WEBVTT

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<v Speaker 1>It starts with ordinary light and the anticipated clink of

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<v Speaker 1>a Thermo's cap. Early April Son finds the towpath in

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<v Speaker 1>soft yellow washes, lay gently over the metal gleam of

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<v Speaker 1>lock gates and a rough tumble of willow roots. The

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<v Speaker 1>others arrive in twos and threes, bots, darkened by dewe

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<v Speaker 1>practical voices cutting through the silvery hush. I set down

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<v Speaker 1>my rucksack by the benchineer the heritage board, the one

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<v Speaker 1>we're supposed to clean each brain and catch sight of

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<v Speaker 1>misses wap marshaling the younger volunteers. If you are not

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<v Speaker 1>from the Midlands, you might think an old canal looks static,

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<v Speaker 1>as sluggish, manipulated slip of water bracketed by hedges. But

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<v Speaker 1>these few miles of Ashroff navigation have their own quiet dynamism.

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<v Speaker 1>Joggers use it for measured progress. Children launch paper boats

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<v Speaker 1>from the brick corokd by the cafe. Anglers know where

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<v Speaker 1>to drop a feed of for a rooch that bites.

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<v Speaker 1>On certain overcast mornings. There's a patience to it, as

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<v Speaker 1>if whatever has happened elsewhere, the canal is always midway

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<v Speaker 1>from one moment to the next, lately, I'm the old

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<v Speaker 1>engineer among the local history lot. I hung up my

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<v Speaker 1>high vist jacket to you back. Now they rely on

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<v Speaker 1>me for the teche exhibits, this time replanning a small

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<v Speaker 1>indoor display about Ashcroft's waterway charts, lock models, some photos

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<v Speaker 1>from miss s wads attic apparently involving bearded men and waistcoats.

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<v Speaker 1>I was drafted to fetch comparative water readings, which should

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<v Speaker 1>have been simple. Look in the lock books, collate some

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<v Speaker 1>memorable floods or droughts, put together a neat before and

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<v Speaker 1>after yet imposed at the first hurdle thumbing the soft

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<v Speaker 1>yellowed pages of the lock keeper's book, there's a rythic

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<v Speaker 1>looping needst at the old hand writing every day, neatly

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<v Speaker 1>rule every column field. Still, as I work backwards through

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<v Speaker 1>a series of entries for water levels, all I see

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<v Speaker 1>earn the identical numbers month after month, year after year,

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<v Speaker 1>the occasional come into temperate breeze wsw but never a

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<v Speaker 1>note of worry, correction or repair. I flip further back

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<v Speaker 1>the nineteen seventies, the notorious dry spell. The Ashroft navigation

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<v Speaker 1>is unchanged level of five point twenty seven feet flow

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<v Speaker 1>at zero point thirty three meters per second, keep going.

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<v Speaker 1>Nineteen forty seventh. The Big March flood ruined crops Demriver

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<v Speaker 1>is still steady modily. P I tried to cross reference

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<v Speaker 1>the logbook. Were clippings for known disasters. The surrounding brooks urged,

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<v Speaker 1>Rhodes washed out in certain years installed the canal remained untouched.

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<v Speaker 1>Not a single high, a low, or even monitor for

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<v Speaker 1>potential issue, Just steady standard, all in order. Beside me, John,

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<v Speaker 1>the local fisherman leans over curiosity already turning to amusement.

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<v Speaker 1>Don't you get lost in those? He says, could draw

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<v Speaker 1>up a year's readings, you'd have the same story. Every

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<v Speaker 1>time canal behaves itself, always has Like a milkman on

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<v Speaker 1>his round. A point to a stretch in the logo,

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<v Speaker 1>particularly wet, weak by the squiggled edges of the ink.

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<v Speaker 1>Nothing not even a silt up. He grins and stretches

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<v Speaker 1>his back. What's to change? Never once lost my catch

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<v Speaker 1>when it rained. Not here she carries on, no matter

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<v Speaker 1>what the cloths decide. Missus ward overhearing chips in reckon,

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<v Speaker 1>she saved the town more than once. Canals are old friend,

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<v Speaker 1>reliable's clockwork. Thus smiles have a warmth that's gently dismissive

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<v Speaker 1>for them. The canal's predictability is an old song sung

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<v Speaker 1>without thought, but from me with decades spent plot ingradients

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<v Speaker 1>and designing overflows. Routine is perfect is a puzzle. Water

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<v Speaker 1>doesn't listen to nostalgia. In the real world, rainfall means

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<v Speaker 1>rising gages, dry spells, me muddy bottoms, and every river

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<v Speaker 1>or canal has its fifth for moments. But here reckers

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<v Speaker 1>say it simply doesn't. I try not to sound over

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<v Speaker 1>eager as I ask the group, has any one ever

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<v Speaker 1>seen flood marks on these stones, old sandbags, even from

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<v Speaker 1>before the council days. A volunteer shrugs, John pulls a face.

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<v Speaker 1>Now you are looking for ghosts, mate, missus Ward shakes

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<v Speaker 1>her head, already moving on to the bunting. So I

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<v Speaker 1>make a note. Canal levels perfectly steady from more then century,

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<v Speaker 1>no major correction, no overflows, no drought loss, even when

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<v Speaker 1>the rest of the county floods or parches. It gnaws

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<v Speaker 1>at me, though I'm not sure if it's the lack

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<v Speaker 1>of evidence or the comic sentence that stirs something stubborn.

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<v Speaker 1>The curious water can be coaxed to manage, true, but

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<v Speaker 1>perfect obedience is not something I've ever seen. That morning,

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<v Speaker 1>a walk home by the towpath, thinking about every course

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<v Speaker 1>I ever took, open channel flow, of the calculus of risk,

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<v Speaker 1>I tried to tally the anomalies. How could this be true?

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<v Speaker 1>Is there something wrong in the wreckers or is the

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<v Speaker 1>canal itself quietly refusing the rules. It's less a chill

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<v Speaker 1>than a tuck or mental itch. I turn over as

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<v Speaker 1>the spring sun falls over still mirror flat water, and

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<v Speaker 1>a faint rush of a distant railway line brings me

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<v Speaker 1>back to present things. I decide to return the next morning,

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<v Speaker 1>before the others arrive. I want to look again, as

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<v Speaker 1>an engineer and as a local, at what a stretch

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<v Speaker 1>of ordinary English water might be hiding in plain side asterisk. Retirement,

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<v Speaker 1>it turns out, does not mean stillness. There's always a

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<v Speaker 1>job measuring, fetching poor and tea council meetings, fixing a

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<v Speaker 1>split fence some one else will soon repaint. I came

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<v Speaker 1>back to ashroftaff to forty mostly unremarkable years working on

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<v Speaker 1>water scheme, serban pipes, the ard or or canal. Nothing

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<v Speaker 1>with the charm of this old place. My parents used

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<v Speaker 1>to bring me here on week ends. We walk from

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<v Speaker 1>the market to the lock keeper's cottage, eat melting ice

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<v Speaker 1>cream under the buzz of summer flies. Since returning, I've

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<v Speaker 1>done my best to blend back in. I signed up

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<v Speaker 1>for the Heritage Group, checked in at the museum, where

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<v Speaker 1>c Needa k nodded briscolothes from behind a glass cases.

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<v Speaker 1>I went to John's Wednesday fishing sessions. Though I never

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<v Speaker 1>fancied baiting worms myself. Missus War drew me into council events,

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<v Speaker 1>always with an eye for new blood. Most weeks I'm

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<v Speaker 1>somewhere on the routine at checking the loch, dusting up

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<v Speaker 1>for exhibitions, walking the same foot worn roup beside the water.

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<v Speaker 1>The canal carves through the county like an old seam,

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<v Speaker 1>older than most of the houses that now lie in

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<v Speaker 1>its banks. This broadest reach glides past what's left of

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<v Speaker 1>the old brickworks, now a youth theater and a terrace

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<v Speaker 1>of hopeful new builds. Further along, read its crowd into

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<v Speaker 1>half tended banks. You'll find kingfishers if you're patient, shouting

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<v Speaker 1>coots if not a little past the unused railway bridge,

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<v Speaker 1>you come to the heart of the old navigation three

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<v Speaker 1>locks and quick succession feels behind factories on the far side,

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<v Speaker 1>folded into apartments and galleries. That constancy is the canal's currency.

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<v Speaker 1>Sunita likes to remind school groups that even now, its

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<v Speaker 1>level is managed for boat toros and pleasure craft. Rossi

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<v Speaker 1>at the Riverside Cafe asks every spring for the latest readings,

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<v Speaker 1>so she knows how much rope to leave loose from

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<v Speaker 1>rring picnic launges. Sanderbatman keeps his schedule with matthae the

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<v Speaker 1>matic need us. The fishermen pipegs and squabble over old conquests,

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<v Speaker 1>but everyone trusts the water's measure will houl from one

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<v Speaker 1>week to the next. A jazz band sometimes sets up

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<v Speaker 1>for the annual tope of picnic, counting on the banks

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<v Speaker 1>to stay dry beneath up ten chairs. Every pattern I've

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<v Speaker 1>seen here runs on small public noble gears. There are

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<v Speaker 1>council lists for inspection, family grumbles abou wheat growth, and

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<v Speaker 1>every so often the burst of shared memory floods somewhere else.

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<v Speaker 1>But never hear The older hands say it lightly, but

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<v Speaker 1>their routines are build on this trust. They fish fro

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<v Speaker 1>and repaint without hedging beds on the weather. Once over

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<v Speaker 1>a pint at the anchor, John explained it like this,

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<v Speaker 1>She's part of us, this stretch. Don't care what the

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<v Speaker 1>brooks to do. You canal keep itself in check. You'd

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<v Speaker 1>see a tornado in the sky before she'd give us trouble.

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<v Speaker 1>It's almost superstition, but not quite. No offerings or prayers,

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<v Speaker 1>just a faith born of unbroken repetition. Yet my eye,

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<v Speaker 1>trained by years of damn inspections and nervous meetings about

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<v Speaker 1>rain for projections, keeps snacking on the one problem you

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<v Speaker 1>only notice if nothing else goes wrong. The numbers are

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<v Speaker 1>wrong for being always right. I asked Uniter if the

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<v Speaker 1>museum had any news, notable stories. She grinned plenty of nemesis,

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<v Speaker 1>but all on the other rivers. The canal not so much.

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<v Speaker 1>I think people enjoy saying it never changes more than

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<v Speaker 1>any actual evidence of disasters avoided. When she leads me

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<v Speaker 1>through the museum one great Thursday, the cabinets are full

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<v Speaker 1>of mudded buttes, miner's lamps, certificates from the Canal company,

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<v Speaker 1>and a CP photograph of a group in hats beside

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<v Speaker 1>the lock in nineteen o two. No snaps of disaster,

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<v Speaker 1>no flood lines, just the feathered edges of a tranquil pass. Still,

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<v Speaker 1>I wonder about the stories people don't bother to commemorate.

