WEBVTT

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<v Speaker 1>From Workhouse Connect and aj Benza fame. Uh he'd liked

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<v Speaker 1>to be walked on a leash and play really dirty,

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<v Speaker 1>kinky sex games. Is uh the guy put the cock

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<v Speaker 1>in the Peacock network. Okay, bitch, Hey, everybody, aj Ben's

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<v Speaker 1>are here with famous a bitch. This is your daily

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<v Speaker 1>Unfiltered podcast for August twelfth, twenty twenty five eight one

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<v Speaker 1>two two oh two five A very special date for

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<v Speaker 1>a number of reasons which I'll get to soon. Oh

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<v Speaker 1>big date. I don't think you even understand how big

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<v Speaker 1>this date is. I don't like that we're uh twelve

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<v Speaker 1>hours no more, we're more than twelve hours since my

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<v Speaker 1>podcast landed on Patreon and I got two fucking comments too.

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<v Speaker 1>I don't like that shit at all. What are you

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<v Speaker 1>busy today? Something going on? It's not tax Day? What's

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<v Speaker 1>going on? Why is nobody talking? I don't like that

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<v Speaker 1>shit I'm reading here. Well, let me start by saying,

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<v Speaker 1>I don't think I don't think many of you have

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<v Speaker 1>heard of the name of somebody called Lil Tay, right.

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<v Speaker 1>I mean, I know there was like some controversy a

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<v Speaker 1>couple of years back, some young influencer and her parents

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<v Speaker 1>and all this kind of shit. But what is this?

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<v Speaker 1>Lil Tay is now eighteen, and she says her only

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<v Speaker 1>fans account broke the record. And this is after she

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<v Speaker 1>turned eighteen. Her only fans account broke the record to

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<v Speaker 1>the point where her only fans numbers when it comes

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<v Speaker 1>to like the first day of Going Up is equivalent

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<v Speaker 1>to Sidney Sweeney and Sabrina Carmenteron. Lil Tay is a nothing,

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<v Speaker 1>little eighteen year old nothing. She got the single day

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<v Speaker 1>subscription Crown, not only fan, she took it from Bad Barbie.

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<v Speaker 1>Cash me outside, girl. I mean, this is insane. This

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<v Speaker 1>goes eighteen years old, and she says her dms are

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<v Speaker 1>flooded with celebrities and athletes looking to get a piece

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<v Speaker 1>of her. She's eighteen, she doesn't even look eighteen. She

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<v Speaker 1>got her first seven figure payout within three hours, not

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<v Speaker 1>thirty hours, three hours. This ship's gonna be starring a

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<v Speaker 1>movie soon, this little girl, because that's all Hollywood cares about.

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<v Speaker 1>Now she has a music career. She thinks she's gonna

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<v Speaker 1>get to She's channeling Tellus Swift, using the Taylor Swift

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<v Speaker 1>blueprint as a pop star, but she's not getting anywhere

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<v Speaker 1>near the amount of traction she did with music as

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<v Speaker 1>she does on only fans. She's a little, tiny kid,

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<v Speaker 1>she's eighteen. And I know there's stories about heard in

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<v Speaker 1>the past from two to three years ago where people

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<v Speaker 1>said her father and her mother were, you know, using

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<v Speaker 1>her life to get money, and they're pushing her and

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<v Speaker 1>prodding her and exploiting her. But I don't think so.

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<v Speaker 1>I see the way this girl operates. I don't think

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<v Speaker 1>there are many kids out there who are doing well

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<v Speaker 1>on OnlyFans where their parents are forcing them to do it.

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<v Speaker 1>I don't believe that. I can't believe even kids who

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<v Speaker 1>were born into a great life, like the Charlie Sheen daughter,

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<v Speaker 1>money for decades, money for a generation. But yet let

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<v Speaker 1>me get my tits blown up and go on only fans.

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<v Speaker 1>Oh no, oh no, let me get the implants out.

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<v Speaker 1>They hurt me, they bother me. But my mother's doing it,

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<v Speaker 1>so I got to do it. This is the most

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<v Speaker 1>disgusting breakdown of the American family, if you could even

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<v Speaker 1>consider Denise Richards and Charlie Sheen an American family. But

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<v Speaker 1>this is the breakdown. It's disgusting. Mommy, you're doing only offense.

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<v Speaker 1>Why can't I daddy has tiger blood and aids. Why

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<v Speaker 1>can't I go bananas? It's just so disgusting. But look

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<v Speaker 1>up for little Tay if you like that little eighteen

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<v Speaker 1>year old, disgusting little sexuality. The girl can barely do

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<v Speaker 1>anything outside of sucking on a blowpop. But if that

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<v Speaker 1>makes you horny, oh my god, you're sick. You're sick.

