WEBVTT

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<v Speaker 1>And I'm Ryan and we are Love Spirals.

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<v Speaker 2>So welcome to Jill Have Loved Spirals Episode ninetety six

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<v Speaker 2>for June first, twenty twenty five. We did mean to

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<v Speaker 2>get this out last week, but things got crazy.

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<v Speaker 1>Yeah, here we are, all right. So the big news

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<v Speaker 1>we want to share with you is our brand new single,

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<v Speaker 1>boss Mode is out now and all streaming platforms ever

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<v Speaker 1>We got Spotify, Apple Music, YouTube, Amazon Title and others,

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<v Speaker 1>so check it out. It's also on both of our

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<v Speaker 1>band accomp pages, Love Spirals and Love Spirals Dowards if

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<v Speaker 1>you want to purchase it and download it in any

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<v Speaker 1>kind of lossy or lossless format in store forever on

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<v Speaker 1>your hard drives and stuff. Anyway, we're really excited to

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<v Speaker 1>get this song out. It's actually a song that we

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<v Speaker 1>started a few years ago and it hadn't promised, but

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<v Speaker 1>it didn't kind of cash out the way I wanted,

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<v Speaker 1>so I just kind of left it and like we

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<v Speaker 1>pulled it up maybe like last fall, and I go, hey,

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<v Speaker 1>you know, I think, let me just kind of rework

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<v Speaker 1>the song, kind of start from scratch, but keep the

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<v Speaker 1>basic structure of it, the basic elements. And yeah, and

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<v Speaker 1>this is what we got now and this is yeah,

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<v Speaker 1>this is the one. This is what I wish I

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<v Speaker 1>could have figured out how to make a couple of

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<v Speaker 1>years ago. But I guess I've gotten a little more

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<v Speaker 1>wiser and a.

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<v Speaker 2>Little more sure. We've been working on that long.

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<v Speaker 1>Yeah, yeah, yeah, it's like a couple of years ago.

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<v Speaker 2>Way, yeah, yeah, I can go back and pull out

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<v Speaker 2>the date for you later on. Well, I actually want

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<v Speaker 2>to know, So, okay, I'm gonna go look right now,

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<v Speaker 2>kind of receipts.

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<v Speaker 1>So I just unlooked on my computer drive and I

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<v Speaker 1>see some old saves of it from the old version

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<v Speaker 1>from twenty twenty three, and you know, I started the song.

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<v Speaker 1>We started the song before that, even so, just like

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<v Speaker 1>we've been working on it for a while.

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<v Speaker 2>Wow, time must be freaking flying. How Yeah, the song's

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<v Speaker 2>been in the work since twenty twelve.

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<v Speaker 1>Well, we made a bunch of other songs since then,

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<v Speaker 1>like moving On and Be the Same and so on

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<v Speaker 1>and so forth.

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<v Speaker 2>Okay, so this was part of that song cycle, the Newmanon.

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<v Speaker 1>It was kind of the start of that. But I

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<v Speaker 1>think we really found our sound after I told you.

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<v Speaker 1>After that we did that the Saint Love Remix for

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<v Speaker 1>All Electronico. Then we got newman on everything going, and

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<v Speaker 1>once we got the flow and moment of the of

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<v Speaker 1>the production styles of that, I was able to, I

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<v Speaker 1>think give Boss Mode like the proper treatment.

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<v Speaker 2>Wait are you saying Boss Moone got started even before

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<v Speaker 2>the remix of an Electronica? Yeah?

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<v Speaker 1>I think so. Yeah, I'm pretty sure, pretty sure.

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<v Speaker 2>Okay, the only receipt that I had that, the only

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<v Speaker 2>thing that I could really was, like, we did like

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<v Speaker 2>the second pass of my new vocals on my birthday

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<v Speaker 2>in February, because I know I played a little clip

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<v Speaker 2>of that either the last episode or the episode before we.

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<v Speaker 1>Had vocals back in November or twenty twenty were gone

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<v Speaker 1>now completely.

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<v Speaker 2>I know you're saying that it was in fall that

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<v Speaker 2>we started this, you started the new music, I guess.

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<v Speaker 1>Something like that somewhere thereabouts. Yeah, like a year later

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<v Speaker 1>almost or something.

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<v Speaker 2>Yeah, I mean we did get most of the way

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<v Speaker 2>through the vocals on that initial version, and I was like,

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<v Speaker 2>it was I think the key was higher because it

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<v Speaker 2>was like really difficult to sing, and.

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<v Speaker 1>I remember, oh, yeah, I think we did change that.

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<v Speaker 2>Yeah. I'm actually really glad that we really chilled it out.

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<v Speaker 1>Yeah, we chilled it out a lot. Yeah, we learned,

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<v Speaker 1>we get better like we try. We're actually still even

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<v Speaker 1>though we're old, we're still trying to improve our craft.

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<v Speaker 2>Yeah, definitely.

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<v Speaker 1>I think the most distinct feature of this song compared

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<v Speaker 1>to our past view is this one's a little happier

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<v Speaker 1>as far as both the keys of the song, you know,

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<v Speaker 1>the chorus and and the like the bpm. Just for us,

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<v Speaker 1>it's happier. For any other band would be like their

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<v Speaker 1>saddest song of all kinds.

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<v Speaker 2>I don't know, but we can't really say how sad

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<v Speaker 2>other people's music is.

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<v Speaker 1>But for us, Yeah, yeah, sorry for you. You have your

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<v Speaker 1>first time doing what's no one in the industry is

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<v Speaker 1>melodic rapping just a little man.

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<v Speaker 2>Well, you know, I kind of had a brief for

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<v Speaker 2>into the idea of a melodic crap, like I would

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<v Speaker 2>say on that Antibe on the Antib's solo. Yeah, yeah,

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<v Speaker 2>there's that house song.

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<v Speaker 1>It wasn't that melodic, You're more talking.

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<v Speaker 2>It was kind of I was a little bit more

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<v Speaker 2>like a spoken word divided by the seasons. It's more

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<v Speaker 2>spoken words, it's the reasons and whatever.

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<v Speaker 1>So I've never rapped before. This is the first time

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<v Speaker 1>doing melodic rapping, which I have to admit I've fallen

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<v Speaker 1>in love with on that style of rapping from a

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<v Speaker 1>lot of the K pop we've been listening to over

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<v Speaker 1>the years.

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<v Speaker 2>Oh well, especially recently, we moved really into this band

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<v Speaker 2>called x G and they're they're pretty rap focused, but

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<v Speaker 2>also with these really great like soulful and ethereal vocals.

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<v Speaker 2>Like so not that when I'm doing sounds anything like

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<v Speaker 2>x G, but we were kind of thinking about we

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<v Speaker 2>were kind of thinking about moss AX when we're putting

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<v Speaker 2>the song together.

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<v Speaker 1>Yeah, this sounds.

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<v Speaker 2>Sounds so silly, but I was kind of thinking about

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<v Speaker 2>XO on the first version. Yeah, then I was kind

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<v Speaker 2>of thinking more about moss X on the second one.