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<v Speaker 1>For the history expiion I master join it then and now,

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<v Speaker 1>mapping overlain century old readings with recent ones showing skulkis

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<v Speaker 1>where the canal has stood solid while fields turned to

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<v Speaker 1>ponds and roads to ruts. Missus Ward suggests we highlight

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<v Speaker 1>the irreplaceable reliability of heritage infrastructure. She says it with

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<v Speaker 1>that particular town council shine. But even as we draft

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<v Speaker 1>the poster, I drift into diagrams calculating the improbability of

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<v Speaker 1>a waterway built for an ear of horses and wooden

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<v Speaker 1>lots of lasting. Every innovation, every unpredictability, are never once

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<v Speaker 1>demanding an urgent fix. Maybe it's just a sign of

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<v Speaker 1>age overthinking, or reading ghosts and empty margins, but I

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<v Speaker 1>can't quite settle for that. If engineering is anything, it's

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<v Speaker 1>a patient irritation of an unexplained anomaly. Asterisk a week

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<v Speaker 1>later brings the kind of frame that sits in new bows.

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<v Speaker 1>It starts in the night, a ceaseless tapin on the roof,

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<v Speaker 1>drenching the skirts of the valley. I dorn. The brooks

166
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<v Speaker 1>are thick with runoff foam, licking at the edges of

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<v Speaker 1>the cricket pitch, the old drive by the skull an

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<v Speaker 1>angle deep current. I slip on boots and cut down

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<v Speaker 1>to the main road, dodging a collapse sign messas ward,

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<v Speaker 1>wrapped in a reliable green Mac is waving at a

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<v Speaker 1>lorry crawling through a puddle half the width of the street.

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<v Speaker 1>It's the trendful lot coming back to haunt, as she sighs,

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<v Speaker 1>best check your canal. I do just that. There are

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<v Speaker 1>years in my working memory when extreme event meant running

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<v Speaker 1>for the emergency sluice or calling in sandbags from three

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<v Speaker 1>tons over. But here the canal lies pristine. The bricks

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<v Speaker 1>above the lock were the same coat of lichen and

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<v Speaker 1>touched by Selter's gum. The surface has glassed, no upturned branches,

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<v Speaker 1>not even a chair margin to spoil. The mirror willow overhead. Curious,

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<v Speaker 1>I take out my old steel rule and check the

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<v Speaker 1>gate five point twenty seven. I read, same as last week.

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<v Speaker 1>The slight feathering of a current, but no more than

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<v Speaker 1>its customary pace. There's no odor of fleef mulch, no

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<v Speaker 1>brown stain pushing up from river Eethorn, No sign the

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<v Speaker 1>canal knows anything happened at all. I walk its length,

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<v Speaker 1>scowning for anomalies, pebbled after rain pools beside the swing gate. Yes,

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<v Speaker 1>but the canal's edge does not falter, and the tow

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<v Speaker 1>path is dry. I double back to the bridge, where

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<v Speaker 1>John is inspecting his tackle. He laughs when I ask,

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<v Speaker 1>told you a bomb could drop a knack of brook

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<v Speaker 1>and the canal flow on. I lost a rod once,

192
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<v Speaker 1>never my nerve. I go farther up toward Hart's Lane,

193
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<v Speaker 1>where the brooks are spilled onto the water meadows sheets

194
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<v Speaker 1>Danwarry clustered on high ground. Beside them, the canal lies

195
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<v Speaker 1>and touched blue green, unflustered. A few pair of specks

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<v Speaker 1>of rain from the night line the stone steps, nothing more.

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<v Speaker 1>Back in town, the water company is already up of

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<v Speaker 1>pumps on the corner by the primary school. The headlines

199
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<v Speaker 1>in the local rag crow about flowed resilient ashcroft with

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<v Speaker 1>a smiling councilor and borrowed waiters. No one, it turns out,

201
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<v Speaker 1>finds the canal's immunity. Surprise to them, this is routine.

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<v Speaker 1>The canal always holds. Everything else is up for grabs.

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<v Speaker 1>My head, however, is somewhere else entirely if the canal

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<v Speaker 1>neither rises nor falls, except may be in careful theory,

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<v Speaker 1>What exactly is it doing that rivers and brooks cannot

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00:10:14.000 --> 00:10:16.720
<v Speaker 1>I text, Cunita, canal unchange again? Can we check old

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00:10:16.720 --> 00:10:20.720
<v Speaker 1>logs for any levy repairs? Over full actions? Her replies, Brisk,

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<v Speaker 1>meet at museum after lunch. I'll put the kettle on.

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00:10:23.759 --> 00:10:25.799
<v Speaker 1>It's not the promise of tea that settles me. As

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00:10:25.840 --> 00:10:29.399
<v Speaker 1>the new age, at the age of certainty asterisk. Sunita

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00:10:29.480 --> 00:10:31.240
<v Speaker 1>is waiting with a stack of folders in the promise

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00:10:31.279 --> 00:10:35.159
<v Speaker 1>of good biscuits. She's methodical, prefers order to speculation, but

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00:10:35.240 --> 00:10:39.039
<v Speaker 1>her curiosity quickens around puzzles. Records say canal hasn't needed

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<v Speaker 1>a maintenance draw down since the late eighteen hundreds. Dis

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00:10:41.440 --> 00:10:44.159
<v Speaker 1>routines graping and weed raking. No events, odd, isn't it,

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<v Speaker 1>she says, sliding minutes from an eighteen ninety three board

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<v Speaker 1>meeting across the table, we read in silence for a while.

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00:10:50.240 --> 00:10:53.159
<v Speaker 1>The language is clipped proud. The channel remains in disturbed.

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00:10:53.159 --> 00:10:57.200
<v Speaker 1>Standard operation continues there's a recurring phrasing, all in order,

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00:10:57.240 --> 00:11:00.960
<v Speaker 1>no adjustments warranted, per inspective measures. Even during the county

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00:11:01.080 --> 00:11:03.399
<v Speaker 1>so called great flood of forty seven, a canal's record

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00:11:03.519 --> 00:11:06.080
<v Speaker 1>is the same. I flipped through to the council digest

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00:11:06.159 --> 00:11:09.639
<v Speaker 1>brief minutes, bare mention of routine check, no hazard. How

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00:11:09.679 --> 00:11:12.879
<v Speaker 1>do you think it works? I ask, only half in jest.

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<v Speaker 1>She shrugs. Best construction in England. Or maybe they're just cautious.

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00:11:17.720 --> 00:11:19.639
<v Speaker 1>The canal's been good to us, Mom says her dad

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00:11:19.799 --> 00:11:21.519
<v Speaker 1>used to call it the only part of the landscape

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00:11:21.559 --> 00:11:25.799
<v Speaker 1>worth relying on. Something nags I ask, has any part

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00:11:25.799 --> 00:11:29.200
<v Speaker 1>of the canal failed? Leaked? Even minor Sunita reads down

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00:11:29.200 --> 00:11:32.679
<v Speaker 1>a fragile sheet, a crack paddle here, broke and gate,

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00:11:32.679 --> 00:11:35.480
<v Speaker 1>there are nothing to threaten flow. There's lots about painting ironwork,

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00:11:35.559 --> 00:11:38.320
<v Speaker 1>but never any true panic makes for boring reading. Really,

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00:11:38.879 --> 00:11:41.960
<v Speaker 1>that's the thing. It should be boring. But as I

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00:11:42.000 --> 00:11:44.320
<v Speaker 1>overlay recent day to my own measurements taken but the

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00:11:44.320 --> 00:11:46.679
<v Speaker 1>same instrument I used in Birmingham and leads there's a

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00:11:46.679 --> 00:11:48.879
<v Speaker 1>clean sameness in the numbers that borders on the absurd.

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00:11:49.519 --> 00:11:52.399
<v Speaker 1>I decide to take things further for the next fortnight,

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00:11:52.559 --> 00:11:54.879
<v Speaker 1>under the half smiling tolerance of my friends, I run

239
00:11:54.919 --> 00:11:57.080
<v Speaker 1>my own route summis at the upper pound than mid

240
00:11:57.120 --> 00:11:59.320
<v Speaker 1>day che could stand all lock, then the downstream gage

241
00:11:59.320 --> 00:12:02.559
<v Speaker 1>by the overgrown botause I borrow a precise flow meter

242
00:12:02.639 --> 00:12:05.840
<v Speaker 1>from the club. Sometimes I pack at thermometer. Sometimes I

243
00:12:05.879 --> 00:12:08.840
<v Speaker 1>shot the banks to measure of aporation. The April weather

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00:12:08.919 --> 00:12:12.279
<v Speaker 1>is lively drizzle one day, hot sun the next. Each

245
00:12:12.320 --> 00:12:14.519
<v Speaker 1>time I check the readings are as close to identical

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00:12:14.519 --> 00:12:17.399
<v Speaker 1>as makes no practical difference. On a whim, I try

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00:12:17.440 --> 00:12:20.159
<v Speaker 1>a dye test. I drop a small packet of harm

248
00:12:20.159 --> 00:12:22.360
<v Speaker 1>as rasa at the intake and walk the bank, watching

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00:12:22.360 --> 00:12:25.200
<v Speaker 1>for the feinned emerald pulse. I'm joined by two school

250
00:12:25.279 --> 00:12:27.519
<v Speaker 1>kids who jog along in a race with the current.

251
00:12:28.159 --> 00:12:32.039
<v Speaker 1>We reach the lot together. The dye arrives bright and unhurry,

252
00:12:32.159 --> 00:12:34.559
<v Speaker 1>precisely on schedule, matching my own restrartch to the minute.

253
00:12:34.559 --> 00:12:38.919
<v Speaker 1>At three points later, I run another experiment. John helps.

254
00:12:39.000 --> 00:12:41.480
<v Speaker 1>We launch three identical twigs at stagger picks, one by

255
00:12:41.519 --> 00:12:43.879
<v Speaker 1>the factory, another at the church Bend, and the last

256
00:12:43.919 --> 00:12:46.399
<v Speaker 1>at the old gas works. I time each one to

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00:12:46.440 --> 00:12:50.159
<v Speaker 1>the next lock. The result every stick glides into the

258
00:12:50.159 --> 00:12:52.440
<v Speaker 1>lockmouth together as if the canal. I end out every

259
00:12:52.440 --> 00:12:55.519
<v Speaker 1>difference with invisible patients. When I mention this to the

260
00:12:55.559 --> 00:12:58.000
<v Speaker 1>current lock keeper, man so robust, his laugh shakes leaves

261
00:12:58.000 --> 00:13:01.320
<v Speaker 1>from trees. He winks it's the old party trick, he says.

262
00:13:02.120 --> 00:13:04.320
<v Speaker 1>Visitors love it. Try to beat the canal. But she's

263
00:13:04.320 --> 00:13:08.720
<v Speaker 1>always true to herself. Throughout the community's attitude is steadfastly practical.

264
00:13:09.360 --> 00:13:12.279
<v Speaker 1>No one sees a puzzle or their friendly oddity. You

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00:13:12.360 --> 00:13:14.960
<v Speaker 1>want trouble, try the old mill stream, says a retired teacher.

266
00:13:15.080 --> 00:13:16.919
<v Speaker 1>That one swells up just when you think you're safe.

267
00:13:16.919 --> 00:13:19.320
<v Speaker 1>But the navigation not a drops built in a hundred years.

268
00:13:19.919 --> 00:13:22.720
<v Speaker 1>At the Fox and Badger, Oldstein, who claims he's ninety

269
00:13:22.759 --> 00:13:25.200
<v Speaker 1>seven and still sharper than the council's mole blade, says,

270
00:13:25.360 --> 00:13:27.480
<v Speaker 1>rain on every roof and town, but canal path won't

271
00:13:27.480 --> 00:13:30.120
<v Speaker 1>take a puddle, goes floods, we call and lonely haunt elsewhere.

