WEBVTT

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<v Speaker 1>Podcast join host Hoho as he discusses the rimiting Netflix

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<v Speaker 1>original series Black Mirror. Now Here he is hoo Per

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<v Speaker 1>broadcasting from Weapini Soft Productions Studio B. Welcome to Black

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<v Speaker 1>Mirror Podcast and as always I'm your host ho Ho.

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<v Speaker 1>So hey, y'all's doing I hope you're doing good. I

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<v Speaker 1>really do, because today we are continuing in season seven

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<v Speaker 1>with episode five titled Eulogy. Now, I'll tell you what

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<v Speaker 1>this episode was, you know, a bit of a tear

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<v Speaker 1>jerker kind of you know, provocative, made you think a

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<v Speaker 1>little bit, and it is definitely a story of what

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<v Speaker 1>happened really when perception does not match reality. I mean,

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<v Speaker 1>I know we've heard it said right that perception is reality,

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<v Speaker 1>But what happens when it isn't what happens when what

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<v Speaker 1>you perceive to have been isn't actually what happened at all.

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<v Speaker 1>And that's kind of what this episode is about. Now

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<v Speaker 1>we see in this episode the same thing that we've

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<v Speaker 1>seen in several other episodes, and that is a repeat

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<v Speaker 1>in a matter of speaking of technology being used. And

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<v Speaker 1>in this case, I thought this was pretty stick and

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<v Speaker 1>awesome how this ended up playing out. Now, they used

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<v Speaker 1>this little tech thing that attaches to the side of

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<v Speaker 1>your head, right there on your temple, and that's kind

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<v Speaker 1>of what it uses to, you know, connect in essence

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<v Speaker 1>with your brain and allow you to to see in

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<v Speaker 1>a you know. Well, how they ended up using this

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<v Speaker 1>in this was see and go into the pictures. I

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<v Speaker 1>thought was awesome. So this episode starts, and by the way,

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<v Speaker 1>before we go any further, spoiler alert, we are going

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<v Speaker 1>to be talking about eulogy. So if you have yet

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<v Speaker 1>to see this episode in Black Mirror, head on over

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<v Speaker 1>to Netflix watch it, and then come on back for

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<v Speaker 1>the discussion. So let's go ahead and get into it now.

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<v Speaker 1>This episode started off pretty basic, pretty simple, and whenever

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<v Speaker 1>I seen the actor that was in this, I was like, Ooh,

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<v Speaker 1>I like this guy. This is h you know, Paul Giamaidi.

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<v Speaker 1>I'm probably butchering his last name, but whatever, I mean.

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<v Speaker 1>I've seen him in quite a few different things. An

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<v Speaker 1>awesome actor, he really is. I like his screen presence,

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<v Speaker 1>I like his you know, just what he brings to

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<v Speaker 1>a character, I really do. I like it. I like

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<v Speaker 1>the guy. I like him a lot. And it starts

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<v Speaker 1>off with him and he is in America, which is

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<v Speaker 1>actually kind of odd. For this series. I mean, not

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<v Speaker 1>a lot of you know, what goes on in Black

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<v Speaker 1>Mirror actually takes place in America. You don't really see that.

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<v Speaker 1>You know, this is more or less something that takes

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<v Speaker 1>place in Great Britain or in some other utopian place,

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<v Speaker 1>you know, not really in America. So it was kind

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<v Speaker 1>of neat to see one kind of I guess take

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<v Speaker 1>place in America. I mean, did it really I don't know,

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<v Speaker 1>probably not, but at any rate in the episode, that's

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<v Speaker 1>what it is. I mean, it's taken place in America.

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<v Speaker 1>Kind of cool. I thought that was nifty. But he's,

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<v Speaker 1>you know, walking around in his apartment, you know, things are,

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<v Speaker 1>you know whatever, and he gets a telephone call a

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<v Speaker 1>random and it's asking him if he knows Carol, and

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<v Speaker 1>I forget what the you know what the last name

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<v Speaker 1>that they use and he's like, no, I don't know

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<v Speaker 1>a Carol and it's like Carol this name and it

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<v Speaker 1>is like, well, no, I really don't. Can't say as

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<v Speaker 1>if I recall Carol something or another, and then it

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<v Speaker 1>was like, well her middle name was this, and he's like, oh, yeah, yeah,

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<v Speaker 1>I know I know that Carol. And they're introducing this

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<v Speaker 1>as a you know, eulogy telling him that Carol had

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<v Speaker 1>passed away, and this was uh Phillip's ex girlfriend, and

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<v Speaker 1>it's like she passed away, she had a daughter, her

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<v Speaker 1>name was Kelly, and upon Kelly's request, trying to get

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<v Speaker 1>as much information, you know, pictures, any other type of memory,

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<v Speaker 1>kind of filling the gaps of Carol's life. This is

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<v Speaker 1>what we're doing. Do you happen to have any pictures

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<v Speaker 1>or anything else of Carol that you would like to

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<v Speaker 1>include in the eulogy. And this is a guide that

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<v Speaker 1>is talking to him and he's like, well, you know,

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<v Speaker 1>not exactly. She's like, well, how about we just send

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<v Speaker 1>you this package and then we'll go from there. And

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<v Speaker 1>it's like okay. And next thing you see is, you know,

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<v Speaker 1>this drone flying in. You know, now obviously time passes,

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<v Speaker 1>but you know whatever, this drone's flying in and dropping

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<v Speaker 1>off a package from DHS No DHL. I'm sorry. Now

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<v Speaker 1>as soon as this, you know, I see this thing

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<v Speaker 1>coming in and I'm like, oh wow, you know, now

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<v Speaker 1>I know that these things, or at least from what

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<v Speaker 1>I have read that these things are a thing, right,

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<v Speaker 1>you know, But where I'm from, you don't see drones

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<v Speaker 1>delivering packages. You know, for me, that's just a little

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<v Speaker 1>on the huh. You know, and especially considering where Paul

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<v Speaker 1>lives in this episode that you know, you really wouldn't

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<v Speaker 1>think that this would be something he would get a

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<v Speaker 1>drone delivering a package. But I'm like, okay, you know whatever,

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<v Speaker 1>But I thought it was kind of neat. I've never

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<v Speaker 1>seen that before. I really haven't. I mean, granted, I mean,

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<v Speaker 1>I'm sure that there's YouTube videos out there on this. Okay, sure,

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<v Speaker 1>Now this is assuming that it does, you know, exist.

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<v Speaker 1>I know, this is technology that they are working on utilizing.

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<v Speaker 1>I don't know how far into it that they are.