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<v Speaker 1>She's not even I hate to even say this, she's

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<v Speaker 1>not even an eighteen year old who has Like I

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<v Speaker 1>remember Courtney Stodden, who blossomed in sixteen, You go, oh

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<v Speaker 1>my god, this girl, no, Lill Tay is nothing. And

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<v Speaker 1>yet there's some creepy motherfuckers out there who want to

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<v Speaker 1>see everything about her so gross. By the way, as

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<v Speaker 1>often as the case, I watched movies galore, you know,

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<v Speaker 1>I watched all sorts of stuff on Prime and Netflix

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<v Speaker 1>and Hulu and Apple, you name it. I did catch

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<v Speaker 1>a documentary on Prime over the weekend, and it's a

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<v Speaker 1>story I already knew about. We did this on Mysteries

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<v Speaker 1>and Scandals, and it's the story of this crazy nineteen

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<v Speaker 1>fifty sixth movie called a Conqueror. And that movie has

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<v Speaker 1>become infamous among people who love movies not only for

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<v Speaker 1>its casting of John Wayne as the Mongolian warlord Genghis Khan.

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<v Speaker 1>Also there are a number of suspicious deaths that followed

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<v Speaker 1>the filming of this movie, which was done downwind of

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<v Speaker 1>a nuclear testing site. And here we are nearly seventy

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<v Speaker 1>years later. That's why I had to watch this, this documentary,

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<v Speaker 1>because this is the most this is the biggest Hollywood

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<v Speaker 1>fuck up of all time. It's one thing to produce

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<v Speaker 1>a bomb, but to produce a bomb that kills actors

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<v Speaker 1>and everybody else on the staff, on the crew, You've

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<v Speaker 1>never seen that before. You'll never see it since. So

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<v Speaker 1>seventy years later and the makers of this documentary, The

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<v Speaker 1>Conqueror Hollywood fall Out on Prime, I suggest you see it.

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<v Speaker 1>And it tells the story of this community of Saint George, Utah,

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<v Speaker 1>which was what they call a down wind community from

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<v Speaker 1>where our government was conducting nuclear power tests. And every

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<v Speaker 1>bomb day dropped there was stronger, like I said the

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<v Speaker 1>other day, bigger than Eiroshima, bigger than Nagasaki. And they

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<v Speaker 1>let everybody in America, especially Utah, Nevada, think there's nothing

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<v Speaker 1>to worry about, you know, just go about your business,

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<v Speaker 1>you guys, know we all did it when it came

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<v Speaker 1>to the Cold War. We all were supposed to get

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<v Speaker 1>under our desk and hold our head, or lay out

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<v Speaker 1>in the hallway and keep our heads against the wall.

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<v Speaker 1>All horseshit. There were even videos we saw of if

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<v Speaker 1>you're riding your bike outside and you hear a horn,

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<v Speaker 1>drop the bike, jump outside, get down beneath the picnic table, anything,

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<v Speaker 1>even a curb, hold your head. You might survive such horseshit.

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<v Speaker 1>But this documentary is really good, tells the story about

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<v Speaker 1>these bombs that were set off near where the film

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<v Speaker 1>was shot, and at the time the Conqueror was filming

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<v Speaker 1>in the Utah Desert just outside the town of Saint

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<v Speaker 1>George was Saint George was one hundred and thirty seven

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<v Speaker 1>miles downwind from this Nevada test site where the government

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<v Speaker 1>conducted more than how many do you think, twenty thirty fifty,

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<v Speaker 1>one hundred and twenty tests, nine hundred nuclear tests, nine

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<v Speaker 1>hundred some of those tests, some of those mushroom clouds

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<v Speaker 1>went as high as forty thousand feet. The Atomic Energy

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<v Speaker 1>Commission the AEC, for years had told the locals there

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<v Speaker 1>was not to worry about. It's nothing to way no.

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<v Speaker 1>And then some ranchers be again to complain about their sheep.

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<v Speaker 1>There was a big sheep hurting crowd, and they're like, hey,

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<v Speaker 1>my sheep were dying. Not only that they gave these

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<v Speaker 1>mysterious blemishes and blotches and infections on their skin. No, no, no, no,

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<v Speaker 1>that's just a happenstance. There must be something in the earth,

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<v Speaker 1>must be what you're feeding them now, I don't think so.

