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Speaker 1: W M n H rips the novels.

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Speaker 2: You're listening to Mattconnorton Unleashed on W M and H

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ninety five point three.

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Speaker 1: You are listening to W M n H ninety five

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point three World Premiere two times Listen.

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Speaker 3: My mind is myself with all these kinds of quinces.

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Who is sim Johnsy his hair hel But.

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Speaker 1: I'm looking for light and a reason to.

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Speaker 3: Go on, want someone's handle hold and not feel some money.

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Speaker 1: God knows something. That word not honey and good times

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weed hair.

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Speaker 4: Had something that was said, stringy up time wall It's

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sorry girl, looks like a straight potion the way Jesup

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passed snooks mother show just.

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Speaker 3: How long miss Macks.

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Speaker 1: So I guess my time has come. That must be

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fenn Lie.

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Speaker 3: Right here, can ride homy.

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Speaker 1: That's good? Gods up that burning on the body.

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Speaker 5: And to the time feed.

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Speaker 1: Just can't be content?

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Speaker 3: What time girl?

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Speaker 6: I love it. That is the world radio premiere, the

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brand new single from Down Boys. It is called to

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whom it may concern, and we're going to talk to

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these guys in just a second. Welcome everybody. We have

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entered our number two newmarrow dose of Matt Connorton. Unleashed,

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and we are live from the studios of w m

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n H ninety five point three FM and Glorious Manchester,

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New Hampshire. Today is, of course, Saturday, December thirteen, twenty

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twenty five. Jenny is here at the news table and

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a little warmer in here. Now I've actually unzipped my coat. No,

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it's not, it's fun. It's fine, it's starting, it's starting

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to warm up. It's it's almost sixty degrees. Let's get

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these mics on for these guys here. Welcome, gentlemen, Hey,

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good morning, morning morning. Let's start in the corner there.

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If each of you, Larry will start with you, if

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you can tell us who you are, what you do

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in the band pretty much.

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Speaker 7: I'm the man, Larry Williams.

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Speaker 8: I played drums, all right, very good, Welcome Larry. I'm

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the understudy to the man Jason Sullivan. Okay, yeah, sing

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and play guitar okay, okay, And you.

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Speaker 9: Sir, I am John Clifford, bass player.

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Speaker 6: All right, welcome John.

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Speaker 10: And my name is Bruce and I play guitar and

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I sing backups.

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Speaker 6: Bruce, I gotta get your hey, your mic up over here.

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I'm sorry, no, no, worries that Mike's plugged into a

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different board. Okay, say all that again, no worries.

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Speaker 10: My name is Bruce and I play guitar and I

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sing backups.

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Speaker 6: All right, very good. Well, it's wonderful to have you

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guys here.

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Speaker 10: Thanks for having us.

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Speaker 6: Two of you have been on the show before, right, yes,

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with day to attend and then, but you guys have

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never been on before, right, Okay, just making sure because

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sometimes I forget, like someone will. I've had this happen

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where someone will be like, well, you know I was

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on the show like ten years ago, and I'm like,

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oh wow, it's hard to keep track. But no, I

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love the new song, thank you. That just now that's

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on all the streaming platforms and everything now.

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Speaker 9: I assume yeah, it comes out today.

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Speaker 6: Excellent, excellent, Well congratulations on that. Now, you guys are

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just you're just releasing singles at this point, right, there's

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not an album.

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Speaker 7: Or an EP yet, just over a year old.

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Speaker 6: Yeah, yeah, it is a it is kind.

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Speaker 11: Of a new project, right, most people are doing it

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at this point. So yeah, that's where we're at.

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Speaker 6: Yeah, yeah, what do you like do you think you're

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going to do?

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Speaker 7: Do an EP?

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Speaker 6: Or an album eventually.

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Speaker 7: Yeah.

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Speaker 12: Yeah, we're working on plans now for a full album

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and probably by I staid by the end of twenty

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twenty six, oh something.

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Speaker 6: Oh okay, excellent, excellent. Nowhere where do you guys record?

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Because everything sounds really good, but there's so many different

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ways to do it.

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Speaker 7: Now.

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Speaker 6: You can go to a studio, you can do it

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at home. You can what's the approach that you guys

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take for recording different at home?

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Speaker 7: Right?

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Speaker 10: Yeah, everything's been done at home, like we we took

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a couple of different approaches. We tried some electronic kits

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on the first couple of singles, and on this batch

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with Toma May Concern and the next single that's coming

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out after it. We use the live drums. But everything's

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just basically, I bring my laptop to a space, we

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set up mics or whatever and just do it to it.

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It's all home home brewed.

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Speaker 6: Yeah, yeah, no, it's great. That's great. You did it

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with that way with all three You've got three total now, right,

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three songs that you totally you've you've recorded, Yeah, yep.

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And how did so how did this come about? How

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did down Boys? I mean, obviously you know two of

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you guys play together in another band. But how did

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how did this start?

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Speaker 7: I think I put this thing together.

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Speaker 11: Band with those two guys, with Bruce and John. Yeah,

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eventually he was going to be the singer and and

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the band just dissolved right after that. Yeah, really work out.

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Speaker 7: I joined a lot of bands.

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Speaker 11: When I joined a lot of bands, is I never

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really liked the band, but I always find somebody or

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two right. It's just like, oh man, I got to

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get these two guys numbers right right, And it was

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pretty much all three of these guys. And when the

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band dissolved, I says, we get all do our own thing. Yeah,

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do originals. That was more of a cover of thing. Yeah, yeah,

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with it was kind of fifty to fifty. I think

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when I joined it it was mostly covers though.

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Speaker 7: Yeah.

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Speaker 11: Yeah, So I just found these guys. I thought, you know,

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very cute, but I mean they know they know how

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to play all right.

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Speaker 1: But the check claar right right, I head shot with.

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Speaker 7: There was no competition. It was nice.

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Speaker 6: Yeah, oh excellent. Did you guys play out a lot?

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Are you playing a lot of shows? It looks like

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you're right, Yeah, we've had a lot of shows.

