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Speaker 1: Theater present, Come in.

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Speaker 2: Welcome.

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Speaker 1: I'm e. G. Marshall.

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Speaker 3: Of all the murder mysteries, the plot which most intrigues

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me is the locked Room. And when you take that

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as an ingredient and add to it elements of the supernatural,

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both sacred and profane, then you have a tale to

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tantalize and terrify, such as the one I bring you now.

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Speaker 4: Now, look, doctor, the law is excuse me, hello, the

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sure this star looks good of you? Seems like I'm

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going to have a use for it right away. However,

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Ben James, my deputyes wrote in helpful other after the

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dock here left Doomdorf, seems the preacher came by, headed

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for Doomsdorf's place, breathing fire and trying his gun. Looks

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like all hell has finally read. Break loose up there.

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Speaker 3: Our mystery drama, The Thewed Room Murder was adapted.

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Speaker 5: From the MD Post story The Doomdorf Murder.

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Speaker 3: Especially for the Mystery Theater by Ian Martin and stars

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Howard DaSilva and Fred Gwynn. It is sponsored in part

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by Bwick Motor Division.

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Speaker 2: Ivy back shortly with that one.

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Speaker 3: Evil and violence go with a pioneer state. But the

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counterbalance had kept us viable as a nation, brought us

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to leadership around the world. Compassion, share mindedness, and the

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essential ingredient of America. A shrewd and pragmatical eye tempered

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by religion, has built up a keel which so far

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has kept our ship of state steady. So much for

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philosophy as for the story, Let Judge Randolph tell us that.

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Speaker 4: The Pioneer was not the only man in the great

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mountains behind Virginia. Strange Indians drifted in after the colonial wars.

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Adventurers were with Braddock and Lesal and rode out of

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Mexico after her.

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Speaker 2: Many empires went to pieces. Doundorff was one of them.

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Speaker 4: I shall never forget that first day he walked into

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the land office, huge black beards, with broad, thick hands,

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with square fingers. Even Abner's bulk seemed to diminish in

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front of him, and the child who followed Doundorff diminished

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to think me, it's the place where I buy because

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I want for that I'm I reckon, depends on what

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you wanted for, mister Dundah and jereous Dundal. Oh excuse me, uh,

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this is mister Rondog, I should say, one of our

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foremost lawyers in time, save and only that's all we

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got right now. One, I'm out of the Dale County clerk.

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Speaker 2: I reckon you tell me? And uh what would you

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want this land for?

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Speaker 1: To leave?

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Speaker 6: On?

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Speaker 2: Uh? Huh you and your daughter me?

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Speaker 4: And uh, yes, well now I got a copy of the

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Washington survey and the original Crown grant here, I have

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that peak already.

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Speaker 7: Oh you're here on surday I got from Capital.

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Speaker 2: You know, say there that's it? You sure there's land

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you want? Sir.

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Speaker 4: I think what happening means to say is this wedge

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of rock has never been worth even running the line?

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Speaker 2: Do you know what you're getting into? Have you seen

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this peace property?

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Speaker 4: It's a forbidding pile of rock, mister doomdwarf and isolated

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and this mine I want it well pretty mean up

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there right now with the wind and no shelter, I.

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Speaker 3: Have ten sleeping back on my life finally, rough.

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Speaker 4: Well, that's all very well for you, But for the

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little girl.

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Speaker 2: He's good for me, he's good for her.

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Speaker 4: I don't think you quite understand. As a lawyer, I

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should not like to see you taking advantage job. The

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parcel of land which you have bought was never surveyed

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because it is not worth surveying. It consists almost entirely

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of rock.

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Speaker 2: I know what he's like. He's right for me.

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Speaker 4: How are you gonna feed? Ain't much game running up

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in that part of western Virginia?

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Speaker 3: I make god all right here here he's floored and I.

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Speaker 2: Hey, love.

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Speaker 4: They are the pieces of eight duckets English guineas American dollars.

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You're quite a traveler, mister doomdog.

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Speaker 2: What I do is my business. I mind my own business.

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Speaker 3: I don't like anyone who'll stick his nose in my fairs.

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He'll take the money and give me the tapo so

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I can go.

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Speaker 2: No offense is trying to be friendly. That's uh. Angela's

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a M G E l us All right? Ye want

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to spell your other name? God don't know you're right?

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You'll tell me the O O M D O r F.

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That was right.

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Speaker 4: Yeah, it's it's coming on the winter, sir, Because anyway

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we can help you build your house, right my.

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Speaker 3: Weak enough gold anything coming don you? We'll see are

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you finished.

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Speaker 2: Up paper saying oh yeah?

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Speaker 4: I reckon? You sign right here? And me and mister

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Randolph will witness it. Yeah, yep right, I make my heart.

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Speaker 2: That he's legal.

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Speaker 4: No, miss Randolph his mark. I think we can witness that.

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Let us not to learn mister Doomdorf and his daughter further.

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I'll add my John Hancock to that they are signed,

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field and delivered. You need a possession of what we

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call the Devil's Hump and welcome to our community.

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Speaker 2: Do not come to me a pop of it? I told,

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I said, come yo, Well is that don't bet all?

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Speaker 4: A hard man, evil man, one who's done a lot

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of living. Notice the scars, Yeah, wager he has bullet

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ones underneath his shirt to go with the knife tracks.

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Speaker 2: I sure wish he hadn't chosen arnack of the.

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Speaker 4: Words to hide out him hide out? What else would

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you figure? The devil hump is no place for a

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man to make his home. That's the place for a

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man to set his back against the wall to fight

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off what he knows is coming after him. I suppose

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you're right, An, The more's the pity, Why oh, that

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that innocent child should be dragged along to share such

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an exile.

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Speaker 2: You get a real close look at her? What was

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she dumb, and she couldn't speak. I doubt it.

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Speaker 4: Afraid now you got it, afraid and beaten?

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Speaker 2: Well I did here. That's a hard man. Uh, for all, for.

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Speaker 4: All he seeks solitude, I doubt he'll find it. We

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have not seen the end of mister Dundorff, only the beginning.

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I'll stake my life on it. But it was not

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my life there was to be staked, but others. For

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a while, my uneasy feelings seemed just to be based

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on a negative reaction to Doomdorf himself. He squatted on

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the rock, troubling no one, seeking no help, while, by

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hiring Old Robert Stewart's slaves.

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Speaker 2: He built a stone house on the rock.

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Speaker 4: Then, in the handfuls of earth wherever a root would hold,

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he started to plant the mountain with peach trees. Then

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the beginning of the end began to start.

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Speaker 2: Here, or won a day of here.

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Speaker 4: Uh, you're new in town. So the lady behind the

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bar is the owner, a widow lady. Her name is

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missus Cambridge. Here should be in the carroll.

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Speaker 7: Grass, laddam Okay, I do not want to make her

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of his I am looking for his friend.

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Speaker 8: He's a friendly can.

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Speaker 4: Who he is another migo de la guerra, A big

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man with his black beard, big luck so and.

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Speaker 7: This strange accent. I think maybe his real name is

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the boom Door like that.

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Speaker 2: Don't Mary, what is this two? We are old camarados.

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I do just want to find him to settle. You

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know that I owe him. Well, why don't I let

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him know you here and you can meet him in town.