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<v Speaker 1>They're all dying mysteriously, dozens and dozens and hundreds, and

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<v Speaker 1>the hundreds of sheep are dying. And a bunch of

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<v Speaker 1>ranchers who would raised these sheeps for decades, they knew,

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<v Speaker 1>they knew what they were doing. But at one point

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<v Speaker 1>most of their sheep were dying with these big, ugly

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<v Speaker 1>lesions on their bodies. It didn't make any sense. They'd

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<v Speaker 1>never seen this before, hundreds of dead sheep at their ranch. Now,

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<v Speaker 1>sheep were one thing. But after the movie was completely shot,

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<v Speaker 1>people in town began to notice that a very high

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<v Speaker 1>rate of cancer among people involved with the filming. Ninety

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<v Speaker 1>one out of two hundred and twenty crew members developed

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<v Speaker 1>the illness that's almost fifty percent forty six and died

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<v Speaker 1>the director was named Dick Powell. John Wayne was the star,

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<v Speaker 1>Susan Hayward was the star. Agnes moorehead All three of

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<v Speaker 1>them eventually died of cancer as well, even Pedro armand Dadis.

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<v Speaker 1>He was a very accomplished Mexican actor and the only

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<v Speaker 1>non white member of the film's cast. He died by

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<v Speaker 1>suicide when his cancer became terminal and he could no

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<v Speaker 1>longer take it. Not for nothing, there were a bunch

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<v Speaker 1>of local Native Americans. I forget the name of the tribe,

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<v Speaker 1>but they were used as extras for a huge crown,

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<v Speaker 1>a crowd in battle scenes. They didn't keep records of

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<v Speaker 1>the people's names who worked as extras, but the cancer

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<v Speaker 1>rates among them was sky high, and tons of them

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<v Speaker 1>died of cancer. I mean, you watched the film, which

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<v Speaker 1>I did over the weekend, if you have the patience,

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<v Speaker 1>it's awful. I mean, it's just really bad. I'll take

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<v Speaker 1>you as my wife. See that's supposed to be John

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<v Speaker 1>Wayne acting as Ganga's Khan. I take you as my wife.

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<v Speaker 1>See no, no, it doesn't really work. So bad absurd features,

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<v Speaker 1>the eyes, the slits, the high eyebra. It was so bad. Meanwhile,

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<v Speaker 1>there was like a Shakespearean kind of dialogue. And they

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<v Speaker 1>wrote this with Marlon Brando in mind, because he was

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<v Speaker 1>the first one they looked after. And they then Brando

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<v Speaker 1>finally crapped out after he saw face and what it

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<v Speaker 1>would look like to try to look like Genghis Khan.

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<v Speaker 1>He said, now I want nothing to do with this.

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<v Speaker 1>John Wayne stepped in, and you know, with him there,

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<v Speaker 1>the tough guy from the tough guy from Hollywood making

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<v Speaker 1>those cowboy movies and shit, maybe he could change his

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<v Speaker 1>screenplay and make it fun. He was the duke after all.

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<v Speaker 1>The producer is Howard Hughes. Okay, he produced The Conqueror,

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<v Speaker 1>and he was nuts. As we know, around this time

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<v Speaker 1>he began to He didn't hide, he wasn't disappearing, but

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<v Speaker 1>he did want to have an affair with Susan Hayward,

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<v Speaker 1>one of the stars he made that very well known.

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<v Speaker 1>Matter of fact, people think he cast her with that

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<v Speaker 1>in mind period, which happened all the time in Hollywood.

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<v Speaker 1>He got his way and had a fleet with her,

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<v Speaker 1>like he did with every one of his leading ladies.

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<v Speaker 1>But this movie began to be such a failure for

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<v Speaker 1>how it used that it almost it probably began his

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<v Speaker 1>descent into staying alone in a hotel room watching a

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<v Speaker 1>movie over and over again, his nails growing longer. People

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<v Speaker 1>assistance making him tuna fish sandwiches by first cleaning the

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<v Speaker 1>can of tuna fish, pouring the tuna fish out, throwing

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<v Speaker 1>the can away, making sure the bread was clean. I mean,

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<v Speaker 1>this guy was a fucking nut. But one thing Howard

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<v Speaker 1>used did was he took sixty tons of the desert

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<v Speaker 1>sand from this area and he delivered it to the

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<v Speaker 1>RKO Pictures soundstage and Hollywood so they can film the

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<v Speaker 1>interior scenes with the dancers and et cetera, a lot

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<v Speaker 1>of dance numbers. Instead of flying them out to Utah,

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<v Speaker 1>let's keep them on the lot, throw some you know,

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<v Speaker 1>real live sand, and let them do their dance numbers

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<v Speaker 1>there now. According to the documentary, epidemiologists warned of the

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<v Speaker 1>difficulty of, you know, identifying a single cause for one cancer.

