiltrating? Yeah? I think what would have to

2115
02:10:36.439 --> 02:10:41.239
<v Speaker 1>happen is just like with like certain sins and proclivities

2116
02:10:41.479 --> 02:10:46.520
<v Speaker 1>like it would prevent you from immediately monetizing. I'm serious, right,

2117
02:10:46.520 --> 02:10:50.960
<v Speaker 1>that would be the norm. Tingu twenty dollars. I'm sure

2118
02:10:50.960 --> 02:10:53.279
<v Speaker 1>that you will never sink one hundred hours into any

2119
02:10:53.279 --> 02:10:56.880
<v Speaker 1>anime or anime video game. But Persona deals with collective

2120
02:10:56.920 --> 02:11:00.720
<v Speaker 1>unconscious called mementos. Yeah, it's on my list of games

2121
02:11:00.760 --> 02:11:03.720
<v Speaker 1>to try. I'll definitely try it. I don't know if

2122
02:11:03.760 --> 02:11:08.399
<v Speaker 1>I'll stick it out, but yeah, I'm familiar. Sean Patrick

2123
02:11:08.439 --> 02:11:12.039
<v Speaker 1>five dollars. We are the Dreamers of Dreams. Name that movie.

2124
02:11:14.199 --> 02:11:17.119
<v Speaker 1>It sounds familiar. I'm just tired. I'm forgetting because it's

2125
02:11:17.239 --> 02:11:21.479
<v Speaker 1>late into the evenings. Wigan Nationalism five dollars from the

2126
02:11:21.479 --> 02:11:27.039
<v Speaker 1>Wigsantium Nation, Baby straight up, x Lockx to ten dollars.

2127
02:11:27.039 --> 02:11:29.840
<v Speaker 1>There's something off putting about the aesthetic of the seventies

2128
02:11:29.960 --> 02:11:31.720
<v Speaker 1>all the way into the nineties. I don't know all

2129
02:11:31.760 --> 02:11:35.640
<v Speaker 1>the way into the nineties, but I mean, I think

2130
02:11:35.720 --> 02:11:41.800
<v Speaker 1>seventies aesthetics is pretty gross. Eighties is gaudy and wacky,

2131
02:11:41.840 --> 02:11:43.479
<v Speaker 1>but I like it because I grew up with it.

2132
02:11:44.279 --> 02:11:47.800
<v Speaker 1>Nineties is weird and all over the place, but I

2133
02:11:47.800 --> 02:11:49.800
<v Speaker 1>also kind of like it. And there's a huge diversity

2134
02:11:49.880 --> 02:11:55.359
<v Speaker 1>between early nineties and late nineties. There's moisture in the air,

2135
02:11:55.560 --> 02:11:58.479
<v Speaker 1>there's emptiness. It's hard to explain. Thank you for this dream.

2136
02:11:58.680 --> 02:12:00.840
<v Speaker 1>Thank you. I love these culture streams where we go

2137
02:12:00.840 --> 02:12:05.479
<v Speaker 1>off in the different directions. Katino five dollars, Ashtar Sharn

2138
02:12:06.039 --> 02:12:09.960
<v Speaker 1>credit be upon Him is the Cracker angel whose light

2139
02:12:10.239 --> 02:12:14.920
<v Speaker 1>spoke ex Cathedral from the Galactic Federation. But is this false?

2140
02:12:14.960 --> 02:12:18.359
<v Speaker 1>In Wigxantium it sounds like it would be Parker five dollars.

2141
02:12:18.439 --> 02:12:22.079
<v Speaker 1>Toys with Robin Williams is not horror, but it's very limital. Yes,

2142
02:12:22.239 --> 02:12:24.439
<v Speaker 1>it's also trippy and it seems like mk ultra And

2143
02:12:24.479 --> 02:12:27.399
<v Speaker 1>we've been meaning to go back to toys for a

2144
02:12:27.439 --> 02:12:33.720
<v Speaker 1>long time because I I don't know if I've ever

2145
02:12:33.760 --> 02:12:37.920
<v Speaker 1>even seen the whole the whole film. It's freaking do

2146
02:12:38.239 --> 02:12:40.319
<v Speaker 1>what how much acid were they doing when they made

2147
02:12:40.319 --> 02:12:54.600
<v Speaker 1>that movie? Look at this trippy ship they watched this, Yo, Dude,

2148
02:12:54.600 --> 02:12:58.640
<v Speaker 1>that's trippy as hell. Bro. For real, man, who put

2149
02:12:58.720 --> 02:13:02.319
<v Speaker 1>acid in my my alps? Yo, Tucker, don't put a

2150
02:13:02.359 --> 02:13:07.640
<v Speaker 1>bunch of LSD in my alves. Yo, dude, that's trippy

2151
02:13:07.680 --> 02:13:13.840
<v Speaker 1>as hell. Bro. We gotta do this movie for you

2152
02:13:13.920 --> 02:13:15.680
<v Speaker 1>want to know what LSD is like. That's like those

2153
02:13:15.760 --> 02:13:22.920
<v Speaker 1>right here? Did this is what it's like? Is it

2154
02:13:22.960 --> 02:13:25.279
<v Speaker 1>like Willie Walker? I don't even know what it's about.

2155
02:13:25.920 --> 02:13:33.560
<v Speaker 1>It definitely seems like mk ultra based though, Is that

2156
02:13:33.640 --> 02:13:46.760
<v Speaker 1>Robin Wright John Cusack? Yeah, this would be weird to

2157
02:13:46.800 --> 02:13:48.960
<v Speaker 1>watch now. I bet you one hundred. This is some

2158
02:13:49.079 --> 02:13:55.600
<v Speaker 1>straight up LSD in kultup mind control see Williams Fight Dollars,

2159
02:13:55.680 --> 02:13:59.520
<v Speaker 1>liminal space, mind space my mental Machinist Donny Darko. To

2160
02:13:59.560 --> 02:14:03.000
<v Speaker 1>a degree, I'm like the one person that doesn't like Memento.

2161
02:14:03.720 --> 02:14:05.880
<v Speaker 1>I know, I've heard a million times that I need

2162
02:14:05.920 --> 02:14:08.359
<v Speaker 1>to like it, and I've given it like three chances.

