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<v Speaker 1>Dire Way. Who is this, I.

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<v Speaker 2>Don't know, it's me. It's amid the Ruins, this guy

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<v Speaker 2>who makes dire Way of Music. It's amid the Ruins

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<v Speaker 2>and sense.

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<v Speaker 1>Dire Way Music.

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<v Speaker 2>What I've talked about in you know, probably one hundred

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<v Speaker 2>articles of Jason Analysis is the implementation of the AI

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<v Speaker 2>smart grit in the giant smart cities, which is what

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<v Speaker 2>IBM talks about publicly building. And that's where we're going,

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<v Speaker 2>and that's what I think we have to be really

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<v Speaker 2>concerned about. So all of these tensions, they are for

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<v Speaker 2>a long term strategy to basically get everybody moved into

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<v Speaker 2>mega cities.

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<v Speaker 3>That's going. Are you guys doing? Come on, don't get

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<v Speaker 3>pitchy now what you trying to start the show?

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<v Speaker 2>I perfected my Tony by the way, as you can see,

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<v Speaker 2>I have perfected my Tony. My Polly. It's almost there.

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<v Speaker 2>I got a little bit of ways to go with

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<v Speaker 2>the Polly, but maybe we can work on our Polly tonight.

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<v Speaker 2>Welcome everybody, This is Jason Elsis. We're going to be

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<v Speaker 2>covering the Sopranos, as you know, long requested, long forgotten.

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<v Speaker 2>I just avoided it, not on purpose, that's kind of

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<v Speaker 2>like X Files. I always wanted to watch X Files,

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<v Speaker 2>but I never got into it, and then I finally did.

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<v Speaker 4>I've never seen it either.

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<v Speaker 2>Yeah, I get you in here. You look better than me.

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<v Speaker 4>I spent an hour and a half trying to get

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<v Speaker 4>nineties New Jersey.

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<v Speaker 3>Woman hair, so she looks like Adrian and.

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<v Speaker 4>I think that it is witchcraft because I cannot. I

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<v Speaker 4>couldn't do it. This is the best that came out.

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<v Speaker 4>I don't think they make hairspray like that anymore.

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<v Speaker 3>Come on, you look good, you look no problem my

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<v Speaker 3>life tea.

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<v Speaker 2>All right, So before we get going here, thank you,

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<v Speaker 2>Welcome everybody. We're gonna be covering the entirety of the Sopranos,

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<v Speaker 2>the whole thing. I was gonna wear my white jacket

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<v Speaker 2>over this just to be kind of mobster, but I

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<v Speaker 2>decided that's a little too I look like Tony Montana.

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<v Speaker 2>I don't look like Tony Soprano. Well you look like

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<v Speaker 2>Adriana though, so that you work but look like Tony Monks.

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<v Speaker 4>That's actually one of the themes in the show The

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<v Speaker 4>Sopranos is that they glamorize their own lifestyle by watching

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<v Speaker 4>Goodfellas and Godfather and all the mobster movies, but the

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<v Speaker 4>way that they are portrayed in the Sopranos is that

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<v Speaker 4>it's not very glamorous. You know, Tony's just like an overweight,

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<v Speaker 4>balding dude who lives in the suburbs and he's got

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<v Speaker 4>suburban problems. He wears his bathrobe and he hangs out

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<v Speaker 4>and eats ice cream at night. He doesn't really live

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<v Speaker 4>this high powered, glamorous Yeah.

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<v Speaker 2>Well, that's the thing with this show is that it's

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<v Speaker 2>going to have elements of more realistic mafia type of

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<v Speaker 2>living and lifestyle at the same time is having a

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<v Speaker 2>lot of unbelievable elements because, as everybody knows, there's no

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<v Speaker 2>way that a actual living, existing head of a family

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<v Speaker 2>or a dawn would be going to a psychiatrist and

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<v Speaker 2>telling her all of his problems. That would be the

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<v Speaker 2>end of his career. He would be done. So that's unbelievable.

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<v Speaker 2>But that's the fantasy fiction element of this is just

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<v Speaker 2>the premise of the show, which is great, which is

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<v Speaker 2>what if a mobster did actually go to a psychiatrist,

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<v Speaker 2>a psychologist and unloaded all of his problems on her.

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<v Speaker 2>You know, what would that be like? What would it

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<v Speaker 2>be before we get into this though, let's step back.

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<v Speaker 2>What is your overall impression? So this came out, I'm

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<v Speaker 2>going to give you my overall impression in you before

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<v Speaker 2>we get into the details. This came out starting right

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<v Speaker 2>at the turn of the millennium, So it's about ninety

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<v Speaker 2>eight ninety nine when the first season starts, so it's

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<v Speaker 2>a little bit before the Big Nine event. It's in

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<v Speaker 2>many ways it's it's interesting to reflect on that time

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<v Speaker 2>period right right before for the Big nine event. And

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<v Speaker 2>this actually comes into the show, like they bring up

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<v Speaker 2>the Big Nine event after it happens. It becomes kind

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<v Speaker 2>of a side plot about some of the Arab guys

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<v Speaker 2>in the series who hang out at the Bottoming that

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<v Speaker 2>will play into the final season. But aside from that,

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<v Speaker 2>a lot of the cultural references of the stuff that

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<v Speaker 2>Meadow and aj are into, the pop culture that they're into,

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<v Speaker 2>the stuff she's presented with at college, the literature that

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<v Speaker 2>they're reading in reference, it was it was interesting to

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<v Speaker 2>kind of step back into that time machine to which

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<v Speaker 2>I remember vividly. I remember, you know, when nine to

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<v Speaker 2>when one happened. I remember what was going on at

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<v Speaker 2>that time. I didn't watch the Sopranos at the time,

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<v Speaker 2>so I knew about it. I had heard about it,

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<v Speaker 2>but it's kind of in the period where I was

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<v Speaker 2>kind of not really watching TV shows, and yeah, I.

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<v Speaker 4>Had never seen one episode either, so it was all fresh.

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<v Speaker 4>And it's a very interesting transition to have that big

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<v Speaker 4>event in the TV show because there were scenes that

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<v Speaker 4>they had to take out because of that. I didn't

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<v Speaker 4>know that in the credits and other.

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<v Speaker 2>Places in relation to the Big nine event. Yeah, okay,

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<v Speaker 2>Now I want to remind everybody that we do have

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<v Speaker 2>super chats, so welcome. We got two hundred and twenty

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<v Speaker 2>five nerds. There will be spoilers, by the way, so

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<v Speaker 2>if you've not watched the full series of Spranos, we

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<v Speaker 2>will be spoiling it at the end and maybe then

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<v Speaker 2>you could tune out, but don't tune out right now.

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<v Speaker 2>So if you don't want to support us, you can

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<v Speaker 2>support through superchats, as you know, and we'll be reading

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<v Speaker 2>those eventually and let me pull up that link. And

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<v Speaker 2>then we got our trustee mods in the house. Shout

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<v Speaker 2>out to the mods. They will be helping with that.

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<v Speaker 2>But you can ask your superchat questions there. We're going

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<v Speaker 2>to get into all of the different layers and elements,

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<v Speaker 2>the geopolitical, the historical, the character studies, the archetypes, the

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<v Speaker 2>literary references, the espionage references that come up, actually, the

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<v Speaker 2>relationship with the FBI, this kind of stuff that all

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<v Speaker 2>plays into this show in a masterful way. So my

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<v Speaker 2>initial analysis is that when I started the show, I

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<v Speaker 2>wasn't sure what I was getting into, and I didn't

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<v Speaker 2>know what kind of a show it would be. And

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<v Speaker 2>it's a genre defying show. It doesn't it plays on

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<v Speaker 2>some of the Mafia tropes in film, but it also

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<v Speaker 2>goes in directions you don't expect. It's very comedic. I

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<v Speaker 2>didn't expect it to be really funny. A lot of

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<v Speaker 2>the episodes are very comedic. Tony is very comedic. The characters,

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<v Speaker 2>they're one liners, they're jokes, they're you know, making fun

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<v Speaker 2>of each other. This is all kind of a staple

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<v Speaker 2>of Mafia stuff. But it's played off really well. Some

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<v Speaker 2>of the episodes are surrealist, which I didn't expect, especially

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<v Speaker 2>Tony's dream sequences, which I thought were done very well.

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<v Speaker 2>I didn't expect those in the middle of, you know,

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<v Speaker 2>really serious mafia stories to have these kind of you know,

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<v Speaker 2>surrealest dream sequences with talking fish and this kind of stuff.

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<v Speaker 4>Well, they had a lot of philosophical questions.

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<v Speaker 2>Yes, and we we'll get into that too. So what's

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<v Speaker 2>your initial overall assessment, Because it took me all the

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<v Speaker 2>way through season one to really like it. I was

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<v Speaker 2>still iffy at the end of season one. By the

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<v Speaker 2>time I started season two, I was hooked. So I

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<v Speaker 2>didn't initially get hooked. But sometimes the shows that you

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<v Speaker 2>like the best, it doesn't initially you don't get hooked

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<v Speaker 2>right away. Even songs, like the first time you hear

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<v Speaker 2>a song, maybe you don't like it as much as

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<v Speaker 2>you know.

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<v Speaker 4>Yeah, it was the same for me. We started it

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<v Speaker 4>and the first couple of episodes, I was thinking, what

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<v Speaker 4>is the big deal about this show? It almost every

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<v Speaker 4>show or episode in that season was set in the

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<v Speaker 4>strip club, so it's not really a family show. But

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<v Speaker 4>and then I was.

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<v Speaker 2>Thinking, more unless you're from a prominent strip club lineage

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<v Speaker 2>your family.

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<v Speaker 4>But I think that's was one of the draws of

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<v Speaker 4>an Sally is like, you don't see a lot of

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<v Speaker 4>that on TV, and so.

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<v Speaker 2>What on TV? The Mafia on TV? Oh, well maybe

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<v Speaker 2>I mean it's the show to let you know, the

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<v Speaker 2>show is a dramedy. I would argue it's a it's

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<v Speaker 2>a tragedy. It's a comedic tragedy is really what this

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<v Speaker 2>whole series is. Tony is a tragic figure in terms.

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<v Speaker 4>Of literally There's also an overarching question in the show

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<v Speaker 4>is that can a psychopath be redeemed? Or is Tony

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<v Speaker 4>a psychopath or a sociopath? For one? And can he

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<v Speaker 4>help himself? For two? So I think we'll answer that

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<v Speaker 4>question yes in the show.

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<v Speaker 2>And I do have some knowledge, just cursory of the

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<v Speaker 2>whole realm of crime, syndicates and mobsters. It's because it

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<v Speaker 2>ties into you know, Espiona's research research, uh, and so

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<v Speaker 2>there are different kind of theories and analysis as too.

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<v Speaker 2>You know, just like with The Godfather, the series is

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<v Speaker 2>kind of based on probably an amalgamation of different families.

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<v Speaker 2>There's the Dicabolcante family, which is one of the well

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<v Speaker 2>known families as you know or may not know. There's

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<v Speaker 2>you know, the Five Families. There's other families connected to

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<v Speaker 2>those families, other syndicates and whatnot connected to Sicilian mafia

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<v Speaker 2>and so forth. So you know, you've probably heard of

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<v Speaker 2>figures like John Gotti or the Colombo family or these

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<v Speaker 2>kinds of people. So this is sort of loosely referencing

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<v Speaker 2>some of those families. And some of the analyzes that

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<v Speaker 2>I read said that they think that Sopranos is based

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<v Speaker 2>on Di Cabocante because of the waste management So they

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<v Speaker 2>actually had a front that was a waste management business.

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<v Speaker 2>That's Tony's business. When you start the show, we don't

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<v Speaker 2>exactly know how Tony is really making all his money.

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<v Speaker 2>It's not exactly explained that I recall. It says, yes,

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<v Speaker 2>eventually they're sort of stealing cars, and then they have

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<v Speaker 2>that sequence where they go to Italy and they he

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<v Speaker 2>meets with that hot Italian chick and he tries to

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<v Speaker 2>sell you know, her cars and whatnot. So we know

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<v Speaker 2>they're stealing cars and shipping them off for another price

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<v Speaker 2>in Europe, and but there's other things that they're doing.

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<v Speaker 2>We don't exactly know where Tony got his initial wealth

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<v Speaker 2>because he does live in this pretty nice Jersey house.

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<v Speaker 2>He lives in a house nicer than everybody else. Basically,

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<v Speaker 2>go ahead, yeah, well, the.

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<v Speaker 4>The money making part is not really integral part of

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<v Speaker 4>the show. It's just kind of in the background of

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<v Speaker 4>his own psychological dramas and relationships.

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<v Speaker 2>Yeah. I mean that's this as all good stories are.

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<v Speaker 2>You know, they're not just about crime or or heists

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<v Speaker 2>or this is about the character. It's about the it's

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<v Speaker 2>a character study. Everybody's character arc is pretty fascinating. It's

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<v Speaker 2>you get into the characters, which it's it's not easy

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<v Speaker 2>to draw an audience and to the characters, especially when

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<v Speaker 2>they're bad guys. And I think that that's the good

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<v Speaker 2>point the difficult part of a movie, and that's probably

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<v Speaker 2>why mafia movies are successful, is because they they're able

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<v Speaker 2>to the good ones, are able to get us to

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<v Speaker 2>feel sorry for, empathize with and understand how somebody comes

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<v Speaker 2>to be that way and live that kind of a lifestyle.

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<v Speaker 4>Yeah, he was one of the first kind of anti

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<v Speaker 4>heroes and TV, so he kind of paid the way

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<v Speaker 4>for characters in like Breaking Bad.

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<v Speaker 2>Interesting, I never thought about that. Yeah, that's a great point.

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<v Speaker 2>So let's get into where we begin. We see at

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<v Speaker 2>the beginning Tony is going to a psychiatrist. As he said,

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<v Speaker 2>if you watch the famous kind of YouTube videos that

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<v Speaker 2>are going around of Michael friend ZC who's the a

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<v Speaker 2>former mob boss. I don't remember what family, But you know,

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<v Speaker 2>he's he gives an analysis of different mobster movies, and

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<v Speaker 2>he says that that's the most unbelievable aspect of this

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<v Speaker 2>whole series, is the whole idea of going to see

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<v Speaker 2>a psychiatrist. So, but this is a fictional series. We're

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<v Speaker 2>going to set that aside. We're going to suspend our

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<v Speaker 2>disbelief for a moment and just figure out what it

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<v Speaker 2>would be like if this did happen. And so what

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<v Speaker 2>happens is, of course he's immediately kind of at the outsets,

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<v Speaker 2>prescribed prozac, and the most important symbolic sequences in season

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<v Speaker 2>one that our call it's been a while since I

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<v Speaker 2>did season one, but is when he sees different animals

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<v Speaker 2>and the ducks. So the ducks are the most important

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<v Speaker 2>thing in season one because they're hanging out in the

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<v Speaker 2>pool and Tony, for some reason, feels this kind of

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<v Speaker 2>association and attraction to these ducks. I'm not exactly sure

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<v Speaker 2>what the connection of the ducks is, except that perhaps

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<v Speaker 2>they signify an omen because as we know, the series

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<v Speaker 2>is going to end in a certain way, and the

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<v Speaker 2>ducks never come back, if I recall, unless they're seen

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<v Speaker 2>maybe at the end of season one, he season flying,

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<v Speaker 2>but they don't come hang out anymore, and there will

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<v Speaker 2>be multiple animal references, nature references throughout the show where

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<v Speaker 2>we will see the bear kind of wandering into the backyard.

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<v Speaker 2>I've got notes, I don't remember time. Last episod oh yeah.

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<v Speaker 2>The cat plays an important role in the finale. So

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<v Speaker 2>the animal sequences basically signify I think Tony as a

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<v Speaker 2>force of nature. Tony is a kind of an agent

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<v Speaker 2>of death. He's an angel of death. And the other

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<v Speaker 2>unbelievable suspension of disbelief aspect to the show that we're

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<v Speaker 2>going to encounter with Tony is that he never loses,

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<v Speaker 2>He never gets busted, he never gets caught. He escapes

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<v Speaker 2>out of everything. He's He wins, wins, wins, winning, right

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<v Speaker 2>all the way until the last season. Then we start

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<v Speaker 2>to get the intimations, the omens that pop up, the foreshadowing,

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<v Speaker 2>the presignifiers that it's not probably going to go that

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<v Speaker 2>well for Tony in the final season. Don't forget the horse.

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<v Speaker 2>Tony has the connection to the horse, so he consistently

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<v Speaker 2>starts having these associations and deep connections with animal symbolism,

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<v Speaker 2>animal forces, the forces of nature. This is for multiple reasons.

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<v Speaker 2>But when we get to the end, I'll tell you

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<v Speaker 2>why I think Tony has this deep connection to nature

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<v Speaker 2>and to animals, because it will all be basically explained

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<v Speaker 2>in the final season, and a lot of the recurring

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<v Speaker 2>symbolism you want to pay attention to. This will be

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<v Speaker 2>key because as you watch the series now, looking back,

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<v Speaker 2>knowing what happens at the end, you can see a

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<v Speaker 2>lot of the clues that were being laying so that

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<v Speaker 2>you could understand and interpret the final episode, and in fact,

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<v Speaker 2>the beginning of season six, the first episode is the

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<v Speaker 2>pre signifier of the final episode. So the season is

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<v Speaker 2>basically just going to kind of lay it out on

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<v Speaker 2>the table in a lot of symbolic correspondences and clues,

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<v Speaker 2>so you're gonna know by the final season what's going

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<v Speaker 2>on here. We got most people obviously speculating in the chat,

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<v Speaker 2>so feel free to leave your super chats and I'll

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<v Speaker 2>read those if you want to. But so now let's

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<v Speaker 2>get into it. So it's waste management. She's talking to

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<v Speaker 2>the to the woman, this annoying I can't stand this woman.

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<v Speaker 2>It was the whole time I was like, please stop

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<v Speaker 2>going to this annoying psychiatrist She's the most annoying person

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<v Speaker 2>in the series, next to Janice. Okay, Janice and the psychiatrist.

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<v Speaker 2>I cringe. They're revolting people I can't stand.

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<v Speaker 4>And the mom.

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<v Speaker 2>Oh yeah, yeah. They're all equal, they're all equal.

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<v Speaker 4>The actress who played this psychiatrist was supposed to play

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<v Speaker 4>the wife she wanted the psychiatrist.

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<v Speaker 2>Which is that because that actress plays Rayleiota's wife and Goodfellas.

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<v Speaker 2>So in Goodfellas she is the mom's wife, and that's

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<v Speaker 2>probably why she was up for that role.

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<v Speaker 4>Sopranos shares twenty seven total cast members with good Vellas WHOA.

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<v Speaker 4>So they're very closely linked. And it's interesting to study

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<v Speaker 4>the mob because the way that they operate is how

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<v Speaker 4>the Illuminati operates.

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<v Speaker 2>Yes, they're another mafia exactly.

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<v Speaker 4>And so the families of the Illuminati they also fight

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<v Speaker 4>with each other. They're not all on the same yes

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<v Speaker 4>page about areas.

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<v Speaker 2>In fact, the big elite, the top of the pyramid,

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<v Speaker 2>is who in the modern period will displace these other families, right,

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<v Speaker 2>they will come to be the chief mafia. And really

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<v Speaker 2>what we're watching in the Sopranos on a big geopolitical

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<v Speaker 2>scale that I'll get to is that displacement, right, the FBI,

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<v Speaker 2>the CIA, They're mentioned very clearly at the end of

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<v Speaker 2>the of the show in season six. That's the big MafA, you,

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<v Speaker 2>the big geopolitical mafia that is essentially going to squeeze

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<v Speaker 2>out any of these lower less, lesser rival families or mafia's.

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<v Speaker 2>But yes, in the sense of secret societies structures, the

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<v Speaker 2>elite are structured in this way. It's just that these

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<v Speaker 2>families are not going to be at the table in

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<v Speaker 2>the new world order. And that's why we're witnessing with

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<v Speaker 2>Tony the end. That's another reason why spoiler alert, it's

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<v Speaker 2>a tragedy. Tony represents the older way of doing things,

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<v Speaker 2>like even his whole attempt to kind of preserve Little

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<v Speaker 2>Italy or the Italian culture in New Jersey where he's at.

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<v Speaker 2>When he doesn't want to sell certain stores to Jamba

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<v Speaker 2>Juice and the big corporate stuff. He wants to to

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<v Speaker 2>thanks to say the way that they are, but it

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<v Speaker 2>doesn't work. Tony is going to be ousted by bigger mobsters.

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<v Speaker 2>That's the key.

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<v Speaker 4>Well, there is one episode where they go to some

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<v Speaker 4>kind of Starbucks or something to shake down them for

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<v Speaker 4>their neighborhood protection money, protecttection money, and the guy that

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<v Speaker 4>works there is like, I can't do anything. I'm just

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<v Speaker 4>a manager. There's corporate and they're like, what if we

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<v Speaker 4>bust your windows?

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<v Speaker 3>Maybe, yeah, we gotta come by and bust out a

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<v Speaker 3>few windows.

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<v Speaker 2>He's like, all right, corporate will just replace something.

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<v Speaker 4>Yeah, they'll just replace me.

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<v Speaker 2>Maybe we'll let you have a little bit of fists.

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<v Speaker 2>He's like, yeah, they're just gonna fire me and put

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<v Speaker 2>somebody else in here, dude. So, by the way, if

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<v Speaker 2>you watched Fargo season two, that is the exact same

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<v Speaker 2>thing in Fargo season two because the black mobster guy, right,

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<v Speaker 2>if you remember, he goes and threatens that corporation that

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<v Speaker 2>comes in and the corporation just laughs at him. He's like,

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<v Speaker 2>he's like, maybe I got to come in here and

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<v Speaker 2>bust a few computers up, and they're like, corporate head

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<v Speaker 2>office will just send us three new computers the next day.

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<v Speaker 2>It's like it's not gonna do anything.

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<v Speaker 4>So, yeah, who's the bigger gangster? Right?

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<v Speaker 2>Yes, So this is those families getting displaced eventually by

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<v Speaker 2>the big mafia, and the final season will kind of

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<v Speaker 2>make reference to who that big mafia is, and it's

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<v Speaker 2>not who you think, right, It's essentially like CIA type people.

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<v Speaker 2>That's the big mafia that's going to come into the

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<v Speaker 2>picture here. And I got a chakra for you. Guess

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<v Speaker 2>who and why that big mafia displaces this mafia. Well,

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<v Speaker 2>because there used to be an alliance between these two mafias.

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<v Speaker 2>Did you know that? This is the famous book, famous story,

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<v Speaker 2>And in fact, it will be referenced in season six.

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<v Speaker 2>The FBI agent will talk to Tony about Tony's families, right,

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<v Speaker 2>the families connected to Tony that actually helped the Allies

347
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<v Speaker 2>and protected Lucky Luciano and different characters during World War

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<v Speaker 2>Two as a result of alliances between the CIA and

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<v Speaker 2>the Sicilian mafia. This is well known. Have been many

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<v Speaker 2>many times in history where the mafia and the CIA

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<v Speaker 2>have linked up, and the problem is that the loyalties

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<v Speaker 2>of the CIA are not the same as the loyalties

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<v Speaker 2>of the families, and so eventually the CIA mafia will

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<v Speaker 2>screw you over. So that's the meaning of the show

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<v Speaker 2>basically towards the end on the geopolitical level, but we're

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<v Speaker 2>gonna hold that off until we get to the end.

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<v Speaker 2>Let's talk about some of the references in season one

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<v Speaker 2>that I didn't expect. If you remember, there are interactions

359
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<v Speaker 2>between Tony's family and the Jewish mafia, and so there

360
00:22:40.240 --> 00:22:43.920
<v Speaker 2>is a hotel that they're kind of squabbling over, and

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<v Speaker 2>the Jewish mobster refers to Tony as a gollumn, which

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<v Speaker 2>I thought was a wild sort of cabalistic reference because

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<v Speaker 2>they're sort of ortho. They look like Hasidic. I guess

364
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<v Speaker 2>they're Hasidic Jews that are connected to the Jewish mafia.

365
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<v Speaker 2>They had a with Tony, it didn't go right, and

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<v Speaker 2>this is how we see Tony gaining that hotel at

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<v Speaker 2>the beginning. So this on the mafia level, what Tony

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<v Speaker 2>is doing throughout the first few seasons is basically acquiring

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<v Speaker 2>more businesses through mafia tactics. So he gains that hotel,

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<v Speaker 2>he burns down Artie's restaurant and then helps Artie basically

371
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<v Speaker 2>rebuild it and ends up eventually with a stake in

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<v Speaker 2>Artie's restaurant. If you remember Robert Patrick the T one

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<v Speaker 2>thousand or two thousand, whatever it is, I remember dogget

374
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<v Speaker 2>Agent dogg It from X Well. Doggett is a gambling addict,

375
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<v Speaker 2>and so Tony notices profiles. This gets him in on

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<v Speaker 2>this big gambling game. Lets him in, but he warns,

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<v Speaker 2>hmmy son, I told.

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<v Speaker 3>You you're not ready for this. This is above you.

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<v Speaker 3>You're not ready for this game yet. This is a

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<v Speaker 3>big game here.

381
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<v Speaker 2>And oh, Tony, let me in.

382
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<v Speaker 3>I want to play with the big guys.

383
00:23:52.160 --> 00:23:54.160
<v Speaker 2>I want to. I want to. And it's because he's

384
00:23:54.200 --> 00:23:59.920
<v Speaker 2>got who's the famous singer his son as they're playing

385
00:24:01.559 --> 00:24:06.839
<v Speaker 2>cards with him. Yeah, Frank Sinatra Jr. Is literally in

386
00:24:06.920 --> 00:24:11.400
<v Speaker 2>the show playing cards with Tony and agent dogg At

387
00:24:11.519 --> 00:24:14.759
<v Speaker 2>Robert Patrick Great from x Fells, who's just this normy

388
00:24:14.759 --> 00:24:17.160
<v Speaker 2>boomer dad. He's like, you know, let me let me

389
00:24:17.240 --> 00:24:19.200
<v Speaker 2>in there, Tony, I want to. I gotta play poker

390
00:24:19.240 --> 00:24:21.839
<v Speaker 2>with the Frank Sinadra Junior. That sounds awesome, and then

391
00:24:21.839 --> 00:24:24.839
<v Speaker 2>he ends up losing everything because he's a gambling addict.

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<v Speaker 2>So what I'm saying is that Tony is a master profiler,

393
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<v Speaker 2>so he knows people's weaknesses and he knows how to

394
00:24:32.960 --> 00:24:36.599
<v Speaker 2>get what he wants through people's weaknesses. This is again

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<v Speaker 2>possibly why you could have the CIA and the mobsters

396
00:24:40.319 --> 00:24:43.000
<v Speaker 2>linking up, because they have common types of interest. They

397
00:24:43.079 --> 00:24:45.400
<v Speaker 2>know how to profile people, they know how to find weaknesses.

398
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<v Speaker 2>So he knows Dogget or Robert Patrick, the character has

399
00:24:49.400 --> 00:24:52.319
<v Speaker 2>this weakness and he gets them basically to forfeit the

400
00:24:52.519 --> 00:24:56.599
<v Speaker 2>entire business that he owns. He owns this giant sporting

401
00:24:56.599 --> 00:24:59.119
<v Speaker 2>goods store and then Tony just comes in and takes

402
00:24:59.160 --> 00:25:01.440
<v Speaker 2>it over. You want me this now? This is my story?

403
00:25:01.559 --> 00:25:01.720
<v Speaker 3>Now?

404
00:25:02.759 --> 00:25:05.880
<v Speaker 4>Well, that's one of the themes in the show is

405
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<v Speaker 4>that can he be health through therapy or is he

406
00:25:08.359 --> 00:25:12.799
<v Speaker 4>just a sociopath who is learning tricks to manipulate people better.

407
00:25:13.160 --> 00:25:15.319
<v Speaker 2>Yes, this is a key point that I didn't expect

408
00:25:15.359 --> 00:25:18.880
<v Speaker 2>and that's not revealed until the end, which is that, yes,

409
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<v Speaker 2>we're not sure what the therapy is going to do

410
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<v Speaker 2>with Tony, and basically it just it falls apart, right,

411
00:25:31.680 --> 00:25:34.240
<v Speaker 2>It's just a way for him to, like you said,

412
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<v Speaker 2>better become a profiler. Yes, so he learns tactics.

413
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<v Speaker 4>He's learning more about human psychology, not because he wants

414
00:25:42.160 --> 00:25:44.359
<v Speaker 4>to be a better person, but because he wants to

415
00:25:44.400 --> 00:25:47.119
<v Speaker 4>be better at manipulating yes, well and acting like he

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<v Speaker 4>has feelings.

417
00:25:48.680 --> 00:25:50.839
<v Speaker 2>And the way to understand this, and the way that

418
00:25:50.880 --> 00:25:53.319
<v Speaker 2>you know this is the case is when you notice

419
00:25:53.319 --> 00:25:56.119
<v Speaker 2>in the later seasons all the references to Tony like

420
00:25:56.200 --> 00:25:59.839
<v Speaker 2>a general Tony sees himself as a soldier. He makes

421
00:25:59.880 --> 00:26:01.200
<v Speaker 2>the reference many times.

422
00:26:01.200 --> 00:26:03.759
<v Speaker 3>He says, you know with soldiers, with soldiers, Okay, this

423
00:26:03.839 --> 00:26:06.720
<v Speaker 3>is a war with soldiers. People for that flat family.

424
00:26:07.759 --> 00:26:11.880
<v Speaker 3>He sees himself as a soldier. He's constantly watching war documentaries.

425
00:26:12.400 --> 00:26:16.559
<v Speaker 3>He's watching war shows on the History Channel. He's studying generals.

426
00:26:16.720 --> 00:26:21.359
<v Speaker 3>If you notice he's watching Ramel right, how Rama. Tony

427
00:26:21.400 --> 00:26:25.039
<v Speaker 3>references son Zoo. And then when Pauli and other people.

428
00:26:24.920 --> 00:26:28.640
<v Speaker 2>Said, it's like, that is son Tazoo. Don't you read

429
00:26:28.680 --> 00:26:32.960
<v Speaker 2>son to Zoo, And he's like, it's sun Zoo, you idiot,

430
00:26:34.400 --> 00:26:39.119
<v Speaker 2>when Christopher and Pauli have their rivalry. But but yeah,

431
00:26:39.119 --> 00:26:42.359
<v Speaker 2>that's because Tony sees himself as a general. And in fact,

432
00:26:42.400 --> 00:26:44.960
<v Speaker 2>I'm gonna make the argument perhaps that this is a

433
00:26:45.000 --> 00:26:49.079
<v Speaker 2>literary reference to the notion of transmigration of souls or

434
00:26:50.240 --> 00:26:55.119
<v Speaker 2>being reborn literally reincarnation, because any of the great literary

435
00:26:55.200 --> 00:26:59.599
<v Speaker 2>works that we typically think of from the Greeks, especially

436
00:26:59.680 --> 00:27:03.400
<v Speaker 2>somebody like James Joyce and Ulysses, it has the theme

437
00:27:03.559 --> 00:27:08.640
<v Speaker 2>of reincarnation, and most of the time pagan literature does that.

438
00:27:08.680 --> 00:27:11.160
<v Speaker 2>It falls back on that. So there are I think

439
00:27:11.200 --> 00:27:15.119
<v Speaker 2>these kind of subtle references too. Is Tony a reincarnated

440
00:27:15.119 --> 00:27:16.759
<v Speaker 2>general And in fact, somebody in the chat made a

441
00:27:16.759 --> 00:27:21.559
<v Speaker 2>good point that when Tony's beating up the Jewish mobster,

442
00:27:21.680 --> 00:27:25.920
<v Speaker 2>he's wearing a Roman sandals. He looks like a Roman.

443
00:27:26.240 --> 00:27:29.400
<v Speaker 4>Well remember when he throws away that horse painting and

444
00:27:29.480 --> 00:27:32.160
<v Speaker 4>Polly has it repainting a general as.

445
00:27:32.119 --> 00:27:35.160
<v Speaker 2>An American general, and when you probably didn't see the sequence,

446
00:27:35.160 --> 00:27:37.279
<v Speaker 2>but there's a sequence when he goes to Italy and

447
00:27:37.319 --> 00:27:41.720
<v Speaker 2>he meets with that woman who's the de facto dawn

448
00:27:41.759 --> 00:27:44.000
<v Speaker 2>of the family because the dad's old, the hot chick.

449
00:27:44.759 --> 00:27:47.119
<v Speaker 2>He has a dream where he's sleeping with her and

450
00:27:47.160 --> 00:27:50.759
<v Speaker 2>he's dressed up as a Roman soldier a general. Okay,

451
00:27:51.039 --> 00:27:54.200
<v Speaker 2>so there's a lot of references to Tony as a warrior,

452
00:27:54.279 --> 00:27:57.079
<v Speaker 2>as a general, and even he brings it up.

453
00:27:57.160 --> 00:27:59.640
<v Speaker 4>Let's talk about the nihilism for a second, because that

454
00:28:00.920 --> 00:28:01.079
<v Speaker 4>or do.

455
00:28:01.079 --> 00:28:03.519
<v Speaker 2>You want to well, yeah, I do have that on here.

456
00:28:03.559 --> 00:28:09.000
<v Speaker 2>But so what I did was I went, I went

457
00:28:09.039 --> 00:28:12.799
<v Speaker 2>season by season. So there's gonna be can we hold

458
00:28:12.839 --> 00:28:15.000
<v Speaker 2>off on that and let's go to.

459
00:28:17.000 --> 00:28:18.720
<v Speaker 4>What also thought would be fun is we could go

460
00:28:18.839 --> 00:28:20.119
<v Speaker 4>character by a character.

461
00:28:19.880 --> 00:28:24.160
<v Speaker 2>And do a character study. It would be, but they'll

462
00:28:24.160 --> 00:28:27.200
<v Speaker 2>problemse that I did my notes like from season one up. Okay,

463
00:28:27.599 --> 00:28:30.519
<v Speaker 2>so what I began to notice in season one was

464
00:28:32.119 --> 00:28:36.640
<v Speaker 2>the manipulative tactics of the mother. I mean, Tony's problems

465
00:28:36.680 --> 00:28:39.039
<v Speaker 2>do stem from his parents. I mean that is clear.

466
00:28:39.160 --> 00:28:42.880
<v Speaker 2>So there are gonna be psychoanalytical points in the show

467
00:28:42.920 --> 00:28:48.599
<v Speaker 2>that are true. His mother is a super master narcissist manipulator.