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<v Speaker 1>John Wayne himself was very skeptical of a connection between

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<v Speaker 1>the filming and the disease striking the cast and crew.

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<v Speaker 1>He even said, look, you know, Dick Powell and armand

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<v Speaker 1>Derrees and me, we're all heavy smokers. I mean, come on,

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<v Speaker 1>you can't lay this on the dirt and on the

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<v Speaker 1>nuclear testing we smoked two three packs a day. By

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<v Speaker 1>the way, I heard Jason Momoa on the SmartLess podcast

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<v Speaker 1>today saying that he was smoking three packs of cigarettes

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<v Speaker 1>a day during Game of Thrones. I want to throw up.

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<v Speaker 1>That's disgusting. Oh god, three packs a day. Anyhow, Susan

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<v Speaker 1>Edward Dick Powell both died in their fifties, way too

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<v Speaker 1>young to develop cancer. And as this documentary begins to

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<v Speaker 1>make clear the longer you watch it, all the people

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<v Speaker 1>who lived in Saint George, Utah who developed cancer during

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<v Speaker 1>the same period. A lot of young children were involved

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<v Speaker 1>as well. And like I said, Howard used was hell

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<v Speaker 1>bent on having Susan Hayward cast because he was wanted

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<v Speaker 1>nothing more than to have an affair with the which

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<v Speaker 1>he did. But there were weeks and weeks when so

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<v Speaker 1>many of the stars of the film, they weren't staying

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<v Speaker 1>at motels and hotels in this little town, but people

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<v Speaker 1>around town and Saint George gave up their homes or

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<v Speaker 1>or at least got paid for these movie stars to

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<v Speaker 1>rent their homes out for the next four or five

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<v Speaker 1>six weeks. And that's what they did. I mean, it

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<v Speaker 1>was like crazy, like Susan Hayward and John Wayne are

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<v Speaker 1>living on the same block, and John Wayne's son is there,

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<v Speaker 1>and he admitted later in the documentary he saw on

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<v Speaker 1>nights where Susan Hayward would be running in the backyard

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<v Speaker 1>half naked, meeting her dad in the backyard by a pool,

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<v Speaker 1>and they'd have sex. And John Wayne's son knew about this.

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<v Speaker 1>It was a wild, crazy time. Howard Hughes eventually said

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<v Speaker 1>he felt very guilty, he said, actually guilty as hell

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<v Speaker 1>about the production of this movie. And as he became

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<v Speaker 1>increasingly reclusive, he ended up buying every single print of

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<v Speaker 1>this film and watched it on a loop in his

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<v Speaker 1>hotel suite in Las Vegas, where he lived out his

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<v Speaker 1>last days of insanity. And then there were questions about

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<v Speaker 1>John Wayne's death. People magazine brought it up to begin with,

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<v Speaker 1>and people in Utah began to investigate, maybe there's a

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<v Speaker 1>connection between their medical histories aid this movie. They began

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<v Speaker 1>to get smart. Lawyers walked in, began to have meetings

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<v Speaker 1>and let's talk about class action. This class action that

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<v Speaker 1>you've seen movies, you know how it goes. Senator Orrin

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<v Speaker 1>Hatch Utah came to their defense, and back in nineteen

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<v Speaker 1>ninety eight they passed the Radiation Exposure Compensation Act r ECA,

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<v Speaker 1>now recently expired, but that was so anybody who lived

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<v Speaker 1>in that area. A lot of these people assumed that, well,

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<v Speaker 1>if you're doing these tests in Saint Joe, I know

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<v Speaker 1>it's not going to get the Salt Lake City. And

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<v Speaker 1>people would tell these Utahns, what are you crazy? You

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<v Speaker 1>think that the radiation material knows to stop at the

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<v Speaker 1>border of the next city or the next county. No,

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<v Speaker 1>it gets up in the jet stream and it goes

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<v Speaker 1>across America and it wraps around the world. Matter of fact,

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<v Speaker 1>there's a lot of blowback that landed in California too,

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<v Speaker 1>Southern California. It goes everywhere. That's how stupid we were

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<v Speaker 1>back then. But this movie is going to go down

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<v Speaker 1>on history as the film that kill John Wayne. But