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<v Speaker 1>I really have no idea, but to actually see it,

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<v Speaker 1>I was like, that's that's kind of pretty neat. Nothing

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<v Speaker 1>that I have seen where I'm at. Maybe you've had

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<v Speaker 1>a different experience, you know, offered you know, some places

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<v Speaker 1>in the city. Yeah, they do drone deliveries. It's just

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<v Speaker 1>to me, it's it's alien, right, it's foreign, it is

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<v Speaker 1>it is to me. I mean, are things different where

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<v Speaker 1>you're at. Let me know. Let me know down in

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<v Speaker 1>the comments below. Send me an email Hoh at Black

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<v Speaker 1>Mirror podcast dot com. Because I'm kind of curious, you know,

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<v Speaker 1>is this something that's commonplace where you're at but any rate,

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<v Speaker 1>any rate, So he opens up this package, right, and

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<v Speaker 1>it's kind of a brochure explaining what eulogy is, what

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<v Speaker 1>they do. He doesn't really read it. It's just kind

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<v Speaker 1>of like a okay, yeah, there's words here, and he

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<v Speaker 1>puts it down, you know, and sees this this little

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<v Speaker 1>disc you know, the the the uplink into into his brain.

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<v Speaker 1>But he doesn't you know, know it at the time,

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<v Speaker 1>and you know, he's talking into it, and you know,

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<v Speaker 1>he gets the the little intro and he he's like, look,

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<v Speaker 1>I don't want to hear about it, just you know,

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<v Speaker 1>let's get the intro. What do you want? What do

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<v Speaker 1>you want me to do? Because you know it's what

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<v Speaker 1>I have, what I remember. I don't really see this

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<v Speaker 1>helping you out. But the guide kind of talks him

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<v Speaker 1>into at least looking and he finds, you know, he

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<v Speaker 1>goes up into the attic, I don't know, down into

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<v Speaker 1>the basement. I have no idea where he actually ends

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<v Speaker 1>up going. I don't remember, but he opens up a

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<v Speaker 1>box and he sees some stuff in there, and I

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<v Speaker 1>guess he grabs three different pictures and in this picture,

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<v Speaker 1>it's like, it's not really much of a help, right

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<v Speaker 1>because in what of the picture it's her back is

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<v Speaker 1>to the camera and you can't see her face. But

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<v Speaker 1>what is awesome is what kind of happens next because

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<v Speaker 1>the guide is like, do you want to go into

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<v Speaker 1>the photo? And he's like, what are you talking about?

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<v Speaker 1>Do you want to go into the photos? It's easiest

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<v Speaker 1>instead of explaining it to you, I'll just show you

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<v Speaker 1>what it is I'm talking about. And then she's like,

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<v Speaker 1>placed a little disc on your temple and then you

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<v Speaker 1>can we'll go from there, right, And so he does

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<v Speaker 1>and just like in the entire history of you, you know,

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<v Speaker 1>the eyes well not just entire history of you know,

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<v Speaker 1>I guess there's been several different episodes, and you know

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<v Speaker 1>one of them is Striking Vipers, I guess, and you know,

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<v Speaker 1>the eyes kind of go cloudy in a way because

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<v Speaker 1>now instead of using his eyeballs, it's his it's his

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<v Speaker 1>mind's eye. And this was so cool how they ended

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<v Speaker 1>up using this technology, right, I mean, I thought this

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<v Speaker 1>was wow because instead of just looking at a two

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<v Speaker 1>D image, a two dimensional picture, he was in the

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<v Speaker 1>photographs as in you know, as if everything that was

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<v Speaker 1>there is now in a three D environment that he

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<v Speaker 1>can walk in and around and really see what was there.

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<v Speaker 1>I thought that was awesome. I'm like, dude, that was

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<v Speaker 1>so cool. I mean, now, the first time I've that,

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<v Speaker 1>I could recall in Black Mirror that they've used the

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<v Speaker 1>technology as in, you know, some sort of an uplink

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<v Speaker 1>to blend a two D fot into a three dimensional world.

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<v Speaker 1>This is the first time that I've seen this, you know,

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<v Speaker 1>a little bit different than what they had in Oh,

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<v Speaker 1>what show was that Hotel Riverie, Yeah, a little bit

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<v Speaker 1>different than that. But I just how they ended up

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<v Speaker 1>using the technology in this episode I thought was absolutely amazing. Now,

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<v Speaker 1>I mean, for me, I'm not I'm not much of

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<v Speaker 1>a picture guy. I don't take a lot myself and

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<v Speaker 1>I kind of avoid, you know, having pictures taken of me.

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<v Speaker 1>I'm just I just I don't know, I don't have

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<v Speaker 1>a reason. I'm just I'm not. I'm not about the

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<v Speaker 1>photograph life. I'm not, you know, I mean, I know

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<v Speaker 1>that there's a lot of people out there that are,

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<v Speaker 1>don't get me wrong, but it's just I've never been

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<v Speaker 1>that guy. You know. I don't take a lot of pictures.

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<v Speaker 1>Even though I got a you know, a cell phone

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<v Speaker 1>like most of us do, and that cell phone has

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<v Speaker 1>a pretty stake and awesome camera. I know I've kind

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<v Speaker 1>of played with a little bit, but I really never

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<v Speaker 1>used it outside of work. I mean, I've used it

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<v Speaker 1>for work a couple times, but just for me, I've

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<v Speaker 1>not really I just I just don't do that. But

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<v Speaker 1>how awesome would it be? Sorry about that, I had

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<v Speaker 1>a frog in my throat, had to cough, let me

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<v Speaker 1>take a quick drink. But how awesome would it be?

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<v Speaker 1>Because even though I'm not much of a picture guy,

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<v Speaker 1>I can still appreciate the technology. And it's not like

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<v Speaker 1>there aren't pictures that I've had that has you know,

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<v Speaker 1>been taken of me or other people that I know

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<v Speaker 1>that this type of technology wouldn't be just absolutely amazing.

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<v Speaker 1>It would be and how awesome would it be, you know,

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<v Speaker 1>to take a picture. Think back different photos that either

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<v Speaker 1>you've taken of somebody else, of you know, yourself, with

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<v Speaker 1>somebody experiencing something that you wouldn't mind experiencing again, or

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<v Speaker 1>at least seeing in three D. You know, I've said

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<v Speaker 1>that I'm not much of a picture guy, but you know,

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<v Speaker 1>even though I mean, there's definitely some pictures that wouldn't

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<v Speaker 1>just be absolutely amazing to experience in three D. I mean,

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<v Speaker 1>your mind's eye only goes so far, right, There's only

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<v Speaker 1>so much detail you can draw from a picture. There's

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<v Speaker 1>only you know, even being somebody that can think three

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<v Speaker 1>D still to be able to go into a picture

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<v Speaker 1>with all the clarity that that picture can provide and

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<v Speaker 1>it's like wow, to walk around it in that environment

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<v Speaker 1>and to really see I mean, that would just be awesome.

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<v Speaker 1>How many pictures do you have that utilizing this would

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<v Speaker 1>just blow your mind? I'm sure we all have a couple.