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<v Speaker 2>And so hung one is like he's kind of like

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<v Speaker 2>what like a lead vocalist, which is like a vocalist

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<v Speaker 2>that kind of comes in at the beginning of a

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<v Speaker 2>song and like we'll maybe lead into a chorus or something.

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<v Speaker 1>He's my favorite singer, and he's got.

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<v Speaker 2>A really breathy, ethereal sound that kind of a light touch.

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<v Speaker 1>It doesn't he belt it out or anything, just soft

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<v Speaker 1>just it's just it's so sexy. I say that as

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<v Speaker 1>a man yeah.

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<v Speaker 2>So it's like, how can I bring some of that

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<v Speaker 2>hyung Wan vibe into my vocals?

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<v Speaker 1>You know this?

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<v Speaker 2>Okay, there is one thing.

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<v Speaker 1>I want to tell that I can't imagine.

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<v Speaker 2>Okay. So so we had the song and then we're like, oh,

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<v Speaker 2>what are we going to do? And like the breakdown? Yeah, Weirdly,

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<v Speaker 2>we were like driving down the freeway and I was like,

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<v Speaker 2>what if we did some sort of like a wrap

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<v Speaker 2>in the in the breakdown?

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<v Speaker 1>I don't know what.

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<v Speaker 2>Yeah. So I actually I was writing the lyrics into

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<v Speaker 2>my phone right there, like as we're driving down there.

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<v Speaker 2>I'm driving, Yeah, he's driving. I'm just passenger, and you know,

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<v Speaker 2>so it's just like a little short thing. And I

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<v Speaker 2>was like, what if you tried to do the rap?

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<v Speaker 2>Oh yeah, yeah, I remember that.

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<v Speaker 1>Yeah, actually, yeah, I give it a shot. I kind

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<v Speaker 1>of came up with some of the rhythm which kind

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<v Speaker 1>of a little bit remained in what you did, not

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<v Speaker 1>saying I wrote it or anything, but some of the

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<v Speaker 1>rhythm still elements still exist in there. But I just

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<v Speaker 1>didn't like my tone that much and you made it

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<v Speaker 1>better was going to be my mine didn't fit the part,

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<v Speaker 1>Like I couldn't go fast enough to get all the

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<v Speaker 1>lines to fit in that bit. But you nailed it,

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<v Speaker 1>and then your tone sounds way better than mine. I

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<v Speaker 1>just wonder I've never done it before. I wanted you

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<v Speaker 1>sound like Travis Scott or something.

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<v Speaker 2>I don't want to some effects on.

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<v Speaker 1>Yah, well I sound like I am for Monster Eggs.

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<v Speaker 1>I don't know, it's just.

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<v Speaker 2>Checking out recording.

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<v Speaker 1>It's get really.

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<v Speaker 2>I tried to sneak a little bit of into the mix,

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<v Speaker 2>but I think you took it back out again, but

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<v Speaker 2>I probably do. Yeah. So I was like, I was like, oh,

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<v Speaker 2>I was like, oh, why don't you try it like this?

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<v Speaker 2>So I was like I was kind of like showing

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<v Speaker 2>how do you do it? You're already doing.

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<v Speaker 1>It, so yeah, and you're the vocalist. Sounds good. I

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<v Speaker 1>just wanted to see what I would sound like. But

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<v Speaker 1>I didn't like my tone. You know, maybe it's just

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<v Speaker 1>I'm not used to singing and rapping and stuff like that.

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<v Speaker 1>You know, maybe I could improve that, but yeah, you

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<v Speaker 1>already got it down. You sounded great. Yeah.

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<v Speaker 2>Yeah, So I kind of wrote it like thinking, and

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<v Speaker 2>I was kind of thinking of like a guy doing

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<v Speaker 2>the round. So that's me. I mean, that's not why

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<v Speaker 2>I wrote about video game stuff, cause I actually really

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<v Speaker 2>like playing video games.

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<v Speaker 1>But so we went for some of the once the

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<v Speaker 1>wraps down in production, we went to some of the

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<v Speaker 1>like the classic effects you hear on melodic rap, like

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<v Speaker 1>more hard tuning and some format shifting here and there

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<v Speaker 1>to give it that polish and be sounding great with

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<v Speaker 1>that too.

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<v Speaker 2>I think you had a little more hardcore at one point,

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<v Speaker 2>but I was like, oh, it's kind of taken away

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<v Speaker 2>from some of the performances back, but I.

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<v Speaker 1>Found a nice sweet spot. I kind of guess it.

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<v Speaker 2>Doesn't stick out in the songs. I can hear it,

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<v Speaker 2>but it's not like crazy yeah yeah, oh that reminds me.

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<v Speaker 2>I forgot that. We've got some comments that we'll share

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<v Speaker 2>with you guys later. All right, I'm just going to

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<v Speaker 2>share the comments with you now. So, so we had

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<v Speaker 2>some a few comments on Instagram. I'm going to share

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<v Speaker 2>as well some on YouTube. We'll start with Instagram. So

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<v Speaker 2>Crystal said amazing, spectacular, beautiful work. Sounds like hashtag s

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<v Speaker 2>O T Y. And I was like, wait, what is

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<v Speaker 2>that what? I was like, wait, that sounds familiar, and

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<v Speaker 2>I realized song of the Year, Song of the Year.

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<v Speaker 1>Awesome it remains still a little earlier.

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<v Speaker 2>It's so nice. Yeah, I love that, And Dispenser said,

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<v Speaker 2>new album when awesome.

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<v Speaker 1>We'll get it. We'll compile an album together and put

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<v Speaker 1>a few new songs on it. But yeah, we're getting there.

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<v Speaker 2>Yeah, And that was actually echoed by a guy named

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<v Speaker 2>Ron on YouTube.

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<v Speaker 1>He also the album yeah just quickly. Yeah, we don't

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<v Speaker 1>put out albums like we used to because I don't

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<v Speaker 1>like waiting three four plus years in between coming out

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<v Speaker 1>and seeing you guys. You know, it seems like we've disappeared.

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<v Speaker 1>The whole world changes in that amount of times, so

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<v Speaker 1>new cycles and people's attentions. Man, we got to get

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<v Speaker 1>music out regularly, and I think it's you good.

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<v Speaker 2>Have to feed the algorithm.

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<v Speaker 1>I think that's good for us not to get lazy.

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<v Speaker 1>I think it keeps us on us too, and keeps

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<v Speaker 1>us working on music a lot. So yeah, we're trying

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<v Speaker 1>to do roughly one song a month. We kind of

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<v Speaker 1>hit it pretty close.

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<v Speaker 2>I wanted to do one song and one one podcast

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<v Speaker 2>per month, but here we are. We missed the podcast

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<v Speaker 2>last month, but at least we had a brand new song.

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<v Speaker 1>But back to the album. Yeah, we think we'll get

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<v Speaker 1>to a certain point. We'll put all these songs that

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<v Speaker 1>haven't seen and been on an album yet, put them

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<v Speaker 1>all together and released a couple of new songs and

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<v Speaker 1>put out an album. So that's where we're at with that.