2163
02:14:08.439 --> 02:14:10.399
<v Speaker 1>I just don't like it. I don't like it. I mean,

2164
02:14:10.439 --> 02:14:13.000
<v Speaker 1>it's not a bad movie, it's just not I don't

2165
02:14:13.039 --> 02:14:18.560
<v Speaker 1>find it fun. Machinist is hard to watch. I love

2166
02:14:18.640 --> 02:14:21.880
<v Speaker 1>Donnie Darko. Tingu fifty dollars just because I love you.

2167
02:14:22.000 --> 02:14:24.640
<v Speaker 1>Jay Safe Travels. Thank you Tingou much. Appreciate you guys

2168
02:14:24.640 --> 02:14:28.039
<v Speaker 1>are being very generous. Jay Long five dollars. Anime is cool.

2169
02:14:28.119 --> 02:14:30.880
<v Speaker 1>I'm not an anime hater. I'm just also not super

2170
02:14:30.920 --> 02:14:34.560
<v Speaker 1>into anime. I've always been kind of neutral on anime like,

2171
02:14:34.560 --> 02:14:40.039
<v Speaker 1>it doesn't really bother me. A lot of dudes are

2172
02:14:40.359 --> 02:14:42.920
<v Speaker 1>weird that are into it, but it also doesn't bother me.

2173
02:14:43.560 --> 02:14:48.760
<v Speaker 1>But see, I grew up only with Ghosts in the Shell,

2174
02:14:49.239 --> 02:14:55.399
<v Speaker 1>which I like, Miohyazaki movies. I liked all those, but

2175
02:14:55.439 --> 02:14:57.319
<v Speaker 1>I've never gotten into the other ones. I just keep

2176
02:14:57.319 --> 02:15:01.840
<v Speaker 1>forgetting to do it. I know, Neon Genesis, Evangelium, I know,

2177
02:15:01.920 --> 02:15:03.720
<v Speaker 1>I know. I've got like a list of all the

2178
02:15:03.760 --> 02:15:06.600
<v Speaker 1>ones that all the bros have told me for many years.

2179
02:15:06.680 --> 02:15:11.000
<v Speaker 1>I will do it, I promise eventually. Straight white mail

2180
02:15:11.000 --> 02:15:13.239
<v Speaker 1>fight dollars. I wish JP would debate. He's getting cooked

2181
02:15:13.279 --> 02:15:18.520
<v Speaker 1>by everybody. He is dumb. Now apparently he wants to debate.

2182
02:15:19.560 --> 02:15:22.359
<v Speaker 1>I'm skeptical that this will actually happen, but I'm told

2183
02:15:22.880 --> 02:15:25.279
<v Speaker 1>through third parties that he wants to do a public

2184
02:15:25.319 --> 02:15:28.720
<v Speaker 1>formal debate. Okay, we'll see. I'll believe it when it happens.

2185
02:15:29.760 --> 02:15:34.439
<v Speaker 1>Pepper PROPHETI dollars, You're analysis is worthy, King of xanti

2186
02:15:34.479 --> 02:15:37.119
<v Speaker 1>if thank you dog. Y'all starting to y'all starting to

2187
02:15:37.199 --> 02:15:42.920
<v Speaker 1>see y'all starting to believe believe that, As my friend

2188
02:15:42.920 --> 02:15:45.520
<v Speaker 1>who passed away said, you better believe.

2189
02:15:45.279 --> 02:15:49.920
<v Speaker 5>That from reality, a wall will appear darker than the

2190
02:15:49.960 --> 02:15:51.840
<v Speaker 5>others around it, or you'll find a door that you're

2191
02:15:51.840 --> 02:15:54.000
<v Speaker 5>certain there should be nothing on the other side. If

2192
02:15:54.000 --> 02:15:55.920
<v Speaker 5>you have a keen eye, you can notice these things

2193
02:15:56.079 --> 02:15:57.399
<v Speaker 5>and avoid them at all costs.

2194
02:15:58.079 --> 02:16:02.159
<v Speaker 1>I dare say this might be the best back rooms analysis.

2195
02:16:02.279 --> 02:16:05.399
<v Speaker 1>I'm not hating on Nick Crowley. He's doing good stuff.

2196
02:16:05.600 --> 02:16:09.039
<v Speaker 1>I've seen some about three videos I like now from

2197
02:16:09.119 --> 02:16:11.039
<v Speaker 1>Nick Crowley. I'm not hating on it, but I mean

2198
02:16:11.520 --> 02:16:13.439
<v Speaker 1>this stuff is sort of a more of a pop

2199
02:16:13.479 --> 02:16:17.000
<v Speaker 1>audience stuff, and we just went like super deep, dude,

2200
02:16:17.000 --> 02:16:21.159
<v Speaker 1>we went deeper than the other philosophy brod that just

2201
02:16:21.199 --> 02:16:23.560
<v Speaker 1>did a big great he did a great analysis. I

2202
02:16:23.560 --> 02:16:26.399
<v Speaker 1>mean that is analysis was what inspired this analysis. But

2203
02:16:26.439 --> 02:16:28.159
<v Speaker 1>I was like, dude, I could take this analysis to

2204
02:16:28.199 --> 02:16:30.680
<v Speaker 1>another level. I think we did.

2205
02:16:30.479 --> 02:16:33.040
<v Speaker 5>That nothing of the implications that are soon to come.

2206
02:16:33.600 --> 02:16:35.399
<v Speaker 5>And much like a character in a video game, if

2207
02:16:35.440 --> 02:16:37.920
<v Speaker 5>you interact with a non clipped object, you fall off

2208
02:16:37.959 --> 02:16:40.360
<v Speaker 5>a map, and one could imagine that it's incredibly confusing

2209
02:16:40.479 --> 02:16:41.799
<v Speaker 5>and terrifying to go from there.

2210
02:16:41.879 --> 02:16:45.840
<v Speaker 1>You're noticing how everybody is explaining reality now. According to

2211
02:16:45.959 --> 02:16:49.079
<v Speaker 1>video games Gamification right, that was one of the key

2212
02:16:49.079 --> 02:16:50.799
<v Speaker 1>points in my analysis.