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He's too weird. It's no Nather, but why not? I

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just go see him. He's kind of queer like, like

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he don't take the mixing. So good him Dante. You

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see him, you tell him. Jose Garcia was look for him,

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but I have not so much time.

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Speaker 7: Maybe on my way back I look him up then

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Ataras and I say it.

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Speaker 8: Why didn't you tell him where to find Doomdorf?

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Speaker 4: Just a crazy notion maybe, but I got a set

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in my mind that he wanted to see him, to put.

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Speaker 2: A bullet in him.

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Speaker 4: We found the man who said his name was ose Garcia,

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snagged on a rock at the Devil's Elbow, two to

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three miles below Doomdorf's mountain Iriy.

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Speaker 2: His neck was broken. That was the first of the

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Doomdorf incidents so many during the next ten years, I

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wouldn't wear your patience to recount them. Only the highlights.

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Speaker 4: There was the night before we knew what use Doomdorf

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was putting his peach crop to when he arrived at

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missus Cambridge's in primed with flickor an insensate beast.

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Speaker 3: Ah er.

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Speaker 8: Not enough so fifteen, I think you've had enough to drink,

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mister Doomdorff.

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Speaker 2: I'm must ask you to leave, God said thrust the

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two too runs.

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Speaker 4: That comes You not ask me to leave the lady

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I asked you to ride out. Mister Betty, you go

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easy by yourself.

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Speaker 2: You mean I don't go.

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Speaker 4: You'll make me no cause for inieructions you've been drinking.

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Oh you'll want no night Troddle, not me. I just

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want to keep the peace.

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Speaker 2: Then snap hell twenty five? Okay, that does it? Open

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and no play? Leave fight now outside. I don't want

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to fight what for? You'll fight me here or outside?

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One way or order. There were two big men.

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Speaker 4: But Avenue It was a peaceful man and sought only

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to protect himself. Well, Doomdorff was a maniac. He gouged

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but It and finally took six of us to put

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him off and lodge him in the jail for the night.

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Speaker 2: Abnah took it in the stride, and he did everything.

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Speaker 4: He was better than bruised, and just maybe if he'd

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used his whole strength, he could have broken to him off.

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But Admir's strength was in the mind as well as

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a new dulk. The next highlight in the career of

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the man whose names spelled his future was the arrival

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of a circuit rider the days.

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Speaker 9: A silent tomorrow hasna here's the man who thinks the

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fruit of his field, and me likely with fury to

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destroy him in's mind and their soul, and who is

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ready to bring in your daughter and your women like

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black or the use of any internalist fean.

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Speaker 2: But the town was not yet ready to make any

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move again to him. Is still was popular. He made

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a fair brand.

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Speaker 4: Of white lightning until the ultimate the unforgivable. A certain

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shame all those of us who knew or at least

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scent the truth. Brought everything to a head. On a wild,

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rainy night, while Doc Jeffers and I were playing chess

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at his house, there came a hammering at his arm.

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Speaker 2: Well, let me dun dwarf, Come on in what is

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he's a woman? She was in labor.

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Speaker 3: I had tried, hovering, Lombino, No good, you don't come.

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Speaker 2: Yes, of course, of course I'll get a fine own

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sad on my horse.

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Speaker 4: I waited all night for doct Jeffers to return. It

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was long as sunrise, with the rain still coming down.

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That he did well.

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Speaker 2: Now, I am a pragmatic man, and I subscribed to

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no religion.

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Speaker 10: But fine, damn I wish this moment I had God

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to pray too. Why he left that child to a board,

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a dead baby? The miracles she hasn't shot and set

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to see.

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Speaker 2: He didn't want a baby. I'm a judge now already.

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Maybe I can help. No, no, no one can help.

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Speaker 3: He's a beast, unprincipled and without pity or even the

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simple human warms.

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Speaker 2: But he has papers to protect him.

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Speaker 3: The girl was Mexican born, literally literally sold into slavery,

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and she's.

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Speaker 2: My lord. She can't be any older than my teenage.

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Speaker 3: Daughter, but she's his to do with as he wants

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and as he wants. Oh he damn near succeeded him

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killing her.

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Speaker 2: Excuse me well, Hello, sheriff, new star looks good.

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Speaker 4: On you, seems how I'm gonna have to use for

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it right away.

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Speaker 2: Oh, my Deputy Ben James has rode in here health

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a leather. After the dock here left Doomdorf.

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Speaker 4: Seems the preacher came by headed for the Devil's hum,

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preaching fire and trying his gun. Looks like all hell

237
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is finally ready to break loose up there, All hell

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break loose, all right, but for whom? For poor little

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Now there's a sad thing, poor little who we don't

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even know her name. Now she has one or has

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retribution caught up with Doomdorf.

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Speaker 5: And if so, how and why and where? I'll return

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00:15:34,679 --> 00:15:35,679
shortly with that too.

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Speaker 3: It is a long ride out to the Devil's Hump,

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and the afternoon sun was burning hot and steaming above

246
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the great chestnut trees that shaded the trail, a trail

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so narrow that Judge his horse had to follow behind Abner's.

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00:16:03,279 --> 00:16:05,639
Abner had his Winchester out of the holster.

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Speaker 2: Across his saddle.

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Speaker 3: Whatever hell had broken loose, he was ready for it.

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And now I'll turn the story back to Judge Randolph.

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He can tell it better.

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Speaker 4: He was there, I suppose, seeing Abner. I should have

254
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had my own rifle out, But I'm in a different shot,

255
00:16:26,639 --> 00:16:29,240
and Abner for all her loaves violence in part of

256
00:16:29,320 --> 00:16:32,360
twiggle one hundred yards, I reckon, I ain't no sense,

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00:16:32,360 --> 00:16:34,519
of course. The horse is got that rock trail dridge.

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We'll dismount here and climb up the rest by foot.

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00:16:38,919 --> 00:16:42,399
Speaker 2: Seems quiet enough up there. I don't know.

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Speaker 4: Look at them brushes up there, you know when they

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start wheeling.

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Speaker 2: There's only one good reason. Well, maybe we should have

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00:16:50,320 --> 00:16:52,039
brought some men. No, I doubt it.

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Speaker 4: Fears to me whatever hell broke loose is pure gone

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and burns south out. We had made a detour through

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a grove of peach trees before we set the horses

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out to graze.

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Speaker 2: But now we were climbing in the open under the

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burning sun. When I saw that gaunt.

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00:17:10,839 --> 00:17:14,319
Speaker 4: Old circuit rider Bronson was sitting bareheaded, hands on the

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pommel of his saddle in a paved court for the door.

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His big red horse was dripping with sweat. I braced

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myself for anything.

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Speaker 2: He seemed in a kind of chance. Bronson, where's doomdar?

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Speaker 7: Surely he's covered his feet in his summer chamber.

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Speaker 4: Now look here, Bronson. No leave me, He's in his

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own world. Not ours him on, Judge.

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Speaker 2: Hate. Mister Doomdar is.

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Speaker 4: Signor it's Sheriff avenuer Dale and I'm Judge Randolph.

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Speaker 2: Where's mister Doomdark? Oh?

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Speaker 8: He went to lie down in his south room upstairs

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after the midday meal.

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Speaker 2: Was he feeling all right?

284
00:18:00,039 --> 00:18:00,200
Speaker 9: Yes?