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<v Speaker 2>Okay, So oh, speaking of YouTube, so we also I

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<v Speaker 2>think this was a third time in a row that

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<v Speaker 2>we did a visualizer lyric video for the song. This

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<v Speaker 2>time I used a different effect, so it's kind of

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<v Speaker 2>a cool graph again. And I went and I used

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<v Speaker 2>a lot of different fonts and whatnot. So that's up

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<v Speaker 2>on YouTube.

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<v Speaker 1>Effect over my album cover photo once again.

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<v Speaker 2>Yeah, let's talk about it. Let's talk about your album cover.

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<v Speaker 1>A lot of the album covers of our past year

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<v Speaker 1>or two have been from weird stuff I've done. Big

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<v Speaker 1>exception was not myself, right, that was one of your

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<v Speaker 1>photos right, let me see now myself.

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<v Speaker 2>Yeah, it was some flowers that I had taken. And

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<v Speaker 2>then the call VIP mix. We reused the same yamage

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<v Speaker 2>from Susan Jennings from the original original.

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<v Speaker 1>But other than that, yeah, they've all been these weird,

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<v Speaker 1>like blurry, smeary color photographs I like doing for a

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<v Speaker 1>while and often, yeah, you'll do some touch or production

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<v Speaker 1>post production, Yeah, which I did.

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<v Speaker 2>I did a little post production work and I had

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<v Speaker 2>to you know, figure out which which part of the

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<v Speaker 2>picture looked best in a square and then get a

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<v Speaker 2>little font on there. But yeah, once again, Ryan's our photographer.

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<v Speaker 1>On I'll share the exact location, but in case you

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<v Speaker 1>might be one and what the hell is going on

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<v Speaker 1>with that cover? There's this really just colorful, trippy looking

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<v Speaker 1>parking lot. Sometimes it's not as cool looking now they

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<v Speaker 1>put more bright white overhead lights. It's kind of down

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<v Speaker 1>all the colors. You know, it's less colorful now. But

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<v Speaker 1>I got it like last year and it's so it's

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<v Speaker 1>a it's a trippy, weird parking lot.

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<v Speaker 2>I posted a lot of indoor selfies and photos of

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<v Speaker 2>the two of us in that parking lot when it

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<v Speaker 2>had when it was like had so much blue light.

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<v Speaker 2>I think a lot of people it's kind of like

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<v Speaker 2>there's like a roundabout type of thing, and I think

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<v Speaker 2>a lot of bring their sports cars in there and

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<v Speaker 2>take photos.

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<v Speaker 1>Yeah, I think so too. I think that's the purpose,

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<v Speaker 1>not for weird dream gazer or dream gazer. That's what

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<v Speaker 1>we happen to me.

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<v Speaker 2>It is a parking lot for the I don't say where.

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<v Speaker 1>Well, a club okay, yeah, there is a nightclub there

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<v Speaker 1>amongst other things.

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<v Speaker 2>Yeah, so we've seen bands there.

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<v Speaker 1>Yeah, we'd like to keep our privacy a little bit,

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<v Speaker 1>that's why.

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<v Speaker 2>A little time. But we did go through that parking

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<v Speaker 2>garage with our friends the other day and then we're like, oh,

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<v Speaker 2>oh is this familiar?

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<v Speaker 1>This I'll cover okay, just to decide about that. Yeah, totally.

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<v Speaker 1>So yeah, you still got more.

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<v Speaker 2>Oh, there's a couple of comments on the.

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<v Speaker 1>Sorry to derail that, guys.

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<v Speaker 2>Yeah, we're just we're just yeap and.

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<v Speaker 1>Yeah, that's what we do here.

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<v Speaker 2>Let's see. So of course restless mosaic, yeah, brand Yeah,

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<v Speaker 2>he left a big comment, so let's see. So many

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<v Speaker 2>of the genres that have mattered to me over the years,

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<v Speaker 2>like proud rock, nineties electronica, and post rock, started with

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<v Speaker 2>trailblazers and then continued with artists content to walk the

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<v Speaker 2>trails instead of being inspired to keep making trails, You've

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<v Speaker 2>continued to explore where your sounds in interest. Sleep Love

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<v Speaker 2>Sparals has more creative vitality at age twenty five than

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<v Speaker 2>most people do at age twenty five.

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<v Speaker 1>The band's twenty five not but yeah, we're fifty seven.

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<v Speaker 2>Yeah, that's for sure.

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<v Speaker 1>Oh cool, thanks Bren. Yeah, it's really thoughtful, Bran, I

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<v Speaker 1>appreciate that. Yeah, I mean it's just how I'm wired

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<v Speaker 1>and ANGI too. You know, we're like, you know, like

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<v Speaker 1>we're always looking for inspiration. You know, some of them

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<v Speaker 1>comes from the past, like our own music and music

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<v Speaker 1>from others, and then we're still like finding fortunately, thank Heavens,

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<v Speaker 1>like inspiration for modern music. And it's given me new ideas,

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<v Speaker 1>not to like hop genres or anything that said, but

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<v Speaker 1>how to incorporate like well I never thought to process

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<v Speaker 1>a vocal like that or compose of something like that,

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<v Speaker 1>so or how to arrange chords like that or anyway.

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<v Speaker 1>So it's taken ideas from others genres bring it to ours,

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<v Speaker 1>and I say, the secret sauce for us, no surprise,

300
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<v Speaker 1>has been listening to a lot of Koreat music, k

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<v Speaker 1>Indi and k pop, not just anything, you know, but

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<v Speaker 1>you know we're finding like certain bands, certain songs just

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<v Speaker 1>are just amazing.

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<v Speaker 2>Absolutely. You know. It's funny. I was looking at some

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<v Speaker 2>old fancies and I found an interview that I had

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<v Speaker 2>done back in ninety four, before we were even making music.

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<v Speaker 2>Together with my old band. In the interview, I said

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<v Speaker 2>something that I still stand by one hundred percent today,

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<v Speaker 2>So I said, we aren't a part of anyone underground movement.

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<v Speaker 2>We flip from circle to circle, participating in whatever seems interesting.

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<v Speaker 2>We like many styles of music, and our music reflects

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<v Speaker 2>all of their influences. So we couldn't fit into a

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<v Speaker 2>tidy niche.

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<v Speaker 1>Yeah, just like what we like and yeah, but we

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<v Speaker 1>still have our core sound. We just bring other elements

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<v Speaker 1>in our course. Like right before we started filming this,

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<v Speaker 1>I was listening to a band I've just been going

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<v Speaker 1>nuts over this year in mix a song Know about Me.

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<v Speaker 1>You know I both love it. We heard all time,

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<v Speaker 1>tons of time the car stir out in the living

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<v Speaker 1>room Star. I don't think I really pulled it up

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<v Speaker 1>on the studio before. I'm going holy crap. There's just

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<v Speaker 1>so much cool stuff going on with the vocals there.

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<v Speaker 1>I would give a finger to be able to like process.