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Speaker 10: In this past year, and we've got a lot coming

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up for twenty twenty six. So yeah, we found ourselves

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surprisingly busy.

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Speaker 6: Yeah, no, that's great, that's great. Is it hard to

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juggle this with you know? Are you guys? Also? Do

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you have other projects also outside of this or.

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Speaker 9: I have a total of three myself do Yeah?

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Speaker 6: What else you have?

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Speaker 7: So?

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Speaker 12: I actually can't say anything yet, so unfortunately, Oh, there's

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things in the works.

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Speaker 9: Asked to keep it down low until it's time to

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announce it.

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Speaker 6: Okay, that's cool.

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Speaker 9: This is my main priority, but I'm involved in two

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other projects.

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Speaker 6: Oh, excellent, excellent. What about you, Jason?

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Speaker 8: Yeah, I have an acoustic duo, soul Shine, and we

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play out once a month. Nice kind of not anywhere

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where it would overlap with you know what we're doing

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now heatistically or anything like that. But yeah, stay active,

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been in and out of bands and in the scene

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for you know, the better part of a couple of decades.

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So yeah, I was happy to get the call and

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yeah and sit here and I think the work speaks

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for itself, and yeah, I think we're doing great. Absolutely

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wanted to add to the tour thing that was going on.

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You said, we're playing out. We're hitting like almost every

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state in New England in the next like four months.

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Speaker 4: Good.

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Speaker 6: Yeah, it's pretty cool, excellent. Do you guys have a

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favorite place that you've played? Is there is there something

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that stands out or anywhere in Manchester brilliant?

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Speaker 11: I don't play place called Charlie. Still it's a great venue,

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especially for new new bands, and yeah, yeah, really good

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to us, And uh yeah, I think I do like

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it that.

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Speaker 10: I love Charlie too. Yeah, it's great sound, you know,

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it's like you said, great people, So it's that's probably

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been my favorite venue. We've played there a lot, so

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uh yeah.

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Speaker 7: They gave us a chance, and uh, I don't know,

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it just took off from there.

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Speaker 11: They really liked us, and then we started getting other

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gigs and then they started calling us.

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Speaker 7: Yeah, call them first. Yeah, and they've been calling us

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ever since.

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Speaker 6: He's going to be coming on Mike Hill. He's gonna

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be He's gonna be on the show. So great, very soon,

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I think, yeah, yeah, yeah, because that's a venue that

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comes up a lot on the show. Everybody loves Charlie Soul.

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Jenny and I haven't been there yet, but that's worth

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the trip everything. Everything we hear about it amazing.

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Speaker 1: Mike, Yeah, this sounds like a mad problem. Oops, it's amazing.

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Speaker 9: I really do want to get on the suck it out.

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Speaker 6: Yeah yeah, absolutely absolutely. All right, So where does the

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name come from? If it's is it is the origin

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story of the name radio friendly or yeah? Okay, well

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it depends when you ask.

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Speaker 11: I mean, honestly, I don't even know. Any think we

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do the down Boys song, So I don't know. It

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just sounded cool, Yeah, sound cool. I think Jason is

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the one who ended up with that. We all had

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a bunch of names here there.

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Speaker 7: We kind of all agreed on him. He's the biggest

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guy in the band.

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Speaker 6: Right right, he gets his way.

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Speaker 7: Yeah, we all kind of didn't hate it. We got

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the down Boys. Yeah.

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Speaker 8: I don't know if we want to reveal the origin

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story yet. Yeah, no, no, no, there's a bunch of

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theories out there. I kind of want to let it,

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let everybody, let everybody figure out. Yeah, all right, Larry's

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got two shepherds and we practice it at his place,

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so you know, he always says down Boys to his dogs.

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Speaker 6: Okay, that could be it could be one could be

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one Okay, Okay.

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Speaker 8: It could just be that it sounds like, you know,

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we're down for anything or yeah, you know in the

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eighties and the Warrant song and then cool cool guys, right, yeah, sure,

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got down sort of.

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Speaker 6: You see you see that video and it's like, I

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don't know how cool they are, but you know what

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I mean the choreography and difference. Yeah, oh I thought

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that I actually like Warrant. I'm not even knocking the band,

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but I remember the first time I saw the video

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for Down Boys and they're they're all on their knees

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moving in Unison, and I was like, this is a

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little uh yeah, no choreography insurance isn't good enough. Yeah,

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and it's just to be clear, it's down Boys. It's

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not the down Boys. Down Boys, just down Boys. Very good,

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very good. And then so like this this song just

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came out, you're already working on the next one, because

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you guys probably have you know, you're all creative guys,

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you probably have a lot of ideas.

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Speaker 11: We've got a bunch of already done, so we're working

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on recording them, not so much of working on the song.

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So yeah, yeah, little tweaks here and there for the

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recordings Yeah, comedies and stuff like that, which have really

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really took off.

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Speaker 7: I think the comedies in the standard great.

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Speaker 12: Yeah, yeah, we've actually already got our next single, Spirits Disappear,

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slated to come out in January.

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Speaker 9: Oh wonder this one gets some time to breathe and

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get out there outstanding.

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Speaker 12: Try to be a little bit ahead of the game

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and try to do maybe every thirty forty five days

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we'll put something new out.

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Speaker 7: Yeah.

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Speaker 6: It's hard to know, right, I mean, it's hard to

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know how how soon is too soon or you know,

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or too long or it's exactly.

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Speaker 7: Yeah, you we're at a good pace. We got seven

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seven now, I think we got seven originals.

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Speaker 11: Yeah, basically we wrote seven originals and then we instead

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of gotting to ten or twelve, let's let's go back

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and start recording when piece work.

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Speaker 7: Yeah, yeah, we got seven that will come out.

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Speaker 6: Okay, okay, not standing.

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Speaker 7: You know, we ask people which onesda they want to

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hear first? You know what I mean?

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Speaker 11: Yeah, which one do you think? And these were some

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of these were voted, right, I mean yeah, yeah, this.

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Speaker 10: To whom we concern. It seems like when we played

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this this song live, for some reason, a lot of

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people resonate with to whom and make concern.

