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<v Speaker 1>This week on the latest episode of The Big Show,

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<v Speaker 1>our hearts are heavy as we celebrate the transition of

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<v Speaker 1>several celebrities, including Malcolm Jamal Warner, Ozzy Osbourne and Hulk Hogan.

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<v Speaker 1>We'll also continue well, actually we won't, but I'll explain

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<v Speaker 1>that in a second. We were going to continue our

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<v Speaker 1>countdown at the ultimate top one hundred Black television shows.

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<v Speaker 1>And in addition, we'll have reviews of The Fantastic Four,

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<v Speaker 1>the first steps in the Hulu series Washington Black. We'll

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<v Speaker 1>have all that, and trust me a whole lot more

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<v Speaker 1>on the latest episode Keeping It Real with Film Gordon.

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<v Speaker 1>Let's good, all right, and welcome to the latest episode

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<v Speaker 1>of Keeping It Real with Film Gordon. I am Tim Gordon,

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<v Speaker 1>and I am joined by Charles Kirkland Junior.

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<v Speaker 2>Charles oh Man. Wow wow okay.

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<v Speaker 1>Chuck Mangione just passed away to yeah, wow man.

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<v Speaker 2>We can't. It's so funny. We literally are doing the show.

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<v Speaker 3>We do the.

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<v Speaker 1>Teas, and then I get an alert in the middle

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<v Speaker 1>of the teas right here.

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<v Speaker 3>Wow wow wow, how are you sir? You know they

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<v Speaker 3>say it used to be threes. We got four. Bam

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<v Speaker 3>bam bam bam. Wow gracious.

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<v Speaker 1>Yeah, well, we have a very interesting show coming up.

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<v Speaker 1>We'll talk about that in a couple of minutes.

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<v Speaker 2>Uh.

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<v Speaker 1>In addition, we were going to revisit the Ultimate Top

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<v Speaker 1>one hundred Black TV Shows and continue to count down,

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<v Speaker 1>and I decided, I decided at the last minute that

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<v Speaker 1>it was still half baked.

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<v Speaker 2>It still needs a little work. Well on the rephrase.

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<v Speaker 1>That we we had, we probably had the bottom of

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<v Speaker 1>the lists needed to be tweaked, and I was not

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<v Speaker 1>comfortable moving forward.

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<v Speaker 3>It's funny because the bottom of the list and that's

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<v Speaker 3>what we were going to be sharing, which is the

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<v Speaker 3>reason why we couldn't do it.

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<v Speaker 1>So Shane, from say one to about seventy week good,

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<v Speaker 1>The problem was about seventy one to one hundred, which

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<v Speaker 1>is what we were talking about today with.

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<v Speaker 2>Like yeah, yeah, yeah, but it's my fault.

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<v Speaker 1>Fault. No, No, that was actually not your fault, because

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<v Speaker 1>you know, we were we were working as a team,

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<v Speaker 1>and we just couldn't get to a consensus. I think,

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<v Speaker 1>I think that's the easy.

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<v Speaker 2>Way to say. We couldn't get to a consensus.

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<v Speaker 1>Literally within the last ten I think that was really

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<v Speaker 1>the big problem. And Charles Charles identified one today Charles

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<v Speaker 1>was like, we're not having that. That is too high

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<v Speaker 1>and we need a brand. We brought in town man

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<v Speaker 1>Charles spoke looked at it like let me let me

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<v Speaker 1>check it. He's like, Dango, Look, but Charles's eighty seven.

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<v Speaker 2>It needs to be ninety five.

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<v Speaker 1>Wow. So we I promise you next week we will

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<v Speaker 1>try to get back to this aldimate list because we

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<v Speaker 1>needed to be right right, because you know, we started

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<v Speaker 1>out one hundred and thirty six, whittled it down to

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<v Speaker 1>one hundred, and then, like I said, there's some movement

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<v Speaker 1>of trying to figure out there were certain shows that

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<v Speaker 1>I just thought was way too low, and I think

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<v Speaker 1>I shared with you the other day. I was like,

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<v Speaker 1>come on, man, this show has got to be higher

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<v Speaker 1>on the list. And then it's funny today you were

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<v Speaker 1>one of the first people to say one.

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<v Speaker 2>Should be lower, like too.

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<v Speaker 1>I So yeah, so we'll continue, uh the Ultimate Black

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<v Speaker 1>TV one hundred Top one hundred TV count Down, And

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<v Speaker 1>I promise it was a great list.

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<v Speaker 2>It really is because we spent a lot of time.

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<v Speaker 3>Uh.

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<v Speaker 1>Cordell Martin also who's a nominating chairperson for the Black

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<v Speaker 1>Real Awards, came in and you know, I told him

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<v Speaker 1>in the future whenever you are updating lists, you need

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<v Speaker 1>to send me all your movies.

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<v Speaker 2>One at a time. Because it was like, and what

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<v Speaker 2>about this one? And what about that one? I was like,

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<v Speaker 2>bro give me just by the end of the day. Bad,

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<v Speaker 2>I'm on my phone. I'm just doing them one of

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<v Speaker 2>the time. I'm like killing me right now.

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<v Speaker 1>So yes, we will revisit that next week, and then

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<v Speaker 1>also coming up a couple of very interesting projects coming

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<v Speaker 1>to both theaters and streaming platforms this week on Hulu

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<v Speaker 1>is Washington Black, which I literally.

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<v Speaker 2>Finished right before we came in here.

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<v Speaker 1>And of course we are as you can see us

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<v Speaker 1>wearing our four hats. We both went to the I

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<v Speaker 1>don't know. It's not a DC premiere. It was the

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<v Speaker 1>reopening of the National Museum last night.

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<v Speaker 2>Great experience last night watching that movie.

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<v Speaker 1>Yes, but but I'm not throwing the shade on it.

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<v Speaker 2>Chantilly is still better the air Buzz and Shantilly. That's

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<v Speaker 2>the first thing I said to myself. It's big. It's it's.

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<v Speaker 1>The air bus and Shantilly. I saw centers out there

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<v Speaker 1>a couple of months ago.

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<v Speaker 2>Yeah, yeah, it's good. It's good. Ten dollars every time

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<v Speaker 2>it is not bad at all.

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<v Speaker 1>You know, you know, you normally go like I remember,

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<v Speaker 1>you know, I tell the story. I've seen Centers now

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<v Speaker 1>six times, right, So I watched the two times at home,

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<v Speaker 1>but I saw it four times three times.

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<v Speaker 2>I paid for it, right.

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<v Speaker 1>So every time I saw Cinners, I actually saw Centers

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<v Speaker 1>on Imax every time. So the first two times were

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<v Speaker 1>regular AMC imaxes right right. The third time I saw it,

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<v Speaker 1>I want to say, was it was. I'm not sure

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<v Speaker 1>if the airbus in Chantilly was the fourth time, because

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<v Speaker 1>I saw it.

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<v Speaker 3>On another it was the fourth time. And then you

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<v Speaker 3>went to do the seventy millimeter one. Well, no, we

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<v Speaker 3>didn't get to the seventy milimeters. But I'm gonna tell

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<v Speaker 3>you what's gonna happen.

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<v Speaker 1>My I think that at the end of the year,

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<v Speaker 1>Warner Brothers is going to do something, Charles, you know

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<v Speaker 1>what I'm talking about. You know, at the end of

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<v Speaker 1>the year when they bring us out and they'll have

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<v Speaker 1>all the different studios showing the FYC movies. And I

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<v Speaker 1>promise you, how much do you want to bet right

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<v Speaker 1>now here in the middle of July that five months

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<v Speaker 1>from now are going into December, you know, because I

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<v Speaker 1>already got the contact of Warner Brothers, right, my girl,

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<v Speaker 1>who I told you about. I'm like, yo, I need

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<v Speaker 1>all the Centers swag and if you put it on

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<v Speaker 1>a seventy milimeters out.

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<v Speaker 2>I want to be in the house.

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<v Speaker 1>I already got the I got the frame posting just

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<v Speaker 1>s me a screening leak, and then I felt some

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<v Speaker 1>kind of wrong watching I told I told Charles the

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<v Speaker 1>story a couple of weeks ago. Maybe is it a

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<v Speaker 1>couple of weeks? So it was about a month now

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<v Speaker 1>that my television went out at home and I had

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<v Speaker 1>to buy a brand new TV and a brand brand

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<v Speaker 1>new soundbar, all this q E L D.

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<v Speaker 2>And the first.

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<v Speaker 1>Weekend I got it was the weekend that Max put Sinners.

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<v Speaker 1>So I watched Sinners. I was sitting there like, yeah,

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<v Speaker 1>turned the South of I was like, And then my

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<v Speaker 1>sister came to town the next day and then they

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<v Speaker 1>wanted to see Sentence. I had to watch it again.

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<v Speaker 1>So that's hints six times watching Centers.

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<v Speaker 3>So I'm the only one behind you, but I just

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<v Speaker 3>found five. I've seen it five times, but I just

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<v Speaker 3>found out that my sister in law hasn't seen it.

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<v Speaker 1>You sound like me I'm like, nobody's seen Centership, man,

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<v Speaker 1>Let's check it out.

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<v Speaker 2>You have seen Centers yet?

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<v Speaker 1>But yeah, Centers Sinners. So there are two things that

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<v Speaker 1>I know that are definite right now. Shane is kind

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<v Speaker 1>of going on one of them.

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<v Speaker 2>The movie of the year is Sinners. Best movie are

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<v Speaker 2>best hip hop album of the year? The clips? Let

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<v Speaker 2>God sort them out. You haven't listened to it yet.

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<v Speaker 2>We don't do music. Hints.

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<v Speaker 1>Why if I'm saying it on our show now? I

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<v Speaker 1>just talked to what's the name of that show that hip.

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<v Speaker 2>Hop one hip hop Corridor?

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<v Speaker 1>I always mess up this show, Troy and Dion, who

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<v Speaker 1>do a hip hop show.

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<v Speaker 2>Here.

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<v Speaker 1>We just had a lengthy conversation in the lobby about

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<v Speaker 1>the Cliffs new album, Amazing, Amazing. We don't do music

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<v Speaker 1>on the show. Led by the first song, Hey, Shane, producer,

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<v Speaker 1>we get in trouble. We played like a whole song

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<v Speaker 1>on our show. He said, so yes we can or

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<v Speaker 1>no weekend? I mean we can, oh man, So we

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<v Speaker 1>won't get distribution. Well, I mean sometimes you gotta take

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<v Speaker 1>a stand. You gotta take a stand even if you're

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<v Speaker 1>not getting distribution.

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<v Speaker 2>Sound like Aussie but okay.

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<v Speaker 1>Wow, here we go to get all right, So I'm

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<v Speaker 1>glad you brought that up. So let's segue into this man,

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<v Speaker 1>because we're gonna talk about let's talk about Chuck MANNGIONI

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<v Speaker 1>man first, and I don't have it up, but I

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<v Speaker 1>will just go by what I know as a guy

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<v Speaker 1>in the game. Nineteen seventy eight, Chuck Mangione had a

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<v Speaker 1>number one sev seventy seven. I walk out, Wow one year.

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<v Speaker 1>I'm off by a year and no notes, folks, no notes.

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<v Speaker 1>Nineteen seventy seven, Thank you, Charles. Chuck Mangione had a

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<v Speaker 1>song called is it Feels So Good? It feels so good?

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<v Speaker 1>Feels so good? Was the song of the summer for

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<v Speaker 1>for real. Could not go anywhere and not here.

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<v Speaker 2>Im. We can't cancel for real.

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<v Speaker 1>No, But I'm just trying to tell you, bro, I'm like, hey, man, so,

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<v Speaker 1>so what did you pull up about Chuck mans Young

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<v Speaker 1>because I know you pulled something up.

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<v Speaker 2>Well.

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<v Speaker 3>He passed at eighty four years old in his sleep

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<v Speaker 3>at his home in New York Rochester, New York.

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<v Speaker 1>Wow, So give me, give me some career highlights, because

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<v Speaker 1>you know that always happens.

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<v Speaker 2>Well, you know, after feels so good?

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<v Speaker 3>He was hired by the International Olympic Committee. If you

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<v Speaker 3>play the theme song for the nineteen eighty Winter Olympics,

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<v Speaker 3>give it all you Got, and I'm sure you remember

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<v Speaker 3>that one as well. He's been a fu horned trumpet player,

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<v Speaker 3>jazz composer with least more than thirty albums in a career.