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<v Speaker 1>I would to be able to process vocals like what's

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<v Speaker 1>going on there?

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<v Speaker 2>You know?

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<v Speaker 1>Yeah, But I'll never be that good, I understand it.

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00:13:59.799 --> 00:14:01.960
<v Speaker 1>I'm honest about myself. But I can learn and try

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<v Speaker 1>to do some stuff with your vocals. That's kind of

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<v Speaker 1>like that. I'll never make it sound like what's going

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00:14:06.799 --> 00:14:09.440
<v Speaker 1>on there. Yeah, but they'll never sound like us, or

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00:14:09.480 --> 00:14:11.440
<v Speaker 1>they'll never get all those dream pop things going on

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<v Speaker 1>either unless we collaborate. Listening in Max, let's work together.

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00:14:14.679 --> 00:14:15.840
<v Speaker 1>It just drop us an email.

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<v Speaker 2>Wow. Yeah, okay, speaking of which, going back to the

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00:14:19.399 --> 00:14:23.519
<v Speaker 2>sound of Boss Mode, Yeah, the guitar is so pretty

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<v Speaker 2>and dream pop on that song.

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<v Speaker 1>Well that's me even though.

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<v Speaker 2>Really there's nothing else. I wouldn't say there's anything else

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00:14:28.440 --> 00:14:31.879
<v Speaker 2>about the song that really seems like dream but well

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00:14:31.879 --> 00:14:36.000
<v Speaker 2>maybe a little bit of the fuck. But uh, I

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00:14:36.000 --> 00:14:39.879
<v Speaker 2>don't know what genre it would fit in. Yeah, I

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00:14:39.919 --> 00:14:40.799
<v Speaker 2>have so much trouble.

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<v Speaker 1>Quantum comment down below if you have an obvious.

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<v Speaker 2>Genre, because I need help because I'm like, I guess

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00:14:47.440 --> 00:14:50.159
<v Speaker 2>we're indie pop, Like that's the closest thing that I

348
00:14:50.200 --> 00:14:51.000
<v Speaker 2>can come up with.

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00:14:51.039 --> 00:14:54.279
<v Speaker 1>But then we're very electronic too, with all the electronic drums, and.

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00:14:54.399 --> 00:14:58.120
<v Speaker 2>Yeah, indie pop can't includes electronic. It's like it can

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00:14:58.159 --> 00:15:01.080
<v Speaker 2>be electronica rock blah blah blah. Really, you know, the

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00:15:01.159 --> 00:15:03.639
<v Speaker 2>names of the genres changed so rapidly, Like yeah, looking

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<v Speaker 2>at you know this fanzine from ninety four. Like we

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00:15:06.120 --> 00:15:09.639
<v Speaker 2>used to say that alternative music was like music that

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<v Speaker 2>you wouldn't hear on the radio, and then alternative became

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<v Speaker 2>a style of music radio.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, I used to be called college college. Yeah, and

359
00:15:20.799 --> 00:15:22.960
<v Speaker 2>anyone says anymore, like Pearl.

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00:15:22.720 --> 00:15:25.720
<v Speaker 1>Jam considered alternative rock made, I'm not sure. I know

361
00:15:25.759 --> 00:15:27.960
<v Speaker 1>they are gruns, but oh yeah, I don't know. It's

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<v Speaker 1>all confusing.

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<v Speaker 2>It's all very confusing. But the thing is that when

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<v Speaker 2>you distribute your music and the okay, so that's the thing.

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<v Speaker 2>I was like, this, this song is a little bit

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<v Speaker 2>too far outside of our like the dream pop shoegaze

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<v Speaker 2>connections that I've kind of made.

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<v Speaker 1>So you didn't bother contacting that I didn't.

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<v Speaker 2>I didn't service anybody. Plus life was crazy, you know,

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<v Speaker 2>and it was like it was a major holiday the

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<v Speaker 2>weekend on our song.

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<v Speaker 1>Yeah. Now, even though you didn't contact the dream pop

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<v Speaker 1>people and you say they started playing.

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<v Speaker 2>It, Yeah, I was alight. I was so surprised and delighted.

375
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<v Speaker 2>I didn't contact one single soul about the song, and

376
00:16:01.919 --> 00:16:06.600
<v Speaker 2>yet the White Light White Heat blog they put us

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00:16:06.600 --> 00:16:11.039
<v Speaker 2>on the weekly shoegaze, dream pops Psychedelia. I think they

378
00:16:11.039 --> 00:16:12.960
<v Speaker 2>call it playlist, but it's really just like you can

379
00:16:13.080 --> 00:16:14.960
<v Speaker 2>click all the links through the band camp and check

380
00:16:15.000 --> 00:16:17.159
<v Speaker 2>it out with like a little description of who we are.

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<v Speaker 2>They even included neo soul the description of us, because yeah,

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00:16:20.559 --> 00:16:22.039
<v Speaker 2>that's you know, this song has got a little bit

383
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<v Speaker 2>of neo So yeah, I don't know if you.

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<v Speaker 1>Put that in the verbiage, but I always thought, yeah,

385
00:16:25.480 --> 00:16:29.919
<v Speaker 1>boss Mode, Yes, it's our our take, one of our

386
00:16:29.960 --> 00:16:32.320
<v Speaker 1>We've done it a few times, our current take on

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00:16:32.399 --> 00:16:35.080
<v Speaker 1>a neo soul type of sound. Yeah.

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00:16:35.279 --> 00:16:37.679
<v Speaker 2>Yeah, Like for me, this song, it kind of is

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00:16:37.679 --> 00:16:41.159
<v Speaker 2>in the lineage of like the Life goes On, like

390
00:16:41.200 --> 00:16:44.559
<v Speaker 2>the you know, the title track, Yeah, and which that

391
00:16:44.600 --> 00:16:46.799
<v Speaker 2>one's song to me sounds a little more Jamison and

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00:16:46.840 --> 00:16:50.240
<v Speaker 2>then a little bit like what's the lot of smile?

393
00:16:50.480 --> 00:16:51.200
<v Speaker 2>Why not today?

394
00:16:51.240 --> 00:16:51.840
<v Speaker 1>Why not today?

395
00:16:51.919 --> 00:16:54.080
<v Speaker 2>Yeah, it's that kind of soul for us.

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00:16:54.279 --> 00:16:57.919
<v Speaker 1>That's we have a brand new song that'll be the

397
00:16:57.960 --> 00:17:00.720
<v Speaker 1>next one. We haven't got your folks on it because

398
00:17:00.879 --> 00:17:04.960
<v Speaker 1>life's been really weird, But as far as it stands instrumentally,

399
00:17:05.079 --> 00:17:07.000
<v Speaker 1>it's still I think it too is kind of leaning

400
00:17:07.039 --> 00:17:09.079
<v Speaker 1>more towards the neo Sultan. Can't wait to see what

401
00:17:09.079 --> 00:17:10.680
<v Speaker 1>happens once we get some vocals on it.

402
00:17:10.799 --> 00:17:14.160
<v Speaker 2>You know, I think I have one other comment on YouTube.