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Speaker 7: Almost everybody actually, Yeah.

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Speaker 10: It's funny though, like depending on who comes up to you, like,

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someone will have a different song that they like of

256
00:14:07,840 --> 00:14:09,039
our so it's like, oh I rel like this one,

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and then another persons like, oh I really like this one.

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But honestly, kind of the consensus has been to whom

259
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I make concern has been a pretty a.

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Speaker 11: Lot of melodies and there's still a lot of rock

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and roll guitar. You know, the drums are strong but

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not crazy. You know, it's not Metallica by any means,

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but isn't boring.

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Speaker 7: I don't know, I love it.

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Speaker 6: Yeah, this is great, great track.

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Speaker 11: Everybody's writing melodies anymore. Everybody's just like I know the

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places we've everybody's screaming, Rellian just screaming. Everything's drum solos,

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everything solo, solo solo.

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Speaker 7: Yeah, it's really hard to understand the music, although you

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know the talent is that wow, those probably are those

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and changes.

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Speaker 11: Were insane and that's great sometimes, but sometimes you have

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the audience and you just want to understand the song

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to be able to dance to it and sing to

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it and right right I love rock and roll by Jones.

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Jet wasn't the hottest song in the world, but I mean,

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once you hear it, you're singing it.

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Speaker 1: That's true.

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Speaker 6: That's absolutely true. Yeah, yeah, I agree. I agree.

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Speaker 8: The creativity in this band is off the charts. Like Uncharted,

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00:15:06,519 --> 00:15:10,039
our very last practice, we wrote two more really that

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were there were pretty much skeletons that are gonna that

283
00:15:12,759 --> 00:15:14,279
are gonna be built off of and things like that.

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It's just like an unending conveyor belt of things that

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were jamming out writing recording.

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Speaker 7: Yeah.

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Speaker 8: So I wouldn't expect us to stop anytime.

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Speaker 6: So yeah, yeah, excellent, excellent, Well we should play another one?

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Speaker 4: What uh?

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Speaker 6: What should we uh? Which one should we play next?

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00:15:29,320 --> 00:15:31,080
And then we'll we'll one of them will leave for

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the end of the show, I mean the end of

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the segment obviously, But which one should we play with now?

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Speaker 7: At this point?

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Speaker 9: How about My Kind of Animal?

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Speaker 7: Yeah?

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Speaker 6: Oh yeah, and this one we did a world premiere

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for it.

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Speaker 3: When this.

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Speaker 6: Absolutely all right, let's give this a spand if you're

301
00:15:47,080 --> 00:15:49,080
just joining us down, boys, U here with us in

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00:15:49,159 --> 00:15:51,360
studio and this track is called My Kind of Animal.

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Speaker 5: Pads not.

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Speaker 1: One means young maidies, mister be so boy see the race.

305
00:16:36,320 --> 00:16:43,960
Belive you by my sun night Joe, go off, you

306
00:16:45,600 --> 00:16:51,080
can have a real good time. Wall You're crazy. I'm

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00:16:51,120 --> 00:16:52,039
not here.

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Speaker 5: You might coming.

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Speaker 13: You're crazy, I'm not You're not going black dathing song.

310
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You even brought your friend Younts.

311
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Speaker 1: What I've been stop all o the time?

312
00:17:27,240 --> 00:17:34,359
Speaker 5: Friend, I got strap shout my shot the soundful human times.

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Speaker 1: You can't tell me aoun. We haven't beat you in time.

314
00:17:42,200 --> 00:17:48,920
You're crazy. I'm not me here. You're not leble you

315
00:17:49,079 --> 00:18:35,720
crazy heav. I'm not here you ma Whoba, You're crazy.

316
00:18:36,799 --> 00:18:39,640
I'm not he here. Dom come that.

317
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Speaker 5: Crazy heavy among Hea You not coming?

318
00:18:48,400 --> 00:18:57,599
Speaker 1: You crazy? Am not do not coming? You crazy about baby?

319
00:18:58,279 --> 00:18:59,599
You're not coming.

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Speaker 7: There?

321
00:19:10,759 --> 00:19:13,079
Speaker 6: It is That is my kind of animal. The band

322
00:19:13,359 --> 00:19:15,359
is Down Boys, and we've got the guys from Down

323
00:19:15,400 --> 00:19:18,000
Boys here in the studio with us. And uh, that's

324
00:19:18,039 --> 00:19:19,720
a great track. We you know you heard it here

325
00:19:19,799 --> 00:19:21,640
first we played that when that first came out, and

326
00:19:21,960 --> 00:19:24,240
love it and now what what's what's that one?

327
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Speaker 7: Is that?

328
00:19:24,680 --> 00:19:26,880
Speaker 6: Like, uh, is one of you a veterinarian or what

329
00:19:27,160 --> 00:19:28,799
what's that song?

330
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Speaker 12: So that one was actually born out of a jam

331
00:19:30,920 --> 00:19:34,079
session up at Jason's place, either Bruce and I started

332
00:19:34,119 --> 00:19:37,240
playing the riff. You know, we just kind of locked

333
00:19:37,279 --> 00:19:39,519
onto it and said, all right, yeah, you know I

334
00:19:39,599 --> 00:19:41,240
I kind of feel like it has kind of early

335
00:19:41,319 --> 00:19:45,759
Aerosmith kind of. But one of these guys came up

336
00:19:45,799 --> 00:19:47,680
with the idea, why don't we just take a few

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examples of some personal adult history.

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Speaker 6: Got yeah, yeah, yeah, well well done, well done.

339
00:20:00,720 --> 00:20:02,880
Speaker 9: But that one came about pretty easily out of the gym.

340
00:20:03,119 --> 00:20:05,880
Speaker 6: Yeah yeah, is that? Is that how most of these happened?

341
00:20:06,039 --> 00:20:07,640
Because that's what these songs feel like.

342
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Speaker 7: They feel like some of them are that way, some

343
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of them.