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<v Speaker 3>And yeah, he's just been around forever. Bellavia, that album

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<v Speaker 3>was the album where he wanted Grammy for it feels

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<v Speaker 3>so good Belavia, Bella Villa, Belavio, something like that, you know.

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<v Speaker 3>And then yet he followed it up the next year

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<v Speaker 3>with friends and lovers, and he also was Grammy nominated

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<v Speaker 3>for that. So he's had one Grammy win, two nominations

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<v Speaker 3>for its albums.

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<v Speaker 1>Wow, all right, man, Chuck Manzione Man. We literally found

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<v Speaker 1>that out. That wasn't even on the original teas on

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<v Speaker 1>the Shocie and between Let's Go and then Welcome to

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<v Speaker 1>the Show.

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<v Speaker 2>Wow.

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<v Speaker 1>Wow, that has never happened before. And what is it

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<v Speaker 1>we started on nine sixteen years?

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<v Speaker 2>That is a first? Wow. I don't know what that

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<v Speaker 2>means though, is that? Yes?

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<v Speaker 1>Man?

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<v Speaker 2>A first for everything? That people are going home, brother,

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<v Speaker 2>that's what it means.

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<v Speaker 1>And speaking of going home, I wish I have a

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<v Speaker 1>colleague that that's close to both Charles and I Julian

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<v Speaker 1>Lytle who and actually you should be able to talk

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<v Speaker 1>about this Hu Hogan. Terry Terry jen Bolia, better known

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<v Speaker 1>as Hulk Hogan, talked to us about Hunk Hulk Hogan

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<v Speaker 1>at six foot seven, this superstar pro wrestling who passed

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<v Speaker 1>away this morning at the age of seventy one.

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<v Speaker 3>I can honestly say that I don't think that we

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<v Speaker 3>would have Netflix, WWE. I don't think we'd have The

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<v Speaker 3>Rock if it wasn't for.

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<v Speaker 2>Hulk Hogan.

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<v Speaker 3>Hulk Hogan. They started WrestleMania. He headlined Mainy Vented or

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<v Speaker 3>whatever you want to call it, eight of the first

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<v Speaker 3>nine WrestleManias, which was unheard. He literally put the WWF,

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<v Speaker 3>which it was at that time, on the map as

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<v Speaker 3>a credible source for sports entertainment. And I remember nineteen

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<v Speaker 3>eighty three, I was WrestleMania happened in my birth month,

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<v Speaker 3>so I was like, I was excited because it was

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<v Speaker 3>in Pontiac's Silver Dome in Detroit, Michigan. I was like,

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<v Speaker 3>I got family there, Let's go to Pontiac and let's

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<v Speaker 3>go to Detroit and go see WrestleMania, to which my

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<v Speaker 3>father was like, you were out your dang mind. We're

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<v Speaker 3>not going up there for you, like Papa, We're not

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<v Speaker 3>going up there for some wrestling. And I cried and

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<v Speaker 3>I moaned about not being able to see WrestleMania. That

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<v Speaker 3>I got to see the Jackson's Victory Tour that same

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<v Speaker 3>summer in Detroit, Michigan, because I complained to my uncle.

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<v Speaker 3>He's like, Oh, if you wanted to come up out

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<v Speaker 3>of I'd have brought you up. We could have watched it.

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<v Speaker 3>But yeah, it was Hulk Hogan that made WWF WWE

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<v Speaker 3>now what it is today. And even though he felt

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<v Speaker 3>on some hard times, you know, it came out because

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<v Speaker 3>when I put posted up with my family group and

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<v Speaker 3>one of them came back and talked about his racist

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<v Speaker 3>comments and that how he the last time he showed

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<v Speaker 3>up at WrestleMania when or WWE. When Netflix debuted in

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<v Speaker 3>Los Angeles, he was literally booed off the stage because

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<v Speaker 3>of the backlash for some of the comments that he's made.

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<v Speaker 3>But every time you saw him before that, he was

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<v Speaker 3>always Hulk Hogan. He was always in that character. Whenever

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<v Speaker 3>you saw he was never acting, even in the movies,

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<v Speaker 3>And I say this about the Rock He's not acting,

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<v Speaker 3>He's just being that same character that was in the

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<v Speaker 3>wrestling ring in all the movies and everywhere you saw him.

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<v Speaker 3>So it was unfortunate in the last few years that

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<v Speaker 3>he stepped out of that character and became more of himself.

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<v Speaker 2>People don't like the real Oa, but.

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<v Speaker 3>They love Huk Hogan And if it wasn't for him,

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<v Speaker 3>where would wrestling be today.

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<v Speaker 1>Well that's a very fitting tribute, Charles Kirkland. This is

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<v Speaker 1>Charles Kirkland's kind of Baillywick today.

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<v Speaker 2>This is your day.

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<v Speaker 1>Man, all right, So and now let's move on to

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<v Speaker 1>the man to describe as the Prince of Darkness.

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<v Speaker 3>Prince of Darkness, Ozzy Osbourne, also known as the Godfather

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<v Speaker 3>of heavy metal.

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<v Speaker 2>I'm listening to Charles. Okay, you want me to go now? Okay, No,

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<v Speaker 2>I'm not going to John Michael.

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<v Speaker 3>John Michael Osbourne got the nickname Ozzy as the street

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<v Speaker 3>as a young child on the playground and he carried

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<v Speaker 3>it ever since. He He was known for batting, biting

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<v Speaker 3>the heads off bats on stage and doves and other things.

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<v Speaker 3>He did it once well, I mean, but he was

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<v Speaker 3>known for that. You knew it, knew it again. Meeting

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<v Speaker 3>the frontman and founder for the band Black Sabbath. He

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<v Speaker 3>I mean several Grammy Awards nominations. Yeah, and for those

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<v Speaker 3>of you who don't know, he's been sampled over two

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<v Speaker 3>hundred and ninety times and had over six hundred covers

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<v Speaker 3>of his work, respected by an iced tea tribe called

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<v Speaker 3>Quest Bust the rhymes. I mean at the time when

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<v Speaker 3>he came out and the PMRC came out, a lot

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<v Speaker 3>of the people were saying that his music was terrible

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<v Speaker 3>and horrible and it needed to be and a lot

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<v Speaker 3>of rappers got caught up in it, and a lot

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<v Speaker 3>of musicians got caught up in it. And so when

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<v Speaker 3>he got placed on the Filthy fifteen, which you laugh about,

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<v Speaker 3>comment at the time was, Hey, I don't care what

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<v Speaker 3>they say. We're gonna keep on making music. And that

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<v Speaker 3>was the inspiration for a lot of rappers and musicians

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<v Speaker 3>at that time who picked up the mantle and said, Okay,

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<v Speaker 3>we're gonna keep on doing it no matter what they say.

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<v Speaker 3>Matter of fact, we got the record label, the Parental

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<v Speaker 3>Advisory Label because of the pr pm RC, and which

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<v Speaker 3>has been ridiculed because it seems like it makes more

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<v Speaker 3>people sell more records than less records by having that label.

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<v Speaker 3>So Ozzie was right. You just keep making your music

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<v Speaker 3>and people will and people will just fade into the distance.

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<v Speaker 1>All right, Well again another sparkling great job by Charles

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<v Speaker 1>Kirkland Shane Charles's he's nailing them, man, He's not no scripts,

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<v Speaker 1>He's just going from the heart. You know, these are

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<v Speaker 1>people who have Charles has really touched Charles, Yes and

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<v Speaker 1>so and last but not least, we lost Malcolm Jamal

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<v Speaker 1>Warner this week and for the first time, I think ever,

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<v Speaker 1>we've never featured two od bits, like two people who wrote,

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<v Speaker 1>you know, appreciations. I wrote one first. Charles called me

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<v Speaker 1>when we first got the news, and I wrote, we

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<v Speaker 1>remember Malcolm Jamal Warner nineteen seventy to twenty twenty five.

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<v Speaker 1>Charles wrote eulogy for a brother. So Charles, I'll let

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<v Speaker 1>you go first, man, talk about you know what you use,

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<v Speaker 1>the memories you shared, or your feelings around the passing,

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<v Speaker 1>the tragic passing. I would ask of Malcolm Jamal Warner.

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<v Speaker 3>It's it's kind of ironic because as you were talking

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<v Speaker 3>about the clips coming in, I was never that hip

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<v Speaker 3>hop kid like that. Growing up, I can listen to

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<v Speaker 3>a lot of things. Matter of fact, I didn't see

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<v Speaker 3>Printing concert, but I did see Ozzie with Metallica, and

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<v Speaker 3>before Metallica was big, they opened up for Ozzie and so,

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<v Speaker 3>but Malcolm Jamal.

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<v Speaker 2>Warner on a second, Yeah, he's right here.

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<v Speaker 3>So Malcolm Jamal Warner when he came on The Cosby Show,

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<v Speaker 3>this was a role that spoke to me because I

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<v Speaker 3>lived that middle class life. Not it wasn't in the

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<v Speaker 3>hip hop world, and I wasn't in but I was

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<v Speaker 3>in the middle and so a lot of the things

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<v Speaker 3>that theo Huxtable went through were the things I experienced.

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<v Speaker 3>I grew up in a house full of women, and

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<v Speaker 3>he in a house full of women. So I drew

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<v Speaker 3>a kinship to theo Huxtable and thereby Malcolm Jamal Warner.

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<v Speaker 3>Malcolm named Malcolm Jamal Warner named after Malcolm X and

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<v Speaker 3>Ama Jamal uh So. I mean, I I've I've listened

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<v Speaker 3>to his spoken word, I've listened to I mean, I

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<v Speaker 3>just followed him all my life. And so when he's

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<v Speaker 3>like two years younger than me, but I again, to me,

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<v Speaker 3>he was the brother I never had because I don't

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<v Speaker 3>have any brothers, and that was a guy that I

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00:20:03.039 --> 00:20:06.960
<v Speaker 3>was like, I just rock with him, and so when

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<v Speaker 3>to hear him pass it was it really hit me hard.

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<v Speaker 3>It really was a devastating blow because I'm like, that

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<v Speaker 3>is me, he's he was me, and so a piece

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<v Speaker 3>of me passed along with him as he you know,

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<v Speaker 3>even even the whole story about the rip current and

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<v Speaker 3>how he got caught in it and out there, I've

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00:20:29.359 --> 00:20:34.359
<v Speaker 3>experienced that. I was younger and fortunate, but you know,

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<v Speaker 3>I came out the other side because I just I

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<v Speaker 3>didn't have the strength to try to fight the rip

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<v Speaker 3>current and I just got drug drugged out to the sandbar.

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<v Speaker 3>But it's it's a terrible loss for me. I don't

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<v Speaker 3>I don't know about the rest of the world, but

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<v Speaker 3>as we do our Top one hundred list, I'm expecting

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<v Speaker 3>the Cosby Show to be high up now, maybe even

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<v Speaker 3>higher because of because of this relevant topic.

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<v Speaker 1>Here for the record, sir, the Top one hundred list,

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<v Speaker 1>at least the first seventy was completed.

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<v Speaker 2>Before I know that, you know.

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<v Speaker 3>But just like just like we were working the seventy

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<v Speaker 3>one through one hundred.

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<v Speaker 2>We are not working.

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<v Speaker 1>We are not reworking one through seventy one through seventy

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<v Speaker 1>is set. So I will just say, so, don't be

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<v Speaker 1>thinking once we like, oh man, I had nothing to

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<v Speaker 1>do with with Malcolm Jamal warning.

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<v Speaker 2>But I can say that.

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<v Speaker 3>But I already know what the top one through seventy

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<v Speaker 3>are right, right, right right?

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<v Speaker 2>I got you. So tell me what you were feeling

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<v Speaker 2>when when you heard about this.

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<v Speaker 1>I'm just gonna go through a couple of notes that

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<v Speaker 1>I wrote that were in the piece. I called him

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<v Speaker 1>America's son because my memory was that, you know, for

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<v Speaker 1>as much.

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<v Speaker 2>What's the word to use, as much flack.

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<v Speaker 1>And criticism, and rightfully so, that Doctor Cosby has generated

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<v Speaker 1>over the last ten to fifteen years, people forget and again.

