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<v Speaker 1>Welcome back to Vanity Farah. My name is Chris Farrah,

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<v Speaker 1>and today we are talking Nine to Day Fiance, Season twelve,

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<v Speaker 1>episode thirteen. Do I Stay or Do I Go? It's

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<v Speaker 1>part two, My babes, Hello, welcome back. I'm so excited

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<v Speaker 1>to finish this episode. Let's talk about Thomas and Paula.

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<v Speaker 1>So listen, we've had, you know, very mundane issues with

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<v Speaker 1>them if you really think about what they've given us.

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<v Speaker 1>It's too small of dining table, too small of closet.

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<v Speaker 1>He doesn't like smells, she doesn't like meat, she likes miniatures.

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<v Speaker 1>Then there was suddenly this huge storyline of like his family.

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<v Speaker 1>But now we're back, and I think the problem that

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<v Speaker 1>arises in this episode to me feels and I don't

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<v Speaker 1>mean to be a broken record fake. Well let's get

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<v Speaker 1>into it, okay, So we are cake tasting. You know,

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<v Speaker 1>we got to see Katie and Josh's cake taste even

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<v Speaker 1>though they didn't have a venue yet. Now are aunt

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<v Speaker 1>to Thomas and obviously Palace cake tasting, and you know

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<v Speaker 1>they are going full Californian honey, full California the one

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<v Speaker 1>on one to the four or five because they're doing

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<v Speaker 1>a vegan and gluten free tasting Listen. I'm used to that.

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<v Speaker 1>It's not crazy, but you know, here we are. She's vegan,

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<v Speaker 1>he's gluten free. It's interesting. He seems he is a

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<v Speaker 1>particular cat, isn't he? You know what's interesting? And I

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<v Speaker 1>said this about the smell thing? Is that are you?

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<v Speaker 1>So you do have it? A vergin? Oh? Sorry, a

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<v Speaker 1>version two smells like sensorly they make you upset and

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<v Speaker 1>like they you know, overwhelm you and you can't seem

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<v Speaker 1>to think straight, and like, that's what's happening or you

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<v Speaker 1>you are allergic to it and then you break out

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<v Speaker 1>into hives and stuff. And if there are physical reactions

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<v Speaker 1>like hives or throat swelling or whatnot, you got to

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<v Speaker 1>take allergy shots. I'm assuming that's just it's it doesn't

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<v Speaker 1>like seem like an honest to god problem. I would

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<v Speaker 1>really need the producers to lead us into a doctor's

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<v Speaker 1>office and then literally have an allergist be like, yeah,

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<v Speaker 1>Thomas has smell anesia. Yeah, I know, a very rare

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<v Speaker 1>case of smell anesia. And when he smells things it

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<v Speaker 1>is a problem we all should worry about. No, Yeah,

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<v Speaker 1>he's the kind of person that we have to change

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<v Speaker 1>our entire lives because there is no treatment for him

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<v Speaker 1>to get. So we collectively humankind has to stop wearing

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<v Speaker 1>smells for this man anyway. So she guess what spray

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<v Speaker 1>deodoran again? Uh, because she needs to, you know, not

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<v Speaker 1>a sweat too much. I guess all over the place,

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<v Speaker 1>and it's the aerosol kind. And so the morning of

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<v Speaker 1>she sprayed her you know, secret, honey, aerosol. I don't

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<v Speaker 1>want to saying aerosol, that's what it is. And he

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<v Speaker 1>got upset because he could smell it, and he like,

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<v Speaker 1>she said, I'm sorry, but the way she said I'm

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<v Speaker 1>sorry was very much like, oh, I'm sorry, Okay, I'm sorry,

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<v Speaker 1>I sprayed my deodorant. Yeah, I'm sorry. I have to

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<v Speaker 1>wear I wear deodorant. I'm sorry a little bit. She

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<v Speaker 1>has our sarcastic kind of tone. Her cone is condescending, surely,

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<v Speaker 1>but I'm not saying mine, isn't you know. It's like

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<v Speaker 1>she won't say what she really wants to say, which

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<v Speaker 1>is like, hey, Thomas, why don't we compromise. I won't

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<v Speaker 1>wear that one like small, cheap smelling perfume you hate,

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<v Speaker 1>But at the same time, like I'm gonna wear deodorant

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<v Speaker 1>unless you want to right now take me to CBS

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<v Speaker 1>and buy me a brand new product wardrobe unless you

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<v Speaker 1>want to spend three hours right now, get your skin

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<v Speaker 1>app that you have to like. This is what I

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<v Speaker 1>have to do, Chris Vera. You have to scan all

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<v Speaker 1>the products and see if you're allergic to the ingredients.

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<v Speaker 1>And there's an app that likes scans for that will go.

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<v Speaker 1>We'll get like, you know, all the deodorance, You'll scan it,

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<v Speaker 1>and if I can wear it, you'll buy it for me.

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<v Speaker 1>Because you're creating this, I just I don't you know,

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<v Speaker 1>he's whatever coupless so but at the same time they're

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<v Speaker 1>doing something lighthearted, which is of course cake tasting. And

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<v Speaker 1>we have such interesting conversation as frosting versus icing. Some

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<v Speaker 1>people say frosting some people in the other parts of

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<v Speaker 1>the country safe icing. I can't believe there's not more

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<v Speaker 1>interesting stuff like he why haven't we gone out with

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<v Speaker 1>his friends in Long Beach to like some LBC bars,

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<v Speaker 1>and seeing how he is with people and how she

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<v Speaker 1>is with people, Like why haven't we gone out and

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<v Speaker 1>like done fun things? Why are we always like in

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<v Speaker 1>his apartment or just like complaining about things. Okay, So basically,

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<v Speaker 1>at this point, instead of being like, your allergy and

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<v Speaker 1>your smell shit is really annoying, and you're not picking

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<v Speaker 1>up that. I don't want to deal with it with

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<v Speaker 1>my condescending tone, she suddenly turns a pivot that I

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<v Speaker 1>feel like is unnatural to her storyline, which is that

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<v Speaker 1>she obviously getting married and she wants her family to come,

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<v Speaker 1>and she's expecting that all eight of her family to come.