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<v Speaker 1>I love this whole thing about the sixty tons of

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<v Speaker 1>dirt that was taken from the radioactive site and then

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<v Speaker 1>he dropped it at the lot at Archao. But then

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<v Speaker 1>John Wayne's son tells us that he and a friend

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<v Speaker 1>went there with a Geiger copter right to check for

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<v Speaker 1>radio acts activity. And many years later the Geiger Counter

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<v Speaker 1>was going bananas. That dirt was still very radioactive sitting

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<v Speaker 1>on a Hollywood lot. Some people said that dirt was

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00:19:14.839 --> 00:19:18.920
<v Speaker 1>then moved to some studio in Culver City, and then

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<v Speaker 1>finally Susan Haywood's son said that most of it was

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<v Speaker 1>delivered to some ranch and semi valley. Who the hell knows,

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<v Speaker 1>But what a story. All these people dying of cancer,

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<v Speaker 1>and all these people in Utah they called the down windows,

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<v Speaker 1>the people who never thought they'd be affected by it.

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<v Speaker 1>Boy were they ever. So many of them in this

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<v Speaker 1>documentary you'll see came down with all sorts of cancer.

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<v Speaker 1>Everybody in their family did. Makes you sick? How lied

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<v Speaker 1>to we are? I mean just fucking lied to. You

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<v Speaker 1>See the whole that these these bombs put in the

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<v Speaker 1>desert in Utah, you can't. It's like looking at the

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<v Speaker 1>Grand Canyon. These are like two hundred three hundred foot holes.

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<v Speaker 1>And like I said yesterday, soldiers who came to watch

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<v Speaker 1>this were laying lying in trenches that were built. And

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<v Speaker 1>one guy said, when the bomb went off, even though

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<v Speaker 1>his hands were covering his eyes, he could see through

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<v Speaker 1>his fingers, through his bones, through his friend's work boots.

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<v Speaker 1>That he could spot the skeletal toes of his friend.

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<v Speaker 1>That's how whatever kind of light that is from a

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00:20:38.119 --> 00:20:47.640
<v Speaker 1>nuclear bomb? Can you imagine that? But it, uh, it

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<v Speaker 1>was something else, and then you match that up against

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<v Speaker 1>something else. I saw this weekend. I've seen it many times,

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<v Speaker 1>but I saw Sunset Boulevard and by then away. It's

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<v Speaker 1>August tenth is when this movie opened, and three hundred

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<v Speaker 1>of Hollywood's most important studio execs, producers, directors, and stars

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<v Speaker 1>crowdled into one theater to see Sunset Boulevard. And boy

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<v Speaker 1>did it just take off? And as the end, and

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<v Speaker 1>I hope you guys have seen it, the story of

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00:21:25.960 --> 00:21:29.359
<v Speaker 1>an old Hollywood star was trying to make it back,

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00:21:29.680 --> 00:21:32.039
<v Speaker 1>clawing away back to the big time with a young

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<v Speaker 1>Screenrid Bilt, William Holden, and Gloria Swanson playing Norman Desmond.

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<v Speaker 1>It's one of the greatest, fucking it's the greatest film

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<v Speaker 1>nor movie of all time. Sums up fame like you

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00:21:44.279 --> 00:21:49.279
<v Speaker 1>have no idea, and those end credits come up over

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00:21:49.319 --> 00:21:53.359
<v Speaker 1>the final image of who was this silent film star

295
00:21:53.599 --> 00:21:59.920
<v Speaker 1>has been Norma Desmond crawling or slowly walking toward the cat.

296
00:22:00.440 --> 00:22:06.079
<v Speaker 1>Fingers are curled up in this demented manner, and these

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<v Speaker 1>people outside the paparazzi, there's photo photographers outside, and she

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00:22:11.519 --> 00:22:15.599
<v Speaker 1>keeps moving forward, and it's just so sad when she said,

299
00:22:15.839 --> 00:22:19.000
<v Speaker 1>mister the Milla, I'm ready for my close up. It's

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00:22:19.000 --> 00:22:25.640
<v Speaker 1>so sad. But this is what it's like. This is

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00:22:25.680 --> 00:22:28.480
<v Speaker 1>what it's like for so many Hollywood stars who get.

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00:22:31.319 --> 00:22:35.119
<v Speaker 2>Past their past, their by on date, if you know

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<v Speaker 2>what I mean, and they're trying to scrape anything they

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00:22:38.720 --> 00:22:40.759
<v Speaker 2>can from what they used to be.