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<v Speaker 1>I'm sure we all have numerous or something like this

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<v Speaker 1>would just be holy count. I mean, like, I can

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<v Speaker 1>see how it could be a negative too. I mean

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<v Speaker 1>just like in you know, back in the first season

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<v Speaker 1>with the entire history of you. Yeah, it could be

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<v Speaker 1>used in the negative as long as you don't you know,

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<v Speaker 1>it's it's all about our own mindset, isn't it. It's

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<v Speaker 1>all about our own mindset, our own perceptions into different

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<v Speaker 1>things that has happened as to whether it would be

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<v Speaker 1>a good thing or a bad thing. But it's on

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<v Speaker 1>an individual basis. But wouldn't it still be awesome you

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<v Speaker 1>take some pictures of your most cherished moments, even like

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<v Speaker 1>in this case, and eulogy was somebody whom is no

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<v Speaker 1>longer in your life, but being able to see them

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<v Speaker 1>clearly as they were in three D. You know, my

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<v Speaker 1>father passed away a long time ago, you know, like

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<v Speaker 1>nineteen by nineteen years ago, and yeah, I've got pictures

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<v Speaker 1>that I've seen, you know, pictures that I still have

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<v Speaker 1>a picture that I have, like right underneath my TV.

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<v Speaker 1>So whenever I'm sitting there watching something on the TV,

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<v Speaker 1>below that on one of the shelves is a picture

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<v Speaker 1>of my father. So I get to see him in

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<v Speaker 1>two D quite often, but to be able to see

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<v Speaker 1>him would just be so cool. I mean, that'd be awesome,

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<v Speaker 1>you know, I mean it just, yeah, are there people

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<v Speaker 1>in your life that you miss do you like to

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<v Speaker 1>see again? And this could be a technology that could

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<v Speaker 1>be used in that way. So he's he's looking at

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<v Speaker 1>these pictures and one of them is like, you know,

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<v Speaker 1>her her back is turned to the you know, the

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<v Speaker 1>person who took the picture, and he's like, you know,

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<v Speaker 1>I don't see her face, and that that hit because

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<v Speaker 1>you know, you come to find out that Philip and uh,

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<v Speaker 1>what's her name, Carol is? You know, they were you know,

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<v Speaker 1>they were together for a time. I don't remember how

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<v Speaker 1>long they were together, but they were together and then

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00:17:09.079 --> 00:17:11.720
<v Speaker 1>things just ended up happening and you really don't know

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<v Speaker 1>what ian definitely not at this point, but it's like,

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<v Speaker 1>you know, it's it wasn't the best of things, and

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<v Speaker 1>it was you know, we learned that after they separated

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<v Speaker 1>that you know, Philip's life just kind of went into

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<v Speaker 1>the toilet, right, I mean that's kind of the perception

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<v Speaker 1>of what you get that, you know, and he's blaming

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<v Speaker 1>her one hundred percent, absolutely is blaming her for everything.

246
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<v Speaker 1>And after these three pictures, you're really not getting any

247
00:17:43.880 --> 00:17:50.039
<v Speaker 1>clearer of an idea of their relationship per se. And

248
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<v Speaker 1>Philip is still not able to see Carol's face, and

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<v Speaker 1>and the guide is like, well, do you have anything else?

250
00:18:01.079 --> 00:18:04.839
<v Speaker 1>Maybe there's more that you have that can help out,

251
00:18:04.880 --> 00:18:07.039
<v Speaker 1>and maybe we'll be able to piece up, you know,

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00:18:07.160 --> 00:18:11.000
<v Speaker 1>piece together enough things that will jog your memory and

253
00:18:11.039 --> 00:18:14.079
<v Speaker 1>you'll be able to see her face. Wouldn't that be dies? Right?

254
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<v Speaker 1>And he goes back to you know, where he's got everything,

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00:18:19.839 --> 00:18:26.319
<v Speaker 1>and he's like, that's not going to help because with

256
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<v Speaker 1>all of the photos that he has, and you get

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<v Speaker 1>the idea that there's quite a few, you know, I

258
00:18:33.039 --> 00:18:35.880
<v Speaker 1>think there's like, you know, a dozen or so pictures

259
00:18:35.880 --> 00:18:39.519
<v Speaker 1>that he's found, but in every one of these pictures,

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<v Speaker 1>he is either cut out her face or has marked

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<v Speaker 1>on it in some way to where you cannot see

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00:18:54.079 --> 00:18:59.759
<v Speaker 1>the face at all. And so Philip, I mean, he's

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<v Speaker 1>taken this time to really remember what she looked like,

264
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<v Speaker 1>and he's not even able to see her face. I mean,

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00:19:12.559 --> 00:19:16.680
<v Speaker 1>how how horrible is that, you know, somebody that you

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<v Speaker 1>truly loved, truly cared about, regardless of the pain that

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00:19:22.599 --> 00:19:31.799
<v Speaker 1>you felt in the moment, looking back, and not being

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00:19:31.839 --> 00:19:37.960
<v Speaker 1>able to remember what they looked like. It's got to

269
00:19:38.000 --> 00:19:41.440
<v Speaker 1>be hard, you know. I mean I mentioned that, you know,

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<v Speaker 1>I've got a picture of my father, you know, right

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<v Speaker 1>underneath my TV. But in all honesty, it's like, I

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00:19:50.440 --> 00:19:58.319
<v Speaker 1>don't remember what my father sounded like. I really don't,

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<v Speaker 1>you know. I mean, in time, those type of memories fade.

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<v Speaker 1>And even though there are times whenever I'll hear his voice,

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<v Speaker 1>there's not a tone, you know, it's more or less

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<v Speaker 1>a something that I know that he would say or

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00:20:18.359 --> 00:20:23.440
<v Speaker 1>something of that nature. But it's not him. It's my

278
00:20:23.559 --> 00:20:27.680
<v Speaker 1>interpretation of his voice because I just don't remember what

279
00:20:27.720 --> 00:20:32.240
<v Speaker 1>he sounds like, you know. So to have somebody that

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<v Speaker 1>you cared so much about not being able to see

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00:20:36.920 --> 00:20:45.079
<v Speaker 1>them anymore, ouch not being able to remember what they

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00:20:45.119 --> 00:20:52.279
<v Speaker 1>sounded like or what they looked like. And so he's,

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00:20:52.440 --> 00:20:57.359
<v Speaker 1>you know, going through these memories, and as they're going

284
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<v Speaker 1>through these pictures, you kind of a little bit clearer

285
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<v Speaker 1>of an idea of what really happened between Philip and Carol.