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<v Speaker 1>I was making a joke earlier about certainties. You know,

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<v Speaker 1>the album of the Year, movie the year. There are

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<v Speaker 1>a couple of certainties I can make about the nineteen

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<v Speaker 1>eighties because I lived in the nineteen Eightieska, There's no

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<v Speaker 1>album that I've seen before since it will ever top Thriller, Okay,

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<v Speaker 1>And there's no television show that I've ever seen before

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<v Speaker 1>or since that will top the popularity of The Cosby

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<v Speaker 1>Show in the mid eighties. It was literally it literally

385
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<v Speaker 1>was not just the number one black show on television.

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<v Speaker 1>Here's the number one one show on television for like

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<v Speaker 1>five years.

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<v Speaker 2>It made an NBC credible as a network.

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<v Speaker 1>Yeah, they created an entire block of programming saying that

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<v Speaker 1>notice around the Cosby Show and they called it must

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<v Speaker 1>see Thursdays.

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<v Speaker 2>Yep.

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<v Speaker 1>So all that started with The Cosby Show and theo

394
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<v Speaker 1>Huxtable was a huge part of The Cosby Show, right

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<v Speaker 1>and you go. But he was the son, yeah, to

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<v Speaker 1>Charles's point, he was the only boy in a family

397
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<v Speaker 1>full of women. And he was modeled after Bill Cosby's

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<v Speaker 1>about Mill Cosby's late son Ennis. So a lot of

399
00:23:17.640 --> 00:23:20.920
<v Speaker 1>the storylines about fatherhood, a lot of the things that

400
00:23:21.440 --> 00:23:24.160
<v Speaker 1>you know, he showed, like this, this the way they

401
00:23:24.880 --> 00:23:29.359
<v Speaker 1>showed black fatherhood on television through the relationship of doctor

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<v Speaker 1>Cosby and Malcolm Jamal Warner.

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<v Speaker 2>I thought it was brilliant. Oh, I'm brilliant, Like, like

404
00:23:35.160 --> 00:23:37.640
<v Speaker 2>it's funny. I have in my in my thing.

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<v Speaker 1>There's like three or four clips right of like famous episodes,

406
00:23:43.079 --> 00:23:44.079
<v Speaker 1>and like I think it might.

407
00:23:43.920 --> 00:23:47.920
<v Speaker 2>Have been the pilot when you know, he told his.

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<v Speaker 1>Father he was like, you know, hey, man, you know

409
00:23:51.039 --> 00:23:53.160
<v Speaker 1>you guys are being hard on me because he was

410
00:23:53.160 --> 00:23:56.400
<v Speaker 1>getting bad report com I just want to be a

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<v Speaker 1>regular kid, man, I come, I can't be, and everybody

412
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<v Speaker 1>class in the studio.

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<v Speaker 2>Audist Bill Gossey came back and went, that's the dumbest

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<v Speaker 2>thing I ever heard. No wonder you get SEEZ and

415
00:24:08.480 --> 00:24:11.559
<v Speaker 2>D's in school. So you had that moment.

416
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<v Speaker 1>What was the name of the famous oh my god,

417
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<v Speaker 1>the Gordion Trail shirt when when he goes his father

418
00:24:18.640 --> 00:24:22.160
<v Speaker 1>and says the shirt is ninety five dollars. He said,

419
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<v Speaker 1>the only kid that should be wearing a shirt that's

420
00:24:24.640 --> 00:24:29.920
<v Speaker 1>ninety five dollars is he's on stage singing with There

421
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<v Speaker 1>are all these classic moments, and then the other one

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<v Speaker 1>I'll in with why I says two remember when he

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<v Speaker 1>had forget his teacher played by Sonya Braga, who came

424
00:24:43.759 --> 00:24:45.720
<v Speaker 1>to the house and they you know, he had she

425
00:24:45.799 --> 00:24:49.240
<v Speaker 1>had something to give him, and they're having this pleasant evening.

426
00:24:49.400 --> 00:24:53.200
<v Speaker 1>She's got she's looking all normal, and she invites Steele

427
00:24:53.359 --> 00:24:56.680
<v Speaker 1>out to the living room and as this sitting there talking,

428
00:24:56.759 --> 00:24:59.039
<v Speaker 1>she pulls her glasses out and she's putting.

429
00:24:58.799 --> 00:24:59.799
<v Speaker 2>Her back up.

430
00:25:01.200 --> 00:25:03.960
<v Speaker 1>So there are so and I and I and and

431
00:25:03.960 --> 00:25:06.599
<v Speaker 1>and and trust me, if you're sitting at home and

432
00:25:06.640 --> 00:25:09.920
<v Speaker 1>you're like, man, I can't believe Tim and Charles and

433
00:25:10.000 --> 00:25:13.079
<v Speaker 1>shame is letting him talk about The Cosby Show. Cosm

434
00:25:13.160 --> 00:25:17.440
<v Speaker 1>shit was great. I'm sorry, I mean, what's this? I'm sorry?

435
00:25:17.799 --> 00:25:22.160
<v Speaker 1>The Cosby Show. It's a fantastic show. You might not

436
00:25:22.480 --> 00:25:25.519
<v Speaker 1>like the man whose name is on the show, but

437
00:25:25.599 --> 00:25:31.119
<v Speaker 1>you cannot discount, like the importance of that show, what

438
00:25:31.240 --> 00:25:35.200
<v Speaker 1>that show actually did for not just black culture, but for.

439
00:25:35.160 --> 00:25:38.000
<v Speaker 2>The culture right, just for the culture.

440
00:25:38.279 --> 00:25:42.440
<v Speaker 1>So I say that that Malcolm Jamal Warner represented America's son.

441
00:25:43.799 --> 00:25:47.279
<v Speaker 1>I was on a show in Philadelphia and they brought

442
00:25:47.279 --> 00:25:48.960
<v Speaker 1>me on to talk about this, and I was like,

443
00:25:49.599 --> 00:25:51.799
<v Speaker 1>I never had an opportunity to meet him, never had

444
00:25:51.799 --> 00:25:56.440
<v Speaker 1>a chance to interview him. I learned so much about

445
00:25:56.519 --> 00:26:00.359
<v Speaker 1>him just this week with all the clips that I've

446
00:26:00.400 --> 00:26:02.559
<v Speaker 1>saw on YouTube, and I did. I want to finish

447
00:26:03.160 --> 00:26:06.599
<v Speaker 1>with a poem that I saw that tyreee Row did

448
00:26:06.599 --> 00:26:07.279
<v Speaker 1>you read about this?

449
00:26:07.359 --> 00:26:09.079
<v Speaker 2>You read this, Shane? Did you read of this?

450
00:26:09.599 --> 00:26:12.440
<v Speaker 1>The poem is called and I'm gonna read this called

451
00:26:12.480 --> 00:26:16.599
<v Speaker 1>the Gentle Giant Right, a poem attributed to our beloved brother,

452
00:26:16.680 --> 00:26:19.960
<v Speaker 1>Malcolm Jamal Warner and this is from a couple of

453
00:26:20.039 --> 00:26:22.680
<v Speaker 1>days ago. He said, Today we lost a gentle giant,

454
00:26:23.119 --> 00:26:25.519
<v Speaker 1>a man who won our hearts not by force, but

455
00:26:25.599 --> 00:26:29.640
<v Speaker 1>by quiet grace. From the very beginning, Malcolm Jamal Warner

456
00:26:29.720 --> 00:26:34.759
<v Speaker 1>reminded us that being calm, classy, sophisticated and soulful could

457
00:26:34.799 --> 00:26:38.559
<v Speaker 1>carry you far in life. He was the soft spoken

458
00:26:38.640 --> 00:26:41.279
<v Speaker 1>strength behind a generation's most beloved show.

459
00:26:41.920 --> 00:26:42.599
<v Speaker 2>We watched The.

460
00:26:42.559 --> 00:26:44.920
<v Speaker 1>CoV Show and saw for the first time a world

461
00:26:45.000 --> 00:26:48.400
<v Speaker 1>many of us had never known. A black family made

462
00:26:48.440 --> 00:26:52.720
<v Speaker 1>up of doctors, lawyers, artists and thinkers. Wow, a household

463
00:26:52.839 --> 00:26:59.359
<v Speaker 1>rooted in love and education, laughter and dignity. Let me

464
00:26:59.400 --> 00:27:04.440
<v Speaker 1>see if I'm readiness and right, I must have skipped

465
00:27:04.440 --> 00:27:07.640
<v Speaker 1>the part, so it says. Today we mourn what feels unimaginable,

466
00:27:08.119 --> 00:27:11.519
<v Speaker 1>a loss that cuts through nostalgia, through childhood, through what

467
00:27:11.599 --> 00:27:15.319
<v Speaker 1>we thought would always be My sincere prayers go out

468
00:27:15.359 --> 00:27:17.400
<v Speaker 1>to his wife, to his children, to his family, to

469
00:27:17.480 --> 00:27:21.200
<v Speaker 1>everyone who loved him, worked beside him, and walked life

470
00:27:21.240 --> 00:27:25.119
<v Speaker 1>with him. This tragedy hits us hard, not just because

471
00:27:25.160 --> 00:27:27.799
<v Speaker 1>of who he was on screen, but because of who

472
00:27:27.880 --> 00:27:31.720
<v Speaker 1>he remained when the cameras turned off. We lost more

473
00:27:31.759 --> 00:27:35.359
<v Speaker 1>than an actor. We lost the presence a gentle, regal,

474
00:27:35.559 --> 00:27:39.839
<v Speaker 1>beautiful soul who walked with dignity and reminded us, especially

475
00:27:39.920 --> 00:27:43.319
<v Speaker 1>as black boys and men, that you could be powerful

476
00:27:43.640 --> 00:27:49.519
<v Speaker 1>without being loud, important without being arrogant, respected, without.

477
00:27:49.160 --> 00:27:50.200
<v Speaker 2>Ever demanding it.

478
00:27:51.400 --> 00:27:54.039
<v Speaker 1>Today, as we sit in that grief and we say

479
00:27:54.079 --> 00:27:56.839
<v Speaker 1>goodbye to a man who gave us more than entertainment.

480
00:27:57.359 --> 00:28:01.759
<v Speaker 1>He gave us hope, He gave us another way to exist.

481
00:28:02.119 --> 00:28:05.559
<v Speaker 1>Rest well, Malcolm, you were everything we needed.

482
00:28:06.119 --> 00:28:06.799
<v Speaker 2>Wow Wow.

483
00:28:08.160 --> 00:28:12.279
<v Speaker 1>That was from Tyrese Gibson wrote that dedication to Malcolm

484
00:28:12.319 --> 00:28:13.319
<v Speaker 1>Jamal Warner Man.

485
00:28:13.440 --> 00:28:16.160
<v Speaker 2>So yeah, this one hurts.

486
00:28:17.359 --> 00:28:22.839
<v Speaker 1>And not to diminish the families uh and friends of

487
00:28:22.920 --> 00:28:28.720
<v Speaker 1>Chuck Mangione, Hulk Hogan and Ozzy Osbourne, but Malcolm Jamal

488
00:28:28.880 --> 00:28:31.799
<v Speaker 1>Warner was our community, our community.

489
00:28:32.759 --> 00:28:33.640
<v Speaker 2>Rest in peace.

490
00:28:35.519 --> 00:28:38.359
<v Speaker 1>I literally hate that we have to keep doing these

491
00:28:39.039 --> 00:28:41.759
<v Speaker 1>and one day somebody, you know, it's so funny. I

492
00:28:41.839 --> 00:28:44.680
<v Speaker 1>was telling I think I was talking to Charles earlier today.

493
00:28:45.400 --> 00:28:49.200
<v Speaker 1>You know, I've been listening to Hamilton a lot, you know,

494
00:28:49.240 --> 00:28:51.160
<v Speaker 1>in the in the back of my mind, I keep

495
00:28:51.559 --> 00:28:54.039
<v Speaker 1>thinking about the closing song you know, who lives, who

496
00:28:54.079 --> 00:28:58.480
<v Speaker 1>dies and tells his story. Somebody has gotta tell the story.