403
00:17:13.839 --> 00:17:16.559
<v Speaker 1>Again when we say Neil, So it's very you know,

404
00:17:16.759 --> 00:17:19.440
<v Speaker 1>not specifically, it's still going to have our weird you

405
00:17:19.480 --> 00:17:22.319
<v Speaker 1>know love spirals, you know, stuff that no one else

406
00:17:22.359 --> 00:17:22.839
<v Speaker 1>really does.

407
00:17:22.960 --> 00:17:26.319
<v Speaker 2>Remember, there was another guy on YouTube who had said

408
00:17:26.359 --> 00:17:29.079
<v Speaker 2>that he liked the song, but he said he said

409
00:17:29.079 --> 00:17:30.960
<v Speaker 2>it remind him a little bit more of his favorite song,

410
00:17:31.440 --> 00:17:33.200
<v Speaker 2>Not Myself, and he hopes there's going to be more

411
00:17:33.279 --> 00:17:36.000
<v Speaker 2>songs like not Myself, which, yeah, I think we might

412
00:17:36.039 --> 00:17:36.559
<v Speaker 2>like to do something.

413
00:17:37.920 --> 00:17:38.880
<v Speaker 1>Yeah, totally.

414
00:17:39.039 --> 00:17:44.920
<v Speaker 2>Yeah, that was really fun and it's been so well received.

415
00:17:45.119 --> 00:17:48.799
<v Speaker 1>Yeah, it's like the most streamed of our newest button bash.

416
00:17:49.160 --> 00:17:50.759
<v Speaker 2>I didn't write down any facts on that.

417
00:17:50.720 --> 00:17:53.519
<v Speaker 1>One, but I just remember it's the most streams of

418
00:17:53.559 --> 00:17:56.920
<v Speaker 1>the newest songs. Yeah. I thought something interesting one insting

419
00:17:56.960 --> 00:18:00.279
<v Speaker 1>fact loss mode on your voice. Yeah, it's seat of

420
00:18:00.279 --> 00:18:03.240
<v Speaker 1>our normal reverb on it, it's a more modern one,

421
00:18:03.359 --> 00:18:07.200
<v Speaker 1>a hardware reverb. I put my old vintage P seventy

422
00:18:07.440 --> 00:18:09.240
<v Speaker 1>on your voice. I mean it might be on it

423
00:18:09.279 --> 00:18:10.799
<v Speaker 1>on a little bit on other songs, but it was

424
00:18:10.839 --> 00:18:13.920
<v Speaker 1>the main one for your drivice. Yeah, seventy.

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00:18:13.920 --> 00:18:16.680
<v Speaker 2>It was like what all our the previous albums pretty much.

426
00:18:16.960 --> 00:18:19.720
<v Speaker 1>Yeah, I got it like serviced again and it's running.

427
00:18:19.759 --> 00:18:23.319
<v Speaker 1>It was a little fun perfectly. I could get it work,

428
00:18:23.359 --> 00:18:24.599
<v Speaker 1>and it was kind of pain the ass when I

429
00:18:24.640 --> 00:18:27.279
<v Speaker 1>was working pretty much like brand new and Yeah, I

430
00:18:27.359 --> 00:18:30.279
<v Speaker 1>just I didn't think our modern one was like given

431
00:18:30.400 --> 00:18:33.440
<v Speaker 1>enough color and thickness. So I tried to PM seventy

432
00:18:33.480 --> 00:18:35.160
<v Speaker 1>and I thought it was pretty nice. You came in,

433
00:18:35.359 --> 00:18:38.400
<v Speaker 1>you didn't complain a bit, so well it Yeah, that's great.

434
00:18:40.000 --> 00:18:44.640
<v Speaker 2>And we do a lot of work on the vocal production. Yeah, yeah,

435
00:18:44.680 --> 00:18:47.960
<v Speaker 2>because this one was tough to get because we kind

436
00:18:47.960 --> 00:18:50.480
<v Speaker 2>of have two main vocals going through it. One that's

437
00:18:50.559 --> 00:18:52.640
<v Speaker 2>like kind of a little lower and then then there's

438
00:18:52.680 --> 00:18:56.640
<v Speaker 2>like a set of high ones and getting those getting

439
00:18:56.640 --> 00:18:59.799
<v Speaker 2>those that they all we're together.

440
00:18:59.559 --> 00:19:02.839
<v Speaker 1>And separate balance naturally when you when you hear it,

441
00:19:02.839 --> 00:19:04.559
<v Speaker 1>you shouldn't think about, oh, there's two voys. I just

442
00:19:04.559 --> 00:19:06.279
<v Speaker 1>want to hear it kind of is one. Yeah.

443
00:19:06.359 --> 00:19:09.680
<v Speaker 2>Yeah, we did a lot of finessing. Yeah, I really

444
00:19:09.720 --> 00:19:12.440
<v Speaker 2>like how it turned out. Yeah, and boy it came.

445
00:19:12.599 --> 00:19:15.319
<v Speaker 2>It's come a long way since I version we did.

446
00:19:15.680 --> 00:19:18.000
<v Speaker 2>I don't think I've Sometimes I go back and like

447
00:19:18.039 --> 00:19:20.799
<v Speaker 2>to share demos of earlier versions. Probably not No, that.

448
00:19:20.759 --> 00:19:25.119
<v Speaker 1>One will forever remain here on you, not to be released.

449
00:19:25.359 --> 00:19:28.079
<v Speaker 2>Well, since we were talking about stats on Spotify, I've

450
00:19:28.119 --> 00:19:30.880
<v Speaker 2>got some of those here all right. So yeah, I

451
00:19:30.920 --> 00:19:32.839
<v Speaker 2>remember the last time we did a podcast, we did

452
00:19:32.839 --> 00:19:34.920
<v Speaker 2>it like two or three days after the song came out,

453
00:19:34.920 --> 00:19:36.640
<v Speaker 2>so I didn't really have any stats. So this time

454
00:19:36.640 --> 00:19:37.680
<v Speaker 2>we've had a full which is.

455
00:19:37.599 --> 00:19:39.960
<v Speaker 1>Cool to wait a little bit. Yeah, over a week, week.

456
00:19:39.880 --> 00:19:42.079
<v Speaker 2>Over a week, so I mean we are a very

457
00:19:42.119 --> 00:19:44.160
<v Speaker 2>small time but yet for us, we get excited about

458
00:19:44.200 --> 00:19:47.039
<v Speaker 2>these kinds of numbers. So we've had we're we're just

459
00:19:47.079 --> 00:19:50.920
<v Speaker 2>approaching seven thousand streams of voss Wode on Spotify.

460
00:19:51.240 --> 00:19:53.880
<v Speaker 1>Yeah, and it's consistent. It's not like falling off a

461
00:19:53.920 --> 00:19:56.240
<v Speaker 1>cliff or anything like that. It's it's rolling in nice.

462
00:19:56.279 --> 00:19:58.720
<v Speaker 1>I remember from checking those stats and.