286
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<v Speaker 1>You know, he's talking about, you know, being at this

287
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<v Speaker 1>party and this was the first time that those two

288
00:21:20.160 --> 00:21:26.200
<v Speaker 1>were together, and he's remembering it and it's like the

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00:21:26.240 --> 00:21:29.720
<v Speaker 1>biggest positive thing that had ever happened to him in

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00:21:29.759 --> 00:21:36.319
<v Speaker 1>the relationship. And then you see another picture with and

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00:21:36.400 --> 00:21:40.880
<v Speaker 1>I guess there was like three pictures of this Halloween party,

292
00:21:42.880 --> 00:21:47.519
<v Speaker 1>and he's talking about how he was or I'm sorry,

293
00:21:47.519 --> 00:21:50.759
<v Speaker 1>how Carol was spending time with another guy that was

294
00:21:50.880 --> 00:21:53.799
<v Speaker 1>just all over him and he was upset about that,

295
00:21:55.319 --> 00:21:59.599
<v Speaker 1>ignoring the fact that he had his coworker that was

296
00:22:00.359 --> 00:22:05.640
<v Speaker 1>right there by his side hitting on him. But that

297
00:22:05.839 --> 00:22:10.160
<v Speaker 1>was something that he didn't remember in the moment, completely

298
00:22:10.200 --> 00:22:14.559
<v Speaker 1>blaming Carol for the strife that happened later on that night,

299
00:22:16.559 --> 00:22:19.759
<v Speaker 1>and the guide even pointed out to Philip that, hey,

300
00:22:20.000 --> 00:22:27.000
<v Speaker 1>you know, you look at Carol's body language, and she's

301
00:22:27.160 --> 00:22:30.839
<v Speaker 1>not all into him. He's you know, she's leaning away,

302
00:22:30.960 --> 00:22:33.599
<v Speaker 1>She's wanting to get away from him. And yet the

303
00:22:33.640 --> 00:22:38.359
<v Speaker 1>only thing you can remember is that she sat right

304
00:22:38.400 --> 00:22:43.920
<v Speaker 1>next to him, but not taking into consideration that she

305
00:22:43.960 --> 00:22:48.119
<v Speaker 1>didn't want to be there. Her body language was clear,

306
00:22:48.160 --> 00:22:50.079
<v Speaker 1>you know, So, I mean, this is another case how

307
00:22:51.000 --> 00:22:58.920
<v Speaker 1>his perception of the event did not match reality. And

308
00:22:58.960 --> 00:23:02.240
<v Speaker 1>then the guides even pointing to him and pointing out,

309
00:23:02.359 --> 00:23:04.759
<v Speaker 1>I'm sorry, pointing out to him that hey, you know,

310
00:23:06.599 --> 00:23:10.920
<v Speaker 1>here you're looking down on Carol for sitting next to

311
00:23:11.000 --> 00:23:13.640
<v Speaker 1>a guy and focusing on how that hurt you. But

312
00:23:13.720 --> 00:23:18.400
<v Speaker 1>what you're ignoring is the fact that you had a female.

313
00:23:18.559 --> 00:23:22.240
<v Speaker 1>You had a woman that was all up on you.

314
00:23:24.519 --> 00:23:27.839
<v Speaker 1>Regardless of how platonic you want to say that it was,

315
00:23:27.960 --> 00:23:35.559
<v Speaker 1>how meaningless this interaction was, it was still something, and

316
00:23:35.599 --> 00:23:43.559
<v Speaker 1>you're ignoring one and only focusing on the other. You know,

317
00:23:43.640 --> 00:23:50.519
<v Speaker 1>looking back in you know relationships that I've had, isn't

318
00:23:50.519 --> 00:23:54.119
<v Speaker 1>this how we kind of do it. I mean, I know,

319
00:23:54.200 --> 00:24:00.319
<v Speaker 1>I have, you know, And maybe we do it to

320
00:24:00.400 --> 00:24:06.119
<v Speaker 1>protect ourselves emotionally. Maybe we do it because you know,

321
00:24:06.160 --> 00:24:09.119
<v Speaker 1>nobody wants to be the victim in their own story.

322
00:24:09.160 --> 00:24:12.000
<v Speaker 1>Nobody wants to be the aggressor in their own story.

323
00:24:12.359 --> 00:24:16.759
<v Speaker 1>Nobody wants to be the villain in their own story.

324
00:24:20.640 --> 00:24:29.160
<v Speaker 1>So you vilify somebody else and you vindicate yourself, and

325
00:24:29.240 --> 00:24:31.599
<v Speaker 1>all too often, I mean, do we have to tell

326
00:24:32.319 --> 00:24:37.920
<v Speaker 1>ourselves lies in order to do it? We can't just

327
00:24:38.119 --> 00:24:44.240
<v Speaker 1>look at past events, things that happen between two people

328
00:24:46.119 --> 00:24:53.359
<v Speaker 1>and say I did nothing wrong. Sometimes we gotta be

329
00:24:53.480 --> 00:24:56.640
<v Speaker 1>honest with ourselves. And yet you know, I screwed that

330
00:24:56.759 --> 00:25:00.480
<v Speaker 1>up too, and we come to find find out the

331
00:25:00.519 --> 00:25:07.039
<v Speaker 1>Philip wasn't able to do that. He ignored what he did,

332
00:25:07.160 --> 00:25:10.880
<v Speaker 1>not even thinking about it, focusing only on what Carol did.

333
00:25:10.960 --> 00:25:18.200
<v Speaker 1>And it's like, dude, how many of us do that?

334
00:25:20.519 --> 00:25:26.240
<v Speaker 1>I mean, I know I have, And don't get me wrong,

335
00:25:26.240 --> 00:25:29.759
<v Speaker 1>I mean, I get it. Nobody wants to be the

336
00:25:29.839 --> 00:25:32.000
<v Speaker 1>villain in their own story. We want to be the hero.

337
00:25:33.519 --> 00:25:36.640
<v Speaker 1>And whether it's to protect ourselves, protect our own image,

338
00:25:36.680 --> 00:25:45.359
<v Speaker 1>or whether it's whether it's just because hating somebody is

339
00:25:45.400 --> 00:25:48.799
<v Speaker 1>a lot easier of an emotion to deal with than

340
00:25:49.680 --> 00:25:54.400
<v Speaker 1>the hurt and the sorrow that comes around comes along

341
00:25:54.480 --> 00:26:02.039
<v Speaker 1>with missing somebody. Maybe that's what it is. Maybe it's

342
00:26:02.079 --> 00:26:09.440
<v Speaker 1>more of a defense mechanism. I'm guilty of it. I'm

343
00:26:09.480 --> 00:26:12.519
<v Speaker 1>sure we all are in you know, some ways, shape

344
00:26:12.599 --> 00:26:15.839
<v Speaker 1>or form. I'm sure that we're all guilty of that.

345
00:26:18.920 --> 00:26:21.559
<v Speaker 1>So he's looking at pictures and you know, here you

346
00:26:21.640 --> 00:26:23.960
<v Speaker 1>have a picture of her in a band, but she's

347
00:26:24.000 --> 00:26:27.960
<v Speaker 1>not playing the cello because she is a huge cello fan.

348
00:26:28.000 --> 00:26:30.799
<v Speaker 1>That's what she wants to do. Oh yeah, and by

349
00:26:30.839 --> 00:26:37.319
<v Speaker 1>the way, no, I think I think the band picture

350
00:26:37.359 --> 00:26:39.680
<v Speaker 1>was first. So yeah, the band picture, she's playing the cello.