497
00:28:58.920 --> 00:29:00.680
<v Speaker 1>There are plenty of people who want tell the story

498
00:29:00.680 --> 00:29:02.640
<v Speaker 1>of Malthol, Jamal Warner and all of the folks that

499
00:29:02.680 --> 00:29:05.759
<v Speaker 1>we lost. But I think about it inwardly, like you know,

500
00:29:05.960 --> 00:29:07.599
<v Speaker 1>we live our lives, and at.

501
00:29:07.400 --> 00:29:10.119
<v Speaker 2>Some point, who's gonna Who's gonna tell our story? Man?

502
00:29:10.160 --> 00:29:12.559
<v Speaker 1>Who's gonna tell the story of Charles Kirklan Junior. Who's

503
00:29:12.559 --> 00:29:15.400
<v Speaker 1>gonna tell the story of Shane Lewis? Who tells the

504
00:29:15.440 --> 00:29:19.480
<v Speaker 1>Tim Gordon story? So we have to continue to keep

505
00:29:19.519 --> 00:29:23.880
<v Speaker 1>on pressing and hope that we leave enough work behind

506
00:29:24.359 --> 00:29:25.839
<v Speaker 1>that somebody.

507
00:29:25.319 --> 00:29:26.680
<v Speaker 2>Can continue to tell our story.

508
00:29:26.720 --> 00:29:30.720
<v Speaker 1>Man, Right, all right, sh we gotta flip the mood

509
00:29:30.799 --> 00:29:35.640
<v Speaker 1>up in here. Who twenty nine minutes after we are not,

510
00:29:36.039 --> 00:29:39.160
<v Speaker 1>as I said earlier, going to be doing our list

511
00:29:39.359 --> 00:29:42.480
<v Speaker 1>of our top one hundred to day, which was gonna

512
00:29:42.519 --> 00:29:46.240
<v Speaker 1>take up probably about three quarters of our show. So

513
00:29:46.599 --> 00:29:49.880
<v Speaker 1>we're gonna we're gonna talk about these movies today, And

514
00:29:50.519 --> 00:29:52.880
<v Speaker 1>I'm not sure if we should start talking about them now,

515
00:29:53.240 --> 00:29:56.240
<v Speaker 1>because I really want to do a deep dive on

516
00:29:56.319 --> 00:29:59.119
<v Speaker 1>both these projects that I that we have this week,

517
00:29:59.559 --> 00:29:59.799
<v Speaker 1>So I.

518
00:30:00.279 --> 00:30:01.480
<v Speaker 2>I think I'll get started now.

519
00:30:01.799 --> 00:30:04.079
<v Speaker 1>Before I begin, Charles, did you get a chance to

520
00:30:04.119 --> 00:30:05.359
<v Speaker 1>watch Washington Black.

521
00:30:05.160 --> 00:30:07.000
<v Speaker 2>And I did not. Wow, this is gonna be a

522
00:30:07.039 --> 00:30:09.000
<v Speaker 2>Tim Gordon exclusive here, because.

523
00:30:09.599 --> 00:30:12.079
<v Speaker 3>All right, so maybe it's best that I didn't, because

524
00:30:12.160 --> 00:30:13.960
<v Speaker 3>you know, man, we'll see.

525
00:30:15.440 --> 00:30:19.359
<v Speaker 2>Okay. I don't know how to tackle that one. Is

526
00:30:19.440 --> 00:30:23.440
<v Speaker 2>not it's not negative. It's just that we have we

527
00:30:23.519 --> 00:30:25.400
<v Speaker 2>have views.

528
00:30:25.720 --> 00:30:28.200
<v Speaker 1>No, no, no, it's not that we have views. I'm

529
00:30:28.200 --> 00:30:30.839
<v Speaker 1>just gonna share a couple of things with Charles. Are

530
00:30:30.839 --> 00:30:34.799
<v Speaker 1>you looking at your screen, Charles big screen? So this

531
00:30:34.839 --> 00:30:37.000
<v Speaker 1>is this is the Washington Black review that I put

532
00:30:37.039 --> 00:30:38.480
<v Speaker 1>up a couple of days ago. You see that number

533
00:30:38.559 --> 00:30:41.640
<v Speaker 1>right there on a second of how many views it had?

534
00:30:41.759 --> 00:30:44.240
<v Speaker 2>You see right here? Yeah? Wow?

535
00:30:44.559 --> 00:30:48.319
<v Speaker 1>Yeah, man, it's a great review, man. So let's talk

536
00:30:48.319 --> 00:30:53.160
<v Speaker 1>a little bit about Washington Black. Washington Black, of course,

537
00:30:53.480 --> 00:31:00.240
<v Speaker 1>is a series that debuted on Hulu early this week.

538
00:31:00.279 --> 00:31:04.079
<v Speaker 1>I think it dropped like Wednesday, right, and adapted from

539
00:31:04.200 --> 00:31:08.480
<v Speaker 1>ec ed of you Gan's acclaimed novel, Washington Black is

540
00:31:08.519 --> 00:31:14.079
<v Speaker 1>a richly imaginative, emotionally resented eight part mini series that

541
00:31:14.160 --> 00:31:19.680
<v Speaker 1>blends historical fiction, adventure, romance, and speculative realism to tell

542
00:31:19.720 --> 00:31:24.079
<v Speaker 1>a story rarely seen on screen. Charles Executive produced by

543
00:31:24.160 --> 00:31:30.200
<v Speaker 1>Sterling K Brown. The series transcends familion narratives of slavery

544
00:31:30.319 --> 00:31:36.400
<v Speaker 1>by centering hope, connection and the trans transformative power upart. Now,

545
00:31:36.519 --> 00:31:39.039
<v Speaker 1>let me talk a little bit about this, which I

546
00:31:39.160 --> 00:31:42.559
<v Speaker 1>found to be fascinating because I watch a lot of stuff,

547
00:31:42.559 --> 00:31:46.359
<v Speaker 1>and I'm not discounting anybody else's watch experience, but I'm

548
00:31:46.359 --> 00:31:49.759
<v Speaker 1>telling you, I'll watch a lot of stories about enslaved people,

549
00:31:50.799 --> 00:31:54.680
<v Speaker 1>and generally, whenever we tell these stories, no matter how

550
00:31:54.759 --> 00:32:00.279
<v Speaker 1>hopefully they are, there's always Subjugation's always pain, and there's

551
00:32:00.319 --> 00:32:01.519
<v Speaker 1>always disrespect.

552
00:32:01.839 --> 00:32:04.000
<v Speaker 2>You're always being felt less than.

553
00:32:04.200 --> 00:32:06.720
<v Speaker 1>And I'm talking about when I say we talking about

554
00:32:06.759 --> 00:32:09.400
<v Speaker 1>the audience of people of color who have to sit

555
00:32:09.480 --> 00:32:12.880
<v Speaker 1>through these stories, to sit through the pain and the

556
00:32:13.039 --> 00:32:14.000
<v Speaker 1>trauma to.

557
00:32:14.000 --> 00:32:16.480
<v Speaker 2>Get to the hope and the inspiration on the other side.

558
00:32:17.319 --> 00:32:22.319
<v Speaker 1>Well, guess what in this story with his place Tuma, Well, no, no, no,

559
00:32:22.480 --> 00:32:24.799
<v Speaker 1>In this story that happens in the early part of

560
00:32:24.799 --> 00:32:29.960
<v Speaker 1>the nineteenth century, yes, he is an enslaved guy who's

561
00:32:30.039 --> 00:32:33.039
<v Speaker 1>working in the sugarcane field somewhere over in the Barbados

562
00:32:34.440 --> 00:32:37.559
<v Speaker 1>for a hateful plantation owner.

563
00:32:37.680 --> 00:32:40.400
<v Speaker 2>Right. The one thing that the movie.

564
00:32:40.200 --> 00:32:44.160
<v Speaker 1>Doesn't show, outside of a couple of instances where people

565
00:32:44.240 --> 00:32:47.400
<v Speaker 1>might get smacked or some stuff like that. There's nobody

566
00:32:47.480 --> 00:32:52.960
<v Speaker 1>getting whipped. There's not an overabundance of trauma of you know,

567
00:32:53.119 --> 00:32:57.799
<v Speaker 1>even though there's slaves. It reminded me, ironically of a

568
00:32:57.920 --> 00:33:01.720
<v Speaker 1>Dave Chappelle skit right one set in his skin, and

569
00:33:01.759 --> 00:33:08.039
<v Speaker 1>I'm paraphrasing that black men don't ever have, we don't

570
00:33:08.039 --> 00:33:12.839
<v Speaker 1>ever have the ability to just be and just dream

571
00:33:13.000 --> 00:33:15.759
<v Speaker 1>and exists, right, because you know, we always are dealing

572
00:33:15.799 --> 00:33:18.920
<v Speaker 1>with with some sort of trauma. Well, this is a

573
00:33:18.960 --> 00:33:24.119
<v Speaker 1>story that happens doing slavery with the story of a

574
00:33:24.240 --> 00:33:27.960
<v Speaker 1>kid who's young. He might be five or six, but

575
00:33:28.039 --> 00:33:31.039
<v Speaker 1>he's you know, he's got a vivid imagination and he's

576
00:33:31.079 --> 00:33:36.279
<v Speaker 1>really really smart. And everybody in the community sees that

577
00:33:36.359 --> 00:33:40.160
<v Speaker 1>this kid could be something special and they protect him,

578
00:33:40.880 --> 00:33:45.440
<v Speaker 1>nurture him, hide him, and do whatever they need to

579
00:33:45.559 --> 00:33:49.599
<v Speaker 1>do to make sure that this kid can be allowed

580
00:33:49.640 --> 00:33:54.240
<v Speaker 1>to be who he is, which is radically different than

581
00:33:54.240 --> 00:33:55.920
<v Speaker 1>anything we've ever watched.

582
00:33:55.960 --> 00:33:57.720
<v Speaker 2>In terms of that kind of story.

583
00:33:57.799 --> 00:34:00.359
<v Speaker 1>In terms of that kind of story, like, this kid

584
00:34:00.880 --> 00:34:03.880
<v Speaker 1>was a dreamer who wanted to fly, right, and when

585
00:34:03.960 --> 00:34:05.799
<v Speaker 1>when they said wanted to fly, he was an inventor

586
00:34:05.799 --> 00:34:09.480
<v Speaker 1>who wanted to create a machine that could fly instead.

587
00:34:09.119 --> 00:34:11.719
<v Speaker 2>Of somebody going, boy, just sit your butt in the corner.

588
00:34:11.719 --> 00:34:11.800
<v Speaker 1>Man.

589
00:34:11.880 --> 00:34:13.239
<v Speaker 2>Anybody got no time for that. Man.

590
00:34:13.280 --> 00:34:16.400
<v Speaker 1>You better picked you Beta picked it better, chopped this

591
00:34:16.480 --> 00:34:17.719
<v Speaker 1>sugar cane and stopped playing.

592
00:34:19.280 --> 00:34:22.480
<v Speaker 2>He gets, he gets, he meets, and and also I.

593
00:34:22.480 --> 00:34:26.679
<v Speaker 1>Called it the Psalm twenty three six. Goodness and mercy

594
00:34:26.800 --> 00:34:32.159
<v Speaker 1>followed this kid all his entire life, his entire life.

595
00:34:32.199 --> 00:34:32.519
<v Speaker 2>It was.

596
00:34:32.719 --> 00:34:36.000
<v Speaker 1>It was fascinating to watch. I went, huh, I haven't

597
00:34:36.000 --> 00:34:40.239
<v Speaker 1>seen this one before. So he you know, he even

598
00:34:40.280 --> 00:34:43.239
<v Speaker 1>though that he's on a plantation with a hateful slave owner.

599
00:34:43.760 --> 00:34:48.159
<v Speaker 1>The slave owners brothers an abolitionists who understands and sees

600
00:34:48.239 --> 00:34:51.199
<v Speaker 1>how special he is. And the slave master says, you

601
00:34:51.239 --> 00:34:54.039
<v Speaker 1>go in on, you can take this kid. So him

602
00:34:54.079 --> 00:34:57.159
<v Speaker 1>and the kid start all these adventures. Now, the thing

603
00:34:57.280 --> 00:35:01.639
<v Speaker 1>is interesting about it, because I couldn't figure this out myself,

604
00:35:02.199 --> 00:35:04.519
<v Speaker 1>is they only it's an eight part mini series, but

605
00:35:04.679 --> 00:35:07.559
<v Speaker 1>Hulu only gave you four episodes to review. So this

606
00:35:07.719 --> 00:35:12.119
<v Speaker 1>review that I wrote the first four episodes at the

607
00:35:12.159 --> 00:35:15.280
<v Speaker 1>pictures non stop. So I'm looking at the pictures and

608
00:35:15.360 --> 00:35:17.760
<v Speaker 1>I'm trying to download the pictures, and I'm like, and.