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<v Speaker 1>Not only that, but she's truly expecting them all to

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<v Speaker 1>be able to stay for free in his apartment. Now

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<v Speaker 1>we've already known that she hates his apartment. There's no

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<v Speaker 1>dinning room table, there's hardly any closet space like we've

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<v Speaker 1>been seeing that. So I don't understand a world in

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<v Speaker 1>which this person who's been like in my country, I

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<v Speaker 1>had more space, and in my country, you know, like

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<v Speaker 1>I lived better, and I just want to be able

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<v Speaker 1>to live the way I did in my country. Here

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<v Speaker 1>like that mind frame to suddenly be like, all eight

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<v Speaker 1>people are going to stay in this one bedroom and

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<v Speaker 1>I'm not asking your permission, I'm announcing it because it's

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<v Speaker 1>our apartment. There's just like not that's not a logical thing.

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<v Speaker 1>Let me say this. Of course, there are certain people

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<v Speaker 1>that for sure, like a one bedroom is home for

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<v Speaker 1>eight people. Okay, God bless, God bless it's the case

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<v Speaker 1>for some. But I'm just saying for Paula's storyline where

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<v Speaker 1>she's like a boss ass bitch that has like a

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<v Speaker 1>you know, tattoo parlor and all these things. One other

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<v Speaker 1>thing is that we're gonna get into this, like Pala

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<v Speaker 1>is very codependent from Thomas. She has never cut the

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<v Speaker 1>ubilical course. She you know, hangs out with her family

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<v Speaker 1>all the time. Interesting that in episode thirteen, why haven't

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<v Speaker 1>we seen her calling, texting, facetiving her family? How come

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<v Speaker 1>no one's like checking in on her and being like

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<v Speaker 1>every day, being like, well, how is he treating you now?

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<v Speaker 1>And I'm like, why not set that up? Suddenly now

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<v Speaker 1>she's just gonna announce and demand that eight people live

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<v Speaker 1>in this really small one bedroom apartment that wasn't good

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<v Speaker 1>enough for her, And suddenly she's just gonna assume that

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<v Speaker 1>everyone's gonna live there. And now she's gonna be like,

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<v Speaker 1>so you're gonna have to allow all the smells. You're

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<v Speaker 1>not gonna tell my family shit, they're gonna spray honey

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<v Speaker 1>everything everywhere. They come with bottles of Colonne. They're Colonne salesmen.

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<v Speaker 1>Remember Charlie, Red Blue, White Charlie. They come with it.

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<v Speaker 1>They spray it all. Gina Ta Trey zor Opium Shallamar,

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<v Speaker 1>all the goods, all the smelliest, muskiest smells from the

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<v Speaker 1>nineteen eighties. They come with them. They're gonna spray everywhere.

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<v Speaker 1>I hope you're okay. We even got a little bit

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<v Speaker 1>of Stacy and Darcy's favorite Angel. Is it Angel or Alien?

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<v Speaker 1>Maybe it's Alien. I think there's two perfumes anyway, Okay,

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<v Speaker 1>So we're like, okay, so you're setting us up for

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<v Speaker 1>this situation, which means even if like how much money

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<v Speaker 1>does Thomas have and how much money does Pala have,

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<v Speaker 1>And why wouldn't they be able to just get an

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<v Speaker 1>apartment or sorry, a hotel room for their family, right,

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<v Speaker 1>Like that doesn't make sense. She's like, I justn't really

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<v Speaker 1>want to be with them, a wake up in the

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<v Speaker 1>morning with them. Okay, Well, then you should rent an

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<v Speaker 1>airb and B with two bedrooms and you go hang

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<v Speaker 1>out with them and you get to experience a dining

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<v Speaker 1>room table just like those gays have that live in

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<v Speaker 1>the same building. How are the only social interactions that

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<v Speaker 1>we've had with Thomas and Palla and anyone else besides

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<v Speaker 1>his family just those two lovely well interior decorating gaze?

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<v Speaker 1>Are they coming to the wedding? Also? Okay, good bless?

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<v Speaker 1>And also can they just can we? Why don't you

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<v Speaker 1>have them go visit one of their like fabulous friends

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<v Speaker 1>and try and run out their apartment? Okay, god bless.

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<v Speaker 1>You know, here's the thing. I don't mean to like

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<v Speaker 1>be so combative about this, but it's just it feels

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<v Speaker 1>so like cheap. I hate feeling cheap. Doesn't feel real.

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<v Speaker 1>That's what's annoying to me about it. I'm okay, so

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<v Speaker 1>let's sorry. Let's move on to Mallory. So Mallory and Rashi.