351
00:26:40.880 --> 00:26:47.640
<v Speaker 1>And or in the band picture she's not playing a cello.

352
00:26:47.720 --> 00:26:50.480
<v Speaker 1>She's playing a keyboard. I apologize, she's playing the keyboard.

353
00:26:51.440 --> 00:26:54.319
<v Speaker 1>And the guide was like, why is she playing the keyboard?

354
00:26:54.359 --> 00:26:59.880
<v Speaker 1>And Phillip's like, well, the cello didn't fit the sound

355
00:27:00.119 --> 00:27:04.720
<v Speaker 1>of our band. And the guy's like, well, why didn't

356
00:27:04.720 --> 00:27:10.240
<v Speaker 1>you change her sound to suit Carol? Why didn't you

357
00:27:10.319 --> 00:27:15.680
<v Speaker 1>do that? And he was like, well, she never complained

358
00:27:15.720 --> 00:27:18.359
<v Speaker 1>about it. I mean she was you know, she was

359
00:27:18.400 --> 00:27:21.359
<v Speaker 1>a musician that could play anything. She was fine with it,

360
00:27:22.000 --> 00:27:23.440
<v Speaker 1>and it's like, how do you know did you ask

361
00:27:23.480 --> 00:27:26.599
<v Speaker 1>her type of thing? Right? I mean? And you're really

362
00:27:27.160 --> 00:27:30.119
<v Speaker 1>getting the idea that Philip, even though he claimed he

363
00:27:30.160 --> 00:27:34.039
<v Speaker 1>loved her, it really didn't seem as though he was

364
00:27:34.200 --> 00:27:38.880
<v Speaker 1>able to what's the word, I'm looking for, sacrifice what

365
00:27:39.000 --> 00:27:42.519
<v Speaker 1>he wanted for the sake of Carol. Like, he really

366
00:27:42.599 --> 00:27:46.240
<v Speaker 1>wasn't happy about doing that. He didn't want to do that.

367
00:27:49.240 --> 00:27:52.039
<v Speaker 1>He wasn't able to sacrifice. He wasn't able to change

368
00:27:52.079 --> 00:27:55.240
<v Speaker 1>for the sake of her. He expected her to change

369
00:27:55.240 --> 00:27:58.240
<v Speaker 1>for him, but that didn't match the reality he had

370
00:27:58.319 --> 00:28:03.440
<v Speaker 1>drawn about their relationship, so he forgot that. And then

371
00:28:03.480 --> 00:28:08.160
<v Speaker 1>that's whenever we go to the Halloween thing, you know,

372
00:28:08.200 --> 00:28:10.920
<v Speaker 1>the Halloween party, and you know, we come to find

373
00:28:10.960 --> 00:28:14.039
<v Speaker 1>out that you know, they were up way too late,

374
00:28:14.799 --> 00:28:20.640
<v Speaker 1>and he and Carol missed an opportunity that very much

375
00:28:20.720 --> 00:28:23.920
<v Speaker 1>could have been life altering for her because it was

376
00:28:23.960 --> 00:28:33.079
<v Speaker 1>an experience that she wanted right. But instead she got

377
00:28:33.119 --> 00:28:42.039
<v Speaker 1>an offer to play in a play. That's funny. I

378
00:28:42.119 --> 00:28:52.880
<v Speaker 1>don't remember what the play was. What was the play? Ah,

379
00:28:52.920 --> 00:28:59.839
<v Speaker 1>it doesn't matter, But what's important is this play put

380
00:29:00.079 --> 00:29:10.519
<v Speaker 1>her in London a bit of a trip, so they

381
00:29:10.559 --> 00:29:19.359
<v Speaker 1>had to separate for a time. And then you hear about,

382
00:29:20.759 --> 00:29:24.359
<v Speaker 1>you know, well, okay, you see another picture and it's

383
00:29:24.400 --> 00:29:27.960
<v Speaker 1>a picture of him laying on a bed flipping off

384
00:29:28.000 --> 00:29:35.200
<v Speaker 1>the camera. Oh sorry, And the guide asks Philip, okay,

385
00:29:35.839 --> 00:29:41.880
<v Speaker 1>who's taken the photo? And he's like, oh crap. It

386
00:29:42.079 --> 00:29:49.359
<v Speaker 1>was this gal I forget what her name was, the

387
00:29:49.440 --> 00:29:54.240
<v Speaker 1>same one that was being all frisky with him whenever

388
00:29:54.400 --> 00:29:57.599
<v Speaker 1>he was at the bar working during the Halloween party,

389
00:29:58.480 --> 00:30:01.920
<v Speaker 1>the same one, and he like, you know, there was

390
00:30:02.039 --> 00:30:05.680
<v Speaker 1>nothing going on. He's trying to, you know, give himself

391
00:30:05.799 --> 00:30:09.640
<v Speaker 1>cover that there was nothing going on. It was just

392
00:30:10.079 --> 00:30:14.880
<v Speaker 1>a whatever, you know it. It wouldn't have even been

393
00:30:14.920 --> 00:30:20.200
<v Speaker 1>an issue had Carol not called and Emily I think

394
00:30:20.279 --> 00:30:24.720
<v Speaker 1>Emily was her name, picked up the phone and they

395
00:30:24.759 --> 00:30:28.920
<v Speaker 1>had an argument, a screaming match between the two, and

396
00:30:29.000 --> 00:30:32.720
<v Speaker 1>it was just it was bad, right, you know, And

397
00:30:32.759 --> 00:30:36.279
<v Speaker 1>you come to find out that, you know, maybe Philip

398
00:30:36.680 --> 00:30:41.319
<v Speaker 1>wasn't as blameless in this whole thing as he would

399
00:30:41.359 --> 00:30:52.359
<v Speaker 1>have liked to have believed. That he was bring some

400
00:30:52.440 --> 00:31:03.279
<v Speaker 1>things into context. And then I believe it was about

401
00:31:03.400 --> 00:31:09.640
<v Speaker 1>three weeks after this, after this fight, you know, Philip

402
00:31:09.720 --> 00:31:13.039
<v Speaker 1>definitely realizes that, hey, you know, he loves Carol with

403
00:31:13.160 --> 00:31:17.079
<v Speaker 1>everything that he is, with every inch of his being.

404
00:31:17.200 --> 00:31:20.920
<v Speaker 1>I guess you can say he loves her and he

405
00:31:20.960 --> 00:31:23.799
<v Speaker 1>wants to spend the rest of his life with her.