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<v Speaker 1>And be a star again. It's very sad, but you know,

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<v Speaker 1>many of these people like Glorious Watson playing Norman Desmond.

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<v Speaker 1>You look at all our major Hollywood stars going back

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<v Speaker 1>from the twenties and moving forward, especially in that Hollywood

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00:23:02.720 --> 00:23:07.119
<v Speaker 1>Gilded Age, were they not gods? I mean, come on,

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<v Speaker 1>Hetty Lamar, Betty Crabel, Glorious Wantson, so many actresses who

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00:23:17.480 --> 00:23:22.039
<v Speaker 1>you couldn't get Molina Dietrich, so many of them were

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00:23:22.119 --> 00:23:27.160
<v Speaker 1>like goods, John Crawford, Betty Davis. Couldn't get near them.

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<v Speaker 1>And the films they made are eternal. They still play

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<v Speaker 1>every day, and we watched them. I mean, will you

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<v Speaker 1>ever get bored of seeing Humphrey Bolgron and Ingrid Bergen

316
00:23:40.799 --> 00:23:48.119
<v Speaker 1>on the tarmac of Casablanca. Of course you will. But

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00:23:48.160 --> 00:23:50.680
<v Speaker 1>the thing about Sunset Boulevard was it was the first

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00:23:50.720 --> 00:23:58.039
<v Speaker 1>film where it really showed proof that stars get old

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00:23:59.160 --> 00:24:03.279
<v Speaker 1>and the business begins to surpass them. And that's such

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00:24:03.319 --> 00:24:08.960
<v Speaker 1>a scary moment for a big star. We know it now,

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00:24:09.039 --> 00:24:13.000
<v Speaker 1>we've seen it happen to many of our favorite actors

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<v Speaker 1>and actresses. But you know, back in nineteen fifty, it

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00:24:15.880 --> 00:24:20.079
<v Speaker 1>didn't happen so often. There are second acts and third

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<v Speaker 1>acts and sometimes even fourth acts in pop culture. People

325
00:24:25.640 --> 00:24:32.119
<v Speaker 1>reinvent themselves. They have fresh personas, new mediums. Some of

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00:24:32.160 --> 00:24:37.480
<v Speaker 1>them age with grace or good plastic surgery. But back

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<v Speaker 1>in nineteen fifty, it was shocking that an actress who

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<v Speaker 1>was so great and beautiful could grow old. It was

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<v Speaker 1>very disarming to females in the business. I mean, you

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<v Speaker 1>know the talking pictures in the late nineteen twenties. Once

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<v Speaker 1>that ended and Hollywood took these women, it was like

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<v Speaker 1>we lost a dozens of dinosaurs, people that so many

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<v Speaker 1>moviegoers loved. They were all gone when the medium changed

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00:25:16.319 --> 00:25:20.599
<v Speaker 1>to talkies. Some survived, Greta Garbo, Charlie Chaplin, Joe Crawford.

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<v Speaker 1>You know, a couple of handfuls of them survived, they

336
00:25:24.200 --> 00:25:29.400
<v Speaker 1>made a big life for themselves, but many didn't. But

337
00:25:29.480 --> 00:25:32.400
<v Speaker 1>the point was, back then, the way Hollywood did things

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00:25:32.480 --> 00:25:36.240
<v Speaker 1>is no one saw the movie stars age. And that

339
00:25:36.400 --> 00:25:39.720
<v Speaker 1>was the town's big secret. It was a big lie,

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00:25:39.880 --> 00:25:43.680
<v Speaker 1>but it was also a big secret. But by the

341
00:25:43.720 --> 00:25:48.519
<v Speaker 1>late nineteen forties there was, you know, some rumors, some rumblings.

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00:25:48.880 --> 00:25:54.319
<v Speaker 1>Betty Davis, may West, Jimmy Cagney, Katherine Hepburn, whose actors

343
00:25:54.319 --> 00:25:59.599
<v Speaker 1>who sounded like nobody but themselves, they're turning into their forties. Now.