468
00:28:48.720 --> 00:28:52.240
<v Speaker 4>Yeah. So at the very beginning, the therapist diagnoses the

469
00:28:52.279 --> 00:28:55.640
<v Speaker 4>mother through the stories of Tony that she is borderline

470
00:28:56.039 --> 00:28:58.440
<v Speaker 4>narciss's personality. Fun fact about her.

471
00:28:59.039 --> 00:29:01.599
<v Speaker 2>You know my mother, she would she never loved me.

472
00:29:01.880 --> 00:29:04.880
<v Speaker 4>She was a really good villain. She was one of

473
00:29:04.920 --> 00:29:08.720
<v Speaker 4>those characters that you love to hate. But the actress

474
00:29:08.839 --> 00:29:13.640
<v Speaker 4>actually had cancer throughout the whole time she was filming,

475
00:29:13.720 --> 00:29:16.119
<v Speaker 4>and she died before her character died, and they had

476
00:29:16.160 --> 00:29:19.519
<v Speaker 4>to use old footage and CGI to make up the

477
00:29:19.640 --> 00:29:20.519
<v Speaker 4>last scenes of her.

478
00:29:20.559 --> 00:29:25.880
<v Speaker 2>I didn't know that. But yes, she actually enjoys torturing

479
00:29:25.880 --> 00:29:29.000
<v Speaker 2>and manipulating Tony. This is why Tony is who he

480
00:29:29.119 --> 00:29:31.799
<v Speaker 2>is in part. Now. Obviously the dad played a role too,

481
00:29:31.839 --> 00:29:35.480
<v Speaker 2>but his dad was a flanderer. His his dad was gone,

482
00:29:35.519 --> 00:29:39.200
<v Speaker 2>his dad was out partying and doing mob stuff. So

483
00:29:39.240 --> 00:29:42.079
<v Speaker 2>the mom was kind of stuck home alone raising the kids,

484
00:29:42.640 --> 00:29:45.839
<v Speaker 2>and you know herself was this sort of just arch

485
00:29:45.920 --> 00:29:50.039
<v Speaker 2>manipulator and was just really cruel. The cruelty of the

486
00:29:50.039 --> 00:29:54.279
<v Speaker 2>mom is kind of overwhelming and shocking because she plays

487
00:29:54.400 --> 00:29:58.200
<v Speaker 2>up this character of the innocent little granny so well.

488
00:29:58.720 --> 00:30:04.160
<v Speaker 2>She's she's always is appealing to her victim status. Yeah

489
00:30:04.240 --> 00:30:07.039
<v Speaker 2>you put me in that home, you live up there,

490
00:30:07.079 --> 00:30:10.599
<v Speaker 2>right and you got palace, you in this home. You

491
00:30:10.640 --> 00:30:11.200
<v Speaker 2>don't want me?

492
00:30:11.279 --> 00:30:14.640
<v Speaker 4>Oh yeah, yeah, that's the classic like old lady narcissist,

493
00:30:14.680 --> 00:30:17.119
<v Speaker 4>like you don't love me, you.

494
00:30:17.160 --> 00:30:19.839
<v Speaker 2>Don't love me. Yeah, you put me in this home

495
00:30:19.920 --> 00:30:21.039
<v Speaker 2>to doyle alone.

496
00:30:21.319 --> 00:30:25.839
<v Speaker 4>And then her daughter, his sister kind of inherits that

497
00:30:25.960 --> 00:30:26.920
<v Speaker 4>victim mentality.

498
00:30:27.279 --> 00:30:31.640
<v Speaker 2>Yes, Janie is just as just as manipulative, but not

499
00:30:31.799 --> 00:30:35.079
<v Speaker 2>very good at it. She's terrible. She's not very smart.

500
00:30:35.119 --> 00:30:37.759
<v Speaker 2>So Janice Tony got all the smarts. In fact, I

501
00:30:37.759 --> 00:30:41.160
<v Speaker 2>think their reference one or two times that Tony is

502
00:30:41.200 --> 00:30:43.920
<v Speaker 2>believed to have or may have a genius level i Q,

503
00:30:44.200 --> 00:30:47.839
<v Speaker 2>so we know Tony's super super smart. Janis got nothing.

504
00:30:47.920 --> 00:30:51.240
<v Speaker 2>She got no looks, she got no intelligence. She's just

505
00:30:51.480 --> 00:30:55.200
<v Speaker 2>a dumb, fat bitch. Basically, she does have.

506
00:30:55.240 --> 00:30:56.720
<v Speaker 4>That Rolling Stones tattoo.

507
00:30:57.359 --> 00:31:01.160
<v Speaker 2>She does have a large Yeah Stowe's tattoo on her

508
00:31:02.079 --> 00:31:09.319
<v Speaker 2>pancake flappy giant breast. Right, I can't say there's just

509
00:31:09.519 --> 00:31:14.000
<v Speaker 2>three characters that are gonna irritate you so bad. It's

510
00:31:14.039 --> 00:31:18.799
<v Speaker 2>the Mom, Janice for me, the psychiatrist, I couldn't stand her, uh,

511
00:31:18.920 --> 00:31:23.920
<v Speaker 2>and Richie. Ritchie will be the the the worst annoyance

512
00:31:24.000 --> 00:31:26.480
<v Speaker 2>of villains for the first couple of seasons and he

513
00:31:26.559 --> 00:31:33.319
<v Speaker 2>will end up marrying Janie ironically. All Right, so we

514
00:31:33.440 --> 00:31:40.240
<v Speaker 2>find out that the Mom is the chief archetype for

515
00:31:40.839 --> 00:31:44.160
<v Speaker 2>manipulating and traumatizing Tony. We're even told that Tony is

516
00:31:44.200 --> 00:31:45.400
<v Speaker 2>traumatized yea.

517
00:31:46.119 --> 00:31:48.319
<v Speaker 4>Even to the point where she tries to put.

518
00:31:48.160 --> 00:31:50.680
<v Speaker 2>A hit on Yes, she wants to kill.

519
00:31:50.480 --> 00:31:52.519
<v Speaker 4>Tony and tries to get the uncle.

520
00:31:52.359 --> 00:31:56.680
<v Speaker 2>And Junior Junior gets in on it. And that's because

521
00:31:56.720 --> 00:31:59.160
<v Speaker 2>they're They don't like the They resent the fact that

522
00:31:59.279 --> 00:32:04.640
<v Speaker 2>Tony is intelligent, Tony can run things. Junior is envious

523
00:32:04.920 --> 00:32:07.279
<v Speaker 2>and van glorious. He wants to be the mob boss,

524
00:32:07.519 --> 00:32:10.839
<v Speaker 2>but he's kind of incompetent. He's he's in a way,

525
00:32:10.880 --> 00:32:13.640
<v Speaker 2>he's smart and wise, but he's not good at running things.

526
00:32:14.200 --> 00:32:16.440
<v Speaker 2>Tony is good at running things, and that's why he

527
00:32:16.880 --> 00:32:20.720
<v Speaker 2>fulfills the role perfectly. But Junior resents him for this

528
00:32:20.920 --> 00:32:23.359
<v Speaker 2>his older uncle because he's able to run things, and

529
00:32:23.400 --> 00:32:25.839
<v Speaker 2>so they just kind of let Tony's really smart about this.

530
00:32:25.960 --> 00:32:29.880
<v Speaker 2>He lets Junior be the figurehead who can take the

531
00:32:29.880 --> 00:32:33.640
<v Speaker 2>fall when they get arrested, right, and Junior goes to

532
00:32:33.720 --> 00:32:36.519
<v Speaker 2>jail and Tony's fine, and then Junior fin finally figures

533
00:32:36.519 --> 00:32:38.200
<v Speaker 2>out that this is what Tony let him do, which

534
00:32:38.240 --> 00:32:39.640
<v Speaker 2>was kind of genius. Actually, I was.

535
00:32:39.559 --> 00:32:44.519
<v Speaker 4>Listening to psychologists talk about the characters and they said, actually,

536
00:32:45.160 --> 00:32:50.359
<v Speaker 4>Junior exhibits more narcissistic traits than Tony because he cares

537
00:32:50.400 --> 00:32:52.839
<v Speaker 4>more what people think about him, and he'll actually kill

538
00:32:52.880 --> 00:32:56.359
<v Speaker 4>people just so he doesn't have to look bad.

539
00:32:56.680 --> 00:32:59.119
<v Speaker 2>That's a good point. Yeah, remember, if you want to

540
00:32:59.119 --> 00:33:00.960
<v Speaker 2>support us, we've got to suit a couple of super chats.

541
00:33:00.960 --> 00:33:03.160
<v Speaker 2>We got three hundred and sixty nerds in the chat

542
00:33:03.160 --> 00:33:05.599
<v Speaker 2>tonight Welcome. We knew this was gonna be a good show,

543
00:33:05.640 --> 00:33:07.319
<v Speaker 2>so maybe we can get up to about four hundred

544
00:33:07.319 --> 00:33:13.720
<v Speaker 2>pretty soon here, But hopefully you're enjoying this. There's references

545
00:33:13.720 --> 00:33:16.359
<v Speaker 2>to the mom castrating him. I thought this was interesting

546
00:33:16.400 --> 00:33:20.079
<v Speaker 2>that the psychiatrist tells Tony that your mom was a

547
00:33:20.119 --> 00:33:22.759
<v Speaker 2>master manipulator. She has helped train you to be who

548
00:33:22.799 --> 00:33:27.599
<v Speaker 2>you are. She has emasculated and castrated you. So she

549
00:33:27.759 --> 00:33:31.440
<v Speaker 2>kind of interprets a lot of Tony's delusions and hallucinations

550
00:33:31.440 --> 00:33:35.400
<v Speaker 2>in relationship to the trauma that the mom inflicted on him.

551
00:33:35.799 --> 00:33:37.519
<v Speaker 2>And I think a lot of that's true. It's just

552
00:33:37.559 --> 00:33:40.160
<v Speaker 2>that as we're going to see as the series progresses,

553
00:33:40.680 --> 00:33:46.640
<v Speaker 2>this goofy psychiatrist woman's solution, they don't work, and the pills,

554
00:33:46.720 --> 00:33:51.079
<v Speaker 2>the lithium, the prozac, which is all referenced in season one.

555
00:33:51.119 --> 00:33:53.000
<v Speaker 2>This is when prozac was brand new, right, so they're

556
00:33:53.039 --> 00:33:55.799
<v Speaker 2>referencing Tony's on prozac. They don't do anything.

557
00:33:56.079 --> 00:33:58.240
<v Speaker 4>This is also the beginning of big pharma.

558
00:33:58.359 --> 00:33:59.279
<v Speaker 2>Yeah, that's what I'm saying.

559
00:33:59.359 --> 00:34:06.640
<v Speaker 4>Yeah, so you've got Prozac, lithium, viagra, new drugs coming

560
00:34:06.680 --> 00:34:11.119
<v Speaker 4>out and they are all being experimented on, right.

561
00:34:11.519 --> 00:34:12.159
<v Speaker 2>Yeah.

562
00:34:12.199 --> 00:34:17.360
<v Speaker 4>And there's an interesting scene where the psychiatrist says, I

563
00:34:17.360 --> 00:34:20.599
<v Speaker 4>think I've done everything I can with you in talk therapy,

564
00:34:20.639 --> 00:34:25.039
<v Speaker 4>and we need to implement this new phase of your

565
00:34:25.119 --> 00:34:29.039
<v Speaker 4>healing or whatever, and he's just not into it because

566
00:34:29.039 --> 00:34:31.719
<v Speaker 4>he just likes just talking to her. He thinks that

567
00:34:31.800 --> 00:34:36.440
<v Speaker 4>this is going to change him without him having to

568
00:34:36.440 --> 00:34:37.559
<v Speaker 4>do any of the work.

569
00:34:40.679 --> 00:34:46.039
<v Speaker 2>Yeah, we begin to see in season one the mom

570
00:34:46.119 --> 00:34:50.039
<v Speaker 2>is actually the real villain. In season one, the other

571
00:34:50.119 --> 00:34:52.840
<v Speaker 2>mobsters are mad that they hear about Tony going to

572
00:34:52.960 --> 00:34:57.039
<v Speaker 2>the shrink. They laugh about it. The mom says, isn't

573
00:34:57.119 --> 00:35:01.239
<v Speaker 2>that a Jewish thing? She says, that's a Jewish racket, all.

574
00:35:01.119 --> 00:35:06.320
<v Speaker 4>That treatment that one of the characters tries to go through,

575
00:35:07.000 --> 00:35:09.639
<v Speaker 4>the other characters make fun of him for it. Remember

576
00:35:09.639 --> 00:35:15.199
<v Speaker 4>when Christopher tries to get sober, mock him continually for it,

577
00:35:15.480 --> 00:35:17.400
<v Speaker 4>and anybody who wants to.

578
00:35:19.679 --> 00:35:22.960
<v Speaker 2>Well, this is a theme in the show right when

579
00:35:23.760 --> 00:35:26.360
<v Speaker 2>it's a question of who are you? I mean, are

580
00:35:26.400 --> 00:35:29.079
<v Speaker 2>you born to what you are? Are you? Are you

581
00:35:29.159 --> 00:35:33.840
<v Speaker 2>born to fate? Is Tony destined to be Tony? Can

582
00:35:33.880 --> 00:35:38.079
<v Speaker 2>they change? And this will come up when Carmela, Tony's wife,

583
00:35:38.239 --> 00:35:41.159
<v Speaker 2>goes to see a Jewish psychiatrist at one point, and

584
00:35:41.199 --> 00:35:44.239
<v Speaker 2>then she goes and talks to multiple priests, so she

585
00:35:44.360 --> 00:35:46.719
<v Speaker 2>tries to unload and kind of get advice for how

586
00:35:46.719 --> 00:35:49.679
<v Speaker 2>to handle these problems. And she's trying to figure out

587
00:35:50.280 --> 00:35:53.440
<v Speaker 2>can someone like Tony change? That will be one of

588
00:35:53.480 --> 00:35:56.639
<v Speaker 2>the major themes in the show. As you said, we'll

589
00:35:56.679 --> 00:36:00.000
<v Speaker 2>be waiting throughout all six seasons and we're wondering, Okay,

590
00:36:00.119 --> 00:36:03.159
<v Speaker 2>is this gonna be Tony's downfall? Is this person gonna

591
00:36:03.159 --> 00:36:06.960
<v Speaker 2>be Tony's downfall? Tony finally gonna get what's coming to him?

592
00:36:07.039 --> 00:36:10.159
<v Speaker 2>Or is he still gonna somehow miraculously skate around all

593
00:36:10.159 --> 00:36:13.880
<v Speaker 2>of this and get away with it? Uh? And is

594
00:36:13.920 --> 00:36:16.280
<v Speaker 2>he actually gonna start changing? And they do a good

595
00:36:16.360 --> 00:36:20.360
<v Speaker 2>job with In a few instances, Tony does do the

596
00:36:20.400 --> 00:36:23.079
<v Speaker 2>right thing. He does start changing. He doesn't sleep with

597
00:36:23.119 --> 00:36:26.480
<v Speaker 2>the real estate agent, right, he holds off, he doesn't

598
00:36:26.559 --> 00:36:29.760
<v Speaker 2>cheat in these instances. There's cases where he helps people out.

599
00:36:30.320 --> 00:36:34.320
<v Speaker 2>So that's showing that that that humanizes him. He's not

600
00:36:34.360 --> 00:36:37.840
<v Speaker 2>an all bad guy. He actually has human qualities.

601
00:36:37.440 --> 00:36:40.239
<v Speaker 4>After his near death experience. Right.

602
00:36:41.199 --> 00:36:47.440
<v Speaker 2>Yes, So the early Tony is no mercy, no bone,

603
00:36:47.519 --> 00:36:49.559
<v Speaker 2>no jokes, no bone. I mean he makes jokes, but

604
00:36:49.559 --> 00:36:51.480
<v Speaker 2>I'm saying, like, you don't joke with Tony, you don't

605
00:36:51.480 --> 00:36:55.079
<v Speaker 2>play with Tony. If you cross Tony, you're dead. So

606
00:36:55.159 --> 00:36:58.559
<v Speaker 2>he sort of enforces a rule of fear right. It's

607
00:36:58.599 --> 00:37:01.280
<v Speaker 2>a Machiavelli kind of the Prince thing, where it's better

608
00:37:01.320 --> 00:37:04.880
<v Speaker 2>to be feared than loved. So Tony runs on that

609
00:37:05.440 --> 00:37:08.519
<v Speaker 2>psychology for the first several seasons, and as you pointed out,

610
00:37:08.559 --> 00:37:10.480
<v Speaker 2>when he almost when he has his near death experience,

611
00:37:10.519 --> 00:37:14.360
<v Speaker 2>when he dies, for several episodes he's in the hospital,

612
00:37:14.440 --> 00:37:20.760
<v Speaker 2>on the bed, in the er. He comes back and

613
00:37:20.800 --> 00:37:24.639
<v Speaker 2>he's different. So he has had a change, But is

614
00:37:24.679 --> 00:37:27.239
<v Speaker 2>he really changed? And that's what we're gonna see towards

615
00:37:27.239 --> 00:37:29.840
<v Speaker 2>the end. I think it's somewhat debatable to a degree,

616
00:37:30.119 --> 00:37:35.480
<v Speaker 2>because he does kind of more and more have a

617
00:37:36.480 --> 00:37:38.679
<v Speaker 2>better appreciation of people and his family.

618
00:37:39.239 --> 00:37:41.679
<v Speaker 3>You know, he says things, every day's a gift. Now

619
00:37:41.719 --> 00:37:43.559
<v Speaker 3>come out of the hospital. I realize, I look at world.

620
00:37:43.800 --> 00:37:46.239
<v Speaker 3>Every day's a gift. Tennis, every day is a gift.

621
00:37:46.880 --> 00:37:50.440
<v Speaker 2>And so he knows he's still going, I think, eventually

622
00:37:50.519 --> 00:37:53.599
<v Speaker 2>to his end. And and that becomes really clear, as

623
00:37:53.599 --> 00:37:55.320
<v Speaker 2>we'll see in season six. So we're almost up to

624
00:37:55.400 --> 00:38:04.199
<v Speaker 2>we got three seventy three. Welcome everybody. So Catholicism is

625
00:38:04.239 --> 00:38:10.159
<v Speaker 2>interesting in season one, it's very much a cultural Catholicism.

626
00:38:10.599 --> 00:38:14.239
<v Speaker 2>Nobody in the series except for the old people. This

627
00:38:14.360 --> 00:38:25.320
<v Speaker 2>is interesting. Polly's mom and aunt take their Catholicism seriously. Briefly,

628
00:38:25.840 --> 00:38:29.440
<v Speaker 2>Janie has a phase of evangelicalism where she's serious right

629
00:38:29.480 --> 00:38:32.719
<v Speaker 2>with that goofy guy who has narcolepsy, and they have

630
00:38:32.760 --> 00:38:35.119
<v Speaker 2>an evangelical praise band, remember that. And he falls asleep

631
00:38:35.159 --> 00:38:35.719
<v Speaker 2>all the time, and.

632
00:38:35.679 --> 00:38:38.599
<v Speaker 3>Tony Tony's always loving it's good, bring your friendo if

633
00:38:38.599 --> 00:38:39.440
<v Speaker 3>you could wake him up.

634
00:38:39.880 --> 00:38:41.719
<v Speaker 2>And then he throws peanuts at the guy when he

635
00:38:41.760 --> 00:38:46.480
<v Speaker 2>falls asleep at the Turkey dinner. Anyway, So all of

636
00:38:46.480 --> 00:38:50.719
<v Speaker 2>that to say that the way religion is presented in

637
00:38:50.960 --> 00:38:53.400
<v Speaker 2>season one and pretty consistently to the rest of the

638
00:38:53.400 --> 00:38:56.239
<v Speaker 2>show is that it's just a cultural phenomena. There's not

639
00:38:56.360 --> 00:38:59.039
<v Speaker 2>really anyone, even the priest. This is the really interesting

640
00:38:59.039 --> 00:39:02.599
<v Speaker 2>fact in season one was that weird priest that you

641
00:39:02.880 --> 00:39:05.000
<v Speaker 2>think might be gay and then you think, no, actually

642
00:39:05.079 --> 00:39:08.679
<v Speaker 2>he's hitting on Carmela. He's not even actually hitting on Carmela.

643
00:39:08.719 --> 00:39:11.280
<v Speaker 2>He's a weirdo who just wants food and recipes.

644
00:39:11.320 --> 00:39:15.880
<v Speaker 4>He just wants from women, but he doesn't actually want

645
00:39:15.920 --> 00:39:18.199
<v Speaker 4>to cross the boundary to do anything with them.

646
00:39:18.239 --> 00:39:21.079
<v Speaker 2>Yeah, so he basically stays the night with Carmela flirts

647
00:39:21.079 --> 00:39:23.719
<v Speaker 2>with her all night, They cook dinner, they drink wine, communion,

648
00:39:24.559 --> 00:39:28.920
<v Speaker 2>private communion. Yeah, and he leaves or he falls asleep, right,

649
00:39:28.960 --> 00:39:30.679
<v Speaker 2>he doesn't want to he's snoring or something.

650
00:39:30.760 --> 00:39:33.000
<v Speaker 4>Then there's this funny scene where Carmela tries to bring

651
00:39:33.000 --> 00:39:35.039
<v Speaker 4>the priest a dish of food.

652
00:39:35.480 --> 00:39:37.760
<v Speaker 2>That guy's that priest, yeah.

653
00:39:37.480 --> 00:39:41.719
<v Speaker 4>I know, and another woman has already brought him food

654
00:39:41.800 --> 00:39:46.960
<v Speaker 4>that day, so she gets all jealous. Remember, so even

655
00:39:47.039 --> 00:39:51.119
<v Speaker 4>their their religion is a facade.

656
00:39:53.360 --> 00:39:55.480
<v Speaker 2>It's just something that you do, you know, it's just

657
00:39:55.559 --> 00:39:59.199
<v Speaker 2>another and and Tony kind of sees through that hypocrisy.

658
00:39:59.719 --> 00:40:04.039
<v Speaker 2>I mean, he's not above asking existential questions. He asked

659
00:40:04.079 --> 00:40:08.519
<v Speaker 2>them pretty consistently throughout the series, but he never he

660
00:40:08.599 --> 00:40:13.079
<v Speaker 2>never sees the institutional Catholic church as being anything other

661
00:40:13.159 --> 00:40:16.760
<v Speaker 2>than kind of a ritual or a play. Like he

662
00:40:16.840 --> 00:40:18.239
<v Speaker 2>kind of makes some jokes about.

663
00:40:18.000 --> 00:40:19.320
<v Speaker 3>It, like, oh, come on, either way, I know this

664
00:40:19.440 --> 00:40:21.840
<v Speaker 3>is a bunch of bullshit, and he says stuff like

665
00:40:21.840 --> 00:40:22.920
<v Speaker 3>that kind of in passing.

666
00:40:24.079 --> 00:40:26.760
<v Speaker 4>It's just another family obligation thing like going to a

667
00:40:26.760 --> 00:40:27.719
<v Speaker 4>funeral or a wedding.

668
00:40:30.719 --> 00:40:34.000
<v Speaker 2>Next up is oh and the other thing with two

669
00:40:34.039 --> 00:40:36.800
<v Speaker 2>That was interesting about the priests was that he's very

670
00:40:36.880 --> 00:40:40.880
<v Speaker 2>much a novus ordo Vatican two priests because when he

671
00:40:40.920 --> 00:40:44.920
<v Speaker 2>gives communion that ninety stays over, he actually brings Carmela

672
00:40:44.960 --> 00:40:47.760
<v Speaker 2>a book on Buddhism. Oh yeah, he tells her that

673
00:40:47.800 --> 00:40:50.480
<v Speaker 2>she needs to start reading on Buddhism to find spiritual

674
00:40:50.880 --> 00:40:53.840
<v Speaker 2>So just totally, I mean, this was accurate, right, the

675
00:40:53.880 --> 00:40:57.280
<v Speaker 2>whole idea of the liberalized clerics of the post Vatican

676
00:40:57.320 --> 00:40:58.480
<v Speaker 2>two novus Ordo church.

677
00:40:58.639 --> 00:41:02.599
<v Speaker 4>Do you remember that episode with the Golden Hat Saint

678
00:41:03.280 --> 00:41:07.159
<v Speaker 4>and the fair, So there's another example of the mom

679
00:41:07.280 --> 00:41:09.320
<v Speaker 4>working together with the church.

680
00:41:10.039 --> 00:41:13.079
<v Speaker 2>Yeah, this is obliquely referenced, there's no I mean, if

681
00:41:13.079 --> 00:41:16.159
<v Speaker 2>you watch Godfather three, there's actually a really clear reference

682
00:41:16.199 --> 00:41:20.639
<v Speaker 2>to the connection between the Vatican, the mafia and the

683
00:41:20.679 --> 00:41:23.039
<v Speaker 2>Cia and all these kinds of P two lodge and

684
00:41:23.079 --> 00:41:25.840
<v Speaker 2>all that comes up really clearly because that was actually

685
00:41:25.880 --> 00:41:28.719
<v Speaker 2>based on the P two stuff with John Paula first

686
00:41:28.719 --> 00:41:31.920
<v Speaker 2>and his assassination. Here it's not as clear. It's a

687
00:41:31.920 --> 00:41:35.400
<v Speaker 2>little it's more, you know, just again kind of cultural stuff.

688
00:41:35.440 --> 00:41:38.360
<v Speaker 2>And then that scene is actually really funny because that

689
00:41:38.440 --> 00:41:41.039
<v Speaker 2>will play into the fact that there's one character in

690
00:41:41.079 --> 00:41:45.639
<v Speaker 2>the show that will survive all of this, and he's

691
00:41:45.760 --> 00:41:48.760
<v Speaker 2>really the only one that we think might actually convert.

692
00:41:49.559 --> 00:41:53.559
<v Speaker 2>And it's not he you expect, it's Polly because Polly

693
00:41:53.719 --> 00:41:57.039
<v Speaker 2>is superstitious. They make fun of him for being superstitious

694
00:41:57.079 --> 00:42:00.119
<v Speaker 2>throughout the show. He walks in the bottom being and

695
00:42:00.119 --> 00:42:02.880
<v Speaker 2>he sees the Virgin Mary. Remember, at the end of

696
00:42:02.880 --> 00:42:05.880
<v Speaker 2>the very last episode he says this, and we get

697
00:42:05.880 --> 00:42:10.440
<v Speaker 2>the impression that it's really just Paulie who has repented

698
00:42:10.519 --> 00:42:12.559
<v Speaker 2>at the end when he goes and apologizes to his

699
00:42:12.639 --> 00:42:16.320
<v Speaker 2>mom or to his surrogate mother, I should say, and

700
00:42:16.400 --> 00:42:18.400
<v Speaker 2>he was the he was the one that was really

701
00:42:18.480 --> 00:42:21.159
<v Speaker 2>upset about the saint and the hat, that stupid hat

702
00:42:21.400 --> 00:42:24.440
<v Speaker 2>because he thought, you know, I mean, he's he's he's dumb,

703
00:42:24.519 --> 00:42:28.199
<v Speaker 2>and he's superstitious, but he's serious and sincere, which is interesting.

704
00:42:28.440 --> 00:42:31.679
<v Speaker 4>Yeah, things have meaning to Paulage.

705
00:42:31.760 --> 00:42:35.480
<v Speaker 2>Yeah, you don't just do that, Tea. I swear on

706
00:42:35.599 --> 00:42:37.760
<v Speaker 2>my life, tee, you don't just do that.

707
00:42:37.760 --> 00:42:39.840
<v Speaker 4>That's why he gets so messed up when he finds

708
00:42:39.840 --> 00:42:41.840
<v Speaker 4>out his mom was actually his aunt and his aunt

709
00:42:41.880 --> 00:42:43.760
<v Speaker 4>with his mom.

710
00:42:43.360 --> 00:42:45.000
<v Speaker 2>My old life, it's been a life.

711
00:42:45.199 --> 00:42:49.719
<v Speaker 3>Yeah, I sweit, tea, my whole life, it's all a lie.

712
00:42:50.880 --> 00:42:59.000
<v Speaker 2>And that's again I like the fact that spoiler alert,

713
00:42:59.360 --> 00:43:03.079
<v Speaker 2>nobody may through this. Not nobody, but basically of the

714
00:43:03.119 --> 00:43:08.280
<v Speaker 2>main character spoiler alert, Pauli is who you know. It's

715
00:43:08.360 --> 00:43:10.320
<v Speaker 2>kind of like he's the one that that goes on

716
00:43:10.480 --> 00:43:13.199
<v Speaker 2>to We don't know what he's gonna do, but presumably

717
00:43:13.239 --> 00:43:15.599
<v Speaker 2>he's probably gonna go to Florida where they were earlier

718
00:43:15.599 --> 00:43:16.559
<v Speaker 2>and just kind of retire.

719
00:43:16.920 --> 00:43:18.800
<v Speaker 4>I couldn't believe he was the one that made it

720
00:43:18.840 --> 00:43:20.800
<v Speaker 4>out alive of all of them.

721
00:43:21.119 --> 00:43:23.360
<v Speaker 2>I like that, in fact, that it wasn't who you thought.

722
00:43:23.440 --> 00:43:27.599
<v Speaker 2>You think you And again, spoiler you think Adriana and

723
00:43:27.639 --> 00:43:30.360
<v Speaker 2>Christopher are gonna get out, You keep thinking, Okay, they're

724
00:43:30.400 --> 00:43:33.599
<v Speaker 2>finally gonna you know, he's gonna listen to her. You know,

725
00:43:33.679 --> 00:43:37.360
<v Speaker 2>they're gonna be flipped by the FBI, they're gonna get

726
00:43:37.440 --> 00:43:41.480
<v Speaker 2>witness relocation. You keep thinking this, you keep thinking it,

727
00:43:41.599 --> 00:43:46.519
<v Speaker 2>and no, right, uh, but we'll get to We'll get

728
00:43:46.559 --> 00:43:58.760
<v Speaker 2>to Christopher. Tony, Tony, Tony, you do a good Adriana, Tony, No,

729
00:43:58.880 --> 00:44:04.400
<v Speaker 2>I was doing to do, Adriana, what's the flaw? What's faw? Yeah, Adrian,

730
00:44:04.679 --> 00:44:09.920
<v Speaker 2>I told you to the Buddhism book let's see we

731
00:44:09.960 --> 00:44:13.800
<v Speaker 2>get down to there was another interesting element. I think

732
00:44:13.800 --> 00:44:16.440
<v Speaker 2>this is by about season two, maybe still in season one,

733
00:44:16.480 --> 00:44:22.679
<v Speaker 2>where they start introducing these uh other con men. Okay,

734
00:44:22.679 --> 00:44:25.719
<v Speaker 2>because remember there's an element to Christopher and Tony that's

735
00:44:25.760 --> 00:44:28.199
<v Speaker 2>the conman element, right, So then they bring in these

736
00:44:28.239 --> 00:44:31.199
<v Speaker 2>other characters that they interact with, like the Black Preacher

737
00:44:32.280 --> 00:44:34.960
<v Speaker 2>and this Black Preacher. If you notice the young one,

738
00:44:35.320 --> 00:44:40.679
<v Speaker 2>he's a kind of Al Sharpton Jesse Jackson kind of guy.

739
00:44:41.639 --> 00:44:44.639
<v Speaker 2>And his dad, who was another Black Preacher, was a

740
00:44:44.719 --> 00:44:47.679
<v Speaker 2>serious guy. He was serious about his spirituality. But the

741
00:44:47.719 --> 00:44:51.320
<v Speaker 2>younger guy, who's the you know, the preacher leading the

742
00:44:51.360 --> 00:44:55.960
<v Speaker 2>black guys to strike at the construction site, he's totally fake.

743
00:44:56.280 --> 00:44:58.320
<v Speaker 2>He's like, hey man, I'm just gonna put of money, right,

744
00:44:58.719 --> 00:45:00.800
<v Speaker 2>So he's ready to make deals with Tony, and Tony

745
00:45:01.400 --> 00:45:03.079
<v Speaker 2>he's like, yeah, he's like that kind of a black

746
00:45:03.119 --> 00:45:05.960
<v Speaker 2>TV Preacher guy. But but it's all about race and

747
00:45:06.000 --> 00:45:09.960
<v Speaker 2>it's all about you know, he's an opportunist. That's the

748
00:45:09.960 --> 00:45:13.440
<v Speaker 2>word I'm looking for. And Tony figures that out. He's like, okay,

749
00:45:13.480 --> 00:45:15.440
<v Speaker 2>so his dad's serious. I don't want to talk to

750
00:45:15.480 --> 00:45:18.639
<v Speaker 2>the dad. He's you know, another version of con man.

751
00:45:18.679 --> 00:45:21.199
<v Speaker 2>He's just an opportunist, and if he's that way, I

752
00:45:21.280 --> 00:45:24.360
<v Speaker 2>can buy him off, right, So Tony can profile people

753
00:45:24.400 --> 00:45:28.639
<v Speaker 2>to tell when they're sincere, when they're frauds, and he

754
00:45:28.760 --> 00:45:31.159
<v Speaker 2>knows that if they're frauds, is pretty easy to either

755
00:45:31.199 --> 00:45:33.599
<v Speaker 2>buy them off or to muscle them into doing what

756
00:45:33.639 --> 00:45:36.039
<v Speaker 2>you want. So he really But I like the fact

757
00:45:36.079 --> 00:45:39.079
<v Speaker 2>that they introduce this kind of you know, opportunist, fake

758
00:45:39.199 --> 00:45:43.559
<v Speaker 2>preacher guy, and he's tied into the Union and he's

759
00:45:43.599 --> 00:45:46.400
<v Speaker 2>trying to use the union. And this is funny because

760
00:45:46.440 --> 00:45:48.719
<v Speaker 2>the mobsters have used the union for a long time,

761
00:45:48.760 --> 00:45:51.280
<v Speaker 2>so it's like, you're you're on the wrong territory, hero,

762
00:45:51.400 --> 00:45:53.199
<v Speaker 2>The mob is going to know how to utilize the

763
00:45:53.320 --> 00:45:56.079
<v Speaker 2>union way better than you trying to use the union.