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<v Speaker 1>Honey has gone back to where she needs to go

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<v Speaker 1>to have some like alone time, and she's horse groom

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<v Speaker 1>and Honey with her friend Lynn, who is her riding instructor,

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<v Speaker 1>and she's like, I've always loved horses, you know, they're

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<v Speaker 1>really healing. I like just like calming my mind and

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<v Speaker 1>just focusing on you know, like being with them and

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<v Speaker 1>the one and too. I don't know, I as I said,

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<v Speaker 1>horse wrote for like, let's just say six months in

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<v Speaker 1>the COVID when I was trying to do things, and

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<v Speaker 1>it is really really lovely and the best part. There's

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<v Speaker 1>two good parts about horse riding. A it is fun

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<v Speaker 1>to like clean them. I like brushing them. I don't

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<v Speaker 1>like doing all of the like you know, different grooming

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<v Speaker 1>techniques you think I would, but like no, I only

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<v Speaker 1>want to like try and like pluck the stuff from

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<v Speaker 1>their hooves or whatever. But I love brushing a horse truly,

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<v Speaker 1>and they love it and I understand that with them,

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<v Speaker 1>and so it's a fun thing. And also the one

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<v Speaker 1>time you can like canter or trollop or whatever it

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<v Speaker 1>is with them, when you're like a debt dat debt

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<v Speaker 1>da dert, when your butt's going out of the saddle

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<v Speaker 1>in the exact same rhythm, for sure, that's great. The

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<v Speaker 1>other thing about horse riding is the amount of thigh

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<v Speaker 1>and core strength and butt strength you have to have

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<v Speaker 1>to do that well is so much more than you

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<v Speaker 1>think it is. So when I was watching Mallory do that,

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<v Speaker 1>I was like, girl, get it, honey. Yes, we cut

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<v Speaker 1>to him. He's also releasing the way that he likes

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<v Speaker 1>to release. This is, which is woodworking. I find this charming.

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<v Speaker 1>He's very good with his hands, honey. He likes to saw,

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<v Speaker 1>he likes to you know, screw you saw what I

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<v Speaker 1>did there? Halfway, I'm like, is Merca watching this with Edward?

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<v Speaker 1>And Mercell watching him do this? And like, I bet

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<v Speaker 1>that motherfucker can make offense. I bet he can fix

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<v Speaker 1>a fence, but he knows how to do it, she said,

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<v Speaker 1>Looking at Edward. She's like, why did't I get someone

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<v Speaker 1>from Turkey? And I'm just kidding, horrible joke. And I

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<v Speaker 1>like Edward a lot. But here we are. He's cooking.

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<v Speaker 1>He's cooking, he's fixing, he's doing something. He's making something

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<v Speaker 1>looks like a weird chair. I don't know what it's

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<v Speaker 1>gonna be, honey, but he know a throne for the

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<v Speaker 1>castle in which he's never gonna be king of. She's queen, Okay,

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<v Speaker 1>she owns it, so that's why. But we get a

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<v Speaker 1>great scene, which I've been waiting for. You know, I

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<v Speaker 1>love a FaceTime scene from a family, even if it's

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<v Speaker 1>just going to be recounting what has already happened. I

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<v Speaker 1>like to see people's reactions. Okay, So his brother calls him.

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<v Speaker 1>One of his hot brothers okay and calls him on

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<v Speaker 1>FaceTime and they talk and he says he is overwhelmed because,

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<v Speaker 1>you know, obviously last episode they talked about what they're

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<v Speaker 1>she would actually want to have a baby, and she

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<v Speaker 1>brought up the fact that she's had a lot of trauma,

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<v Speaker 1>and he brought up the fact that he never knew

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<v Speaker 1>this about her. He knew that she had trauma, but

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<v Speaker 1>that he wasn't aware of her feelings about not wanting

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<v Speaker 1>to have a baby, and he really wants one. Guess what,

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<v Speaker 1>here's a culture that wants babies. He wants his parents

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<v Speaker 1>to see the babies. He wants his brothers and sisters

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<v Speaker 1>to know his babies. He wants babies and nieces and

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<v Speaker 1>nephews and cousins all that situation. So the brother's like,

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<v Speaker 1>why did she tell you that before? And he's like, yeah, yeah,

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<v Speaker 1>why didn't you tell me that before? So then they

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<v Speaker 1>go into her venue, you know, because obviously we have

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<v Speaker 1>to start making plans. We are picking cakes, we are

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<v Speaker 1>getting last things about the dresses, we're getting the venues hopefully.

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<v Speaker 1>So this venue is Soup's Cute And there are two

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<v Speaker 1>employees that come to what looks like kind of plantation

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<v Speaker 1>and I'm not quite sure, but whatever. We meet them,

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<v Speaker 1>Garrett and Alexandra, and she's wearing one of those classic

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<v Speaker 1>like Frankies prairie dresses that all the girls have, where

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<v Speaker 1>there's like a smock situation empire waste and like, you know,

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<v Speaker 1>a fitted waist at the same time, you know, I'm

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<v Speaker 1>talking about at every girl. All the girls had them

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<v Speaker 1>last year. I feel like they're coming out of them now.

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<v Speaker 1>So this venue has a lot of different on sites

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<v Speaker 1>for the actual wedding. You can do one in the front,

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<v Speaker 1>but it's real big, and so the back has like

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<v Speaker 1>an enchanted garden and they walk around and they're like, okay,

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<v Speaker 1>let's pick a site. And Mallory sees this beautiful fountain

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<v Speaker 1>and she's like, we do the fountain. They're like yeah,

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<v Speaker 1>they're like great, great rash rashiet. What do you think

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<v Speaker 1>of the fountain? He's like, well, Lucy, So, just like

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<v Speaker 1>in the chapel with Meadow and Debbie, the people that

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<v Speaker 1>are showing them around sends tension and then have to

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<v Speaker 1>be like, okay, well why don't we leave exit stage left?