285
00:18:00,839 --> 00:18:03,440
Speaker 8: That is what he does every day. It is his custom.

286
00:18:04,119 --> 00:18:08,119
Speaker 2: So did you send Ben James Ross send photo?

287
00:18:09,279 --> 00:18:16,599
Speaker 8: No, singer, but coming, I will take you upstairs. I'm

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00:18:16,640 --> 00:18:17,319
glad you're here.

289
00:18:18,480 --> 00:18:18,960
Speaker 2: Why man?

290
00:18:19,359 --> 00:18:21,640
Speaker 8: But I was in the orchard to gather some fruit,

291
00:18:21,680 --> 00:18:26,400
if it was right. But when I came back, this

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00:18:26,720 --> 00:18:29,440
is his door. I cannot wake him.

293
00:18:31,160 --> 00:18:36,119
Speaker 2: Can you open the door? Oh no? Why why are

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00:18:36,119 --> 00:18:36,559
you afraid to?

295
00:18:36,880 --> 00:18:37,440
Speaker 8: I could not.

296
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Speaker 5: If he's bolted.

297
00:18:39,799 --> 00:18:40,960
Speaker 2: Does he always bolt it.

298
00:18:41,200 --> 00:18:44,519
Speaker 8: When it goes to lie down, yes, or whenever he

299
00:18:44,640 --> 00:18:45,960
sleeps anywhere?

300
00:18:46,519 --> 00:18:47,839
Speaker 2: Why because he's afraid of something?

301
00:18:48,599 --> 00:18:48,720
Speaker 8: Oh?

302
00:18:48,839 --> 00:18:49,039
Speaker 3: Yes?

303
00:18:49,920 --> 00:18:50,079
Speaker 1: Who?

304
00:18:51,240 --> 00:18:51,799
Speaker 8: Those men?

305
00:18:52,440 --> 00:18:52,880
Speaker 2: What man?

306
00:18:53,319 --> 00:18:55,640
Speaker 8: The ones he stole from that he fought with in

307
00:18:55,759 --> 00:18:56,559
Mexico for the.

308
00:18:56,599 --> 00:19:01,480
Speaker 4: Revolution and then he he run, leaving them to die.

309
00:19:02,000 --> 00:19:03,640
Speaker 5: I think not all.

310
00:19:04,359 --> 00:19:08,759
Speaker 8: They still come after him, but he's too careful here.

311
00:19:09,039 --> 00:19:10,480
He cannot be surprised.

312
00:19:11,519 --> 00:19:14,400
Speaker 4: Maybe just for once. He wasn't so careful, and they

313
00:19:14,440 --> 00:19:20,519
did knock on the door. Sure, I think, don't dark,

314
00:19:22,359 --> 00:19:26,240
don't dark, wake up? You're man, Let me, let me

315
00:19:27,160 --> 00:19:32,480
don't dark. It's all right, this is Judge Randolph. Don't

316
00:19:32,559 --> 00:19:34,200
dark come out.

317
00:19:35,440 --> 00:19:37,680
Speaker 8: If he could come out, he would.

318
00:19:39,160 --> 00:19:41,480
Speaker 2: I do not think he can come out any other

319
00:19:41,559 --> 00:19:43,799
doors to this room. No windows.

320
00:19:43,960 --> 00:19:47,680
Speaker 8: The house is built on the cliff. No way in

321
00:19:47,799 --> 00:19:48,599
from the outside.

322
00:19:48,880 --> 00:19:51,640
Speaker 2: All right, an, let's break it down. Stand back, Judge,

323
00:19:52,000 --> 00:19:52,480
I'll get it.

324
00:19:56,680 --> 00:20:03,240
Speaker 4: This time. Keep back until I make sure the coast

325
00:20:03,319 --> 00:20:07,599
is clear. Doom dark, doom dark?

326
00:20:09,359 --> 00:20:09,720
Speaker 2: What is it?

327
00:20:12,559 --> 00:20:13,240
Speaker 8: She's dead?

328
00:20:14,079 --> 00:20:15,039
Speaker 2: I'm afraid, so.

329
00:20:18,279 --> 00:20:24,200
Speaker 4: I'd better go after her.

330
00:20:24,480 --> 00:20:29,079
Speaker 2: No need, where can she go? No, we better look

331
00:20:29,119 --> 00:20:35,640
at him first. I'll close the door. He's been shot, Yeah,

332
00:20:36,920 --> 00:20:38,319
pretty near ripped him in a half.

333
00:20:38,720 --> 00:20:40,839
Speaker 4: Looked at the size of that hole in his waistcoat.

334
00:20:41,400 --> 00:20:45,000
Smells like burnt powder in here. You're sure we're alone?

335
00:20:46,000 --> 00:20:47,039
See if yourself, Judge.

336
00:20:48,000 --> 00:20:51,759
Speaker 2: Not in the room, but some chairs, couch. He's lying

337
00:20:51,839 --> 00:20:54,759
on that table with a bottle on it.

338
00:20:55,440 --> 00:20:59,920
Speaker 4: No doors, windows, shutters thrown back, but the windows closed.

339
00:21:01,160 --> 00:21:03,319
Well at least we though he wasn't shot from outside.

340
00:21:04,160 --> 00:21:07,519
Speaker 2: Kind of looks that way. You sure he's dead? He

341
00:21:07,920 --> 00:21:11,079
he's cold in the macro. Even something coming him couldn't

342
00:21:11,119 --> 00:21:13,400
keep him warm. Where's the weapon?

343
00:21:14,759 --> 00:21:18,759
Speaker 4: Well, right behind you, I'd say, I'm them two dogwood

344
00:21:18,799 --> 00:21:21,960
farks on the wall. Those be made to rest it

345
00:21:22,039 --> 00:21:27,400
on the shot gun. Yes, it's been fired quite recently.

346
00:21:27,559 --> 00:21:29,359
There's a freshly exploded cap right.

347
00:21:29,319 --> 00:21:30,839
Speaker 2: Under a hammerk. Yeah, it's all that.

348
00:21:32,759 --> 00:21:32,920
Speaker 1: Mm.

349
00:21:33,640 --> 00:21:38,839
Speaker 4: He'd been drinking some heavy I'd say, you think it's suicide.

350
00:21:39,519 --> 00:21:42,119
Speaker 2: I don't hardly think after he got a whole blow

351
00:21:42,119 --> 00:21:44,519
of that size in him, then he'd get up and

352
00:21:44,599 --> 00:21:48,279
hang up that gun nice neat. No, I don't hardly

353
00:21:48,319 --> 00:21:51,160
think so. Neither of this is murder.

354
00:21:52,519 --> 00:21:54,680
Speaker 4: The woman took that gun down and shut doomed door

355
00:21:54,759 --> 00:21:56,079
while he was sleeping on that couch.

356
00:21:56,400 --> 00:21:57,400
Speaker 2: Could be, I suppose.

357
00:21:57,960 --> 00:22:01,519
Speaker 4: But what about Bronson. He came in here breathing death

358
00:22:01,599 --> 00:22:04,599
and destruction, or he's just a mid old circuit preacher

359
00:22:04,640 --> 00:22:06,960
who's been preaching a crusade far and wide through the

360
00:22:07,079 --> 00:22:08,880
hills against Doomdar for furnishing.

361
00:22:09,240 --> 00:22:10,279
Speaker 2: There's here, moonshine.