2213
02:16:50.159 --> 02:16:52.920
<v Speaker 5>Existing in one world to instantly being dropped into another

2214
02:16:53.120 --> 02:16:55.440
<v Speaker 5>with nothing but millions of square miles of empty rooms

2215
02:16:55.479 --> 02:16:57.639
<v Speaker 5>on either side of you. But this is your reality now,

2216
02:16:57.719 --> 02:16:59.920
<v Speaker 5>and it's where your journey into the back rooms begins.

2217
02:17:04.319 --> 02:17:06.639
<v Speaker 1>Well, it's interesting that there was originally, I don't know

2218
02:17:06.680 --> 02:17:09.280
<v Speaker 1>if it's still the case positive to be three levels

2219
02:17:09.280 --> 02:17:12.000
<v Speaker 1>of the back room because an ancient Greek mythology, reality

2220
02:17:12.079 --> 02:17:13.879
<v Speaker 1>was three tiered like that. Right, you had the underworld,

2221
02:17:13.879 --> 02:17:15.360
<v Speaker 1>you had this world, and you have the world the gods.

2222
02:17:15.440 --> 02:17:16.040
<v Speaker 1>That's interesting.

2223
02:17:17.239 --> 02:17:20.159
<v Speaker 5>Level zero is a maze of monotone yellow rooms, each

2224
02:17:20.239 --> 02:17:22.879
<v Speaker 5>looking the same as the last, with only the slightest

2225
02:17:22.879 --> 02:17:25.399
<v Speaker 5>of variations. The carpet that covers a level is moist

2226
02:17:25.559 --> 02:17:28.040
<v Speaker 5>and creates a persisting scent. In the beginning, the only

2227
02:17:28.079 --> 02:17:30.399
<v Speaker 5>sounds that can be heard is the consistent loud buzzing

2228
02:17:30.520 --> 02:17:33.840
<v Speaker 5>of the old fluorescent lights. As you walk through the rooms,

2229
02:17:33.879 --> 02:17:36.000
<v Speaker 5>you'll start to realize how big the area actually is.

2230
02:17:36.520 --> 02:17:38.760
<v Speaker 5>Every room just leads to another and another. You start

2231
02:17:38.799 --> 02:17:41.000
<v Speaker 5>to wonder how big of an area could this actually be,

2232
02:17:41.319 --> 02:17:43.479
<v Speaker 5>and how could this even be possible. Many will start

2233
02:17:43.479 --> 02:17:45.399
<v Speaker 5>to run and sprint through the rooms, thinking that this

2234
02:17:45.479 --> 02:17:47.520
<v Speaker 5>might get them out of this maze faster, but it's

2235
02:17:47.559 --> 02:17:49.920
<v Speaker 5>no use, and after running around for seemingly an eternity,

2236
02:17:50.000 --> 02:17:52.079
<v Speaker 5>you'll finally realize that you're likely going to be stuck

2237
02:17:52.079 --> 02:17:52.840
<v Speaker 5>in here for a while.

2238
02:17:53.399 --> 02:17:56.799
<v Speaker 1>That's what I'm saying. It's like the Theseus story, right,

2239
02:17:57.680 --> 02:18:01.200
<v Speaker 1>because in the Theseus story, the labyrinth constantly changes and

2240
02:18:01.239 --> 02:18:02.719
<v Speaker 1>you can never get out of it. So it's kind

2241
02:18:02.760 --> 02:18:04.680
<v Speaker 1>of like a hell story, right. And then he the

2242
02:18:05.079 --> 02:18:07.360
<v Speaker 1>minotaur is the beast or the sort of satan of

2243
02:18:07.360 --> 02:18:08.280
<v Speaker 1>the labyrinth.

2244
02:18:08.159 --> 02:18:10.479
<v Speaker 5>This first level, and that's for a few reasons. Either

2245
02:18:10.479 --> 02:18:13.120
<v Speaker 5>they lose the will to carry on, or they encounter

2246
02:18:13.239 --> 02:18:16.159
<v Speaker 5>something while walking through these rooms. You may find yourself

2247
02:18:16.239 --> 02:18:19.840
<v Speaker 5>encountering humanoid creatures after walking for hours and maybe even days.

2248
02:18:20.040 --> 02:18:22.479
<v Speaker 5>Just imagine the horror of turning the corner and seeing

2249
02:18:22.520 --> 02:18:26.399
<v Speaker 5>something standing there, something that isn't human. These creatures are

2250
02:18:26.399 --> 02:18:29.200
<v Speaker 5>known as houmas, and he looked like disfigured humans who

2251
02:18:29.200 --> 02:18:31.520
<v Speaker 5>walk on all fours. They make a little rumbling noise.

2252
02:18:32.159 --> 02:18:35.040
<v Speaker 1>So the backrooms are just hell. This is just corporate hell.

2253
02:18:35.079 --> 02:18:39.520
<v Speaker 1>Basically forty crush five dollars. The Nordic alien seated life

2254
02:18:39.680 --> 02:18:45.040
<v Speaker 1>in northern European they taught yakub before they left, exactly, Son,

2255
02:18:45.879 --> 02:18:49.159
<v Speaker 1>that's one of the you know, in wee Xantium, we

2256
02:18:49.200 --> 02:18:52.680
<v Speaker 1>would say that that is an acceptable form of comparative religion.

2257
02:18:53.719 --> 02:18:57.959
<v Speaker 1>Ortho cards Wiga, please chat us as for five dollars, Jay,

2258
02:18:58.079 --> 02:18:59.600
<v Speaker 1>I was actually having one of the worst days I've

2259
02:18:59.600 --> 02:19:02.840
<v Speaker 1>ever had in my life. Dang do it. I'm sorry, bro.

2260
02:19:02.959 --> 02:19:06.200
<v Speaker 1>Everybody pray for Chetta. However, you don't know how much

2261
02:19:06.239 --> 02:19:10.120
<v Speaker 1>I appreciate your live streams. That's awesome. Man. People think

2262
02:19:10.159 --> 02:19:13.040
<v Speaker 1>I'm mean. I would rather just climb around. I'd rather

2263
02:19:13.120 --> 02:19:23.040
<v Speaker 1>just joke around with you guys. I'm being serious. Squirrel

2264
02:19:23.040 --> 02:19:26.319
<v Speaker 1>two dollars two New Mormon space Wive song is modest Mouse.