344
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Speaker 11: These guys have these all three of these guys. Because

345
00:20:13,200 --> 00:20:15,559
I'm the drummer, I don't have much, but I have

346
00:20:15,640 --> 00:20:20,519
a lot to say. Guys either bring stuff to the table,

347
00:20:20,839 --> 00:20:24,440
or just before a break, he starts doing something.

348
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Speaker 7: I just can't help but put a beat to it.

349
00:20:27,240 --> 00:20:28,200
Speaker 6: Yeah, he has his.

350
00:20:28,279 --> 00:20:30,279
Speaker 7: Bass down, he's picking it back up, and then we

351
00:20:30,319 --> 00:20:32,680
don't take a break. We end up just like jam

352
00:20:32,839 --> 00:20:33,359
it to something.

353
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Speaker 11: He comes up some kind of words, We record it,

354
00:20:36,200 --> 00:20:38,440
and then next time we come in and go because

355
00:20:38,480 --> 00:20:40,440
if he records it, like well, I'll remember what we

356
00:20:40,519 --> 00:20:42,359
did because if you don't, you don't even remember something

357
00:20:42,960 --> 00:20:44,720
when you're jamming, you know, you having fun.

358
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Speaker 7: He puts words to it before you know what their songs.

359
00:20:47,599 --> 00:20:50,720
Speaker 11: Yeah, not all of them, but I think a few

360
00:20:51,319 --> 00:20:54,359
of this way, even like our genres, I think they're

361
00:20:54,359 --> 00:20:55,920
all different, some of them. You know, you might be

362
00:20:56,039 --> 00:20:57,720
like I kind to hear a little of this band

363
00:20:57,759 --> 00:21:00,799
and that, sure, but not in all of every one

364
00:21:00,839 --> 00:21:02,880
of them. We might hear something different, you know what

365
00:21:02,960 --> 00:21:04,920
I mean. Yeah, I do not have to sound like

366
00:21:05,000 --> 00:21:06,200
somebody today, you know what I mean.

367
00:21:06,319 --> 00:21:08,079
Speaker 7: Yeah, it's been a long time. Yeah.

368
00:21:09,359 --> 00:21:11,000
Speaker 6: Do you guys have any like, is there anybody else

369
00:21:11,039 --> 00:21:12,759
in the scene you kind of you know what happens organically,

370
00:21:12,799 --> 00:21:15,279
you've kind of sort of teamed up with like for

371
00:21:15,400 --> 00:21:17,160
shows like that you Is there anybody who play a

372
00:21:17,200 --> 00:21:18,000
lot of shows.

373
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Speaker 7: With the Mystic Angel? Yeah? Yeah, yeah they do because

374
00:21:22,279 --> 00:21:23,119
it's convenient.

375
00:21:23,359 --> 00:21:26,440
Speaker 6: Yeah yeah, yeah, cut up the drums once exactly. Yeah

376
00:21:26,759 --> 00:21:27,319
that makes sense.

377
00:21:27,400 --> 00:21:29,119
Speaker 9: Yeah, thumbs down The.

378
00:21:29,160 --> 00:21:32,759
Speaker 7: Angel dumbs down. Nathan Hills getting a little.

379
00:21:32,759 --> 00:21:34,599
Speaker 6: Yeah, Nathan Hill's great. Yeah he's been on the show.

380
00:21:35,519 --> 00:21:39,200
Speaker 11: Yeah, yeah, great guy, absolutely, Yeah, I mean we've played

381
00:21:39,200 --> 00:21:41,400
with everyone, Lone Wolf, James, I know, it's been down

382
00:21:42,799 --> 00:21:45,119
Anthony from Perching Sin nice.

383
00:21:45,240 --> 00:21:51,279
Speaker 6: Yeah, yeah, excellent, very vibrant scene. Yeah, absolutely, absolutely, no,

384
00:21:51,400 --> 00:21:53,519
it is incredible. You know, sometimes people will ask, like,

385
00:21:53,599 --> 00:21:55,200
you know, Jenny does a book, and people will ask,

386
00:21:55,200 --> 00:21:57,200
you know, where do you find all this talent to

387
00:21:57,240 --> 00:21:58,880
come on the show. It's like, well, it's everywhere.

388
00:22:00,039 --> 00:22:03,400
Speaker 11: Collectively, we all played everywhere. Yeah, he was covering for

389
00:22:03,519 --> 00:22:08,559
Exception for a while, great great metal band. And this

390
00:22:08,720 --> 00:22:12,000
guy's doing all our recording now yeah. Yeah, this guy's

391
00:22:12,039 --> 00:22:14,079
writing lyrics. Well, those are all really hot at work,

392
00:22:14,119 --> 00:22:15,599
and I just gap for them to put it together.

393
00:22:15,880 --> 00:22:22,000
Speaker 6: Yeah yeah, I'll tell you where to show up. You guys,

394
00:22:22,079 --> 00:22:24,759
do any if you made any music videos or anything

395
00:22:24,960 --> 00:22:26,240
for any of these songs?

396
00:22:26,279 --> 00:22:28,200
Speaker 9: Not yet, we have that in the works year too.

397
00:22:28,359 --> 00:22:35,599
Speaker 6: Yeah yeah, because you guys are all you're you're very photogenics.

398
00:22:33,599 --> 00:22:35,839
Speaker 7: That's true. Yeah, I do have a face for reading.

399
00:22:37,200 --> 00:22:39,480
I look like Alice Cooper a little. So yeah you

400
00:22:40,400 --> 00:22:41,200
think that's cute.

401
00:22:42,559 --> 00:22:44,160
Speaker 6: But I say the pictures of you, you know, because

402
00:22:44,200 --> 00:22:46,200
most bands, you know, they just you know, kind of

403
00:22:46,559 --> 00:22:48,279
stand there, just look at the camera, you know, But

404
00:22:48,559 --> 00:22:51,079
you guys are you're very animated in your pictures.

405
00:22:51,640 --> 00:22:53,599
Speaker 7: So you know, but it's an animated picture.

406
00:22:56,079 --> 00:22:58,920
Speaker 6: Well there you go. Somebody, somebody drew it and it looks.

407
00:22:58,759 --> 00:23:02,319
Speaker 7: Like one of them. I'm just kiping type.