272
00:13:30.600 --> 00:13:32.759
<v Speaker 1>One afternoon, so Unita and I sit in the arc

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00:13:32.799 --> 00:13:35.720
<v Speaker 1>of room among the chemical time of old papers. She

274
00:13:35.840 --> 00:13:38.840
<v Speaker 1>reads newspaper clippings from the notorious nineteen seventy six dro

275
00:13:39.039 --> 00:13:42.360
<v Speaker 1>canal floats still carried on pleasure boats operated as usual. Elsewhere,

276
00:13:42.440 --> 00:13:45.919
<v Speaker 1>panic and host but bands It's then I realize something new.

277
00:13:46.039 --> 00:13:48.799
<v Speaker 1>Whenever disaster rings out the infamous region wide flood of

278
00:13:48.879 --> 00:13:51.000
<v Speaker 1>seventh the hard freeze of nineteen six to two, the

279
00:13:51.039 --> 00:13:54.159
<v Speaker 1>stories about the canal grow louder in their ordinariness. It

280
00:13:54.279 --> 00:13:56.840
<v Speaker 1>is a routine. Itself provides comfort, a lullaby against the

281
00:13:56.879 --> 00:14:00.200
<v Speaker 1>absurdity elsewhere. But the documents are dry to a fault.

282
00:14:00.679 --> 00:14:04.279
<v Speaker 1>Old engineers wore by the routines know intervention required, maintenance

283
00:14:04.320 --> 00:14:08.320
<v Speaker 1>judged are necessary, intended regularity achieve. You can cover aberration

284
00:14:08.399 --> 00:14:12.320
<v Speaker 1>of language, But sturdy readings with no variations century to

285
00:14:12.360 --> 00:14:15.120
<v Speaker 1>century are less comforting the more you understand what should,

286
00:14:15.240 --> 00:14:18.000
<v Speaker 1>by all rights co wrong. This is not simply a

287
00:14:18.039 --> 00:14:22.080
<v Speaker 1>matter of robust design. Not over such a span, no device,

288
00:14:22.320 --> 00:14:24.679
<v Speaker 1>no siphon, no clever over folk could erase the thumb

289
00:14:24.720 --> 00:14:27.240
<v Speaker 1>print of physics beyond the fleeting year or two. And

290
00:14:27.360 --> 00:14:29.799
<v Speaker 1>yet standing on the bank, I watch another stick spin

291
00:14:29.840 --> 00:14:32.200
<v Speaker 1>down stream and know what the supposedly learned. Never admit

292
00:14:32.399 --> 00:14:36.000
<v Speaker 1>this is not luck nor canny engineering. This, whatever this is,

293
00:14:36.039 --> 00:14:38.159
<v Speaker 1>goes beyond every lesson I have learned in a lifetime

294
00:14:38.159 --> 00:14:42.480
<v Speaker 1>of worrying over water asterisk. I return early one Saturday,

295
00:14:42.600 --> 00:14:45.440
<v Speaker 1>notebook in hand, sleeves rolled up. For a time, I

296
00:14:45.440 --> 00:14:48.039
<v Speaker 1>focus doggedly on things I might have missed. Alternate inlets,

297
00:14:48.080 --> 00:14:52.559
<v Speaker 1>camouflage by stone mark illicits, loose channels beneath weeds, perhaps nothing.

298
00:14:53.240 --> 00:14:56.799
<v Speaker 1>The colworts are plane and functioning as drawn. If there's trickery,

299
00:14:56.840 --> 00:14:59.840
<v Speaker 1>it's not visible with boots and schalk lines. I run

300
00:14:59.840 --> 00:15:02.399
<v Speaker 1>o for the construction drawings that Sunita lent me, tracing

301
00:15:02.440 --> 00:15:04.440
<v Speaker 1>the familiar button cove of the canal as that wind

302
00:15:04.480 --> 00:15:09.080
<v Speaker 1>across three towns. Standard locks, ordinary pound lens, nothing like

303
00:15:09.080 --> 00:15:11.639
<v Speaker 1>the elaborate balancing lakes I remember from the Foxton branch

304
00:15:11.679 --> 00:15:15.000
<v Speaker 1>with the Pocklington cuts. No by passes or hidden sumps,

305
00:15:15.720 --> 00:15:17.679
<v Speaker 1>and the logs. Not a single page hints at behind

306
00:15:17.679 --> 00:15:21.080
<v Speaker 1>the curtain dramatics. There is, however, a recurring word in

307
00:15:21.120 --> 00:15:25.039
<v Speaker 1>one or two nineteen forties logs mechanical inspection routine. Satisfactory

308
00:15:25.559 --> 00:15:28.240
<v Speaker 1>phrase is so rode. It might be nothing, or it

309
00:15:28.320 --> 00:15:31.519
<v Speaker 1>might be something. That day, for the first time, missus

310
00:15:31.600 --> 00:15:34.360
<v Speaker 1>Warf remembers something odd in a meeting over coffee at

311
00:15:34.360 --> 00:15:36.840
<v Speaker 1>the council office. She says there has always been rumors

312
00:15:36.879 --> 00:15:39.879
<v Speaker 1>of hidden workings Lock nineteen's to one years back before

313
00:15:39.879 --> 00:15:41.960
<v Speaker 1>my time, someone said there was machinery done there, but

314
00:15:42.000 --> 00:15:44.279
<v Speaker 1>wreckers went clear. Low call Pollen. I think a bit

315
00:15:44.320 --> 00:15:48.360
<v Speaker 1>of a local eccentric like clocks water engineering stunt. That

316
00:15:48.440 --> 00:15:50.879
<v Speaker 1>name jolts something half remembered. I feign a recal an

317
00:15:50.879 --> 00:15:53.519
<v Speaker 1>all drawing sign to Jay Pollen eighteen twenty three. Pinn

318
00:15:53.600 --> 00:15:55.519
<v Speaker 1>behind gloss in the museum with more curves and a

319
00:15:55.600 --> 00:15:59.120
<v Speaker 1>bombade whin Ken the legend Dequlabration Governor I rink Sunda,

320
00:15:59.200 --> 00:16:01.840
<v Speaker 1>who promises to check the museum's confidential archive if I

321
00:16:01.840 --> 00:16:05.360
<v Speaker 1>bring tea in patience. Meanwhile, John hal Is, the practical one,

322
00:16:05.360 --> 00:16:08.879
<v Speaker 1>listens to my suspicions with a lopsided grin hidden machines, Eh,

323
00:16:08.960 --> 00:16:10.799
<v Speaker 1>so long as they catch perch and don't pop up

324
00:16:10.799 --> 00:16:13.320
<v Speaker 1>in my net, they are welcome to stay hidden. But

325
00:16:13.399 --> 00:16:16.480
<v Speaker 1>for me the tone changes. It's no longer a question

326
00:16:16.600 --> 00:16:20.159
<v Speaker 1>of above ground features or even of casual oversight. If

327
00:16:20.159 --> 00:16:23.440
<v Speaker 1>something sustains this constancy, it's likely hidden, perhaps even purposely

328
00:16:23.440 --> 00:16:26.679
<v Speaker 1>excluded from common knowledge. The History Group always assumed the

329
00:16:26.679 --> 00:16:29.120
<v Speaker 1>canal a load its fortune to benign neglect. And decent design.

330
00:16:29.279 --> 00:16:32.279
<v Speaker 1>I now imagine in undercurrent of ingenuity, perhaps eccentric, perhaps

331
00:16:32.279 --> 00:16:34.720
<v Speaker 1>a shade secret of shaping Athroff's luck. With more than luck,

332
00:16:35.399 --> 00:16:38.600
<v Speaker 1>I find myself studying the diegrounds for clues. A faint

333
00:16:38.639 --> 00:16:42.360
<v Speaker 1>pencil mark under one lock, some non specific piping drawn

334
00:16:42.399 --> 00:16:45.919
<v Speaker 1>in a looping arc and labeled only synchronization manifold. I

335
00:16:46.039 --> 00:16:49.279
<v Speaker 1>envy Pollen's Victorian optimism. If the stories are true, building

336
00:16:49.320 --> 00:16:51.639
<v Speaker 1>not just for function, but for something more, to impress,

337
00:16:51.679 --> 00:16:54.279
<v Speaker 1>to experiment, or maybe even to persuade the land itself.

338
00:16:54.720 --> 00:16:56.679
<v Speaker 1>The oddness of the records is joined now by the

339
00:16:56.679 --> 00:16:59.720
<v Speaker 1>oddness of their makers, of deliberate silence, humming beneath the ordinary.

340
00:17:00.279 --> 00:17:02.639
<v Speaker 1>It is no longer nature. I must interrogate by human

341
00:17:02.679 --> 00:17:06.400
<v Speaker 1>contradance or perhaps amuses. A walk the dust street bank,

342
00:17:06.599 --> 00:17:10.400
<v Speaker 1>some fragile alignment of the two asterisk. If the canal's

343
00:17:10.400 --> 00:17:12.519
<v Speaker 1>secret is human made, it must be foundable. So I

344
00:17:12.559 --> 00:17:14.119
<v Speaker 1>push you need to for a crack at the museum's

345
00:17:14.160 --> 00:17:17.880
<v Speaker 1>locked archive, where in luck missus Ward secures permission, and

346
00:17:17.960 --> 00:17:20.960
<v Speaker 1>one Wednesday morning mid dust and territorial cats s Needa

347
00:17:21.000 --> 00:17:24.279
<v Speaker 1>produces about a chess marked private a d Pollen inside

348
00:17:24.440 --> 00:17:26.960
<v Speaker 1>fifteen blueprints, a bundle of letters brittle with age, and

349
00:17:27.000 --> 00:17:30.319
<v Speaker 1>one thick confidential folded from eighteen twenty two. We unroll

350
00:17:30.359 --> 00:17:33.839
<v Speaker 1>the drawings on her desk. There in Sbia incann architectural

351
00:17:33.839 --> 00:17:37.400
<v Speaker 1>precision is an intricate assembly of gears, rods, levers, and

352
00:17:37.440 --> 00:17:41.319
<v Speaker 1>something label hydroic governor ashroft ecalibrium chamber. The drawings show

353
00:17:41.319 --> 00:17:44.000
<v Speaker 1>a brit vault Lock nineteen, a mistakable in its location,

354
00:17:44.079 --> 00:17:46.599
<v Speaker 1>beneath which a system of pendulums and clutch like devices

355
00:17:46.720 --> 00:17:50.480
<v Speaker 1>is meant to interact with the canal. Proper accompanying annotations

356
00:17:50.680 --> 00:17:53.799
<v Speaker 1>flow to be harmonized with local strata adjustments, self regulated,

357
00:17:53.839 --> 00:17:57.000
<v Speaker 1>no manual over eye. I am half amused, half incredulous.