2265
02:19:26.360 --> 02:19:32.120
<v Speaker 1>Yeah we do that one. Ooh you fancy Ruie since

2266
02:19:32.120 --> 02:19:37.639
<v Speaker 1>twenty dollars. Thank you so much, Rui. Nicksey gives five memberships.

2267
02:19:37.639 --> 02:19:41.200
<v Speaker 1>Appreciate that. Nixxy Scott too hot, Toddy ten dollars, j

2268
02:19:42.360 --> 02:19:44.399
<v Speaker 1>Oh the link for the Holy Ray Baun song. It's

2269
02:19:44.440 --> 02:19:48.200
<v Speaker 1>on Ax. I'll put it up on YouTube. Mc romax

2270
02:19:48.280 --> 02:19:53.479
<v Speaker 1>gifted ten memberships. What's up Dog, DJ mc romax, biscuit Head,

2271
02:19:53.959 --> 02:19:59.959
<v Speaker 1>and no, we did that. Josh is for five dollars.

2272
02:20:00.040 --> 02:20:03.239
<v Speaker 1>Have you ever considered that the view of unconditional election

2273
02:20:03.920 --> 02:20:07.600
<v Speaker 1>predestination might be why Protestants don't need, don't care about

2274
02:20:07.600 --> 02:20:10.680
<v Speaker 1>false teaching. It could contributes to that, absolutely, especially if

2275
02:20:10.680 --> 02:20:13.719
<v Speaker 1>they're Calvinists, right, I mean a lot of Protestants are

2276
02:20:13.760 --> 02:20:17.239
<v Speaker 1>not very few Protestants are actually five point Calvinists in

2277
02:20:17.319 --> 02:20:19.959
<v Speaker 1>the total. But for the ones that are, that's probably

2278
02:20:20.000 --> 02:20:21.840
<v Speaker 1>why they don't. They don't. But I don't. I mean,

2279
02:20:21.920 --> 02:20:24.840
<v Speaker 1>Ruslan's not a Calvinist. I don't think he has any

2280
02:20:24.840 --> 02:20:28.600
<v Speaker 1>of those types of views. DM five hundred RSDs? What's up?

2281
02:20:28.639 --> 02:20:28.680
<v Speaker 2>Do?

2282
02:20:28.799 --> 02:20:33.639
<v Speaker 1>Thank you? Romax ten dollars? You heard the man? We

2283
02:20:33.719 --> 02:20:39.319
<v Speaker 1>all want spurgy tag questions? You joking, dude? You joke it, dude, DM,

2284
02:20:39.879 --> 02:20:43.319
<v Speaker 1>since two hundred and fifty RSDs? What the health currency

2285
02:20:43.399 --> 02:20:51.000
<v Speaker 1>is an RSD? Forget Branch theory, you got Brockley theory. Yo,

2286
02:20:51.520 --> 02:20:56.079
<v Speaker 1>y'all still cook it? Kaiser says Jay, you got to

2287
02:20:56.120 --> 02:21:01.559
<v Speaker 1>see the ode to Yakub? What is that? Is that?

2288
02:21:01.639 --> 02:21:04.879
<v Speaker 1>A song that sounds awesome? We'll see if we can

2289
02:21:04.879 --> 02:21:08.360
<v Speaker 1>find that. I'm liking Nick Crowley's videos though he's he's

2290
02:21:08.399 --> 02:21:13.239
<v Speaker 1>impressing me. He's got good stuff here, Oh to yakoub

2291
02:21:13.319 --> 02:21:25.879
<v Speaker 1>let's see. Oh shit, do look at this? Rall? Oh

2292
02:21:26.239 --> 02:21:33.040
<v Speaker 1>macas all right, this looks fun. I'll give it to

2293
02:21:33.079 --> 02:21:34.319
<v Speaker 1>you guys in the chat, but I don't want to

2294
02:21:34.399 --> 02:21:39.959
<v Speaker 1>ding the copyright. This is a fire stream, son. I

2295
02:21:40.000 --> 02:21:41.280
<v Speaker 1>think we might get a lot of views on this

2296
02:21:41.360 --> 02:21:44.600
<v Speaker 1>because of the back rooms, so I don't want to.

2297
02:21:46.719 --> 02:21:49.319
<v Speaker 1>I don't want to mess up the algo if I

2298
02:21:49.360 --> 02:21:54.159
<v Speaker 1>play copyright music. Yeah, get out of here. You are here.

2299
02:21:53.920 --> 02:21:56.840
<v Speaker 1>You haters in the Chat are henceforth banished from the

2300
02:21:56.920 --> 02:22:05.280
<v Speaker 1>Kingdom and Empire of Waxantium. So did it be mc romex,

2301
02:22:05.360 --> 02:22:07.879
<v Speaker 1>says Jay hitting blue Steel tonight. Oh y'all want a

2302
02:22:07.879 --> 02:22:09.520
<v Speaker 1>little bit of that I forgot? I keep forgetting. I

2303
02:22:09.520 --> 02:22:21.559
<v Speaker 1>got the diva camp. Let's hold up, y'all want a

2304
02:22:21.600 --> 02:22:25.520
<v Speaker 1>little bit of that? You got it? Dude, my key.

2305
02:22:25.719 --> 02:22:28.440
<v Speaker 1>Five dollars isn't twin peaks all back room ship, Yes,

2306
02:22:28.520 --> 02:22:31.399
<v Speaker 1>we said earlier David David Lynch is sort of the

2307
02:22:32.840 --> 02:22:39.559
<v Speaker 1>og of liminal space backgrounds for sure. Deep siss or

2308
02:22:39.600 --> 02:22:44.600
<v Speaker 1>five dollars Indian doctor but formerly leather to dollar spit

2309
02:22:44.719 --> 02:22:47.799
<v Speaker 1>some new fresh bars. I mean, I could do, but

2310
02:22:47.840 --> 02:22:50.159
<v Speaker 1>it's the end. Of the night Man. You got to

2311
02:22:50.200 --> 02:22:52.239
<v Speaker 1>ask me that at the beginning of the stream, bro

2312
02:22:52.840 --> 02:22:54.760
<v Speaker 1>even though you actually did, because that was an old

2313
02:22:54.799 --> 02:22:56.920
<v Speaker 1>super chat. But I'll try to I'll try to do

2314
02:22:56.959 --> 02:22:59.239
<v Speaker 1>some new Crench course soon, y'all. I'm just kind of

2315
02:22:59.239 --> 02:23:02.440
<v Speaker 1>tired right now. I need a new song for my

2316
02:23:02.520 --> 02:23:06.559
<v Speaker 1>watch ringtone, Voice of Reason song, y'all getting tired of

2317
02:23:06.559 --> 02:23:11.639
<v Speaker 1>that one? I recommend them of you Obsession. It's one

2318
02:23:11.639 --> 02:23:17.799
<v Speaker 1>of the best horrorfleix in the last ten years. Obsession.