408
00:23:04,559 --> 00:23:06,799
Speaker 6: No, but I can just I can imagine. I can

409
00:23:06,839 --> 00:23:08,599
imagine you guys do it. But but there is something

410
00:23:08,720 --> 00:23:11,000
you might do as far as the video. Yeah, in

411
00:23:11,039 --> 00:23:11,960
the words, yeah, yeah.

412
00:23:11,920 --> 00:23:13,640
Speaker 10: I can't see why not. I mean, I think that

413
00:23:13,720 --> 00:23:16,359
any video presence is kind of important for any band nowadays,

414
00:23:16,400 --> 00:23:19,200
Like a lot of people use Instagram or Snapchat or

415
00:23:19,240 --> 00:23:21,240
whatever and just getting stuff out there, even if it's

416
00:23:21,279 --> 00:23:22,640
not like a full fledged video. But I do think

417
00:23:22,640 --> 00:23:23,880
it would be cool to do a full video. I

418
00:23:23,880 --> 00:23:25,680
don't know what song we would do it for, but hell,

419
00:23:25,759 --> 00:23:26,480
it's doing for all of them.

420
00:23:26,480 --> 00:23:27,079
Speaker 7: I don't really care.

421
00:23:27,160 --> 00:23:30,599
Speaker 6: Yeah, yeah, yeah, it really is important. It's funny because

422
00:23:31,079 --> 00:23:33,240
like a lot of people who don't know, who don't

423
00:23:33,240 --> 00:23:36,640
pay attention, think that music videos are dead, like because

424
00:23:36,680 --> 00:23:40,160
they people have a perception that you know, once MTV,

425
00:23:41,119 --> 00:23:43,680
you know, stop playing videos effectively more than more than

426
00:23:43,720 --> 00:23:46,519
twenty years ago now, and VH one probably did as well,

427
00:23:46,839 --> 00:23:48,680
that you know that that the art form of the

428
00:23:48,759 --> 00:23:51,119
music video is dead. And what what people don't realize

429
00:23:51,200 --> 00:23:53,400
is it's actually I think more important than ever because

430
00:23:53,440 --> 00:23:56,640
of YouTube, you know, and what major artists who have, like,

431
00:23:56,920 --> 00:23:59,640
you know, a gazillion dollars will actually put out. I

432
00:23:59,680 --> 00:24:01,960
think I think Metallica did it, Beyonce has done it

433
00:24:02,319 --> 00:24:05,400
where they'll were released an album and literally for every

434
00:24:05,519 --> 00:24:08,839
single song on the album there's a video, a fully produced,

435
00:24:08,920 --> 00:24:11,160
high budget video, and it's you know, it just goes

436
00:24:11,240 --> 00:24:13,599
on social media and of course, but it helps fuel

437
00:24:13,720 --> 00:24:16,359
the you know, the algorithms and and and sell and

438
00:24:16,440 --> 00:24:19,039
sell the music and and it's really more more important

439
00:24:19,079 --> 00:24:20,880
than ever, I think. You know, I think you're right.

440
00:24:20,920 --> 00:24:22,480
Speaker 9: I think it's just a different medium now.

441
00:24:22,680 --> 00:24:26,480
Speaker 6: Yeah, exactly, it's it's changed. But but but a lot

442
00:24:26,519 --> 00:24:28,440
of these videos too, you know, the like the big

443
00:24:28,480 --> 00:24:30,640
budget ones. They look like something you might have seen

444
00:24:30,680 --> 00:24:33,160
in the you know, in the the heyday of MTV,

445
00:24:33,359 --> 00:24:39,319
you know. So yeah, people people like and it's easy,

446
00:24:39,400 --> 00:24:41,519
like you can even make you can do something very

447
00:24:41,559 --> 00:24:43,599
I've seen some really creative things that are actually very

448
00:24:43,680 --> 00:24:46,839
low budget but end up being really impactful, you know,

449
00:24:46,960 --> 00:24:50,599
as far as music videos. So yeah, there's really there's

450
00:24:50,640 --> 00:24:52,200
really no limit to what you can do with the

451
00:24:52,279 --> 00:24:55,240
technology now. So it's incredible.

452
00:24:55,839 --> 00:24:57,519
Speaker 7: It's not everything, right, that's right.

453
00:24:57,839 --> 00:24:59,480
Speaker 11: And I could buy I could buy you the best

454
00:24:59,519 --> 00:25:02,359
guitar in the world, right, and this guy could play

455
00:25:02,400 --> 00:25:04,000
the cheapest one, probably better.

456
00:25:04,079 --> 00:25:10,400
Speaker 6: Right, exactly, exactly. Now, what So what's kind of the

457
00:25:11,680 --> 00:25:13,640
future trajectory for you guys? Do you think, like, do

458
00:25:13,640 --> 00:25:14,880
you have do you have kind of a long term

459
00:25:14,960 --> 00:25:16,240
plan or get rich?

460
00:25:16,440 --> 00:25:16,559
Speaker 7: You know?

461
00:25:16,720 --> 00:25:18,640
Speaker 6: Yeah, at our day.

462
00:25:18,640 --> 00:25:20,359
Speaker 9: Jobs, you know, I don't know if there's really a plan.

463
00:25:20,519 --> 00:25:22,640
We started this really just to have some fun.

464
00:25:22,839 --> 00:25:23,000
Speaker 7: Yeah.

465
00:25:23,279 --> 00:25:25,160
Speaker 12: Yeah, we were doing our thing, having a good time.

466
00:25:25,200 --> 00:25:27,519
We'll go up to Charlie's every couple of weeks and yeah,

467
00:25:27,720 --> 00:25:29,920
out of nowhere, it's just when are you guys playing again?

468
00:25:29,960 --> 00:25:31,640
When are you guys putting stuff out? When are you

469
00:25:31,680 --> 00:25:33,680
doing an album? We're like, oh, okay, now what do

470
00:25:33,799 --> 00:25:33,960
we do?

471
00:25:34,240 --> 00:25:34,440
Speaker 7: Yeah?