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<v Speaker 1>You guys talk on camera. We've done our bit. Hopefully

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<v Speaker 1>we're getting paid like fifty bucks for this, so he

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<v Speaker 1>doesn't feel like he's, you know, his heart to see

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<v Speaker 1>her for this venue showing because he's really upset about

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<v Speaker 1>the kids. He really wants kids. He's like, my family,

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<v Speaker 1>I talked to them, thinks it's crazy that you just

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<v Speaker 1>talked about it now. And she's like, well, I just

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<v Speaker 1>wanted to pick the right time when we were alone

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<v Speaker 1>and I was comfortable, and I was like, that was

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<v Speaker 1>the right time. You've girl, you've been coming to Turkey

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<v Speaker 1>by yourself. You could have easily had this conversation like

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<v Speaker 1>pre him coming to America. It's always so funny when

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<v Speaker 1>people are like, yeah, I wanted to wait to see

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<v Speaker 1>you in real life when it's like a long distance relationship.

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<v Speaker 1>I guess it's because in my mind, it's like, what

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<v Speaker 1>are you doing if not talking? Like you don't see

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<v Speaker 1>each other for like months on end. All you do

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<v Speaker 1>is talk in a FaceTime? What do you do to

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<v Speaker 1>fill that space and communication? If not to be like, well,

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<v Speaker 1>let's talk about the things. Do you want kids? What's

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<v Speaker 1>your religious life? Like? How important is that to you?

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<v Speaker 1>Is your mom really intense? Do you listen to every

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<v Speaker 1>word she says, or your dad anyway. So I feel

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<v Speaker 1>like Mallori's I guess excuse for that was self serving,

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<v Speaker 1>because often when someone has a secret or something they

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<v Speaker 1>don't want to share, they're like, well, I does you

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<v Speaker 1>need to wait to the right time. But the right

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<v Speaker 1>time for them is when they feel comfortable sharing something

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<v Speaker 1>they feel uncomfortable sharing. But that has nothing to do

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<v Speaker 1>with time and space for the other person. Time is

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<v Speaker 1>such a subjective thing. I was waiting for the right

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<v Speaker 1>time for you. Time exists for an individual and for

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<v Speaker 1>the world at large, and then also for individually other people.

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<v Speaker 1>I don't know. I think it's such a cop out.

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<v Speaker 1>We don't talk about it linguistically. Okay, So he just

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<v Speaker 1>starts crying. He's like, I just don't feel like you

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<v Speaker 1>love me because you want to have a prenup with me.

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<v Speaker 1>You don't care about that. You don't care about like

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<v Speaker 1>having a child with me, and like seeing my face

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<v Speaker 1>on a little baby's face. You don't want to make

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<v Speaker 1>little versions of me. You don't think I'm good enough

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<v Speaker 1>to make little versions of me. That's what it feels like,

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<v Speaker 1>like you don't respect my family enough or me enough

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<v Speaker 1>to know that we have to like keep this hot

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<v Speaker 1>bloodline going, so let's like get to it. I've been

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<v Speaker 1>wanting to make babies, you know, and she's sort of like, wow,

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<v Speaker 1>he's really quick to throw this away. And I want

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<v Speaker 1>to be like, well, I think that we have an

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<v Speaker 1>idea of what our lives feel like they should go,

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<v Speaker 1>and then we have to be open to the unexpected.

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<v Speaker 1>But you know, when you're like making these decisions like

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<v Speaker 1>where you're going to go to college or what are

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<v Speaker 1>you going to study, there has to be something that

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<v Speaker 1>you have like a guiding light for I certainly don't

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<v Speaker 1>think kids are the end all be all. I have none,

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<v Speaker 1>But at the same time, it's like that is one

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<v Speaker 1>of those things like where do you want to live,

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<v Speaker 1>do you want to have kids, what does it look like?

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<v Speaker 1>Do you want to be by your family? Like there's

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<v Speaker 1>just certain things that, like, you know, you get to choose,

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<v Speaker 1>and it would be nice to be like I just

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<v Speaker 1>fall in love with someone and whatever happens happens. But

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<v Speaker 1>if you but if you truly live like that, and

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<v Speaker 1>you don't like honor the things you've wanted or needed

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00:16:53.039 --> 00:16:55.440
<v Speaker 1>or thought you wanted, or at least reflect on them,

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<v Speaker 1>then you know, five years down the line when you're

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<v Speaker 1>married and this person don't be wanting to have kids,

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<v Speaker 1>and every time you hang out with kids, you're like,

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00:17:01.600 --> 00:17:04.359
<v Speaker 1>you know, hearts palpitating out of your chest. You're gonna

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00:17:04.359 --> 00:17:09.599
<v Speaker 1>have resentment. So what good does it do? You know?

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<v Speaker 1>I don't know. It just says, yeah, it's a very

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<v Speaker 1>personal choice. Would they say personal choice? All right, my babes,

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<v Speaker 1>Let's move on to Shaye and Annabelle. Honey, this was

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<v Speaker 1>a big one. This was a big one, and I

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<v Speaker 1>hate to say that it also felt convoluted, Like the

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<v Speaker 1>way in which I want Alison and annabel to come

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<v Speaker 1>together is I want it to be like a more

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00:17:37.640 --> 00:17:42.680
<v Speaker 1>organic way that happens like in real time. It does

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<v Speaker 1>feel like the producers this episode of the season were like, Okay,

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<v Speaker 1>we know we have certain adversaries like Brandy and Rash.