2319
02:23:19.399 --> 02:23:24.840
<v Speaker 1>That sounds familiar. Oh, this is the new one. I

2320
02:23:24.879 --> 02:23:29.520
<v Speaker 1>want to see this. This one actually does look good. Yes,

2321
02:23:30.319 --> 02:23:32.079
<v Speaker 1>is it out? Can you watch this now? Is it

2322
02:23:32.079 --> 02:23:34.799
<v Speaker 1>in the in the theaters or what? Yeah? Thank you?

2323
02:23:35.120 --> 02:23:36.840
<v Speaker 1>I do want to do this, and yeah, it will

2324
02:23:36.840 --> 02:23:39.200
<v Speaker 1>probably be worth analysis. They look good enough for analysis

2325
02:23:39.200 --> 02:23:42.559
<v Speaker 1>for sure. Alter boyd ten dollars. I remember Beta max

2326
02:23:42.639 --> 02:23:45.200
<v Speaker 1>versus VHS fights when I was a kid. Yeah, we

2327
02:23:45.360 --> 02:23:47.399
<v Speaker 1>used to when I was in California. We would. My

2328
02:23:47.479 --> 02:23:49.159
<v Speaker 1>dad was kind of a cheapo, so he would still

2329
02:23:49.239 --> 02:23:58.680
<v Speaker 1>rent Beta maxis because they were cheaper. TINGO says. You know,

2330
02:23:58.760 --> 02:24:01.120
<v Speaker 1>we all starting to get ruse fatigue. Yeah, aren't you

2331
02:24:01.159 --> 02:24:05.120
<v Speaker 1>sick of his broccoli hair and you know that dude's

2332
02:24:05.120 --> 02:24:09.120
<v Speaker 1>breath steaks too, Like I feel like I've watched so much,

2333
02:24:09.200 --> 02:24:11.360
<v Speaker 1>seen so much Rouselan face. I feel like the breath

2334
02:24:11.399 --> 02:24:13.680
<v Speaker 1>is coming through the screen. I'm starting to smell his

2335
02:24:13.680 --> 02:24:17.000
<v Speaker 1>his stink ass breath. I'm tired of Rouselan too. I'm

2336
02:24:17.000 --> 02:24:20.760
<v Speaker 1>glad you all just feeling it. Jacob says, for five dollars,

2337
02:24:20.799 --> 02:24:23.600
<v Speaker 1>I'm orthodoxical of you, Bron. I just want to reminisce

2338
02:24:23.680 --> 02:24:27.280
<v Speaker 1>that one time you had to give Derek Mythvision a spanking.

2339
02:24:27.600 --> 02:24:31.360
<v Speaker 1>I was in that live chat. He gets like fifty

2340
02:24:31.680 --> 02:24:34.840
<v Speaker 1>viewers nowadays on his live stream. Thank you for destroying him.

2341
02:24:35.319 --> 02:24:39.319
<v Speaker 1>His content was actually stealing my face, making me naustic. Uh.

2342
02:24:41.120 --> 02:24:43.200
<v Speaker 1>Remember he said his channel was going to take over,

2343
02:24:43.280 --> 02:24:45.120
<v Speaker 1>he was gonna he was the future, and he was

2344
02:24:45.159 --> 02:24:47.000
<v Speaker 1>going to be like five hundred k, gonna be a

2345
02:24:47.040 --> 02:24:50.479
<v Speaker 1>million in no time. And uh, and you're saying it's

2346
02:24:50.479 --> 02:24:58.479
<v Speaker 1>fifty fifty people in his live stream, Armo slug five dollars.

2347
02:24:58.520 --> 02:25:01.799
<v Speaker 1>What do you think about the Armenian apple Stock Church. Uh, well,

2348
02:25:02.399 --> 02:25:04.559
<v Speaker 1>unfortunately they're in schism, so they do have a lot

2349
02:25:04.600 --> 02:25:09.159
<v Speaker 1>of things in common with us, but they're also in schism,

2350
02:25:09.239 --> 02:25:12.479
<v Speaker 1>so Great Scots for five dollars. Father Peter was on

2351
02:25:12.639 --> 02:25:16.319
<v Speaker 1>with David Wood. He did really, really well good. I

2352
02:25:16.360 --> 02:25:18.719
<v Speaker 1>hear though that the whole chat was just like they're

2353
02:25:18.719 --> 02:25:20.959
<v Speaker 1>just pearl clutch They don't even care about theology, dude.

2354
02:25:20.959 --> 02:25:22.920
<v Speaker 1>That's what I'm trying to say, Like we're over here

2355
02:25:22.920 --> 02:25:25.879
<v Speaker 1>trying to do these high tier theology arguments and they're

2356
02:25:25.920 --> 02:25:31.200
<v Speaker 1>just pearl clutching about renting a Greek Orthodox fellowship hall

2357
02:25:32.200 --> 02:25:35.559
<v Speaker 1>Yo yo char for baptism. That's all they have. They

2358
02:25:35.559 --> 02:25:41.079
<v Speaker 1>don't even care. JD. Five dollars. I'm curious if you

2359
02:25:41.200 --> 02:25:45.440
<v Speaker 1>think that there's any esoteric thoughts dreams in Christianity that

2360
02:25:45.600 --> 02:25:50.120
<v Speaker 1>do not cross into the gnostic heresy. Well, I mean polemism.

2361
02:25:50.440 --> 02:25:56.079
<v Speaker 1>Is that so? Look up Hesekia and Palmus acts five dollars.

2362
02:25:56.360 --> 02:25:59.959
<v Speaker 1>Do you know the Henry Nowak story Novak story? I don't.