358
00:17:57.640 --> 00:18:00.480
<v Speaker 1>An attempt two hundred years ago at automated high astrology,

359
00:18:01.160 --> 00:18:05.720
<v Speaker 1>an equilibrium chamber marrying newtonium mechanics to ground water unthinkable

360
00:18:05.799 --> 00:18:08.200
<v Speaker 1>unless you're a clock obsessed engineer with public money and

361
00:18:08.279 --> 00:18:11.559
<v Speaker 1>few distractions. On a hunch, I take the diagrams, a

362
00:18:11.640 --> 00:18:14.759
<v Speaker 1>lamp and some gloves down to the site. Lock nineteen

363
00:18:14.799 --> 00:18:17.880
<v Speaker 1>is overgrown, shaded by halphone and a busted sign advertising

364
00:18:17.920 --> 00:18:22.000
<v Speaker 1>discontinued morines. The inspection hatches rusted, but the bolt's yield

365
00:18:22.079 --> 00:18:24.759
<v Speaker 1>beneath looks the thick smell of old water, stone, oil

366
00:18:24.920 --> 00:18:28.119
<v Speaker 1>and time it takes worrek akneelings, scraping, breath, echoing in

367
00:18:28.160 --> 00:18:30.039
<v Speaker 1>a tight stone chamber. But I edge into the cavity.

368
00:18:30.640 --> 00:18:33.279
<v Speaker 1>Light flickers over metal components, a disc of iron teeth

369
00:18:33.319 --> 00:18:35.480
<v Speaker 1>away to beendulum rods that dip into the water and

370
00:18:35.559 --> 00:18:39.319
<v Speaker 1>up towards the brick arch. Some elements are recognizable, if antique,

371
00:18:39.359 --> 00:18:42.079
<v Speaker 1>others are less. So this is a concentric assembly of

372
00:18:42.119 --> 00:18:45.400
<v Speaker 1>floats brooking gendies. Water passes through a narrow channel joined

373
00:18:45.400 --> 00:18:49.519
<v Speaker 1>to gears with delicately struck initials GDP. I write quick notes,

374
00:18:49.519 --> 00:18:52.759
<v Speaker 1>sketch the system in my pad. The pendulum swing slightly

375
00:18:52.839 --> 00:18:57.519
<v Speaker 1>but undeniably. Every turn of the canal bosseems somehow reflected here,

376
00:18:57.519 --> 00:19:01.359
<v Speaker 1>Each rice transmitted to an oscillating, almost mutusic or mechanism.

377
00:19:01.480 --> 00:19:04.319
<v Speaker 1>Its motion is graceful and conscious, interacting with the quiet

378
00:19:04.359 --> 00:19:07.599
<v Speaker 1>trip of canal water entering through what must be the intake. How,

379
00:19:07.720 --> 00:19:10.359
<v Speaker 1>I wonder, has this device in touch and supervised run

380
00:19:10.400 --> 00:19:13.960
<v Speaker 1>for two centuries? And how could it correct every variation above?

381
00:19:14.640 --> 00:19:17.440
<v Speaker 1>No rusted weight or mothbled flour should persist, let alone

382
00:19:17.519 --> 00:19:20.759
<v Speaker 1>enforce such regularity on something as capricious as water. I

383
00:19:20.880 --> 00:19:24.319
<v Speaker 1>merge blinking into sunlight. Even if this device was rebuilt

384
00:19:24.319 --> 00:19:28.559
<v Speaker 1>every generation. The logs say no such thing. The public records, meanwhile,

385
00:19:28.720 --> 00:19:34.359
<v Speaker 1>continue their litany routine, ordinary, no complications. Back at the museum,

386
00:19:34.400 --> 00:19:37.920
<v Speaker 1>Sinita reads a lot of faded plaque, ashroft governor experimental insulation,

387
00:19:38.119 --> 00:19:41.880
<v Speaker 1>no further record. It is both nothing and everything, part

388
00:19:41.920 --> 00:19:44.279
<v Speaker 1>of me thrills at the improbable artistried audacity of a

389
00:19:44.319 --> 00:19:48.160
<v Speaker 1>mechanism designed to harmonize with water itself part of me chafs.

390
00:19:48.839 --> 00:19:51.759
<v Speaker 1>This cannot must not explain two hundred years of perfection

391
00:19:52.440 --> 00:19:55.759
<v Speaker 1>Victorian folly. Perhaps, Yet no folly. Evsy never wrote local weather.

392
00:19:56.400 --> 00:19:59.160
<v Speaker 1>Perhaps I amuse the canal's secret is not brew force

393
00:19:59.200 --> 00:20:01.960
<v Speaker 1>or mechanical connate, but a subtler partnership of blurring at

394
00:20:01.960 --> 00:20:05.319
<v Speaker 1>the edges of invention, discipline, and natural law. The awenness

395
00:20:05.319 --> 00:20:07.720
<v Speaker 1>is less about capability than about the humility to try

396
00:20:07.759 --> 00:20:10.559
<v Speaker 1>and the patience to hide success within routine. Through the

397
00:20:10.559 --> 00:20:13.039
<v Speaker 1>dirty glass of the museum's reading room, I see children

398
00:20:13.079 --> 00:20:15.039
<v Speaker 1>walking the bank in rober Butts, tracing the curve of

399
00:20:15.079 --> 00:20:18.039
<v Speaker 1>the water with sticks and fingers. The canal offers them

400
00:20:18.039 --> 00:20:19.960
<v Speaker 1>what had offered me, a place to project questions and

401
00:20:19.960 --> 00:20:22.920
<v Speaker 1>shapes that might never be answered. It's early evening before

402
00:20:22.920 --> 00:20:26.079
<v Speaker 1>I finish my notes and revisit the diagrams. The words

403
00:20:26.119 --> 00:20:29.920
<v Speaker 1>equilibration and universal regulator recur mixed with mechanical drawings. Even

404
00:20:29.920 --> 00:20:33.359
<v Speaker 1>my professional pride cannot easily unlevel. The canal is indifferent

405
00:20:33.400 --> 00:20:35.559
<v Speaker 1>to the passage of years, and its governor takes all

406
00:20:35.680 --> 00:20:38.319
<v Speaker 1>half remembered and half forgotten. I am no nearer or

407
00:20:38.400 --> 00:20:41.680
<v Speaker 1>satisfactory answer, but the curiosity grows more beautiful and mystery,

408
00:20:41.720 --> 00:20:44.880
<v Speaker 1>with roots now both in iron and a legend asterisk.

409
00:20:45.319 --> 00:20:48.079
<v Speaker 1>Sinita invites me to the museum's small seminar room, where

410
00:20:48.160 --> 00:20:51.480
<v Speaker 1>she set up my photographs alongside the blueprints. Doctor Shaw,

411
00:20:51.599 --> 00:20:55.279
<v Speaker 1>a local academic in hydrology, joins us. He's open minded

412
00:20:55.319 --> 00:20:58.640
<v Speaker 1>but unflappable, a natural skeptic. I run through my findings,

413
00:20:58.680 --> 00:21:02.440
<v Speaker 1>careful not to sound fanciful. Doctor shanspecs the photographs, then

414
00:21:02.480 --> 00:21:07.400
<v Speaker 1>my readings pendulums water Clock's ingenious, yes, but none could

415
00:21:07.440 --> 00:21:09.519
<v Speaker 1>a ride the physical variation. Even if you drained and

416
00:21:09.559 --> 00:21:13.319
<v Speaker 1>refilled weekly, you'd get microfluctuations. Nothing in Victorian mechanics, nothing

417
00:21:13.359 --> 00:21:15.359
<v Speaker 1>in any ear could keep these readings this uniform for

418
00:21:15.400 --> 00:21:18.240
<v Speaker 1>more than a few weeks. Then alone ear what century

419
00:21:18.240 --> 00:21:22.160
<v Speaker 1>and a half? I nod? And yet every test, every check,

420
00:21:22.640 --> 00:21:25.279
<v Speaker 1>matches the log books within a hair's bread, whether under

421
00:21:25.319 --> 00:21:28.559
<v Speaker 1>drought or monscene Sonia pulls up the latest thermal scan.

422
00:21:29.279 --> 00:21:31.559
<v Speaker 1>There's one more wrinkle. We map near by wells and

423
00:21:31.599 --> 00:21:34.680
<v Speaker 1>found minor but synchronous variation. They move, if only slightly

424
00:21:34.759 --> 00:21:37.680
<v Speaker 1>in step with the canal, even ones that shouldn't connect hydrologically.

425
00:21:38.240 --> 00:21:42.519
<v Speaker 1>Shaw FRNs impossible unless there s is incapulary network. There's

426
00:21:42.559 --> 00:21:45.119
<v Speaker 1>no physical route for these changes to propagate, certainly not

427
00:21:45.160 --> 00:21:48.480
<v Speaker 1>at the necessary speed, and certainly not so precisely. I

428
00:21:48.559 --> 00:21:52.079
<v Speaker 1>spread up Paulland's letter, recently unnerved. All must be orchestrated.

429
00:21:52.079 --> 00:21:54.680
<v Speaker 1>Equilibrium is not a force but a motif repeated in

430
00:21:54.720 --> 00:21:57.519
<v Speaker 1>strata follows above and currents unseen. The governor is only

431
00:21:57.559 --> 00:22:00.240
<v Speaker 1>a hand to match the cauc already ticking beneath. Shaw

432
00:22:00.279 --> 00:22:03.440
<v Speaker 1>gives me an inscrutable look. This is poetry, not science,

433
00:22:03.440 --> 00:22:06.319
<v Speaker 1>But even as poetry it's compelling. I begin to think,

434
00:22:06.359 --> 00:22:08.359
<v Speaker 1>I must begin to think less about devices and more

435
00:22:08.400 --> 00:22:11.519
<v Speaker 1>about intent. Was this old Pollen's driving not merely for

436
00:22:11.559 --> 00:22:15.640
<v Speaker 1>engineering triumph, but for something larger? Did he dream, naively

437
00:22:15.720 --> 00:22:18.319
<v Speaker 1>or otherwise, of aligning the built and natural worlds until

438
00:22:18.359 --> 00:22:21.160
<v Speaker 1>they could not be told part? If so, what might

439
00:22:21.200 --> 00:22:23.680
<v Speaker 1>that look or feel like? A canal tune instead of ruled?

440
00:22:24.359 --> 00:22:27.279
<v Speaker 1>We speak in low voices, imagining mechanisms too subtle for

441
00:22:27.279 --> 00:22:30.400
<v Speaker 1>blue princes, a hidden meshwork, perhaps of old intentional boreholes,

442
00:22:30.519 --> 00:22:35.319
<v Speaker 1>now forgotten and overgrown. I recall Pollend's phrase orchestrated equilibrium,

443
00:22:35.359 --> 00:22:37.799
<v Speaker 1>and wonder if he was trying, in his grand experiment

444
00:22:37.799 --> 00:22:39.759
<v Speaker 1>to nudge not only water but the timing of the

445
00:22:39.799 --> 00:22:42.200
<v Speaker 1>world around him had governed neither imposing nor reactive, but

446
00:22:42.279 --> 00:22:45.480
<v Speaker 1>quietly arranging Water's own wilt emerge within graintominies of place

447
00:22:45.480 --> 00:22:49.039
<v Speaker 1>and time. I recall my earlier frustration at the canal's regularity.

448
00:22:49.680 --> 00:22:53.079
<v Speaker 1>Now I recognize I was missing something. A tradition of secrecy, yes,

449
00:22:53.480 --> 00:22:56.039
<v Speaker 1>but also a kind of humility. This is never just

450
00:22:56.079 --> 00:22:59.920
<v Speaker 1>about mastery. It may have been astonishingly and probably about consent.