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<v Speaker 1>We know we have certain adversaries like Annabelle and we

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<v Speaker 1>have Alison. So around episode thirteen twelve, start to have

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<v Speaker 1>them come together through some means so that you know,

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<v Speaker 1>we can like move the story, Laine. So obviously Brandy,

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<v Speaker 1>you know, takes Rash aside for the premup conversation, and

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<v Speaker 1>then Rash is like he's a good guy. So now

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<v Speaker 1>we have a situation where Annabel has no friends and

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<v Speaker 1>certainly hasn't met anyone worth talking about. Literally is only

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<v Speaker 1>we've seen talk to Angie, talk to Alison, and that

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<v Speaker 1>one couple that owns the bar, maybe or maybe not

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<v Speaker 1>with shit. So then they have she has to get

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<v Speaker 1>a veil. She already bought her wedding dress online. It

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<v Speaker 1>was two hundred dollars and it looks great, and I

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<v Speaker 1>thought it was so like, I was happy for Annabel

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<v Speaker 1>because you know, I think it'd be kind of a weird,

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<v Speaker 1>shittier thing for her to come out and be like, well,

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<v Speaker 1>you know, you've been married a couple of times. I've

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<v Speaker 1>been married a couple of times. Please drop ten k

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<v Speaker 1>on Panina Tornay. You're flying me out to Kleinfelds. I

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00:18:47.480 --> 00:18:49.960
<v Speaker 1>have a hook up. Her name is Marisa, and they're

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<v Speaker 1>not giving me a discount. That's what I want, that's

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<v Speaker 1>what I deserve. If you want to marry me, buy

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00:18:54.440 --> 00:18:58.480
<v Speaker 1>me Panina Tornay unlined. So no, but she gets a

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<v Speaker 1>two hundred dollars lay dress. It's really lovely, beautiful. She

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<v Speaker 1>goes to this lovely southern shop. The girl that's the

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<v Speaker 1>sales associate has a very high voice, Allison saying absolutely nothing.

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<v Speaker 1>Now I'm a ride there. Shaye picks up Allison and

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<v Speaker 1>Alison goes to town in the back of the car

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<v Speaker 1>and starts to be like, I don't know why I'm here,

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<v Speaker 1>and we're kind of like us too, babe. She's like,

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<v Speaker 1>why is this is this wedding even happening? And she's like,

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<v Speaker 1>why would you say that? Of course it is. She's like, well,

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<v Speaker 1>I don't want it to so I guess I wonder

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<v Speaker 1>why would still happen if me? The queen says no.

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<v Speaker 1>We're like, okay, Alison, God bless, we don't know why

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<v Speaker 1>you're here, though. She's like, I just don't like Annabelle.

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<v Speaker 1>She's a bitch. She's always a bitch. She like disrespected

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<v Speaker 1>my church, my God, my Jesus, and you don't do

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<v Speaker 1>that around Alison. We're like, fuck you, Alison, shut up,

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<v Speaker 1>and annabel says nothing, says not one thing sits there.

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<v Speaker 1>I mean she I don't know through this, some sort

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<v Speaker 1>of restraint that I've never known I'll never know, says nothing. Oh,

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<v Speaker 1>I have missed a whole part. So that's the part

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<v Speaker 1>that I wanted to talk about now. Of course, before

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<v Speaker 1>they go veil shopping, there was a whole situation where

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<v Speaker 1>you know, Annabel's making Shade do the working out and

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<v Speaker 1>like the smoothies drinking. So there's a lot of like

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<v Speaker 1>zoomba he's doing, and by a lot of zoomba, he

364
00:20:14.960 --> 00:20:17.279
<v Speaker 1>starts to do a couple movements, maybe have a grape vine,

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<v Speaker 1>and gets upset. It's because Shye knows that those deer

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<v Speaker 1>heads are right behind him, judging him, being like, motherfucker,

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<v Speaker 1>you thought that you got us. You thought that you

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<v Speaker 1>would because you shot us and put our heads on

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<v Speaker 1>the wall. Now we get to be here permanently and

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<v Speaker 1>watch the fuckery you're doing a grape vine in zoomba.

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<v Speaker 1>So he says he sare and we're like no, okay,

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<v Speaker 1>and he's like because you didn't live me stretch and

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<v Speaker 1>we're like, oh right, buddy. So then yeah, she's like,

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<v Speaker 1>I know it makes you feel better. Bathtime scrubby dub

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<v Speaker 1>dub and that tubby tub tub honey rabbit ducky, you're

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<v Speaker 1>the um you make bath time lots of fun. Okay,

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00:20:57.319 --> 00:21:01.079
<v Speaker 1>that was my first song of the day and I'm

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<v Speaker 1>still wearing that laud mic. So yeah, you know, that

379
00:21:04.839 --> 00:21:07.640
<v Speaker 1>is her diet regime is, and I get it. I

380
00:21:07.640 --> 00:21:12.599
<v Speaker 1>think it's a good one. Workouts and neutral bullets, smoothies. Now,

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<v Speaker 1>I don't know if she's putting half a banana in it.

382
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<v Speaker 1>I don't know if she's putting some protein in it.

383
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<v Speaker 1>I want to know what her recipe is. Though it

384
00:21:18.839 --> 00:21:24.799
<v Speaker 1>looks white, creamy, so it looks vanilla. I hazard that

385
00:21:24.839 --> 00:21:27.000
<v Speaker 1>she could just like stuff, just have some kale and

386
00:21:27.000 --> 00:21:28.960
<v Speaker 1>spinach in there, and just put a bunch of yummy things.

387
00:21:28.960 --> 00:21:31.519
<v Speaker 1>You don't even taste the veggies, but it'll just, you know,

388
00:21:31.599 --> 00:21:34.480
<v Speaker 1>make it look like there's something worthwhile. It doesn't look

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<v Speaker 1>like an ice cream milkshake. So basically now is when

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<v Speaker 1>I'm so sorry. Is when they decide they have to

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<v Speaker 1>go bail shopping and Shaye's like, well, you might as

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<v Speaker 1>well bring Allison because you guys got to get you know,

393
00:21:48.279 --> 00:21:51.079
<v Speaker 1>your ship's aligned or whatever, and Annabel doesn't say anything.