764
00:45:56.119 --> 00:45:59.880
<v Speaker 2>And of course Tony outwits this guy and ends up

765
00:46:00.039 --> 00:46:04.360
<v Speaker 2>oiling this movement. And there's a very similar character to

766
00:46:04.800 --> 00:46:08.960
<v Speaker 2>the opportunist black preacher who is the Native American spokesman

767
00:46:09.000 --> 00:46:11.960
<v Speaker 2>who's also a kind of a We get the impression

768
00:46:11.960 --> 00:46:13.800
<v Speaker 2>that he's kind of a con man, that he's just

769
00:46:14.440 --> 00:46:20.280
<v Speaker 2>leading this cultural movement against Columbus day. Right, this becomes

770
00:46:20.280 --> 00:46:24.960
<v Speaker 2>a big ordeal for the social justice themes. Yes, social

771
00:46:25.119 --> 00:46:29.119
<v Speaker 2>justice themes start coming up about season two and they

772
00:46:29.159 --> 00:46:31.800
<v Speaker 2>want to two or three. They want to get rid

773
00:46:31.840 --> 00:46:34.239
<v Speaker 2>of Columbus Day, and because it's offensive to all the

774
00:46:35.280 --> 00:46:40.679
<v Speaker 2>Native Americans, and this leads to a kind of a

775
00:46:40.800 --> 00:46:45.239
<v Speaker 2>retaliation on the part of syl Silvio and Pauli. They're

776
00:46:45.280 --> 00:46:47.400
<v Speaker 2>furious about this. They go and like beat up the

777
00:46:47.440 --> 00:46:49.840
<v Speaker 2>Native Americans. There's a big there's a big street fight

778
00:46:49.960 --> 00:46:55.559
<v Speaker 2>between the social justice Warriors and the Italians. They've all

779
00:46:55.599 --> 00:46:58.760
<v Speaker 2>got got flags, like Italian flags out there, and they

780
00:46:58.880 --> 00:47:00.719
<v Speaker 2>want to have Columbus Day and all this stuff, and

781
00:47:00.760 --> 00:47:04.840
<v Speaker 2>so there's this big street brawl. And I liked all

782
00:47:04.840 --> 00:47:07.400
<v Speaker 2>these elements because it was showing you that a lot

783
00:47:07.440 --> 00:47:08.840
<v Speaker 2>of this stuff is manipulated.

784
00:47:09.039 --> 00:47:12.559
<v Speaker 4>Do you remember when Meadow went to college she came

785
00:47:12.599 --> 00:47:14.159
<v Speaker 4>back social justice warrior.

786
00:47:14.360 --> 00:47:17.000
<v Speaker 2>Yes, this is another great point because it shows that

787
00:47:17.159 --> 00:47:20.400
<v Speaker 2>when Meadow goes to college, you know, she's just kind

788
00:47:20.400 --> 00:47:23.360
<v Speaker 2>of a teenager, you know, I mean, she's intelligent, and

789
00:47:23.440 --> 00:47:26.880
<v Speaker 2>she she early on figures out that her dad is

790
00:47:27.000 --> 00:47:29.039
<v Speaker 2>up to something. Like her dad is not on the

791
00:47:29.119 --> 00:47:32.679
<v Speaker 2>up and up. He's not really what he presents himself as,

792
00:47:32.760 --> 00:47:33.760
<v Speaker 2>just a.

793
00:47:33.400 --> 00:47:36.639
<v Speaker 3>Harm of just a harmless waste management, businessman. I'm just

794
00:47:36.639 --> 00:47:38.559
<v Speaker 3>a businessman, right, No, he's more than that.

795
00:47:38.679 --> 00:47:41.000
<v Speaker 2>And she figures this out by the time she's in

796
00:47:41.079 --> 00:47:44.039
<v Speaker 2>high school, and so we get the impression that Metal

797
00:47:44.119 --> 00:47:49.960
<v Speaker 2>is pretty intelligent. She also will be spared interestingly, and

798
00:47:50.000 --> 00:47:56.079
<v Speaker 2>then when she goes to college, she is brainwashed, initiated

799
00:47:56.119 --> 00:48:01.039
<v Speaker 2>into the social justice system. She said, it takes her

800
00:48:01.039 --> 00:48:02.760
<v Speaker 2>while to figure out what her career is. She decides,

801
00:48:02.840 --> 00:48:04.559
<v Speaker 2>I want to be a lawyer so I can defend

802
00:48:04.559 --> 00:48:09.480
<v Speaker 2>the immigrants. So they actually show her as adopting these

803
00:48:09.519 --> 00:48:15.679
<v Speaker 2>positions because that's her way to rebel against Tony. And

804
00:48:15.719 --> 00:48:19.239
<v Speaker 2>she even says this at times when her bike gets stolen, right,

805
00:48:20.679 --> 00:48:22.079
<v Speaker 2>and Tony said, oh, yeah, who was the guy who

806
00:48:22.079 --> 00:48:22.599
<v Speaker 2>stole the bike?

807
00:48:22.679 --> 00:48:22.960
<v Speaker 3>Huh?

808
00:48:23.000 --> 00:48:25.840
<v Speaker 2>What was he? Oh? Who was he? Right? So if

809
00:48:25.840 --> 00:48:27.599
<v Speaker 2>you know that scene, then you know what happens. I

810
00:48:27.599 --> 00:48:31.400
<v Speaker 2>won't say it because of you know, getting pulled or whatever,

811
00:48:31.480 --> 00:48:34.960
<v Speaker 2>but it's a funny sequence. And the only reason that

812
00:48:35.360 --> 00:48:38.960
<v Speaker 2>Meadow is doing these things is to try to rebel

813
00:48:39.000 --> 00:48:42.000
<v Speaker 2>against Tony's old ways and his you know kind of

814
00:48:42.400 --> 00:48:46.280
<v Speaker 2>what she thinks are outdated ways of understanding things, because

815
00:48:46.480 --> 00:48:50.400
<v Speaker 2>Tony's in a sense, you could say conservative, even though

816
00:48:50.400 --> 00:48:55.000
<v Speaker 2>he doesn't really care about ideologies. It's purely pragmatic, right.

817
00:48:55.400 --> 00:48:58.960
<v Speaker 2>He knows from the streets that people are different, you know,

818
00:48:59.000 --> 00:49:00.880
<v Speaker 2>He's like, and then when I'm on the street, this

819
00:49:00.960 --> 00:49:04.000
<v Speaker 2>guy's different. He drives around, he sees a mosque.

820
00:49:04.480 --> 00:49:06.920
<v Speaker 3>These are these guys are different, you know, they're different.

821
00:49:07.440 --> 00:49:10.960
<v Speaker 4>That was the part in the story after the Big

822
00:49:11.079 --> 00:49:17.280
<v Speaker 4>nine event happened, they wrote that in that Tony is

823
00:49:17.320 --> 00:49:20.360
<v Speaker 4>now informing to the FBI.

824
00:49:21.119 --> 00:49:25.519
<v Speaker 2>The FBI guys, they asked Tony. Yeah, that's a great point.

825
00:49:25.119 --> 00:49:28.519
<v Speaker 2>They don't make him an official informant, but they ask him,

826
00:49:28.559 --> 00:49:30.760
<v Speaker 2>you know, I'll scratch your back, you scratch mine if

827
00:49:30.800 --> 00:49:33.960
<v Speaker 2>you can, you know, provide us some information on any

828
00:49:33.960 --> 00:49:36.079
<v Speaker 2>of these Arab guys that might be hanging around the

829
00:49:36.079 --> 00:49:39.559
<v Speaker 2>bottom being. And he does. He does so, not exactly

830
00:49:39.599 --> 00:49:42.199
<v Speaker 2>an informant, but a kind of a just a on

831
00:49:42.239 --> 00:49:47.239
<v Speaker 2>the down low passing information back and forth, which Tony

832
00:49:47.320 --> 00:49:51.159
<v Speaker 2>just sees as advantageous to himself for getting out of,

833
00:49:51.639 --> 00:49:57.559
<v Speaker 2>you know, sticky situations. So so moving on, I like

834
00:49:57.639 --> 00:50:00.920
<v Speaker 2>the sequence when he goes to Italy to meet up

835
00:50:00.960 --> 00:50:04.840
<v Speaker 2>with one of the dons in Sicily and as we

836
00:50:05.039 --> 00:50:07.480
<v Speaker 2>as I said, we find out that it's it's the

837
00:50:07.559 --> 00:50:11.519
<v Speaker 2>Dawn is actually has dementia. He's out of ideas and

838
00:50:11.519 --> 00:50:13.639
<v Speaker 2>know what's going on. And his daughter is running things

839
00:50:13.679 --> 00:50:16.360
<v Speaker 2>and she's, you know, the bomb supermodel. So Tony is

840
00:50:16.400 --> 00:50:19.679
<v Speaker 2>immediately sort of smitten by her, has the dream where

841
00:50:19.679 --> 00:50:24.239
<v Speaker 2>he's a Roman general sleeping with her. And then the

842
00:50:24.280 --> 00:50:26.880
<v Speaker 2>most important sequence in all this is that they go

843
00:50:27.039 --> 00:50:31.000
<v Speaker 2>up on this mountain to the Sibiling Oracle. Right, So

844
00:50:31.039 --> 00:50:33.440
<v Speaker 2>they go in this cave where the Sibiling Oracle used

845
00:50:33.480 --> 00:50:36.920
<v Speaker 2>to sit, and she the oracle would would breathe in

846
00:50:37.000 --> 00:50:41.719
<v Speaker 2>the hallucinogen hallucinogenic gases or whatever and would prophesy. And

847
00:50:41.760 --> 00:50:43.679
<v Speaker 2>if you don't know, you know, the Sibiling Oracle is

848
00:50:43.719 --> 00:50:48.599
<v Speaker 2>famous for also having prophetic statements about Christ. Right, this

849
00:50:48.760 --> 00:50:51.519
<v Speaker 2>is a well known thing. If you look up virgils

850
00:50:51.559 --> 00:50:54.800
<v Speaker 2>and ecologue, if you look up the civil there were

851
00:50:54.840 --> 00:50:59.000
<v Speaker 2>these pagan predictions. Also they're related to Christ. I think

852
00:50:59.000 --> 00:51:01.239
<v Speaker 2>that the Sibiling Oracle was even painted I think into

853
00:51:01.280 --> 00:51:05.920
<v Speaker 2>the Assistine Chapel. But the the but the the woman,

854
00:51:06.639 --> 00:51:11.239
<v Speaker 2>the woman Dawn tells Tony, she says, you're you are

855
00:51:11.360 --> 00:51:15.800
<v Speaker 2>your own worst enemy. So she does this Sibiling prophecy

856
00:51:16.599 --> 00:51:19.800
<v Speaker 2>at the Sibiling Oracle about Tony, and they even referenced this.

857
00:51:20.599 --> 00:51:23.360
<v Speaker 2>And then when Tony goes back to a psychiatrist.

858
00:51:22.719 --> 00:51:25.079
<v Speaker 3>He said, hey, you have voted this to the Sibols.

859
00:51:25.320 --> 00:51:28.159
<v Speaker 2>The Sibols. She's like the Sibils.

860
00:51:28.719 --> 00:51:32.039
<v Speaker 3>Hey, you know the Sybils did the prophecies. You know

861
00:51:32.039 --> 00:51:34.320
<v Speaker 3>they would they would sit and breathe in his head.

862
00:51:34.360 --> 00:51:36.480
<v Speaker 3>It would, you know, make them prophecy or whatever.

863
00:51:37.039 --> 00:51:40.880
<v Speaker 2>Right, And so he basically has been told his fortune

864
00:51:40.920 --> 00:51:43.039
<v Speaker 2>from the Sibyl. I thought that was genius, the way

865
00:51:43.039 --> 00:51:44.519
<v Speaker 2>they did that, the way they pulled it off. And

866
00:51:44.920 --> 00:51:47.719
<v Speaker 2>if you're not familiar with classical lit, one of the

867
00:51:47.719 --> 00:51:50.360
<v Speaker 2>things I studied in grad school, you wouldn't catch those

868
00:51:50.440 --> 00:51:55.880
<v Speaker 2>references to the Sibyl. What do you think? Do you

869
00:51:55.880 --> 00:51:57.599
<v Speaker 2>remember when we were watching it and I told you

870
00:51:57.639 --> 00:52:01.039
<v Speaker 2>that when he went to see the Sibyl, she's functioning

871
00:52:01.119 --> 00:52:04.440
<v Speaker 2>like the Sibyl. She's telling him his future. Yeah, And

872
00:52:04.719 --> 00:52:06.920
<v Speaker 2>she said you're your own worst enemy, and I said,

873
00:52:06.960 --> 00:52:08.960
<v Speaker 2>he will be his downfall. It's a tragic.

874
00:52:09.360 --> 00:52:13.440
<v Speaker 4>It's a tragedy, yeah, because Tony's navigating such a minefield

875
00:52:13.440 --> 00:52:18.840
<v Speaker 4>with his job and his family, and everything that you're

876
00:52:18.880 --> 00:52:22.400
<v Speaker 4>constantly wondering who is going to betray him or get

877
00:52:22.440 --> 00:52:25.360
<v Speaker 4>him in trouble or like we're always guessing, is it

878
00:52:25.400 --> 00:52:27.320
<v Speaker 4>so and so going to be the downfall of Tony

879
00:52:27.400 --> 00:52:29.159
<v Speaker 4>but himself?

880
00:52:31.039 --> 00:52:33.199
<v Speaker 2>And it's also not what we expect. What ends up

881
00:52:33.199 --> 00:52:35.280
<v Speaker 2>being his downfall is not who we think it is.

882
00:52:35.480 --> 00:52:38.639
<v Speaker 2>It's a it's kind of a random forgotten dude, you

883
00:52:38.679 --> 00:52:41.239
<v Speaker 2>know that he's screwed over. Is basically who ends up

884
00:52:41.719 --> 00:52:45.480
<v Speaker 2>being the cause of his downfall. It's not one of

885
00:52:45.480 --> 00:52:47.440
<v Speaker 2>the sort of key players that you that you think

886
00:52:47.440 --> 00:52:49.480
<v Speaker 2>it's going to be. It's not the FBI, it's not

887
00:52:49.480 --> 00:52:52.920
<v Speaker 2>the CIA, it's not any of these big agencies or forces.

888
00:52:52.960 --> 00:52:55.320
<v Speaker 2>It's not the family. Even it's not even his family

889
00:52:55.360 --> 00:52:56.280
<v Speaker 2>that's his downfall.

890
00:52:57.719 --> 00:53:03.800
<v Speaker 4>So I like the episode where they're having to deal

891
00:53:03.880 --> 00:53:07.599
<v Speaker 4>with the rappers, who.

892
00:53:09.079 --> 00:53:12.039
<v Speaker 2>Well, before we get to that, there was a there's

893
00:53:12.039 --> 00:53:14.360
<v Speaker 2>a really fascinating sequence. We should probably go back and

894
00:53:14.400 --> 00:53:17.119
<v Speaker 2>watch it now that we've seen the end, But there's

895
00:53:17.119 --> 00:53:20.599
<v Speaker 2>the sequence of the Wizard of Oz. This could have

896
00:53:20.679 --> 00:53:23.159
<v Speaker 2>an m K ultra mind control aspect to it because

897
00:53:26.400 --> 00:53:30.280
<v Speaker 2>it has to do with Tony having a car wreck. Uh,

898
00:53:30.320 --> 00:53:33.440
<v Speaker 2>and it's when it's when Tony was having his blackouts,

899
00:53:33.960 --> 00:53:36.480
<v Speaker 2>and there's a there's a you may have missed this

900
00:53:36.480 --> 00:53:42.199
<v Speaker 2>this episode, but the psychiatrist is talking about the psyche.

901
00:53:42.400 --> 00:53:45.119
<v Speaker 2>She hears the Wizard of Oz song, and we see

902
00:53:45.159 --> 00:53:47.519
<v Speaker 2>this vision. I think it's her vision if I recall,

903
00:53:47.679 --> 00:53:51.079
<v Speaker 2>and she sees Tony dead. She sees him in a

904
00:53:51.119 --> 00:53:53.639
<v Speaker 2>car wreck dead. Now, Tony doesn't die in a car wreck,

905
00:53:53.719 --> 00:53:57.920
<v Speaker 2>but it's another instance of the foreshadowing that's gonna tell

906
00:53:58.000 --> 00:54:02.119
<v Speaker 2>us what happens. And if you haven't seen the end,

907
00:54:02.599 --> 00:54:05.440
<v Speaker 2>then you don't know the signific You're not gonna know

908
00:54:05.559 --> 00:54:07.800
<v Speaker 2>until the very end, what the significance of it. Throughout

909
00:54:07.800 --> 00:54:11.639
<v Speaker 2>the whole series, Tony's son is just an idiot. And

910
00:54:11.679 --> 00:54:14.920
<v Speaker 2>this this one sequence where even the idiot can have

911
00:54:15.000 --> 00:54:18.159
<v Speaker 2>this kind of sage, sagacious moment where he says, you

912
00:54:18.159 --> 00:54:22.519
<v Speaker 2>guys are all living in a dream. This is not real, right,

913
00:54:22.559 --> 00:54:27.239
<v Speaker 2>And so again hearkening back to the psychiatrist's dream of

914
00:54:27.320 --> 00:54:29.920
<v Speaker 2>Tony and the Wizard of Oz playing and Tony wrecking.

915
00:54:31.280 --> 00:54:35.559
<v Speaker 4>Go ahead, I don't remember that one.

916
00:54:37.280 --> 00:54:45.320
<v Speaker 2>So let's see that's not really relevant. Let's go down here. Okay, okay,

917
00:54:45.360 --> 00:54:49.679
<v Speaker 2>So one interesting reference that the psychiatrist will make early

918
00:54:49.760 --> 00:54:54.079
<v Speaker 2>on is to Carlos Costanada. She will talk about reading

919
00:54:54.079 --> 00:54:57.880
<v Speaker 2>Carlos Castenada, and we don't really know the beginning why

920
00:54:57.880 --> 00:55:00.119
<v Speaker 2>that would matter. It could have reference to you of

921
00:55:00.159 --> 00:55:03.440
<v Speaker 2>the c I A mk Ultra stuff, which is loosely

922
00:55:03.480 --> 00:55:05.840
<v Speaker 2>there with the big pharmoh, the Wizard of Oz theme,

923
00:55:07.199 --> 00:55:12.880
<v Speaker 2>Tony being traumatized, Tony blacking out at times, but she

924
00:55:13.000 --> 00:55:15.840
<v Speaker 2>will talk about, hey, you should you know read cost

925
00:55:15.920 --> 00:55:18.840
<v Speaker 2>Costanata blah blah blah. She mentions it in passing. But

926
00:55:19.039 --> 00:55:22.519
<v Speaker 2>this is foreshadowing for the end of the show where

927
00:55:22.599 --> 00:55:26.119
<v Speaker 2>Tony goes and trips trips out. So he actually has

928
00:55:26.119 --> 00:55:28.880
<v Speaker 2>this Carlos Constanata moment where he goes and does what

929
00:55:28.920 --> 00:55:33.599
<v Speaker 2>does he do psilocybin or something, pot goes and does

930
00:55:33.639 --> 00:55:37.760
<v Speaker 2>peyote in Las Vegas. So that was another foreshadowing that

931
00:55:37.800 --> 00:55:40.639
<v Speaker 2>you don't you're not, you don't know why it's relevant

932
00:55:40.719 --> 00:55:42.639
<v Speaker 2>until you get to the end of the to the

933
00:55:42.719 --> 00:55:45.599
<v Speaker 2>last season. Basically the last season really shows everything. So

934
00:55:45.639 --> 00:55:48.199
<v Speaker 2>what's up? We got four hundred nerds tonight? If you

935
00:55:48.239 --> 00:55:51.960
<v Speaker 2>would be sure and smashed like the gobble gool, what's goul?

936
00:55:52.079 --> 00:55:52.199
<v Speaker 1>Uh?

937
00:55:53.679 --> 00:55:55.960
<v Speaker 3>You read all of this from one instance of Goba

938
00:55:56.000 --> 00:55:56.679
<v Speaker 3>Gool when I was a.

939
00:55:56.679 --> 00:55:58.679
<v Speaker 2>Kid, right, this is what he tells the psychiatrist.

940
00:55:58.719 --> 00:56:02.719
<v Speaker 3>But she's like, you have a problem with sexuality, and

941
00:56:04.159 --> 00:56:08.719
<v Speaker 3>Ron meet. Uh you read all this from the gobbagool. Yeah,

942
00:56:09.119 --> 00:56:13.760
<v Speaker 3>because uh when it won the interest snack, you read

943
00:56:13.800 --> 00:56:14.360
<v Speaker 3>all of this.

944
00:56:14.360 --> 00:56:17.800
<v Speaker 4>This is crazy well because the gobbool has to do

945
00:56:17.880 --> 00:56:20.119
<v Speaker 4>it the first time he ever saw dad kill somebody.

946
00:56:20.320 --> 00:56:24.639
<v Speaker 2>Yes, and uh, sexuality because he says that the weird

947
00:56:24.719 --> 00:56:27.239
<v Speaker 2>mom would be turned on when the dad would bring

948
00:56:27.280 --> 00:56:29.719
<v Speaker 2>home the gobba ghoul because the mom knew that he

949
00:56:29.760 --> 00:56:31.880
<v Speaker 2>had killed somebody or had done so.

950
00:56:32.360 --> 00:56:35.320
<v Speaker 4>The gobagool for free because they were leaning on the

951
00:56:35.320 --> 00:56:36.320
<v Speaker 4>butcher exactly.

952
00:56:36.760 --> 00:56:37.360
<v Speaker 2>That's right.

953
00:56:37.639 --> 00:56:40.480
<v Speaker 4>The mom liked the violence and the danger.

954
00:56:40.760 --> 00:56:44.719
<v Speaker 2>Yeah, exactly. And Tony was young and didn't understand this.

955
00:56:44.840 --> 00:56:47.639
<v Speaker 2>He didn't understand what was going on and it traumatized him.

956
00:56:48.079 --> 00:56:52.639
<v Speaker 2>And that's the first time Tony passes out. Remember remember

957
00:56:52.679 --> 00:56:56.920
<v Speaker 2>his episodes and then AJ has these exact same episodes.

958
00:56:57.039 --> 00:56:57.599
<v Speaker 4>Do your AJ?

959
00:57:01.960 --> 00:57:03.039
<v Speaker 3>What are gutters?

960
00:57:03.960 --> 00:57:07.039
<v Speaker 2>What's a gutter? You know what?

961
00:57:07.039 --> 00:57:08.920
<v Speaker 3>When you you we're gonna clean out your mouth and

962
00:57:08.920 --> 00:57:10.719
<v Speaker 3>then that it is, you're gonna go clean the gutters.

963
00:57:12.440 --> 00:57:15.000
<v Speaker 3>What are gutters? Oh, you're gonna get smart with me.

964
00:57:15.000 --> 00:57:16.239
<v Speaker 3>Now you're gonna talk about what a gut is. You

965
00:57:16.280 --> 00:57:19.280
<v Speaker 3>gonna get smart with me. No, I really don't.

966
00:57:19.039 --> 00:57:22.920
<v Speaker 2>Know what gutters are. He's really that dumbie, actually doesn't

967
00:57:22.960 --> 00:57:23.800
<v Speaker 2>know what gutters are.

968
00:57:24.360 --> 00:57:27.480
<v Speaker 4>The best line of AJ when he said, yeah, that

969
00:57:27.480 --> 00:57:27.760
<v Speaker 4>it is.

970
00:57:27.760 --> 00:57:29.800
<v Speaker 3>You're gonna go do your homework and then you're gonna

971
00:57:29.800 --> 00:57:32.400
<v Speaker 3>study for your dists. Then he then he says something,

972
00:57:33.199 --> 00:57:34.880
<v Speaker 3>I'm gonna I'm gonna make sure that I look at

973
00:57:34.880 --> 00:57:37.960
<v Speaker 3>your grades. You just showed your own ignorance because you

974
00:57:38.000 --> 00:57:39.880
<v Speaker 3>just revealed your own ignorance because we don't even have

975
00:57:39.960 --> 00:57:40.519
<v Speaker 3>grades yet.

976
00:57:42.360 --> 00:57:45.280
<v Speaker 4>It's such a nihilistic thing to say.

977
00:57:45.400 --> 00:57:45.719
<v Speaker 1>It is.

978
00:57:45.800 --> 00:57:48.400
<v Speaker 2>Yeah, this is the next thing on my list. Actually

979
00:57:48.480 --> 00:57:51.639
<v Speaker 2>is after the curls costing Alla reference, we start getting

980
00:57:51.719 --> 00:57:55.119
<v Speaker 2>a J asking questions. Right. AJ is this nerdy, chunky

981
00:57:55.119 --> 00:57:58.599
<v Speaker 2>little kid who totally oblivious. He has no clue what's

982
00:57:58.639 --> 00:58:02.000
<v Speaker 2>going on. And then ironically, in the midst of being

983
00:58:02.000 --> 00:58:07.480
<v Speaker 2>a total idiot, AJ starts asking like mega, big level

984
00:58:07.559 --> 00:58:12.000
<v Speaker 2>existential questions. And this is peaked because the grandma is dying,

985
00:58:12.159 --> 00:58:16.519
<v Speaker 2>the manipulative psycho grandma, and she gets she tries to

986
00:58:16.559 --> 00:58:17.880
<v Speaker 2>turn everybody on her side.

987
00:58:17.920 --> 00:58:18.079
<v Speaker 1>Right.

988
00:58:18.119 --> 00:58:21.519
<v Speaker 2>This is every sequence with the Grandmother in season one.

989
00:58:21.599 --> 00:58:25.679
<v Speaker 2>She's manipulating somebody to turn them on to be on

990
00:58:25.719 --> 00:58:28.960
<v Speaker 2>her side. And she gets Aj in there alone and

991
00:58:29.000 --> 00:58:33.039
<v Speaker 2>she says something about we all die alone, right, And

992
00:58:33.119 --> 00:58:35.639
<v Speaker 2>so AJ's sitting there freaking out with his He's always

993
00:58:35.639 --> 00:58:39.760
<v Speaker 2>doing this, right, So then he starts.

994
00:58:39.480 --> 00:58:42.960
<v Speaker 3>Thinking maybe there's no God all right.

995
00:58:42.800 --> 00:58:46.920
<v Speaker 2>And so he goes to this existential teen crisis. He

996
00:58:47.000 --> 00:58:50.639
<v Speaker 2>starts reading Nietzsche. All that stuff is pretty funny. One

997
00:58:50.679 --> 00:58:52.519
<v Speaker 2>of the kids he talks about existentialism.

998
00:58:52.599 --> 00:58:54.880
<v Speaker 4>Yeah, one of the kids in that show. His dad

999
00:58:54.920 --> 00:58:57.519
<v Speaker 4>gets killed and he turns totally goth with the whole

1000
00:58:58.000 --> 00:59:00.199
<v Speaker 4>black lipstick and everything. You remember that, So.

1001
00:59:00.199 --> 00:59:03.519
<v Speaker 2>This is veto later on Vito, one of the guys

1002
00:59:03.519 --> 00:59:06.920
<v Speaker 2>that works for Tony. Uh Vito, turns out to be gay,

1003
00:59:07.079 --> 00:59:09.440
<v Speaker 2>and then he doesn't want to get found out, so

1004
00:59:09.519 --> 00:59:12.599
<v Speaker 2>he runs off. So he goes off to another city

1005
00:59:13.920 --> 00:59:18.360
<v Speaker 2>in the Hampton's or somewhere. Yeah, and uh Vito's son

1006
00:59:18.679 --> 00:59:21.559
<v Speaker 2>starts going through a crisis like Aj did and turns goth.

1007
00:59:22.000 --> 00:59:24.559
<v Speaker 2>So he just turns to this total goth guy. I

1008
00:59:24.599 --> 00:59:26.360
<v Speaker 2>won't say what he says to Tony, but he has

1009
00:59:26.360 --> 00:59:30.880
<v Speaker 2>some really funny lines about actually I could see Tony's.

1010
00:59:30.480 --> 00:59:33.599
<v Speaker 3>Like been Toko to your uncle. Oh yeah, is your

1011
00:59:33.679 --> 00:59:38.159
<v Speaker 3>butt buddy? Oh yeah, that's really funny. I like you,

1012
00:59:37.880 --> 00:59:38.880
<v Speaker 3>you got a mount on.

1013
00:59:38.880 --> 00:59:42.760
<v Speaker 2>You, kid. But yeah, So he goes to that same

1014
00:59:42.840 --> 00:59:45.760
<v Speaker 2>crisis that Aj goes through in the early seasons. But

1015
00:59:47.199 --> 00:59:51.400
<v Speaker 2>AJ's crisis of faith leads him to reading Nietzsche, Sartra,

1016
00:59:51.519 --> 00:59:56.000
<v Speaker 2>and Kirkerguard he immediately goes to the existentialists. And that's

1017
00:59:56.559 --> 01:00:00.559
<v Speaker 2>it's not super significant, except that it's tell us that

1018
01:00:00.639 --> 01:00:05.320
<v Speaker 2>the show is going to be asking big existential questions. Right,

1019
01:00:05.400 --> 01:00:11.360
<v Speaker 2>So Tony, Carmela, even Pauli, even some of the minor

1020
01:00:11.440 --> 01:00:15.760
<v Speaker 2>characters are all going to be confronting the reality of life,

1021
01:00:16.000 --> 01:00:18.440
<v Speaker 2>death and the afterlife. They're all going to be confronting

1022
01:00:18.480 --> 01:00:22.719
<v Speaker 2>these questions. And that's why the big existentialist philosophers come

1023
01:00:22.760 --> 01:00:26.119
<v Speaker 2>up early in season one and two. But it's funny

1024
01:00:26.119 --> 01:00:29.639
<v Speaker 2>that it's a bit of irony there that it's the

1025
01:00:29.719 --> 01:00:33.320
<v Speaker 2>dumbest guy, the dumbest character in the whole show. I mean,

1026
01:00:33.360 --> 01:00:37.039
<v Speaker 2>you could argue AJ's even dumber than Janis really who

1027
01:00:37.119 --> 01:00:41.039
<v Speaker 2>actually asked the big question. It's not the smartest except

1028
01:00:41.039 --> 01:00:42.400
<v Speaker 2>Tony does. Tony asks Big.

1029
01:00:42.880 --> 01:00:44.800
<v Speaker 4>He's the one that sees through all the bull crap,

1030
01:00:44.920 --> 01:00:45.760
<v Speaker 4>like you guys are.

1031
01:00:45.679 --> 01:00:49.360
<v Speaker 2>Just well he and Meadow due. Meadow and he both do.

1032
01:00:49.559 --> 01:00:52.880
<v Speaker 2>But all right, let's well, we hit four hundred, we

1033
01:00:52.960 --> 01:00:56.599
<v Speaker 2>got four oh three. Welcome here, be sure, yes, hitch

1034
01:00:57.320 --> 01:00:57.960
<v Speaker 2>like and share.

1035
01:00:58.639 --> 01:01:00.159
<v Speaker 3>Listen. If you don't hit the liking the sh I'm

1036
01:01:00.159 --> 01:01:01.960
<v Speaker 3>gonna take you up back. I'm gonna make sure that

1037
01:01:02.000 --> 01:01:07.039
<v Speaker 3>you get the lake in the shell. Okay, all right,

1038
01:01:07.119 --> 01:01:08.159
<v Speaker 3>so we're done with this.

1039
01:01:09.400 --> 01:01:17.119
<v Speaker 2>Hell is three o'clock in the Near Death Experience vision.

1040
01:01:17.159 --> 01:01:20.920
<v Speaker 2>So there's a near death experienced vision early on, a

1041
01:01:21.039 --> 01:01:23.840
<v Speaker 2>Hell vision. I don't know what my note's about, but

1042
01:01:23.960 --> 01:01:27.440
<v Speaker 2>something to do with Tony starts describing a dream or

1043
01:01:27.480 --> 01:01:33.679
<v Speaker 2>a vision, and he talks about how the psychiatrist woman

1044
01:01:33.679 --> 01:01:35.480
<v Speaker 2>asks him, like, what do you think your dream means?

1045
01:01:35.480 --> 01:01:35.920
<v Speaker 3>I don't know.

1046
01:01:36.440 --> 01:01:38.199
<v Speaker 2>I'm not going to hell. It's for the worst people.

1047
01:01:38.480 --> 01:01:41.679
<v Speaker 3>And that's what the rapers and the murder vision, you know,

1048
01:01:41.679 --> 01:01:43.599
<v Speaker 3>all the people that do all the really nasty shit.

1049
01:01:44.079 --> 01:01:44.800
<v Speaker 2>I'm not going to hell.

1050
01:01:44.880 --> 01:01:47.639
<v Speaker 4>Come on, that's interesting that Tony doesn't see himself in

1051
01:01:47.679 --> 01:01:48.519
<v Speaker 4>the category of a.

1052
01:01:48.480 --> 01:01:55.039
<v Speaker 2>Bad person, exactly exactly. I also liked the element where

1053
01:01:55.079 --> 01:01:58.159
<v Speaker 2>Tony gets neighbors, and the neighbors that he gets are

1054
01:01:58.199 --> 01:02:03.960
<v Speaker 2>these really annoying, snooty wasp elite. And then that's one

1055
01:02:03.960 --> 01:02:05.960
<v Speaker 2>of the actually the funniest sequences in the whole show

1056
01:02:06.079 --> 01:02:09.199
<v Speaker 2>is when the wasp elite who are into stocks, and

1057
01:02:09.239 --> 01:02:11.800
<v Speaker 2>this is how Tony and Carmela start getting into stocks.

1058
01:02:12.480 --> 01:02:15.679
<v Speaker 2>They take Tony out to play golf. I remember that

1059
01:02:15.800 --> 01:02:21.039
<v Speaker 2>They're like, so, uh uh, maybe you know some stories

1060
01:02:21.079 --> 01:02:23.360
<v Speaker 2>about John Gottie you could.

1061
01:02:23.199 --> 01:02:25.800
<v Speaker 3>Tell us, And Tony's like, what are you talking about?

1062
01:02:26.039 --> 01:02:30.079
<v Speaker 2>Who? What? Yeah? You know, have you heard any stories about,

1063
01:02:30.159 --> 01:02:33.360
<v Speaker 2>you know, any of the famous guys? And then Tony

1064
01:02:33.440 --> 01:02:36.480
<v Speaker 2>realizes that they know that he's in the mafia, and

1065
01:02:36.519 --> 01:02:39.480
<v Speaker 2>they they think that there's all these you know, stereotypes,

1066
01:02:39.519 --> 01:02:43.039
<v Speaker 2>and so Tony tells him this whole ridiculous story with

1067
01:02:43.719 --> 01:02:44.800
<v Speaker 2>a ridiculous ending.