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<v Speaker 1>Now the men were allowed to get older, Beaugart could

345
00:26:04.200 --> 00:26:10.880
<v Speaker 1>get older, you know, men were treated like scotch. The

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00:26:10.920 --> 00:26:15.319
<v Speaker 1>older the better. The women couldn't get past their horizons

347
00:26:15.319 --> 00:26:19.519
<v Speaker 1>of aging. And the fifties would be an era where

348
00:26:21.200 --> 00:26:25.640
<v Speaker 1>a beautiful woman like Audrey Hepburn would have to play

349
00:26:26.200 --> 00:26:31.920
<v Speaker 1>a love interest to Humphrey Bogart who was thirty years

350
00:26:32.079 --> 00:26:35.920
<v Speaker 1>older than her in Sabrina, or Gary Cooper who was

351
00:26:35.960 --> 00:26:40.880
<v Speaker 1>twenty eight years older in Love in the Afternoon. That's

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00:26:40.920 --> 00:26:45.440
<v Speaker 1>just the way it was. It still happens nowadays. But

353
00:26:45.519 --> 00:26:49.559
<v Speaker 1>you got to watch these two films, the Big irony

354
00:26:50.599 --> 00:26:54.759
<v Speaker 1>is that while Sunset Boulevard was looked up to in

355
00:26:54.799 --> 00:26:58.160
<v Speaker 1>the movie industry as a big hit, a triumph for

356
00:26:58.240 --> 00:27:03.599
<v Speaker 1>Glorious Wantson, but the message to audiences and the future

357
00:27:03.839 --> 00:27:07.720
<v Speaker 1>was not great. It was the opposite. It was that

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00:27:07.839 --> 00:27:14.960
<v Speaker 1>movie stars will continue on even after we're done with them.

359
00:27:15.200 --> 00:27:17.960
<v Speaker 1>And that kind of dips into what we're talking about

360
00:27:17.960 --> 00:27:22.559
<v Speaker 1>with Ai now, which I mentioned the other day. Just

361
00:27:22.640 --> 00:27:26.720
<v Speaker 1>as he went from talkie, from silent films to talkies,

362
00:27:26.799 --> 00:27:31.319
<v Speaker 1>now we're going from talkies to this AI era and

363
00:27:31.359 --> 00:27:37.359
<v Speaker 1>it's pretty goddamn scary. I mean, you look at the like.

364
00:27:37.839 --> 00:27:43.039
<v Speaker 1>As much as I loved Sunset Boulevard, I always will,

365
00:27:44.400 --> 00:27:47.279
<v Speaker 1>it wasn't lost on me that when I watched Demi

366
00:27:47.359 --> 00:27:52.480
<v Speaker 1>Moore's movie The Substance three times several months ago, it's

367
00:27:52.480 --> 00:27:57.119
<v Speaker 1>the same kind of movie. It's just done differently. Glorius

368
00:27:57.160 --> 00:28:00.880
<v Speaker 1>Watson was being edged out for younger actresses to mean more,

369
00:28:01.160 --> 00:28:08.200
<v Speaker 1>and The Substance is being edged out chemically, same movie,

370
00:28:08.759 --> 00:28:13.319
<v Speaker 1>just different tactics. But the more they make these movies,

371
00:28:13.359 --> 00:28:15.680
<v Speaker 1>the more they're telling you that the old has to

372
00:28:15.759 --> 00:28:17.759
<v Speaker 1>go and the new has to come in. I'm not

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00:28:17.799 --> 00:28:22.200
<v Speaker 1>sure what that's going to mean. You know, I'm not

374
00:28:22.240 --> 00:28:27.640
<v Speaker 1>sure what that's gonna mean moving forward. So many beautiful

375
00:28:27.640 --> 00:28:29.920
<v Speaker 1>actresses I don't want to see their careers cut short

376
00:28:30.000 --> 00:28:33.599
<v Speaker 1>five years from now. But like I said yesterday, there

377
00:28:33.599 --> 00:28:37.000
<v Speaker 1>were meetings at big time agencies saying, do not treat

378
00:28:37.079 --> 00:28:40.319
<v Speaker 1>your actors and actresses your clients like they have thirty

379
00:28:40.400 --> 00:28:45.160
<v Speaker 1>year careers. They might have five years and they're done.

380
00:28:45.480 --> 00:28:47.880
<v Speaker 1>You got to change your business plan. And that's what

381
00:28:47.920 --> 00:28:55.799
<v Speaker 1>everybody's doing now. I want you to watch these movies.

382
00:28:55.839 --> 00:29:02.079
<v Speaker 1>I want you to watch the documentary about The Conqueror

383
00:29:02.880 --> 00:29:07.200
<v Speaker 1>just see how crazy Hollywood was back then, and then

384
00:29:08.279 --> 00:29:10.880
<v Speaker 1>do the best you can to watch Sunset Boulevard if

385
00:29:10.880 --> 00:29:13.680
<v Speaker 1>you haven't seen yet. It's the best film warrant movie

386
00:29:13.680 --> 00:29:17.759
<v Speaker 1>of all time. William Holden and Glorious Wantson are insane together.