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<v Speaker 1>And then of course we get in the car when

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<v Speaker 1>Alison gets picked up and Allison is like she's a bitch,

396
00:21:54.559 --> 00:21:57.720
<v Speaker 1>and Annabel is like, I'm not saying anything. We're like, wow,

397
00:21:57.960 --> 00:22:02.599
<v Speaker 1>a lot of strength there. He's just like, well, I

398
00:22:02.759 --> 00:22:06.359
<v Speaker 1>picked you up, and we're you know, we guys, you

399
00:22:06.400 --> 00:22:08.720
<v Speaker 1>gotta get over this bridge. You gotta nip this in

400
00:22:08.759 --> 00:22:11.119
<v Speaker 1>the butt and try and make amends. She's like, she

401
00:22:11.160 --> 00:22:13.359
<v Speaker 1>fell asleep in the church. He's like, my dad did too.

402
00:22:13.720 --> 00:22:18.319
<v Speaker 1>She's like that's your dad, my grandfather. Yeah, and Ibelle

403
00:22:18.359 --> 00:22:22.680
<v Speaker 1>was just like she really wants Shay to be like,

404
00:22:22.799 --> 00:22:26.319
<v Speaker 1>don't call her a bitch, you bitch, but Shaye is

405
00:22:26.359 --> 00:22:34.000
<v Speaker 1>walking the tightrope. But yeah, once they get to the shop, yeah,

406
00:22:34.039 --> 00:22:37.240
<v Speaker 1>they she gets a veil moment. It's funny because we've

407
00:22:37.240 --> 00:22:39.960
<v Speaker 1>all watched say Yes to the dress, and certainly Mursa's

408
00:22:39.960 --> 00:22:42.400
<v Speaker 1>on this episode, and when she was at Kleinfeldts, we

409
00:22:42.440 --> 00:22:46.519
<v Speaker 1>did not get the veil moment. The Creme de la crema.

410
00:22:46.559 --> 00:22:49.160
<v Speaker 1>Then he say yes to the dress, the like sales

411
00:22:49.200 --> 00:22:51.880
<v Speaker 1>associate's best friend. It's when you don't know if a

412
00:22:51.920 --> 00:22:54.119
<v Speaker 1>girl wants to spend ten thousand on a dress and

413
00:22:54.119 --> 00:22:56.519
<v Speaker 1>you really want to hook her, like, let me just

414
00:22:56.519 --> 00:22:58.039
<v Speaker 1>just get the veil and see what it looks like.

415
00:22:58.359 --> 00:23:00.599
<v Speaker 1>But for some reason, once you attack that veil to

416
00:23:00.640 --> 00:23:02.839
<v Speaker 1>a girl's head, you pull it down and then she

417
00:23:02.839 --> 00:23:04.839
<v Speaker 1>sees herself in front of all of her loved ones.

418
00:23:05.200 --> 00:23:08.640
<v Speaker 1>It's like a fucking magic trick, like song a girl

419
00:23:08.640 --> 00:23:10.680
<v Speaker 1>in half in a box, honey. It just does it

420
00:23:10.720 --> 00:23:12.839
<v Speaker 1>where you're just like, oh my god, it's a bride.

421
00:23:13.519 --> 00:23:18.039
<v Speaker 1>There she is the bride, and water works come. Finally

422
00:23:19.640 --> 00:23:23.160
<v Speaker 1>the dream of dreams, and that's what you know Annabel gets.

423
00:23:23.200 --> 00:23:25.839
<v Speaker 1>She looks beautiful. The first veil is a little too sparkly.

424
00:23:25.880 --> 00:23:28.920
<v Speaker 1>The second veil just like Goldie locks. She finds like

425
00:23:28.960 --> 00:23:31.680
<v Speaker 1>a lace veil. And this is where Allison like has

426
00:23:31.680 --> 00:23:33.720
<v Speaker 1>to be like, you know what, I'm a cold hearted

427
00:23:33.880 --> 00:23:37.079
<v Speaker 1>bitch and I have a faceress like Annabelle. I won't

428
00:23:37.079 --> 00:23:38.640
<v Speaker 1>make a move. I don't have to. And she doesn't

429
00:23:38.640 --> 00:23:42.240
<v Speaker 1>say anything until the veil moment and she's like, it

430
00:23:42.240 --> 00:23:45.480
<v Speaker 1>does look good. Annabel's the first she's like, you know what,

431
00:23:45.559 --> 00:23:48.200
<v Speaker 1>we're not talking. It's awkward. The sales associates clocked it.

432
00:23:48.880 --> 00:23:52.319
<v Speaker 1>H I want us to be friends. Let me tell

433
00:23:52.319 --> 00:23:55.079
<v Speaker 1>you my backstory. Pull up a chair, youngster. One time

434
00:23:55.079 --> 00:23:58.799
<v Speaker 1>I was married before, married to this man me Annabel Yes,

435
00:23:58.839 --> 00:24:01.000
<v Speaker 1>and we had no money. So I decided to work

436
00:24:01.039 --> 00:24:05.079
<v Speaker 1>abroad in Dubai as an elderly hospice health care worker

437
00:24:05.400 --> 00:24:07.920
<v Speaker 1>and I would send money home. I was like, basically

438
00:24:08.000 --> 00:24:11.599
<v Speaker 1>an indentured servant to people. Send the money home to him.

439
00:24:11.640 --> 00:24:14.119
<v Speaker 1>My husband, who's living the fucking high life in the Philippine, sunny,

440
00:24:14.799 --> 00:24:19.039
<v Speaker 1>fucking everyone. Years later, it's like seven years later, he

441
00:24:19.119 --> 00:24:21.960
<v Speaker 1>gets someone pregnant. She finds out and she's devastated. I

442
00:24:22.000 --> 00:24:23.519
<v Speaker 1>was like, how often do you go home? I wonder?