362
00:22:10,599 --> 00:22:13,200
Speaker 4: We have a murder on our hands, and you think

363
00:22:13,240 --> 00:22:17,240
the woman is guilty? Or what else well, let's go

364
00:22:17,440 --> 00:22:19,279
ask Bronson first who killed him?

365
00:22:19,680 --> 00:22:19,839
Speaker 9: Mm.

366
00:22:22,720 --> 00:22:25,400
Speaker 2: But by the time we got to the outer courtyard, the.

367
00:22:25,480 --> 00:22:28,039
Speaker 4: Old man had disappeared, although his red horse stood tethered

368
00:22:28,119 --> 00:22:30,960
to a rail. I hesitated for a moment or two,

369
00:22:31,640 --> 00:22:34,480
turning the strange and tragic event that had taken place

370
00:22:35,039 --> 00:22:38,640
over and over in my mind. Come with me, Judge,

371
00:22:38,640 --> 00:22:41,359
around the other side of the house. Huh, very well,

372
00:22:41,519 --> 00:22:44,839
you have a stay behind me for cover, cover.

373
00:22:44,839 --> 00:22:48,240
Speaker 2: From what Who knows? There's a murder around here somewhere.

374
00:22:48,920 --> 00:22:51,359
Speaker 4: Well, a woman is already fro first, and I think

375
00:22:51,440 --> 00:22:52,480
she's not quite right in the.

376
00:22:52,519 --> 00:22:54,799
Speaker 2: Head, after all, she's gone through hate hold it.

377
00:22:55,279 --> 00:22:58,640
Speaker 4: But the back of the house flush with the edge

378
00:22:58,640 --> 00:23:01,799
of the cliff over a hundred foot dropped of the river.

379
00:23:02,880 --> 00:23:06,559
Speaker 2: Judge, Doomdorf was his sojore right, Well, how do you

380
00:23:06,640 --> 00:23:09,279
reckon that? For certain? Any good general.

381
00:23:09,079 --> 00:23:11,880
Speaker 4: First make sure his rare is protected, and he couldn't

382
00:23:11,880 --> 00:23:15,519
be franked. The only way to flush Doomdorf out was

383
00:23:15,599 --> 00:23:17,880
up that goat path we climbed to the house. He

384
00:23:18,519 --> 00:23:19,880
knew what he was doing when he made this.

385
00:23:20,039 --> 00:23:20,559
Speaker 2: His canceled.

386
00:23:21,279 --> 00:23:24,400
Speaker 4: Yes, I recognized that years ago when that matter called

387
00:23:24,400 --> 00:23:26,279
themselves God see it came looking for him.

388
00:23:27,160 --> 00:23:29,319
Speaker 2: I'm sure there were others who came. After all.

389
00:23:29,400 --> 00:23:31,880
Speaker 4: That goal he brought strap of his money built only

390
00:23:31,960 --> 00:23:35,920
one difference with them, or maybe two. Well, they didn't

391
00:23:35,960 --> 00:23:38,359
ask questions, and we never found their bodies.

392
00:23:39,200 --> 00:23:42,640
Speaker 2: I suppose you're right. I hold no brief for Doomdorf,

393
00:23:42,920 --> 00:23:44,240
the man reeked of evil.

394
00:23:45,039 --> 00:23:48,440
Speaker 4: For the fact is, as officers of the law, we

395
00:23:48,680 --> 00:23:51,200
do have a body, and there are things to be done.

396
00:23:51,480 --> 00:23:54,440
Right enough, for the sun is getting low in the sky.

397
00:23:55,759 --> 00:23:58,240
You expect me to arrest the woman, Well, at least

398
00:23:58,279 --> 00:24:02,680
we must question her. Come we should question Bronson too.

399
00:24:03,920 --> 00:24:07,400
Why it's a notion I got just make.

400
00:24:07,279 --> 00:24:12,400
Speaker 2: It all neat and tidy. Yeah, there he is now, Bronson.

401
00:24:12,279 --> 00:24:15,599
Speaker 3: I cannot tell your brother I am about the Lord's work.

402
00:24:15,880 --> 00:24:19,119
Speaker 4: Where are you going to that damnable still with this accent?

403
00:24:19,200 --> 00:24:21,000
Speaker 3: In the name of Him who is my shield and

404
00:24:21,079 --> 00:24:24,640
my strength, I shall destroy the evil work that immoral

405
00:24:24,759 --> 00:24:25,759
Doomdorf has rocked.

406
00:24:25,880 --> 00:24:29,839
Speaker 2: Bronson? What who killed Doondorf? Why do you have to ask?

407
00:24:30,640 --> 00:24:31,319
I killed him.

408
00:24:31,680 --> 00:24:34,440
Speaker 3: I cut him down in the prime of his fling

409
00:24:35,160 --> 00:24:36,200
fight the almighty?

410
00:24:36,920 --> 00:24:40,359
Speaker 2: What is this? Saddener? Everybody couldn't have killed him. Who

411
00:24:40,440 --> 00:24:41,880
can tell how many had a hand in it?

412
00:24:42,680 --> 00:24:46,799
Speaker 4: Are you deliberately trying to mystify me? The thing is impossible.

413
00:24:47,599 --> 00:24:52,720
The impossible here looks like the truth. Come with me, Judge,

414
00:24:52,960 --> 00:24:58,079
and I will show you a thing more impossible than all.

415
00:25:03,519 --> 00:25:04,880
I followed Abner.

416
00:25:04,680 --> 00:25:06,839
Speaker 2: Back into the house and up the stair again, up

417
00:25:06,839 --> 00:25:07,279
to the room.

418
00:25:08,119 --> 00:25:11,079
Speaker 4: The door swung open, the shuttered edge of it with

419
00:25:11,160 --> 00:25:14,799
a luck hanging half out, and Abner closed it carefully

420
00:25:14,880 --> 00:25:19,079
behind us after we entered. I want to show you something, Judge,

421
00:25:19,839 --> 00:25:22,440
the boat. They kept the door closed, Yes, sir.

422
00:25:22,880 --> 00:25:25,039
Speaker 2: But I want you to see that it is no

423
00:25:25,200 --> 00:25:28,480
way connected with the lock itself. Heh. And it is

424
00:25:28,640 --> 00:25:29,559
on the inside.

425
00:25:30,599 --> 00:25:32,920
Speaker 4: Now, how could the one who killed Doomdorf get into

426
00:25:32,920 --> 00:25:35,480
the room when we know the door was bolted and

427
00:25:35,599 --> 00:25:38,440
we had to break it down to enter only one

428
00:25:38,480 --> 00:25:41,599
other way through the windows. And well, let's look it

429
00:25:41,680 --> 00:25:47,359
down now. Remember we have seen from the outside that

430
00:25:47,480 --> 00:25:49,319
there is a sheer drop of at least a hundred

431
00:25:49,359 --> 00:25:51,680
feet of the river, and the rock is as smooth

432
00:25:51,680 --> 00:25:52,240
as glass.

433
00:25:53,160 --> 00:25:56,079
Speaker 2: Now try try looking out.

434
00:25:57,920 --> 00:26:01,000
Speaker 4: Oh, just as you said, the wall of the houses

435
00:26:01,160 --> 00:26:03,279
plum with a rock face. You know that is not.