609
00:35:17.760 --> 00:35:19.440
<v Speaker 2>What point of the story is this kid, Cause this

610
00:35:19.519 --> 00:35:22.119
<v Speaker 2>kid travels all around the world.

611
00:35:22.480 --> 00:35:26.400
<v Speaker 1>Now we can remember this is the early nineteenth century,

612
00:35:26.480 --> 00:35:29.320
<v Speaker 1>so it's not like, you know, they were plays and

613
00:35:29.360 --> 00:35:32.800
<v Speaker 1>he can just jump on. No, this story happens. He's

614
00:35:32.840 --> 00:35:34.840
<v Speaker 1>in the Arctic, like, oh, of course in eight that's

615
00:35:34.920 --> 00:35:38.239
<v Speaker 1>he's in the Arctic. He's in Morocco, he's in Nova Scotia.

616
00:35:38.320 --> 00:35:42.840
<v Speaker 1>This is truly an international story that.

617
00:35:43.360 --> 00:35:47.199
<v Speaker 2>I think is so good. You literally should.

618
00:35:46.880 --> 00:35:50.280
<v Speaker 1>Take these eight episodes, put together a curriculum and just

619
00:35:50.280 --> 00:35:52.719
<v Speaker 1>taking the schools and just show it the kids. Because

620
00:35:52.760 --> 00:35:54.719
<v Speaker 1>by the eighth episode at the end, I was like that,

621
00:35:57.320 --> 00:36:04.199
<v Speaker 1>what's happening? It is deeply emotional. I thought Washington Black

622
00:36:04.320 --> 00:36:08.280
<v Speaker 1>was brilliant. Washington Black is so brilliant, Shane, you ready,

623
00:36:09.199 --> 00:36:12.480
<v Speaker 1>the first four episodes I watched it, I said, I'm

624
00:36:12.480 --> 00:36:14.760
<v Speaker 1>gonna give it a B plus. By the time I

625
00:36:14.800 --> 00:36:16.880
<v Speaker 1>got to the end of the eighth episode, the B

626
00:36:16.960 --> 00:36:18.039
<v Speaker 1>plus got bumped up.

627
00:36:17.960 --> 00:36:18.880
<v Speaker 2>To a A.

628
00:36:19.320 --> 00:36:23.719
<v Speaker 1>I was like, Wow, Washington Black, which is on Hulu

629
00:36:23.840 --> 00:36:27.079
<v Speaker 1>right now, is frigging amazing.

630
00:36:28.159 --> 00:36:31.760
<v Speaker 2>Executive produced by Shirt I mean Sterling K. Brown. There

631
00:36:31.800 --> 00:36:33.079
<v Speaker 2>are and then you.

632
00:36:32.960 --> 00:36:35.920
<v Speaker 1>Can go go to to the film Gordon and just

633
00:36:36.000 --> 00:36:36.679
<v Speaker 1>read the review.

634
00:36:36.840 --> 00:36:37.719
<v Speaker 2>That's all I'll tell you.

635
00:36:37.760 --> 00:36:40.800
<v Speaker 1>Because I poured some stuff into this review because I

636
00:36:40.880 --> 00:36:44.920
<v Speaker 1>was feeling this show and I just kept on writing

637
00:36:45.079 --> 00:36:47.519
<v Speaker 1>and couldn't stop writing. I was like, yeah, it is

638
00:36:47.559 --> 00:36:50.519
<v Speaker 1>some more because there's now let me also say.

639
00:36:50.440 --> 00:36:53.239
<v Speaker 2>Because one of the things, and there was one thing.

640
00:36:53.119 --> 00:36:56.159
<v Speaker 1>I had to add after the end, there's a there's

641
00:36:56.199 --> 00:37:01.079
<v Speaker 1>a backstory for Sterling K. Brown's character that's in here

642
00:37:01.639 --> 00:37:08.039
<v Speaker 1>that is deeply touching. It is deeply touching and I'm

643
00:37:08.079 --> 00:37:10.360
<v Speaker 1>not gonna spoil it. Just watch the mini series. When

644
00:37:10.360 --> 00:37:12.840
<v Speaker 1>you get to that. Remember I told you how deeply

645
00:37:12.920 --> 00:37:17.880
<v Speaker 1>touching that whole thing is. And there are so many

646
00:37:17.960 --> 00:37:23.480
<v Speaker 1>great moments of people who are kind. Dude, just don't

647
00:37:23.519 --> 00:37:26.360
<v Speaker 1>have to be kind, who just kind to this kid.

648
00:37:26.400 --> 00:37:28.960
<v Speaker 1>I don't know what it was about this character, but

649
00:37:29.000 --> 00:37:31.199
<v Speaker 1>people just wanted to help this guy out because they

650
00:37:31.280 --> 00:37:34.039
<v Speaker 1>kept looking at him, going, you know, he's the one,

651
00:37:34.480 --> 00:37:38.639
<v Speaker 1>He's like neo, he can be somebody. So it is

652
00:37:38.679 --> 00:37:43.960
<v Speaker 1>a very interesting mini series and for us, since we

653
00:37:44.000 --> 00:37:47.000
<v Speaker 1>also run the Black Real Awards for television, this will

654
00:37:47.039 --> 00:37:49.199
<v Speaker 1>not be the last time you hear about Washington Black.

655
00:37:49.800 --> 00:37:53.519
<v Speaker 1>I got a feeling that when nominations come for next

656
00:37:53.599 --> 00:37:57.280
<v Speaker 1>year's Black Real Awards for Television, Washington Black is gonna

657
00:37:57.280 --> 00:37:57.800
<v Speaker 1>be in the mix.

658
00:37:57.880 --> 00:37:58.559
<v Speaker 2>That's a good one.

659
00:37:58.920 --> 00:38:04.360
<v Speaker 3>If they don't forget God go Ernest Kingsley Junior. Yes,

660
00:38:04.920 --> 00:38:08.000
<v Speaker 3>he was absolutely amazing man. And he was the young

661
00:38:08.880 --> 00:38:12.760
<v Speaker 3>I'm sorry, that was the older version of Washington Black.

662
00:38:12.800 --> 00:38:18.440
<v Speaker 3>The younger version is played by Eddie Karanjah. So yeah,

663
00:38:19.480 --> 00:38:22.360
<v Speaker 3>really funny because you hear stories like in the hood

664
00:38:22.440 --> 00:38:26.239
<v Speaker 3>where you got a football player, basketball player, and everybody

665
00:38:26.239 --> 00:38:28.719
<v Speaker 3>protects him make sure he makes it out and becomes good.

666
00:38:28.840 --> 00:38:31.400
<v Speaker 3>That was our generation. Yes, that's our generation. But to

667
00:38:31.440 --> 00:38:34.760
<v Speaker 3>see this happening in the early nineteen hundred, No, this

668
00:38:34.800 --> 00:38:38.519
<v Speaker 3>is the early eighteen hundred. Oh okay, it's eighteen eighteen

669
00:38:38.960 --> 00:38:40.320
<v Speaker 3>twenty something like that.

670
00:38:40.440 --> 00:38:43.000
<v Speaker 2>Wow, I gotta see this. Yeah.

671
00:38:43.119 --> 00:38:46.480
<v Speaker 1>So, so Washington Black Man is on Hulu right now.

672
00:38:47.320 --> 00:38:49.360
<v Speaker 1>Once you finished listening to this and you turn this

673
00:38:49.480 --> 00:38:51.239
<v Speaker 1>podcast off, just go and check it out.

674
00:38:51.360 --> 00:38:53.199
<v Speaker 2>I promise you grabbed the family.

675
00:38:53.400 --> 00:38:55.400
<v Speaker 1>Matter of fact, I grabbed mine last night and I

676
00:38:55.400 --> 00:39:00.320
<v Speaker 1>think we got through the first two episodes, so still

677
00:39:00.360 --> 00:39:03.320
<v Speaker 1>got six that we need to go through. So that

678
00:39:03.599 --> 00:39:06.559
<v Speaker 1>is Washington Black. So any questions on Washington black, anything

679
00:39:06.599 --> 00:39:07.360
<v Speaker 1>else you want to know.

680
00:39:08.760 --> 00:39:10.920
<v Speaker 2>Eight episodes. I'm gonna all right, it sounds like a

681
00:39:10.920 --> 00:39:12.280
<v Speaker 2>good bench. Yeah, all right.

682
00:39:12.360 --> 00:39:16.760
<v Speaker 1>So now let's talk about the movie The Hour, the

683
00:39:16.880 --> 00:39:20.280
<v Speaker 1>Fantastic for the first steps. Now, if you notice that,

684
00:39:20.320 --> 00:39:22.079
<v Speaker 1>I'm gonna pull it down so you can see both

685
00:39:22.159 --> 00:39:24.000
<v Speaker 1>Charles and I are wearing our four hats.

686
00:39:24.920 --> 00:39:25.480
<v Speaker 2>We had an.

687
00:39:25.360 --> 00:39:28.880
<v Speaker 1>Opportunity, as we said earlier in the show, to go

688
00:39:29.119 --> 00:39:31.440
<v Speaker 1>down to the Air and Space Museum here in Washington,

689
00:39:31.519 --> 00:39:34.480
<v Speaker 1>d C. Where they had the grand opening of their

690
00:39:34.519 --> 00:39:38.559
<v Speaker 1>Imax theater, grand reopening. Excuse me of their Imax theater,

691
00:39:38.599 --> 00:39:44.280
<v Speaker 1>Thank you, Charles. We're still smaller than the air bussing.

692
00:39:44.679 --> 00:39:47.400
<v Speaker 1>I have to keep referencing that because I'm like, it

693
00:39:47.480 --> 00:39:48.000
<v Speaker 1>was nice.

694
00:39:49.519 --> 00:39:50.079
<v Speaker 2>This is nice.

695
00:39:50.880 --> 00:39:54.920
<v Speaker 1>Now I will also add and and and as I

696
00:39:54.960 --> 00:39:57.719
<v Speaker 1>add this, this has nothing to do with how I

697
00:39:57.719 --> 00:40:00.320
<v Speaker 1>felt about the movies. But I thought it was pretty cool.

698
00:40:00.360 --> 00:40:05.239
<v Speaker 1>They gave us some swag. They gave us, uh, candy coopons,

699
00:40:05.480 --> 00:40:07.800
<v Speaker 1>candy with water and popcorn and.

700
00:40:07.760 --> 00:40:12.280
<v Speaker 3>Candy or soda like whatever you want. I thought that

701
00:40:12.360 --> 00:40:14.079
<v Speaker 3>was cool, Like don't forget the popcorn.

702
00:40:14.159 --> 00:40:18.280
<v Speaker 1>Yeah, yeah, so they can give you us thinking they

703
00:40:18.320 --> 00:40:20.400
<v Speaker 1>gave you a close back.

704
00:40:20.320 --> 00:40:22.800
<v Speaker 2>And they have what six options five six options. Yeah,

705
00:40:23.320 --> 00:40:24.639
<v Speaker 2>they had cheddar and sod cream.

706
00:40:24.719 --> 00:40:27.800
<v Speaker 1>They gave you options of candy, your gray candy, like,

707
00:40:29.079 --> 00:40:32.159
<v Speaker 1>grab something to drink, grab your little hat and get

708
00:40:32.199 --> 00:40:34.280
<v Speaker 1>that man and sit down and watch this movie.

709
00:40:35.039 --> 00:40:38.960
<v Speaker 2>And uh, this is the thirty seventh movie, thirty seven

710
00:40:39.079 --> 00:40:40.639
<v Speaker 2>in the Marble Cinematic Universe.

711
00:40:42.119 --> 00:40:43.760
<v Speaker 1>Let me set this thing up because I don't want

712
00:40:43.800 --> 00:40:48.679
<v Speaker 1>Charles thinking I'm disrespecting the Fantastic Four, because we have

713
00:40:48.719 --> 00:40:50.760
<v Speaker 1>a we have a lot to say about this movie,

714
00:40:51.679 --> 00:40:55.360
<v Speaker 1>the thirty seventh movie in the Marble Cinematic Universe and.