451
00:23:00.720 --> 00:23:02.880
<v Speaker 1>I listened as a distant bell from the primary school

452
00:23:02.880 --> 00:23:05.920
<v Speaker 1>float over the water the canal in its slow moving

453
00:23:05.920 --> 00:23:10.200
<v Speaker 1>calm endurers. My certainty meanwhile feel smaller and stranger in

454
00:23:10.200 --> 00:23:13.319
<v Speaker 1>infinitely more interesting. We spill out of the seminar room

455
00:23:13.359 --> 00:23:15.599
<v Speaker 1>into the hush of the museum corridor, my hands marked

456
00:23:15.640 --> 00:23:18.640
<v Speaker 1>with blueprinting, Sniche tucking away the scan, and Doctor Share

457
00:23:18.680 --> 00:23:22.400
<v Speaker 1>clutching his worn notebook. Outside the sky is a cool bruise,

458
00:23:22.440 --> 00:23:24.920
<v Speaker 1>but the light along the canal is still clear. Is

459
00:23:25.000 --> 00:23:27.480
<v Speaker 1>close to lock up. The echo of afternoon voices diminishing

460
00:23:27.519 --> 00:23:31.519
<v Speaker 1>as visitors trickle out. I suggest a walk. Doctor Shaw

461
00:23:31.559 --> 00:23:33.759
<v Speaker 1>agrees he's the salt. He likes to test his story

462
00:23:33.799 --> 00:23:38.000
<v Speaker 1>against the world itself. Sunida, always exact, wants to see

463
00:23:38.000 --> 00:23:40.559
<v Speaker 1>it all close up. At the water's edge, John is

464
00:23:40.599 --> 00:23:43.960
<v Speaker 1>prepping his rod. He grins, asks you ought to measure

465
00:23:43.960 --> 00:23:46.559
<v Speaker 1>her blood pressure again? I laugh and wave him over.

466
00:23:46.799 --> 00:23:49.680
<v Speaker 1>What's one more voice in the company of questions? As

467
00:23:49.680 --> 00:23:52.079
<v Speaker 1>we walk, I start to explain the governor, the clanking

468
00:23:52.119 --> 00:23:56.279
<v Speaker 1>ghost under Loch nineteen and pallen Strange correspondence. John listens

469
00:23:56.279 --> 00:23:59.839
<v Speaker 1>with polite disbelief. Missus ward call from her council papers

470
00:23:59.880 --> 00:24:03.000
<v Speaker 1>by Doctor Shaw meets us outside the council store Shared.

471
00:24:03.640 --> 00:24:05.839
<v Speaker 1>She tacks stray here under her scarf and gives us

472
00:24:05.839 --> 00:24:08.640
<v Speaker 1>how best it's nearly tea voice. He found the old

473
00:24:08.640 --> 00:24:11.079
<v Speaker 1>claw crook, then my uncle always claimed it was haunted

474
00:24:11.079 --> 00:24:13.440
<v Speaker 1>by Victorian engineers. He tap his pipe and say that

475
00:24:13.559 --> 00:24:16.640
<v Speaker 1>water is as regular as money. Interposed, Doctor Shaw shoes

476
00:24:16.640 --> 00:24:20.039
<v Speaker 1>slick with canal mud. It starts with methodical skepticism. There's

477
00:24:20.079 --> 00:24:22.559
<v Speaker 1>no possible hydraulic rational. If he could draw a diagram

478
00:24:22.640 --> 00:24:24.960
<v Speaker 1>of the water table, that'd be riddled with exceptions. Even

479
00:24:25.000 --> 00:24:26.680
<v Speaker 1>a governor should work more than a year or two.

480
00:24:26.759 --> 00:24:30.279
<v Speaker 1>There's always rife, feedback blockages. He looks out across a

481
00:24:30.319 --> 00:24:33.559
<v Speaker 1>mile straight pound and shakes his head. Makes a hydrologists

482
00:24:33.559 --> 00:24:36.839
<v Speaker 1>feel out schemed. I'm struck by how different these reactions are.

483
00:24:37.559 --> 00:24:40.920
<v Speaker 1>John and moved. His world's always held at shape. Missess

484
00:24:40.920 --> 00:24:43.039
<v Speaker 1>Ward is pensive, glancing at her feet as if half

485
00:24:43.039 --> 00:24:46.440
<v Speaker 1>hearing family. Mets Chow is unsure whether he's being made

486
00:24:46.440 --> 00:24:49.240
<v Speaker 1>the butt of a joko, invited into a conspiracy. Our

487
00:24:49.279 --> 00:24:52.680
<v Speaker 1>conversation pings between us, Jawn asking if there's more brassberry

488
00:24:52.720 --> 00:24:55.720
<v Speaker 1>to be found, show proposing small scale experiments. Just drop

489
00:24:55.799 --> 00:24:57.839
<v Speaker 1>din next storm, see if you still get perfectioned and

490
00:24:57.880 --> 00:24:59.960
<v Speaker 1>Massess war frowning at an old brick in the lock wall.

491
00:25:00.119 --> 00:25:02.759
<v Speaker 1>I suppose if there were ghosts, I'd rather have the

492
00:25:02.799 --> 00:25:06.519
<v Speaker 1>engineering sort. As we move along the Taubath stories multiply

493
00:25:07.240 --> 00:25:09.839
<v Speaker 1>A retired lock tender at for Strollswear's he always felt

494
00:25:09.839 --> 00:25:12.240
<v Speaker 1>a sound like faint humming or vibration below his boot

495
00:25:12.640 --> 00:25:14.839
<v Speaker 1>at odd hours, but when he looked there was nothing

496
00:25:14.880 --> 00:25:18.079
<v Speaker 1>to see. John's old coach from rowing days, joins as Midway,

497
00:25:18.200 --> 00:25:20.720
<v Speaker 1>recalling that timing for the canal races, a tradition nearly

498
00:25:20.720 --> 00:25:23.400
<v Speaker 1>a hundred years old, was almost spooky in its reliability.

499
00:25:23.960 --> 00:25:26.240
<v Speaker 1>He could set the start and finish by clock hands

500
00:25:26.240 --> 00:25:29.279
<v Speaker 1>and never lose a second. I keep pushing gently for

501
00:25:29.319 --> 00:25:32.119
<v Speaker 1>other memories, anomalies. Perhaps moments that look like luck too

502
00:25:32.160 --> 00:25:35.079
<v Speaker 1>need to be statistics. A woman tending her narrow but

503
00:25:35.160 --> 00:25:37.400
<v Speaker 1>says she's never once her to adjust her marring lines,

504
00:25:37.559 --> 00:25:39.880
<v Speaker 1>even in the wett as summer since records began. Missus

505
00:25:39.880 --> 00:25:42.160
<v Speaker 1>Ward smiles, but her eyes un narrowed, with the kind

506
00:25:42.160 --> 00:25:44.960
<v Speaker 1>of complicated pride. We used to think it meant god

507
00:25:45.079 --> 00:25:47.000
<v Speaker 1>like us, especially for that the mill owners bribed the

508
00:25:47.000 --> 00:25:49.119
<v Speaker 1>canal to keep their banks dry when nothing else could.

509
00:25:49.680 --> 00:25:52.759
<v Speaker 1>A man from the next village, visiting his cousin, says bitterly.

510
00:25:52.799 --> 00:25:55.480
<v Speaker 1>A lot flooded twice in the sixties always envied Ashroft.

511
00:25:55.480 --> 00:25:57.799
<v Speaker 1>Local legends said Ashroff paid off the weather, or else

512
00:25:57.880 --> 00:26:01.000
<v Speaker 1>hid some saints relic in the tobath. There's resentment there,

513
00:26:01.079 --> 00:26:03.559
<v Speaker 1>but more so resignation iss since that perfection even in

514
00:26:03.680 --> 00:26:07.400
<v Speaker 1>water breeds suspicion. Every account is slightly at odds. Some

515
00:26:07.480 --> 00:26:10.119
<v Speaker 1>say the canal was protected by human hands, others by

516
00:26:10.119 --> 00:26:12.960
<v Speaker 1>some benevolent floor of geography, yet more by mechanical or

517
00:26:12.960 --> 00:26:16.400
<v Speaker 1>supernatural flukes. That their voice is bray together stories of

518
00:26:16.440 --> 00:26:19.039
<v Speaker 1>summer field's parched, but the central water study of winter

519
00:26:19.079 --> 00:26:21.039
<v Speaker 1>sheets of ice. Everyone else had to crack by hand,

520
00:26:21.079 --> 00:26:23.240
<v Speaker 1>while the lock gates of Ashraf bore only a delicate,

521
00:26:23.279 --> 00:26:26.160
<v Speaker 1>brittle skin. Something in my chest and locks with this.

522
00:26:26.400 --> 00:26:28.759
<v Speaker 1>That explanation, whatever it is, as stitched into not just

523
00:26:28.880 --> 00:26:31.759
<v Speaker 1>rock and brick, but into every local argument, every family story,

524
00:26:31.799 --> 00:26:35.000
<v Speaker 1>every pope boast the governor under Lock nineteen is just

525
00:26:35.039 --> 00:26:37.799
<v Speaker 1>a gear in a larger quiet machine, communal memory, running

526
00:26:37.839 --> 00:26:40.599
<v Speaker 1>parallel with and against the smooth hum of water and arches.

527
00:26:41.319 --> 00:26:44.480
<v Speaker 1>A child returned from skull drops a stick with scientific precision,

528
00:26:44.519 --> 00:26:46.279
<v Speaker 1>into the water and hurries along the bank to meet

529
00:26:46.319 --> 00:26:48.759
<v Speaker 1>it further down. When I ask if she expects it

530
00:26:48.799 --> 00:26:51.039
<v Speaker 1>to win the race, she shrugs. If it's the canal,

531
00:26:51.079 --> 00:26:54.039
<v Speaker 1>it's always fair. Her certainty has the quiet and truly

532
00:26:54.119 --> 00:26:56.480
<v Speaker 1>confidence of those who have never needed to doubt the impossible.

533
00:26:57.119 --> 00:27:01.519
<v Speaker 1>Asters within the weak, curiosity is spread the university. Tipped

534
00:27:01.519 --> 00:27:03.799
<v Speaker 1>off by doctor Shaw sends a bright cluster of graduate

535
00:27:03.839 --> 00:27:06.880
<v Speaker 1>students horned with laptops and phones for purpose as GPS trackers.

536
00:27:07.480 --> 00:27:10.400
<v Speaker 1>Soon ned produces a set of dye packets. John grumbles

537
00:27:10.440 --> 00:27:13.480
<v Speaker 1>about scientists scaring the fish, and assess Ward briskly assembles

538
00:27:13.519 --> 00:27:15.799
<v Speaker 1>a canal Steward's group to ensure no harm comes to

539
00:27:15.880 --> 00:27:18.960
<v Speaker 1>wildlife or brickwork. We agree on the constraints no digging,

540
00:27:19.160 --> 00:27:22.559
<v Speaker 1>no dismantling, nothing that can't be reversed. The aim is

541
00:27:22.559 --> 00:27:24.519
<v Speaker 1>no longer to catch the canal out, but to find

542
00:27:24.559 --> 00:27:28.119
<v Speaker 1>the exact edgework. Explanation grows thin. We select three stretches,

543
00:27:28.119 --> 00:27:30.160
<v Speaker 1>one near the feet of stream above town, one in

544
00:27:30.200 --> 00:27:32.400
<v Speaker 1>the built up heart by the old workhouse, and one

545
00:27:32.440 --> 00:27:34.759
<v Speaker 1>down stream where fills lilow and prone to marsh fog.