436
00:26:03,519 --> 00:26:07,480
You can't open these windows. He examined the frames. They're

437
00:26:07,519 --> 00:26:11,319
cemented into their casement with dust, and they're bound along

438
00:26:11,359 --> 00:26:12,480
the edges with cobwebs.

439
00:26:13,119 --> 00:26:17,240
Speaker 2: That's right, these windows have never been opened. And then

440
00:26:17,440 --> 00:26:19,039
how did the assassin enter?

441
00:26:20,319 --> 00:26:25,880
Speaker 4: Well he, of course the answer is evident. Whoever killed

442
00:26:25,960 --> 00:26:27,519
Doomdorf hid in the room.

443
00:26:27,519 --> 00:26:29,920
Speaker 2: Till he was asleep, then he shot him and went out?

444
00:26:30,160 --> 00:26:30,960
Where could he hide?

445
00:26:31,680 --> 00:26:34,960
Speaker 4: And even supposing he could when he left, how did

446
00:26:35,000 --> 00:26:37,839
the assassin boat the door behind him? When the boat

447
00:26:37,920 --> 00:26:41,119
was on the inside of the door. Then who knows?

448
00:26:42,599 --> 00:26:46,240
Speaker 2: Maybe Doomdorf did kill himself. No, we ruled that out yesterday.

449
00:26:46,880 --> 00:26:51,319
Speaker 4: Then there's only one open road out of the mystery.

450
00:26:52,000 --> 00:26:55,680
Both the woman and Bronson claim they killed Doomdorf. Let

451
00:26:55,759 --> 00:26:58,480
us go down and ask them question. In the law

452
00:26:58,640 --> 00:27:00,480
cart that procedure, it could.

453
00:27:00,359 --> 00:27:05,359
Speaker 2: Be considered sounds sense. But Judge, we are in God's court.

454
00:27:06,279 --> 00:27:09,079
Things are done in a somewhat stranger way.

455
00:27:09,799 --> 00:27:11,039
Speaker 3: In what way do you mean?

456
00:27:11,799 --> 00:27:14,079
Speaker 2: In a way that still must be put to the proof,

457
00:27:15,400 --> 00:27:18,279
And for that we need to borrow time.

458
00:27:19,440 --> 00:27:21,759
Speaker 4: But I have every faith that time will show us

459
00:27:21,839 --> 00:27:28,160
exactly who murdered or perhaps the better word might be executed.

460
00:27:28,920 --> 00:27:30,440
Speaker 2: The man who lies dead before.

461
00:27:30,359 --> 00:27:40,119
Speaker 3: Us, I said in the beginning a story to terrify

462
00:27:40,559 --> 00:27:46,559
and tantalize and tantalizing, it must be a man, alive

463
00:27:46,720 --> 00:27:50,119
and alone by himself in a locked room, has met

464
00:27:50,279 --> 00:27:54,599
death by the blast of a shotgun, neatly returned to

465
00:27:54,759 --> 00:27:56,200
its place on the wall.

466
00:27:57,440 --> 00:27:58,720
Speaker 5: By whose hand?

467
00:28:00,160 --> 00:28:00,759
Speaker 2: In what way?

468
00:28:02,000 --> 00:28:05,880
Speaker 3: These are the questions and others to be answered. When

469
00:28:05,880 --> 00:28:07,559
I returned shortly with Act three.

470
00:28:18,599 --> 00:28:20,319
Speaker 1: In the room with the dead man.

471
00:28:20,640 --> 00:28:25,319
Speaker 3: Judge Randolph faces Sheriff Abnerdale, a frown of puzzlement on

472
00:28:25,480 --> 00:28:29,880
his patrician face. His eyes searched the expression of the great,

473
00:28:30,079 --> 00:28:33,319
lumbering young man in front of him, whose whole physical

474
00:28:33,359 --> 00:28:36,680
appearance suggests a man of action rather than one of

475
00:28:36,799 --> 00:28:41,119
thought or mental ability. The judge is the first to

476
00:28:41,200 --> 00:28:45,559
break the silence posed by the seemingly insoluble problem they face.

477
00:28:46,200 --> 00:28:46,720
Speaker 2: What do you mean?

478
00:28:46,799 --> 00:28:49,359
Speaker 4: We are in God's court and things are done in

479
00:28:49,440 --> 00:28:51,079
a somewhat stranger way.

480
00:28:51,359 --> 00:28:51,880
Speaker 2: Before we go.

481
00:28:52,039 --> 00:28:54,279
Speaker 4: Question those who are so anxious to be convicted of

482
00:28:54,359 --> 00:28:57,599
the assassination of Doundorff. Let us find out, if we can,

483
00:28:58,240 --> 00:29:02,359
at what hour he actually died, how and I seem

484
00:29:02,400 --> 00:29:05,960
to remember he wore a watch. Yeah, here it is

485
00:29:05,960 --> 00:29:08,920
in the westcoat pocket, broken by the shot. That's what

486
00:29:09,119 --> 00:29:13,359
ours stand the hands just past one o'clock. By the

487
00:29:13,440 --> 00:29:16,160
look at Bronson when we found him here, he must

488
00:29:16,200 --> 00:29:17,079
have been far off.

489
00:29:17,240 --> 00:29:18,400
Speaker 2: Still in his way to his place.

490
00:29:18,799 --> 00:29:21,359
Speaker 4: And the woman, by her story, was down the mountains

491
00:29:21,400 --> 00:29:22,839
picking fruit among the peach trees.

492
00:29:23,039 --> 00:29:24,119
Speaker 2: That's how I had it. Take it.

493
00:29:25,000 --> 00:29:27,160
Speaker 4: But why waste time on speculation anymore?

494
00:29:27,200 --> 00:29:28,319
Speaker 2: We know who did this thing.

495
00:29:29,039 --> 00:29:30,759
Speaker 4: Let us go down and get the story of it

496
00:29:31,000 --> 00:29:34,079
out of their own mouths. Either Bronson or the woman

497
00:29:34,200 --> 00:29:37,559
killed the man. I could better believe it, but for

498
00:29:37,680 --> 00:29:43,400
the inevitability of a certain awful law. All day that

499
00:29:43,599 --> 00:29:47,279
take the sword shall perish with the sword or the

500
00:29:47,359 --> 00:29:50,880
good book, Matthew, we reap what we sow.

501
00:29:51,559 --> 00:29:55,880
Speaker 2: Thus we receive what we give, and nothing else. That

502
00:29:56,319 --> 00:29:59,759
is God's law very well in a sense. But in

503
00:29:59,799 --> 00:30:02,079
this this case, by all means, let us go try

504
00:30:02,160 --> 00:30:05,160
the method of your law, courts, your faith, lies, and

505
00:30:05,200 --> 00:30:06,160
the wisdom of their ways.

506
00:30:08,920 --> 00:30:12,480
Speaker 4: We came down the stairs together abnor, calm and reflective,

507
00:30:13,279 --> 00:30:16,200
myself tortured and mystified.

508
00:30:17,839 --> 00:30:20,680
Speaker 2: Bronson, how did you kill Dundorf?

509
00:30:21,000 --> 00:30:23,759
Speaker 3: I killed him as the Elijah killed the captains of

510
00:30:23,839 --> 00:30:27,119
Isaiah in their fifties. But not by the hand of

511
00:30:27,200 --> 00:30:29,640
any man did I pray the Lord God to destroy

512
00:30:29,759 --> 00:30:31,079
him with the fire from heaven.