715
00:40:55.239 --> 00:40:59.440
<v Speaker 3>The first in the sixth phase Phase six, Phase six.

716
00:40:59.519 --> 00:41:03.400
<v Speaker 1>Okay, thank you, that's a good point. Based on the

717
00:41:03.440 --> 00:41:06.480
<v Speaker 1>superhero team, the Fantastic Four, produced by Marvel Studios and

718
00:41:06.480 --> 00:41:07.920
<v Speaker 1>distributed by Walt Disney.

719
00:41:08.920 --> 00:41:09.920
<v Speaker 2>We talked about it being.

720
00:41:09.840 --> 00:41:12.159
<v Speaker 1>The thirty seventh film in the series in the second

721
00:41:12.280 --> 00:41:14.800
<v Speaker 1>reboot of the Fantastic Four film series.

722
00:41:15.079 --> 00:41:16.800
<v Speaker 2>The earlier one was two thousand.

723
00:41:16.480 --> 00:41:19.079
<v Speaker 1>And five, and then they did another reboot in twenty fifteen,

724
00:41:19.159 --> 00:41:22.079
<v Speaker 1>so it's every ten years we keep trying to make

725
00:41:22.400 --> 00:41:25.239
<v Speaker 1>the Fantastic Four. And we'll talk a little bit about

726
00:41:25.239 --> 00:41:29.159
<v Speaker 1>that momentarily. The film was directed by Matt Shackman, who

727
00:41:29.239 --> 00:41:32.159
<v Speaker 1>was in the house last night. I sat in the

728
00:41:32.199 --> 00:41:34.920
<v Speaker 1>same row. Yes, yeah, he said, in our role last night.

729
00:41:35.480 --> 00:41:37.679
<v Speaker 1>I walked by him at the end squeezed the show.

730
00:41:37.840 --> 00:41:44.360
<v Speaker 2>I was like, good job, Maddie, spoiler, A good job.

731
00:41:46.239 --> 00:41:50.000
<v Speaker 1>The film features an ensemble cast which includes Pedro Pascal,

732
00:41:50.639 --> 00:41:55.199
<v Speaker 1>Vanessa Kirby, Ebon mass Bacarack, and Joseph Quinn as the

733
00:41:55.199 --> 00:41:59.679
<v Speaker 1>titular team, alongside Julia Gardner and Sarah Niles, Mark Gastus,

734
00:42:00.199 --> 00:42:02.400
<v Speaker 1>Natasha Lynn, Paul Walter.

735
00:42:02.199 --> 00:42:05.800
<v Speaker 2>Hauser, Natasha Leon what do I call her? Man? Thank you?

736
00:42:06.119 --> 00:42:12.119
<v Speaker 1>Natasha Leone, Paul Walter hey Hauser, and Ralph Inmoson. That's

737
00:42:12.159 --> 00:42:15.039
<v Speaker 1>why we have Charles here, because Charles is always about names,

738
00:42:15.639 --> 00:42:21.519
<v Speaker 1>all right, So Charles Kirkland Jr. The film focuses on

739
00:42:21.639 --> 00:42:26.239
<v Speaker 1>the Fantastic four whos who must protect the nineteen sixties

740
00:42:26.320 --> 00:42:33.000
<v Speaker 1>inspired retro futuristic world from a planet devouring cosmic being Galactus.

741
00:42:34.320 --> 00:42:39.320
<v Speaker 1>And this is taking place now, this is key taking place.

742
00:42:39.119 --> 00:42:43.599
<v Speaker 2>On Earth eight twenty eight, right now. That's a that's

743
00:42:43.639 --> 00:42:44.280
<v Speaker 2>a good detail.

744
00:42:44.400 --> 00:42:47.960
<v Speaker 3>It's a very good detail because and I'll explain, because

745
00:42:48.320 --> 00:42:50.960
<v Speaker 3>everything that we've seen in the MCU has taken place

746
00:42:51.039 --> 00:42:54.280
<v Speaker 3>on six sixteen six, six sixteen.

747
00:42:54.559 --> 00:42:57.239
<v Speaker 2>I thought it was six two six? Is it sixteen sixes?

748
00:42:57.280 --> 00:42:58.800
<v Speaker 2>I thought it was six sixteen.

749
00:42:58.639 --> 00:43:02.400
<v Speaker 3>Okay, six one six, okay, okay, all right, So everything

750
00:43:02.400 --> 00:43:04.360
<v Speaker 3>we've seen is already comic books. But you know I

751
00:43:04.800 --> 00:43:09.039
<v Speaker 3>remember numbers. Well, oh yeah, okay, So yeah, we're in

752
00:43:09.119 --> 00:43:12.239
<v Speaker 3>a different universe than what we're used to.

753
00:43:12.559 --> 00:43:14.920
<v Speaker 1>And so you said in the first thirty six films

754
00:43:15.800 --> 00:43:19.440
<v Speaker 1>which happened in for the most part, and the MCU

755
00:43:19.559 --> 00:43:22.840
<v Speaker 1>were all on planet six one six universe in the

756
00:43:22.920 --> 00:43:25.440
<v Speaker 1>universe six one six, and now we're in universe eight

757
00:43:25.480 --> 00:43:26.079
<v Speaker 1>two eight.

758
00:43:26.119 --> 00:43:30.000
<v Speaker 2>Correct to kick off phase six? Correct? Wow? All right.

759
00:43:30.039 --> 00:43:32.239
<v Speaker 2>I just wanted to make sure I set it up

760
00:43:32.239 --> 00:43:34.760
<v Speaker 2>for the audience go ahead. And it's perfectly logical.

761
00:43:34.920 --> 00:43:38.840
<v Speaker 3>Why because if it were, if the Fantastic Four were

762
00:43:38.880 --> 00:43:40.760
<v Speaker 3>part of six one six, people like where they were,

763
00:43:40.760 --> 00:43:43.280
<v Speaker 3>where they've been, because we've been going through some stuff here.

764
00:43:45.280 --> 00:43:48.039
<v Speaker 3>They're fighting a guy that is going to destroy the world.

765
00:43:48.559 --> 00:43:50.840
<v Speaker 3>You know, why couldn't you have about.

766
00:43:50.559 --> 00:43:52.840
<v Speaker 2>He's destroying trying to destroy the world in eighty two.

767
00:43:52.760 --> 00:43:55.000
<v Speaker 3>Eight and eight two eight, not in six one six, Yeah,

768
00:43:55.360 --> 00:43:57.519
<v Speaker 3>but in six one six we did fight a guy

769
00:43:57.519 --> 00:44:00.000
<v Speaker 3>that was trying to destroy the well in the universe.

770
00:44:00.119 --> 00:44:03.639
<v Speaker 2>We got cold. We got colds. Go ahead, man.

771
00:44:04.800 --> 00:44:07.760
<v Speaker 3>So yeah, that is a really good setup to let

772
00:44:07.840 --> 00:44:12.719
<v Speaker 3>us see how this world is totally different in how

773
00:44:13.360 --> 00:44:16.480
<v Speaker 3>the Fantastic Four, who's been by the time we joined

774
00:44:16.480 --> 00:44:19.239
<v Speaker 3>them in this film, they've been a team for four years,

775
00:44:19.639 --> 00:44:21.719
<v Speaker 3>so they kind of take that Superman approaches and we're

776
00:44:21.760 --> 00:44:24.360
<v Speaker 3>not giving you the whole origin story. We just want

777
00:44:24.360 --> 00:44:25.880
<v Speaker 3>to drop you in the story and let you roll

778
00:44:25.960 --> 00:44:30.320
<v Speaker 3>with it. And so I really appreciate that because again,

779
00:44:31.320 --> 00:44:34.559
<v Speaker 3>we've all seen it, we know what's happening. And then

780
00:44:34.599 --> 00:44:36.519
<v Speaker 3>they allude to some of the things that have happened

781
00:44:36.519 --> 00:44:38.039
<v Speaker 3>to them and how they got to where they are.

782
00:44:38.679 --> 00:44:41.880
<v Speaker 3>So we get to see this developed team come together

783
00:44:42.239 --> 00:44:46.119
<v Speaker 3>and fight again a foe that they've never experienced before.

784
00:44:46.159 --> 00:44:50.079
<v Speaker 3>These literally in this world, the Fantastic Four are the

785
00:44:50.119 --> 00:44:53.360
<v Speaker 3>protectors of the Earth. There's no other superhero team that

786
00:44:53.400 --> 00:44:58.039
<v Speaker 3>we know of this on a eight and so they're

787
00:44:58.159 --> 00:45:01.920
<v Speaker 3>beloved because they save everybody, They work for everybody. They're

788
00:45:01.960 --> 00:45:04.159
<v Speaker 3>not they don't have to face the well, why are

789
00:45:04.199 --> 00:45:08.599
<v Speaker 3>you don't you fight for United States versus Europe or

790
00:45:08.840 --> 00:45:12.800
<v Speaker 3>fighting the man. Well that's you know, that's another story.

791
00:45:13.480 --> 00:45:15.679
<v Speaker 3>But even that part, you know, they didn't give you

792
00:45:15.760 --> 00:45:18.039
<v Speaker 3>that story. I mean, they didn't give you that battle.

793
00:45:18.079 --> 00:45:20.039
<v Speaker 3>They just gave you the story and let you roll

794
00:45:20.079 --> 00:45:23.800
<v Speaker 3>with it, so which was very interesting how they presented it. So,

795
00:45:24.840 --> 00:45:27.920
<v Speaker 3>I mean, am I supposed to say give my review

796
00:45:27.960 --> 00:45:32.840
<v Speaker 3>of this film of what I thought? I think that

797
00:45:33.000 --> 00:45:36.239
<v Speaker 3>this film is very successful in everything that they attempt,

798
00:45:37.119 --> 00:45:40.920
<v Speaker 3>the story as well. Put together. The actors are very

799
00:45:40.960 --> 00:45:46.039
<v Speaker 3>credible in their roles, the the relationships, and seem genuine

800
00:45:46.519 --> 00:45:49.079
<v Speaker 3>by everyone that's in the plot. They even flesh out

801
00:45:49.199 --> 00:45:53.519
<v Speaker 3>the characters like the thing and the human torture in

802
00:45:53.519 --> 00:45:56.880
<v Speaker 3>a way that we hadn't seen before and in previous

803
00:45:56.880 --> 00:45:59.880
<v Speaker 3>films they they're much simpler, but they have depth in

804
00:46:00.159 --> 00:46:03.639
<v Speaker 3>this film, which I really appreciated because I'm a big

805
00:46:03.679 --> 00:46:07.320
<v Speaker 3>fan of the comic books, and for those of us

806
00:46:07.400 --> 00:46:09.679
<v Speaker 3>who are big comic book fans, there are a couple

807
00:46:10.039 --> 00:46:12.519
<v Speaker 3>comic book references that happen in the movie that'll keep

808
00:46:12.599 --> 00:46:15.760
<v Speaker 3>us excited. But this is a story that is kind

809
00:46:15.760 --> 00:46:18.360
<v Speaker 3>of that is based on the comic books, but is

810
00:46:18.519 --> 00:46:23.559
<v Speaker 3>really completely original. So I thought it was very successful.

811
00:46:23.559 --> 00:46:27.760
<v Speaker 3>I thought it was done well. Eric Pearson, Jeff Kapman,

812
00:46:27.800 --> 00:46:33.639
<v Speaker 3>Irian Springer and Kat would write this story, and I

813
00:46:33.639 --> 00:46:36.880
<v Speaker 3>think they do a good job. I really enjoyed the movie,

814
00:46:36.920 --> 00:46:39.960
<v Speaker 3>and I'm going to save my grade for after you

815
00:46:40.119 --> 00:46:41.119
<v Speaker 3>give yours.

816
00:46:41.960 --> 00:46:46.320
<v Speaker 1>Thank you, Giles. That was very well done, I wrote.

817
00:46:47.800 --> 00:46:50.760
<v Speaker 1>And you know, I thought that the film, which featured

818
00:46:51.000 --> 00:46:52.800
<v Speaker 1>a mid nineteen sixties tone.