546
00:27:35.480 --> 00:27:38.000
<v Speaker 1>The air is brisk, cherry blossoms streaked along the path,

547
00:27:38.119 --> 00:27:41.920
<v Speaker 1>children in zatics between bikes and joggers under watchful eyes.

548
00:27:41.920 --> 00:27:44.559
<v Speaker 1>The teams prepare releases die here a tiny raft there,

549
00:27:44.599 --> 00:27:46.799
<v Speaker 1>floats rigged up with students, phones peening date off to

550
00:27:46.839 --> 00:27:50.880
<v Speaker 1>the cloud. The experiment is methodical. At precisely noon, I

551
00:27:50.960 --> 00:27:54.440
<v Speaker 1>watch three colored pulses sunburst yellow, gentle blue, and sharp green,

552
00:27:54.519 --> 00:27:57.839
<v Speaker 1>tumble into their appointed entry points. Shinito up on the

553
00:27:57.839 --> 00:28:01.279
<v Speaker 1>footbridge with binoculars, calls times to this dwards by radio.

554
00:28:01.400 --> 00:28:03.960
<v Speaker 1>The crowd, drawn by rumors of something odd, lines the

555
00:28:04.000 --> 00:28:06.720
<v Speaker 1>bank as the day wears on the day to pour in.

556
00:28:07.359 --> 00:28:10.079
<v Speaker 1>The dye pulses, though sat at different sections and despite

557
00:28:10.079 --> 00:28:12.480
<v Speaker 1>slight bends and shifts in bank vegetation, arrive at the

558
00:28:12.519 --> 00:28:14.960
<v Speaker 1>lockmouth and eerie synchrony, not just with each other, but

559
00:28:15.039 --> 00:28:17.519
<v Speaker 1>matching the transit times load a century or more rigor

560
00:28:18.119 --> 00:28:21.240
<v Speaker 1>the floats, whatever their size and counter no lack. We

561
00:28:21.279 --> 00:28:23.759
<v Speaker 1>repeat it all after over night shours, In fact, during

562
00:28:23.759 --> 00:28:26.960
<v Speaker 1>a sudden brisquall that sends umbrellas out like semaphore flags,

563
00:28:26.960 --> 00:28:30.519
<v Speaker 1>and the outcome barely varies by a second. Later, during

564
00:28:30.559 --> 00:28:33.480
<v Speaker 1>an unseasonably hot afternoon, when the river's north and south

565
00:28:33.559 --> 00:28:36.799
<v Speaker 1>runs sluggish. The results stubbornly refused to differ. One of

566
00:28:36.839 --> 00:28:39.400
<v Speaker 1>the students, a woman from the hydrology program, checks her

567
00:28:39.400 --> 00:28:42.359
<v Speaker 1>phone in disbelief. This this shouldn't be possible. Even in

568
00:28:42.440 --> 00:28:46.680
<v Speaker 1>closed systems, there are always ripples, little feedback events, weather, friction, degrade,

569
00:28:46.680 --> 00:28:49.039
<v Speaker 1>a misery, sill to something. But if I didn't know better,

570
00:28:49.119 --> 00:28:51.359
<v Speaker 1>I'd say someone's enforcing a law. Beyon physics as we

571
00:28:51.400 --> 00:28:54.480
<v Speaker 1>know it. John, watching from a camp chair, offers a

572
00:28:54.559 --> 00:28:56.960
<v Speaker 1>rice mile could have told you that when my botes

573
00:28:56.960 --> 00:28:59.160
<v Speaker 1>were yew warder. Here is no more interested in rain

574
00:28:59.200 --> 00:29:01.960
<v Speaker 1>than in foss. It's all the way the event is watched.

575
00:29:02.599 --> 00:29:05.680
<v Speaker 1>It's not a circus, not a carnival. There is amusement,

576
00:29:05.759 --> 00:29:08.599
<v Speaker 1>to be sure, but underneath a kind of reverend settles.

577
00:29:09.160 --> 00:29:11.599
<v Speaker 1>The local crowd hushes instinctively each time a pulse of

578
00:29:11.640 --> 00:29:13.880
<v Speaker 1>color scoops through the cut waterre noticed, as if paying

579
00:29:13.920 --> 00:29:15.960
<v Speaker 1>respect to an old agreement between people and the canal,

580
00:29:16.000 --> 00:29:18.240
<v Speaker 1>were not to ask for perfection, only to notice it.

581
00:29:18.839 --> 00:29:21.519
<v Speaker 1>I write to how my own attitude is shifted, where

582
00:29:21.559 --> 00:29:24.240
<v Speaker 1>once I saw this canal's dependability is stubborn pride and

583
00:29:24.279 --> 00:29:26.759
<v Speaker 1>now sent humility, an act of restraint in designs so

584
00:29:26.839 --> 00:29:29.799
<v Speaker 1>profound that nobody, not even the designer, need of recognition

585
00:29:29.880 --> 00:29:33.079
<v Speaker 1>beyond the water's silent promise. I wonder aloud if perhaps

586
00:29:33.160 --> 00:29:35.240
<v Speaker 1>the greatest mark of genius is to create something with

587
00:29:35.319 --> 00:29:38.559
<v Speaker 1>sillient and then let it simply be. Doctor Shaw, standing

588
00:29:38.599 --> 00:29:41.200
<v Speaker 1>with a clip Bird admits there is something deeply satisfying

589
00:29:41.200 --> 00:29:43.119
<v Speaker 1>about not having straight answer, at least not one that

590
00:29:43.160 --> 00:29:45.400
<v Speaker 1>lines up with our equations. But it's hard to accept.

591
00:29:45.400 --> 00:29:48.039
<v Speaker 1>We see mastery as nosey. This is the opposite perfection

592
00:29:48.119 --> 00:29:51.480
<v Speaker 1>in low gear and not announce more. Cinnita grins. Maybe

593
00:29:51.480 --> 00:29:54.559
<v Speaker 1>the lesson is just to notice and not disturb. Missus

594
00:29:54.559 --> 00:29:57.319
<v Speaker 1>Ward agrees, She's our clock and always has been. What

595
00:29:57.359 --> 00:29:59.079
<v Speaker 1>else would you want from a clock? But the comfort

596
00:29:59.079 --> 00:30:02.400
<v Speaker 1>of its ticking. The experiment closes with smiling photographs and

597
00:30:02.440 --> 00:30:06.319
<v Speaker 1>thanks all around. Later, over to the university, team admits

598
00:30:06.359 --> 00:30:09.519
<v Speaker 1>they are not sure what to publish. Mystery Canal refuses

599
00:30:09.519 --> 00:30:13.839
<v Speaker 1>to misbehave reads one student's draft headline. Her supervisor shrugs.

600
00:30:14.000 --> 00:30:17.680
<v Speaker 1>Sometimes the story is the endurance of a question. Asterisk

601
00:30:18.039 --> 00:30:20.680
<v Speaker 1>research brings us back to the museum archous, but the

602
00:30:20.680 --> 00:30:24.559
<v Speaker 1>flavor of our inquiry has changed. Sinida always alluded to

603
00:30:24.599 --> 00:30:26.799
<v Speaker 1>unfile paper and covers a bundle of letters bound in

604
00:30:26.880 --> 00:30:29.319
<v Speaker 1>ribbon and dust, a correspondence between John Pollen and the

605
00:30:29.319 --> 00:30:32.799
<v Speaker 1>investors who funded the canal's original expansion. The pages tingle

606
00:30:32.839 --> 00:30:37.119
<v Speaker 1>with urgency, even resentment between lines. Finanswers, press for guarantees

607
00:30:37.200 --> 00:30:39.599
<v Speaker 1>is a redundancy. How do you insure stability given the

608
00:30:39.680 --> 00:30:42.039
<v Speaker 1>variety of the landscape, the strain of four seasons on

609
00:30:42.079 --> 00:30:46.359
<v Speaker 1>iron and brick. Polland's replies Blen's technical pride with philosophical criticism.

610
00:30:46.519 --> 00:30:49.720
<v Speaker 1>We balance not by surplus, but by arranging above and below.

611
00:30:49.799 --> 00:30:51.680
<v Speaker 1>Seen and unseen are music in the flows, if you

612
00:30:51.720 --> 00:30:54.680
<v Speaker 1>will accept the metaphor while others block, We listen a

613
00:30:54.720 --> 00:30:57.440
<v Speaker 1>margin note in an investor's hand, as any one attempted

614
00:30:57.519 --> 00:30:59.920
<v Speaker 1>such balancing before, while the country recognize it. If it

615
00:31:01.000 --> 00:31:03.799
<v Speaker 1>I let my finger linger there to build something meant

616
00:31:03.799 --> 00:31:06.759
<v Speaker 1>to disappear into seamlessness, is that engineering or something closer

617
00:31:06.799 --> 00:31:10.599
<v Speaker 1>to worship? Sinita finds in another folder, diagrams for a

618
00:31:10.680 --> 00:31:13.279
<v Speaker 1>series of test bares, unusually shallow, marked only by curse

619
00:31:13.319 --> 00:31:16.400
<v Speaker 1>of initials and faded wax. This is not the ordinary

620
00:31:16.400 --> 00:31:18.759
<v Speaker 1>map of gates and paddles. Instead is an abstract of

621
00:31:18.839 --> 00:31:22.440
<v Speaker 1>volley of capillaries beneath farms and lanes. Their purpose never explained,

622
00:31:22.480 --> 00:31:26.000
<v Speaker 1>their locations largely lost. I imagine a network of narrow

623
00:31:26.000 --> 00:31:28.359
<v Speaker 1>pipes of minor wells opened and closed to the rhythm

624
00:31:28.400 --> 00:31:31.880
<v Speaker 1>of weather, then gradually have ridden by grass, vents and forgetfulness.

625
00:31:32.559 --> 00:31:35.440
<v Speaker 1>We compare Ashraf's blueprints to those from other Midlands canals,

626
00:31:35.720 --> 00:31:38.359
<v Speaker 1>many of them defunct now of the source of infamous failures.

627
00:31:39.000 --> 00:31:42.599
<v Speaker 1>Their records are washroo disasters, collapse cuttings, castrophic floods, are

628
00:31:42.640 --> 00:31:46.160
<v Speaker 1>natural ruin. Those who Needa notes were projects that try

629
00:31:46.160 --> 00:31:49.839
<v Speaker 1>to uphace the land, move faster, bigger, more lucrative. Only

630
00:31:49.920 --> 00:31:52.240
<v Speaker 1>after Off's project seems plan not to outdo, but to

631
00:31:52.400 --> 00:31:57.000
<v Speaker 1>synchronize Doctor Shaw running groundwater models laid into the evening remarks.

632
00:31:57.240 --> 00:31:59.519
<v Speaker 1>If it's true, if these wells and vents ever really linked,

633
00:31:59.599 --> 00:32:01.400
<v Speaker 1>the size of that network means it's not just the

634
00:32:01.400 --> 00:32:03.880
<v Speaker 1>canal that's regular. Every well, every pump on this side

635
00:32:03.880 --> 00:32:07.240
<v Speaker 1>of the ridge seems coupled in some invisible way. Indeed,

636
00:32:07.359 --> 00:32:09.759
<v Speaker 1>even the water level readings we have for local springs,

637
00:32:09.759 --> 00:32:12.079
<v Speaker 1>the ones geology books declare and connected to show minor

638
00:32:12.240 --> 00:32:15.240
<v Speaker 1>rivet movement that gently anticipates or echoes. The canal's changes

639
00:32:15.880 --> 00:32:17.519
<v Speaker 1>show points to the data for a nut lines to

640
00:32:17.519 --> 00:32:20.319
<v Speaker 1>bring atop ashrough hill, not fifty rods from a farm.