1068
01:02:45.280 --> 01:02:48.480
<v Speaker 3>So the marvel at the story is John Gotti. Really

1069
01:02:48.559 --> 01:02:49.280
<v Speaker 3>let ice.

1070
01:02:49.079 --> 01:02:52.199
<v Speaker 2>Cream just tell us this nonsense story and they're all like,

1071
01:02:53.360 --> 01:02:57.079
<v Speaker 2>oh yeah, and so he's just messing with him, right,

1072
01:02:57.119 --> 01:03:01.559
<v Speaker 2>So I thought that was that was a good comedic

1073
01:03:01.599 --> 01:03:05.159
<v Speaker 2>twist because you think that Tony's gonna take that golf

1074
01:03:05.159 --> 01:03:07.400
<v Speaker 2>club and start beating the crap out of him, and

1075
01:03:07.440 --> 01:03:09.519
<v Speaker 2>he just makes fun of him. It was great. But

1076
01:03:10.519 --> 01:03:15.039
<v Speaker 2>the wasp elite, right, they use the Italian immigrants. And

1077
01:03:15.079 --> 01:03:17.840
<v Speaker 2>this actually comes up, you know, Tony references this about

1078
01:03:17.840 --> 01:03:18.599
<v Speaker 2>how you know.

1079
01:03:18.559 --> 01:03:19.960
<v Speaker 3>We used to we used to work for them, right,

1080
01:03:20.000 --> 01:03:22.000
<v Speaker 3>we would have we would have grunts for them, you know, No,

1081
01:03:22.559 --> 01:03:24.159
<v Speaker 3>we did odds with our stuff.

1082
01:03:24.440 --> 01:03:27.159
<v Speaker 2>Where's a place at the table, right, So it's all

1083
01:03:27.199 --> 01:03:31.000
<v Speaker 2>about wanting a place at the table. The different wealthy

1084
01:03:31.079 --> 01:03:34.840
<v Speaker 2>power structures, right, the JP, Morgan's, the Carnegie, the Rockefellers,

1085
01:03:34.880 --> 01:03:39.599
<v Speaker 2>the wasp elite who used the Italian immigrants as the workforce.

1086
01:03:40.480 --> 01:03:42.559
<v Speaker 2>And this is why Tony and I think it's Tony

1087
01:03:42.599 --> 01:03:45.000
<v Speaker 2>that says this withre's our piece, we want a piece

1088
01:03:45.039 --> 01:03:47.719
<v Speaker 2>of this. I think he's telling it to the psychiatrist.

1089
01:03:48.039 --> 01:03:51.840
<v Speaker 2>He's explaining the Italian immigrant experience, right, He's saying.

1090
01:03:51.800 --> 01:03:54.280
<v Speaker 3>This is this is our people, this is we both

1091
01:03:54.360 --> 01:03:56.679
<v Speaker 3>this place. We built this country right for them.

1092
01:03:57.960 --> 01:04:02.199
<v Speaker 2>And so he doesn't care for that, you know, snooty,

1093
01:04:03.079 --> 01:04:05.960
<v Speaker 2>arrogant Wall Street wasp elite. But they do get the

1094
01:04:06.039 --> 01:04:10.000
<v Speaker 2>idea from the wasp elite to set up this little

1095
01:04:10.039 --> 01:04:13.360
<v Speaker 2>stupid stock scam, and they put Christopher in charge of it,

1096
01:04:13.360 --> 01:04:19.239
<v Speaker 2>which is hilarious because Christopher brings in his two muscle guys,

1097
01:04:19.280 --> 01:04:22.559
<v Speaker 2>who are also complete idiots. Right, they end up getting

1098
01:04:22.639 --> 01:04:24.280
<v Speaker 2>killed the next season because they're so stupid.

1099
01:04:24.320 --> 01:04:28.440
<v Speaker 4>Another point about this show is the criminals aren't that smart.

1100
01:04:28.800 --> 01:04:33.679
<v Speaker 2>Yes, even the guys that Tony has as his conscilier

1101
01:04:33.880 --> 01:04:38.159
<v Speaker 2>or his right hand men, they're not that bright. Even

1102
01:04:38.280 --> 01:04:41.280
<v Speaker 2>the other even the other bosses of the family, right,

1103
01:04:41.360 --> 01:04:47.119
<v Speaker 2>Johnny Sack Junior, he's incompetent. He can't run the family. No, no, no,

1104
01:04:47.159 --> 01:04:51.639
<v Speaker 2>not not Johnny Sack. It's the guy that Johnny sackson

1105
01:04:51.800 --> 01:04:57.760
<v Speaker 2>a rivalry with the other guy, what's his name, somebody Junior,

1106
01:04:57.840 --> 01:05:02.280
<v Speaker 2>the the old guy that dies and then his son

1107
01:05:02.360 --> 01:05:06.559
<v Speaker 2>takes over. He's the guy that makes the movie with Christopher.

1108
01:05:07.039 --> 01:05:09.400
<v Speaker 2>That guy, he's funny. Little Carmine, thank you. Yeah, little

1109
01:05:09.480 --> 01:05:13.840
<v Speaker 2>Carmine is incompetent. Johnny Sack is kind of competent. He

1110
01:05:13.880 --> 01:05:17.760
<v Speaker 2>can run things, but even he can't. Really, he's no

1111
01:05:17.920 --> 01:05:22.079
<v Speaker 2>match for Tony. Nobody is a match for Tony. Even

1112
01:05:22.079 --> 01:05:24.559
<v Speaker 2>though the other families are jealous of Tony and they'll

1113
01:05:24.599 --> 01:05:28.280
<v Speaker 2>diss him. They're afraid of Tony. They don't know how

1114
01:05:28.320 --> 01:05:30.639
<v Speaker 2>to handle him, because you can't. Tony's a force of nature.

1115
01:05:30.679 --> 01:05:36.079
<v Speaker 2>You can't really deal with this guy. He's unstoppable. We

1116
01:05:36.159 --> 01:05:38.239
<v Speaker 2>mentioned Richie and these different characters who are kind of

1117
01:05:38.280 --> 01:05:43.039
<v Speaker 2>the key villains. I mean, Richie is just on you

1118
01:05:43.079 --> 01:05:46.639
<v Speaker 2>can't He's like Jeoffrey, right, Richie the Grandmother. These are

1119
01:05:46.719 --> 01:05:49.920
<v Speaker 2>Jeffrey level characters. You can't wait for them to die.

1120
01:05:50.480 --> 01:05:52.960
<v Speaker 2>But the only reason Richie is really interesting as a

1121
01:05:53.039 --> 01:05:59.000
<v Speaker 2>character is the clue of the jacket. If you remember Richie,

1122
01:05:59.480 --> 01:06:02.119
<v Speaker 2>who am so is totally a psychopath. He kind of

1123
01:06:02.159 --> 01:06:06.039
<v Speaker 2>wants to impress Tony, even though he resents him and

1124
01:06:06.119 --> 01:06:07.880
<v Speaker 2>fears him. At the same time, he's the guy that

1125
01:06:07.960 --> 01:06:11.039
<v Speaker 2>ends up marrying Janice. He thinks, maybe I can win

1126
01:06:11.119 --> 01:06:13.800
<v Speaker 2>Tony over by giving him some kind of symbolic thing

1127
01:06:13.920 --> 01:06:17.079
<v Speaker 2>that in his mind is important, which is a stupid

1128
01:06:17.119 --> 01:06:21.159
<v Speaker 2>seventies jacket. It's this hideous, ugly, you know, nineteen seventy

1129
01:06:21.199 --> 01:06:23.480
<v Speaker 2>five leather jacket. And he gives it to Tony and

1130
01:06:23.960 --> 01:06:26.920
<v Speaker 2>oh what it is? Put it in the trunk, and

1131
01:06:26.960 --> 01:06:30.800
<v Speaker 2>then Tony just gives it away and Richie sees the

1132
01:06:30.880 --> 01:06:33.559
<v Speaker 2>jacket that he gave to Tony, which had this significance

1133
01:06:33.559 --> 01:06:36.480
<v Speaker 2>for him given away, and he's just infuriated. Right, So

1134
01:06:36.559 --> 01:06:39.280
<v Speaker 2>you know in season two or three that there's going

1135
01:06:39.360 --> 01:06:42.840
<v Speaker 2>to be this you know, butting of heads between Tony

1136
01:06:42.840 --> 01:06:45.880
<v Speaker 2>and Richie. But the reason that the jacket is so

1137
01:06:45.960 --> 01:06:49.039
<v Speaker 2>important is that the jacket is going to be the

1138
01:06:49.159 --> 01:06:53.000
<v Speaker 2>key clue the end of the show, telling you what

1139
01:06:53.119 --> 01:06:58.760
<v Speaker 2>really happened, Right, the jacket, not that jacket, just the jacket.

1140
01:06:59.119 --> 01:07:02.239
<v Speaker 2>Just keep Jack, get in mind, it's just telling you

1141
01:07:02.440 --> 01:07:06.599
<v Speaker 2>a clue. That jacket's insignificant, but it's just calling your

1142
01:07:06.639 --> 01:07:10.880
<v Speaker 2>attention to details in the show, like the jacket, that

1143
01:07:10.960 --> 01:07:15.119
<v Speaker 2>are going to be important for deciphering and decoding the

1144
01:07:15.199 --> 01:07:23.079
<v Speaker 2>final episode. Of course, as you know, I like the

1145
01:07:23.119 --> 01:07:26.599
<v Speaker 2>fact that it wasn't Tony they kill Ritchie. All of

1146
01:07:26.599 --> 01:07:30.239
<v Speaker 2>this time, there's Tony and Richie butt heads about five times,

1147
01:07:30.239 --> 01:07:32.599
<v Speaker 2>and you're just waiting for Tony to unleash on this guy,

1148
01:07:33.639 --> 01:07:36.440
<v Speaker 2>and he ends up not doing it, and you think, well, okay,

1149
01:07:36.480 --> 01:07:41.360
<v Speaker 2>now he can't because Richie's married to Janice. And then

1150
01:07:41.679 --> 01:07:48.360
<v Speaker 2>who ends up getting rid of Richie Janie? Yeah, because

1151
01:07:48.440 --> 01:07:52.320
<v Speaker 2>Janie is just as crazy and psycho as Tony. But

1152
01:07:52.480 --> 01:07:55.800
<v Speaker 2>she's she doesn't have any self control, right, and so

1153
01:07:55.880 --> 01:07:57.519
<v Speaker 2>she just does it, loses her mind.

1154
01:07:57.760 --> 01:07:59.079
<v Speaker 4>Tony help me.

1155
01:07:59.639 --> 01:08:02.000
<v Speaker 2>Tony has to come over. He's the fixer. He cleans

1156
01:08:02.000 --> 01:08:04.320
<v Speaker 2>it all up, and he gives her a bus pass

1157
01:08:04.360 --> 01:08:07.000
<v Speaker 2>and says, now you're at here, get lost. I don't

1158
01:08:07.000 --> 01:08:10.960
<v Speaker 2>want to see you again. And because Janice really was

1159
01:08:11.039 --> 01:08:14.719
<v Speaker 2>just she's just a mooch, right's. Her life is a failure.

1160
01:08:15.360 --> 01:08:19.119
<v Speaker 2>She can't find a relationship, she's overweight, she's unpleasant as

1161
01:08:19.159 --> 01:08:22.640
<v Speaker 2>a person. She's really annoying. She tries to be manipulative,

1162
01:08:22.680 --> 01:08:25.199
<v Speaker 2>but everybody can see through it. She's just a terrible

1163
01:08:25.239 --> 01:08:28.199
<v Speaker 2>person and a terrible character. And so Tony just wants

1164
01:08:28.199 --> 01:08:31.000
<v Speaker 2>to get rid of her. And so he thinks, finally

1165
01:08:31.039 --> 01:08:33.720
<v Speaker 2>he's going to get rid of her. Of course she's

1166
01:08:33.760 --> 01:08:37.680
<v Speaker 2>going to come back. But as we end the early

1167
01:08:38.319 --> 01:08:41.239
<v Speaker 2>about getting almost to the middle midway of the show,

1168
01:08:42.439 --> 01:08:46.600
<v Speaker 2>we see the important vision of dream that Tony has,

1169
01:08:47.439 --> 01:08:50.159
<v Speaker 2>and I like that they couch this vision and dream

1170
01:08:50.279 --> 01:08:59.680
<v Speaker 2>in the midst of a really bass, guttural, potty humor

1171
01:09:00.039 --> 01:09:05.800
<v Speaker 2>element when Tony gets diarrhea yea and because yeah, but

1172
01:09:05.840 --> 01:09:08.760
<v Speaker 2>it's but it's on purpose to contrast it with it's

1173
01:09:08.840 --> 01:09:11.199
<v Speaker 2>it's a it's a it's a kind of a contrast.

1174
01:09:11.239 --> 01:09:14.079
<v Speaker 2>It's a literary usage of the grotesque, where you take

1175
01:09:14.159 --> 01:09:17.319
<v Speaker 2>something that would be a profound vision and you couch

1176
01:09:17.399 --> 01:09:21.520
<v Speaker 2>it in something ridiculous, like farting all night with diarrhea

1177
01:09:21.760 --> 01:09:25.880
<v Speaker 2>because you had bad seafood. Okay, So Tony Is goes

1178
01:09:25.920 --> 01:09:28.600
<v Speaker 2>and has aladies. I don't know what, shrimp or something,

1179
01:09:28.600 --> 01:09:30.640
<v Speaker 2>and this the shrimp is bad, and it gives him

1180
01:09:30.640 --> 01:09:35.720
<v Speaker 2>this awful case of food poisoning. And we both had

1181
01:09:35.760 --> 01:09:38.800
<v Speaker 2>food poisoning. We we can sympathize with this. We were

1182
01:09:38.840 --> 01:09:41.239
<v Speaker 2>just remembering what it was like to have food poisoning.

1183
01:09:41.760 --> 01:09:43.560
<v Speaker 2>It's awful if you've never had it. It's if you

1184
01:09:43.560 --> 01:09:46.479
<v Speaker 2>think you're dying. And so in the midst of this

1185
01:09:46.560 --> 01:09:51.079
<v Speaker 2>food poisoning, Tony has these prophetic, really deep visions. He

1186
01:09:51.199 --> 01:09:56.399
<v Speaker 2>sees the future, a potential future in the future, and

1187
01:09:56.439 --> 01:09:58.560
<v Speaker 2>he sees in a way kind of his own demise

1188
01:09:59.680 --> 01:10:02.840
<v Speaker 2>and and he sees. He doesn't know how to interpret

1189
01:10:02.840 --> 01:10:05.640
<v Speaker 2>it yet, but he sees, and he senses deep down

1190
01:10:06.279 --> 01:10:07.880
<v Speaker 2>who the rat is.

1191
01:10:08.199 --> 01:10:09.920
<v Speaker 4>That's when he figures out he's betraying here.

1192
01:10:09.960 --> 01:10:14.479
<v Speaker 2>It's Pussy. So Pussy is the rat. He doesn't immediately

1193
01:10:14.560 --> 01:10:18.239
<v Speaker 2>know how to interpret the dream because he's walking down

1194
01:10:18.520 --> 01:10:22.760
<v Speaker 2>the boardwalk by the by the beach and he sees

1195
01:10:22.800 --> 01:10:24.960
<v Speaker 2>these fish for sale, and the fish starts talking to him,

1196
01:10:25.000 --> 01:10:28.880
<v Speaker 2>and it's Pussy, and what is it? He sleeps with

1197
01:10:28.960 --> 01:10:31.600
<v Speaker 2>the fishes, So he's seeing what is going to happen,

1198
01:10:31.720 --> 01:10:34.840
<v Speaker 2>what he's going to do when he finds out, which

1199
01:10:34.840 --> 01:10:37.359
<v Speaker 2>he kind of deep down knows that is Pussy's the rat.

1200
01:10:37.680 --> 01:10:39.720
<v Speaker 2>Pussy's going to have to go sleep with the fishes.

1201
01:10:40.840 --> 01:10:45.640
<v Speaker 2>I really like that though, that they couched the the profound,

1202
01:10:45.840 --> 01:10:48.479
<v Speaker 2>you know, prophetic visions in the midst of this guttural

1203
01:10:48.640 --> 01:10:53.039
<v Speaker 2>you know, bloating and gas sequence. That's really kind of hilarious.

1204
01:10:54.880 --> 01:11:02.159
<v Speaker 2>So once again, Tony is not just a a general.

1205
01:11:02.840 --> 01:11:05.399
<v Speaker 2>He's almost a kind of a king. And if you know,

1206
01:11:05.520 --> 01:11:09.800
<v Speaker 2>from scripture and from the ancient classical literary tradition, kings

1207
01:11:09.880 --> 01:11:14.199
<v Speaker 2>were oftentimes seen as prophetic characters. The dream that the

1208
01:11:14.319 --> 01:11:18.920
<v Speaker 2>king has Nebugineeser and Daniel right Pharaoh's dreams. Kings were

1209
01:11:18.960 --> 01:11:22.880
<v Speaker 2>believed to have prophetic dreams, and so Tony also has

1210
01:11:22.960 --> 01:11:27.279
<v Speaker 2>this kingly type of role and so he is having

1211
01:11:27.319 --> 01:11:29.800
<v Speaker 2>prophetic dreams, but at the same time he doesn't know

1212
01:11:29.840 --> 01:11:32.239
<v Speaker 2>how to interpret that. It's just so foreign to his

1213
01:11:32.399 --> 01:11:36.479
<v Speaker 2>kind of pragmatic mind. But eventually he's going to start

1214
01:11:36.520 --> 01:11:39.039
<v Speaker 2>figuring out that, you know, a lot of what's been

1215
01:11:39.119 --> 01:11:44.239
<v Speaker 2>happening to him was kind of synchronicity manifesting, archetypal relationships

1216
01:11:44.279 --> 01:11:48.600
<v Speaker 2>manifesting to tell him that he's actually seen the future.

1217
01:11:49.720 --> 01:11:52.279
<v Speaker 2>What do you think, I mean, don't you see that

1218
01:11:52.319 --> 01:11:56.359
<v Speaker 2>there's these esoteric things that keep coming up, these passing references,

1219
01:11:57.000 --> 01:11:59.359
<v Speaker 2>even the literary and there will even be esoteric and

1220
01:11:59.399 --> 01:12:00.880
<v Speaker 2>occult refer and says later on.

1221
01:12:02.560 --> 01:12:05.520
<v Speaker 4>Yeah, and another thing about him being the king is

1222
01:12:05.520 --> 01:12:09.439
<v Speaker 4>he always has to watch his back because somebody's.

1223
01:12:09.119 --> 01:12:13.359
<v Speaker 2>Yes, because of treachery, treachery and take his position. Yeah,

1224
01:12:13.399 --> 01:12:15.880
<v Speaker 2>if you're at the top of the heap, everybody wants

1225
01:12:15.920 --> 01:12:19.640
<v Speaker 2>to take you down. Yeah, you know, Caesar right at

1226
01:12:19.640 --> 01:12:20.479
<v Speaker 2>two brute right.

1227
01:12:22.159 --> 01:12:25.800
<v Speaker 4>And so in that way, he ends up having to

1228
01:12:25.960 --> 01:12:29.159
<v Speaker 4>kill a lot of the people who are loyal to

1229
01:12:29.239 --> 01:12:31.279
<v Speaker 4>him and who he's supposed to be sworn to be

1230
01:12:31.359 --> 01:12:37.159
<v Speaker 4>protecting in this brotherhood. Tony, I think throughout the whole

1231
01:12:37.199 --> 01:12:39.319
<v Speaker 4>of the show he kills more of his loved ones

1232
01:12:39.399 --> 01:12:41.800
<v Speaker 4>than he does of his enemies.

1233
01:12:43.960 --> 01:12:46.279
<v Speaker 2>Yes, well, this is one of the tragedy. This is

1234
01:12:46.319 --> 01:12:48.680
<v Speaker 2>part of the reason why Tony is a tragic character

1235
01:12:48.760 --> 01:12:51.199
<v Speaker 2>is that, I mean, the role of being a king

1236
01:12:52.439 --> 01:12:55.239
<v Speaker 2>or the head of an army, so to speak, is

1237
01:12:55.279 --> 01:12:59.039
<v Speaker 2>that everybody below you, it resents you. They don't trust

1238
01:12:59.079 --> 01:13:01.000
<v Speaker 2>your leadership, They want to take you down, they want

1239
01:13:01.039 --> 01:13:03.039
<v Speaker 2>to see you follow when I see you fail. And

1240
01:13:03.079 --> 01:13:05.840
<v Speaker 2>so what Tony this even comes up? I think it's

1241
01:13:05.880 --> 01:13:08.600
<v Speaker 2>season three or four where there's almost a kind of

1242
01:13:08.600 --> 01:13:13.359
<v Speaker 2>a mutiny, right, Paully resents Tony, even sal at one

1243
01:13:13.399 --> 01:13:16.840
<v Speaker 2>point kind of resents and criticizes Tony as mad at him.

1244
01:13:17.039 --> 01:13:19.720
<v Speaker 2>Christopher resents and is mad at Tony, and so do

1245
01:13:19.880 --> 01:13:24.039
<v Speaker 2>even some of the other underlings. And Tony has this

1246
01:13:24.159 --> 01:13:27.079
<v Speaker 2>sit down meeting I think with sal or Paully, and

1247
01:13:27.399 --> 01:13:30.600
<v Speaker 2>he basically just says, you don't know what it is

1248
01:13:30.640 --> 01:13:34.239
<v Speaker 2>to be in my position. He's like, I have to

1249
01:13:34.279 --> 01:13:37.479
<v Speaker 2>deal with stuff that I can already read you and

1250
01:13:37.560 --> 01:13:40.680
<v Speaker 2>tell you that you can't handle this. And that's how

1251
01:13:40.680 --> 01:13:43.520
<v Speaker 2>he's so successful against all of his enemies and against

1252
01:13:43.600 --> 01:13:47.920
<v Speaker 2>Johnny Sack, his main rival towards the later seasons, is

1253
01:13:47.960 --> 01:13:49.800
<v Speaker 2>that he can already tell that they can't put up

1254
01:13:49.840 --> 01:13:52.279
<v Speaker 2>with it, they can't deal with what he deals with.

1255
01:13:53.119 --> 01:13:56.520
<v Speaker 2>So it takes you almost feel like it takes the

1256
01:13:56.600 --> 01:13:59.960
<v Speaker 2>kind of personality like Tony to handle what he did.

1257
01:14:01.520 --> 01:14:04.640
<v Speaker 2>And it's not just IQ. It also requires this kind.

1258
01:14:04.560 --> 01:14:04.920
<v Speaker 1>Of like.

1259
01:14:09.039 --> 01:14:10.800
<v Speaker 2>You have to be like a general almost is what

1260
01:14:10.840 --> 01:14:11.560
<v Speaker 2>I'm trying to say.

1261
01:14:11.960 --> 01:14:15.039
<v Speaker 4>They did such a good job or he the actor

1262
01:14:15.079 --> 01:14:19.880
<v Speaker 4>did throughout the entire series starting off is like the

1263
01:14:19.960 --> 01:14:28.800
<v Speaker 4>second in command under Junior to becoming this really frightening character,

1264
01:14:29.039 --> 01:14:32.359
<v Speaker 4>Like he gains weight, he gets meaner, he gets nastier,

1265
01:14:32.439 --> 01:14:37.119
<v Speaker 4>he gets darker. The way that he walks changes, the

1266
01:14:37.159 --> 01:14:41.399
<v Speaker 4>way that he talks changes. It's just he becomes more

1267
01:14:41.640 --> 01:14:44.760
<v Speaker 4>of a monster mobster as the show goes on.

1268
01:14:45.279 --> 01:14:48.159
<v Speaker 2>Yeah, no, that they intentionally are making him more like

1269
01:14:48.239 --> 01:14:50.840
<v Speaker 2>a bear, Like that's why that bear comes out of

1270
01:14:50.880 --> 01:14:55.680
<v Speaker 2>the woods randomly and Carmela and aj are afraid of it.

1271
01:14:55.680 --> 01:14:59.720
<v Speaker 2>They start freaking out, But that's because it's the real

1272
01:14:59.760 --> 01:15:02.680
<v Speaker 2>fear Tony. They're afraid of the monster, the bear that

1273
01:15:02.720 --> 01:15:04.000
<v Speaker 2>Tony's turning into.

1274
01:15:04.119 --> 01:15:06.800
<v Speaker 4>Because in the beginning you think he's a teddy bear,

1275
01:15:07.159 --> 01:15:10.399
<v Speaker 4>but then by the end he's a big bat, grizzly bear.

1276
01:15:12.000 --> 01:15:18.399
<v Speaker 2>Yeah, let's see what my next note was. By the way,

1277
01:15:18.960 --> 01:15:23.159
<v Speaker 2>the sequences where you see Tony, you'll notice the show

1278
01:15:23.680 --> 01:15:26.880
<v Speaker 2>episodes will constantly open with Tony lying there in the bed,

1279
01:15:28.239 --> 01:15:31.119
<v Speaker 2>and then maybe one as'll open up or you'll see

1280
01:15:31.159 --> 01:15:33.159
<v Speaker 2>him kind of like with his hair all messed up.

1281
01:15:34.600 --> 01:15:37.680
<v Speaker 2>All of those sequences of him lying there in the

1282
01:15:37.720 --> 01:15:40.760
<v Speaker 2>bed are foreshadowing. They're telling you what the show is

1283
01:15:40.800 --> 01:15:43.680
<v Speaker 2>going to show you at the end. Because what is sleep.

1284
01:15:43.720 --> 01:15:46.840
<v Speaker 2>It's a form of death. Okay, so those are all

1285
01:15:47.039 --> 01:15:50.079
<v Speaker 2>versions of foreshadowing. We're watching the transformation of Tony. Like

1286
01:15:50.079 --> 01:15:52.159
<v Speaker 2>you said, he just he kind of grows into this

1287
01:15:52.239 --> 01:15:54.520
<v Speaker 2>sort of bloated kind of like he just sort of

1288
01:15:54.560 --> 01:16:01.119
<v Speaker 2>waddles around and he walks around like a like a

1289
01:16:01.239 --> 01:16:04.199
<v Speaker 2>degenerate king. And that's kind of what he becomes because

1290
01:16:04.199 --> 01:16:08.159
<v Speaker 2>he can't lose. That's what's so surprising about this character

1291
01:16:08.239 --> 01:16:10.720
<v Speaker 2>is that you know, when you're watching any other mob movie,

1292
01:16:10.840 --> 01:16:16.159
<v Speaker 2>you just keep waiting, and you know, when you know Scarface,

1293
01:16:16.520 --> 01:16:17.680
<v Speaker 2>you know his moment's coming.

1294
01:16:17.760 --> 01:16:17.840
<v Speaker 1>Right.

1295
01:16:17.920 --> 01:16:20.199
<v Speaker 2>He's sitting there with a giant pile of cocaine and

1296
01:16:20.239 --> 01:16:22.239
<v Speaker 2>he's got the machine gun, and you know the Feds

1297
01:16:22.239 --> 01:16:24.319
<v Speaker 2>are coming in. He's done for it, or the other mobster,

1298
01:16:24.439 --> 01:16:26.720
<v Speaker 2>whoever it is that comes and takes him down. You

1299
01:16:26.760 --> 01:16:31.439
<v Speaker 2>know he's at his end. That's a tragedy. How's a

1300
01:16:31.439 --> 01:16:34.399
<v Speaker 2>good fellow's end? Does really go to get killed? Or

1301
01:16:34.439 --> 01:16:35.920
<v Speaker 2>is he? I can't remember what up to it anyway,

1302
01:16:36.359 --> 01:16:38.600
<v Speaker 2>but you know, you eventually know these characters are going

1303
01:16:38.680 --> 01:16:41.760
<v Speaker 2>to go down, and you're just waiting the whole the

1304
01:16:41.760 --> 01:16:46.520
<v Speaker 2>whole show, Tony. No, nothing happens to Tony. That's bad. Really,

1305
01:16:48.079 --> 01:16:50.880
<v Speaker 2>even when the FBI, the FBI keeps making these moves

1306
01:16:50.880 --> 01:16:52.960
<v Speaker 2>and you keep oh, now they've got the bug in

1307
01:16:53.000 --> 01:16:56.000
<v Speaker 2>the basement, they're gonna get him, and then Meadow takes

1308
01:16:56.000 --> 01:17:00.279
<v Speaker 2>the lamp to college. They spent this whole, like three

1309
01:17:00.439 --> 01:17:03.159
<v Speaker 2>three episodes just trying to get this bug in Tony's basement.

1310
01:17:03.800 --> 01:17:06.680
<v Speaker 4>A lot of it is through no conniving of his own.

1311
01:17:06.720 --> 01:17:08.199
<v Speaker 4>It's just like dumb luck.

1312
01:17:08.039 --> 01:17:10.399
<v Speaker 2>That it's no, it's fake, it's it's fate. He's faded

1313
01:17:10.479 --> 01:17:14.399
<v Speaker 2>to be this general, this king that's unstoppable. He's an

1314
01:17:14.439 --> 01:17:18.600
<v Speaker 2>unstoppable force until he himself is his own undoing. And

1315
01:17:18.600 --> 01:17:21.000
<v Speaker 2>that's the whole point of this tragedy, is that so

1316
01:17:21.039 --> 01:17:25.199
<v Speaker 2>the FBI moves against him with the surveillance. And then

1317
01:17:25.319 --> 01:17:29.359
<v Speaker 2>other people start taking medication. Uh, this was an interesting point.

1318
01:17:29.640 --> 01:17:32.600
<v Speaker 2>Other people are talking about taking medicine's lithium, prozac, all

1319
01:17:32.600 --> 01:17:36.920
<v Speaker 2>this kind of stuff. It doesn't help anybody. Adriana doesn't.

1320
01:17:36.920 --> 01:17:38.399
<v Speaker 2>Adriana start taking something.

1321
01:17:38.760 --> 01:17:41.439
<v Speaker 4>She got durable boll syndrome, right, But.

1322
01:17:41.520 --> 01:17:45.399
<v Speaker 2>Her and and Christopher get hooked on heroin. Remember, yeah,

1323
01:17:45.479 --> 01:17:47.600
<v Speaker 2>they have a whole season of being heroin addicts. And

1324
01:17:47.640 --> 01:17:53.720
<v Speaker 2>this is what prompts Christopher to go into rehab. And really,

1325
01:17:53.960 --> 01:17:58.119
<v Speaker 2>Christopher is who Tony is grooming to be the number two.

1326
01:17:58.239 --> 01:18:01.039
<v Speaker 2>He wants Christopher to run things. He thinks Christopher is

1327
01:18:01.079 --> 01:18:06.239
<v Speaker 2>the best potential candidate because he's family. He's Carmelo's cousin.

1328
01:18:07.359 --> 01:18:09.520
<v Speaker 4>In essence, he's the son that Tony.

1329
01:18:09.880 --> 01:18:13.960
<v Speaker 2>You know that isn't right. And and Christopher is a

1330
01:18:14.000 --> 01:18:18.039
<v Speaker 2>weird mix because he's dumb and smart at the same time. Right,

1331
01:18:18.119 --> 01:18:21.279
<v Speaker 2>he's ironically really talented. If you remember when he goes

1332
01:18:21.279 --> 01:18:24.680
<v Speaker 2>and takes acting lessons, he blows everyone away at how

1333
01:18:24.720 --> 01:18:27.520
<v Speaker 2>good he is at acting. I mean he even brings

1334
01:18:28.239 --> 01:18:32.279
<v Speaker 2>the acting class to tears. They can't believe it. But

1335
01:18:32.399 --> 01:18:37.479
<v Speaker 2>he's also unstable, and then somebody in acting says something

1336
01:18:37.479 --> 01:18:39.720
<v Speaker 2>to him that he takes serious and he knocks the

1337
01:18:39.720 --> 01:18:42.119
<v Speaker 2>guy out. So it's like he just like he could

1338
01:18:42.159 --> 01:18:44.960
<v Speaker 2>have been an excellent, amazing actor, and he just runs

1339
01:18:44.960 --> 01:18:46.960
<v Speaker 2>out of there because some guy made a joke in

1340
01:18:47.000 --> 01:18:49.680
<v Speaker 2>the midst of acting. So you can tell that Christopher

1341
01:18:49.760 --> 01:18:53.640
<v Speaker 2>himself is unstable. There's mention of Christopher's life and how

1342
01:18:53.680 --> 01:18:56.319
<v Speaker 2>he was kind of raised by a single mom and

1343
01:18:56.359 --> 01:18:59.199
<v Speaker 2>his mom was a drunk that actually comes up, so

1344
01:18:59.359 --> 01:19:01.840
<v Speaker 2>he didn't have a good parenting. This is part of

1345
01:19:01.880 --> 01:19:05.079
<v Speaker 2>the reason why Christopher has fallen into this life of

1346
01:19:05.119 --> 01:19:12.760
<v Speaker 2>being a gangster. And there's a couple of times that

1347
01:19:12.800 --> 01:19:14.600
<v Speaker 2>This is what I like with Christopher is that there's

1348
01:19:14.640 --> 01:19:18.159
<v Speaker 2>a couple of times where you think, wow, he's actually

1349
01:19:18.199 --> 01:19:20.199
<v Speaker 2>going to be, you know, the guy that takes over

1350
01:19:20.279 --> 01:19:23.640
<v Speaker 2>after Tony. He's going to be running things, right. Tony

1351
01:19:23.680 --> 01:19:27.960
<v Speaker 2>eventually promotes him the basically number two, but Christopher himself

1352
01:19:28.079 --> 01:19:30.640
<v Speaker 2>is his own worst enemy, right. Christopher ends up to

1353
01:19:30.720 --> 01:19:34.920
<v Speaker 2>deal with his guilt and pain. He ends up on Heroin.

1354
01:19:36.560 --> 01:19:39.359
<v Speaker 2>This almost destroys his relationship with Adriana, who's the best

1355
01:19:39.359 --> 01:19:42.520
<v Speaker 2>thing to haven't him. She is the one that actually

1356
01:19:42.560 --> 01:19:47.239
<v Speaker 2>tries to get him out of that life, right, not intentionally, well, actually,

1357
01:19:47.520 --> 01:19:49.479
<v Speaker 2>at the beginning she kind of wants him to get

1358
01:19:49.479 --> 01:19:51.600
<v Speaker 2>out of it. She's worried he's going to get killed.