463
00:19:58.720 --> 00:20:01.200
<v Speaker 2>I was really happy, Like for a thousand people like

464
00:20:01.279 --> 00:20:03.519
<v Speaker 2>put the heart to they call it a save, but

465
00:20:03.559 --> 00:20:07.799
<v Speaker 2>it's like when you put a heart on and it's

466
00:20:07.960 --> 00:20:10.960
<v Speaker 2>banana to is seven hundred and eleven playlists, Yeah, which

467
00:20:10.960 --> 00:20:11.720
<v Speaker 2>makes me so happy.

468
00:20:11.759 --> 00:20:13.720
<v Speaker 1>Yeah. Usually it's not rare for us to get over

469
00:20:13.759 --> 00:20:17.000
<v Speaker 1>a thousand playlists ads, so it's on its way. Yeah.

470
00:20:17.240 --> 00:20:19.279
<v Speaker 2>Oh and here I was looking at like the top,

471
00:20:19.519 --> 00:20:24.599
<v Speaker 2>like the top listener bases. Our top city is Toronto, yeah, drake,

472
00:20:26.240 --> 00:20:33.000
<v Speaker 2>and followed by Melbourne, Melbourne, and then La Brooklyn and Copenhagen.

473
00:20:33.160 --> 00:20:35.839
<v Speaker 1>Oh, Copenhagen, I know, surprising.

474
00:20:35.480 --> 00:20:38.440
<v Speaker 2>Right yeah yeah, but even with all those, even with

475
00:20:38.519 --> 00:20:42.079
<v Speaker 2>Toronto and Melbourne being first, United States is still the

476
00:20:42.119 --> 00:20:44.519
<v Speaker 2>top listener base by far. I guess it's just spread

477
00:20:44.559 --> 00:20:47.960
<v Speaker 2>between so many cities. Yeah. Oh, we were very excited.

478
00:20:48.119 --> 00:20:51.920
<v Speaker 2>Oh yeah, we've had thirty five plays in South Korea.

479
00:20:52.000 --> 00:20:53.920
<v Speaker 2>Also today I put.

480
00:20:53.759 --> 00:20:57.359
<v Speaker 1>More people in South Korea here stuff, because yeah, this

481
00:20:57.440 --> 00:20:59.759
<v Speaker 1>one I think would be you said, s already doing

482
00:20:59.759 --> 00:21:02.279
<v Speaker 1>better than most of our songs have been doing in

483
00:21:02.400 --> 00:21:06.279
<v Speaker 1>creation in Korea. This one. Yeah, there's some definitely more

484
00:21:06.400 --> 00:21:10.880
<v Speaker 1>direct k pop so funny and Korean music references directly

485
00:21:10.880 --> 00:21:11.440
<v Speaker 1>in the music.

486
00:21:11.519 --> 00:21:13.720
<v Speaker 2>Yeah, oh right, yeah that's right. And then this morning

487
00:21:13.839 --> 00:21:16.160
<v Speaker 2>I saw that we had you had a comment on

488
00:21:16.200 --> 00:21:18.319
<v Speaker 2>YouTube and I was like, wait a minute, let me

489
00:21:18.359 --> 00:21:20.880
<v Speaker 2>translate this, and the guy said, please come place South

490
00:21:20.960 --> 00:21:22.200
<v Speaker 2>Korea play live in South Crade.

491
00:21:22.240 --> 00:21:24.480
<v Speaker 1>It was just like some old clip of me doing

492
00:21:24.519 --> 00:21:27.720
<v Speaker 1>some like ambient ethereal and guitar loops a long long

493
00:21:27.759 --> 00:21:30.200
<v Speaker 1>time ago, like in the nineties or something.

494
00:21:30.240 --> 00:21:33.920
<v Speaker 2>Yeah, oh definitely like probably ninety four, yeah, five were

495
00:21:34.240 --> 00:21:35.400
<v Speaker 2>or maybe even ninety.

496
00:21:35.119 --> 00:21:36.599
<v Speaker 1>Three Koreans Cape listening.

497
00:21:36.880 --> 00:21:40.519
<v Speaker 2>We also Boss Mode got played on your first Listen,

498
00:21:40.559 --> 00:21:42.759
<v Speaker 2>and I thought, there's no I was like thinking to myself,

499
00:21:42.799 --> 00:21:45.319
<v Speaker 2>there's no way you're first listening because they they do

500
00:21:45.440 --> 00:21:48.680
<v Speaker 2>shoegaze and dream pop it especially like the last show

501
00:21:48.839 --> 00:21:53.200
<v Speaker 2>was really leaned into goth I thought, even because they

502
00:21:53.240 --> 00:21:57.200
<v Speaker 2>did play like three weeks ago they played, will ever

503
00:21:57.240 --> 00:21:58.400
<v Speaker 2>be the same VIP mix?

504
00:21:58.559 --> 00:21:59.000
<v Speaker 1>Oh cool?

505
00:21:59.039 --> 00:22:01.039
<v Speaker 2>And I was like, okay, like we fit in there,

506
00:22:01.039 --> 00:22:03.000
<v Speaker 2>but we were definitely a little different. Yeah, but this

507
00:22:03.119 --> 00:22:05.000
<v Speaker 2>time I can't wait to hear the mix. So it

508
00:22:05.039 --> 00:22:08.440
<v Speaker 2>was like it was on a live terrestrial radio stream

509
00:22:08.519 --> 00:22:11.799
<v Speaker 2>on Friday and coming out of Fargo, North Dakota. I

510
00:22:11.799 --> 00:22:14.839
<v Speaker 2>didn't realize that well, But and then they've got an

511
00:22:14.880 --> 00:22:16.880
<v Speaker 2>online stream as well, which I just I missed it.

512
00:22:17.000 --> 00:22:19.000
<v Speaker 2>And I guess I've heard that the show will replay

513
00:22:19.000 --> 00:22:20.000
<v Speaker 2>on that on Tuesday.

514
00:22:20.119 --> 00:22:21.599
<v Speaker 1>Oh we we gotta check it out. We got to

515
00:22:21.599 --> 00:22:22.799
<v Speaker 1>say alarm or something.

516
00:22:23.279 --> 00:22:25.519
<v Speaker 2>But on Monday is when it goes to ear drum

517
00:22:25.599 --> 00:22:28.000
<v Speaker 2>Buzz Rado, which that's what I knew that your first

518
00:22:28.000 --> 00:22:30.519
<v Speaker 2>listen was part of ear Drum Buzz Rado, which they're

519
00:22:30.599 --> 00:22:33.759
<v Speaker 2>super shoegazer. So I guess they've got their just working

520
00:22:33.799 --> 00:22:36.960
<v Speaker 2>their show on a couple different things. So it'll be

521
00:22:37.000 --> 00:22:41.000
<v Speaker 2>on ear drum tomorrow at six pm. You can listen

522
00:22:41.000 --> 00:22:43.039
<v Speaker 2>to on ear drum Bus on net and then this

523
00:22:43.160 --> 00:22:45.599
<v Speaker 2>is how I always hear it. It gets archived over

524
00:22:45.640 --> 00:22:48.119
<v Speaker 2>on mixed cloud, so that's when I want to.