641
00:32:20.359 --> 00:32:23.279
<v Speaker 1>Pollen wants surveyed, even a few dug pipes in secret.

642
00:32:23.279 --> 00:32:26.720
<v Speaker 1>There be losses, deviations, unplanned for ups in downs over centuries.

643
00:32:26.799 --> 00:32:29.359
<v Speaker 1>Yet here change is not suppressed, simply shared out, flatten

644
00:32:29.440 --> 00:32:32.359
<v Speaker 1>until it disappears. He turns to me, as if I'll

645
00:32:32.359 --> 00:32:34.000
<v Speaker 1>know what to call it. This is the shape of

646
00:32:34.039 --> 00:32:36.599
<v Speaker 1>an engineered landscape, the design itself hidden in the outcome,

647
00:32:36.799 --> 00:32:38.680
<v Speaker 1>not the process. If so, it's too big for a

648
00:32:38.720 --> 00:32:40.519
<v Speaker 1>one machine, too subtle for map. It's as if every

649
00:32:40.599 --> 00:32:44.400
<v Speaker 1>droplet has been drafted into an orchestra with a single button. Siunito,

650
00:32:44.519 --> 00:32:47.240
<v Speaker 1>watching the modeled lines muses you know. The old people

651
00:32:47.319 --> 00:32:49.680
<v Speaker 1>used to say that fortune was only overborrowed. Maybe pollen

652
00:32:49.799 --> 00:32:52.839
<v Speaker 1>was clever enough to repaid in advance. I find myself

653
00:32:52.839 --> 00:32:55.400
<v Speaker 1>swept up, not by the mechanics anymore, but the magnitude

654
00:32:55.440 --> 00:32:57.880
<v Speaker 1>and delicacy of the thing. This was never just a

655
00:32:57.920 --> 00:33:00.960
<v Speaker 1>stretch of still water. It was if these unlikely connections

656
00:33:00.960 --> 00:33:02.960
<v Speaker 1>hold a web spun almost too fine for the eye

657
00:33:02.960 --> 00:33:06.359
<v Speaker 1>whose resilience depended on invisible concent of stone, clay, human hand.

658
00:33:06.480 --> 00:33:10.359
<v Speaker 1>And yes, chance outside the canal glows with dusk like

659
00:33:10.359 --> 00:33:13.240
<v Speaker 1>caught along the scuff locks in a private radiance. The

660
00:33:13.319 --> 00:33:17.079
<v Speaker 1>answer here, if any was never a bit water alone asterisk.

661
00:33:17.599 --> 00:33:20.279
<v Speaker 1>It's in yet another box, behind a sealed envelope opened

662
00:33:20.319 --> 00:33:23.279
<v Speaker 1>only for cataloging, and then forgarden that the story is gravityshiss.

663
00:33:23.319 --> 00:33:27.039
<v Speaker 1>Once again, Suneida reads the date eighteen twenty six aloud,

664
00:33:27.599 --> 00:33:30.559
<v Speaker 1>the letter from Pollen to an unknown correspondent. I have

665
00:33:30.640 --> 00:33:33.039
<v Speaker 1>reached the belief that our governor succeeds not by imposition

666
00:33:33.240 --> 00:33:36.039
<v Speaker 1>but by alignment, rediscovering a motive in the substrata patterns

667
00:33:36.079 --> 00:33:37.920
<v Speaker 1>in the stone, I could only guess it by the resonance.

668
00:33:37.960 --> 00:33:40.440
<v Speaker 1>Our governor is no master, but an accompanist. When the

669
00:33:40.440 --> 00:33:43.000
<v Speaker 1>world grows wild, it holds the middle. When the skies

670
00:33:43.000 --> 00:33:45.400
<v Speaker 1>favored the land, it lets slip a little bounty and seen.

671
00:33:45.519 --> 00:33:47.839
<v Speaker 1>If this survives, it will not be by genius, but

672
00:33:47.880 --> 00:33:50.000
<v Speaker 1>by humility, a measure taken in time with the earth,

673
00:33:50.119 --> 00:33:53.799
<v Speaker 1>neither before nor after Doctor Shaw is captured. He lays

674
00:33:53.839 --> 00:33:56.799
<v Speaker 1>the letter out in angled sunlight. Matters resonant strato is

675
00:33:56.799 --> 00:33:59.319
<v Speaker 1>a natural clock. This is here is ahead of contemporary thinking.

676
00:33:59.400 --> 00:34:02.319
<v Speaker 1>If if he's our harnessed environmental feedback, tuned the canal's

677
00:34:02.319 --> 00:34:05.359
<v Speaker 1>pulses to match the geology, did explain not mechanical perfection,

678
00:34:05.720 --> 00:34:08.360
<v Speaker 1>but something more like an induced symmetry. He flips to

679
00:34:08.440 --> 00:34:12.360
<v Speaker 1>his own notebook outlines a series of possibilities. These environmental

680
00:34:12.400 --> 00:34:14.679
<v Speaker 1>resonance models are at the cutting edge of hydrology, the

681
00:34:14.719 --> 00:34:17.320
<v Speaker 1>notion that in some shallow aquifers, unto laced with specific

682
00:34:17.400 --> 00:34:20.840
<v Speaker 1>geological strata, natural feed baff loops can gently regulate water

683
00:34:20.880 --> 00:34:25.000
<v Speaker 1>movement under certain conditions. If someone somehow engineered not the waterway,

684
00:34:25.159 --> 00:34:28.280
<v Speaker 1>but the possibility of balance nudging rather than managing, then

685
00:34:28.320 --> 00:34:31.079
<v Speaker 1>these gentle harmonies could persist as long as human interventions

686
00:34:31.119 --> 00:34:34.760
<v Speaker 1>didn't break the spell. It's all theory, but muskin prickles

687
00:34:34.800 --> 00:34:36.519
<v Speaker 1>the sense I'm hovering on the edge of a world

688
00:34:36.519 --> 00:34:39.400
<v Speaker 1>neither technological nor purely for chloric, but poorer silver. Lap

689
00:34:39.519 --> 00:34:42.119
<v Speaker 1>of the two sooner to sketches an idea. If you

690
00:34:42.159 --> 00:34:44.760
<v Speaker 1>tune the valves the pendulums just so, set them to

691
00:34:44.760 --> 00:34:46.719
<v Speaker 1>eculd the slower beat of the rock and subso maybe

692
00:34:46.760 --> 00:34:48.760
<v Speaker 1>the whole thing would slip into partnership with the land.

693
00:34:48.840 --> 00:34:51.239
<v Speaker 1>The canal's greatest trick would be not imposing order, but

694
00:34:51.280 --> 00:34:54.800
<v Speaker 1>becoming invisible inside a larger order order. It's not just

695
00:34:54.840 --> 00:34:57.400
<v Speaker 1>the afro of canal. Then. The data hints that when

696
00:34:57.480 --> 00:34:59.880
<v Speaker 1>river floods elsewhere, though we can't prove it, those excesses

697
00:34:59.880 --> 00:35:02.440
<v Speaker 1>are quietly diluted, not by force, but by a network

698
00:35:02.440 --> 00:35:04.880
<v Speaker 1>of minute adjustments, draws, and releases, tuned by that long

699
00:35:04.960 --> 00:35:07.320
<v Speaker 1>swinging governess, smoothing the panic of weather into an almost

700
00:35:07.320 --> 00:35:12.000
<v Speaker 1>ceremonial calm. Missessward is thoughtful, you're telling me are safety?

701
00:35:12.039 --> 00:35:14.360
<v Speaker 1>Our good luck is the side effect of listening to rock,

702
00:35:14.480 --> 00:35:16.679
<v Speaker 1>to water, to old logic. No finger on the liver,

703
00:35:17.199 --> 00:35:20.639
<v Speaker 1>just a handstead yet o'clock. Nobody hears, doctor Shaw. If

704
00:35:20.679 --> 00:35:24.199
<v Speaker 1>I'm honest, yes and no, every system breaks down. Nextcept

705
00:35:24.280 --> 00:35:26.599
<v Speaker 1>may be the ones that become too attuned, too modest

706
00:35:26.599 --> 00:35:28.800
<v Speaker 1>to see. Every model I run says this shouldn't work.

707
00:35:28.800 --> 00:35:31.079
<v Speaker 1>But nothing in our logs, nothing in our readings. Scis

708
00:35:31.159 --> 00:35:34.639
<v Speaker 1>a doesen't. Cenia looks up from her notes more alive

709
00:35:34.679 --> 00:35:37.280
<v Speaker 1>than in any council session I've ever seen her. The

710
00:35:37.360 --> 00:35:39.480
<v Speaker 1>story here it isn't the triumph of the machine. It's

711
00:35:39.480 --> 00:35:41.440
<v Speaker 1>the triumph of a kind of humility. All it took

712
00:35:41.519 --> 00:35:43.960
<v Speaker 1>was a willingness to co operate, not to win. I

713
00:35:44.000 --> 00:35:46.119
<v Speaker 1>think of Ashcroft's farmers and drought us the way there.

714
00:35:46.159 --> 00:35:48.480
<v Speaker 1>Wells remain just wet enough, this small beard that never

715
00:35:48.559 --> 00:35:51.960
<v Speaker 1>runs out the absence of headlines about disaster. The horror

716
00:35:52.039 --> 00:35:53.760
<v Speaker 1>is not that we don't know everything, but that we

717
00:35:53.800 --> 00:35:55.840
<v Speaker 1>almost missed a heart of what was achieved. Here grow

718
00:35:55.920 --> 00:35:58.039
<v Speaker 1>patiently worn into the world, so deep it no longer

719
00:35:58.079 --> 00:36:01.159
<v Speaker 1>belongs to those who druert its course to closing time.

720
00:36:01.159 --> 00:36:03.760
<v Speaker 1>As we gather our things, the meseum growling softly as

721
00:36:03.800 --> 00:36:07.000
<v Speaker 1>old pipes flecks. Missus Ward asks, only, so what do

722
00:36:07.079 --> 00:36:10.800
<v Speaker 1>we do? Protect it? Probeit publicize it. Doctor Show shakes

723
00:36:10.800 --> 00:36:13.679
<v Speaker 1>his head, defeated but delighted. Document perhaps, but be careful

724
00:36:13.679 --> 00:36:15.880
<v Speaker 1>what you break looking for a better answer. Some stories

725
00:36:15.880 --> 00:36:19.559
<v Speaker 1>only work if you let them remain stories. Asterisk. News

726
00:36:19.559 --> 00:36:21.960
<v Speaker 1>of our investigation has filtered through the town, and soon

727
00:36:22.039 --> 00:36:26.400
<v Speaker 1>their invitations to meetings, walks and discussions. The riverside gets

728
00:36:26.400 --> 00:36:28.800
<v Speaker 1>a bit busy if people linger watching not for trouble,

729
00:36:28.880 --> 00:36:31.559
<v Speaker 1>but for signs of the Canal's ancient patient rhythm. In

730
00:36:31.599 --> 00:36:33.800
<v Speaker 1>a meeting at the anchor, the debate is more spirited

731
00:36:33.800 --> 00:36:37.320
<v Speaker 1>than usual. Should Canal Society pursue full surveyting for hidden

732
00:36:37.360 --> 00:36:40.480
<v Speaker 1>pipes expose the capillary network, or should they leave it

733
00:36:40.480 --> 00:36:43.159
<v Speaker 1>well enough alone, honoring a legacy that has quietly served

734
00:36:43.159 --> 00:36:47.079
<v Speaker 1>all for generations. The consensus lands toward cautious curiosity, a

735
00:36:47.119 --> 00:36:50.599
<v Speaker 1>proposal for non intrusive study overseen by both counsel and community.