513
00:30:31,839 --> 00:30:34,839
Speaker 4: I prayed him to destroy Dundorf. Give me the action

514
00:30:34,880 --> 00:30:41,200
in your hands, so now explain yourself. His hands were

515
00:30:41,279 --> 00:30:42,000
red with blood.

516
00:30:42,599 --> 00:30:45,359
Speaker 3: The widow and the orphan cried to heaven against him.

517
00:30:46,000 --> 00:30:48,960
I will surely hear their cry, as the promise written

518
00:30:49,000 --> 00:30:49,480
in the book.

519
00:30:49,759 --> 00:30:51,880
Speaker 2: And you were the instrument raised up to heed their cry.

520
00:30:52,240 --> 00:30:53,559
And the land was weary of him.

521
00:30:54,000 --> 00:30:56,880
Speaker 3: And I prayed the Lord God to destroy him with

522
00:30:57,039 --> 00:30:58,000
fire from Hiven.

523
00:30:58,440 --> 00:30:59,920
Speaker 2: Because he destroyed the prince.

524
00:31:00,000 --> 00:31:03,200
Speaker 4: There is a gamar in their palaces with fire from heaven.

525
00:31:04,519 --> 00:31:10,200
Come Abner, we waste our time here a moment. Bronson, Bronson,

526
00:31:10,279 --> 00:31:13,720
you hear me, I hear you, Avenue Gale. A little

527
00:31:13,759 --> 00:31:16,359
while ago, when we came, I asked you where Doomdorf was,

528
00:31:16,680 --> 00:31:18,559
and you answered me in the third chapter of the

529
00:31:18,559 --> 00:31:19,279
Book of Judges.

530
00:31:20,000 --> 00:31:21,079
Speaker 2: Why do you answer me like that?

531
00:31:22,119 --> 00:31:24,960
Speaker 3: When I said, surely he covereth his feet in his

532
00:31:25,079 --> 00:31:28,759
summer chamber. Yeah, the woman told me he had not

533
00:31:28,960 --> 00:31:31,559
come down from the chamber where he had gone up

534
00:31:31,640 --> 00:31:34,559
to sleep. It was then I knew that he was

535
00:31:34,759 --> 00:31:37,839
dead in his summer chamber, like egg Long king of

536
00:31:37,920 --> 00:31:38,880
moab Ow.

537
00:31:39,000 --> 00:31:41,039
Speaker 2: Could you know? I look you off there to the south.

538
00:31:42,000 --> 00:31:44,839
I came here from the Great Valley to cut down

539
00:31:44,960 --> 00:31:45,960
these groves are.

540
00:31:45,920 --> 00:31:48,519
Speaker 9: Valid to empty outter speaking abomination.

541
00:31:49,599 --> 00:31:52,559
Speaker 3: But I did not know that the Lord has heard

542
00:31:52,680 --> 00:31:56,200
my prayer and visited his raft on Doomedorf until I

543
00:31:56,400 --> 00:31:57,920
was come up the mountain to his door.

544
00:31:58,680 --> 00:32:01,799
Speaker 2: But when the woman throw, I knew it. Now work

545
00:32:01,839 --> 00:32:02,559
here is done.

546
00:32:03,079 --> 00:32:05,440
Speaker 4: I must ride where's a larger cowls?

547
00:32:05,799 --> 00:32:09,079
Speaker 2: Just a minute? Why it's happened? You're right, you're right.

548
00:32:09,200 --> 00:32:10,319
That was only a waste of time.

549
00:32:11,319 --> 00:32:16,400
Speaker 4: Bronson did not kill Doomdorf, but new realized judge how

550
00:32:16,480 --> 00:32:20,960
he did die, at least not by Bronson and not

551
00:32:21,160 --> 00:32:26,440
by fire from heaven. Doomdorf was dead before Bronson got.

552
00:32:26,400 --> 00:32:30,000
Speaker 2: Here with his fire breathing scripture. The woman must be

553
00:32:30,079 --> 00:32:30,880
the guilty One.

554
00:32:34,720 --> 00:32:36,960
Speaker 4: Knight had entered the valley with the setting of the sun,

555
00:32:37,720 --> 00:32:39,839
and there were other things to do before the inquisition

556
00:32:39,920 --> 00:32:44,160
of the woman. By candlelight, the shadows weird and fearsome on.

557
00:32:44,200 --> 00:32:46,079
Speaker 2: The wall we made a coffin.

558
00:32:47,200 --> 00:32:50,599
Speaker 4: We put Doomdorf in it, straightened out his limbs and

559
00:32:50,759 --> 00:32:54,440
folded his arms across his shutout heart. And we set

560
00:32:54,480 --> 00:32:56,119
the coffin on benches.

561
00:32:55,880 --> 00:32:56,400
Speaker 2: In the hall.

562
00:32:58,240 --> 00:33:00,839
Speaker 4: Then we kindled the fire in the living room, where

563
00:33:00,880 --> 00:33:03,319
the woman had put some meat and golden cheese and a.

564
00:33:03,319 --> 00:33:07,640
Speaker 2: Loaf on the table. You'll have eaten enough, as much

565
00:33:07,680 --> 00:33:08,319
as is fitting.

566
00:33:08,839 --> 00:33:11,279
Speaker 8: I believe it as it is, in case you should

567
00:33:11,319 --> 00:33:16,920
want more. I am going now where to the sea

568
00:33:18,519 --> 00:33:24,039
and the sheep. He is dead and I am free.

569
00:33:24,559 --> 00:33:28,319
Speaker 4: Not quite, there's a question still to be settled. Who

570
00:33:28,480 --> 00:33:31,119
killed your Who killed doom Darth?

571
00:33:31,240 --> 00:33:33,480
Speaker 8: But I have told you I killed him.

572
00:33:34,160 --> 00:33:36,319
Speaker 2: It was fair fair.

573
00:33:38,359 --> 00:33:43,400
Speaker 8: I remember an old old man sitting against a sunny wall,

574
00:33:44,400 --> 00:33:47,960
and a little girl who plucked yellow flowers from the

575
00:33:48,079 --> 00:33:51,720
grass and put them in her hair. She laughed and

576
00:33:51,880 --> 00:33:55,960
she was happy because she was twelve years old, and

577
00:33:56,039 --> 00:33:58,119
in a few days she would be thirteen, and she

578
00:33:58,160 --> 00:34:02,799
would make her novena. But they were bad times, and

579
00:34:02,960 --> 00:34:06,559
the big stranger with the black beard and the hard

580
00:34:06,680 --> 00:34:10,719
hands came to the old man and talked, And after

581
00:34:10,800 --> 00:34:13,360
he had talked a long time, they gave the old

582
00:34:13,400 --> 00:34:17,239
money a gold chain and some money, and he took

583
00:34:17,280 --> 00:34:21,719
the little girl away. He used her in a way

584
00:34:21,800 --> 00:34:24,360
she did not know. And if she tried to run

585
00:34:24,400 --> 00:34:28,000
away or kick him away. You like to look at the.

586
00:34:28,039 --> 00:34:29,000
Speaker 9: Scars on my back.

587
00:34:29,760 --> 00:34:31,599
Speaker 8: You want to ask the doctor he was too late

588
00:34:31,639 --> 00:34:36,800
to save my baby. Oh, it was fair to kill him.