1359
01:19:52.000 --> 01:19:54.880
<v Speaker 2>But then, just like with Carmela, when she starts noticing

1360
01:19:54.920 --> 01:19:59.239
<v Speaker 2>all the fancy shoes, the Gucci, Prada diamonds that come

1361
01:19:59.279 --> 01:20:02.359
<v Speaker 2>from this life, doll and this is that the key,

1362
01:20:02.439 --> 01:20:05.560
<v Speaker 2>the key reason why in many ways Carmela is more

1363
01:20:05.560 --> 01:20:09.479
<v Speaker 2>of a hypocrite than other people is that Carmela knows

1364
01:20:09.520 --> 01:20:14.000
<v Speaker 2>what's going on, but she hides behind this I'm a wife,

1365
01:20:14.039 --> 01:20:15.039
<v Speaker 2>you know, I'm a wife.

1366
01:20:15.079 --> 01:20:17.199
<v Speaker 4>I don't know pay for him, Yeah, she.

1367
01:20:17.199 --> 01:20:21.640
<v Speaker 2>Hides behind all this piety yea. But Tony actually can

1368
01:20:21.680 --> 01:20:26.000
<v Speaker 2>call her out because he knows that she's only doing

1369
01:20:26.000 --> 01:20:29.239
<v Speaker 2>all this because she also likes the big diamonds, the

1370
01:20:29.239 --> 01:20:31.760
<v Speaker 2>big house, the prestige.

1371
01:20:31.199 --> 01:20:33.439
<v Speaker 4>Of being the first lady of a mob family.

1372
01:20:34.159 --> 01:20:36.960
<v Speaker 2>Well, and and the fancy the shoots, the house and

1373
01:20:37.000 --> 01:20:38.000
<v Speaker 2>all the all the goodies.

1374
01:20:38.079 --> 01:20:38.359
<v Speaker 4>Yeah.

1375
01:20:38.800 --> 01:20:42.079
<v Speaker 2>And so she even admits that when she's either talking

1376
01:20:42.119 --> 01:20:45.399
<v Speaker 2>to the psychiatrist or the other priest and she has

1377
01:20:45.479 --> 01:20:47.920
<v Speaker 2>this gigantic diamond on it, and then she hides it

1378
01:20:48.399 --> 01:20:51.960
<v Speaker 2>because the priest or the psychiatrists like, well, you seem

1379
01:20:52.000 --> 01:20:54.600
<v Speaker 2>to be benefiting from this lifestyle, maybe that's why you

1380
01:20:54.600 --> 01:20:56.079
<v Speaker 2>don't want to get out of it. And she's kind

1381
01:20:56.079 --> 01:21:01.159
<v Speaker 2>of like she's confronted with her own hypocrisy, but she doesn't.

1382
01:21:01.279 --> 01:21:03.359
<v Speaker 2>She kind of counts the cost. And then we have

1383
01:21:03.479 --> 01:21:08.199
<v Speaker 2>that season where briefly they split up, and you know,

1384
01:21:08.319 --> 01:21:10.920
<v Speaker 2>she goes and finds the money in the bird feeder

1385
01:21:10.920 --> 01:21:13.119
<v Speaker 2>that Tony had hidden, the forty thousand dollars there. She

1386
01:21:13.159 --> 01:21:16.680
<v Speaker 2>goes and invests it. She wants to, you know, invest

1387
01:21:16.720 --> 01:21:20.960
<v Speaker 2>in these development projects, this house that she has built,

1388
01:21:21.960 --> 01:21:24.600
<v Speaker 2>because she knows, as Tony has said throughout the show,

1389
01:21:27.720 --> 01:21:30.880
<v Speaker 2>the life of a mobster is eighty percent you're in

1390
01:21:30.920 --> 01:21:35.960
<v Speaker 2>the can or what is It's a you're either in

1391
01:21:36.039 --> 01:21:39.279
<v Speaker 2>the can or you're dead, right, you're either on the

1392
01:21:39.319 --> 01:21:43.760
<v Speaker 2>Morgue table or you're in the prison. So Carmela knows this.

1393
01:21:44.359 --> 01:21:47.920
<v Speaker 2>She's basically just worried about her own survival and the kids.

1394
01:21:48.560 --> 01:21:52.560
<v Speaker 2>But even her character is a tremendous she's a tremendous

1395
01:21:52.640 --> 01:21:57.159
<v Speaker 2>hypocrite because she's always hiding, just like the grandmother, behind

1396
01:21:57.279 --> 01:22:00.199
<v Speaker 2>this facade of I'm doing this for the kids. I'm

1397
01:22:00.199 --> 01:22:04.079
<v Speaker 2>doing this for the family. But if she really loved

1398
01:22:04.239 --> 01:22:07.159
<v Speaker 2>the family, would she have them in this lifestyle.

1399
01:22:07.439 --> 01:22:15.119
<v Speaker 4>No? Well, that's another question about Tony. Is he a

1400
01:22:15.159 --> 01:22:19.800
<v Speaker 4>psychopath or sociopath or what Because you think he's doing

1401
01:22:19.840 --> 01:22:23.520
<v Speaker 4>this for his family, he's he has to murder people

1402
01:22:23.640 --> 01:22:25.039
<v Speaker 4>or they'll come murder his family.

1403
01:22:25.760 --> 01:22:27.640
<v Speaker 2>Yeah. And there's also I mean, and we know Tony

1404
01:22:27.720 --> 01:22:30.520
<v Speaker 2>is a philanderer. He's very open. It's it's pretty open.

1405
01:22:30.600 --> 01:22:31.119
<v Speaker 4>They all are.

1406
01:22:31.439 --> 01:22:34.399
<v Speaker 2>Well. But what I'm saying is that there's an interesting

1407
01:22:34.439 --> 01:22:38.640
<v Speaker 2>sequence where she falls in love with Furio, this other

1408
01:22:38.800 --> 01:22:43.600
<v Speaker 2>you know, Goofy, you know, ponytail guy with the wild

1409
01:22:43.720 --> 01:22:47.119
<v Speaker 2>crazy shirts that he wears. She has this this affair

1410
01:22:47.199 --> 01:22:51.239
<v Speaker 2>with with Furio in her mind and but she never

1411
01:22:51.319 --> 01:22:56.000
<v Speaker 2>actually acts on it because Furio is like terrified of Tony, right,

1412
01:22:57.279 --> 01:22:59.760
<v Speaker 2>And Tony there's a hilarious sege where he calls her

1413
01:22:59.760 --> 01:23:00.159
<v Speaker 2>out of this.

1414
01:23:00.199 --> 01:23:02.439
<v Speaker 3>She's like, oh, you made him a flangling, you made

1415
01:23:02.560 --> 01:23:04.520
<v Speaker 3>me sleeping around? What about you, Infurio?

1416
01:23:04.640 --> 01:23:06.560
<v Speaker 2>Huh, what about you? Emperial Towny.

1417
01:23:06.840 --> 01:23:07.760
<v Speaker 3>It never happened.

1418
01:23:07.800 --> 01:23:11.239
<v Speaker 2>I never slept with Furio. Right. But it doesn't matter

1419
01:23:11.279 --> 01:23:14.319
<v Speaker 2>because the whole point is that she wanted to write.

1420
01:23:14.760 --> 01:23:17.760
<v Speaker 2>She wanted that. And you know, like Jesus says, if

1421
01:23:17.760 --> 01:23:21.000
<v Speaker 2>you're committing adultery in your heart, kimmying adultery. So Tony's

1422
01:23:21.000 --> 01:23:24.960
<v Speaker 2>really just kind of a more honest character. It's not

1423
01:23:25.119 --> 01:23:28.720
<v Speaker 2>that he's good, but it said he's more honest.

1424
01:23:28.479 --> 01:23:32.399
<v Speaker 4>Right, Yeah, because she is kind of the moral compass

1425
01:23:32.479 --> 01:23:35.359
<v Speaker 4>of the show. You think, you think, but then her

1426
01:23:35.439 --> 01:23:43.800
<v Speaker 4>actions are like you said, she's hypocritical. She takes him

1427
01:23:43.840 --> 01:23:46.000
<v Speaker 4>back when she shouldn't take him back.

1428
01:23:46.119 --> 01:23:52.439
<v Speaker 2>You know, she likes the riches, Yeah, she is. She

1429
01:23:52.640 --> 01:23:56.159
<v Speaker 2>loves the glamour and the money and the wealth more

1430
01:23:56.199 --> 01:23:58.640
<v Speaker 2>than she loves the truth of what it would cost

1431
01:23:59.279 --> 01:24:02.319
<v Speaker 2>to actually get the family out of that lifestyle. Because

1432
01:24:02.359 --> 01:24:06.479
<v Speaker 2>if she really loved her kids, I mean, she has

1433
01:24:06.520 --> 01:24:10.039
<v Speaker 2>to know that that lifestyle is dangerous. She's always harping

1434
01:24:10.039 --> 01:24:12.399
<v Speaker 2>at Tony about how dangerous it is and what he's

1435
01:24:12.920 --> 01:24:17.199
<v Speaker 2>the situation he's putting them in. Well, doesn't she know

1436
01:24:17.319 --> 01:24:21.239
<v Speaker 2>that the kids are susceptible to this danger with this lifestyle?

1437
01:24:21.840 --> 01:24:24.039
<v Speaker 2>So why is she not running to the beyond? In fact,

1438
01:24:24.039 --> 01:24:26.560
<v Speaker 2>when she goes to the psychiatrist and the other priest,

1439
01:24:27.279 --> 01:24:31.720
<v Speaker 2>they basically tell her this and she's like, well, you know, ooh,

1440
01:24:31.840 --> 01:24:33.520
<v Speaker 2>I don't know if I really want to, you know,

1441
01:24:33.600 --> 01:24:35.840
<v Speaker 2>count the cost to get out of this lifestyle because

1442
01:24:36.119 --> 01:24:37.920
<v Speaker 2>in a lot of ways, it's really easy and it's

1443
01:24:37.920 --> 01:24:42.920
<v Speaker 2>really nice. So from a character study perspective of Carmela,

1444
01:24:43.439 --> 01:24:46.359
<v Speaker 2>I think that she is for a lot of people

1445
01:24:46.560 --> 01:24:50.279
<v Speaker 2>hard to stomach because she's really hypocritical. And it's not

1446
01:24:50.359 --> 01:24:55.439
<v Speaker 2>that some of the moral criticisms she makes aren't correct,

1447
01:24:55.720 --> 01:24:58.840
<v Speaker 2>it's that she doesn't. She hides behind the piety, I

1448
01:24:58.840 --> 01:25:00.399
<v Speaker 2>think is what makes people really not about it.

1449
01:25:00.359 --> 01:25:02.520
<v Speaker 4>It'll be critical, and she has no backbone when it.

1450
01:25:02.479 --> 01:25:06.279
<v Speaker 2>Comes to standing up to him, because Tony knows her weakness.

1451
01:25:06.960 --> 01:25:09.479
<v Speaker 2>Remember when he makes her really mad, what is he

1452
01:25:09.479 --> 01:25:11.319
<v Speaker 2>goes and buys her this big diamond.

1453
01:25:10.920 --> 01:25:13.199
<v Speaker 4>Necklace because she found him cheating. So he.

1454
01:25:14.680 --> 01:25:16.840
<v Speaker 2>Yeah, but he knows, but he knows her weakness. Yeah,

1455
01:25:16.880 --> 01:25:18.640
<v Speaker 2>which is you know, jewels and stuff.

1456
01:25:18.720 --> 01:25:18.920
<v Speaker 1>Yeah.

1457
01:25:19.760 --> 01:25:22.159
<v Speaker 2>Okay, so let's move on as we get we need

1458
01:25:22.199 --> 01:25:24.520
<v Speaker 2>to how long were you been going for? Not too bad?

1459
01:25:24.520 --> 01:25:26.640
<v Speaker 2>An hour and a half, so hopefully we can keep

1460
01:25:26.680 --> 01:25:30.159
<v Speaker 2>this to about two hours. Maybe there's an interesting sequence

1461
01:25:30.159 --> 01:25:35.560
<v Speaker 2>where AJ sees the dead when Tony's mom eventually does die,

1462
01:25:36.960 --> 01:25:41.720
<v Speaker 2>ghosts appear. There's a sequence where Tony or somebody sees

1463
01:25:41.720 --> 01:25:46.159
<v Speaker 2>Pussy in a mirror. AJ sees the grandmother in the hallway. Remember,

1464
01:25:46.239 --> 01:25:50.640
<v Speaker 2>so we're starting to see that there's flashes of the

1465
01:25:50.720 --> 01:25:52.119
<v Speaker 2>dead being seen, right.

1466
01:25:52.239 --> 01:25:56.119
<v Speaker 4>Well, not only that, but when the AJ sees the grandma,

1467
01:25:56.239 --> 01:25:59.960
<v Speaker 4>that's the beginning of his traumatic episode, his panic attacks

1468
01:26:00.199 --> 01:26:03.840
<v Speaker 4>like Tony. So the grandma has affected Tony with the

1469
01:26:03.840 --> 01:26:07.000
<v Speaker 4>panic attacks. And then again to the grandson a J

1470
01:26:07.319 --> 01:26:07.960
<v Speaker 4>panic attacks.

1471
01:26:08.039 --> 01:26:10.399
<v Speaker 2>Yes, because as you put here your note is good.

1472
01:26:10.479 --> 01:26:13.800
<v Speaker 2>You said AJ sees the ghost of the grandmother and

1473
01:26:13.840 --> 01:26:16.199
<v Speaker 2>this is the beginning of his trauma, like Tony with

1474
01:26:16.359 --> 01:26:21.279
<v Speaker 2>the devill ghoul. Then we have the very interesting reference

1475
01:26:22.199 --> 01:26:27.159
<v Speaker 2>by the Jewish psychologist to Carmelo when she goes. He says,

1476
01:26:27.159 --> 01:26:30.439
<v Speaker 2>have you read crime in Punishment? And Crime and Punishment

1477
01:26:30.479 --> 01:26:33.560
<v Speaker 2>is great because it's in many ways it's very similar

1478
01:26:33.600 --> 01:26:38.399
<v Speaker 2>to the story of the Sopranos. You have, is it?

1479
01:26:38.479 --> 01:26:42.439
<v Speaker 2>Raskolnikov is the main character who has murdered somebody because

1480
01:26:42.840 --> 01:26:46.680
<v Speaker 2>he overhears stories of great men and he thinks, well,

1481
01:26:46.760 --> 01:26:49.319
<v Speaker 2>if the great men of the world, like Napoleon and

1482
01:26:49.359 --> 01:26:52.279
<v Speaker 2>different generals, you know, basically just killed whoever they wanted

1483
01:26:52.279 --> 01:26:55.279
<v Speaker 2>to to become great men. Why don't I just kill

1484
01:26:55.319 --> 01:26:57.159
<v Speaker 2>somebody and become a great man? I mean, everybody else

1485
01:26:57.159 --> 01:26:58.960
<v Speaker 2>seems to do this in history, so why not me?

1486
01:26:59.600 --> 01:27:01.520
<v Speaker 2>And then, as you know, if you've read Crime and Punishment,

1487
01:27:01.600 --> 01:27:04.920
<v Speaker 2>the rest of the book is basically Raskolnikov dealing with

1488
01:27:04.960 --> 01:27:08.560
<v Speaker 2>the guilt of what he did and only finding redemption

1489
01:27:08.760 --> 01:27:12.479
<v Speaker 2>at the end of his life through Sophia, who represents

1490
01:27:12.520 --> 01:27:15.840
<v Speaker 2>grace and wisdom, the girl who ended up being the prostitute,

1491
01:27:15.880 --> 01:27:18.279
<v Speaker 2>who's the one, the only one that truly loves him. Right,

1492
01:27:18.600 --> 01:27:22.000
<v Speaker 2>she keeps visiting him while he's in the work prison

1493
01:27:22.039 --> 01:27:26.039
<v Speaker 2>camp for murder, and then finally at the end he repents. Right,

1494
01:27:26.119 --> 01:27:31.119
<v Speaker 2>So you think that so that there's the reason that

1495
01:27:31.159 --> 01:27:37.760
<v Speaker 2>the psychiatrist recommended to Carmela to re Crime and Punishment

1496
01:27:37.800 --> 01:27:41.520
<v Speaker 2>is because he sees her as a character like perhaps

1497
01:27:41.520 --> 01:27:45.600
<v Speaker 2>a Sophia, or like even a Raskolnikov, in the sense

1498
01:27:45.600 --> 01:27:49.000
<v Speaker 2>that she's guilty for being part of this, and so

1499
01:27:49.119 --> 01:27:52.039
<v Speaker 2>he's recommending that book to her for maybe for her

1500
01:27:52.119 --> 01:27:54.079
<v Speaker 2>to repent or to come out of this life, because

1501
01:27:54.079 --> 01:27:55.920
<v Speaker 2>that's what he tells her. The priest basically says the

1502
01:27:55.960 --> 01:27:57.359
<v Speaker 2>same thing to you. You need to get out of

1503
01:27:57.359 --> 01:27:59.720
<v Speaker 2>this life. It's not gonna it's not going to be

1504
01:28:00.119 --> 01:28:02.560
<v Speaker 2>end well for you. And this is another reason why

1505
01:28:03.840 --> 01:28:05.640
<v Speaker 2>it is. I think it's true at the end that

1506
01:28:06.640 --> 01:28:11.399
<v Speaker 2>Carmela is also killed because she doesn't heed the warnings.

1507
01:28:11.600 --> 01:28:15.800
<v Speaker 2>She stays in the life. They're constantly warned. The dead

1508
01:28:15.840 --> 01:28:19.079
<v Speaker 2>are appearing to them to tell them that this will

1509
01:28:19.159 --> 01:28:19.960
<v Speaker 2>lead to your death.

1510
01:28:20.279 --> 01:28:24.199
<v Speaker 4>Well throughout the show, most of them have a moment

1511
01:28:24.279 --> 01:28:27.640
<v Speaker 4>where they could get out, but they stay in and

1512
01:28:27.680 --> 01:28:30.800
<v Speaker 4>then that leads to their death.

1513
01:28:31.079 --> 01:28:34.960
<v Speaker 2>Correct, They have an out multiple times, in fact, all

1514
01:28:35.000 --> 01:28:38.319
<v Speaker 2>of them really, I mean it, maybe except for Tony,

1515
01:28:38.680 --> 01:28:40.920
<v Speaker 2>although I guess, you know, conceivably if they wanted to,

1516
01:28:41.239 --> 01:28:43.760
<v Speaker 2>Tony could just fly off the to an island somewhere

1517
01:28:43.760 --> 01:28:44.680
<v Speaker 2>if he wanted to. I guess.

1518
01:28:44.920 --> 01:28:48.439
<v Speaker 4>The day that Adriana died, she could have chosen to

1519
01:28:48.640 --> 01:28:52.279
<v Speaker 4>leave and go into witness protection, but she.

1520
01:28:52.319 --> 01:28:57.520
<v Speaker 2>Chose the lie and to go to well well, no, actually, well,

1521
01:28:58.199 --> 01:29:01.000
<v Speaker 2>chrispher made her choice, and Adriana in a choice because

1522
01:29:01.039 --> 01:29:05.359
<v Speaker 2>if Christopher hadn't gone to call Tony, remember, then Adriana

1523
01:29:05.359 --> 01:29:08.199
<v Speaker 2>wouldn't have been killed if he had gone. He said

1524
01:29:08.239 --> 01:29:11.760
<v Speaker 2>I gotta go back. I'll be back in a minute. Adriana. Uh,

1525
01:29:12.239 --> 01:29:14.399
<v Speaker 2>he didn't have to go. He didn't have to go

1526
01:29:14.439 --> 01:29:17.079
<v Speaker 2>talk to Tony, right, he could have just left and

1527
01:29:17.119 --> 01:29:19.840
<v Speaker 2>then conceivably they, I mean the FBI had it arranged

1528
01:29:19.840 --> 01:29:21.880
<v Speaker 2>to where he would have even had a movie deal yep.

1529
01:29:22.000 --> 01:29:23.880
<v Speaker 2>I mean he would have had his whole dream to

1530
01:29:23.960 --> 01:29:27.880
<v Speaker 2>be a movie producer, even though he does in a

1531
01:29:27.920 --> 01:29:30.680
<v Speaker 2>way produced that terrible movie in the final season.

1532
01:29:30.760 --> 01:29:34.439
<v Speaker 4>One of my favorite things about Christopher is that he

1533
01:29:34.520 --> 01:29:40.279
<v Speaker 4>never loses his his mob ness, his mafianess. Even when

1534
01:29:40.319 --> 01:29:45.520
<v Speaker 4>he's dealing with Hollywood moguls and Ben Kingsley and other

1535
01:29:45.840 --> 01:29:50.039
<v Speaker 4>people where he should be polite, he is still one

1536
01:29:50.159 --> 01:29:53.920
<v Speaker 4>hundred percent mobster, using his mob to lean on people.

1537
01:29:54.000 --> 01:29:57.239
<v Speaker 2>Yeah, he threatens Ben Kingsley when Ben Kingsley doesn't want

1538
01:29:57.279 --> 01:29:59.880
<v Speaker 2>to be in his dumb version of Saw. It's ba

1539
01:30:00.520 --> 01:30:02.640
<v Speaker 2>Christopher's come up with this terrible idea for a movie

1540
01:30:02.680 --> 01:30:06.199
<v Speaker 2>that's like Saw mixed with Mafia. Yeah, and it's a

1541
01:30:06.279 --> 01:30:09.800
<v Speaker 2>zombie mobster basically, which the movie actually does get made

1542
01:30:10.079 --> 01:30:13.199
<v Speaker 2>in six. Season six is one of the funniest comedic

1543
01:30:13.239 --> 01:30:15.840
<v Speaker 2>elements in the whole show. But he you know, he

1544
01:30:16.239 --> 01:30:18.319
<v Speaker 2>tries to throw his weight around with Ben Kingsley, you know,

1545
01:30:18.399 --> 01:30:21.000
<v Speaker 2>and he ends up him whoever's with him, I forget

1546
01:30:21.039 --> 01:30:23.800
<v Speaker 2>who it's Polly or somebody, but basically just he punches

1547
01:30:23.880 --> 01:30:27.239
<v Speaker 2>Lauren butcall and steals her, you know, swag bag, you know,

1548
01:30:27.359 --> 01:30:31.239
<v Speaker 2>of thousands of dollars worth of material. So that is

1549
01:30:31.279 --> 01:30:35.720
<v Speaker 2>an interesting aspect to Christophers that he never alters who

1550
01:30:35.720 --> 01:30:38.000
<v Speaker 2>he is with who he's around, right, you know when

1551
01:30:38.000 --> 01:30:40.560
<v Speaker 2>he gets around that Hollywood guy that is the screenwriter,

1552
01:30:41.039 --> 01:30:43.000
<v Speaker 2>you know, the screenwriter starts trying to throw his weight

1553
01:30:43.119 --> 01:30:46.159
<v Speaker 2>with Christopher, and Christopher's like, look, you owe me twenty

1554
01:30:46.239 --> 01:30:49.520
<v Speaker 2>thousand dollars, right, I'm gonna give you a week. And

1555
01:30:49.560 --> 01:30:52.239
<v Speaker 2>the screenwriter guy's like, oh yeah, you're in the mafia.

1556
01:30:52.920 --> 01:30:56.399
<v Speaker 2>Yeah a week, okay, yeah, whatever, Christopher. Christopher shows up

1557
01:30:56.399 --> 01:30:58.880
<v Speaker 2>a week later, beats the crap out of the guy

1558
01:30:59.079 --> 01:31:01.079
<v Speaker 2>within the inch of a show his life, right, and

1559
01:31:01.119 --> 01:31:03.159
<v Speaker 2>then he beats him up again. Right, the guy ends

1560
01:31:03.239 --> 01:31:07.600
<v Speaker 2>up getting video him so he yeah. By the way,

1561
01:31:07.640 --> 01:31:10.199
<v Speaker 2>I don't forget the sequence And was it season two

1562
01:31:10.279 --> 01:31:13.520
<v Speaker 2>or three that was great with John Favreau where you

1563
01:31:13.600 --> 01:31:16.640
<v Speaker 2>have breaking to the fourth wall. John Favreau playing John

1564
01:31:16.680 --> 01:31:21.640
<v Speaker 2>Favreau in the show shows Up, gets Christopher to tell

1565
01:31:21.680 --> 01:31:25.039
<v Speaker 2>him stories, and then takes Christopher stories and puts them

1566
01:31:25.039 --> 01:31:26.359
<v Speaker 2>into his show that he's making.

1567
01:31:26.520 --> 01:31:29.039
<v Speaker 4>Right So, I'm surprised he didn't even kill him for that.

1568
01:31:29.000 --> 01:31:31.920
<v Speaker 2>Right, Well, he was. I guess, you know, if you're

1569
01:31:31.960 --> 01:31:34.720
<v Speaker 2>an A list kind of person like Ben Kingsley or

1570
01:31:34.800 --> 01:31:37.960
<v Speaker 2>a producer famous, you know, like you're maybe that's a

1571
01:31:37.960 --> 01:31:40.720
<v Speaker 2>little bit above what Christopher could do. Because even though

1572
01:31:40.800 --> 01:31:43.159
<v Speaker 2>Christopher is kind of a number two or three guy, like,

1573
01:31:43.199 --> 01:31:45.520
<v Speaker 2>he doesn't have the ability to just go, you know,

1574
01:31:45.800 --> 01:31:48.560
<v Speaker 2>kill anybody in Hollywood. He's not that big of a player.

1575
01:31:49.199 --> 01:31:51.119
<v Speaker 4>His attitude is like, you don't know who I am,

1576
01:31:51.159 --> 01:31:53.239
<v Speaker 4>and he'll he'll punch anybody in the phase, it doesn't

1577
01:31:53.279 --> 01:31:54.159
<v Speaker 4>matter who it is.

1578
01:31:54.279 --> 01:31:57.960
<v Speaker 2>Yeah, So you know, Christopher does have the right amount

1579
01:31:58.000 --> 01:32:01.079
<v Speaker 2>of balls. And that's that's one reason why Tony does

1580
01:32:01.239 --> 01:32:04.000
<v Speaker 2>like Christopher is that he sees in Christopher that sort

1581
01:32:04.039 --> 01:32:08.039
<v Speaker 2>of fearlessness that he has. In fact, Christopher is so

1582
01:32:09.439 --> 01:32:12.159
<v Speaker 2>fearless eventually that he you know, there's a couple of

1583
01:32:12.199 --> 01:32:14.680
<v Speaker 2>times where he snaps and he's ready to kill Tony.

1584
01:32:15.640 --> 01:32:17.640
<v Speaker 2>You know. You we even think a couple of times

1585
01:32:17.640 --> 01:32:19.600
<v Speaker 2>he's going to you know, when it comes to the

1586
01:32:19.640 --> 01:32:23.760
<v Speaker 2>situation where Tony gives Adriana a ride home, Christopher is

1587
01:32:23.800 --> 01:32:27.600
<v Speaker 2>absolutely convinced that Tony slept with her, that they had sex,

1588
01:32:28.720 --> 01:32:32.199
<v Speaker 2>even though they actually didn't because they wrecked. Uh, you know,

1589
01:32:32.239 --> 01:32:34.560
<v Speaker 2>he comes into the club to bout it, being drunk,

1590
01:32:34.640 --> 01:32:37.840
<v Speaker 2>firing off the gun that Tony takes him out to

1591
01:32:38.079 --> 01:32:40.000
<v Speaker 2>outside the city and there, you know, he's about to

1592
01:32:40.039 --> 01:32:41.600
<v Speaker 2>shoot him in the head. You think it's all over

1593
01:32:41.680 --> 01:32:44.880
<v Speaker 2>with Steve Bashimi basically convinces Tony not to do it.

1594
01:32:44.960 --> 01:32:47.560
<v Speaker 2>And so there's there's two or three instances like this,

1595
01:32:47.720 --> 01:32:50.640
<v Speaker 2>you know, where where Tony and Christopher have this this

1596
01:32:50.680 --> 01:32:53.479
<v Speaker 2>sort of confrontation and you you really you're on your edge,

1597
01:32:53.520 --> 01:32:54.800
<v Speaker 2>you or see you don't know where it's going to go,

1598
01:32:55.960 --> 01:32:57.680
<v Speaker 2>and you just wait, you just wait. The whole time,

1599
01:32:57.720 --> 01:33:01.279
<v Speaker 2>you think Christopher is going to be Tony's downfall. And

1600
01:33:01.319 --> 01:33:03.680
<v Speaker 2>that was another thing that was really good about the show.

1601
01:33:04.279 --> 01:33:07.399
<v Speaker 2>You keep anticipating, Oh, it's going to be Christopher, it's

1602
01:33:07.399 --> 01:33:09.359
<v Speaker 2>going to be Chrisopher and Adriana. They're going to be informants,

1603
01:33:09.359 --> 01:33:10.920
<v Speaker 2>they're going to be flipped, they're gonna you know, go

1604
01:33:10.960 --> 01:33:13.199
<v Speaker 2>shoot Tony. They're gonna go crazy, you know. And no,

1605
01:33:13.399 --> 01:33:17.119
<v Speaker 2>it never happens, and it doesn't end with Christopher the

1606
01:33:17.119 --> 01:33:20.279
<v Speaker 2>way you think. Nope, you don't expect Adriana to get killed,

1607
01:33:20.319 --> 01:33:22.600
<v Speaker 2>and you don't expect Christopher to die the way he does.

1608
01:33:22.840 --> 01:33:24.159
<v Speaker 2>That was crazy.

1609
01:33:24.479 --> 01:33:30.880
<v Speaker 4>But Adrian Adriana has the same problem as Carmela because

1610
01:33:30.920 --> 01:33:33.439
<v Speaker 4>she stays with Christopher because he's rising up and up

1611
01:33:33.479 --> 01:33:35.960
<v Speaker 4>and up, and she's waiting for the one day we

1612
01:33:36.039 --> 01:33:38.600
<v Speaker 4>make enough money, he'll marry me. We'll move out of

1613
01:33:38.600 --> 01:33:40.800
<v Speaker 4>this crappy apartment and we'll have a house. You know,

1614
01:33:40.840 --> 01:33:43.640
<v Speaker 4>all her dreams will come true. She's waiting on Christopher

1615
01:33:43.640 --> 01:33:46.600
<v Speaker 4>this whole time, and she could have got out, and

1616
01:33:46.680 --> 01:33:49.840
<v Speaker 4>she has a terrible ending because she put all of

1617
01:33:49.880 --> 01:33:51.760
<v Speaker 4>her eggs in the Christopher basket.

1618
01:33:52.560 --> 01:33:55.119
<v Speaker 2>Yeah, and somebody was asking about Luren Bacall. That's who

1619
01:33:56.600 --> 01:34:00.000
<v Speaker 2>Christopher punches in the face and steals her swag bag. Yeah, exactly.

1620
01:34:01.399 --> 01:34:04.279
<v Speaker 2>There were quite a few interesting cameos. David Lee Roth

1621
01:34:04.399 --> 01:34:07.479
<v Speaker 2>made a cameo at the poker game, Frank Sinatra, Junior

1622
01:34:07.520 --> 01:34:13.520
<v Speaker 2>Max a cameo, Ben Kingsley, Lauren Baccall, Jon Favreau, and

1623
01:34:13.600 --> 01:34:18.239
<v Speaker 2>probably a couple more, but there are some notable you

1624
01:34:18.279 --> 01:34:21.520
<v Speaker 2>know Hollywood cameos. Oh the Baldwin at the end, who

1625
01:34:21.560 --> 01:34:24.159
<v Speaker 2>went who plays Tony in Christopher's Terrible movie?

1626
01:34:26.319 --> 01:34:29.399
<v Speaker 4>Pretty much the bald playing himself in a bad movie?

1627
01:34:31.000 --> 01:34:41.279
<v Speaker 2>Right, yeah, what is this ecstasy? Oh, there's an interesting

1628
01:34:41.520 --> 01:34:47.960
<v Speaker 2>some references to when uh Meadow has her phase of

1629
01:34:48.600 --> 01:34:52.560
<v Speaker 2>dating I forget his name, and he sells ecstasy. So

1630
01:34:52.600 --> 01:34:55.239
<v Speaker 2>there's a one of the guys who's trying to work

1631
01:34:55.279 --> 01:34:58.520
<v Speaker 2>with Tony, who's the son of one of Tony's guys.

1632
01:34:59.520 --> 01:35:02.159
<v Speaker 2>I forget the guy's name, but Meadow dates him for

1633
01:35:02.199 --> 01:35:05.359
<v Speaker 2>a while. You think they're gonna be together. He's selling ecstasy,

1634
01:35:05.439 --> 01:35:08.079
<v Speaker 2>and then he ends up dead because he tried to

1635
01:35:08.479 --> 01:35:14.079
<v Speaker 2>kind of do something against Tony. Tony has him killed,

1636
01:35:14.079 --> 01:35:16.520
<v Speaker 2>and of course Tony lies about all the people that

1637
01:35:16.560 --> 01:35:20.840
<v Speaker 2>he's had killed. And because if Meadow or Carmela found

1638
01:35:20.880 --> 01:35:22.800
<v Speaker 2>out all the people that Tony had killed, they would

1639
01:35:22.800 --> 01:35:25.800
<v Speaker 2>they would be furious. Right, So we know Tony has

1640
01:35:25.840 --> 01:35:29.359
<v Speaker 2>Adriana killed, right, he has sal go kill still go

1641
01:35:29.439 --> 01:35:34.560
<v Speaker 2>kill Adriana. But he always tells, you know, there's always

1642
01:35:34.600 --> 01:35:37.479
<v Speaker 2>this plausible cover story of oh they got killed through

1643
01:35:37.560 --> 01:35:40.479
<v Speaker 2>you know, drugs. Oh, Adriana ran off. We'll never see

1644
01:35:40.479 --> 01:35:43.159
<v Speaker 2>her again. She's you know, she got a feeling hurt

1645
01:35:43.800 --> 01:35:48.640
<v Speaker 2>something like that. There's an interesting reference when Meadow goes

1646
01:35:48.680 --> 01:35:52.600
<v Speaker 2>to college to the Francis Stone or Saunders book that

1647
01:35:52.640 --> 01:35:55.600
<v Speaker 2>you've heard me reference many times, the CIA and the

1648
01:35:55.640 --> 01:35:58.640
<v Speaker 2>cultural Cold War right, and this is an important book

1649
01:35:58.680 --> 01:36:01.680
<v Speaker 2>because shows the all of the CIA and the arts

1650
01:36:01.840 --> 01:36:05.199
<v Speaker 2>throughout the entire Cold War period. That book is referenced

1651
01:36:05.279 --> 01:36:08.600
<v Speaker 2>on purpose, you see, it's not accident normal that book

1652
01:36:08.640 --> 01:36:10.800
<v Speaker 2>comes up, because this is telling you that the people

1653
01:36:10.800 --> 01:36:13.560
<v Speaker 2>who are writing this show they know what they're talking about.