472
00:25:34,559 --> 00:25:36,240
Speaker 9: So, I mean we have a few plans for like

473
00:25:36,440 --> 00:25:37,920
an album, maybe a video or two.

474
00:25:38,000 --> 00:25:40,160
Speaker 12: We'll book some shows, but yeah, we're kind of just

475
00:25:40,240 --> 00:25:42,079
here for the ride. Let's see where it takes. Yeah.

476
00:25:42,200 --> 00:25:45,680
Speaker 6: Yeah, it'll be as surprise as you Yeah. Yeah, that's exciting.

477
00:25:45,720 --> 00:25:47,240
I mean, you know, it's a good way to approach it,

478
00:25:47,279 --> 00:25:49,559
I think. Yeah, yeah, And when when is your next show? Like,

479
00:25:49,599 --> 00:25:51,119
do you guys have anything this weekend? Or when is

480
00:25:51,960 --> 00:25:53,200
oh tonight? Where are you playing tonight?

481
00:25:53,359 --> 00:25:55,440
Speaker 7: Right up the street here and Bad Burger. I guess

482
00:25:55,519 --> 00:25:58,240
oh excellent comes down a new place now.

483
00:25:59,079 --> 00:26:02,559
Speaker 12: Yeah, we're doing prais Christmas party with the bottom motion,

484
00:26:02,759 --> 00:26:05,440
the bottom motive and thumbs down doors at eight.

485
00:26:05,480 --> 00:26:08,599
Speaker 9: I think a ten dollars cover charge. Where cool Christmas costume?

486
00:26:08,640 --> 00:26:08,839
Speaker 4: You mad?

487
00:26:09,440 --> 00:26:10,079
Speaker 6: Oh that's cool.

488
00:26:10,240 --> 00:26:10,440
Speaker 7: Yeah.

489
00:26:11,240 --> 00:26:12,839
Speaker 6: Jenny and I went to Bad Burger for the first

490
00:26:12,880 --> 00:26:17,000
time to see Uh it was under the Horizon Vices Inc.

491
00:26:17,400 --> 00:26:20,599
And uh plague Dad. Yeah, that was a fun show.

492
00:26:22,200 --> 00:26:23,079
Oh yeah, I love them.

493
00:26:25,359 --> 00:26:26,079
Speaker 7: Does take place?

494
00:26:26,240 --> 00:26:30,119
Speaker 6: Yeah, see I took you there. That was not that

495
00:26:30,440 --> 00:26:43,519
long ago. See speechless. Yeah, Florida, I drove. Yeah, we

496
00:26:43,640 --> 00:26:45,759
took our We were trying to figure out like, uh,

497
00:26:46,480 --> 00:26:48,920
we could just ask, but I would ruin the mystery

498
00:26:49,000 --> 00:26:52,160
the uh the giant Bad Burger truck that sits there.

499
00:26:52,480 --> 00:26:54,559
We were trying to figure out like does do the

500
00:26:54,599 --> 00:26:56,880
owners have special permission from the city to just park

501
00:26:56,960 --> 00:26:59,000
that there? Or do they just pay pay all the

502
00:26:59,319 --> 00:27:01,839
parking every single day or just pay the ten dollars

503
00:27:01,880 --> 00:27:04,400
parking ticket every day or whatever? Yeah, but I love that.

504
00:27:04,559 --> 00:27:07,759
I love that John characterizing it is. Oh yeah, it's

505
00:27:07,839 --> 00:27:08,400
it's perfect.

506
00:27:08,480 --> 00:27:10,920
Speaker 9: Yeah, but we need be having that parking space tonight.

507
00:27:11,000 --> 00:27:11,440
But whatever.

508
00:27:12,279 --> 00:27:15,240
Speaker 6: Yeah, yeah, it's occupied twenty four seven, right.

509
00:27:16,559 --> 00:27:16,720
Speaker 7: Yeah.

510
00:27:16,759 --> 00:27:18,519
Speaker 8: They seem to be a have a good strategy. You're

511
00:27:18,519 --> 00:27:20,559
doing a good job. They were on the billboard and

512
00:27:20,640 --> 00:27:23,160
the JumboTron on the way in we saw as well.

513
00:27:23,279 --> 00:27:26,720
Speaker 6: Oh nice, yeah, yeah, yeah, that's awesome. That's awesome. And

514
00:27:26,799 --> 00:27:29,640
then so and then after this, because a lot of

515
00:27:29,680 --> 00:27:32,200
bands kind of go into sort of a quasi hibernation

516
00:27:32,319 --> 00:27:34,359
during the winter. Are you guys gonna gonna keep playing

517
00:27:34,400 --> 00:27:35,319
shows through the winter or.

518
00:27:35,319 --> 00:27:37,640
Speaker 12: What We're gonna keep going? We have the next week,

519
00:27:37,680 --> 00:27:39,319
we're gonna be back up in Charlie still with day

520
00:27:39,359 --> 00:27:39,799
to attend.

521
00:27:40,079 --> 00:27:40,480
Speaker 6: Excellent.

522
00:27:40,519 --> 00:27:42,519
Speaker 9: If you check our website www.

523
00:27:42,759 --> 00:27:46,039
Speaker 12: Doown Boys Rock dot com, we've already have January for

524
00:27:46,319 --> 00:27:48,680
January through maybook for twenty twenty six.

525
00:27:48,799 --> 00:27:51,839
Speaker 6: Okay, excellent, excellent, outstanding. Who does the website, by the way,

526
00:27:52,079 --> 00:27:54,960
that would be me, Oh, very good. I know it's

527
00:27:55,000 --> 00:27:58,200
an odd question to be asked, but I do because

528
00:27:58,240 --> 00:28:00,519
I like the website, and I'm a web site nerd,

529
00:28:01,119 --> 00:28:03,920
and I see a lot of bad websites. I'm sure

530
00:28:03,960 --> 00:28:04,559
you have as well.

531
00:28:04,680 --> 00:28:05,920
Speaker 9: Oh yeah, I'm sure this is one of them.

532
00:28:06,319 --> 00:28:08,240
Speaker 6: No, no, no, no, that's why I bring it up.