525
00:22:48.480 --> 00:22:51.799
<v Speaker 1>Yeah, I appreciate people who have a more like I do,

526
00:22:51.839 --> 00:22:55.039
<v Speaker 1>a more broader sense of what includes like dream pop

527
00:22:55.240 --> 00:22:59.119
<v Speaker 1>and shoegazs. Like some people are really specific or narrow

528
00:22:59.160 --> 00:23:01.799
<v Speaker 1>like it has to sound on like Loveless, my Bloody

529
00:23:01.880 --> 00:23:02.880
<v Speaker 1>Valentine's you know.

530
00:23:03.039 --> 00:23:05.160
<v Speaker 2>Breakthrough album, a lot of stuff this year.

531
00:23:05.200 --> 00:23:07.839
<v Speaker 1>You gotta have a Fender jazz Master and guitar and

532
00:23:07.839 --> 00:23:10.960
<v Speaker 1>stuff like that. For me, I have a more broad sense.

533
00:23:10.960 --> 00:23:13.640
<v Speaker 1>It's not that I mean, that's part of it. Yeah,

534
00:23:13.640 --> 00:23:16.279
<v Speaker 1>for sure, I'm not downplaying just just you know, just

535
00:23:16.319 --> 00:23:18.559
<v Speaker 1>a certain kind of dreamy sound and it can be

536
00:23:19.000 --> 00:23:21.759
<v Speaker 1>done over all sorts of styles of music that back then,

537
00:23:21.880 --> 00:23:25.960
<v Speaker 1>like a nineties all pop rock kind of foundation and

538
00:23:26.119 --> 00:23:30.319
<v Speaker 1>us on a more electronic foundation. Yeah, it all works.

539
00:23:29.839 --> 00:23:33.519
<v Speaker 1>It's it's it's not the it's not the instruments, it's

540
00:23:33.559 --> 00:23:34.680
<v Speaker 1>it's the attitude.

541
00:23:35.079 --> 00:23:39.680
<v Speaker 2>Well, I mean, let's be honest, Flux is far and

542
00:23:39.720 --> 00:23:42.599
<v Speaker 2>beyond your your most popular album and you know, in

543
00:23:42.680 --> 00:23:44.920
<v Speaker 2>twenty twenty five, and it has been for a while now,

544
00:23:45.440 --> 00:23:48.440
<v Speaker 2>and I see it on so many Spotify playlists for

545
00:23:48.599 --> 00:23:51.720
<v Speaker 2>like dream pop and shoegaze. It was not a dream

546
00:23:51.920 --> 00:23:52.880
<v Speaker 2>for shoegaze at no.

547
00:23:53.000 --> 00:23:55.160
<v Speaker 1>It's like a fusion of drum and bass with our

548
00:23:55.279 --> 00:23:57.440
<v Speaker 1>dreamy nineties sound back then, Yeah.

549
00:23:57.319 --> 00:24:03.039
<v Speaker 2>Were about it was more about uh, you know, down

550
00:24:03.079 --> 00:24:07.200
<v Speaker 2>tempo and druma bass with a little bit of dream pop.

551
00:24:07.240 --> 00:24:07.759
<v Speaker 2>So good.

552
00:24:07.799 --> 00:24:11.799
<v Speaker 1>I'm glad people are the definition for many for these

553
00:24:11.799 --> 00:24:14.480
<v Speaker 1>genres of is the wider one that I embraced other

554
00:24:14.519 --> 00:24:15.519
<v Speaker 1>than the narrow one.

555
00:24:15.640 --> 00:24:18.519
<v Speaker 2>Oh yeah, you know, since I wrote these notes down,

556
00:24:18.559 --> 00:24:20.119
<v Speaker 2>we did get a few more comments. And I do

557
00:24:20.200 --> 00:24:23.920
<v Speaker 2>remember someone saying, someone saying on boss Mode on on

558
00:24:23.960 --> 00:24:27.240
<v Speaker 2>the YouTube, so Tokyo kid, we said, no way, you

559
00:24:27.240 --> 00:24:28.319
<v Speaker 2>guys are still dropping.

560
00:24:28.440 --> 00:24:29.759
<v Speaker 1>I love you.

561
00:24:29.799 --> 00:24:31.359
<v Speaker 2>No way you guys can tell you that.

562
00:24:31.480 --> 00:24:35.519
<v Speaker 1>Darn yeah, still making me. You can't stop me?

563
00:24:37.400 --> 00:24:41.039
<v Speaker 2>And then someone else I can't see corpses love music awesome,

564
00:24:41.079 --> 00:24:46.400
<v Speaker 2>said all forever love this band. Oh thanks, Yeah, I

565
00:24:46.480 --> 00:24:49.319
<v Speaker 2>know people are nice sometimes. Yeah, some people on the

566
00:24:49.319 --> 00:24:52.000
<v Speaker 2>internet are and nice. Anyone watching the show, I'm gonna

567
00:24:52.000 --> 00:24:53.480
<v Speaker 2>guess you're probably one of the good ones.

568
00:24:53.599 --> 00:24:56.799
<v Speaker 1>Yeah, if you've made it this far, especially I know, seriously,

569
00:24:56.839 --> 00:24:59.880
<v Speaker 1>we're just like, I don't know, let's see, oh this more.

570
00:25:01.079 --> 00:25:04.839
<v Speaker 2>I like to check to see if so my FM's

571
00:25:04.920 --> 00:25:07.799
<v Speaker 2>lush channel has added any of the songs that I

572
00:25:07.839 --> 00:25:09.799
<v Speaker 2>send over. Yeah, and it looks like he hasn't been

573
00:25:09.799 --> 00:25:13.279
<v Speaker 2>adding any music for like months. However, I was shocked

574
00:25:13.799 --> 00:25:17.680
<v Speaker 2>and delighted to see the love. Sparrows is currently number

575
00:25:17.839 --> 00:25:22.160
<v Speaker 2>one in the top thirty artists by spins and by listeners.

576
00:25:22.240 --> 00:25:25.559
<v Speaker 1>Number one, number one, Oh yeah, let's have some Let's

577
00:25:25.559 --> 00:25:30.880
<v Speaker 1>have some wine in that celebrate special occasion. Number one

578
00:25:30.920 --> 00:25:34.559
<v Speaker 1>another chart. Hell yeah, we are number one.

579
00:25:34.799 --> 00:25:39.519
<v Speaker 2>He's still playing the call, He's yeah, he's still spinning

580
00:25:39.559 --> 00:25:42.440
<v Speaker 2>the angib solo album from twenty thirteen, where it's like

581
00:25:42.759 --> 00:25:46.359
<v Speaker 2>it's like number fourteen on their top forever in the

582
00:25:46.359 --> 00:25:46.880
<v Speaker 2>top thirty.

583
00:25:47.119 --> 00:25:51.079
<v Speaker 1>Yeah, so funny, cool, some good work on that album.