589
00:34:37,800 --> 00:34:38,760
Speaker 2: But where will you go?

590
00:34:40,880 --> 00:34:44,039
Speaker 8: My abuelo will be gone by now. My grandfather was

591
00:34:44,159 --> 00:34:48,639
dying ten years ago. But the wall will still be there,

592
00:34:50,239 --> 00:34:55,119
and maybe the sun and the yellow flowers. It is

593
00:34:55,199 --> 00:34:56,400
all right that I gone.

594
00:34:58,960 --> 00:35:02,400
Speaker 2: It's up with the judge. I cannot find it in

595
00:35:02,480 --> 00:35:06,079
my heart to hold you or in the law. Not

596
00:35:06,159 --> 00:35:08,400
a jury in Virginia, it would convict you for shooting

597
00:35:08,440 --> 00:35:09,159
a beast like that.

598
00:35:10,440 --> 00:35:13,920
Speaker 8: I thank you, judge, But I I have not shoot.

599
00:35:13,719 --> 00:35:17,599
Speaker 2: Him, not shooting him. And the man is riddled.

600
00:35:19,119 --> 00:35:22,199
Speaker 8: I kill him, but I have not shoot him. I

601
00:35:22,559 --> 00:35:26,760
kill him with which words I remembered from my mother.

602
00:35:27,199 --> 00:35:29,280
Speaker 2: Hey, you can't kill a man with words.

603
00:35:29,360 --> 00:35:32,639
Speaker 8: Man, Oh, I know, sen you. That is why I

604
00:35:33,639 --> 00:35:37,800
make a doll in wax, and I put a needle

605
00:35:37,880 --> 00:35:43,920
through his breast, and you die very quickly. No, senor,

606
00:35:45,679 --> 00:35:46,199
I may go.

607
00:35:52,400 --> 00:35:54,679
Speaker 4: It was good that you let her go, judge, No,

608
00:35:54,800 --> 00:35:57,840
it was pathetic, a homocidal dream to rid herself of

609
00:35:57,960 --> 00:36:03,079
a monster with a enchanted strong man. I think she

610
00:36:03,159 --> 00:36:05,800
had money in her saddle bag, but I slipped some

611
00:36:06,159 --> 00:36:07,360
extra gist in chase.

612
00:36:08,639 --> 00:36:14,440
Speaker 2: And now where are we waiting like her for the dawn?

613
00:36:15,719 --> 00:36:19,320
Speaker 4: This was the strangest thing that ever happened. Someone shot

614
00:36:19,400 --> 00:36:23,119
the man, But who and how did the killer get out.

615
00:36:23,039 --> 00:36:25,480
Speaker 2: Of that shut up room? For that matter, how did

616
00:36:25,480 --> 00:36:28,239
he get in through the window?

617
00:36:29,639 --> 00:36:33,559
Speaker 4: Through the window here yourself have showed me that was impossible.

618
00:36:34,719 --> 00:36:37,360
Speaker 2: You proved it could never have been open. I did

619
00:36:39,800 --> 00:36:43,760
it never was open, Amner. What are you trying to

620
00:36:43,800 --> 00:36:46,119
tell me how Doomdorf died.

621
00:36:47,800 --> 00:36:49,559
Speaker 4: You're trying to say that the one who killed him

622
00:36:49,639 --> 00:36:53,079
climbed that sheer wall, got in through a closed window

623
00:36:53,400 --> 00:36:56,239
without even disturbing a crumb of dust or breaking a cobweb.

624
00:36:56,519 --> 00:36:59,239
I'm telling you the murderer of doom Dark did even more.

625
00:37:00,679 --> 00:37:05,239
What we must wait for tomorrow when the assassin returns.

626
00:37:05,920 --> 00:37:12,039
There are shy who killed doom Darth and how? I

627
00:37:12,119 --> 00:37:14,199
could have argued, But I knew that set look on

628
00:37:14,280 --> 00:37:17,920
Abner's face too well to waste my time. I could

629
00:37:17,960 --> 00:37:20,360
not have believed that I could sleep with the thoughts

630
00:37:20,360 --> 00:37:21,320
spinning in my brain.

631
00:37:22,280 --> 00:37:25,800
Speaker 2: But I did. We ate, and through the morning dug

632
00:37:25,840 --> 00:37:27,519
a gray for the dead man in silence.

633
00:37:28,880 --> 00:37:31,599
Speaker 4: By the time the last spadeful of earth was thrown back,

634
00:37:32,519 --> 00:37:36,280
it was high noon, and Abner squinted.

635
00:37:35,960 --> 00:37:36,519
Speaker 2: Up at the sun.

636
00:37:38,519 --> 00:37:41,440
Speaker 4: Time to throw our space down. Go lay an ambush

637
00:37:41,480 --> 00:37:44,800
for the assassin. He's already on the way here. Judge,

638
00:37:45,559 --> 00:37:48,519
where do we go? Back the house and up to

639
00:37:48,760 --> 00:37:57,519
Dundarf's room. Now we must make certain preparations.

640
00:37:59,039 --> 00:37:59,679
Speaker 2: What are you doing?

641
00:38:00,519 --> 00:38:03,440
Speaker 4: I'm loading the shotgun as it was before it took

642
00:38:03,519 --> 00:38:08,440
Doom's door. It's life, and now I place it back

643
00:38:08,519 --> 00:38:12,239
on its rack, exactly as I found it.

644
00:38:13,039 --> 00:38:14,960
Speaker 2: What do you wanna do with this pillow? And just cold?

645
00:38:15,719 --> 00:38:18,679
The blood is not entirely dry. Here, give it to me.

646
00:38:20,199 --> 00:38:20,840
We'll wrap the.

647
00:38:20,880 --> 00:38:23,719
Speaker 4: Coat around the pillow as if it were a body,

648
00:38:24,719 --> 00:38:26,639
and place it here on the couch, just.

649
00:38:26,679 --> 00:38:32,159
Speaker 2: Where Doomed door lay. Now, look out the window. Is

650
00:38:32,239 --> 00:38:35,199
the day still clear? Not like flowered in the sky?

651
00:38:35,639 --> 00:38:35,800
Speaker 1: Huh?

652
00:38:36,400 --> 00:38:37,159
Speaker 2: Just like yesterday?

653
00:38:37,559 --> 00:38:43,719
Speaker 4: It's not hotter now for the moonshine or this bottle

654
00:38:43,800 --> 00:38:48,960
of still liquor let's see good. You can see by

655
00:38:49,039 --> 00:38:51,000
the dust ring on the table that it sets just

656
00:38:51,079 --> 00:38:53,480
where it did yesterday as I return it to its

657
00:38:53,519 --> 00:38:54,159
resting place.

658
00:38:54,840 --> 00:38:57,599
Speaker 2: Whatever you say, but but I I still don't see.

659
00:38:57,679 --> 00:38:57,800
Speaker 3: Hi.

660
00:38:58,440 --> 00:38:59,760
Speaker 1: What sh.

661
00:39:01,280 --> 00:39:04,320
Speaker 2: We are about to trick the murderer in the act.

662
00:39:04,960 --> 00:39:08,639
But we came without guns. How can we protect ourselves?