406
00:31:24.960 --> 00:31:27.960
<v Speaker 1>So he makes a plan. He's going to fly out

407
00:31:28.000 --> 00:31:30.920
<v Speaker 1>to London. He talks to Carol, she knows that he's

408
00:31:31.039 --> 00:31:45.279
<v Speaker 1>on his way. He sets up a hotel room, he

409
00:31:45.319 --> 00:31:52.039
<v Speaker 1>gets a reservation at a very fancy restaurant, orders a

410
00:31:52.039 --> 00:32:01.400
<v Speaker 1>bottle of champagne because he tells the the employees, the

411
00:32:01.440 --> 00:32:04.880
<v Speaker 1>people that work in this restaurant, that hey, I need

412
00:32:04.920 --> 00:32:08.680
<v Speaker 1>a reservation because I'm going to propose to my girlfriend.

413
00:32:08.720 --> 00:32:13.160
<v Speaker 1>And when he's there, he's drinking and he's upset because

414
00:32:13.160 --> 00:32:21.359
<v Speaker 1>she's not drinking anything. He proposes. She doesn't respond, she

415
00:32:21.400 --> 00:32:25.599
<v Speaker 1>can't even look him in the eye. She's got her

416
00:32:25.640 --> 00:32:34.440
<v Speaker 1>eyes downcast. And he's getting upset. Right, he's getting He's

417
00:32:34.519 --> 00:32:43.480
<v Speaker 1>like what the hell? And he's like, say something, respond

418
00:32:44.960 --> 00:32:49.079
<v Speaker 1>instead of just completely leaving him hanging. And she gets

419
00:32:49.160 --> 00:32:53.440
<v Speaker 1>up and she walks out. He polishes off the rest

420
00:32:53.440 --> 00:32:56.440
<v Speaker 1>of that bottle, right, you know, I mean he's self

421
00:32:56.519 --> 00:33:00.559
<v Speaker 1>pity polishes off the rest of the bottle, and then

422
00:33:00.559 --> 00:33:03.039
<v Speaker 1>he goes back to the hotel. She has packed up

423
00:33:03.079 --> 00:33:10.279
<v Speaker 1>her things and she's left. He kind of destroys the

424
00:33:15.279 --> 00:33:18.799
<v Speaker 1>destroys the the hotel room. But you know, they're talking

425
00:33:18.880 --> 00:33:22.440
<v Speaker 1>back and forth, and this is where we get revealed

426
00:33:22.440 --> 00:33:28.960
<v Speaker 1>whenever he is inside the the picture, you know, the

427
00:33:28.960 --> 00:33:32.680
<v Speaker 1>the advertisement for the hotel that I'm sorry, not the hotel,

428
00:33:33.200 --> 00:33:36.160
<v Speaker 1>but the restaurant that they went to where he proposed.

429
00:33:36.920 --> 00:33:40.240
<v Speaker 1>And this is where we find out that the guide

430
00:33:40.519 --> 00:33:52.160
<v Speaker 1>is none other than Carol's daughter, Kelly mind blown right,

431
00:33:57.880 --> 00:34:00.440
<v Speaker 1>And what Kelly ends up saying is, no, I'm not

432
00:34:00.640 --> 00:34:09.519
<v Speaker 1>actually Kelly, but Carol was pregnant with me when she

433
00:34:09.679 --> 00:34:12.039
<v Speaker 1>was there, Because it was Kelly the pointed out that

434
00:34:12.679 --> 00:34:19.559
<v Speaker 1>Carol wasn't into that guy in the picture during Halloween.

435
00:34:21.000 --> 00:34:27.119
<v Speaker 1>It was Kelly that pointed out that Carol was pregnant,

436
00:34:28.320 --> 00:34:35.000
<v Speaker 1>That's why she refused to drink. And also pointed out

437
00:34:35.880 --> 00:34:45.440
<v Speaker 1>that Carol had left a letter that apparently Philip never seen,

438
00:34:46.199 --> 00:34:50.039
<v Speaker 1>never read, and had he seen it, had he read it,

439
00:34:51.840 --> 00:34:56.920
<v Speaker 1>he would have heard her out. Maybe something else could

440
00:34:56.920 --> 00:34:59.840
<v Speaker 1>have happened. And while they were in this well, okay,

441
00:35:00.119 --> 00:35:06.000
<v Speaker 1>so he had seen that he got this camera for

442
00:35:06.119 --> 00:35:09.800
<v Speaker 1>the trip down to London, but he didn't take any

443
00:35:09.880 --> 00:35:15.679
<v Speaker 1>pictures because there was nothing to celebrate, nothing to immortalize,

444
00:35:15.719 --> 00:35:19.960
<v Speaker 1>if you will, and nothing happened of it. And he

445
00:35:20.000 --> 00:35:23.159
<v Speaker 1>looks at the camera and it's a disposable camera from

446
00:35:23.199 --> 00:35:25.639
<v Speaker 1>back in the day, right, things that we used back

447
00:35:25.679 --> 00:35:27.840
<v Speaker 1>in the day. And he looks on top of this

448
00:35:27.920 --> 00:35:32.000
<v Speaker 1>camera and he sees something that probably made his heart stop, right.

449
00:35:32.320 --> 00:35:36.199
<v Speaker 1>He's seen that there was a picture taken on this

450
00:35:36.320 --> 00:35:40.199
<v Speaker 1>camera and he's like, oh, so it takes the camera.

451
00:35:41.320 --> 00:35:44.239
<v Speaker 1>He has the one of those one hour photo places

452
00:35:44.800 --> 00:35:50.519
<v Speaker 1>and is like, can you process this this camera? It's like, dude,

453
00:35:50.519 --> 00:35:52.679
<v Speaker 1>I haven't seen one of these in ages. Yeah, okay,

454
00:35:52.760 --> 00:35:54.639
<v Speaker 1>I don't need a history lesson. Can you do it?

455
00:35:55.360 --> 00:35:57.679
<v Speaker 1>And he's like, give me a bit. He goes, I

456
00:35:57.719 --> 00:35:59.559
<v Speaker 1>want to have to go through all of this role.

457
00:36:00.159 --> 00:36:01.719
<v Speaker 1>The only thing you're going to get is the one

458
00:36:01.719 --> 00:36:04.079
<v Speaker 1>photo that's on here. Are you sure? Yes? Do it?

459
00:36:04.159 --> 00:36:09.480
<v Speaker 1>Do it now? So he does, gets it processed, and

460
00:36:09.559 --> 00:36:12.519
<v Speaker 1>what you have, what you see? What he gets back

461
00:36:13.679 --> 00:36:18.320
<v Speaker 1>whenever he gets this developed is the ruin of the

462
00:36:18.360 --> 00:36:22.400
<v Speaker 1>hotel room. After he got back to the hotel room,

463
00:36:22.480 --> 00:36:26.639
<v Speaker 1>seeing that she had packed her stuff and taken off

464
00:36:29.519 --> 00:36:34.360
<v Speaker 1>and he's in the photo. He is explaining what he

465
00:36:34.440 --> 00:36:38.559
<v Speaker 1>was feeling during this and that's whenever he sees the

466
00:36:38.719 --> 00:36:43.239
<v Speaker 1>letter that Carol had written to him. Holy crap. And

467
00:36:43.280 --> 00:36:45.920
<v Speaker 1>he is trying with all his might to pick up

468
00:36:45.960 --> 00:36:50.639
<v Speaker 1>this letter that's in the photograph, and Kelly the Guide

469
00:36:50.679 --> 00:36:53.440
<v Speaker 1>is like, oh, you can't do that. It's just a photo.