443
00:24:24.240 --> 00:24:26.039
<v Speaker 1>And also did you have I wonder if you had

444
00:24:26.039 --> 00:24:27.440
<v Speaker 1>any sort of agreement. Did you really think that your

445
00:24:27.480 --> 00:24:29.559
<v Speaker 1>husband was never like yeah, is it just like men

446
00:24:30.279 --> 00:24:32.359
<v Speaker 1>for seven years, you're not going to have sex? Or

447
00:24:32.400 --> 00:24:34.000
<v Speaker 1>do you go home? Do you go home every three months?

448
00:24:34.039 --> 00:24:37.319
<v Speaker 1>Do you go home every year? And also do you

449
00:24:37.359 --> 00:24:40.559
<v Speaker 1>are you not having any sex? Ah? Sucks? Seven years?

450
00:24:40.680 --> 00:24:42.359
<v Speaker 1>What a horror. I mean, that's a really hard life.

451
00:24:42.440 --> 00:24:44.200
<v Speaker 1>Allison feels that. She's like I know that about you.

452
00:24:44.279 --> 00:24:46.920
<v Speaker 1>She's like, yeah, it sucked. So he came. So I

453
00:24:47.000 --> 00:24:50.000
<v Speaker 1>left him, and I'm basically like, I will never marry

454
00:24:50.000 --> 00:24:53.119
<v Speaker 1>a man that cheats ever again. Allison's like, so you're

455
00:24:53.160 --> 00:24:55.680
<v Speaker 1>with my dad and this is when you were like,

456
00:24:55.720 --> 00:25:00.119
<v Speaker 1>I'll be with Shae. That's when you were like, good idea, Shay.

457
00:25:01.599 --> 00:25:05.279
<v Speaker 1>I don't know. But Alison has a whole backstory too,

458
00:25:05.319 --> 00:25:08.359
<v Speaker 1>and Alison's backstories that her mom died, and she's really

459
00:25:08.359 --> 00:25:11.319
<v Speaker 1>sad about it. Now I hate to listen. I don't

460
00:25:11.319 --> 00:25:13.200
<v Speaker 1>want anyone's mom or dad to die. I don't want

461
00:25:13.200 --> 00:25:14.720
<v Speaker 1>anyone to die. I really hate death, and I feel

462
00:25:14.720 --> 00:25:17.000
<v Speaker 1>bad for all of that, and I feel sad. But

463
00:25:17.079 --> 00:25:21.599
<v Speaker 1>Alison's main aftermath of her mom dying is being like,

464
00:25:21.640 --> 00:25:25.640
<v Speaker 1>and I have no one to complain to, no one.

465
00:25:26.000 --> 00:25:28.119
<v Speaker 1>Sometimes I'm just like, who can I talk shit to?

466
00:25:28.880 --> 00:25:30.599
<v Speaker 1>Who can I complain about my life? Too? And it's

467
00:25:30.640 --> 00:25:34.880
<v Speaker 1>only like my friends and my dad, now my kids,

468
00:25:35.799 --> 00:25:37.880
<v Speaker 1>you know. It's just like She's like, yeah, you know,

469
00:25:37.920 --> 00:25:40.240
<v Speaker 1>it's hard being a parent, being a mom without having

470
00:25:40.279 --> 00:25:42.000
<v Speaker 1>a mom. And sometimes it is when my kids are

471
00:25:42.000 --> 00:25:44.559
<v Speaker 1>acting up, I just want to yell at them, but

472
00:25:44.640 --> 00:25:46.200
<v Speaker 1>I you know, yell at them and then just want

473
00:25:46.240 --> 00:25:47.960
<v Speaker 1>to yell at someone else about them, and that is

474
00:25:48.000 --> 00:25:51.000
<v Speaker 1>going to be you, Annabelle. And Annabel's like, oh okay,

475
00:25:53.279 --> 00:25:56.519
<v Speaker 1>And it was like you can call me, no, I

476
00:25:56.559 --> 00:25:57.680
<v Speaker 1>want to hear it, just like you have to talk

477
00:25:57.759 --> 00:26:00.759
<v Speaker 1>shit all the time. Listen. Bell's like, can you just

478
00:26:00.759 --> 00:26:04.079
<v Speaker 1>call me when you want to like gossip? Listen when

479
00:26:04.119 --> 00:26:07.640
<v Speaker 1>you got the Paduka gossip. Call me, that's what I

480
00:26:07.680 --> 00:26:10.839
<v Speaker 1>want to know. Oh, what's happening, honey? He said? She

481
00:26:10.960 --> 00:26:13.599
<v Speaker 1>said she saw this, he saw that? Then that? Then

482
00:26:13.640 --> 00:26:16.559
<v Speaker 1>what next? This? Can you believe that? Oh that? I

483
00:26:16.599 --> 00:26:19.000
<v Speaker 1>want that kind of Southern conversation. What I don't want

484
00:26:19.039 --> 00:26:22.079
<v Speaker 1>to have as an Alison being like, these kids will

485
00:26:22.160 --> 00:26:26.519
<v Speaker 1>let me sleep in, they keep taking away mom's alcohol,

486
00:26:26.640 --> 00:26:29.240
<v Speaker 1>or you're just like what these kids seem? Fine? Also,

487
00:26:29.599 --> 00:26:31.440
<v Speaker 1>if your kids are acting up, it's because you're not

488
00:26:32.000 --> 00:26:35.759
<v Speaker 1>parenting them. Then make sure they're like off screens, make

489
00:26:35.759 --> 00:26:37.880
<v Speaker 1>sure they're getting exercise, make sure they're being fed right,

490
00:26:37.960 --> 00:26:39.759
<v Speaker 1>make sure they're sleeping well, make sure they're like having

491
00:26:39.799 --> 00:26:43.920
<v Speaker 1>active playtime, get them out, get them into like some sports. Honey,