1654
01:36:13.560 --> 01:36:17.119
<v Speaker 2>They know this world, the psyche, the geopolitics, they know

1655
01:36:18.159 --> 01:36:21.039
<v Speaker 2>how this stuff goes down and how it works, or

1656
01:36:21.079 --> 01:36:23.680
<v Speaker 2>else they wouldn't be citing books of that caliber, of

1657
01:36:23.720 --> 01:36:26.439
<v Speaker 2>that level. It's a very famous academic work about the

1658
01:36:26.479 --> 01:36:29.640
<v Speaker 2>CIA's role in the Cold War through the arts and

1659
01:36:29.720 --> 01:36:34.640
<v Speaker 2>so the in in there's a flyer for this lecture.

1660
01:36:34.760 --> 01:36:37.760
<v Speaker 2>I think Carmelo picks it. Oh, this looks interesting, right

1661
01:36:37.840 --> 01:36:45.800
<v Speaker 2>that that's in Carmela Meadows dorm room. And so the

1662
01:36:45.840 --> 01:36:48.920
<v Speaker 2>Saunders is supposed to be lecturing at Meadows College, which

1663
01:36:48.960 --> 01:36:52.199
<v Speaker 2>is interesting. Then we have the reference to because again

1664
01:36:52.279 --> 01:36:54.479
<v Speaker 2>remember the CIA mafia link, right, this is what this

1665
01:36:54.560 --> 01:36:58.279
<v Speaker 2>is talking about. Then we have the references to Sunta Zoo, right,

1666
01:36:59.119 --> 01:37:02.239
<v Speaker 2>and there's a there's a a little joke trope that

1667
01:37:02.279 --> 01:37:05.079
<v Speaker 2>comes up a lot in the show where Tony and

1668
01:37:05.119 --> 01:37:08.800
<v Speaker 2>his psychiatrists will come to a discovery or she'll recommend

1669
01:37:08.800 --> 01:37:11.600
<v Speaker 2>a book, uh, and then he'll go read it, right,

1670
01:37:11.640 --> 01:37:14.520
<v Speaker 2>and then he'll say something that she said or he

1671
01:37:14.600 --> 01:37:19.000
<v Speaker 2>learned in the therapy sessions to Paully or to Christopher,

1672
01:37:19.039 --> 01:37:21.520
<v Speaker 2>and then they'll repeat it like it was their wisdom. Right.

1673
01:37:21.840 --> 01:37:25.439
<v Speaker 2>So that's how you get Paully saying, don't you ever

1674
01:37:25.479 --> 01:37:28.119
<v Speaker 2>read some to zoop? Haven't you? Ain't you ever read

1675
01:37:28.159 --> 01:37:30.880
<v Speaker 2>sonta Zoop, which we know Paully is an idiot, he

1676
01:37:30.880 --> 01:37:33.760
<v Speaker 2>doesn't read books, right, And then you'll get Christopher will say,

1677
01:37:34.279 --> 01:37:37.279
<v Speaker 2>you know these tropes to like there was some phrase

1678
01:37:37.359 --> 01:37:39.720
<v Speaker 2>that the therapist told, you know, like a cliche, and

1679
01:37:39.720 --> 01:37:42.880
<v Speaker 2>then Christopher goes around repeating it like it was his wisdom.

1680
01:37:42.920 --> 01:37:44.399
<v Speaker 2>It's just that there's a lot of these kind of

1681
01:37:44.399 --> 01:37:48.760
<v Speaker 2>little funny terms of phrases like that. But there's more

1682
01:37:48.800 --> 01:37:53.720
<v Speaker 2>seeing of ghosts that comes up in season four. There's

1683
01:37:53.720 --> 01:37:57.840
<v Speaker 2>an interesting sequence where when Tony meets the Mercedes salesman

1684
01:37:57.920 --> 01:38:01.640
<v Speaker 2>girlfriend and they go to have their affair at the

1685
01:38:01.720 --> 01:38:06.560
<v Speaker 2>zoo and it's in the snake reptile room. So you

1686
01:38:06.640 --> 01:38:11.960
<v Speaker 2>have this weird Adam Eves symbolism going on here once again,

1687
01:38:12.199 --> 01:38:16.960
<v Speaker 2>because as you know, this woman herself is a little unstable.

1688
01:38:17.000 --> 01:38:19.800
<v Speaker 2>We later find out that, well, we know that she's

1689
01:38:19.880 --> 01:38:23.800
<v Speaker 2>actually going to the psychiatrist with Tony, right, they're seeing

1690
01:38:23.840 --> 01:38:26.680
<v Speaker 2>the same psychiatrist. That's how they meet. Tony goes and

1691
01:38:26.680 --> 01:38:31.199
<v Speaker 2>flirts with her and they start having an affair. But

1692
01:38:31.239 --> 01:38:35.279
<v Speaker 2>then Tony realizes that this woman is way unstable, and Tony,

1693
01:38:35.359 --> 01:38:38.359
<v Speaker 2>being the sort of psychopath that he is, like he

1694
01:38:38.479 --> 01:38:41.920
<v Speaker 2>is bad for her. Right, so she ends up obviously

1695
01:38:41.960 --> 01:38:44.880
<v Speaker 2>you know, dying. She ends up killing herself. And so

1696
01:38:45.000 --> 01:38:50.800
<v Speaker 2>once again we see that it's emblematic, it's foreshadowing that

1697
01:38:50.800 --> 01:38:54.239
<v Speaker 2>that Tony is a bringer of death. He's almost an

1698
01:38:54.279 --> 01:38:57.000
<v Speaker 2>angel of death. I mean, what is a what is

1699
01:38:57.039 --> 01:38:59.119
<v Speaker 2>a warrior? But an a version of like an angel

1700
01:38:59.119 --> 01:39:02.880
<v Speaker 2>of death. He's a bringer of death everywhere he goes, right,

1701
01:39:03.239 --> 01:39:06.359
<v Speaker 2>It's it's almost like he is kind of the serpent, right,

1702
01:39:06.359 --> 01:39:08.720
<v Speaker 2>And that sequence where they have the affair in the

1703
01:39:09.520 --> 01:39:13.399
<v Speaker 2>reptile room at the Zoo. It's specifically showing you the

1704
01:39:13.439 --> 01:39:18.479
<v Speaker 2>snake to associate Tony with, you know, the serpent, the

1705
01:39:18.520 --> 01:39:21.079
<v Speaker 2>woman with Eve, and it's in the fallen state. I

1706
01:39:21.079 --> 01:39:22.439
<v Speaker 2>thought that was really well done.

1707
01:39:22.560 --> 01:39:25.680
<v Speaker 4>It's interesting that that Tony has made it to the

1708
01:39:25.720 --> 01:39:30.920
<v Speaker 4>top of the food chain in his circles, but nothing

1709
01:39:31.000 --> 01:39:35.560
<v Speaker 4>he does or has brings him any happiness. Even his gumars,

1710
01:39:36.279 --> 01:39:38.279
<v Speaker 4>all of them turn out to be a giant pain

1711
01:39:38.359 --> 01:39:41.800
<v Speaker 4>in the butt. So nothing that he has he can

1712
01:39:42.119 --> 01:39:42.560
<v Speaker 4>enjoy it.

1713
01:39:42.920 --> 01:39:46.720
<v Speaker 2>Yeah, all the pleasures end up being pain and punishment.

1714
01:39:46.800 --> 01:39:48.600
<v Speaker 2>That's the irony here, is that all the things that

1715
01:39:48.640 --> 01:39:51.600
<v Speaker 2>you think are going to be the pleasures that make

1716
01:39:51.680 --> 01:39:54.640
<v Speaker 2>you happy to turn into punishments. And that's that's the

1717
01:39:54.680 --> 01:39:57.920
<v Speaker 2>irony of the hedonistic life. And even in that episode,

1718
01:39:57.920 --> 01:40:00.560
<v Speaker 2>there's I think it's Polly, there's a reference it somewhere

1719
01:40:00.600 --> 01:40:04.079
<v Speaker 2>to predators and snakes and they're watching a TV show

1720
01:40:04.119 --> 01:40:07.119
<v Speaker 2>and Paulie is funny because he's always saying these stupid

1721
01:40:07.199 --> 01:40:11.680
<v Speaker 2>things that really annoy Tony. He's got that, he's got

1722
01:40:11.760 --> 01:40:14.239
<v Speaker 2>that laugh that Tony can't stand the joke. He can't

1723
01:40:14.239 --> 01:40:16.720
<v Speaker 2>stand Pauli's jokes. He thinks they're really dumb. I swear

1724
01:40:16.840 --> 01:40:20.840
<v Speaker 2>t do it, but it's great tea. And then they're

1725
01:40:20.880 --> 01:40:23.640
<v Speaker 2>watching some show about snakes or something, and then Polly

1726
01:40:23.760 --> 01:40:27.079
<v Speaker 2>has some funny line about it's like the snake in Genesis.

1727
01:40:27.359 --> 01:40:30.319
<v Speaker 2>You know, he starts talking about it's like the Bible teah,

1728
01:40:30.760 --> 01:40:34.279
<v Speaker 2>but it's actually true what Pauli's saying. What's the funny part.

1729
01:40:34.479 --> 01:40:38.039
<v Speaker 4>Fun fact about Polly is his character, I mean his

1730
01:40:38.520 --> 01:40:42.680
<v Speaker 4>in real life. He has a rap sheet that was

1731
01:40:42.760 --> 01:40:47.640
<v Speaker 4>longer than his acting credits. So he was arrested they

1732
01:40:47.640 --> 01:40:52.079
<v Speaker 4>say twenty eight times. So Polly was a real, live.

1733
01:40:51.960 --> 01:40:55.800
<v Speaker 2>Criminal, so kind of a real I don't know if

1734
01:40:55.840 --> 01:40:58.399
<v Speaker 2>he was an actual mobster, but at least somebody with

1735
01:40:58.600 --> 01:41:01.880
<v Speaker 2>a big criminal rap sheet. And if you watch interviews,

1736
01:41:01.880 --> 01:41:05.680
<v Speaker 2>I watched an interview with the cast present like it

1737
01:41:05.720 --> 01:41:08.119
<v Speaker 2>was last year or so, twenty or so years after

1738
01:41:08.159 --> 01:41:12.520
<v Speaker 2>the show, and the funny thing was that most of

1739
01:41:12.560 --> 01:41:14.840
<v Speaker 2>the characters are kind of what you would expect them

1740
01:41:14.880 --> 01:41:16.479
<v Speaker 2>to be. They're more or less who they are in

1741
01:41:16.520 --> 01:41:18.399
<v Speaker 2>the show in terms of the way they talk and

1742
01:41:18.720 --> 01:41:25.560
<v Speaker 2>the voices and whatnot. But Polly and Pussy are literally

1743
01:41:25.600 --> 01:41:30.399
<v Speaker 2>the same, like they're that guy. That's really how Polly was,

1744
01:41:30.439 --> 01:41:32.319
<v Speaker 2>and somebody's saying he was really a monster, so I

1745
01:41:32.319 --> 01:41:34.920
<v Speaker 2>wouldn't be surprised. But in his interviews, that's how any

1746
01:41:34.960 --> 01:41:37.640
<v Speaker 2>he dresses the same, Like he literally dresses just like

1747
01:41:37.720 --> 01:41:42.199
<v Speaker 2>that guy. I mean, it's funny. Yeah, yes, the same Harry,

1748
01:41:42.199 --> 01:41:45.560
<v Speaker 2>He's got the same you know, big what do you

1749
01:41:45.600 --> 01:41:50.720
<v Speaker 2>call those seventies shirts with the big these coloring? But

1750
01:41:50.760 --> 01:41:53.319
<v Speaker 2>there's a name for those, like a wing color. The

1751
01:41:53.640 --> 01:41:54.319
<v Speaker 2>seventies one.

1752
01:41:54.399 --> 01:41:57.359
<v Speaker 4>The fashions in this show were terrible, like it was

1753
01:41:57.399 --> 01:42:01.279
<v Speaker 4>like the worst of the nineties. We fashions for women.

1754
01:42:01.479 --> 01:42:04.560
<v Speaker 4>I don't think I liked one of Carmela's hairdoos.

1755
01:42:05.920 --> 01:42:09.079
<v Speaker 2>Well, Cammela had the ultimate wine Mom Karen at one point,

1756
01:42:09.199 --> 01:42:11.239
<v Speaker 2>I remember she got the Karen like.

1757
01:42:11.279 --> 01:42:13.359
<v Speaker 4>I didn't think her hairdis could get any worse, and

1758
01:42:13.359 --> 01:42:15.560
<v Speaker 4>then she got the Karen haircut. I can believe it.

1759
01:42:19.560 --> 01:42:28.119
<v Speaker 2>My mother's grave tea. Haven't you read Santazo. There was

1760
01:42:28.159 --> 01:42:31.439
<v Speaker 2>a great episode where they showed HUD as a scam.

1761
01:42:31.479 --> 01:42:33.880
<v Speaker 2>I thought that was fascinating. If you know about the

1762
01:42:33.920 --> 01:42:37.000
<v Speaker 2>history of HUD housing urban development, if you know about

1763
01:42:37.039 --> 01:42:42.399
<v Speaker 2>Katherine Austin fits her whole many of the things that

1764
01:42:42.439 --> 01:42:46.399
<v Speaker 2>she writes about talks about deals with scammery and hud.

1765
01:42:46.840 --> 01:42:49.039
<v Speaker 2>That actually comes up in one of these episodes with

1766
01:42:49.319 --> 01:42:54.600
<v Speaker 2>the housing development scam that they organize they clear out

1767
01:42:54.640 --> 01:42:58.199
<v Speaker 2>the crackheads. That part was pretty funny, how they hire

1768
01:42:58.279 --> 01:43:00.399
<v Speaker 2>other gangs to come in and clear out the brackhead

1769
01:43:00.479 --> 01:43:03.720
<v Speaker 2>so that they can revitalize these houses. But it's all

1770
01:43:03.720 --> 01:43:07.359
<v Speaker 2>a scam because the houses are like way overvalued for

1771
01:43:07.399 --> 01:43:09.000
<v Speaker 2>what they are, so it's really just a way to

1772
01:43:09.039 --> 01:43:12.760
<v Speaker 2>funnel money. There's an interesting scam that they thought up.

1773
01:43:13.199 --> 01:43:17.159
<v Speaker 4>One season they were all involved in a giant mega

1774
01:43:17.560 --> 01:43:21.640
<v Speaker 4>building from the city, a big esplanade, a new construction site.

1775
01:43:21.760 --> 01:43:26.079
<v Speaker 2>Yeah, that becomes the main money making thing from season

1776
01:43:26.199 --> 01:43:29.439
<v Speaker 2>four to six where Tony finally gets in on something

1777
01:43:29.479 --> 01:43:32.079
<v Speaker 2>really big. Right, So this is this is a common

1778
01:43:32.079 --> 01:43:35.359
<v Speaker 2>theme in you know, mafia movies, like in The Godfather

1779
01:43:35.439 --> 01:43:39.520
<v Speaker 2>where Godfather won. They're just a local kind of crime family.

1780
01:43:39.960 --> 01:43:45.039
<v Speaker 2>Then they expand to Vegas and by season three, Michael

1781
01:43:45.079 --> 01:43:49.119
<v Speaker 2>Corleone has gone global. He's making giant land deals that

1782
01:43:49.199 --> 01:43:53.039
<v Speaker 2>need the Vatican approval. So he's also created a think tank,

1783
01:43:53.079 --> 01:43:55.600
<v Speaker 2>a foundation, a tax refoundation, but not think tank of

1784
01:43:55.680 --> 01:43:59.479
<v Speaker 2>an ngo, a tax refoundation to hide money. So the

1785
01:44:00.000 --> 01:44:02.159
<v Speaker 2>common thing in the Mob movies is going from the

1786
01:44:02.199 --> 01:44:07.439
<v Speaker 2>small time to big time. And so this big water

1787
01:44:07.720 --> 01:44:10.880
<v Speaker 2>land deal, the development deal is a big part of

1788
01:44:10.920 --> 01:44:14.479
<v Speaker 2>how Tony is finally going to, you know, become a

1789
01:44:14.520 --> 01:44:18.159
<v Speaker 2>really wealthy person if all of this pays off, right.

1790
01:44:19.119 --> 01:44:21.600
<v Speaker 2>So it's all built up to this big Esplanada land deal,

1791
01:44:21.680 --> 01:44:23.760
<v Speaker 2>this big development where they're going to make a big

1792
01:44:24.119 --> 01:44:26.199
<v Speaker 2>it's like, I don't know, like a big mall shopping

1793
01:44:26.279 --> 01:44:33.039
<v Speaker 2>plaza right by the water in Jersey there. Let me say,

1794
01:44:33.079 --> 01:44:40.159
<v Speaker 2>let's go on. Horse is yeah. So Tony the horse

1795
01:44:40.199 --> 01:44:43.760
<v Speaker 2>is interesting because Tony eventually really bonds with this race

1796
01:44:43.800 --> 01:44:46.479
<v Speaker 2>horse that he bets on. Her name is his name

1797
01:44:46.560 --> 01:44:51.119
<v Speaker 2>is Pyo Ma, and the horse wins Tony so much

1798
01:44:51.119 --> 01:44:54.399
<v Speaker 2>money that he buys it, and he loves this horse

1799
01:44:54.439 --> 01:44:56.560
<v Speaker 2>more than he loves anyone else. This is another interesting

1800
01:44:56.560 --> 01:44:59.159
<v Speaker 2>thing where a lot of times I guess psychopathic type

1801
01:44:59.159 --> 01:45:01.840
<v Speaker 2>people because they can't bond with humans, they'll bond with animals.

1802
01:45:02.560 --> 01:45:05.119
<v Speaker 2>And so he bonds with his horse and then the horse,

1803
01:45:06.199 --> 01:45:09.840
<v Speaker 2>you got it, dies, He gets cooked, he burns up.

1804
01:45:10.319 --> 01:45:13.479
<v Speaker 2>I mean, it's almost like the horse ends up damned,

1805
01:45:13.600 --> 01:45:16.159
<v Speaker 2>so to speak, right, just like.

1806
01:45:16.159 --> 01:45:17.920
<v Speaker 4>Everybody else that loves Tony.

1807
01:45:17.760 --> 01:45:20.479
<v Speaker 2>And so did well, Tony is a bringer of death

1808
01:45:20.680 --> 01:45:26.399
<v Speaker 2>and the horse ends up cooked literally, And this is

1809
01:45:26.439 --> 01:45:32.000
<v Speaker 2>another foreshadowing obviously what's going to happen to Tony's luck. Tony's fortune,

1810
01:45:32.119 --> 01:45:35.199
<v Speaker 2>Tony's luck is eventually going to run out. This is why,

1811
01:45:35.880 --> 01:45:39.840
<v Speaker 2>you know when he's betting and gambling in season four

1812
01:45:39.880 --> 01:45:42.439
<v Speaker 2>and five, he can't lose, like he's just it's everybody's

1813
01:45:42.520 --> 01:45:45.319
<v Speaker 2>kind of amazed at his like he just puts the

1814
01:45:45.800 --> 01:45:50.119
<v Speaker 2>tokens down and you knows he wins. Then by season six,

1815
01:45:50.399 --> 01:45:53.359
<v Speaker 2>we have that important episode where he starts losing and

1816
01:45:53.399 --> 01:45:56.560
<v Speaker 2>he actually loses a lot of money and bets. That's

1817
01:45:56.560 --> 01:45:59.600
<v Speaker 2>another thing that's foreshadowing what's gonna happen to Tony, right,

1818
01:45:59.640 --> 01:46:04.680
<v Speaker 2>This is on Tony's It's it's the final act of

1819
01:46:04.840 --> 01:46:09.520
<v Speaker 2>Tony's story. By season six, then we have the war

1820
01:46:09.600 --> 01:46:13.119
<v Speaker 2>with Johnny Sack and all of that. Johnny Sack basically

1821
01:46:13.319 --> 01:46:16.039
<v Speaker 2>is the rival in the New York family to running

1822
01:46:16.079 --> 01:46:19.800
<v Speaker 2>things with Carmine Jr. Carmeon Junior is kind of incompetent,

1823
01:46:19.920 --> 01:46:27.479
<v Speaker 2>just kind of a goofball, but Tony can manipulate Carmine

1824
01:46:27.560 --> 01:46:30.960
<v Speaker 2>Junior better than he can manipulate Johnny Sack. And so

1825
01:46:31.039 --> 01:46:33.920
<v Speaker 2>this there's this rivalry, and as we know, it doesn't

1826
01:46:33.960 --> 01:46:36.960
<v Speaker 2>go well for Johnny Sack. You even think that maybe

1827
01:46:37.000 --> 01:46:41.319
<v Speaker 2>Johnny Sack will finally be Tony's downfall. Nope, he gets cancer,

1828
01:46:41.600 --> 01:46:45.239
<v Speaker 2>ends up dead. So basically, at that point, when Johnny

1829
01:46:45.319 --> 01:46:50.680
<v Speaker 2>Sack dies, Tony's won. There's nobody else to even come

1830
01:46:50.720 --> 01:46:53.279
<v Speaker 2>against her stand against Tony. There's no more rivals, there's

1831
01:46:53.319 --> 01:46:56.720
<v Speaker 2>no the battle is won. There's nobody else that can

1832
01:46:56.880 --> 01:47:00.520
<v Speaker 2>can conceivably take Tony down. But that that's what's so

1833
01:47:00.560 --> 01:47:05.439
<v Speaker 2>great about how he does fall is that it's a

1834
01:47:05.560 --> 01:47:10.640
<v Speaker 2>random guy. You don't ever even expect. It's nobody, it's

1835
01:47:10.640 --> 01:47:15.119
<v Speaker 2>nobody important, it's nobody powerful. It's just some really pissed

1836
01:47:15.159 --> 01:47:21.760
<v Speaker 2>off guy. Basically, let's see what else. Tony has a

1837
01:47:21.800 --> 01:47:24.680
<v Speaker 2>really interesting dream where he meets with people that he's

1838
01:47:24.760 --> 01:47:33.560
<v Speaker 2>killed Ralphie Pussy, and he sees the caterpillar and the

1839
01:47:33.680 --> 01:47:38.800
<v Speaker 2>transformation to the butterfly. The caterpillars, i think, crawling on

1840
01:47:39.159 --> 01:47:43.239
<v Speaker 2>Ralph's head and then it turns into it transforms into

1841
01:47:43.279 --> 01:47:48.359
<v Speaker 2>the butterfly and so I think this is it's a

1842
01:47:48.560 --> 01:47:52.159
<v Speaker 2>if it may not directly be an MK ultra monarch reference,

1843
01:47:53.279 --> 01:47:55.359
<v Speaker 2>it's possible given the fact that the writers of the

1844
01:47:55.399 --> 01:47:59.279
<v Speaker 2>show obviously do have awareness of the CIA's programs. The

1845
01:47:59.319 --> 01:48:03.520
<v Speaker 2>CIA is reallylationship to the mafia. It's it's very possible

1846
01:48:03.520 --> 01:48:07.560
<v Speaker 2>that they have a knowledge of Project Monarch. Perhaps there's

1847
01:48:07.600 --> 01:48:11.680
<v Speaker 2>a Project Monarch element to Tony that's maybe not directly

1848
01:48:11.680 --> 01:48:14.920
<v Speaker 2>being done by the CIA. But then again, maybe Tony

1849
01:48:15.119 --> 01:48:19.800
<v Speaker 2>is in therapy, uh, and maybe he's been profiled as

1850
01:48:19.840 --> 01:48:24.439
<v Speaker 2>somebody useful. Maybe the FEDS have Tony right in therapy

1851
01:48:24.520 --> 01:48:28.359
<v Speaker 2>and and they've organized this right That's that's just speculating,

1852
01:48:28.359 --> 01:48:31.800
<v Speaker 2>and that's never stated. I'm just saying that, who knows.

1853
01:48:32.119 --> 01:48:34.600
<v Speaker 2>What do you think it means that Tony has this

1854
01:48:34.760 --> 01:48:37.800
<v Speaker 2>dream where he sees the people that he's killed and

1855
01:48:37.840 --> 01:48:41.119
<v Speaker 2>then he sees the caterpillar turning into the butterfly? Is it?

1856
01:48:41.159 --> 01:48:43.159
<v Speaker 2>Is it? It is a monarch reference? Or is it

1857
01:48:43.239 --> 01:48:45.359
<v Speaker 2>just symbolic? I mean, in a lot of cases in

1858
01:48:45.399 --> 01:48:50.680
<v Speaker 2>literature or or imagery, monarchs are just the symbols of

1859
01:48:50.720 --> 01:48:53.920
<v Speaker 2>people transforming that they're they're turning into something new. It's

1860
01:48:53.960 --> 01:48:56.479
<v Speaker 2>the character turning over a new leaf. It's the character,

1861
01:48:57.680 --> 01:48:59.960
<v Speaker 2>you know, coming to a new phase in his life, right,

1862
01:49:00.159 --> 01:49:03.880
<v Speaker 2>And this does happen around this time where Tony has

1863
01:49:04.039 --> 01:49:08.079
<v Speaker 2>his near death experience two or three. He gets shot

1864
01:49:08.119 --> 01:49:11.520
<v Speaker 2>at the beginning of season six. He's in the coma

1865
01:49:11.520 --> 01:49:16.000
<v Speaker 2>for several episodes, and then there's the sequence of several

1866
01:49:16.000 --> 01:49:20.000
<v Speaker 2>episodes where Tony is in the in between. He's in

1867
01:49:20.039 --> 01:49:26.520
<v Speaker 2>this ether, quasi purgatory, realm of the dead middle. We

1868
01:49:26.560 --> 01:49:29.800
<v Speaker 2>don't know exactly where it is, but Tony's having to

1869
01:49:29.840 --> 01:49:32.039
<v Speaker 2>try to figure his way out of this labyrinth that

1870
01:49:32.079 --> 01:49:35.439
<v Speaker 2>he's stuck in, in this half dead, half awake state.

1871
01:49:36.880 --> 01:49:37.359
<v Speaker 2>What do you think?

1872
01:49:40.680 --> 01:49:41.640
<v Speaker 4>Yeah, what else do you got?

1873
01:49:43.279 --> 01:49:45.279
<v Speaker 2>This is where we start realizing that the therapy's not

1874
01:49:45.359 --> 01:49:53.119
<v Speaker 2>really doing anything, the Prozac's not doing anything. The Satan

1875
01:49:53.439 --> 01:49:55.760
<v Speaker 2>there's something some reference to Satan but I can't read my.

1876
01:49:55.720 --> 01:49:59.600
<v Speaker 5>Note episode Yeah, but that was actually kind of just

1877
01:49:59.640 --> 01:50:03.079
<v Speaker 5>a joke, remember, because they did a quote seance and

1878
01:50:03.119 --> 01:50:09.680
<v Speaker 5>aj played a joke on Video's kid No, I.

1879
01:50:09.680 --> 01:50:15.800
<v Speaker 2>Can't read that note something Janice satan oh Janis plays

1880
01:50:15.800 --> 01:50:19.640
<v Speaker 2>the Ouiji board joke where she she instant messages the

1881
01:50:19.720 --> 01:50:22.520
<v Speaker 2>kids and pretends she's Satan. That was funny. That's it

1882
01:50:22.560 --> 01:50:25.239
<v Speaker 2>where Janis is a Satan character. But even though it's

1883
01:50:25.279 --> 01:50:31.960
<v Speaker 2>a joke, what's interesting is that Aj, Janice, Tony, Carmela,

1884
01:50:32.199 --> 01:50:34.600
<v Speaker 2>they all sort of exhibit a lot of traits and

1885
01:50:34.680 --> 01:50:38.760
<v Speaker 2>characteristics of being evil in a lot of ways. Not

1886
01:50:38.920 --> 01:50:42.960
<v Speaker 2>totally evil, but they're definitely an evil family. You could say,

1887
01:50:44.920 --> 01:50:48.680
<v Speaker 2>Tony dreams that he is the that he's his grandfather

1888
01:50:49.640 --> 01:50:52.560
<v Speaker 2>looking for work. And the reason that I think that's

1889
01:50:52.600 --> 01:50:55.359
<v Speaker 2>important is that that's kind of hitting at the possibility

1890
01:50:55.399 --> 01:51:00.640
<v Speaker 2>of this being a Ulysses type situation James Joyce reincarnation.

1891
01:51:02.079 --> 01:51:05.960
<v Speaker 2>Tony is seeing his grandfather's experience of being an immigrant,

1892
01:51:06.079 --> 01:51:09.239
<v Speaker 2>poor with no money and walking around trying to find

1893
01:51:09.239 --> 01:51:12.159
<v Speaker 2>a job. Because Tony tells the story to Aj, right,

1894
01:51:12.920 --> 01:51:16.800
<v Speaker 2>and that's just showing that he is his ancestors, and

1895
01:51:16.840 --> 01:51:20.279
<v Speaker 2>then who's his ancestors all the way back? Well, potentially

1896
01:51:20.359 --> 01:51:25.119
<v Speaker 2>he is a reincarnated general. Maybe he's a Roman general.

1897
01:51:25.199 --> 01:51:27.000
<v Speaker 2>And now I don't believe recarnation. I'm just saying that

1898
01:51:27.039 --> 01:51:29.560
<v Speaker 2>from a literary perspective, this is common in literature.

1899
01:51:29.720 --> 01:51:33.000
<v Speaker 4>I think it's interesting that Tony's son turns out to

1900
01:51:33.119 --> 01:51:37.800
<v Speaker 4>be a sensitive kid and there's no way that AJ

1901
01:51:37.960 --> 01:51:43.000
<v Speaker 4>could ever take Tony's place. He's taken on his depression

1902
01:51:44.640 --> 01:51:50.239
<v Speaker 4>in all of his psychological problems, but he doesn't have

1903
01:51:50.279 --> 01:51:53.800
<v Speaker 4>any of Tony's grit exactly.

1904
01:51:54.640 --> 01:51:59.079
<v Speaker 2>He's the antithesis to Tony. He's the failed heir apparent.

1905
01:51:59.800 --> 01:52:04.960
<v Speaker 2>He has no intelligence and he has no courage. AJ

1906
01:52:05.239 --> 01:52:11.840
<v Speaker 2>is terrified, mainly terrified of Tony, right, And this is

1907
01:52:11.920 --> 01:52:13.479
<v Speaker 2>the sense in which we see the sins of the

1908
01:52:13.520 --> 01:52:16.520
<v Speaker 2>father passed on to the to the child, because when

1909
01:52:16.560 --> 01:52:19.920
<v Speaker 2>Tony's in therapy, he bitches about the fact that, you know,

1910
01:52:20.159 --> 01:52:22.960
<v Speaker 2>all the ways that his parents failed him, and he's

1911
01:52:22.960 --> 01:52:24.960
<v Speaker 2>totally oblivious throughout his life to the way that he

1912
01:52:25.000 --> 01:52:30.359
<v Speaker 2>fails AJ and Meadow. Next comes really important literary references.

1913
01:52:30.439 --> 01:52:34.520
<v Speaker 2>So we have Heloe's and Abelard, we have Sons Zoo,

1914
01:52:34.600 --> 01:52:37.720
<v Speaker 2>we have Animal Farm being referenced and Lord of the Flies,

1915
01:52:38.159 --> 01:52:40.880
<v Speaker 2>and then we have Cold Mountain. So remember, all of

1916
01:52:40.920 --> 01:52:43.439
<v Speaker 2>the literary references in the show are very important to

1917
01:52:43.600 --> 01:52:46.880
<v Speaker 2>understanding what kind of a show and what kind of

1918
01:52:46.920 --> 01:52:51.159
<v Speaker 2>a tragedy this is. Okay, so something like animal Form,

1919
01:52:51.239 --> 01:52:53.640
<v Speaker 2>we know that this is about, you know, control, it's

1920
01:52:53.640 --> 01:52:56.520
<v Speaker 2>about It's similar to nineteen eighty four. It's you know,

1921
01:52:56.600 --> 01:52:59.039
<v Speaker 2>the it's a New World Order critique kind of you

1922
01:52:59.079 --> 01:53:02.159
<v Speaker 2>know work from orwell. It was very famously printed and

1923
01:53:02.199 --> 01:53:05.319
<v Speaker 2>published by the CIA during the Cold War. A j

1924
01:53:05.600 --> 01:53:07.439
<v Speaker 2>has to read this Lord of the Flies. We know

1925
01:53:07.479 --> 01:53:11.600
<v Speaker 2>that's about the law of the jungle versus uh, the

1926
01:53:11.720 --> 01:53:14.359
<v Speaker 2>law of being ruled by law and order?

1927
01:53:14.520 --> 01:53:14.680
<v Speaker 4>Right?