533
00:28:08,240 --> 00:28:09,720
I have no idea what I'm doing. No, it's a

534
00:28:09,759 --> 00:28:11,880
good it's a good site. That's why I bring it up.

535
00:28:11,920 --> 00:28:13,359
It's a good site. I see a lot of really

536
00:28:13,400 --> 00:28:15,920
bad websites, and this is a good one.

537
00:28:16,319 --> 00:28:16,680
Speaker 7: That's why.

538
00:28:17,000 --> 00:28:17,039
Speaker 4: No.

539
00:28:17,200 --> 00:28:18,599
Speaker 6: No, if I if I didn't like it, I wouldn't

540
00:28:18,599 --> 00:28:19,039
have brought it up.

541
00:28:19,160 --> 00:28:21,000
Speaker 9: I appreciate it. I just tried to keep it like

542
00:28:21,359 --> 00:28:22,599
meat and potatoes, no frills.

543
00:28:22,880 --> 00:28:25,759
Speaker 6: No, it's it's good. There's there's a good amount of information,

544
00:28:25,880 --> 00:28:28,720
but it's not overkill, and the layout is nice and

545
00:28:29,000 --> 00:28:31,920
it's no, it's good. Like I said, I know, it's

546
00:28:31,920 --> 00:28:34,279
an odd thing to bring up, but I look, I

547
00:28:34,359 --> 00:28:36,000
look at a lot of websites, and I see a

548
00:28:36,079 --> 00:28:39,119
lot of musicians with really bad websites. So I like

549
00:28:39,200 --> 00:28:39,519
this one.

550
00:28:39,720 --> 00:28:41,640
Speaker 9: I do the website, and I do the social media.

551
00:28:41,920 --> 00:28:45,119
Excellent in charge of most of the you know, music production. Okay, okay,

552
00:28:45,279 --> 00:28:48,400
everybody just kind of fell into a cool role. Yeah, yeah,

553
00:28:48,440 --> 00:28:49,160
it happened naturally.

554
00:28:49,440 --> 00:28:51,880
Speaker 6: Well that's nice too. And when when that happens naturally

555
00:28:51,920 --> 00:28:54,160
when it's organic, when everybody just kind of finds their

556
00:28:54,359 --> 00:28:56,599
you know, their their role like that, and uh no,

557
00:28:56,799 --> 00:28:58,720
you guys are you guys are doing great. I think

558
00:28:58,759 --> 00:29:00,960
you're gonna I think you're gonna have very successful twenty

559
00:29:01,039 --> 00:29:04,000
twenty six. That's my prediction because you're you're definitely uh,

560
00:29:04,039 --> 00:29:07,200
you're definitely on the right track. Anything we you know,

561
00:29:07,319 --> 00:29:08,920
we'll we'll close out in a couple of minutes with

562
00:29:09,160 --> 00:29:10,839
do it Again. But any anything we didn't talk about

563
00:29:10,839 --> 00:29:12,640
that you want to make sure our listeners know about.

564
00:29:14,079 --> 00:29:14,880
Speaker 8: Not that I can think of.

565
00:29:15,039 --> 00:29:16,400
Speaker 10: Just come out to our shows. I want to have

566
00:29:16,440 --> 00:29:19,559
a couple of shoutouts maybe yeah, yeah to my mom. Uh,

567
00:29:20,039 --> 00:29:22,440
hello to my mother, Hello to my family and friends

568
00:29:22,480 --> 00:29:25,319
and everything, and uh yeah, thanks for thanks for having

569
00:29:25,400 --> 00:29:27,359
us and tuning in and all that. We really appreciate

570
00:29:27,359 --> 00:29:27,720
you guys.

571
00:29:28,160 --> 00:29:30,680
Speaker 6: Oh, speaking of tuning in, Tom Syrah Cusa is in

572
00:29:30,799 --> 00:29:31,400
the chat room.

573
00:29:31,839 --> 00:29:36,240
Speaker 10: Shout out to Jeff and Ed. Yeah yeah, boys, shout

574
00:29:36,240 --> 00:29:36,759
out to Aaron.

575
00:29:37,000 --> 00:29:38,480
Speaker 7: He's the bass player from DTA.

576
00:29:39,440 --> 00:29:42,559
Speaker 6: Tom said, a perfect opening song. Jason Sullivan has the

577
00:29:42,640 --> 00:29:47,799
perfect blues voice and tone. Great tune fellas. Congratulations, Yeah, Yanks.

578
00:29:48,759 --> 00:29:49,759
Very cool, very cool.

579
00:29:49,960 --> 00:29:50,079
Speaker 9: Oh.

580
00:29:50,160 --> 00:29:52,680
Speaker 6: Sheila Russo from paper Jam is in the chat room,

581
00:29:52,880 --> 00:29:55,759
says I know her. Absolutely, we love paper Jam.

582
00:29:56,000 --> 00:29:57,960
Speaker 9: Yeah, we were just featuring in November December.

583
00:29:58,079 --> 00:30:02,480
Speaker 6: Oh that's right, congratulations on that. Yeah, absolutely, yeah, Sheila says, hey, guys,

584
00:30:02,839 --> 00:30:06,240
I love the song totally, uh totally down for this.

585
00:30:06,480 --> 00:30:07,240
I'll see what she did.

586
00:30:09,559 --> 00:30:12,720
Speaker 9: I start trademarking this, right, that's right, that's right.

587
00:30:13,640 --> 00:30:13,759
Speaker 5: Uh.

588
00:30:14,240 --> 00:30:17,599
Speaker 6: Tom Syracusa said, down Boys baby, great new England rock

589
00:30:17,640 --> 00:30:20,759
and roll band, and uh, Mike Hill is a great

590
00:30:20,839 --> 00:30:22,880
human and a great soul. Yep, Mike's gonna be on

591
00:30:22,920 --> 00:30:25,079
the show soon. Really looking forward to that. And he said,

592
00:30:25,160 --> 00:30:28,640
love you guys, Yeah, absolutely absolutely. Tom's a great guy

593
00:30:28,680 --> 00:30:31,400
and we love day to attend. They're they're a great

594
00:30:31,440 --> 00:30:36,079
band too, so wonderful. So we'll so yeah, so go

595
00:30:36,240 --> 00:30:42,039
to the website uh for uh yeah, uh down Boys

596
00:30:42,279 --> 00:30:44,759
rock dot com right, yep, down Boys rock dot com

597
00:30:44,920 --> 00:30:47,599
ye for everything. Yeah, down Boys was probably taken right

598
00:30:47,799 --> 00:30:48,319
Oh yeah.