470
00:36:53.559 --> 00:36:57.159
<v Speaker 1>It's not how this thing works. After he gets out

471
00:36:57.199 --> 00:37:01.079
<v Speaker 1>of that picture, then he remembers because she prompted, and

472
00:37:01.199 --> 00:37:06.800
<v Speaker 1>what he did and the whole He finds the letter

473
00:37:09.760 --> 00:37:18.239
<v Speaker 1>and after reading what Carol had wrote, it changed everything

474
00:37:19.760 --> 00:37:22.679
<v Speaker 1>because he found out what was really going on. He

475
00:37:22.800 --> 00:37:29.000
<v Speaker 1>found out why Carol did what she did. He found

476
00:37:29.000 --> 00:37:36.320
<v Speaker 1>out that Carol wanted them to move on and stay

477
00:37:36.360 --> 00:37:42.559
<v Speaker 1>a couple and work through this. But because he was

478
00:37:42.599 --> 00:37:48.159
<v Speaker 1>so wrapped up in grief in the moment, he was

479
00:37:48.239 --> 00:37:55.760
<v Speaker 1>blinded by what was really going on, and instead of

480
00:37:55.800 --> 00:38:00.719
<v Speaker 1>having a happily ever after, or at least the chance

481
00:38:01.840 --> 00:38:08.239
<v Speaker 1>at a happily ever after, he instead got a totally

482
00:38:09.159 --> 00:38:22.280
<v Speaker 1>different outcome, totally different direction in his life. How many

483
00:38:22.280 --> 00:38:32.760
<v Speaker 1>different instances in our lives do you think, where the

484
00:38:32.800 --> 00:38:38.800
<v Speaker 1>reality that if people were to at least come together

485
00:38:39.079 --> 00:38:47.159
<v Speaker 1>in some way, some shape or form and are really

486
00:38:47.360 --> 00:38:53.400
<v Speaker 1>able to communicate what's going on. How often do you

487
00:38:53.400 --> 00:38:57.119
<v Speaker 1>think that would really change the outcome of a situation,

488
00:38:58.239 --> 00:39:02.440
<v Speaker 1>change the relationship between two people. I mean, how often

489
00:39:02.480 --> 00:39:10.760
<v Speaker 1>do you actually think that would benefit I mean, sometimes

490
00:39:10.760 --> 00:39:13.280
<v Speaker 1>you get two extremes, right, I mean you get people

491
00:39:13.320 --> 00:39:16.519
<v Speaker 1>who share too much and you get people who just

492
00:39:16.800 --> 00:39:18.920
<v Speaker 1>can't share at all. And I mean, yeah, I mean

493
00:39:18.960 --> 00:39:22.280
<v Speaker 1>you got to find that, you know, that balance between

494
00:39:22.280 --> 00:39:26.239
<v Speaker 1>the two, right, And sometimes you need to deliver information

495
00:39:26.480 --> 00:39:29.119
<v Speaker 1>without emotion because that's the only way you can do

496
00:39:29.239 --> 00:39:38.280
<v Speaker 1>it and keep your sanity. And sometimes we just shut

497
00:39:38.280 --> 00:39:51.440
<v Speaker 1>off entirely. But this is an instance where on really

498
00:39:51.480 --> 00:39:55.079
<v Speaker 1>on both of their sides, if they would have done

499
00:39:55.119 --> 00:40:02.280
<v Speaker 1>some communication, if they would have talked about things, because

500
00:40:02.320 --> 00:40:07.400
<v Speaker 1>it really seems as though they didn't. They didn't really

501
00:40:07.440 --> 00:40:11.039
<v Speaker 1>talk about things. They didn't put it out there. I mean,

502
00:40:11.039 --> 00:40:13.280
<v Speaker 1>did Carol? I mean yeah, Okay, so we know that

503
00:40:13.320 --> 00:40:16.639
<v Speaker 1>they had a fight. We don't know what was said

504
00:40:16.719 --> 00:40:23.079
<v Speaker 1>after the Halloween party, and it really does look like

505
00:40:23.199 --> 00:40:29.079
<v Speaker 1>Philip was kind of oblivious to what Carol wanted, what

506
00:40:29.239 --> 00:40:34.079
<v Speaker 1>she truly desired, things that was going on. I mean, really,

507
00:40:34.199 --> 00:40:38.519
<v Speaker 1>was he the one that completely shut down and shut

508
00:40:38.599 --> 00:40:47.440
<v Speaker 1>himself out and you know, really blocked Carol. Like truth

509
00:40:47.480 --> 00:40:49.159
<v Speaker 1>he told he kind of looks like that, doesn't it.

510
00:40:52.079 --> 00:40:56.400
<v Speaker 1>I mean, it looks like Philip was his own worst enemy.

511
00:40:58.119 --> 00:41:04.719
<v Speaker 1>Dang it? Right? Is that how it is? On our

512
00:41:04.760 --> 00:41:10.519
<v Speaker 1>own story? Are we our own worst enemy? If we

513
00:41:10.519 --> 00:41:14.880
<v Speaker 1>would consider somebody else instead of being completely selfish all

514
00:41:14.920 --> 00:41:19.559
<v Speaker 1>the time? How much would it change? How much could

515
00:41:19.599 --> 00:41:26.239
<v Speaker 1>it have changed? I don't know. So the story ends

516
00:41:28.599 --> 00:41:35.000
<v Speaker 1>where Philip is actually able to see Carol's heart, and

517
00:41:35.119 --> 00:41:42.559
<v Speaker 1>where he had completely refused before to participate in this eulogy,

518
00:41:43.840 --> 00:41:52.440
<v Speaker 1>let alone even go to the funeral. He does because

519
00:41:52.480 --> 00:41:54.880
<v Speaker 1>in his moments of remembering things, he had found a

520
00:41:54.920 --> 00:42:01.840
<v Speaker 1>cassette tape that Carol had recorded for him, and upon

521
00:42:02.159 --> 00:42:08.119
<v Speaker 1>listening to this song that Carol composed herself, he was

522
00:42:08.280 --> 00:42:12.840
<v Speaker 1>actually able to, for the first time in this entire episode,

523
00:42:13.480 --> 00:42:19.519
<v Speaker 1>see Carol's face, and he was able to see her laugh.