1928
01:53:14.760 --> 01:53:17.439
<v Speaker 2>Is it going to be might makes right? Or is

1929
01:53:17.439 --> 01:53:21.399
<v Speaker 2>it going to be a constitution law, law and order? Uh,

1930
01:53:21.479 --> 01:53:26.279
<v Speaker 2>you know, rule by law Cold Mountain. I mean I

1931
01:53:26.399 --> 01:53:28.479
<v Speaker 2>didn't read that. That's like a boomer mom book. I'm

1932
01:53:28.520 --> 01:53:30.840
<v Speaker 2>not going to read. But I remember it being about,

1933
01:53:30.880 --> 01:53:33.439
<v Speaker 2>you know, the Civil War, and it has to do

1934
01:53:33.560 --> 01:53:39.279
<v Speaker 2>with you know, dying and love, love death, waiting on

1935
01:53:39.319 --> 01:53:42.239
<v Speaker 2>a lover. Yeah, so that could you could see that

1936
01:53:42.279 --> 01:53:44.800
<v Speaker 2>as just another tragedy, isn't it a tragedy? Doesn't somebody

1937
01:53:44.840 --> 01:53:54.479
<v Speaker 2>and I'm dead? Carmela begins to cheat or she actually does. Well,

1938
01:53:54.560 --> 01:53:57.199
<v Speaker 2>they're they're kind of split up. I don't think they

1939
01:53:57.359 --> 01:54:01.359
<v Speaker 2>ever get divorced. But she finds uh a guide AJ's

1940
01:54:01.359 --> 01:54:04.119
<v Speaker 2>admissions guidance counselor guy, and they have a brief fling

1941
01:54:04.159 --> 01:54:09.800
<v Speaker 2>and that's where we get the helloas Abelard reference. Then

1942
01:54:09.800 --> 01:54:13.960
<v Speaker 2>we start getting the references to attention deficit disorder IBS,

1943
01:54:14.319 --> 01:54:18.880
<v Speaker 2>irritable bal syndrome, new diagnoses that were new at the

1944
01:54:18.880 --> 01:54:23.399
<v Speaker 2>time early two thousands popping up once again. Tony has

1945
01:54:23.439 --> 01:54:26.920
<v Speaker 2>another dream sequence where he sees the dead. He sees

1946
01:54:26.960 --> 01:54:32.039
<v Speaker 2>Carmine sr. Carmine Senor says, I'm worried about the man upstairs.

1947
01:54:32.239 --> 01:54:35.760
<v Speaker 2>So there's the direct reference to God. And then Tony,

1948
01:54:35.960 --> 01:54:40.359
<v Speaker 2>in this really wild surrealist dream sequence, sees himself on

1949
01:54:40.520 --> 01:54:45.119
<v Speaker 2>TV as a TV show. So there's a meta fourth

1950
01:54:45.319 --> 01:54:48.359
<v Speaker 2>wall break where Tony is watching Tony on a TV

1951
01:54:48.439 --> 01:54:57.039
<v Speaker 2>show and then we see a, uh, there's Carmela in

1952
01:54:57.119 --> 01:55:00.279
<v Speaker 2>this sequence is watching a TV show for get what

1953
01:55:00.359 --> 01:55:02.640
<v Speaker 2>it changes to something like France or something, and this

1954
01:55:02.920 --> 01:55:10.079
<v Speaker 2>presignifies who are going to France. I think the dream

1955
01:55:10.359 --> 01:55:13.800
<v Speaker 2>is a premonition something bad is going to happen, right,

1956
01:55:13.840 --> 01:55:16.039
<v Speaker 2>So that's what's said in this dream. Then we have

1957
01:55:16.079 --> 01:55:21.159
<v Speaker 2>the opening sequence that's very interesting about Egyptian mythology, Egyptology,

1958
01:55:21.560 --> 01:55:24.640
<v Speaker 2>the Seven Souls of the Egyptian after life and death

1959
01:55:26.239 --> 01:55:30.760
<v Speaker 2>ka Bah. These different references to Egyptology. This is the

1960
01:55:30.840 --> 01:55:34.000
<v Speaker 2>key to what I'm talking about. This is the esoteric

1961
01:55:34.079 --> 01:55:37.479
<v Speaker 2>significance of the whole show. It's giving you that old

1962
01:55:37.560 --> 01:55:44.399
<v Speaker 2>school transmigration of souls James Joyce Ulysses kind of analysis. Again,

1963
01:55:44.680 --> 01:55:47.840
<v Speaker 2>that's common to the ancient Greek mind. Read Plato's Republic.

1964
01:55:48.119 --> 01:55:52.079
<v Speaker 2>He teaches reincarnation, transmigration of souls. That's Socrates, that's Plato,

1965
01:55:52.319 --> 01:55:57.840
<v Speaker 2>that's the Greeks. Presumably other Roman literature as well, probably Virgil.

1966
01:55:57.880 --> 01:56:01.359
<v Speaker 2>I'm trying to remember if the India has reincarnation. Probably

1967
01:56:02.399 --> 01:56:04.039
<v Speaker 2>it's been a long time, so looked that they needed.

1968
01:56:04.079 --> 01:56:07.279
<v Speaker 2>But the point is that that same idea is also

1969
01:56:07.439 --> 01:56:12.319
<v Speaker 2>in ancient Egyptian philosophy and theology. Egyptology also has these

1970
01:56:12.359 --> 01:56:16.119
<v Speaker 2>ideas as well. I think that's the meaning of that sequence.

1971
01:56:16.159 --> 01:56:18.920
<v Speaker 2>That's really weird where you have the episode that opens

1972
01:56:18.960 --> 01:56:22.479
<v Speaker 2>with why would you have an episode opening with Egyptology?

1973
01:56:23.119 --> 01:56:25.359
<v Speaker 2>I mean that's just like what, right. I don't think

1974
01:56:25.399 --> 01:56:27.880
<v Speaker 2>most people would have gotten this unless you knew kind

1975
01:56:27.920 --> 01:56:34.039
<v Speaker 2>of about esoteric type of stuff. I made a joke

1976
01:56:34.039 --> 01:56:37.000
<v Speaker 2>about or I was thinking of Tony as Dougie, right

1977
01:56:37.479 --> 01:56:40.239
<v Speaker 2>when Tony's in the dream world. No, it's when he

1978
01:56:40.279 --> 01:56:42.720
<v Speaker 2>first comes out of his coma, right when he's had

1979
01:56:42.760 --> 01:56:45.279
<v Speaker 2>his near death experience. He comes back and he's like

1980
01:56:45.359 --> 01:56:50.760
<v Speaker 2>Dougie in season three or twin Peaks. Then we get

1981
01:56:52.560 --> 01:56:55.359
<v Speaker 2>the fall of Junior. Junior in is up with dementia.

1982
01:56:57.079 --> 01:56:59.720
<v Speaker 2>The Junior episode is the key. So let's remember that

1983
01:56:59.760 --> 01:57:02.600
<v Speaker 2>by season six, we're now starting to get where the

1984
01:57:02.600 --> 01:57:07.239
<v Speaker 2>whole show is going. We see in season actually season six,

1985
01:57:07.319 --> 01:57:09.600
<v Speaker 2>episode one is the key to the whole end of

1986
01:57:09.640 --> 01:57:12.560
<v Speaker 2>the show, to the finale, and to all of season six,

1987
01:57:13.159 --> 01:57:18.399
<v Speaker 2>because Junior, with dementia grabs the gun thinks Tony is

1988
01:57:18.439 --> 01:57:21.279
<v Speaker 2>an intruder. Because Junior is basically living in another time,

1989
01:57:22.119 --> 01:57:24.920
<v Speaker 2>he thinks it's the sixties, and so he thinks that

1990
01:57:24.960 --> 01:57:28.840
<v Speaker 2>all these you know, old whatever operations and scams they

1991
01:57:28.840 --> 01:57:33.359
<v Speaker 2>were doing in the sixties is happening now. This this

1992
01:57:35.600 --> 01:57:39.399
<v Speaker 2>mental state of Junior basically going back in time. This

1993
01:57:39.439 --> 01:57:43.760
<v Speaker 2>is another reference to this whole idea of reincarnation. It's

1994
01:57:43.880 --> 01:57:47.479
<v Speaker 2>the fact that Junior is living in another time because

1995
01:57:47.560 --> 01:57:52.560
<v Speaker 2>actually the other characters are just it's an eternal return.

1996
01:57:52.600 --> 01:57:57.279
<v Speaker 2>They're representing the tragedies of the ancient world. It's all

1997
01:57:57.399 --> 01:58:01.840
<v Speaker 2>just recurring. That's the whole philosophy here, that's the Egyptian philosophy.

1998
01:58:01.840 --> 01:58:03.600
<v Speaker 2>I think I think that's right. I'm not any expert

1999
01:58:03.640 --> 01:58:07.640
<v Speaker 2>on Egyptology, but I think that's correct. If I'm wrong

2000
01:58:07.640 --> 01:58:11.520
<v Speaker 2>about Egyptology and the seven souls of the Egyptian after

2001
01:58:11.560 --> 01:58:13.800
<v Speaker 2>life and death and after life, somebody can correct me

2002
01:58:13.840 --> 01:58:20.520
<v Speaker 2>in the chat. But I think that's right. But where

2003
01:58:20.560 --> 01:58:24.800
<v Speaker 2>was that going with? So episode one of season six,

2004
01:58:25.840 --> 01:58:30.359
<v Speaker 2>Junior shoots Tony and it ends with Tony dying basically,

2005
01:58:30.840 --> 01:58:34.600
<v Speaker 2>not totally, but going into this what you think is

2006
01:58:34.600 --> 01:58:36.840
<v Speaker 2>his death. He lays there, the phones next to him,

2007
01:58:36.840 --> 01:58:39.279
<v Speaker 2>he barely hits nine to one to one, and then

2008
01:58:39.560 --> 01:58:42.680
<v Speaker 2>the camera comes down or up. I forget how it goes,

2009
01:58:42.720 --> 01:58:45.640
<v Speaker 2>but you just see Tony laying there in blood, and

2010
01:58:45.640 --> 01:58:49.359
<v Speaker 2>then you see Tony laying in the hospital bed. Those

2011
01:58:49.399 --> 01:58:52.920
<v Speaker 2>are sequences that will tell you in the final episode

2012
01:58:52.960 --> 01:58:57.399
<v Speaker 2>what's going to happen. It's a foreshadowing. It's a almost

2013
01:58:57.560 --> 01:59:01.880
<v Speaker 2>death foreshadowing the death it Tony is going to die

2014
01:59:02.159 --> 01:59:05.159
<v Speaker 2>the beginning. I think it's the beginning. This is spoiler alert.

2015
01:59:05.239 --> 01:59:09.479
<v Speaker 2>The finale. It opens with Tony again laying in the

2016
01:59:09.479 --> 01:59:12.439
<v Speaker 2>bed asleep, and some music is playing, some weird music.

2017
01:59:12.479 --> 01:59:14.960
<v Speaker 2>I forget what it is. In the Goofy Organs or

2018
01:59:14.960 --> 01:59:19.600
<v Speaker 2>something that he hears, and that's foreshadowing that. Again, that

2019
01:59:19.800 --> 01:59:24.680
<v Speaker 2>death imagery is like sleep. It's just like season six,

2020
01:59:24.760 --> 01:59:28.920
<v Speaker 2>episode one, Sleep and Death right all telling you what's

2021
01:59:28.920 --> 01:59:34.600
<v Speaker 2>going to happen. A couple side points. There's more literary

2022
01:59:34.640 --> 01:59:38.359
<v Speaker 2>references here that will tell you that Tony's gonna die,

2023
01:59:39.720 --> 01:59:42.920
<v Speaker 2>and not just Tony but also a Jan Cremelo. This is,

2024
01:59:42.960 --> 01:59:45.119
<v Speaker 2>of course the disputed point, but I think it's if you,

2025
01:59:45.199 --> 01:59:47.399
<v Speaker 2>if you really think about this, it's not that hard

2026
01:59:47.439 --> 01:59:50.800
<v Speaker 2>to figure out what's going on. But basically we're we're

2027
01:59:50.840 --> 01:59:53.159
<v Speaker 2>gonna have to see the death of Christopher first. Tony's

2028
01:59:53.159 --> 01:59:57.319
<v Speaker 2>going to finally kill off his main guy. And the

2029
01:59:57.399 --> 02:00:00.920
<v Speaker 2>reason he does it is because Christopher has gotten back

2030
02:00:00.960 --> 02:00:04.279
<v Speaker 2>into being an addict, right, He's back into doing heroin.

2031
02:00:04.680 --> 02:00:07.600
<v Speaker 2>When Christopher wrecks the truck and almost kills them both,

2032
02:00:07.960 --> 02:00:12.119
<v Speaker 2>it's because he was high and because Christopher wasn't wearing

2033
02:00:12.119 --> 02:00:14.399
<v Speaker 2>a seat belt, which actually Tony had told him to.

2034
02:00:14.560 --> 02:00:19.520
<v Speaker 2>But they roll over however many times, and Christopher is

2035
02:00:19.520 --> 02:00:25.760
<v Speaker 2>basically bleeding out uh, and Tony realizes that he was high,

2036
02:00:25.840 --> 02:00:28.640
<v Speaker 2>so he betrayed the promise that he would not go

2037
02:00:28.720 --> 02:00:32.039
<v Speaker 2>back to Heroin. So Tony just grabs his nose right

2038
02:00:32.399 --> 02:00:35.960
<v Speaker 2>and suffocates him, and then of course lies, you know,

2039
02:00:36.039 --> 02:00:38.920
<v Speaker 2>oh it wasn't me, it was the Wrack blah blah blah.

2040
02:00:39.279 --> 02:00:43.359
<v Speaker 2>So now basically Tony has committed his final act of

2041
02:00:43.479 --> 02:00:45.439
<v Speaker 2>I guess you could say betrayal. I mean, even though

2042
02:00:45.439 --> 02:00:49.359
<v Speaker 2>we know that in many ways Tony was forced to

2043
02:00:49.479 --> 02:00:53.560
<v Speaker 2>kind of kill these people, there's still evil actions, right,

2044
02:00:53.560 --> 02:00:57.880
<v Speaker 2>He's still this bringer of death. I think the key

2045
02:00:57.920 --> 02:01:01.720
<v Speaker 2>to six ironically, in terms of what's gonna happen, there's

2046
02:01:01.720 --> 02:01:07.199
<v Speaker 2>a couple of things that AJ does. AJ says, he

2047
02:01:07.239 --> 02:01:11.399
<v Speaker 2>starts laying out these weird this sort of spouting out

2048
02:01:11.399 --> 02:01:14.439
<v Speaker 2>stuff about geopolitics. It's very bizarre because AJ is a

2049
02:01:14.439 --> 02:01:18.199
<v Speaker 2>complete idiot, and we think maybe AJ's realized he's an idiot,

2050
02:01:18.239 --> 02:01:20.640
<v Speaker 2>and so he starts going and reading the news and

2051
02:01:20.640 --> 02:01:22.359
<v Speaker 2>he starts trying to figure out in the Middle East.

2052
02:01:22.880 --> 02:01:24.159
<v Speaker 2>We hear him talking about, well.

2053
02:01:24.079 --> 02:01:26.079
<v Speaker 3>I sat in on these lectures about the Middle East,

2054
02:01:26.119 --> 02:01:28.960
<v Speaker 3>and he's really weird and crazy that that kind of

2055
02:01:29.000 --> 02:01:29.880
<v Speaker 3>crap's going on.

2056
02:01:30.000 --> 02:01:34.000
<v Speaker 2>And then remember what AJ says, He says, I don't know,

2057
02:01:34.079 --> 02:01:35.760
<v Speaker 2>I was thinking, like I could go be in the

2058
02:01:35.800 --> 02:01:38.640
<v Speaker 2>Cia or something. I could go like fight the al

2059
02:01:38.720 --> 02:01:42.680
<v Speaker 2>Qaeda And then He's like, and then after that, I

2060
02:01:42.680 --> 02:01:45.760
<v Speaker 2>could like learn to fly helicopters, and I could be

2061
02:01:46.079 --> 02:01:50.039
<v Speaker 2>Donald Trump's pilot. Tony's like, oh, is that right?

2062
02:01:50.119 --> 02:01:53.119
<v Speaker 3>You're gonna go be the Donald's pilot? Is that after

2063
02:01:53.199 --> 02:01:58.159
<v Speaker 3>you go fly over to Iraq and killoadas over there?

2064
02:01:58.840 --> 02:02:03.279
<v Speaker 2>Tony just laughs at this because it's ludicrous. But there's

2065
02:02:03.359 --> 02:02:06.960
<v Speaker 2>an irony that AJ has actually kind of figured out

2066
02:02:07.399 --> 02:02:13.520
<v Speaker 2>some of the problem here. And AJ says America is

2067
02:02:13.760 --> 02:02:19.239
<v Speaker 2>like this big consumerist thing, and he says, you guys

2068
02:02:19.319 --> 02:02:24.920
<v Speaker 2>talking to the family represent the excessive materialism and consumerism

2069
02:02:25.000 --> 02:02:27.399
<v Speaker 2>of America, and you guys are living in a dream

2070
02:02:27.439 --> 02:02:31.840
<v Speaker 2>and a fantasy. And so the irony here that if

2071
02:02:31.880 --> 02:02:36.800
<v Speaker 2>we were to use archetypes, AJ is the fool AJ Paully.

2072
02:02:37.439 --> 02:02:41.520
<v Speaker 2>Those are full archetypes. They're idiots. But good literature will

2073
02:02:41.600 --> 02:02:46.680
<v Speaker 2>usually have the idiot fool character have wisdom, right, because

2074
02:02:46.680 --> 02:02:50.000
<v Speaker 2>he'll have a perspective as an idiot that nobody else sees.

2075
02:02:50.079 --> 02:02:54.680
<v Speaker 2>Everybody else is missing the obvious. And so again AJ Paully,

2076
02:02:54.800 --> 02:02:57.399
<v Speaker 2>the two fool characters are going to consistently have.

2077
02:02:57.479 --> 02:03:00.079
<v Speaker 4>Insights it's like that meme where the low iq.

2078
02:03:01.479 --> 02:03:08.399
<v Speaker 2>Exactly right, exactly exactly. Then we see Aja taking on

2079
02:03:08.479 --> 02:03:12.159
<v Speaker 2>these you know, he gets really into justice in the geopolitics,

2080
02:03:12.199 --> 02:03:13.960
<v Speaker 2>the Middle East and all this stuff, which he's not

2081
02:03:14.000 --> 02:03:17.000
<v Speaker 2>necessarily wrong. A lot of what he starts reading about

2082
02:03:17.039 --> 02:03:19.039
<v Speaker 2>he's kind of right about. And then he has that

2083
02:03:19.119 --> 02:03:23.279
<v Speaker 2>big spill at the at Artie's Restaurant where he calls

2084
02:03:23.319 --> 02:03:26.159
<v Speaker 2>their body hypocrites and he says Americanism as stupid. It's

2085
02:03:26.199 --> 02:03:28.920
<v Speaker 2>a dream, It's going to end. And this is right

2086
02:03:28.960 --> 02:03:31.640
<v Speaker 2>after the Big nine event, and in many ways AJ's correct.

2087
02:03:31.720 --> 02:03:36.439
<v Speaker 2>Then we have Aj reading the Yates poem William Butler

2088
02:03:36.520 --> 02:03:43.239
<v Speaker 2>Yates Golden Dawn BFF with Crowley, the famous anti Christ poem.

2089
02:03:44.600 --> 02:03:48.800
<v Speaker 2>Now and maybe in a big deeper sense there's a

2090
02:03:48.960 --> 02:03:54.199
<v Speaker 2>meaning which is esoteric on a in times level. I

2091
02:03:54.239 --> 02:03:55.960
<v Speaker 2>don't really think that's what the show is going for.

2092
02:03:56.600 --> 02:03:59.000
<v Speaker 2>I think that they've stuck the Yates poem in here

2093
02:04:01.119 --> 02:04:06.039
<v Speaker 2>because it's the beast that slouches towards Bethlehem to be

2094
02:04:06.119 --> 02:04:10.399
<v Speaker 2>born is signifying the end of Tony. This is another

2095
02:04:10.520 --> 02:04:14.039
<v Speaker 2>ominous prediction and reference to the coming death of Tony.

2096
02:04:15.039 --> 02:04:17.920
<v Speaker 2>Tony is a kind of Antichrist. Tony is a kind

2097
02:04:17.960 --> 02:04:28.600
<v Speaker 2>of beast. He's consistently referred to like a beast. In

2098
02:04:28.720 --> 02:04:32.760
<v Speaker 2>the Apocalypse of John, Nero is the beast. Nero is

2099
02:04:32.760 --> 02:04:35.039
<v Speaker 2>the Roman Emperor, and so in a way we could

2100
02:04:35.039 --> 02:04:37.920
<v Speaker 2>almost see Tony like a kind of Roman emperor. And

2101
02:04:38.039 --> 02:04:43.880
<v Speaker 2>Tony is going to meet his demise. Obviously in these

2102
02:04:44.039 --> 02:04:51.000
<v Speaker 2>ominous prophetic warnings. I can't read that note something versus.

2103
02:04:53.359 --> 02:04:53.600
<v Speaker 3>Deep.

2104
02:04:54.560 --> 02:05:00.319
<v Speaker 2>I don't know what this says. Something big is coming. Yeah,

2105
02:05:00.359 --> 02:05:04.319
<v Speaker 2>that's the reference to the Yates poem. Is that we

2106
02:05:04.439 --> 02:05:07.239
<v Speaker 2>get the impressions something has come. It's the end times

2107
02:05:07.960 --> 02:05:12.079
<v Speaker 2>for Tony. That's what it means. And then we have

2108
02:05:12.199 --> 02:05:18.920
<v Speaker 2>the reference to uh, is this the last page? I

2109
02:05:18.960 --> 02:05:21.920
<v Speaker 2>thought I had another page of notes about Tony doing acid.

2110
02:05:21.960 --> 02:05:24.920
<v Speaker 2>Now that the acid sequence or the Peyote sequence is

2111
02:05:24.920 --> 02:05:30.039
<v Speaker 2>important because it's another indicator of Tony seeing the beyond.

2112
02:05:30.600 --> 02:05:32.800
<v Speaker 2>So when he goes to Vegas to party and he

2113
02:05:32.840 --> 02:05:37.439
<v Speaker 2>does payote, he it's almost like his after death experience

2114
02:05:37.479 --> 02:05:40.920
<v Speaker 2>where he says, has this revelation. Then he goes back

2115
02:05:40.960 --> 02:05:43.439
<v Speaker 2>and he tells the psychiat you have it in the Peyotes.

2116
02:05:44.439 --> 02:05:48.439
<v Speaker 3>Yeah, I'll tell you right now, do here This ain't

2117
02:05:48.439 --> 02:05:52.359
<v Speaker 3>old a rich, this ain't ash. When I've done the pots.

2118
02:05:52.640 --> 02:05:53.399
<v Speaker 2>I've seen it.

2119
02:05:53.399 --> 02:05:55.720
<v Speaker 3>It's more an ish, It's more than a dish.

2120
02:05:55.800 --> 02:05:58.560
<v Speaker 2>So Tony has seen that there is more than just

2121
02:05:58.600 --> 02:06:00.800
<v Speaker 2>the here and the now. And so in a sense

2122
02:06:00.840 --> 02:06:05.760
<v Speaker 2>again that Peyoti vision is an indicator of his coming death.

2123
02:06:06.720 --> 02:06:09.520
<v Speaker 2>He's about to experience and meet that there's more than this.

2124
02:06:10.920 --> 02:06:15.159
<v Speaker 2>And then we have the important reference to the CIA

2125
02:06:15.680 --> 02:06:19.359
<v Speaker 2>working with the mafia in season six, in the last episode,

2126
02:06:19.760 --> 02:06:22.840
<v Speaker 2>I think it's like it's either the right last couple,

2127
02:06:22.880 --> 02:06:25.399
<v Speaker 2>but the FBI agent that is kind of, you know,

2128
02:06:25.960 --> 02:06:29.439
<v Speaker 2>talking to Tony and trying to kind of butter him

2129
02:06:29.520 --> 02:06:32.000
<v Speaker 2>up and get some info from him. He says, well,

2130
02:06:32.039 --> 02:06:36.239
<v Speaker 2>you know, Tony, look, why don't you come tell us

2131
02:06:36.239 --> 02:06:38.880
<v Speaker 2>some stuff? You know, come work with us. Look, he says,

2132
02:06:39.359 --> 02:06:44.680
<v Speaker 2>your people hid and worked with the CIA when you

2133
02:06:44.720 --> 02:06:49.840
<v Speaker 2>guys were hiding Lucky Luciano, right, And so the FBI

2134
02:06:49.920 --> 02:06:54.239
<v Speaker 2>is consciously kind of drawing on that old CIA mafia alliance.

2135
02:06:54.279 --> 02:06:58.199
<v Speaker 2>It's specifically mentioned does he do ayahuasca or is it Paoti?

2136
02:06:58.279 --> 02:07:01.000
<v Speaker 2>I don't remember whatever I mean. He he has a

2137
02:07:01.159 --> 02:07:07.239
<v Speaker 2>serious intense trip that he references to seeing the beyond

2138
02:07:07.319 --> 02:07:13.399
<v Speaker 2>the spiritual world, the afterlife. So no, so people are saying, yes,

2139
02:07:13.520 --> 02:07:16.079
<v Speaker 2>I assure you, if you go watch the show and

2140
02:07:16.079 --> 02:07:19.159
<v Speaker 2>you pay attention to all these references, you're going to

2141
02:07:19.239 --> 02:07:21.600
<v Speaker 2>find that this is all there. I mean that they're

2142
02:07:21.640 --> 02:07:25.800
<v Speaker 2>not just referencing Egyptian the Journey of the Soul after

2143
02:07:26.039 --> 02:07:31.680
<v Speaker 2>after death, William Butler yeats is Chrolean poem or whatever.

2144
02:07:31.920 --> 02:07:33.800
<v Speaker 2>I mean. This is in there on purpose. This is

2145
02:07:33.840 --> 02:07:38.119
<v Speaker 2>not accidental. They're not constantly referencing the CIA's connection to

2146
02:07:38.159 --> 02:07:42.800
<v Speaker 2>the mafia for no reason. It's there intentionally, okay. And

2147
02:07:42.800 --> 02:07:45.439
<v Speaker 2>I assure you, if you go take graduate lit classes,

2148
02:07:45.880 --> 02:07:49.039
<v Speaker 2>they're going to talk to you about the prevalence of

2149
02:07:49.079 --> 02:07:52.439
<v Speaker 2>eternal return. If you do Joyce Ulysses, they're going to

2150
02:07:52.479 --> 02:07:57.960
<v Speaker 2>talk about reincarnation. So the book's about. So that's what

2151
02:07:58.000 --> 02:08:02.680
<v Speaker 2>the Sopranos is about. It's an intent to tell a

2152
02:08:02.880 --> 02:08:09.359
<v Speaker 2>tragedy dramedy story that's like great literature and references all

2153
02:08:09.399 --> 02:08:13.960
<v Speaker 2>that great literature on all of these different levels. And

2154
02:08:14.279 --> 02:08:18.399
<v Speaker 2>it executed it perfectly. And by the way, just to

2155
02:08:18.720 --> 02:08:23.239
<v Speaker 2>sum up here, as we come to the clothes, it's

2156
02:08:23.279 --> 02:08:27.840
<v Speaker 2>pretty I did not look at other analyzes before I

2157
02:08:28.000 --> 02:08:33.760
<v Speaker 2>formed my opinion of the finale. I watched very closely,

2158
02:08:33.840 --> 02:08:36.479
<v Speaker 2>and I had taken copious notes throughout the show, so

2159
02:08:36.520 --> 02:08:41.359
<v Speaker 2>I was looking for symbols, patterns, recurring things, clues, and yes,

2160
02:08:41.720 --> 02:08:45.319
<v Speaker 2>the clue, what do we say the jacket? The jacket

2161
02:08:45.439 --> 02:08:49.399
<v Speaker 2>was the clue that Richie you know, gave to Tony

2162
02:08:49.479 --> 02:08:52.199
<v Speaker 2>or whatever. And then what do we get in the

2163
02:08:52.199 --> 02:08:56.840
<v Speaker 2>final sequence as they enter into the diner. The guy

2164
02:08:56.920 --> 02:08:59.960
<v Speaker 2>in the member's only jacket. It's the same gray members

2165
02:09:00.159 --> 02:09:03.079
<v Speaker 2>only jacket that Gino had. Gino is the guy that

2166
02:09:03.119 --> 02:09:07.359
<v Speaker 2>Tony screwed over. We know that Tony's gonna die because

2167
02:09:07.359 --> 02:09:10.960
<v Speaker 2>of season six, episode one, which foreshadows the finale. We

2168
02:09:11.039 --> 02:09:14.039
<v Speaker 2>know that Tony is dying again. Obviously if you if

2169
02:09:14.079 --> 02:09:17.239
<v Speaker 2>you read other people's analysis, this became very clear because

2170
02:09:17.439 --> 02:09:21.199
<v Speaker 2>when Tony is talking to who's the fat guy that

2171
02:09:21.319 --> 02:09:24.359
<v Speaker 2>ends up with Jennis? Bobby Bobby and they're out on

2172
02:09:24.399 --> 02:09:28.960
<v Speaker 2>the boat and Bobby says, I think it's like, you know,

2173
02:09:30.000 --> 02:09:33.720
<v Speaker 2>you don't hear nothing. You just you go black, You

2174
02:09:33.720 --> 02:09:37.159
<v Speaker 2>don't hear nothing, and Tony's Tony is sitting there and

2175
02:09:37.159 --> 02:09:38.720
<v Speaker 2>he hears him say this, and he thinks about it

2176
02:09:38.760 --> 02:09:43.560
<v Speaker 2>and then Tony remembers Syl explaining that when he was

2177
02:09:43.560 --> 02:09:46.239
<v Speaker 2>out at dinner and somebody came in and shot the

2178
02:09:46.239 --> 02:09:50.600
<v Speaker 2>person he was with, Sill says, I didn't hear nothing.

2179
02:09:50.760 --> 02:09:54.039
<v Speaker 2>You don't hear nothing. It's like it goes black.

2180
02:09:54.399 --> 02:09:57.399
<v Speaker 3>You see a you see a blash, a flash.

2181
02:09:57.039 --> 02:10:02.439
<v Speaker 2>Of light, and then afterwards you hear so And the

2182
02:10:02.479 --> 02:10:05.560
<v Speaker 2>way that episode was shot is that the gun goes

2183
02:10:05.600 --> 02:10:09.279
<v Speaker 2>off and then you hear it. So they wanted you

2184
02:10:09.560 --> 02:10:12.520
<v Speaker 2>to have that vantage point that still had in that episode.

2185
02:10:12.960 --> 02:10:15.680
<v Speaker 2>They wanted you to pay attention to the member's only jacket.

2186
02:10:16.039 --> 02:10:19.039
<v Speaker 2>And it's not Geno that kills because Geno commits suicide.

2187
02:10:19.600 --> 02:10:24.960
<v Speaker 2>So presumably this guy with Gino's gray members only jacket, right,

2188
02:10:25.840 --> 02:10:30.760
<v Speaker 2>that's his brother, some relative that's furious that Tony is

2189
02:10:30.800 --> 02:10:34.680
<v Speaker 2>the reason his brother killed himself. Or presumably he thinks

2190
02:10:34.760 --> 02:10:35.680
<v Speaker 2>that Tony killed.

2191
02:10:35.479 --> 02:10:39.880
<v Speaker 4>The guy, right, Because season six, he's got all these

2192
02:10:39.960 --> 02:10:46.640
<v Speaker 4>landlines that he has to navigate, and he presumably comes

2193
02:10:46.640 --> 02:10:51.640
<v Speaker 4>out on top at the end, But he has not

2194
02:10:52.560 --> 02:10:58.000
<v Speaker 4>improved his soul. He hasn't repented of anything. He went

2195
02:10:58.039 --> 02:11:00.199
<v Speaker 4>back to his cheating, he went back to lying, start

2196
02:11:00.199 --> 02:11:00.920
<v Speaker 4>to killing people.

2197
02:11:04.359 --> 02:11:08.119
<v Speaker 2>Yes, don't forget too, uh, Polly. Polly is key to

2198
02:11:08.199 --> 02:11:12.439
<v Speaker 2>understanding the last episode, ironically, because Polly has the vision

2199
02:11:12.520 --> 02:11:16.039
<v Speaker 2>of Mary in the strip club. I sink the virgin stript,

2200
02:11:16.880 --> 02:11:19.199
<v Speaker 2>I tell you, Tea. I don't tell nobody this usually,

2201
02:11:19.600 --> 02:11:21.840
<v Speaker 2>but I sink the Virgin Mary. I seen them in

2202
02:11:21.880 --> 02:11:25.520
<v Speaker 2>the club and the butto being on My Life, tea,

2203
02:11:26.119 --> 02:11:29.199
<v Speaker 2>I've seen it. So he sees Mary and this is

2204
02:11:29.239 --> 02:11:32.760
<v Speaker 2>an omen and it freaks Paulie out. That's not at

2205
02:11:32.800 --> 02:11:35.000
<v Speaker 2>the last up, it's but later on. And then Polly

2206
02:11:35.079 --> 02:11:39.640
<v Speaker 2>sees this cat and the cat stares at Christopher, the

2207
02:11:39.680 --> 02:11:44.279
<v Speaker 2>picture of Christopher in their little restaurant room there and

2208
02:11:44.319 --> 02:11:46.520
<v Speaker 2>if and Paulie's really superstitious, and he's.

2209
02:11:46.399 --> 02:11:48.600
<v Speaker 6>Like, get rid of that cat. I don't like that cat.

2210
02:11:48.640 --> 02:11:50.039
<v Speaker 6>I don't like cats. I don't like that cat.

2211
02:11:50.039 --> 02:11:52.119
<v Speaker 2>I'm gonna kill that cat. And they're all at that

2212
02:11:52.680 --> 02:11:54.279
<v Speaker 2>leave it a cat alone. I like that cat.

2213
02:11:54.399 --> 02:11:54.960
<v Speaker 3>Leave him alone.

2214
02:11:54.960 --> 02:11:57.239
<v Speaker 2>He's just looking at a picture. He's so superstitious were

2215
02:11:57.279 --> 02:11:59.119
<v Speaker 2>talking about, and he's I'm gonna kill that cat.

2216
02:11:59.119 --> 02:11:59.319
<v Speaker 1>Tea.

2217
02:11:59.560 --> 02:12:01.840
<v Speaker 2>I sweat got him, gonna call that kit tea And

2218
02:12:02.319 --> 02:12:06.319
<v Speaker 2>the cat walks out in the last sequence, and Polly

2219
02:12:06.399 --> 02:12:06.960
<v Speaker 2>looks at.

2220
02:12:06.800 --> 02:12:09.640
<v Speaker 6>It, and he knows it's an omen. He's like, something bait,

2221
02:12:09.640 --> 02:12:12.560
<v Speaker 6>It's gonna happen. That cat, something bait, it's gonna happen.