599
00:30:50,240 --> 00:30:50,960
Speaker 7: In some fashion.

600
00:30:51,079 --> 00:30:54,039
Speaker 6: Yeah, well I won't ask, uh what what you saw

601
00:30:54,079 --> 00:30:55,720
when you investigated the domain.

602
00:30:56,599 --> 00:30:57,799
Speaker 9: Where the Down Boys can't go?

603
00:30:58,200 --> 00:30:58,359
Speaker 4: Right?

604
00:30:58,519 --> 00:31:02,960
Speaker 6: Right, where the Down Boys can't go? No, I like

605
00:31:03,039 --> 00:31:08,640
spontaneous song parodies. Guys, thank you very much. I appreciate

606
00:31:08,680 --> 00:31:10,480
all four of you coming in and thanks for having

607
00:31:10,559 --> 00:31:12,960
us absolutely and we can close out the segment with

608
00:31:13,039 --> 00:31:14,720
this track to do It Again? What what should we

609
00:31:14,799 --> 00:31:17,759
know about this one? Any anything? Anything we should know

610
00:31:17,759 --> 00:31:18,079
about that?

611
00:31:18,240 --> 00:31:20,079
Speaker 10: So I think the song can't kind of came out

612
00:31:20,119 --> 00:31:22,319
from an idea John had that has been kicking around

613
00:31:22,359 --> 00:31:24,160
for a while and we've just kind of had different

614
00:31:24,160 --> 00:31:27,400
iterations of it throughout you know, the history of us collectively,

615
00:31:27,519 --> 00:31:29,839
and so yeah, I think we just kind of gave

616
00:31:29,880 --> 00:31:30,799
the music to Jason, and.

617
00:31:32,599 --> 00:31:34,240
Speaker 7: Yeah, the first song might have been that metal thing

618
00:31:34,319 --> 00:31:35,599
that's still not together yet.

619
00:31:35,759 --> 00:31:37,319
Speaker 11: Yeah, yeah, I think that might have been the first

620
00:31:37,359 --> 00:31:40,480
song we actually put together, right, Yeah, I think so.

621
00:31:40,960 --> 00:31:43,240
Speaker 6: Oh wow, okay, all right, very cool, very cool. So

622
00:31:43,279 --> 00:31:45,240
we're gonna give this a spin. This is called do

623
00:31:45,319 --> 00:31:47,480
it Again. This is down boys and again. Guys, thank

624
00:31:47,519 --> 00:32:21,279
you so much, Thank you, just.

625
00:32:21,400 --> 00:32:25,240
Speaker 4: Stubby shots, Giga wait for three.

626
00:32:25,279 --> 00:32:31,519
Speaker 3: Hours, Leader cool on the snore, she didn't sass me

627
00:32:31,920 --> 00:32:33,119
the sauty.

628
00:32:35,400 --> 00:32:40,759
Speaker 8: And then you while.

629
00:32:42,839 --> 00:32:43,759
Speaker 1: Why A.

630
00:32:46,200 --> 00:32:51,200
Speaker 13: D be still long shoulder always been wrong, has gotten

631
00:32:51,279 --> 00:32:53,880
that bar and A cant.

632
00:32:54,680 --> 00:33:01,480
Speaker 1: Wait to see the day she ser let my copy.

633
00:33:02,039 --> 00:33:07,720
We think that like somebody comes down in my head

634
00:33:08,119 --> 00:33:21,440
streaming no bud mud stud Stuart, come my.

635
00:33:35,480 --> 00:33:39,839
Speaker 4: Bl you sell ball, you can boffing bad.

636
00:33:40,039 --> 00:33:41,720
Speaker 5: You have no boot.

637
00:33:44,319 --> 00:33:47,680
Speaker 1: Rookie sid zero and the ball.

638
00:33:49,880 --> 00:33:50,920
Speaker 7: Then you see.

639
00:33:52,559 --> 00:33:53,079
Speaker 10: Why you.

640
00:33:57,640 --> 00:34:05,039
Speaker 13: Y get it still around by shoulder as long has

641
00:34:05,200 --> 00:34:05,680
got on.

642
00:34:07,119 --> 00:34:14,159
Speaker 1: And wait to see the day reel you turn now

643
00:34:14,360 --> 00:34:15,840
playing my god side?

644
00:34:16,360 --> 00:34:34,840
Speaker 5: What's say guys like sol le but you convertupid.

645
00:34:30,079 --> 00:34:40,840
Speaker 1: Up yet the struggle is reel is struggles go. You

646
00:34:40,920 --> 00:34:44,800
feel like you're down and out and you can't catch

647
00:34:44,840 --> 00:34:50,400
a break and see your goddamn life. You gotta pick

648
00:34:50,440 --> 00:34:53,519
yourself up by the distress, put yourself back in the game.

649
00:34:54,000 --> 00:34:56,400
No one's coming God, save yourself.

650
00:34:59,039 --> 00:34:59,480
Speaker 4: Love me.

651
00:35:00,079 --> 00:35:04,400
Speaker 1: A ship is step from my shoulder.

652
00:35:05,400 --> 00:35:09,840
Speaker 5: All these he is wrong, ass gut boutful, And then.

653
00:35:10,880 --> 00:35:13,840
Speaker 1: We just see the days with the whole.

654
00:35:13,960 --> 00:35:18,800
Speaker 3: Will you try to leam my cup site we'll dream

655
00:35:19,000 --> 00:35:20,519
gunsight so hiw

656
00:35:21,320 --> 00:35:25,280
Speaker 5: Which you constantly metel scream as homewor