2363
02:26:00.920 --> 02:26:03.639
<v Speaker 1>Is that probably something to do with like Islam and

2364
02:26:04.920 --> 02:26:15.639
<v Speaker 1>dystopia and Islam and Islam and the UK Henry Nowak

2365
02:26:17.600 --> 02:26:21.000
<v Speaker 1>abstract back rooms, nah Son, I'm trying to talk about

2366
02:26:21.000 --> 02:26:26.840
<v Speaker 1>a black room. We ain't ready to have this conversation yet. Yeah.

2367
02:26:26.959 --> 02:26:30.680
<v Speaker 1>I like the way you think. Jason Casselton ours. I

2368
02:26:30.719 --> 02:26:32.799
<v Speaker 1>haven't watched it a long time, But would you say

2369
02:26:32.879 --> 02:26:35.159
<v Speaker 1>Aeronovsky's Pie is a liminal space movie?

2370
02:26:35.200 --> 02:26:35.399
<v Speaker 2>Eh?

2371
02:26:35.840 --> 02:26:38.319
<v Speaker 1>No, I wouldn't say so. I mean it was definitely creepy.

2372
02:26:39.799 --> 02:26:42.840
<v Speaker 1>Uh And dude just goes dude, Pie was predicting all

2373
02:26:42.840 --> 02:26:49.000
<v Speaker 1>of these Gomatria tards. Pie is the exact exemplification of

2374
02:26:49.040 --> 02:26:55.959
<v Speaker 1>the Gomatria tards on the internet. Dude, I thought we

2375
02:26:55.959 --> 02:26:59.360
<v Speaker 1>was gonna have an easy fun stream. We might make

2376
02:26:59.360 --> 02:27:01.479
<v Speaker 1>a you know, a couple hundred dollars were almost out

2377
02:27:01.520 --> 02:27:03.440
<v Speaker 1>a thousand dollars tonight, y'all, Thank you so much. Y'all

2378
02:27:03.479 --> 02:27:08.280
<v Speaker 1>been super generous. All right, where was we at? Let's

2379
02:27:08.280 --> 02:27:13.559
<v Speaker 1>see back rooms By the end of the night, the

2380
02:27:13.639 --> 02:27:19.399
<v Speaker 1>scrolling thing does not work. Well, maybe that's the end

2381
02:27:19.399 --> 02:27:26.120
<v Speaker 1>of the super chests there, Jake Croat says, for twenty

2382
02:27:26.159 --> 02:27:29.399
<v Speaker 1>five dollars. For twenty five dollars, can you riff cringe

2383
02:27:29.440 --> 02:27:33.680
<v Speaker 1>cord to Sharday. Oh dude, let me try to make

2384
02:27:33.719 --> 02:27:36.559
<v Speaker 1>a note of that and do it on the next stream.

2385
02:27:36.959 --> 02:27:38.399
<v Speaker 1>I'm way too tired to.

2386
02:27:42.719 --> 02:27:42.760
<v Speaker 2>Do.

2387
02:27:42.879 --> 02:27:44.840
<v Speaker 1>We been in the back rooms for two hours. Man,

2388
02:27:45.040 --> 02:27:49.200
<v Speaker 1>the back rooms will suck your soul. Dr rift to Charday.

2389
02:27:51.760 --> 02:27:54.319
<v Speaker 1>What do you want me to wrap about for twenty

2390
02:27:54.920 --> 02:28:03.799
<v Speaker 1>just anything? Don't say rudes line ruslan, dude, I'm we

2391
02:28:03.920 --> 02:28:08.680
<v Speaker 1>got rusele on fatigue around here, man, car russ up

2392
02:28:08.719 --> 02:28:11.479
<v Speaker 1>for three dollars, ay s, could you do a paranormal

2393
02:28:11.520 --> 02:28:16.440
<v Speaker 1>streamful on slap ham glops or whatever. Yes, it's been

2394
02:28:16.479 --> 02:28:19.319
<v Speaker 1>a while since we did a spooky stream. We've done

2395
02:28:19.360 --> 02:28:22.000
<v Speaker 1>about three or four and they're a blast. So yeah,

2396
02:28:22.000 --> 02:28:25.760
<v Speaker 1>we need to do more of that for sure, for show.

2397
02:28:26.399 --> 02:28:29.879
<v Speaker 1>For show, I'll make a note to do another spooky stream. Dude,

2398
02:28:29.920 --> 02:28:32.280
<v Speaker 1>wells this one count of as I put a spooky stream,

2399
02:28:33.680 --> 02:28:35.719
<v Speaker 1>like I said, it was in the backgrounds for two hours.

2400
02:28:35.760 --> 02:28:42.600
<v Speaker 1>That was spooky as hell. Spooky stream right here. Y'all

2401
02:28:42.639 --> 02:28:45.639
<v Speaker 1>want spooky streams, listen. If y'all request spooky streams, you

2402
02:28:45.639 --> 02:28:47.600
<v Speaker 1>gotta come do it, though, you got y'all gotta be here.

2403
02:28:48.280 --> 02:28:50.200
<v Speaker 1>I don't want to do a spooky stream for five

2404
02:28:50.280 --> 02:28:53.600
<v Speaker 1>hundred people. Y'all got to come show up. J money

2405
02:28:53.600 --> 02:28:56.319
<v Speaker 1>five dollars? Are you gonna switch to a PC? Jim

2406
02:28:56.319 --> 02:28:59.520
<v Speaker 1>Bob says you're boomer. I can't do it. I'm too boomer.

2407
02:28:59.520 --> 02:29:04.120
<v Speaker 1>I'm sorry. You should get FDA and a walkie talkie,

2408
02:29:04.959 --> 02:29:08.360
<v Speaker 1>I would actually be ironic and with hipster, I'll go

2409
02:29:08.399 --> 02:29:10.760
<v Speaker 1>full hipster and do an interview on a walkie talkie.

2410
02:29:10.799 --> 02:29:14.280
<v Speaker 1>That actually sounds pretty cool. I could trip out my

2411
02:29:14.319 --> 02:29:16.680
<v Speaker 1>guests that I'm interviewing my big guests this weekend. What

2412
02:29:16.719 --> 02:29:18.280
<v Speaker 1>if I What if I tripped her out and I

2413
02:29:18.319 --> 02:29:20.440
<v Speaker 1>was like, now we're doing this interview via a walkie talkie.