736
00:36:51.280 --> 00:36:54.840
<v Speaker 1>John characteristically blunt closes the discussion. If she's kept faith

737
00:36:54.880 --> 00:36:57.000
<v Speaker 1>with us this lawn, maybe all, she asks, as we

738
00:36:57.079 --> 00:37:00.039
<v Speaker 1>keep it with her. Meanwhile, the museum's annual founders it

739
00:37:00.119 --> 00:37:04.280
<v Speaker 1>acquires a second unofficial title, Equilibrium Day. This year, school

740
00:37:04.320 --> 00:37:06.800
<v Speaker 1>children draw gears, waves, and quiet clocks in the shape

741
00:37:06.800 --> 00:37:11.039
<v Speaker 1>of canal locks. Missus Ward presiding mikeses fullcre in fact,

742
00:37:11.079 --> 00:37:14.639
<v Speaker 1>with practice diplomacy, whether it's Polland's governor or something older,

743
00:37:14.639 --> 00:37:17.239
<v Speaker 1>we celebrate what keeps us together, human ways with nature,

744
00:37:17.320 --> 00:37:19.440
<v Speaker 1>and not trying to knock the corners off the world.

745
00:37:19.920 --> 00:37:23.480
<v Speaker 1>The university group schedules further careful studies, but each proposal

746
00:37:23.480 --> 00:37:25.800
<v Speaker 1>begins and ends with the caution, do no harm, disturb

747
00:37:25.880 --> 00:37:28.639
<v Speaker 1>nothing that cannot be put quietly back. I watched them

748
00:37:28.639 --> 00:37:30.920
<v Speaker 1>tramping up and down the bank, whispering a little more

749
00:37:30.920 --> 00:37:34.559
<v Speaker 1>than usual, not out of secrecy, but respect Overtime townsfolks

750
00:37:34.559 --> 00:37:37.679
<v Speaker 1>seem more willing to speak wonder aloud. In the hairdressers

751
00:37:37.679 --> 00:37:40.400
<v Speaker 1>and the bakery people swap favorite canal tells how picnic

752
00:37:40.440 --> 00:37:42.599
<v Speaker 1>was rescued by an unbroken dry bank, how the water

753
00:37:42.679 --> 00:37:45.400
<v Speaker 1>always neither race, must start anan not a minute late.

754
00:37:46.159 --> 00:37:48.719
<v Speaker 1>The stories pile up, each adding a layer of meaning

755
00:37:48.760 --> 00:37:50.320
<v Speaker 1>to a place that our stone need to be noticed.

756
00:37:50.360 --> 00:37:53.920
<v Speaker 1>Quietly At home, I find myself newly attentive. Each his

757
00:37:54.039 --> 00:37:56.119
<v Speaker 1>of the kettle, eatriant tap on the window, every moment

758
00:37:56.199 --> 00:37:59.000
<v Speaker 1>silence beside the old canal now seems charged with possibility

759
00:37:59.039 --> 00:38:02.639
<v Speaker 1>in unoticed arrangement between world and mind. John laughs at me,

760
00:38:02.760 --> 00:38:05.599
<v Speaker 1>you'll have ghost tapping your kitchen pipes next. But I

761
00:38:05.599 --> 00:38:08.599
<v Speaker 1>don't mind. If there are ghosts here. They are ghosts

762
00:38:08.639 --> 00:38:12.920
<v Speaker 1>of patience, good work, and rare humility asterisk. When the

763
00:38:13.000 --> 00:38:15.559
<v Speaker 1>last of the excitement has faded, my relationship to the

764
00:38:15.599 --> 00:38:18.800
<v Speaker 1>canal changes in small but irretrievable ways. I walk the

765
00:38:18.800 --> 00:38:21.360
<v Speaker 1>bank at dusk, boots pressed into the familiar mad sticks

766
00:38:21.360 --> 00:38:24.599
<v Speaker 1>and new leaves dotting the surface. The canal's dependability is

767
00:38:24.639 --> 00:38:26.360
<v Speaker 1>come to feel less like a boast and more like

768
00:38:26.360 --> 00:38:28.639
<v Speaker 1>an invitation, one which asks nothing of me but my

769
00:38:28.719 --> 00:38:32.039
<v Speaker 1>curiosity and care. I think about my career, all those

770
00:38:32.119 --> 00:38:34.880
<v Speaker 1>years quating success with the magnitude of intervention. The wider

771
00:38:34.920 --> 00:38:37.280
<v Speaker 1>the we're, the steeper the spillway, the shereer the mark

772
00:38:37.280 --> 00:38:40.960
<v Speaker 1>of progress. Now, watching the old governor's working zecho in

773
00:38:41.000 --> 00:38:43.119
<v Speaker 1>the gentle circle sketched by insects on the water, I

774
00:38:43.159 --> 00:38:46.840
<v Speaker 1>feel humbled. This place is not monument, not a triumphal arch.

775
00:38:47.559 --> 00:38:50.519
<v Speaker 1>Its silence is the truest measure of its gift. Sunida

776
00:38:50.559 --> 00:38:54.039
<v Speaker 1>asks if my curiosity is satisfied. The question is teasing,

777
00:38:54.079 --> 00:38:58.559
<v Speaker 1>but sincere may no way, yes, I answer, not because

778
00:38:58.599 --> 00:39:00.960
<v Speaker 1>I know how or even why it works, but because

779
00:39:00.960 --> 00:39:03.400
<v Speaker 1>I see now how easily such marvels could be overlooked

780
00:39:03.519 --> 00:39:06.000
<v Speaker 1>or mistaken for luck, or hidden in routine, and how

781
00:39:06.079 --> 00:39:07.719
<v Speaker 1>rare it is to find an achievement, to find as

782
00:39:07.800 --> 00:39:09.599
<v Speaker 1>much by what it lets be as what it does.

783
00:39:10.199 --> 00:39:13.039
<v Speaker 1>Doctor Shower reports a month later that his hydrology models

784
00:39:13.039 --> 00:39:14.679
<v Speaker 1>still follow at the age of paradox, that nothing in

785
00:39:14.679 --> 00:39:16.760
<v Speaker 1>them fits with the system that self balances across so

786
00:39:16.840 --> 00:39:19.519
<v Speaker 1>much time, was so little and yet so much intervention.

787
00:39:20.199 --> 00:39:22.880
<v Speaker 1>I'm left with more questions than when I started, he confesses.

788
00:39:23.599 --> 00:39:26.880
<v Speaker 1>But that doesn't feel like defeat. With cessword voices what

789
00:39:26.920 --> 00:39:29.159
<v Speaker 1>none of us say openly. It's something to be proud of.

790
00:39:29.280 --> 00:39:31.719
<v Speaker 1>Isn't not knowing exactly, but trusting that we're part of

791
00:39:31.760 --> 00:39:34.679
<v Speaker 1>something well made, held but not tamed. The canal silence,

792
00:39:34.719 --> 00:39:36.920
<v Speaker 1>its lack of drama or catastrophe, becomes its own self

793
00:39:36.920 --> 00:39:40.239
<v Speaker 1>effacing claimed fame. I watched tourist photograph the locks and

794
00:39:40.280 --> 00:39:43.159
<v Speaker 1>anglers lining up at booths, skipping past the governor's story

795
00:39:43.199 --> 00:39:46.519
<v Speaker 1>for tales of miraculous luck. Sometimes I feel a pang,

796
00:39:47.079 --> 00:39:49.599
<v Speaker 1>but mostly I feel a quite kinship with the engineers

797
00:39:49.599 --> 00:39:51.840
<v Speaker 1>and odd balls who build this piece. Whoorist ambition for

798
00:39:51.880 --> 00:39:54.519
<v Speaker 1>the chance to be forgotten by design. I think often

799
00:39:54.559 --> 00:39:58.719
<v Speaker 1>of Polland's words, accompanist, not master. Perhaps all great achievements

800
00:39:58.719 --> 00:40:02.280
<v Speaker 1>begin its defiance, but at last listening. My routines continue

801
00:40:02.280 --> 00:40:06.639
<v Speaker 1>as before, heritage walks, fishing reports, weekly poster own canal curiosities,

802
00:40:07.199 --> 00:40:10.440
<v Speaker 1>But beneath it everything has subtly changed. I walk the

803
00:40:10.480 --> 00:40:15.280
<v Speaker 1>boundary between knowing and wondering, grateful for both. Asterisk. One evening,

804
00:40:15.320 --> 00:40:17.519
<v Speaker 1>the air is honeyed with the promise of rain. I

805
00:40:17.559 --> 00:40:20.280
<v Speaker 1>stand beside the lock, thermis in hand, watching a single

806
00:40:20.320 --> 00:40:23.760
<v Speaker 1>leaf spiral lazily to the water's edge. A kingfisher darts

807
00:40:23.760 --> 00:40:26.960
<v Speaker 1>blue green over the mirrored calm on the opposite bank.

808
00:40:27.079 --> 00:40:30.079
<v Speaker 1>A child's hesitant laugh floats across the leaf, paralleling her steps.

809
00:40:30.760 --> 00:40:33.599
<v Speaker 1>The water, as ever, is steady, neither urging nor resisting,

810
00:40:33.840 --> 00:40:36.679
<v Speaker 1>but meeting the world exactly halfway. I lean over the

811
00:40:36.679 --> 00:40:39.639
<v Speaker 1>parapet and watch the leaf right is current, perfectly, inevitably

812
00:40:39.719 --> 00:40:42.079
<v Speaker 1>in time. It occurs to me, if one canal can

813
00:40:42.199 --> 00:40:44.480
<v Speaker 1>keep its own impossible rhythm for two hundred years, how

814
00:40:44.519 --> 00:40:46.840
<v Speaker 1>many other wonders are hidden, not in thunder or spectacle,

815
00:40:47.000 --> 00:40:50.719
<v Speaker 1>but in a quiet refusal of chaos. How many invisible harmonies,

816
00:40:50.800 --> 00:40:53.199
<v Speaker 1>patient and gentle slip through our days simply because we're

817
00:40:53.280 --> 00:40:55.800
<v Speaker 1>used to calling them normal. The canal hums its answer

818
00:40:55.840 --> 00:40:58.280
<v Speaker 1>in silence, and I find myself smiling, lit from with

819
00:40:58.320 --> 00:41:00.639
<v Speaker 1>him by curiosity that for a once asks nothing of

820
00:41:00.679 --> 00:41:04.280
<v Speaker 1>me but to keep wondering. And that is the end.

821
00:41:05.000 --> 00:41:06.760
<v Speaker 1>Thank you for listening, and I will see you in

822
00:41:06.760 --> 00:41:10.719
<v Speaker 1>the next one,