584
00:25:51.119 --> 00:25:53.200
<v Speaker 2>So yeah, that is a good album. I still like

585
00:25:53.240 --> 00:25:53.880
<v Speaker 2>that album.

586
00:25:54.079 --> 00:25:56.599
<v Speaker 1>Yeah, that's one where I tried to push our sound

587
00:25:56.759 --> 00:25:59.519
<v Speaker 1>forward more than I took more chances.

588
00:25:59.559 --> 00:26:04.559
<v Speaker 2>I guess actually, like some fun, we do something fresh different.

589
00:26:05.160 --> 00:26:05.480
<v Speaker 1>Yeah.

590
00:26:05.799 --> 00:26:07.680
<v Speaker 2>So I guess the only other thing really to mention

591
00:26:08.000 --> 00:26:12.279
<v Speaker 2>is the fact that that we're continuing on our journey

592
00:26:12.279 --> 00:26:15.079
<v Speaker 2>of releasing the music under your original band name, Love

593
00:26:15.119 --> 00:26:16.000
<v Speaker 2>Spirals Downwards.

594
00:26:16.079 --> 00:26:16.640
<v Speaker 1>Yeah.

595
00:26:16.960 --> 00:26:20.759
<v Speaker 2>So if you're looking for boss Mode or any of

596
00:26:20.759 --> 00:26:23.920
<v Speaker 2>the other recent singles on like Apple and Spotify and

597
00:26:24.000 --> 00:26:26.720
<v Speaker 2>YadA YadA, and you're like, hey, how come it's not up,

598
00:26:27.359 --> 00:26:29.680
<v Speaker 2>make sure to look for it under Love Spirals Downwards.

599
00:26:29.759 --> 00:26:32.160
<v Speaker 1>Yeah, and all the streaming services and on band Camp.

600
00:26:32.240 --> 00:26:33.319
<v Speaker 1>You can find it on either.

601
00:26:33.480 --> 00:26:35.400
<v Speaker 2>Yeah, we still have two accounts. See the thing is now,

602
00:26:35.440 --> 00:26:38.079
<v Speaker 2>the Love Spirals Downwards account is currently like a pro account,

603
00:26:38.359 --> 00:26:41.759
<v Speaker 2>so we could upload things under many different band names,

604
00:26:41.759 --> 00:26:44.039
<v Speaker 2>like you know, you could put a Ryan Lum song

605
00:26:44.119 --> 00:26:46.759
<v Speaker 2>up Ryan, but to be on there, you know, something

606
00:26:46.759 --> 00:26:50.000
<v Speaker 2>to think about. Okay, but yeah, so it's still I

607
00:26:50.039 --> 00:26:52.200
<v Speaker 2>want and I still put love Sprouls on there just

608
00:26:52.240 --> 00:26:54.680
<v Speaker 2>to differentiate. But then it's also we still have our

609
00:26:55.079 --> 00:26:57.319
<v Speaker 2>our Love Sproul's non pro account of band Camp, so

610
00:26:57.319 --> 00:26:58.960
<v Speaker 2>it's on both and I see people are buying it

611
00:26:58.960 --> 00:27:00.160
<v Speaker 2>from both accounts.

612
00:27:00.200 --> 00:27:02.920
<v Speaker 1>People sub to Yeah, just find us both.

613
00:27:03.119 --> 00:27:05.359
<v Speaker 2>Yeah, if you're one of the people that bought it,

614
00:27:05.519 --> 00:27:06.240
<v Speaker 2>bless yourself.

615
00:27:06.319 --> 00:27:09.559
<v Speaker 1>Yeah, guys, yeah, thanks, yeah, thanks for directly supporting us

616
00:27:09.599 --> 00:27:11.799
<v Speaker 1>on bank camp. Really and I'm going to say all

617
00:27:11.799 --> 00:27:14.359
<v Speaker 1>these comments that Andrew's been reading, we don't get a

618
00:27:14.519 --> 00:27:17.279
<v Speaker 1>boatload of comments, so yeah, some obviously, but I'm saying

619
00:27:17.599 --> 00:27:20.160
<v Speaker 1>leave us a comment and decent chants you might get

620
00:27:20.200 --> 00:27:22.400
<v Speaker 1>read on a future of spirals.

621
00:27:23.880 --> 00:27:26.839
<v Speaker 2>Yeah, wrap it up in the news, yeah news.

622
00:27:26.880 --> 00:27:29.160
<v Speaker 1>So yeah, yeah, Bowl is to get another song out here.

623
00:27:29.160 --> 00:27:31.759
<v Speaker 1>We are in June first. Will we be able to

624
00:27:31.960 --> 00:27:35.160
<v Speaker 1>track your vocals and produce everything and get it out

625
00:27:35.200 --> 00:27:37.519
<v Speaker 1>in a month. It's gonna be tough the way we.

626
00:27:37.680 --> 00:27:41.400
<v Speaker 2>Roll as possible. Our magic keys are currently blocked out

627
00:27:41.440 --> 00:27:44.680
<v Speaker 2>for the time. Yes, we won't have any distracting Disneyland trips.

628
00:27:44.799 --> 00:27:47.279
<v Speaker 1>Yeah, so we're going to try. Yeah. So yeah, we're

629
00:27:47.279 --> 00:27:49.480
<v Speaker 1>not recording data, I don't think obviously, because we're doing

630
00:27:49.480 --> 00:27:52.119
<v Speaker 1>the podcast right now and it's probably to having some

631
00:27:52.200 --> 00:27:54.480
<v Speaker 1>kind of dinner maybe, but we'll see. Yeah, we have

632
00:27:54.640 --> 00:27:56.279
<v Speaker 1>this week, so it's a good chance. I mean, it's

633
00:27:56.359 --> 00:27:57.079
<v Speaker 1>fifty to fifty.

634
00:27:57.079 --> 00:27:59.480
<v Speaker 2>But we're going to try our dwn this it would

635
00:27:59.480 --> 00:27:59.880
<v Speaker 2>be great.

636
00:28:00.119 --> 00:28:02.400
<v Speaker 1>Yeah, another song. If not, you'll see it early the

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<v Speaker 1>following month, we try.

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<v Speaker 2>So stay tuned. Please subscribe if you aren't already, And.

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<v Speaker 3>As always, this is this The Chill and Loves Bawls

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<v Speaker 3>Show is available both as a video show on YouTube

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<v Speaker 3>and as an audio podcast on Spotify, Apple and a

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<v Speaker 3>bunch of other podcast services.

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<v Speaker 2>And you can leave a comment on Spotify, you leave

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<v Speaker 2>a comment on our website.

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<v Speaker 1>All right, guys, well, thanks for tuning in, thanks for

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<v Speaker 1>sticking with us. Yeah, comment if you hear, if you can,

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<v Speaker 1>let us know if you think of boss Mode. Let

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<v Speaker 1>you think about this pod show, this podcast, let.

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<v Speaker 2>Us do we take them out with a little bit

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<v Speaker 2>of the visualizer or something.

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<v Speaker 1>Yeah, let's think about with some Boss Mode visualizer.