387
00:29:20.279 --> 00:29:24.519
<v Speaker 1>And you know, I wish it made more of a

388
00:29:24.559 --> 00:29:29.279
<v Speaker 1>splash on pop culture. I know it did to a degree,

389
00:29:29.319 --> 00:29:32.119
<v Speaker 1>but sometimes I talk about it and people don't know

390
00:29:32.119 --> 00:29:34.240
<v Speaker 1>what movie I'm speaking about. It gets me pissed off

391
00:29:36.640 --> 00:29:41.119
<v Speaker 1>because it's so important. It's so important if you think

392
00:29:41.160 --> 00:29:44.680
<v Speaker 1>about Hollywood and you think about where we're headed, what

393
00:29:44.720 --> 00:29:47.799
<v Speaker 1>we're losing, what it's going to all amount to be.

394
00:29:50.039 --> 00:29:54.799
<v Speaker 1>But Norma Desmond was Glorious Swanson's last major role, and

395
00:29:54.839 --> 00:29:58.799
<v Speaker 1>it totally embodied all the aspects of celebrity that the

396
00:29:58.839 --> 00:30:02.400
<v Speaker 1>culture avoids until time to feed on the bones. Like

397
00:30:02.440 --> 00:30:09.559
<v Speaker 1>we see all the time. Sunset Boulevard is about well,

398
00:30:10.200 --> 00:30:16.920
<v Speaker 1>it's about madness. It's about getting what you want and

399
00:30:16.960 --> 00:30:21.839
<v Speaker 1>then the madness that comes with it. It's about absolute

400
00:30:22.079 --> 00:30:27.200
<v Speaker 1>egotism and what it takes to remain a star. And

401
00:30:27.240 --> 00:30:30.359
<v Speaker 1>like I've said, achieving fame is one thing, keeping it

402
00:30:30.440 --> 00:30:33.319
<v Speaker 1>is another. And the moral of Sunset Boulevard is that

403
00:30:33.480 --> 00:30:38.759
<v Speaker 1>fame is a drug, but it's the withdrawal that kills you,

404
00:30:40.680 --> 00:30:47.960
<v Speaker 1>not the drug, the withdrawals. And frankly, this show would

405
00:30:47.960 --> 00:30:52.319
<v Speaker 1>not be complete unless I spoke about what happened five

406
00:30:52.440 --> 00:30:59.880
<v Speaker 1>years ago today when I was told by a list

407
00:31:00.160 --> 00:31:04.279
<v Speaker 1>her name Andrea Blatnick, that she had a puppy for me,

408
00:31:05.519 --> 00:31:09.279
<v Speaker 1>and we agreed to meet in Death Valley, halfway between here,

409
00:31:10.400 --> 00:31:14.119
<v Speaker 1>Shittsville and Nevada, and that's when she handed that beautiful

410
00:31:14.119 --> 00:31:17.519
<v Speaker 1>little puppy, Tootsie to me and my son Rackell, and

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<v Speaker 1>we drove home with it. And it's been five years,

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<v Speaker 1>and to say that my life was not upended and

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<v Speaker 1>completely shaken and stirred. I mean, it's beyond comprehension. What's

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<v Speaker 1>happened in five years changed my whole life. That little puppy,

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<v Speaker 1>that woman who brought that puppy, and the amount of

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<v Speaker 1>love I felt for both of them.

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<v Speaker 2>And I just don't want to stay to pass and

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<v Speaker 2>act like it goes unnoticed because it doesn't. It changed

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<v Speaker 2>my life radically, but I wouldn't change it. That's just

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<v Speaker 2>who I am. Maybe some of you don't like that

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<v Speaker 2>part about me, but that's just who I am. I

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<v Speaker 2>believe we go through things in life and we have

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<v Speaker 2>to carve out a life for ourselves and figure out

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<v Speaker 2>where we're headed and what we're doing. But everything happens

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<v Speaker 2>for a reason. Til t He was for a reason,

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<v Speaker 2>Andrew was for a reason, Death Valley was for a reason.

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<v Speaker 1>That's it. That's it. You may spend the rest of

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<v Speaker 1>your life trying to figure it out.

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<v Speaker 2>But I won't. I just know what and I don't

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<v Speaker 2>regret it. And I miss those baby girls. I'll see

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<v Speaker 2>them soon. And that's it for today. I'm aj Bens

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<v Speaker 2>and that was your daily Unfiltered podcast. For August twelfth,

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<v Speaker 2>twenty twenty five. Talk to this tomorrow