819
00:46:54.000 --> 00:46:55.840
<v Speaker 2>Matt Shackman and his production.

820
00:46:55.559 --> 00:47:00.840
<v Speaker 1>Team really lean into the production design of the film,

821
00:47:00.840 --> 00:47:01.760
<v Speaker 1>which I thought.

822
00:47:01.639 --> 00:47:03.599
<v Speaker 2>Really really worked, really really well.

823
00:47:05.599 --> 00:47:08.840
<v Speaker 1>I shared with Charles and we had a very heated

824
00:47:09.400 --> 00:47:11.800
<v Speaker 1>conversation early this morning pre show.

825
00:47:12.559 --> 00:47:15.800
<v Speaker 2>Heated the way. I was like, Charles, you man, you

826
00:47:16.000 --> 00:47:20.480
<v Speaker 2>never mind, but I was. I said that two.

827
00:47:20.400 --> 00:47:23.519
<v Speaker 1>Times we talked earlier in two thousand and five, and

828
00:47:23.559 --> 00:47:26.239
<v Speaker 1>then I think in two thousand and seven they did

829
00:47:26.280 --> 00:47:29.519
<v Speaker 1>fantastic for the Rise of the Silver Surfer, and then

830
00:47:29.719 --> 00:47:33.679
<v Speaker 1>twenty fifteen they came back and did another rebook.

831
00:47:33.599 --> 00:47:37.559
<v Speaker 2>Awful reboot. Oh you admit that one. Oh yeah, I

832
00:47:37.679 --> 00:47:42.559
<v Speaker 2>told you. Michael B. Jordan as Johnny human human torch.

833
00:47:44.199 --> 00:47:48.000
<v Speaker 1>I just said for the record that I Tim Gordon

834
00:47:48.239 --> 00:47:51.679
<v Speaker 1>didn't like either of these versions of the earlier films,

835
00:47:51.760 --> 00:47:56.400
<v Speaker 1>right either iteration and as a guy that didn't read

836
00:47:56.440 --> 00:47:58.920
<v Speaker 1>the comics, which is why it's fascinating that Charles and

837
00:47:58.920 --> 00:48:02.559
<v Speaker 1>I have these conversations around comic book films. I may

838
00:48:02.599 --> 00:48:05.679
<v Speaker 1>not have read the comics, but I get to watch

839
00:48:05.719 --> 00:48:09.079
<v Speaker 1>the movies that you present, right, so sometimes they're based

840
00:48:09.119 --> 00:48:12.400
<v Speaker 1>on comics. I just heard you say that this one

841
00:48:12.480 --> 00:48:15.559
<v Speaker 1>is a wholy original story. So okay, either way, it

842
00:48:15.599 --> 00:48:17.599
<v Speaker 1>still works for me because I'm still watching.

843
00:48:17.280 --> 00:48:18.719
<v Speaker 2>A movie now.

844
00:48:19.159 --> 00:48:21.599
<v Speaker 1>In my mind, before I even went in to watch

845
00:48:21.679 --> 00:48:25.440
<v Speaker 1>the movie, after the first two attempts by Fox to

846
00:48:25.480 --> 00:48:29.000
<v Speaker 1>make these stories, I was, like I used to always say,

847
00:48:29.079 --> 00:48:31.320
<v Speaker 1>especially when the MCU started, I was like, man, if

848
00:48:31.360 --> 00:48:33.960
<v Speaker 1>Marvel LEVI got their hands on the Fantastic Four, I

849
00:48:33.960 --> 00:48:36.000
<v Speaker 1>think they could do a really, really good job with

850
00:48:36.039 --> 00:48:40.480
<v Speaker 1>this because Marvel really excels in storytelling, right, So that

851
00:48:40.760 --> 00:48:45.440
<v Speaker 1>aspect of the film, I was absolutely right. Now, I'll

852
00:48:45.440 --> 00:48:51.719
<v Speaker 1>also say that my feelings about the three previous films, the.

853
00:48:51.599 --> 00:48:52.719
<v Speaker 2>Bar was so low.

854
00:48:53.760 --> 00:48:56.320
<v Speaker 1>Marvel just had to show up and just give me

855
00:48:56.360 --> 00:48:59.519
<v Speaker 1>a story and it would have worked. Right, So let's

856
00:48:59.559 --> 00:49:02.920
<v Speaker 1>just start there that I went in even with my

857
00:49:03.039 --> 00:49:06.639
<v Speaker 1>popcorn and my candy and my drink and my Fantastic

858
00:49:06.679 --> 00:49:08.880
<v Speaker 1>four hat and I was like, man, they just put

859
00:49:08.920 --> 00:49:11.360
<v Speaker 1>a story on the screen. This is a win, right,

860
00:49:11.760 --> 00:49:15.360
<v Speaker 1>so I'll go in and watch the movie. And I

861
00:49:15.400 --> 00:49:20.639
<v Speaker 1>also loved the fact that previously I just found that

862
00:49:20.679 --> 00:49:24.199
<v Speaker 1>these characters were just boring because the first three times

863
00:49:24.239 --> 00:49:27.960
<v Speaker 1>I've watched these characters there was really they really didn't

864
00:49:28.000 --> 00:49:31.840
<v Speaker 1>capture the right tone of how to tell the story

865
00:49:31.840 --> 00:49:34.800
<v Speaker 1>of the Fantastic Four. Right, even though you don't know

866
00:49:34.840 --> 00:49:38.239
<v Speaker 1>what the story, doesn't really matter, because my point is

867
00:49:38.239 --> 00:49:40.719
<v Speaker 1>is that when you asked me to watch something, I'm

868
00:49:40.760 --> 00:49:45.800
<v Speaker 1>looking at execution, cinematography, production design, constant design, screen I'm

869
00:49:45.840 --> 00:49:48.159
<v Speaker 1>listening to the screenplay, I'm looking at how to score,

870
00:49:48.360 --> 00:49:51.719
<v Speaker 1>I'm looking at all the elements that make up a project, right,

871
00:49:51.760 --> 00:49:55.719
<v Speaker 1>whether it's streaming, whether it's on the big screen. And Marvel,

872
00:49:55.760 --> 00:49:59.239
<v Speaker 1>of course, really does a very good job because there

873
00:49:59.239 --> 00:50:02.320
<v Speaker 1>are a lot of I mean geeks that work at Marvel.

874
00:50:02.480 --> 00:50:05.760
<v Speaker 1>So even when they're telling original stories, there's still enough

875
00:50:05.800 --> 00:50:09.960
<v Speaker 1>stuff sprinkled in. Like there's a great scene that happens

876
00:50:10.000 --> 00:50:14.000
<v Speaker 1>earlier in the film when I think Sue is going

877
00:50:14.079 --> 00:50:18.199
<v Speaker 1>to the United Nations to do an address and I

878
00:50:18.239 --> 00:50:21.079
<v Speaker 1>didn't understand what was happening. Is they're paying the audience.

879
00:50:21.480 --> 00:50:25.239
<v Speaker 1>There's a certain character from a nation who's absent, who's absent,

880
00:50:25.400 --> 00:50:27.000
<v Speaker 1>And I was like, everybody's like whoa.

881
00:50:27.440 --> 00:50:30.679
<v Speaker 2>So I said what happened? And they told me. I went, oh, yeah, okay,

882
00:50:30.760 --> 00:50:31.599
<v Speaker 2>so that makes sense.

883
00:50:31.800 --> 00:50:36.239
<v Speaker 1>So Marvel Marvel does a really good job of the details, right.

884
00:50:36.920 --> 00:50:40.480
<v Speaker 2>And I thought that the story actually worked.

885
00:50:40.519 --> 00:50:43.480
<v Speaker 1>I was told a little bit about the movie by

886
00:50:43.519 --> 00:50:46.360
<v Speaker 1>somebody who had watched it earlier this week, and he

887
00:50:46.480 --> 00:50:50.440
<v Speaker 1>was actually right that you know, if you're going in

888
00:50:50.639 --> 00:50:55.360
<v Speaker 1>looking for like huge action, this is.

889
00:50:55.320 --> 00:50:56.119
<v Speaker 2>Not really a movie.

890
00:50:56.159 --> 00:50:59.159
<v Speaker 1>This is sort of an origin story to build up

891
00:50:59.280 --> 00:51:02.760
<v Speaker 1>because Leo on in the MCU, They're going to be

892
00:51:02.880 --> 00:51:06.519
<v Speaker 1>things that we learn in this story that will help

893
00:51:06.599 --> 00:51:09.320
<v Speaker 1>us when we get the film thirty eight, thirty nine, forty,

894
00:51:09.440 --> 00:51:09.960
<v Speaker 1>et cetera.

895
00:51:10.239 --> 00:51:10.440
<v Speaker 2>Right.

896
00:51:11.119 --> 00:51:15.000
<v Speaker 1>But I thought, overall, the chemistry, which you didn't use

897
00:51:15.039 --> 00:51:16.519
<v Speaker 1>that word, it was like, you know, they got a

898
00:51:16.559 --> 00:51:21.239
<v Speaker 1>lot the chemistry between these characters, I thought really worked well.

899
00:51:22.239 --> 00:51:25.480
<v Speaker 1>I thought that for all of the bluster of two

900
00:51:25.599 --> 00:51:28.519
<v Speaker 1>hours of this film, there's literally only like about eight

901
00:51:28.559 --> 00:51:30.880
<v Speaker 1>or nine speaking parts of different people of the speaking

902
00:51:30.920 --> 00:51:32.559
<v Speaker 1>through the whole movie. If you really think about it,

903
00:51:32.559 --> 00:51:41.360
<v Speaker 1>it's a fantastic for their press agent the adversary below. Yeah. Yeah,

904
00:51:41.400 --> 00:51:43.039
<v Speaker 1>there's not a lot of there's not a lot of

905
00:51:43.320 --> 00:51:46.199
<v Speaker 1>not a lot of dialogue, like, not a lot of characters.

906
00:51:46.199 --> 00:51:51.360
<v Speaker 1>It really centers on these four individuals and what they

907
00:51:51.440 --> 00:51:54.079
<v Speaker 1>have to do to kind of move it along.

908
00:51:53.800 --> 00:51:54.559
<v Speaker 2>In a two eight.

909
00:51:55.199 --> 00:51:58.920
<v Speaker 1>Now Here is where we diverge, right, because going into

910
00:51:58.960 --> 00:52:03.280
<v Speaker 1>this shame, I thought this is the fourth comic superhero

911
00:52:03.360 --> 00:52:05.639
<v Speaker 1>movie of the year, right, and.

912
00:52:07.320 --> 00:52:09.800
<v Speaker 2>Let be let's just call it what it is. I

913
00:52:09.880 --> 00:52:10.880
<v Speaker 2>was not a big fan.

914
00:52:10.719 --> 00:52:13.880
<v Speaker 1>Of Captain America A Brave New World, and I really

915
00:52:13.960 --> 00:52:18.119
<v Speaker 1>wasn't a big fan of Thunderbolts, right. I really liked Superman.

916
00:52:18.360 --> 00:52:21.679
<v Speaker 1>I really thought that what James Gunn did with Superman

917
00:52:21.920 --> 00:52:26.719
<v Speaker 1>was amazing R And I see this film by virtue

918
00:52:26.800 --> 00:52:30.880
<v Speaker 1>what I told you about. It's an origin story and

919
00:52:31.000 --> 00:52:34.199
<v Speaker 1>we're going to build up these characters later for them

920
00:52:34.239 --> 00:52:37.960
<v Speaker 1>to do amazing stuff. For me, I still think Superman

921
00:52:38.079 --> 00:52:41.679
<v Speaker 1>is the best comic superhero film of the first half

922
00:52:41.719 --> 00:52:46.760
<v Speaker 1>of the year. That's my opinion, right. And I had

923
00:52:46.760 --> 00:52:50.639
<v Speaker 1>to go back in and change my grade on this

924
00:52:50.760 --> 00:52:53.639
<v Speaker 1>movie because I had it rated as.

925
00:52:53.480 --> 00:52:54.400
<v Speaker 2>High as Superman.