2222
02:12:12.560 --> 02:12:16.319
<v Speaker 6>I'm telling you tea, Tony's gonna get killed. Now, why

2223
02:12:16.359 --> 02:12:18.880
<v Speaker 6>would there be a sequence of the Omen of the

2224
02:12:18.920 --> 02:12:23.279
<v Speaker 6>Cat if nothing bad happens. Obviously, something bad happens in

2225
02:12:23.359 --> 02:12:27.439
<v Speaker 6>the last sequence, and when Tony walks in and the

2226
02:12:28.479 --> 02:12:29.119
<v Speaker 6>guy who.

2227
02:12:28.960 --> 02:12:31.479
<v Speaker 2>Did the show or the whoever produced that director of

2228
02:12:31.479 --> 02:12:34.680
<v Speaker 2>the final episode talks about the fact that they intentionally

2229
02:12:34.720 --> 02:12:37.119
<v Speaker 2>wanted it to be like two thousand and one, where

2230
02:12:37.159 --> 02:12:42.800
<v Speaker 2>Bowman sees he dissociates, he sees himself. When Tony walks

2231
02:12:42.840 --> 02:12:46.600
<v Speaker 2>into the diner, Tony's standing in the doorway, he sees

2232
02:12:46.720 --> 02:12:50.720
<v Speaker 2>himself sitting at the other end of the restaurant, looking

2233
02:12:50.760 --> 02:12:54.199
<v Speaker 2>back at himself. The director says, I intentionally wanted that

2234
02:12:54.239 --> 02:12:56.479
<v Speaker 2>to be like the sequence in two thousand and one

2235
02:12:56.520 --> 02:13:00.199
<v Speaker 2>with Bowman seeing himself in these different phases of his life.

2236
02:13:00.520 --> 02:13:03.520
<v Speaker 2>Tony is dissociating, he's seeing himself, he's seeing that he's

2237
02:13:03.560 --> 02:13:06.960
<v Speaker 2>about to die, but he doesn't exactly know how this

2238
02:13:07.000 --> 02:13:08.640
<v Speaker 2>is gonna go down. So he goes and he sits

2239
02:13:08.640 --> 02:13:13.119
<v Speaker 2>down the dings of the door obviously are the key, Like,

2240
02:13:13.159 --> 02:13:15.520
<v Speaker 2>these dings have no meaning if nobody's gonna get killed.

2241
02:13:16.159 --> 02:13:18.880
<v Speaker 2>But the ding is telling you that every time Tony

2242
02:13:18.920 --> 02:13:21.680
<v Speaker 2>hears a ding, he's got to look up because it

2243
02:13:21.720 --> 02:13:24.560
<v Speaker 2>could be somebody walking into killing. This is the life

2244
02:13:24.600 --> 02:13:29.079
<v Speaker 2>that Tony's lived. And so the whole point of the

2245
02:13:29.199 --> 02:13:33.239
<v Speaker 2>parking sequence with Meadow is because it's telling you that

2246
02:13:33.399 --> 02:13:38.359
<v Speaker 2>Meadow is missing. Luckily, she's about to miss this bad

2247
02:13:38.720 --> 02:13:44.000
<v Speaker 2>ultimate end times that's coming. So yes, the guy in

2248
02:13:43.760 --> 02:13:47.319
<v Speaker 2>the member's only jacket gets up walks into the bathroom.

2249
02:13:47.439 --> 02:13:50.560
<v Speaker 2>Why is he going into the bathroom? Because what does

2250
02:13:51.039 --> 02:13:56.560
<v Speaker 2>AJ say to Tony? Tony, he says, Dad, Dad, Your

2251
02:13:56.600 --> 02:14:00.199
<v Speaker 2>favorite scene in The Godfather is when Michael Corleone.

2252
02:13:59.640 --> 02:14:02.760
<v Speaker 3>Gets to go get the gun in the bathroom.

2253
02:14:03.199 --> 02:14:05.920
<v Speaker 2>That's obviously the key. If you've watched The godfel you

2254
02:14:05.960 --> 02:14:09.119
<v Speaker 2>know it. AJ tells Tony that they've watched the movie

2255
02:14:09.119 --> 02:14:12.199
<v Speaker 2>a thousand times and it's Tony's favorite scene. That's how

2256
02:14:12.239 --> 02:14:14.800
<v Speaker 2>Tony's gonna die. The guy in the member's only jacket

2257
02:14:14.840 --> 02:14:17.880
<v Speaker 2>is going into the bathroom just like The Godfather. It's obvious, right,

2258
02:14:18.520 --> 02:14:22.439
<v Speaker 2>And then of course the whole point of the final sequence, obviously,

2259
02:14:22.640 --> 02:14:26.000
<v Speaker 2>is that it goes black because he doesn't hear it,

2260
02:14:27.199 --> 02:14:29.800
<v Speaker 2>and he doesn't hear it because of what Sill and

2261
02:14:29.880 --> 02:14:31.800
<v Speaker 2>Bobby told him. I don't think you even hear it

2262
02:14:31.840 --> 02:14:35.199
<v Speaker 2>when it happens, you just go black, right, And that's

2263
02:14:35.239 --> 02:14:38.560
<v Speaker 2>why the ding of the door is Meadow not being

2264
02:14:38.600 --> 02:14:44.119
<v Speaker 2>shot and presumably Carmela and Aj being killed. So Tony, Carmela,

2265
02:14:44.199 --> 02:14:47.760
<v Speaker 2>and Aj all end up dead, and it's clear that

2266
02:14:47.840 --> 02:14:52.720
<v Speaker 2>a Meadow has for whatever reason, avoided this because I

2267
02:14:52.800 --> 02:14:54.600
<v Speaker 2>don't know. I mean, you could argue why she's not.

2268
02:14:54.920 --> 02:14:56.840
<v Speaker 2>Is it just fate? Is it just chance? Is it

2269
02:14:56.880 --> 02:15:00.520
<v Speaker 2>because she was the first to realize it was all problem.

2270
02:15:00.600 --> 02:15:06.600
<v Speaker 4>Maybe because she got a legitimate job and didn't choose

2271
02:15:06.640 --> 02:15:07.439
<v Speaker 4>a life of crime.

2272
02:15:07.720 --> 02:15:09.680
<v Speaker 2>Well there was another Yeah, in the last season, there's

2273
02:15:09.680 --> 02:15:11.760
<v Speaker 2>an important sequence where she gets drunk. Do you remember

2274
02:15:11.760 --> 02:15:15.239
<v Speaker 2>that she has her drunken breakdown at when they're all

2275
02:15:15.279 --> 02:15:20.119
<v Speaker 2>singing songs and she starts she's no, they're at the restaurant,

2276
02:15:20.119 --> 02:15:24.439
<v Speaker 2>and she starts throwing things. Okay, but they're at the restaurant, yeah,

2277
02:15:24.479 --> 02:15:28.399
<v Speaker 2>and she's she's throwing things that Junior when he's singing, right,

2278
02:15:28.520 --> 02:15:31.239
<v Speaker 2>And then she gets up and has her drunken tell

2279
02:15:31.279 --> 02:15:34.279
<v Speaker 2>them all off. But what she says is true, right,

2280
02:15:34.399 --> 02:15:39.199
<v Speaker 2>So so maybe because she saw what was true and

2281
02:15:39.319 --> 02:15:43.279
<v Speaker 2>acted on it, and she she remembers, she distances herself,

2282
02:15:43.960 --> 02:15:45.960
<v Speaker 2>she moves out of the house, she goes off, she

2283
02:15:46.000 --> 02:15:47.760
<v Speaker 2>wants to be at college. She wants to be away

2284
02:15:47.760 --> 02:15:52.239
<v Speaker 2>from them. She goes to California, not even because he

2285
02:15:52.279 --> 02:15:56.159
<v Speaker 2>really likes that guy, it's to get away. So maybe

2286
02:15:56.199 --> 02:16:00.760
<v Speaker 2>she's spared because the impetus for most of the show

2287
02:16:01.479 --> 02:16:03.199
<v Speaker 2>on the part of Meadow is to get out of

2288
02:16:03.239 --> 02:16:05.159
<v Speaker 2>that lifestyle and to get away from her family. Even

2289
02:16:05.199 --> 02:16:07.920
<v Speaker 2>though she loves her family, she knows deep down that

2290
02:16:07.960 --> 02:16:10.920
<v Speaker 2>this is wrong. They're all wrong. There's something seriously wrong

2291
02:16:10.960 --> 02:16:13.840
<v Speaker 2>with his family, but she can't get them to admit it.

2292
02:16:14.399 --> 02:16:17.800
<v Speaker 2>And aj even though he also kind of starts to

2293
02:16:17.800 --> 02:16:21.159
<v Speaker 2>realize this, he's just an idiot. He doesn't do anything

2294
02:16:21.880 --> 02:16:24.279
<v Speaker 2>to make a change or to get out of this.

2295
02:16:24.600 --> 02:16:30.439
<v Speaker 2>He just is there. He's like a rock. So I

2296
02:16:30.479 --> 02:16:33.040
<v Speaker 2>think there may be a couple of the details that

2297
02:16:33.079 --> 02:16:36.200
<v Speaker 2>I'm forgetting. Remember the horse getting burned. I mean, basically,

2298
02:16:36.280 --> 02:16:39.360
<v Speaker 2>anything that Tony does find an attachment to ends up dead.

2299
02:16:40.040 --> 02:16:41.680
<v Speaker 2>I don't think the bear ends up dead, but the

2300
02:16:41.680 --> 02:16:45.639
<v Speaker 2>Baron never comes back. But there's other clues I'm sure

2301
02:16:45.639 --> 02:16:50.639
<v Speaker 2>that I'm missing. And when it comes to what may

2302
02:16:50.680 --> 02:16:54.879
<v Speaker 2>have been the reason for Tony being killed, some people,

2303
02:16:54.920 --> 02:17:00.520
<v Speaker 2>I think speculate that maybe the Member's only guy Gino

2304
02:17:00.680 --> 02:17:05.000
<v Speaker 2>had been flipped and the members only jacket guy. I

2305
02:17:05.040 --> 02:17:08.040
<v Speaker 2>think there's a statement made to Gino that you're the

2306
02:17:08.159 --> 02:17:12.360
<v Speaker 2>FBI's top hitter now, so maybe they had turned Geno,

2307
02:17:12.600 --> 02:17:15.840
<v Speaker 2>or maybe this is an FBI hit on Tony. I

2308
02:17:15.840 --> 02:17:20.360
<v Speaker 2>don't know. You could speculate that The only other plausible

2309
02:17:20.760 --> 02:17:25.520
<v Speaker 2>sort of theory is that Tony's not killed. It's just

2310
02:17:25.639 --> 02:17:30.600
<v Speaker 2>giving you the sequence the experience of Tony that at

2311
02:17:30.600 --> 02:17:33.719
<v Speaker 2>every moment he does fear for his life. I don't

2312
02:17:33.760 --> 02:17:36.239
<v Speaker 2>buy that. I mean, there's all of these clues throughout

2313
02:17:36.319 --> 02:17:39.280
<v Speaker 2>the rest of the show in season six that are

2314
02:17:39.319 --> 02:17:41.239
<v Speaker 2>obviously telling you that Tony's killed.

2315
02:17:41.280 --> 02:17:41.920
<v Speaker 1>I don't think.

2316
02:17:42.079 --> 02:17:45.360
<v Speaker 2>I mean, it's ludicrous to say that he's not. What's

2317
02:17:45.399 --> 02:17:48.680
<v Speaker 2>the point of the whole sequence of Meadow not being

2318
02:17:48.760 --> 02:17:52.440
<v Speaker 2>able to park on time? If Tony's not killed, that's

2319
02:17:52.479 --> 02:17:55.040
<v Speaker 2>the whole point of that sequence. There's no other reason

2320
02:17:55.079 --> 02:17:59.840
<v Speaker 2>for that. Obviously right, because it's she's narrowly missing getting killed,

2321
02:18:00.040 --> 02:18:02.680
<v Speaker 2>would have been sitting right next to Tony and that

2322
02:18:02.879 --> 02:18:05.319
<v Speaker 2>you know, presumably the bullet would have hit her or

2323
02:18:05.520 --> 02:18:08.120
<v Speaker 2>he would have shot again all four members of the family.

2324
02:18:08.680 --> 02:18:19.440
<v Speaker 2>So yes, that's my analysis. There you go. So it's

2325
02:18:19.520 --> 02:18:23.079
<v Speaker 2>a tragedy. It's a tragedy comedy deals with all the

2326
02:18:23.079 --> 02:18:25.799
<v Speaker 2>big questions in life, all the great big literature questions.

2327
02:18:26.799 --> 02:18:34.600
<v Speaker 2>Ultimately it's still a pagan, psychoanalytical union eternal return psychodrama.

2328
02:18:35.920 --> 02:18:38.040
<v Speaker 2>But still if you look at it from a literary

2329
02:18:38.079 --> 02:18:41.920
<v Speaker 2>perspective and from a cultural perspective, and from just as

2330
02:18:41.920 --> 02:18:43.920
<v Speaker 2>an artistic piece, it's a masterpiece.

2331
02:18:44.959 --> 02:18:52.159
<v Speaker 4>And it was so realistic that real mobsters would watch

2332
02:18:52.200 --> 02:18:54.520
<v Speaker 4>it and they thought that somebody from the inside was

2333
02:18:54.559 --> 02:18:59.159
<v Speaker 4>feeding the show information because it was really.

2334
02:19:01.079 --> 02:19:02.920
<v Speaker 2>Well. As I said, some of the articles I read

2335
02:19:02.959 --> 02:19:05.879
<v Speaker 2>on it did speculate that it was based on the

2336
02:19:06.079 --> 02:19:10.239
<v Speaker 2>the Cavalcante family. So I'm sure, again, I don't I

2337
02:19:10.239 --> 02:19:14.120
<v Speaker 2>haven't looked into what they were specifically, you know, all

2338
02:19:14.159 --> 02:19:16.719
<v Speaker 2>the writers were going to but I wouldn't be surprised.

2339
02:19:16.760 --> 02:19:18.639
<v Speaker 2>I mean, I'm sure. I mean, it's just like when

2340
02:19:18.639 --> 02:19:22.520
<v Speaker 2>Mario Puzzo did the Godfather novel. He went and just

2341
02:19:22.600 --> 02:19:26.000
<v Speaker 2>collected real stories and just kind of kind of, you know,

2342
02:19:26.319 --> 02:19:30.559
<v Speaker 2>composited it. So I don't doubt that at all. I

2343
02:19:30.559 --> 02:19:32.680
<v Speaker 2>mean we saw that with Godfather three. I mean that

2344
02:19:32.760 --> 02:19:34.520
<v Speaker 2>the you know, the Godfather three gets into the p

2345
02:19:34.680 --> 02:19:39.680
<v Speaker 2>two lodge, the Mafia working with the CIA working, you know,

2346
02:19:39.760 --> 02:19:43.479
<v Speaker 2>the relationship with the Vatican, John Paul the first being assassinated.

2347
02:19:43.520 --> 02:19:47.680
<v Speaker 2>Oh that's real, that's all true, you know, historic fact.

2348
02:19:48.360 --> 02:19:51.760
<v Speaker 2>Godfather three, the movie even gets into the Vatican banking

2349
02:19:51.799 --> 02:19:55.319
<v Speaker 2>scandal with Roberto calve There's a character in Godfather three

2350
02:19:55.319 --> 02:19:58.920
<v Speaker 2>that's Roberto Calvie. So I wouldn't be surprised if if

2351
02:19:58.959 --> 02:20:07.360
<v Speaker 2>the uh, the Sopranos wasn't as mafia consulted as the Godfather.

2352
02:20:09.520 --> 02:20:12.239
<v Speaker 2>But I don't know that for sure. All right, So

2353
02:20:12.280 --> 02:20:15.920
<v Speaker 2>I hope you guys enjoyed this full on breakdown. I

2354
02:20:15.959 --> 02:20:18.600
<v Speaker 2>think it. I think we broke it down good. I

2355
02:20:18.639 --> 02:20:20.959
<v Speaker 2>do apologize because I feel like I'm missing a couple

2356
02:20:21.000 --> 02:20:24.120
<v Speaker 2>of details with the finale. I think I've hit all

2357
02:20:24.159 --> 02:20:28.000
<v Speaker 2>the highlights though. Oh the cat when Tony walks into

2358
02:20:28.239 --> 02:20:35.120
<v Speaker 2>the restaurant, that yellow tabby cat, that Polly says, as

2359
02:20:35.159 --> 02:20:38.159
<v Speaker 2>an omen, you see a giant yellow cat up on

2360
02:20:38.360 --> 02:20:42.200
<v Speaker 2>the mural right beneath where Tony's gonna die. I don't

2361
02:20:42.239 --> 02:20:46.280
<v Speaker 2>think that's accidental, because that's it. That's the omen. Yeah.

2362
02:20:46.360 --> 02:20:48.360
<v Speaker 2>Then there's a lot of other details like that. And

2363
02:20:48.680 --> 02:20:51.600
<v Speaker 2>I've only seen the show once through, so I would

2364
02:20:52.000 --> 02:20:56.000
<v Speaker 2>guarantee you that knowing that if you went back, I

2365
02:20:56.000 --> 02:20:58.120
<v Speaker 2>mean there's no you would find I'm sure all kinds

2366
02:20:58.120 --> 02:21:00.000
<v Speaker 2>of you know stuff. I mean that you could die

2367
02:21:00.120 --> 02:21:02.200
<v Speaker 2>sect this like you could dis sect Twin Peaks. I

2368
02:21:02.200 --> 02:21:04.559
<v Speaker 2>mean it would be like a you know, a never

2369
02:21:04.719 --> 02:21:06.719
<v Speaker 2>ending that section type of thing. And that's why this

2370
02:21:06.920 --> 02:21:09.559
<v Speaker 2>does you know this is up there with you know,

2371
02:21:09.559 --> 02:21:13.959
<v Speaker 2>two thousand and one with Kubrick eyesway shut, it's up

2372
02:21:14.000 --> 02:21:19.040
<v Speaker 2>there with twin Peaks, David Lynch stuff, for that level

2373
02:21:19.079 --> 02:21:23.159
<v Speaker 2>of depth that you really can decode it forever, and

2374
02:21:23.239 --> 02:21:26.200
<v Speaker 2>that's when you know it's something good. Jack five dollars,

2375
02:21:26.239 --> 02:21:33.440
<v Speaker 2>congratulations on being married. Who's married? Who got married? Oh

2376
02:21:33.479 --> 02:21:37.360
<v Speaker 2>you mean us? Thank you, Gerald Norris, one hundred dollars.

2377
02:21:37.440 --> 02:21:41.120
<v Speaker 2>Look at that, he said, keep going. Well, you throw

2378
02:21:41.159 --> 02:21:43.479
<v Speaker 2>me one hundred dollars, dude, I'll keep going. I will

2379
02:21:43.479 --> 02:21:47.479
<v Speaker 2>never stop. But hey, it's nice to know that, you know,

2380
02:21:47.600 --> 02:21:49.559
<v Speaker 2>you could put in this much time and effort to

2381
02:21:50.280 --> 02:21:53.600
<v Speaker 2>Sopranos because what this took us, well a few couple

2382
02:21:53.559 --> 02:21:55.520
<v Speaker 2>of months. Yeah, I mean there was a couple of

2383
02:21:55.559 --> 02:22:00.680
<v Speaker 2>months of watching and researching and paying attention. So so

2384
02:22:00.879 --> 02:22:05.879
<v Speaker 2>really appreciate that, Drol Norris, that's a really generous super

2385
02:22:05.959 --> 02:22:08.959
<v Speaker 2>chat and I really thank you for that. Evan Schultz.

2386
02:22:09.000 --> 02:22:11.760
<v Speaker 2>Ten dollars, he's lost it where to go?

2387
02:22:16.280 --> 02:22:18.639
<v Speaker 7>If you touch this it just flies past all of

2388
02:22:18.719 --> 02:22:24.000
<v Speaker 7>the super chats. Thank you as always, The Sopranos was

2389
02:22:24.000 --> 02:22:27.159
<v Speaker 7>a great TV show and your analysis is insightful. Always

2390
02:22:27.239 --> 02:22:29.719
<v Speaker 7>nice to have Jamie on. Congratulations in many years to

2391
02:22:29.719 --> 02:22:31.120
<v Speaker 7>you both. Well, thank you Evan Schultz.

2392
02:22:31.120 --> 02:22:35.559
<v Speaker 2>He's a longtime supporter, longtime super chatter, He's been there

2393
02:22:35.680 --> 02:22:39.040
<v Speaker 2>for what a few years now, So much appreciated, Evan.

2394
02:22:39.120 --> 02:22:42.200
<v Speaker 2>We know you're an og when it comes to supporting

2395
02:22:42.280 --> 02:22:44.399
<v Speaker 2>Jay's nel, so so thank you for those kind words.

2396
02:22:44.920 --> 02:22:47.280
<v Speaker 2>And I'm glad you liked this stream Anthony for ten dollars.

2397
02:22:47.319 --> 02:22:50.680
<v Speaker 2>It's funny. My friend watched this series recently and it

2398
02:22:50.719 --> 02:22:55.040
<v Speaker 2>coincided with him going through phases a belief in Reincarnation

2399
02:22:55.319 --> 02:23:01.680
<v Speaker 2>told you his other beliefs like Buddhism, nihilism, seeing himself

2400
02:23:01.719 --> 02:23:03.799
<v Speaker 2>as a general. Oh that was the other thing. Remember

2401
02:23:03.840 --> 02:23:10.559
<v Speaker 2>the painting Polly has that stupid painting with the horse saved.

2402
02:23:10.600 --> 02:23:12.639
<v Speaker 2>He saves it out of the dumpster, and then he

2403
02:23:12.680 --> 02:23:17.879
<v Speaker 2>has Tony painted as a civil as American revolutionary general.

2404
02:23:18.920 --> 02:23:23.079
<v Speaker 2>Once again, Reincarnation Tony is a general. Would you say

2405
02:23:23.079 --> 02:23:26.200
<v Speaker 2>that he was programmed? That is I think a potential reading.

2406
02:23:26.200 --> 02:23:29.280
<v Speaker 2>That's what I'm trying to say with I mean, we

2407
02:23:29.399 --> 02:23:37.079
<v Speaker 2>don't ever get the clear reference that Tony was at

2408
02:23:37.120 --> 02:23:43.280
<v Speaker 2>some point programmed unless this was all done intentionally. And

2409
02:23:43.440 --> 02:23:47.399
<v Speaker 2>maybe you could say, well, Tony's mom is a psychopath,

2410
02:23:47.760 --> 02:23:51.399
<v Speaker 2>his dad was a psychopath. So if they had a

2411
02:23:51.440 --> 02:23:54.079
<v Speaker 2>connection to the FEDS or to the CIA or something

2412
02:23:54.120 --> 02:23:57.959
<v Speaker 2>like that, maybe, and maybe that's why the FBI agent

2413
02:23:58.000 --> 02:24:03.639
<v Speaker 2>at the end says your family, your people, Right, you

2414
02:24:03.760 --> 02:24:07.559
<v Speaker 2>guys worked with the CIA to hide Lucky Luciano. Right.

2415
02:24:07.920 --> 02:24:12.559
<v Speaker 2>Maybe that's the significance to that reference and to the

2416
02:24:12.680 --> 02:24:15.280
<v Speaker 2>MK ultra monarch symbolism that is in the show and

2417
02:24:15.319 --> 02:24:18.799
<v Speaker 2>the Wizard of Odds stuff and the drugging. So is

2418
02:24:19.040 --> 02:24:22.520
<v Speaker 2>the psychiatrist a handler I don't think so, but it

2419
02:24:22.600 --> 02:24:27.159
<v Speaker 2>is interesting to, you know, speculate on is Tony a

2420
02:24:27.159 --> 02:24:32.879
<v Speaker 2>a programmed kind of Assassin's It's something you could speculate,

2421
02:24:33.360 --> 02:24:36.319
<v Speaker 2>but I'd have to go back and rewatch the show

2422
02:24:36.520 --> 02:24:39.680
<v Speaker 2>from that angle to see if you could really substantiate that.

2423
02:24:39.719 --> 02:24:43.840
<v Speaker 2>But it's an interesting theory. So that's what I think

2424
02:24:43.840 --> 02:24:49.719
<v Speaker 2>about him being programmed. Maybe Dharma poozle seven dollars small beer.

2425
02:24:49.799 --> 02:24:53.200
<v Speaker 2>I know, dude, but Ay has broke. Well, you don't

2426
02:24:53.239 --> 02:24:55.120
<v Speaker 2>have to if you're broke, dude, don't worry about some

2427
02:24:55.120 --> 02:24:57.239
<v Speaker 2>of you super jazz but much appreciated. You want to

2428
02:24:57.280 --> 02:24:59.360
<v Speaker 2>read some supergens, We're.

2429
02:24:59.159 --> 02:25:06.399
<v Speaker 4>Here, Mike, Mike Sherman twenty dollars. Paul went to Norway

2430
02:25:06.600 --> 02:25:11.040
<v Speaker 4>for a two season Mafia sitcom. Hilarious.

2431
02:25:11.719 --> 02:25:13.040
<v Speaker 2>Maybe he means Paulie.

2432
02:25:12.920 --> 02:25:15.479
<v Speaker 4>Paul's went to Norway for a two season.

2433
02:25:15.239 --> 02:25:18.520
<v Speaker 2>Mafia He probably means Paula. That would be funny to watch.

2434
02:25:19.000 --> 02:25:25.959
<v Speaker 4>Yeah, Varsity athlete three dollars. Quasi moto predicted all of this.

2435
02:25:26.200 --> 02:25:29.120
<v Speaker 4>The elites are the sacred and we are the profane.

2436
02:25:31.959 --> 02:25:36.000
<v Speaker 2>Yeah, I mean that's really the the basis of all

2437
02:25:36.000 --> 02:25:38.360
<v Speaker 2>the symbology from the elite perspective?

2438
02:25:39.239 --> 02:25:42.200
<v Speaker 4>Is that a quasi motive conversation they had?

2439
02:25:42.760 --> 02:25:42.920
<v Speaker 2>Oh?

2440
02:25:43.000 --> 02:25:46.000
<v Speaker 4>Do they remember? It was like they were making fun.

2441
02:25:45.840 --> 02:25:48.680
<v Speaker 2>Of notre yes. And it was right after the nine

2442
02:25:48.719 --> 02:25:54.719
<v Speaker 2>event and Tony was talking to Bobby and Tony makes.

2443
02:25:54.520 --> 02:26:01.280
<v Speaker 3>That oh yeah, you know it's that you know, damas yes,

2444
02:26:01.360 --> 02:26:02.479
<v Speaker 3>And Bobby.

2445
02:26:02.200 --> 02:26:05.079
<v Speaker 2>Thinks quasi moto is no stra damas yeah, and Tony

2446
02:26:05.120 --> 02:26:06.639
<v Speaker 2>makes fun of him for being really domb.

2447
02:26:06.680 --> 02:26:13.520
<v Speaker 4>It's funny, s bad hastonian ten dollars, great conversation, great impersonations.

2448
02:26:13.559 --> 02:26:21.760
<v Speaker 3>Forget about it, Tony, forget about it, Crystal, that's Adriana.

2449
02:26:22.479 --> 02:26:29.120
<v Speaker 3>Uh Carmela, Oh yeah, she can't forget about it? Huh

2450
02:26:29.319 --> 02:26:31.239
<v Speaker 3>ye that what you're gonna do? You're gonna forget about it?

2451
02:26:31.680 --> 02:26:32.600
<v Speaker 3>Forget about it?

2452
02:26:33.000 --> 02:26:35.159
<v Speaker 2>What are you gonna do? I like that one? What

2453
02:26:35.600 --> 02:26:36.360
<v Speaker 2>are you gonna do?

2454
02:26:36.600 --> 02:26:37.559
<v Speaker 4>Forget about it?

2455
02:26:38.319 --> 02:26:38.920
<v Speaker 2>On my life?

2456
02:26:39.040 --> 02:26:47.280
<v Speaker 4>Te okay KEI going? Don John, Don John ten dollars,

2457
02:26:47.319 --> 02:26:48.079
<v Speaker 4>excellent show.

2458
02:26:48.360 --> 02:26:51.280
<v Speaker 2>Thank you, Don John, You're an excellent that's an excellent.

2459
02:26:50.959 --> 02:26:56.479
<v Speaker 4>Name, Don John Daniel ya Ania fifty dollars. Oh, thank you,

2460
02:26:57.040 --> 02:26:59.239
<v Speaker 4>great stream. We have to check the show out.

2461
02:27:00.120 --> 02:27:03.639
<v Speaker 2>Yes, well, I'm sorry for spoiling it. Although that's how

2462
02:27:03.639 --> 02:27:05.799
<v Speaker 2>it goes. If you watch this holes maybe you cut

2463
02:27:05.840 --> 02:27:07.559
<v Speaker 2>it off and didn't watch the ending, so you don't

2464
02:27:07.600 --> 02:27:10.479
<v Speaker 2>know what happens. But I think you will agree with

2465
02:27:10.520 --> 02:27:13.760
<v Speaker 2>mine nelysis if you see the end of the show. Okay, Sean,

2466
02:27:14.399 --> 02:27:16.399
<v Speaker 2>But by the way, Daniel, thank you for that fifty

2467
02:27:16.399 --> 02:27:18.920
<v Speaker 2>dollars much appreciated. Shout out Daniel and Nia.

2468
02:27:19.319 --> 02:27:22.799
<v Speaker 4>Sean and Finnegan five dollars. Can you explain revelation of

2469
02:27:22.840 --> 02:27:25.159
<v Speaker 4>the method and generally why Hollywood does it.

2470
02:27:26.799 --> 02:27:30.280
<v Speaker 2>Well? On an esoteric level, it's done I think to

2471
02:27:30.879 --> 02:27:33.360
<v Speaker 2>just prepare people for what's coming, or to kind of

2472
02:27:33.399 --> 02:27:38.000
<v Speaker 2>cast a spell that you see something before it happens

2473
02:27:38.040 --> 02:27:40.159
<v Speaker 2>in fiction, and so it kind of casts a spell

2474
02:27:40.200 --> 02:27:44.000
<v Speaker 2>over you. It might make you. You might be conditioned

2475
02:27:44.000 --> 02:27:46.360
<v Speaker 2>to it, right, So from a kind of a psychological

2476
02:27:46.360 --> 02:27:49.799
<v Speaker 2>warfare perspective, it's like gaslighting, so you're conditioned to it.

2477
02:27:50.280 --> 02:27:53.879
<v Speaker 2>So basically, I think that's the reason for why this

2478
02:27:53.959 --> 02:27:56.879
<v Speaker 2>kind of stuff would pop up. It's not always intentional.

2479
02:27:56.920 --> 02:28:00.920
<v Speaker 2>Sometimes the arts just have that quality to them where

2480
02:28:00.959 --> 02:28:04.120
<v Speaker 2>they can in a way predict the future. So there

2481
02:28:04.120 --> 02:28:07.200
<v Speaker 2>could be a higher level kind of divine providence that

2482
02:28:07.879 --> 02:28:11.120
<v Speaker 2>is the basis for the arts predicting the future. Sometimes

2483
02:28:11.120 --> 02:28:15.920
<v Speaker 2>it's human agency that's intentionally conditioning people to accept messages.

2484
02:28:16.440 --> 02:28:20.799
<v Speaker 2>Governments have done that forever, you know, embedding messages into fiction.

2485
02:28:21.360 --> 02:28:23.719
<v Speaker 2>I cover that in my books. So you know, you

2486
02:28:23.760 --> 02:28:29.159
<v Speaker 2>can have different motivations and actors, so to speak, within history.

2487
02:28:29.520 --> 02:28:32.159
<v Speaker 2>So it's not always one thing, right, there can be different.

2488
02:28:32.200 --> 02:28:36.159
<v Speaker 2>So but from the psyops perspective, revelation of the method

2489
02:28:36.239 --> 02:28:41.280
<v Speaker 2>of functions to condition, and then from the esoteric perspective,

2490
02:28:41.399 --> 02:28:43.639
<v Speaker 2>you could argue that it's a kind of a maybe

2491
02:28:43.639 --> 02:28:47.959
<v Speaker 2>a casting of a spell where you're, you know, gaslighting

2492
02:28:47.959 --> 02:28:52.920
<v Speaker 2>your audience before you do what you're going to do.

2493
02:28:53.680 --> 02:28:56.280
<v Speaker 2>All right, Well, there you go, two and a half hours.

2494
02:28:56.280 --> 02:29:01.479
<v Speaker 2>I think we covered any other closing remarks on.

2495
02:29:00.200 --> 02:29:02.479
<v Speaker 4>Us Super Sopranos stream.

2496
02:29:02.600 --> 02:29:04.760
<v Speaker 2>All right, everybody, thank you. If you enjoy this, please

2497
02:29:04.920 --> 02:29:08.680
<v Speaker 2>like it and share it, subscribe, and if you do

2498
02:29:08.799 --> 02:29:12.280
<v Speaker 2>have a chance, definitely watch The Sopranos and tell me

2499
02:29:12.319 --> 02:29:14.360
<v Speaker 2>if you think I'm right or if I got something wrong.

2500
02:29:14.799 --> 02:29:17.520
<v Speaker 2>Leave me comments below below the show if you're watching

2501
02:29:17.520 --> 02:29:19.760
<v Speaker 2>this after the live show, and let me know if

2502
02:29:19.760 --> 02:29:22.520
<v Speaker 2>you think I got something wrong. Everybody, have a good

2503
02:29:22.600 --> 02:29:24.600
<v Speaker 2>night and we'll talk to you soon. Next up, by

2504
02:29:24.600 --> 02:29:26.680
<v Speaker 2>the way, is we will do our top ten X

2505
02:29:26.719 --> 02:29:29.440
<v Speaker 2>Files episodes. We've been we've been for a long time

2506
02:29:29.479 --> 02:29:32.399
<v Speaker 2>wanting to do a really good X Files breakdown. So

2507
02:29:32.440 --> 02:29:35.639
<v Speaker 2>we're gonna pick like the top ten. It's gonna be difficult.

2508
02:29:35.799 --> 02:29:38.040
<v Speaker 2>It might not be ten, might be twelve, fifteen, but

2509
02:29:38.079 --> 02:29:40.280
<v Speaker 2>we're gonna pick the best ones we think. I've seen

2510
02:29:40.559 --> 02:29:43.719
<v Speaker 2>X Files many times through. It's a great show, the

2511
02:29:43.799 --> 02:29:48.319
<v Speaker 2>classic for you know, conspiracy TV shows, And that will

2512
02:29:48.319 --> 02:29:49.040
<v Speaker 2>be next up for