492
00:26:44.119 --> 00:26:48.880
<v Speaker 1>do yourself a favor. That's how I feel. But yeah,

493
00:26:49.640 --> 00:26:53.640
<v Speaker 1>it's interesting because for setting up in the cold thing,

494
00:26:54.039 --> 00:26:56.799
<v Speaker 1>Boy has the Cole been an absolute ghost this season

495
00:26:56.960 --> 00:26:59.920
<v Speaker 1>except offline where she's talking a lot on Facebook. But

496
00:27:00.119 --> 00:27:04.519
<v Speaker 1>like by episode thirteen, didn't we all think we would

497
00:27:04.559 --> 00:27:09.960
<v Speaker 1>see an Allison sorry and Nicole? Why Why was Nicole

498
00:27:10.039 --> 00:27:12.480
<v Speaker 1>not at the lake party? Why is the coal not

499
00:27:12.640 --> 00:27:16.759
<v Speaker 1>also Veil shopping for her friend at this place? Why

500
00:27:16.839 --> 00:27:19.640
<v Speaker 1>is Nicole talking shit about she's gonna show up and

501
00:27:19.759 --> 00:27:22.079
<v Speaker 1>tell Annabel what's up. And then Nicole is just like

502
00:27:26.359 --> 00:27:33.920
<v Speaker 1>just like whisping around at night with no body. I

503
00:27:33.960 --> 00:27:36.680
<v Speaker 1>need her to come, and You're like, rip that veil off,

504
00:27:36.680 --> 00:27:38.440
<v Speaker 1>Annabel and be like he fucks me all the time

505
00:27:39.039 --> 00:27:41.920
<v Speaker 1>whenever I want him to, and when he would do it,

506
00:27:41.960 --> 00:27:44.559
<v Speaker 1>but I don't want him to. I just yeah, like,

507
00:27:45.920 --> 00:27:49.319
<v Speaker 1>what is happening with this? Is this all ai? They

508
00:27:49.359 --> 00:27:51.799
<v Speaker 1>gotta get like some writers in here, and just like

509
00:27:52.799 --> 00:27:54.640
<v Speaker 1>you need to set up things. You need to set

510
00:27:54.720 --> 00:27:58.480
<v Speaker 1>up again that Paala talks to her family a lot,

511
00:27:58.839 --> 00:28:01.039
<v Speaker 1>that they're always texting her. She's talking about it that

512
00:28:01.119 --> 00:28:03.319
<v Speaker 1>she talked about the perfume. You have to set up,

513
00:28:03.480 --> 00:28:05.240
<v Speaker 1>like Nicole, you're gonna say, Nichole is going to like

514
00:28:05.279 --> 00:28:10.359
<v Speaker 1>talk to him, Oh god, my desk on anyway, It's

515
00:28:10.400 --> 00:28:12.440
<v Speaker 1>just you have to, like, you know, do the due diligence.

516
00:28:13.079 --> 00:28:15.920
<v Speaker 1>All right, my loves, we're going to breathe and we're

517
00:28:15.920 --> 00:28:18.599
<v Speaker 1>going to send ourselves on our merry ways. But I

518
00:28:18.640 --> 00:28:21.119
<v Speaker 1>love you guys so much, and I certainly thank you

519
00:28:21.160 --> 00:28:23.599
<v Speaker 1>for being on this journey with me. At first, if

520
00:28:23.640 --> 00:28:26.000
<v Speaker 1>you haven't yet, please consider giving me a five star review.

521
00:28:26.039 --> 00:28:29.200
<v Speaker 1>Wherever you listen to podcasts, so that's Apple and that Spotify.

522
00:28:30.119 --> 00:28:32.200
<v Speaker 1>You can also tell me your favorite joke or tell

523
00:28:32.200 --> 00:28:34.359
<v Speaker 1>me what you hate about me. Either one works. You

524
00:28:34.400 --> 00:28:37.200
<v Speaker 1>can also join my YouTube. You can follow and see

525
00:28:37.519 --> 00:28:39.480
<v Speaker 1>all the visuals in real time, like right now me

526
00:28:39.559 --> 00:28:42.839
<v Speaker 1>talking in a laval aera micuh in a hotel room

527
00:28:42.839 --> 00:28:45.839
<v Speaker 1>and Louisiana. You can also follow me. I'm at Chris

528
00:28:45.839 --> 00:28:48.720
<v Speaker 1>el Fara on TikTok and on Instagram. I'm also on

529
00:28:48.799 --> 00:28:52.599
<v Speaker 1>Facebook Chris Farah. I have a Facebook group Vanity Farah.

530
00:28:52.720 --> 00:28:55.000
<v Speaker 1>I also have a Patreon where you get all my

531
00:28:55.119 --> 00:28:58.200
<v Speaker 1>visuals before anyone else unedited, as well as special lives.

532
00:28:58.240 --> 00:29:01.559
<v Speaker 1>That's patreon, dot com slash Chris Sarah. Other than that,

533
00:29:01.680 --> 00:29:03.799
<v Speaker 1>my loves Thank you so much for spending time with

534
00:29:03.880 --> 00:29:06.480
<v Speaker 1>me and being with me. Let's breathe together. Two breaths,

535
00:29:06.839 --> 00:29:09.200
<v Speaker 1>and hopefully I will go to New Orleans and find

536
00:29:09.440 --> 00:29:13.480
<v Speaker 1>some sort of Debbie Meadow information for you in mirror's time,

537
00:29:14.000 --> 00:29:17.000
<v Speaker 1>So follow along for more of that. Let's breathe, Touch

538
00:29:17.000 --> 00:29:42.640
<v Speaker 1>your hearts, get on the same page. Okay, all right, babes,