2414
02:29:20.479 --> 02:29:24.360
<v Speaker 1>She'd be like, what yo. She'd be like, make sense

2415
02:29:24.399 --> 02:29:25.920
<v Speaker 1>of that. I'm like, there ain't no sense to it.

2416
02:29:26.319 --> 02:29:30.799
<v Speaker 1>That's why we're doing it. You in the back rooms, guys, remember,

2417
02:29:30.840 --> 02:29:32.719
<v Speaker 1>got to show a sponsor, which is chalk dot com

2418
02:29:32.719 --> 02:29:34.440
<v Speaker 1>c h o q dot com best solentation on the net.

2419
02:29:34.479 --> 02:29:36.319
<v Speaker 1>Head over to chalk dot com c h o q

2420
02:29:36.559 --> 02:29:41.239
<v Speaker 1>dot com. Use the promo code J fifty J sixty

2421
02:29:41.280 --> 02:29:43.399
<v Speaker 1>life J Y six zero L A f E. He

2422
02:29:43.479 --> 02:29:46.319
<v Speaker 1>is sixty percent off all those great products, including the

2423
02:29:46.440 --> 02:29:52.079
<v Speaker 1>Male Vitality sat Rider. Y'all don't remember the previous Spooky streams.

2424
02:29:52.479 --> 02:29:54.639
<v Speaker 1>I know, slow boy whitebird does. She was here for

2425
02:29:54.680 --> 02:29:57.280
<v Speaker 1>all that. She loved it. She was she was loving it, dude,

2426
02:29:58.280 --> 02:30:02.559
<v Speaker 1>Spooky Streams. Let's see what we called it. I think

2427
02:30:02.559 --> 02:30:08.639
<v Speaker 1>it was called that. Let's see. No, it's not that

2428
02:30:08.719 --> 02:30:14.000
<v Speaker 1>one here it is. Look at that dude ghost glitch matrix.

2429
02:30:14.040 --> 02:30:16.840
<v Speaker 1>Look at that. We was scaring y'all. Too many of

2430
02:30:16.959 --> 02:30:26.040
<v Speaker 1>y'all got scared when we did the stream, right, So

2431
02:30:26.159 --> 02:30:28.399
<v Speaker 1>if you get bored after this and you need more

2432
02:30:28.399 --> 02:30:32.040
<v Speaker 1>of it, here's a whole other spooky stream. We did

2433
02:30:32.959 --> 02:30:37.239
<v Speaker 1>scary ghost glitch in the major cryptids UFOs. We did

2434
02:30:37.239 --> 02:30:40.520
<v Speaker 1>it all sun right here. The only thing in this

2435
02:30:40.600 --> 02:30:45.520
<v Speaker 1>genre that I absolutely hate. I love spooky videos. I

2436
02:30:45.600 --> 02:30:50.159
<v Speaker 1>hate when they go into abandoned buildings and walk around

2437
02:30:50.239 --> 02:30:53.920
<v Speaker 1>with their go pro cameras and wait until somebody farts

2438
02:30:53.959 --> 02:30:56.319
<v Speaker 1>and then they claim it's a ghost. I mean, I

2439
02:30:56.360 --> 02:30:59.239
<v Speaker 1>hate those videos so much. I will never watch. I

2440
02:30:59.280 --> 02:31:02.520
<v Speaker 1>hate those will not watch Ghost Team videos. They're the stupidest,

2441
02:31:02.559 --> 02:31:08.159
<v Speaker 1>most boring of all. Dude Cody's Seva codis live five

2442
02:31:08.200 --> 02:31:12.280
<v Speaker 1>dollars bump up for the spooky streams, all right, y'all

2443
02:31:12.319 --> 02:31:15.959
<v Speaker 1>send him money. You want spooky streams, okay, Benjamin five dollars.

2444
02:31:16.040 --> 02:31:19.559
<v Speaker 1>Steve Gregg said on a Facebook group he would debate you.

2445
02:31:19.600 --> 02:31:26.920
<v Speaker 1>I don't know who the hell Steve greg is. Look

2446
02:31:27.000 --> 02:31:31.120
<v Speaker 1>here's the rules, y'all. If you got a small channel

2447
02:31:33.319 --> 02:31:36.920
<v Speaker 1>you call in. I don't do a formal debate with

2448
02:31:37.040 --> 02:31:41.479
<v Speaker 1>anybody with five hundred subs or one thousand subs, ten

2449
02:31:41.520 --> 02:31:46.200
<v Speaker 1>thousand subs. You don't get a formal debate. I'm trying

2450
02:31:46.200 --> 02:31:54.079
<v Speaker 1>to monetize these people. That's a joke. Malayas hereta korum.

2451
02:31:54.120 --> 02:31:58.120
<v Speaker 1>Five dollars. I expose Ryan from need God. He's got

2452
02:31:58.159 --> 02:32:00.760
<v Speaker 1>a script. I don't am not surprised. Go check out

2453
02:32:00.760 --> 02:32:03.799
<v Speaker 1>the link on my post. That is h O H.

2454
02:32:03.920 --> 02:32:07.440
<v Speaker 1>Malayis heretic korum? He says, he follows the script. Dude,

2455
02:32:07.479 --> 02:32:11.280
<v Speaker 1>I bet you he's just repeating AI inny so is

2456
02:32:11.360 --> 02:32:13.959
<v Speaker 1>Ryan is need God just repeating AI? I bet he is.

2457
02:32:14.000 --> 02:32:20.760
<v Speaker 1>Do that dude is solo tier Gavin Ortlinzon for three dollars.

2458
02:32:20.760 --> 02:32:23.079
<v Speaker 1>I'm sending us because that wigger Rouosland starts punching the

2459
02:32:23.120 --> 02:32:28.079
<v Speaker 1>air because he knows his ops are stacking paper. Yo, dude,

2460
02:32:28.079 --> 02:32:31.200
<v Speaker 1>we about to make rude lot so man right now, dude, dude,

2461
02:32:31.200 --> 02:32:33.680
<v Speaker 1>he's dude, I do about to turn red. Bro He

2462
02:32:33.760 --> 02:32:36.760
<v Speaker 1>about to be a rib piece of broccoli dog a

2463
02:32:36.840 --> 02:32:40.840
<v Speaker 1>cook broccoli son. Thank you guys so much. We're gonna

2464
02:32:40.879 --> 02:32:44.280
<v Speaker 1>do a spooky stream x Lockstep says for two dollars,

2465
02:32:44.639 --> 02:32:48.959
<v Speaker 1>I like shoes, I like money. Banana up the butt

2466
02:32:49.000 --> 02:32:52.760
<v Speaker 1>says for twenty dollars. Did you read Michael Hudson's book

2467
02:32:52.840 --> 02:32:59.479
<v Speaker 1>Super Imperialism? No, but I did read Eric Wahlberg's Postmodern Imperialism.