926
00:52:54.519 --> 00:52:57.360
<v Speaker 1>I was like, Superman is better it's just a better

927
00:52:57.400 --> 00:53:00.239
<v Speaker 1>movie at this stage. Now I get be wrong that

928
00:53:00.400 --> 00:53:04.559
<v Speaker 1>later on the Fantastic Four can develop, like maybe in

929
00:53:04.639 --> 00:53:08.159
<v Speaker 1>Part two, maybe part three, when there's some more adversaries

930
00:53:08.239 --> 00:53:11.840
<v Speaker 1>and some more action, maybe we got a different story.

931
00:53:12.239 --> 00:53:15.079
<v Speaker 1>This story is good. I'm not saying it's bad. It's

932
00:53:15.679 --> 00:53:19.880
<v Speaker 1>easily the best of the Fantastic Four iterations that has

933
00:53:19.880 --> 00:53:20.440
<v Speaker 1>been out there.

934
00:53:20.559 --> 00:53:24.800
<v Speaker 2>Marls marvels. The thing with this, you know, the cast

935
00:53:25.039 --> 00:53:25.800
<v Speaker 2>is superb.

936
00:53:26.000 --> 00:53:29.360
<v Speaker 1>I thought, you know, the whole sixties aesthetic works really,

937
00:53:29.400 --> 00:53:33.119
<v Speaker 1>really well. It's a well done movie. So having said that,

938
00:53:33.199 --> 00:53:36.119
<v Speaker 1>I gave it a B, a straight bach straight B.

939
00:53:37.000 --> 00:53:39.119
<v Speaker 1>I had it at a B plus, but then I

940
00:53:39.159 --> 00:53:42.519
<v Speaker 1>had Superman at a B plus and it's not Superman.

941
00:53:43.320 --> 00:53:44.480
<v Speaker 2>A Fantastic Four B.

942
00:53:44.840 --> 00:53:48.880
<v Speaker 1>Now I know there are hardcore comic fans who are

943
00:53:48.960 --> 00:53:51.320
<v Speaker 1>like Tim, you don't know what you talk about. You're tripping.

944
00:53:51.719 --> 00:53:55.320
<v Speaker 1>All I can watch, Charles is what you give me. Right,

945
00:53:55.840 --> 00:53:58.719
<v Speaker 1>So there's no more to it, no less.

946
00:53:58.840 --> 00:53:59.679
<v Speaker 2>I'm not hating.

947
00:54:00.039 --> 00:54:04.880
<v Speaker 1>I say, I'm glad to see that the Fantastic Four

948
00:54:05.400 --> 00:54:09.320
<v Speaker 1>is finally brought into the MCU and it's.

949
00:54:09.199 --> 00:54:10.880
<v Speaker 2>Actually treated with some love.

950
00:54:11.400 --> 00:54:15.239
<v Speaker 1>It looks good, it plays well, it's got a short

951
00:54:15.360 --> 00:54:19.119
<v Speaker 1>run time. There's a lot of positives, it's just not

952
00:54:19.320 --> 00:54:22.880
<v Speaker 1>a lot there other than the origin set up.

953
00:54:22.920 --> 00:54:24.960
<v Speaker 2>For me, now, I'm looking forward.

954
00:54:24.719 --> 00:54:27.360
<v Speaker 1>To what they can do with this, and I'm positive

955
00:54:27.360 --> 00:54:30.199
<v Speaker 1>that no one marvel with you know, there's two part

956
00:54:30.239 --> 00:54:33.000
<v Speaker 1>Avengers that coming up. Is this Secret Wars and then

957
00:54:33.079 --> 00:54:37.559
<v Speaker 1>it's it's Doomsday. First Doomsday and then what Secret Wars? Okay,

958
00:54:37.559 --> 00:54:39.559
<v Speaker 1>then you know, so I gave it a B. So

959
00:54:39.599 --> 00:54:40.320
<v Speaker 1>what did you give it?

960
00:54:42.599 --> 00:54:44.760
<v Speaker 3>I wanted to give it an A minus, but I

961
00:54:46.119 --> 00:54:48.519
<v Speaker 3>stayed with the B plus. And I look back and

962
00:54:48.559 --> 00:54:51.360
<v Speaker 3>I say, it's the same grade that as Superman. But

963
00:54:51.840 --> 00:54:55.480
<v Speaker 3>unlike you, I think that this film is superior in

964
00:54:55.559 --> 00:54:58.880
<v Speaker 3>theme and tone than to Superman, because there were some

965
00:54:58.920 --> 00:55:03.159
<v Speaker 3>things about Superman that just didn't line up. For an instance,

966
00:55:03.800 --> 00:55:06.360
<v Speaker 3>they really were mad with Superman because he was an

967
00:55:06.360 --> 00:55:08.639
<v Speaker 3>alien coming to this planet, but they didn't have a

968
00:55:08.679 --> 00:55:11.480
<v Speaker 3>problem with Hawk Girl and she's an alien it come

969
00:55:11.519 --> 00:55:13.119
<v Speaker 3>to the planet and she's in part of.

970
00:55:13.119 --> 00:55:13.800
<v Speaker 2>The Justice Gang.

971
00:55:14.480 --> 00:55:16.960
<v Speaker 3>Did she get into that kind of hate? So there,

972
00:55:17.119 --> 00:55:19.000
<v Speaker 3>I mean, there were some things that I felt like

973
00:55:19.480 --> 00:55:22.400
<v Speaker 3>that happened in Superman. Superman is a great film, but

974
00:55:22.519 --> 00:55:27.119
<v Speaker 3>I think that as the time goes by, that some

975
00:55:27.199 --> 00:55:31.719
<v Speaker 3>of the themes that were relevant and important that Superman

976
00:55:31.800 --> 00:55:36.599
<v Speaker 3>Express will have dissowaited. And the themes that are in

977
00:55:36.639 --> 00:55:41.760
<v Speaker 3>the Fantastic Four are about family and hope and building

978
00:55:41.800 --> 00:55:45.679
<v Speaker 3>the community. Those things are going to last. And I

979
00:55:45.719 --> 00:55:50.800
<v Speaker 3>think that over time that this movie will be last

980
00:55:50.840 --> 00:55:53.760
<v Speaker 3>a lot better. It will communicate, you know how you

981
00:55:53.800 --> 00:55:56.280
<v Speaker 3>say sometimes a movie doesn't age well. I think that

982
00:55:56.360 --> 00:55:59.760
<v Speaker 3>the Fantastic Four will age a lot better. And it's

983
00:56:00.079 --> 00:56:02.519
<v Speaker 3>in this story because it is more of a universal

984
00:56:02.559 --> 00:56:05.119
<v Speaker 3>theme that people will be able to relate to, not

985
00:56:05.199 --> 00:56:06.599
<v Speaker 3>just now, but in the future.

986
00:56:07.400 --> 00:56:07.760
<v Speaker 2>All Right.

987
00:56:07.960 --> 00:56:10.800
<v Speaker 1>See, see, this is why we should have fights early

988
00:56:10.880 --> 00:56:11.880
<v Speaker 1>in the day, because.

989
00:56:11.599 --> 00:56:16.880
<v Speaker 2>It's time and now this was not we had earlier.

990
00:56:17.440 --> 00:56:21.000
<v Speaker 1>Charles called me a movie snob, and he called me

991
00:56:21.039 --> 00:56:23.400
<v Speaker 1>all kinds of stuff, and I was like, but bro,

992
00:56:23.559 --> 00:56:24.559
<v Speaker 1>we're doing the same thing.

993
00:56:24.599 --> 00:56:24.760
<v Speaker 2>Man.

994
00:56:24.800 --> 00:56:27.880
<v Speaker 1>You act like you're a plumber who reviews movies. You're

995
00:56:27.880 --> 00:56:30.320
<v Speaker 1>a film critic just like I am. And Charles hit

996
00:56:30.440 --> 00:56:32.199
<v Speaker 1>me with you know, at the church, right, you have

997
00:56:32.280 --> 00:56:35.159
<v Speaker 1>two pastors and then one is delivering the south. It's like,

998
00:56:35.199 --> 00:56:37.079
<v Speaker 1>okay to sha. You had to you had to bring

999
00:56:37.119 --> 00:56:38.880
<v Speaker 1>God into it to get me up off you. But

1000
00:56:38.880 --> 00:56:40.599
<v Speaker 1>it's all right, It's all right.

1001
00:56:40.480 --> 00:56:43.039
<v Speaker 2>That's what he's saying for it. He's my protector, he's

1002
00:56:43.079 --> 00:56:47.880
<v Speaker 2>my strong tower, my refuge. Wow. And what am I

1003
00:56:47.920 --> 00:56:52.199
<v Speaker 2>supposed to say to that? You're wrong? All right?

1004
00:56:52.360 --> 00:56:56.079
<v Speaker 1>So okay, so the two films just go over this

1005
00:56:56.079 --> 00:56:57.840
<v Speaker 1>one more time. So the two films we talked about

1006
00:56:57.840 --> 00:57:00.440
<v Speaker 1>this on the two projects. I just say, we talked

1007
00:57:00.440 --> 00:57:04.159
<v Speaker 1>about this weekend. I gave an A to Washington Black.

1008
00:57:04.239 --> 00:57:07.159
<v Speaker 1>I thought Washington Black was really really.

1009
00:57:07.039 --> 00:57:10.320
<v Speaker 2>Let me ask you this question, Yes, is this a

1010
00:57:10.880 --> 00:57:13.559
<v Speaker 2>TV A or is this a film A? Or is

1011
00:57:13.960 --> 00:57:17.280
<v Speaker 2>there a difference? There's no difference, man, I mean, Washing

1012
00:57:17.320 --> 00:57:21.000
<v Speaker 2>Black is better than Superman. Mm hmm. And and.

1013
00:57:24.159 --> 00:57:28.480
<v Speaker 1>To me, okay, I'm just let me phrase that, they're okay.

1014
00:57:29.119 --> 00:57:31.280
<v Speaker 1>That's a good question. That's a good question that I

1015
00:57:31.280 --> 00:57:34.119
<v Speaker 1>think about it. These projects are all different, man. So

1016
00:57:34.800 --> 00:57:38.159
<v Speaker 1>when you you know, there's stuff, there's documentaries, like I

1017
00:57:38.199 --> 00:57:41.079
<v Speaker 1>gave Lutheran A so you're like, luth is better than

1018
00:57:41.119 --> 00:57:47.119
<v Speaker 1>Superman and Superman was a documentary. But no, I think

1019
00:57:47.199 --> 00:57:52.199
<v Speaker 1>I think Washington Black sometimes and I'm just gonna be transparent.

1020
00:57:52.280 --> 00:57:56.000
<v Speaker 1>Sometimes you you you're giving grades the movies man, because

1021
00:57:56.000 --> 00:57:58.519
<v Speaker 1>they exceed what you think they are, right, and I

1022
00:57:58.559 --> 00:58:02.199
<v Speaker 1>think that you know, not to say that Fantastic four

1023
00:58:02.199 --> 00:58:04.559
<v Speaker 1>exceeded what I thought it was, but the first three

1024
00:58:04.880 --> 00:58:08.920
<v Speaker 1>were so not not my cup of tea, and this

1025
00:58:08.960 --> 00:58:11.679
<v Speaker 1>one actually works. I can actually watch this again. Yeah,

1026
00:58:11.760 --> 00:58:15.360
<v Speaker 1>I can actually watch the Fantastic for the first Steps again.

1027
00:58:15.400 --> 00:58:19.920
<v Speaker 1>But yeah, all right, man, So we're getting ready to

1028
00:58:19.920 --> 00:58:21.760
<v Speaker 1>get out of here now because Shane has got us

1029
00:58:21.800 --> 00:58:24.599
<v Speaker 1>on the straight fifty eight count. As we tell you

1030
00:58:24.679 --> 00:58:27.639
<v Speaker 1>every week, man, please see something good at the movies.

1031
00:58:27.679 --> 00:58:30.440
<v Speaker 1>We gave you a couple of options, and always remember

1032
00:58:30.800 --> 00:58:32.840
<v Speaker 1>to keep it real, keep it strong.

1033
00:58:34.239 --> 00:58:38.760
<v Speaker 2>I messed that up. We'll see you next week. Take care,

1034
00:58:39.000 --> 00:58:41.039
<v Speaker 2>Charles was waiting. I messed it up, man, I messed

1035
00:58:41.039 --> 00:58:52.239
<v Speaker 2>it up. Next week. We'll see you guys,