663
00:39:08,679 --> 00:39:11,440
We need no protection, judge, it is all in the

664
00:39:11,559 --> 00:39:16,679
hands of the Lord. Look, the assassin is creeping along

665
00:39:16,800 --> 00:39:17,239
the wall.

666
00:39:18,039 --> 00:39:19,119
Speaker 5: Where should look?

667
00:39:20,280 --> 00:39:21,119
Speaker 2: That point a light?

668
00:39:23,119 --> 00:39:26,280
Speaker 6: I followed the line of his extended finger and saw

669
00:39:26,360 --> 00:39:29,800
what he meant, A tiny disc of focused, white hot

670
00:39:29,880 --> 00:39:34,039
sunlight moving slowly across the wall toward the shotgun.

671
00:39:34,840 --> 00:39:39,000
Speaker 2: He that taketh the sword shall perish by the sword.

672
00:39:40,719 --> 00:39:45,079
Speaker 4: The water bobble full of doom d'orfliquor is focus in

673
00:39:45,159 --> 00:39:48,000
the sun to the heat of a lighted match as.

674
00:39:47,920 --> 00:39:50,519
Speaker 2: It travels to the lock and fire and pin of

675
00:39:50,639 --> 00:39:57,239
the shotgun. The answer to Bronson's prayer the fire from heaven.

676
00:39:58,440 --> 00:40:00,079
Now Watch.

677
00:40:02,519 --> 00:40:10,679
Speaker 4: Now, as the pinpoint of sunlight reached the percussion cap

678
00:40:10,920 --> 00:40:13,280
and the gun exploded as though the trigger.

679
00:40:13,039 --> 00:40:16,320
Speaker 2: Had been pulled. The pillow wrapped in the dead man's.

680
00:40:16,039 --> 00:40:18,280
Speaker 4: Coat, lying on the couch where the man himself had

681
00:40:18,360 --> 00:40:21,559
lain some twenty four hours before, leaped and shuddered like

682
00:40:21,599 --> 00:40:25,480
a living thing, and collapsed in earthly. The room was

683
00:40:25,599 --> 00:40:29,000
still echoing with the sound of the explosion. My own

684
00:40:29,119 --> 00:40:33,119
voice sounded cramped and hoarse, as I said, and we

685
00:40:33,480 --> 00:40:38,519
mistrust coincidence? Why it is a world filled with the

686
00:40:38,679 --> 00:40:39,840
joinder of accidents.

687
00:40:40,239 --> 00:40:45,079
Speaker 2: It is a world filled with the mysterious justice of God,

688
00:40:51,800 --> 00:40:54,400
the answer to the mystery of the doom, dwarf murder.

689
00:40:55,320 --> 00:40:57,679
Our fate well deserved and.

690
00:40:57,840 --> 00:41:00,760
Speaker 3: Brought only on himself by the dead man, who had

691
00:41:00,840 --> 00:41:04,639
little right or reason to live. Wouldn't have been nice

692
00:41:04,760 --> 00:41:07,360
if an equal fate could be the lot of so

693
00:41:07,519 --> 00:41:10,760
many people, each of us know except U.

694
00:41:11,679 --> 00:41:15,400
Speaker 2: Who are we to be the judge that.

695
00:41:15,639 --> 00:41:20,679
Speaker 3: Belongs, thank God, to the higher power I inadvertently named.

696
00:41:21,719 --> 00:41:22,639
Speaker 2: I'll be back shortly.

697
00:41:34,000 --> 00:41:37,760
Speaker 3: It seems to me necessary in conclusion to put a

698
00:41:37,880 --> 00:41:42,400
quote used in this story in its exact context. When

699
00:41:42,519 --> 00:41:45,599
Jesus had been betrayed by Judas, and when the High

700
00:41:45,679 --> 00:41:48,920
Priest's men came to take him by force, one of

701
00:41:49,039 --> 00:41:53,480
those with him struck out against the attackers, wounding him.

702
00:41:54,360 --> 00:41:57,320
It was then that Jesus spoke the full quote saying,

703
00:41:58,400 --> 00:42:02,400
put up again thy sword into its place, for all

704
00:42:02,559 --> 00:42:07,519
they that take up the sword shall perish with the sword.

705
00:42:08,639 --> 00:42:11,119
Speaker 2: As you see, it was still and.

706
00:42:11,280 --> 00:42:14,599
Speaker 5: Always the Prince of Peace who spoke.

707
00:42:16,199 --> 00:42:19,599
Speaker 3: Our cast included Howard da Silva, Fred Gwynn, Bryana Raeburn,

708
00:42:19,800 --> 00:42:23,760
Ian Martin and Earl Hammond. The entire production was under

709
00:42:23,800 --> 00:42:30,679
the direction of Hymond Brown. And now a preview of

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00:42:30,800 --> 00:42:31,800
our next tale.

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00:42:32,199 --> 00:42:35,239
Speaker 11: It's the sign. It's the sign we saw out on

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00:42:35,280 --> 00:42:35,800
the main road.

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00:42:35,920 --> 00:42:38,199
Speaker 8: Oh, maybe it's one like it, an old one.

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00:42:38,480 --> 00:42:40,440
Speaker 2: No, no, no, it's the same sign.

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00:42:41,360 --> 00:42:43,000
Speaker 11: So the one that pointed to the two ruts through

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00:42:43,039 --> 00:42:43,440
the field.

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00:42:44,079 --> 00:42:45,920
Speaker 8: Why would mister Broker have it in here?

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00:42:47,119 --> 00:42:49,000
Speaker 11: It wasout the sign out there. You could go right

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00:42:49,079 --> 00:42:51,800
past that field, go right past.

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00:42:51,639 --> 00:42:52,920
Speaker 2: Grahamville'll never know it was here.

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00:42:53,840 --> 00:42:56,199
Speaker 8: Is Is that what they want?

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00:42:57,880 --> 00:42:59,440
Speaker 11: Maybe your suspicions weren't so wrong.

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00:42:59,559 --> 00:43:03,320
Speaker 8: Jane, Oh, Mike, what does it mean?

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00:43:04,039 --> 00:43:07,000
Speaker 11: I want to ask some questions, but don't let on.

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00:43:07,119 --> 00:43:07,920
Speaker 2: We found this. Huh.

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00:43:09,519 --> 00:43:11,400
Speaker 11: Come on, Let's get out of here fast before Broker

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00:43:11,440 --> 00:43:11,840
gets back.

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00:43:12,639 --> 00:43:14,400
Speaker 8: Let's leave this town right away.

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00:43:14,639 --> 00:43:15,800
Speaker 2: Yeah. I only hope we can.

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00:43:16,360 --> 00:43:19,519
Speaker 8: Jim Egan did oh did he you.

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00:43:19,559 --> 00:43:21,280
Speaker 11: Were suspicious about that sudden departure.

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00:43:21,679 --> 00:43:24,360
Speaker 5: Now I'm beginning to wonder he departed.

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00:43:25,159 --> 00:43:27,280
Speaker 2: But I'd like to know where this is.

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00:43:27,360 --> 00:43:27,599
Speaker 8: E g.

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00:43:27,840 --> 00:43:31,159
Speaker 3: Marshall inviting you to return to our mystery theater for

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00:43:31,280 --> 00:43:33,400
another adventure in the macabre.

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00:43:34,559 --> 00:43:38,639
Speaker 5: Until next time, pleasant dreams.