2468
02:33:00.000 --> 02:33:02.479
<v Speaker 1>But let me write that down to get it. This

2469
02:33:02.600 --> 02:33:09.159
<v Speaker 1>dude's always coming with them but recommendations. You would enjoy

2470
02:33:09.239 --> 02:33:11.959
<v Speaker 1>his point of view critique of US imperialism through finance.

2471
02:33:12.120 --> 02:33:14.479
<v Speaker 1>It gets into the gold standard ending I am from

2472
02:33:14.520 --> 02:33:17.840
<v Speaker 1>world banking. That sounds perfect, Michael, super Imperialism, Michael Hudson.

2473
02:33:28.399 --> 02:33:30.239
<v Speaker 1>We listened to our audience around here. A lot of

2474
02:33:30.280 --> 02:33:32.479
<v Speaker 1>these a lot of these streamers don't even listen to

2475
02:33:32.479 --> 02:33:38.280
<v Speaker 1>the audience. Marie hey Man, twenty dollars, Spring Bankers. That's

2476
02:33:38.319 --> 02:33:41.239
<v Speaker 1>wigger liminal space. Damn Son, it is. I don't even

2477
02:33:41.239 --> 02:33:44.159
<v Speaker 1>think about that. And listen to me and trust and

2478
02:33:44.200 --> 02:33:48.559
<v Speaker 1>we did that. You got your boy Tristan over here

2479
02:33:48.559 --> 02:33:52.239
<v Speaker 1>retiring from the internet. Meanwhile, this is when he could

2480
02:33:52.239 --> 02:33:54.559
<v Speaker 1>come shine. This is his moment to shine, and he's

2481
02:33:54.600 --> 02:33:59.559
<v Speaker 1>retiring from the internet. Uh, but yeah, we have fun

2482
02:34:00.120 --> 02:34:14.280
<v Speaker 1>in that one, spring Breakers. This was old school too.

2483
02:34:14.280 --> 02:34:17.879
<v Speaker 1>Look This is Jay and Tristana Candy when I was

2484
02:34:17.920 --> 02:34:24.319
<v Speaker 1>looking weird and puffy from carbs dude, before Tristan convinced

2485
02:34:24.360 --> 02:34:28.399
<v Speaker 1>me of his diet cult. Yo, y'all check that out.

2486
02:34:28.440 --> 02:34:32.760
<v Speaker 1>We there, Benjamin five dollars. Look up Steve Greg He

2487
02:34:32.840 --> 02:34:34.760
<v Speaker 1>in a slouch. I didn't say he was a slouch.

2488
02:34:34.840 --> 02:34:39.639
<v Speaker 1>I said, does he have one hundred subscribers? He's debated

2489
02:34:39.719 --> 02:34:47.399
<v Speaker 1>James White, Aiken and Staples. I don't know, we'll see.

2490
02:34:47.719 --> 02:34:50.600
<v Speaker 1>I've already planned out like ten debates, dude, well not ten,

2491
02:34:51.000 --> 02:34:55.799
<v Speaker 1>like five, but I'm willing to bet that some of

2492
02:34:55.840 --> 02:34:59.920
<v Speaker 1>those people won't show up. JP at Dog five dollars.

2493
02:35:00.239 --> 02:35:02.239
<v Speaker 1>Jay ordered your book. I'm eager to get into it.

2494
02:35:02.479 --> 02:35:04.200
<v Speaker 1>How long does it usually take? Well, if you order

2495
02:35:04.239 --> 02:35:05.799
<v Speaker 1>the Red Book, they're supposed to be here in the

2496
02:35:05.840 --> 02:35:08.440
<v Speaker 1>next few days, so that's probably what you're waiting on.

2497
02:35:12.040 --> 02:35:16.399
<v Speaker 1>All right, Thank you guys so much. Y'all been a

2498
02:35:16.399 --> 02:35:19.600
<v Speaker 1>lot of fun tonight. Josha's for two dollars. This is

2499
02:35:19.639 --> 02:35:23.239
<v Speaker 1>a win back room stream. Do you have a patron saint? Yes, Daniel,

2500
02:35:23.399 --> 02:35:29.120
<v Speaker 1>Prophet Daniel is my patron saint. I love these kinds

2501
02:35:29.120 --> 02:35:33.520
<v Speaker 1>of streams. I can't do this theology nerd shit every night,

2502
02:35:33.719 --> 02:35:38.840
<v Speaker 1>isn't crazy? Jay Long Finals, do you think Don young

2503
02:35:38.879 --> 02:35:42.799
<v Speaker 1>Don is kind of slow because he got his thing chopped? Well,

2504
02:35:42.879 --> 02:35:47.200
<v Speaker 1>I don't know if he's He seems impressionable because they

2505
02:35:47.280 --> 02:35:51.719
<v Speaker 1>easily convinced him, so he seems at least very impressionable.

2506
02:35:52.239 --> 02:35:54.440
<v Speaker 1>But I don't know young Don, so I can't say

2507
02:35:56.040 --> 02:36:00.000
<v Speaker 1>what all's going on other than like if you're convinced

2508
02:36:00.079 --> 02:36:03.319
<v Speaker 1>and people to get circumcised. I mean, they don't know

2509
02:36:03.360 --> 02:36:05.879
<v Speaker 1>nothing about the New Testament, like they haven't read the

2510
02:36:05.879 --> 02:36:09.520
<v Speaker 1>Book of i exe Galatians, Hebrews. I mean, guys, thank

2511
02:36:09.559 --> 02:36:11.000
<v Speaker 1>you so much. If you would hit like a share,

2512
02:36:11.399 --> 02:36:13.440
<v Speaker 1>tell me uh more. Back rooms