524
00:42:20.920 --> 00:42:24.519
<v Speaker 1>How awesome is that? That was so cool to actually

525
00:42:24.559 --> 00:42:27.440
<v Speaker 1>see that. Like I said, this puppy was a bit

526
00:42:27.480 --> 00:42:32.760
<v Speaker 1>of a tear jerker. And after this happened, he goes

527
00:42:32.880 --> 00:42:40.079
<v Speaker 1>to the wake the eulogy, and he hears the cello

528
00:42:40.199 --> 00:42:43.760
<v Speaker 1>music playing, and whenever he's standing there at the door

529
00:42:44.320 --> 00:42:51.920
<v Speaker 1>looking in, he sees Kelly playing Carol's song, and at

530
00:42:51.920 --> 00:42:54.440
<v Speaker 1>the end of her playing the song, she looks up,

531
00:42:56.400 --> 00:43:06.480
<v Speaker 1>she sees Philip, and there's a bit of a nod reconciliation,

532
00:43:06.840 --> 00:43:16.159
<v Speaker 1>maybe because it's apparent that Carol still felt a lot

533
00:43:16.199 --> 00:43:21.480
<v Speaker 1>for him. But Carol's reality was different than Philip's reality though, too,

534
00:43:21.480 --> 00:43:31.719
<v Speaker 1>because Carol thought that Philip read the letter, rejected her

535
00:43:32.159 --> 00:43:40.239
<v Speaker 1>for what had happened and wanted nothing to do with him,

536
00:43:42.800 --> 00:43:45.360
<v Speaker 1>or I'm sorry, I wanted nothing to do with her.

537
00:43:46.320 --> 00:43:49.679
<v Speaker 1>That's what Carol thought to her dying day. That's what

538
00:43:49.719 --> 00:43:54.199
<v Speaker 1>Carol thought. Again, another aspect where you know, perception didn't

539
00:43:54.280 --> 00:43:57.960
<v Speaker 1>match reality. And I mean, I understand why Carol wanted

540
00:43:57.960 --> 00:44:02.280
<v Speaker 1>to just write a letter instead of talking, you know,

541
00:44:02.320 --> 00:44:05.119
<v Speaker 1>instead of talking with I get that, you know, she

542
00:44:05.280 --> 00:44:07.960
<v Speaker 1>just poured her heart out, you know, laid her self bear.

543
00:44:08.440 --> 00:44:11.519
<v Speaker 1>Of course she doesn't want to talk to him. But

544
00:44:11.639 --> 00:44:14.800
<v Speaker 1>this is another aspect of how much would have changed

545
00:44:16.440 --> 00:44:19.559
<v Speaker 1>if she would have picked up a phone, either even

546
00:44:19.599 --> 00:44:30.440
<v Speaker 1>a month, a week later something. This is a story

547
00:44:30.440 --> 00:44:39.920
<v Speaker 1>of what happens when perception doesn't match reality, And boy,

548
00:44:39.960 --> 00:44:43.760
<v Speaker 1>how do. I tell you this, I would love to

549
00:44:43.840 --> 00:44:52.519
<v Speaker 1>see the you know, some things two D images that

550
00:44:52.599 --> 00:44:56.559
<v Speaker 1>I could experience in three D that would be absolutely amazing.

551
00:44:56.599 --> 00:45:00.679
<v Speaker 1>And I'm not talking about VR. Don't get me wrong.

552
00:45:00.679 --> 00:45:02.559
<v Speaker 1>There's some awesome things you can do in VR. There

553
00:45:02.599 --> 00:45:08.920
<v Speaker 1>really is. I've been having fun in VR, but that's

554
00:45:09.199 --> 00:45:14.239
<v Speaker 1>not the same, is it. I mean, could you do

555
00:45:14.360 --> 00:45:16.599
<v Speaker 1>something like this in VR? I don't even know that that's

556
00:45:16.519 --> 00:45:22.239
<v Speaker 1>even possible. I mean, I'm sure in some way, shape

557
00:45:22.280 --> 00:45:24.360
<v Speaker 1>or for because like if I remember correctly, you can

558
00:45:26.159 --> 00:45:30.760
<v Speaker 1>you know, like go to different places, experience different landmarks

559
00:45:30.840 --> 00:45:36.920
<v Speaker 1>and whatnot, you know those that have you know, things

560
00:45:37.039 --> 00:45:40.719
<v Speaker 1>in them. But that's different than being in an environment

561
00:45:40.800 --> 00:45:45.159
<v Speaker 1>and just kind of seeing a panoramic view of everything.

562
00:45:48.800 --> 00:45:50.960
<v Speaker 1>That's just neat how they ended up using technology in

563
00:45:50.960 --> 00:45:53.920
<v Speaker 1>this anyway, That's all I got for y'all today. That

564
00:45:54.159 --> 00:45:59.320
<v Speaker 1>is it. The next episode I am supremely excited about

565
00:46:00.440 --> 00:46:03.360
<v Speaker 1>because the next episode we are going to be doing

566
00:46:03.679 --> 00:46:08.639
<v Speaker 1>Uss Callister into Infinity, and this is an episode that

567
00:46:08.800 --> 00:46:12.840
<v Speaker 1>I was extremely excited to hear about whenever I first

568
00:46:12.880 --> 00:46:18.159
<v Speaker 1>heard about them doing season seven of Black Mirror because

569
00:46:18.159 --> 00:46:20.880
<v Speaker 1>this is the part two to I believe it was

570
00:46:22.199 --> 00:46:31.360
<v Speaker 1>episode one maybe of Black Mirror, episode one of season

571
00:46:31.559 --> 00:46:36.880
<v Speaker 1>four maybe yep, episode one season for USS Caliser, Part two,

572
00:46:37.039 --> 00:46:41.159
<v Speaker 1>something that I'm definitely excited to watch. I cannot weigh anyway.

573
00:46:41.199 --> 00:46:42.760
<v Speaker 1>That's all I got for y'all. Is that is it.

574
00:46:43.239 --> 00:46:46.119
<v Speaker 1>Do me a favor and head on over to stinkpickle

575
00:46:46.800 --> 00:46:49.079
<v Speaker 1>dot com s t I n K P I k

576
00:46:49.440 --> 00:46:52.280
<v Speaker 1>l E dot com. Got some merch over there, support

577
00:46:52.320 --> 00:46:55.239
<v Speaker 1>the channel, and I do appreciate each and every one

578
00:46:55.280 --> 00:46:57.000
<v Speaker 1>of you. So you' allys, have yourself a great one

579
00:46:57.719 --> 00:47:07.639
<v Speaker 1>and I will see you and the next one. Thank

580
00:47:07.679 --> 00:47:10.400
<v Speaker 1>you for listening to the Black Mirror podcast. If you

581
00:47:10.400 --> 00:47:12.880
<v Speaker 1>would like to join the conversation, you can comment on

582
00:47:12.920 --> 00:47:15.880
<v Speaker 1>this episode a sprinker dot com or go to the

583
00:47:15.920 --> 00:47:18.920
<v Speaker 1>ho host show dot com, Forward, slash form and the

584
00:47:19.000 --> 00:47:20.039
<v Speaker 1>discussion board for this
